WEBVTT - Last Call At Night Cheers

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<v Speaker 1>It's eleven fifty eight pm back in Roswell, New Mexico,

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<v Speaker 1>and you're listening to Night Call. Hello, and welcome tonight Call,

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<v Speaker 1>a call in show for our dystopian reality. I'm Emily Oshida.

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<v Speaker 1>I am in Charlotte, North Carolina, and with me on

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<v Speaker 1>the other line are Molly Lambert and Teslaly and shere

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<v Speaker 1>in l A. Hello, Hi, guys. This is the Night

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<v Speaker 1>Call Finale spectacular. We have a lot of stuff planned

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<v Speaker 1>for this episode, a lot of calls, more calls than ever. Um.

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<v Speaker 1>It's We've got so much feedback from you guys after

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<v Speaker 1>we announced that we were ending the show, and it,

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<v Speaker 1>you know, really moved all of us. We were very

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<v Speaker 1>grateful to all of the calls, all the emails we

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<v Speaker 1>got from everybody, and so this episode is dedicated to y'all.

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<v Speaker 1>We love you guys, and we're this has been such

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<v Speaker 1>an adventure and such your ride to do this podcast,

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<v Speaker 1>and so we want to send it off into the

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<v Speaker 1>night proper. How you guys feeling, Um, you know, I

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<v Speaker 1>think it was such a great idea to do a

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<v Speaker 1>call in show, and I think Emily, that was maybe

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<v Speaker 1>your idea. I don't know if I would ever want

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<v Speaker 1>to do a podcast that didn't have call ins, because

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<v Speaker 1>one of the coolest things about this show has been

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<v Speaker 1>that we have gotten to know so many people, Like

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<v Speaker 1>we got calls from all over the globe, we got

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<v Speaker 1>serialized ghost stories, true ghost stories, which we'll talk more

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<v Speaker 1>about later. And I just think we have a really

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<v Speaker 1>amazing group of listeners who have supported this show and

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<v Speaker 1>it's it's really fun to have gotten to know them

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<v Speaker 1>and we will take you with us. Yeah, this show

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<v Speaker 1>has been like a magnet for like such a specific

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<v Speaker 1>kind of weirdo, a tune to our our collective frequencies

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<v Speaker 1>that the people that we've heard from, the people that

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<v Speaker 1>we've met at live events, like all of the above

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<v Speaker 1>has just been I don't know, it's it feels like

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<v Speaker 1>a very special and unique little thing that happened, and

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<v Speaker 1>I don't know, I'm very grateful that it happened. It

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<v Speaker 1>was almost three years three years in February, Yeah, our

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<v Speaker 1>first episode. I have to scroll the way back in

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<v Speaker 1>my iTunes. H Yeah, February was the debut night call episode.

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<v Speaker 1>So yeah, where did the time go? I mean, especially

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<v Speaker 1>in the last few months, like it could have been

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<v Speaker 1>five years. Who knows. I feel like we've just been

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<v Speaker 1>doing a podcast for like just an infinite amount of time,

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<v Speaker 1>and then sometimes the frequency tunes in. There was always

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<v Speaker 1>a podcast there. Um. Yeah, So we are going to

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<v Speaker 1>play a lot of your calls this week, and we'll

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<v Speaker 1>still take some of your questions. We're still answering questions

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<v Speaker 1>on here. Um. So yeah, do you guys wanna do

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<v Speaker 1>you guys want to open up the voicemail bag? Let's

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<v Speaker 1>do it. Let's do it, high ladies, um, it's talent.

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<v Speaker 1>I just wanted to call and say congratulations on a

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<v Speaker 1>great run. I am going to miss the podcast very

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<v Speaker 1>very much, but I know that you know it's happening.

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<v Speaker 1>This is happening for a reason, and I'm really excited

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<v Speaker 1>to um see whatever you are all up to it next.

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<v Speaker 1>And I do have a question about an important topic

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<v Speaker 1>to me, UM that I need y'all's perspective on, which

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<v Speaker 1>is what show is better, Cheers or Frasier, because I

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<v Speaker 1>watched all of Cheers from like March two. I don't

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<v Speaker 1>really know when I finished, maybe like Junior July um

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<v Speaker 1>earlier this year, and I haven't really been able to

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<v Speaker 1>get into Fraser in the same way. Obviously, there are

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<v Speaker 1>quite different shows, even if one is you know, a

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<v Speaker 1>spinoff of the other. And so I wanted to know, Um,

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<v Speaker 1>for your money, which is better and why? Yeah, that's

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<v Speaker 1>about it. So UM, take good care and thank you

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<v Speaker 1>for the fun fun times by the question for the question, honestly,

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<v Speaker 1>I know, I feel like maybe we've been always tiptoeing

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<v Speaker 1>around this question because we're too cowardly to answer it. Um.

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<v Speaker 1>I think Cheers is better. Um, no question, Cheers is

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<v Speaker 1>a better show and more beloved for a reason. I

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<v Speaker 1>don't think it would be possible for a spinoff to

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<v Speaker 1>surpass the original, although if anyone can think of any

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<v Speaker 1>counter examples, please let us know. There are a lot

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<v Speaker 1>of spinoffs that are like not really known as spinoffs,

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<v Speaker 1>that have their own life but like, and I feel

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<v Speaker 1>like Frasier is on on the cusp of that, Like

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<v Speaker 1>it's almost completely broken off from the host being even

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<v Speaker 1>looking at the Happy Days universe, like, we can all

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<v Speaker 1>agree that Happy Days is a more important show than

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<v Speaker 1>Mork and Mindy, Laverne and Shirley. They're like five other

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<v Speaker 1>Happy Days spinoff Joony loves Chacy, Mork and Mindy was

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<v Speaker 1>a Happy Days spinoff? Yes, really, yes, there's like an

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<v Speaker 1>episode where an alien comes to Happy Days, and it's

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<v Speaker 1>more what people were doing a lot of drugs in

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<v Speaker 1>I watched The Ship out of Work and Mindy everybody Mindy. Actually,

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<v Speaker 1>maybe I'm wrong, maybe more than Mindy is more beloved

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<v Speaker 1>than it's certainly beloved by the people it's beloved among. Ye. Anyway,

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<v Speaker 1>getting back to my point, I think Cheers is better

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<v Speaker 1>and and so you think it's better purely by the

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<v Speaker 1>rule of the original can never be surpassed by a

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<v Speaker 1>spin off or what are the quality specifically that you

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<v Speaker 1>think make it. I mean, I think Cheers is probably

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<v Speaker 1>just the best sitcom of all time. It's like very funny,

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<v Speaker 1>it's very dark. Sometimes it's very emotional. It's like before

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<v Speaker 1>sitcoms turned into like there's a hug and a lesson

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<v Speaker 1>at the end. Always it's like, because I didn't before

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<v Speaker 1>I saw it Cheers, I was like, why would anybody

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<v Speaker 1>watch a show about a bunch of alcoholics hanging out

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<v Speaker 1>in a bar? That sounds really depressing? And then I

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<v Speaker 1>lived on the East Coast and understood why people hang

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<v Speaker 1>out in bars. But also I watched Cheers almost like,

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<v Speaker 1>oh it knows it's depressing. It's a show about broken people,

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<v Speaker 1>and that's what makes it great. It's it's one of

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<v Speaker 1>those ones that you understand it more deeply, uh as

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<v Speaker 1>you get older, or it has more pathos as you

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<v Speaker 1>get older, because before it's just like grown ups hanging

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<v Speaker 1>out at a bar, which is a gross It seems

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<v Speaker 1>like fun. You could be friends with the mailman, that's right.

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<v Speaker 1>But yeah, I think Fraser is also a good show

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<v Speaker 1>on its own terms. And I think we all agree

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<v Speaker 1>that it's like more of a nostalgia thing necessarily than

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<v Speaker 1>that it's the greatest show of all time. Oh I

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<v Speaker 1>would disagree with that. I have a lot of nostalgia

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<v Speaker 1>for it. But I think in every revisit that I

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<v Speaker 1>do of Frasier, I'm impressed with how technically great it is. Okay, Fraser,

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<v Speaker 1>I mean I I'm just reminded of this treat that

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<v Speaker 1>Hello Cullen on Twitter, but he did the Street is.

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<v Speaker 1>I am a psychiatrist. I moved from Boston, where I

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<v Speaker 1>went to a bar every day, to Seattle, where I

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<v Speaker 1>don't go to no bars. I'm on the radio now,

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<v Speaker 1>even though I never did that before. How did I

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<v Speaker 1>get this job? How did I even hear about it um,

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<v Speaker 1>he doesn't go to a bar because he goes to

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<v Speaker 1>Cafe Nervosa. It's clearly a one to one swap, and

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<v Speaker 1>he like joined a wine club instead. He like, he

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<v Speaker 1>doesn't go to a dirty, you know, basement bar, and

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<v Speaker 1>he grew up more. Yeah, grew up, Emily. Would you

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<v Speaker 1>argue that it's that Frasier is better? I so better

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<v Speaker 1>is a hard thing to say. I think, well, there's

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<v Speaker 1>a lot. I think there's a bit more of Cheers

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<v Speaker 1>and there is a Frasier, and Cheers is just a

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<v Speaker 1>richer ensemble, like Cheers is more like there's truly something

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<v Speaker 1>for everybody in it, which I think is a really

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<v Speaker 1>good argument to make. It if not the best to

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<v Speaker 1>come of all time, at least a better to comm

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<v Speaker 1>than Fraser, Frasier is one note that is just like

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<v Speaker 1>really extremely well done and extremely itself and commits to

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<v Speaker 1>this bit and actually find like gets a lot of

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<v Speaker 1>mileage out of which like a lot of shows would

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<v Speaker 1>only get like a season out of, like you know,

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<v Speaker 1>it's fancy pants and more fancy pants versus cricket, cop

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<v Speaker 1>Dad and a dog. But I think, like I guess

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<v Speaker 1>in terms of like, I just think that Cheers could

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<v Speaker 1>never be replicated again. And I just think that Fraser

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<v Speaker 1>is something that is like the best version of something

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<v Speaker 1>that I wish happened more often, you know, And in sitcoms,

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<v Speaker 1>Fraser is like opera, yes, and that's why I love it. Uh,

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<v Speaker 1>it's just so silly. Yeah, And I love all the

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<v Speaker 1>like mistaken door knocking forest episodes at the ski Lodge.

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<v Speaker 1>It's very it hits those those nets. Yeah, Like I

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<v Speaker 1>grew up watching like Marx Brothers movies and stuff when

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<v Speaker 1>I was a kid. My mom was early into Mark's Brothers,

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<v Speaker 1>so we would like rent the vhs is from the library,

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<v Speaker 1>and so like getting into Frasier, which I also probably

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<v Speaker 1>was into at the same time, it just felt like,

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<v Speaker 1>you know, one led to the other and it's all

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<v Speaker 1>kind of borderline slapstick but still really verbally driven. I

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<v Speaker 1>don't know, I love Frasier a lot. I won't hesitate

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<v Speaker 1>to say it's better than Cheers, but I think I've

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<v Speaker 1>probably watched it more and that for whatever that story.

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<v Speaker 1>So yeah, okay, fine, I'm going to say it's better

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<v Speaker 1>than Cheers just to make it interesting. Yeah, come on,

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<v Speaker 1>take a stand. So that task has to be the

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<v Speaker 1>tiebreaker her favorite position to take. Oh god, um, here's

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<v Speaker 1>my my take on this is that Cheers is a

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<v Speaker 1>gumbo and Frasier is a consummate, and you can't ever choose.

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<v Speaker 1>You can't ever choose which is better because they belong

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<v Speaker 1>to entirely different moods and stages life. Good answer, I

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<v Speaker 1>thank you, diplomatic. Diplomatic as ever, I think like in general,

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<v Speaker 1>I go back to Cheers more because it has more

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<v Speaker 1>texture and more depth. But I agree with Emily that

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<v Speaker 1>Frasier is kind of like there there is something kind

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<v Speaker 1>of like operatic or whatever it's. It does it's things

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<v Speaker 1>so well, and it exceeds your expectations if your expectations

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<v Speaker 1>are that it will kind of like start to go

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<v Speaker 1>soft or whatever. It's like it doesn't ever disappoint in

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<v Speaker 1>the way that when I first started watching Frasier, I

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<v Speaker 1>was like, I'm going to be so sick of all

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<v Speaker 1>of these people. So I was kind of amazed. I

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<v Speaker 1>was like, Wow, they really hooked me. And it's like

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<v Speaker 1>it's an ambient vibe like it you know, it puts

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<v Speaker 1>you in a kind of alters your your state of

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<v Speaker 1>mind a little bit. I've been watching some star Trek

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<v Speaker 1>Next Generation with my mom out here, and it's like

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<v Speaker 1>I realized how much they're very similar design vibes too.

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<v Speaker 1>But the bridge of the enterprise, like the whole enterprise

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<v Speaker 1>and and Fisher's apartment are like so embedded in my

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<v Speaker 1>brain is just like a place I want to be mentally. Oh,

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<v Speaker 1>I was watching Girlfriends because it came on Netflix finally,

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<v Speaker 1>Um and Girlfriends. It's like so similar a Frasier in

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<v Speaker 1>many ways. Um, and it's produced by Kelsey Grammar, which

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<v Speaker 1>I had forgotten except then he comes in an episode

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<v Speaker 1>as himself. Jones was like, Wow, it's TV's Kelsey Grammar. Um,

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<v Speaker 1>but Jones house in Girlfriends that they spend all of

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<v Speaker 1>the time in the show in because it's like a

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<v Speaker 1>beautiful craftsman house in Pasadena that is owned by like

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<v Speaker 1>a twenty eight year old lawyer or whatever. Um in

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<v Speaker 1>wonderful sitcom logic. Uh, it reminds me so much of

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<v Speaker 1>Frasier's apartment. And then somebody was like, oh, well, they're

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<v Speaker 1>set designed by the same person. The person who did

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<v Speaker 1>the set design on Fraser also did the set design

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<v Speaker 1>on Girlfriends. And Girlfriends has a lot of also, just

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<v Speaker 1>like dinner Party Forest and stuff and slapstick. So that's

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<v Speaker 1>my other recommendation if you like Cheers and Fraser Watch Girlfriends. Well,

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<v Speaker 1>speaking of our favorite media h hobby horses of the eighties,

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<v Speaker 1>we also have a night email from Batia, who writes

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<v Speaker 1>to us, I can tell how much I'll miss the

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<v Speaker 1>podcast by the fact that, upon learning the following bit

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<v Speaker 1>of Big Chill trivia, y'all were the first people who

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<v Speaker 1>came to mind as the correct audience for it. So

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<v Speaker 1>before it's too late, here goes Lawrence Kasdin and Kathy

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<v Speaker 1>guys White have been friends going back to their time

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<v Speaker 1>together in Michigan, and she would regularly include references to

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<v Speaker 1>his movies and Kathy comics. So who in the Big

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<v Speaker 1>Chill is Kathy? It's got to be Meg, right. And

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<v Speaker 1>two is it too much of a stretch to say

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<v Speaker 1>that there's some crossover between the two, something about the

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<v Speaker 1>cognitive dissonance with regard to the adulthood you expected and

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<v Speaker 1>the one you have. This is completely new information to me,

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<v Speaker 1>So thank you, Batia. Yeah what, Yeah, this blew my mind.

0:13:53.240 --> 0:13:58.280
<v Speaker 1>I'm very surprised at this. This is also it's totally

0:13:58.320 --> 0:14:02.320
<v Speaker 1>like a college paper that one of us would have written, um,

0:14:02.440 --> 0:14:07.400
<v Speaker 1>right in this connecting will right, it would have been

0:14:07.440 --> 0:14:13.680
<v Speaker 1>like bourgeois affectations of baby boomers and like ac, yeah,

0:14:13.920 --> 0:14:16.960
<v Speaker 1>did you see a friend of the pot. Amy Nicholson

0:14:18.000 --> 0:14:20.760
<v Speaker 1>got this shirt that like, Kathy guy's wife has been

0:14:20.800 --> 0:14:25.800
<v Speaker 1>selling the dead stock of Kathy merchandise from her personal website,

0:14:25.840 --> 0:14:28.000
<v Speaker 1>which I tried to find. I need to text Amy

0:14:28.040 --> 0:14:31.640
<v Speaker 1>and find out where exactly this this is. But um,

0:14:31.680 --> 0:14:36.400
<v Speaker 1>these incredible vintage Kathy's shirts. She's still around the guys.

0:14:36.440 --> 0:14:40.360
<v Speaker 1>Why is an amazing person. So it totally made sense

0:14:40.400 --> 0:14:42.840
<v Speaker 1>to me that well, it's also interesting she and Laurence

0:14:42.880 --> 0:14:45.920
<v Speaker 1>Cason are like these people who yeah, they also like

0:14:46.000 --> 0:14:50.200
<v Speaker 1>they made their artistic hobby into their career and made

0:14:50.200 --> 0:14:53.760
<v Speaker 1>it like a profitable, real career. They are the big chill.

0:14:55.040 --> 0:14:59.040
<v Speaker 1>I watched a documentary for Grantland about comic strip people,

0:14:59.600 --> 0:15:03.040
<v Speaker 1>and she was featured in it, and I just found

0:15:03.040 --> 0:15:05.800
<v Speaker 1>out that Kathy was like a very pioneering comic strip

0:15:05.880 --> 0:15:08.520
<v Speaker 1>Like there were not a lot of comic strips written

0:15:08.680 --> 0:15:11.680
<v Speaker 1>by women. It was the Murphy Brown of the Sunday,

0:15:12.400 --> 0:15:16.000
<v Speaker 1>It truly was. And also I learned from the documentary

0:15:16.080 --> 0:15:20.360
<v Speaker 1>that she is like very skinny and pretty in real life,

0:15:20.600 --> 0:15:24.160
<v Speaker 1>and the comic is all like her projection of her

0:15:24.200 --> 0:15:28.440
<v Speaker 1>insecure self. Um, it seemed like she definitely struggled with

0:15:28.520 --> 0:15:31.880
<v Speaker 1>some eating issues, all stuff that you can get from

0:15:31.920 --> 0:15:34.640
<v Speaker 1>the comic. But you're like, oh, there's like a real

0:15:34.760 --> 0:15:40.120
<v Speaker 1>person in this comic who's very interesting and uh would

0:15:40.160 --> 0:15:43.880
<v Speaker 1>totally be a character in The Big Chill. Yeah. No,

0:15:44.120 --> 0:15:49.760
<v Speaker 1>she's um she was hot, Uh like very she looks

0:15:49.800 --> 0:15:52.560
<v Speaker 1>like she could just like walk into the kitchen and

0:15:52.640 --> 0:15:57.560
<v Speaker 1>Big Chill. She doesn't look like Kathy is look her up.

0:15:57.600 --> 0:16:00.480
<v Speaker 1>She looks like like the ultimate seventies woman in who's

0:16:00.520 --> 0:16:05.280
<v Speaker 1>totally like would be in The Big Chill. Um. So yeah,

0:16:05.360 --> 0:16:07.560
<v Speaker 1>I was like, I'm not surprised that she and Lawrence

0:16:07.600 --> 0:16:11.960
<v Speaker 1>Castin had a you know, a close friendship lived in

0:16:11.960 --> 0:16:15.320
<v Speaker 1>the co op together. Also, she's just like peak boomer.

0:16:15.560 --> 0:16:19.480
<v Speaker 1>She was born in nineteen fifty September five, nineteen fifty.

0:16:19.640 --> 0:16:23.280
<v Speaker 1>She's a virgo. Um. Yeah, it's just interesting because like

0:16:23.360 --> 0:16:25.480
<v Speaker 1>Kathy is this comic that people used to make fun

0:16:25.520 --> 0:16:27.800
<v Speaker 1>of women or it became just sort of like all

0:16:27.800 --> 0:16:35.480
<v Speaker 1>the women yeah dieting. But watching this documentary, you're like, oh, yeah,

0:16:35.520 --> 0:16:38.440
<v Speaker 1>none of this stuff had been in a comic before.

0:16:38.600 --> 0:16:42.480
<v Speaker 1>It was very groundbreaking at the time, and just like

0:16:42.800 --> 0:16:45.560
<v Speaker 1>a lot of men's underground comics are about putting all

0:16:45.600 --> 0:16:49.160
<v Speaker 1>of your weird it and sexual neurosis into a comic,

0:16:49.640 --> 0:16:51.680
<v Speaker 1>and when you see like a woman do it, it

0:16:51.720 --> 0:16:54.520
<v Speaker 1>can be really uncomfortable in the case of Kathy, because

0:16:54.520 --> 0:16:59.720
<v Speaker 1>you're like, Kathy, just love yourself, Kathy, we love you. What.

0:17:00.000 --> 0:17:05.560
<v Speaker 1>Thank you Batia for the email. Thanks for also bringing

0:17:05.640 --> 0:17:09.440
<v Speaker 1>Big Chill into our final episode because we couldn't get

0:17:09.440 --> 0:17:12.479
<v Speaker 1>through this finale. So who do you think Kathy is

0:17:12.520 --> 0:17:18.160
<v Speaker 1>in The Big Chill? No, this stumps me. Somebody, she said,

0:17:18.240 --> 0:17:20.880
<v Speaker 1>Meg obviously. Do you think she's Meg? Is that Mary

0:17:20.960 --> 0:17:24.159
<v Speaker 1>kay Place? That's that's what I also, I was like,

0:17:24.200 --> 0:17:27.000
<v Speaker 1>they all in my mind, they have no names anymore

0:17:27.000 --> 0:17:30.520
<v Speaker 1>in The Big Chill. Their names are their actor. All right,

0:17:30.840 --> 0:17:35.920
<v Speaker 1>who is she? I think she might be Glenn Close's character. No,

0:17:37.119 --> 0:17:41.359
<v Speaker 1>I think she's closer to Mary kay Place. Yeah, because

0:17:41.400 --> 0:17:45.600
<v Speaker 1>she needs to have it all. She's a cool lady, alight.

0:17:45.800 --> 0:17:51.200
<v Speaker 1>She's more neurotic, I think maybe, but they're all neurotic. Yeah,

0:17:51.240 --> 0:17:53.400
<v Speaker 1>but she's where's it on the outside a little more?

0:17:53.480 --> 0:17:55.480
<v Speaker 1>I don't know. She'd be the one who's married to

0:17:55.640 --> 0:17:58.760
<v Speaker 1>Robert or whatever his name is. But now I wonder,

0:17:58.920 --> 0:18:01.639
<v Speaker 1>you know, like like as you were saying, like, you know,

0:18:02.040 --> 0:18:04.680
<v Speaker 1>Kathy does not give off the vibe that you would

0:18:04.720 --> 0:18:07.159
<v Speaker 1>expect the creator of Kathy to give off. And I wonder,

0:18:07.920 --> 0:18:11.159
<v Speaker 1>you know, I was picturing that Onion article that's like

0:18:11.320 --> 0:18:14.720
<v Speaker 1>Gene whatever. It's like a column by a woman named

0:18:14.800 --> 0:18:17.160
<v Speaker 1>Jean that was always on the Onion, and she seems

0:18:17.200 --> 0:18:19.000
<v Speaker 1>like a stock photo, but it looked that is what

0:18:19.080 --> 0:18:22.679
<v Speaker 1>I picture Kathy looking like. So yeah, then she looks

0:18:22.720 --> 0:18:26.440
<v Speaker 1>like you know, Jill Clayburgh, and you're like, oh, this

0:18:26.520 --> 0:18:31.400
<v Speaker 1>is complicated, right, Yeah, like Lawrence Cosden's impression of her

0:18:31.560 --> 0:18:34.200
<v Speaker 1>and how he would like quote unquote write her into

0:18:34.240 --> 0:18:36.879
<v Speaker 1>a movie might be different than how she would right herself.

0:18:37.040 --> 0:18:42.560
<v Speaker 1>Or probably it's definitely different than how she would write herself. So, um, yeah,

0:18:42.960 --> 0:18:44.840
<v Speaker 1>I don't know, but I'm gonna say, I'm gonna say,

0:18:44.960 --> 0:18:47.760
<v Speaker 1>Mary kay place, I'll go with that because I've already

0:18:47.800 --> 0:18:51.560
<v Speaker 1>revealed how little of Kathy I know absorbed. No, Kathy

0:18:52.119 --> 0:18:54.480
<v Speaker 1>rolled right off my back. It was just it was

0:18:54.560 --> 0:19:09.359
<v Speaker 1>just there for her. Yeah, But legacies, so let's open

0:19:09.440 --> 0:19:17.320
<v Speaker 1>up the voicemailbox again. Let's do it. Hi. My name

0:19:17.400 --> 0:19:21.880
<v Speaker 1>is Dan Uh. Live outside of Chicago. Longtime fan. Going

0:19:21.960 --> 0:19:24.760
<v Speaker 1>back to the girls in Hoodies days. UM really started

0:19:24.760 --> 0:19:27.280
<v Speaker 1>to hear the show is ending, UM, and I meant

0:19:27.320 --> 0:19:31.320
<v Speaker 1>to call you. Uh. Months ago, I went to summer

0:19:31.480 --> 0:19:35.800
<v Speaker 1>camp with Whitley Streeber's son. It was a performing arts

0:19:35.880 --> 0:19:40.280
<v Speaker 1>camp and upstate New York called Long Lag. I unfortunately

0:19:40.400 --> 0:19:43.600
<v Speaker 1>can't remember his name. It was the summer after eighth

0:19:43.640 --> 0:19:48.119
<v Speaker 1>grade UM when I went there, and we were in

0:19:48.240 --> 0:19:53.760
<v Speaker 1>a performance of Oklahoma together. He was curly and I

0:19:53.800 --> 0:19:58.119
<v Speaker 1>was Judd, which meant that we du edit poor Judd

0:19:58.200 --> 0:20:01.960
<v Speaker 1>is Dead together. So that was an experience. UM. I

0:20:02.000 --> 0:20:05.400
<v Speaker 1>didn't necessary like I think. I think I was familiar

0:20:05.440 --> 0:20:08.679
<v Speaker 1>with communion at the time, and I remember some of

0:20:08.720 --> 0:20:12.840
<v Speaker 1>the other campers UM referencing who he was and who

0:20:12.880 --> 0:20:16.679
<v Speaker 1>his father was, UM, and they made it pretty clear

0:20:16.840 --> 0:20:20.119
<v Speaker 1>that he didn't necessarily want to talk about that, so

0:20:20.160 --> 0:20:22.359
<v Speaker 1>I never brought it up to him. He was a

0:20:22.359 --> 0:20:25.480
<v Speaker 1>really good guy, really nice guy. UM, But I thought

0:20:25.520 --> 0:20:28.879
<v Speaker 1>you'd get a kick out of hearing that. Uh. You know,

0:20:29.040 --> 0:20:33.639
<v Speaker 1>I was in Oklahoma UM with Whitley Strieber's son. Uh,

0:20:33.840 --> 0:20:37.080
<v Speaker 1>This is back in like nineteen summer and ninety three,

0:20:37.119 --> 0:20:40.400
<v Speaker 1>I think, so I'm dating myself anyway, I thought you'd

0:20:40.400 --> 0:20:43.200
<v Speaker 1>like to hear that story again. Really started to hear

0:20:43.240 --> 0:20:45.960
<v Speaker 1>that the pot is ending, um, and I hope to

0:20:46.240 --> 0:20:49.200
<v Speaker 1>see all of the wonderful things that you all go

0:20:49.280 --> 0:20:53.520
<v Speaker 1>on to do in the future. Take care. This is

0:20:53.560 --> 0:20:58.600
<v Speaker 1>Patrick and it's about thirty Michigan. I just wanted to

0:20:58.640 --> 0:21:01.200
<v Speaker 1>give a call bease. Been of same you guys since

0:21:01.240 --> 0:21:04.760
<v Speaker 1>the jone Quickly episode of Behind the Bastards. It's just,

0:21:04.920 --> 0:21:07.480
<v Speaker 1>you know, sad to see they come to end, but

0:21:07.520 --> 0:21:09.440
<v Speaker 1>I am hopeful that I'll hear from you guys again.

0:21:09.800 --> 0:21:12.120
<v Speaker 1>I guess the only thing else I have to say

0:21:12.160 --> 0:21:14.840
<v Speaker 1>is I wish you guys would have talked about cryptids. Uh.

0:21:15.080 --> 0:21:17.560
<v Speaker 1>Living in the Midwest, it's definitely one of those things

0:21:17.600 --> 0:21:20.040
<v Speaker 1>that you know, there's hundreds of roads that you don't

0:21:20.040 --> 0:21:22.520
<v Speaker 1>go down because there's some type of X murder or

0:21:22.920 --> 0:21:26.800
<v Speaker 1>my personal favorite as the dog Man of Michigan. Yeah,

0:21:27.080 --> 0:21:31.119
<v Speaker 1>I hope for the best for all you guys, and

0:21:31.160 --> 0:21:37.600
<v Speaker 1>I'll see in the future. Ahem, ahem. We have talked

0:21:37.800 --> 0:21:41.000
<v Speaker 1>so much about cryptids that you you must peruse our

0:21:41.200 --> 0:21:44.680
<v Speaker 1>archive I personally, I think we all agreed that maybe

0:21:44.720 --> 0:21:48.440
<v Speaker 1>the most cryptic heavy episode was when we had Dan

0:21:48.480 --> 0:21:52.840
<v Speaker 1>Hernandez on the podcast. He had some really good insider

0:21:52.920 --> 0:21:57.280
<v Speaker 1>cryptid knowledge because his dad is a crypto zoologist who

0:21:57.320 --> 0:22:01.800
<v Speaker 1>went on a big adventure to try and find cryptids.

0:22:01.800 --> 0:22:04.400
<v Speaker 1>That was then wasn't it like derailed by a hurricane

0:22:04.520 --> 0:22:07.480
<v Speaker 1>or something? His plans were thwarted. Yeah, they couldn't take

0:22:07.520 --> 0:22:11.400
<v Speaker 1>the boat out, which I recommend that. But also cryptids

0:22:11.400 --> 0:22:14.600
<v Speaker 1>have been on my mind recently because I get these

0:22:14.640 --> 0:22:18.960
<v Speaker 1>like news local news emails and there's this one person

0:22:19.040 --> 0:22:22.880
<v Speaker 1>who lives in my neighborhood who, uh like every few

0:22:22.920 --> 0:22:27.600
<v Speaker 1>weeks sends out the same like email that basically is

0:22:27.640 --> 0:22:30.560
<v Speaker 1>asking if anyone has seen big Foot in Griffith Park.

0:22:31.200 --> 0:22:34.080
<v Speaker 1>And he keeps describing a night five years ago where

0:22:34.119 --> 0:22:36.679
<v Speaker 1>he swears he saw big Foot. And of course this

0:22:36.720 --> 0:22:39.639
<v Speaker 1>starts happening right when we were taking a break and

0:22:39.680 --> 0:22:42.080
<v Speaker 1>now we're ending the show, and I was like, this

0:22:42.160 --> 0:22:45.560
<v Speaker 1>is a local mystery I could solve on night Call. God,

0:22:45.920 --> 0:22:48.879
<v Speaker 1>we really we haven't ruled out the possibility of coming

0:22:48.880 --> 0:22:53.480
<v Speaker 1>back for some night Calls Super specials, Cryptic super special

0:22:54.200 --> 0:22:57.040
<v Speaker 1>Maybe we'll do some kind of one off mystery solving

0:22:58.000 --> 0:23:00.760
<v Speaker 1>you can get on a case a private detect of agency.

0:23:00.880 --> 0:23:05.080
<v Speaker 1>I know Tess is going to start researching this anyway, Yeah,

0:23:05.320 --> 0:23:07.600
<v Speaker 1>as as I do. Yeah, maybe this is just your

0:23:07.640 --> 0:23:11.119
<v Speaker 1>next show. Probably. Well, the stay at home order is

0:23:11.200 --> 0:23:14.400
<v Speaker 1>kind of like destroying my plans to you can still

0:23:14.400 --> 0:23:17.720
<v Speaker 1>go to the park. Well, it's so confusing the stay

0:23:17.720 --> 0:23:19.600
<v Speaker 1>at home orders in l A. It's like you can't

0:23:19.640 --> 0:23:22.600
<v Speaker 1>leave your house unless you're going to the mall. And

0:23:22.640 --> 0:23:24.680
<v Speaker 1>if you're at the mall, you can walk, But if

0:23:24.720 --> 0:23:27.440
<v Speaker 1>you're at your house, you can't leave your house on foot,

0:23:27.520 --> 0:23:30.040
<v Speaker 1>bike or bike car unless you need to go shopping

0:23:30.040 --> 0:23:33.240
<v Speaker 1>at a store. Alyssa walker in front of the pod,

0:23:33.320 --> 0:23:35.520
<v Speaker 1>had a good tweet where she was like, I can't

0:23:35.560 --> 0:23:39.160
<v Speaker 1>see my niece and nephew at the playground, so I'm

0:23:39.200 --> 0:23:44.800
<v Speaker 1>going to meet them at a tattoo parlor exactly. Um,

0:23:44.880 --> 0:23:48.560
<v Speaker 1>but this just also sounds like Under the Silver Lake, Yes,

0:23:48.680 --> 0:23:53.040
<v Speaker 1>my favorite film of all time. Yes, um, I'm looking

0:23:53.080 --> 0:23:55.399
<v Speaker 1>now that. So if you go back, this is just

0:23:55.640 --> 0:23:59.240
<v Speaker 1>you know, uh news you can use. I think it's

0:23:59.480 --> 0:24:04.119
<v Speaker 1>listed as uh it's on seventy three on iTunes. I

0:24:04.119 --> 0:24:07.080
<v Speaker 1>don't know what that number means honestly, because it counts

0:24:07.119 --> 0:24:10.000
<v Speaker 1>down from the most recent too now, but it's from

0:24:10.200 --> 0:24:14.480
<v Speaker 1>six nineteen. If you love the crib Cycle with Dan Hernandez,

0:24:14.480 --> 0:24:17.520
<v Speaker 1>there's so much cryptic talk in there, and I'm there

0:24:17.560 --> 0:24:20.800
<v Speaker 1>are so many other ones too. I mean, is that

0:24:20.800 --> 0:24:24.399
<v Speaker 1>the one where we talked about the um? What's it

0:24:24.480 --> 0:24:29.280
<v Speaker 1>called this? The squid? What do they sunk? The squawk?

0:24:29.960 --> 0:24:32.960
<v Speaker 1>Was that squawk talk? I think Squank made it. We've

0:24:33.000 --> 0:24:35.320
<v Speaker 1>talked about the Squawk a few times over the years.

0:24:35.640 --> 0:24:39.040
<v Speaker 1>I'm sorry for only realizing, uh, the very end of

0:24:39.040 --> 0:24:41.119
<v Speaker 1>the podcast that a good thing to do is to

0:24:41.160 --> 0:24:43.679
<v Speaker 1>put the topics and the title of the episodes so

0:24:43.720 --> 0:24:48.080
<v Speaker 1>that people can find it UM. But yeah, they're in

0:24:48.119 --> 0:24:52.119
<v Speaker 1>the descriptions generally, and we definitely talked about cryptids a

0:24:52.200 --> 0:24:56.000
<v Speaker 1>time or two. So yeah, if, yeah, if you want

0:24:56.040 --> 0:24:59.120
<v Speaker 1>to go back and rediscover it, you know, I think

0:24:59.119 --> 0:25:02.919
<v Speaker 1>you'll be happy. I think you'll be happy. Patrick. I

0:25:02.960 --> 0:25:06.359
<v Speaker 1>can't remember if it was when we I think Molly

0:25:06.400 --> 0:25:09.920
<v Speaker 1>and I were on Creature Feature podcast with Katie Golden. Yeah,

0:25:10.200 --> 0:25:12.840
<v Speaker 1>I think we talked about cryptids there as well. We

0:25:12.920 --> 0:25:17.240
<v Speaker 1>also Colin Dicky on for an entire Sasquatch episode. There

0:25:17.280 --> 0:25:19.720
<v Speaker 1>you go, oh yeah with the UM. I mean, I

0:25:19.760 --> 0:25:23.160
<v Speaker 1>think that was a bonus episode Patreon episode. But if

0:25:23.200 --> 0:25:25.080
<v Speaker 1>you want to listen to the episode with the second

0:25:25.119 --> 0:25:29.680
<v Speaker 1>Colin Dickey episode, Um, yeah, we talked about the whole

0:25:30.280 --> 0:25:36.480
<v Speaker 1>Bigfoot c I a Jimmy Stewart connection. I think that

0:25:36.560 --> 0:25:40.199
<v Speaker 1>was when we did a We did a chat for

0:25:40.359 --> 0:25:43.600
<v Speaker 1>Skylight with him, which felt like a podcast because it

0:25:43.680 --> 0:25:46.840
<v Speaker 1>was in uh it was during lockdown, so anytime you

0:25:46.880 --> 0:25:49.120
<v Speaker 1>get on Zoom with him, Mike, it feels like you're

0:25:49.160 --> 0:25:51.600
<v Speaker 1>touring a podcast. But I think I think that was

0:25:51.680 --> 0:25:54.600
<v Speaker 1>for Skylight, but I'm sure that they have that saved

0:25:54.640 --> 0:25:57.119
<v Speaker 1>somewhere to Skylight Books. We did it, Molly and I

0:25:57.160 --> 0:26:00.200
<v Speaker 1>did a chat with Colin Dicky for Skylight of his

0:26:00.560 --> 0:26:04.800
<v Speaker 1>book The Unidentified, which is extremely niccall and highly recommended

0:26:04.840 --> 0:26:08.000
<v Speaker 1>and highly recommended. If we're missing a good Um, all

0:26:08.000 --> 0:26:12.320
<v Speaker 1>the books from the book club are are still out there. Yeah, yeah, consumed,

0:26:12.480 --> 0:26:15.199
<v Speaker 1>but especially that one. Yeah. I definitely get all the

0:26:15.200 --> 0:26:20.240
<v Speaker 1>podcasting and just regular zooming I've been doing mixed up.

0:26:20.400 --> 0:26:24.440
<v Speaker 1>They just totally fixed Mike's to our heads at the beginning,

0:26:24.720 --> 0:26:29.800
<v Speaker 1>it's just coppercorn style and if we're just broadcasting somewhere

0:26:29.800 --> 0:26:33.920
<v Speaker 1>all the time, there's plenty to discover Patrick. So yeah, hopefully,

0:26:34.480 --> 0:26:37.920
<v Speaker 1>hopefully that will say your your desire for crypto chat.

0:26:38.600 --> 0:26:43.080
<v Speaker 1>Speaking of the Unidentified, I feel like we should probably

0:26:43.280 --> 0:26:47.360
<v Speaker 1>discuss this freaking monolith that's been popping up all over

0:26:47.440 --> 0:26:50.240
<v Speaker 1>the world, because it popped up when we were off

0:26:50.359 --> 0:26:53.800
<v Speaker 1>last week, and it just feels like such bait for

0:26:53.920 --> 0:26:57.240
<v Speaker 1>us UM and we obviously got a lot of tweets

0:26:57.280 --> 0:26:59.640
<v Speaker 1>and and and people wanted us to talk about this

0:27:00.520 --> 0:27:03.879
<v Speaker 1>UM and it feels a little bit like just weird

0:27:03.920 --> 0:27:06.520
<v Speaker 1>timing that it's again that it's coming out as soon

0:27:06.560 --> 0:27:10.159
<v Speaker 1>as we're we're ending the show. But what do you

0:27:10.240 --> 0:27:12.320
<v Speaker 1>what do you guys think of this monolitht you mean

0:27:12.520 --> 0:27:17.160
<v Speaker 1>these monoliths, these monoliths the yeah, there's three. Didn't want

0:27:17.240 --> 0:27:19.160
<v Speaker 1>when you try disappear and people were saying like, oh,

0:27:19.240 --> 0:27:23.480
<v Speaker 1>it reappeared in Romania, and I think there are three

0:27:23.520 --> 0:27:25.960
<v Speaker 1>separate monoliths. I didn't even know about the third one.

0:27:26.720 --> 0:27:31.720
<v Speaker 1>I have a spoiler on the first one, but spoil away. Well,

0:27:32.160 --> 0:27:34.679
<v Speaker 1>it's like the most boring thing it could be is

0:27:34.760 --> 0:27:39.800
<v Speaker 1>that West World was filming nearby, so people think it

0:27:39.920 --> 0:27:43.840
<v Speaker 1>was a prank by some West World set deck people,

0:27:45.119 --> 0:27:50.439
<v Speaker 1>and yeah, I mean human hands were clearly involved. It

0:27:50.520 --> 0:27:54.440
<v Speaker 1>did not have the markings of an alien thing where

0:27:54.440 --> 0:27:56.640
<v Speaker 1>you can't tell how it got there at all. They

0:27:56.640 --> 0:28:00.280
<v Speaker 1>were like, this is clearly like somebody drilled here and

0:28:00.640 --> 0:28:06.320
<v Speaker 1>maybe an alien drilled there. Maybe, But I just feel

0:28:06.359 --> 0:28:10.000
<v Speaker 1>like it being a West World thing is is the

0:28:10.080 --> 0:28:14.720
<v Speaker 1>dumbest thing it could be. So yeah, I mean, would

0:28:14.720 --> 0:28:18.040
<v Speaker 1>they still sick that kind of I don't know. I guess.

0:28:18.119 --> 0:28:20.320
<v Speaker 1>Actually we were off the pod too when I got

0:28:20.359 --> 0:28:24.360
<v Speaker 1>really into Stonehenge in the last couple of weeks. Oh,

0:28:24.400 --> 0:28:26.840
<v Speaker 1>I think you talked about Stonehenge something. Maybe that was

0:28:26.880 --> 0:28:29.520
<v Speaker 1>also a bonus episode or just me talking to you

0:28:29.600 --> 0:28:32.280
<v Speaker 1>and being like, yo, we gotta talk about stone. And

0:28:34.200 --> 0:28:38.360
<v Speaker 1>there's a bunch of National Geographic specials on Disney Plus

0:28:38.360 --> 0:28:43.000
<v Speaker 1>that I watched that are about ancient monoliths, uh and

0:28:43.080 --> 0:28:46.080
<v Speaker 1>some of the stuff we've been talking about mounds, ancient

0:28:46.200 --> 0:28:52.040
<v Speaker 1>burial sites, mountain rids and they're all really cool. Um,

0:28:52.120 --> 0:28:53.720
<v Speaker 1>but some of that stuff too, it's like they still

0:28:53.720 --> 0:28:57.560
<v Speaker 1>don't know how it was done, which is why they

0:28:57.680 --> 0:29:01.120
<v Speaker 1>say it's ancient aliens. This. They're just like this was

0:29:01.160 --> 0:29:03.640
<v Speaker 1>made out of aluminum and well and like Well died,

0:29:03.800 --> 0:29:08.400
<v Speaker 1>and then the Romanian one is allegedly more poorly welded. Yeah,

0:29:08.600 --> 0:29:11.000
<v Speaker 1>I am like number one would love to believe and

0:29:11.240 --> 0:29:14.160
<v Speaker 1>the like it just being like a glitch in the

0:29:14.200 --> 0:29:18.480
<v Speaker 1>matrix or something, or you know that we're about to enter, uh,

0:29:18.800 --> 0:29:23.360
<v Speaker 1>the next phase of human evolution or whatever because of

0:29:23.920 --> 0:29:29.480
<v Speaker 1>big daddy monolith dropping down on Earth. But yeah, it

0:29:29.600 --> 0:29:32.480
<v Speaker 1>feels as soon as the one popped up, and I

0:29:32.480 --> 0:29:35.280
<v Speaker 1>think if it was just the single one in Utah,

0:29:35.640 --> 0:29:38.440
<v Speaker 1>I think I could be pleasantly mystified by it. But

0:29:38.520 --> 0:29:40.800
<v Speaker 1>I think that it continued to have It's like this

0:29:40.920 --> 0:29:45.160
<v Speaker 1>continuing story that's been picked up. It just feels a

0:29:45.200 --> 0:29:49.880
<v Speaker 1>little orchestrated. It feels like, do you guys remember I

0:29:49.920 --> 0:29:51.920
<v Speaker 1>was really like, this is such an early I mean

0:29:51.960 --> 0:29:56.880
<v Speaker 1>not early early Internet but like middle middle Internet mystery.

0:29:57.240 --> 0:29:59.040
<v Speaker 1>Do you remember this? And this is like an artist

0:29:59.040 --> 0:30:01.760
<v Speaker 1>that exists now. But it was like a YouTube account

0:30:01.840 --> 0:30:04.680
<v Speaker 1>called I am am I Who am I? Do you

0:30:04.680 --> 0:30:07.120
<v Speaker 1>guys remember seeing this song? Yeah? Yeah, yeah, this was

0:30:07.160 --> 0:30:09.960
<v Speaker 1>big on. Oh no they didn't. They were like convinced

0:30:10.000 --> 0:30:13.080
<v Speaker 1>it was Christina Aguilera. But then it was just a

0:30:13.160 --> 0:30:16.760
<v Speaker 1>random person. Yeah, it was just like a random like

0:30:16.840 --> 0:30:21.240
<v Speaker 1>European singer songwriter or something. It was very people thought

0:30:21.240 --> 0:30:23.080
<v Speaker 1>it was Gaga and this was like kind of early

0:30:23.120 --> 0:30:26.600
<v Speaker 1>in Gaga being around. But they were these very kind

0:30:26.640 --> 0:30:33.320
<v Speaker 1>of evocative music videos with um like kind of snippets

0:30:33.360 --> 0:30:36.600
<v Speaker 1>of songs and then some animal which show up somewhere

0:30:36.600 --> 0:30:39.000
<v Speaker 1>in the middle of it. And they would come out

0:30:39.080 --> 0:30:41.680
<v Speaker 1>like every couple of weeks, and I remember whatever job

0:30:41.720 --> 0:30:44.040
<v Speaker 1>I had at the time, we were all super into

0:30:44.120 --> 0:30:46.240
<v Speaker 1>it and like, oh, what's the next one, Like, you know,

0:30:46.520 --> 0:30:49.200
<v Speaker 1>we have another clue. And then it's just like a

0:30:49.280 --> 0:30:51.959
<v Speaker 1>marketing campaign for an artist that I never ended up

0:30:52.000 --> 0:30:55.040
<v Speaker 1>caring about. Really, I still get like press releases for

0:30:55.560 --> 0:30:57.640
<v Speaker 1>I am am I, who am I? Or whatever her

0:30:57.720 --> 0:31:00.840
<v Speaker 1>name is now? Um, but yeah, uh it's it's so

0:31:00.920 --> 0:31:03.880
<v Speaker 1>it's like, you know, you get burned one which is

0:31:03.920 --> 0:31:06.880
<v Speaker 1>not even really being burned. It's just like somebody doing

0:31:06.960 --> 0:31:10.440
<v Speaker 1>something interesting, but somebody doing a little project is not.

0:31:10.800 --> 0:31:12.520
<v Speaker 1>You know, it can be fun, but it's not as

0:31:12.520 --> 0:31:19.200
<v Speaker 1>fun as a real monolith from Alien Yes from Alias, Like, yeah,

0:31:19.400 --> 0:31:25.280
<v Speaker 1>so my son whom I've been tweeting about because he's

0:31:25.280 --> 0:31:28.640
<v Speaker 1>making websites and it's just like can't handle that he's

0:31:28.680 --> 0:31:31.080
<v Speaker 1>that old that he's making websites. But I told him

0:31:31.080 --> 0:31:34.440
<v Speaker 1>about the Monolith, and he he was very certain that

0:31:34.600 --> 0:31:40.080
<v Speaker 1>it was people basically doing I r L. Easter Eggs

0:31:40.520 --> 0:31:44.880
<v Speaker 1>because everyone's been kind of like driven so insane and

0:31:45.080 --> 0:31:48.160
<v Speaker 1>bored by quarantine that he thought it was someone like

0:31:48.640 --> 0:31:51.720
<v Speaker 1>making life more video game like. And I was like,

0:31:51.800 --> 0:31:55.160
<v Speaker 1>that's great. I really want to believe that. But Molly's

0:31:55.200 --> 0:31:58.400
<v Speaker 1>West World thing, like, yeah, that that also sounds reasonable.

0:31:58.440 --> 0:32:01.160
<v Speaker 1>I wish I weren't so cynical. Yeah, and I wish

0:32:01.200 --> 0:32:05.800
<v Speaker 1>I just thought it was Aliens, real monolithe as a treat,

0:32:06.000 --> 0:32:09.720
<v Speaker 1>like come as a treat. Yeah, yeah, No, it reminds

0:32:09.760 --> 0:32:14.440
<v Speaker 1>me of the random nodding that we talked about earlier. Um,

0:32:14.480 --> 0:32:16.760
<v Speaker 1>but if it's a marketing thing, that again, like that

0:32:16.920 --> 0:32:19.000
<v Speaker 1>just makes it less fun. It's also like, if it's

0:32:19.040 --> 0:32:23.160
<v Speaker 1>just a person, do we a random thing just sort

0:32:23.200 --> 0:32:27.120
<v Speaker 1>of a disruptive thing with no purpose, like just in

0:32:27.200 --> 0:32:32.160
<v Speaker 1>an for its own ends. Um, that's also interesting and

0:32:32.240 --> 0:32:36.160
<v Speaker 1>kind of cool, I think, yeah, um, and mysterious because

0:32:36.480 --> 0:32:42.000
<v Speaker 1>you know it doesn't end in commerce. Uh, it makes

0:32:42.040 --> 0:32:44.920
<v Speaker 1>me want to do that because I am so bored

0:32:45.000 --> 0:32:47.360
<v Speaker 1>that I want to I want there to be like

0:32:47.400 --> 0:32:50.520
<v Speaker 1>more to chew on mentally. Uh. And it made me think,

0:32:50.560 --> 0:32:53.560
<v Speaker 1>like what would I put in random places for people

0:32:53.600 --> 0:32:56.640
<v Speaker 1>to think was placed there by aliens? I feel like

0:32:56.800 --> 0:32:58.920
<v Speaker 1>when I was a kid in like playing in the

0:32:58.960 --> 0:33:03.160
<v Speaker 1>woods and around Tacoma, like we would always this is

0:33:03.160 --> 0:33:05.080
<v Speaker 1>like a four Blair witch, but we would always like

0:33:05.120 --> 0:33:08.120
<v Speaker 1>put up scary ominous like stick figures and stuff to

0:33:08.240 --> 0:33:11.160
<v Speaker 1>scare people if you're running around, just to like be like,

0:33:11.160 --> 0:33:12.840
<v Speaker 1>oh my go then and then you know, walk up

0:33:12.880 --> 0:33:16.560
<v Speaker 1>and be like, oh my god, what's that? You know? Wait,

0:33:16.600 --> 0:33:19.600
<v Speaker 1>so are you the dog Man of the woods. Yes,

0:33:19.680 --> 0:33:23.720
<v Speaker 1>I'm the original dog man. It's been on the Squawk.

0:33:24.320 --> 0:33:26.840
<v Speaker 1>Tess is going to go looking for the Wolfman and

0:33:26.880 --> 0:33:31.520
<v Speaker 1>just find unifind Yeah, in the woods nanotent. Yeah. So

0:33:31.560 --> 0:33:34.800
<v Speaker 1>that's I guess that's that a analyst, I guess I wish.

0:33:34.920 --> 0:33:36.960
<v Speaker 1>I guess we all wish we could be a little

0:33:36.960 --> 0:33:40.200
<v Speaker 1>more um, we could suspend our disbelief a bit more.

0:33:40.240 --> 0:33:42.840
<v Speaker 1>It's like the ancient aliens thing. It's like it's even

0:33:42.880 --> 0:33:46.440
<v Speaker 1>cooler that human beings did it, And it's dumb that

0:33:46.520 --> 0:33:50.520
<v Speaker 1>we think we're smarter than those human beings in any way. Uh,

0:33:50.600 --> 0:33:53.760
<v Speaker 1>because humans are just like the same level of smart

0:33:54.040 --> 0:33:57.560
<v Speaker 1>all the time in my opinion, Wait, what do you mean,

0:33:58.760 --> 0:34:01.600
<v Speaker 1>just that like people are like, oh, people in the past,

0:34:01.760 --> 0:34:03.880
<v Speaker 1>like they were able to build these things that like

0:34:03.920 --> 0:34:07.560
<v Speaker 1>we can't even build them now. It's like, yeah, maybe

0:34:07.600 --> 0:34:10.200
<v Speaker 1>they didn't have all the technology that we have now,

0:34:10.280 --> 0:34:15.399
<v Speaker 1>but they could still have even more other ancient technology

0:34:15.440 --> 0:34:18.720
<v Speaker 1>that we don't know how to do now. So you're saying,

0:34:18.840 --> 0:34:22.880
<v Speaker 1>don't ascribe the magic of the monoliths to aliens because

0:34:22.960 --> 0:34:27.359
<v Speaker 1>humans and or the marketing department of HBO have, you know,

0:34:27.840 --> 0:34:32.439
<v Speaker 1>our ingenious in their own right. They can get it done.

0:34:32.840 --> 0:34:36.799
<v Speaker 1>It's cool. It's just like real stonehenge is cool enough,

0:34:37.120 --> 0:34:41.080
<v Speaker 1>is what I'm saying. We don't need fake monoliths because

0:34:41.120 --> 0:34:45.080
<v Speaker 1>real monoliths are amazing. Um. And the fact that like

0:34:45.239 --> 0:34:52.480
<v Speaker 1>anything that ancient has been standing that long anywhere is cool. Um.

0:34:52.520 --> 0:34:55.360
<v Speaker 1>This reminds me there's a fake there's a fake stonehenge

0:34:55.400 --> 0:34:58.960
<v Speaker 1>in Washington State that I went to that I've almost

0:34:58.960 --> 0:35:01.839
<v Speaker 1>blocked from my memory because it was yes, somebody thing

0:35:01.880 --> 0:35:07.960
<v Speaker 1>about it. Yeah, it's a Mary Hill, Washington. Uh, the

0:35:07.960 --> 0:35:11.279
<v Speaker 1>American Stonehenge. It's like a super weird, wavy gravy town

0:35:11.440 --> 0:35:14.719
<v Speaker 1>and like southern Washington, I believe, kind of close to

0:35:14.719 --> 0:35:20.200
<v Speaker 1>the Oregon border. That's what you're saying. If you need

0:35:20.239 --> 0:35:24.400
<v Speaker 1>to migrate northward because the fires have have pushed everybody out,

0:35:24.440 --> 0:35:27.440
<v Speaker 1>then Mary Hill, Washington is the place to be. Yeah,

0:35:27.520 --> 0:35:30.959
<v Speaker 1>you're saying it's hippie dippy and it has its own stonehenge.

0:35:31.320 --> 0:35:35.400
<v Speaker 1>I am moving there. Yeah, what's the stonehege? Mate? Is

0:35:35.400 --> 0:35:38.680
<v Speaker 1>it like in a way to recreate it? Is it

0:35:38.760 --> 0:35:42.839
<v Speaker 1>made out of like foam or something concrete? Uh, it's

0:35:42.880 --> 0:35:47.719
<v Speaker 1>a I guess some World War One memorial. Um. But

0:35:47.960 --> 0:35:51.359
<v Speaker 1>I recall the vibe and I'm gonna link it here

0:35:51.440 --> 0:35:53.480
<v Speaker 1>so you guys can see. I recall the vibe in

0:35:53.520 --> 0:35:57.280
<v Speaker 1>the town being not like I don't know. I wouldn't

0:35:57.320 --> 0:35:59.360
<v Speaker 1>have guessed that it was a World War One memorial

0:35:59.440 --> 0:36:01.680
<v Speaker 1>just because it felt like a very new a g town.

0:36:02.320 --> 0:36:05.440
<v Speaker 1>Um there it is. I was very young when I

0:36:05.480 --> 0:36:09.480
<v Speaker 1>went there, so I don't remember. Yeah, I mean, you know,

0:36:10.120 --> 0:36:14.320
<v Speaker 1>people love to put up a monolith in Nebraska. There's

0:36:14.360 --> 0:36:19.160
<v Speaker 1>also Carhinge, which I have always wanted to see, which

0:36:19.239 --> 0:36:22.520
<v Speaker 1>is the stonehenge made out of of old cars. That

0:36:22.560 --> 0:36:25.239
<v Speaker 1>have been spray painted gray. I just love land art.

0:36:25.320 --> 0:36:28.840
<v Speaker 1>Give me land art. Well. The thing about Stonehenge that

0:36:29.080 --> 0:36:31.640
<v Speaker 1>people don't understand is that the stones are so heavy

0:36:31.680 --> 0:36:35.480
<v Speaker 1>that nobody knows how people could have moved them, the individuals,

0:36:35.480 --> 0:36:38.839
<v Speaker 1>because they're not It's not like the Pyramids where there

0:36:38.880 --> 0:36:41.680
<v Speaker 1>you know, it's just a feat of engineering. But like

0:36:41.760 --> 0:36:43.960
<v Speaker 1>people are just like literally like how could anybody have

0:36:44.080 --> 0:36:47.160
<v Speaker 1>picked that up without a huge crane or some kind

0:36:47.160 --> 0:36:51.960
<v Speaker 1>of machinery or something. That's the that's the mystery of Stonehinge. Right.

0:36:52.160 --> 0:36:54.239
<v Speaker 1>One of the things about the Pyramids those that they

0:36:54.320 --> 0:36:56.760
<v Speaker 1>found out that some of the blocks had been cast

0:36:57.000 --> 0:36:59.960
<v Speaker 1>into specific shapes. I believe it was like early car

0:37:00.120 --> 0:37:03.239
<v Speaker 1>create uh, which again just things. They were like, oh,

0:37:03.280 --> 0:37:05.239
<v Speaker 1>we didn't know that they knew how to do that.

0:37:05.360 --> 0:37:10.719
<v Speaker 1>It's like, yeah, because you're fucking dumb. You're not You're

0:37:11.200 --> 0:37:15.080
<v Speaker 1>not as smart as the ancient Egyptians. We only wish

0:37:15.160 --> 0:37:23.080
<v Speaker 1>we had concrete. Now, all right, monolith sorted verdicts in um.

0:37:23.160 --> 0:37:25.680
<v Speaker 1>Do you guys have any other favorite episodes of the podcast?

0:37:25.719 --> 0:37:29.000
<v Speaker 1>You just talked about that Dan Hernandez episode and some

0:37:29.080 --> 0:37:34.480
<v Speaker 1>of our other cryptic heavy episodes. Oh, I sure, do um.

0:37:34.520 --> 0:37:36.680
<v Speaker 1>One of the we've talked about this again and again

0:37:36.800 --> 0:37:41.919
<v Speaker 1>because it was a really memorable arc was the Woodworker

0:37:42.239 --> 0:37:46.399
<v Speaker 1>slash Murder Board Adventure and that that played out over

0:37:46.520 --> 0:37:50.840
<v Speaker 1>a lot of different episodes because just when we thought

0:37:51.320 --> 0:37:54.480
<v Speaker 1>that the chapter had been closed on the Murder Board,

0:37:55.000 --> 0:37:57.200
<v Speaker 1>it opened back up with a new update. And for

0:37:57.239 --> 0:38:01.359
<v Speaker 1>people who have just recently joined into our podcast, uh,

0:38:01.840 --> 0:38:04.520
<v Speaker 1>we should give you a brief synopsis, which is that

0:38:04.560 --> 0:38:08.040
<v Speaker 1>a man, a woodworker, was UM. He had a commission

0:38:08.120 --> 0:38:11.680
<v Speaker 1>come in to make a Weigi board or a Hui

0:38:11.840 --> 0:38:16.040
<v Speaker 1>jaw board out of a piece of wood that UM

0:38:16.360 --> 0:38:20.680
<v Speaker 1>was supposedly from somehow involved in a murder scene and

0:38:20.719 --> 0:38:25.000
<v Speaker 1>had bloodstains on it, and the commission was canceled because

0:38:25.200 --> 0:38:29.239
<v Speaker 1>the commissioner's mom, I think, was like, oh no, You're

0:38:29.280 --> 0:38:32.160
<v Speaker 1>not gonna get a creepy, haunted piece of wood in

0:38:32.200 --> 0:38:35.799
<v Speaker 1>our house. So the woodworker had nothing, had like no

0:38:35.840 --> 0:38:39.040
<v Speaker 1>idea what to do with this thing, and our listeners

0:38:39.080 --> 0:38:42.799
<v Speaker 1>called in. We got everyone invited it involved in advising

0:38:43.280 --> 0:38:46.360
<v Speaker 1>the woodworker on what to do, and eventually the Murder

0:38:46.440 --> 0:38:50.160
<v Speaker 1>Board ended up at the Paranormal Museum, which is yeah,

0:38:50.360 --> 0:38:53.920
<v Speaker 1>just like an incredible just Kisma of all of our

0:38:54.680 --> 0:38:58.160
<v Speaker 1>interest in us connecting the right people. I love It's

0:38:58.200 --> 0:39:00.279
<v Speaker 1>honestly not just the highlight of our show, like a

0:39:00.360 --> 0:39:04.520
<v Speaker 1>highlight of my life that we were at all involved

0:39:04.560 --> 0:39:09.920
<v Speaker 1>in this. It's a professional achievement honestly for all of us. Definitely. Yeah,

0:39:10.000 --> 0:39:12.839
<v Speaker 1>that was just like a trade like that. That's like

0:39:13.320 --> 0:39:15.880
<v Speaker 1>once that started getting going and I was just like,

0:39:15.920 --> 0:39:20.000
<v Speaker 1>this is why we were doing this podcast? Yeah exactly. Um,

0:39:20.120 --> 0:39:22.799
<v Speaker 1>that was so Yeah. I never knew what was going

0:39:22.880 --> 0:39:26.520
<v Speaker 1>to happen next with you. I also really loved UM

0:39:26.640 --> 0:39:29.440
<v Speaker 1>when we had carvel on and we talked about like

0:39:29.600 --> 0:39:32.400
<v Speaker 1>food forbidden foods basically like foods that we felt like

0:39:32.440 --> 0:39:34.319
<v Speaker 1>we're unethical to eat. And I think we also talked

0:39:34.320 --> 0:39:37.399
<v Speaker 1>about sea horses in there. But that was when we

0:39:37.400 --> 0:39:41.160
<v Speaker 1>were recording at UM, this little studio. We were a

0:39:41.200 --> 0:39:44.600
<v Speaker 1>different platform, and there was just something funny about the

0:39:44.640 --> 0:39:47.360
<v Speaker 1>studio that we were recording in, Like I just it

0:39:47.440 --> 0:39:50.160
<v Speaker 1>was so just had to be there. It was really small,

0:39:50.920 --> 0:39:54.440
<v Speaker 1>it was really hot in there. That's a whole side podcast,

0:39:54.560 --> 0:39:59.440
<v Speaker 1>the story of our our old studio. It made me

0:40:00.000 --> 0:40:02.279
<v Speaker 1>thinking about like every time we had a guest in there,

0:40:02.360 --> 0:40:05.960
<v Speaker 1>we would all just get like so sweaty and then

0:40:06.000 --> 0:40:08.719
<v Speaker 1>we would just laugh. But the one with the one

0:40:08.760 --> 0:40:11.560
<v Speaker 1>with Carvel I remember because I would be recording in

0:40:11.600 --> 0:40:16.799
<v Speaker 1>New York for that UM and I sometimes it was

0:40:16.840 --> 0:40:19.279
<v Speaker 1>like hard, especially if there was a guest there and

0:40:19.320 --> 0:40:21.759
<v Speaker 1>so I was a lone remote person to like kind

0:40:21.760 --> 0:40:24.600
<v Speaker 1>of you know, get into the rhythm of it. But

0:40:24.640 --> 0:40:26.879
<v Speaker 1>like that Carvel one, I just remember feeling like, oh,

0:40:26.920 --> 0:40:29.560
<v Speaker 1>I was there in the room and I was silly

0:40:29.680 --> 0:40:33.440
<v Speaker 1>vibes with everybody. That was a good one. That was

0:40:33.480 --> 0:40:45.480
<v Speaker 1>a really good one. What about you guys? God, I

0:40:45.520 --> 0:40:48.239
<v Speaker 1>have so many I think like a little I guess

0:40:48.239 --> 0:40:50.880
<v Speaker 1>this is about a year ago. Uh. We did a

0:40:50.920 --> 0:40:55.719
<v Speaker 1>couple of episodes with Tom O'Neill, who wrote Chaos, the

0:40:56.520 --> 0:40:59.840
<v Speaker 1>Charles Manson book UM, which was one of my favorite

0:40:59.880 --> 0:41:03.840
<v Speaker 1>things that we read for this podcast, And both of

0:41:03.840 --> 0:41:06.520
<v Speaker 1>those episodes are great. When is um one was a

0:41:06.680 --> 0:41:09.439
<v Speaker 1>bonus up and then when I was on the main

0:41:09.560 --> 0:41:12.480
<v Speaker 1>feed and he was just like a fascinating guest and

0:41:12.520 --> 0:41:14.920
<v Speaker 1>like just our kind of favorite, like you know, like

0:41:14.960 --> 0:41:17.239
<v Speaker 1>a true journalist who will just like shoot the ship

0:41:17.280 --> 0:41:20.239
<v Speaker 1>about anything um and here. Yeah, and it was a

0:41:20.280 --> 0:41:23.120
<v Speaker 1>fascinating book and he was just like an endless font

0:41:23.160 --> 0:41:26.759
<v Speaker 1>of information. Um, and yeah, he was one of my

0:41:26.800 --> 0:41:29.800
<v Speaker 1>favorite guests for sure. Yeah, he was incredible. Actually he

0:41:31.120 --> 0:41:33.319
<v Speaker 1>talking to Tom, you definitely get the sense that he

0:41:33.360 --> 0:41:38.280
<v Speaker 1>needs his own show totally. Yeah. I just like, yeah,

0:41:38.440 --> 0:41:41.399
<v Speaker 1>I don't know how he like because that that book

0:41:41.400 --> 0:41:43.720
<v Speaker 1>was such a long term project and he was working

0:41:43.719 --> 0:41:46.920
<v Speaker 1>out forever and ever. I don't know how, like anybody

0:41:47.040 --> 0:41:49.520
<v Speaker 1>keeps something like that to themselves, like of course, like

0:41:49.560 --> 0:41:51.319
<v Speaker 1>once it's out, you just want to talk about it

0:41:51.400 --> 0:41:53.960
<v Speaker 1>endlessly because you've been like sitting on it for decades

0:41:54.080 --> 0:41:57.879
<v Speaker 1>or whatever. That. Yeah, that highly recommended revisiting that one.

0:41:58.160 --> 0:42:01.040
<v Speaker 1>Seems like he had a lot of problems not talking

0:42:01.040 --> 0:42:04.040
<v Speaker 1>to people about the Manson murders for like ten years

0:42:04.080 --> 0:42:08.320
<v Speaker 1>of his life, which I very much understand. Yeah. Yeah, Um,

0:42:08.360 --> 0:42:13.800
<v Speaker 1>I loved We loved having Darcy Wilder we're talking about. Um.

0:42:13.880 --> 0:42:16.279
<v Speaker 1>I loved having Nicki Mayor and on recently to talk

0:42:16.320 --> 0:42:20.200
<v Speaker 1>about the Vow. Nikki was awesome. Yeah, that was one

0:42:20.239 --> 0:42:23.360
<v Speaker 1>of our best recent episodes, I would say, and also

0:42:23.400 --> 0:42:27.719
<v Speaker 1>did bonus episodes with her too about the Vow. Super fun.

0:42:28.400 --> 0:42:32.680
<v Speaker 1>There is like a good era of like genuine uncut weirdness.

0:42:32.960 --> 0:42:37.280
<v Speaker 1>Courtesy of UM when of her former producers Rachel Jacobs

0:42:37.320 --> 0:42:41.959
<v Speaker 1>at Audio Boom, but she was the one who brought

0:42:42.000 --> 0:42:47.320
<v Speaker 1>to our attention the Plague Mask a s MR, which

0:42:47.440 --> 0:42:51.359
<v Speaker 1>was a guy on YouTube who whispers at you through

0:42:51.440 --> 0:42:55.200
<v Speaker 1>a plague mask and it's this weird, sort of scary

0:42:55.239 --> 0:43:00.720
<v Speaker 1>goth but also a s m R video audio experience UM,

0:43:00.760 --> 0:43:04.920
<v Speaker 1>which just yeah, I felt like true, true dark corners

0:43:04.960 --> 0:43:07.719
<v Speaker 1>of the Internet, and it was very fun to get

0:43:07.760 --> 0:43:11.400
<v Speaker 1>into that with her. That's in an episode called Connecticut,

0:43:11.600 --> 0:43:15.799
<v Speaker 1>Connecticut Muffin in Honeybrain's Court, just to give you a

0:43:15.920 --> 0:43:18.359
<v Speaker 1>vibe of the true data is UM that we were

0:43:18.360 --> 0:43:23.080
<v Speaker 1>working in it. That was great. Yeah, We've had so

0:43:23.120 --> 0:43:27.359
<v Speaker 1>many good guests over the years, Meredith Whittaker. I mean there, yeah,

0:43:27.360 --> 0:43:30.040
<v Speaker 1>there's so many people. Andrew T we had a really

0:43:30.040 --> 0:43:33.560
<v Speaker 1>really like funny, silly episode. I I didn't get to

0:43:33.600 --> 0:43:35.640
<v Speaker 1>be on the episode with Andrew T. Yeah, that was

0:43:35.680 --> 0:43:37.680
<v Speaker 1>when I was out, But that was a great episode.

0:43:37.719 --> 0:43:40.800
<v Speaker 1>Love listening to it. Next Incarnation, Emily are not allowed

0:43:40.840 --> 0:43:46.160
<v Speaker 1>to leave leave zone? Yeah, no traveling for you know.

0:43:46.760 --> 0:43:51.000
<v Speaker 1>All right, let's get back into the voicemail bag. I

0:43:51.040 --> 0:43:54.080
<v Speaker 1>can't decide if it's a bag or a box. It's

0:43:54.080 --> 0:43:59.479
<v Speaker 1>both and neither. High Night Calls me. I was good

0:43:59.600 --> 0:44:02.400
<v Speaker 1>to hear about the pod coming to an end. It

0:44:02.520 --> 0:44:07.319
<v Speaker 1>really offered something different in my weekly routine and I'm

0:44:07.600 --> 0:44:10.560
<v Speaker 1>so sad to see it go. I was wondering if

0:44:10.640 --> 0:44:14.240
<v Speaker 1>you could send us off with some recommendations on ways

0:44:14.320 --> 0:44:18.160
<v Speaker 1>to begin to start to or try to fill the

0:44:18.200 --> 0:44:21.960
<v Speaker 1>cosmic void left by Night Call fading into the ether.

0:44:22.640 --> 0:44:24.399
<v Speaker 1>Thanks again for so many good years, and I wish

0:44:24.400 --> 0:44:28.239
<v Speaker 1>you all the best. By great question, how do we

0:44:28.280 --> 0:44:31.560
<v Speaker 1>fill our own cosmic void? Well, I mean there are

0:44:31.600 --> 0:44:35.839
<v Speaker 1>some a couple of really obvious to me. Answer is

0:44:35.880 --> 0:44:40.200
<v Speaker 1>one of which is Molly's upcoming pod also from from

0:44:40.200 --> 0:44:43.640
<v Speaker 1>My Heart, which I know you announced on Twitter, Molly.

0:44:43.760 --> 0:44:44.960
<v Speaker 1>But if you want to give a little more of

0:44:44.960 --> 0:44:50.160
<v Speaker 1>a teaser, Oh sure, I am doing a podcast about Hollywood,

0:44:50.200 --> 0:44:54.040
<v Speaker 1>Madam Heidi Flice that I'm super excited about. That is

0:44:55.040 --> 0:44:59.240
<v Speaker 1>my new under the Silver Lake like obsession, a lifelog

0:44:59.280 --> 0:45:03.600
<v Speaker 1>obsession that I'm excited to make a podcast about. Um,

0:45:03.640 --> 0:45:06.680
<v Speaker 1>it's gonna be a lot of weird l a history

0:45:06.760 --> 0:45:09.799
<v Speaker 1>and stuff like that too, So definitely if you like

0:45:09.960 --> 0:45:13.120
<v Speaker 1>Nightcall check it out. Um, it'll be out next year.

0:45:13.480 --> 0:45:17.799
<v Speaker 1>That's gonna be great. I wanted to recommend UH Kate

0:45:17.880 --> 0:45:23.360
<v Speaker 1>Wrath podcast UM Hot and Rich, which is a three

0:45:23.360 --> 0:45:26.680
<v Speaker 1>times a week Twitch show on Monday, Wednesday, and Friday

0:45:26.680 --> 0:45:30.440
<v Speaker 1>on Twitch. UM at Hot and Rich, friend of the

0:45:31.520 --> 0:45:35.239
<v Speaker 1>friend of the show specialist UM does. Yeah, she does

0:45:35.239 --> 0:45:40.200
<v Speaker 1>a great celebrity news round up UM talk show that

0:45:40.239 --> 0:45:44.200
<v Speaker 1>I think is just really cool and funny. And UM

0:45:44.239 --> 0:45:47.200
<v Speaker 1>Also Joan Haley Ford, who we had on the show

0:45:48.160 --> 0:45:52.560
<v Speaker 1>UM pretty recently, has does some really great like Twitch

0:45:53.200 --> 0:45:58.000
<v Speaker 1>horror hosting kind of stuff, like Elvira kind of stuff. UM.

0:45:58.160 --> 0:46:01.520
<v Speaker 1>She was doing a show about Fall called Fall Talk

0:46:01.760 --> 0:46:05.880
<v Speaker 1>Fall Chat. UM. But yeah, I think there are a

0:46:05.880 --> 0:46:10.839
<v Speaker 1>lot of people doing cool, weird, interesting stuff. UM. I'm

0:46:10.840 --> 0:46:12.880
<v Speaker 1>trying to think a more like straight podcast that I

0:46:12.920 --> 0:46:16.640
<v Speaker 1>listened to UM I Excitations Needed, which is a media

0:46:16.680 --> 0:46:22.120
<v Speaker 1>criticism podcast that is is really good. Well, I would

0:46:22.160 --> 0:46:27.360
<v Speaker 1>say my more recent like listen to them right away. UM.

0:46:27.560 --> 0:46:31.160
<v Speaker 1>Podcasts that I've been listening to recently UM are former

0:46:31.200 --> 0:46:36.520
<v Speaker 1>guests Justin Charity and Micro Peters's podcast Sound Only on

0:46:36.640 --> 0:46:40.320
<v Speaker 1>the Ringer Network, which is UM. It's a pop culture podcast.

0:46:40.400 --> 0:46:43.879
<v Speaker 1>It's a very specific to their interests and away that's

0:46:43.880 --> 0:46:45.680
<v Speaker 1>not exactly the same as ours, but I think is

0:46:45.680 --> 0:46:49.560
<v Speaker 1>similar in spirit where they're like really into some zones

0:46:49.600 --> 0:46:54.879
<v Speaker 1>of pop culture, mostly like anime, hip hop, and uh

0:46:55.120 --> 0:46:58.960
<v Speaker 1>just like internet weirdness. Um, and they're really fun, Like

0:46:59.000 --> 0:47:02.239
<v Speaker 1>their conversations are is really fun and digressive and stuff. Um.

0:47:02.640 --> 0:47:06.200
<v Speaker 1>I am a big fan of that one. I also

0:47:07.040 --> 0:47:09.960
<v Speaker 1>this is just like in the realm of of like

0:47:10.120 --> 0:47:13.560
<v Speaker 1>listening to something and learning something I had no idea about.

0:47:13.840 --> 0:47:16.239
<v Speaker 1>There's a great podcast called Bad Gays. It's on I

0:47:16.239 --> 0:47:19.680
<v Speaker 1>think it's third season. It's like more kind of you

0:47:19.800 --> 0:47:21.960
<v Speaker 1>just are listening to somebody, kind of in the style

0:47:22.000 --> 0:47:24.880
<v Speaker 1>of of Creana Long Worst Podcast and a couple of

0:47:24.960 --> 0:47:27.120
<v Speaker 1>day podcasts like you kind of are just like hearing

0:47:27.120 --> 0:47:29.400
<v Speaker 1>a story. It's a story being told to you about

0:47:29.680 --> 0:47:34.439
<v Speaker 1>different problematic or complicated queer figures in history. And there's

0:47:34.440 --> 0:47:37.920
<v Speaker 1>always something fascinated that that I learned in every episode. Um.

0:47:37.960 --> 0:47:39.520
<v Speaker 1>And they do a really good job with that. The

0:47:39.520 --> 0:47:42.880
<v Speaker 1>host of that, and then on the non podcast side,

0:47:43.480 --> 0:47:46.400
<v Speaker 1>Making Garvey just started a sub stack. Everybody started a

0:47:46.400 --> 0:47:49.239
<v Speaker 1>sub stack, but I think that she's put out one

0:47:49.280 --> 0:47:51.960
<v Speaker 1>issue so far. Um. I feel like it's going to

0:47:52.080 --> 0:47:57.440
<v Speaker 1>have some good spooky vibes, some good like weird Americana vibes.

0:47:57.680 --> 0:48:01.279
<v Speaker 1>That is definitely adjacent to the Night Call state of mind.

0:48:01.520 --> 0:48:04.000
<v Speaker 1>So I would recommend that it's called scary, cool, sad,

0:48:04.080 --> 0:48:07.000
<v Speaker 1>Goodbye and you can hop in now and be an

0:48:07.000 --> 0:48:10.480
<v Speaker 1>early adopter. Those are good racks. UM. I really like

0:48:10.560 --> 0:48:14.319
<v Speaker 1>Creature Feature Pod, which is also on I Heart UM

0:48:14.560 --> 0:48:18.480
<v Speaker 1>Friend of Pod Katie is really fascinating and cool. And

0:48:18.520 --> 0:48:22.839
<v Speaker 1>then in the same vein as that, um, Apologies Friend

0:48:22.880 --> 0:48:27.080
<v Speaker 1>of Pod Alie Ward's podcast. I am sure everyone already

0:48:27.280 --> 0:48:31.480
<v Speaker 1>knows about Apologies because it's way more famous than Night Call,

0:48:31.640 --> 0:48:35.120
<v Speaker 1>But I love Oologies. It's a really cool group of people.

0:48:35.160 --> 0:48:40.120
<v Speaker 1>Their their listenership reminds me of ours in many ways.

0:48:40.200 --> 0:48:43.080
<v Speaker 1>And I know that because I belong to the Facebook

0:48:43.120 --> 0:48:46.680
<v Speaker 1>group and I'm very I actively read all of that. UM.

0:48:46.719 --> 0:48:49.680
<v Speaker 1>I also really love see Jane Marie at sub stack

0:48:49.760 --> 0:48:52.560
<v Speaker 1>dot com. UM, friend of Pod Jane Marie's sub stack

0:48:52.680 --> 0:48:56.800
<v Speaker 1>is really really good. She's just cool. Yeah of her Yeah, Um,

0:48:57.080 --> 0:49:00.839
<v Speaker 1>those are my wrack. Her interests often on with our Yeah,

0:49:00.840 --> 0:49:04.200
<v Speaker 1>and she's very like no bullshit. You know. She has

0:49:04.200 --> 0:49:08.319
<v Speaker 1>a Friday bargain bin thing, and I don't normally like those,

0:49:08.400 --> 0:49:11.000
<v Speaker 1>but I read every word because I just love how

0:49:11.160 --> 0:49:14.080
<v Speaker 1>she's very frank. It's it's refreshing. I like it. She's

0:49:14.160 --> 0:49:21.319
<v Speaker 1>such a midwestern Er. It's great totally speaking of the Midwest. Um. Yeah,

0:49:21.400 --> 0:49:24.240
<v Speaker 1>I'm also almost like I need to start a freaking

0:49:24.239 --> 0:49:29.600
<v Speaker 1>sub stack. Everybody. You do, Oh my god, yours? Yeah, yours? Um.

0:49:29.640 --> 0:49:32.200
<v Speaker 1>I think we had a shout out to that in

0:49:32.280 --> 0:49:35.880
<v Speaker 1>a call, so maybe I'm repeating myself. Shout out to

0:49:35.880 --> 0:49:40.000
<v Speaker 1>the weather letter. Yeah, it's a tiny letter. It's it's

0:49:40.040 --> 0:49:42.520
<v Speaker 1>just just a tiny start to test this weather letter.

0:49:42.600 --> 0:49:45.680
<v Speaker 1>If you do. It's just I've been told it's like

0:49:45.800 --> 0:49:50.440
<v Speaker 1>too sad. No, it's no, it can be quite sad.

0:49:50.719 --> 0:49:54.680
<v Speaker 1>The cheers it is. The cheers. Well, that's a huge compliment.

0:49:55.280 --> 0:49:59.319
<v Speaker 1>I can't agree. But thank you. Making away in the

0:49:59.320 --> 0:50:04.480
<v Speaker 1>world today takes over everything you got. I wish we

0:50:04.520 --> 0:50:07.759
<v Speaker 1>could play the Cheers theme song at some point on

0:50:07.760 --> 0:50:10.560
<v Speaker 1>this episode. I think Doug will agree. We're probably allowed

0:50:10.600 --> 0:50:19.399
<v Speaker 1>to sing it. You can sing it. Well. I think

0:50:19.520 --> 0:50:28.200
<v Speaker 1>that is about all we got. It's everything we got. Yeah,

0:50:28.320 --> 0:50:31.239
<v Speaker 1>I'm I'm gonna be really sad to say goodbye to

0:50:31.360 --> 0:50:34.319
<v Speaker 1>night Call. But I also feel like it has been,

0:50:34.719 --> 0:50:37.000
<v Speaker 1>and I hope that our listeners feel this way as well.

0:50:37.680 --> 0:50:42.640
<v Speaker 1>It's been such a like cornucopia of cool ship that

0:50:42.760 --> 0:50:46.680
<v Speaker 1>I never would have spent time thinking about or learning

0:50:46.719 --> 0:50:51.239
<v Speaker 1>about if I hadn't been podcasting with Tess and Molly

0:50:51.360 --> 0:50:54.840
<v Speaker 1>and have this excuse to gather around a microphone every

0:50:54.840 --> 0:50:58.440
<v Speaker 1>week and and get into the weird corners of the world.

0:50:58.760 --> 0:51:01.080
<v Speaker 1>It sounds cooty to say the word inspiration, but it's true,

0:51:01.080 --> 0:51:02.840
<v Speaker 1>like there's no other work because I've been like actually

0:51:02.880 --> 0:51:06.239
<v Speaker 1>inspired by the stuff that we've gotten into, like by

0:51:06.320 --> 0:51:09.160
<v Speaker 1>where my brain goes when we're talking about it, of

0:51:09.280 --> 0:51:12.640
<v Speaker 1>like written things based on stuff that we've talked about.

0:51:12.840 --> 0:51:15.239
<v Speaker 1>It's just it's like what I would want out of

0:51:15.360 --> 0:51:18.680
<v Speaker 1>a partnership like this, a show like this, especially as

0:51:18.680 --> 0:51:20.880
<v Speaker 1>a host, and hopefully as a listener. You got that

0:51:20.960 --> 0:51:23.319
<v Speaker 1>out of it as well. I definitely agree, and I

0:51:23.360 --> 0:51:27.080
<v Speaker 1>think um one of the other things that we we

0:51:27.120 --> 0:51:29.120
<v Speaker 1>don't talk about a lot on the podcast, but we

0:51:29.480 --> 0:51:33.520
<v Speaker 1>when we podcasted together at grant Land, we were employees

0:51:33.680 --> 0:51:37.000
<v Speaker 1>and I'm really I don't want to say I'm proud

0:51:37.000 --> 0:51:40.000
<v Speaker 1>of us, because I already called my weather letter the

0:51:40.040 --> 0:51:44.920
<v Speaker 1>Tears of newsletters. But I am really proud of us,

0:51:45.400 --> 0:51:49.319
<v Speaker 1>yeah too, because it's you know, we're three friends, and

0:51:49.320 --> 0:51:52.200
<v Speaker 1>I'm really proud of how well we've worked together, and

0:51:52.280 --> 0:51:55.000
<v Speaker 1>I you know, I am very I'm so happy that

0:51:55.040 --> 0:51:57.600
<v Speaker 1>we had this experience. It's been so awesome, and I'm

0:51:57.600 --> 0:52:01.120
<v Speaker 1>even more excited to see what Emily and Molly do

0:52:01.320 --> 0:52:06.840
<v Speaker 1>because they really are just incredible people and just very, very,

0:52:06.920 --> 0:52:09.480
<v Speaker 1>the smartest people I know. I'm very proud to have

0:52:09.520 --> 0:52:15.640
<v Speaker 1>worked with you guys h from work. Yeah, I mean,

0:52:15.680 --> 0:52:20.520
<v Speaker 1>I'll always be grateful that Emily asked if we wanted

0:52:20.560 --> 0:52:23.759
<v Speaker 1>to do a podcast at Grantland UM, a show that

0:52:24.080 --> 0:52:28.960
<v Speaker 1>the network originally suggested, calling grant Land w NO. I

0:52:29.000 --> 0:52:31.080
<v Speaker 1>suggested it and it was a joke, and then I

0:52:31.120 --> 0:52:35.480
<v Speaker 1>realized nobody would get the joke. It was supposed to

0:52:35.480 --> 0:52:42.200
<v Speaker 1>be bad. I will take ownership, then became Girls in

0:52:42.280 --> 0:52:47.239
<v Speaker 1>Hoodies and then came back as Night Call. We're obviously

0:52:47.320 --> 0:52:51.400
<v Speaker 1>open to leaving the door open for another iteration in

0:52:51.760 --> 0:52:54.880
<v Speaker 1>the far off future, but at the very least I

0:52:54.920 --> 0:52:57.120
<v Speaker 1>have made Tess and Emily promise that we will do

0:52:57.800 --> 0:53:03.680
<v Speaker 1>on Eagles style raises over reunion concert with Mountains of

0:53:03.719 --> 0:53:09.600
<v Speaker 1>blow Uh. And yeah, I've been thinking a lot about

0:53:09.640 --> 0:53:14.440
<v Speaker 1>like who the different Nightcall uh members are in different bands,

0:53:14.880 --> 0:53:18.040
<v Speaker 1>because I was like, cool, which Eagles are we? I

0:53:18.080 --> 0:53:23.280
<v Speaker 1>feel like, uh, TuS, I think you're Don Henley. Really yeah,

0:53:23.320 --> 0:53:26.960
<v Speaker 1>I think you're John Henley, Emily's Glen Frey, and I

0:53:27.000 --> 0:53:30.960
<v Speaker 1>think I'm Joe Walsh. I mean, I'm tempted to agree

0:53:34.000 --> 0:53:37.880
<v Speaker 1>just but that's also because I have a connection to

0:53:38.239 --> 0:53:41.280
<v Speaker 1>uh the End of the Innocence and other John Henley

0:53:41.480 --> 0:53:48.000
<v Speaker 1>Don Henley solo exploits great embarrassing that way. Yeah, Glenn

0:53:48.040 --> 0:53:51.600
<v Speaker 1>Frey is cool. Um. I was talking about how, just

0:53:51.680 --> 0:53:54.759
<v Speaker 1>like every I was watching a Black Pink video and

0:53:54.800 --> 0:53:56.680
<v Speaker 1>I was like, oh, it's so funny how every K

0:53:56.800 --> 0:53:58.840
<v Speaker 1>pop group has a left eye, Like I love that

0:53:59.000 --> 0:54:02.800
<v Speaker 1>about it. Somebody was like, you're obviously the left eye,

0:54:03.560 --> 0:54:09.399
<v Speaker 1>and Emily is t Bos and Tests is Chili, sure thing,

0:54:10.120 --> 0:54:12.799
<v Speaker 1>and I was like that's true. And then yeah, I

0:54:12.800 --> 0:54:16.759
<v Speaker 1>just couldn't stop thinking about like how how the personality

0:54:16.920 --> 0:54:21.520
<v Speaker 1>archetypes go with different bands. I hope that people continue

0:54:21.560 --> 0:54:24.840
<v Speaker 1>to submit their suggestions of who we are in various

0:54:24.880 --> 0:54:30.200
<v Speaker 1>trios or bands forevermore. But just keep in mind that

0:54:30.239 --> 0:54:34.279
<v Speaker 1>we've got a Libra, a virgo and a Capricorn, and

0:54:34.320 --> 0:54:37.680
<v Speaker 1>that really all we're doing is just talking about astrology

0:54:37.760 --> 0:54:39.799
<v Speaker 1>when we talk about who we I mean, it's just

0:54:40.200 --> 0:54:44.080
<v Speaker 1>there's the immutable fact of astrology. You have to take

0:54:44.120 --> 0:54:48.160
<v Speaker 1>the astrology into account. That's how all bands should be formed,

0:54:48.239 --> 0:54:51.759
<v Speaker 1>is around. Uh yes, to look at your charts. Just

0:54:51.840 --> 0:54:57.040
<v Speaker 1>like a spinal tap stone bring it back to stone.

0:54:58.680 --> 0:55:03.840
<v Speaker 1>I was reading about the tiny stonehenge um in Spinal

0:55:03.920 --> 0:55:06.480
<v Speaker 1>tap was inspired by Black Sabbath tried to have a

0:55:06.480 --> 0:55:09.840
<v Speaker 1>stonehenge but it was like too big so they couldn't

0:55:09.880 --> 0:55:14.600
<v Speaker 1>even get it on stage. Uh it's still I will

0:55:14.600 --> 0:55:17.520
<v Speaker 1>still watch the clip of that sometimes and just laugh

0:55:17.560 --> 0:55:19.799
<v Speaker 1>and laugh. It never gets old to me. It's the

0:55:19.880 --> 0:55:26.719
<v Speaker 1>best lowering down tiny stonehenge. Fine holiday fun um, but yeah,

0:55:26.760 --> 0:55:30.520
<v Speaker 1>I mean I think I remember we we got together

0:55:30.600 --> 0:55:35.279
<v Speaker 1>into an episode of North Mollywood. I feel like like

0:55:35.360 --> 0:55:40.080
<v Speaker 1>in the dark days of January, and we were very

0:55:40.160 --> 0:55:44.040
<v Speaker 1>much and like bunker mindset and like what are we

0:55:44.080 --> 0:55:47.239
<v Speaker 1>gonna do? Like you know, And I think that's sort

0:55:47.280 --> 0:55:49.200
<v Speaker 1>of where I would say the germ of Night Calls

0:55:49.280 --> 0:55:52.680
<v Speaker 1>started from, even though it was about a year until

0:55:52.800 --> 0:55:55.839
<v Speaker 1>we put out our first episode that I think that

0:55:55.920 --> 0:55:58.800
<v Speaker 1>kind of is where we got the gears started turning

0:55:58.800 --> 0:56:00.680
<v Speaker 1>and we're like, Okay, we're gonna bring it back, but

0:56:00.719 --> 0:56:04.440
<v Speaker 1>it's got to be like it's got to be really

0:56:04.480 --> 0:56:09.120
<v Speaker 1>specific around our needs and are and our interests in

0:56:09.440 --> 0:56:13.400
<v Speaker 1>an incredibly weird time, not that there's any unwird time,

0:56:13.520 --> 0:56:15.520
<v Speaker 1>but I think it was just more in our face

0:56:15.560 --> 0:56:17.440
<v Speaker 1>at that moment, and it was all something something we

0:56:17.440 --> 0:56:20.080
<v Speaker 1>all wanted to talk about, the Dystopia of at all

0:56:21.080 --> 0:56:24.400
<v Speaker 1>strange days and lonely nights. We obviously aren't saying that

0:56:24.400 --> 0:56:29.960
<v Speaker 1>the dystopia is in any way over now. Um. I

0:56:30.000 --> 0:56:32.560
<v Speaker 1>hope that nobody took that away from like we're like, oh,

0:56:32.680 --> 0:56:35.919
<v Speaker 1>Joe Biden one, so it's all good, everything is normal now.

0:56:36.440 --> 0:56:43.040
<v Speaker 1>That is absolutely not It's entirely coincidental timing. We're not

0:56:43.120 --> 0:56:46.640
<v Speaker 1>abandoning you for the next phase of the dystopia, which

0:56:46.640 --> 0:56:50.759
<v Speaker 1>will be extremely weird in its own way. Yeah seriously,

0:56:51.120 --> 0:56:54.520
<v Speaker 1>Um no, we're just, uh, we're going to see what

0:56:54.560 --> 0:56:57.360
<v Speaker 1>the next phase looks like and then you know, we

0:56:57.719 --> 0:56:59.840
<v Speaker 1>do you know, throw up the nightcall light and we

0:57:00.000 --> 0:57:05.200
<v Speaker 1>all might come to the rescue like moths. Yes, like

0:57:06.080 --> 0:57:09.239
<v Speaker 1>I was thinking like Batman, but yes, also like like

0:57:09.400 --> 0:57:15.680
<v Speaker 1>moths around the lux or pyramid at exactly. Um, well,

0:57:15.880 --> 0:57:20.720
<v Speaker 1>we want to and the show with a bunch of

0:57:20.760 --> 0:57:24.240
<v Speaker 1>thank you's because there are so many people that we

0:57:24.280 --> 0:57:27.840
<v Speaker 1>couldn't have done this show without, and people who have

0:57:27.960 --> 0:57:31.560
<v Speaker 1>been supporters of the show for a long time or

0:57:31.640 --> 0:57:35.880
<v Speaker 1>short time, any time at all. We appreciate you've all,

0:57:35.960 --> 0:57:38.640
<v Speaker 1>in your own way made the show what it is.

0:57:39.240 --> 0:57:41.800
<v Speaker 1>This is gonna be like play the exit music, like

0:57:41.800 --> 0:57:46.160
<v Speaker 1>where I don't know words show let's uh yeah. So

0:57:47.240 --> 0:57:50.440
<v Speaker 1>first of all, we gotta thank Doug bum, our producer

0:57:50.720 --> 0:57:53.320
<v Speaker 1>who has just who's just been with us for a

0:57:53.320 --> 0:57:55.280
<v Speaker 1>little while but it's just been such a joy to

0:57:55.320 --> 0:57:57.280
<v Speaker 1>work with and has so many ideas and it's been

0:57:57.800 --> 0:58:01.320
<v Speaker 1>honestly like I'm I'm I'm I'm too. I'm very sad

0:58:01.360 --> 0:58:04.040
<v Speaker 1>to stay about it, dog, But thanks duck, Yeah, thank

0:58:04.080 --> 0:58:07.120
<v Speaker 1>you Doug. Doug has really been an amazing person who's

0:58:07.120 --> 0:58:10.200
<v Speaker 1>really gotten our show. Um. We should also definitely think

0:58:10.280 --> 0:58:13.200
<v Speaker 1>Jack O'Brien. Uh. He brought us to my heart. He

0:58:13.360 --> 0:58:15.760
<v Speaker 1>was a big fan of girls and hoodies back in

0:58:15.800 --> 0:58:18.760
<v Speaker 1>the day. And sometimes when people say that, you're like,

0:58:18.840 --> 0:58:22.000
<v Speaker 1>I don't think you've actually listened to the show Jack

0:58:22.080 --> 0:58:27.240
<v Speaker 1>totally had and did. Um. We also absolutely love Joel

0:58:27.840 --> 0:58:31.640
<v Speaker 1>Joel Monique. She was phenomenal um and she still has

0:58:31.760 --> 0:58:33.320
<v Speaker 1>shows at I Heart, so you should listen to them

0:58:33.360 --> 0:58:37.280
<v Speaker 1>all and support her because she's awesome. Um. Also say Serrano,

0:58:37.760 --> 0:58:40.440
<v Speaker 1>she has been such a big, like I don't know,

0:58:40.600 --> 0:58:43.000
<v Speaker 1>just a booster of us. He was. He really got

0:58:43.040 --> 0:58:45.240
<v Speaker 1>the word out of about our Patreon early on and

0:58:45.280 --> 0:58:50.120
<v Speaker 1>it's just been so generous with his platform. As they say. Um,

0:58:50.160 --> 0:58:55.080
<v Speaker 1>we love Shay uh thank you. Also love Sophie Lichtman

0:58:55.600 --> 0:58:59.919
<v Speaker 1>at A Heart and Anna has Ni like truly missed

0:59:00.000 --> 0:59:06.720
<v Speaker 1>going to the studio and playing with the dogs. Um.

0:59:06.720 --> 0:59:08.960
<v Speaker 1>It's one thing I miss about the podcast is actually

0:59:08.960 --> 0:59:12.080
<v Speaker 1>getting into a studio and just like fulfilling our dream

0:59:12.400 --> 0:59:16.920
<v Speaker 1>of making it from a weird alleyway in Hollywood yep,

0:59:18.200 --> 0:59:21.640
<v Speaker 1>and taking like so many sodas just stuff in him

0:59:21.640 --> 0:59:25.320
<v Speaker 1>in the purses. Yeah that was maybe just me. Um.

0:59:25.320 --> 0:59:28.720
<v Speaker 1>We also got to thank our other producer, Zack McKeever

0:59:29.400 --> 0:59:34.040
<v Speaker 1>um and our original producer at Audio Boom, Ben Hosley.

0:59:34.320 --> 0:59:38.800
<v Speaker 1>Shout out to Ben the Ben Doucer. Thanks to David

0:59:38.840 --> 0:59:43.400
<v Speaker 1>Sims and Griffin Newman who brought Emily and Audio Boom,

0:59:43.400 --> 0:59:47.840
<v Speaker 1>which is how the show got started. UM, and also

0:59:47.840 --> 0:59:52.920
<v Speaker 1>do our producer Rachel Jacobs, the fabulous Rachel such Schamp.

0:59:53.600 --> 0:59:56.280
<v Speaker 1>We loved her work. It was great. She made the

0:59:56.400 --> 0:59:59.360
<v Speaker 1>night Call Museum and it looked exactly like we would

0:59:59.360 --> 1:00:01.360
<v Speaker 1>have wanted it a look. It was such a great

1:00:01.520 --> 1:00:04.320
<v Speaker 1>treat that she did for us. UM shout out to

1:00:04.800 --> 1:00:09.120
<v Speaker 1>Miles Gray, who, along with Jack O'Brien, made My Heart

1:00:09.120 --> 1:00:10.960
<v Speaker 1>seemed like a really fun place to do this show

1:00:11.640 --> 1:00:16.720
<v Speaker 1>when we were first getting over here. Thank you to you.

1:00:16.800 --> 1:00:21.040
<v Speaker 1>Must remember this is Corina Longworth, a long time friend

1:00:21.080 --> 1:00:26.760
<v Speaker 1>and fan. Two time guests, I believe. Yeah podcasting legend

1:00:26.880 --> 1:00:30.080
<v Speaker 1>featured on the episode of The Simpsons this year at

1:00:30.080 --> 1:00:35.200
<v Speaker 1>a pot as a podcaster. In an amount rushmore of podcasters,

1:00:36.040 --> 1:00:38.280
<v Speaker 1>we were lucky enough to get her on our show.

1:00:38.600 --> 1:00:42.200
<v Speaker 1>So thanks to Karina. Thanks to Ryan Johnson, who was

1:00:42.200 --> 1:00:44.840
<v Speaker 1>a guests at our first ever live event and has

1:00:44.840 --> 1:00:46.400
<v Speaker 1>always been a supporter of the show and also a

1:00:46.400 --> 1:00:48.800
<v Speaker 1>guest on the He was on our contact episode. Yeah

1:00:48.800 --> 1:00:53.680
<v Speaker 1>thanks for our legendary live event and seance at Tay

1:00:54.560 --> 1:00:59.680
<v Speaker 1>which where everyone had to pledge allegiance to Satan. Yeah.

1:01:00.600 --> 1:01:04.720
<v Speaker 1>Just as a lark not tempting fade or anything that

1:01:04.840 --> 1:01:07.720
<v Speaker 1>was kind of the original Devil's try tone under the episode.

1:01:09.560 --> 1:01:13.040
<v Speaker 1>We did not bargain for this. Yeah, we've just had

1:01:13.040 --> 1:01:16.440
<v Speaker 1>so many fabulous guests in general. Also Amy Man, who

1:01:16.520 --> 1:01:20.200
<v Speaker 1>was another guest at another live show, uh and was

1:01:20.880 --> 1:01:24.760
<v Speaker 1>so game for it, so much fun. Thanks to my Yeah,

1:01:24.760 --> 1:01:27.600
<v Speaker 1>thanks to my friend Emma Cunningham who did table magic.

1:01:29.600 --> 1:01:32.400
<v Speaker 1>But yeah, she was just like the fourth night caller

1:01:32.480 --> 1:01:35.000
<v Speaker 1>at our live shows because she was just like, she

1:01:35.040 --> 1:01:37.480
<v Speaker 1>would do our sound, help with our sounds, she would

1:01:38.160 --> 1:01:41.680
<v Speaker 1>do magic. She was just like, it was so fun

1:01:41.800 --> 1:01:44.000
<v Speaker 1>to think about a time when we could do close

1:01:44.040 --> 1:01:48.600
<v Speaker 1>magic to close magic. More guests, So many guests that

1:01:48.640 --> 1:01:51.360
<v Speaker 1>we have loved. But this is by no means an

1:01:51.360 --> 1:01:55.600
<v Speaker 1>exhaustive list. Uh, but we love all our Jane, Marie,

1:01:55.880 --> 1:02:03.480
<v Speaker 1>Ali ward Um, Tom O'Neill, Colin Dickie, Uh, Carvel wall Is,

1:02:03.560 --> 1:02:08.560
<v Speaker 1>Claire Evans, Brandy Brown o our our butter queen, uh,

1:02:08.920 --> 1:02:11.480
<v Speaker 1>Dan Hernandez, Richard Lawson, who I think I was like,

1:02:11.640 --> 1:02:14.600
<v Speaker 1>was he our first guest? I think really? Yeah? That

1:02:14.720 --> 1:02:17.600
<v Speaker 1>was Yeah. Shout out to Richard Love Richard another great

1:02:17.640 --> 1:02:20.960
<v Speaker 1>Richard Richard rush Field. Um with one of the scary

1:02:21.080 --> 1:02:23.720
<v Speaker 1>who provided us one of our scariest episodes. I would say,

1:02:23.920 --> 1:02:28.479
<v Speaker 1>great ghost story, Andrew t Rachel True, Oh my god.

1:02:28.480 --> 1:02:30.720
<v Speaker 1>The list goes on and on. Chris and Elizabeth can't

1:02:30.720 --> 1:02:33.000
<v Speaker 1>Well another power couple. We had a lot of power

1:02:33.040 --> 1:02:37.920
<v Speaker 1>couples who both guested on our show. Sadie Dupui, Meredith Whittaker,

1:02:38.040 --> 1:02:47.480
<v Speaker 1>Robert Evans, Katie Golden, Jane, Marie Well she deserves again,

1:02:48.240 --> 1:02:51.360
<v Speaker 1>Oh my God, from Garden of Sound. So I gotta

1:02:51.400 --> 1:02:54.240
<v Speaker 1>give it up to Roy. Like, Roy was just so great.

1:02:54.440 --> 1:02:57.800
<v Speaker 1>And I think Roy may have like spoken one or

1:02:57.880 --> 1:03:00.920
<v Speaker 1>two words on an episode of our pot past. Maybe

1:03:01.600 --> 1:03:04.960
<v Speaker 1>he was a total night call guy. He was great.

1:03:05.000 --> 1:03:07.600
<v Speaker 1>He we talked a lot after episodes about stuff we've

1:03:07.600 --> 1:03:10.440
<v Speaker 1>talked about all in the episodes. And I also missed

1:03:10.480 --> 1:03:13.480
<v Speaker 1>just shoot and the ship with Roy after recording an episode.

1:03:13.880 --> 1:03:17.040
<v Speaker 1>I missed that. Um. All of our producers. UM, We've

1:03:17.080 --> 1:03:20.160
<v Speaker 1>been lucky to have some of the greatest producers in

1:03:20.200 --> 1:03:24.760
<v Speaker 1>the world and just like get our show. People who

1:03:24.800 --> 1:03:27.080
<v Speaker 1>get the show and you know a lot of people

1:03:27.080 --> 1:03:29.240
<v Speaker 1>who have had to take rains from other people and

1:03:29.240 --> 1:03:33.320
<v Speaker 1>and really you know, seamlessly made the show feel like

1:03:33.400 --> 1:03:37.000
<v Speaker 1>it was all one thing, um, but there's a lot

1:03:37.000 --> 1:03:38.880
<v Speaker 1>of work behind the scenes that went into that. So

1:03:38.920 --> 1:03:41.280
<v Speaker 1>thank you so much to all of our producers. Yes,

1:03:41.560 --> 1:03:44.240
<v Speaker 1>we also should just say thank you to some of

1:03:44.280 --> 1:03:47.440
<v Speaker 1>our night callers who we've gotten to know, Um, night

1:03:47.480 --> 1:03:52.880
<v Speaker 1>caller Francisco, then Mr Eric Hoffman, John Martin's my kid

1:03:53.000 --> 1:03:57.840
<v Speaker 1>Emmett who talked talked on a podcast one time. Um,

1:03:57.880 --> 1:04:01.240
<v Speaker 1>there are so many of you men like it. We

1:04:01.280 --> 1:04:03.960
<v Speaker 1>just love you guys so much. And everybody who supports

1:04:03.960 --> 1:04:06.640
<v Speaker 1>the Patreon which a lot of people we've already mentioned,

1:04:06.640 --> 1:04:10.800
<v Speaker 1>but also John Flansburg and Robin thrilled to see you

1:04:10.840 --> 1:04:13.680
<v Speaker 1>guys pop up on the list. Oh my god. We

1:04:13.720 --> 1:04:19.320
<v Speaker 1>also have to thank song Finch. Dude song. The most

1:04:19.440 --> 1:04:22.640
<v Speaker 1>disappointed I've ever been in my life, I think is

1:04:22.680 --> 1:04:25.240
<v Speaker 1>that song Finch wasn't like, alright, guys, We're just gonna

1:04:25.320 --> 1:04:29.320
<v Speaker 1>sponsor your whole podcast. You guys be the song Finch

1:04:29.360 --> 1:04:34.479
<v Speaker 1>ambassador song for every episode, like they made us such

1:04:34.520 --> 1:04:38.400
<v Speaker 1>a good song. I still play here just a little.

1:04:38.840 --> 1:04:44.120
<v Speaker 1>I put the link in there. We can oh nice. Um, Yeah,

1:04:44.240 --> 1:04:48.640
<v Speaker 1>I mean it's not often that you get a sponsor

1:04:48.680 --> 1:04:51.080
<v Speaker 1>that makes you want to devote an entire segment of

1:04:51.120 --> 1:04:55.439
<v Speaker 1>your show, too did because that was incredible. I can't

1:04:55.440 --> 1:04:57.840
<v Speaker 1>believe it was like only a year ago. We were

1:04:57.880 --> 1:05:03.520
<v Speaker 1>doing weird stop motion scary eighties puppet movies. Yeah, broke

1:05:04.080 --> 1:05:09.000
<v Speaker 1>barroke eighties Yeah, followed by by weird c g I wow,

1:05:09.000 --> 1:05:12.120
<v Speaker 1>that was a year ago. Oh my god, crazy times.

1:05:12.400 --> 1:05:16.520
<v Speaker 1>Time makes no sense. Time is like the lawnmower man.

1:05:37.480 --> 1:05:42.880
<v Speaker 1>We're back like we never lived. It's so dramatic. Get

1:05:42.920 --> 1:05:58.760
<v Speaker 1>sold to the best, thank god, we thank God doing

1:05:58.880 --> 1:06:04.360
<v Speaker 1>research and she's gonna play the Saton Molly's Love the Valley,

1:06:04.400 --> 1:06:07.840
<v Speaker 1>send you articles, the freaking out. Emily got the remedy

1:06:08.240 --> 1:06:13.520
<v Speaker 1>from a music critic. She could be avocans vocal right.

1:06:15.160 --> 1:06:19.280
<v Speaker 1>We just tell it like it's gonna be will be

1:06:19.440 --> 1:06:23.200
<v Speaker 1>back like we never live. We never never left, we

1:06:23.320 --> 1:06:32.680
<v Speaker 1>never left. You sold it to the best. We thank

1:06:32.760 --> 1:06:39.120
<v Speaker 1>god webbing. Oh my god. So one thing that's funny.

1:06:39.160 --> 1:06:41.400
<v Speaker 1>I mean, it goes on, but you got the chest.

1:06:42.520 --> 1:06:44.880
<v Speaker 1>The funniest part of that song is that it's like

1:06:45.200 --> 1:06:47.960
<v Speaker 1>Emily's gonna one day be like a movie critic because

1:06:47.960 --> 1:06:52.320
<v Speaker 1>I already were the prop that. I was like, I'm like,

1:06:52.360 --> 1:06:54.240
<v Speaker 1>they're just like tell us a little bit about yourself,

1:06:54.280 --> 1:06:56.120
<v Speaker 1>and I was a movie critic at the time. They're like,

1:06:56.200 --> 1:07:02.000
<v Speaker 1>she could be one day if she plays her all right. Yeah,

1:07:02.120 --> 1:07:04.040
<v Speaker 1>well that I can't think of a better way to

1:07:04.040 --> 1:07:06.880
<v Speaker 1>go out than with with that that tune by the

1:07:06.880 --> 1:07:10.320
<v Speaker 1>Great Rich Low Its song Finch. We'll be back like

1:07:10.360 --> 1:07:13.920
<v Speaker 1>we never left, maybe one day, like we never again.

1:07:14.680 --> 1:07:17.000
<v Speaker 1>Thank you. I can't make you sing the cheer song

1:07:17.080 --> 1:07:23.920
<v Speaker 1>after that. Well, thanks everybody for sharing your strange days

1:07:24.240 --> 1:07:26.720
<v Speaker 1>and lonely nights with us. We've we've loved it more

1:07:26.720 --> 1:07:31.200
<v Speaker 1>than anything, and we're gonna miss everybody. We'll see you

1:07:31.280 --> 1:07:34.080
<v Speaker 1>soon like we never left. Making your way in the

1:07:34.120 --> 1:07:40.040
<v Speaker 1>world today, taking a break from all your worries. Hellot

1:07:42.880 --> 1:08:01.840
<v Speaker 1>get wait wait, so you want to do do do? Do? Do? Do?

1:08:01.560 --> 1:08:03.640
<v Speaker 1>Do you do? You want to be where you can

1:08:03.760 --> 1:08:08.280
<v Speaker 1>see all they say, troubles and people are all the

1:08:08.360 --> 1:08:17.960
<v Speaker 1>same you. You wanted me where everybody do do do

1:08:17.960 --> 1:08:22.720
<v Speaker 1>do Do do do do do? Hey. Um, I'm actually a

1:08:22.920 --> 1:08:26.839
<v Speaker 1>first time caller and also, um ironically a first time listener.

1:08:26.920 --> 1:08:30.800
<v Speaker 1>I followed all of you on Twitter for years and

1:08:31.920 --> 1:08:34.200
<v Speaker 1>I really enjoyed grantline back in the day. So I

1:08:34.200 --> 1:08:36.240
<v Speaker 1>don't know what it was about today was like, no,

1:08:36.320 --> 1:08:38.880
<v Speaker 1>I'm going to finally listen to Night call And it

1:08:39.000 --> 1:08:40.320
<v Speaker 1>was a little bit of a gut lunch because the

1:08:40.400 --> 1:08:42.960
<v Speaker 1>end and find out you're ending it. But um, I'm

1:08:43.040 --> 1:08:46.240
<v Speaker 1>just to say that you all are great. Um, I

1:08:46.280 --> 1:08:48.800
<v Speaker 1>love this podcast. I'm excited to get to the backlog

1:08:49.040 --> 1:08:51.960
<v Speaker 1>of all of the episodes that I have in front

1:08:52.000 --> 1:08:56.519
<v Speaker 1>of me now and in your future endeavors. Um, we're

1:08:56.560 --> 1:09:02.400
<v Speaker 1>just weird experience that. But yeah, I'm excited for everything.

1:09:02.400 --> 1:09:04.599
<v Speaker 1>And I've said for you all, so good luck and

1:09:05.280 --> 1:09:07.479
<v Speaker 1>thanks for making such a great show. I'm sorry I

1:09:07.520 --> 1:09:12.120
<v Speaker 1>was so late to it. Uma. Hey, Night callers. This

1:09:12.240 --> 1:09:15.240
<v Speaker 1>is John and Chicago. I called in early on in

1:09:15.280 --> 1:09:17.639
<v Speaker 1>the life of the show with the story about the Hatman,

1:09:18.840 --> 1:09:21.800
<v Speaker 1>which was fun. I just wanted to say thank you

1:09:21.840 --> 1:09:26.000
<v Speaker 1>for the community of weirdos you've cultivated. H really enjoyed

1:09:26.640 --> 1:09:29.320
<v Speaker 1>all three of you as writers and cultural voices since

1:09:29.360 --> 1:09:31.920
<v Speaker 1>the Girls and Hitty days. And well, I'm sad the

1:09:31.960 --> 1:09:34.280
<v Speaker 1>pot is ending. I'm excited to see what each of

1:09:34.320 --> 1:09:38.040
<v Speaker 1>you does next. Take care and be safe listeners. This

1:09:38.120 --> 1:09:43.639
<v Speaker 1>is Jack from Network, longtime listener, first time Night caller.

1:09:44.080 --> 1:09:48.200
<v Speaker 1>I just wanted to thank you guys for creating what

1:09:48.240 --> 1:09:52.720
<v Speaker 1>you created here gave me one of my favorite podcasts.

1:09:52.880 --> 1:09:56.760
<v Speaker 1>I couldn't be a bigger fan of y'all and the

1:09:56.920 --> 1:10:01.160
<v Speaker 1>vibe you created with this show, the world felt more

1:10:01.280 --> 1:10:06.479
<v Speaker 1>mysterious and more interesting after every episode I listened to.

1:10:07.200 --> 1:10:11.080
<v Speaker 1>You guys will be missed, but you created something great.

1:10:11.479 --> 1:10:14.080
<v Speaker 1>I'm proud to have been involved in a small part

1:10:14.320 --> 1:10:18.320
<v Speaker 1>of making some of it, and now I bid you do.

1:10:19.200 --> 1:10:22.760
<v Speaker 1>So excited and so grateful for you guys. Thank you,

1:10:23.280 --> 1:10:26.360
<v Speaker 1>thank you, thank you. Hi, Nightcall, This is Zach calling

1:10:26.400 --> 1:10:30.000
<v Speaker 1>from me. I was gutted to hear about the pod

1:10:30.080 --> 1:10:33.840
<v Speaker 1>coming to an end. It really offered something different in

1:10:34.000 --> 1:10:37.600
<v Speaker 1>my weekly routine. I'm so sad to see it go.

1:10:38.240 --> 1:10:41.040
<v Speaker 1>I was wondering if you could send us off with

1:10:41.120 --> 1:10:46.320
<v Speaker 1>some recommendations on ways to begin to start to or

1:10:46.360 --> 1:10:49.439
<v Speaker 1>try to fill the cosmic void left by Night Call

1:10:49.640 --> 1:10:53.760
<v Speaker 1>fading into the ether. Uh. Thanks again for so many

1:10:53.800 --> 1:10:56.719
<v Speaker 1>good years, and I wish you all the best. By Hey,

1:10:56.800 --> 1:11:00.160
<v Speaker 1>Night Call. It is twelve thirty four and Upstate New

1:11:00.240 --> 1:11:03.280
<v Speaker 1>York and I just finished listening to this week's episode

1:11:03.680 --> 1:11:06.600
<v Speaker 1>and when I heard the announcement at the end, I

1:11:06.640 --> 1:11:09.000
<v Speaker 1>just had to call and say thank you for being

1:11:09.040 --> 1:11:13.080
<v Speaker 1>the best part of my Monday's during our dystopian reality.

1:11:13.479 --> 1:11:16.599
<v Speaker 1>I'm a Patreon subscriber and I would always look forward

1:11:16.640 --> 1:11:20.840
<v Speaker 1>to the mixes and bonus pods and night letters each month.

1:11:21.240 --> 1:11:23.160
<v Speaker 1>Our days are going to be a little bit more

1:11:23.200 --> 1:11:25.840
<v Speaker 1>strange and our nights are going to be a little

1:11:25.880 --> 1:11:28.800
<v Speaker 1>bit more lonely without night Call in our ears. But

1:11:29.360 --> 1:11:32.240
<v Speaker 1>thank you so much for everything you've given up. As

1:11:32.240 --> 1:11:35.120
<v Speaker 1>sad as I am that pod is ending, I will

1:11:35.160 --> 1:11:37.519
<v Speaker 1>be sure to tune in and listen to, or watch

1:11:37.640 --> 1:11:40.639
<v Speaker 1>or read anything the three of you are involved with

1:11:40.800 --> 1:11:43.360
<v Speaker 1>in the future. That's it. I just wanted to say

1:11:43.400 --> 1:11:48.599
<v Speaker 1>thanks and uh saving a spot at the commune by Hi,

1:11:48.880 --> 1:11:53.080
<v Speaker 1>it's Christina. I God, I had so many more night

1:11:53.120 --> 1:11:57.160
<v Speaker 1>calls that like I needed to call you about. I'm like, oh,

1:11:57.320 --> 1:12:00.799
<v Speaker 1>I just didn't can get around to it. But anyway,

1:12:00.920 --> 1:12:05.479
<v Speaker 1>like okay, like the time I went on like a

1:12:05.600 --> 1:12:07.600
<v Speaker 1>job interview to the Wax Museum and it was like

1:12:07.640 --> 1:12:10.519
<v Speaker 1>a three hour job interview and then they ghosted me

1:12:10.520 --> 1:12:12.960
<v Speaker 1>and they never called me back. But like then I

1:12:13.000 --> 1:12:14.800
<v Speaker 1>started having dreams that I would get up in the

1:12:14.840 --> 1:12:17.320
<v Speaker 1>morning and go to work at the waxing seum and

1:12:17.320 --> 1:12:19.080
<v Speaker 1>like brush out wigs all day and they were like

1:12:19.160 --> 1:12:22.080
<v Speaker 1>really boring dreams. But it went on for like a year.

1:12:23.040 --> 1:12:27.439
<v Speaker 1>And then oh, also earlier in the summer, UM, they've

1:12:27.439 --> 1:12:30.040
<v Speaker 1>rebuilt the suicide railing on the Golden Gate Bridge and

1:12:30.040 --> 1:12:33.599
<v Speaker 1>they accidentally turned the bridge into like a windharp and

1:12:34.840 --> 1:12:37.479
<v Speaker 1>it started playing the Devil's tri tone in like the

1:12:37.520 --> 1:12:39.800
<v Speaker 1>sky and like the sky was howling, but like no

1:12:39.840 --> 1:12:42.839
<v Speaker 1>one I was talking about it because there was like, um,

1:12:43.000 --> 1:12:48.080
<v Speaker 1>other stuff happening. UM. But anyway, Oh my god, I

1:12:48.120 --> 1:12:50.880
<v Speaker 1>guess while I have you in this brief moment when

1:12:50.880 --> 1:12:53.960
<v Speaker 1>I still have you, what I'm asking it? Um, should

1:12:53.960 --> 1:12:58.160
<v Speaker 1>I sue the wax Museum. I'm like, please be aware

1:12:58.200 --> 1:13:02.800
<v Speaker 1>that I'm going to see them guardless, and I'm also

1:13:02.920 --> 1:13:06.280
<v Speaker 1>suing you for leaving me. No, I'm just kidding. UM.

1:13:06.320 --> 1:13:10.799
<v Speaker 1>I like you, ye hi, and I call Minemes Miles

1:13:10.880 --> 1:13:18.760
<v Speaker 1>Unde l A. I was raised in the valley actually. Um. Anyway, Uh,

1:13:19.000 --> 1:13:21.599
<v Speaker 1>first things first, and super bond to hear the show's ending.

1:13:21.760 --> 1:13:26.200
<v Speaker 1>You guys have been something that I consistently look forward

1:13:26.240 --> 1:13:30.120
<v Speaker 1>to listening to a weekly basis. UM, and I've really

1:13:30.120 --> 1:13:32.080
<v Speaker 1>really enjoyed everything you guys have done on the show.

1:13:32.160 --> 1:13:35.759
<v Speaker 1>You actually are the ones that inspired me to start

1:13:36.000 --> 1:13:40.040
<v Speaker 1>my own podcast. UM, so thanks for that. It's been

1:13:40.040 --> 1:13:42.720
<v Speaker 1>going strong for about two years and I have you

1:13:42.760 --> 1:13:46.040
<v Speaker 1>guys to thank for it. Anyway, I'm wanted the call

1:13:46.120 --> 1:13:49.679
<v Speaker 1>in real quick to UM talk about what Marra Wilson

1:13:49.760 --> 1:13:52.720
<v Speaker 1>said on the show last week. I also was a

1:13:52.800 --> 1:13:58.000
<v Speaker 1>child actor, UM until I was about college age, and

1:13:59.000 --> 1:14:02.120
<v Speaker 1>I really a lot of features that resonated with me,

1:14:02.400 --> 1:14:06.200
<v Speaker 1>um in terms of, you know, the way that children

1:14:06.400 --> 1:14:09.960
<v Speaker 1>and child actors in particular can be very very vulnerable

1:14:10.000 --> 1:14:12.360
<v Speaker 1>without realizing it, and then they hit a certain age

1:14:12.400 --> 1:14:17.080
<v Speaker 1>where you know, um, they they kind of have to

1:14:17.120 --> 1:14:20.040
<v Speaker 1>turn that off in order to continue to exist as

1:14:20.080 --> 1:14:23.639
<v Speaker 1>an adult in the real world. UM. And it really

1:14:23.880 --> 1:14:27.200
<v Speaker 1>kind of fucked me up as an adult because there

1:14:27.280 --> 1:14:31.800
<v Speaker 1>was a period of time where I, uh stopped having

1:14:31.800 --> 1:14:34.160
<v Speaker 1>a motion. Basically I had to really like turn myself

1:14:34.160 --> 1:14:37.320
<v Speaker 1>off completely. UM. And it's taken a lot of years

1:14:37.320 --> 1:14:39.840
<v Speaker 1>of therapy for me to kind of, you know, get

1:14:39.840 --> 1:14:42.600
<v Speaker 1>back to the point where if someone compliments me or

1:14:42.680 --> 1:14:46.559
<v Speaker 1>shows me affection, UH, it doesn't completely send me into

1:14:46.600 --> 1:14:51.000
<v Speaker 1>a tail spin. UM. And Uh, I beat myself up

1:14:51.160 --> 1:14:56.040
<v Speaker 1>for just you know existing basically. Um, it's really a

1:14:56.080 --> 1:14:58.439
<v Speaker 1>problem and I'm working on it. But I think a

1:14:58.479 --> 1:14:59.880
<v Speaker 1>lot of it had to do with the fact that,

1:15:00.360 --> 1:15:02.760
<v Speaker 1>you know, I was so open emotionally as a trial

1:15:02.880 --> 1:15:04.320
<v Speaker 1>actor that I kind of had to go one eighty

1:15:04.479 --> 1:15:08.360
<v Speaker 1>in the opposite direction when I got older. Anyway, UM, again,

1:15:08.400 --> 1:15:11.240
<v Speaker 1>thanks for everything, guys, and I really forward to see

1:15:11.280 --> 1:15:14.800
<v Speaker 1>what you come up with next. Take care, high night

1:15:14.840 --> 1:15:18.360
<v Speaker 1>call um. This is my first time calling in. I

1:15:18.439 --> 1:15:22.479
<v Speaker 1>recently actually just discovered the podcast and have been bingeing

1:15:22.520 --> 1:15:26.760
<v Speaker 1>it for the last like two weeks or so. UM. So,

1:15:26.880 --> 1:15:29.800
<v Speaker 1>like obviously super sad that you guys are leaving, but

1:15:30.320 --> 1:15:33.720
<v Speaker 1>I did want to call and tell you, uh my

1:15:34.840 --> 1:15:39.200
<v Speaker 1>kind of crazy, dreamy story that I've been telling to

1:15:39.400 --> 1:15:43.640
<v Speaker 1>anyone who will listen since it happened, um about like

1:15:43.680 --> 1:15:48.680
<v Speaker 1>eight years ago. So I lived in Boston where I

1:15:48.680 --> 1:15:52.560
<v Speaker 1>went to college, and I lived there several years after. Um,

1:15:53.080 --> 1:15:58.040
<v Speaker 1>and so I was up there one summer for the

1:15:58.200 --> 1:16:01.679
<v Speaker 1>entire summer and basically like I got a job working

1:16:01.720 --> 1:16:05.160
<v Speaker 1>for my school and they put us up in student housing.

1:16:05.560 --> 1:16:10.639
<v Speaker 1>So I was like sleeping in this like very creepy

1:16:10.760 --> 1:16:14.840
<v Speaker 1>kind of like super high density dorm that was built

1:16:14.840 --> 1:16:19.280
<v Speaker 1>by someone who also makes prisons. It's called Warren Towers. UM.

1:16:19.320 --> 1:16:24.840
<v Speaker 1>Just totally creepy vibe. UM. But basically, I had this

1:16:25.560 --> 1:16:31.360
<v Speaker 1>dream that night that I was laying down on the

1:16:31.600 --> 1:16:34.720
<v Speaker 1>grass in like a big, big grassy area where a

1:16:34.800 --> 1:16:38.320
<v Speaker 1>bunch of people were tending to their cattle, and they

1:16:38.320 --> 1:16:42.040
<v Speaker 1>were all dressed in what I would imagine would be

1:16:42.280 --> 1:16:46.280
<v Speaker 1>clothing that pilgrims would have worn, UM. And it was

1:16:46.320 --> 1:16:51.439
<v Speaker 1>a beautiful day, like gorgeous summer day, not a cloud

1:16:51.439 --> 1:16:56.360
<v Speaker 1>in the sky. When all of a sudden, just a big, big,

1:16:56.400 --> 1:17:01.040
<v Speaker 1>big black darkness kind of felt over the entire area,

1:17:01.160 --> 1:17:04.840
<v Speaker 1>and everyone was running around screaming crazy like dropping to

1:17:04.840 --> 1:17:08.800
<v Speaker 1>their knees and praying UM. And then I woke up

1:17:09.040 --> 1:17:11.439
<v Speaker 1>and just like kind of started to go about my day.

1:17:11.479 --> 1:17:13.800
<v Speaker 1>So just kind of like for some background, like I

1:17:13.880 --> 1:17:19.400
<v Speaker 1>have really intense dreams to begin with, UM, I also

1:17:19.479 --> 1:17:23.680
<v Speaker 1>have really bad sleep paralysis and has like had a

1:17:23.760 --> 1:17:27.160
<v Speaker 1>number of lucid dreams. So me having like kind of

1:17:27.320 --> 1:17:30.519
<v Speaker 1>really weird intense vivid dreams is and out of the ordinary.

1:17:30.520 --> 1:17:35.200
<v Speaker 1>But something felt very like distinct about this, UM. But anyway,

1:17:35.280 --> 1:17:37.760
<v Speaker 1>like woke up. That's just like creepy dorm that I

1:17:37.800 --> 1:17:39.719
<v Speaker 1>was living in. And I went to like a farmer's

1:17:39.720 --> 1:17:44.800
<v Speaker 1>market slash like food truck sort of thing um with

1:17:44.840 --> 1:17:47.200
<v Speaker 1>a bunch of friends, and we went to a coffee shop,

1:17:47.280 --> 1:17:51.720
<v Speaker 1>sat down to um just like you know, gets some

1:17:51.800 --> 1:17:54.960
<v Speaker 1>water and cool off and everything. And the Boston Glope

1:17:55.000 --> 1:17:57.560
<v Speaker 1>was next to me, like the kind of the remnants

1:17:57.600 --> 1:18:01.280
<v Speaker 1>that someone had kind of rifled through, and I started

1:18:01.280 --> 1:18:03.320
<v Speaker 1>to just kind of flipped through it and then got

1:18:03.360 --> 1:18:09.400
<v Speaker 1>to the section of the newspaper where they have the

1:18:09.760 --> 1:18:12.040
<v Speaker 1>like this day in history where they kind of left

1:18:12.600 --> 1:18:18.880
<v Speaker 1>the same things. Ladies, this is Matthew Wills. Altos just

1:18:19.600 --> 1:18:22.080
<v Speaker 1>wanted to I've actually wanted to call you guys for

1:18:22.080 --> 1:18:26.839
<v Speaker 1>a while, but I'm a lazy procrastinator. Uh. This podcast

1:18:26.840 --> 1:18:28.840
<v Speaker 1>has been really cool. I haven't want to listen to

1:18:28.840 --> 1:18:31.439
<v Speaker 1>every single episode that I plan on doing that, so

1:18:31.720 --> 1:18:35.880
<v Speaker 1>name I just wanted me a few random notes. Uh

1:18:36.200 --> 1:18:39.800
<v Speaker 1>so thirty nine you talked about traumatic movies. Uh, mine

1:18:39.800 --> 1:18:43.400
<v Speaker 1>would probably the robo Cop. I think RoboCop was brought

1:18:43.439 --> 1:18:47.080
<v Speaker 1>up in that episode. I watched it with my mother

1:18:47.479 --> 1:18:49.559
<v Speaker 1>at home because I really wanted to go to see

1:18:49.640 --> 1:18:53.479
<v Speaker 1>RoboCop two in theaters because it's still would call rober

1:18:53.520 --> 1:18:55.720
<v Speaker 1>Coop had a cartoon show and a toy line and

1:18:55.800 --> 1:19:00.040
<v Speaker 1>comic book. Uh it was for kids, which still I

1:19:00.040 --> 1:19:02.599
<v Speaker 1>thought I probably weren't every square word in the book

1:19:02.760 --> 1:19:07.080
<v Speaker 1>watching that movie. Um, and no, the scenes of ultra violence,

1:19:07.120 --> 1:19:11.719
<v Speaker 1>I was cool about my mother's arms avoiding the screen

1:19:11.800 --> 1:19:17.320
<v Speaker 1>and crying obviously. Um, let's see Uh, I don't see

1:19:17.360 --> 1:19:21.200
<v Speaker 1>you guys talks about value the dolls. Um, I read

1:19:21.240 --> 1:19:24.760
<v Speaker 1>the book to watch the movie. Um, I've always felt

1:19:24.840 --> 1:19:27.360
<v Speaker 1>that title. The title has always been cool to me.

1:19:27.720 --> 1:19:30.120
<v Speaker 1>Valid the dolls. I don't know, it's it's evocative for

1:19:30.160 --> 1:19:35.200
<v Speaker 1>some reason. Um. I love your plastic surgery episodes. Uh,

1:19:35.400 --> 1:19:38.560
<v Speaker 1>promoias here. Um, this is stake Fair episode. It was

1:19:38.600 --> 1:19:44.240
<v Speaker 1>a lot of fun. Um like everybody else. Uh, I'm

1:19:44.280 --> 1:19:46.920
<v Speaker 1>trying to make this quick. Um. Yeah, it's been a

1:19:46.960 --> 1:19:51.720
<v Speaker 1>great podcast. Um. Well, because I have to say, I

1:19:51.800 --> 1:19:54.080
<v Speaker 1>can't wait for you know follows you guys since the

1:19:54.120 --> 1:19:56.400
<v Speaker 1>granting all days, And I can't wait to see what

1:19:56.520 --> 1:19:59.280
<v Speaker 1>guts movie next. Uh makes so much with us but

1:20:00.040 --> 1:20:00.400
<v Speaker 1>mm hm