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Speaker 1: We can't believe how boring this is. Why didn't we

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Speaker 1: have to come here?

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Speaker 2: We had to and thank you for that exciting number.

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Speaker 2: It was most stimulating. We're hoping you're having a wonderful

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Speaker 2: time and now to continue this exciting evening. Joseph Carillo. Yeah,

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Speaker 2: I told them you would.

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Speaker 1: You've literally lost it.

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Speaker 2: They're gonna love it.

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Speaker 1: Come on, this is not the right place.

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Speaker 2: Sure it is. Come on, they're gonna love it.

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Speaker 3: Come on, Colin, take your body, baby, do loo gone guy, No,

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Speaker 3: you can come tell yourself any longer.

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Speaker 2: Joseph, turn it up. Let's do this. Col baby, No,

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Speaker 2: you can't enjoy yourself any longer.

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Speaker 4: Everybody gather around now.

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Speaker 1: Left your Badyfield decade work.

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Speaker 4: Wow.

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Speaker 1: Wow, ladies and gentlemen.

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Speaker 2: Please give it a very warm welcome for the one

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Speaker 2: the only, mister JK. Huda. I'm your host, Liliana Oscuez.

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Speaker 1: And I'm Joseph Carrio, and this is becoming an icon.

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Speaker 2: A weekly podcast where we give you the rundown on

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Speaker 2: how today's most famous LATINX stars have shaped pop culture.

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Speaker 1: And given the world some extra tubble.

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Speaker 2: Sit back and get comfortable.

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Speaker 3: Because we are going in the only way we know

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Speaker 3: how with buena vis whenas risas.

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Speaker 2: And a lot of opinions as we relive their greatest

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Speaker 2: achievements on our journey to find out what makes them

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Speaker 2: so iconic. Here today to discuss all things in Miami,

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Speaker 2: including of course the music and legacy of Gloria and

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Speaker 2: Emilios Stefan. We're welcoming a new guest to the Becoming

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Speaker 2: an Icon crew.

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Speaker 3: He is a Colombian musician, producer and singer songwriter from Barankiya.

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Speaker 2: And no, he does not know Shakira. He did, though,

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Speaker 2: launch his solo career in twenty seventeen and has a

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Speaker 2: brand new single, El Primero Nosolvida, which is a little

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Speaker 2: bit regional Mexicano, launching at the end of this month.

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Speaker 2: And of course, like Joseph and I, he has a

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Speaker 2: similar love and passion for all things Musika. Please give

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Speaker 2: a very warm welcome to JK.

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Speaker 1: Welcome JK.

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Speaker 5: All right, awesome, I love that. I love that. That's

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Speaker 5: a great beginning. Thank you guys for having me. Super

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Speaker 5: excited to be here with you and we can talk

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Speaker 5: about whatever you want.

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Speaker 2: Were dating, I'm like, what are you dating? Yeah, let's

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Speaker 2: get the mix. No, I promise we won't go there

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Speaker 2: to the end. But what's interesting about you coming on

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Speaker 2: our show is that we've interviewed a lot of journalists,

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Speaker 2: a lot of podcasters. I don't think, Joseph, that we've

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Speaker 2: ever had a musician come on and give their point

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Speaker 2: of view on some of our icons. So this is

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Speaker 2: the first for us and a real treat for our audience.

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Speaker 3: And also we get to get a perspective of someone

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Speaker 3: who would plan to maybe go the route of Glodia

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Speaker 3: and Emilia.

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Speaker 2: We don't know, it's so true, So this is gonna

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Speaker 2: be really fun for us, and we want to hear

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Speaker 2: all of like the inside BTS industry talk that we

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Speaker 2: don't usually get because Joseph and I are just fans.

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Speaker 2: Let's be honest, Like, yes, we're professionals, we're you know,

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Speaker 2: he's a global makeup artist that's recognized all over the world,

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Speaker 2: and like, yes, I'm an entertainment reporter, but we are

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Speaker 2: just fans of music and I know you are too.

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Speaker 2: So when you hear Miami Sound Machine, JK, what comes

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Speaker 2: to mind?

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Speaker 1: Wow.

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Speaker 5: I think that's was the one of the smartest moves

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Speaker 5: that at Latino could do in the industry because they

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Speaker 5: basically they took all the traditional Latin rhythms with you

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Speaker 5: know that that particular sound of the eighties and nineties,

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Speaker 5: and and I think that was great. They made everybody

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Speaker 5: dance to our music, to our rhythm, to our percussion,

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Speaker 5: to our drums.

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Speaker 1: Timbali congas.

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Speaker 3: Quick question for you, Kay, what was the very first

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Speaker 3: song that you ever remember hearing from the Miami sound machine.

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Speaker 5: You just need to you just need to hear that.

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Speaker 3: Yeah, that could be those like the two second music

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Speaker 3: trivia and it's like you're like, I know it.

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Speaker 1: Exactly, I already know. JK.

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Speaker 2: What is it called when it's like just a few

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Speaker 2: notes or a chord that triggers that instant recognition of

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Speaker 2: a song? What do you call that?

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Speaker 1: Oh? Wow?

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Speaker 5: I think that's that's basically whenever a song starts, that's

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Speaker 5: a hook.

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Speaker 1: You know. It's like whenever hook, that's what it is.

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Speaker 5: Yes, Whenever it's something that it's so that you understand

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Speaker 5: you recognize the song right away, it's it's a hook.

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Speaker 1: It's like, oh.

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Speaker 2: Wow, because there's certain songs right that you just hear

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Speaker 2: three notes of and you're like, I know what it is.

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Speaker 2: I see that a lot with Taylor Swift fans like

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Speaker 2: they do a lot of trivia on TikTok where they

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Speaker 2: will play the first literal three notes of a Taylor

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Speaker 2: Swift song and they're like, oh my gosh, that's this

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Speaker 2: or that's that, and you're like, how do they know that?

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Speaker 2: But when you went dunt dunt dun like instantly we

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Speaker 2: all went.

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Speaker 1: Yeah.

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Speaker 5: And I think that that has a lot to do

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Speaker 5: with the popularity of the song. You know, like it's

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Speaker 5: been played so many times, you know, in this this.

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Speaker 1: Many years that everybody knows the song.

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Speaker 5: It's it's it's super catchy and also everybody recognized it,

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Speaker 5: so it's it's impossible not to it truly is.

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Speaker 2: It's one of those iconic songs, which is why Gloria

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Speaker 2: and Emilio are icons to us. But how do you

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Speaker 2: feel musically about Gloria Estefan and her career as a

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Speaker 2: solo artist but also as a band member in the

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Speaker 2: Miami Sound Machine.

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Speaker 5: I think it's as I told you earlier, it's it's

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Speaker 5: the smartest move. It's it was when I hear the

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Speaker 5: especially the drums, you can you can feel it in

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Speaker 5: the drums. It's a very uh, you know, traditional eighties

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Speaker 5: sound of the pop music in that moment. But you

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Speaker 5: can hear that in Balast, you can hear the congas,

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Speaker 5: you can hear how the fusion was made. And I

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Speaker 5: think it was, you know, very clever. And not only that,

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Speaker 5: they did a lot of things. They did voletro, they

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Speaker 5: did actually there's a song that they did by Yato,

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Speaker 5: They had an accordion, They explored a lot of the

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Speaker 5: lab in rhythms, and and they opened the door for

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Speaker 5: all of us, you know, in the industry worldwide. And

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Speaker 5: and I think that's we need to be thankful for

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Speaker 5: them because it's you know, without them, it would be

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Speaker 5: very difficult for us us to get in this industry right.

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Speaker 3: Right here, So that being said, like right here, what

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Speaker 3: does it mean or like what does it take to

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Speaker 3: do a crossover? And is that something that do you

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Speaker 3: see a lot of Latin artists doing that?

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Speaker 1: Now?

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Speaker 5: I think there it's different times, right, you know, that

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Speaker 5: type of music. It's it was from that moment right now,

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Speaker 5: there's new fusions.

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Speaker 1: You know what Bad Bonnie is doing.

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Speaker 5: What other type of artists they they are inside the market.

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Speaker 3: Right So actually that's kind of not even really a crossover,

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Speaker 3: right because that's now. They're just kind of like Leleanna

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Speaker 3: you were saying we were talking about just the other day,

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Speaker 3: and it's like, that's just technically music now.

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Speaker 5: Well, the thing is what I love about the music

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Speaker 5: industry right now is like you don't have to be

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Speaker 5: in one genre.

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Speaker 1: You know, you can explore.

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Speaker 5: Yeah, I see artists that they one day they release

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Speaker 5: a reggaeton's song, then the other day they release a

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Speaker 5: Mexicano and then you know a couple of months later

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Speaker 5: they do pop and you know, Kumbia, Hey are you

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Speaker 5: talking about?

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Speaker 2: Yeah, is.

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Speaker 1: One of them. Camillo is one of them.

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Speaker 5: Camillo has done Bachat that has done Bob has done Cumbia.

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Speaker 5: You know, it's like he's not afraid of doing and

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Speaker 5: exploring different rhythms and genres. And I remember when I

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Speaker 5: first started in this music industry, when I used to

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Speaker 5: go to radio stations or stuff, they would ask me

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Speaker 5: what's your genera, you know, what's what's your type of music?

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Speaker 5: And I always went with Bata because I would used

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Speaker 5: to do by Yinat at that moment with fusion, you know,

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Speaker 5: fusion with pop.

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Speaker 1: And a little bit of rock, and that was my genre.

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Speaker 5: And I was like I realized that I don't need

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Speaker 5: to be in only one genera. I can explore different ones.

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Speaker 5: I'm a musician, you know, that's what I do. So

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Speaker 5: why I don't want to get targeted, you know, in

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Speaker 5: just one genre. And I think that's amazing that the

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Speaker 5: industries is it's letting you do that right now.

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Speaker 2: And you know, Jackie on that note, do you attribute

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Speaker 2: the ease of moving cross genre to the way that

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Speaker 2: audiences now hear and digest music? You know, when I

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Speaker 2: was growing up in Texas in the eighties, the way

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Speaker 2: I got my music was on the radio, right, And

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Speaker 2: naturally radio stations have to have a genre because they

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Speaker 2: have to find that audience. And so do you feel

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Speaker 2: like the fact that you can access any kind of

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Speaker 2: music as a listener literally on a handheld device in

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Speaker 2: the palm of your hand, Like, do you think that's

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Speaker 2: eliminating a lot of those barriers and boundaries that used

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Speaker 2: to exist around genre of music? Like does it matter now?

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Speaker 5: Oh no, definitely, definitely. It's a music industry right now.

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Speaker 5: It's super fast. It's like it's quick like there, you

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Speaker 5: release a song and you have two or three months

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Speaker 5: minimum to release another one.

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Speaker 1: It's super. You know, it goes so fast.

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Speaker 5: There's so many songs releasing every day, it's crazy. So

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Speaker 5: people have access to a lot of music, a lot

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Speaker 5: of music. And and you know, if maybe you released

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Speaker 5: reggaeton song and it didn't work, Okay, let's do bachata

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Speaker 5: to see what happens, and maybe that one.

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Speaker 3: And so do you already have these discs already lined up?

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Speaker 3: Like I have these five songs that were going to

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Speaker 3: kind of push. Are you like, wow, I was going

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Speaker 3: to do bachata and these two songs didn't really hit.

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Speaker 2: Could you then repackage it into bachata song and then

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Speaker 2: see if you have any traction with that and then

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Speaker 2: kind of follow the lead of the success or as

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Speaker 2: a musician. Are you really doubling down on saying no,

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Speaker 2: I am this kind of artist, right and I'm going

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Speaker 2: to make this kind of music.

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Speaker 5: Yes, you need to have in production like mixing or

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Speaker 5: at least writing and producing the song. You know, many

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Speaker 5: songs you never know, like there's always like a plan

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Speaker 5: of releasing a song, you know, like like a work plan.

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Speaker 5: So you know, like on February we're going to release

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Speaker 5: this song, and on June this song and whatever. But

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Speaker 5: I think It all depends on the on how the

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Speaker 5: song goes. You know, if it's a if it's a hit,

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Speaker 5: if it's something that people it's still consuming and it's working,

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Speaker 5: you can extend the period of.

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Speaker 1: Time a little bit more, right, you know, Okay, you know,

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Speaker 1: like you can go.

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Speaker 2: Yeah, juice it, bitch, juice it. I want to quickly

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Speaker 2: go back because I think something that's interesting about you is,

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Speaker 2: you know, you're from Brankia. You you've had success both

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Speaker 2: in Latin America and the US. When Gloria and the

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Speaker 2: Miami Sound Machine were first really getting traction, they were

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Speaker 2: huge internationally before they were ever big in the United States.

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Speaker 2: I think people think that they were just you know,

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Speaker 2: they hit it big in the US and that was it. No,

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Speaker 2: Like they used to play for like fifty thousand people

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Speaker 2: in Cuba and then they would come back and play

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Speaker 2: a wedding for two hundred people in Miami. So what

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Speaker 2: is the difference would you say, of finding success in

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Speaker 2: Latin America versus finding it in the United States, which

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Speaker 2: is easier? Because I think people might assume, oh, it's

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Speaker 2: a got to be easier in Latin America, but I

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Speaker 2: don't think so. Which one do you think is easier.

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Speaker 2: Is it easier to find success in Latin America or

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Speaker 2: easier to find success in the States?

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Speaker 1: Ooh, no, pressure. Wow, Well that's a great question. That's

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Speaker 1: a great question.

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Speaker 5: And I don't think nobody has the answer because the

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Speaker 5: music it's it's I don't think anybody has the secret

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Speaker 5: of success in music.

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Speaker 1: Every case it's different, right.

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Speaker 5: What I think is if you live in the US,

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Speaker 5: whenever you go to Latin America, it's easier.

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Speaker 1: Because you live you are considered an international artist.

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Speaker 5: For example, when I used to live in Columbia, you know,

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Speaker 5: I did a lot of stuff. I worked with the

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Speaker 5: with Carlos Beave's band for two years. You know, I

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Speaker 5: was doing great, But at the same time, I don't know,

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Speaker 5: there was like a roof for me. I felt that.

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Speaker 5: That's why I came to the US. And every time

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Speaker 5: I go to perform or to do you know, recording

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Speaker 5: sessions or whatever in Columbia, you know, people see you

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Speaker 5: different and for some reason they respect you more.

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Speaker 1: That's my opinion. Yeah, and maybe.

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Speaker 5: Yeah, maybe if you leave here and you go to

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Speaker 5: the to Latin America, I think it's a little bit easier.

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Speaker 1: You know, US market it's it's always you know, it's it's.

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Speaker 5: Bigger, it's there's more competition, and obviously it's expensive. It's

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Speaker 5: more expensive than that in America. So you know, with

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Speaker 5: that point of view, I believe if you live here, yeah,

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Speaker 5: it's I think it's a little bit easier, at least

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Speaker 5: morney wise, to invest in Latin America.

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Speaker 2: Interesting. I think taking it back to Gloria and Emilio,

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Speaker 2: I think something that they've done is really make those

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Speaker 2: avenues and that runway more accessible for Latin musicians. You know,

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Speaker 2: when we think about Ricky Martin and we think about Shakida,

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Speaker 2: you know, the Stephans were an integral part of their

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Speaker 2: quote unquote crossover. Thankfully, I don't think we're going to

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Speaker 2: need those crossovers going forward. We've seen, you know, artists

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Speaker 2: like a Bad Bunny or like a Carol g really

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Speaker 2: break down those barriers and do it on their own,

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Speaker 2: on their own terms, without having to do an English

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Speaker 2: version of a song. Like Bad Money hasn't done a

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Speaker 2: song in English. He doesn't have to, right, But back

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Speaker 2: in the nineties or in the early two thousands, Shakira did.

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Speaker 2: She had to sing in English. So how do you

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Speaker 2: think the Stephans, Like, why do you think it's been

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Speaker 2: so important for them and their identity in the music

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Speaker 2: industry to help other Latin artists.

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Speaker 5: Well, it's it's very interesting what you said about about

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Speaker 5: the language. And I think it's very interesting that right

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Speaker 5: now you don't have to sing in English in order

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Speaker 5: to to you know, make a hit globally. And and

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Speaker 5: the reason for for that, I think it's that it's

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Speaker 5: the rhythm. Like people nowadays, they they just want to dance.

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Speaker 5: They just want to you know, anything and that comes

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Speaker 5: and that comes with you know, and stuff like that.

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Speaker 5: Like people they don't know what they are saying, and

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Speaker 5: but they don't care. They just want to have danced.

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Speaker 5: They just the beat and the and the rhythm. It's

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Speaker 5: so contagious that they they don't care, you know, they

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Speaker 5: just dance. And you see it like when you go

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Speaker 5: to Europe, when you go to Turkey and they are

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Speaker 5: listening to reggaetono or Latin music in the clubs.

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Speaker 1: It's crazy. You never saw that before.

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Speaker 5: But with the Stephans, the point that we are in

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Speaker 5: right now, it's because of them, because they they sang

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Speaker 5: in English right with Latin really crazy, so they introduced

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Speaker 5: the Latin rhythms to other cultures, to other people in

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Speaker 5: the US, in the in you know, worldwide. So that

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Speaker 5: opened a path, a very huge path for for all

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Speaker 5: Latin artists. So yeah, definitely they had all to do.

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Speaker 5: They are fathers of the Latin music, for sure.

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Speaker 2: They're patrinos the music nostalos exactly.

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Speaker 3: Literally, hold on, I just have to change the subject

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Speaker 3: because this is very who I am. So you live

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Speaker 3: in Miami, have you been to Larios on the Beach

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Speaker 3: where Tillarios on the Beach?

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Speaker 1: Never been there?

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Speaker 2: For those of you listening that are like, what the

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Speaker 2: hell is Latios? You know, Joseph loves to eat. He

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Speaker 2: loves loves some food, and he loves some Latin food.

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Speaker 2: So if there is a restaurant that he knows about,

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Speaker 2: he's going to ask you if he's been. It's Latios

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Speaker 2: on the Beach. Is their restaurant that they opened? I

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Speaker 2: think back in the nineties, maybe in the early two thousands.

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Speaker 2: Have you ever been? And is what he wants to know?

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Speaker 2: And will you take him there?

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Speaker 1: You know, when I'm there, you have to take me

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Speaker 1: there at least. But whenever you come, yo, let's go.

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Speaker 1: Let's go. I'll take you to the place. Deal, deal,

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Speaker 1: my friend.

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Speaker 2: I want to go back to a few Gloria songs.

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Speaker 2: There's a lot of really good ones as a musician,

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Speaker 2: which is the most difficult of Gloria's songs to sing?

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Speaker 2: And have you ever sang any of them?

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Speaker 1: Wow? Okay, that's a very tricky question.

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Speaker 2: Like you've never done a version of Mithierira anything from there?

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Speaker 5: Well, I've done it, I've done it. But as a

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Speaker 5: male singer, of course, depending on your vocal range, you

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Speaker 5: could hit or not hit the notes, the higher notes,

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Speaker 5: so it's very difficult for me to to answer that

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Speaker 5: as a male singer.

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Speaker 1: But definitely, I think any.

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Speaker 5: Of the sounds from Miami Song Machine they are very

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Speaker 5: well elaborated vocally, so but you know, they have boletos,

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Speaker 5: they have the car, you know, you know, it all

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Speaker 5: depends on the on the range.

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Speaker 3: Hello, Okay, I'm never fucking singing again on this podcast.

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Speaker 1: Thank you, JK.

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Speaker 3: You have ruined everything for me. I'm trying to get

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Speaker 3: a fucking deal here and here you are releas singing.

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Speaker 3: So I'm al goodbye leaving JK.

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Speaker 2: Welcome to becoming an icon, your MYNY co host.

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Speaker 1: I love it. That was amazing.

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Speaker 2: That was amazing. Thank you for blessing our ears with

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Speaker 2: that sound. Of course, now you were talking a little

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Speaker 2: bit about the songs, and you know people always think

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Speaker 2: of Gonga. I always go to the rhythm is Gonna

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Speaker 2: get you, get on your feet, or even one of

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Speaker 2: the ogs, which is doctor Bat. It's the campiest video

349
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Speaker 2: I think ever made in the history of music videos.

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Speaker 2: It's worth watch if you have not seen it. If

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Speaker 2: you had to rank those four songs, Joseph, I'm gonna

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Speaker 2: let you go first. So here are the songs, Gonga,

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Speaker 2: doctor Beat, Rhythm is Gonna get you and get on

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Speaker 2: your feet. Rank them like.

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Speaker 3: Number one being my favorite, right m m yeah, okay,

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Speaker 3: So I'm gonna say the rhythm is gonna get you

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Speaker 3: number one, mm hmm, Gonga, number two, Doctor Beat, number three,

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Speaker 3: Get on your Feet, number.

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Speaker 2: Four, Wow, Okay, rhythm is gonna get you coming in

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Speaker 2: at number one and strong For Joseph, JK, I'm gonna

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Speaker 2: ask you the same question.

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Speaker 1: Okay.

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Speaker 5: Basically, I'm gonna go with the same order as Joseph,

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Speaker 5: but I will change. I will switch Conga for Rhythm

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Speaker 5: is gonna get you for sure. Conga's being conga being

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Speaker 5: as the number one like it.

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Speaker 2: I'm going to mix the whole thing up. Okay, I'm

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Speaker 2: gonna go get on your feet number one, Wow, Okay, okay,

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Speaker 2: Bung got two Okay, Rhythm is gonna get you three,

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Speaker 2: doctor bat four, get on your feet. It's like I

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Speaker 2: always think, anytime you can make the declaration and the

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Speaker 2: call to action in the title of the song, that's

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Speaker 2: a winner for me. There's no confusion there.

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Speaker 1: Okay, It's just kind of like this is it all right? Now?

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Speaker 2: Who's ready for a little trivia? I am okay, Joseph

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Speaker 2: and JK. Are you guys ready to battle?

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Speaker 1: We are ready?

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Speaker 2: All right, guys, you're gonna have to buzz in just

379
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Speaker 2: you know, raise your hand. Okay ready. How many albums

380
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Speaker 2: has Glodia stuff unreleased during her entire career, including the

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Speaker 2: ones with Miami Sound Machine. Is it ten, twenty or thirty?

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Speaker 1: You go first, ak, I will go with twenty. Joseph,

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Speaker 1: I'm going to say. Look, the reason I'm going to

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Speaker 1: say thirty is.

385
00:20:06,480 --> 00:20:11,080
Speaker 2: Because that's a hell a lot of albums. Thirty albums.

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Speaker 1: Yeah, because she's thing. I'm in English and in Spanish

387
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Speaker 1: and in the Miami sound Machine, like.

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Speaker 2: There was a Christmas album of Yeah, just a lot.

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Speaker 1: I would have even said more if there's another number.

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Speaker 2: There's not another option. The final answer is thirty for you.

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Speaker 1: Yeah, yeah, thirty. I would say thirty.

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Speaker 2: You're right, thirty albums during her entire career.

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Speaker 3: Oh yeah, I believe that also because JK I've been

394
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Speaker 3: also studying her for a while.

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Speaker 1: So oh man, that's cheating. Well, that's good. I know.

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Speaker 1: I feel bad. I feel bad.

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Speaker 2: Okay, how many Grammys has Gloria Stephan one, seven, eight,

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Speaker 2: or ten?

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Speaker 1: Eight? Grammys? For sure? I would say three.

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Speaker 2: That's not even an option.

401
00:20:53,680 --> 00:20:54,760
Speaker 1: Wait, did you give the numbers?

402
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Speaker 3: I wasn't even actually listening because I was thinking of

403
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Speaker 3: how many Grammars you actually won?

404
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Speaker 2: Seven, eight, and ten? JK says eight. Joseph says three.

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Speaker 2: The right answer is seven. You're very close. JK. How

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Speaker 2: did you know that? Because you're a musician, he knows?

407
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Speaker 1: Yeah, you know, yeah, I knew I know something.

408
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Speaker 2: From Which American football team is Gloria Stefan a co owner?

409
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Speaker 2: This is not a fair question.

410
00:21:20,960 --> 00:21:22,679
Speaker 1: Okay, name the teams and we'll get this.

411
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Speaker 2: The San Antonio Chargers, the Tampa Bay Buccaneers or the

412
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Speaker 2: Miami Dolphins.

413
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Speaker 1: The Miami Dolphins.

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Speaker 2: Beat you to the buzzer?

415
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Speaker 4: Fine?

416
00:21:32,880 --> 00:21:37,479
Speaker 2: From which prestigious university did Gloria Estefan receive a music

417
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Speaker 2: honorary doctorate? Is it Berkeley, University of Miami or Columbia.

418
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Speaker 1: University of Miami. Yeah, same University of Miami. Duh, she

419
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Speaker 1: lives there.

420
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Speaker 2: JK.

421
00:21:48,600 --> 00:21:49,800
Speaker 1: Yeah, University of Miami.

422
00:21:49,800 --> 00:21:54,000
Speaker 2: Of course you guys, Berkeley one of the most incredible

423
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Speaker 2: music schools in the world.

424
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Speaker 1: Of course. Of course you did the Songwriter.

425
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Speaker 2: Hall of Fame, first female, first let the Let's go Yeah, okay.

426
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Speaker 2: Last question, do you guys know the name of the

427
00:22:06,200 --> 00:22:10,320
Speaker 2: song that Gloria is Stefan saying to the Pope John

428
00:22:10,359 --> 00:22:14,800
Speaker 2: Paul the Second in nineteen ninety five? Was it fres gotas,

429
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Speaker 2: the Agua Bendita or Masaya?

430
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Speaker 3: You're gonna hate me because I've never heard any of these,

431
00:22:23,040 --> 00:22:24,720
Speaker 3: so I don't know which one to pick.

432
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Speaker 1: I'm gonna say just because it sounds holy, I would

433
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Speaker 1: say Masaya. JK.

434
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Speaker 2: I think you won the Gloria is Stefan Trivia Challenge,

435
00:22:33,720 --> 00:22:36,320
Speaker 2: which means that you get to take us to your

436
00:22:36,359 --> 00:22:40,160
Speaker 2: favorite Cuban restaurant. What is your favorite Cuban restaurant by the.

437
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Speaker 5: Way, Oh, that's tricky. That's there's a lot. Well, there's some,

438
00:22:43,720 --> 00:22:48,719
Speaker 5: there's some. There's a restaurant super it's super traditional called Versaiyes.

439
00:22:48,560 --> 00:22:50,920
Speaker 2: It's see, I've been there.

440
00:22:51,320 --> 00:22:57,440
Speaker 5: It's not Versas. Yeah, that's a very traditional and yeah,

441
00:22:57,440 --> 00:23:02,320
Speaker 5: it's a mostco like there's always spoke, there's lines.

442
00:23:02,640 --> 00:23:05,560
Speaker 1: Wait a minute, are they your sponsor? I'm onto you, JK.

443
00:23:05,800 --> 00:23:09,720
Speaker 1: I wish, I mean they should. I love going there hopefully.

444
00:23:09,760 --> 00:23:13,760
Speaker 2: Now okay, J Before we let you go, we want

445
00:23:13,760 --> 00:23:16,679
Speaker 2: to know, as a musician, what do you think the

446
00:23:16,680 --> 00:23:20,720
Speaker 2: future holds for Gloria and Emilio. What do you want

447
00:23:20,720 --> 00:23:22,560
Speaker 2: to see from them?

448
00:23:23,000 --> 00:23:26,040
Speaker 5: I think they're going to keep being the foundation of

449
00:23:26,440 --> 00:23:30,040
Speaker 5: music in the US and in the world. And I

450
00:23:30,040 --> 00:23:31,600
Speaker 5: think they are going to keep helping a lot of

451
00:23:32,080 --> 00:23:35,240
Speaker 5: new talent, and I mean, I hope, and they've been

452
00:23:35,280 --> 00:23:37,800
Speaker 5: doing that, and I think they're that's their passion and

453
00:23:37,840 --> 00:23:39,760
Speaker 5: they're going to do it until they die.

454
00:23:40,200 --> 00:23:43,440
Speaker 2: I love it. I think you're right. I think foundational

455
00:23:43,600 --> 00:23:46,600
Speaker 2: is a great way to describe who they are, not

456
00:23:46,720 --> 00:23:50,679
Speaker 2: just as musicians obviously, but who they are as industry icons.

457
00:23:50,720 --> 00:23:52,679
Speaker 2: So JK. Thank you so much for being here, and

458
00:23:52,720 --> 00:23:56,120
Speaker 2: you guys, don't forget. His new single, El Primero nos

459
00:23:56,280 --> 00:23:59,720
Speaker 2: Alvilla is coming out later this month, and we've loved

460
00:23:59,760 --> 00:24:02,000
Speaker 2: have you. Thank you for sharing your insight.

461
00:24:02,640 --> 00:24:05,000
Speaker 1: Oh and I almost forgot. I'm gonna sing you a

462
00:24:05,000 --> 00:24:05,520
Speaker 1: little bit of that.

463
00:24:06,520 --> 00:24:07,679
Speaker 2: Be all right, let's do it.

464
00:24:07,800 --> 00:24:11,560
Speaker 1: I happen to have my guitar here. It's maybe a coincidence.

465
00:24:11,600 --> 00:24:14,840
Speaker 1: Shut your but I'm ready.

466
00:24:14,920 --> 00:24:16,719
Speaker 2: You're all ears. Let me turn up this volume.

467
00:24:20,720 --> 00:24:32,080
Speaker 4: Mahino he least no jespiez your solo second, he says,

468
00:24:32,200 --> 00:24:35,320
Speaker 4: Santos the temple be beast.

469
00:24:35,720 --> 00:24:38,359
Speaker 2: Stallos bass gatty.

470
00:24:42,359 --> 00:24:43,159
Speaker 1: What's your cash?

471
00:24:43,960 --> 00:24:56,040
Speaker 4: Requeredo you feeling giddy? Dunfelli con quindela manu coming now?

472
00:24:56,960 --> 00:24:59,080
Speaker 4: Can they see a Sunday.

473
00:25:03,040 --> 00:25:04,240
Speaker 1: See not de quy a.

474
00:25:05,960 --> 00:25:11,919
Speaker 4: Del don't know his mask how gatto weella young kitt is.

475
00:25:12,000 --> 00:25:13,520
Speaker 1: Way lion style.

476
00:25:13,760 --> 00:25:19,359
Speaker 4: Ye Lord, you feel primeero your primero no.

477
00:25:19,520 --> 00:25:23,360
Speaker 1: So see noting quy as.

478
00:25:24,760 --> 00:25:30,600
Speaker 4: The don't know his mass hound kettle weella young kittd

479
00:25:30,720 --> 00:25:34,080
Speaker 4: Way line and style your loudvida.

480
00:25:35,400 --> 00:25:38,320
Speaker 1: You feel premmeto here premeto no so.

481
00:25:42,040 --> 00:25:43,240
Speaker 2: No so.

482
00:25:47,240 --> 00:26:01,400
Speaker 1: No sonya Wow wow, bitch, I'm shuk damn JK. I'm

483
00:26:01,480 --> 00:26:06,240
Speaker 1: not crying, Liliana, you're crying. That was really good.

484
00:26:06,359 --> 00:26:08,399
Speaker 3: And you know what, I'm going through a heartbreak for

485
00:26:08,480 --> 00:26:10,080
Speaker 3: like five hundred years now because I'm in love with

486
00:26:10,080 --> 00:26:10,879
Speaker 3: this guy who's.

487
00:26:10,640 --> 00:26:12,960
Speaker 1: In love with me. And it was so good.

488
00:26:13,440 --> 00:26:15,159
Speaker 2: That was beautiful.

489
00:26:15,359 --> 00:26:17,440
Speaker 1: It really was beautiful. Let me ask you something. Is

490
00:26:17,520 --> 00:26:19,879
Speaker 1: it true that it'll pretty man almost to be there?

491
00:26:20,320 --> 00:26:25,280
Speaker 2: I mean, I'd like to forget FuG for real, but like, no,

492
00:26:25,480 --> 00:26:26,040
Speaker 2: you just don't.

493
00:26:26,200 --> 00:26:26,440
Speaker 1: Don't.

494
00:26:26,560 --> 00:26:28,119
Speaker 2: Don't you don't, but.

495
00:26:28,240 --> 00:26:28,760
Speaker 1: Like it doesn't.

496
00:26:28,840 --> 00:26:31,200
Speaker 3: It's not even like the first like first love, you know,

497
00:26:31,280 --> 00:26:33,800
Speaker 3: it's like your first real fucking love, not like high

498
00:26:33,840 --> 00:26:34,359
Speaker 3: school whatever.

499
00:26:34,440 --> 00:26:37,199
Speaker 1: It's like your first love, like oh no, the.

500
00:26:37,200 --> 00:26:39,680
Speaker 5: Thing forget the thing with this with this song and

501
00:26:39,840 --> 00:26:42,600
Speaker 5: the you know, the message is like it'll depends on

502
00:26:42,720 --> 00:26:44,800
Speaker 5: how you take it, Like it could be your first

503
00:26:44,880 --> 00:26:48,880
Speaker 5: high school love, it could be your actually greatest love.

504
00:26:49,280 --> 00:26:53,000
Speaker 1: You could take it in your own personal history, right, Yeah.

505
00:26:53,040 --> 00:26:55,400
Speaker 2: I mean I think that's what's so beautiful about that song,

506
00:26:55,400 --> 00:26:57,320
Speaker 2: and I think that's what people connect with with music,

507
00:26:57,440 --> 00:27:00,360
Speaker 2: is like the interpretation is yours and yours alone, right,

508
00:27:00,720 --> 00:27:03,080
Speaker 2: The artist writes it from their point of view, but

509
00:27:03,320 --> 00:27:06,240
Speaker 2: how you interpret it well, that that fully belongs to you.

510
00:27:06,359 --> 00:27:07,080
Speaker 2: That's on you.

511
00:27:07,359 --> 00:27:07,680
Speaker 1: Thank you.

512
00:27:08,000 --> 00:27:11,320
Speaker 2: I love that. So we are so grateful for you

513
00:27:11,640 --> 00:27:13,640
Speaker 2: and for sharing that beautiful song with us. And we're

514
00:27:13,680 --> 00:27:17,359
Speaker 2: so excited that everyone listening can also get that song

515
00:27:17,600 --> 00:27:20,960
Speaker 2: as well. So thank you again for being here, you guys,

516
00:27:21,160 --> 00:27:24,000
Speaker 2: and let us know what you think. All right, I

517
00:27:24,160 --> 00:27:27,320
Speaker 2: want to know, he asked the question, El primeo no

518
00:27:27,480 --> 00:27:28,000
Speaker 2: sel vida.

519
00:27:29,400 --> 00:27:31,720
Speaker 1: I need to know the answer as well. JK.

520
00:27:31,840 --> 00:27:33,440
Speaker 2: Thank you so much for being here, and you guys,

521
00:27:33,480 --> 00:27:37,760
Speaker 2: don't forget His new single, El Primeroo Nolvilla is coming

522
00:27:37,800 --> 00:27:39,040
Speaker 2: out later this month.

523
00:27:39,200 --> 00:27:42,400
Speaker 1: Yes, thank you for being here, guys. It's been a pleasure.

524
00:27:42,480 --> 00:27:44,600
Speaker 1: It's been amazing. I had a great time with you.

525
00:27:48,080 --> 00:27:52,360
Speaker 2: Next on Becoming an Icon, join us as we discuss

526
00:27:52,520 --> 00:27:53,160
Speaker 2: all of our.

527
00:27:53,359 --> 00:27:56,320
Speaker 1: Icons, all our seasons, best.

528
00:27:56,880 --> 00:28:04,119
Speaker 2: With the one and only, the mas Meyer. Becoming an

529
00:28:04,320 --> 00:28:08,679
Speaker 2: Icon is presented by Sonoo and Iheart's Michael Guda podcast network.

530
00:28:09,160 --> 00:28:13,480
Speaker 2: Listen to Becoming an Icon on the iHeartRadio app, Apple podcast,

531
00:28:13,760 --> 00:28:15,800
Speaker 2: or wherever you get your podcast