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Speaker 1: Hello, Kazy O'Brien, Hi Mili to Cheriico. How are you

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Speaker 1: doing on this beautiful day.

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Speaker 2: I'm doing wonderfully, Thanks for asking. What about you?

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Speaker 1: Oh just fine. It's like negative ten degrees here in Minneapolis,

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Speaker 1: so I'm just trying to stay alive, but doing fabulous

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Speaker 1: because we're doing a very exciting and timely episode today.

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Speaker 1: We're talking about, you know, Academy Awards stuff. But first

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Speaker 1: we're gonna go through our film diary, which is our

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Speaker 1: movies we've most recently watched. We're going to discuss those,

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Speaker 1: isn't that right? What else are we doing? Very exciting?

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Speaker 2: We are also Doug gonna talk about the Oscars. We're

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Speaker 2: gonna go through a little bit of just like general

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Speaker 2: Oscar chat, maybe talking a little bit about Oscar betting

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Speaker 2: pools and things of that nature. But also we're going

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Speaker 2: to talk about our favorite movie is of twenty twenty four,

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Speaker 2: which may or may not be reflected in the numb

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Speaker 2: and would you say mine.

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Speaker 1: Are certainly not reflective whatsoever? Like I don't think the

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Speaker 1: Academy sniffed any of my favorite movies this year, so

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Speaker 1: that'll be fun to point out some new, different ones

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Speaker 1: that maybe aren't getting attention. Yeah. And then after that

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Speaker 1: something very exciting, the first annual Milli Awards, which is

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Speaker 1: where I'm going to throw some categories at Milli and

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Speaker 1: she is going to award those movies based off those categories.

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Speaker 1: She does not know the categories yet, but she will

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Speaker 1: and the awards will be distributed and it'll be very,

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Speaker 1: very exciting. So I'm really looking forward to that as well.

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Speaker 2: Yes, I hope I pick correctly.

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Speaker 1: I'll just say that, well, there's no real anything you

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Speaker 1: pick is the correct pick, because it's the Milli Awards.

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Speaker 2: It's a group of one person, Yeah, deciding the fate

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Speaker 2: of movies for the rest of history. Yes, yes, absolutely, Well,

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Speaker 2: stay tuned. It's going to be a blast. All of

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Speaker 2: this and so much more on this episode of Dear Movies.

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Speaker 2: I love you, Dear.

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Speaker 1: I love you, and I've got to know you love

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Speaker 1: me too.

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Speaker 3: Check the box.

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Speaker 1: Oh man, isn't that Softies song? Good Millie? Don't we

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Speaker 1: have a great theme song?

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Speaker 2: Yeah?

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Speaker 1: I got to listen to it.

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Speaker 2: I love it. I started singing it to my dog

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Speaker 2: so I just I just look at her face and go,

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Speaker 2: Dear Sophie, I love you, and she's just like, leave

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Speaker 2: me the fuck alone.

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Speaker 1: I love that. I love that, Millie. I'm so eager. Okay,

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Speaker 1: so first off, we're gonna get into our film diary

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Speaker 1: first and foremost movies we've seen most recently. But before

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Speaker 1: we get into that breaking news not even breaking. This

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Speaker 1: is old by the time this comes out, but I

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Speaker 1: think it is important for us to break any Bradley

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Speaker 1: Cooper related news that's coming out of the system. So

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Speaker 1: I just wanted to discuss this really quick. Did you

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Speaker 1: hear about this his new movie? No, it's so, he

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Speaker 1: has a new movie coming out. It's called Is This

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Speaker 1: Thing On? It's starring Laura Dern. I think it was

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Speaker 1: co written with Will Arnett, who is the lead actor

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Speaker 1: in the feature. And the reason this is important, you know,

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Speaker 1: anything that Bradley Cooper does I'm fascinated by because he's insane, Yes,

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Speaker 1: but he is. So he will be set to direct, produce,

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Speaker 1: and serve as B camera operator for the movie. So,

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Speaker 1: which is really interesting. B camera operator. You know, there's

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Speaker 1: like I don't quite know what that means for this movie,

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Speaker 1: but I feel like B camera is not the main

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Speaker 1: camera shop. Yeah, right, so he's doing kind of like

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Speaker 1: he's off kind of doing his own thing. I don't

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Speaker 1: know because I feel like when I hear b camera

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Speaker 1: operator because sometimes with big movies, they're filming things simultaneously, right,

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Speaker 1: you know, like getting b roll of like uh, you know,

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Speaker 1: like footage of like a city or something or like

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Speaker 1: not the main actors, and so it's but he's directing

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Speaker 1: it and he's getting the b roll footage. I'm just

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Speaker 1: sort of confused by what that means.

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Speaker 2: Yeah, I mean that's the thing like you make movies.

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Speaker 2: So maybe explain that a little bit, uh, because it

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Speaker 2: is it b roll in in the sense that there's

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Speaker 2: like an entire team that's shooting on another location.

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Speaker 1: That sat understanding. Like Lord of the Rings I believe,

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Speaker 1: you know, they had like B and C where they're like,

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Speaker 1: you know, filming like guys riding horses through a pasture.

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Speaker 1: Why Vigo Mortensen is acting elsewhere and they're filming that, like,

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Speaker 1: so they're kind of filming things simultaneously. That's my understanding.

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Speaker 1: It also could mean that they have more than one

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Speaker 1: camera rolling at the same time, because like with bigger

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Speaker 1: budget movies, you'll shoot like two different angles of a

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Speaker 1: scene at the same time to kind of save time.

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Speaker 1: So you'll get like a wide shot that will include

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Speaker 1: all the actors in a scene with one camera, and

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Speaker 1: then you'll have another camera going at the same time,

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Speaker 1: and that's just getting the close up on like Brad

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Speaker 1: Pitt or whatever, right, you know, because you'll cut between

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Speaker 1: for editing a scene, you'll cut between a wide shot

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Speaker 1: and a close up, and a lot of times on

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Speaker 1: like smaller movies or like really most movies, they'll shoot

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Speaker 1: the wide shot with the camera because they only have

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Speaker 1: one camera, and then they'll move the camera closer and

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Speaker 1: shoot the scene again in a close up. But on

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Speaker 1: bigger movies they'll do them simultaneously. So maybe he's operating

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Speaker 1: more of the less important camera. I don't know. I

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Speaker 1: just thought that was it's just so funny that he

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Speaker 1: is doing that. I don't quite understand why this is

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Speaker 1: supposed to be a meta comedy commentary on Hollywood.

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Speaker 2: Okay, yeah, because I was thinking, if he's the director,

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Speaker 2: then how is he directing both like the A footage

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Speaker 2: and the B footage. I don't know. Maybe that's too

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Speaker 2: I don't know anything about directing like that, so maybe,

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Speaker 2: but it just seems bizarre to do it that way.

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Speaker 1: No, I I more info as this develops. Just wanted

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Speaker 1: to bring that. Put this on your radar.

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Speaker 2: Yes, I feel like we need to include one of

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Speaker 2: those like old timey news bulletin beat anytime that we

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Speaker 2: talked about Bradley Cooper's new movie. So get on that.

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Speaker 1: Okay, well I'll look into that. But really I must

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Speaker 1: know what movies have you seen this past week? Oh?

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Speaker 2: Okay, film diary, coumin atcha. So the first one that

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Speaker 2: I saw was the brand new Pedro Maldivar movie The

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Speaker 2: Room next Door, starring Tilda Swinton and Julianne Moore.

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Speaker 1: Amazing. Pedro Almdovar a storied and amazing Spanish director who

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Speaker 1: has worked you know, he has a lot of melo

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Speaker 1: dramas and his movies are very bright, a lot of

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Speaker 1: primary colors bright, and a lot of them are about

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Speaker 1: Tell me if you think this is a wrong characterization.

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Speaker 1: There are women's stories, yes, quote unquote, and include very

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Speaker 1: hot men.

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Speaker 2: See, you nailed exactly every point of why I love

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Speaker 2: a Moldavar as a director, because that is exactly what

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Speaker 2: I like, and this is exactly what this movie was.

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Speaker 2: It's like a very I mean, it's a very intense

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Speaker 2: story it's essentially about a woman who was dying and

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Speaker 2: sort of like her end of life wishes right, And

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Speaker 2: it's kind of this like it's almost kind of like

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Speaker 2: a moral conundrum of being asked to participate in something

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Speaker 2: like that and sort of like whether or not you

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Speaker 2: feel like this is something that you could actually do

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Speaker 2: and you know, this kind of thing. It's so it's

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Speaker 2: very intense and you know, just it's it's a it's

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Speaker 2: a it's a heavy one. But the bottom line is

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Speaker 2: that it is exactly as you said, amazing women, like

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Speaker 2: amazing like middle aged women. I have to say, incredible colors.

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Speaker 2: I mean, let's get serious, Like who doesn't want to

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Speaker 2: live in an Amaldivar apartment, you know, like all of

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Speaker 2: the apartments are so incredible, and.

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Speaker 1: There's this shade of blue he always uses that I

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Speaker 1: just can see in my brain, and yes, you just

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Speaker 1: want to jump into that world, Yes, with a spoon.

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Speaker 2: But that yeah. And then of course hot dudes, and

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Speaker 2: they're not even like a huge part of the story,

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Speaker 2: except for maybe John Taturo who's one of the other

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Speaker 2: co stars who and I actually think John Tatrrou is hot,

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Speaker 2: Like I think he's hot hotter now that he ever

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Speaker 2: has been. So yes, I do love a Barton Fink

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Speaker 2: though not not gonna lie, but yeah, So that movie

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Speaker 2: was fantastic, really affected me afterwards, so I would recommend

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Speaker 2: it for sure. If people are trying to check that out.

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Speaker 2: I think it's still in movie theaters. Then I watched

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Speaker 2: this is an amazing I have been wanting to talk

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Speaker 2: about this because I really love the person who directed

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Speaker 2: this film. So there is a film called Ask Anybody Okay,

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Speaker 2: and it was made by Elizabeth Purchell. Liz Purchell, who

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Speaker 2: is basically, I would argue, is probably the best most

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Speaker 2: knowledgeable scholar about gay adult film that we have right now.

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Speaker 2: And she has been doing this project for years and

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Speaker 2: it's basically you know, it's called Ask Anybody b you

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Speaker 2: d d Why? And it's essentially her life's work. I mean,

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Speaker 2: it's about like the preservation and the historical contextualization and

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Speaker 2: the research into the gay adult film world from like

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Speaker 2: I would say, like the sixties to like maybe the

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Speaker 2: eighties and maybe early nineties, and it's fascinating stuff. And

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Speaker 2: I've worked with her many times in the past at

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Speaker 2: other jobs, and I consider her a friend, and I

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Speaker 2: mean she the amount of research and archiving and finding

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Speaker 2: that she's done over the years is fantastic, and so

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Speaker 2: she created this I would say it's kind of like

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Speaker 2: an art project. It kind of reminds me a little

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Speaker 2: bit of some like you know, like Tom Anderson type

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Speaker 2: of video essay no narration, just like a compilation of

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Speaker 2: these like scenes from these really I would say, kind

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Speaker 2: of rare or missing adult gay adult films and again

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Speaker 2: from like the sixties to like the eighties maybe early nineties,

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Speaker 2: and it's this compilation and it's it's put together in

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Speaker 2: such a fascinating way because it's kind of done the

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Speaker 2: way that she does it is it's done based on location.

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Speaker 2: Like in the film, so there's like, you know, a

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Speaker 2: section that's all about bathhouses. There's a section about you know,

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Speaker 2: the peers in New York. There's a section about you know,

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Speaker 2: gay theaters. There's you know, so it's kind of like

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Speaker 2: a way to orient the clips as to like here

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Speaker 2: are these like traditional gay spaces, and like how the

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Speaker 2: you know, the adult film industry sort of use these

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Speaker 2: spaces as part of like this is what gay life is.

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Speaker 2: This is where gay men congregate, you know, especially like

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Speaker 2: back in the day when you know, it was pretty

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Speaker 2: much she'll legal to be gay in most parts of

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Speaker 2: the world, you know what I mean. And it was amazing.

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Speaker 2: It played at the Plaza here in Atlanta, which I

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Speaker 2: thought was fantastic. And I know she does screenings sometimes,

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Speaker 2: like she's done them at the Metrograph and in LA

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Speaker 2: and stuff, So I don't know. I thought it was incredible.

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Speaker 2: It's really like an amazing piece of film.

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Speaker 1: Cool.

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Speaker 2: So check that out if it comes to your city.

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Speaker 2: I encourage you. Then I saw I saw Nosferatu again

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Speaker 2: the second time.

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Speaker 1: I also saw oh and this is actually the only

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Speaker 1: movie I saw in the last week. Oh, so this

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Speaker 1: we should bridge this art. We're bridging our film diaries together.

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Speaker 1: We're writing on the same page. We're ripping out a notebook,

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Speaker 1: my notebook handing you. We're collaborating here on the diary.

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Speaker 1: I don't remember your review. What did you think of No? S?

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Speaker 2: So? I loved it, okay, And I felt based on

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Speaker 2: letterbox of course, and I was like, am I the

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Speaker 2: only person that likes this? Why are none of my friends?

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Speaker 2: Why what's going on here?

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Speaker 1: It was very polarizing. Yeah, I feel like people really

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Speaker 1: loved it or hated it, and I feel like I

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Speaker 1: was a little I liked it too. I thought it

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Speaker 1: was a vibe, it felt great, just like living in

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Speaker 1: that world. I liked all the actors in it. I

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Speaker 1: didn't like how shrouded in darkness. No Speratu was I

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Speaker 1: kind of and I didn't like. I don't know if

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Speaker 1: I liked his mustache.

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Speaker 2: To be honest, we feel entirely differently about this stuff, Okay.

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Speaker 2: In my letterbox review, I talk about how I didn't

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Speaker 2: think I would love not Sparatu with a handlebar mustache,

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Speaker 2: but by god, I do.

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Speaker 1: And I think there's there's sort of wasted hotness potential

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Speaker 1: because he's played by Bill Scarsgard. You know my letterbox review,

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Speaker 1: she really is rolling her. My wife's letterbox review was

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Speaker 1: let Bill Scarsguard be hot, and I guess I kind

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Speaker 1: of felt similarly, Why are we ugling up this man?

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Speaker 2: Well, he can't be hot, do you know what?

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Speaker 1: I'm sad they made Gary Oldman like sexier. He had

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Speaker 1: a glow up in Bram Stoker's Dracula. Can't they do

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Speaker 1: the same.

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Speaker 2: Because he's supposed to be a monster like he's supposed

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Speaker 2: to be You're not because if he's hot. Then you're like, well, okay,

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Speaker 2: then how come Lily Rose dup just don't go off

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Speaker 2: with him?

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Speaker 1: Then you're right, I mean he is a he is

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Speaker 1: a monster literally right in the movie. But you know

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Speaker 1: what I'm saying. I did really like it though. I

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Speaker 1: was like delighted to live in that space. I would

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Speaker 1: watch it again, especially in the Halloween season, just to

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Speaker 1: be like, ooh, this is so good and creepy and like,

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Speaker 1: so I I really did like it and enjoy it.

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Speaker 2: Well, okay, and to this point, let's now we got

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Speaker 2: to talk about this because it's all I'm thinking about

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Speaker 2: the fact that they didn't let Bill scarsguard Cook.

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Speaker 1: I think that it's.

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Speaker 2: Good because my my one thing. Okay, first of all,

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Speaker 2: I thought the movie was great. I and part of

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Speaker 2: like what I was shocked what I was shocked by

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Speaker 2: by some of my friends. And like, you know, I

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Speaker 2: got some friends that are like real hardcore centophiles, like

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Speaker 2: silent movie stands, like really really hardcore in the weeds

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Speaker 2: with that kind of stuff, and they all hated it.

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Speaker 2: They were just like, yeah, this isn't this isn't up

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Speaker 2: to snowf like, oh my god. And I'm just like,

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Speaker 2: first of all, that movie was made one hundred years ago. Dude, Like,

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Speaker 2: I don't think you can really compare the two. That's

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Speaker 2: just me. I feel like that's fair, yes, And I

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Speaker 2: feel like you're going you're basically saying like, oh, like

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Speaker 2: this movie, a modern movie that was made with modern

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Speaker 2: technology and modern everything, isn't as good as a movie

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Speaker 2: that was made in an error where they were like

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Speaker 2: putting fucking holes in boxes to watch films. I mean,

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Speaker 2: come on, we're like in this like a totally radically

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Speaker 2: different time. So I just don't feel like I love

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Speaker 2: the original, but I'm not.

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Speaker 1: I don't. I'm not comparing the two, right, I just that.

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Speaker 2: Was just well, I'm just saying I think the people

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Speaker 2: who I who I was, you know, kind of looking

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Speaker 2: engaging their reaction to the movie, who I thought would

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Speaker 2: have liked it, were like hell no, And I'm like,

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Speaker 2: all right, well then that's a I don't know. That

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Speaker 2: to me was not as a reason for me to

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Speaker 2: dislike it, being that it wasn't like the original. The

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Speaker 2: thing that I liked about it a lot because I

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Speaker 2: I loved The Lighthouse, Like Robert Egger's one of his

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Speaker 2: older films, The Lighthouse, and I thought there was a

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Speaker 2: little bit of lighthouseness to it because it was kind

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Speaker 2: of funny, like it kind of had funny moments to it,

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Speaker 2: but also like dark as fuck, which I really appreciated.

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Speaker 2: But I have to say, all right, I gotta look

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Speaker 2: this guy up. What's his name, Nicol, what's.

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Speaker 1: The guy that played her husband, Nicholas Holt.

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Speaker 2: So to the point where we were talking about why

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Speaker 2: not let Scar guard Cook, I think that Nicholas Holt's

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Speaker 2: character was He's supposed to be the Knight in shining

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Speaker 2: Armor type, but he's not. And by the end of

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Speaker 2: the movie you realize that he's definitely not okay. But

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Speaker 2: that's what I think. I feel like his character was

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Speaker 2: kind of like, I don't know, a little snively, a

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Speaker 2: little like, you know, kind of like a whiny baby type,

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Speaker 2: which I'm not complaining. I love a whiny baby. But

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Speaker 2: I feel like if you let Bill Scar's guard be hot,

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Speaker 2: then we would have hated that motherfucker. We would have

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Speaker 2: hated her husband and been like, right, oh, God, get

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Speaker 2: rid of this guy. Go off with Nosferatu, be his

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Speaker 2: vampire bride. Look at his bod. It's sick.

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Speaker 1: So That's what I mean, you know. Okay, Millie, we

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Speaker 1: gotta move on. That was our film diary. Tutah, Okay,

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Speaker 1: we are back to talk about the Oscars. Millie. What

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Speaker 1: you know? You and I I would say we both

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Speaker 1: like movies. Yes, is that fair to say?

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Speaker 2: I think so.

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Speaker 1: But you know, what is your relationship to the Academy

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Speaker 1: Awards and how has it changed over time? The Academy

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Speaker 1: Awards are coming up very soon. They're coming up on

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Speaker 1: March second, twenty twenty five. It's just around the corner.

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Speaker 1: So what is your relationship with the Oscars and how

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Speaker 1: has it changed over the years.

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Speaker 2: Well, okay, I'm a what you would call a classic

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Speaker 2: flip flopper when it comes to my feelings on the Oscars.

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Speaker 1: Because classic John carry over.

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Speaker 2: So uh shout out John Kerry wherever you were. My

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Speaker 2: So my thing is and I think if you know

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Speaker 2: me and you know what I like, and you know

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Speaker 2: what I write about, know what I talk about, You're like, Okay,

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Speaker 2: lots of times the Oscars are not really fucking with

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Speaker 2: the stuff that I fuck with, do you know what

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Speaker 2: I'm saying? Like, most years there's nothing, I got no

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Speaker 2: skin in the game, do you know what I'm saying,

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Speaker 2: I hear you, and to that effect, I start being like, well,

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Speaker 2: what the fuck is this? Why do fucking did anybody

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Speaker 2: care about this thing? You know, because like I don't know,

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Speaker 2: you know whatever, like this is all bullshit, you know,

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Speaker 2: blah blah blah blah. Then when I was working at TCM,

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Speaker 2: you know, obviously we did a lot of stuff with

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Speaker 2: the Oscars. We did this stunt every year called thirty

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Speaker 2: one Days of Oscar, and it was kind of this

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Speaker 2: like big event for us, and then started kind of

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Speaker 2: it kind of felt like the Oscars because everybody around

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Speaker 2: me at work was so jacked up for them. And

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Speaker 2: we also did this huge Oscar pool thing more about

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Speaker 2: that later, where we would all like, you know, try

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Speaker 2: to win money for the best, you know, whoever accurately

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Speaker 2: gets the winners in that kind of stuff. And so

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Speaker 2: from that point it kind of became almost kind of

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Speaker 2: like a fantasy football type of feeling where I was like, oh,

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Speaker 2: this is like a game, sure, and you know, then

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Speaker 2: I'll try to watch the movies because I'm trying to

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Speaker 2: win this game, because I want to win like forty

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Speaker 2: five dollars or something like that. Huh. But then I

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Speaker 2: don't know. In the most recent years, I feel like

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Speaker 2: there has been a couple things that I've been like, okay, now,

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Speaker 2: you know, getting me back in. Like when you know,

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Speaker 2: Moonlight or Parasite or something you know gets nominated, I'm

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Speaker 2: just like, oh, okay, well, I don't know, maybe this

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Speaker 2: is a thing again. But then typically that'll happen for

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Speaker 2: one year, and then the next year I'm like, I

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Speaker 2: don't care more, do.

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Speaker 1: You know what I mean?

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Speaker 2: I just can't. I'm just not consistently into it. I

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Speaker 2: think it is a year by year scenario. I don't

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Speaker 2: know how about you.

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Speaker 1: Well, you know, when you're getting into movies as a

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Speaker 1: you know, a teen or whatever, you pay attention to

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Speaker 1: the Oscars because that's the awards show for the best

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Speaker 1: movies of the year. And I think I sincerely still

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Speaker 1: care about what is nominated because that is the most

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Speaker 1: visible representation of what is considered a good movie by

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Speaker 1: the masses. Yeah, you know, and so so I still

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Speaker 1: have such excitement about the Oscars. I love watching the Oscars.

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Speaker 1: It does not always reflect my taste, and sometimes I'm

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Speaker 1: just like, why did you pick that movie? And some days,

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Speaker 1: you know, I think it's a Hollywood reporter will do

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Speaker 1: these like anonymous Oscar voter articles. Have you ever read those? No,

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Speaker 1: Where it's like an anonymous Oscar voter will like give

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Speaker 1: their two cents. And I remember they were like, oh,

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Speaker 1: I would never vote for Adam Sandler for Best No

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Speaker 1: one's gonna vote for Adam Sandler to be nominated for

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Speaker 1: Best Actor because he's made so many bad movies before,

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Speaker 1: and like, I think that's kind of craz like. So

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Speaker 1: they do show the sort of political side of things.

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Speaker 1: Or I remember there was an anonymous Oscar voter article

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Speaker 1: where they were like, I only saw one movie this

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Speaker 1: year and it was Warhorse, so I'm voting for that

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Speaker 1: for Best Picture in all the other categories. And I'm like,

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Speaker 1: this sucks. This isn't like a real representation of these

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Speaker 1: weird old fogies aren't watching any movies, but are still

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Speaker 1: had their vote counts. Yeah you know, yeah anyways.

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Speaker 2: Yeah, I hear.

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Speaker 1: I go back and forth too, But I still I

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Speaker 1: really care. I still really care. And I remember when

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Speaker 1: The Shape of Water one, which wasn't like my favorite movie,

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Speaker 1: but when they wanted I was, I screamed. I was

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Speaker 1: like yay, yeah, you know, because it was like, I

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Speaker 1: was like, this is cool that a Gielmo del Toro

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Speaker 1: movie is winning Best Picture.

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Speaker 2: Yeah. See, listen, that's what I like about you. You're

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Speaker 2: like a little bit more of a traditionalist than I

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Speaker 2: am when it comes to like, you know, the stuff

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Speaker 2: like holidays and you know, events and like galas. Perhaps

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Speaker 2: I just feel like I'm such a hater, hater spicy tater.

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Speaker 1: That I'm like, yeah, I don't know.

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Speaker 2: I'm like, I'm too based for the Oscars man, like

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Speaker 2: you know, that's just the way it's going to be.

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Speaker 2: But then because I don't know, because fucking like Bruce

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Speaker 2: le Bruce doesn't get nominated or something like that. But

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Speaker 2: it's like you know what I'm saying, Like I'm like, yeah,

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Speaker 2: some years I get back into it, and it usually

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Speaker 2: takes like some dark horse movie like in the Parasite Moonlight,

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Speaker 2: you know, Godzilla type of thing, or you're just sort

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Speaker 2: of like cool, like there's an actual cool movie made

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Speaker 2: by cool people that's in it, and how did it happen?

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Speaker 2: I don't know. But I'm in for this year, so.

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Speaker 1: Everything everywhere all at once. I would sort of throw

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Speaker 1: in there too. I know some people have maybe different

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Speaker 1: opinions about that movie, but I that was like kind

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Speaker 1: of an outsider movie to win Best Picture.

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Speaker 2: Listen, like, anytime we can get some Asian representation up

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Speaker 2: in the Oscars, if anytime you get subtitles in a

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Speaker 2: Best Picture, I'm like, good, Like, let's yeah go, you

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Speaker 2: know what I mean?

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Speaker 1: So totally so, are there any standout films? Now, both

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Speaker 1: you and I have not seen every single movie nominated

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Speaker 1: because it's just impossible, But are there any standout movies

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Speaker 1: to you that are nominated this year that give you

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Speaker 1: that little you know you're can slow lightly duck your

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Speaker 1: head out of the hater cave to just look hopefully

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Speaker 1: at the nominations this year? Is there anyone that makes

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Speaker 1: you kind of happy?

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Speaker 2: I mean I think I think obviously, and I think

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Speaker 2: maybe me and you might align on this, But you know, Anora,

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Speaker 2: I mean that definitely feels like a one of these

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Speaker 2: like movies that we're talking about in terms of totally

429
00:25:24,080 --> 00:25:26,680
Speaker 2: being something. I mean, Sean Baker got nominated for Best Director.

430
00:25:26,720 --> 00:25:29,159
Speaker 2: That is fantastic for me.

431
00:25:29,440 --> 00:25:32,399
Speaker 1: Yeah, I mean, it was just a couple of years

432
00:25:32,440 --> 00:25:35,320
Speaker 1: ago that he was making a movie on an iPhone

433
00:25:35,359 --> 00:25:40,639
Speaker 1: about trans sex worker a comedy about trans sex workers

434
00:25:40,920 --> 00:25:45,280
Speaker 1: and now and this movie isn't like the commercial, It's

435
00:25:45,280 --> 00:25:47,639
Speaker 1: not necessarily he didn't like sell out and make a

436
00:25:47,640 --> 00:25:50,960
Speaker 1: different type of movie. He made a Sean Baker type

437
00:25:51,080 --> 00:25:55,280
Speaker 1: movie about you know, a stripper and sex worker, and

438
00:25:56,240 --> 00:25:58,639
Speaker 1: it got nominated for Best Picture and he's nominated for

439
00:25:58,680 --> 00:26:00,480
Speaker 1: Best Director. Yeah.

440
00:26:00,520 --> 00:26:04,000
Speaker 2: One of the supporting actors, the guy I think his name.

441
00:26:03,920 --> 00:26:08,400
Speaker 1: As You're a Borisov. He got nominated for a Supporting Actor,

442
00:26:08,560 --> 00:26:11,400
Speaker 1: and Mikey Madison was nominated for Actress in a Leading Role,

443
00:26:11,440 --> 00:26:16,199
Speaker 1: which I think is fabulous. You know. So, Uh, I

444
00:26:16,240 --> 00:26:19,720
Speaker 1: think something that something that's kind of bummed me out.

445
00:26:19,880 --> 00:26:23,520
Speaker 1: I think recently a recent trend with the oscars, And

446
00:26:23,560 --> 00:26:25,520
Speaker 1: in some ways it's always been like this, but it

447
00:26:25,640 --> 00:26:33,639
Speaker 1: seems like the Academy really only gives out leading oscars,

448
00:26:34,160 --> 00:26:40,240
Speaker 1: leading actor oscars to roles that are of real people

449
00:26:41,200 --> 00:26:44,159
Speaker 1: like that. We have a pandemic of that. You know,

450
00:26:44,240 --> 00:26:50,440
Speaker 1: it's like Oppenheimer. It's uh, Timothy playing Bob Dylan, Timothy

451
00:26:50,440 --> 00:26:54,600
Speaker 1: Shallo May playing Bob Dylan, or like Daniel day Lewis

452
00:26:54,640 --> 00:27:01,280
Speaker 1: playing Lincoln or Gary Oldman playing Winston Churchill.

453
00:27:01,520 --> 00:27:05,240
Speaker 2: Oh, you can't forget the uh, Freddie Mercury with what's.

454
00:27:05,119 --> 00:27:09,920
Speaker 1: This Freddie Murray? Yeah, Ronnie Mallich, it's only biopicks. It's

455
00:27:10,000 --> 00:27:12,520
Speaker 1: kind of like people's creativity has gone out the window

456
00:27:12,560 --> 00:27:14,800
Speaker 1: and they can only they'll be like, oh, yeah, this

457
00:27:14,840 --> 00:27:18,879
Speaker 1: person did is like that other person cool, Like, I

458
00:27:18,880 --> 00:27:22,399
Speaker 1: don't know, that's just such a stupid I think acting

459
00:27:22,440 --> 00:27:24,840
Speaker 1: is so much more than doing an impression. And I'm

460
00:27:24,880 --> 00:27:29,120
Speaker 1: not saying these people are doing impressions, but I think

461
00:27:29,600 --> 00:27:35,160
Speaker 1: creating a character is a really huge part about being

462
00:27:35,200 --> 00:27:40,280
Speaker 1: an actor, and like embodying this character and fleshing it out,

463
00:27:40,320 --> 00:27:43,879
Speaker 1: and to have it to have people only be awarded

464
00:27:43,920 --> 00:27:48,840
Speaker 1: for either playing a real person or playing joker, yeah,

465
00:27:48,880 --> 00:27:50,320
Speaker 1: I mean, like it seems like those are the only

466
00:27:50,320 --> 00:27:52,800
Speaker 1: ways to win an oscar these days.

467
00:27:53,040 --> 00:27:54,360
Speaker 2: So yeah, you're totally right.

468
00:27:54,560 --> 00:27:55,119
Speaker 1: It's a bummer.

469
00:27:55,400 --> 00:27:59,320
Speaker 2: Yeah, yeah. I mean, Dara is saying that Hollywood is

470
00:27:59,320 --> 00:28:02,679
Speaker 2: getting lesson as creative as as time goes on, So

471
00:28:02,960 --> 00:28:06,040
Speaker 2: it doesn't surprise me that that is sort of an

472
00:28:06,119 --> 00:28:11,080
Speaker 2: unintended consequence of the awards. But I mean, my I

473
00:28:11,119 --> 00:28:13,440
Speaker 2: don't know. My whole thing too, is that there's also

474
00:28:13,560 --> 00:28:22,000
Speaker 2: that notion of the the nomination going to some traditionally

475
00:28:22,320 --> 00:28:29,000
Speaker 2: beautiful woman who was playing gross and ugly.

476
00:28:29,320 --> 00:28:32,000
Speaker 1: This will this may come up in the Million Awards.

477
00:28:32,359 --> 00:28:33,720
Speaker 2: Oh boy, oh boy?

478
00:28:35,400 --> 00:28:40,479
Speaker 1: But yes, that like someone's beenlified. Yes, to play a

479
00:28:40,520 --> 00:28:42,600
Speaker 1: real person, you know, or.

480
00:28:42,600 --> 00:28:46,240
Speaker 2: Even a fake person, because like, listen, another movie that

481
00:28:46,360 --> 00:28:49,080
Speaker 2: is kind of over the top that got nominated this

482
00:28:49,160 --> 00:28:50,480
Speaker 2: year is The Substance.

483
00:28:50,960 --> 00:28:53,240
Speaker 1: Yes, and Demi.

484
00:28:53,000 --> 00:28:58,880
Speaker 2: Moore getting the the nomination for uh Best Actress, right

485
00:28:59,040 --> 00:28:59,440
Speaker 2: is that not?

486
00:29:00,280 --> 00:29:00,520
Speaker 1: Yeah?

487
00:29:00,560 --> 00:29:02,720
Speaker 2: So Demi Moore getting the nomination for Best Actress in

488
00:29:02,760 --> 00:29:05,560
Speaker 2: the Substance And I'm sitting here going like this is

489
00:29:05,640 --> 00:29:11,040
Speaker 2: giving shades of Charlies and Monster even though you know,

490
00:29:11,080 --> 00:29:15,360
Speaker 2: obviously she was playing a real person. But the vibe

491
00:29:15,440 --> 00:29:19,800
Speaker 2: of it is like, God, isn't it amazing that this

492
00:29:20,080 --> 00:29:26,080
Speaker 2: beautiful Hollywood actress is like, you know, got like puke

493
00:29:26,200 --> 00:29:29,280
Speaker 2: and blood and shit all over her, isn't it? She's

494
00:29:29,320 --> 00:29:31,360
Speaker 2: so daring, you know what.

495
00:29:31,400 --> 00:29:35,720
Speaker 4: I'm like, Yeah, Okay, Like I think it's okay to

496
00:29:35,800 --> 00:29:38,600
Speaker 4: give awards to Demi Moore for just being good at

497
00:29:38,640 --> 00:29:41,880
Speaker 4: being an actress, not just that, you know, like now

498
00:29:41,880 --> 00:29:44,320
Speaker 4: she's like she's so bold for going gross.

499
00:29:44,400 --> 00:29:47,480
Speaker 1: I'm like, well, yeah, you know, yeah, now that's I mean,

500
00:29:47,520 --> 00:29:50,920
Speaker 1: you're totally right. That's that's like another way to hack

501
00:29:51,800 --> 00:29:56,960
Speaker 1: to hack the Oscar, hack the Oscars. So yeah, yeah, well, Millie,

502
00:29:57,000 --> 00:29:59,360
Speaker 1: did we get into some of our favorite movies of

503
00:29:59,360 --> 00:30:02,040
Speaker 1: the year. Have we upon the Oscars enough? I think

504
00:30:02,040 --> 00:30:02,960
Speaker 1: we've touched.

505
00:30:02,720 --> 00:30:05,640
Speaker 2: Upon them in the the best way that you and

506
00:30:05,680 --> 00:30:06,560
Speaker 2: I could touch upon them.

507
00:30:06,600 --> 00:30:08,880
Speaker 1: If you know what I'm saying, Let's do our top

508
00:30:09,120 --> 00:30:11,880
Speaker 1: three movies of the year. Does that okay?

509
00:30:11,960 --> 00:30:12,640
Speaker 2: Jesus?

510
00:30:12,840 --> 00:30:14,160
Speaker 1: Is that too many or too long?

511
00:30:14,280 --> 00:30:19,760
Speaker 2: No, that's actually fine. That's actually totally fine. So okay,

512
00:30:19,800 --> 00:30:24,000
Speaker 2: my top three favorite movies of what twenty twenty four?

513
00:30:24,040 --> 00:30:27,960
Speaker 2: I suppose leading into twenty five. So my my third

514
00:30:28,600 --> 00:30:33,640
Speaker 2: most favorite movie of last year was D d Interest.

515
00:30:34,080 --> 00:30:36,200
Speaker 1: I didn't see DD but people loved.

516
00:30:36,440 --> 00:30:41,280
Speaker 2: Absolutely loved it. And it's not because I'm half Asian,

517
00:30:42,200 --> 00:30:46,720
Speaker 2: but it is also because I'm half Asian. I to me,

518
00:30:47,400 --> 00:30:55,120
Speaker 2: it was this perfect like representation of a Asian kid

519
00:30:55,200 --> 00:30:58,960
Speaker 2: growing up, you know, like first generation y type of

520
00:30:58,960 --> 00:31:04,240
Speaker 2: thing in America who is sort of struggling with being

521
00:31:05,040 --> 00:31:10,200
Speaker 2: Asian in like a like kind of more traditional white

522
00:31:10,240 --> 00:31:13,840
Speaker 2: teenage experience, right, so like he becomes obsessed with like

523
00:31:13,920 --> 00:31:15,840
Speaker 2: it's like so sorry, about this like I don't know,

524
00:31:15,880 --> 00:31:21,680
Speaker 2: I'd say, like middle school age kid, Asian American boy

525
00:31:21,720 --> 00:31:28,400
Speaker 2: who's played by Isaac Wang. Such an adorable, tender story

526
00:31:28,480 --> 00:31:31,200
Speaker 2: about him kind of I don't know, just sort of

527
00:31:31,240 --> 00:31:35,440
Speaker 2: like wanting to be included and wanting to be liked

528
00:31:35,520 --> 00:31:38,400
Speaker 2: by people in his class and in his community, and

529
00:31:38,440 --> 00:31:42,080
Speaker 2: he like loves skateboarding and you know, making videos. And

530
00:31:42,120 --> 00:31:46,360
Speaker 2: then it was also this like perfect time where it

531
00:31:46,400 --> 00:31:49,800
Speaker 2: was kind of like early days of the Internet type

532
00:31:49,800 --> 00:31:52,120
Speaker 2: of thing where I think people were still maybe on

533
00:31:52,200 --> 00:31:57,600
Speaker 2: like aol instant messenger and shit. And and then but

534
00:31:57,840 --> 00:32:01,000
Speaker 2: you know, to me, my and I wrote about this

535
00:32:01,040 --> 00:32:02,840
Speaker 2: movie on my sub stack, by the way, so if

536
00:32:02,880 --> 00:32:04,960
Speaker 2: you like really want to drill down into my thoughts

537
00:32:05,000 --> 00:32:09,120
Speaker 2: about it, you can do that. But there's this whole

538
00:32:09,200 --> 00:32:12,760
Speaker 2: story about him and his mom that really affected me.

539
00:32:13,360 --> 00:32:16,080
Speaker 2: And it's because I, you know, obviously have an Asian

540
00:32:16,120 --> 00:32:20,080
Speaker 2: mother who moved to America, like immigrated from the Philippines,

541
00:32:20,120 --> 00:32:22,120
Speaker 2: and like also, I mean I grew up in the

542
00:32:22,160 --> 00:32:25,840
Speaker 2: Deep South, so I was this like you know, this

543
00:32:26,120 --> 00:32:30,680
Speaker 2: feeling like very different at times having like not just

544
00:32:30,720 --> 00:32:33,680
Speaker 2: one but two immigrant parents. But you know, obviously my

545
00:32:33,760 --> 00:32:36,280
Speaker 2: mom being Asian and you know, having an accent and

546
00:32:36,320 --> 00:32:39,280
Speaker 2: sort of you know, learning. She was like I saw

547
00:32:39,320 --> 00:32:42,320
Speaker 2: her learn about American life like in real time as

548
00:32:42,320 --> 00:32:45,720
Speaker 2: a kid, you know. Yeah, and the struggle of being

549
00:32:45,720 --> 00:32:49,840
Speaker 2: a good uh like in that middle school era and

550
00:32:49,960 --> 00:32:53,600
Speaker 2: wanting to be independent, wanting so badly to be American

551
00:32:54,720 --> 00:32:57,520
Speaker 2: and sort of like having because of the nature of that,

552
00:32:57,680 --> 00:33:03,760
Speaker 2: having to push away my mom in weird ways. And

553
00:33:03,840 --> 00:33:07,000
Speaker 2: I and that's hard to talk about because of course

554
00:33:07,000 --> 00:33:10,000
Speaker 2: I look at that now and thank god, that's so

555
00:33:10,080 --> 00:33:12,600
Speaker 2: shameful or you know, I can't believe that, you know,

556
00:33:12,720 --> 00:33:16,280
Speaker 2: I would treat my mother like that or whatever. But

557
00:33:16,360 --> 00:33:18,880
Speaker 2: I think it was like that was what the movie

558
00:33:19,040 --> 00:33:23,320
Speaker 2: really really did for me, was being like just seeing

559
00:33:23,480 --> 00:33:28,400
Speaker 2: another kid in my sort of similar position doing that

560
00:33:29,040 --> 00:33:31,479
Speaker 2: and yeah, and realizing that it's just a part of

561
00:33:31,520 --> 00:33:34,560
Speaker 2: growing up and it's complicated when you're you know again,

562
00:33:34,680 --> 00:33:37,719
Speaker 2: like you've got foreign born parents, or you've got like,

563
00:33:37,800 --> 00:33:42,040
Speaker 2: you know, a mom who's maybe like not doing what

564
00:33:42,080 --> 00:33:45,200
Speaker 2: you think is the most American white person thing or whatever.

565
00:33:45,400 --> 00:33:45,760
Speaker 1: I don't know.

566
00:33:45,800 --> 00:33:49,120
Speaker 2: I just absolutely loved it. I thought it was such

567
00:33:49,160 --> 00:33:53,760
Speaker 2: a special movie, and I'm surprised it didn't get nominated Okay, like,

568
00:33:54,040 --> 00:33:54,880
Speaker 2: let's get serious.

569
00:33:54,960 --> 00:33:56,800
Speaker 1: I think it came out way earlier in the year.

570
00:33:56,800 --> 00:33:58,040
Speaker 1: I feel like it's one of those movies that like

571
00:33:58,080 --> 00:34:00,560
Speaker 1: came out at the wrong time to come out, like

572
00:34:01,240 --> 00:34:03,280
Speaker 1: in the months leading up, it would have had more

573
00:34:03,440 --> 00:34:04,080
Speaker 1: bo See.

574
00:34:04,080 --> 00:34:05,920
Speaker 2: This is why I don't let knows oscars. God.

575
00:34:06,160 --> 00:34:10,600
Speaker 1: Yeah, anyway, I'm gonna do my third one. Okay, Okay,

576
00:34:10,840 --> 00:34:16,360
Speaker 1: mine are like not Traditionally these would never get nominated,

577
00:34:17,239 --> 00:34:20,320
Speaker 1: So okay, I'm gonna go in that way. I really

578
00:34:20,440 --> 00:34:22,920
Speaker 1: liked this movie from this year. It's a horror movie

579
00:34:22,960 --> 00:34:26,000
Speaker 1: called In a Violent Nature. Did you see this movie? Oh?

580
00:34:26,040 --> 00:34:30,000
Speaker 1: I did not, so My letterbox review was this is

581
00:34:30,080 --> 00:34:37,080
Speaker 1: as if Kelly Reichart directed a Jason movie. It's very

582
00:34:37,120 --> 00:34:40,400
Speaker 1: slow and meditative, and it follows this killer like this

583
00:34:40,560 --> 00:34:43,920
Speaker 1: Mike Myers type killer as he just kind of like

584
00:34:44,080 --> 00:34:47,399
Speaker 1: walks slowly through the woods and you just see him

585
00:34:47,440 --> 00:34:52,520
Speaker 1: like approach teens and kill them. But it's scary. It's

586
00:34:52,560 --> 00:34:55,520
Speaker 1: all from the killer's point of view. And but it's

587
00:34:55,560 --> 00:34:58,920
Speaker 1: like really slow. I see this really fascinating.

588
00:34:58,960 --> 00:35:00,520
Speaker 2: It looks like a meat hook a chain.

589
00:35:01,400 --> 00:35:06,360
Speaker 1: Yeah, damn, it's good. It's good, and it's like scary

590
00:35:06,400 --> 00:35:10,440
Speaker 1: and effective but slow, and there's like no music. You know,

591
00:35:10,480 --> 00:35:15,280
Speaker 1: it's very like realistic and uh, highly recommend it. Wow,

592
00:35:15,360 --> 00:35:16,000
Speaker 1: that's Bookie.

593
00:35:16,680 --> 00:35:19,719
Speaker 2: That looks intense. Yeah, that sounds great.

594
00:35:19,840 --> 00:35:24,360
Speaker 1: I'm in directed by Chris Nash. Uh yeah, highly highly

595
00:35:24,400 --> 00:35:25,120
Speaker 1: recommend it.

596
00:35:25,200 --> 00:35:25,640
Speaker 2: Amazing.

597
00:35:25,800 --> 00:35:28,160
Speaker 1: What's your number two? MILLI my number two?

598
00:35:29,360 --> 00:35:36,399
Speaker 2: Yeah. Another movie that didn't get nominated, It's Challengers boo yeah,

599
00:35:36,440 --> 00:35:41,799
Speaker 2: directed by Luca Guadanioeah, I mean it was the it

600
00:35:41,880 --> 00:35:43,719
Speaker 2: was the jam of the summer though, you.

601
00:35:43,760 --> 00:35:46,879
Speaker 1: Remember, I can't believe it didn't get now. I feel

602
00:35:46,880 --> 00:35:48,840
Speaker 1: like it was on the tip of everyone's tongue. Everyone

603
00:35:48,920 --> 00:35:52,520
Speaker 1: was talking about it, and uh didn't get didn't get

604
00:35:52,880 --> 00:35:55,279
Speaker 1: an ounce of respect from the Academy.

605
00:35:55,360 --> 00:35:58,600
Speaker 2: I mean for shame, because that shit was all the

606
00:35:58,600 --> 00:36:01,480
Speaker 2: way live for me. I want twice. I was like,

607
00:36:01,960 --> 00:36:07,879
Speaker 2: I'm loving it, I mean honestly, like stylistically so like

608
00:36:07,920 --> 00:36:13,160
Speaker 2: I like love the whole kind of like upper crusty

609
00:36:13,280 --> 00:36:17,480
Speaker 2: tennis white Swimbledon vibe. But then it was like you

610
00:36:17,520 --> 00:36:21,439
Speaker 2: know this like like almost kind of like a polyamorous,

611
00:36:21,480 --> 00:36:23,680
Speaker 2: bisexual romp.

612
00:36:24,719 --> 00:36:26,719
Speaker 1: Yes, And it was all about.

613
00:36:26,440 --> 00:36:32,319
Speaker 2: Like female power, which I of course love, and the

614
00:36:32,440 --> 00:36:35,480
Speaker 2: music was fantastic. It was like Trent Reznor from Nine Nails.

615
00:36:35,480 --> 00:36:38,520
Speaker 2: I mean, honestly, like, what's not to love about challengers?

616
00:36:38,760 --> 00:36:40,200
Speaker 2: I don't know, So what about your second?

617
00:36:40,719 --> 00:36:43,319
Speaker 1: My second? So I think technically this was released in

618
00:36:43,360 --> 00:36:45,759
Speaker 1: twenty twenty two, but it was still in theaters and

619
00:36:45,800 --> 00:36:48,000
Speaker 1: it made its kind of big push this last year.

620
00:36:48,560 --> 00:36:52,799
Speaker 1: It is The People's Joker by filmmaker Vera Drew. How

621
00:36:52,800 --> 00:36:53,799
Speaker 1: are you familiar with this?

622
00:36:54,000 --> 00:36:56,440
Speaker 2: Oh, I haven't seen it, but it is on my

623
00:36:56,520 --> 00:36:57,400
Speaker 2: watch list.

624
00:36:57,640 --> 00:37:02,320
Speaker 1: It is incredible. It is very Drew is this comedian

625
00:37:02,480 --> 00:37:06,280
Speaker 1: and she's an editor, she's a trans filmmaker, and it

626
00:37:06,320 --> 00:37:12,040
Speaker 1: is kind of the story of the Joker. But it's

627
00:37:12,080 --> 00:37:15,160
Speaker 1: like very funny, and it's like it seems like it

628
00:37:15,200 --> 00:37:17,920
Speaker 1: was filmed in her garage with all green screens and stuff,

629
00:37:17,920 --> 00:37:20,080
Speaker 1: and so you're like, is this gonna look like shit?

630
00:37:20,239 --> 00:37:22,560
Speaker 1: And in some ways it's like really low five, but

631
00:37:22,640 --> 00:37:26,640
Speaker 1: it's really funny and it's really tight, and I highly

632
00:37:26,719 --> 00:37:29,240
Speaker 1: recommend it. It's like no other film I've ever seen.

633
00:37:30,080 --> 00:37:32,920
Speaker 1: And I just think it was very inspiring in terms

634
00:37:32,960 --> 00:37:36,399
Speaker 1: of you have the tools to make a feature film, yea,

635
00:37:36,440 --> 00:37:39,960
Speaker 1: and to make a good one, and I think you

636
00:37:40,040 --> 00:37:42,600
Speaker 1: might have to buy this on physical media because I

637
00:37:42,640 --> 00:37:46,239
Speaker 1: think there are some lawsuits regarding parody law. It's like

638
00:37:46,280 --> 00:37:51,000
Speaker 1: a parody of the Joker that WB I don't think loves.

639
00:37:52,239 --> 00:37:56,640
Speaker 1: But she's a really interesting filmmaker and this was her

640
00:37:56,719 --> 00:38:00,879
Speaker 1: first film and it's really a fun movie. I really

641
00:38:00,920 --> 00:38:03,120
Speaker 1: recommend it, you know. And I was like, I'm not

642
00:38:03,160 --> 00:38:07,040
Speaker 1: really a superhero comic book person, and I know it's

643
00:38:07,040 --> 00:38:08,960
Speaker 1: like a parody of that. So I was like, I

644
00:38:08,960 --> 00:38:12,920
Speaker 1: don't know if I'm gonna like love this like Joker stuff,

645
00:38:12,960 --> 00:38:13,960
Speaker 1: but it was great.

646
00:38:14,080 --> 00:38:18,359
Speaker 2: Yeah, well awesome, Well okay, well my number one, number one,

647
00:38:18,840 --> 00:38:22,840
Speaker 2: my number one. I. I loved this movie so much.

648
00:38:24,000 --> 00:38:25,840
Speaker 2: And it is the Last show Girl.

649
00:38:26,840 --> 00:38:28,080
Speaker 1: Oh my god?

650
00:38:28,560 --> 00:38:35,160
Speaker 2: What directed by al Gea Coppola, who I think is

651
00:38:35,239 --> 00:38:37,240
Speaker 2: the Is it Sophia's niece?

652
00:38:38,239 --> 00:38:40,919
Speaker 1: Is I don't know how, I don't know.

653
00:38:42,760 --> 00:38:48,560
Speaker 2: I think, yeah, I think that she's Francis's granddaughter and

654
00:38:49,120 --> 00:38:57,880
Speaker 2: is let me miss it. Yeah, Sophia's Sophia and Roman's niece. Right, Okay,

655
00:39:00,360 --> 00:39:03,160
Speaker 2: But I gotta tell you those Copolas, they don't really

656
00:39:03,200 --> 00:39:06,239
Speaker 2: know how to make a movie look fantastic, because that

657
00:39:06,360 --> 00:39:08,920
Speaker 2: was part of what I loved about the film. Besides

658
00:39:09,160 --> 00:39:14,080
Speaker 2: the obvious, which is this is the return of Pamela Anderson, who,

659
00:39:14,120 --> 00:39:19,440
Speaker 2: of course, as you know, like huge star from you know,

660
00:39:19,840 --> 00:39:27,600
Speaker 2: her work on Baywatch and her work and dating rock

661
00:39:27,640 --> 00:39:32,799
Speaker 2: and rollers, multiple rock and rollers. But and also what's

662
00:39:32,840 --> 00:39:35,680
Speaker 2: that show she's just not a syndicated show where she

663
00:39:35,719 --> 00:39:37,080
Speaker 2: played like a librarian.

664
00:39:37,320 --> 00:39:39,480
Speaker 1: I forgot the name was it. There was something that

665
00:39:39,560 --> 00:39:42,359
Speaker 1: was like VIP or like.

666
00:39:42,680 --> 00:39:45,440
Speaker 2: I think it was called Stacked. I think it's Stacked.

667
00:39:47,160 --> 00:39:47,799
Speaker 1: Missed that one.

668
00:39:49,920 --> 00:39:52,360
Speaker 2: Or she was like a maybe not a librarian, but

669
00:39:52,400 --> 00:39:54,239
Speaker 2: she like owned a bookstore or something. I was like, oh,

670
00:39:54,280 --> 00:39:57,960
Speaker 2: that's funny. Let me tell you right now. She has

671
00:39:58,000 --> 00:40:03,360
Speaker 2: been my inspiration this year because some pam Anderson and

672
00:40:03,440 --> 00:40:05,839
Speaker 2: I don't know if you saw her the documentary about

673
00:40:05,920 --> 00:40:08,600
Speaker 2: her that came out actually not that long ago. I

674
00:40:08,640 --> 00:40:13,319
Speaker 2: thought it was great. She is basically like, you know,

675
00:40:13,600 --> 00:40:18,480
Speaker 2: I am living my most authentic true life. I'm not

676
00:40:18,560 --> 00:40:22,920
Speaker 2: wearing makeup anymore. I'm doing anything that I want to do.

677
00:40:23,120 --> 00:40:27,920
Speaker 2: I'm leaning into self knowledge and you know, self care.

678
00:40:28,239 --> 00:40:32,040
Speaker 2: And you know she's in the garden, she's reading. She's

679
00:40:32,160 --> 00:40:35,640
Speaker 2: just being like, I mean effectively sort of like her

680
00:40:35,840 --> 00:40:40,840
Speaker 2: non past self, like in the ways that in which

681
00:40:40,920 --> 00:40:42,879
Speaker 2: our culture saw her, you know what I mean, because

682
00:40:42,880 --> 00:40:47,120
Speaker 2: it was like she was just like this fucking blonde, bombshell,

683
00:40:47,600 --> 00:40:53,280
Speaker 2: like dreamy, like Hollywood lady for so long that now

684
00:40:53,680 --> 00:40:54,200
Speaker 2: she's just.

685
00:40:54,200 --> 00:40:56,400
Speaker 1: Like she was almost a cartoon character.

686
00:40:56,640 --> 00:40:59,640
Speaker 2: Yeah, and that is like obviously there's a lot to

687
00:40:59,680 --> 00:41:04,200
Speaker 2: unpas and the ways in which you know, we uh

688
00:41:04,360 --> 00:41:07,640
Speaker 2: sort of like put women like that into a very

689
00:41:07,640 --> 00:41:11,520
Speaker 2: specific hole and don't let them come out of it, right,

690
00:41:12,160 --> 00:41:14,880
Speaker 2: And so my whole thing with her in this performance,

691
00:41:14,880 --> 00:41:17,480
Speaker 2: and you know, the movie is effectively about, you know,

692
00:41:17,640 --> 00:41:20,759
Speaker 2: Pam Madison plays this older lady that's still a part

693
00:41:20,800 --> 00:41:25,000
Speaker 2: of this like very old old school traditional Las Vegas

694
00:41:25,000 --> 00:41:27,879
Speaker 2: show that's kind of like on the way out right,

695
00:41:28,160 --> 00:41:30,640
Speaker 2: and her just sort of like coming to terms with

696
00:41:30,680 --> 00:41:32,840
Speaker 2: the fact that it's like she's her career is probably

697
00:41:32,960 --> 00:41:36,000
Speaker 2: ending and that she's being phased out of this career

698
00:41:36,040 --> 00:41:38,920
Speaker 2: that she's had in Las Vegas and sort of like

699
00:41:39,520 --> 00:41:42,919
Speaker 2: the faded glamour of those old school Vegas Sea type

700
00:41:42,920 --> 00:41:46,400
Speaker 2: shows with like the feather hair thing and you know,

701
00:41:46,520 --> 00:41:49,680
Speaker 2: like the costumes and everything, and she's got this, you know,

702
00:41:49,760 --> 00:41:52,600
Speaker 2: a strange daughter that she's trying to like make amends

703
00:41:52,600 --> 00:41:57,040
Speaker 2: with and it's just very tender. She you know, obviously

704
00:41:57,080 --> 00:42:00,040
Speaker 2: gives a very emotional performance. But then there's also like

705
00:42:00,120 --> 00:42:04,360
Speaker 2: Jamie Lee Curtis who plays her kind of Vegas strip friend.

706
00:42:04,840 --> 00:42:11,400
Speaker 2: She is fantastic in this movie. Jamie Lee was there. Oh, yes,

707
00:42:11,440 --> 00:42:14,280
Speaker 2: they have. I mean it is to be to honestly,

708
00:42:14,360 --> 00:42:17,360
Speaker 2: to go back to Sean Baker. It kind of feels

709
00:42:17,400 --> 00:42:20,680
Speaker 2: like a Sean Baker movie. Interesting and maybe that's why

710
00:42:20,719 --> 00:42:23,000
Speaker 2: I like it. And I'm not saying that like Giacoppola

711
00:42:24,320 --> 00:42:26,479
Speaker 2: had him in mind at all when she made this movie,

712
00:42:26,560 --> 00:42:30,600
Speaker 2: but like the feeling of like that world, it's like

713
00:42:30,640 --> 00:42:34,040
Speaker 2: the underworld that kind of gets like some exposure and

714
00:42:34,080 --> 00:42:36,640
Speaker 2: you're and you're and these are like authentic people who

715
00:42:36,680 --> 00:42:39,839
Speaker 2: are kind of just living their everyday lives but they're trying,

716
00:42:39,920 --> 00:42:43,800
Speaker 2: you know, they're kind of in like weird dire straits.

717
00:42:43,800 --> 00:42:48,960
Speaker 2: Maybe sometimes and not, but it was Honestly, it looked fantastic.

718
00:42:49,120 --> 00:42:51,120
Speaker 2: I want to see a movie with Jamie Lee Curtis

719
00:42:51,120 --> 00:42:54,040
Speaker 2: and Pam Anderson more times. They should make like five

720
00:42:54,200 --> 00:42:56,960
Speaker 2: sequels to this movie and just have it be about

721
00:42:57,000 --> 00:43:01,520
Speaker 2: them hanging out in Vegas together. Like I loved it.

722
00:43:01,520 --> 00:43:04,480
Speaker 2: It was it was my favorite of this past year,

723
00:43:04,560 --> 00:43:05,440
Speaker 2: so very good.

724
00:43:05,560 --> 00:43:10,480
Speaker 1: Yeah, thank you mill. My Number one is a movie

725
00:43:10,560 --> 00:43:15,680
Speaker 1: called I Saw the TV Glowe. Yeah. I loved this movie.

726
00:43:15,920 --> 00:43:19,800
Speaker 1: It's by director Jane Shane Brunn. I was an easy

727
00:43:19,880 --> 00:43:23,960
Speaker 1: mark this movie because it's all about being obsessed with

728
00:43:24,280 --> 00:43:29,120
Speaker 1: this main character is obsessed with a TV show that

729
00:43:29,200 --> 00:43:33,520
Speaker 1: had been canceled and it's like a TV show from

730
00:43:33,520 --> 00:43:35,200
Speaker 1: the nineties that's kind of like are You Afraid of

731
00:43:35,200 --> 00:43:40,640
Speaker 1: the Dark slash Buffy the Vampire Slayer slash ghost Writer

732
00:43:41,320 --> 00:43:44,120
Speaker 1: And the name of the show in the movie is

733
00:43:44,160 --> 00:43:47,880
Speaker 1: the pink O Peak And yeah. The main character is

734
00:43:47,920 --> 00:43:53,720
Speaker 1: played by Justin Justice Smith and he and his good friend,

735
00:43:54,000 --> 00:43:57,000
Speaker 1: his friend Maddie who's played by Jack Haven, they are

736
00:43:57,000 --> 00:43:59,040
Speaker 1: obsessed with this TV show and it gets very surreal

737
00:43:59,120 --> 00:44:03,440
Speaker 1: because it's sort of of like Maddie thinks that they

738
00:44:04,200 --> 00:44:08,800
Speaker 1: have entered the TV show and like the real world

739
00:44:09,360 --> 00:44:14,799
Speaker 1: and this TV show sort of get confused. I would

740
00:44:14,840 --> 00:44:20,520
Speaker 1: say it is a surreal film. It's a very nostalgic film,

741
00:44:20,920 --> 00:44:23,520
Speaker 1: and it's a very good vibe film because it's got

742
00:44:23,520 --> 00:44:27,600
Speaker 1: an incredible soundtrack with you know, artists like Phoebe Bridgers,

743
00:44:27,640 --> 00:44:32,279
Speaker 1: who's actually in the movie too, but I really loved it,

744
00:44:32,320 --> 00:44:37,120
Speaker 1: had a very emotional experience watching it. Jane shanebren is

745
00:44:37,160 --> 00:44:40,080
Speaker 1: an amazing filmmaker. They also made this film We're All

746
00:44:40,120 --> 00:44:43,319
Speaker 1: Going to the World's Fair a few years ago. I

747
00:44:43,320 --> 00:44:45,120
Speaker 1: don't know, they're just a very fast I don't even.

748
00:44:45,120 --> 00:44:47,080
Speaker 1: I can't even It's hard for me to even describe

749
00:44:47,239 --> 00:44:50,640
Speaker 1: their movies. But they're an incredible filmmaker and I'm like

750
00:44:50,680 --> 00:44:54,759
Speaker 1: so excited to see what they do next. And I

751
00:44:54,840 --> 00:44:57,640
Speaker 1: also think I wanted to highlight two trans filmmakers because

752
00:44:57,640 --> 00:44:59,719
Speaker 1: this is such a horrible time for trans people in

753
00:44:59,760 --> 00:45:02,719
Speaker 1: this yeah, yeah, there, you know. And both of these,

754
00:45:02,920 --> 00:45:07,040
Speaker 1: both I saw The TV Glow and People's Joker deal

755
00:45:07,120 --> 00:45:12,600
Speaker 1: with trans issues and are inspired by trans people, and

756
00:45:12,880 --> 00:45:16,279
Speaker 1: uh yeah, so I just really was affected by this

757
00:45:16,360 --> 00:45:20,680
Speaker 1: movie emotionally. As a person who watched TV endlessly as

758
00:45:20,680 --> 00:45:25,000
Speaker 1: a child and was very seduced by television in the nineties,

759
00:45:25,640 --> 00:45:27,120
Speaker 1: this really stuck with me.

760
00:45:27,360 --> 00:45:29,920
Speaker 2: So that's an amazing pick. I saw it on an

761
00:45:30,000 --> 00:45:33,600
Speaker 2: airplane actually really Oh yeah, yeah, it was on one

762
00:45:33,640 --> 00:45:37,640
Speaker 2: of my one of my flights recently. And yeah, that's

763
00:45:37,680 --> 00:45:39,239
Speaker 2: the thing too, is like all this talk about the

764
00:45:39,320 --> 00:45:44,239
Speaker 2: oscars right. This is an example I feel like of

765
00:45:44,400 --> 00:45:47,000
Speaker 2: just like pure creativity and like what I feel like

766
00:45:47,000 --> 00:45:50,839
Speaker 2: the Oscars need to be celebrating ultimately is just like this,

767
00:45:51,280 --> 00:45:53,920
Speaker 2: and like, I you know, I don't think it. I

768
00:45:53,960 --> 00:45:55,919
Speaker 2: gotta be honest, I have kind of a negative view

769
00:45:56,040 --> 00:45:59,759
Speaker 2: about whether or not the Oscars will ever rise to

770
00:45:59,800 --> 00:46:01,759
Speaker 2: that occasion in a way because I just feel like,

771
00:46:02,480 --> 00:46:05,120
Speaker 2: I don't know, there's just so much like people pleasing

772
00:46:05,160 --> 00:46:07,880
Speaker 2: that happens in awards that they're just like not ready

773
00:46:08,080 --> 00:46:11,920
Speaker 2: to be that bold and it sucks. But it's also like,

774
00:46:12,680 --> 00:46:14,759
Speaker 2: I don't know, it does put in perspective like when

775
00:46:14,760 --> 00:46:19,719
Speaker 2: you see like purely like interesting original concepts like this,

776
00:46:20,080 --> 00:46:22,960
Speaker 2: you're just like, oh, yeah, that happens and it's awesome

777
00:46:23,160 --> 00:46:26,560
Speaker 2: and you know whatever, Like I'm glad that that exists

778
00:46:26,800 --> 00:46:29,200
Speaker 2: for me if I'm not like interested in that sort

779
00:46:29,200 --> 00:46:35,120
Speaker 2: of like Oppenheimer, you know, like big, big budget, you know,

780
00:46:35,239 --> 00:46:36,080
Speaker 2: Hollywood stuff.

781
00:46:36,160 --> 00:46:41,000
Speaker 1: Right, Yeah, absolutely, I'm glad we went through our tops.

782
00:46:41,360 --> 00:46:42,880
Speaker 2: I think we have good.

783
00:46:42,719 --> 00:46:55,320
Speaker 1: Lists, so I think so too. Well, now it's important

784
00:46:55,320 --> 00:46:59,040
Speaker 1: to get into the real awards. Oh, the Million Awards,

785
00:47:00,680 --> 00:47:03,640
Speaker 1: which I know everyone's very excited about to hear what

786
00:47:03,960 --> 00:47:06,120
Speaker 1: the Awards. So I have come up with a series

787
00:47:06,160 --> 00:47:10,719
Speaker 1: of categories. Here the first annual Milli Awards. Hopefully this

788
00:47:10,800 --> 00:47:13,680
Speaker 1: is a tradition. We got to collapse one hundred years.

789
00:47:13,760 --> 00:47:15,480
Speaker 2: Yeah, we got to come up with a like a

790
00:47:16,080 --> 00:47:17,600
Speaker 2: theme song involving French War.

791
00:47:17,800 --> 00:47:22,120
Speaker 1: Yes, yes, yes, I would love that. Maybe we can

792
00:47:22,440 --> 00:47:26,279
Speaker 1: put some you know, non copyrighted music underneath this, just

793
00:47:26,960 --> 00:47:30,759
Speaker 1: a music bed, yes, yes, so I'm going to start MILLI.

794
00:47:30,840 --> 00:47:33,560
Speaker 1: These are just some categories that you know, and they

795
00:47:33,560 --> 00:47:36,719
Speaker 1: can change every year. These are not Maybe they'll stay

796
00:47:36,760 --> 00:47:38,520
Speaker 1: the same if they're relevant, but you know, it's kind

797
00:47:38,560 --> 00:47:42,680
Speaker 1: of a we they're interchangeable. We'll see how when we

798
00:47:42,680 --> 00:47:46,399
Speaker 1: revisit the Millia Awards next year, a movable feast will yes,

799
00:47:46,440 --> 00:47:49,000
Speaker 1: a movable feast. And you do not have to pick

800
00:47:49,120 --> 00:47:53,080
Speaker 1: movies that were nominated for an Academy Award. This is

801
00:47:53,160 --> 00:47:56,759
Speaker 1: all movies of this year, this year, twenty four, twenty

802
00:47:56,800 --> 00:47:59,799
Speaker 1: twenty four. Okay, okay, okay, of last year, I guess

803
00:47:59,840 --> 00:48:05,480
Speaker 1: you okay, Best movie to take your dad too my dad?

804
00:48:06,280 --> 00:48:11,440
Speaker 2: Oh Jesus Christ, Well, I did take my dad to

805
00:48:11,480 --> 00:48:16,200
Speaker 2: this movie and he loved it. I took him to

806
00:48:16,200 --> 00:48:17,680
Speaker 2: see a complete unknown.

807
00:48:18,560 --> 00:48:22,320
Speaker 1: Congratulations a Complete Unknown for winning the award for Best

808
00:48:22,360 --> 00:48:24,640
Speaker 1: Movie to Go Take Your Dad Too? Did your dad

809
00:48:24,800 --> 00:48:24,960
Speaker 1: like it?

810
00:48:25,160 --> 00:48:25,440
Speaker 3: Uh?

811
00:48:25,520 --> 00:48:28,880
Speaker 1: Yeah, I mean this is sound I think the right winner.

812
00:48:29,320 --> 00:48:33,640
Speaker 2: It absolutely is like, Okay, a Bob Dylan biopic featuring

813
00:48:33,719 --> 00:48:36,880
Speaker 2: Pete Seeger like prominently. I mean, come on, that's like

814
00:48:36,960 --> 00:48:41,719
Speaker 2: the daddiest of dad movies, right, Yes, my dad is

815
00:48:41,760 --> 00:48:46,480
Speaker 2: so fucking funny anytime we see anything. He loves biopics.

816
00:48:46,480 --> 00:48:50,799
Speaker 2: He loves historical documentaries, He loves everything. He and I

817
00:48:50,880 --> 00:48:55,520
Speaker 2: watched the entire Ken Burns National Parks documentary, like there's

818
00:48:55,560 --> 00:48:58,400
Speaker 2: like twelve parts or something, and I mean he's like

819
00:48:58,480 --> 00:49:00,359
Speaker 2: eating it up. He loves that shit. But like we

820
00:49:00,400 --> 00:49:02,320
Speaker 2: came out of a complete un note of my dad

821
00:49:02,360 --> 00:49:04,480
Speaker 2: and this he does this every time we go and

822
00:49:04,480 --> 00:49:07,520
Speaker 2: see something together. He just starts giving me like a history,

823
00:49:07,600 --> 00:49:11,320
Speaker 2: like a whole hiss, like a brief history of everything.

824
00:49:11,360 --> 00:49:14,040
Speaker 2: Like he'd be like, well, you know, started with the

825
00:49:14,080 --> 00:49:17,080
Speaker 2: Civil War, and when the Civil War happens, it's like

826
00:49:17,200 --> 00:49:19,239
Speaker 2: and then he moves on to like World War One,

827
00:49:19,440 --> 00:49:21,400
Speaker 2: and then he moves on to like the Flappers, and

828
00:49:21,440 --> 00:49:23,600
Speaker 2: then he moves on to like, you know, the Depression,

829
00:49:23,760 --> 00:49:26,880
Speaker 2: and also and he just goes through this entire history

830
00:49:27,520 --> 00:49:30,160
Speaker 2: and he'll weave his own like personal history into him.

831
00:49:30,200 --> 00:49:32,560
Speaker 2: He's like, it's when I joined the Navy back in

832
00:49:32,600 --> 00:49:35,520
Speaker 2: the early seventies. And I'm like, and the whole car

833
00:49:35,600 --> 00:49:37,759
Speaker 2: ride home becomes this. He just gets into his like

834
00:49:37,920 --> 00:49:41,200
Speaker 2: history nerd shit, and it cracks me up, and I'm

835
00:49:41,239 --> 00:49:44,879
Speaker 2: just like, that's the movie that triggered it. This time

836
00:49:45,040 --> 00:49:46,360
Speaker 2: was a complete unown. So there you go.

837
00:49:46,480 --> 00:49:50,160
Speaker 1: That's my one. So funny, Okay, Congratulations is a complete unknown.

838
00:49:50,880 --> 00:49:53,560
Speaker 1: Best movie to go to after a breakup?

839
00:49:54,320 --> 00:49:57,440
Speaker 2: I think my choice is probably going to be Furioso

840
00:49:57,800 --> 00:49:58,400
Speaker 2: the Mad.

841
00:49:58,200 --> 00:50:02,840
Speaker 1: Maximums Congratulations Fury for winning best movie to go to

842
00:50:02,960 --> 00:50:05,520
Speaker 1: after a break up. I think that's a great choice.

843
00:50:05,560 --> 00:50:10,120
Speaker 2: Yeah, I truly believe that you need to see the

844
00:50:10,760 --> 00:50:14,080
Speaker 2: goddess Firiosa just wipe out a bunch of people with

845
00:50:14,600 --> 00:50:19,440
Speaker 2: her arm gun or whatever. Yeah, that's that's what my

846
00:50:19,560 --> 00:50:21,520
Speaker 2: choice is, so fabulous.

847
00:50:22,120 --> 00:50:26,960
Speaker 1: Best movie to go to to impress your cinophile crush.

848
00:50:27,520 --> 00:50:34,200
Speaker 2: Oh Jesus, my cinophile crush. Huh. I should have prepared

849
00:50:34,280 --> 00:50:35,719
Speaker 2: better for this, You should have.

850
00:50:36,160 --> 00:50:37,760
Speaker 1: How could you have prepared it better?

851
00:50:37,960 --> 00:50:42,239
Speaker 2: I don't know, but I just I'm feeling stumped. Oh

852
00:50:42,360 --> 00:50:45,759
Speaker 2: I would think maybe, uh this was a movie that

853
00:50:47,040 --> 00:50:50,240
Speaker 2: was was on my best of lists, but I didn't

854
00:50:50,360 --> 00:50:55,400
Speaker 2: include it in this episode. But Love Lies Bleading perfect.

855
00:50:56,200 --> 00:50:59,520
Speaker 2: I feel like that movie was probably something It's like,

856
00:50:59,680 --> 00:51:04,320
Speaker 2: you know, basically like a gay love story, really stylistic,

857
00:51:04,960 --> 00:51:10,080
Speaker 2: like kind of fantastical. So you know, like if my

858
00:51:10,239 --> 00:51:13,000
Speaker 2: if my boy my sin up a boyfriend can't hang

859
00:51:13,640 --> 00:51:16,120
Speaker 2: with that shit, then we gotta break up. I'm gonna

860
00:51:16,120 --> 00:51:18,239
Speaker 2: go see Furiosa after we break up.

861
00:51:20,560 --> 00:51:24,920
Speaker 1: Okay, congratulations Love Lies Bleeding Okay, these are gonna get

862
00:51:24,920 --> 00:51:28,600
Speaker 1: a little bit simpler. I suppose best horror Movie, Best

863
00:51:28,680 --> 00:51:29,600
Speaker 1: horror Movie.

864
00:51:29,840 --> 00:51:32,239
Speaker 2: Well, I gotta be honest with you, like there's the

865
00:51:32,280 --> 00:51:35,640
Speaker 2: horror stuff that ever that came out. And I know

866
00:51:35,680 --> 00:51:37,800
Speaker 2: you have probably a lot of opinions on this, because

867
00:51:37,800 --> 00:51:40,320
Speaker 2: you know you're a big horror guy. But I have

868
00:51:40,440 --> 00:51:47,200
Speaker 2: to tell you, like my favorite horror themed movie, if

869
00:51:47,200 --> 00:51:51,480
Speaker 2: you will, if I'm allowed to expand, was And this

870
00:51:51,560 --> 00:51:54,200
Speaker 2: is my personal favorites. Like I'm not saying that this

871
00:51:54,400 --> 00:51:57,640
Speaker 2: is like the Million Awards. These are my awards. They're

872
00:51:57,680 --> 00:52:01,040
Speaker 2: my awards. Is I loved Lisa Frankenstein?

873
00:52:02,000 --> 00:52:04,240
Speaker 1: Oh, I love Lisa Frankenstein.

874
00:52:04,360 --> 00:52:07,319
Speaker 2: That's cute, cute, right, Like I thought it was so

875
00:52:07,600 --> 00:52:14,879
Speaker 2: cute and sweet. Loved Cole Sprouse is that his name? Who?

876
00:52:15,000 --> 00:52:15,239
Speaker 1: Yes?

877
00:52:15,360 --> 00:52:17,839
Speaker 2: I mean I used to I watch the first like

878
00:52:17,920 --> 00:52:22,680
Speaker 2: one or two seasons of Riverdale, Riverdale, of course, and

879
00:52:22,760 --> 00:52:25,160
Speaker 2: I was like totally in love with drug hand. I

880
00:52:25,239 --> 00:52:27,239
Speaker 2: was like, I love this drug head he is. He

881
00:52:27,360 --> 00:52:29,960
Speaker 2: is my type. I would have had a big crush

882
00:52:29,960 --> 00:52:31,680
Speaker 2: on him in high school. And that was the thing

883
00:52:31,719 --> 00:52:34,520
Speaker 2: is that he kind of played he is that guy.

884
00:52:34,560 --> 00:52:39,280
Speaker 2: He played. His character Lisa Frankenstein was his total like

885
00:52:39,280 --> 00:52:46,239
Speaker 2: like new romantic, new wavy eighties goth boyfriend crush, and

886
00:52:46,280 --> 00:52:49,160
Speaker 2: he was a zombie, so you know, obviously like that fits,

887
00:52:49,239 --> 00:52:51,840
Speaker 2: you know, but I was like, oh, yeah, this is

888
00:52:51,880 --> 00:52:53,319
Speaker 2: my shit right here. Love it.

889
00:52:53,440 --> 00:52:53,919
Speaker 1: That's great.

890
00:52:53,960 --> 00:52:56,200
Speaker 2: He was my shitty little vampire, if you know what

891
00:52:56,280 --> 00:52:58,319
Speaker 2: I mean. If you listened to I saw what you did.

892
00:52:59,320 --> 00:53:02,520
Speaker 2: H Cole Sprouse at Lisa and Lisa Frankenstein was my

893
00:53:02,560 --> 00:53:03,640
Speaker 2: shitty little vampire.

894
00:53:03,960 --> 00:53:07,799
Speaker 1: So very good. Thank you. Okay, I don't know if

895
00:53:07,840 --> 00:53:09,759
Speaker 1: you're even gonna be able to name this one, but

896
00:53:09,800 --> 00:53:12,279
Speaker 1: I'll just throw it out here at best sequel of

897
00:53:12,320 --> 00:53:12,960
Speaker 1: the Year.

898
00:53:13,040 --> 00:53:17,000
Speaker 2: Best sequel. I mean, honestly, it's got to be done

899
00:53:17,080 --> 00:53:17,640
Speaker 2: too right.

900
00:53:18,440 --> 00:53:20,280
Speaker 1: Do you like done too well?

901
00:53:20,400 --> 00:53:24,000
Speaker 2: I mean it feels like, listen, I'm gonna throw this

902
00:53:24,040 --> 00:53:28,680
Speaker 2: out there. I have seen the original Dune fairly recently.

903
00:53:29,400 --> 00:53:33,320
Speaker 1: And I was like, David Lynch's due the okay.

904
00:53:33,080 --> 00:53:37,560
Speaker 2: David, which most people think is garbage. I don't know

905
00:53:37,560 --> 00:53:38,120
Speaker 2: if you think that.

906
00:53:39,400 --> 00:53:41,399
Speaker 1: I don't think it's garbage. I mean I can see

907
00:53:41,400 --> 00:53:45,120
Speaker 1: the David Lynch stuff in there, and I like that stuff,

908
00:53:45,160 --> 00:53:49,280
Speaker 1: like stylistically, it's fun, but I don't think it's garbage.

909
00:53:49,280 --> 00:53:50,279
Speaker 1: I would never say such a.

910
00:53:50,200 --> 00:53:54,280
Speaker 2: Thing about it well made, right, I mean, I actually,

911
00:53:54,960 --> 00:53:57,920
Speaker 2: coming in at it with fresh eyes, was like, this

912
00:53:58,120 --> 00:54:00,760
Speaker 2: is fun as shit. Like I'm like, and it's because

913
00:54:00,760 --> 00:54:02,840
Speaker 2: I think I like David Lynch and so I like

914
00:54:03,160 --> 00:54:05,239
Speaker 2: the people that he puts in his movies. And you know,

915
00:54:05,320 --> 00:54:08,120
Speaker 2: I was like, this is awesome. So it made me

916
00:54:08,239 --> 00:54:12,120
Speaker 2: want to watch the New Dunes, the dennis Ville Miuve Dunes, right,

917
00:54:12,640 --> 00:54:15,359
Speaker 2: But I honestly think the reason why, and I'm gonna

918
00:54:15,360 --> 00:54:16,960
Speaker 2: I'm gonna say this right now. I've not even seen

919
00:54:17,040 --> 00:54:19,480
Speaker 2: Done two and I'm given an award. I'm one of

920
00:54:19,480 --> 00:54:22,680
Speaker 2: those people. But the reason why is because I feel

921
00:54:22,680 --> 00:54:28,239
Speaker 2: like it's like the hole Zendaya Timothy Challomey connection. I

922
00:54:28,239 --> 00:54:31,360
Speaker 2: think people loved it, and I actually I was watching

923
00:54:31,400 --> 00:54:34,360
Speaker 2: a lot of their press when they were doing the

924
00:54:34,440 --> 00:54:36,880
Speaker 2: doone two press and they're so charming together. I was like,

925
00:54:37,160 --> 00:54:39,759
Speaker 2: this is they're like besties. Do you know what I'm saying?

926
00:54:39,880 --> 00:54:42,680
Speaker 2: Like note, you know, sexual besties.

927
00:54:43,400 --> 00:54:46,560
Speaker 1: It'd be very easy to dislike Timothy. Yeah, but he

928
00:54:46,680 --> 00:54:51,320
Speaker 1: seems like a fun, charming guys. He's got me. I

929
00:54:51,719 --> 00:54:52,000
Speaker 1: like him.

930
00:54:52,040 --> 00:54:54,120
Speaker 2: I'm gonna say this right now because, as you know,

931
00:54:54,920 --> 00:54:58,200
Speaker 2: on my former podcast, I Saw What You Did, Danelle

932
00:54:58,239 --> 00:55:04,600
Speaker 2: and I off spoke fairly unfavorably about Timothy Challomey and

933
00:55:04,640 --> 00:55:07,919
Speaker 2: not even really about I don't know, maybe at least

934
00:55:07,960 --> 00:55:10,440
Speaker 2: for me, it was more about like who he represented

935
00:55:10,440 --> 00:55:12,839
Speaker 2: in the culture, where I was like, oh, I don't

936
00:55:12,960 --> 00:55:16,640
Speaker 2: like these new guys, Like I'm where is Martin Balsom?

937
00:55:16,800 --> 00:55:19,160
Speaker 2: I don't want I don't fuck with Timos tell me,

938
00:55:19,200 --> 00:55:22,080
Speaker 2: you know, like I'm like where is you know whatever?

939
00:55:22,280 --> 00:55:26,399
Speaker 2: Like old Jimmy Stewart. But sure I'm between Doune two

940
00:55:27,239 --> 00:55:32,240
Speaker 2: and a complete unknown watching Timothy Challomey do his press

941
00:55:32,280 --> 00:55:34,319
Speaker 2: tours for both of these things. I was like, he

942
00:55:34,520 --> 00:55:39,960
Speaker 2: has won me over against all odds. This motherfucker is funny,

943
00:55:40,360 --> 00:55:44,040
Speaker 2: and he's doesn't take himself too seriously. He loves basketball,

944
00:55:44,200 --> 00:55:47,719
Speaker 2: which is like a straightway into my heart, and like,

945
00:55:47,800 --> 00:55:49,680
Speaker 2: did you watch the Nard War interview with him?

946
00:55:49,719 --> 00:55:52,840
Speaker 1: Like he's so weird. I mean it's great. He doesn't

947
00:55:52,880 --> 00:55:55,480
Speaker 1: take himself too seriously. You know, it's like, I think

948
00:55:55,520 --> 00:55:57,719
Speaker 1: the fact that he's hosted SNL a few times, you

949
00:55:57,760 --> 00:56:01,239
Speaker 1: know he'll be a big goofis on there. He seems cool.

950
00:56:01,560 --> 00:56:04,080
Speaker 2: I want to hang with him anyway, So I'm I'm

951
00:56:04,080 --> 00:56:04,960
Speaker 2: picking too too.

952
00:56:04,920 --> 00:56:09,560
Speaker 1: Very good, very good. Okay, best hot person made ugly.

953
00:56:10,880 --> 00:56:19,440
Speaker 1: This was referenced earlier Best hot person made Ugly.

954
00:56:26,520 --> 00:56:30,440
Speaker 2: I would say probably.

955
00:56:32,480 --> 00:56:32,719
Speaker 3: I have.

956
00:56:33,360 --> 00:56:35,840
Speaker 2: I mean, I have a contentious answer, but I also,

957
00:56:36,280 --> 00:56:42,520
Speaker 2: let's hear it. I was gonna say, Michael Keaton and beetlechoice.

958
00:56:45,040 --> 00:56:46,399
Speaker 1: Wow an upset pick.

959
00:56:47,719 --> 00:56:49,480
Speaker 2: Didn't see that one coming, did you No?

960
00:56:49,600 --> 00:56:53,600
Speaker 1: I didn't see that one coming. Wow. Stunned. The audience

961
00:56:53,680 --> 00:56:54,200
Speaker 1: is stunned.

962
00:56:54,200 --> 00:56:57,640
Speaker 2: I mean that is a dark the darkest of dark horses.

963
00:56:57,680 --> 00:57:05,680
Speaker 1: Okay, yeah, the favorite Demi Moore was upset. Upset. Yeah,

964
00:57:05,719 --> 00:57:10,840
Speaker 1: she's walking out of the MILLI Awards. Okay, very good.

965
00:57:11,719 --> 00:57:16,200
Speaker 2: You're like, I have to stop recording with this woman.

966
00:57:16,000 --> 00:57:21,600
Speaker 1: Now, Okay, moving on. I have a lot of category okay,

967
00:57:21,640 --> 00:57:25,360
Speaker 1: so I only have two more. Two more, okay, Best

968
00:57:25,520 --> 00:57:29,800
Speaker 1: Career Reclamation Movie. Now this is for the actor who

969
00:57:29,880 --> 00:57:32,560
Speaker 1: you kind of maybe forgot about or haven't seen in

970
00:57:32,600 --> 00:57:36,000
Speaker 1: a while and their triumphant return. The Mean Moore is

971
00:57:36,040 --> 00:57:39,080
Speaker 1: also nominated for this in this category.

972
00:57:39,160 --> 00:57:42,280
Speaker 2: Well, I mean, I mean, obviously, so is uh My

973
00:57:43,040 --> 00:57:47,000
Speaker 2: I just mentioned my queen, my Baywatch Queen Pam Anderson.

974
00:57:47,080 --> 00:57:50,439
Speaker 1: Yes, but she is too, Josh Hart Knitt and Trap.

975
00:57:51,680 --> 00:57:56,160
Speaker 2: God, Yeah, he is nominated. I'm gonna I'm gonna say this.

976
00:57:56,400 --> 00:58:01,080
Speaker 2: I think it's actually this is kind of a roundabout answer.

977
00:58:01,160 --> 00:58:08,680
Speaker 3: But Robbie Williams whoa Robbie Williams as the animal animated

978
00:58:08,800 --> 00:58:11,880
Speaker 3: monkey of himself in A Better Man.

979
00:58:13,320 --> 00:58:13,720
Speaker 1: Love It.

980
00:58:13,800 --> 00:58:16,160
Speaker 2: I mean, listen, I I don't know if you fucked

981
00:58:16,160 --> 00:58:19,040
Speaker 2: with Robbie Williams back in the day. Like, I was

982
00:58:19,080 --> 00:58:23,000
Speaker 2: not into his boy band era. I didn't actually know

983
00:58:23,040 --> 00:58:25,080
Speaker 2: his boy band very well except for like one song

984
00:58:25,720 --> 00:58:27,560
Speaker 2: the former the band, the boy band he was in

985
00:58:27,680 --> 00:58:29,920
Speaker 2: was called take that they were around in like the

986
00:58:30,000 --> 00:58:32,680
Speaker 2: early to mid nineties. They're kind of like the pre

987
00:58:33,000 --> 00:58:35,760
Speaker 2: one direction if you well. But they had a song

988
00:58:35,840 --> 00:58:39,080
Speaker 2: that song whatever I said, whatever I did, I didn't

989
00:58:39,120 --> 00:58:39,520
Speaker 2: mean it.

990
00:58:39,640 --> 00:58:40,400
Speaker 1: I just want watch You.

991
00:58:40,720 --> 00:58:41,600
Speaker 2: That's the only song I know.

992
00:58:41,560 --> 00:58:43,720
Speaker 1: By them, all right, that's been on TikTok.

993
00:58:45,040 --> 00:58:48,240
Speaker 2: But I in that rock DJ area in like the

994
00:58:48,280 --> 00:58:52,880
Speaker 2: Millennium era, like that kind of like solo era. I

995
00:58:53,040 --> 00:58:56,160
Speaker 2: was super into britpop, so I was like, he was

996
00:58:56,200 --> 00:58:58,280
Speaker 2: all over the place. And I remember he was on

997
00:58:58,320 --> 00:59:01,040
Speaker 2: an episode of MTV Cribb where.

998
00:59:00,920 --> 00:59:04,640
Speaker 1: He famous episode where he humps the bed, he thrusts

999
00:59:04,680 --> 00:59:07,560
Speaker 1: and and he goes like what when he does it?

1000
00:59:07,760 --> 00:59:10,400
Speaker 1: I remember, right, And I.

1001
00:59:10,560 --> 00:59:12,680
Speaker 2: Was like, Yo, this guy is funny as shit. Like

1002
00:59:12,800 --> 00:59:15,480
Speaker 2: I love Robbie will I still love Robbie Williams, but

1003
00:59:15,840 --> 00:59:18,400
Speaker 2: you know, it was like twenty years ago, so I

1004
00:59:18,560 --> 00:59:22,880
Speaker 2: was like, you know, obviously like moved on. He's probably

1005
00:59:22,960 --> 00:59:24,600
Speaker 2: moved on or whatever. And then all of a sudden,

1006
00:59:24,640 --> 00:59:27,160
Speaker 2: it's like I go and sit to the theater to

1007
00:59:27,200 --> 00:59:29,480
Speaker 2: watch A Better Man, which you know I talked about

1008
00:59:29,600 --> 00:59:32,520
Speaker 2: on our episode with Karen and Georgia, and I was like,

1009
00:59:33,320 --> 00:59:35,640
Speaker 2: now I'm listening to this motherfucker again. I'm like, yo,

1010
00:59:35,720 --> 00:59:39,560
Speaker 2: I'm putting Millennium back on. I'm putting on rock DJ

1011
00:59:39,760 --> 00:59:42,120
Speaker 2: like all of his old jams. And I was like,

1012
00:59:42,760 --> 00:59:46,000
Speaker 2: he's great. I forgot how great he was so.

1013
00:59:47,480 --> 00:59:52,080
Speaker 1: Very good, very good. Okay, last question, last category, I

1014
00:59:52,120 --> 01:00:01,560
Speaker 1: should say best Glenn Powell movie of twenty twenty four.

1015
01:00:01,840 --> 01:00:06,840
Speaker 2: I barely know Glenn Powell. I barely know him.

1016
01:00:08,200 --> 01:00:11,280
Speaker 1: I know that he The only thing I know about

1017
01:00:11,360 --> 01:00:16,480
Speaker 1: is that he, like, like, was on an.

1018
01:00:16,440 --> 01:00:20,080
Speaker 2: Airboat in Louisiana or something. I don't know, Like, I'm barely.

1019
01:00:20,960 --> 01:00:23,800
Speaker 1: Like we can cut that question. I want to answer it.

1020
01:00:23,920 --> 01:00:28,480
Speaker 2: It would be funny to answer it. What movie was

1021
01:00:28,560 --> 01:00:29,640
Speaker 2: in besides Twisters?

1022
01:00:30,400 --> 01:00:32,160
Speaker 1: He was in Richard Linkletter's Hit Man.

1023
01:00:32,440 --> 01:00:37,760
Speaker 2: Oh sure, sure, sure, I mean he was what's that like?

1024
01:00:38,680 --> 01:00:42,160
Speaker 2: Oh god to me? Okay, is it fair to say

1025
01:00:42,160 --> 01:00:44,760
Speaker 2: that he feels like I don't know, he feels kind

1026
01:00:44,760 --> 01:00:48,200
Speaker 2: of like a guy that only makes movies for like

1027
01:00:49,640 --> 01:00:56,320
Speaker 2: I don't know guys who are like airboat drivers.

1028
01:00:57,200 --> 01:01:01,800
Speaker 1: Yes, I mean he's very light. He's very light.

1029
01:01:02,520 --> 01:01:02,640
Speaker 2: Uh.

1030
01:01:04,440 --> 01:01:06,479
Speaker 1: He kind of does the same thing in every movie.

1031
01:01:06,640 --> 01:01:12,080
Speaker 1: I can't say I'm like totally taken by him or

1032
01:01:12,240 --> 01:01:15,960
Speaker 1: charmed by him, but you know, he had a he

1033
01:01:16,040 --> 01:01:16,720
Speaker 1: had a good year.

1034
01:01:16,880 --> 01:01:19,400
Speaker 2: Yeah. I mean, I'm not I'm not seen. I've not

1035
01:01:19,560 --> 01:01:23,320
Speaker 2: seen this movie again. So I'm just I'm just feeling

1036
01:01:23,400 --> 01:01:27,680
Speaker 2: out the public's opinion on what the best Glenn Paalell

1037
01:01:27,760 --> 01:01:29,800
Speaker 2: movie was of twenty twenty four. I'm gonna say it's Twisters.

1038
01:01:29,840 --> 01:01:33,600
Speaker 2: I feel like people saw that. I actually have a

1039
01:01:33,680 --> 01:01:35,880
Speaker 2: lot of friends that saw it in that what's that

1040
01:01:36,200 --> 01:01:39,880
Speaker 2: weird ass technology they have at some like is it

1041
01:01:39,960 --> 01:01:44,000
Speaker 2: a regal? Yes, We're like the seats move and stuff,

1042
01:01:44,280 --> 01:01:46,520
Speaker 2: and like I had a couple of friends that were like, Yo,

1043
01:01:46,640 --> 01:01:48,880
Speaker 2: let's go see Twisters and forty X. And I was like,

1044
01:01:50,040 --> 01:01:52,080
Speaker 2: is that kind of like hurt my neck? Like I

1045
01:01:52,080 --> 01:01:54,120
Speaker 2: don't understand like people were telling me, Oh, it is

1046
01:01:54,280 --> 01:01:58,600
Speaker 2: like rough to the point where my friend's wife, who

1047
01:01:58,720 --> 01:02:02,320
Speaker 2: is also my friend, she was pregnant and she couldn't

1048
01:02:02,360 --> 01:02:03,800
Speaker 2: go to the movie because everyone.

1049
01:02:03,640 --> 01:02:07,240
Speaker 1: Was like, don't go to that movie. God Jesus was like,

1050
01:02:07,720 --> 01:02:10,320
Speaker 1: get you get spun around in a damn twister if

1051
01:02:10,360 --> 01:02:12,160
Speaker 1: you are if you go to the movie. Here in

1052
01:02:12,200 --> 01:02:14,480
Speaker 1: the forty X experience, I was incredible. I don't want

1053
01:02:14,480 --> 01:02:16,960
Speaker 1: her to lose her baby. Because she went to Twisters

1054
01:02:17,040 --> 01:02:20,280
Speaker 1: and forty X. Jesus Christ, Oh, we don't want to

1055
01:02:20,320 --> 01:02:25,360
Speaker 1: have a yeah, well, we don't want to God, we

1056
01:02:25,400 --> 01:02:28,800
Speaker 1: don't want to water to break on a Twister's forty X.

1057
01:02:32,160 --> 01:02:32,320
Speaker 3: Yeah.

1058
01:02:33,160 --> 01:02:34,439
Speaker 1: Share God, it's.

1059
01:02:34,360 --> 01:02:37,440
Speaker 2: Like, Oh, I was uh born a month and a

1060
01:02:37,440 --> 01:02:40,960
Speaker 2: half early because my mom once saw twisters and forty

1061
01:02:41,200 --> 01:02:43,200
Speaker 2: X and I just popped out.

1062
01:02:43,720 --> 01:02:48,040
Speaker 1: Oh my god. Anyway, Well that was the Milli Awards,

1063
01:02:48,720 --> 01:02:53,040
Speaker 1: the first annual. How thrilling. Congratulations to all the winners

1064
01:02:53,080 --> 01:02:56,680
Speaker 1: in the nominees U and uh wow, thank you and

1065
01:02:56,840 --> 01:02:59,959
Speaker 1: thank you most of all Timillion for the Milli Award.

1066
01:03:00,080 --> 01:03:01,200
Speaker 2: You're so welcome.

1067
01:03:11,320 --> 01:03:14,640
Speaker 1: All right, Well we're moving on to the end here

1068
01:03:15,840 --> 01:03:18,400
Speaker 1: and it's the end of our show, so we're going

1069
01:03:18,480 --> 01:03:20,960
Speaker 1: to start doing you know, we've we've talked about this

1070
01:03:21,120 --> 01:03:23,920
Speaker 1: on previous episodes. We want to give people advice.

1071
01:03:24,200 --> 01:03:25,080
Speaker 2: Yes, this is it.

1072
01:03:25,720 --> 01:03:29,640
Speaker 1: Send in your advice right into our email to your

1073
01:03:29,680 --> 01:03:33,760
Speaker 1: movies at exactly rightmedia dot com or leave a voicemail.

1074
01:03:33,960 --> 01:03:36,720
Speaker 1: We have a question from someone who works at exactly

1075
01:03:36,920 --> 01:03:41,440
Speaker 1: right and it's a very timely question. Uh, it's Lily

1076
01:03:41,960 --> 01:03:48,200
Speaker 1: from exactly Right. Hey. One of our coworkers, Millie can

1077
01:03:48,280 --> 01:03:50,240
Speaker 1: you read Lily's question?

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01:03:51,040 --> 01:03:51,280
Speaker 3: Ah?

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01:03:51,480 --> 01:03:54,760
Speaker 2: Sure, will him? Milli and Casey. I'm test to get

1080
01:03:54,800 --> 01:03:57,600
Speaker 2: your email address to make sure it works. Also, I

1081
01:03:57,640 --> 01:03:59,840
Speaker 2: have a mail back question for you, one that's topical

1082
01:04:00,040 --> 01:04:03,320
Speaker 2: and see oscars are coming up. Do you like to

1083
01:04:03,520 --> 01:04:09,400
Speaker 2: participate in oscar pools? If so, what's your betting strategy?

1084
01:04:10,880 --> 01:04:11,680
Speaker 2: Do you have an answer for this?

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01:04:12,640 --> 01:04:15,280
Speaker 1: Well, I mean it's a bad answer, but you know

1086
01:04:15,480 --> 01:04:17,680
Speaker 1: it's you really have to kind of look at you

1087
01:04:17,840 --> 01:04:21,760
Speaker 1: cannot you You cannot think about what movies you like.

1088
01:04:22,080 --> 01:04:24,360
Speaker 1: You have to think about. You have to kind of,

1089
01:04:24,840 --> 01:04:27,320
Speaker 1: you know, keep your ear to the ground and like

1090
01:04:27,720 --> 01:04:29,920
Speaker 1: be looking at you do have to do some research

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01:04:30,040 --> 01:04:33,200
Speaker 1: just to kind of see where things are moving. You know,

1092
01:04:33,320 --> 01:04:35,600
Speaker 1: what have people been talking about? Where does it seem

1093
01:04:35,720 --> 01:04:39,840
Speaker 1: like people are leaning? And you have to just you

1094
01:04:40,040 --> 01:04:42,840
Speaker 1: cannot think about what movies you actually like. You have

1095
01:04:42,920 --> 01:04:48,440
Speaker 1: to think about politically what movies are most likely to win.

1096
01:04:49,400 --> 01:04:54,200
Speaker 1: So you have to be impassionate about it. That's my advice, absolutely,

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01:04:54,560 --> 01:05:00,320
Speaker 1: one hundred percent. I'm gonna go you one further. Hopefully

1098
01:05:00,360 --> 01:05:03,520
Speaker 1: this won't offend anyone in my life. I'm really hoping

1099
01:05:03,600 --> 01:05:10,480
Speaker 1: this doesn't. Sometimes you have to consult your most boring

1100
01:05:11,000 --> 01:05:17,040
Speaker 1: movie friends. You have to consult your dumb dumbest friends

1101
01:05:19,440 --> 01:05:23,920
Speaker 1: to get to the meat of what the people are thinking.

1102
01:05:24,240 --> 01:05:27,640
Speaker 2: You know, you gotta find the people that barely go

1103
01:05:27,760 --> 01:05:30,320
Speaker 2: to the movies, just like barely go and then like

1104
01:05:31,240 --> 01:05:34,520
Speaker 2: just just just like float it. Don't like, don't tell

1105
01:05:34,560 --> 01:05:35,520
Speaker 2: them you're doing research.

1106
01:05:35,720 --> 01:05:38,200
Speaker 1: Just be like, no, so have you.

1107
01:05:39,680 --> 01:05:41,000
Speaker 2: Seen anything lately?

1108
01:05:41,840 --> 01:05:44,680
Speaker 1: Like what are you like? And you and maybe you

1109
01:05:44,760 --> 01:05:46,680
Speaker 1: can do kind of a tester because you can like

1110
01:05:46,800 --> 01:05:50,120
Speaker 1: ask them like, oh, do you know do you know

1111
01:05:50,240 --> 01:05:55,600
Speaker 1: who the actress Florence Pew. That's just an example, you know,

1112
01:05:55,640 --> 01:05:59,680
Speaker 1: and it's like or sure sharone. Yeah, And because those

1113
01:05:59,680 --> 01:06:05,320
Speaker 1: are more like artsy actors that maybe have not reached

1114
01:06:05,360 --> 01:06:07,760
Speaker 1: the level of Zindiet, you know that sort of thing.

1115
01:06:07,920 --> 01:06:10,120
Speaker 1: So like you can kind of do a litmus litmus

1116
01:06:10,200 --> 01:06:13,880
Speaker 1: test that way as well. That's our that's our film advice. Yes,

1117
01:06:14,920 --> 01:06:17,280
Speaker 1: So if you'd like advice, please write in dear movies

1118
01:06:17,320 --> 01:06:22,280
Speaker 1: at exactly right media not co okay, film wrecks, our

1119
01:06:22,360 --> 01:06:26,520
Speaker 1: employees picks, Okay, employees picks.

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01:06:27,960 --> 01:06:33,840
Speaker 2: I'm gonna say you go and watch a short film.

1121
01:06:34,840 --> 01:06:41,640
Speaker 2: Oh yeah, I want y'all to watch the short film

1122
01:06:41,760 --> 01:06:48,480
Speaker 2: called Incident that was directed by uh uh, a filmmaker

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01:06:48,640 --> 01:06:54,000
Speaker 2: and artist named Bill Morrison. It was nominated uh basically

1124
01:06:54,280 --> 01:06:58,320
Speaker 2: the nominees are Bill Morrison and Jamie Calvin. Uh that's

1125
01:06:58,360 --> 01:07:02,240
Speaker 2: who was nominated tech for the Documentary Short Film category.

1126
01:07:02,880 --> 01:07:07,080
Speaker 2: But you gotta watch it. It's basically a sort of

1127
01:07:07,240 --> 01:07:15,800
Speaker 2: like reconstruction of a police shooting and very interesting, very impactful.

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01:07:15,880 --> 01:07:19,360
Speaker 2: And Bill Morson is a great filmmaker. He made He

1129
01:07:19,440 --> 01:07:22,880
Speaker 2: made a documentary called Dawson City Frozen Time in twenty

1130
01:07:22,960 --> 01:07:26,840
Speaker 2: sixteen that was pretty well loved by uh, I guess

1131
01:07:26,920 --> 01:07:31,520
Speaker 2: centophiles if you will. That's an incredible, incredible doc I

1132
01:07:31,600 --> 01:07:35,280
Speaker 2: mean I he made Decasia, which is like a he

1133
01:07:35,400 --> 01:07:37,840
Speaker 2: made that in like the early two thousands, which is

1134
01:07:38,600 --> 01:07:40,120
Speaker 2: kind of another one of these is kind of like

1135
01:07:40,160 --> 01:07:43,480
Speaker 2: ask any buddy. It's like a collage film type of thing.

1136
01:07:44,240 --> 01:07:47,240
Speaker 2: He works a lot with like archival footage, so that's

1137
01:07:47,400 --> 01:07:50,040
Speaker 2: kind of I think as part of like, you know,

1138
01:07:50,200 --> 01:07:53,200
Speaker 2: his influence with all of his films is sort of

1139
01:07:53,520 --> 01:07:59,040
Speaker 2: archived footage and you know, just sort of like gathered materials.

1140
01:07:59,640 --> 01:08:03,959
Speaker 2: So well, yeah, like watch Incident, that's my wreck.

1141
01:08:05,080 --> 01:08:09,720
Speaker 1: Fabulous, Yeah, thank you, my okay follow me on this journey. Sure.

1142
01:08:10,600 --> 01:08:13,800
Speaker 1: So when I used to be obsessed with the Academy

1143
01:08:13,800 --> 01:08:16,439
Speaker 1: Awards in high school and I still am, but I

1144
01:08:16,560 --> 01:08:18,439
Speaker 1: really started in high schools when I was like really

1145
01:08:18,520 --> 01:08:21,680
Speaker 1: following that. And I remember seeing a movie that I

1146
01:08:21,760 --> 01:08:24,960
Speaker 1: thought was so bad and everybody loved and I was like,

1147
01:08:25,120 --> 01:08:27,479
Speaker 1: what is I was like, they must be wrong? And

1148
01:08:27,560 --> 01:08:29,599
Speaker 1: then it won the Best Picture at the Academy Awards.

1149
01:08:30,000 --> 01:08:33,479
Speaker 1: And that movie is called Crash. And that was the

1150
01:08:33,560 --> 01:08:37,160
Speaker 1: first time where I was like, why don't I like

1151
01:08:37,760 --> 01:08:42,000
Speaker 1: this thing that the Academy Awards like that they chose

1152
01:08:42,080 --> 01:08:44,320
Speaker 1: to be the best thing. I was like, I thought

1153
01:08:44,439 --> 01:08:47,160
Speaker 1: this was bad when I saw it, and then it

1154
01:08:47,200 --> 01:08:49,040
Speaker 1: won the Best Picture. I was so confused. It was

1155
01:08:49,080 --> 01:08:51,640
Speaker 1: really an eye opening moment for me in terms of

1156
01:08:51,800 --> 01:08:57,519
Speaker 1: like discovery of different films. And so that's why I'm

1157
01:08:57,640 --> 01:09:04,160
Speaker 1: recommending David Cronenberg's Craft. I was gonna say because, which

1158
01:09:04,240 --> 01:09:05,880
Speaker 1: is one of my favorite movies of all time from

1159
01:09:05,920 --> 01:09:07,760
Speaker 1: nineteen ninety six. It's about a group of people who

1160
01:09:08,120 --> 01:09:13,160
Speaker 1: are turned on by car crashes. Yes, and David Cronenberg

1161
01:09:13,280 --> 01:09:15,920
Speaker 1: was very I think it's David Cronenberg's best movie, and

1162
01:09:16,120 --> 01:09:18,559
Speaker 1: I love David Cronenberg. He's like one of my favorite directors.

1163
01:09:18,960 --> 01:09:22,599
Speaker 1: He's directed The Fly, He's directed A History of Violence,

1164
01:09:22,760 --> 01:09:30,400
Speaker 1: he Dead Ringers Video Drome. But Crash came out in

1165
01:09:30,479 --> 01:09:32,880
Speaker 1: nineteen ninety six and then The Bad Crash came out

1166
01:09:32,880 --> 01:09:35,519
Speaker 1: in two thousand and four, and David Cronenberg was very

1167
01:09:35,680 --> 01:09:39,679
Speaker 1: upset that they named a movie Crash about car crashes

1168
01:09:41,280 --> 01:09:43,840
Speaker 1: named the movie it's the same name. Yeah, and then

1169
01:09:43,880 --> 01:09:46,280
Speaker 1: it won Best Picture and it's sort of covered up

1170
01:09:47,160 --> 01:09:48,280
Speaker 1: David Cronenberg's Crash.

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01:09:48,360 --> 01:09:48,559
Speaker 3: Yeah.

1172
01:09:48,600 --> 01:09:48,840
Speaker 2: Total.

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01:09:48,880 --> 01:09:51,760
Speaker 1: So that's why I am picking that movie, even though

1174
01:09:51,800 --> 01:09:54,439
Speaker 1: it's like a roundabout weird way of picking it. I

1175
01:09:54,920 --> 01:09:59,360
Speaker 1: uh just want to shed some light on that wonderful film.

1176
01:10:00,280 --> 01:10:00,400
Speaker 2: Uh.

1177
01:10:00,560 --> 01:10:06,280
Speaker 1: It's really disturbing and unsettling and incredible. And if you

1178
01:10:06,360 --> 01:10:11,840
Speaker 1: have time, look up the Canned Film Festival screening pictures

1179
01:10:12,280 --> 01:10:16,519
Speaker 1: of Crash, because I feel like something happened on this

1180
01:10:16,680 --> 01:10:19,240
Speaker 1: movie where they were all bonded together. They look like

1181
01:10:19,479 --> 01:10:23,120
Speaker 1: this like punk band. They are all standing very close

1182
01:10:23,200 --> 01:10:25,559
Speaker 1: to each other. They look like a punk band. They're

1183
01:10:25,640 --> 01:10:28,439
Speaker 1: all like toget It's like they share some dark secret

1184
01:10:28,479 --> 01:10:31,840
Speaker 1: after making this movie. And uh, all the actors in

1185
01:10:31,920 --> 01:10:34,439
Speaker 1: the movie have like like kind of bond together in

1186
01:10:34,720 --> 01:10:37,320
Speaker 1: all these pictures and they just look so cool and.

1187
01:10:38,520 --> 01:10:45,759
Speaker 2: Yeah, so yeah, what's his name is it? He looks

1188
01:10:45,880 --> 01:10:51,680
Speaker 2: like Ian Mackay from Fugazi photo. Yeah, that's what makes

1189
01:10:51,720 --> 01:10:53,800
Speaker 2: me think they look like they're in a band. It's

1190
01:10:53,880 --> 01:10:56,400
Speaker 2: so great. And Rosanna Arquette looks so cool. Yeah, what

1191
01:10:56,560 --> 01:10:57,160
Speaker 2: a great photo.

1192
01:10:57,200 --> 01:10:59,400
Speaker 1: I think they all and there's like a they're they're

1193
01:10:59,520 --> 01:11:03,040
Speaker 1: they're getting questioned about the movie on this panel and

1194
01:11:03,040 --> 01:11:06,360
Speaker 1: they're all like wearing sunglasses and smoking and they just

1195
01:11:06,439 --> 01:11:11,200
Speaker 1: look so cool. And anyways, yeah, the Canfilm Festival press

1196
01:11:11,200 --> 01:11:14,720
Speaker 1: conference is really funny and they're like really snarky and mean.

1197
01:11:14,800 --> 01:11:19,080
Speaker 1: They just feel like this like punk band. So anyways,

1198
01:11:19,439 --> 01:11:21,840
Speaker 1: check that movie out. Yes, great movie, great pick for

1199
01:11:21,960 --> 01:11:26,040
Speaker 1: this week, great week for this week, great week for

1200
01:11:26,200 --> 01:11:29,360
Speaker 1: this week, great episode. Thank you so much Millie for

1201
01:11:30,560 --> 01:11:33,760
Speaker 1: awarding all these films with the Milli Awards, a prestigious

1202
01:11:33,840 --> 01:11:39,479
Speaker 1: honor for so many But that's our show, you know.

1203
01:11:39,600 --> 01:11:43,720
Speaker 1: If you want film advice, please email us. If you

1204
01:11:43,760 --> 01:11:48,440
Speaker 1: need help specific recommendations, you need help navigating a director's filmography,

1205
01:11:48,760 --> 01:11:50,840
Speaker 1: or you need a film gripe resolved, please write in

1206
01:11:51,479 --> 01:11:54,439
Speaker 1: you can email us at dear Movies at exactlyrightmedia dot com.

1207
01:11:55,600 --> 01:11:58,240
Speaker 2: Also, we love voicemails. By the way, we love hearing

1208
01:11:58,240 --> 01:12:01,639
Speaker 2: your voices. Set you can ask for your advice via

1209
01:12:02,160 --> 01:12:05,519
Speaker 2: voice memo. Just record a voicemail or voice memo on

1210
01:12:05,640 --> 01:12:09,400
Speaker 2: your phone, make sure it's a minute or less. We

1211
01:12:09,760 --> 01:12:12,080
Speaker 2: ask it's a minute or less, and then email it

1212
01:12:12,200 --> 01:12:15,720
Speaker 2: to dear Movies at exactly rightmedia dot com.

1213
01:12:16,520 --> 01:12:20,639
Speaker 1: And you can follow us on our socials at deer Movies.

1214
01:12:20,680 --> 01:12:23,439
Speaker 1: I love you on Instagram and Facebook. Come on join in.

1215
01:12:23,479 --> 01:12:26,439
Speaker 1: We're gonna be doing some fun video stuff. Yeah, check

1216
01:12:26,479 --> 01:12:27,760
Speaker 1: it out, that's right.

1217
01:12:27,840 --> 01:12:29,520
Speaker 2: And then if you want to follow us a letterbox,

1218
01:12:29,560 --> 01:12:31,240
Speaker 2: which of course is you know that kind of social

1219
01:12:31,320 --> 01:12:36,000
Speaker 2: media platform for movie watching stuff. We are at Casey

1220
01:12:36,160 --> 01:12:38,559
Speaker 2: le O'Brien and at M de Chericho.

1221
01:12:39,680 --> 01:12:43,080
Speaker 1: Fabulous. Well, thank you, Millie. What a what a treat

1222
01:12:43,360 --> 01:12:47,200
Speaker 1: to get to talk about the Academy Awards. And I

1223
01:12:47,400 --> 01:12:51,160
Speaker 1: hope you have a good time yes, watching the Academy Awards,

1224
01:12:51,360 --> 01:12:53,640
Speaker 1: and I hope you do well in your pool and

1225
01:12:53,720 --> 01:12:57,040
Speaker 1: you win lots of money and respect from your friends,

1226
01:12:57,200 --> 01:12:58,160
Speaker 1: even your dumb friends.

1227
01:12:58,560 --> 01:13:01,599
Speaker 2: Yeah, that's right. I I'm I will be very happy

1228
01:13:01,600 --> 01:13:06,519
Speaker 2: if I win seventy four dollars this year in my

1229
01:13:06,640 --> 01:13:10,720
Speaker 2: oscar pool. But anyway, thanks everybody for listening, See you

1230
01:13:10,800 --> 01:13:11,280
Speaker 2: next time.

1231
01:13:11,560 --> 01:13:12,400
Speaker 1: Bye bye bye me.

1232
01:13:14,200 --> 01:13:17,320
Speaker 2: This has been an exactly right production hosted by Me

1233
01:13:17,800 --> 01:13:21,400
Speaker 2: Milli to Cherico and produced by my co host Casey O'Brien.

1234
01:13:21,640 --> 01:13:25,400
Speaker 1: This episode was mixed by Tom Bryfogel. Our associate producer

1235
01:13:25,479 --> 01:13:28,760
Speaker 1: is Christina Chamberlain, our guest booker is Patrick Cottner, and

1236
01:13:28,880 --> 01:13:30,679
Speaker 1: our artwork is by Vanessa Lilac.

1237
01:13:30,920 --> 01:13:33,800
Speaker 2: Our incredible theme music is by the best band in

1238
01:13:33,840 --> 01:13:35,720
Speaker 2: the entire world, The Softies.

1239
01:13:36,000 --> 01:13:39,920
Speaker 1: Thank you to our executive producers Karen Kilgareff, Georgia hart Stark,

1240
01:13:40,080 --> 01:13:43,400
Speaker 1: Daniel Kramer and Millie to Jericho, We love you. Goodbye

1241
01:13:45,200 --> 01:13:45,639
Speaker 1: bec