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Speaker 1: Welcome to Jurassic Pals, the No Dunks summer podcast project

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Speaker 1: where we're watching every movie from the Jurassic Park franchise.

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Speaker 2: Today we tackle the.

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Speaker 1: Head scratching sequel, The Lost World Jurassic Park. I'm Jay

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Speaker 1: Skeets here in the Classic Factory, and alongside me, as always,

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Speaker 1: he loves the baby Dinos tasmelas.

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Speaker 3: Yeah, sure, I sure do. I also love you just

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Speaker 3: rolling off the Jurassic Pals. I think that's more entertaining

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Speaker 3: than the actual movie.

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Speaker 1: Oh wow, thank you. Next to him, next to task,

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Speaker 1: don't let this guy loose in San Diego, it's the

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Speaker 1: Bearded one, Trey Herby, Hey yo. And last but not

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Speaker 1: least over Yonder, this is a man that knows that

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Speaker 1: thirty minutes is half an hour. It's super producer JD. Hello, Hello, JD.

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Speaker 1: One of the weirdest parts of this movie. Why did

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Speaker 1: he say that we don't have a.

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Speaker 2: Lot of clarification in this movie? I think, Oh boy boy.

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Speaker 1: Appreciate you all checking out the podcast here. Maybe you're

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Speaker 1: watching on YouTube. Hit the like button, subscribe, share the show,

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Speaker 1: podcast listeners, five star ratings and reviews. Yes, this is

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Speaker 1: our second Jurassic Park. Here from the entire movie franchise.

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Speaker 1: We really loved Jurassic Park, the original ten out of ten.

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Speaker 2: Go check out that.

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Speaker 1: Pod if you haven't already. But this one, the Lost

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Speaker 1: World Jurassic Park, came out May twenty three of nineteen

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Speaker 1: ninety seven. The budget seventy three million, so they gave

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Speaker 1: Spielberg another ten million from the first one. Here go

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Speaker 1: have some fun with this. It did well.

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Speaker 2: It's done well. Look it grossed.

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Speaker 1: Nearly six hundred and twenty million dollars worldwide and it

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Speaker 1: actually set a new opening weekend record at the time,

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Speaker 1: so it popped for people to go see it. People

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Speaker 1: were excited about the see absolutely, and then they probably

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Speaker 1: left a little disappointed. The skinny is a research team

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Speaker 1: is sent to the Jurassic Park site b Island to

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Speaker 1: study the dinosaurs there, while an in gen team approaches

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Speaker 1: with another agenda. Oh boy, run time about two hours

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Speaker 1: and ten minutes too long? Is the answer?

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Speaker 2: Stars Jeff Goldbloom. He's back.

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Speaker 1: He's the main guy. This time. We got Julianne Moore,

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Speaker 1: Pete Posselthwaite. Oh yeah, I hope I'm saying that correctly.

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Speaker 1: Rest in Pete's rest in Pete to Pete Posselthwaite and

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Speaker 1: then a young Vince Vaughan. It's also in this movie,

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Speaker 1: and it's directed by Steven Spielberg for the final time.

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Speaker 1: This will be his last go here in the Jurassic

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Speaker 1: Park franchise. Obviously did the first one, that summer blockbuster

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Speaker 1: that it was, and then he did a sequel, and

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Speaker 1: he seemed to even hate this movie.

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Speaker 4: He doesn't like doing sequels.

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Speaker 1: No, he doesn't. Good for good reason, I think.

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Speaker 2: Yeah, it doesn't like doing sequels.

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Speaker 5: And apparently Michael Crichton was basically asked to write a

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Speaker 5: second book as well. He wrote it in Spielberg's like, Eh,

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Speaker 5: some good ideas, but I got my own things I

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Speaker 5: want to do. I'm only doing one sequel, so I'm

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Speaker 5: jamming all.

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Speaker 2: The ideas and here that I can.

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Speaker 1: All right, let's make our way through this movie. We

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Speaker 1: start with a look at and I'll say it correctly

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Speaker 1: this time.

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Speaker 6: Is La Sona.

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Speaker 1: This is Site B, the code name for Site B

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Speaker 1: here by the in Gen company. It's located eighty seven

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Speaker 1: miles southwest of our og Dino island that we had

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Speaker 1: in the first one. Is La Nublar, not Isla to island.

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Speaker 4: We wish we know it's the Spanish word r.

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Speaker 1: Yeah, yeah, that's right, that's right.

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Speaker 5: It's confirmed eighty seven miles away from the other island.

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Speaker 1: Huh yeah, yeah, they're all clustered, I guess together.

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Speaker 2: That's a crazy plan.

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Speaker 5: Eighty seven miles isn't that close to trans because what

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Speaker 5: they're telling us is they're making the dinosaurs here and

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Speaker 5: then traveling ninety miles nautically, Yeah, to bring the dinosaurs

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Speaker 5: to the other place.

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Speaker 1: Yeah.

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Speaker 2: I feel like if.

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Speaker 5: John Hammond would have told people that's how they're producing

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Speaker 5: the dinosaurs, it'd be like, no, way.

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Speaker 2: That can't work. You can't transport a dino that far.

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Speaker 5: Yeah.

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Speaker 2: Every time we've seen a dinosaur transporter it goes.

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Speaker 1: For Yeah, it's a weird logistics there that he decided

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Speaker 1: to like fold into this whole play. Yeah. Well, we

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Speaker 1: start this off with a British couple. They are vacationing

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Speaker 1: there by the island on the island from their private yacht.

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Speaker 1: They're sipping champagne, they're eating roast beef, they got some

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Speaker 1: prawns on the way all and their youngest daughter, Kathy

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Speaker 1: I think her name is, She wanders off down the

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Speaker 1: beach doing a little beach step in and tweets, and

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Speaker 1: she comes across the tiny little dinosaur and sort of

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Speaker 1: feeds a little roast beef, and oh, here come a

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Speaker 1: bunch of them, and I thought at first was eating alive,

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Speaker 1: but we learned she'd later survive. But it is attacked,

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Speaker 1: I guess by these tiny hungry dinosaurs. Yes, compies, Yes, yes,

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Speaker 1: our first go of the company. We have not seen

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Speaker 1: the compy, right, the debut film for the company.

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Speaker 2: Does anybody else think that's just the baby Raptor?

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Speaker 1: Yeah?

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Speaker 7: You know.

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Speaker 2: I was like, Oh, cool, baby raptor.

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Speaker 5: We're gonna see the next big raptor come out and

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Speaker 5: eat this girl, which is what I thought at first,

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Speaker 5: because I don't remember this one nearly as well as

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Speaker 5: I remember the first one, which I've watched a billion times.

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Speaker 5: In this one I've probably seen like five times now,

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Speaker 5: not as much replay value for me, but I definitely

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Speaker 5: was like, oh, that's just like the baby raptor we

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Speaker 5: saw hatch in the first one. Watch out for the

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Speaker 5: parents coming next instead a swarm of babys which.

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Speaker 2: Are now copies.

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Speaker 1: Yeah, it's a whole new thing here.

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Speaker 2: I was confused.

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Speaker 8: I think the copies are what killed doctor Malcolm in

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Speaker 8: the first book?

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Speaker 6: Interesting? Okay, I think so if I'm remembering correctly.

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Speaker 8: And then you know, Cranton was asked to write a

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Speaker 8: sequel and he's like, well, we're just going to bring

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Speaker 8: doctor Malcolm back. Oh okay, but whatever.

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Speaker 1: Yeah, well funny, funny you say, bring them back because

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Speaker 1: the British mom's scream dissolves into Jeff Goldbloom doctor Ian Malcolm.

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Speaker 1: He is a doctor, right he is?

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Speaker 6: Yeah, he's a doctor.

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Speaker 1: Yeah.

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Speaker 5: Well, I mean he's technically a chaos mathematician, but I'm

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Speaker 5: sure he has his doctorate in Yeah.

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Speaker 1: You know, in the first one we did Jurassic Pals,

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Speaker 1: I definitely left doctor off a his name for a

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Speaker 1: majority of the time.

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Speaker 8: I said it, Yeah, and you were calling John Hammond

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Speaker 8: doctor Hammond.

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Speaker 4: He's no doctor.

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Speaker 2: Oh I was. I think, is that a doctor degree?

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Speaker 2: What about the coffees? Are they doctors?

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Speaker 4: Yeah?

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Speaker 6: They do not have their PhD.

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Speaker 3: Know anyway, Yeah, I was weirded out hearing Ian Malcolm

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Speaker 3: actually because in the first one they just call him

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Speaker 3: doctor Malcolm.

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Speaker 1: Yeah. Yeah, yeah.

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Speaker 3: It doesn't seem like an Ian to me. She's more

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Speaker 3: of a Jeff.

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Speaker 5: I do love the cut though, from lady yelling to

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Speaker 5: Malcolm yawning, and it looks like he's on an island somewhere,

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Speaker 5: but he's really just standing in front of a poster.

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Speaker 2: I thought that was pretty funny. I think it's my

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Speaker 2: favorite shot of the entire movie. Wow, serious, Oh, this

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Speaker 2: is awesome.

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Speaker 1: And then it sort of goes downhill from there. But yeah,

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Speaker 1: he's he's in the subway and he boards a train,

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Speaker 1: and he's recognized by a bunch of passengers, right the

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Speaker 1: one guy in particular coming up to him and trying

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Speaker 1: to get something out of them. But all I kept

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Speaker 1: thinking was like, whoa is that the Atlanta Marta. It

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Speaker 1: looks like it's so identical, Yeah to the mart of

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Speaker 1: those orange like hard bucket scenes. I thought it maybe was.

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Speaker 1: I don't think it is.

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Speaker 3: But and it was a super clean subway. It was

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Speaker 3: part of the well, it didn't seem like New York either.

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Speaker 3: Sitting with my my New York and wife Danielle said, whoa,

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Speaker 3: that's clean, clear, cleaned the heck out of it. It

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Speaker 3: felt really weird. Just the whole thing didn't smell like urine,

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Speaker 3: like the whole.

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Speaker 6: You know, the whole thing, the whole New York Vine.

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Speaker 4: Yeah, it didn't feel like that at all.

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Speaker 1: So any anything from this, I mean, we can move

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Speaker 1: with some pace here on the opening of this movie

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Speaker 1: here with the British couple and the daughter and then

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Speaker 1: into Malcolm.

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Speaker 8: Well, I've been trying to keep a running tally of

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Speaker 8: the worst parents in the franchise. You know, yeah, we

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Speaker 8: thought that the lex and uh Tim's parents were the worst.

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Speaker 8: But you know, I don't know, just letting your daughter

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Speaker 8: wander off on a strange island not great.

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Speaker 1: Yeah, but then again, like she was trying to make

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Speaker 1: her like, hey, stay close. Just the dad was the

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Speaker 1: one that was like, relax, We're on a private island here.

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Speaker 2: What is she gonna do?

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Speaker 1: Yeah? Yeah, yeah, And they don't know.

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Speaker 8: There's I'm just trying to keep track of my ranking.

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Speaker 8: So and Tim's parents still number one for now for now?

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Speaker 1: Okay?

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Speaker 2: Do you think prawns are the most elitist food? Who shrimp?

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Speaker 5: Shrimp for us peasants, but prawns are for the upper

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Speaker 5: crust of society?

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Speaker 3: It felt like to me, Yeah, it feels disgusting to me.

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Speaker 3: I'm not a prawn man.

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Speaker 6: You a shrimpman.

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Speaker 2: Well, it depends on the day.

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Speaker 3: Sometimes I think they're disgusting. Gosh, the floor of the ocean. No,

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Speaker 3: thank you, they are bugs. There are the ocean's bugs.

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Speaker 3: Depends on the day. But I just never saw. I

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Speaker 3: just didn't know prawns were a thing in Eastlesorna, but

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Speaker 3: I guess they are.

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Speaker 1: My takeaway as a fan that watches Below Deck and

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Speaker 1: j D, I can't if you do, or yeah, like

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Speaker 1: you know how they're on the yacht. They're on these

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Speaker 1: this beautiful yacht, the super Yacht. They're well staffed, of course,

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Speaker 1: everything you want there, But then it feels like every

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Speaker 1: episode of Blow Deck, the people want to go to

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Speaker 1: a private beach and then you got to pack up everything.

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Speaker 1: If you're the chef and you're the staff, and you

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Speaker 1: got to take the tables, you gotta take the tents,

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Speaker 1: you gotta take the barbecue and all that, it's always

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Speaker 1: a night, huge pan of it. It's the biggest pain

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Speaker 1: in the ice. That's all I could think about with

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Speaker 1: these poor staff here.

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Speaker 2: The super had an elaborate set up, incredible.

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Speaker 1: What do you think they got tipped.

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Speaker 6: At the end.

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Speaker 1: Oh yeah, when they hand them the envelope, it's a

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Speaker 1: big part. Well, they would have got nothing. Their daughter

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Speaker 1: was attacked by dinosaurs, and you know they're going to

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Speaker 1: blame it on them. Well because of the why do

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Speaker 1: you bring us to this island the.

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Speaker 2: Scent of the prawns cops.

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Speaker 1: Okay, so Malcolm shows up at this big sort of

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Speaker 1: mansion here and we.

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Speaker 2: Meet Lex and Tim.

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Speaker 1: They're bay for thirty seconds if that. They're on screen

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Speaker 1: for like a minute.

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Speaker 3: Oh yeah, And I even forgot because it was so quick.

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Speaker 3: I thought they just showed up later because they show

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Speaker 3: up later.

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Speaker 1: No, this is their only camps.

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Speaker 2: Are only Lex and Tim. I popped.

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Speaker 4: I was like, yeah, they're gone.

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Speaker 1: Yeah, they like hug him. And then obviously it gets

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Speaker 1: into doctor Malcolm meeting Hammond's nephew Peter Ludlow, who is

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Speaker 1: the new CEO of Engen, who accuses Malcolm of spreading

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Speaker 1: false rumors about the Jurassic Park incident for payment, right,

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Speaker 1: And this is like Peter saying, ah, you you signed

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Speaker 1: the NDA and then you proceeded to violate violate the

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Speaker 1: agreement and as such, his tenure at the university was rescinded,

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Speaker 1: his reputation left in tatters. And this is where we're at.

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Speaker 1: But there's a lot of exposition here in this first

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Speaker 1: stage of this.

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Speaker 2: Yeah, and doesn't.

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Speaker 5: Ludlow also basically kind of confirms what the random dude

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Speaker 5: on the subway was saying. He's like, nobody believes what

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Speaker 5: you said happened on the island, doctor Malcolm. It's totally

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Speaker 5: fine out there, and then he hits him with the

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Speaker 5: ultimate diss. This suit costs more than your education. That's

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Speaker 5: an expensive suit. Malcolm to the school to become a doctor. Yeah,

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Speaker 5: six years.

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Speaker 6: Minimum minimum, Yeah, minimum.

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Speaker 2: And this is the nineties.

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Speaker 5: We got probably like a fifty thousand dollars suit easily

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Speaker 5: and doesn't Peter here, does it exists the nephew or

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Speaker 5: the new He says something like you're the only one

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Speaker 5: breaking the NDA too, implying there, but it's true yet

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Speaker 5: left dress part he even says, like Lex and Tim,

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Speaker 5: they've kept it tight.

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Speaker 2: Left getting live exactly.

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Speaker 1: So we then have Malcolm going up to a bedridden

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Speaker 1: John Hammond, he's back in this movie, and he tells Malcolm, hey,

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Speaker 1: sight b man, it was breeding site for the dinosaurs.

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Speaker 1: So he as he puts it, Soorna is the factory

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Speaker 1: floor and New Blar is the showroom. And this is like, again,

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Speaker 1: what you were saying, Treyla, Wow, that was a weird decision.

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Speaker 2: Very weird.

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Speaker 5: Just like I would want to have as little dinosaur

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Speaker 5: interaction as possible.

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Speaker 2: Grow them in the place where you're to keep them, Yeah,

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Speaker 2: grow them.

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Speaker 1: And show them simple. And then I mean it gets

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Speaker 1: worse because we learned that they had a hurricane Clarissa,

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Speaker 1: and then that happened on Soorna here, and then all

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Speaker 1: the dinosaurs were left free to Rome, and Hammon says, like,

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Speaker 1: for four years, the dinosaurs have just lived in a

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Speaker 1: natural environment without human intervention. Uh, and they're in their

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Speaker 1: own social groups and it's going great. But I did

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Speaker 1: like this. Malcolm was like, hey, I thought you breeded

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Speaker 1: these things with that lyzine deficiency. You know, like if

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Speaker 1: you don't give it to them, they die. Shouldn't they

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Speaker 1: be dead? Is basically always saying. So that was good

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Speaker 1: at least a little call back to the first one.

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Speaker 1: But Hammon's answer is just like, hey man, you were right.

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Speaker 1: Life finds a way. So that's the setup. And then Hammon,

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Speaker 1: who like I thought, was on his deathbed and like dying,

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Speaker 1: he sort of like pops out of bed.

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Speaker 2: He's suddenly got like some energy. Grandpa Joe from Chocolate Back.

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Speaker 8: Any opportunity to send somebody to their most certain death

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Speaker 8: just fills him with life and effervescent.

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Speaker 6: You know that's right.

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Speaker 5: He's like, I got one more live here, I do.

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Speaker 2: Like I feel like they make him look like the

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Speaker 2: devil in this seat.

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Speaker 5: He's dressed in black and red. His bushy eyebrows, I

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Speaker 5: feel like are intentionally turned up so they're horrid. Like

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Speaker 5: he's even like a flushed I feel like his skin

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Speaker 5: is pretty red. So the guy is in the first one,

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Speaker 5: he's like supposed to be a little bit angelic, I think,

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Speaker 5: and dressed in all white.

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Speaker 2: Not so much. In this one, they're like, this guy sucks.

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Speaker 1: But you kept saying our first Jurassic pals, this guy's

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Speaker 1: the villain. This guy's the villain man, And like, I

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Speaker 1: think they've leaned into it here definitely, because his plan

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Speaker 1: is Hammond's plan is he wants Malcolm to lead a

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Speaker 1: team to find out how are these dinosaurs even surviving?

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Speaker 1: Like what's going on there?

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Speaker 6: You know?

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Speaker 1: Again, Malcolm's like that's crazy, bro, Like what there's no

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Speaker 1: fences even, Like why would we go, Hey, don't worry,

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Speaker 1: the carnivores stay in the interior of the island.

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Speaker 2: So if you guys stay.

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Speaker 1: On the outer rim, you're safe. He even says, very

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Speaker 1: low impact light left.

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Speaker 4: Come on.

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Speaker 3: Man, just happens too quickly too. Hammond sets up the

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Speaker 3: whole fricking movie at four line bank, bang bang bang,

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Speaker 3: and then here comes Malcolm when he's leaving, with his

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Speaker 3: line of it's not a research expedition, it's a rescue

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Speaker 3: operation and it's leaving now. And then the dramatic music

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Speaker 3: already like it's way too early. It all happens way

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Speaker 3: too early. It was so slow and so all worthy,

316
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Speaker 3: the first one, the wondering what was happening, the wonderment

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Speaker 3: about all and here's just like bop, it's over.

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Speaker 4: Yeah.

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Speaker 2: So yeah, Hammond says, I got a site B team.

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Speaker 1: It's gonna consist of Nick van Owen, that's gonna be

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Speaker 1: Vince Vaughn, a videographer, Eddie Carr played by Richard Schiff,

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Speaker 1: a field equipment expert, an unnamed palaeontologist that they just

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Speaker 1: sort of snip over. I mean, we'll get to in

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Speaker 1: one second, but like an unnamed that killed me and

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Speaker 1: of course yeah yeah, and of course Malcolm will be

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Speaker 1: the fourth. So Peter is opposed to this idea. He

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Speaker 1: wants to use Site B for Profits to take in

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Speaker 1: Gen out of Chapter eleven bankruptcy. After the incident with

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Speaker 1: this British couple. The basically the board took control from

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Speaker 1: in Gen from Hammon. So Hammond says, look, the only

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Speaker 1: way to get this backer to save this is to

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Speaker 1: get public support to stop all this commercial exploitation. So

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Speaker 1: that's why this, uh, this thing's even happening, this mission,

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Speaker 1: if you want to call it that, send these four

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Speaker 1: in document everything, and that's going to win the people

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Speaker 1: over and then we'll guess, keep these animals alive.

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Speaker 2: Hey, exactly, exactly.

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Speaker 5: Don't trust Hammond he wants to keep the animals alive,

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Speaker 5: telling you right here, But I think great line by Malcolm.

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Speaker 5: You went from a capitalist to a naturalist in just

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Speaker 5: four years. That's that's something.

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Speaker 1: And this is very cute line too, because Sir Richard Attenborough,

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Speaker 1: who is Hammon not doctor? I almost said it, JD.

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Speaker 1: His brother is naturalist, Sir David Attenburg. Damn, you just

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Speaker 1: turn into your brother four years. Very confusing in the movie.

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Speaker 1: So Malcolm refuses Hammond's offer. Okay, that's smart, but and

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Speaker 1: then he sort of alluded to it. He's like, oh,

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Speaker 1: your girlfriend's there. That palaeontologist that I didn't name, Sarah Harding,

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Speaker 1: which is Julianne Moore. She's already there, man. She's got

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Speaker 1: a great flight, good deal on a flight out.

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Speaker 2: She went get their early scout locations.

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Speaker 1: And the other additional members are to meet her there.

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Speaker 1: And that's is where Malcolm's like, you sent my girlfriend

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Speaker 1: to this island alone. And Malcolm says, yeah, this is

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Speaker 1: now a rescue mission because now I gotta go get

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Speaker 1: sir mm hmm okay.

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Speaker 8: And there's a weird moment where I Hammond is like

358
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Speaker 8: Goldblum says that it's a rescue mission. Then he turns

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Speaker 8: around and he's like he's like counting on his fingers.

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Speaker 6: He's like.

361
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Speaker 8: And he goes, ah, yes, I got it, and continues

362
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Speaker 8: on like what Like he's like, I've got everybody like

363
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Speaker 8: whatever happened, Like he's going under duress, but I got

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Speaker 8: everybody's so.

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Speaker 1: I guess yeah, I don't know, Like and.

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Speaker 8: There is a moment where he's handing him the binders

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Speaker 8: of the you know, here's a nick and here's such

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Speaker 8: and such, and he holds he holds the palaeontologist close

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Speaker 8: to his breast.

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Speaker 6: I'm not I can't reveal who it is just yet,

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Speaker 6: just yet.

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Speaker 8: That'll be my ace in the hole, you know, like

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Speaker 8: your girlfriend's there in your face?

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Speaker 1: Well, also, how long has she been there? Like they

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Speaker 1: live together.

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Speaker 6: It's like, do you didn't notice she was gone?

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Speaker 2: Yeah?

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Speaker 1: They tried to cover their tracks. I thought. She has

379
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Speaker 1: a line later like like I'm always traveling.

380
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Speaker 3: I'm always on the road and you love Yeah, I

381
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Speaker 3: try to love that.

382
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Speaker 1: I love it when you're gone.

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Speaker 4: He likes to get married and stuff. You know.

384
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Speaker 5: One of the craziest parts of this scene to me

385
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Speaker 5: is right at the end, Malcolm makes a call and

386
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Speaker 5: he holds his phone in his right hand on the

387
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Speaker 5: love side of space.

388
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Speaker 2: Chaos. You never expect it of the time to the

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Speaker 2: right ear this one time.

390
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Speaker 6: It goes to the he's holding binders, isn't he stuff?

391
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Speaker 3: Yeah, maybe there's some weird hand gestures. Malcolm gives him

392
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Speaker 3: the get out here. It's a real there's some weird

393
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Speaker 3: stuff in that. Yeah.

394
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Speaker 1: So okay, Malcolm goes and meets this team right because

395
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Speaker 1: now he's got to speed things up because he's got

396
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Speaker 1: to go rescue Sarah. Who's there by herself on this island,

397
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Speaker 1: this sight beat with all the dinosaurs that are like

398
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Speaker 1: just roaming free. So he meets his team. It's it's

399
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Speaker 1: Nick and Eddie. Nick again is Vince Vaughan. We get

400
00:18:43,520 --> 00:18:47,000
Speaker 1: right away that Vince Vaughn, I mean Nick is like

401
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Speaker 1: a ladies man.

402
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Speaker 4: Yep.

403
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Speaker 5: But then nothing comes with that, right, Nope, joined Greenpeace

404
00:18:53,840 --> 00:18:54,240
Speaker 5: for the women.

405
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Speaker 8: Yeah, eight women and Google that it's not true at

406
00:19:00,359 --> 00:19:03,000
Speaker 8: least there's no there's no proof of.

407
00:19:02,920 --> 00:19:08,920
Speaker 1: That, right, And then we meet Malcolm's daughter. Okay, we

408
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Speaker 1: meet Vilcom's daughter, Kelly played by Vanessa Lee Chester and

409
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Speaker 1: she wants to come along on the expedition, but Malcolm

410
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Speaker 1: explains that she can't go. And man, we had this

411
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Speaker 1: was a long scene. I thought between her and her

412
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Speaker 1: dad were we learned that she likes the sega, which

413
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Speaker 1: I was like respect, and that she was cut from

414
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Speaker 1: her gymnastics team and that's going to pay off of

415
00:19:32,080 --> 00:19:35,280
Speaker 1: course later, But like I also was struggling like hell

416
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Speaker 1: in this scene to figure out, like, what is the

417
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Speaker 1: family dynamic here?

418
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Speaker 2: What is going on?

419
00:19:41,320 --> 00:19:42,080
Speaker 1: Who's with who?

420
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Speaker 2: Where's the mom you're with? Julianne Moore say.

421
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Speaker 1: Like it was a little confusing, and even Vince Vaughn's

422
00:19:47,119 --> 00:19:50,120
Speaker 1: character was like, I don't he made a joke about

423
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Speaker 1: the resemblance. It's like, Okay, she's adopted of some sort

424
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Speaker 1: or whatever. But I don't know, I.

425
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Speaker 2: Don't know exactly.

426
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Speaker 5: I'm like, I buy that Malcolm has kids that we

427
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Speaker 5: wouldn't have heard about. Sure, right, because in the first

428
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Speaker 5: one he knows to like be worried for the kids

429
00:20:05,119 --> 00:20:08,720
Speaker 5: when he's sitting in the jeep with Grant when the

430
00:20:08,720 --> 00:20:11,640
Speaker 5: Tyrannosaurus attack is happening, He's like, the kids are scared,

431
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Speaker 5: and like Grant hadn't even thought about the kids. We

432
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Speaker 5: know he has multiple ex wives because in the first

433
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Speaker 5: one he's looking for the next future X.

434
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Speaker 2: This is Malcolm. So I kind of like it that

435
00:20:20,720 --> 00:20:21,880
Speaker 2: they're just like he.

436
00:20:21,840 --> 00:20:23,919
Speaker 1: Has a black daughter. Yeah, And I was like, oh,

437
00:20:23,960 --> 00:20:27,160
Speaker 1: he has a black daughter. It's not yeah, for sure,

438
00:20:27,440 --> 00:20:29,720
Speaker 1: it's not the race of the daughter. It is just like,

439
00:20:29,880 --> 00:20:31,679
Speaker 1: did we really need a daughter.

440
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Speaker 6: Or a kid at all in this movie?

441
00:20:33,040 --> 00:20:35,880
Speaker 1: Right? And they you know, they warned in for sure

442
00:20:35,920 --> 00:20:38,720
Speaker 1: to get her out there, yeah, because she'll show up. Yeah.

443
00:20:38,720 --> 00:20:42,800
Speaker 3: They never reveal with mom is his previous relationship. It

444
00:20:42,840 --> 00:20:46,600
Speaker 3: doesn't it doesn't matter. Apparently Melacunas, young Mela Cunas, was

445
00:20:46,640 --> 00:20:49,600
Speaker 3: also in the role for this for his daughter, but

446
00:20:49,680 --> 00:20:53,800
Speaker 3: they decided different direction and she was great later Chester.

447
00:20:54,040 --> 00:20:58,600
Speaker 1: Yeah, so, dude, to Malcolm's insistence to leave asap, Eddie's

448
00:20:58,600 --> 00:21:00,960
Speaker 1: got to shave off three days from his parture timeline.

449
00:21:01,320 --> 00:21:04,040
Speaker 1: He seems a little stretched the stressed because he's not

450
00:21:04,080 --> 00:21:06,880
Speaker 1: being able to test all this equipment. Uh that will

451
00:21:06,920 --> 00:21:10,119
Speaker 1: sort of be important later too. So anyway, they head out, Okay,

452
00:21:10,160 --> 00:21:14,280
Speaker 1: I guess, he says by in theory to Kelly color

453
00:21:14,320 --> 00:21:17,359
Speaker 1: a cat. She took a cap there. Maybe just call

454
00:21:17,440 --> 00:21:20,080
Speaker 1: her one for a relieve. Malcolm, Eddie, and Nick transport

455
00:21:20,119 --> 00:21:22,840
Speaker 1: to Mercedes SUVs and a modified r V.

456
00:21:23,600 --> 00:21:25,080
Speaker 2: They go to Costa.

457
00:21:24,840 --> 00:21:27,679
Speaker 1: Rica, I think first, and then they head to Cite B.

458
00:21:28,840 --> 00:21:30,879
Speaker 1: There's a quick scene thrown in here with a panicked

459
00:21:30,880 --> 00:21:32,520
Speaker 1: boat captain, right.

460
00:21:32,480 --> 00:21:35,320
Speaker 2: All right, yeah, yeah, you're right. And I just didn't know.

461
00:21:35,240 --> 00:21:37,040
Speaker 1: Where they were when that was happening, but I guess

462
00:21:37,040 --> 00:21:39,159
Speaker 1: that's where they were anyway, And this is where we

463
00:21:39,240 --> 00:21:43,840
Speaker 1: learned what the locals called the islands. I thought for

464
00:21:43,880 --> 00:21:45,480
Speaker 1: sure he was going to say they call them the

465
00:21:45,560 --> 00:21:53,160
Speaker 1: Lost World. He doesn't the Five Deaths, okay.

466
00:21:53,200 --> 00:21:58,320
Speaker 5: Los cinko'sos cinco muertes, right, yeah, And we even got

467
00:21:58,320 --> 00:22:00,479
Speaker 5: a scene of Kelly like looking at the map and

468
00:22:00,520 --> 00:22:02,960
Speaker 5: seeing it and instantly what I saw. You know, I

469
00:22:02,960 --> 00:22:04,919
Speaker 5: took three years of high school Spanish, so I'm pretty

470
00:22:05,000 --> 00:22:06,840
Speaker 5: knowledgeable in this sort of thing. I was like, Oh,

471
00:22:07,119 --> 00:22:10,119
Speaker 5: the Islands of Death, but if you didn't take Spanish

472
00:22:10,119 --> 00:22:13,159
Speaker 5: in high school. Thirty seconds later they explained that it

473
00:22:13,200 --> 00:22:15,320
Speaker 5: is the Islands of Death. I looked up the names

474
00:22:15,359 --> 00:22:19,399
Speaker 5: of all the islands they have there. Ela Matankeros butchers

475
00:22:20,280 --> 00:22:23,720
Speaker 5: butcher Island. I guess, elam Werta death, Yeah, East La

476
00:22:23,760 --> 00:22:30,480
Speaker 5: Sorna sarcasm, Yeah, weird, weird Sorna sarcasm. I suppose Takana

477
00:22:31,200 --> 00:22:35,960
Speaker 5: mean like being mean, and East Lapaina sorrow or grief.

478
00:22:36,680 --> 00:22:39,320
Speaker 5: I mean they got fair names, though, I think sarcasm

479
00:22:39,480 --> 00:22:42,399
Speaker 5: is maybe a little left of those ones.

480
00:22:43,000 --> 00:22:46,240
Speaker 1: And so it's called the Five Deaths by the locals

481
00:22:46,280 --> 00:22:49,280
Speaker 1: now because of what happened when they get the names.

482
00:22:49,320 --> 00:22:50,840
Speaker 2: I don't know, yeah, great question.

483
00:22:51,400 --> 00:22:53,720
Speaker 6: Maybe they're just cursed. The islands are cursed.

484
00:22:54,160 --> 00:22:56,880
Speaker 5: Yeah, maybe if they're an extra curse now, or they

485
00:22:57,080 --> 00:22:59,960
Speaker 5: renamed them after the experiments.

486
00:23:00,280 --> 00:23:00,719
Speaker 2: I don't know.

487
00:23:00,840 --> 00:23:03,720
Speaker 1: I mean, he did have five deaths in Jurassic Park

488
00:23:03,760 --> 00:23:06,159
Speaker 1: the original, did we not if we count Jeoffrey, the

489
00:23:06,160 --> 00:23:09,120
Speaker 1: poor guy that had to lift up the cage, counting him? Yeah, okay,

490
00:23:09,119 --> 00:23:10,960
Speaker 1: that's because I think there was four others.

491
00:23:11,040 --> 00:23:14,040
Speaker 6: Yeah, okay, wow. Interesting.

492
00:23:14,480 --> 00:23:17,080
Speaker 8: I mean, look, they're probably cursed because Hammond got them

493
00:23:17,280 --> 00:23:19,840
Speaker 8: for a steal. The guy is cheap, right, yeah, like

494
00:23:20,080 --> 00:23:21,560
Speaker 8: he runs a skeleton.

495
00:23:21,119 --> 00:23:22,400
Speaker 1: Crew, no expensive spare.

496
00:23:23,680 --> 00:23:27,480
Speaker 6: Except for islands and it tea and.

497
00:23:27,520 --> 00:23:30,600
Speaker 1: Something to uh you know, automatically open a cage door.

498
00:23:32,880 --> 00:23:36,240
Speaker 3: And the Great Malcolm Jamal Warner just passed away swimming

499
00:23:36,240 --> 00:23:38,280
Speaker 3: off the coast of Costa Rica.

500
00:23:38,119 --> 00:23:39,959
Speaker 4: Yeah, yeah, that's where he was.

501
00:23:40,680 --> 00:23:44,960
Speaker 1: So on the island, Eddie, Malcolm and Nick come across

502
00:23:45,000 --> 00:23:50,159
Speaker 1: a few giant stegasauruses. I guess those were yeah, yeah.

503
00:23:50,040 --> 00:23:51,719
Speaker 4: Yeah, they wanted to bring the stegosaurus back.

504
00:23:51,800 --> 00:23:51,879
Speaker 5: Ye.

505
00:23:51,920 --> 00:23:54,480
Speaker 1: They're big, they're big. They're stumbling across and they're going

506
00:23:54,520 --> 00:23:56,840
Speaker 1: through and then you know they're they're trying to find

507
00:23:56,880 --> 00:24:03,520
Speaker 1: Sarah and she's right there either were using obviously something

508
00:24:03,600 --> 00:24:07,399
Speaker 1: on her backpack, homing beacon on her backpack. But this

509
00:24:07,440 --> 00:24:10,760
Speaker 1: is where we first meet Sarah and man, she's a firecracker.

510
00:24:11,119 --> 00:24:14,040
Speaker 1: She is a firecracker. She borrows Nick's camera right away,

511
00:24:14,040 --> 00:24:17,680
Speaker 1: even though she has one. She touches a baby's dinosaur's

512
00:24:17,840 --> 00:24:21,040
Speaker 1: head right away. Her camera then starts freaking out because

513
00:24:21,040 --> 00:24:23,120
Speaker 1: it's like, you know, running out of film, starts making

514
00:24:23,160 --> 00:24:26,000
Speaker 1: crazy noises that pisses off the baby dinosaur, which then

515
00:24:26,040 --> 00:24:29,639
Speaker 1: pisses off the herd. She escapes, though, and then she

516
00:24:29,720 --> 00:24:32,520
Speaker 1: has the nerve. While they're walking away, Nick goes to

517
00:24:32,600 --> 00:24:34,719
Speaker 1: light up a cigarette, hold onder your butts here we go,

518
00:24:35,520 --> 00:24:38,600
Speaker 1: and Sarah tells him not to do that, quote, We're

519
00:24:38,600 --> 00:24:43,800
Speaker 1: here to observe and document, not interact. She just touched

520
00:24:44,040 --> 00:24:50,800
Speaker 1: a dinosaur that's interacting. That's much a cigarette. I'm sorry,

521
00:24:51,440 --> 00:24:53,040
Speaker 1: that was weird. So I don't know if we're supposed

522
00:24:53,080 --> 00:24:54,960
Speaker 1: to like her, I guess right away, but I hated

523
00:24:54,960 --> 00:24:58,159
Speaker 1: her immediately because like, you are a hypocrite. That was

524
00:24:58,160 --> 00:24:58,600
Speaker 1: my opinion.

525
00:24:59,640 --> 00:25:03,360
Speaker 8: I mean, look, Julianne Moore is wasted in this movie.

526
00:25:03,440 --> 00:25:06,320
Speaker 8: She's not the only one, obviously, but you know when

527
00:25:06,320 --> 00:25:09,840
Speaker 8: we first made her, there's that there's her just messing

528
00:25:09,880 --> 00:25:13,560
Speaker 8: with nature in general, Like she's the worst wildlife photographer

529
00:25:13,560 --> 00:25:17,040
Speaker 8: of all time, you know, like you know that you're

530
00:25:17,160 --> 00:25:20,200
Speaker 8: when your film runs out, it's going to automatically rewind,

531
00:25:20,320 --> 00:25:21,960
Speaker 8: like and you don't touch the wildlife.

532
00:25:22,000 --> 00:25:25,240
Speaker 6: That's rule number one. Yeah, that's right, that's.

533
00:25:24,520 --> 00:25:25,479
Speaker 1: The wa biggest problem.

534
00:25:26,040 --> 00:25:29,400
Speaker 8: And then when she sees Malcolm, she just starts blabbering

535
00:25:29,680 --> 00:25:33,600
Speaker 8: this palaeontology bullshit. It's not even exposition. I don't think like,

536
00:25:33,680 --> 00:25:36,600
Speaker 8: it's just like I figured out that this and that

537
00:25:36,640 --> 00:25:40,320
Speaker 8: and that. She just seems like a complete idiot. You know,

538
00:25:40,400 --> 00:25:42,680
Speaker 8: I'm like, this is the person you came to rescue.

539
00:25:43,040 --> 00:25:44,800
Speaker 8: Leave her there, like, what are you doing?

540
00:25:45,440 --> 00:25:47,080
Speaker 2: Get out now, man? Get out?

541
00:25:47,600 --> 00:25:51,040
Speaker 1: Exactly Well, she does say too, I guess important things.

542
00:25:51,040 --> 00:25:54,120
Speaker 1: She says, the herbivores are eating a lyceine rich diet

543
00:25:54,800 --> 00:25:57,240
Speaker 1: that's helping them survive. Literally, who cares?

544
00:25:59,640 --> 00:26:03,040
Speaker 8: You are right to be explained all but also you

545
00:26:03,080 --> 00:26:04,639
Speaker 8: could could have just left it at.

546
00:26:04,840 --> 00:26:06,720
Speaker 6: They found a way. Life found a way, right. We

547
00:26:06,800 --> 00:26:08,920
Speaker 6: don't need her, like.

548
00:26:09,320 --> 00:26:12,480
Speaker 8: You know, there's it did not ring true, like you

549
00:26:12,520 --> 00:26:15,840
Speaker 8: know your girlfriend's missing, you know, you find her on

550
00:26:15,880 --> 00:26:21,480
Speaker 8: this death island and then it's just like.

551
00:26:20,320 --> 00:26:22,359
Speaker 1: The other thing she says, though, it says that she

552
00:26:22,480 --> 00:26:25,240
Speaker 1: can prove now that the t rex does not abandon

553
00:26:25,280 --> 00:26:29,320
Speaker 1: their young as is the current accepted norms of their behavior.

554
00:26:29,480 --> 00:26:31,000
Speaker 1: So that's what you know, a lot of the scientists

555
00:26:31,040 --> 00:26:33,239
Speaker 1: are saying and thinking. But she's like, I don't think so,

556
00:26:33,400 --> 00:26:35,520
Speaker 1: of course that's going to be like a whole storyline here.

557
00:26:35,680 --> 00:26:36,760
Speaker 6: Just tell us that one thing.

558
00:26:36,840 --> 00:26:38,640
Speaker 1: Yeah, okay, you know what, I sort of agree.

559
00:26:39,160 --> 00:26:42,240
Speaker 5: Trying to prove that Dinohs are good parents, That's what

560
00:26:42,240 --> 00:26:42,960
Speaker 5: I'm out here trying to.

561
00:26:43,960 --> 00:26:46,520
Speaker 2: I do like what they're searching for. And they're yelling

562
00:26:46,600 --> 00:26:49,640
Speaker 2: Sarah Sarah, and Nick yells Sarah.

563
00:26:49,640 --> 00:26:53,439
Speaker 5: Hardy Malcolm says, how many Sarahs do you think are

564
00:26:53,480 --> 00:26:54,000
Speaker 5: on the island?

565
00:26:54,560 --> 00:26:55,040
Speaker 4: That was good?

566
00:26:55,280 --> 00:26:55,480
Speaker 2: Yeah?

567
00:26:56,600 --> 00:26:58,520
Speaker 1: Is there not a callback to that joke? Later in

568
00:26:58,560 --> 00:27:03,160
Speaker 1: the movie, doesn't gold Blue yell? He yells somebody's full name?

569
00:27:03,800 --> 00:27:04,680
Speaker 1: Where to Gods?

570
00:27:04,720 --> 00:27:05,840
Speaker 2: Yeah, you're probably right.

571
00:27:05,720 --> 00:27:08,600
Speaker 1: But nobody like addresses it. But they're yelling the what

572
00:27:08,640 --> 00:27:10,879
Speaker 1: is Who's he yelling for? It must it's got to

573
00:27:10,920 --> 00:27:12,600
Speaker 1: be either maybe Kelly or something.

574
00:27:12,600 --> 00:27:12,879
Speaker 2: I don't know.

575
00:27:12,880 --> 00:27:14,960
Speaker 1: He's yelling for somebody, right, And I swear he yells

576
00:27:14,960 --> 00:27:16,760
Speaker 1: the first name and then he says full name. But

577
00:27:16,760 --> 00:27:21,399
Speaker 1: it's later in the movie, nice so what a payoff? Okay,

578
00:27:21,440 --> 00:27:24,320
Speaker 1: So yeah, they're all together here and suddenly they see

579
00:27:24,320 --> 00:27:27,040
Speaker 1: that there's a fire back at camp and they're like,

580
00:27:27,080 --> 00:27:28,640
Speaker 1: who the heck started that quick fire?

581
00:27:28,720 --> 00:27:30,320
Speaker 2: Yeah, just a quick little fire going.

582
00:27:30,680 --> 00:27:34,760
Speaker 1: Get Kelly on Survivor man Dominate and yeah, Kelly pops

583
00:27:34,760 --> 00:27:37,560
Speaker 1: out of the RV because she has secretly stowed herself

584
00:27:37,640 --> 00:27:41,040
Speaker 1: on this trip. So Kelly's there.

585
00:27:42,200 --> 00:27:44,159
Speaker 8: What a bummer when she shows up, you know what

586
00:27:44,200 --> 00:27:47,080
Speaker 8: I mean? You know she's gonna you know, she walks

587
00:27:47,160 --> 00:27:50,920
Speaker 8: into a working work site, like there's sparks flying everywhere.

588
00:27:50,920 --> 00:27:53,879
Speaker 8: It's like, oh, this seems like a pretty good place

589
00:27:53,920 --> 00:27:56,400
Speaker 8: to stow away in. And then she's there and it's

590
00:27:56,440 --> 00:27:59,600
Speaker 8: just like, good, now there's a kid, yeah to deal

591
00:27:59,680 --> 00:28:00,600
Speaker 8: with forget.

592
00:28:01,080 --> 00:28:05,800
Speaker 5: So where does that put a doctor in? Malcolm only

593
00:28:06,000 --> 00:28:06,440
Speaker 5: was I.

594
00:28:06,400 --> 00:28:08,520
Speaker 2: Mean, he did bring her to the hangar.

595
00:28:09,320 --> 00:28:11,760
Speaker 5: He didn't expect for her to stow away, right, But

596
00:28:11,800 --> 00:28:13,000
Speaker 5: if he would have never called her.

597
00:28:12,840 --> 00:28:14,399
Speaker 2: There, she would have never had a chance.

598
00:28:14,280 --> 00:28:14,720
Speaker 4: That's right.

599
00:28:14,840 --> 00:28:17,320
Speaker 6: And he did say the line never listened to me.

600
00:28:17,560 --> 00:28:20,520
Speaker 8: Yeah, at least he's self deprecating enough to realize he's

601
00:28:20,560 --> 00:28:23,080
Speaker 8: a shitty parent, you know what I mean. But and

602
00:28:23,119 --> 00:28:25,439
Speaker 8: he's also, you know, there's a lot lot of like

603
00:28:26,200 --> 00:28:28,880
Speaker 8: hands drop that he's unreliable. It's like, I just need

604
00:28:28,920 --> 00:28:31,320
Speaker 8: you to, you know, be there when I need your

605
00:28:31,480 --> 00:28:34,280
Speaker 8: He's aloof for sure, But is he in the top?

606
00:28:34,320 --> 00:28:37,199
Speaker 1: I don't know, I mean, because we have to believe

607
00:28:37,320 --> 00:28:40,760
Speaker 1: that he didn't really even say I mean, he's when

608
00:28:40,760 --> 00:28:42,600
Speaker 1: did he say by door ye to.

609
00:28:42,600 --> 00:28:45,920
Speaker 2: Kelly at that hangar? He said bye?

610
00:28:46,000 --> 00:28:47,760
Speaker 1: And I guess like didn't see her get in a

611
00:28:47,760 --> 00:28:50,080
Speaker 1: cab and leave for something, and she just he was

612
00:28:50,160 --> 00:28:51,280
Speaker 1: just trying. She just went in the RV.

613
00:28:51,400 --> 00:28:53,840
Speaker 3: Yeah, yeah, we thought you'd grab a kid ten year old,

614
00:28:53,880 --> 00:28:56,480
Speaker 3: that's what he said, right, Yeah, yeah, to some degree,

615
00:28:56,480 --> 00:28:57,160
Speaker 3: he didn't say by.

616
00:28:57,120 --> 00:28:59,880
Speaker 1: Her established he did.

617
00:28:59,880 --> 00:29:01,720
Speaker 8: I thought it was like when he walked away from

618
00:29:01,720 --> 00:29:04,400
Speaker 8: the office they had the confrontation and yeah, he's just

619
00:29:04,440 --> 00:29:06,000
Speaker 8: like your mother took off to Paris. I don't know

620
00:29:06,040 --> 00:29:08,560
Speaker 8: what to do with you. And then he walks away

621
00:29:08,560 --> 00:29:11,360
Speaker 8: and says, just don't listen to me. And then I

622
00:29:11,360 --> 00:29:12,640
Speaker 8: think that was a goodbye.

623
00:29:15,840 --> 00:29:16,320
Speaker 2: Figure it out.

624
00:29:17,760 --> 00:29:20,000
Speaker 8: Staying with this person who doesn't have Sega, the chocolate

625
00:29:20,040 --> 00:29:20,640
Speaker 8: datee or whatever.

626
00:29:20,960 --> 00:29:27,920
Speaker 5: Yeahcolate, yeah, yeah, okay, cool, my favorite dinosaur I.

627
00:29:28,040 --> 00:29:32,640
Speaker 1: Know totally okay. So now now we cut to Peter

628
00:29:32,800 --> 00:29:37,200
Speaker 1: Ludlow flying in Roland Tembo. That is Pete apostle Thwaite.

629
00:29:37,960 --> 00:29:40,680
Speaker 1: He's a big game hunter. They're coming. He's coming in

630
00:29:40,680 --> 00:29:42,880
Speaker 1: with his entire assault team here and the equipment, and

631
00:29:42,880 --> 00:29:45,560
Speaker 1: they're going to round up these various dinosaurs for Engen

632
00:29:45,680 --> 00:29:47,960
Speaker 1: and Roland tells us he wants to kill a t rex.

633
00:29:48,920 --> 00:29:52,840
Speaker 1: That's his fee for the assignments, right, that's sick, man,

634
00:29:52,920 --> 00:29:55,240
Speaker 1: that's some sick stuff. And we're right into a scene

635
00:29:55,280 --> 00:29:58,880
Speaker 1: where they just start snatching up dinosaurs and he's trying

636
00:29:58,880 --> 00:30:00,240
Speaker 1: to figure out the names of these things.

637
00:30:00,320 --> 00:30:01,719
Speaker 2: He's like me doing my notes.

638
00:30:02,360 --> 00:30:04,560
Speaker 1: He's like, screw it, get the friar tuck looking one,

639
00:30:05,000 --> 00:30:06,160
Speaker 1: Get the eldest looking one.

640
00:30:06,520 --> 00:30:07,200
Speaker 2: Yeah, I like that.

641
00:30:07,240 --> 00:30:10,480
Speaker 1: And they're having some success here in this like I

642
00:30:10,480 --> 00:30:14,640
Speaker 1: guess first real action sequence where all the dinosaurs are

643
00:30:14,720 --> 00:30:16,120
Speaker 1: running around and there's like, man, they.

644
00:30:16,040 --> 00:30:18,680
Speaker 2: Came with a bunch of people. Yeah, a lot of vehicles.

645
00:30:19,160 --> 00:30:23,160
Speaker 5: Yeah, they got to quite the crew together pretty quickly.

646
00:30:23,240 --> 00:30:24,000
Speaker 2: But I guess uh.

647
00:30:24,120 --> 00:30:26,160
Speaker 5: Nick tells us eventually he's like, yeah, I knew these

648
00:30:26,200 --> 00:30:28,520
Speaker 5: guys were coming, so we had to finish our work

649
00:30:28,520 --> 00:30:32,320
Speaker 5: before they got here, which obviously didn't happen. But I

650
00:30:32,360 --> 00:30:34,640
Speaker 5: do like that they're showing us the contrast of like, look,

651
00:30:34,720 --> 00:30:38,440
Speaker 5: every other person we've met so far in the franchise,

652
00:30:38,480 --> 00:30:41,800
Speaker 5: including the first movie, like they're there because they want

653
00:30:41,800 --> 00:30:44,360
Speaker 5: to see dinosaurs, because they're interested in dinosaurs, and like

654
00:30:44,440 --> 00:30:47,640
Speaker 5: this is a once in a lifetime opportunity. Meanwhile, the

655
00:30:47,800 --> 00:30:49,840
Speaker 5: majority of these guys are just like, let's go to

656
00:30:49,880 --> 00:30:53,760
Speaker 5: mess up some dinosaurs. We don't care anything about these.

657
00:30:53,800 --> 00:30:56,360
Speaker 5: We got Pete possel Towait throwing away the key to

658
00:30:56,400 --> 00:30:58,320
Speaker 5: the dinosaurs because the other thing want to mess around

659
00:30:58,320 --> 00:31:00,960
Speaker 5: with any name that isn't t Rex. These guys are

660
00:31:01,000 --> 00:31:05,040
Speaker 5: just complete savages going out there to be mercenaries, right,

661
00:31:05,120 --> 00:31:08,040
Speaker 5: And I think that's completely different than what the other

662
00:31:08,160 --> 00:31:10,400
Speaker 5: team is showing and what we have seen thus far.

663
00:31:10,520 --> 00:31:13,720
Speaker 2: So you know we're going right away. These guys are dickheads.

664
00:31:13,840 --> 00:31:14,080
Speaker 7: Yeah.

665
00:31:14,280 --> 00:31:16,040
Speaker 1: Then there's the one guy on their team that does

666
00:31:16,080 --> 00:31:16,840
Speaker 1: seem to know stuff.

667
00:31:18,760 --> 00:31:21,040
Speaker 5: I don't know if he ever got a name, Big

668
00:31:21,080 --> 00:31:24,320
Speaker 5: Old Beard Long. Yeah, yeah, I only have him as

669
00:31:24,320 --> 00:31:24,840
Speaker 5: in my notes.

670
00:31:24,960 --> 00:31:26,680
Speaker 1: They literally have to have him there so he could

671
00:31:26,720 --> 00:31:32,920
Speaker 1: say the proper name, like thank you. So then the

672
00:31:33,200 --> 00:31:35,440
Speaker 1: timeline was weird here to me, I think we jumped

673
00:31:35,520 --> 00:31:38,560
Speaker 1: right to like the next morning, because this is where

674
00:31:38,560 --> 00:31:41,080
Speaker 1: we have role in finding the infant t Rex. It

675
00:31:41,200 --> 00:31:44,440
Speaker 1: was like, okay, we just jumped right to the next day.

676
00:31:45,160 --> 00:31:47,120
Speaker 6: I thought that was just later in the day.

677
00:31:47,600 --> 00:31:50,160
Speaker 1: That night, I thought it got I thought they were

678
00:31:50,200 --> 00:31:53,480
Speaker 1: doing all their hunting. It got dark, and then it's

679
00:31:53,560 --> 00:31:55,480
Speaker 1: the t rex scene. The infant t rex is like

680
00:31:55,520 --> 00:31:56,400
Speaker 1: morning again.

681
00:31:57,760 --> 00:31:58,440
Speaker 2: Or is it dark?

682
00:31:58,560 --> 00:32:00,720
Speaker 1: I can't. Oh, it's dark, so it's it's night. So

683
00:32:00,760 --> 00:32:03,400
Speaker 1: it's the same day, well, same day. Maybe could be

684
00:32:03,440 --> 00:32:06,440
Speaker 1: the next morning for all I know. Anyway, it doesn't matter.

685
00:32:06,480 --> 00:32:09,840
Speaker 1: The t rex is chained up, little baby, like I'm

686
00:32:09,880 --> 00:32:10,600
Speaker 1: hunting right away.

687
00:32:10,640 --> 00:32:13,120
Speaker 5: You guys set up camp. Yeah, I'll be back with

688
00:32:13,160 --> 00:32:14,920
Speaker 5: a t rex and momentarily yeah.

689
00:32:14,720 --> 00:32:16,400
Speaker 1: And they chain it up and they're hoping the cries

690
00:32:16,400 --> 00:32:18,400
Speaker 1: are going to bring the parents to the base and

691
00:32:18,400 --> 00:32:20,080
Speaker 1: that that's where they can hunt them down. And that

692
00:32:20,200 --> 00:32:23,160
Speaker 1: t rex, that little baby t Rex, it's whaling like

693
00:32:23,200 --> 00:32:24,960
Speaker 1: a mother. It's going crazy.

694
00:32:25,320 --> 00:32:27,520
Speaker 4: Apparently they used a baby camel for that sound.

695
00:32:27,560 --> 00:32:29,520
Speaker 2: The sound, yeah, and then once you hear.

696
00:32:29,360 --> 00:32:35,360
Speaker 3: It the entire time, close your eyes and that's a

697
00:32:35,400 --> 00:32:36,640
Speaker 3: camel crying.

698
00:32:36,760 --> 00:32:38,640
Speaker 4: It's so Samuel L.

699
00:32:38,720 --> 00:32:41,400
Speaker 1: Jackson was still alive to pop in say somebody say, Cammel,

700
00:32:42,960 --> 00:32:49,000
Speaker 1: but your humps. So later that night, I guess then

701
00:32:49,160 --> 00:32:53,040
Speaker 1: Hammon's crew sneaks up on the Dino snatchers. Peter is

702
00:32:53,040 --> 00:32:56,400
Speaker 1: making a presentation to the engine board about his plan,

703
00:32:56,480 --> 00:33:01,000
Speaker 1: which is this dinosaur themed park in San Diego. Weird

704
00:33:01,000 --> 00:33:03,280
Speaker 1: blind thrown in here. You know how great at play

705
00:33:03,360 --> 00:33:05,520
Speaker 1: San Diego was for this, he says, San Diego Zoo,

706
00:33:05,800 --> 00:33:12,640
Speaker 1: SeaWorld and the San Diego Chargers. Yeah, what lost me

707
00:33:12,680 --> 00:33:17,520
Speaker 1: on the Chargers part animals, the standibals man. Uh so yeah,

708
00:33:17,520 --> 00:33:20,040
Speaker 1: he has like I mean, poor Eddie's struggling with all

709
00:33:20,080 --> 00:33:22,880
Speaker 1: his equipment. They've got a full Zoom meeting going like yeah.

710
00:33:22,720 --> 00:33:23,240
Speaker 2: I'm impressed.

711
00:33:23,280 --> 00:33:26,120
Speaker 5: Actually yeah, I know in Gen like Engen should have

712
00:33:26,120 --> 00:33:29,360
Speaker 5: gotten into the technology game rather than just straight up

713
00:33:29,400 --> 00:33:32,040
Speaker 5: the dinosaur de extincting game, because we saw in the

714
00:33:32,080 --> 00:33:34,920
Speaker 5: first one they basically invented Weymouth thirty years earlier. They

715
00:33:34,920 --> 00:33:37,880
Speaker 5: have electric self driving cars, and then that's when they're

716
00:33:37,880 --> 00:33:40,960
Speaker 5: doing Zoom twenty five years before Zoom comes out, Like

717
00:33:41,000 --> 00:33:43,840
Speaker 5: they were onto some really good technology stuff and I

718
00:33:43,840 --> 00:33:45,720
Speaker 5: guess that was just like to.

719
00:33:45,800 --> 00:33:47,600
Speaker 2: Finance the dinosaur projects.

720
00:33:47,640 --> 00:33:50,640
Speaker 5: Yeah, but they could have probably done well and killed

721
00:33:50,680 --> 00:33:52,840
Speaker 5: way fewer people if they just would have continued down

722
00:33:52,880 --> 00:33:55,360
Speaker 5: the path of making consumer products.

723
00:33:55,360 --> 00:33:58,880
Speaker 3: So this is like, was it Kelly or maybe I'm

724
00:33:58,920 --> 00:34:02,520
Speaker 3: mixing up, like these are hacking abilities?

725
00:34:02,800 --> 00:34:05,280
Speaker 2: She could have taken over the company exactly, she could have.

726
00:34:05,520 --> 00:34:07,160
Speaker 1: I was gonna say, this is what you're saying is

727
00:34:07,200 --> 00:34:10,200
Speaker 1: like Apple and their technology and their phones and computers.

728
00:34:10,200 --> 00:34:14,960
Speaker 1: But then you know, pivoting into uh movies, ridiculous. Yeah,

729
00:34:15,080 --> 00:34:16,560
Speaker 1: they're like, we got all get this funny, let's just

730
00:34:16,560 --> 00:34:18,560
Speaker 1: do other things. Yeah, that's what they're doing here. So

731
00:34:18,680 --> 00:34:22,040
Speaker 1: Nick infiltrates the base camp, he frees the dinosaurs, and

732
00:34:22,080 --> 00:34:25,040
Speaker 1: they recavoc here on this base camp, and that's when

733
00:34:25,120 --> 00:34:27,719
Speaker 1: Roland then inspects the cages and he really realizes they've

734
00:34:27,719 --> 00:34:30,360
Speaker 1: been sabotaged and that they're not alone on this island,

735
00:34:30,600 --> 00:34:32,880
Speaker 1: and that was not dinosaurs that let these dinosaurs out

736
00:34:32,920 --> 00:34:33,279
Speaker 1: of the cage.

737
00:34:33,280 --> 00:34:34,239
Speaker 6: That was humans.

738
00:34:34,480 --> 00:34:36,399
Speaker 1: So that's where we are. Any thoughts on this whole

739
00:34:36,440 --> 00:34:38,720
Speaker 1: scene here, JD with what's going on.

740
00:34:38,719 --> 00:34:41,400
Speaker 8: Well, look when they're chasing the dinosaurs, when they first

741
00:34:41,440 --> 00:34:43,839
Speaker 8: get there, you know, I think it's supposed to be

742
00:34:43,880 --> 00:34:45,480
Speaker 8: like a showstopping wow, like.

743
00:34:45,480 --> 00:34:46,000
Speaker 6: We're in it.

744
00:34:46,040 --> 00:34:50,760
Speaker 8: We're like we are riding motorbikes underneath dinosaurs and it's cool.

745
00:34:51,360 --> 00:34:55,240
Speaker 8: It did not look great, like compared to the wonder

746
00:34:55,280 --> 00:34:57,799
Speaker 8: and awe of you know, seeing the dinosaurs. Like I

747
00:34:57,880 --> 00:35:01,160
Speaker 8: like that they were trying to move. We're further with it,

748
00:35:01,200 --> 00:35:02,799
Speaker 8: like yeah, now we're not just looking at them. We're

749
00:35:02,880 --> 00:35:06,040
Speaker 8: hunting dinosaurs. And like just this action sequence where we

750
00:35:06,160 --> 00:35:09,600
Speaker 8: got vehicles, we got you know, this weird chair that

751
00:35:09,680 --> 00:35:12,400
Speaker 8: comes out of the jeep for some reason, like you know,

752
00:35:12,880 --> 00:35:16,120
Speaker 8: sort of mad Max, like yeah, yeah, when the motorcycle

753
00:35:16,160 --> 00:35:19,600
Speaker 8: goes under the whatever it is, the big dinosaur. I'm like,

754
00:35:20,120 --> 00:35:22,959
Speaker 8: this is not this is stupid, like like this is dumb.

755
00:35:23,000 --> 00:35:26,880
Speaker 8: And then you know Tembo's sort of speech about his fee.

756
00:35:26,719 --> 00:35:28,560
Speaker 6: And you know, like this is not a blah blah

757
00:35:28,600 --> 00:35:30,200
Speaker 6: blah blah.

758
00:35:30,000 --> 00:35:34,480
Speaker 8: Absolutely nailed by Parcel Thwaite, but horrible dialogue and like

759
00:35:34,520 --> 00:35:36,400
Speaker 8: this whole thing of they're in a bumpy jeep and

760
00:35:36,440 --> 00:35:40,960
Speaker 8: he's like this big monologue and he's just like I

761
00:35:41,040 --> 00:35:43,120
Speaker 8: have two conditions blah blah blah blah blah. You know

762
00:35:43,160 --> 00:35:46,800
Speaker 8: it's just like good. I mean it's fine. I guess

763
00:35:46,840 --> 00:35:49,000
Speaker 8: like any other actor wouldn't be able to pull it off.

764
00:35:49,040 --> 00:35:53,160
Speaker 8: But pussel Thwait's great, and you know, like the jump

765
00:35:53,200 --> 00:35:56,040
Speaker 8: to oh we are not alone on this island. I'm like,

766
00:35:56,160 --> 00:35:58,879
Speaker 8: you brought a hundred guys, like you think it might

767
00:35:58,880 --> 00:36:04,959
Speaker 8: have been one of your dude sabotage But anyways, yeah,

768
00:36:05,120 --> 00:36:07,160
Speaker 8: I mean it's fine whatever.

769
00:36:07,480 --> 00:36:09,319
Speaker 6: Like I don't know, I.

770
00:36:09,280 --> 00:36:12,839
Speaker 3: Do like the chairs being ejected out from each cool

771
00:36:12,960 --> 00:36:15,120
Speaker 3: ahead of the time, good tech.

772
00:36:15,400 --> 00:36:18,319
Speaker 9: Yeah, what is the purpose of it though, Like, so

773
00:36:18,360 --> 00:36:20,879
Speaker 9: you can just get a better, better, you know, rope

774
00:36:20,920 --> 00:36:27,200
Speaker 9: on I guess so, I guess rope the technologies there?

775
00:36:27,640 --> 00:36:29,759
Speaker 4: Do they drive under a stegosaurus? Is that?

776
00:36:32,120 --> 00:36:34,279
Speaker 1: Yeah? That's why the ones we couldn't name in the

777
00:36:34,320 --> 00:36:36,640
Speaker 1: first because.

778
00:36:36,040 --> 00:36:40,320
Speaker 8: Those are those are el size right, Okay, it was

779
00:36:40,360 --> 00:36:42,120
Speaker 8: big enough for a motorcycle?

780
00:36:42,600 --> 00:36:43,680
Speaker 1: Was it the Elvis one? Maybe?

781
00:36:43,840 --> 00:36:45,880
Speaker 6: Maybe? I think I might have Elvis.

782
00:36:46,160 --> 00:36:47,640
Speaker 2: We mostly got a shot of its legs.

783
00:36:47,640 --> 00:36:50,000
Speaker 5: I do like when the triceratops starts raging through the

784
00:36:50,040 --> 00:36:54,160
Speaker 5: camp after making them like release them at the investor call.

785
00:36:54,200 --> 00:36:56,280
Speaker 2: I think that's pretty good. Now I'm getting excited.

786
00:36:56,280 --> 00:36:58,480
Speaker 5: I'm like Oka right, we're gonna get some dinosaur raging

787
00:36:58,719 --> 00:37:01,840
Speaker 5: and then something it's over. Yeah, just like the tiniest

788
00:37:01,880 --> 00:37:03,600
Speaker 5: taste of dinosaur not enough for me.

789
00:37:03,760 --> 00:37:05,080
Speaker 2: But I think you're totally right.

790
00:37:05,120 --> 00:37:08,279
Speaker 5: It's like in the first one they have that moment

791
00:37:08,320 --> 00:37:10,200
Speaker 5: when they get to Jurassic Park, we get the awe,

792
00:37:10,239 --> 00:37:11,799
Speaker 5: but kind of like the genies out of the bottle,

793
00:37:11,840 --> 00:37:14,160
Speaker 5: they can't really do that the exact same way.

794
00:37:14,200 --> 00:37:14,480
Speaker 2: Again.

795
00:37:15,000 --> 00:37:17,920
Speaker 5: We get tiny moments of people like in the jeeps

796
00:37:17,960 --> 00:37:20,560
Speaker 5: driving along and they're like, oh cool, you know, they

797
00:37:20,560 --> 00:37:24,080
Speaker 5: are like still wowed to see the dinosaurs. But because

798
00:37:24,120 --> 00:37:26,319
Speaker 5: they did that whole the whole first half of the

799
00:37:26,320 --> 00:37:29,600
Speaker 5: first movie is you know, the beauty of the dinosaurs

800
00:37:29,600 --> 00:37:32,640
Speaker 5: and the friendliness of the herbivores. They don't do that

801
00:37:32,680 --> 00:37:34,880
Speaker 5: in the second one because they can't just totally repeat themselves.

802
00:37:34,920 --> 00:37:37,080
Speaker 2: I know, like the herbivores are dangerous.

803
00:37:36,800 --> 00:37:38,520
Speaker 5: Right, you know, And I think that is kind of

804
00:37:38,560 --> 00:37:40,839
Speaker 5: like indicative of the way this whole movie goes. It's

805
00:37:40,880 --> 00:37:44,239
Speaker 5: like everything's a little bit more serious and dark and

806
00:37:44,320 --> 00:37:47,239
Speaker 5: dangerous for the second one compared to the first one.

807
00:37:47,320 --> 00:37:49,080
Speaker 5: And what we liked about the first one was that

808
00:37:49,120 --> 00:37:51,440
Speaker 5: they had the contrast in style whereas with this one,

809
00:37:51,440 --> 00:37:53,040
Speaker 5: it's just like murders right away.

810
00:37:53,120 --> 00:37:55,920
Speaker 4: It's just as man anything.

811
00:37:57,280 --> 00:38:01,520
Speaker 1: Look, there's no fenses. Man Nick though, he saves the

812
00:38:01,560 --> 00:38:05,120
Speaker 1: injured infant t Rex and he brings it to the

813
00:38:05,280 --> 00:38:07,759
Speaker 1: r V for medical attention. So they've got it here

814
00:38:07,800 --> 00:38:10,160
Speaker 1: in the r V and they're, you know, they're they're

815
00:38:10,200 --> 00:38:12,000
Speaker 1: fixing it, and he takes off his belt to like

816
00:38:12,040 --> 00:38:14,919
Speaker 1: wrap up its mouth so it doesn't you know, sort

817
00:38:14,920 --> 00:38:17,359
Speaker 1: of bite them or whatever. And oh my god, there's

818
00:38:17,400 --> 00:38:23,600
Speaker 1: a fly in here in case exactly. Uh, and Sarah's helping,

819
00:38:23,719 --> 00:38:26,920
Speaker 1: and they're trying to fix its leg, you knows.

820
00:38:26,320 --> 00:38:32,640
Speaker 2: Chopping away. I need something that he said can be

821
00:38:32,680 --> 00:38:36,919
Speaker 2: possibly you. Oh well slights again.

822
00:38:37,040 --> 00:38:41,759
Speaker 3: Well she says spit and he literally spits his and she.

823
00:38:41,719 --> 00:38:45,520
Speaker 4: Said, gum, yeah that's right, dummy, Yeah, okay.

824
00:38:46,440 --> 00:38:51,040
Speaker 8: Dummy is correct, because these fucking morons are bringing a

825
00:38:51,160 --> 00:38:53,480
Speaker 8: baby t Rex into their trailer.

826
00:38:53,560 --> 00:38:56,800
Speaker 6: Yeah, they're more they're morons.

827
00:38:56,680 --> 00:38:57,759
Speaker 2: And what are you doing?

828
00:38:57,920 --> 00:39:01,399
Speaker 1: Told us, yeah that she is learned that they will

829
00:39:01,400 --> 00:39:05,239
Speaker 1: go nuts in protecting their infant, and it's like, oh no,

830
00:39:05,280 --> 00:39:07,319
Speaker 1: it's not like we thought t Rex has baby, and

831
00:39:07,400 --> 00:39:09,040
Speaker 1: just like, yeah, screw get out of here, baby, we

832
00:39:09,080 --> 00:39:10,120
Speaker 1: don't care about you anymore.

833
00:39:10,239 --> 00:39:12,239
Speaker 8: They're not like that at all, Right, And to your

834
00:39:12,280 --> 00:39:14,399
Speaker 8: earlier point, she made a point of being like, well,

835
00:39:14,400 --> 00:39:19,440
Speaker 8: we can't interfere here, Like even though Posselthwaite probably purposefully

836
00:39:19,520 --> 00:39:22,560
Speaker 8: broke its leg to lure the t Rex, you still can't.

837
00:39:23,080 --> 00:39:25,640
Speaker 8: You just it's just the stupidest thing you could do.

838
00:39:26,600 --> 00:39:28,799
Speaker 8: And when you're when your characters are morons, are like,

839
00:39:28,840 --> 00:39:30,239
Speaker 8: I don't care about them.

840
00:39:30,360 --> 00:39:31,480
Speaker 1: Yeah, yeah, you know.

841
00:39:31,680 --> 00:39:31,879
Speaker 2: Yeah.

842
00:39:32,280 --> 00:39:34,920
Speaker 1: So well they're in this r V and at one

843
00:39:34,920 --> 00:39:36,920
Speaker 1: point I thought it happened like really quickly, but like

844
00:39:37,000 --> 00:39:40,320
Speaker 1: Kelly starts freaking out. She's like suddenly like this is

845
00:39:40,320 --> 00:39:44,040
Speaker 1: a bad idea coming here. Yeah, maybe it's seeing the

846
00:39:44,080 --> 00:39:46,840
Speaker 1: wailing baby in you know, infant t rex on the

847
00:39:46,880 --> 00:39:49,960
Speaker 1: table or something. But she starts panicking. So her and

848
00:39:50,000 --> 00:39:54,080
Speaker 1: Malcolm go and join Eddie in the in the high Tide,

849
00:39:54,480 --> 00:39:57,960
Speaker 1: high Hide, high hide, Yeah, high hide, thank you elevated

850
00:39:58,000 --> 00:39:58,640
Speaker 1: basket thing.

851
00:39:59,040 --> 00:40:01,600
Speaker 2: Yeah, which, what was the.

852
00:40:01,560 --> 00:40:02,479
Speaker 1: Point of this thing? I mean.

853
00:40:04,400 --> 00:40:05,719
Speaker 2: That was one where I was like, oh, this will

854
00:40:05,760 --> 00:40:06,200
Speaker 2: pay off.

855
00:40:06,800 --> 00:40:08,520
Speaker 5: You made it because they show us like what they're

856
00:40:08,560 --> 00:40:10,440
Speaker 5: at the hangar or whatever, right, and he's kind of

857
00:40:10,480 --> 00:40:13,200
Speaker 5: like going through Eddie's going through all of the different

858
00:40:13,239 --> 00:40:15,239
Speaker 5: things that he's bringing that he hasn't tested yet and

859
00:40:15,320 --> 00:40:19,440
Speaker 5: included as the High Hide, and Malcolm's like, oh, perfect convenient,

860
00:40:19,480 --> 00:40:21,960
Speaker 5: biting hype, right right, You're thinking Eddie is going to

861
00:40:22,000 --> 00:40:25,200
Speaker 5: get chomped out of that, sure, sure, but no, they

862
00:40:25,239 --> 00:40:26,040
Speaker 5: just use it to hide.

863
00:40:26,120 --> 00:40:26,759
Speaker 2: Yeah, that's it.

864
00:40:26,960 --> 00:40:30,960
Speaker 8: Yeah, you never heard of Chekov's High Hide.

865
00:40:30,280 --> 00:40:34,560
Speaker 1: Right. Well, what's funny too, is like Malcolm takes her

866
00:40:34,719 --> 00:40:36,640
Speaker 1: Kelly up with Eddie or they get up there in

867
00:40:36,680 --> 00:40:38,600
Speaker 1: the High Hide and then he's like, up there, he

868
00:40:39,000 --> 00:40:42,600
Speaker 1: calls back to the r V. No answer, Yeah, so

869
00:40:42,680 --> 00:40:45,800
Speaker 1: he like repels down like ten seconds later. Yep, He's like,

870
00:40:45,840 --> 00:40:47,560
Speaker 1: I guess you're safe now. You didn't want to be

871
00:40:47,560 --> 00:40:50,040
Speaker 1: in the RV let me go back. Yeah, you just

872
00:40:50,080 --> 00:40:53,600
Speaker 1: stay with Eddie pouring rain out, barely any coverage to

873
00:40:53,640 --> 00:40:56,960
Speaker 1: this thing. She's got no jacket on. I'm sure it's warm,

874
00:40:57,080 --> 00:41:03,200
Speaker 1: but we very well. So, yeah, he repels down, and

875
00:41:03,320 --> 00:41:05,479
Speaker 1: he's just making some fascinating decisions in my mind.

876
00:41:05,520 --> 00:41:06,120
Speaker 6: Oh totally.

877
00:41:06,200 --> 00:41:08,359
Speaker 8: I mean, look, let me ask the dads in the room,

878
00:41:08,520 --> 00:41:11,120
Speaker 8: are you leaving your child in the High Hide by yourself?

879
00:41:11,239 --> 00:41:15,360
Speaker 8: By herself? So you can go rescue your soon to

880
00:41:15,400 --> 00:41:16,960
Speaker 8: be ex girlfriend.

881
00:41:17,640 --> 00:41:21,800
Speaker 2: Absolutely not literally left her hanging.

882
00:41:21,960 --> 00:41:25,320
Speaker 8: Yeah, it's crazy, it's a crazy decision.

883
00:41:25,680 --> 00:41:27,480
Speaker 3: Yeah, it should have been like Mario Kart, you know

884
00:41:27,480 --> 00:41:29,600
Speaker 3: in the Renegade round up where they have these high heights.

885
00:41:29,600 --> 00:41:32,480
Speaker 4: Everybody's got to go together, you get released together.

886
00:41:33,000 --> 00:41:35,480
Speaker 3: Okay, all I want right going together. You're not just

887
00:41:35,560 --> 00:41:38,640
Speaker 3: leaving your child there. Yes, that's a hard, hard No, dog,

888
00:41:38,840 --> 00:41:39,320
Speaker 3: you can't.

889
00:41:39,480 --> 00:41:40,080
Speaker 4: You just can't.

890
00:41:40,200 --> 00:41:41,960
Speaker 2: So Malcolm makes it back to the r V.

891
00:41:42,200 --> 00:41:44,239
Speaker 1: But this is where the team is attacked by the

892
00:41:44,280 --> 00:41:49,120
Speaker 1: adult t Rexes. Yes plural, there's more than one. There's

893
00:41:49,160 --> 00:41:50,759
Speaker 1: a cool part. We got both of them on both

894
00:41:50,760 --> 00:41:53,560
Speaker 1: sides of the RV. We're doing we're doing some big

895
00:41:53,640 --> 00:41:57,160
Speaker 1: Dino looking through window work here. But yeah, that's that's

896
00:41:57,200 --> 00:41:59,680
Speaker 1: fine to play that. Sure that hit again and you're

897
00:41:59,719 --> 00:42:01,000
Speaker 1: double it up. Now they're on both.

898
00:42:01,560 --> 00:42:03,400
Speaker 8: This is by far the best scene in the movie

899
00:42:03,719 --> 00:42:06,560
Speaker 8: for me. The trailer, the whole trailer sequence.

900
00:42:06,840 --> 00:42:09,520
Speaker 1: Oh, the whole trailer sequence. I think it goes on

901
00:42:09,560 --> 00:42:13,359
Speaker 1: at all too long when it's off the clan. But

902
00:42:13,960 --> 00:42:17,479
Speaker 1: Sarah says, they're not hunting. They came for their infant. Yep, yep,

903
00:42:17,920 --> 00:42:20,759
Speaker 1: we knew that. So they open the door. They give

904
00:42:20,800 --> 00:42:23,319
Speaker 1: the baby t Rex back, just give back to them.

905
00:42:23,520 --> 00:42:27,320
Speaker 1: They'll probably take it and leave. But they're not done.

906
00:42:27,440 --> 00:42:29,440
Speaker 1: They're not done. No, no, no, they're still angry. So this

907
00:42:29,480 --> 00:42:31,680
Speaker 1: is where they flip the r V and they push

908
00:42:31,760 --> 00:42:34,040
Speaker 1: it over a cliff and it's teetering over the edge.

909
00:42:34,200 --> 00:42:35,640
Speaker 1: I guess like at least half of the r V

910
00:42:35,800 --> 00:42:38,000
Speaker 1: is hanging off the edge. The other is sort of

911
00:42:38,040 --> 00:42:38,479
Speaker 1: on land.

912
00:42:38,760 --> 00:42:43,040
Speaker 3: That's the weird part because the dinos disappear after. Yeah,

913
00:42:43,280 --> 00:42:48,520
Speaker 3: they finished the job, that's good enough. Yeah, they get distracted, left,

914
00:42:49,520 --> 00:42:51,359
Speaker 3: they leave and come back and leave and come back

915
00:42:51,400 --> 00:42:53,280
Speaker 3: like three times, right, don't they.

916
00:42:53,320 --> 00:42:56,120
Speaker 4: Sort of definitely, yeah, definitely twice they get the.

917
00:42:56,080 --> 00:42:59,200
Speaker 8: Baby back, they leave, then gold blooms about to get

918
00:42:59,200 --> 00:43:00,719
Speaker 8: on the radio and he's like, oh, this is gonna

919
00:43:00,719 --> 00:43:03,120
Speaker 8: be bad. They get smashed up, and they leave again.

920
00:43:04,440 --> 00:43:05,440
Speaker 8: I think it's three times.

921
00:43:05,840 --> 00:43:07,320
Speaker 2: Yeah, they definitely come back for Eddie.

922
00:43:07,480 --> 00:43:10,440
Speaker 8: Yeah, yes, I guess they hear the but yeah, why

923
00:43:10,480 --> 00:43:13,240
Speaker 8: wouldn't they just finish the job, and it's.

924
00:43:13,080 --> 00:43:16,719
Speaker 1: Just knock the felt Well, it's teetering over the edge

925
00:43:16,719 --> 00:43:20,200
Speaker 1: and Sarah falls onto the window on the one end

926
00:43:20,239 --> 00:43:21,880
Speaker 1: of the thing, and this is where we get the

927
00:43:21,880 --> 00:43:24,120
Speaker 1: hole like it's cracking. The art scene, it's like, are

928
00:43:24,160 --> 00:43:25,480
Speaker 1: they gonna be able to get to her in time?

929
00:43:25,680 --> 00:43:28,279
Speaker 1: And something else is about to drop and break it? Right,

930
00:43:28,320 --> 00:43:30,720
Speaker 1: that's that's the thing. Nick vin Vaughn's trying to grab

931
00:43:30,800 --> 00:43:34,280
Speaker 1: satellite phone. Satellite phone, right, Yeah, And of course Malcolm's

932
00:43:34,280 --> 00:43:36,200
Speaker 1: trying to get to her, and he catches her just

933
00:43:36,239 --> 00:43:38,160
Speaker 1: before it breaks her while it breaks the help of

934
00:43:38,200 --> 00:43:42,400
Speaker 1: that lucky backpack. What a movie for this backpack. It

935
00:43:42,440 --> 00:43:43,399
Speaker 1: comes to a couple of times.

936
00:43:43,480 --> 00:43:46,879
Speaker 5: Yeah, she doesn't heed her own advice at all when

937
00:43:46,880 --> 00:43:49,040
Speaker 5: it comes to not interfering, because every chance she gets

938
00:43:49,120 --> 00:43:51,359
Speaker 5: she interferes. But she was one hundred percent right about

939
00:43:51,360 --> 00:43:53,920
Speaker 5: the lucky backpack. Yeah, it comes in handy all on. Yes,

940
00:43:55,120 --> 00:43:59,520
Speaker 5: I love anytime in a movie there's a slow cracking scene.

941
00:43:59,520 --> 00:44:02,400
Speaker 5: Oh yeah, I think is awesome. So she's hanging or

942
00:44:02,480 --> 00:44:05,520
Speaker 5: she's laying like on the glass, and as she's slowly

943
00:44:05,560 --> 00:44:09,400
Speaker 5: moving her hands and her fingers, it's like little spider

944
00:44:09,400 --> 00:44:11,480
Speaker 5: webs coming out and we know, like the clock is

945
00:44:11,520 --> 00:44:14,200
Speaker 5: ticking on it, she's gonna fall soon enough. You'll see

946
00:44:14,239 --> 00:44:18,040
Speaker 5: that like on ice or something like an iced over Lake.

947
00:44:18,280 --> 00:44:19,279
Speaker 5: I always think it's cool.

948
00:44:19,920 --> 00:44:22,880
Speaker 1: I'm with this scene up until this point, like if

949
00:44:22,920 --> 00:44:26,440
Speaker 1: it had ended soon after they catch her, but it

950
00:44:26,440 --> 00:44:28,600
Speaker 1: actually goes on for a lot longer because he got

951
00:44:28,600 --> 00:44:31,520
Speaker 1: the whole eddy sort of saving them. Yeah, because he

952
00:44:31,600 --> 00:44:35,359
Speaker 1: hustles back. He now leaves Kelly in the high hide.

953
00:44:35,920 --> 00:44:38,279
Speaker 1: So he's coming back and he's trying to save them.

954
00:44:38,760 --> 00:44:40,520
Speaker 1: He's trying to save them with the rope that he's

955
00:44:40,560 --> 00:44:45,000
Speaker 1: tied to a tree. And then he attaches his car

956
00:44:45,120 --> 00:44:48,000
Speaker 1: to the RV with like the steel wrench cable like

957
00:44:48,000 --> 00:44:51,080
Speaker 1: to the you know, with to his truck, and then

958
00:44:51,280 --> 00:44:52,560
Speaker 1: you know, this is what he's doing. He's got two

959
00:44:52,560 --> 00:44:54,640
Speaker 1: things going right. He's got them on the rope and

960
00:44:54,680 --> 00:44:56,720
Speaker 1: he has some complications with that, and then he's obviously

961
00:44:56,719 --> 00:44:58,560
Speaker 1: got the truck part. Got complications with that because the

962
00:44:58,560 --> 00:45:00,680
Speaker 1: t Rex has come back, like you said, yeah, and

963
00:45:00,719 --> 00:45:01,719
Speaker 1: he eventually gets eaten.

964
00:45:01,800 --> 00:45:04,880
Speaker 3: He can't decide what to do. It's like he's on

965
00:45:04,920 --> 00:45:07,600
Speaker 3: the hamster wheel. Does he just start working? He's like

966
00:45:07,719 --> 00:45:09,880
Speaker 3: this way or that way? This way you just can't

967
00:45:10,680 --> 00:45:11,400
Speaker 3: can't grapple it.

968
00:45:11,600 --> 00:45:13,279
Speaker 8: I mean, that's what I like about it, and that's

969
00:45:13,320 --> 00:45:15,880
Speaker 8: why I think it works. It's it on paper. It

970
00:45:16,000 --> 00:45:18,520
Speaker 8: feels tedious, and I can see how somebody would think

971
00:45:18,560 --> 00:45:20,239
Speaker 8: it's this is going on way too long.

972
00:45:20,760 --> 00:45:21,279
Speaker 6: But I don't know.

973
00:45:21,320 --> 00:45:23,360
Speaker 8: It'd worked for me, just be just the tension of

974
00:45:23,400 --> 00:45:25,160
Speaker 8: them being stuck at the bottom of this thing and

975
00:45:25,280 --> 00:45:27,000
Speaker 8: him trying to work out how am I going to

976
00:45:27,080 --> 00:45:29,200
Speaker 8: do this? And then he gets eaten by a t rex.

977
00:45:29,480 --> 00:45:29,960
Speaker 6: Yeah.

978
00:45:30,000 --> 00:45:32,400
Speaker 1: I was getting a little confused with the ropes and

979
00:45:32,440 --> 00:45:34,640
Speaker 1: what was to and where the heck everything was. But

980
00:45:34,800 --> 00:45:36,080
Speaker 1: you know, I went back and I did look at

981
00:45:36,080 --> 00:45:37,719
Speaker 1: it again. I was like, Okay, it does make sense

982
00:45:37,760 --> 00:45:39,880
Speaker 1: what he's trying to do, right, yep. But he's got

983
00:45:39,880 --> 00:45:42,000
Speaker 1: a lot to do. There's two t rexes coming.

984
00:45:41,880 --> 00:45:45,719
Speaker 8: Back exactly single handedly trying to you know, save these

985
00:45:45,719 --> 00:45:49,800
Speaker 8: people while fending off t rexes, and he's just it.

986
00:45:49,960 --> 00:45:52,839
Speaker 8: He's stuck in the mud, he's slipping all over the place,

987
00:45:52,920 --> 00:45:55,359
Speaker 8: and then the gun gets stuck right Like, It's just

988
00:45:55,480 --> 00:45:58,080
Speaker 8: it's kind of frustrating to watch, but also like you're like,

989
00:45:58,120 --> 00:46:01,040
Speaker 8: holy shit, I it worked for me.

990
00:46:01,440 --> 00:46:04,120
Speaker 1: Tough death for our guy Eddie. Yeah, oh yeah, double

991
00:46:04,200 --> 00:46:05,879
Speaker 1: chump tossed in the.

992
00:46:05,840 --> 00:46:10,120
Speaker 5: Air, yeah yeah, pop corn in their mouths, Hey, toss

993
00:46:10,160 --> 00:46:10,400
Speaker 5: me up.

994
00:46:13,640 --> 00:46:15,799
Speaker 1: I would have liked to have seen the two dinosaurs,

995
00:46:15,800 --> 00:46:18,200
Speaker 1: the two Texas do a little lady in tramp with them.

996
00:46:19,680 --> 00:46:20,440
Speaker 1: They would have kissed it.

997
00:46:20,600 --> 00:46:23,919
Speaker 2: Meet me at the belts. Yeah, his air bag goes off.

998
00:46:24,160 --> 00:46:27,920
Speaker 1: Yeah, that was a good part. So yeah, long scene,

999
00:46:27,920 --> 00:46:30,680
Speaker 1: but goodbye Eddie. H don't worry though.

1000
00:46:30,840 --> 00:46:32,799
Speaker 3: Ten minutes is how long it took, is what it was.

1001
00:46:33,160 --> 00:46:35,440
Speaker 3: From the Dino push. I did go back, not to

1002
00:46:35,440 --> 00:46:36,920
Speaker 3: get all analytics.

1003
00:46:36,640 --> 00:46:38,200
Speaker 1: Just from the first Dino push.

1004
00:46:38,280 --> 00:46:39,359
Speaker 4: Yeah to that.

1005
00:46:39,440 --> 00:46:43,279
Speaker 1: Okay, Yeah, maybe it feels like an even longer scene

1006
00:46:43,320 --> 00:46:45,000
Speaker 1: because we are with them in the r V for

1007
00:46:45,040 --> 00:46:46,799
Speaker 1: a good chunk before that too.

1008
00:46:47,360 --> 00:46:48,040
Speaker 4: Yeah.

1009
00:46:48,160 --> 00:46:49,160
Speaker 2: Please think of the orders.

1010
00:46:50,040 --> 00:46:53,880
Speaker 5: Three cheeseburgers, no onions for Nick and an apple turnover

1011
00:46:53,960 --> 00:46:54,600
Speaker 5: for Sarah.

1012
00:46:56,000 --> 00:46:59,120
Speaker 1: The most like craziest things are happening to these people

1013
00:46:59,120 --> 00:47:01,600
Speaker 1: for them to throw some I don't know.

1014
00:47:01,640 --> 00:47:02,640
Speaker 2: It was an interesting time.

1015
00:47:02,920 --> 00:47:04,799
Speaker 1: That was an interesting time to have some fun.

1016
00:47:05,080 --> 00:47:08,360
Speaker 8: It does happen in Jurassic Park, which we love. The

1017
00:47:08,480 --> 00:47:13,200
Speaker 8: tone is different. Look, Jeff Goldblum is different in this movie.

1018
00:47:13,239 --> 00:47:18,080
Speaker 8: He is thrust into the leading men position. He is

1019
00:47:18,320 --> 00:47:21,200
Speaker 8: in dad mode, and you know, when you're in dad mode,

1020
00:47:21,280 --> 00:47:23,960
Speaker 8: you're kind of less fun you know, like he's it's

1021
00:47:24,000 --> 00:47:26,719
Speaker 8: easier for him to be wisecracking and like, you know,

1022
00:47:26,920 --> 00:47:30,160
Speaker 8: when he's just observing the action, you know, rather than

1023
00:47:30,200 --> 00:47:32,279
Speaker 8: being in the action, you know what I'm saying.

1024
00:47:32,320 --> 00:47:36,960
Speaker 3: So yeah, and as he said, Julian Moore just wasn't

1025
00:47:37,000 --> 00:47:37,919
Speaker 3: peak Julian Moore.

1026
00:47:38,080 --> 00:47:38,160
Speaker 5: No.

1027
00:47:38,400 --> 00:47:42,400
Speaker 8: And also I'll say Vince Vaughan should have easily stepped

1028
00:47:42,400 --> 00:47:45,120
Speaker 8: into that role of the wisecracking smart ass, you know

1029
00:47:45,120 --> 00:47:48,600
Speaker 8: what I mean, because look, Spielberg saw him in Swingers,

1030
00:47:48,640 --> 00:47:51,560
Speaker 8: a rough cut his Swingers apparently we're talking about And

1031
00:47:52,840 --> 00:47:55,000
Speaker 8: you know, the guy has comedy chops. He's been in

1032
00:47:55,080 --> 00:47:58,560
Speaker 8: some of the best comedies ever, you know, in the

1033
00:47:58,640 --> 00:48:02,120
Speaker 8: last whatever the next ten years of his career. Like,

1034
00:48:02,160 --> 00:48:05,480
Speaker 8: he has comedy chops. He's just as funny as as

1035
00:48:05,960 --> 00:48:08,440
Speaker 8: Jeff Goldblum in a different way. He could have easily

1036
00:48:08,480 --> 00:48:11,040
Speaker 8: been like wisecracking and you know, just being that.

1037
00:48:11,320 --> 00:48:11,520
Speaker 2: Yeah.

1038
00:48:11,520 --> 00:48:13,880
Speaker 1: But like Trace said this, the tone of this movie is, right,

1039
00:48:13,960 --> 00:48:16,080
Speaker 1: so much darker and serious.

1040
00:48:15,760 --> 00:48:19,080
Speaker 8: And yeah, but like if if he's a like doctor

1041
00:48:19,120 --> 00:48:22,279
Speaker 8: Malcolm in the first movie is a bit of an asshole, right,

1042
00:48:22,560 --> 00:48:26,160
Speaker 8: like clearly, so make Vince Vaughan the bit of an asshole.

1043
00:48:26,200 --> 00:48:27,520
Speaker 6: He is a bit of an asshole.

1044
00:48:27,200 --> 00:48:30,040
Speaker 8: In this movie, but you know, just make him funny,

1045
00:48:30,080 --> 00:48:33,680
Speaker 8: and those kind of lines feel better coming from an

1046
00:48:33,719 --> 00:48:36,320
Speaker 8: asshole in a tense situation, I guess, is my point.

1047
00:48:36,600 --> 00:48:37,319
Speaker 2: Yeah, I agree with it.

1048
00:48:37,360 --> 00:48:40,239
Speaker 5: That's why to me, Vince Vaughn's best scene is when

1049
00:48:40,640 --> 00:48:44,040
Speaker 5: he meets Ian Malcolm and they're talking about greenpeace for women.

1050
00:48:44,120 --> 00:48:45,800
Speaker 2: He's like, oh, how noble of He's like, noble was

1051
00:48:45,880 --> 00:48:46,359
Speaker 2: last year.

1052
00:48:46,600 --> 00:48:48,440
Speaker 5: This year, I'm getting paid, And that to me is

1053
00:48:48,480 --> 00:48:51,000
Speaker 5: like Vince Vaughn in double down Trent mode. And that's

1054
00:48:51,000 --> 00:48:53,399
Speaker 5: when he's at his best in any movie, is when

1055
00:48:53,440 --> 00:48:57,000
Speaker 5: he's like the fast talking, snip talking ye asshole guy

1056
00:48:57,080 --> 00:49:00,000
Speaker 5: and he knows exactly yeah, exactly it. He doesn't get

1057
00:49:00,080 --> 00:49:01,840
Speaker 5: to do that nearly enough in this I don't think.

1058
00:49:01,719 --> 00:49:04,279
Speaker 1: No his I mean, his role in this movie not

1059
00:49:04,440 --> 00:49:04,799
Speaker 1: a lot.

1060
00:49:05,320 --> 00:49:05,640
Speaker 4: Really.

1061
00:49:06,280 --> 00:49:08,839
Speaker 5: Now he goes from being a photographer to being like

1062
00:49:08,880 --> 00:49:13,120
Speaker 5: an eco terrorist.

1063
00:49:13,760 --> 00:49:15,840
Speaker 4: You mentioned getting paid. Let me just throw this in here. Apparently.

1064
00:49:15,920 --> 00:49:18,640
Speaker 3: Julian Moore later admitted that she only signed on because

1065
00:49:18,640 --> 00:49:22,040
Speaker 3: she was trying to pay off her divorce settlement with

1066
00:49:22,520 --> 00:49:24,400
Speaker 3: John gold Rubin, but she did want to work with

1067
00:49:24,440 --> 00:49:26,000
Speaker 3: Steven Spielberg that she hadn't done.

1068
00:49:25,920 --> 00:49:30,000
Speaker 1: So that I say, yeah, that checks out.

1069
00:49:30,120 --> 00:49:30,839
Speaker 2: I'll take a check.

1070
00:49:30,920 --> 00:49:34,239
Speaker 1: Yeah, Peter roll in the mercenaries they come to the

1071
00:49:34,400 --> 00:49:37,480
Speaker 1: r V site, so they rescue Malcolm and his team

1072
00:49:37,520 --> 00:49:39,719
Speaker 1: after the t Rexes have left. They brought Kelly too,

1073
00:49:39,760 --> 00:49:41,200
Speaker 1: so that was nice of them. I guess got her

1074
00:49:41,280 --> 00:49:42,919
Speaker 1: down from the high hide.

1075
00:49:42,920 --> 00:49:43,760
Speaker 4: Thanks for that.

1076
00:49:44,120 --> 00:49:46,600
Speaker 5: Yeah, I mean, honestly, now that I'm thinking about it,

1077
00:49:46,600 --> 00:49:47,279
Speaker 5: maybe we need to.

1078
00:49:47,200 --> 00:49:49,960
Speaker 2: Reassess Malcolm's parenting. She was the safest.

1079
00:49:52,640 --> 00:49:54,680
Speaker 4: Yeah, it turned out that.

1080
00:49:54,640 --> 00:49:57,719
Speaker 1: High hide was very high because we even see a

1081
00:49:57,760 --> 00:50:00,760
Speaker 1: shot of like I guess the t reck is going

1082
00:50:00,840 --> 00:50:04,600
Speaker 1: through the jungle really and you can just you can't

1083
00:50:04,600 --> 00:50:05,400
Speaker 1: even see their heads.

1084
00:50:06,160 --> 00:50:06,520
Speaker 6: How high?

1085
00:50:07,560 --> 00:50:09,040
Speaker 1: What tree was that attached to?

1086
00:50:09,160 --> 00:50:11,600
Speaker 8: But yeah, yeah, Also the problem is that it's attached

1087
00:50:11,640 --> 00:50:14,719
Speaker 8: to a jeep, which would be seen. And we know

1088
00:50:15,719 --> 00:50:18,720
Speaker 8: that the t rex is pretty curious about the jeeps

1089
00:50:18,760 --> 00:50:22,760
Speaker 8: and vehicles, right, they hate them, they jeeps.

1090
00:50:23,680 --> 00:50:26,040
Speaker 1: Okay, So we learned then now that they're sort of

1091
00:50:26,120 --> 00:50:28,880
Speaker 1: all together, both of these teams, that the only working

1092
00:50:28,960 --> 00:50:32,840
Speaker 1: radio is in the interior that's populated by the velociraptors,

1093
00:50:33,960 --> 00:50:36,040
Speaker 1: and this was where they have to like they're.

1094
00:50:35,880 --> 00:50:37,040
Speaker 2: They're all going to go together.

1095
00:50:37,760 --> 00:50:39,920
Speaker 1: But we have members of this team that get attacked

1096
00:50:40,040 --> 00:50:42,960
Speaker 1: by raptors and by other dinosaurs and killed. So I'll

1097
00:50:42,960 --> 00:50:46,000
Speaker 1: give them all to you. You tell me your favorite.

1098
00:50:46,360 --> 00:50:49,080
Speaker 1: I guess sort of death scene here. So the first

1099
00:50:49,160 --> 00:50:54,040
Speaker 1: death is Dieter is that his name? The Nihilists from

1100
00:50:54,040 --> 00:50:57,839
Speaker 1: The Big Lebowski. He tells Carter he's going for a leak,

1101
00:50:58,560 --> 00:51:05,520
Speaker 1: but Carter's too busy listening to so, I mean, this

1102
00:51:05,600 --> 00:51:08,080
Speaker 1: is a long scene and I'm you know, flying through

1103
00:51:08,080 --> 00:51:10,719
Speaker 1: it here. But he gets he gets killed by all

1104
00:51:10,719 --> 00:51:15,160
Speaker 1: those little baby dinos that the compo, the the compies. Yeah,

1105
00:51:15,160 --> 00:51:17,719
Speaker 1: that took that, or at least attack that daughter early

1106
00:51:17,760 --> 00:51:18,320
Speaker 1: in the movie.

1107
00:51:18,640 --> 00:51:20,760
Speaker 2: The next one is Carter, Poor Carter.

1108
00:51:21,280 --> 00:51:25,480
Speaker 1: I think it's him. He gets smashed like a bug. One.

1109
00:51:26,640 --> 00:51:28,759
Speaker 1: Oh that's a good one. Yeah, that's when you know

1110
00:51:28,800 --> 00:51:31,680
Speaker 1: the t rex has showed up. Ye Burke, that is

1111
00:51:31,680 --> 00:51:33,879
Speaker 1: the guy's name. I guess, the guy that knows about

1112
00:51:33,920 --> 00:51:36,480
Speaker 1: the paleontologists, but the bad team. Yeah, the bad guys.

1113
00:51:36,560 --> 00:51:39,920
Speaker 1: He snatched from inside the waterfall because the snake went

1114
00:51:39,960 --> 00:51:42,560
Speaker 1: down his shirt. Dumb decision on this guy's part.

1115
00:51:42,640 --> 00:51:43,960
Speaker 2: Yeah, you gotta take the snake bite.

1116
00:51:43,960 --> 00:51:45,600
Speaker 1: There, you got to take the snake bite. And then

1117
00:51:45,719 --> 00:51:48,800
Speaker 1: finally we get the raptors out in the tall grass.

1118
00:51:48,840 --> 00:51:52,400
Speaker 2: They took out like twenty guys. Yeah, pretty silently.

1119
00:51:52,760 --> 00:52:00,680
Speaker 1: Yeah. So favorite fields, favorite of those four deaths A

1120
00:52:00,760 --> 00:52:01,319
Speaker 1: tough call.

1121
00:52:04,000 --> 00:52:07,719
Speaker 5: I do like the blood downstream shot when Peter gets killed,

1122
00:52:07,719 --> 00:52:09,920
Speaker 5: But I think I'm gonna go with you said Carter

1123
00:52:10,160 --> 00:52:10,600
Speaker 5: was his name.

1124
00:52:10,719 --> 00:52:12,600
Speaker 1: I thought it was Carter the band guy.

1125
00:52:12,680 --> 00:52:14,919
Speaker 2: Yeah, guys stuck on the bottom of the t rex foot.

1126
00:52:14,920 --> 00:52:15,640
Speaker 2: I think it's pretty good.

1127
00:52:15,840 --> 00:52:16,560
Speaker 4: Yeah, it's good.

1128
00:52:17,360 --> 00:52:21,360
Speaker 3: I'm going with Dieter Uh, Peter stor Marcus. He's just

1129
00:52:21,440 --> 00:52:24,120
Speaker 3: he's the bad guy that he was in Constantine.

1130
00:52:24,840 --> 00:52:25,040
Speaker 2: Uh.

1131
00:52:25,200 --> 00:52:27,719
Speaker 3: They it felt it felt right for him to get

1132
00:52:27,800 --> 00:52:29,319
Speaker 3: nibbled over and over and over.

1133
00:52:29,840 --> 00:52:33,880
Speaker 1: When he gets bit on the lip, he sort of

1134
00:52:33,920 --> 00:52:34,720
Speaker 1: took it in stride.

1135
00:52:34,760 --> 00:52:37,000
Speaker 4: I was like, damn, yeah, he's tough.

1136
00:52:37,280 --> 00:52:37,720
Speaker 2: Yeah.

1137
00:52:37,840 --> 00:52:38,080
Speaker 4: Yeah.

1138
00:52:38,360 --> 00:52:40,399
Speaker 3: At first, when I saw the blood streaming, I thought

1139
00:52:40,640 --> 00:52:42,520
Speaker 3: I want to see him get eaten, because it did.

1140
00:52:43,200 --> 00:52:43,520
Speaker 4: It did.

1141
00:52:43,640 --> 00:52:45,319
Speaker 3: We didn't see it, but then it was fitting. We

1142
00:52:45,400 --> 00:52:47,800
Speaker 3: saw enough biting, We saw biting him the lip.

1143
00:52:48,360 --> 00:52:48,880
Speaker 4: It was great.

1144
00:52:49,000 --> 00:52:51,239
Speaker 1: I just think like even in this movie with you

1145
00:52:51,280 --> 00:52:52,920
Speaker 1: see all of them, like they sort of look the

1146
00:52:52,960 --> 00:52:55,560
Speaker 1: worst to me, the smaller the dinosaur, the worst it looks.

1147
00:52:55,719 --> 00:52:59,040
Speaker 1: C G I was wise, and I wonder if they're like, yeah,

1148
00:52:59,320 --> 00:53:02,120
Speaker 1: we can't show of meeting them, it won't look good. Yeah,

1149
00:53:02,280 --> 00:53:04,400
Speaker 1: Like so just like have them. You know, he dies,

1150
00:53:04,520 --> 00:53:06,120
Speaker 1: but like just we can't show.

1151
00:53:05,960 --> 00:53:09,080
Speaker 5: It, yeah, says yeah, because they don't show it with

1152
00:53:09,080 --> 00:53:12,520
Speaker 5: the little girl either, Like yeah, probably the c G

1153
00:53:12,680 --> 00:53:13,880
Speaker 5: I bites and blood.

1154
00:53:13,920 --> 00:53:15,000
Speaker 2: It's the part that's the problem.

1155
00:53:15,280 --> 00:53:17,600
Speaker 8: Yeah, Yeah, I mean I want to give a little

1156
00:53:17,640 --> 00:53:20,839
Speaker 8: bit of justice for Deeter because he did the one

1157
00:53:20,880 --> 00:53:23,880
Speaker 8: good thing in the whole movie was when he zaps

1158
00:53:23,880 --> 00:53:28,080
Speaker 8: the compy with the little cattle prod. The paleontologist is like,

1159
00:53:28,360 --> 00:53:30,480
Speaker 8: they don't have no reason to feel man to fear

1160
00:53:30,600 --> 00:53:34,600
Speaker 8: man he zaps him. Now he does, Well, you just

1161
00:53:34,640 --> 00:53:37,000
Speaker 8: did a very good thing because now the companies are

1162
00:53:37,000 --> 00:53:41,160
Speaker 8: going to be afraid of the natural predaters men right right,

1163
00:53:41,840 --> 00:53:46,319
Speaker 8: They'll be like afraid to go after them, you know what.

1164
00:53:46,320 --> 00:53:48,920
Speaker 1: I mean, Like, let's we're going to be afraid to

1165
00:53:48,960 --> 00:53:50,000
Speaker 1: go after humans.

1166
00:53:49,760 --> 00:53:54,239
Speaker 8: Yeah, because they and then and then well I know,

1167
00:53:54,400 --> 00:53:59,040
Speaker 8: but I'm just saying revenge man. Yeah, But we want

1168
00:53:59,080 --> 00:54:01,640
Speaker 8: wildlife to be a rate of humans. That is what

1169
00:54:01,719 --> 00:54:04,560
Speaker 8: I'm saying, right, because it's good for everybody.

1170
00:54:04,239 --> 00:54:06,200
Speaker 5: Long term, you think it puts the long term, it's

1171
00:54:06,440 --> 00:54:08,200
Speaker 5: short term bad for him personally.

1172
00:54:08,280 --> 00:54:11,400
Speaker 6: But went friends.

1173
00:54:12,640 --> 00:54:15,640
Speaker 1: Because I still believe. I still believe they're all doctors,

1174
00:54:18,080 --> 00:54:22,200
Speaker 1: so they're well educated companies. Yeah, so I think they

1175
00:54:22,200 --> 00:54:24,359
Speaker 1: are all these deaths. And again there's a whole bunch

1176
00:54:24,400 --> 00:54:27,040
Speaker 1: of them here. Nick heads out ahead of the others

1177
00:54:28,840 --> 00:54:30,799
Speaker 1: of his little team. He managed to get he gets

1178
00:54:30,800 --> 00:54:32,680
Speaker 1: he manages to get a message off to the boat

1179
00:54:32,880 --> 00:54:35,720
Speaker 1: waiting in the seas around the island, and then Malcolm,

1180
00:54:35,719 --> 00:54:39,560
Speaker 1: Sarah and Kelly arrive soon after. Where are they at?

1181
00:54:39,640 --> 00:54:42,440
Speaker 1: They're at just like something that was maybe was the

1182
00:54:42,440 --> 00:54:43,960
Speaker 1: breeding facility.

1183
00:54:44,000 --> 00:54:48,239
Speaker 5: I think the operations center whatever, communications center, I don't know.

1184
00:54:48,239 --> 00:54:51,280
Speaker 2: They call it names. What is the village?

1185
00:54:52,000 --> 00:54:52,160
Speaker 1: Right?

1186
00:54:52,280 --> 00:54:52,880
Speaker 2: The buildings?

1187
00:54:53,120 --> 00:54:54,959
Speaker 1: We have the three of them, Malcolm, Sarah, and Kelly.

1188
00:54:54,960 --> 00:54:57,279
Speaker 1: They are fighting off a pack of raptors. There's a

1189
00:54:57,280 --> 00:54:59,239
Speaker 1: lot going on here. They get sort of separated a

1190
00:54:59,239 --> 00:55:02,399
Speaker 1: little bit because Malcolm's in the jeep at first, they're

1191
00:55:02,440 --> 00:55:06,279
Speaker 1: in that building. We do then get soon after this

1192
00:55:06,920 --> 00:55:11,680
Speaker 1: the batshit crazy scene where Kelly defeats a velociraptor thanks

1193
00:55:11,719 --> 00:55:15,280
Speaker 1: to the power of gymnastics, and we get the line

1194
00:55:15,719 --> 00:55:17,319
Speaker 1: after she does, so the.

1195
00:55:17,280 --> 00:55:22,120
Speaker 7: School cut you from the not bad like for the

1196
00:55:22,239 --> 00:55:24,880
Speaker 7: for the zingers following up, I thought the Zinger was

1197
00:55:24,920 --> 00:55:27,720
Speaker 7: better than the stunt and this one unfortunately.

1198
00:55:27,760 --> 00:55:29,719
Speaker 5: There are some parts I like to this before we

1199
00:55:29,760 --> 00:55:35,200
Speaker 5: get to her uneven bars routine, like I love the raptors. Okay,

1200
00:55:35,239 --> 00:55:37,400
Speaker 5: first of all, the lucky pack comes in handy for

1201
00:55:37,520 --> 00:55:40,880
Speaker 5: Sarah again. A raptor jumps on her back but lands

1202
00:55:40,920 --> 00:55:42,439
Speaker 5: on the pack and rips it off, so she gets

1203
00:55:42,440 --> 00:55:44,279
Speaker 5: a little bit of leeway to go. Her and Kelly

1204
00:55:44,280 --> 00:55:45,960
Speaker 5: get into that room where they eventually have to climb

1205
00:55:46,000 --> 00:55:47,399
Speaker 5: up and all that stuff. And then I love when

1206
00:55:47,400 --> 00:55:50,880
Speaker 5: the raptors are chasing Malcolm and he uses a door,

1207
00:55:51,360 --> 00:55:54,280
Speaker 5: goes in through the door, but then the raptors busts

1208
00:55:54,320 --> 00:55:57,360
Speaker 5: through the window, so Malcolm lee's back out the door again.

1209
00:55:57,400 --> 00:55:58,160
Speaker 2: I thought that was great.

1210
00:55:58,760 --> 00:56:01,000
Speaker 1: It was good. I even like the digging part where

1211
00:56:01,560 --> 00:56:04,239
Speaker 1: they're trying to dig under to go under something, and

1212
00:56:04,280 --> 00:56:06,640
Speaker 1: the velociraptors are also digging on the other side, and

1213
00:56:06,680 --> 00:56:08,920
Speaker 1: they're like having this race cool close up to them

1214
00:56:08,920 --> 00:56:14,400
Speaker 1: digging so much faster. Yeah. I just remember in ninety

1215
00:56:14,440 --> 00:56:17,960
Speaker 1: seven watching this movie and just like I didn't get

1216
00:56:18,040 --> 00:56:21,200
Speaker 1: up and leave the theater after she kicks the velociraptor,

1217
00:56:21,239 --> 00:56:24,000
Speaker 1: but like it was, it's so bad. Oh.

1218
00:56:24,080 --> 00:56:28,000
Speaker 8: I saw that opening weekend and I remember grown grown,

1219
00:56:28,400 --> 00:56:32,560
Speaker 8: Like the pat Theater people are like what they were.

1220
00:56:32,560 --> 00:56:34,719
Speaker 1: Like, she's up there and she like looks at the

1221
00:56:34,760 --> 00:56:36,239
Speaker 1: bar and like Sarah was.

1222
00:56:36,239 --> 00:56:38,719
Speaker 2: Like, what are you doing? What are you doing? And

1223
00:56:38,760 --> 00:56:39,400
Speaker 2: then jumps on it.

1224
00:56:39,480 --> 00:56:41,759
Speaker 1: Spin spin, spin kickkick. Yeah, see you.

1225
00:56:41,719 --> 00:56:44,640
Speaker 6: Through the thing. It's brutal, brutal, brutal.

1226
00:56:44,840 --> 00:56:47,920
Speaker 8: And right before that you were talking about Trey about

1227
00:56:47,920 --> 00:56:54,120
Speaker 8: the Jeff Goldbloom versus the Raptors. This is highlights how

1228
00:56:54,200 --> 00:56:56,920
Speaker 8: wrong he is for this leading sort of running around

1229
00:56:57,040 --> 00:57:01,680
Speaker 8: thing because he's so jazzy. He's just it feels like

1230
00:57:01,719 --> 00:57:04,040
Speaker 8: a musical number, you know what I mean, Like he's like,

1231
00:57:06,360 --> 00:57:08,719
Speaker 8: you know, like go back and watch it and then

1232
00:57:08,760 --> 00:57:11,440
Speaker 8: you if you listen to the score. I think that

1233
00:57:12,760 --> 00:57:15,799
Speaker 8: John Williams could not help himself because it feels like

1234
00:57:16,120 --> 00:57:17,040
Speaker 8: what's that score?

1235
00:57:17,200 --> 00:57:22,080
Speaker 6: You know, like he's you know, jiving and bobbin and

1236
00:57:23,280 --> 00:57:26,160
Speaker 6: it is hilarious. It was very little.

1237
00:57:26,200 --> 00:57:30,240
Speaker 8: Yeah, we don't hear the theme, like the Majestic theme

1238
00:57:30,360 --> 00:57:33,120
Speaker 8: at all in this movie, and they don't play the

1239
00:57:33,120 --> 00:57:36,480
Speaker 8: the the main theme or whatever, you know, the island

1240
00:57:36,520 --> 00:57:37,760
Speaker 8: theme till the credits.

1241
00:57:37,960 --> 00:57:39,439
Speaker 6: Oh wow, you will hear.

1242
00:57:39,640 --> 00:57:41,320
Speaker 1: I thought there was like a remixed version.

1243
00:57:43,360 --> 00:57:45,800
Speaker 8: There is. There is one moment whereass a couple of moments,

1244
00:57:45,840 --> 00:57:48,280
Speaker 8: but when you first see the island for the first time,

1245
00:57:49,080 --> 00:57:53,120
Speaker 8: it hits the chord of the first but it's the strings.

1246
00:57:53,120 --> 00:57:54,000
Speaker 6: It's the same chord.

1247
00:57:54,440 --> 00:57:56,560
Speaker 8: But then it just goes off to something else because

1248
00:57:56,560 --> 00:57:57,880
Speaker 8: this isn't Jurassic Park.

1249
00:57:57,920 --> 00:58:02,040
Speaker 1: This is right to sight b B. Yeah, so okay,

1250
00:58:02,080 --> 00:58:03,880
Speaker 1: we have to rewatch this scene.

1251
00:58:03,920 --> 00:58:06,680
Speaker 2: I didn't notice that Jazzy Hands.

1252
00:58:06,480 --> 00:58:07,720
Speaker 1: Is of jungle.

1253
00:58:12,720 --> 00:58:14,320
Speaker 6: Exactly exactly.

1254
00:58:15,440 --> 00:58:19,680
Speaker 1: Well back to Kelly taking out the Velociraptor, Vanessa le Chester,

1255
00:58:19,840 --> 00:58:23,600
Speaker 1: the actor, She joked that she kept begging the filmmakers

1256
00:58:23,600 --> 00:58:26,200
Speaker 1: to give her a stunt to do, and she thinks

1257
00:58:26,920 --> 00:58:30,080
Speaker 1: this is may have been where the gymnastics scene came from.

1258
00:58:30,400 --> 00:58:32,400
Speaker 1: She explained, quote, I was just like, please give me

1259
00:58:32,400 --> 00:58:34,600
Speaker 1: a stunt scene, Please give me something crazy to do,

1260
00:58:35,360 --> 00:58:37,240
Speaker 1: and that maybe they put this and I.

1261
00:58:37,120 --> 00:58:40,080
Speaker 8: Hope not, but I mean that's a fair request to

1262
00:58:40,120 --> 00:58:41,920
Speaker 8: be Honest, if you're in a dinosaur and I want

1263
00:58:41,920 --> 00:58:42,560
Speaker 8: to do something.

1264
00:58:42,320 --> 00:58:45,360
Speaker 6: Cool, this is not cool. Yeah.

1265
00:58:45,440 --> 00:58:49,560
Speaker 1: Yeah, so she survives thanks to the power of gymnastics.

1266
00:58:49,600 --> 00:58:53,200
Speaker 1: Sarah manages to survive thanks to I guess poor roofing construction.

1267
00:58:53,880 --> 00:58:56,280
Speaker 1: When she's up there and the tiles are falling off

1268
00:58:56,840 --> 00:59:00,040
Speaker 1: and she's using it to her advantage and getting the

1269
00:59:00,160 --> 00:59:03,200
Speaker 1: fighting each other. Yeah, the velociraptors turn on each other.

1270
00:59:03,240 --> 00:59:05,680
Speaker 5: That's the thing with raptors is if you can last

1271
00:59:05,920 --> 00:59:08,280
Speaker 5: long enough, eventually they'll turn on each other.

1272
00:59:09,280 --> 00:59:10,040
Speaker 2: Yeah that's good.

1273
00:59:10,600 --> 00:59:12,760
Speaker 5: Yeah, you just gotta you gotta deal with the fifteen

1274
00:59:12,800 --> 00:59:14,760
Speaker 5: minutes of terror. But eventually they'll get bored.

1275
00:59:14,640 --> 00:59:16,200
Speaker 2: Chasing a human and just want to fight each other.

1276
00:59:16,280 --> 00:59:20,640
Speaker 1: Yeah, especially now that we know there are male velociraptors. Right,

1277
00:59:20,960 --> 00:59:24,000
Speaker 1: it was one thing when all these very wise just

1278
00:59:24,080 --> 00:59:28,000
Speaker 1: female dinosaurs living in harmony, but then obviously when they

1279
00:59:28,000 --> 00:59:29,360
Speaker 1: started breeding, things got on hand.

1280
00:59:30,200 --> 00:59:33,600
Speaker 8: I think that sequence worked on the roof. Yeah, Okay,

1281
00:59:33,920 --> 00:59:36,720
Speaker 8: she's fending off one of them below, but it's actually

1282
00:59:36,720 --> 00:59:38,640
Speaker 8: bringing the other raptor closer to her.

1283
00:59:38,760 --> 00:59:38,960
Speaker 6: You know.

1284
00:59:39,080 --> 00:59:45,040
Speaker 3: Yep, it works kind of was the amount of shingles

1285
00:59:44,680 --> 00:59:47,080
Speaker 3: and believable at all?

1286
00:59:48,320 --> 00:59:51,520
Speaker 2: I guess they're like flying down this building.

1287
00:59:51,760 --> 00:59:54,560
Speaker 1: It's like, hasn't been you know, no upkeeps for four

1288
00:59:54,640 --> 00:59:58,520
Speaker 1: years at least the hurricane hit it. Yeah, hurricane, So

1289
00:59:58,920 --> 01:00:00,000
Speaker 1: it's shoddy, is my point.

1290
01:00:00,120 --> 01:00:01,240
Speaker 4: Yeah, yeah, she.

1291
01:00:01,200 --> 01:00:01,680
Speaker 2: Made it work.

1292
01:00:02,600 --> 01:00:05,560
Speaker 1: So then the helicopters arrived to fly out Malcolm, his

1293
01:00:05,720 --> 01:00:08,120
Speaker 1: daughter Sarah Nick and that's the.

1294
01:00:08,160 --> 01:00:10,600
Speaker 2: End of the movie. Yay ah, good movie.

1295
01:00:10,680 --> 01:00:15,640
Speaker 1: Yeah, buddy record, scratch what Nope, we got a lot

1296
01:00:15,680 --> 01:00:19,360
Speaker 1: more to go here. Roland has managed to tranquilize a

1297
01:00:19,360 --> 01:00:22,800
Speaker 1: t Rex and its baby and they're caged and they're

1298
01:00:22,800 --> 01:00:24,320
Speaker 1: waiting to put them on the ship. I guess they

1299
01:00:24,400 --> 01:00:27,160
Speaker 1: sort of see that right from the helicopters, like what

1300
01:00:27,200 --> 01:00:29,960
Speaker 1: the hell's going on? Suddenly we're back in San Diego

1301
01:00:31,000 --> 01:00:34,320
Speaker 1: and the ship is going to come there, and Peter's

1302
01:00:34,360 --> 01:00:37,280
Speaker 1: plan is to put the captured wreck into a cage

1303
01:00:37,320 --> 01:00:40,000
Speaker 1: in that zoo, in that amphitheater that he had talked about.

1304
01:00:40,640 --> 01:00:42,440
Speaker 1: He holds a press conference that like, I don't know,

1305
01:00:42,480 --> 01:00:45,440
Speaker 1: it appears to be like two in the morning. They

1306
01:00:45,440 --> 01:00:47,640
Speaker 1: even slipped in a line something like he says something

1307
01:00:47,680 --> 01:00:50,360
Speaker 1: like thanks to all these people showing up at this time. Yeah,

1308
01:00:50,400 --> 01:00:52,960
Speaker 1: this is a little weird. But we got an issue

1309
01:00:53,000 --> 01:00:56,919
Speaker 1: here because this ship coming in the SS Venture, it's

1310
01:00:56,960 --> 01:01:00,720
Speaker 1: not slowing down and they cannot communicate with it it

1311
01:01:00,840 --> 01:01:04,480
Speaker 1: and it crashes into the dock. Holy crap. And then

1312
01:01:04,520 --> 01:01:07,600
Speaker 1: they get on it and everybody's killed. And obviously we'll

1313
01:01:07,600 --> 01:01:11,200
Speaker 1: get into the dinosaur part of it all. But who

1314
01:01:11,280 --> 01:01:14,600
Speaker 1: killed these people on this ship? Yeah, this is the

1315
01:01:14,600 --> 01:01:18,680
Speaker 1: biggest question because we know the baby t Rex has

1316
01:01:18,720 --> 01:01:22,520
Speaker 1: been flown already and this just is the cargo ship

1317
01:01:22,520 --> 01:01:24,720
Speaker 1: for the big giant tranquilized t Rex.

1318
01:01:25,000 --> 01:01:27,320
Speaker 3: Yeah, so what kills it? There was a scene that

1319
01:01:27,360 --> 01:01:32,760
Speaker 3: was deleted, Okay, go on that makes sense that I know.

1320
01:01:32,920 --> 01:01:35,720
Speaker 8: It doesn't make anything there because on the bridge there's

1321
01:01:36,160 --> 01:01:37,760
Speaker 8: crew all over the place, ripped apart.

1322
01:01:38,200 --> 01:01:39,240
Speaker 6: They hand.

1323
01:01:39,280 --> 01:01:42,000
Speaker 1: Obviously there's no t Rex in there, That's what I'm saying.

1324
01:01:42,280 --> 01:01:44,560
Speaker 6: It's unless there's a raptor running.

1325
01:01:44,400 --> 01:01:47,440
Speaker 3: There are apparently there are raptors on the board, on

1326
01:01:47,520 --> 01:01:49,920
Speaker 3: the board, the ship, on the ship. But then it

1327
01:01:49,960 --> 01:01:52,520
Speaker 3: was deleted for some reason. However, the scene was removed

1328
01:01:52,600 --> 01:01:55,360
Speaker 3: and never it was removed and never filmed.

1329
01:01:54,920 --> 01:01:58,360
Speaker 4: But this detail still remained. I don't know. I don't

1330
01:01:58,360 --> 01:01:59,000
Speaker 4: have an answer.

1331
01:01:59,080 --> 01:02:01,040
Speaker 1: The only thing that makes sense is like when they

1332
01:02:01,040 --> 01:02:04,200
Speaker 1: were putting the t Rex on that other dinosaurs got on,

1333
01:02:04,240 --> 01:02:07,800
Speaker 1: probably velociraptors, let's be honest. And then they took out everybody,

1334
01:02:07,840 --> 01:02:10,240
Speaker 1: hence why nobody could communicate, and it crashed into the

1335
01:02:10,280 --> 01:02:13,520
Speaker 1: dock and the t Rex is still in the cargo thing.

1336
01:02:13,560 --> 01:02:15,440
Speaker 2: That's a great point, like, I mean, you're you're buying

1337
01:02:15,440 --> 01:02:16,160
Speaker 2: that everybody in the.

1338
01:02:16,080 --> 01:02:20,240
Speaker 5: Cargo hold is dead, t Rex going nut total. Once

1339
01:02:20,320 --> 01:02:22,919
Speaker 5: that's happening, I think it's on the captain to say,

1340
01:02:23,520 --> 01:02:26,640
Speaker 5: nobody go to the cargo hole. We just got to

1341
01:02:26,640 --> 01:02:29,960
Speaker 5: get this boat back. But I guess if there's raptors hanging,

1342
01:02:31,320 --> 01:02:33,520
Speaker 5: maybe maybe they're just still loose and Sandy.

1343
01:02:33,320 --> 01:02:35,800
Speaker 1: Yeah, maybe maybe we haven't.

1344
01:02:35,600 --> 01:02:36,720
Speaker 2: Gotten the number four yet.

1345
01:02:38,040 --> 01:02:38,920
Speaker 6: I don't know what happens.

1346
01:02:39,400 --> 01:02:42,680
Speaker 1: So, yeah, they get aboard this thing and they're like,

1347
01:02:42,680 --> 01:02:44,440
Speaker 1: where's the crew and yeah, somebody says they're all over

1348
01:02:44,480 --> 01:02:46,400
Speaker 1: the place. They've all been killed. So then the t

1349
01:02:46,560 --> 01:02:50,160
Speaker 1: Rex escapes the ship, you know, burst out of the hold.

1350
01:02:50,280 --> 01:02:53,560
Speaker 1: Because that's like, you know, one guy's you know, decapitated

1351
01:02:53,640 --> 01:02:56,720
Speaker 1: arm right is holding on to the open clothes button

1352
01:02:56,760 --> 01:02:59,720
Speaker 1: and then somebody grabbed it. Anyway, bus loose because they

1353
01:02:59,760 --> 01:03:02,640
Speaker 1: screw it up. This was like they glossed over this,

1354
01:03:02,760 --> 01:03:04,080
Speaker 1: but like they tranquilized it.

1355
01:03:04,440 --> 01:03:07,040
Speaker 2: But then they thought they gave it too much. It's

1356
01:03:07,160 --> 01:03:09,120
Speaker 2: up breathing, so they gave it something else. Yeah, and

1357
01:03:09,120 --> 01:03:10,760
Speaker 2: then it's like adrenaline course and through it.

1358
01:03:11,200 --> 01:03:11,560
Speaker 1: Yeah.

1359
01:03:11,680 --> 01:03:19,080
Speaker 2: And Sarah's like, it's like a locomotive. It's hiped up. Yeah, coffee,

1360
01:03:19,720 --> 01:03:23,160
Speaker 2: you give it a mountain to give it a red bull.

1361
01:03:23,480 --> 01:03:26,680
Speaker 1: So it's loose in the city of San Diego, and

1362
01:03:26,760 --> 01:03:29,640
Speaker 1: we get this whole scene and it's taking a casual.

1363
01:03:29,240 --> 01:03:31,240
Speaker 2: Stroll through a San Diego neighborhood.

1364
01:03:31,640 --> 01:03:34,760
Speaker 1: There's not a single cop car following it, or at

1365
01:03:34,800 --> 01:03:36,760
Speaker 1: least that we can see. There's not a light on it.

1366
01:03:36,840 --> 01:03:40,320
Speaker 1: There's nothing like it's just like going again around these

1367
01:03:40,360 --> 01:03:44,080
Speaker 1: backyards stops to take a sip from a backyard pool.

1368
01:03:44,800 --> 01:03:45,320
Speaker 4: I love that.

1369
01:03:45,360 --> 01:03:46,680
Speaker 5: I love that They're like, it's gonna go for a

1370
01:03:46,720 --> 01:03:50,680
Speaker 5: water source. Next, it was on a boat one second,

1371
01:03:51,800 --> 01:03:54,240
Speaker 5: it's on a pier, but now I'm gonna go find

1372
01:03:54,240 --> 01:03:55,440
Speaker 5: a swimming pool.

1373
01:03:55,560 --> 01:04:00,280
Speaker 1: Yeah, salty water. Yeah, and then it uh, it's the

1374
01:04:00,280 --> 01:04:02,760
Speaker 1: family dog. Rest in peace to the family dog. I

1375
01:04:02,760 --> 01:04:04,400
Speaker 1: will get the scene with the kid waking up his

1376
01:04:04,520 --> 01:04:05,840
Speaker 1: kids or his parents.

1377
01:04:06,440 --> 01:04:10,400
Speaker 8: Okay, where do these parents rank? I mean, they're kind

1378
01:04:10,400 --> 01:04:11,640
Speaker 8: of dicks there.

1379
01:04:12,200 --> 01:04:16,160
Speaker 1: Yeah yeah, this boy has cried dinosaur before the yeah

1380
01:04:16,280 --> 01:04:22,320
Speaker 1: slash obviously yeah yeah, survive so that they didn't do

1381
01:04:22,360 --> 01:04:23,520
Speaker 1: anything too stupid.

1382
01:04:23,680 --> 01:04:25,520
Speaker 8: I don't like the way they chained the dog to

1383
01:04:25,600 --> 01:04:27,760
Speaker 8: it the snoopy dog house.

1384
01:04:28,520 --> 01:04:29,360
Speaker 6: Do people do that?

1385
01:04:29,480 --> 01:04:32,080
Speaker 2: Is that a thing in nineties movies?

1386
01:04:32,640 --> 01:04:32,840
Speaker 3: Yeah?

1387
01:04:33,200 --> 01:04:35,920
Speaker 6: Yeah, I remember in my life.

1388
01:04:36,080 --> 01:04:39,840
Speaker 5: I mean I feel like I've seen doghouses driving around,

1389
01:04:39,960 --> 01:04:41,320
Speaker 5: but not very common.

1390
01:04:41,520 --> 01:04:43,240
Speaker 2: No, definitely not in.

1391
01:04:43,240 --> 01:04:46,000
Speaker 1: The city for sure, maybe more of a I was

1392
01:04:46,000 --> 01:04:47,840
Speaker 1: gonna say, more of a country thing. But why would

1393
01:04:47,880 --> 01:04:50,400
Speaker 1: you have a dog? You shouldn't have a dog caged?

1394
01:04:50,600 --> 01:04:55,120
Speaker 1: Everybody knows that. Yeah, but it's yeah, it's dead yet sad.

1395
01:04:55,200 --> 01:04:58,440
Speaker 8: I mean, it's really just for the the image of

1396
01:04:58,920 --> 01:05:03,880
Speaker 8: the doghouse, you know, dangling from the the t rex's mouth,

1397
01:05:04,400 --> 01:05:06,320
Speaker 8: which is effective, I think.

1398
01:05:06,200 --> 01:05:09,880
Speaker 1: Okay, but poor. So the plan here Malcolm and Sarah

1399
01:05:09,960 --> 01:05:13,520
Speaker 1: learn that Peter did bring the infant t Rex back

1400
01:05:13,600 --> 01:05:15,600
Speaker 1: on a plane like I said, so it also wasn't

1401
01:05:15,600 --> 01:05:18,680
Speaker 1: on that ship, and uh, they have it in the

1402
01:05:20,120 --> 01:05:23,240
Speaker 1: in construction zoo or amphitheater where he plans to do

1403
01:05:23,280 --> 01:05:25,760
Speaker 1: all this stuff. That's where they have it. So Malcolm

1404
01:05:25,800 --> 01:05:27,680
Speaker 1: and Sarah go to retrieve it to lure the t

1405
01:05:27,840 --> 01:05:30,880
Speaker 1: Rex back to the docks. But yeah, now the t

1406
01:05:31,040 --> 01:05:33,720
Speaker 1: rex though, after getting he's got a mountain dew coursing

1407
01:05:33,760 --> 01:05:36,440
Speaker 1: through him. Now he's got a dog coursing through him.

1408
01:05:36,840 --> 01:05:38,640
Speaker 1: Got a lot of energy. So he hits the downtown

1409
01:05:38,760 --> 01:05:41,760
Speaker 1: core guess right of San Diego, and that's where he's

1410
01:05:41,800 --> 01:05:44,040
Speaker 1: just going sicko mode. He's going nuts.

1411
01:05:44,120 --> 01:05:47,040
Speaker 5: Goes to Blockbuster right away, right, just like the nineties

1412
01:05:47,120 --> 01:05:52,920
Speaker 5: is like I got my Mountain Dewami Sunrise, Kevin Baker.

1413
01:05:53,360 --> 01:05:55,120
Speaker 2: I love the fake movies they have in there that

1414
01:05:55,360 --> 01:05:55,640
Speaker 2: I don't know.

1415
01:05:55,680 --> 01:05:57,840
Speaker 5: I couldn't decide if I want to see Tsunami Sunrise

1416
01:05:58,080 --> 01:06:00,360
Speaker 5: or Arnold Schwarzenegger's King Year.

1417
01:06:03,040 --> 01:06:03,760
Speaker 2: Robin Williams.

1418
01:06:03,920 --> 01:06:04,919
Speaker 6: Robin Williams is in there.

1419
01:06:05,040 --> 01:06:08,400
Speaker 1: Yeah, Jack and Something or Jack and the bean Stock maybe.

1420
01:06:08,320 --> 01:06:09,360
Speaker 2: Something like that.

1421
01:06:09,360 --> 01:06:10,680
Speaker 5: That would be a fun part of being in the

1422
01:06:10,680 --> 01:06:13,680
Speaker 5: writer's room is coming up with the fake uh, and we.

1423
01:06:13,680 --> 01:06:16,000
Speaker 1: Get I'm sure everybody noticed it, do you, especially we

1424
01:06:16,040 --> 01:06:21,040
Speaker 1: get an ode to Godzilla. Oh yes, four Japanese guys

1425
01:06:21,440 --> 01:06:24,640
Speaker 1: running and looking back. Yeah, I think they even say, right,

1426
01:06:24,680 --> 01:06:26,960
Speaker 1: don't they say, like we left Tokyo for this or something.

1427
01:06:28,000 --> 01:06:30,800
Speaker 8: I think that's what Austin Bowers you're thinking of. Oh,

1428
01:06:31,200 --> 01:06:34,600
Speaker 8: because there is the copyright, we can't.

1429
01:06:36,680 --> 01:06:39,840
Speaker 1: Uh, that's it. That's the yeah.

1430
01:06:39,160 --> 01:06:44,120
Speaker 5: Percent and homage Godzilla showing the Asian businessman first before

1431
01:06:44,160 --> 01:06:46,560
Speaker 5: we get into like everybody running down the street.

1432
01:06:46,560 --> 01:06:47,680
Speaker 2: I thought that was good. I think.

1433
01:06:47,720 --> 01:06:52,240
Speaker 5: I mean, this whole t Rex coming to San Diego

1434
01:06:52,280 --> 01:06:54,760
Speaker 5: is basically King Kong. Yes, guess what now it's a

1435
01:06:54,800 --> 01:06:57,040
Speaker 5: dinosaur in San Diego. And you even get like a

1436
01:06:57,040 --> 01:06:59,560
Speaker 5: little bit of a callback to an earlier Steven Spielberg

1437
01:06:59,600 --> 01:07:03,080
Speaker 5: movie and the seventy six ball from the gas station

1438
01:07:03,200 --> 01:07:05,480
Speaker 5: comes rolling behind him, just like later than the Lost Art.

1439
01:07:05,600 --> 01:07:07,680
Speaker 6: Yeah, right, right right, it's cool.

1440
01:07:08,040 --> 01:07:11,080
Speaker 1: So were you a fan of this whole dinosaur loose

1441
01:07:11,160 --> 01:07:12,400
Speaker 1: in San Diego? I was?

1442
01:07:12,440 --> 01:07:14,160
Speaker 8: I mean, it's fun. I mean, this is the reason

1443
01:07:14,240 --> 01:07:16,480
Speaker 8: why Spielberg wanted to do this movie at all. I

1444
01:07:16,520 --> 01:07:19,200
Speaker 8: think he's he said, I always wanted to do a

1445
01:07:19,200 --> 01:07:22,080
Speaker 8: Godzilla or a monster movie. You know, he's he's doing it,

1446
01:07:22,280 --> 01:07:27,200
Speaker 8: and I think it's it's stupid, and but it works.

1447
01:07:27,200 --> 01:07:29,200
Speaker 8: It's it's fun. It's fun to watch, for sure.

1448
01:07:29,320 --> 01:07:32,720
Speaker 1: Yeah, yeah, it's stupid, like the whole point like plot point, like,

1449
01:07:33,720 --> 01:07:36,160
Speaker 1: how the heck were they going to actually, yeah.

1450
01:07:36,000 --> 01:07:38,200
Speaker 2: I mean this thing in this amphitheater.

1451
01:07:38,360 --> 01:07:40,680
Speaker 8: Yeah, well all of that, like the setup of getting

1452
01:07:40,720 --> 01:07:44,440
Speaker 8: it there and and this was never in the Crichton sequel,

1453
01:07:44,600 --> 01:07:47,280
Speaker 8: not that that was any great work of art or anything,

1454
01:07:47,720 --> 01:07:52,000
Speaker 8: but yeah, this is this is just Spielberg running amuck.

1455
01:07:53,080 --> 01:07:54,000
Speaker 4: You know, look, he.

1456
01:07:55,920 --> 01:07:58,720
Speaker 8: I felt the way he probably felt making this movie.

1457
01:07:58,720 --> 01:08:01,880
Speaker 8: Watching this movie, I've just got bored halfway through, and

1458
01:08:01,960 --> 01:08:04,200
Speaker 8: I want to go watch Saving Private Ryan now, which

1459
01:08:04,240 --> 01:08:07,040
Speaker 8: is his next movie. He wanted to go make a

1460
01:08:07,080 --> 01:08:11,200
Speaker 8: war movie next. So but yeah, this this scene kind

1461
01:08:11,200 --> 01:08:14,760
Speaker 8: of works as its own five minute sequence, as a

1462
01:08:14,800 --> 01:08:17,240
Speaker 8: fun sort of Wow, there's a dinosaur running a muck

1463
01:08:17,320 --> 01:08:19,800
Speaker 8: in San Diego, but it's like who cares.

1464
01:08:21,120 --> 01:08:24,960
Speaker 1: So upon hearing and smelling the infant, the t Rex

1465
01:08:25,000 --> 01:08:27,400
Speaker 1: follows Malcolm and Sarah back to the docks because they

1466
01:08:27,400 --> 01:08:28,760
Speaker 1: did get to it. It got it out of the

1467
01:08:28,800 --> 01:08:32,200
Speaker 1: little cage there. They got it in their convertible and

1468
01:08:32,240 --> 01:08:35,720
Speaker 1: they're you know, they're driving back, get it to the docks. Now,

1469
01:08:35,760 --> 01:08:39,560
Speaker 1: Peter Ludlow, he's ordering that the adult male be shot.

1470
01:08:40,080 --> 01:08:43,479
Speaker 1: Infant got to be recovered, and he sees Malcolm and

1471
01:08:43,520 --> 01:08:47,400
Speaker 1: Sarah carrying the infant to the cargo ship, so he follows,

1472
01:08:48,320 --> 01:08:51,040
Speaker 1: only to find the infant in the cargo hold. Malcolm

1473
01:08:51,080 --> 01:08:57,479
Speaker 1: and Sarah they leap off the boat, right, I just watched,

1474
01:08:58,960 --> 01:09:01,600
Speaker 1: and then Ludlow attell to lure the infant out, but

1475
01:09:01,720 --> 01:09:04,840
Speaker 1: soon after here comes the adult t Rex. He enters

1476
01:09:04,880 --> 01:09:09,920
Speaker 1: the hold injures Peter Ludlow before allowing the infant to

1477
01:09:09,960 --> 01:09:13,040
Speaker 1: do the final kill. I think it even nudges it, right, yep,

1478
01:09:13,120 --> 01:09:14,280
Speaker 1: it's like, yeah, you do it.

1479
01:09:14,680 --> 01:09:17,840
Speaker 2: So Deuce is to Peter one.

1480
01:09:18,040 --> 01:09:22,200
Speaker 5: Finally a righteous chomps like Peter deserved it. Man, We've

1481
01:09:22,200 --> 01:09:24,320
Speaker 5: been waiting to see this guy get eaten. And then

1482
01:09:24,320 --> 01:09:26,880
Speaker 5: he gets eaten by the infant, who's you know, getting

1483
01:09:26,920 --> 01:09:27,759
Speaker 5: its first taste of blood.

1484
01:09:27,800 --> 01:09:28,240
Speaker 2: Good stuff.

1485
01:09:29,160 --> 01:09:29,240
Speaker 7: Uh.

1486
01:09:29,360 --> 01:09:32,960
Speaker 1: Sarah then launches the Tranquilizer dart. Good shot from her

1487
01:09:33,040 --> 01:09:35,920
Speaker 1: right shot is that the do we like? It follows

1488
01:09:35,960 --> 01:09:37,839
Speaker 1: the dart shot? Am I crazy?

1489
01:09:37,920 --> 01:09:38,519
Speaker 2: It definitely has.

1490
01:09:40,080 --> 01:09:43,480
Speaker 8: The barrel and I guess the whole thing was beating

1491
01:09:43,920 --> 01:09:47,920
Speaker 8: the chopper right because the dart is just going to

1492
01:09:47,960 --> 01:09:51,040
Speaker 8: tranquilize it. But I think the chopper looming over it head.

1493
01:09:50,840 --> 01:09:51,519
Speaker 1: It's gonna shoot it.

1494
01:09:51,520 --> 01:09:54,000
Speaker 6: They're gonna shoot it because Bledlow gave orders to shoot.

1495
01:09:54,120 --> 01:09:54,240
Speaker 4: Right.

1496
01:09:54,320 --> 01:09:55,240
Speaker 1: You're right, you're right, But that.

1497
01:09:55,280 --> 01:09:59,280
Speaker 8: Wasn't very well explained or pointed out or anything.

1498
01:09:59,400 --> 01:10:03,559
Speaker 1: No, so uh, Yeah, the dart hits the t Rex

1499
01:10:03,600 --> 01:10:05,840
Speaker 1: and it subdues it enough I guess for Malcolm to

1500
01:10:05,880 --> 01:10:07,799
Speaker 1: close the big doors.

1501
01:10:08,080 --> 01:10:09,160
Speaker 6: Yeah.

1502
01:10:08,720 --> 01:10:10,640
Speaker 1: Uh, And and that's sort of it. And then we

1503
01:10:10,680 --> 01:10:13,040
Speaker 1: get this other scene. You know, in the aftermath, we're

1504
01:10:13,040 --> 01:10:16,799
Speaker 1: watching CNN. They're all asleep. I guess Kelly's watching CNN.

1505
01:10:18,680 --> 01:10:21,559
Speaker 1: The Navy. Great point.

1506
01:10:26,080 --> 01:10:26,960
Speaker 4: I mean they're tired.

1507
01:10:27,600 --> 01:10:30,200
Speaker 5: Yeah, I understand why they're asleep. Yeah, I think it's

1508
01:10:30,280 --> 01:10:33,360
Speaker 5: more questionable that she would turn on CNN or not

1509
01:10:33,520 --> 01:10:34,840
Speaker 5: change the scene what they're saying.

1510
01:10:34,880 --> 01:10:36,800
Speaker 1: I guess. Yeah. The Navy and the new crew are

1511
01:10:36,920 --> 01:10:40,680
Speaker 1: escorting the ship back to Lasorna. So then we get

1512
01:10:40,720 --> 01:10:43,599
Speaker 1: CNN running an interview with John Hammond. He talks about

1513
01:10:43,600 --> 01:10:47,719
Speaker 1: the preservation and isolation of this island. The creatures require

1514
01:10:47,800 --> 01:10:51,520
Speaker 1: our absence, so now we just have to leave it alone.

1515
01:10:52,040 --> 01:10:54,240
Speaker 1: And then we end with a shot of like all

1516
01:10:54,320 --> 01:10:56,600
Speaker 1: the dinosaurs on this island where they're free and we

1517
01:10:56,680 --> 01:10:59,800
Speaker 1: get a for the first time, right, uh pterodactyl. Yes,

1518
01:11:00,200 --> 01:11:04,360
Speaker 1: that that we see lands on the branch makes a sound.

1519
01:11:04,400 --> 01:11:06,400
Speaker 1: I don't know if it was camel sound or not.

1520
01:11:06,720 --> 01:11:08,360
Speaker 4: I'm not sure there was.

1521
01:11:08,640 --> 01:11:11,000
Speaker 3: There was a Spielberg reflection on the screen during the

1522
01:11:11,000 --> 01:11:13,280
Speaker 3: CNN report as well.

1523
01:11:13,360 --> 01:11:15,559
Speaker 4: That was planned that he was there.

1524
01:11:16,160 --> 01:11:20,200
Speaker 1: What do you mean a Spielberg Steven Spielberg in the reflection?

1525
01:11:20,320 --> 01:11:25,360
Speaker 3: Yeah, yeah, no, no, they did on purpose to get Spielberg.

1526
01:11:25,439 --> 01:11:30,759
Speaker 3: They just gave Spielberg a little shot in he's the director.

1527
01:11:31,040 --> 01:11:31,240
Speaker 5: Yeah.

1528
01:11:33,439 --> 01:11:34,240
Speaker 4: Yes, he put.

1529
01:11:34,160 --> 01:11:37,080
Speaker 2: Himself into the room with Kelly, Malcolm and Sarah.

1530
01:11:37,120 --> 01:11:42,479
Speaker 6: It's just creepily peered in. It's just a decision back

1531
01:11:42,520 --> 01:11:42,960
Speaker 6: and watch it.

1532
01:11:43,080 --> 01:11:45,000
Speaker 4: I think he is beside Malcolm.

1533
01:11:45,040 --> 01:11:47,479
Speaker 3: I think he put both of them. Has the reflection

1534
01:11:48,800 --> 01:11:50,639
Speaker 3: just on the screen a choice.

1535
01:11:51,200 --> 01:11:55,160
Speaker 5: I also thought that the scene where they first come

1536
01:11:55,200 --> 01:11:58,280
Speaker 5: to East Last Serna the second team and like Peters

1537
01:11:58,320 --> 01:12:03,160
Speaker 5: in the in the jeep with rolling tembo and they're talking,

1538
01:12:03,880 --> 01:12:07,200
Speaker 5: is Peter supposed to be dressed exactly like Steven Spielberg.

1539
01:12:07,400 --> 01:12:10,720
Speaker 5: He's got like the hat on, he's small glasses, he

1540
01:12:10,840 --> 01:12:12,640
Speaker 5: looks like Spielberg behind.

1541
01:12:12,360 --> 01:12:14,920
Speaker 2: The scenes making Jurassic Park. Wow, which I was like,

1542
01:12:15,360 --> 01:12:19,000
Speaker 2: an interesting choice to look like you minus the beard

1543
01:12:19,040 --> 01:12:19,479
Speaker 2: and stuff.

1544
01:12:19,520 --> 01:12:22,240
Speaker 5: But uh, I guess you just want to put his

1545
01:12:22,400 --> 01:12:23,040
Speaker 5: touches out there.

1546
01:12:23,040 --> 01:12:24,000
Speaker 2: Hey, I made this movie.

1547
01:12:24,240 --> 01:12:27,120
Speaker 3: Yeah, seems like there's a lot of that, just like

1548
01:12:27,160 --> 01:12:28,000
Speaker 3: maybe we'll do some.

1549
01:12:27,960 --> 01:12:29,920
Speaker 4: Stuff, all right.

1550
01:12:29,920 --> 01:12:32,040
Speaker 2: Well, that's also I'm thinking. You know what I'm thinking

1551
01:12:32,040 --> 01:12:34,640
Speaker 2: when Hammond is talking about saving the animals.

1552
01:12:34,400 --> 01:12:38,479
Speaker 5: Don't trust this guy. Do the opposite blow up the ship.

1553
01:12:38,960 --> 01:12:42,240
Speaker 5: We just saw the exact opposite when you did it

1554
01:12:42,280 --> 01:12:44,920
Speaker 5: at nighttime. The t Rex went nuts and ate everybody

1555
01:12:44,960 --> 01:12:48,360
Speaker 5: on the ship, crashed and then devoured people in the

1556
01:12:48,360 --> 01:12:51,400
Speaker 5: mainland in the United States. Why would the return journey

1557
01:12:51,400 --> 01:12:51,840
Speaker 5: go better?

1558
01:12:52,439 --> 01:12:55,479
Speaker 1: Well, and also, like use all this amazing technology you

1559
01:12:55,520 --> 01:13:00,080
Speaker 1: guys are good at to just like, uh, view the

1560
01:13:00,080 --> 01:13:01,640
Speaker 1: the dinosaurs on this island with that.

1561
01:13:02,439 --> 01:13:05,520
Speaker 2: Don't send people, Yeah, don't send people, sending.

1562
01:13:05,320 --> 01:13:09,519
Speaker 1: Drones, set up cameras, whatever, let's just track it that way.

1563
01:13:09,520 --> 01:13:11,519
Speaker 1: I guess maybe they already are. Why did they have

1564
01:13:11,560 --> 01:13:14,479
Speaker 1: to go? It's sort of all stupid. But anyway, that's

1565
01:13:14,600 --> 01:13:18,360
Speaker 1: Jurassic Park, the Lost World. Do you have a favorite scene.

1566
01:13:18,400 --> 01:13:22,240
Speaker 1: Let's start with you, Tess, favorite scene or your or

1567
01:13:22,320 --> 01:13:24,720
Speaker 1: you or the dumbest scene. I'll throw them both at you.

1568
01:13:24,760 --> 01:13:33,880
Speaker 3: Guys, best are dumbest. I mean I do like the

1569
01:13:33,960 --> 01:13:39,320
Speaker 3: nibbling of the little dinosaur. Ah, just that, okay, just that,

1570
01:13:39,760 --> 01:13:42,200
Speaker 3: you know, it's it keeps on going.

1571
01:13:42,439 --> 01:13:44,080
Speaker 2: It's not just bothering them.

1572
01:13:44,120 --> 01:13:47,760
Speaker 4: Yeah yeah, you know they fight to death by a

1573
01:13:47,800 --> 01:13:50,519
Speaker 4: thousand nibbles. So yeah, that part's fun.

1574
01:13:50,600 --> 01:13:50,680
Speaker 5: Me.

1575
01:13:50,760 --> 01:13:53,200
Speaker 8: Okay, it's fun the way it's sort of it's a

1576
01:13:53,280 --> 01:13:56,080
Speaker 8: nuisance at first, and then it just escalates and escalates

1577
01:13:56,080 --> 01:13:57,080
Speaker 8: and then it kills him.

1578
01:13:57,320 --> 01:13:59,720
Speaker 1: Yeah yeah, and he's like mean to them and all that.

1579
01:13:59,800 --> 01:14:00,000
Speaker 4: Yeah.

1580
01:14:00,080 --> 01:14:00,280
Speaker 2: Course.

1581
01:14:00,360 --> 01:14:06,280
Speaker 1: Yeah. As for a dumb scene, our dumbest plot point.

1582
01:14:07,800 --> 01:14:11,000
Speaker 4: Now I got to defend the gymnastics move.

1583
01:14:11,320 --> 01:14:13,000
Speaker 1: Okay, okay, please have that.

1584
01:14:13,040 --> 01:14:13,679
Speaker 2: I'm not fighting.

1585
01:14:13,680 --> 01:14:16,080
Speaker 3: I'm not fighting for the type of movie. It was

1586
01:14:16,160 --> 01:14:17,680
Speaker 3: just for the kids, That's all it was. It was

1587
01:14:17,760 --> 01:14:20,960
Speaker 3: just the kids. The kids apparently complained after the first

1588
01:14:21,000 --> 01:14:23,880
Speaker 3: movie that there weren't enough dinosaurs.

1589
01:14:24,040 --> 01:14:26,599
Speaker 4: So this was just it was literally just for the kids.

1590
01:14:26,840 --> 01:14:30,799
Speaker 4: Let the kid do something cool, Let the kid flip.

1591
01:14:32,000 --> 01:14:32,719
Speaker 4: It was strange.

1592
01:14:32,840 --> 01:14:34,920
Speaker 1: I was wondering, I'm like, okay, this movie came out

1593
01:14:34,920 --> 01:14:39,559
Speaker 1: in ninety seven. We had a summer Olympics in ninety six.

1594
01:14:39,600 --> 01:14:42,760
Speaker 1: I assume, yeah, like where we ride in that wave.

1595
01:14:43,560 --> 01:14:47,040
Speaker 2: That was Kerrie Struggle. I think Carrie Struggle was nineteen

1596
01:14:47,080 --> 01:14:47,559
Speaker 2: ninety six.

1597
01:14:47,600 --> 01:14:51,200
Speaker 5: I think you're right. Atlanta, that's Atlanta among us. She

1598
01:14:51,280 --> 01:14:53,480
Speaker 5: was a huge star. So you can see why gymnastics

1599
01:14:53,479 --> 01:14:54,120
Speaker 5: were on the mind.

1600
01:14:55,080 --> 01:14:59,240
Speaker 1: Yeap ninety six, when's Gabby Douglass come into our lives

1601
01:14:59,640 --> 01:15:00,240
Speaker 1: much much?

1602
01:15:00,280 --> 01:15:01,000
Speaker 2: She's like twenty twelve.

1603
01:15:01,080 --> 01:15:05,120
Speaker 1: I think okay, I was just like maybe big gymnastics

1604
01:15:05,160 --> 01:15:08,559
Speaker 1: like teamed up with big dinosaurs. Yeah, there you go,

1605
01:15:09,200 --> 01:15:10,000
Speaker 1: all right, what about you?

1606
01:15:10,040 --> 01:15:10,880
Speaker 2: Tre favorite scene?

1607
01:15:10,920 --> 01:15:11,639
Speaker 1: And then dumba scene.

1608
01:15:11,760 --> 01:15:15,519
Speaker 5: There are three scenes that, like I think, really carry

1609
01:15:15,520 --> 01:15:18,439
Speaker 5: the movie from a set piece standpoint, Like I'm with JD.

1610
01:15:18,600 --> 01:15:20,799
Speaker 5: I like the San Diego sequence, but it just feels

1611
01:15:20,800 --> 01:15:24,360
Speaker 5: completely tacked on, as like Spielberg's like, I'm only making

1612
01:15:24,800 --> 01:15:26,280
Speaker 5: this last Jurassic Park movie.

1613
01:15:26,280 --> 01:15:28,240
Speaker 2: I gotta do it monster style if I'm gonna do it.

1614
01:15:28,280 --> 01:15:30,840
Speaker 5: So I like the scene, but it's probably best just

1615
01:15:30,880 --> 01:15:33,719
Speaker 5: watching that scene because it definitely feels like a third

1616
01:15:33,800 --> 01:15:35,759
Speaker 5: ending to the movie, which is a little bit weird.

1617
01:15:36,080 --> 01:15:37,680
Speaker 2: I also do like.

1618
01:15:37,640 --> 01:15:40,800
Speaker 5: The scene when, for whatever reason, they decided to go

1619
01:15:40,840 --> 01:15:45,839
Speaker 5: to sleep on the ground in t rex territory. Questionable decision,

1620
01:15:46,120 --> 01:15:48,160
Speaker 5: but I love the visual of like the t rex

1621
01:15:48,200 --> 01:15:51,360
Speaker 5: poking its head into the tent and when it finally

1622
01:15:51,400 --> 01:15:52,800
Speaker 5: wakes up, it stands up and it's got the.

1623
01:15:52,720 --> 01:15:55,120
Speaker 2: Tent all its head. I think that's played pretty well.

1624
01:15:55,120 --> 01:15:57,760
Speaker 5: That leads to the guy getting stomped and stepped on

1625
01:15:57,800 --> 01:16:00,439
Speaker 5: the bottom of his foot, and then uh long hair

1626
01:16:00,479 --> 01:16:02,280
Speaker 5: guy getting eaten after it gets bit by a snake.

1627
01:16:02,280 --> 01:16:04,360
Speaker 5: I think that's all pretty good. But best scene for

1628
01:16:04,439 --> 01:16:06,760
Speaker 5: me is r V going over the edge.

1629
01:16:06,840 --> 01:16:07,240
Speaker 1: I love it.

1630
01:16:07,320 --> 01:16:09,040
Speaker 5: I think it's the whole part of it is good.

1631
01:16:09,120 --> 01:16:12,000
Speaker 5: Starting with you think it's one dino. I think it's

1632
01:16:12,000 --> 01:16:13,880
Speaker 5: one t Rex. It turns out to be two of them.

1633
01:16:14,400 --> 01:16:16,240
Speaker 5: They get the thing back, They do leave and come

1634
01:16:16,280 --> 01:16:19,040
Speaker 5: back quite a good time, for sure. But every time

1635
01:16:19,080 --> 01:16:23,040
Speaker 5: I'm like, oh, yeah, t rexes are bad. Yeah, okay,

1636
01:16:23,040 --> 01:16:24,040
Speaker 5: that's for dumbest syn.

1637
01:16:26,560 --> 01:16:28,799
Speaker 2: The Flipping Man. Yeah, it's a big.

1638
01:16:28,680 --> 01:16:31,519
Speaker 1: Grow It's tough not to grow at that. Yeah, j D.

1639
01:16:32,120 --> 01:16:34,360
Speaker 2: Any other dumb scenes or are you going with that one?

1640
01:16:34,600 --> 01:16:38,720
Speaker 8: I'm going with that one. I again, Uh Doctor Malcolm

1641
01:16:39,120 --> 01:16:40,160
Speaker 8: jazz dancing with.

1642
01:16:40,720 --> 01:16:41,519
Speaker 1: I rewatch that.

1643
01:16:41,640 --> 01:16:43,200
Speaker 6: Yeah, it's it's hilarious.

1644
01:16:43,200 --> 01:16:46,960
Speaker 8: I actually love it, so I shouldn't say it's the dumbest.

1645
01:16:47,240 --> 01:16:50,960
Speaker 8: I had a shout out Vince Vaughan here backing up

1646
01:16:51,000 --> 01:16:53,640
Speaker 8: a cargo van in that warehouse.

1647
01:16:53,080 --> 01:16:54,200
Speaker 6: Scene, you know what I mean.

1648
01:16:54,360 --> 01:16:57,519
Speaker 8: The first time we see him, Okay, he's just backing

1649
01:16:57,600 --> 01:17:01,400
Speaker 8: up a vent and it like right onto the set,

1650
01:17:01,520 --> 01:17:03,920
Speaker 8: right on him. It's it's mark, you know, and then

1651
01:17:03,960 --> 01:17:05,920
Speaker 8: he gets out and then they have the whole green

1652
01:17:05,920 --> 01:17:10,120
Speaker 8: peace talk. But just imagine you're Vince Vaughan. You you're

1653
01:17:10,439 --> 01:17:12,360
Speaker 8: the movie. Your breakup movie hasn't even come out yet,

1654
01:17:12,360 --> 01:17:14,800
Speaker 8: I don't think, or it just came out. You're working

1655
01:17:14,840 --> 01:17:19,120
Speaker 8: with Steven Spielberg for the first time. I'm nervous backing

1656
01:17:19,160 --> 01:17:22,360
Speaker 8: up a vent in general, like my car, Like I

1657
01:17:22,400 --> 01:17:24,400
Speaker 8: don't think I'd be able to back up my car,

1658
01:17:24,600 --> 01:17:26,320
Speaker 8: but the pressure, you know what I mean, It's like,

1659
01:17:26,360 --> 01:17:29,599
Speaker 8: you're not just acting, you're driving a van backwards, hitting

1660
01:17:29,600 --> 01:17:32,160
Speaker 8: a mark, getting out all in one shot.

1661
01:17:32,320 --> 01:17:34,360
Speaker 6: Like that's impressed.

1662
01:17:34,360 --> 01:17:35,479
Speaker 1: We don't know how many takes it took.

1663
01:17:35,800 --> 01:17:38,200
Speaker 6: We don't Well, you're right, but.

1664
01:17:40,200 --> 01:17:43,200
Speaker 1: Exactly by weeks.

1665
01:17:43,680 --> 01:17:45,040
Speaker 6: Yeah, go back and watch it.

1666
01:17:45,040 --> 01:17:48,200
Speaker 8: He's just very confidently just backs up that van and

1667
01:17:48,280 --> 01:17:53,240
Speaker 8: I was like, God, damn, it's fine.

1668
01:17:51,520 --> 01:17:54,320
Speaker 2: Character Nick too. I guess I skip by it.

1669
01:17:54,800 --> 01:18:00,799
Speaker 1: He stole the particular bullets right from from Roland.

1670
01:18:00,880 --> 01:18:02,800
Speaker 8: Yeah, that is a dumb scene to me. That is

1671
01:18:02,840 --> 01:18:05,320
Speaker 8: a dumb thing that he does. Another dumb thing that

1672
01:18:05,400 --> 01:18:07,920
Speaker 8: the character does in the movie, like, why would you

1673
01:18:07,920 --> 01:18:10,360
Speaker 8: You've already sort of met and you know, you have

1674
01:18:10,479 --> 01:18:13,639
Speaker 8: your differences with Tembo, but you know he's the one

1675
01:18:13,680 --> 01:18:16,280
Speaker 8: guy that could probably protect you from a t Rex. Yeah,

1676
01:18:17,080 --> 01:18:20,320
Speaker 8: you know, let him have his bullets, you know, and

1677
01:18:19,760 --> 01:18:23,280
Speaker 8: that and that's the reason why if he hadn't have

1678
01:18:23,320 --> 01:18:26,120
Speaker 8: taken those bullets, that t Rex would have been probably

1679
01:18:26,200 --> 01:18:30,080
Speaker 8: dead and not on the island or in San Diego, right,

1680
01:18:30,200 --> 01:18:32,960
Speaker 8: because he ends up having to tranquilize him instead.

1681
01:18:33,920 --> 01:18:38,559
Speaker 5: So anyway, why two shotgun blasts taken down a t Rex?

1682
01:18:38,600 --> 01:18:38,960
Speaker 4: You think?

1683
01:18:39,240 --> 01:18:42,040
Speaker 6: Did you see those bullets? I don't know. I trusted

1684
01:18:42,120 --> 01:18:43,000
Speaker 6: Tembo trust in.

1685
01:18:45,320 --> 01:18:48,920
Speaker 1: Is he your favorite character from this movie by a lot? Yeah?

1686
01:18:49,000 --> 01:18:51,720
Speaker 8: Yeah, I mean he's a caricature of the you know,

1687
01:18:51,800 --> 01:18:55,320
Speaker 8: the Great Hunter whatever. But I think Posselthwaite nails it.

1688
01:18:56,120 --> 01:18:58,000
Speaker 8: I mean I think you said it like he's he's

1689
01:18:58,040 --> 01:18:58,719
Speaker 8: great and everything.

1690
01:18:58,840 --> 01:19:02,200
Speaker 1: So Eric does develop I guess.

1691
01:19:01,960 --> 01:19:03,040
Speaker 6: Too, it's got an arc.

1692
01:19:03,320 --> 01:19:06,760
Speaker 8: He's he's I'm gonna kill the biggest predator, and then

1693
01:19:06,880 --> 01:19:11,040
Speaker 8: he's like, you know what respect to the biggest predator?

1694
01:19:11,680 --> 01:19:13,160
Speaker 6: Uh, what's his line?

1695
01:19:13,160 --> 01:19:16,680
Speaker 8: I've I've I believe I've spent enough time in the

1696
01:19:16,680 --> 01:19:17,360
Speaker 8: company of death.

1697
01:19:17,560 --> 01:19:19,480
Speaker 4: Yeah, that's a great line.

1698
01:19:20,320 --> 01:19:24,519
Speaker 1: So he's, uh, he's really heartbroken over a guy that

1699
01:19:24,720 --> 01:19:34,360
Speaker 1: died out there too, that we barely met in this movie. Yeah,

1700
01:19:34,720 --> 01:19:37,519
Speaker 1: who we see like in a handful of scenes. But

1701
01:19:37,600 --> 01:19:41,320
Speaker 1: he's like, he's devastated that he's been killed.

1702
01:19:42,400 --> 01:19:45,320
Speaker 2: Whatever these guys doing before, Yeah, it's.

1703
01:19:45,240 --> 01:19:47,960
Speaker 1: Like a lot of they're isolated. I'm sure a lot

1704
01:19:47,960 --> 01:19:51,720
Speaker 1: of big game hunting, spending a lot of time bonding. Yeah,

1705
01:19:51,720 --> 01:19:54,320
Speaker 1: I'm not saying it's you know, broke Back Mountain or anything,

1706
01:19:55,040 --> 01:19:57,480
Speaker 1: but you never know, you never know, he was heartbroken.

1707
01:19:57,520 --> 01:19:59,080
Speaker 1: They had a strong bond.

1708
01:19:59,640 --> 01:20:03,519
Speaker 3: Maybe this is why the w NBA chose Toronto Tempo Tembo.

1709
01:20:03,680 --> 01:20:05,280
Speaker 3: It's close, it's not.

1710
01:20:05,920 --> 01:20:06,280
Speaker 7: It's not.

1711
01:20:08,360 --> 01:20:09,719
Speaker 4: Raptors first Tembo.

1712
01:20:12,800 --> 01:20:13,400
Speaker 2: That's good.

1713
01:20:14,120 --> 01:20:14,679
Speaker 1: That's good.

1714
01:20:15,080 --> 01:20:18,080
Speaker 5: Yeah, I totally like Tembo is my favorite character to it.

1715
01:20:18,200 --> 01:20:21,560
Speaker 5: You totally buy him as like a big game hunter

1716
01:20:21,880 --> 01:20:25,760
Speaker 5: Peter Posselthwaite, perfect casting. Vince Vaughan is the opposite to me.

1717
01:20:26,080 --> 01:20:28,600
Speaker 5: You hear a lot of criticisms of a movie nowadays.

1718
01:20:28,800 --> 01:20:31,280
Speaker 5: People will say that face has seen his cell phone,

1719
01:20:31,520 --> 01:20:33,839
Speaker 5: like playing You look.

1720
01:20:33,680 --> 01:20:34,920
Speaker 2: Too modern for me.

1721
01:20:35,800 --> 01:20:38,400
Speaker 5: I don't feel like Vince Vaughan has spent a day

1722
01:20:38,439 --> 01:20:41,960
Speaker 5: outdoors in his life outside of shooting this specific movie.

1723
01:20:42,080 --> 01:20:44,920
Speaker 2: Doesn't seem like an outdoors guy. I'm less surprised that

1724
01:20:44,960 --> 01:20:47,720
Speaker 2: he could perfectly back up a van right like. He

1725
01:20:47,720 --> 01:20:48,160
Speaker 2: seems like he.

1726
01:20:48,160 --> 01:20:51,559
Speaker 5: Would be a good driver. I don't know why. More

1727
01:20:51,600 --> 01:20:53,720
Speaker 5: realistic as a driver than a photographer to me?

1728
01:20:53,920 --> 01:20:58,599
Speaker 4: Yeah, truth, has he been ten in any other movie?

1729
01:20:59,320 --> 01:21:04,120
Speaker 3: It's a great Yeah, he looked he's always very fair skinned.

1730
01:21:04,160 --> 01:21:06,840
Speaker 6: Yeah, I thought about it that, but he does.

1731
01:21:07,240 --> 01:21:10,960
Speaker 8: He does escape the island pretty well manicured, you know

1732
01:21:10,960 --> 01:21:13,760
Speaker 8: what I mean. He doesn't look as dirty as you

1733
01:21:13,760 --> 01:21:16,639
Speaker 8: would think he would after that, after an adventure like that. Yeah,

1734
01:21:16,720 --> 01:21:18,599
Speaker 8: at least in my mind, as I'm thinking back. But

1735
01:21:18,880 --> 01:21:19,519
Speaker 8: maybe I'm wrong.

1736
01:21:19,960 --> 01:21:23,680
Speaker 1: So let's let's rank the Lost World here. You know,

1737
01:21:23,800 --> 01:21:26,880
Speaker 1: in comparison to Jurassic Park, I have a feeling it's

1738
01:21:26,880 --> 01:21:29,840
Speaker 1: going to be slotted in behind that which we called

1739
01:21:29,880 --> 01:21:32,479
Speaker 1: basically a perfect movie. I will tell you fifty six

1740
01:21:32,560 --> 01:21:35,879
Speaker 1: percent on Rotten Tomatoes for the Lost World from the critics,

1741
01:21:36,320 --> 01:21:39,519
Speaker 1: fifty two percent from the fans. I feel like that's

1742
01:21:39,520 --> 01:21:43,360
Speaker 1: pretty rare. See the fans with the lower score than

1743
01:21:43,360 --> 01:21:46,560
Speaker 1: the critics, but they're in the same ballpark. Roger Ebert

1744
01:21:46,720 --> 01:21:49,680
Speaker 1: two out of four stars for The Lost World. I'll

1745
01:21:49,720 --> 01:21:51,679
Speaker 1: read you a small piece, he said, quote the film's

1746
01:21:51,720 --> 01:21:54,840
Speaker 1: structure is weird. I thought it was over. Let it

1747
01:21:54,920 --> 01:21:57,679
Speaker 1: began again. There you go with the San Diego secrets,

1748
01:21:57,720 --> 01:22:00,160
Speaker 1: in which Spielberg seemed to be trying to upstate. Is

1749
01:22:00,200 --> 01:22:04,479
Speaker 1: the upcoming Godzilla movie? Because that was right, Roderick coming

1750
01:22:04,479 --> 01:22:04,800
Speaker 1: out soon?

1751
01:22:04,920 --> 01:22:05,680
Speaker 2: Yeah?

1752
01:22:05,720 --> 01:22:08,280
Speaker 1: And can we and can we really believe that a

1753
01:22:08,320 --> 01:22:11,920
Speaker 1: ship could ram appear at full speed and remain seaworthy?

1754
01:22:12,400 --> 01:22:16,320
Speaker 1: Good point? The problem with the moon Rogers, Yes, the

1755
01:22:16,360 --> 01:22:19,200
Speaker 1: problem with the movie is that the dinosaurs aren't allowed

1756
01:22:19,240 --> 01:22:25,479
Speaker 1: to be the stars. Wow, that's what Roger thinks. So

1757
01:22:25,560 --> 01:22:27,960
Speaker 1: on a scale of one to ten, how would you

1758
01:22:28,040 --> 01:22:31,280
Speaker 1: rank this movie? The Lost World Jurassic Park.

1759
01:22:31,640 --> 01:22:34,320
Speaker 4: Roger put it perfectly. This is a two out of ten.

1760
01:22:36,560 --> 01:22:40,559
Speaker 4: Careful what you did. Yeah, you're running, you're so Yeah.

1761
01:22:40,560 --> 01:22:43,280
Speaker 3: I've never been good at the hey rank these five

1762
01:22:43,360 --> 01:22:45,639
Speaker 3: things ranked, these ten things. I always slought it way

1763
01:22:45,680 --> 01:22:50,120
Speaker 3: too low. You're right that that's potentially my mistake.

1764
01:22:50,160 --> 01:22:53,519
Speaker 4: But that's low. It's low.

1765
01:22:53,600 --> 01:22:57,760
Speaker 3: Yeah, it doesn't. There's no comparison. But the dinos are

1766
01:22:57,760 --> 01:23:01,360
Speaker 3: not featured. I agree they so they have to. Spielberg

1767
01:23:01,360 --> 01:23:04,120
Speaker 3: goes in a different direction than the Wonder anticipation.

1768
01:23:05,200 --> 01:23:07,120
Speaker 4: But there has to be a better way than just

1769
01:23:07,160 --> 01:23:10,080
Speaker 4: a boom dino, boom, dina boom China. It's just too fast,

1770
01:23:10,080 --> 01:23:13,480
Speaker 4: there's too much. It's low. It's so low for me, unfortunately.

1771
01:23:13,479 --> 01:23:15,479
Speaker 1: Okay, two out of ten? Where are you going, Trey?

1772
01:23:15,560 --> 01:23:16,840
Speaker 2: It's a five out of ten for me.

1773
01:23:16,920 --> 01:23:20,960
Speaker 5: I do like the action pieces in this, like all

1774
01:23:20,960 --> 01:23:23,320
Speaker 5: the different dinosaur attacks. I like that they bring back

1775
01:23:23,360 --> 01:23:26,640
Speaker 5: some new or start with some new dinosaurs that we

1776
01:23:26,680 --> 01:23:27,599
Speaker 5: hadn't seen before.

1777
01:23:28,080 --> 01:23:29,800
Speaker 2: A favorite dino for me is the.

1778
01:23:29,720 --> 01:23:34,479
Speaker 5: Friar Tuck, who we're told his skull is nine inches

1779
01:23:34,520 --> 01:23:37,000
Speaker 5: of solid bone.

1780
01:23:37,360 --> 01:23:38,679
Speaker 2: So I tell Laura every.

1781
01:23:38,520 --> 01:23:43,040
Speaker 1: Night, this guy's going Friar Tuck a little.

1782
01:23:44,880 --> 01:23:47,840
Speaker 2: Hey, tuck me in, Laura.

1783
01:23:48,360 --> 01:23:53,360
Speaker 5: But but I forgive it.

1784
01:23:53,400 --> 01:23:54,640
Speaker 2: That's the Friar Tuck Like.

1785
01:23:54,760 --> 01:23:57,240
Speaker 5: That's kind of the problem with the movie to me

1786
01:23:57,479 --> 01:23:59,240
Speaker 5: is it's so much darker.

1787
01:23:59,200 --> 01:24:02,120
Speaker 2: And dumber to me than the first one.

1788
01:24:02,160 --> 01:24:05,200
Speaker 5: We liked all the happy, joy filled parts, which make

1789
01:24:05,320 --> 01:24:09,400
Speaker 5: the terror parts play a lot better. In Jurassic Park one,

1790
01:24:09,479 --> 01:24:12,280
Speaker 5: we don't have any light moments really in this one.

1791
01:24:12,280 --> 01:24:14,240
Speaker 5: It's kind of the same way as Temple of Doom

1792
01:24:14,360 --> 01:24:17,080
Speaker 5: was so much darker than Raiders of the Lost Dark

1793
01:24:17,160 --> 01:24:20,120
Speaker 5: right rad Like, it's just insanity the entire way through,

1794
01:24:20,160 --> 01:24:22,439
Speaker 5: And that's what this one is like to me. And

1795
01:24:22,960 --> 01:24:26,719
Speaker 5: like we said at the end of last episode, those

1796
01:24:26,840 --> 01:24:29,280
Speaker 5: moments where they're enjoying the park are some of the

1797
01:24:29,320 --> 01:24:32,720
Speaker 5: best moments because it makes everything hit so much harder afterwards,

1798
01:24:32,760 --> 01:24:34,760
Speaker 5: whereas this one, it's like, we meet a stegosaurus.

1799
01:24:34,840 --> 01:24:36,040
Speaker 2: Oh cute, it's a herbivore.

1800
01:24:36,080 --> 01:24:38,600
Speaker 5: But guess what, even this one's going crazy trying to

1801
01:24:38,640 --> 01:24:39,439
Speaker 5: knock people out.

1802
01:24:39,520 --> 01:24:42,320
Speaker 2: It's just a different movie, and this is the mark

1803
01:24:42,320 --> 01:24:43,000
Speaker 2: a little bit for me.

1804
01:24:43,120 --> 01:24:46,719
Speaker 5: So five out of ten action, cool, plot and character

1805
01:24:46,760 --> 01:24:48,280
Speaker 5: development not so much, okay.

1806
01:24:48,400 --> 01:24:50,720
Speaker 8: D Yeah, I'm with you, Trey. I think it's a

1807
01:24:50,800 --> 01:24:54,719
Speaker 8: five out of ten for me. I but for different reasons.

1808
01:24:54,840 --> 01:24:57,000
Speaker 8: I don't mind that it wanted to go for a

1809
01:24:57,080 --> 01:25:01,160
Speaker 8: darker tone. I want it. You know, we would if

1810
01:25:01,280 --> 01:25:03,280
Speaker 8: Jeff Goblum showed up and he was just the same

1811
01:25:03,360 --> 01:25:06,200
Speaker 8: character as before, but being a dad, we would criticize

1812
01:25:06,200 --> 01:25:08,840
Speaker 8: that for not having enough depth in character to it. So,

1813
01:25:09,760 --> 01:25:11,400
Speaker 8: but I think it was a mistake having him the

1814
01:25:11,479 --> 01:25:13,360
Speaker 8: lead of this movie. He should have just stayed out

1815
01:25:13,400 --> 01:25:16,439
Speaker 8: of this movie. Let Vince Vaughan take over or whatever.

1816
01:25:17,960 --> 01:25:23,800
Speaker 8: You know, it's just a problem. The movie itself is

1817
01:25:23,880 --> 01:25:26,880
Speaker 8: just it's just not good, you know, I guess is

1818
01:25:26,920 --> 01:25:30,559
Speaker 8: what I'm trying to say. It's that there are set

1819
01:25:30,600 --> 01:25:35,840
Speaker 8: pieces that I did find kind of entertainment, entertaining. Spielberg,

1820
01:25:36,120 --> 01:25:38,760
Speaker 8: you know, his worst movies. You can learn a lot

1821
01:25:38,800 --> 01:25:41,040
Speaker 8: from watching them, you know, like he's he's a very

1822
01:25:41,080 --> 01:25:43,280
Speaker 8: good director. He just did not seem to be that

1823
01:25:43,439 --> 01:25:46,880
Speaker 8: interested in making this particular movie. I don't know if

1824
01:25:46,880 --> 01:25:49,000
Speaker 8: he got tired or bored, or he just wanted to

1825
01:25:49,040 --> 01:25:51,519
Speaker 8: move on to save a Private Ryan, which is a

1826
01:25:51,640 --> 01:25:54,600
Speaker 8: very good movie. But yeah, five out of ten for me,

1827
01:25:55,800 --> 01:25:58,160
Speaker 8: I don't know, it was a wasted opportunity. It's just

1828
01:25:58,439 --> 01:26:01,200
Speaker 8: made me angry more than anything. You got some great

1829
01:26:01,240 --> 01:26:05,080
Speaker 8: actors and an amazing cast. You know, you could have

1830
01:26:05,120 --> 01:26:07,000
Speaker 8: done so much more with this. I mean, he should

1831
01:26:07,040 --> 01:26:08,840
Speaker 8: have just passed it on to somebody else. Let Fincher,

1832
01:26:08,960 --> 01:26:10,479
Speaker 8: somebody direct it, right, you know what I mean.

1833
01:26:11,200 --> 01:26:13,280
Speaker 1: I think I'm in the ballpark of you guys. I'll

1834
01:26:13,320 --> 01:26:15,360
Speaker 1: go four out of ten. I was gonna go five,

1835
01:26:15,360 --> 01:26:17,840
Speaker 1: but I'll switch it up here. It is funny, like

1836
01:26:18,000 --> 01:26:21,880
Speaker 1: roughly fifty percent more dinosaur action in this movie than

1837
01:26:21,880 --> 01:26:24,680
Speaker 1: the first one. Yeah, but it's half as good if

1838
01:26:24,720 --> 01:26:28,680
Speaker 1: that so, I don't know what that says. There's just

1839
01:26:28,720 --> 01:26:31,000
Speaker 1: so many like there are a lot of holes in

1840
01:26:31,000 --> 01:26:32,720
Speaker 1: the plot of this movie, or a lot of things

1841
01:26:32,760 --> 01:26:35,240
Speaker 1: where you're like what what like you just even if

1842
01:26:35,240 --> 01:26:37,559
Speaker 1: I'm being honest, like just Malcolm going back to this

1843
01:26:37,640 --> 01:26:40,040
Speaker 1: place the first place speaks to me what you were saying, JB.

1844
01:26:40,880 --> 01:26:44,280
Speaker 1: But his his odd relationship with his girlfriend who he

1845
01:26:44,360 --> 01:26:46,639
Speaker 1: must save but doesn't even seem all that in love

1846
01:26:46,680 --> 01:26:46,880
Speaker 1: to me.

1847
01:26:47,160 --> 01:26:47,760
Speaker 4: Yeah.

1848
01:26:48,160 --> 01:26:48,519
Speaker 2: Odd.

1849
01:26:49,520 --> 01:26:51,680
Speaker 1: So yeah, it's it's not great. I stopped it at

1850
01:26:51,680 --> 01:26:53,479
Speaker 1: one point, like it's a long movie, Like I said,

1851
01:26:53,479 --> 01:26:55,680
Speaker 1: it's two hour plus. Like I definitely stopped it at

1852
01:26:55,760 --> 01:26:58,719
Speaker 1: around an hour or so in like there's an hour left,

1853
01:26:58,760 --> 01:26:59,639
Speaker 1: I'm like, what the hell?

1854
01:27:00,000 --> 01:27:01,360
Speaker 2: And then it has that whole part where you do

1855
01:27:01,439 --> 01:27:02,040
Speaker 2: think it's over.

1856
01:27:02,160 --> 01:27:03,840
Speaker 1: You're like, Okay, it's done. You're like, oh no, We're

1857
01:27:03,840 --> 01:27:06,679
Speaker 1: going to San Diego, which is cool, does look cool,

1858
01:27:06,760 --> 01:27:09,560
Speaker 1: but it's like, yeah, thrown on at the end. So

1859
01:27:09,600 --> 01:27:12,960
Speaker 1: I'm a four to ten man. Yeah, fails in comparison

1860
01:27:12,960 --> 01:27:15,000
Speaker 1: to the first one. But that's our thoughts. Let's hear

1861
01:27:15,000 --> 01:27:18,719
Speaker 1: from you when it comes to the Lost World Jurassic Park.

1862
01:27:19,800 --> 01:27:23,439
Speaker 1: Does it get better? Does it get worse? Jurassic Park

1863
01:27:23,560 --> 01:27:28,040
Speaker 1: three is our next movie that we're tackling in Jurassic Pals,

1864
01:27:28,320 --> 01:27:32,719
Speaker 1: released in two thousand and one. Uh, Doctor Allan Grant

1865
01:27:32,800 --> 01:27:35,920
Speaker 1: is back. He's back, So there's that to look forward to.

1866
01:27:36,040 --> 01:27:37,559
Speaker 1: I don't does this get more campy?

1867
01:27:38,880 --> 01:27:39,040
Speaker 4: Want?

1868
01:27:39,120 --> 01:27:40,000
Speaker 6: Do you want to answer that?

1869
01:27:40,240 --> 01:27:40,439
Speaker 1: Yeah?

1870
01:27:40,520 --> 01:27:44,479
Speaker 8: Tell me it gets worse. Oh I think it gets worse.

1871
01:27:44,560 --> 01:27:46,040
Speaker 8: But Trey, you just watched it.

1872
01:27:46,160 --> 01:27:46,519
Speaker 2: I did.

1873
01:27:46,960 --> 01:27:49,080
Speaker 1: Okay, Well, hey, look what do you think.

1874
01:27:50,600 --> 01:27:53,519
Speaker 5: I can't spoil my thoughts, but I watched it.

1875
01:27:53,800 --> 01:27:55,000
Speaker 1: I'm gonna watch it here.

1876
01:27:55,040 --> 01:27:57,240
Speaker 2: Here's the best part about Jurassic Park three.

1877
01:27:57,600 --> 01:28:00,519
Speaker 5: It gets compared to Jurassic Park two, whereas Grassic Park

1878
01:28:00,520 --> 01:28:04,280
Speaker 5: two gets compared to Jurassic Park one.

1879
01:28:05,120 --> 01:28:10,759
Speaker 1: Yes, good point. So that next Jurassic Pals coming next Friday.

1880
01:28:11,040 --> 01:28:14,360
Speaker 1: That'll drop on August twenty second, us talking about Jurassic

1881
01:28:14,439 --> 01:28:17,760
Speaker 1: Park three. If you're having a good time talking dinosaurs

1882
01:28:17,800 --> 01:28:21,040
Speaker 1: with the boys, hit the lake button, subscribe, share the show.

1883
01:28:21,120 --> 01:28:24,360
Speaker 1: Five star ratings and reviews for Jurassic Pals. All right,

1884
01:28:24,360 --> 01:28:26,400
Speaker 1: we will see you next week for Jurassic Park three.

1885
01:28:26,800 --> 01:28:30,680
Speaker 1: Until then, embrace the embryos.

1886
01:28:30,880 --> 01:28:31,800
Speaker 6: I don't know how to share.

1887
01:28:31,960 --> 01:28:44,840
Speaker 1: Yep, I didn't know what to say there. Bye,