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Speaker 1: But for lack of a better term, there was a party,

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Speaker 1: if you will, if you asked me right. I grew

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Speaker 1: up watching wrestling, and there was a time that I

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Speaker 1: want to think about when I look at Drake. I

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Speaker 1: look at Drake and Lucien Grains, like Brett Hard and

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Speaker 1: Vince McMahon. I remember a time when Vince McMahon was

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Speaker 1: reached a cross road with Brett Hart, which was one

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Speaker 1: of his top superstars at the time.

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Speaker 2: But they couldn't let Brett leave with the title and

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Speaker 2: then show up on WCWTV the next night.

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Speaker 3: Who's gonna win him?

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Speaker 4: I don't know.

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Speaker 5: Brett thought the match was going to go one way.

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Speaker 5: Sean and Vince McMahon come up with a different plan.

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Speaker 5: Brett doesn't know about the plan. We're being told by

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Speaker 5: Vince like this, coach your grave, this is high level

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Speaker 5: lesbian man.

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Speaker 2: The whole thing was uncomfortable.

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Speaker 6: I was out there.

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Speaker 2: You know. They had created a spot where Sean was

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Speaker 2: gonna put Brett's move, which is a submission hold the

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Speaker 2: sharpshooter on Bred.

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Speaker 1: The betrayal did Brett Hart felt. Drake feels Brett Hart

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Speaker 1: was down with the w W E.

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Speaker 3: F fifteen twenty LA.

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Speaker 2: It's definitely one of the most faithing stories in our industry.

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Speaker 2: De Montreal screw job.

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Speaker 5: Just minutes into that match, not one person on planet

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Speaker 5: Earth thinks the match is going ten. So when all

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Speaker 5: of a sudden the bell rats, there's complete confusion as.

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Speaker 2: To why the match has ended. He said Resmitic, WHI

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Speaker 2: should happened? It was basically a tip to make sure

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Speaker 2: that they got the title off of Bread.

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Speaker 3: I can see Vincy a drinking bell.

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Speaker 2: Understand that.

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Speaker 1: Believe I believe Drake to feel like Brett felt in

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Speaker 1: that moment with the belt, with all the streaming numbers,

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Speaker 1: with all the accolades they go along, will be in

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Speaker 1: the face of the rap world or just one of

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Speaker 1: the bigger artists in the world. Vincha McMahon, creep down

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Speaker 1: to the ring while you in there squabbling with one

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Speaker 1: of the best in the business.

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Speaker 3: Man, vin mcmon creeped down to the ring, you squabbling

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Speaker 3: on one of the best in the business.

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Speaker 1: But I want you to understand that all those people

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Speaker 1: that are screaming a minor and they're sending a clip

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Speaker 1: message by playing the pdfive part of the actual song

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Speaker 1: where they're calling Drake got his name while there's an

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Speaker 1: ongoing lawsuit. Again, when you are a corporation of his magnitude,

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Speaker 1: you can't send communication and say yo, NFL F Drake

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Speaker 1: played at the super Bowl. But once you see us

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Speaker 1: green lighted at the Grammys, you know what that mean

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Speaker 1: for the super Bowl. Kendrick Lamar. We want to start

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Speaker 1: with congratulations to Kendrick Lamar, as he did a clean

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Speaker 1: sweep and he left the Grammy. He left the Grammys

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Speaker 1: in twenty twenty five with five awards, So we started

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Speaker 1: with congratulations to Kendrick. He's on a generational run. He

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Speaker 1: show up to the Grammys in the Canadian suit. It's

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Speaker 1: important for him not to look too joyful because he's

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Speaker 1: been anti corporation. He can't just run up there and

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Speaker 1: take all awards and look like a fool and say

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Speaker 1: how he just wanted the keys to the front door.

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Speaker 1: He didn't want to burn the house down. Ah, Kendy

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Speaker 1: just wanted the key to the front door. So he

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Speaker 1: gotta come up on some.

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Speaker 3: Super cool, too cool for school that's gonna keep him

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Speaker 3: in right, pay attention. Oh what the deal?

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Speaker 4: Get this luck.

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Speaker 1: First and foremost, So I'm gonna push back a little

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Speaker 1: bit on what everyone else is saying. A lot of

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Speaker 1: the music people are saying, Yo, they're not gonna support it.

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Speaker 1: I think with the ongoing litigation, Drake is trying to

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Speaker 1: put him in the trick bag because if they don't.

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Speaker 3: Pull the moves that they usually pull for this.

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Speaker 1: Album, then it's abundantly clear that they're doing it on purpose.

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Speaker 3: Then you got certain people like academics with.

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Speaker 1: These unfounded, unsubstantiated claims that he's talking the record labels

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Speaker 1: in there telling him that they're gonna sabotage Drake.

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Speaker 3: Picture that.

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Speaker 1: Picture someone at a record label with the power to

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Speaker 1: sabotage Drake telling academics for Drake that they plan on

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Speaker 1: sabotage and Drake picture that.

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Speaker 3: Do you think I'm Susan Sasa's head? Don't it just

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Speaker 3: be talking? But if you don't know no better, you

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Speaker 3: don't know no better.

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Speaker 1: His wife, his new wife, is a shot at Kim.

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Speaker 1: I think that he still thinks about that. I think

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Speaker 1: that he wants Kim to know that that thing got

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Speaker 1: done for you. I can do for anybody that skims

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Speaker 1: thing or whatever that is. I can do that for anybody.

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Speaker 1: Because I think that Kanye West feels like Kim Kardashian

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Speaker 1: feels like that most of her fame, fortune and notoriety

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Speaker 1: comes from being a Kardashian, not from being a West.

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Speaker 3: And Yay is so much of an ego nick that.

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Speaker 1: He thinking, man, that shit comes from being with me,

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Speaker 1: not for Brown over there with them. Don't nobody else

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Speaker 1: got it like you got it. You only got it

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Speaker 1: like it because I gave it to you like that.

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Speaker 1: You ain't get it like that because they gave I

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Speaker 1: got it like that and gave it to you like that.

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Speaker 3: So now you got it like that. But don't get him.

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Speaker 1: I take Kanye West to be an ego maniac, to

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Speaker 1: be saying, what everything that Kim got going on design

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Speaker 1: wise and all of her look and a style that

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Speaker 1: was me? And I'm gonna show Kim that by making

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Speaker 1: that hug, she is the new Kim.

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Speaker 3: I'm gonna have Papa Rossi out on her. And I

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Speaker 3: just showed y'all I.

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Speaker 1: Can make her the most googled person on the earth

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Speaker 1: while wearing.

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Speaker 3: Yeasy up there podcast.

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Speaker 1: People who do not know last weekend was the Grammys,

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Speaker 1: A lot of people say that heck, they got it

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Speaker 1: right for once in a very long time, a lot

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Speaker 1: of people enjoyed it, although ratings were down I believe

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Speaker 1: seven percent from last year. So the Grammys did a

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Speaker 1: good job of trying to integrate people from the culture,

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Speaker 1: but it didn't seem to translate into viewers for whatever reason.

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Speaker 1: But if you ask me for the clips, I saw,

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Speaker 1: it was a the good Grammys. I didn't watch the

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Speaker 1: entire Grammy Awards ceremony, but I did catch some of

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Speaker 1: the pre Grammy show and also some of the Grammys

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Speaker 1: in and out as I was.

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Speaker 3: Doing a few different things.

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Speaker 1: I want to get right into, you know what the

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Speaker 1: coach has been discussing, which is being Kendrick Lamar. We

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Speaker 1: want to start with congratulations to Kendrick Lamar, as he

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Speaker 1: did a clean sweep and he left the Grammy. He

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Speaker 1: left the Grammys of twenty twenty five with five awards.

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Speaker 1: So we started with congratulations to Kendrick. He's on a

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Speaker 1: generational run. And I think if we don't acknowledge that

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Speaker 1: we're doing a disservice not only to him but to

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Speaker 1: his team because they're putting on a clinic. That's what

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Speaker 1: it means to clean up and play maintenance man after

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Speaker 1: you catch your body. So we want to be clear

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Speaker 1: about that, but we also want to address the elephant

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Speaker 1: in the room and give him some peanuts. We got

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Speaker 1: a lot to talk about about. Kendrick Lamar. One only

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Speaker 1: won five Grammys in one night. I want to put

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Speaker 1: that in context for you guys. Drake has a total

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Speaker 1: of four Grammys, and that's despite numerous nominations. Also a

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Speaker 1: few other people Kanye West has twenty two Grammys, Nicki

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Speaker 1: Minaj has zero, Beyonce has twenty eight grammys, Jay Z

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Speaker 1: has twenty four Grammys, And that's just to put in context.

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Speaker 1: You know where Kendra Lamar stands on that tote and pole,

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Speaker 1: but he got five in one night, which means he

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Speaker 1: got more than Drake has in his entire career in

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Speaker 1: one night out of song that is aimed at Drake,

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Speaker 1: and so man, it's like, it's hard for you to.

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Speaker 3: Convince yourself that you're bigger and better.

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Speaker 1: Than this guy when they're giving him all the awards

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Speaker 1: that are supposed to indicate and go to the top

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Speaker 1: dog in the game. And traditionally they've given to the

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Speaker 1: top dog in the game.

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Speaker 3: And so.

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Speaker 1: One thing I do want to say about Drake, he

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Speaker 1: has to be careful how oh he responds to people

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Speaker 1: who interact with not like us. We're about to look

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Speaker 1: at a couple of different acceptance speeches from Kendrick Lamar,

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Speaker 1: because I want to deal with a few things as

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Speaker 1: it pertains to what I have saw.

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Speaker 3: The question came up.

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Speaker 1: It has not, like us, been overkilled because it has

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Speaker 1: won so many awards. It has been pushed in your face,

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Speaker 1: and it's been worked in a way like a hit single.

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Speaker 1: It has not been worked in the confines and under

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Speaker 1: the parameters traditionally that a disc record has worked in.

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Speaker 1: And so I think if you highlight that some people

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Speaker 1: who are Kendrick fans, they'll look at you and say

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Speaker 1: that you're making excuses. And so that's why I believe

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Speaker 1: the way that Drake reacts to people is very interesting

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Speaker 1: and important because he got to be careful that he's

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Speaker 1: not viewed as lashing out at everyone, even the people

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Speaker 1: that just like the song, because the casual fan can't

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Speaker 1: distinguish and know the difference between what Drake is attacking

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Speaker 1: people because they like the song or because they call

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Speaker 1: him them a pedophile. And we'll get to that in

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Speaker 1: just a second. Kendrick Lamar is about to win the

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Speaker 1: first award that we're gonna talk about today, and this

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Speaker 1: is his acceptance speech in the Canadian Suit Pay Attention.

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Speaker 7: As selected by the thirteen thousand voting members of the

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Speaker 7: Recording Academy.

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Speaker 3: The Grammy goes.

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Speaker 7: To, even if it's not you, Beyonce, am I to

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Speaker 7: say this, not like us, Kendrick Lamar.

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Speaker 8: Tell us a hundred.

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Speaker 4: Rap or hit me like Anny, you better said black woman,

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Speaker 4: He get the nilak.

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Speaker 9: Just show your messes to find some check.

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Speaker 4: Gonna wanted to get your handy down. Tell me what

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Speaker 4: his most real kids last year? I'm what's up with it?

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Speaker 1: I want you to take notes to the entire crowd,

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Speaker 1: how they're standing up, cheering, screaming. A minor got Beyonce

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Speaker 1: dancing to the record again. This is a slippery slope

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Speaker 1: because as someone with an ego like Drake, you gotta

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Speaker 1: distinguish are they dancing because they just like the song

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Speaker 1: or it because it's about me?

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Speaker 3: You know how?

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Speaker 1: Everybody laughing like y'all laughing at the joker because y'all

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Speaker 1: thank y'all at what y'all doing. You see what I'm saying.

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Speaker 1: A niggas say, hey, man, dude knows big and a

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Speaker 1: month nigga laughing, Damn, is he fun of us? Do

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Speaker 1: I look funny for real to y'all?

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Speaker 3: Nigga.

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Speaker 1: So Drake and his mind with everyone who he thought

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Speaker 1: he had a relationship with, he now has to distinguish

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Speaker 1: what is it the beating song they like or is

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Speaker 1: it because it's about me they like it? But I

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Speaker 1: want you to understand that all those people that screaming

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Speaker 1: a minor and they're sending a clip message by playing

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Speaker 1: the PDFI part of the actual song where they're calling

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Speaker 1: Drake out his name while there's an ongoing lossuit. Again,

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Speaker 1: when you are a corporation of his magnitude, you can't

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Speaker 1: send communication and say your NFL F Drake play it

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Speaker 1: at the super Bowl. But once you see us green

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Speaker 1: lighted at the Grammys, you know what they mean for

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Speaker 1: the super Bowl.

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Speaker 3: Even if he don't play it, that's his decision.

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Speaker 1: But you know, if I'm playing it at the Grammys,

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Speaker 1: I'm letting you know that it's green light on doing

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Speaker 1: what you do at the super Bowl. But the people

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Speaker 1: that's they're clapping their hands and dancing and moving around

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Speaker 1: and shaking the tail feather them is the button pushes

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Speaker 1: of the music being if them ain't no fans.

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Speaker 3: See the casual looking he thinks, oh, everybody just banging

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Speaker 3: to the song. Boy.

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Speaker 1: Them the people that green light your budgets, them the

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Speaker 1: people that put your dick in the dirty. If they

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Speaker 1: think they don't believe in you no more, they can

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Speaker 1: stop you're funding. So these are the decision makers, the

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Speaker 1: higher ups. That's sitting, the crowd that's dancing. That's a

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Speaker 1: different signal. And on top of that, out of all

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Speaker 1: parts of the song they can use, what part did

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Speaker 1: they use? You're trying to strike a chord and it's

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Speaker 1: probably a minor. They trying to rage baiting. See, he

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Speaker 1: gotta be caring for their own. Rage baiting See the

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Speaker 1: new thing is, and the media been doing it for years.

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Speaker 1: But if you're a black man and you live in

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Speaker 1: a high class neighborhood, you understand what rage baiting is

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Speaker 1: because they'll come do something to you or end up

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Speaker 1: on your property. And because how you respond, they're saying,

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Speaker 1: oh my god, you are too You're overreacting. I'm overreacting

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Speaker 1: because of how you approach me about living in a

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Speaker 1: neighborhood that you think I ain't able to live in.

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Speaker 3: So what kind of reaction.

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Speaker 1: You wanted me to be very demure. Huh nah, I

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Speaker 1: ain't gonna be very demure. You dealing with the high ups.

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Speaker 1: So when I'm telling you, yo, I don't need nobody

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Speaker 1: in the neighborhood, I don't give a food the neighbor is.

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Speaker 1: It could be John gott It, it could be Barack Obama.

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Speaker 1: I don't want to meet the neighbors. So I'm saying,

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Speaker 1: everybody got a big house, everybody family run. I don't

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Speaker 1: want to meet nobody. Give me a minute. I'm just

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Speaker 1: not transitioning. I don't want to meet nobody. I want

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Speaker 1: to have nobody around. I don't need no pie. When

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Speaker 1: I first got the crib, them folks they start pulling

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Speaker 1: up with things. You know what I'm saying, no disrespect

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Speaker 1: to them. You know what I'm saying, I respect it.

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Speaker 1: But I'm saying, you know, I'm just that kind of individual.

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Speaker 1: But these are the button pushes of the music industry.

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Speaker 1: These ain't the people who just are powerless while they're

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Speaker 1: enjoying your song. These are the people that all the

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Speaker 1: rest of your music buddies is pre and that these

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Speaker 1: folks right here like the song.

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Speaker 3: Because boy, when they like the song get changing Life.

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Speaker 10: Yeah.

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Speaker 5: Nah.

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Speaker 1: When these people right here, that's in the Grammars, all

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Speaker 1: these button pushes, that's on the first level of the Grammars. Beyonce, Taylor, Swift,

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Speaker 1: Loosen Graens, doctor dra Man. Come on man, do I

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Speaker 1: come on man? When these people believe in you, it

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Speaker 1: changing life. So all your rap friends, that's who they

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Speaker 1: hope and believe in him because he's green light everything.

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Speaker 1: When you look at Kendrick and we about to get

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Speaker 1: back into the video, when you look at him, guess

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Speaker 1: what you notice. He don't give Drake fans nothing to

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Speaker 1: go out for. He don't give him the self in

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Speaker 1: the mirror. And then they get to say, oh man,

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Speaker 1: and he got black fingernail. Apologies, it's just normal to

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Speaker 1: you whatever you doing, isolated in your little world. But

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Speaker 1: he gives his He gives Kendrick fans things that they

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Speaker 1: can pick at.

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Speaker 3: Kendrick.

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Speaker 1: Don't give him nothing edy time he pops about this.

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Speaker 1: It's nothing to really go off of. There's nothing, no indicators,

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Speaker 1: no signaling. So he playing chess while you playing checkers.

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Speaker 1: But he raged baiting you. He must understand that you

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Speaker 1: emotionally triggered. Because people who've done a lot for people.

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Speaker 1: They emotions get involved because you can't pay me to

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Speaker 1: do what I've done for niggas. It ain't aunt of

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Speaker 1: It ain't a number you can put on what I

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Speaker 1: done for niggas. They can bring me their whole bank roll,

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Speaker 1: it still ain't enough. Cause what I done for Nick

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Speaker 1: was something nobody could do for him but me. And

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Speaker 1: so sometimes you become emotionally involved, and so you become

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Speaker 1: affected when things outside of yo, outside of your control,

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Speaker 1: start affecting how people treat you.

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Speaker 3: Damn, y'all gonna go left because of what they said.

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Speaker 3: I ain't done nothing. Y'all gonna just up.

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Speaker 1: And disappearing, jump ship cause what nig old y'all cause

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Speaker 1: Nick got y'all going left on real niggassible hearsay, y'all

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Speaker 1: ain't gonna bring it to the table. Y'all ain't gonna

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Speaker 1: bring you to the high ups. Huh, little boys, they can.

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Speaker 1: They can tell you which way to go. You like water,

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Speaker 1: they tell you which way to flow. You better figure

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Speaker 1: it out and get a backbone. But Kendrick never give

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Speaker 1: them nothing. He show up to the Grammars in the

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Speaker 1: Canadian suit. It's important for him not to look too

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Speaker 1: joyful because he's been anti corporation. He can't just run

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Speaker 1: a be and take all the wards and look like

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Speaker 1: a fool and say he just wanted the key to

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Speaker 1: the front door. He didn't want to burn the house down. Ah,

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Speaker 1: Kendry just wanted the key to the front door. So

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Speaker 1: he gotta come up here on some super cool, too

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Speaker 1: cool for school that's gonna keep him in right, Pay attention.

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Speaker 3: Oh what the deal?

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Speaker 10: Bi?

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Speaker 11: What's up?

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Speaker 4: First and foremost all praise to the most High. We

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Speaker 4: woke up this morning, rest in Paradise, Manti Shan. She

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Speaker 4: transitioned yesterday, so this is it's special right now. You

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Speaker 4: know she probably you know, watching it from up there.

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Speaker 4: So make sure y'all got y'all your smiles on it, right,

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Speaker 4: you know, make her feel good. Dre, what's up, DoD Dre,

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00:18:08,640 --> 00:18:09,000
Speaker 4: what's up?

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Speaker 3: Switch? What's up?

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Speaker 12: Uh?

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Speaker 10: We're go.

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Speaker 4: We're gonna dedicate this one to the city comped in Watts. Yeah, yeah,

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Speaker 4: Long Beach, Inglewood, Hollywood, out to the Valley, pakuama II,

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Speaker 4: Sam Bernardino, all that you know, Uh, this is this

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Speaker 4: is my my my neck oft the woods that has

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Speaker 4: held me down since a young pup, you know, since

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Speaker 4: a I was in the studio scrapping the right the

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Speaker 4: best raps and all that, you know, in order to

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Speaker 4: do records like these. So I can't I can't give

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Speaker 4: enough thanks, you know, to these these places that I

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Speaker 4: rolled around since high school. You know, most importantly the

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Speaker 4: people and the families out in the Palisades and out

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Speaker 4: the Dina. This is a true testament that we're gonna

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Speaker 4: continue to restore the city. And uh yeah, we're gonna

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Speaker 4: keep rocking my boy muster the way. Yeah, what's up.

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Speaker 1: I ain't got nothing to say, but West said, I

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Speaker 1: wonder what Kendrick feels like. You know, in my mind,

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Speaker 1: I'm thinking he thinking I'm gonna do this again, though,

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Speaker 1: because I think someone in his head he even though

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Speaker 1: he's accepting all of this is part of the journey,

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Speaker 1: but I think he put an asterisk beside it, knowing

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Speaker 1: that Drake is involved in this. It's like, you know,

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Speaker 1: I'm slaying a giant and I'm the weapon, you know

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Speaker 1: what I'm saying. But I think in his mind, because

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Speaker 1: he's done it before, that's the thing.

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Speaker 5: You know.

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Speaker 1: Hopefully this doesn't backfire on Kendrick and He's just known

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Speaker 1: as the Drake guy, Drake's nemesis versus his illustrious career,

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Speaker 1: what he's been able to bring to the actual industry

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Speaker 1: and to music into people lives because he's been effective

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Speaker 1: with a lot of different records and a lot of

359
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Speaker 1: different genres, a lot of different sounds. But the success

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Speaker 1: he's gaining right now, I wonder this's just gonna be

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Speaker 1: the cornerstone, you.

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Speaker 3: Know, of his career.

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Speaker 1: But in the back of my brain, I think he says,

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Speaker 1: I'm gonna do this again. That was award for Record

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Speaker 1: of the Year. Usually that goes to the writers. Usually

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Speaker 1: that's an award that is designated for the people who

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Speaker 1: would not usually get that recognition. Song of the Year

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Speaker 1: is usually for the rapper or for the artist's singer,

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Speaker 1: otherwise who's performing the actual song. But Kendrick Lamar again

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Speaker 1: had a clean sweep, so he won Record of the

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Speaker 1: Year with Not Like Us, and then he turned around

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Speaker 1: and won. So don't go to get what not Like

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Speaker 1: Us Piltons.

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Speaker 12: The Grammy goes to huh Ken, Drake Lamar.

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Speaker 7: They want to trick that not slow.

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Speaker 4: Jack or something.

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Speaker 3: I do want to know. They did not play the

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Speaker 3: PDF foul part through every award, so they did not

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Speaker 3: give overkilled.

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Speaker 1: They played different sections of the song, and so legally

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Speaker 1: in a probably a lawsuit if he's trying to sue

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Speaker 1: for something like that.

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Speaker 3: So let's just say Drake puts in his lawsuit. They

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Speaker 3: played it at the Grammys.

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Speaker 1: They're gonna say, we picked parts of the song and

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Speaker 1: just play it different sections at different moments for different awards.

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00:22:04,119 --> 00:22:06,600
Speaker 1: The guy was so successful, we could not go around

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00:22:06,800 --> 00:22:09,520
Speaker 1: using that part of it. The guy won five different

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Speaker 1: awards that night. We couldn't use the same section, guaranteed.

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Speaker 1: That'll be what they say. Pay attention.

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Speaker 4: Mhm, all right, come on, man, Diana rough, come on man, Hey,

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Speaker 4: I'm Starshuck.

393
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Speaker 8: Hey, I gotta get something. I gotta get something. It's

394
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Speaker 8: for Compton, straight up, me and him both from Compton.

395
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Speaker 8: You know what I'm saying, think Compton High School, compan

396
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Speaker 8: College all that.

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Speaker 11: I know.

398
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Speaker 3: My mama's out there, My mom and pop.

399
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Speaker 8: Out there doing from flips on the couch right now

400
00:22:39,280 --> 00:22:41,760
Speaker 8: on me, son six years old, go to sleep this

401
00:22:41,800 --> 00:22:42,800
Speaker 8: past your bedtime right now.

402
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Speaker 3: You know what I'm saying. You know, I gotta do

403
00:22:44,800 --> 00:22:46,399
Speaker 3: it right master.

404
00:22:50,160 --> 00:22:51,639
Speaker 8: My mama and my sister here this day, person a

405
00:22:51,680 --> 00:22:55,080
Speaker 8: word showed MI go my girl, Brittany, and uh, somebody

406
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Speaker 8: get the broom out.

407
00:22:58,800 --> 00:23:06,040
Speaker 1: Hey, look at Taylor Swift. I want to go back

408
00:23:06,080 --> 00:23:10,360
Speaker 1: a little bit to this frame right here and give

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00:23:10,400 --> 00:23:13,960
Speaker 1: a salutther Kendrick Lamar in this moment right here, he

410
00:23:14,000 --> 00:23:16,080
Speaker 1: could have been selfish. He could have had a certain

411
00:23:16,160 --> 00:23:20,080
Speaker 1: look on his face. He smiled. Dude shot his mother out,

412
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Speaker 1: his son. This was a very important moment. Again, he

413
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Speaker 1: does not give Drake fans anything to go out for

414
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Speaker 1: in that moment when he could have looked like, yo, yo, bro,

415
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Speaker 1: we can't be doing it like that though, bro, like

416
00:23:35,000 --> 00:23:38,560
Speaker 1: some of y'all suckers do. See some of y'all suckers

417
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Speaker 1: get booges, some of y'all suckers. He's sitting there happy

418
00:23:41,080 --> 00:23:43,240
Speaker 1: for them. Dudes, get your shine on. We did this together.

419
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Speaker 1: Even if that's not what he feeling, that's what he presenting,

420
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Speaker 1: and that is that works. It's working because when I

421
00:23:50,920 --> 00:23:53,440
Speaker 1: seen it, I said, Man, I really fuck the dude

422
00:23:53,480 --> 00:23:56,320
Speaker 1: because of that. I really with how he let his

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00:23:56,440 --> 00:23:59,320
Speaker 1: homeboys get off right there. And he ain't really do

424
00:23:59,520 --> 00:24:01,840
Speaker 1: no hate to know you know, he ain't look no

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00:24:02,000 --> 00:24:04,439
Speaker 1: way or try to short cut him or cut him,

426
00:24:04,680 --> 00:24:07,080
Speaker 1: cut him off, or cut him down. He embraced him,

427
00:24:07,359 --> 00:24:10,359
Speaker 1: He shine with him, and he smiled through the process.

428
00:24:12,400 --> 00:24:15,480
Speaker 1: I keep telling y'all bring back that's willing to help

429
00:24:15,600 --> 00:24:19,240
Speaker 1: man bring back. Just happy to see others get to

430
00:24:19,320 --> 00:24:22,320
Speaker 1: where they at because right now in the culture, boy,

431
00:24:22,359 --> 00:24:24,920
Speaker 1: we got there to get in the room, shut the door,

432
00:24:25,040 --> 00:24:28,920
Speaker 1: drink out the weal, and spit in the water. Yeah,

433
00:24:29,000 --> 00:24:30,680
Speaker 1: they'll drink out of the whale and spitting them with

434
00:24:30,840 --> 00:24:33,680
Speaker 1: y'all want nobody else getting nothing from that but my people,

435
00:24:33,800 --> 00:24:36,440
Speaker 1: Me and my people. Now let some other people eat.

436
00:24:36,520 --> 00:24:38,960
Speaker 1: And you ain't gotta always eat with people for him

437
00:24:39,000 --> 00:24:40,639
Speaker 1: to eat, show them how to get a fish in

438
00:24:40,640 --> 00:24:45,800
Speaker 1: stead of giving them fish. Damn, you ain't got enough money.

439
00:24:46,040 --> 00:24:48,960
Speaker 1: Showing how to get some money. That's what my goal

440
00:24:49,080 --> 00:24:51,120
Speaker 1: and journey is. I'm gonna show me how to get

441
00:24:51,240 --> 00:24:53,640
Speaker 1: some money, young man. I ain't gonna try to dig.

442
00:24:54,160 --> 00:24:57,000
Speaker 1: Show help Nick get some money. Be happy for Nick

443
00:24:57,280 --> 00:25:00,680
Speaker 1: Salutor Kendrick for that moment. For sure, somebody get the

444
00:25:00,760 --> 00:25:01,280
Speaker 1: broom out.

445
00:25:04,160 --> 00:25:09,600
Speaker 3: Hey part to not like us winning in the video

446
00:25:09,680 --> 00:25:10,919
Speaker 3: crip walking. We gonna dedicate that one.

447
00:25:11,320 --> 00:25:16,199
Speaker 4: Here's you gonna j liking walks, but show uh all

448
00:25:16,240 --> 00:25:19,960
Speaker 4: the West Coast artists Man early early on g Malone, problem,

449
00:25:20,520 --> 00:25:23,440
Speaker 4: bad Luck, Kboy, Daylight, Mike Show. He used to catch

450
00:25:23,480 --> 00:25:25,679
Speaker 4: that inspired me to be the MC I am today,

451
00:25:25,960 --> 00:25:29,080
Speaker 4: school Boys, Jay Rock app So this is this is

452
00:25:29,119 --> 00:25:30,600
Speaker 4: what it is about, man, because at the end of

453
00:25:30,640 --> 00:25:32,880
Speaker 4: the day, nothing more powerful than rap music. I don't

454
00:25:32,920 --> 00:25:34,960
Speaker 4: care what it is where you are, the culture, it's

455
00:25:34,960 --> 00:25:37,520
Speaker 4: gonna always stay here and live forever because a young

456
00:25:37,600 --> 00:25:39,960
Speaker 4: artist like my man, I just hope you respect the

457
00:25:40,080 --> 00:25:42,960
Speaker 4: art form. That's all. Respect art form get you where

458
00:25:42,960 --> 00:25:45,000
Speaker 4: you need to go. All right, salute, I appreciate y'all,

459
00:25:45,000 --> 00:25:45,600
Speaker 4: Love y'all.

460
00:25:47,359 --> 00:25:47,600
Speaker 3: Again.

461
00:25:47,680 --> 00:25:51,280
Speaker 1: I like how Kendrick handled that. I like in respect

462
00:25:51,359 --> 00:25:55,520
Speaker 1: the art form rap coaches. It is the culture, you know,

463
00:25:55,600 --> 00:25:59,119
Speaker 1: It's the heartbeat of the music business, and it also

464
00:25:59,359 --> 00:26:02,960
Speaker 1: controls you. And I think that those who try to

465
00:26:03,119 --> 00:26:07,679
Speaker 1: undermine that don't respect that and won't deploy the common

466
00:26:07,800 --> 00:26:10,880
Speaker 1: sense needed to understand how one hand washed the other

467
00:26:11,359 --> 00:26:13,879
Speaker 1: and both wash the face. If they don't get out

468
00:26:13,960 --> 00:26:18,320
Speaker 1: the way willingly, they have to be removed. And it

469
00:26:18,440 --> 00:26:21,800
Speaker 1: sounds harsh to a person that is non confrontational, but

470
00:26:21,920 --> 00:26:29,320
Speaker 1: in business as America. Sometimes there's confrontations, sometimes there's battles

471
00:26:29,359 --> 00:26:32,359
Speaker 1: in wars. We do everything to try not to go

472
00:26:32,480 --> 00:26:34,720
Speaker 1: to war, but any event of war pop off, we

473
00:26:34,840 --> 00:26:39,920
Speaker 1: will send them nuke. We will defend ourselves, our people,

474
00:26:40,119 --> 00:26:47,520
Speaker 1: our interests. You dig our allies, and so respect the

475
00:26:47,680 --> 00:26:48,160
Speaker 1: art form.

476
00:26:49,720 --> 00:26:49,879
Speaker 3: You know.

477
00:26:50,000 --> 00:26:52,840
Speaker 1: I look at Kendrick winning five Grammys. I look at

478
00:26:52,920 --> 00:26:59,680
Speaker 1: Lucian Grains given doctor dre a high five, as Kendrick

479
00:26:59,760 --> 00:27:02,840
Speaker 1: Lamore being called up as he wins.

480
00:27:02,640 --> 00:27:07,800
Speaker 3: Award after ward, after ward, and.

481
00:27:07,880 --> 00:27:10,240
Speaker 1: I look in the crowd and all the movers and shakers,

482
00:27:10,280 --> 00:27:13,120
Speaker 1: the doors of the industry, the smackers of the industry,

483
00:27:13,840 --> 00:27:16,600
Speaker 1: the people that green like the business. They can change

484
00:27:16,640 --> 00:27:20,160
Speaker 1: your life. All of those people are in unison in concert.

485
00:27:20,320 --> 00:27:26,840
Speaker 1: Celebrating the Grammars is usually very demure, usually very laid back,

486
00:27:28,440 --> 00:27:30,720
Speaker 1: but for lack of a better term, that was a party,

487
00:27:30,800 --> 00:27:34,280
Speaker 1: if you will, if you ask me right, I grew

488
00:27:34,400 --> 00:27:40,040
Speaker 1: up watching wrestling, and there was a time that I

489
00:27:40,160 --> 00:27:45,240
Speaker 1: want to think about when I look at Drake. I

490
00:27:45,320 --> 00:27:47,800
Speaker 1: look at Drake and Lucien Grains, like Brett Hard and

491
00:27:47,880 --> 00:27:50,960
Speaker 1: Vince McMahon. I remember a time when Vince McMahon was

492
00:27:53,040 --> 00:27:55,560
Speaker 1: reached a cross road with Brett Hart, which was one

493
00:27:55,560 --> 00:28:00,199
Speaker 1: of his top superstars at the time. Brett Hart at

494
00:28:00,240 --> 00:28:03,640
Speaker 1: the belt, so this was Brett hart leverage. I ain't

495
00:28:03,720 --> 00:28:06,879
Speaker 1: gonna go out there and stay down for three He

496
00:28:06,960 --> 00:28:09,760
Speaker 1: would push back on any storyline that placed him in

497
00:28:09,840 --> 00:28:12,639
Speaker 1: position where he would lose the belt, because then he

498
00:28:12,680 --> 00:28:15,359
Speaker 1: would lose his leverage because the storyline got to make

499
00:28:15,480 --> 00:28:18,480
Speaker 1: sense for all the people who don't know that wrestling

500
00:28:18,640 --> 00:28:21,760
Speaker 1: is a storyline. And so I look at Drake and

501
00:28:21,880 --> 00:28:25,960
Speaker 1: I remember that was a match.

502
00:28:26,160 --> 00:28:29,920
Speaker 3: Well, Brett Hart was in there doing his thing right.

503
00:28:30,680 --> 00:28:33,720
Speaker 1: And again for people who do not know, I don't

504
00:28:33,720 --> 00:28:36,160
Speaker 1: want to tell you Santa claus Is, but you shouldn't

505
00:28:36,160 --> 00:28:38,360
Speaker 1: be watching me if you don't know. Wrestling is fake.

506
00:28:38,440 --> 00:28:41,560
Speaker 1: But wrestling is a storyline. It's almost like reality TV.

507
00:28:41,720 --> 00:28:45,680
Speaker 1: And so Brett Hart had to kind of endurance the understanding,

508
00:28:45,800 --> 00:28:48,360
Speaker 1: like yo, I just would never stay down for the

509
00:28:48,440 --> 00:28:51,360
Speaker 1: three count, which ends the match. That was a wrestling

510
00:28:51,480 --> 00:28:55,560
Speaker 1: match where Brett Hart was going up against Sean Michaels.

511
00:28:55,600 --> 00:28:58,040
Speaker 1: It was on pay per view, and I believe it

512
00:28:58,160 --> 00:29:01,120
Speaker 1: was called an iron Man match. So you look at

513
00:29:01,160 --> 00:29:04,800
Speaker 1: Brett and Sean Michaels, and you look at Kendrick and Drake,

514
00:29:06,080 --> 00:29:11,120
Speaker 1: but Vince McMahon is loosing Graens. So fast forward sixty

515
00:29:11,160 --> 00:29:11,720
Speaker 1: minute match.

516
00:29:11,800 --> 00:29:12,440
Speaker 3: They get down.

517
00:29:12,640 --> 00:29:15,440
Speaker 1: They've told Brett Hart, you're gonna retain the championship belt.

518
00:29:15,520 --> 00:29:19,960
Speaker 1: Don't worry with with you. They're being deceptive. Brett Hart

519
00:29:20,000 --> 00:29:22,680
Speaker 1: don't know this. So what Drake is saying is going

520
00:29:22,760 --> 00:29:26,760
Speaker 1: on is though, yo, while me and Kendrick is in here,

521
00:29:26,800 --> 00:29:28,920
Speaker 1: which will be Brett Hard and Sean Michaels is in

522
00:29:29,040 --> 00:29:31,640
Speaker 1: here fighting. Guess who creeped down to the ring. This

523
00:29:31,760 --> 00:29:34,720
Speaker 1: happened on Brett Hart. Brett Hard, and they're fighting. Vince McMahon.

524
00:29:34,800 --> 00:29:40,040
Speaker 1: Creep down to the ring. Vince McMahon, creep down to

525
00:29:40,160 --> 00:29:42,800
Speaker 1: the ring while you in there squabbling with one of

526
00:29:42,840 --> 00:29:45,720
Speaker 1: the best in the business. Now, Vince McMahon, creep down

527
00:29:45,800 --> 00:29:47,600
Speaker 1: to the ring. You squabbling on one of the best

528
00:29:47,640 --> 00:29:51,720
Speaker 1: in the bend its Vince McMahon. Scream, get down to

529
00:29:51,800 --> 00:29:53,040
Speaker 1: the ring, dude, put you down.

530
00:29:53,160 --> 00:29:55,959
Speaker 3: Do a little more. Vince McMahon called the match. Hey,

531
00:29:56,040 --> 00:30:00,840
Speaker 3: hey say he quit? He quit? He quit? Called the match.

532
00:30:00,960 --> 00:30:02,680
Speaker 3: They they cheat.

533
00:30:02,720 --> 00:30:07,400
Speaker 1: They effectively cheated him out of the belt, out of

534
00:30:07,440 --> 00:30:12,440
Speaker 1: the storyline. Now Brett Hart ended up spitting invincement. Man

535
00:30:12,520 --> 00:30:15,200
Speaker 1: facing Brett Hart is Brett Hart. But I say that

536
00:30:15,360 --> 00:30:19,000
Speaker 1: to say I believe Drake to feel like Brett felt

537
00:30:19,120 --> 00:30:22,240
Speaker 1: in that moment with the belt, with all the streaming numbers,

538
00:30:22,280 --> 00:30:24,280
Speaker 1: with all the accolades they go along with, be in

539
00:30:24,360 --> 00:30:26,920
Speaker 1: the face of the rap world, or just one of

540
00:30:26,960 --> 00:30:28,520
Speaker 1: the bigger artists in the world.

541
00:30:30,400 --> 00:30:32,320
Speaker 3: Right, I've lit a bunch of careers.

542
00:30:32,440 --> 00:30:35,800
Speaker 1: Dudes went on tour, fight with me, Nick Careas, burst

543
00:30:35,880 --> 00:30:38,280
Speaker 1: off songs with me like I put a lot of

544
00:30:38,400 --> 00:30:40,440
Speaker 1: work in, made a lot of money. I got every

545
00:30:40,520 --> 00:30:44,200
Speaker 1: accolade that Brett Hart had. But Nick, time for us

546
00:30:44,280 --> 00:30:48,240
Speaker 1: to have another champion. The betrayal that Brett Hart felt,

547
00:30:49,880 --> 00:30:55,120
Speaker 1: Drake feels Brett Hart was down with the WWE for

548
00:30:56,080 --> 00:31:01,840
Speaker 1: fifteen twenty years, top of the rings, losing the belt

549
00:31:01,920 --> 00:31:04,080
Speaker 1: when he really don't want to lose it, going along

550
00:31:04,160 --> 00:31:08,640
Speaker 1: with the storyline, not understanding why, breaking his back, getting

551
00:31:08,680 --> 00:31:13,560
Speaker 1: strung out on pill and because whatever he was requesting.

552
00:31:14,920 --> 00:31:18,280
Speaker 3: In the business, they decided to xit miounter. So when

553
00:31:18,280 --> 00:31:18,760
Speaker 3: you look in the.

554
00:31:18,800 --> 00:31:23,360
Speaker 1: Crowd and you see the celebratory behavior and the panegyric behavior,

555
00:31:24,120 --> 00:31:26,960
Speaker 1: if you're asking me, this is them ripping the belt

556
00:31:27,040 --> 00:31:33,120
Speaker 1: from from Drake and giving it the Kendrick Lamar, which

557
00:31:33,240 --> 00:31:35,360
Speaker 1: is a star in his own right, and if you

558
00:31:35,480 --> 00:31:37,640
Speaker 1: ask me, I think he got enough pride. At some

559
00:31:37,800 --> 00:31:40,479
Speaker 1: point he started to push back on that a little bit, like, YO,

560
00:31:40,600 --> 00:31:42,080
Speaker 1: get off me with that Drake talk.

561
00:31:42,200 --> 00:31:44,840
Speaker 3: Man, really sick of all that Drake talk. I don't

562
00:31:44,880 --> 00:31:46,120
Speaker 3: need I didn't need Drake for this.

563
00:31:47,080 --> 00:31:48,920
Speaker 1: I think he gonna push back on that at some

564
00:31:49,120 --> 00:31:52,880
Speaker 1: point because it's becoming abundantly clear that they're trying to

565
00:31:53,000 --> 00:31:58,200
Speaker 1: hallmark his career as the Giant Slayer, and I think

566
00:31:58,280 --> 00:32:01,120
Speaker 1: he's more talented than that. I think he want to

567
00:32:01,160 --> 00:32:04,600
Speaker 1: be known by much more than that. And that's just

568
00:32:04,720 --> 00:32:07,440
Speaker 1: if you're asking me now. You also had an announcement

569
00:32:07,520 --> 00:32:09,720
Speaker 1: from Drake and Party next Door that they're said to

570
00:32:09,800 --> 00:32:14,440
Speaker 1: release the collaborative album called Some Sexy Songs for You

571
00:32:14,640 --> 00:32:18,880
Speaker 1: on Valentine's Day, February fourteenth, two thousand and twenty five.

572
00:32:19,400 --> 00:32:21,200
Speaker 1: And so a lot of people say that, yo, man,

573
00:32:21,280 --> 00:32:24,080
Speaker 1: Drake shouldn't drop this. Drake shouldn't drop this. If you

574
00:32:24,160 --> 00:32:27,200
Speaker 1: ask me, I think Drake is dropping this, trying to

575
00:32:27,280 --> 00:32:29,520
Speaker 1: put Universal in the trick bag, and I don't think

576
00:32:29,560 --> 00:32:31,400
Speaker 1: they going in the trick bag. I think they support

577
00:32:31,480 --> 00:32:33,920
Speaker 1: this album, so I'm gonna push back a little bit

578
00:32:34,080 --> 00:32:35,920
Speaker 1: on what everyone else is saying. A lot of the

579
00:32:36,040 --> 00:32:38,400
Speaker 1: music people are saying, Yo, they're not gonna support it.

580
00:32:38,520 --> 00:32:41,920
Speaker 1: I think with the ongoing litigation, Drake is trying to

581
00:32:41,920 --> 00:32:43,800
Speaker 1: put him in the trick bag because if they don't

582
00:32:43,840 --> 00:32:46,200
Speaker 1: pull the moves that they usually pull for this album,

583
00:32:46,320 --> 00:32:48,880
Speaker 1: then it's abundantly clear that they're doing it on purpose.

584
00:32:49,280 --> 00:32:52,600
Speaker 1: Then you got certain people like academics with these unfounded,

585
00:32:53,160 --> 00:32:58,120
Speaker 1: unsubstantiated claims that he's talking the record labels in there

586
00:32:58,200 --> 00:33:01,480
Speaker 1: telling him that they're gonna sabotage Drake.

587
00:33:01,600 --> 00:33:02,000
Speaker 3: Picture that.

588
00:33:03,080 --> 00:33:05,640
Speaker 1: Picture someone at a record labeled with the power to

589
00:33:05,720 --> 00:33:10,720
Speaker 1: sabotage Drake telling academics speaking for Drake that they plan

590
00:33:10,880 --> 00:33:16,240
Speaker 1: on sabotage and Drake. Picture that thee nigga think I'm

591
00:33:16,320 --> 00:33:20,640
Speaker 1: Susie Sassa's head, don't it These niggas yet be talken.

592
00:33:20,840 --> 00:33:22,720
Speaker 1: But if you don't know no better, you don't know

593
00:33:22,880 --> 00:33:25,320
Speaker 1: no better. You can't really keep running around saying that

594
00:33:25,400 --> 00:33:28,520
Speaker 1: shit Whyle litigation is going on. I wouldn't be surprised

595
00:33:28,560 --> 00:33:32,560
Speaker 1: if someone tap academics on the shower Yo provides some

596
00:33:32,640 --> 00:33:39,160
Speaker 1: proof of that. Provide some proof of that. I disagree

597
00:33:39,200 --> 00:33:43,440
Speaker 1: with him even being told that, but he's trying to

598
00:33:43,480 --> 00:33:47,400
Speaker 1: shield his artists, his favorite artist. A lot of the

599
00:33:47,440 --> 00:33:51,600
Speaker 1: shit is counter productive. Again, if you're asking me Drake

600
00:33:51,680 --> 00:33:54,400
Speaker 1: and party next door with to release some sexy songs

601
00:33:54,440 --> 00:33:57,360
Speaker 1: for you on Valentine's Day places Universal in a very

602
00:33:57,480 --> 00:33:59,640
Speaker 1: unique position. If they don't press the buttons, and he

603
00:33:59,680 --> 00:34:02,120
Speaker 1: can prove they don't press the buttons that they usually press.

604
00:34:02,480 --> 00:34:05,120
Speaker 1: I'm usually on this playlist. I'm usually there. I'm usually

605
00:34:05,200 --> 00:34:08,440
Speaker 1: that look they're doing this. That goes back to the

606
00:34:08,600 --> 00:34:11,200
Speaker 1: zero some thing that he was speaking about again, I

607
00:34:11,600 --> 00:34:13,680
Speaker 1: think I'm seeing him try to tie it in in

608
00:34:13,800 --> 00:34:16,600
Speaker 1: real time. Oh they I'm gonna use the fall off

609
00:34:16,680 --> 00:34:18,799
Speaker 1: the proof that y'all trying to make me fall off.

610
00:34:19,040 --> 00:34:22,120
Speaker 1: It's what it feels like. I guess we'll keep watching

611
00:34:22,200 --> 00:34:25,360
Speaker 1: for that. Also, we'll get to Casinet at the Grammys.

612
00:34:25,400 --> 00:34:26,560
Speaker 1: Salute the Casinette.

613
00:34:26,760 --> 00:34:27,320
Speaker 3: Proud of you.

614
00:34:27,520 --> 00:34:29,200
Speaker 1: I know you want to be at the Grammys. I

615
00:34:29,320 --> 00:34:32,640
Speaker 1: know you love for your family members to see you elevate,

616
00:34:32,719 --> 00:34:35,400
Speaker 1: and we support everything you're doing. But we're gonna have

617
00:34:35,480 --> 00:34:38,400
Speaker 1: a conversation about the Grammys and what they tried to

618
00:34:38,480 --> 00:34:41,359
Speaker 1: do with Casinett. That's gonna be a conversation we have soon,

619
00:34:41,680 --> 00:34:45,279
Speaker 1: maybe not today, maybe not today, but we're gonna have

620
00:34:45,400 --> 00:34:48,920
Speaker 1: a conversation about you know, what they were trying to

621
00:34:48,960 --> 00:34:51,560
Speaker 1: do with Casinetta. I think that was nasty that what

622
00:34:51,680 --> 00:34:54,359
Speaker 1: they was trying to do. But this project with Drake

623
00:34:54,960 --> 00:34:58,080
Speaker 1: and Party next Door is a sacrificial lamb. I dead

624
00:34:58,239 --> 00:35:01,120
Speaker 1: Universal not to do the right thing. I dare them

625
00:35:01,239 --> 00:35:03,960
Speaker 1: to write while we're in court and in litigation. I

626
00:35:04,120 --> 00:35:06,680
Speaker 1: dare them to show the courts that they're not gonna

627
00:35:06,719 --> 00:35:09,200
Speaker 1: press the buttons they've been pressing for fifteen years for Drake.

628
00:35:09,280 --> 00:35:12,960
Speaker 1: I dare them the interest is gonna be the period.

629
00:35:13,080 --> 00:35:15,560
Speaker 1: You cannot fool me that the interest is gonna be there.

630
00:35:15,840 --> 00:35:18,399
Speaker 1: I dare them to play the game right in front

631
00:35:18,400 --> 00:35:20,440
Speaker 1: of the court's face. They'll show me they powerful.

632
00:35:20,800 --> 00:35:23,000
Speaker 3: If they're that powerful, I'll bag up.

633
00:35:23,640 --> 00:35:27,160
Speaker 1: But man, I don't believe Universal Music Group is gonna

634
00:35:27,200 --> 00:35:29,520
Speaker 1: play in the court face like that. So for all

635
00:35:29,680 --> 00:35:32,520
Speaker 1: y'all that's running around saying they gonna sabotage, that's my

636
00:35:32,680 --> 00:35:35,880
Speaker 1: pushback on that. It's a sacrificial lange Also, before we

637
00:35:36,040 --> 00:35:38,320
Speaker 1: move on from the Grammy topic, because I'm about to

638
00:35:38,360 --> 00:35:40,520
Speaker 1: get off of this and we got one more topic

639
00:35:40,640 --> 00:35:43,440
Speaker 1: for today, I want to talk about Babyface. Salute to

640
00:35:43,520 --> 00:35:47,800
Speaker 1: the legend Babyface. Babyface was in an altercation with the

641
00:35:47,880 --> 00:35:52,200
Speaker 1: Associated Press reporters. While Babyface was responding to a question,

642
00:35:52,920 --> 00:35:56,680
Speaker 1: the reporters interrupted him to call out to singer Chapel Room,

643
00:35:56,800 --> 00:36:01,400
Speaker 1: who was passing by, demonstrating grace. Babyface stepped aside, allowing

644
00:36:01,480 --> 00:36:03,759
Speaker 1: them to proceed with the interview. Did they seem to

645
00:36:03,840 --> 00:36:05,839
Speaker 1: be after let's pay attention to the video.

646
00:36:07,120 --> 00:36:14,880
Speaker 5: It's interesting, Chapel, It's interesting, Chapel Chapel.

647
00:36:15,560 --> 00:36:16,279
Speaker 3: You guys want to do that?

648
00:36:17,560 --> 00:36:17,920
Speaker 8: Go do that.

649
00:36:20,040 --> 00:36:23,120
Speaker 9: In this moment from an interview with Kenneth Babyface Edmunds

650
00:36:23,160 --> 00:36:26,040
Speaker 9: on the Granny's Red Carpet has gone viral, with many

651
00:36:26,200 --> 00:36:29,520
Speaker 9: expressing their outrage at how the music legend was treated.

652
00:36:29,880 --> 00:36:32,400
Speaker 9: The music producer and singer Songwriters stopped to do an

653
00:36:32,440 --> 00:36:35,319
Speaker 9: interview with the Associated Press. A couple of minutes into

654
00:36:35,400 --> 00:36:39,000
Speaker 9: the interview, reporters spotted Chapel romee and shouted at her

655
00:36:39,160 --> 00:36:42,960
Speaker 9: to get her attention, despite Babyface being mid sentenced. The

656
00:36:43,040 --> 00:36:46,840
Speaker 9: interruption led to an awkward moment with Babyface deciding to

657
00:36:46,960 --> 00:36:47,640
Speaker 9: leave the interview.

658
00:36:47,840 --> 00:36:50,960
Speaker 11: Can you talk about just this new trend that we're

659
00:36:50,960 --> 00:36:52,480
Speaker 11: seeing inn R and B where we're seeing more of

660
00:36:52,560 --> 00:36:56,200
Speaker 11: a fusion. We're seeing people blend the genre with pop,

661
00:36:56,280 --> 00:36:59,120
Speaker 11: blend the genre with hip hop and rock as well.

662
00:36:59,440 --> 00:37:02,600
Speaker 3: Yes, I think though it's interesting.

663
00:37:03,680 --> 00:37:06,000
Speaker 7: Tamel TL you.

664
00:37:06,000 --> 00:37:06,600
Speaker 3: Guys want to do that?

665
00:37:07,920 --> 00:37:08,279
Speaker 9: Go do that?

666
00:37:11,840 --> 00:37:12,160
Speaker 13: Hello.

667
00:37:15,160 --> 00:37:17,960
Speaker 9: Many online are commenting on the viral moment, including some

668
00:37:18,080 --> 00:37:21,239
Speaker 9: famous names. Chloe Kardashian reposted the clip on X and

669
00:37:21,320 --> 00:37:24,680
Speaker 9: wrote in the caption, this is so disrespectful how Babyface

670
00:37:24,800 --> 00:37:27,800
Speaker 9: was treated in this interview. Babyface has had such a

671
00:37:27,880 --> 00:37:31,240
Speaker 9: significant impact on the music industry in so many ways.

672
00:37:31,600 --> 00:37:34,440
Speaker 9: It's maddening to see a legend not get the respect

673
00:37:34,600 --> 00:37:37,800
Speaker 9: and attention they deserve. He is a pioneer and deserves

674
00:37:38,000 --> 00:37:41,040
Speaker 9: so much better than this. With decades of groundbreaking work

675
00:37:41,120 --> 00:37:44,080
Speaker 9: as a songwriter, producer, and performer, he's shaped the sound

676
00:37:44,400 --> 00:37:47,640
Speaker 9: of multiple generations. I love you, Babyface, and I am

677
00:37:47,719 --> 00:37:50,440
Speaker 9: a forever fan and thankful for all that you have

678
00:37:50,560 --> 00:37:53,160
Speaker 9: blessed us with. By the way, what a class act

679
00:37:53,200 --> 00:37:56,520
Speaker 9: you are. Ps big or small, old or new, you

680
00:37:56,600 --> 00:37:59,280
Speaker 9: don't treat people like this, at least not in my eyes.

681
00:37:59,520 --> 00:38:01,839
Speaker 9: There's a way to handle this, and this was wrong

682
00:38:01,920 --> 00:38:06,279
Speaker 9: in my opinion. Dion Warwick expressed her disbelief over the moment,

683
00:38:06,320 --> 00:38:10,720
Speaker 9: writing on X thirteen time Grammy Award winning chemick Babyface, Edmunds,

684
00:38:11,080 --> 00:38:13,920
Speaker 9: am I seeing this correctly. Near the end of their broadcast,

685
00:38:14,040 --> 00:38:17,640
Speaker 9: the reporters did acknowledge the moment and apologize.

686
00:38:17,160 --> 00:38:17,400
Speaker 3: Thank you.

687
00:38:17,520 --> 00:38:19,840
Speaker 7: But first I wanted to say that I'm really sorry

688
00:38:19,880 --> 00:38:24,520
Speaker 7: about interrupting Babyface. Earlier chapel roone had come up and

689
00:38:24,600 --> 00:38:26,560
Speaker 7: there was a lot of commotion, as there is on

690
00:38:26,640 --> 00:38:29,319
Speaker 7: these carpets. But I'm a big Babyface fan and as

691
00:38:29,400 --> 00:38:31,239
Speaker 7: our be all, and so I just wanted to say

692
00:38:31,280 --> 00:38:34,640
Speaker 7: that that I really apologize, but thank you so much

693
00:38:34,680 --> 00:38:36,480
Speaker 7: for having me you guys, it's been great.

694
00:38:36,960 --> 00:38:39,680
Speaker 11: Thank you so much, Chris, it's been great having you

695
00:38:39,800 --> 00:38:41,800
Speaker 11: on here. And you know one thing, oh, as I

696
00:38:41,920 --> 00:38:47,040
Speaker 11: pulled the mic up. As on these carpets, wild things

697
00:38:47,080 --> 00:38:50,040
Speaker 11: sometimes happen that are out of our control. We've got,

698
00:38:50,360 --> 00:38:53,399
Speaker 11: you know, directors in our ears telling us to wrap

699
00:38:53,520 --> 00:38:57,040
Speaker 11: it up. Oftentimes we want to continue those conversations. I

700
00:38:57,160 --> 00:39:00,680
Speaker 11: really still want to hear baby Face answer about women

701
00:39:00,800 --> 00:39:02,160
Speaker 11: in R and B progressing you know.

702
00:39:04,040 --> 00:39:04,400
Speaker 10: About it.

703
00:39:04,600 --> 00:39:08,280
Speaker 11: He had beautiful responses to it, looking forward to interviewing

704
00:39:08,400 --> 00:39:11,120
Speaker 11: him in the future. He is also again one of

705
00:39:11,200 --> 00:39:13,719
Speaker 11: my favorites, created a lot of great music for some

706
00:39:13,840 --> 00:39:16,880
Speaker 11: of my favorite artists as well, a true true legend.

707
00:39:17,120 --> 00:39:20,800
Speaker 11: I'm it's unfortunate that I was involved a part of that.

708
00:39:20,880 --> 00:39:22,920
Speaker 4: I should have done more to stop it, but it is.

709
00:39:23,880 --> 00:39:25,640
Speaker 11: I'm very happy that he stopped to talk to us

710
00:39:25,640 --> 00:39:26,200
Speaker 11: in the first.

711
00:39:26,040 --> 00:39:28,920
Speaker 10: Place, but also, you know, and it was unfortunate, but

712
00:39:29,040 --> 00:39:32,640
Speaker 10: also these things happen a lot of times we're not

713
00:39:32,800 --> 00:39:34,960
Speaker 10: having live shows, so you know, I don't want to

714
00:39:35,000 --> 00:39:37,680
Speaker 10: say it's in freeki, but it does happen sometimes. And

715
00:39:37,800 --> 00:39:41,279
Speaker 10: there's so much craziness on the carpet that sometimes, you know,

716
00:39:41,400 --> 00:39:45,600
Speaker 10: things happen. But we love Babyface, we love Christa, love

717
00:39:45,680 --> 00:39:48,359
Speaker 10: our little trio that we've had today, and we've loved

718
00:39:48,400 --> 00:39:49,080
Speaker 10: talking to you guys.

719
00:39:49,160 --> 00:39:52,439
Speaker 9: The Associated Press also addressed the criticism, writing on next,

720
00:39:52,680 --> 00:39:55,200
Speaker 9: we are deeply sorry for cutting our interview with Babycas

721
00:39:55,280 --> 00:39:58,240
Speaker 9: short on our YouTube live stream of the GRANDMYWS Red Carpet.

722
00:39:58,520 --> 00:40:01,360
Speaker 9: We have apologized to him, to representative and to her

723
00:40:01,440 --> 00:40:04,680
Speaker 9: viewers on the live stream. Babyface gave a statement to

724
00:40:04,760 --> 00:40:07,440
Speaker 9: People magazine about the incident, saying, the best part of

725
00:40:07,480 --> 00:40:10,080
Speaker 9: the night was reconnecting with old friends, meeting new artists,

726
00:40:10,120 --> 00:40:10,960
Speaker 9: and feeling all the.

727
00:40:11,000 --> 00:40:11,680
Speaker 3: Love in the room.

728
00:40:12,120 --> 00:40:13,040
Speaker 9: That's what I'll remember.

729
00:40:13,200 --> 00:40:14,560
Speaker 3: That's what it's really about.

730
00:40:14,920 --> 00:40:18,320
Speaker 9: Music is bigger than anyone moment. Much love to everyone

731
00:40:18,400 --> 00:40:21,400
Speaker 9: who won and everyone out here making great music.

732
00:40:22,000 --> 00:40:24,520
Speaker 1: I'm not gonna lie to you Pee. That was disheartened.

733
00:40:26,160 --> 00:40:29,120
Speaker 1: I'm not gonna lie to you Pee. You know I

734
00:40:29,200 --> 00:40:33,839
Speaker 1: knew the live element is always a thing. And Number one,

735
00:40:33,920 --> 00:40:36,440
Speaker 1: this young lady her job. She'll never be back on

736
00:40:36,520 --> 00:40:39,160
Speaker 1: the red car. But again, at least not for Associated Press.

737
00:40:39,239 --> 00:40:43,160
Speaker 1: They she's fired, you know what I mean, She's definitely

738
00:40:43,320 --> 00:40:47,279
Speaker 1: fired for that. The backglass they got. Even the young

739
00:40:47,400 --> 00:40:50,800
Speaker 1: lady beside her recognized that. Yeo, man, and I'm a

740
00:40:50,880 --> 00:40:52,960
Speaker 1: big fan of Babyface. I should have did more to

741
00:40:53,080 --> 00:40:55,839
Speaker 1: stop it. It was just an abrupt reaction. The girl

742
00:40:56,000 --> 00:40:58,640
Speaker 1: just fanned out, and she probably didn't mean no harm,

743
00:40:59,560 --> 00:41:03,319
Speaker 1: but it was. Intent does not override result. The road

744
00:41:03,400 --> 00:41:06,120
Speaker 1: to hell is paid with good intentions, you know what

745
00:41:06,200 --> 00:41:09,319
Speaker 1: I'm saying, And so the apology was warranted. I don't

746
00:41:09,360 --> 00:41:13,239
Speaker 1: feel like Babyface was respected in a way he should

747
00:41:13,280 --> 00:41:15,520
Speaker 1: have been respected. I grew up off Babyface, you know

748
00:41:15,560 --> 00:41:18,040
Speaker 1: what I'm saying. I remember when I were real, real

749
00:41:18,120 --> 00:41:20,759
Speaker 1: little Babyface with one of them ones, you know what

750
00:41:20,800 --> 00:41:21,080
Speaker 1: I mean.

751
00:41:21,160 --> 00:41:22,760
Speaker 3: And I heard Joe Budden say.

752
00:41:24,280 --> 00:41:29,080
Speaker 1: That Babyface shouldn't even be stopping for this Associated Press

753
00:41:29,239 --> 00:41:31,600
Speaker 1: or speaking to the media, And this is where I

754
00:41:31,719 --> 00:41:35,319
Speaker 1: have to push back on that, because while the Associated

755
00:41:35,400 --> 00:41:38,279
Speaker 1: Press was wrong for how they handle Babyface, there's a

756
00:41:38,360 --> 00:41:40,680
Speaker 1: flip side to that. If we start dealing with these

757
00:41:40,880 --> 00:41:47,279
Speaker 1: artists with this braggadocious, pretentious, arrogant, brombastic pieces of shit attitude,

758
00:41:47,800 --> 00:41:50,800
Speaker 1: then we're gonna stop being able to even do business

759
00:41:50,880 --> 00:41:52,520
Speaker 1: in a way that helps one another.

760
00:41:53,160 --> 00:41:53,319
Speaker 3: Right.

761
00:41:53,640 --> 00:41:55,960
Speaker 1: I think it's disgusting for an artist to act like

762
00:41:56,080 --> 00:41:58,400
Speaker 1: he's too big to come and speak to the people

763
00:41:58,480 --> 00:42:01,719
Speaker 1: that cover the music. I just think that's disgusting, and

764
00:42:01,840 --> 00:42:06,160
Speaker 1: so I wouldn't parade the opportunity for artists not to

765
00:42:06,280 --> 00:42:09,040
Speaker 1: talk to the media while being media. These are things

766
00:42:09,120 --> 00:42:11,680
Speaker 1: I never understand. I heard Yati the other day say

767
00:42:11,760 --> 00:42:14,920
Speaker 1: streamers are bigger than rappers. There's only two streamers bigger

768
00:42:14,960 --> 00:42:18,600
Speaker 1: than rappers, and that's only a few streamers. I wouldn't

769
00:42:18,600 --> 00:42:21,160
Speaker 1: even be as a rapper saying that about streamers. I

770
00:42:21,280 --> 00:42:23,920
Speaker 1: get it, Kyim is your boy, big them upsolute to

771
00:42:24,000 --> 00:42:26,600
Speaker 1: ky But I'm saying that's something about being the part

772
00:42:26,719 --> 00:42:29,520
Speaker 1: of the people, of being a part of the community

773
00:42:29,640 --> 00:42:33,080
Speaker 1: that you're downplaying. Right, So if I'm media, I can't

774
00:42:33,160 --> 00:42:36,200
Speaker 1: hear people say that Babyface shouldn't even be speaking to media.

775
00:42:36,239 --> 00:42:38,800
Speaker 1: I push back on that you should be speaking to media.

776
00:42:38,920 --> 00:42:41,680
Speaker 1: Media has to do a better job at respecting the

777
00:42:41,800 --> 00:42:45,840
Speaker 1: boundaries that the traditional media has always put in place,

778
00:42:46,120 --> 00:42:48,880
Speaker 1: which is you don't abruptly in an interview like that,

779
00:42:49,080 --> 00:42:52,680
Speaker 1: no matter what right, you be professional. And I think

780
00:42:52,800 --> 00:42:57,239
Speaker 1: that the live element always affected affects that because they

781
00:42:57,280 --> 00:42:58,960
Speaker 1: could have cut that, you would have never saw that.

782
00:42:59,160 --> 00:43:01,800
Speaker 1: And Babyface that just been moving around with a story

783
00:43:01,840 --> 00:43:03,960
Speaker 1: in his head about man, I was with that shit man,

784
00:43:04,000 --> 00:43:06,880
Speaker 1: and that's what they've done to me, and it's so embarrassing.

785
00:43:06,960 --> 00:43:09,479
Speaker 1: You maybe never talk about it in public. You maybe

786
00:43:09,560 --> 00:43:11,480
Speaker 1: tell the people you love and a couple of people,

787
00:43:11,560 --> 00:43:13,600
Speaker 1: but you maye never come out in public and say, man,

788
00:43:13,680 --> 00:43:15,800
Speaker 1: one time I was on the red carpet and some

789
00:43:16,080 --> 00:43:19,480
Speaker 1: unknown girl was interviewing me and she just mid conversation,

790
00:43:19,680 --> 00:43:24,120
Speaker 1: hollered at another artist in the middle of me answering, right,

791
00:43:24,239 --> 00:43:26,319
Speaker 1: but he cant be cleared. He kept be big doll.

792
00:43:26,400 --> 00:43:28,440
Speaker 1: He just bowed out, Oh man, go ahead and do that.

793
00:43:28,600 --> 00:43:33,840
Speaker 1: That's cool again. If I'm the Grammys and we're covering

794
00:43:33,920 --> 00:43:36,520
Speaker 1: the Grammys, and we're covering the artists, and we're covering

795
00:43:36,600 --> 00:43:39,240
Speaker 1: the music, I think you have a responsibility to speak

796
00:43:39,280 --> 00:43:42,360
Speaker 1: to us, especially someone like me. If I'm covering the

797
00:43:42,440 --> 00:43:44,839
Speaker 1: culture every single day, it's a spit in my face.

798
00:43:44,960 --> 00:43:45,800
Speaker 3: Not to sit with me.

799
00:43:46,560 --> 00:43:48,320
Speaker 1: It's a spit in my face to go sit with

800
00:43:48,440 --> 00:43:50,360
Speaker 1: Apple and not sit with me when I cover this

801
00:43:50,400 --> 00:43:53,040
Speaker 1: shit every single day. They helping the business, I get it,

802
00:43:53,320 --> 00:43:56,160
Speaker 1: But respect the people that's boots on the ground. It's

803
00:43:56,320 --> 00:43:59,160
Speaker 1: every single day covering this shit. I think there's something

804
00:43:59,200 --> 00:44:03,239
Speaker 1: to be said, right we holding the customers up around here?

805
00:44:04,120 --> 00:44:06,400
Speaker 1: You see Trump, Go sit with the people that's covering

806
00:44:06,480 --> 00:44:08,560
Speaker 1: him every day, the people that he know this is

807
00:44:08,600 --> 00:44:11,560
Speaker 1: gonna have a lasting effect on this person and their platform.

808
00:44:12,640 --> 00:44:14,640
Speaker 1: But I want to salute the babyface. I think that

809
00:44:14,800 --> 00:44:17,440
Speaker 1: the Associated Press is one hundred percent wrong for that.

810
00:44:18,440 --> 00:44:21,560
Speaker 1: I'm glad they apologize. We gotta lift babyface up. He's

811
00:44:21,640 --> 00:44:24,560
Speaker 1: one of the ones that changed the frequency of R

812
00:44:24,600 --> 00:44:28,920
Speaker 1: and B music and serenaded a lot of women. That

813
00:44:29,080 --> 00:44:32,400
Speaker 1: boy did his thug tilller you hear me, Salute the babyface.

814
00:44:32,480 --> 00:44:33,040
Speaker 3: Let's move on.

815
00:44:33,560 --> 00:44:35,640
Speaker 1: Yay, sat down with Justin little Boy. Shout out to

816
00:44:35,800 --> 00:44:38,960
Speaker 1: Justice little Boy for their little thing that that dude

817
00:44:39,040 --> 00:44:41,120
Speaker 1: called the download. It's like a show that they do.

818
00:44:42,120 --> 00:44:42,520
Speaker 3: Number One.

819
00:44:42,600 --> 00:44:44,680
Speaker 1: Salute to Yate for sitting down with the people he

820
00:44:44,760 --> 00:44:46,919
Speaker 1: want to sit down with. That's what I be talking about.

821
00:44:47,000 --> 00:44:49,960
Speaker 1: Go sit down with the people that make the conversation

822
00:44:50,239 --> 00:44:53,920
Speaker 1: move forward like he done. Sat with this dude four

823
00:44:54,000 --> 00:44:57,200
Speaker 1: or five times in the last year because he understands

824
00:44:57,280 --> 00:44:59,440
Speaker 1: that I feel comfortable, I can get my shit off.

825
00:45:00,120 --> 00:45:02,480
Speaker 1: This one of the ones that understand the language. He

826
00:45:02,840 --> 00:45:06,920
Speaker 1: understands how to decode this shit or he a buffer

827
00:45:07,040 --> 00:45:07,279
Speaker 1: for me.

828
00:45:08,320 --> 00:45:08,480
Speaker 3: Right.

829
00:45:08,600 --> 00:45:11,760
Speaker 1: Sometimes people like to hire you and have you around

830
00:45:11,880 --> 00:45:15,360
Speaker 1: because your ass kisser and I'm allowed to.

831
00:45:15,960 --> 00:45:18,720
Speaker 3: I'm allowed to always got a nigg puckering up around

832
00:45:18,800 --> 00:45:21,319
Speaker 3: and it makes me feel good. I can feed off fat.

833
00:45:21,800 --> 00:45:23,239
Speaker 3: Whatever the reason is.

834
00:45:23,280 --> 00:45:26,400
Speaker 1: An sat down with dude four or five times in

835
00:45:26,480 --> 00:45:29,239
Speaker 1: the last year or so, I feel as though he respected,

836
00:45:29,680 --> 00:45:32,680
Speaker 1: he respect the vibration that the frequency that dude is

837
00:45:32,800 --> 00:45:37,399
Speaker 1: putting out that since all, he gotta be a couple

838
00:45:37,440 --> 00:45:40,080
Speaker 1: of things I noticed. Of course they shot on some cameras,

839
00:45:40,120 --> 00:45:43,040
Speaker 1: but they also shot this shit on cell phones. If

840
00:45:43,080 --> 00:45:45,560
Speaker 1: you watching this video that I'm about to show, there's

841
00:45:45,560 --> 00:45:49,480
Speaker 1: a lot of cell phones surrounding this thing. Also, let

842
00:45:49,560 --> 00:45:52,360
Speaker 1: me speak about Yay going to the Grammys and his

843
00:45:52,520 --> 00:45:57,760
Speaker 1: girlfriend being naked. Number one, his wife didn't show up naked.

844
00:45:57,880 --> 00:46:00,880
Speaker 1: She showed up in the Yeasy Nudes or whatever it

845
00:46:01,000 --> 00:46:03,719
Speaker 1: is called, a new piece of product that is a

846
00:46:03,800 --> 00:46:06,560
Speaker 1: part of his marketing campaign. That's number one. A lot

847
00:46:06,640 --> 00:46:09,760
Speaker 1: of people are recognizing that she's used as a prop.

848
00:46:10,360 --> 00:46:12,960
Speaker 1: But I need you guys to understand the reports that

849
00:46:13,160 --> 00:46:16,120
Speaker 1: Ye got kicked out of the Grammys. Don Lemmy running

850
00:46:16,200 --> 00:46:18,400
Speaker 1: up the Ya after he's spoken bad and said so

851
00:46:18,520 --> 00:46:20,920
Speaker 1: many things about him and Ye pushing him off and

852
00:46:21,040 --> 00:46:23,719
Speaker 1: not messing with him, and all of these different things

853
00:46:23,800 --> 00:46:27,080
Speaker 1: that's happening. Yay is a businessman. This was a big

854
00:46:27,120 --> 00:46:32,040
Speaker 1: commercial for him. And also I think that his wife,

855
00:46:32,160 --> 00:46:35,480
Speaker 1: his new wife, is a shot at Kim. I think

856
00:46:35,520 --> 00:46:37,560
Speaker 1: that he still thinks about that. I think that he

857
00:46:37,719 --> 00:46:40,000
Speaker 1: wants Kim to know that that thing got done for you.

858
00:46:40,160 --> 00:46:42,640
Speaker 1: I can do for anybody that Skim's thing or whatever

859
00:46:42,719 --> 00:46:46,120
Speaker 1: that is. I can do that for anybody. Because I

860
00:46:46,280 --> 00:46:50,239
Speaker 1: think that Kanye West feels like Kim Kardashian feels like

861
00:46:50,920 --> 00:46:54,239
Speaker 1: that most of her famed fortune and notoriety comes from

862
00:46:54,280 --> 00:46:57,399
Speaker 1: being a Kardashian, not from being a West. And Yay

863
00:46:57,560 --> 00:47:00,879
Speaker 1: is so much of an ego nick that he thinking, man,

864
00:47:00,960 --> 00:47:03,560
Speaker 1: that shit come from being with me, not around over

865
00:47:03,640 --> 00:47:05,440
Speaker 1: there with them. Don't nobody else got it like you

866
00:47:05,600 --> 00:47:07,279
Speaker 1: got it. You only got it like it because I

867
00:47:07,360 --> 00:47:10,120
Speaker 1: gave it to you like that. You ain't get it

868
00:47:10,239 --> 00:47:12,360
Speaker 1: like that because they gave I got it like that

869
00:47:12,520 --> 00:47:14,360
Speaker 1: and gave it to you like that. So now you

870
00:47:14,520 --> 00:47:16,840
Speaker 1: got it like that. But don't get it mistaken. I

871
00:47:17,000 --> 00:47:20,520
Speaker 1: take Kanye West to be an ego maniac, to be saying,

872
00:47:20,600 --> 00:47:25,320
Speaker 1: what everything that Kim got going on design wise and

873
00:47:25,440 --> 00:47:28,360
Speaker 1: all of her look and a style that was me.

874
00:47:28,520 --> 00:47:30,719
Speaker 1: And I'm gonna show Kim that by making that her

875
00:47:31,920 --> 00:47:35,280
Speaker 1: she is the new Kim. I'm gonna have Papa Rossi

876
00:47:35,719 --> 00:47:38,239
Speaker 1: out on her. And I just showed y'all I can

877
00:47:38,320 --> 00:47:41,279
Speaker 1: make her the most googled person on the Earth while

878
00:47:41,480 --> 00:47:46,680
Speaker 1: wearing yeasy, she's a commercial, She's a billboard for us.

879
00:47:47,960 --> 00:47:50,400
Speaker 1: The reason I'm saying that is not because I'm a missing,

880
00:47:50,680 --> 00:47:53,840
Speaker 1: because I'm anything but messing the streets of verify that

881
00:47:54,560 --> 00:47:57,520
Speaker 1: the streets have verified me anything but messing. What I'm

882
00:47:57,600 --> 00:47:59,960
Speaker 1: saying is I heard Kanye West saying when he said

883
00:48:00,239 --> 00:48:04,319
Speaker 1: some of the most idiotic bullshit about Kamala Harris. When

884
00:48:04,360 --> 00:48:07,759
Speaker 1: he said that whatever he tweeted about Kamala Harris, he said,

885
00:48:07,840 --> 00:48:09,600
Speaker 1: I don't mess with losers anymore.

886
00:48:09,680 --> 00:48:11,880
Speaker 3: And those are shots aid Kim right.

887
00:48:12,000 --> 00:48:14,359
Speaker 1: These are like, yo, man, come on now, I turn

888
00:48:14,440 --> 00:48:16,600
Speaker 1: a loser to a win and winter Chicken dinner.

889
00:48:16,680 --> 00:48:19,640
Speaker 3: You hit me. Yeah. I take from the bus to

890
00:48:19,760 --> 00:48:20,800
Speaker 3: sun Trust, you hit me.

891
00:48:21,560 --> 00:48:21,799
Speaker 2: Yeah.

892
00:48:22,000 --> 00:48:22,160
Speaker 9: Nah.

893
00:48:22,239 --> 00:48:23,440
Speaker 3: That's how I'm giving it up.

894
00:48:23,840 --> 00:48:27,640
Speaker 1: But when I heard YA even say that about Kamala,

895
00:48:27,960 --> 00:48:30,319
Speaker 1: I like, I tell Charlemagne this all the time.

896
00:48:30,480 --> 00:48:30,680
Speaker 3: Dog.

897
00:48:31,080 --> 00:48:33,320
Speaker 1: It's like, Yo, no matter how far I get in

898
00:48:33,400 --> 00:48:35,719
Speaker 1: this game, man, I got some I got a mama

899
00:48:35,840 --> 00:48:39,920
Speaker 1: that I love right, And I believe Kanye respectfully losing

900
00:48:40,000 --> 00:48:43,200
Speaker 1: his mother, he lose that voice of reason because if

901
00:48:43,239 --> 00:48:45,879
Speaker 1: I say something about Kamala Harris, my mama gonna call

902
00:48:46,040 --> 00:48:48,360
Speaker 1: me man, and I love my mama. I want my

903
00:48:48,440 --> 00:48:51,000
Speaker 1: mama feeling like I'm on here attacking women and I'm

904
00:48:51,040 --> 00:48:55,239
Speaker 1: crashing out about no mother woman when he comes to online. Listen,

905
00:48:55,280 --> 00:48:57,440
Speaker 1: when y'all get sent some about me, let it be

906
00:48:57,600 --> 00:48:59,839
Speaker 1: me putting some game down and picking some money up.

907
00:49:00,400 --> 00:49:03,800
Speaker 1: Don't have me somewhere running around chasing women around, arguing

908
00:49:03,840 --> 00:49:04,560
Speaker 1: them up and down.

909
00:49:05,000 --> 00:49:05,759
Speaker 3: Lord help me.

910
00:49:06,239 --> 00:49:08,879
Speaker 1: You hear me, My mama gonna call me like when

911
00:49:08,920 --> 00:49:11,279
Speaker 1: I see when I be seeing certain nigga freshing out

912
00:49:11,320 --> 00:49:13,560
Speaker 1: on women and being there, I'll be saying, ooh, bro,

913
00:49:13,760 --> 00:49:16,320
Speaker 1: I got women in my life, Black women that love me.

914
00:49:16,440 --> 00:49:20,279
Speaker 1: See the women that Kanye sleep with ain't black women,

915
00:49:20,360 --> 00:49:22,880
Speaker 1: so they may not care about the black woman experience.

916
00:49:23,440 --> 00:49:25,480
Speaker 1: If I go out hearing dog or black women, my

917
00:49:25,600 --> 00:49:27,800
Speaker 1: black mama gonna call me or the black woman I

918
00:49:27,920 --> 00:49:31,880
Speaker 1: Sleepy's gonna be like, yeah, but people dog in the bab.

919
00:49:33,200 --> 00:49:33,759
Speaker 3: You know what I mean?

920
00:49:33,840 --> 00:49:36,280
Speaker 1: They saying this, you know, and it's gonna be affecting

921
00:49:36,400 --> 00:49:38,840
Speaker 1: me because these are people I love and care about

922
00:49:38,960 --> 00:49:41,160
Speaker 1: and all repeater Kanye wes mom right.

923
00:49:41,440 --> 00:49:43,240
Speaker 3: I don't say that to be disrespectful.

924
00:49:43,280 --> 00:49:46,439
Speaker 1: I'm saying that Mama is always the foundation of voice

925
00:49:46,480 --> 00:49:50,520
Speaker 1: of reason, the pipeline, the perspective. Mama is always the

926
00:49:51,480 --> 00:49:55,440
Speaker 1: backbone of a nigga coming. Since when the niggaoceans is

927
00:49:55,520 --> 00:49:58,839
Speaker 1: wrecked and I'm being raised, baby, Mama always know best.

928
00:49:59,080 --> 00:50:01,480
Speaker 1: And so when I hear saying all listening there on

929
00:50:01,640 --> 00:50:04,440
Speaker 1: LNE about women, I'll be saying, oh, bro, how they

930
00:50:04,520 --> 00:50:05,400
Speaker 1: getting away with it?

931
00:50:06,600 --> 00:50:08,239
Speaker 3: How they getting away with it?

932
00:50:08,280 --> 00:50:11,520
Speaker 1: Ain't nobody black, Ain't no old school woman calling them,

933
00:50:12,160 --> 00:50:14,359
Speaker 1: Ain't no aunties or nothing calling them.

934
00:50:15,960 --> 00:50:18,240
Speaker 3: Then when I'm thinking I love.

935
00:50:18,200 --> 00:50:20,960
Speaker 1: And adore these black women, that's gonna call me and

936
00:50:21,080 --> 00:50:22,840
Speaker 1: put me in line. Yeah, you shouldn't have said it,

937
00:50:22,920 --> 00:50:24,840
Speaker 1: but she a woman, and she an older woman, and

938
00:50:24,960 --> 00:50:27,480
Speaker 1: she right. Come on, man, don't do me like that.

939
00:50:27,600 --> 00:50:30,799
Speaker 1: And I can't do him like that. But Kanye Wish

940
00:50:30,880 --> 00:50:33,920
Speaker 1: is running the experiment. You show up to the Grammage

941
00:50:33,960 --> 00:50:36,759
Speaker 1: with his wife in the yeasy nude suit and she

942
00:50:36,960 --> 00:50:38,640
Speaker 1: the most googled person on earth.

943
00:50:38,880 --> 00:50:40,200
Speaker 3: You didn't know it yesterday.

944
00:50:42,080 --> 00:50:44,760
Speaker 1: Listen, man, this is a chef kiss to Kim kardash

945
00:50:44,880 --> 00:50:48,080
Speaker 1: And I can make their meal for anybody you hit me. Yeah,

946
00:50:48,160 --> 00:50:51,000
Speaker 1: win and winter chicken dinner you hit me. Yeah, it's

947
00:50:51,040 --> 00:50:53,640
Speaker 1: a new one on the block. Papa ROSSI following around

948
00:50:53,760 --> 00:50:56,080
Speaker 1: like the rock You hear me? Yeah yeah, no, no, no,

949
00:50:56,280 --> 00:50:57,520
Speaker 1: tune up, don't tune out.

950
00:50:57,600 --> 00:50:57,960
Speaker 11: You hit me.

951
00:50:58,760 --> 00:51:02,600
Speaker 1: But Kanye West on this interview talked about a bunch

952
00:51:02,640 --> 00:51:05,920
Speaker 1: of different things. I want us to pay attention to.

953
00:51:06,000 --> 00:51:08,240
Speaker 1: The first clip. I want to look at watch.

954
00:51:08,080 --> 00:51:09,640
Speaker 3: This, Yeah, tell me so.

955
00:51:10,160 --> 00:51:12,320
Speaker 12: But the hard thing I say, like shout out to

956
00:51:12,400 --> 00:51:15,080
Speaker 12: don see he's been in situations where it was so

957
00:51:15,440 --> 00:51:18,480
Speaker 12: hard on him because he loves me, and like it's

958
00:51:18,520 --> 00:51:22,960
Speaker 12: so difficult for them because this is like a grown man.

959
00:51:23,360 --> 00:51:25,279
Speaker 12: You can't tell him. You can't you can't take a

960
00:51:25,320 --> 00:51:28,880
Speaker 12: control of his his bank account. You can't control what

961
00:51:29,040 --> 00:51:31,320
Speaker 12: I'm saying on Twitter. But a lot of what was

962
00:51:31,360 --> 00:51:34,239
Speaker 12: sending me into the episodes, and it's hard my dad.

963
00:51:34,320 --> 00:51:37,680
Speaker 12: A bunch of people said, you know, you can't leave Adidas.

964
00:51:37,719 --> 00:51:40,760
Speaker 12: Why would you leave all that money? The constant feeling

965
00:51:41,000 --> 00:51:45,560
Speaker 12: of not being in control spun me out of control.

966
00:51:47,320 --> 00:51:48,959
Speaker 3: You up against the fashion.

967
00:51:48,640 --> 00:51:50,560
Speaker 13: World, steal people trying to come up and say, oh,

968
00:51:50,680 --> 00:51:54,759
Speaker 13: you don't control none of you. Let me tell you

969
00:51:54,800 --> 00:51:57,640
Speaker 13: all of you fashion honey, y'all. I'll see none of

970
00:51:57,719 --> 00:52:03,360
Speaker 13: y'all shit on the street. I'll see y'all not not

971
00:52:03,520 --> 00:52:13,640
Speaker 13: even niggas could after the dead. It's easy over everything, as.

972
00:52:13,520 --> 00:52:16,240
Speaker 3: Far as all these raptors go Dilon dial.

973
00:52:18,400 --> 00:52:23,400
Speaker 12: That's top five, top one hundred, top one thousand, top million.

974
00:52:23,520 --> 00:52:25,759
Speaker 3: Nobody did I told you thirty six go I got

975
00:52:25,800 --> 00:52:29,200
Speaker 3: another thirty six goats to go. Nobody y'all could play around.

976
00:52:29,280 --> 00:52:32,759
Speaker 3: Don't step over the line though. Everybody. Anybody is up

977
00:52:32,840 --> 00:52:34,040
Speaker 3: for everybody, and.

978
00:52:34,120 --> 00:52:36,759
Speaker 12: That's I'm I'm I got big officive for I got

979
00:52:36,800 --> 00:52:37,480
Speaker 12: people to save.

980
00:52:38,040 --> 00:52:39,560
Speaker 3: I ain't even on a rap so I already beat

981
00:52:39,600 --> 00:52:40,160
Speaker 3: the rapt shit.

982
00:52:40,640 --> 00:52:43,839
Speaker 12: I ain't beat the money ship, already beat the batters ship,

983
00:52:43,920 --> 00:52:44,879
Speaker 12: already beat the drip.

984
00:52:47,239 --> 00:52:50,080
Speaker 3: So I'm naven competition. I'm naming a competition with Lucian.

985
00:52:50,600 --> 00:52:51,600
Speaker 3: We competition with the.

986
00:52:51,600 --> 00:52:54,239
Speaker 12: French bank that on eighty five percent of Africa. How

987
00:52:54,239 --> 00:52:57,040
Speaker 12: about that, while we fighting amongst each other, we in

988
00:52:57,120 --> 00:52:59,040
Speaker 12: competition with Spotify.

989
00:52:59,160 --> 00:53:01,960
Speaker 3: Get nigg five man, sat work it out amongst yourselves.

990
00:53:02,880 --> 00:53:05,239
Speaker 3: Y'all ain't got shit on me. Y'all ran my name

991
00:53:05,320 --> 00:53:05,799
Speaker 3: through the mud.

992
00:53:06,600 --> 00:53:09,200
Speaker 12: Y'all took all that position you get in the other position.

993
00:53:09,360 --> 00:53:12,400
Speaker 12: Coach ain't nobody king over me any summer. Every summer,

994
00:53:12,440 --> 00:53:14,600
Speaker 12: that's no king. I'm the king because I'm the only

995
00:53:14,680 --> 00:53:17,279
Speaker 12: one against shall I'm the only one that's gonna go

996
00:53:17,400 --> 00:53:17,800
Speaker 12: against you.

997
00:53:19,239 --> 00:53:21,000
Speaker 3: That's why, that's why.

998
00:53:23,239 --> 00:53:23,600
Speaker 12: Easier.

999
00:53:24,160 --> 00:53:26,239
Speaker 3: Let me say whatever you want to say about Yay.

1000
00:53:27,400 --> 00:53:29,880
Speaker 1: One of the things that I sit back and I

1001
00:53:30,040 --> 00:53:32,839
Speaker 1: watch and I say, you know, I can tell why

1002
00:53:32,920 --> 00:53:36,160
Speaker 1: you operated at a high level. Number One, the environment.

1003
00:53:36,960 --> 00:53:43,400
Speaker 1: I've always kind of envied the way that Yay is

1004
00:53:43,560 --> 00:53:48,680
Speaker 1: able to create these environments because I know you can

1005
00:53:48,800 --> 00:53:52,120
Speaker 1: thrive in them environments. A picture of me with seven

1006
00:53:52,239 --> 00:53:56,200
Speaker 1: people profound in their own right, respected in their own

1007
00:53:56,360 --> 00:53:59,200
Speaker 1: right that I know is respected and I respect, but

1008
00:53:59,440 --> 00:54:02,680
Speaker 1: they allow me to get my shit off and beat

1009
00:54:02,800 --> 00:54:05,600
Speaker 1: my chest every goddamn day. I wake up and I'm

1010
00:54:05,640 --> 00:54:08,920
Speaker 1: the greatest, and these ideas is right. That environment is

1011
00:54:09,000 --> 00:54:13,160
Speaker 1: gonna it's gonna it's gonna birth ideas, it's gonna birth technique,

1012
00:54:13,200 --> 00:54:17,640
Speaker 1: it's gonna birth innovation. And so I try to if

1013
00:54:17,680 --> 00:54:20,759
Speaker 1: I was ever around ya, that's what I'm always I

1014
00:54:20,840 --> 00:54:24,799
Speaker 1: would want to learn that from ya. Get around ya,

1015
00:54:25,040 --> 00:54:28,040
Speaker 1: just to yo, man, how did we create these environments?

1016
00:54:28,120 --> 00:54:28,279
Speaker 3: Man?

1017
00:54:31,120 --> 00:54:33,440
Speaker 1: Imagine me with four or five niggas around me that

1018
00:54:33,560 --> 00:54:37,359
Speaker 1: I really respect. They mind and this shit that done done.

1019
00:54:37,400 --> 00:54:40,000
Speaker 1: They own thing, and we all together and I'm able

1020
00:54:40,080 --> 00:54:42,720
Speaker 1: to just every day crank out ideas and we build

1021
00:54:42,800 --> 00:54:44,920
Speaker 1: on them, and we bring him in the scene and

1022
00:54:45,040 --> 00:54:47,120
Speaker 1: bring them in for the drums and bring them in.

1023
00:54:47,480 --> 00:54:49,920
Speaker 1: And it don't take from me, No, none of this

1024
00:54:50,080 --> 00:54:52,319
Speaker 1: take from me. It just build me up more and more.

1025
00:54:52,560 --> 00:54:55,920
Speaker 1: And that's the environment you gotta create. And I've always

1026
00:54:56,120 --> 00:54:58,600
Speaker 1: envied that about ya. When I say I envied that

1027
00:54:58,719 --> 00:55:02,440
Speaker 1: about Yay, all that means is I celebrated high. Then

1028
00:55:02,520 --> 00:55:07,960
Speaker 1: I can understand it, like I celebrated in a way

1029
00:55:08,040 --> 00:55:10,399
Speaker 1: that I can't understand how he put it even get

1030
00:55:10,560 --> 00:55:13,080
Speaker 1: to put it together, which you can only learn that

1031
00:55:13,200 --> 00:55:17,080
Speaker 1: from a jiu jitsu mind smith. You know, it gotta

1032
00:55:17,120 --> 00:55:20,160
Speaker 1: be a jiu jitsu mind smith that you had to

1033
00:55:20,280 --> 00:55:22,799
Speaker 1: learn that from. Nigga can't just pick that up game

1034
00:55:22,960 --> 00:55:25,960
Speaker 1: up like he pick everything else up. There's technique to

1035
00:55:26,080 --> 00:55:29,040
Speaker 1: choose in these people. There's technique to the influence and

1036
00:55:29,440 --> 00:55:31,840
Speaker 1: it's a lot going on that people would even let

1037
00:55:31,960 --> 00:55:34,160
Speaker 1: him get his shit off like that. But I'm telling

1038
00:55:34,200 --> 00:55:37,719
Speaker 1: you the environments. I love the environments he creates, and

1039
00:55:37,800 --> 00:55:40,920
Speaker 1: so it and so it gives you the runway and

1040
00:55:41,040 --> 00:55:43,520
Speaker 1: holds the space for you to operate at a high level.

1041
00:55:43,880 --> 00:55:45,800
Speaker 1: And if I ever get around him, I want to

1042
00:55:45,840 --> 00:55:47,520
Speaker 1: get around him. And that's what I want to see.

1043
00:55:47,560 --> 00:55:53,840
Speaker 1: How to build the music all their secondary the environment

1044
00:55:54,000 --> 00:55:57,840
Speaker 1: in forces and drives the creative. I'm smart enough to

1045
00:55:57,920 --> 00:56:00,680
Speaker 1: know that. And so when I see him embrace all

1046
00:56:00,760 --> 00:56:03,719
Speaker 1: these different kind of people, I say, why ain't no

1047
00:56:03,840 --> 00:56:06,680
Speaker 1: young men doing that? All the brighter minds, all the needs,

1048
00:56:07,080 --> 00:56:09,680
Speaker 1: all the players that's putting game down. Even get all

1049
00:56:09,719 --> 00:56:12,120
Speaker 1: the players together, it's a bunch of money being made.

1050
00:56:12,719 --> 00:56:16,480
Speaker 1: Main it's gonna be a main. Ar me that what

1051
00:56:16,640 --> 00:56:18,919
Speaker 1: I gotta do because it seemed like I'm the only one.

1052
00:56:18,840 --> 00:56:19,160
Speaker 3: Can do it.

1053
00:56:19,280 --> 00:56:22,279
Speaker 6: Let's look at some more episode. A lot of people

1054
00:56:22,440 --> 00:56:24,880
Speaker 6: like medication. Do you take medication?

1055
00:56:25,080 --> 00:56:25,840
Speaker 3: Does it work for you?

1056
00:56:26,040 --> 00:56:28,920
Speaker 12: What gets you out of I haven't taken the medication

1057
00:56:29,080 --> 00:56:33,479
Speaker 12: since I found out that it wasn't bipolar, that wasn't

1058
00:56:33,520 --> 00:56:36,320
Speaker 12: the right diagnosis. That found out it was like autism.

1059
00:56:36,400 --> 00:56:37,920
Speaker 3: So how does does it?

1060
00:56:38,000 --> 00:56:39,839
Speaker 6: Do you feel it working or do you just take

1061
00:56:39,880 --> 00:56:42,080
Speaker 6: it just to make your wife happy because she says

1062
00:56:42,120 --> 00:56:44,560
Speaker 6: you should take it like, do you believe in the medication.

1063
00:56:44,680 --> 00:56:48,480
Speaker 12: It's finding stuff that doesn't block the creativity. Obviously, that's

1064
00:56:48,520 --> 00:56:51,040
Speaker 12: what I bring to the world. You know, it's worth

1065
00:56:51,080 --> 00:56:54,279
Speaker 12: a ramp up as long as y'all get the creativity.

1066
00:56:54,440 --> 00:56:56,840
Speaker 12: Like you know, it's like this this thing I always

1067
00:56:56,880 --> 00:57:01,960
Speaker 12: play on from Dondo. I say, well, you know Wilnce screaming,

1068
00:57:02,000 --> 00:57:03,120
Speaker 12: and I say, play off the grid.

1069
00:57:03,480 --> 00:57:04,239
Speaker 3: Oh, I love that.

1070
00:57:04,600 --> 00:57:07,719
Speaker 12: No play off the grid chuckling and nothing and nothing,

1071
00:57:07,840 --> 00:57:08,600
Speaker 12: no kind of way.

1072
00:57:10,080 --> 00:57:16,600
Speaker 3: I play off the grid. That's him, Like Brick Rubers

1073
00:57:16,640 --> 00:57:17,040
Speaker 3: is sitting there.

1074
00:57:17,080 --> 00:57:19,280
Speaker 12: That's how me and Mike Dean really fell out because

1075
00:57:19,280 --> 00:57:20,920
Speaker 12: I was like screaming, and He's like, man, I'm a

1076
00:57:20,960 --> 00:57:23,360
Speaker 12: grown ass man, you screaming at me, even though I

1077
00:57:23,520 --> 00:57:26,840
Speaker 12: didn't know that I was. Really I didn't understand that

1078
00:57:26,960 --> 00:57:27,800
Speaker 12: that's what I was doing.

1079
00:57:28,720 --> 00:57:31,400
Speaker 6: I feel like you're more passionate than anything else. But

1080
00:57:31,560 --> 00:57:32,920
Speaker 6: people could misunderstand.

1081
00:57:33,000 --> 00:57:35,360
Speaker 12: Yeah, when they scream out in front of twenty people,

1082
00:57:35,880 --> 00:57:37,760
Speaker 12: it's a misunderstanding for sure.

1083
00:57:38,880 --> 00:57:41,800
Speaker 6: But I'm glad you and Mike Dean are back. You

1084
00:57:41,920 --> 00:57:44,440
Speaker 6: and Drake have had a long standing beef and battle

1085
00:57:44,480 --> 00:57:47,360
Speaker 6: for years now. Drake is at odds with another Gemini,

1086
00:57:47,520 --> 00:57:51,640
Speaker 6: Kendrick Lamar, who do you think won that rap battle?

1087
00:57:51,800 --> 00:57:54,360
Speaker 12: Well, one thing is like with Kendrick, God was like, man,

1088
00:57:56,520 --> 00:57:58,480
Speaker 12: why you you killed my nemesis?

1089
00:57:59,600 --> 00:58:00,560
Speaker 3: Where's the movies?

1090
00:58:00,640 --> 00:58:03,440
Speaker 12: If it ain't no Drake for me, It's like or

1091
00:58:03,480 --> 00:58:05,400
Speaker 12: at least took him down for a little bit, you

1092
00:58:05,440 --> 00:58:07,680
Speaker 12: know on Superhill films, Like maybe it's like one of

1093
00:58:07,720 --> 00:58:10,560
Speaker 12: the characters Wolverine or something just goes away for a

1094
00:58:10,600 --> 00:58:12,720
Speaker 12: couple of films and stuff. I'm like, damn man, It's

1095
00:58:12,800 --> 00:58:16,000
Speaker 12: like it was really challenging for me to make father

1096
00:58:16,080 --> 00:58:18,320
Speaker 12: stretch my hands and different things. It may got work,

1097
00:58:18,840 --> 00:58:22,280
Speaker 12: you know, like top five songs ever created in life.

1098
00:58:22,320 --> 00:58:24,960
Speaker 12: You know, I'm like, you know, doing the drums bringing

1099
00:58:25,040 --> 00:58:25,520
Speaker 12: Metro on.

1100
00:58:25,960 --> 00:58:30,320
Speaker 3: So Kendrick kill Drake. He's dead. Yeah for now.

1101
00:58:31,160 --> 00:58:34,000
Speaker 12: You know you can't you can't ever count out Steph

1102
00:58:34,080 --> 00:58:36,520
Speaker 12: Curry or so that man might hit two hundred points

1103
00:58:36,560 --> 00:58:39,920
Speaker 12: and in one you know song or something, you know.

1104
00:58:40,000 --> 00:58:40,400
Speaker 11: What it was.

1105
00:58:40,520 --> 00:58:43,400
Speaker 12: It's like Kendrick like, look at the tyler the creator

1106
00:58:43,960 --> 00:58:47,120
Speaker 12: uh pre Staladay he did, like I'm that guy, right

1107
00:58:47,560 --> 00:58:52,160
Speaker 12: he we have to you know, Drake added something to

1108
00:58:52,280 --> 00:58:57,640
Speaker 12: the algorithm, uh, to our frequency. He advanced us future advances,

1109
00:58:57,880 --> 00:59:00,720
Speaker 12: and our Kendrick has now advanced the frequency, so you

1110
00:59:01,000 --> 00:59:04,360
Speaker 12: have to you know, It's like when Twister came out,

1111
00:59:04,680 --> 00:59:07,440
Speaker 12: there was rappers that didn't learn right, but then jay

1112
00:59:07,520 --> 00:59:09,440
Speaker 12: Z learned. He did is that he could do it.

1113
00:59:09,920 --> 00:59:14,640
Speaker 12: If you don't really learn as just a professional rapper

1114
00:59:14,720 --> 00:59:18,840
Speaker 12: as a sport, what Kendrick is doing, you might you

1115
00:59:18,960 --> 00:59:22,400
Speaker 12: might be wiped You might be you might be wiped out.

1116
00:59:22,800 --> 00:59:24,960
Speaker 6: Because Kendrick's on that time and you know, and like that,

1117
00:59:25,480 --> 00:59:28,400
Speaker 6: Kendrick says, the Big three, it's just big me.

1118
00:59:28,840 --> 00:59:29,200
Speaker 11: You know what.

1119
00:59:29,280 --> 00:59:32,800
Speaker 12: It's interesting because even future different people, we just let

1120
00:59:32,920 --> 00:59:35,120
Speaker 12: that pass. And it was interesting because just as men,

1121
00:59:35,320 --> 00:59:39,280
Speaker 12: just as kings, how will we let that idea pass?

1122
00:59:39,880 --> 00:59:43,560
Speaker 12: You know, I'm the greatest that ever existed, and other people,

1123
00:59:43,920 --> 00:59:46,080
Speaker 12: you know, they shouldn't feel that way because I'm here.

1124
00:59:47,840 --> 00:59:50,720
Speaker 12: But you know, every man, you know, it's going to

1125
00:59:50,800 --> 00:59:54,360
Speaker 12: feel that they're the number one in the game. But

1126
00:59:54,800 --> 00:59:59,000
Speaker 12: there's different techniques, like if you rap against Kendrick.

1127
00:59:59,040 --> 00:59:59,800
Speaker 3: You will lose.

1128
01:00:00,720 --> 01:00:05,040
Speaker 12: This man does this specific you know, on a street fighter,

1129
01:00:05,360 --> 01:00:07,200
Speaker 12: you get like a chun league, get a certain kick

1130
01:00:07,560 --> 01:00:10,640
Speaker 12: and no matter what, you can't beat that thing. It's

1131
01:00:10,760 --> 01:00:14,120
Speaker 12: like if you rap, like if you rap against Kendrick Gamar,

1132
01:00:14,280 --> 01:00:17,960
Speaker 12: like Joe Budden said, never rap against Kendrick Lamar. If

1133
01:00:18,040 --> 01:00:22,280
Speaker 12: you rap against Kencrick Lamar is really it's a difficult task,

1134
01:00:22,400 --> 01:00:25,520
Speaker 12: but perhaps it's something you know what I'm saying.

1135
01:00:25,520 --> 01:00:29,800
Speaker 3: I'm a psycho genius, so you know it could be yeah, yeah,

1136
01:00:29,880 --> 01:00:32,880
Speaker 3: there you have it. Do not rap against Kendrick Lamar

1137
01:00:33,040 --> 01:00:36,720
Speaker 3: unless you're a psycho genius. A psycho genius like Yay.

1138
01:00:36,920 --> 01:00:39,520
Speaker 1: You know Yay doing this thing pop back out, you

1139
01:00:39,600 --> 01:00:41,560
Speaker 1: know what I mean? With just a little boy, you know,

1140
01:00:41,760 --> 01:00:44,720
Speaker 1: working his one two seeing will work for him. You know,

1141
01:00:44,840 --> 01:00:47,200
Speaker 1: he's gonna always push the envelope. He gonna be someone

1142
01:00:47,360 --> 01:00:52,480
Speaker 1: that that if nothing else, his music is gonna be

1143
01:00:52,560 --> 01:00:54,640
Speaker 1: a one one thing he know how to do is

1144
01:00:54,720 --> 01:00:56,960
Speaker 1: make their music. Got a cheat cold with their production.

1145
01:00:57,400 --> 01:01:00,280
Speaker 1: But I really think the cheat cod for Yay it's

1146
01:01:00,360 --> 01:01:03,520
Speaker 1: his ability to communicate his ideas, because I think that's

1147
01:01:03,560 --> 01:01:07,000
Speaker 1: a real weakness for Drake, Like if Drake could speak

1148
01:01:07,080 --> 01:01:09,600
Speaker 1: like Yay is able to speak and able to talk

1149
01:01:09,720 --> 01:01:12,000
Speaker 1: his audience through what he's doing right now and how

1150
01:01:12,040 --> 01:01:15,600
Speaker 1: he's feeling right now, that'll be so much better. That'll

1151
01:01:15,720 --> 01:01:18,480
Speaker 1: change the narrative. You can change the narrative without music.

1152
01:01:18,560 --> 01:01:20,680
Speaker 1: You can do it through communication. You just gotta be

1153
01:01:20,760 --> 01:01:23,520
Speaker 1: able to talk like yay, talk like us. You gotta

1154
01:01:23,520 --> 01:01:25,840
Speaker 1: be able to really come over here and really communicate

1155
01:01:25,920 --> 01:01:28,520
Speaker 1: your ideas, like at a high level too, at a

1156
01:01:28,600 --> 01:01:29,160
Speaker 1: high clique.

1157
01:01:29,200 --> 01:01:32,240
Speaker 3: What people say, ooh right, you got to know who

1158
01:01:32,320 --> 01:01:33,720
Speaker 3: to attach it to, what the like.

1159
01:01:33,800 --> 01:01:36,320
Speaker 1: It's so many techniques like you can put in place

1160
01:01:36,440 --> 01:01:39,640
Speaker 1: if you're really trying to communicate your ideas, think about it,

1161
01:01:39,760 --> 01:01:42,440
Speaker 1: really sit down with some professionals, come up with it,

1162
01:01:42,760 --> 01:01:45,600
Speaker 1: and really come out and say, you know what, I'm

1163
01:01:45,600 --> 01:01:48,640
Speaker 1: finna talk my people through what's going on, because without

1164
01:01:48,720 --> 01:01:52,000
Speaker 1: you speaking, you got weird those creating narratives that can

1165
01:01:52,080 --> 01:01:54,200
Speaker 1: go either way. The shit is like a crap. Shoot

1166
01:01:54,760 --> 01:01:57,440
Speaker 1: you dig what I'm saying. Any event, something ever happened

1167
01:01:57,480 --> 01:01:59,440
Speaker 1: with me? One thing we know. As long as God

1168
01:01:59,520 --> 01:02:02,800
Speaker 1: protects me, my brain and my creative sanity, man, I'll

1169
01:02:02,840 --> 01:02:05,120
Speaker 1: be able to tell y'all and walk you through how

1170
01:02:05,120 --> 01:02:07,920
Speaker 1: I'm gonnahoop one of these niggas. How I'm ana whoop

1171
01:02:08,040 --> 01:02:10,280
Speaker 1: this system and get the money and go this way

1172
01:02:10,360 --> 01:02:13,600
Speaker 1: and push it up like I'm gonna tell you what's happening,

1173
01:02:13,680 --> 01:02:17,040
Speaker 1: why it's happening, when it's happening, how it happened. Because

1174
01:02:17,080 --> 01:02:20,000
Speaker 1: I'm able to communicate my ideas and if you're asking me,

1175
01:02:20,520 --> 01:02:21,880
Speaker 1: that's something that Drake lacks.

1176
01:02:22,520 --> 01:02:22,640
Speaker 11: Right.

1177
01:02:23,800 --> 01:02:25,919
Speaker 1: If he's able to do that, it changed the course

1178
01:02:26,080 --> 01:02:30,520
Speaker 1: of conversation here today as it changes to rap music

1179
01:02:30,680 --> 01:02:33,880
Speaker 1: and him and Kendrick Lamar. I really appreciate everyone that's

1180
01:02:33,960 --> 01:02:36,680
Speaker 1: watching right now, hit like his Subscribe. I see y'all

1181
01:02:36,760 --> 01:02:40,439
Speaker 1: next week. We back every week. We're back every week.

1182
01:02:40,880 --> 01:02:41,400
Speaker 1: Love y'all.

1183
01:02:41,920 --> 01:02:46,880
Speaker 3: Salute Bang. It's up there podcast