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Speaker 1: I Am all in.

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Speaker 2: You.

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Speaker 1: This Isn't Old Man Music with Scott Patterson Everything You've

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Speaker 1: ever wanted to know about the music of Gilmour Girls.

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Speaker 1: Hey everybody, Scott Patterson, I Am all of Them Podcast

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Speaker 1: one eleven Productions. iHeartRadio Media, iHeart podcast. This Isn't Old

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Speaker 1: Man Music, Episode two, and I have a very very

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Speaker 1: special guest, the one and only founder of Cool and

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Speaker 1: the Gang, Robert cool Bell. Welcome, Robert. Let me tell

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Speaker 1: everybody a little bit about your accomplishments, and buckle up everybody,

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Speaker 1: because it's gonna take a while. He's a co founder, leader,

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Speaker 1: and master bassist for the legendary Grammy winning rock and

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Speaker 1: roll Hall of famers Cool and the Gang. Cool and

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Speaker 1: his family emigrated to Jersey City, New Jersey, in the

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Speaker 1: early sixties. Shortly thereafter, Cool and his brother Ronald joined

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Speaker 1: neighborhood friends Spike Mickens, Dennis Thomas, Ricky Westfield, George Brown,

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Speaker 1: and Charles Smith to create a distinctive musical blend of jazz,

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Speaker 1: soul and funk. At first calling Spells the Jazzy Acts,

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Speaker 1: and the band went through various name changes, New Dimension,

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Speaker 1: the Sole Town Band, and Cool in the Flames before

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Speaker 1: settling on Cool in the Gang, nineteen sixty eight multi

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Speaker 1: platinum selling group. The most sampled band of all time,

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Speaker 1: Cool in the Gang has sold over Get This eighty

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Speaker 1: million albums worldwide and influencing music of generations with twenty

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Speaker 1: five top ten R and B hits, nine top ten

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Speaker 1: pop hits, at thirty one gold and platinum albums. Classics

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Speaker 1: include the one and Only Jungle Boogie which I just

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Speaker 1: figured out on my guitar, Hollywood Swinging Ladies' Night, and

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Speaker 1: the number one hit Celebration. The band were recently inducted

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Speaker 1: into the Rock and Roll Hall of Fame. Cool's business

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Speaker 1: ventures include a successful Lay Cool Champagne uh and, with

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Speaker 1: his departed wife Sekina I hope I got that pronounce

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Speaker 1: Yester right, it co founded a nonprofit music education initiative,

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Speaker 1: the Cool Kids Foundation, which is currently overseen by his sons,

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Speaker 1: Haquem and Mohammad. Just such a pleasure to have you, Robert,

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Speaker 1: Thank you so much for coming. And what do you

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Speaker 1: remember most about those early days in Jersey City when

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Speaker 1: when Cool in the Gang was just getting started well.

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Speaker 2: In Jersey City and also downtown on the Village of

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Speaker 2: New York. We used to play and uh, you know,

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Speaker 2: they dropped a little money in the basket, you know

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Speaker 2: that kind of thing. Who were young having fun at

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Speaker 2: the time. And then we ended up working over the

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Speaker 2: Cafe WA in New York where on weekends every Saturday

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Speaker 2: and Sunday they were having they call who Danny And

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Speaker 2: that's one different groups like Richie Havens and other artists

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Speaker 2: were like Starist, but we was like the young artist

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Speaker 2: going up. So that was the early days working in

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Speaker 2: New York and New Jersey. And then we used to

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Speaker 2: work in New Jersey. We came up with the name

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Speaker 2: the Jazzy Acts, and uh we were into jazz. My

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Speaker 2: brothers into John Coltrane, d T was Canniball Alley, George Phi,

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Speaker 2: Philly Jones, Charles West Mctgummy Spike was then too, uh

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Speaker 2: you have it, and Ricus Herbie Hancott. Yeah, jazz and

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Speaker 2: I played based. I was with us excuse me on

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Speaker 2: Carlon jamieson some of the other basics right right.

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Speaker 1: For those of you listening who do not know, jazz

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Speaker 1: was very prevalent in the seventies, especially on the East Coast.

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Speaker 1: I used to spend weekends up in New York City,

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Speaker 1: My sister was living with a with her boyfriend up there,

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Speaker 1: and so I used to spend summers up there, and

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Speaker 1: I used to come up on weekends as well during

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Speaker 1: school sometimes, and the jazz clubs were filled with great players.

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Speaker 1: Cafe you mentioned Cafe Wah. I know that was a

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Speaker 1: very famous spot. Tell us a little bit about Cafe

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Speaker 1: wa and some of the legends that used to frequent

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Speaker 1: that place.

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Speaker 2: Yeah, well, like Ritchie Havens mil came. He played drums. Yeah,

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Speaker 2: a lot of different lot it was a fun day.

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Speaker 2: Was on Sunday, right, Okay. I learned how to play

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Speaker 2: at the bass after my bullet told me you should

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Speaker 2: try to play the basement this one song, uh as

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Speaker 2: Caffrey walk now Spike Mickens brother play guitar. So I

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Speaker 2: learned how to play one song on one string. It

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Speaker 2: was called coming Home Baby, and all you have to

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Speaker 2: do is go up and down the East Ring. And

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Speaker 2: so when I replanted, I said, well don't you try

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Speaker 2: to playing that one song? I would bout that guy's

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Speaker 2: base and I did, and that was the beginning of

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Speaker 2: my bass plan.

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Speaker 1: Mm hmm. Well you started banding out playing jazz, uh,

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Speaker 1: how did that evolve in the funk and then the

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Speaker 1: soul sound.

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Speaker 2: We know today, well we're playing jazz. But when we

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Speaker 2: started playing for what happened was there was an organization

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Speaker 2: in Jersey City, Uh we called so the Souletown Review.

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Speaker 2: They were trying to be like the Motown Review. So

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Speaker 2: we became the Soultoime band, and we would have to

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Speaker 2: learn the various RV song mostly Motown songs, you know,

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Speaker 2: and that's how the jazz kind of kind of transmitted transits.

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Speaker 2: This is into the trying this into RV side.

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Speaker 1: Cooley Gang has been sampled by so many artists from

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Speaker 1: hip hop to pop, you name it. Do you have

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Speaker 1: a favorite sample of one of your songs?

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Speaker 2: I would say some of the Madness because Will Smith

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Speaker 2: came up with Summer Time, went platinum with number one,

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Speaker 2: and became a movie star. Right. There's others, I mean,

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Speaker 2: you know, try called Quest the sample of music, a

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Speaker 2: lot of other groups sample of music, but that one

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Speaker 2: Coon sticks out some.

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Speaker 1: Of Madness and is the idea behind that song. There's

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Speaker 1: no lyrics, it's just this beautiful, easy listening song. What

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Speaker 1: inspired that song?

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Speaker 2: It started off with a song called you Don't Have

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Speaker 2: to Change Mike Mickens wrote that song and at the

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Speaker 2: end of the song there was a vam and my

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Speaker 2: brother was in the studio one day. He said, you

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Speaker 2: know that vamp. I want to work with that van

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Speaker 2: and uh. He had just got the art synthesizer, so

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Speaker 2: he was in there fooling around with it. And that

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Speaker 2: part that you talked about that and then that became

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Speaker 2: some of Madness because Spike said, oh he was gay,

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Speaker 2: all right. I told me we'll call this. He said, well, well,

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Speaker 2: let's call it some of badness. So we didn't know

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Speaker 2: that song was gonna be called the Smell it ca.

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Speaker 2: I mean the movie Rocket, Uh, sevests the onest thing

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Speaker 2: there across the big the box that have a fight

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Speaker 2: that next day, and he listened to he listened to

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Speaker 2: some of that, right, So I went from there to

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Speaker 2: Will Smith to a lot of people, a lot of

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Speaker 2: samples on some of that.

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Speaker 1: Yes, So let's talk about celebration that was in the

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Speaker 1: season finale of Gilmore Girls, and it's such a timeless anthem. Uh,

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Speaker 1: did you know that it would become or had the

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Speaker 1: potential to become the ultimate party song when you were

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Speaker 1: recording it. Did the producer say anything like, guys, this

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Speaker 1: thing is just gonna go big. Everybody's gonna want to

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Speaker 1: play this song at their wedding parties and birthdays and

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Speaker 1: things like that. Did you guys have any inkling, Well, we.

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Speaker 2: Really didn't know. The journey started off with Ladies Night. Ladies'

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Speaker 2: Night was when my wife and I was hanging out

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Speaker 2: in New York and JG had just joined the band,

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Speaker 2: and we were at two of fifty four and Regimes

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Speaker 2: and some of the hotspots in New York, and we

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Speaker 2: realized that Friday nights the weekend with the Ladies Night.

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Speaker 2: So I went back to the guys. I said, wow,

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Speaker 2: you know it's a Ladies Night on the weekends in

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Speaker 2: New York. And my brother said, wow, there's a Ladies'

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Speaker 2: Night all over the world. So anyway, fast forward, so

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Speaker 2: we did Ladis Night. We end up doing two, were

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Speaker 2: getting two American music wars. I'll know it a Ladies Night.

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Speaker 2: The end of Ladies Night, this is your night tonight,

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Speaker 2: come on, it's all celebrate. My brother, Oh there's another song,

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Speaker 2: and he got together and came up with this concept. Yeah.

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Speaker 2: Uh he played for us and they had that down

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Speaker 2: Hall Field to it, you know, uh, and uh that's

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Speaker 2: how he came up with the celebration part of it all.

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Speaker 2: You know, that's how Celebration was created. Not knowing we

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Speaker 2: thought Ladles, you know new Thayer, We thought that that

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Speaker 2: would be big. It was, but Celebration top of them all.

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Speaker 1: So of all the hits, which song still feels the

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Speaker 1: best to play live after all these years?

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Speaker 2: Best to play live?

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Speaker 1: Yeah?

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Speaker 2: Well, two sections one one section of I show I

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Speaker 2: call it the gang a session. That's when we do

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Speaker 2: John Go Boogie into Hollywood swing. No, we start with

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Speaker 2: funky stuff jungle boogie until Holly was swinging and the

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Speaker 2: story around that. With the record coman, he told us said, listen,

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Speaker 2: you guys are not really you got territorial hits. There's

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Speaker 2: a producer out there and there's a record out there

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Speaker 2: that's song Solvacusa, Mango DeMarco and their producer. They said okay,

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Speaker 2: So we had a meeting with him. We weren't filling him.

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Speaker 2: So we went down the baggage downtown New York and

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Speaker 2: we went in the studio about here o'clock in the morning,

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Speaker 2: and when we finished, we had created Bunky shir John

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Speaker 2: Go Boogie in Hollywood Swinging. Now John Go Boogie went

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Speaker 2: the top five. I believe Holly was swinging with also

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Speaker 2: in the top five the Funkys there for number one,

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Speaker 2: R and B for about seven weeks. So when we

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Speaker 2: play on our show, we played that part jungle boogie,

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Speaker 2: funcky stuff, jungle boogie. How I was swinging. The crowd

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Speaker 2: is up, then we slow down, go a little bit

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Speaker 2: of chairs, a little bit of summer madness, and then

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Speaker 2: we come back with Ladies Night. Get down on it

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Speaker 2: in celebration. If you ain't got the people moving by

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Speaker 2: then those three will get you up out of your seat.

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Speaker 1: Oh yeah, yes, you will get up.

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Speaker 2: You know two errors there, right, answer your question?

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Speaker 1: Right? So you got the van. Just got inducted into

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Speaker 1: the Rock and Roll Hall of Fame last year. Tell

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Speaker 1: us if you will, what that moment meant to you personally?

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Speaker 2: Well me personally, I feel very good about that. Unfortunately,

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Speaker 2: we all wanted to be in the Wackall Hall of Fame.

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Speaker 2: All my members have passed, my brother George Brown, all

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Speaker 2: of them. I was the last minute then so and

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Speaker 2: then of doing the song with JG. But the thing

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Speaker 2: about it was that, you know, we had tour with

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Speaker 2: Elton John. We have been told Elton John Brother, Roger Stewart,

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Speaker 2: uh and we did the four year shows with Van Halen,

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Speaker 2: ten shows with kid Ron, Dave matthews Man. He said,

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Speaker 2: all rock and roll any it called the rock and

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Speaker 2: Roll Hall Fan. I was born in Yukstown and Cleveland

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Speaker 2: was right up the street. So I said, how did

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Speaker 2: I give us no love? I ask you a question.

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Speaker 2: They finally came and gave us some love. That's what

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Speaker 2: I felt about that.

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Speaker 1: It is amazing that it took so long, isn't it?

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Speaker 2: Yes? It is.

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Speaker 1: It really is amazing, really is amazing. Why do you

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Speaker 1: think that is? Why do you think that it took

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Speaker 1: so long to intuct you in the rock and Roll

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Speaker 1: Hall of Fame? Because it was it wasn't pure rock.

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Speaker 1: I mean the umbrella is pretty wide with the rock

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Speaker 1: and Roll Hall of Fame. Why do you think it

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Speaker 1: took so long?

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Speaker 2: Well, you know, you have the fans who vote for you,

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Speaker 2: and then you have these decision makers. So the behind

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Speaker 2: the scene guys is one of the big and final

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Speaker 2: of decision you know, because I mean you had like

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Speaker 2: try call well not of course, a couple of hip

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Speaker 2: hop acts Step was in the Alcohol Hall of Fame,

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Speaker 2: A couple other acts. But we're trying to figure out, well,

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Speaker 2: why do you think it's so long for us? That's

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Speaker 2: a good question.

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Speaker 1: Your songs are among the most recognized, instantly recognizable songs

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Speaker 1: in the history of modern music and jazz. I mean,

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Speaker 1: it is confounding, isn't it. It is really confounding. And

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Speaker 1: by the way, one thing when when I was re

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Speaker 1: listening to your songs before having you come on, is

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Speaker 1: the the intros to your song. The instrumental intros to

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Speaker 1: your song are brilliant. They're just they're like hooks in

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Speaker 1: and of themselves, so you know exactly what the song is,

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Speaker 1: you know exactly where you're going. You guys set up

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Speaker 1: a song better than anyone I've ever heard. You know,

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Speaker 1: that's really a question to ponder why it took so long.

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Speaker 1: It's just it's just amazing to me, just just astounding.

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Speaker 1: I mean, these are easily the most recognizable songs in

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Speaker 1: the world over the past fifty years.

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Speaker 2: All of the things, let's cut you off, is that

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Speaker 2: my mother should tell me, brother this. You always have

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Speaker 2: to come up with a melody that people can't remember,

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Speaker 2: you know, And you thought about that, and when you

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Speaker 2: look at what you know, then you got. Damn you

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Speaker 2: go to a circuit or whatever you can remember and

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Speaker 2: come up with memorable hooks.

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Speaker 1: What you just said, Yeah, just incredible. And when you

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Speaker 1: hear them, it's like you think, well, why didn't I

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Speaker 1: think of that? Well, it's because you didn't think of that.

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Speaker 1: It's it's just like they seem so simple, but they're

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Speaker 1: so difficult to come up with.

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Speaker 2: They are.

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Speaker 1: How would you describe, uh, the creative creative relationship between

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Speaker 1: you and your brother Ronald over the years. How did

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Speaker 1: that dynamic work inside the band? Were you guys the

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Speaker 1: principal songwriters?

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Speaker 2: Well, my brother in terms of the horns, all the

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Speaker 2: horn lives, that's what my brother came up with. Wow,

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Speaker 2: you know. And then uh, you got Charles. Now Charles

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Speaker 2: he was a Western gummy guy, you know. And you

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Speaker 2: hear that thumb Sunston too hot now, George rout it okay,

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Speaker 2: So all of different slavers. It was all about what

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Speaker 2: cooling gangs about. It was hard to give us the

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Speaker 2: title so well the full the R and B or

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Speaker 2: this is this and now they're pop, But we did Johanna,

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Speaker 2: Oh then they were too bubble of them now, Johanna

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Speaker 2: the bouncing ball We did what we felt. We wasn't

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Speaker 2: looking into what people would say about us. We had

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Speaker 2: a song called Coachy Junkie in a Country Junkie. So

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Speaker 2: we just did what we felt. We didn't tell to

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Speaker 2: go by what people say, well we should be, We

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Speaker 2: just didn't and it helped us a listen for that.

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Speaker 1: So it seems like when I'm listening to these songs,

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Speaker 1: the musical i Q of the band members is so high.

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Speaker 1: Did you did all of you guys study uh composition?

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Speaker 1: Did you study jazz or did you just grow up

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Speaker 1: listening to jazz and have this sort of innate talent

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Speaker 1: to incorporate it into your music? Which one?

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Speaker 2: We grew up listening to jazz, listening to R and

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Speaker 2: B and uh. We told each other, like Charles, my

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Speaker 2: guitar player, just show me here's a little line. But

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Speaker 2: it's a line. Uh, the Halls would do something intil

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Speaker 2: hobby to play it or whatever, or Mickey West. It

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Speaker 2: was just it was imagic that, you know, hard to

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Speaker 2: explain right what we would do. I mean, he's talking

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Speaker 2: about left the music, mind, love and understanding and who's

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Speaker 2: gonna take the weight? That's all different scenarios there. Who's

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Speaker 2: gonna take the weight. That's the whole story. Yeah, so

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Speaker 2: we were blessed for that. And then like with Ladies

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Speaker 2: Night and uh pobs about George and the girlfriend they

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Speaker 2: broke up seven feel high schools. He goes, that's all

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Speaker 2: by himself because he's the only one one to that.

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Speaker 2: So that's how you know, opens opens. Yeah, every fun

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Speaker 2: and fire that was like had the dominant horn you know,

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Speaker 2: yeah fire horn line, you know, and you compete with that.

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Speaker 2: So my brother came up with an idea and that

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Speaker 2: was what open. He said, We're gonna keep it on

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Speaker 2: the dance vibe, We're gonna swing it, but we're gonna

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Speaker 2: compete with whoever's out there. That that said, people say,

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Speaker 2: who couldn't even play that? What is they playing? What

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Speaker 2: is that end up being? In Saturday Night Fever sold

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Speaker 2: over twenty million, a record until Michael Jackson came along

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Speaker 2: with Dweller's Got's a Blessing? What can I say?

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Speaker 1: H Let me ask you this, when when you look

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Speaker 1: at how Funk and R and B have evolved, what

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Speaker 1: do you think is the biggest influence Cooling the Gang

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Speaker 1: left on the artists of today.

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Speaker 2: Well, I would say a style of thought when you

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Speaker 2: sounds like someone just asked me about that. At the

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Speaker 2: other day, Funcky Glenny said, what the hell is monkey Glenny?

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Speaker 2: Monky man? All those facts see it to an equility

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Speaker 2: breeds in soul. We just mixed it up UK with

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Speaker 2: a lot of bands. Study what we did. You know

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Speaker 2: I got I have to take my head off. George Clinton,

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Speaker 2: he calls us the master of the p phon and

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Speaker 2: we were the master of the p pong too. But

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Speaker 2: we can go out to the cherish. I wouldn't go

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Speaker 2: into rush. Oh we can go into too hot. We

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Speaker 2: can go into emergency. Rey Kaye's answer, You know, we.

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Speaker 1: Just did what we fell just a bunch of really

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Speaker 1: talented players putting it together in rehearsal and coming up

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Speaker 1: with great stuff. Huh. How often did you rehearse in

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Speaker 1: the early days did you Were you rehearsing all the time.

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Speaker 2: In earlier days? Yeah, yeah, put it all together right. Uh.

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Speaker 2: And the latter days on the road, we would do

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Speaker 2: like rehearsal at soundcheck. The soundcheck was almost like a rehearsal, sure,

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Speaker 2: and certain songs came from a soundcheck, like Reggae Danson

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Speaker 2: soundcheck and my other brother Mia started playing that little track,

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Speaker 2: you know, and then we came up with everybody was

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Speaker 2: just you know, uh chime in and then they're like,

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Speaker 2: oh lah, check it. You know, it was magic that

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Speaker 2: just happened. And that's what happened.

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Speaker 1: You also have an incredible foundation, the Cool Kids Foundation.

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Speaker 1: What kind of impact you seeing through the music education

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Speaker 1: programs your family runs.

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Speaker 2: But what happened was my wife, who up passed eight

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Speaker 2: years ago, she asked me, how come they don't have

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Speaker 2: music in the schools. So I was on the road

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Speaker 2: a lot, so I thought about it, and she was

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Speaker 2: doing trying to put something together locally, and uh, I said, well,

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Speaker 2: you you know what I said. When we were coming

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Speaker 2: up through grammar school, there was music in the school,

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Speaker 2: there were music teachers. You go in and uh yeah,

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Speaker 2: you uh pick up an instrument and you take it

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Speaker 2: home and etcetera extension that wasn't happening. I mean, I

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Speaker 2: had a melophone. I said, I ain't messing with that.

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Speaker 2: That's the one like a French hall. I said, I'll

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Speaker 2: bust my lip all of them. I took the violin.

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Speaker 2: I couldn't quite get into that. Couldn't quite get into that,

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Speaker 2: you know, I remember the base but one music was

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Speaker 2: in school. School. So that's when I came up with

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Speaker 2: a concept. Idea said called school to stay is cool?

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Speaker 2: Excuse me to stay in school? Chilli Coke get to

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Speaker 2: the table. I said, yeah, we like to prom was that?

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Speaker 2: So we did forty two City four and all those

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Speaker 2: kids that had good grades and uh nothing playing not playing,

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Speaker 2: I hope you from school and all that stuff. We

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Speaker 2: would meet them on the meet and greet and after

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Speaker 2: them and at the meet and greet, uh, four guys

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Speaker 2: came up to us and said, yeah, we're doing good

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Speaker 2: in school, but we want to sing something. And so

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Speaker 2: I said, okay, we listen, and they did a cappella

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Speaker 2: on four songs. You know that group became colored me bad,

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Speaker 2: I want to sex you up. All that was about

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Speaker 2: the school thing. So that's what my wife wanted to

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Speaker 2: bring back so far. Next year will be our seventh

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Speaker 2: Cool Kids Foundation. We're donating knowing into the schools, the

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Speaker 2: marching bands. Uh that's the whole thing about Cool Kids Foundation.

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Speaker 1: I want to ask you about Jungle Boogie. Tell tell

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Speaker 1: me about how that jam came about, because that is

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Speaker 1: just deadly. That is just the most lethal piece of music.

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Speaker 1: I think coming out one of the most lethal pieces

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Speaker 1: of music coming out of the seventies. It's just so

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Speaker 1: incredibly rich. How'd that happen?

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Speaker 2: We were under pressure. The record company came to us

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Speaker 2: and said, yeah, you guys got territorial hits Connecticut, maybe Virginia,

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Speaker 2: Jersey and the Soma. So we'd say, Okay, we're gonna

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Speaker 2: create our own so not that we're trying to do with,

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Speaker 2: but there is and the Prussia we will song about.

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Speaker 2: Let get your back of all the wall? How bad

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Speaker 2: was on the wall? Okay, that's how y'all feel? And

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Speaker 2: Joe Oboden was the first one check this out, came

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Speaker 2: over them all line, we came up with it all

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00:26:01,880 --> 00:26:05,280
Speaker 2: came together. It wasn't like a complicated song with a

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Speaker 2: lot of lyric ability.

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Speaker 1: It was no, it was you didn't need it with

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Speaker 1: with that riff, you just need to repeat it.

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Speaker 2: Yeah, that was We have fun play.

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Speaker 1: And when do you play that in your set? And

380
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Speaker 1: what is the reaction in the crowd when you play that?

381
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Speaker 1: When do you usual? Where do you have that on

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Speaker 1: the set list?

383
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Speaker 2: Close to the middle of the set?

384
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Speaker 1: Middle?

385
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Speaker 2: Okay, when we go to the funk stuff. We played

386
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Speaker 2: funky stuff, jungle boogie, Hollywood swing, you know, and we

387
00:26:39,960 --> 00:26:43,000
Speaker 2: got them and that's that's the funky side. Then we

388
00:26:43,119 --> 00:26:44,800
Speaker 2: go through some of that and then we come to

389
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Speaker 2: the end. But yeah, they really those songs. Sometimes a

390
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Speaker 2: song and in the biggests something else. Yeah.

391
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Speaker 1: So yeah, people tell you after the show, like like

392
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Speaker 1: when you guys went into jungle boogie, that was like

393
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Speaker 1: a moment for me, you know, right swinging to right.

394
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Speaker 2: Okay, Yeah, So when when you look.

395
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Speaker 1: Back on well not you let me rephrase this. When

396
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Speaker 1: people look back on cool in the Gang, let's say

397
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Speaker 1: one hundred years from now, what do you hope they

398
00:27:19,880 --> 00:27:21,400
Speaker 1: remember Robert.

399
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Speaker 2: Well, some young guys from Jersey City coming up to

400
00:27:27,160 --> 00:27:31,560
Speaker 2: JAD coming up through a R and B p H.

401
00:27:32,520 --> 00:27:38,080
Speaker 2: We'll go to pop. Actually they call those pop outs,

402
00:27:38,119 --> 00:27:40,200
Speaker 2: you know, I mean top ten pop records, you know,

403
00:27:41,119 --> 00:27:46,680
Speaker 2: and it's like, I guess, slice it in something, Well,

404
00:27:46,720 --> 00:27:49,800
Speaker 2: you can make it if you try. We never gave up.

405
00:27:49,840 --> 00:27:52,000
Speaker 2: That's the same thing with the cool kids. You can

406
00:27:52,080 --> 00:27:56,040
Speaker 2: become somebody. That's what the foundation is about, right, That's

407
00:27:56,040 --> 00:27:57,840
Speaker 2: why we help them because a lot of the programs

408
00:27:57,840 --> 00:28:01,600
Speaker 2: are not in school anymore. Right, So that kind of

409
00:28:01,600 --> 00:28:05,960
Speaker 2: a thing. Uh. We had songs like Love and Understanding,

410
00:28:06,640 --> 00:28:10,760
Speaker 2: which was a big record for us, and uh, you

411
00:28:10,840 --> 00:28:16,400
Speaker 2: know you need more love today, you need more understanding today.

412
00:28:17,760 --> 00:28:21,600
Speaker 2: Look at what we're dealing with today. We had a

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00:28:21,600 --> 00:28:25,840
Speaker 2: song called music is the Message that sings universal love

414
00:28:25,960 --> 00:28:29,800
Speaker 2: for what and all. We were dropping some messages there.

415
00:28:29,920 --> 00:28:34,560
Speaker 2: They were all about bump, you're closer, saying that's what

416
00:28:34,720 --> 00:28:35,479
Speaker 2: I want people to know.

417
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Speaker 1: Beautiful. So you're on tour, tell me what we can

418
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Speaker 1: expect and where we can see you.

419
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Speaker 2: Well, we just did thirty days in Europe just past

420
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Speaker 2: July and August, and we're going out again next year.

421
00:28:55,840 --> 00:29:00,600
Speaker 2: And h we have a concept I do anyway, the

422
00:29:00,720 --> 00:29:04,640
Speaker 2: Cool Champagne and I have to do with Akatron watches

423
00:29:05,960 --> 00:29:11,360
Speaker 2: the Cool Champagne and Akatron possesses the Cooling game Rock

424
00:29:11,480 --> 00:29:15,680
Speaker 2: the World Tour and I got a part to it.

425
00:29:15,720 --> 00:29:21,040
Speaker 2: What I want to do ten classical shows, a classic

426
00:29:21,320 --> 00:29:23,960
Speaker 2: evening with cool in the game. Because we've played with

427
00:29:23,960 --> 00:29:28,680
Speaker 2: Philemon books, so we want to pick ten cities. Well,

428
00:29:28,680 --> 00:29:33,440
Speaker 2: we bring on sixty piece office. Wow. Also because we've

429
00:29:33,480 --> 00:29:36,720
Speaker 2: done them already, Wow, we want to do them again.

430
00:29:36,480 --> 00:29:39,200
Speaker 1: Next year coming to California. You're coming to Southern California.

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Speaker 2: Yeah, we played with down Walk down there with orchestra.

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Speaker 1: All right, we gotta come out and see you if

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Speaker 1: you come to Southern California, we gotta come out and

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00:29:48,320 --> 00:29:52,920
Speaker 1: see you because that would be an incredible show. And yeah,

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Speaker 1: you also have your your lay cool Champagne. Uh where

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00:29:57,840 --> 00:29:58,719
Speaker 1: can people get this?

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Speaker 2: Well, right now, you can get it online who Champagne

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Speaker 2: dot com. Well it's sanatorial as who get into Champagne

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00:30:10,640 --> 00:30:14,160
Speaker 2: in different states? Right now? We have a new Jersey,

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Speaker 2: we have Florida. We're working back again in Ohio, Las Vegas.

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Speaker 2: You know, we're building the market.

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Speaker 1: Robert, thank you so much for taking the time talking

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Speaker 1: to us. You are a legend and Cooling the Gang

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00:30:34,160 --> 00:30:37,840
Speaker 1: is probably the coolest band coming out of the seventies.

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Speaker 1: Just incredible music, incredible guys, and uh and thank you

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00:30:43,920 --> 00:30:47,200
Speaker 1: for all you do and keep doing it. And that's

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Speaker 1: going to wrap us here on on this segment. And uh,

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Speaker 1: Robert cool Bell, thank you Sarah for joining us, and

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Speaker 1: thanks to the best fans on the planet. Keep the

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Speaker 1: downloads coming, cards and letters, and remember where you lead,

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00:31:02,440 --> 00:31:07,680
Speaker 1: we will follow. Stay safe everyone, Let's keep and let's

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00:31:07,720 --> 00:31:41,280
Speaker 1: keep the funk. Alive, absolutely everybody, and don't forget. Follow

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00:31:41,360 --> 00:31:45,240
Speaker 1: us on Instagram at I Am all In podcast and

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Speaker 1: email us at Gilmore at iHeartRadio dot com