1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,520 --> 00:00:17,279 Speaker 2: Oh, let's just do h. 3 00:00:17,280 --> 00:00:22,320 Speaker 1: I am all in again with Scott Patterson in iHeartRadio Podcast. 4 00:00:22,480 --> 00:00:24,759 Speaker 1: Hey everybody, Scott Patterson, I'm all in Podcast. One of 5 00:00:24,800 --> 00:00:31,240 Speaker 1: them productions. iHeartRadio Media. iHeart Podcast. Another recap here seeing 6 00:00:31,280 --> 00:00:37,319 Speaker 1: three episodes sixteen and we have the Big One. That 7 00:00:37,400 --> 00:00:39,920 Speaker 1: is the name of the episode air date February twenty fifth, 8 00:00:39,960 --> 00:00:45,240 Speaker 1: two thousand and three. We're joined by Justin Urik. It's 9 00:00:45,280 --> 00:00:47,680 Speaker 1: an actor in multiple worlds, big name TV shows the 10 00:00:47,760 --> 00:00:52,360 Speaker 1: late nineties, early two thousands, er West Wing, Once and Again, CSI, 11 00:00:52,680 --> 00:00:56,640 Speaker 1: and one episode of Gilmour Girls as Dean's friend in 12 00:00:56,680 --> 00:00:59,920 Speaker 1: his bachelor party. He owns multiple restaurants in southern California, 13 00:01:00,440 --> 00:01:07,199 Speaker 1: one called Mama Said Yes and the other Naluvida. Justin 14 00:01:07,319 --> 00:01:09,080 Speaker 1: Welcome to the show. 15 00:01:09,640 --> 00:01:12,000 Speaker 2: God, thank you very much for having me. I'm thrilled 16 00:01:12,040 --> 00:01:12,759 Speaker 2: to be here today. 17 00:01:13,000 --> 00:01:17,000 Speaker 3: And unfortunately I was only in one episode of gilmore 18 00:01:17,000 --> 00:01:19,000 Speaker 3: Girls because I had a fantastic time on set. 19 00:01:19,040 --> 00:01:20,399 Speaker 2: But it is what it is. 20 00:01:20,720 --> 00:01:24,360 Speaker 1: That is one more episode than most people on the planet. 21 00:01:25,360 --> 00:01:28,920 Speaker 3: I still it's funny, even from that one a little 22 00:01:29,000 --> 00:01:31,320 Speaker 3: bit of an episode. I still get fan mail from 23 00:01:31,319 --> 00:01:35,319 Speaker 3: time to time for Gilmore Girls, which I find amazing. 24 00:01:36,160 --> 00:01:39,280 Speaker 1: And from all of the residual checks, you saved up 25 00:01:39,440 --> 00:01:41,920 Speaker 1: and bought a couple of restaurants, build up a restaurant. 26 00:01:42,560 --> 00:01:44,880 Speaker 3: It's funny that you say residual check because I think 27 00:01:44,920 --> 00:01:47,400 Speaker 3: I just got one last week from the Gillmore Girls, 28 00:01:47,440 --> 00:01:49,720 Speaker 3: and I think eleven cents. 29 00:01:50,040 --> 00:01:53,280 Speaker 1: Right, yeah, sometimes there are eleven cents. Yes, this is true. 30 00:01:54,240 --> 00:01:54,520 Speaker 2: All right. 31 00:01:54,560 --> 00:01:57,200 Speaker 1: Here's a synopsis for this episode. It's a big Rory 32 00:01:57,240 --> 00:02:00,360 Speaker 1: in Paris episode. If you're fans of Rory and powers us. 33 00:02:00,760 --> 00:02:03,480 Speaker 1: They compete for a big speech but end up having 34 00:02:03,480 --> 00:02:06,480 Speaker 1: to work together, and Paris spills the big news about 35 00:02:06,480 --> 00:02:11,240 Speaker 1: her personal life on c SPAN. Lareli runs into Max 36 00:02:11,280 --> 00:02:16,360 Speaker 1: Medina and Suki and Jackson are pregnant. Directed by Jamie Babbitt, 37 00:02:16,440 --> 00:02:19,440 Speaker 1: Written by Amy Shern Palladino. Overall, what do you think 38 00:02:19,440 --> 00:02:20,200 Speaker 1: of this episode? 39 00:02:20,360 --> 00:02:22,080 Speaker 2: Justin you know, it's funny. 40 00:02:22,080 --> 00:02:25,280 Speaker 3: Rewatching it, it gave me a lot of anxiety. I've 41 00:02:25,320 --> 00:02:27,800 Speaker 3: got I've got kids. I've got a five year old, 42 00:02:27,880 --> 00:02:30,120 Speaker 3: I've got a nine year old and an eleven year old. 43 00:02:30,639 --> 00:02:33,560 Speaker 3: They're all boys, so a little bit different, but seeing 44 00:02:33,560 --> 00:02:39,720 Speaker 3: the angst that occurred with kids and teenagers and you know, 45 00:02:39,800 --> 00:02:42,919 Speaker 3: what is important in their life versus what's important their parents' life, 46 00:02:42,919 --> 00:02:44,440 Speaker 3: and all the pressure that they. 47 00:02:44,320 --> 00:02:45,120 Speaker 2: Had on them. 48 00:02:45,400 --> 00:02:47,920 Speaker 3: You know, it was it was a little uncomfortable to 49 00:02:47,960 --> 00:02:52,240 Speaker 3: watch because being a father and like if I'm projecting 50 00:02:52,320 --> 00:02:55,400 Speaker 3: things on my parents, because clearly, you know, she had 51 00:02:55,400 --> 00:02:57,679 Speaker 3: a she had a full on breakdown, and you know, 52 00:02:57,720 --> 00:02:59,799 Speaker 3: at the beginning of the episode, you see that she's 53 00:02:59,840 --> 00:03:02,760 Speaker 3: been so cruel to her and there's there's always a 54 00:03:02,800 --> 00:03:05,240 Speaker 3: reason why kids are cruel, and we find out at 55 00:03:05,240 --> 00:03:09,480 Speaker 3: the end is because I mean, it's it's unfortunate. 56 00:03:09,560 --> 00:03:13,000 Speaker 2: But you know, she exposed herself on c Span. 57 00:03:13,200 --> 00:03:15,640 Speaker 1: Mm hmmm when you're talking about Paris not getting into 58 00:03:15,720 --> 00:03:20,920 Speaker 1: Harvard and ye and uh over overreacting. Yeah, uh, you 59 00:03:20,960 --> 00:03:23,480 Speaker 1: know what, I'm right there with you. I was stressed 60 00:03:23,520 --> 00:03:27,080 Speaker 1: out watching this episode a little bit. It was a 61 00:03:27,080 --> 00:03:28,880 Speaker 1: bit of an uncomfortable watch for me. 62 00:03:29,240 --> 00:03:31,040 Speaker 2: Scott. Do you have kids, Yeah, I. 63 00:03:31,040 --> 00:03:33,400 Speaker 1: Have a son. I have an eleven year old son. Yeah, okay, 64 00:03:33,560 --> 00:03:36,360 Speaker 1: so so so Yeah. It all fed into that too, 65 00:03:36,440 --> 00:03:38,400 Speaker 1: and it was just like, yeah, it may. 66 00:03:38,360 --> 00:03:40,840 Speaker 3: It made me rethink of, uh, you know, what is 67 00:03:40,880 --> 00:03:44,200 Speaker 3: important and you know, not projecting too many of my 68 00:03:44,200 --> 00:03:46,520 Speaker 3: my goals, onto my onto. 69 00:03:46,200 --> 00:03:48,840 Speaker 2: My kids, because I was sure I never want them 70 00:03:48,840 --> 00:03:50,840 Speaker 2: to have a breakdown like that. Right. 71 00:03:51,560 --> 00:03:54,160 Speaker 3: You know, with social media today and in a public forum, 72 00:03:54,240 --> 00:03:57,080 Speaker 3: things can be released a heck of a lot faster. 73 00:03:57,560 --> 00:03:59,840 Speaker 1: Yeah, you gotta let them find their own talent, their 74 00:03:59,840 --> 00:04:02,280 Speaker 1: own thing. You know, they'll they'll find it, you know, 75 00:04:02,320 --> 00:04:05,960 Speaker 1: you get you give him the space and they'll find it. 76 00:04:06,120 --> 00:04:10,440 Speaker 1: Everybody's got something, and you know I got lucky. Nick 77 00:04:10,480 --> 00:04:14,000 Speaker 1: found his very early in life. And he's he's just 78 00:04:14,040 --> 00:04:14,840 Speaker 1: full steam ahead. 79 00:04:14,880 --> 00:04:16,200 Speaker 2: Man is baseball? 80 00:04:16,680 --> 00:04:18,880 Speaker 3: Oh no, oh no, I'm just seeing a lot of 81 00:04:18,880 --> 00:04:20,560 Speaker 3: baseball pictures in the background here. 82 00:04:20,640 --> 00:04:23,159 Speaker 1: No, no, no, no, that that was my past. That's 83 00:04:23,200 --> 00:04:26,520 Speaker 1: not going to be his future. No. He's robotics. He's 84 00:04:26,680 --> 00:04:31,920 Speaker 1: full on robotics. He's like a competitive robotics I mean 85 00:04:31,960 --> 00:04:33,719 Speaker 1: globally competitive robotics. 86 00:04:33,760 --> 00:04:35,240 Speaker 2: Really awesome. 87 00:04:35,440 --> 00:04:37,200 Speaker 1: He's kind of he's kind of a star in his 88 00:04:37,240 --> 00:04:39,680 Speaker 1: age group. By the way, he's kind of. 89 00:04:39,680 --> 00:04:43,640 Speaker 2: Known bragging bragging about the sun. 90 00:04:45,000 --> 00:04:47,360 Speaker 1: You got a couple of days. I'll talk about him 91 00:04:47,360 --> 00:04:50,520 Speaker 1: for a couple of days. I'm very we're very proud of, 92 00:04:50,800 --> 00:04:54,720 Speaker 1: very very proud of. Anyway, back to the show speech, contest. 93 00:04:54,880 --> 00:04:58,479 Speaker 1: Paris wants to win very badly, even though it's not 94 00:04:58,600 --> 00:05:04,279 Speaker 1: going to affect any admissions considerations from Harvard Yale Princeton, 95 00:05:05,000 --> 00:05:08,640 Speaker 1: and she wants already ren Rory to enter as well 96 00:05:08,680 --> 00:05:11,040 Speaker 1: so she can beat her. And the winner is going 97 00:05:11,080 --> 00:05:14,480 Speaker 1: to be on c Span. Uh, and Paris is kind 98 00:05:14,480 --> 00:05:17,720 Speaker 1: of running everybody down, trying to psych everybody out in 99 00:05:17,760 --> 00:05:23,799 Speaker 1: her usual Paris style, even Brad who is back from Broadway. Uh. 100 00:05:23,839 --> 00:05:29,320 Speaker 1: And Headmister Charleston is ultimately impressed with with both essays. 101 00:05:30,080 --> 00:05:32,880 Speaker 1: Uh and because it was an essay contest about the 102 00:05:32,920 --> 00:05:33,760 Speaker 1: bi centennial. 103 00:05:33,960 --> 00:05:36,480 Speaker 3: And yeah, I love that he that he forced them 104 00:05:36,520 --> 00:05:40,200 Speaker 3: to do it together and and and made them recognize 105 00:05:40,240 --> 00:05:44,000 Speaker 3: that they were both equally talented and to see how 106 00:05:44,080 --> 00:05:45,640 Speaker 3: they they work together as a team. 107 00:05:46,160 --> 00:05:49,280 Speaker 1: I found it interesting that the you know, the actor 108 00:05:49,320 --> 00:05:54,679 Speaker 1: portraying Headminister Charleston, knew that it was obviously a train 109 00:05:54,760 --> 00:05:57,200 Speaker 1: wreck to put those two together, but he couldn't act 110 00:05:57,240 --> 00:06:04,680 Speaker 1: that way. Well. So anyways, he calls them both. They 111 00:06:04,720 --> 00:06:08,239 Speaker 1: both win, and he wants them to combine their speech 112 00:06:08,279 --> 00:06:13,240 Speaker 1: and give it in front of these she Span cameras 113 00:06:13,320 --> 00:06:15,840 Speaker 1: that are coming to the school to set up so 114 00:06:15,920 --> 00:06:19,680 Speaker 1: Paris comes over to work with Rory and then they 115 00:06:19,680 --> 00:06:22,600 Speaker 1: have a heart to heart about boys and she apologizes 116 00:06:23,480 --> 00:06:29,120 Speaker 1: for mistreating everybody. And then Lorela I overhears the conversation 117 00:06:30,120 --> 00:06:35,320 Speaker 1: these two are having that that Rory indeed is kept 118 00:06:35,320 --> 00:06:36,640 Speaker 1: her virginity. 119 00:06:36,920 --> 00:06:37,839 Speaker 2: She was very proud. 120 00:06:38,080 --> 00:06:42,160 Speaker 1: She was very proud mom, you know, justin there's so 121 00:06:42,279 --> 00:06:45,320 Speaker 1: much hostility with Paris in the past few episodes, but 122 00:06:45,400 --> 00:06:48,560 Speaker 1: we we finally get to see a little bit of 123 00:06:48,600 --> 00:06:49,679 Speaker 1: a softer side. 124 00:06:50,160 --> 00:06:51,560 Speaker 2: Well, we're getting we're getting to. 125 00:06:51,520 --> 00:06:57,479 Speaker 1: The root finally, right, Yeah, the stress of why she 126 00:06:57,800 --> 00:06:59,880 Speaker 1: is this way? How do you think Rory handled it? 127 00:07:00,400 --> 00:07:01,640 Speaker 1: What Pas told. 128 00:07:01,400 --> 00:07:04,760 Speaker 2: Her and extremely maturely. 129 00:07:05,240 --> 00:07:09,120 Speaker 3: I do too, and and you know, and and being honest, 130 00:07:09,360 --> 00:07:12,040 Speaker 3: you know, it falls it falls under the honesty is 131 00:07:12,080 --> 00:07:15,960 Speaker 3: the best policy. And she's just very pure and a 132 00:07:16,000 --> 00:07:20,119 Speaker 3: great response. And uh, I think that that is where 133 00:07:20,800 --> 00:07:22,520 Speaker 3: it opened up their relationship. 134 00:07:23,600 --> 00:07:24,720 Speaker 1: Mm hmmmm hmm. 135 00:07:25,280 --> 00:07:28,480 Speaker 3: You saw the little the blossoming and it just felt like, uh, 136 00:07:28,960 --> 00:07:31,800 Speaker 3: you know, I can trust you with this, and you know, 137 00:07:31,840 --> 00:07:34,200 Speaker 3: Paris obviously couldn't trust that with with anyone. 138 00:07:36,680 --> 00:07:40,280 Speaker 1: So obviously Laurel I is very relieved that her daughter 139 00:07:40,320 --> 00:07:43,680 Speaker 1: isn't getting into any trouble like she did when she 140 00:07:43,880 --> 00:07:46,240 Speaker 1: was her age. Uh, so we're not going to have 141 00:07:46,280 --> 00:07:51,160 Speaker 1: a repeat. Did you think Laurel I was being too 142 00:07:51,240 --> 00:07:53,960 Speaker 1: judgmental towards Paris with that kind of reaction. 143 00:07:56,000 --> 00:07:59,280 Speaker 3: I mean maybe it may be a little bit m hm, 144 00:08:00,040 --> 00:08:02,520 Speaker 3: but you know, it's it's hard when you when you 145 00:08:02,600 --> 00:08:05,680 Speaker 3: have when you're trying to protect someone. 146 00:08:06,480 --> 00:08:10,240 Speaker 2: And you, I don't know, parents are rough. 147 00:08:11,440 --> 00:08:13,400 Speaker 3: Again, going back to what I'm saying, it's like, I 148 00:08:13,440 --> 00:08:17,160 Speaker 3: don't want to be judgmental on my parents, because when 149 00:08:17,240 --> 00:08:20,680 Speaker 3: you're when you're being overly judgmental, things occur like what 150 00:08:20,800 --> 00:08:22,240 Speaker 3: happened in this episode. 151 00:08:22,720 --> 00:08:26,520 Speaker 1: Right well to Laura, l I and Rory, nobody is 152 00:08:26,560 --> 00:08:30,480 Speaker 1: not a target for their sense of humor and right wit. 153 00:08:31,160 --> 00:08:34,200 Speaker 1: And that takes us into the diner. Luke has printed 154 00:08:34,240 --> 00:08:37,240 Speaker 1: new menus, and boy do they take their shots at 155 00:08:37,320 --> 00:08:40,319 Speaker 1: him for that. They have a lot of fun together. 156 00:08:40,400 --> 00:08:44,960 Speaker 1: You know, they spare no one, no feelings. Just there's 157 00:08:44,960 --> 00:08:47,319 Speaker 1: a big discussion about the money. Cristo that's no longer 158 00:08:47,440 --> 00:08:50,839 Speaker 1: on the menu. You're a restaurant guy, what'd you think 159 00:08:50,840 --> 00:08:51,520 Speaker 1: of this scene? 160 00:08:51,920 --> 00:08:55,040 Speaker 3: I you know, I thought it to be very close 161 00:08:55,080 --> 00:08:58,480 Speaker 3: to home. You know, I have a lot of both both. 162 00:08:58,520 --> 00:09:00,160 Speaker 3: My place has been open for a little bit and 163 00:09:00,480 --> 00:09:02,960 Speaker 3: I have a lot of regulars that come in. And 164 00:09:03,280 --> 00:09:06,360 Speaker 3: the second that you alter something that you didn't realize 165 00:09:06,480 --> 00:09:07,640 Speaker 3: was a fan favorite. 166 00:09:08,120 --> 00:09:08,360 Speaker 1: Uh. 167 00:09:08,520 --> 00:09:10,720 Speaker 2: You you hear, you hear about it. 168 00:09:11,120 --> 00:09:14,480 Speaker 3: Uh, and then sometimes you gotta make it just like 169 00:09:14,720 --> 00:09:16,840 Speaker 3: just like Luke did right right. 170 00:09:17,440 --> 00:09:19,920 Speaker 2: One of it's funny too. It's it's bringing up this 171 00:09:19,960 --> 00:09:20,880 Speaker 2: scene specifically. 172 00:09:21,040 --> 00:09:25,360 Speaker 3: It it Uh, it's something that I noticed about this. 173 00:09:25,360 --> 00:09:27,559 Speaker 2: This also has to just do with the time. 174 00:09:27,320 --> 00:09:31,480 Speaker 3: Framing of when Uh, like I say, in the in 175 00:09:31,520 --> 00:09:36,080 Speaker 3: the early two thousands, is the way that things were 176 00:09:36,080 --> 00:09:39,360 Speaker 3: written and how quickly people spoke. There was there was 177 00:09:39,400 --> 00:09:43,000 Speaker 3: a certain cadence and that's so intriguing to to revisit 178 00:09:43,080 --> 00:09:45,040 Speaker 3: because everyone was talking. 179 00:09:44,760 --> 00:09:46,559 Speaker 2: Boom boom boom, boom, boom boom and. 180 00:09:46,520 --> 00:09:49,480 Speaker 3: Taking so many jabs at Luke and the menu. And 181 00:09:49,760 --> 00:09:51,800 Speaker 3: I mean it was I could relate to it. It was 182 00:09:51,880 --> 00:09:52,520 Speaker 3: very funny. 183 00:09:52,760 --> 00:09:57,160 Speaker 1: Yeah, Kirk is now mail carrier, another job. He's horrible 184 00:09:57,200 --> 00:10:01,280 Speaker 1: at it, shocking. He takes for ever and ever separates 185 00:10:01,360 --> 00:10:05,000 Speaker 1: the mail. He even takes too long. When Laurel and 186 00:10:05,120 --> 00:10:09,560 Speaker 1: Roy are anxiously awaiting her college acceptance letters, or rejections, 187 00:10:09,600 --> 00:10:12,000 Speaker 1: whatever they may be. I thought this was a tour 188 00:10:12,160 --> 00:10:15,719 Speaker 1: de force for Kirk. He had that great scene and 189 00:10:16,440 --> 00:10:20,560 Speaker 1: on the floor of Dosie's groceries he starts, you know, 190 00:10:20,559 --> 00:10:22,880 Speaker 1: everybody's kind of bugging them about getting their mail, and 191 00:10:22,920 --> 00:10:26,360 Speaker 1: he starts screaming at people. I really enjoyed that stuff, 192 00:10:26,480 --> 00:10:27,160 Speaker 1: very funny. 193 00:10:27,040 --> 00:10:30,080 Speaker 2: And I feel like it's also within this episode. 194 00:10:29,600 --> 00:10:33,120 Speaker 3: He was giving them back what they were giving Luke's 195 00:10:33,160 --> 00:10:36,400 Speaker 3: character at the diner as well, So it worked very 196 00:10:36,400 --> 00:10:37,280 Speaker 3: well in parallel. 197 00:10:38,520 --> 00:10:40,320 Speaker 2: Be careful, be careful what you get because you're going 198 00:10:40,400 --> 00:10:41,680 Speaker 2: to receive it, That's right. 199 00:10:51,040 --> 00:10:53,280 Speaker 1: So Laurel I runs into Max at the drug store. 200 00:10:54,480 --> 00:10:57,679 Speaker 1: Just happened to be at the drug store. Max has 201 00:10:57,720 --> 00:11:03,360 Speaker 1: been in Stanford, California and teaching a class at the university, 202 00:11:04,280 --> 00:11:07,240 Speaker 1: and he's back in town for the Chiltern By Centennial. 203 00:11:08,400 --> 00:11:11,320 Speaker 1: H They run into each other at the bi centennial 204 00:11:11,320 --> 00:11:15,200 Speaker 1: as well. She's a little taken aback because he just 205 00:11:15,559 --> 00:11:19,320 Speaker 1: seems to have moved on and she seems not to have. 206 00:11:21,120 --> 00:11:23,800 Speaker 1: But anyway, she runs into him again at the bi 207 00:11:23,880 --> 00:11:29,079 Speaker 1: centennial and again more the same. He explains to her 208 00:11:29,160 --> 00:11:31,600 Speaker 1: that he's over it and he's had a lot of 209 00:11:31,600 --> 00:11:36,199 Speaker 1: time to think, and he's good, he's happy, he's over it. 210 00:11:37,559 --> 00:11:38,160 Speaker 1: And then they. 211 00:11:38,000 --> 00:11:41,600 Speaker 3: Starting always what well you can't have right right right beckon, 212 00:11:41,720 --> 00:11:43,000 Speaker 3: she couldn't have him anymore? 213 00:11:43,960 --> 00:11:47,640 Speaker 1: Uh huh uh. And then they run into each other 214 00:11:47,640 --> 00:11:51,640 Speaker 1: in the coatroom after the speech and they just start 215 00:11:51,720 --> 00:11:56,480 Speaker 1: macking on each other and she says, apparently I'm not 216 00:11:56,600 --> 00:11:59,880 Speaker 1: over it, or he says, he says, apparently I'm not. 217 00:12:01,480 --> 00:12:05,640 Speaker 1: They broke up. Fans never got closure about why Loralai 218 00:12:05,720 --> 00:12:09,839 Speaker 1: called off the wedding. Does this close or open another door? 219 00:12:10,280 --> 00:12:12,480 Speaker 3: I think this opens up a whole can of worms, 220 00:12:12,600 --> 00:12:16,000 Speaker 3: whole can of worms, a lot of explaining to do. 221 00:12:16,559 --> 00:12:22,680 Speaker 1: Max Worms on discount, get your can now, all supplies last? 222 00:12:22,920 --> 00:12:25,360 Speaker 2: Uh all three? 223 00:12:27,280 --> 00:12:29,160 Speaker 3: But guess what there's gonna have to be a cleanup 224 00:12:29,160 --> 00:12:30,560 Speaker 3: and al three if they keep going. 225 00:12:34,880 --> 00:12:38,200 Speaker 1: Male worms, all kinds of things on the floor. And 226 00:12:38,280 --> 00:12:42,400 Speaker 1: Max shows up for one more episode in nineteen. I 227 00:12:42,440 --> 00:12:44,560 Speaker 1: guess episode nineteen that's I guess that's the last we 228 00:12:44,600 --> 00:12:49,760 Speaker 1: see a Max anyway, good stuff all the way around. 229 00:12:50,840 --> 00:12:56,800 Speaker 1: Sukie's pregnant. She's set because someone set back four dishes 230 00:12:56,880 --> 00:12:59,400 Speaker 1: of food and she's freaking out. 231 00:13:00,160 --> 00:13:01,520 Speaker 2: It upset me as. 232 00:13:01,400 --> 00:13:04,959 Speaker 1: Well yeah, were you Yeah, well yeah. 233 00:13:04,800 --> 00:13:08,600 Speaker 3: Well being a restaurant owner now, and obviously there was something. 234 00:13:08,760 --> 00:13:11,440 Speaker 3: There was something off with her, And of course my 235 00:13:11,520 --> 00:13:13,640 Speaker 3: mind went straight to COVID, like. 236 00:13:13,600 --> 00:13:15,439 Speaker 2: Oh, she's got COVID. Oh no, we didn't have. 237 00:13:15,400 --> 00:13:18,440 Speaker 3: COVID back then, so her taster should be fine. But 238 00:13:18,880 --> 00:13:21,960 Speaker 3: obviously her taster was completely off from being pregnant. 239 00:13:22,160 --> 00:13:24,319 Speaker 1: I was just hoping she wasn't going to dump yet 240 00:13:24,360 --> 00:13:29,000 Speaker 1: another meal in the garbage. You know the episode prior 241 00:13:29,760 --> 00:13:32,560 Speaker 1: she was preparing all kinds of food for a golf 242 00:13:32,880 --> 00:13:36,520 Speaker 1: themed celebration and then the guy changed his mind last minute. 243 00:13:36,520 --> 00:13:38,200 Speaker 1: He didn't want to do golf anymore. So she had 244 00:13:38,200 --> 00:13:40,640 Speaker 1: this big golf ball cake and she just dumped it 245 00:13:40,679 --> 00:13:44,200 Speaker 1: in the garbage. Looked really tasty. You know. That stressed 246 00:13:44,200 --> 00:13:46,920 Speaker 1: me out. It's like good food just getting dumped. No, 247 00:13:47,160 --> 00:13:52,080 Speaker 1: don't do that. Share it with the employees, right right. Anyway, 248 00:13:52,720 --> 00:13:56,080 Speaker 1: she can't taste the food. The food keeps getting sent 249 00:13:56,160 --> 00:14:02,599 Speaker 1: back her primo dishes that she's famous for and lauded for, 250 00:14:02,920 --> 00:14:05,680 Speaker 1: and she doesn't understand. Then Laurel I goes back to 251 00:14:05,720 --> 00:14:08,199 Speaker 1: the end, figures it out. She goes back to her computer, 252 00:14:08,520 --> 00:14:12,520 Speaker 1: punches something and it hits her, you're pregnant, there, Suki, 253 00:14:13,160 --> 00:14:17,000 Speaker 1: and then Jackson is having a field day with the calculator, 254 00:14:17,080 --> 00:14:21,600 Speaker 1: calculating what it's going to cost to have a child. 255 00:14:22,880 --> 00:14:24,600 Speaker 2: Yeah, that was that was a little depressing. 256 00:14:26,360 --> 00:14:29,080 Speaker 3: Instead of having the joy of hey, we're prevent we're 257 00:14:29,080 --> 00:14:34,960 Speaker 3: excited about this, over calculating mathematic this is what it's 258 00:14:34,960 --> 00:14:37,320 Speaker 3: going to cost us, instead of like feeling the joy 259 00:14:37,440 --> 00:14:39,320 Speaker 3: of the moments, it was. 260 00:14:39,360 --> 00:14:41,080 Speaker 2: It was mighty depressing at the time. 261 00:14:41,560 --> 00:14:42,400 Speaker 1: I kind of agree with that. 262 00:14:43,080 --> 00:14:47,200 Speaker 2: He comes around though, well, Laurel. 263 00:14:46,920 --> 00:14:50,960 Speaker 1: I comes over to see Suki and he's Jackson just 264 00:14:51,000 --> 00:14:53,200 Speaker 1: going overboard the stuff. He wants to sell, the truck 265 00:14:53,240 --> 00:14:55,760 Speaker 1: he wants to add out of the house, and he 266 00:14:55,840 --> 00:14:57,800 Speaker 1: won't drive past like three miles an hour in the 267 00:14:57,800 --> 00:14:59,920 Speaker 1: car if he goes, there's a speed but driving her 268 00:15:00,080 --> 00:15:04,600 Speaker 1: very crazy look. It's I do not think that this 269 00:15:04,720 --> 00:15:08,360 Speaker 1: displayed Melissa's comedy acting the way other episodes have. But 270 00:15:08,440 --> 00:15:11,280 Speaker 1: it was pretty good and it's always great to see her. 271 00:15:11,560 --> 00:15:17,520 Speaker 1: But I also agree with you, Jackson's reaction was odd. 272 00:15:18,320 --> 00:15:20,360 Speaker 1: It was hard to grasp onto for me. 273 00:15:20,800 --> 00:15:23,360 Speaker 3: But every everyone is different, you know. I have friends 274 00:15:23,360 --> 00:15:25,600 Speaker 3: that are super analytical I'm more. 275 00:15:25,480 --> 00:15:26,760 Speaker 2: On the creative side. 276 00:15:27,240 --> 00:15:29,560 Speaker 3: So you know, for every one of our pregnancies, it 277 00:15:29,640 --> 00:15:31,680 Speaker 3: was just overwhelming joy constantly. 278 00:15:31,960 --> 00:15:32,880 Speaker 2: That's why you know. 279 00:15:32,880 --> 00:15:37,200 Speaker 3: This episode, this part of the episode made me feel 280 00:15:37,280 --> 00:15:40,400 Speaker 3: uncomfortable because that wouldn't have been my reaction. I can, 281 00:15:40,960 --> 00:15:46,640 Speaker 3: and obviously Melissa's character, she was very upset about it. 282 00:15:47,160 --> 00:15:52,160 Speaker 1: But I mean, listen, if he's like this, now, what's 283 00:15:52,200 --> 00:15:54,520 Speaker 1: he going to be like when the baby's born, what's 284 00:15:54,520 --> 00:15:56,400 Speaker 1: he going to be like when the baby's a year too? 285 00:15:57,320 --> 00:15:58,800 Speaker 2: Bubble wrap everywhere in that? 286 00:16:00,480 --> 00:16:03,600 Speaker 1: You know, I don't know anyway? All right, So now 287 00:16:03,640 --> 00:16:10,640 Speaker 1: we have Now we have Asuki and Jackson going to bed, 288 00:16:11,600 --> 00:16:15,120 Speaker 1: and Jackson finally tells her how happy he is about 289 00:16:15,120 --> 00:16:20,760 Speaker 1: the pregnancy. Not that you could really tell stupid better 290 00:16:20,920 --> 00:16:25,440 Speaker 1: better late than never, right, you know, the winded past. 291 00:16:25,600 --> 00:16:29,360 Speaker 1: Get your sale up sooner, pal uh Rory and Larele 292 00:16:29,360 --> 00:16:32,000 Speaker 1: I are trying to figure out what Laurel I is 293 00:16:32,040 --> 00:16:36,480 Speaker 1: going to do about Max because she doesn't know. What 294 00:16:36,480 --> 00:16:39,040 Speaker 1: do you think is gonna happen with Laurel I and Max? Justin? 295 00:16:39,080 --> 00:16:40,640 Speaker 1: Because I know this keeps you up at night? 296 00:16:41,200 --> 00:16:45,160 Speaker 3: Yeah, I mean, my I'm assuming that it's just not 297 00:16:45,280 --> 00:16:47,760 Speaker 3: gonna last, you know, just a little bit of flicker, 298 00:16:47,800 --> 00:16:50,800 Speaker 3: a little flame. You know, it's always fun to rekindle 299 00:16:51,040 --> 00:16:56,520 Speaker 3: some some past actions and heartfelt moments, and then then 300 00:16:56,560 --> 00:16:58,880 Speaker 3: it falls to the waiside again. 301 00:16:59,240 --> 00:17:03,160 Speaker 1: I really like Richard shows up, uh for the event 302 00:17:03,520 --> 00:17:08,240 Speaker 1: of the c SPAN presentation. He gives Laurel I a 303 00:17:08,359 --> 00:17:11,120 Speaker 1: check to give to Rory. I mean, he's stand up right, 304 00:17:11,160 --> 00:17:16,679 Speaker 1: He's he's showing up. He's proud grandpa doing exactly what 305 00:17:16,720 --> 00:17:18,960 Speaker 1: he should be doing. I really like seeing that. That 306 00:17:19,040 --> 00:17:22,119 Speaker 1: was actually my favorite part of the episode was was 307 00:17:22,200 --> 00:17:26,120 Speaker 1: Richard love it? When they show up right? Uh? Then 308 00:17:26,119 --> 00:17:30,040 Speaker 1: they walked to the mailbox. They walked to the mailbox 309 00:17:30,240 --> 00:17:33,320 Speaker 1: justin could you cut the tension with a knife? 310 00:17:33,520 --> 00:17:36,440 Speaker 2: Oh gosh? And he just you know, but they picked 311 00:17:36,440 --> 00:17:37,200 Speaker 2: out the big one. 312 00:17:37,320 --> 00:17:39,680 Speaker 1: She got the big one in this three she got. 313 00:17:41,480 --> 00:17:42,960 Speaker 1: So what do you think the third one was? Because 314 00:17:43,000 --> 00:17:44,840 Speaker 1: he got Harvard Yale? What else? What do you think 315 00:17:44,880 --> 00:17:49,000 Speaker 1: the third one was? Is it Princeton Cornell? Cornell? I 316 00:17:49,040 --> 00:17:53,200 Speaker 1: don't know anybody that knows. If you guys know, tell 317 00:17:53,280 --> 00:18:00,520 Speaker 1: us all right, So Paris was like all the map 318 00:18:00,560 --> 00:18:04,639 Speaker 1: on this one. We really now we've discussed it. What 319 00:18:04,720 --> 00:18:06,960 Speaker 1: did you really think of this episode? Was? Was? Have 320 00:18:07,080 --> 00:18:08,760 Speaker 1: you seen all the episodes? 321 00:18:09,160 --> 00:18:11,520 Speaker 2: I have not seen all the episodes you've done. 322 00:18:12,000 --> 00:18:13,760 Speaker 1: What did you think of this episode now that we've 323 00:18:13,880 --> 00:18:15,600 Speaker 1: now that we've discussed it, well. 324 00:18:15,440 --> 00:18:18,679 Speaker 3: It was it was uncomfortable to watch and also at 325 00:18:18,720 --> 00:18:21,959 Speaker 3: the same time, you know, but I also look at 326 00:18:22,000 --> 00:18:23,200 Speaker 3: it in a different manner. 327 00:18:23,280 --> 00:18:25,760 Speaker 2: I look at it as as an actor, as an artist, 328 00:18:26,480 --> 00:18:29,320 Speaker 2: remembering when I when I was doing. 329 00:18:29,400 --> 00:18:32,960 Speaker 3: Television and knowing that you know, the one thing about 330 00:18:32,960 --> 00:18:35,000 Speaker 3: the Gilmore Girls, it was one of those shows that 331 00:18:35,119 --> 00:18:39,560 Speaker 3: was such a well oiled machine and you could tell 332 00:18:39,720 --> 00:18:42,560 Speaker 3: with every shot that was set up. Again when I'm 333 00:18:42,600 --> 00:18:46,040 Speaker 3: talking about h the the cadence of how everyone spoke 334 00:18:46,040 --> 00:18:48,680 Speaker 3: a lot faster back back in the in the early 335 00:18:48,720 --> 00:18:50,280 Speaker 3: two thousands when they were filming. 336 00:18:50,880 --> 00:18:51,000 Speaker 1: Uh. 337 00:18:51,119 --> 00:18:54,720 Speaker 3: But overall the episode itself was it gave me a 338 00:18:54,720 --> 00:18:55,520 Speaker 3: lot of anxiety. 339 00:18:56,480 --> 00:19:00,160 Speaker 2: I did enjoy I watched it with my wife. We 340 00:19:00,160 --> 00:19:02,760 Speaker 2: we we enjoyed it together, and then at the end 341 00:19:02,840 --> 00:19:03,800 Speaker 2: of it we looked, We're like. 342 00:19:03,840 --> 00:19:06,320 Speaker 3: Let's just make sure not we're putting that additional pressure 343 00:19:06,359 --> 00:19:09,120 Speaker 3: on our kids, because I don't want to end up 344 00:19:09,240 --> 00:19:11,080 Speaker 3: having one of my kids saying that they had sex 345 00:19:11,119 --> 00:19:12,040 Speaker 3: on c span and. 346 00:19:12,000 --> 00:19:16,200 Speaker 1: They didn't Harvor, right, that would not be good. Okay, 347 00:19:16,200 --> 00:19:18,640 Speaker 1: now it tells us Harvard, Yale, Princeton. So you got 348 00:19:18,640 --> 00:19:22,960 Speaker 1: into all three, which, justin would you have chosen where 349 00:19:23,000 --> 00:19:25,720 Speaker 1: you go? You got accepted all three? Where are you going? 350 00:19:25,840 --> 00:19:26,760 Speaker 2: I have to pick one? 351 00:19:27,119 --> 00:19:29,680 Speaker 1: Yeah, you gotta pick. Well, you can't go to two universities. 352 00:19:30,040 --> 00:19:34,199 Speaker 2: Oh, I mean, ken you maybe you could. Maybe you 353 00:19:34,200 --> 00:19:36,879 Speaker 2: can do a couple, you know, semesters in one and 354 00:19:36,920 --> 00:19:38,520 Speaker 2: then go over to the other. 355 00:19:38,680 --> 00:19:41,640 Speaker 1: That would be very like like do night classes at 356 00:19:41,800 --> 00:19:43,520 Speaker 1: Yale and go to Harvard. 357 00:19:43,560 --> 00:19:46,280 Speaker 2: Or I don't know, you know what I think. I 358 00:19:46,359 --> 00:19:48,040 Speaker 2: think that I would have to go to Harvard. 359 00:19:49,040 --> 00:19:50,080 Speaker 1: You'd go to the Crimson. 360 00:19:50,440 --> 00:19:50,720 Speaker 2: Yes. 361 00:19:51,880 --> 00:19:52,440 Speaker 1: Why is that? 362 00:19:52,520 --> 00:19:52,760 Speaker 2: Well? 363 00:19:52,800 --> 00:19:57,720 Speaker 3: Because I I I did a film called how High 364 00:19:57,920 --> 00:20:00,679 Speaker 3: years ago, a universal picture with method man of Redman, 365 00:20:01,200 --> 00:20:04,960 Speaker 3: and I got to portray that I was a Harvard student. 366 00:20:05,160 --> 00:20:07,520 Speaker 1: Oh you were? Did you get to go to Harvard 367 00:20:07,760 --> 00:20:08,920 Speaker 1: or did you film it out here? 368 00:20:09,040 --> 00:20:09,200 Speaker 3: No? 369 00:20:09,280 --> 00:20:13,119 Speaker 2: We cheated in Los Angeles. We cheated USC as Harvard. 370 00:20:14,320 --> 00:20:16,639 Speaker 3: So I guess I would have to pick Harvard because 371 00:20:16,720 --> 00:20:19,240 Speaker 3: I pretended to go to it, and you know, it'd 372 00:20:19,240 --> 00:20:21,440 Speaker 3: be fun to do it in real life. 373 00:20:21,720 --> 00:20:23,160 Speaker 1: Okay, you're at Harvard. 374 00:20:23,280 --> 00:20:26,680 Speaker 2: You choose Harvard, Harvard Business. Obviously you get an. 375 00:20:26,640 --> 00:20:30,399 Speaker 1: MBA Harvard Business. Yeah, all right, let's talk about you 376 00:20:30,440 --> 00:20:32,440 Speaker 1: a little bit. Enough about the show. Let's talk about 377 00:20:32,560 --> 00:20:33,879 Speaker 1: justin just in time. 378 00:20:34,200 --> 00:20:36,120 Speaker 2: Now, I'm not that exciting. 379 00:20:36,359 --> 00:20:40,200 Speaker 1: You're very exciting. We're talking about you. Let's go here. 380 00:20:40,400 --> 00:20:43,359 Speaker 3: No, I'm super excited. Well, where would you like me 381 00:20:43,440 --> 00:20:45,280 Speaker 3: to just tell you a little bit about myself? You've 382 00:20:45,280 --> 00:20:46,200 Speaker 3: got specific questions. 383 00:20:46,840 --> 00:20:47,960 Speaker 1: I got a whole list of questions. 384 00:20:48,000 --> 00:20:49,960 Speaker 2: I want to give them to me, the whole. 385 00:20:49,760 --> 00:20:51,480 Speaker 1: It's like a real show with questions. 386 00:20:51,760 --> 00:20:52,200 Speaker 2: Let's go. 387 00:20:52,520 --> 00:20:55,000 Speaker 1: You worked a lot in the nineties to the early 388 00:20:55,080 --> 00:20:57,120 Speaker 1: two thousand. Tell us about that time in your life. 389 00:20:57,160 --> 00:20:57,800 Speaker 1: What was that like? 390 00:20:58,960 --> 00:20:59,679 Speaker 2: It was great. 391 00:21:00,000 --> 00:21:03,600 Speaker 3: Actually, I graduated from Hollywood High School and I was 392 00:21:03,680 --> 00:21:07,040 Speaker 3: going to go to Culinary Institute, and I was in 393 00:21:07,119 --> 00:21:08,560 Speaker 3: a little acting class. 394 00:21:08,320 --> 00:21:10,560 Speaker 2: At the time. I grew up doing musical theater in 395 00:21:10,600 --> 00:21:13,960 Speaker 2: New York. I'm from. My father was on Broadway and 396 00:21:14,000 --> 00:21:15,120 Speaker 2: my mother was off Broadway. 397 00:21:15,440 --> 00:21:17,520 Speaker 3: When we moved to Los Angeles, I got into a 398 00:21:17,520 --> 00:21:21,359 Speaker 3: little acting class and my very first audition was Er 399 00:21:22,160 --> 00:21:25,800 Speaker 3: and I booked a guest spot on Er and at 400 00:21:25,800 --> 00:21:27,960 Speaker 3: that point, I was like, oh, why go to Colion Institute. 401 00:21:27,960 --> 00:21:29,000 Speaker 2: I'm just going to act. 402 00:21:29,960 --> 00:21:33,200 Speaker 3: So I had a lot of fun throughout the late 403 00:21:33,280 --> 00:21:36,880 Speaker 3: nineties early two thousands, booked a lot of different TV shows, 404 00:21:38,359 --> 00:21:41,000 Speaker 3: made a lot of great friends and relationships. In fact, 405 00:21:41,600 --> 00:21:44,760 Speaker 3: Milo vent Emilia, who was on The Gilmore Girls, he 406 00:21:44,840 --> 00:21:47,760 Speaker 3: and I were roommates for about four years. It's when 407 00:21:47,800 --> 00:21:49,800 Speaker 3: we were starting our acting career. And I remember when 408 00:21:49,840 --> 00:21:52,480 Speaker 3: he booked The Gilmore Girls. We were living in our 409 00:21:52,520 --> 00:21:53,639 Speaker 3: little apartment in Venice. 410 00:21:54,880 --> 00:21:56,439 Speaker 1: Wait a minute, did you just say that you were 411 00:21:56,520 --> 00:21:57,920 Speaker 1: roommates with Milo for Yeah? 412 00:21:58,160 --> 00:21:59,639 Speaker 2: Milo and I Yeah, dear friends. 413 00:22:00,119 --> 00:22:00,680 Speaker 1: Okay, good. 414 00:22:01,160 --> 00:22:04,399 Speaker 3: And we did a couple of television shows together. We 415 00:22:04,440 --> 00:22:07,560 Speaker 3: were on a couple of pilots together, did a film, 416 00:22:07,600 --> 00:22:10,120 Speaker 3: two films together, and. 417 00:22:10,480 --> 00:22:13,320 Speaker 2: He kept going. I jumped into post production a little. 418 00:22:13,080 --> 00:22:16,000 Speaker 3: Bit after my acting career, and then after post production, 419 00:22:16,119 --> 00:22:18,560 Speaker 3: I went into hospitality. 420 00:22:18,280 --> 00:22:21,480 Speaker 1: Right and in the hospitality you really did You've got 421 00:22:21,480 --> 00:22:22,280 Speaker 1: some restaurants? 422 00:22:22,400 --> 00:22:22,560 Speaker 2: Yeah? 423 00:22:22,600 --> 00:22:26,080 Speaker 3: I owned two restaurants, one in Venice Beach called Nalu Vita. 424 00:22:26,480 --> 00:22:29,680 Speaker 3: Nalu is Awaiian for wave, Vida is life, so it's 425 00:22:29,720 --> 00:22:31,160 Speaker 3: a tropical inspired beach bar. 426 00:22:31,359 --> 00:22:33,200 Speaker 2: I'm actually at it right now. You see that's a 427 00:22:33,200 --> 00:22:33,720 Speaker 2: little bit of that. 428 00:22:33,880 --> 00:22:34,560 Speaker 1: Yeah, there you go. 429 00:22:35,119 --> 00:22:38,320 Speaker 3: And then my place in Torrance is a live music 430 00:22:38,440 --> 00:22:42,080 Speaker 3: venue called Mom said Yes New York Style Pizza, a 431 00:22:42,080 --> 00:22:45,960 Speaker 3: little nod to my New York life and you know, 432 00:22:46,080 --> 00:22:51,360 Speaker 3: live music, entertainment line, dancing, karaoke, all that fun stuff. 433 00:22:52,280 --> 00:22:55,960 Speaker 3: And I also founded a little tequila brand called Casa 434 00:22:56,040 --> 00:22:58,879 Speaker 3: Rica Tequila that I've been working on for seven years. 435 00:22:58,920 --> 00:23:01,040 Speaker 3: So do it doing a lot of a lot of 436 00:23:01,080 --> 00:23:04,040 Speaker 3: things in that space, and uh, continue to grow as 437 00:23:04,040 --> 00:23:06,880 Speaker 3: an entrepreneur and uh, you know, grow with my family. 438 00:23:07,320 --> 00:23:18,920 Speaker 1: Nice. How'd you get the role of Dean's friends on 439 00:23:19,040 --> 00:23:21,159 Speaker 1: Gilmore Girls? Jeff? To audition for it? 440 00:23:21,200 --> 00:23:21,280 Speaker 2: Was? 441 00:23:21,560 --> 00:23:21,720 Speaker 1: Yeah? 442 00:23:21,760 --> 00:23:25,440 Speaker 2: It was yeah, Yeah, I definitely auditioned and I forgot 443 00:23:25,440 --> 00:23:27,159 Speaker 2: who you were. Who was the casting director. 444 00:23:26,880 --> 00:23:29,679 Speaker 1: At the time, Mark Casey and Jamie Real Mark Casey. 445 00:23:29,720 --> 00:23:33,959 Speaker 3: So Mark Casey, she had already hired me for some 446 00:23:33,960 --> 00:23:36,280 Speaker 3: some things previously. I came in and had an audition 447 00:23:36,359 --> 00:23:39,760 Speaker 3: and got got thrown onto the onto the fire. 448 00:23:40,320 --> 00:23:42,880 Speaker 1: Oh nice. So what do you remember about your time 449 00:23:42,920 --> 00:23:45,000 Speaker 1: on set? How many days did you have on set? 450 00:23:45,800 --> 00:23:47,680 Speaker 3: I was only I was there two days. I was 451 00:23:47,720 --> 00:23:50,760 Speaker 3: there two days and it was very I remember it 452 00:23:50,840 --> 00:23:53,760 Speaker 3: being very pleasant and like I said before, a well 453 00:23:53,800 --> 00:23:56,720 Speaker 3: oiled machine. It was not a whole lot of sitting around. 454 00:23:56,760 --> 00:23:58,320 Speaker 3: I mean, you've been doing this for years, you know 455 00:23:58,400 --> 00:24:01,320 Speaker 3: how it can be on set. I remember that that 456 00:24:01,440 --> 00:24:04,840 Speaker 3: set in particular, was so fast paced that they just 457 00:24:04,880 --> 00:24:06,800 Speaker 3: had it all dialed in and I'd come in make 458 00:24:06,880 --> 00:24:09,200 Speaker 3: up for thirty minutes, maybe sit for another thirty and 459 00:24:09,240 --> 00:24:09,920 Speaker 3: then you film. 460 00:24:10,320 --> 00:24:12,040 Speaker 1: Yeah, we had a lot to do with had you 461 00:24:12,080 --> 00:24:14,520 Speaker 1: cram a lot of stuff and a lot of dialogue. 462 00:24:14,600 --> 00:24:16,160 Speaker 1: So yeah, it moved very quickly. 463 00:24:16,400 --> 00:24:19,399 Speaker 3: I appreciated that because it's like I felt like, you know, 464 00:24:19,840 --> 00:24:22,720 Speaker 3: I'd have twelve fourteen hour days on some sets, and 465 00:24:23,119 --> 00:24:26,159 Speaker 3: this one was two and a half three hours at most. 466 00:24:26,640 --> 00:24:31,320 Speaker 1: Right, So you've left the industry, and it's funny. 467 00:24:31,359 --> 00:24:34,080 Speaker 3: And when I say I've left the industry, I got 468 00:24:34,160 --> 00:24:39,080 Speaker 3: tired of auditioning and the auditioning process. Luckily enough, I 469 00:24:39,119 --> 00:24:42,800 Speaker 3: still have friends that are in the industry and they'll 470 00:24:42,840 --> 00:24:44,680 Speaker 3: send me a script once in a while they say 471 00:24:44,720 --> 00:24:46,040 Speaker 3: would you be interested in doing this? 472 00:24:46,200 --> 00:24:47,800 Speaker 2: And I'll say yay or nay. 473 00:24:48,480 --> 00:24:52,040 Speaker 3: I still do some voiceovers from time to time, have 474 00:24:52,119 --> 00:24:54,560 Speaker 3: my little setup and home I got auditions, and my 475 00:24:54,680 --> 00:24:57,280 Speaker 3: last one that I did was for Nissan Innovation. 476 00:24:57,400 --> 00:25:01,160 Speaker 2: That excites. So still dabbling a little bit, but my main. 477 00:25:00,960 --> 00:25:04,480 Speaker 3: Focus is absolutely my my my restaurants and my growth 478 00:25:04,520 --> 00:25:05,280 Speaker 3: of my businesses. 479 00:25:05,400 --> 00:25:08,880 Speaker 1: Yeah, you just you do get tired of auditioning. 480 00:25:08,920 --> 00:25:09,480 Speaker 2: I did it. 481 00:25:09,720 --> 00:25:11,520 Speaker 1: You know everything's on tape. Now, you get a self 482 00:25:11,560 --> 00:25:13,840 Speaker 1: tape now. So I did a little audition last night. 483 00:25:14,200 --> 00:25:16,520 Speaker 1: Took me about five seconds. I held up my phone, 484 00:25:17,119 --> 00:25:19,919 Speaker 1: I said two lines and I sent it in. That 485 00:25:20,080 --> 00:25:21,160 Speaker 1: was it. That's the audition. 486 00:25:21,480 --> 00:25:24,560 Speaker 2: And you have an awesome look now much different than 487 00:25:24,560 --> 00:25:25,159 Speaker 2: it used to be. 488 00:25:26,160 --> 00:25:30,439 Speaker 3: Like I want to buy some narcotics from you, or 489 00:25:30,480 --> 00:25:32,280 Speaker 3: I want to be next to you on a horse. 490 00:25:32,760 --> 00:25:36,720 Speaker 1: You know I can. I can arrange for all of that. 491 00:25:38,119 --> 00:25:40,359 Speaker 1: This is what I could like all at the same time. 492 00:25:40,720 --> 00:25:42,520 Speaker 1: I get you the narcotics, you could be on a 493 00:25:42,560 --> 00:25:43,280 Speaker 1: horse same day. 494 00:25:43,440 --> 00:25:46,280 Speaker 2: I mean, you look great. I love I love I 495 00:25:46,320 --> 00:25:47,240 Speaker 2: love about that. 496 00:25:51,160 --> 00:25:53,040 Speaker 1: This is I was in the hospital, so this is 497 00:25:53,080 --> 00:25:54,520 Speaker 1: like this is a hospital beard. 498 00:25:54,760 --> 00:25:56,880 Speaker 2: Oh okay, well then I take it back. You don't 499 00:25:56,920 --> 00:25:57,280 Speaker 2: look good. 500 00:25:58,840 --> 00:26:04,080 Speaker 1: That's where I got the drug. I have so much 501 00:26:04,160 --> 00:26:09,360 Speaker 1: hydro it's not even funny. Do you miss acting at all. 502 00:26:09,680 --> 00:26:11,959 Speaker 3: I, you know what I absolutely do, and but I 503 00:26:12,000 --> 00:26:13,639 Speaker 3: get to I get to get a little bit of 504 00:26:13,640 --> 00:26:17,119 Speaker 3: my fill because I am in charge of most of 505 00:26:17,119 --> 00:26:19,800 Speaker 3: my social media at one of my places, Mom said yes, 506 00:26:19,880 --> 00:26:23,560 Speaker 3: and Torrence, I do all of the social media for that, 507 00:26:23,960 --> 00:26:26,080 Speaker 3: so I get some of my creativity of that. 508 00:26:26,200 --> 00:26:28,119 Speaker 2: And it's not just a standard, you know. 509 00:26:28,240 --> 00:26:32,119 Speaker 3: I definitely ham it up and the neighborhood and the 510 00:26:32,119 --> 00:26:36,120 Speaker 3: people come in, You're the guy Instagram like yeah, yeah. 511 00:26:36,160 --> 00:26:38,640 Speaker 3: From time to time I get people saying, hey, you're 512 00:26:38,680 --> 00:26:39,520 Speaker 3: the guy from how High? 513 00:26:39,520 --> 00:26:40,919 Speaker 2: I'm like, how do you know that? That was? 514 00:26:41,320 --> 00:26:43,359 Speaker 3: You know, over twenty years ago and I have no 515 00:26:43,440 --> 00:26:46,359 Speaker 3: more hair. But when you have people that are are 516 00:26:46,440 --> 00:26:51,320 Speaker 3: true fans to call classics, you know, they call you out, 517 00:26:51,760 --> 00:26:54,520 Speaker 3: which is you know, I find that fun. And then 518 00:26:54,680 --> 00:26:56,480 Speaker 3: if they do that in front of one of my kids, 519 00:26:56,520 --> 00:26:57,960 Speaker 3: they're like, what are they talking about? 520 00:26:58,040 --> 00:26:59,200 Speaker 2: I said, I can't show you. 521 00:26:59,240 --> 00:27:03,000 Speaker 3: My kids always want to watch my shows and ninety 522 00:27:03,080 --> 00:27:06,520 Speaker 3: nine percent of what I've done is not appropriate for 523 00:27:06,560 --> 00:27:08,879 Speaker 3: any of my children. I showed them an episode I 524 00:27:08,880 --> 00:27:11,959 Speaker 3: didn't I was on Secret World of Alex Mack. I 525 00:27:12,000 --> 00:27:14,440 Speaker 3: was able to show them that, and I showed them 526 00:27:14,480 --> 00:27:16,720 Speaker 3: I had a recurrent role on Third Rock from the Sun. 527 00:27:16,920 --> 00:27:19,120 Speaker 2: So I was able to show them those because those. 528 00:27:19,000 --> 00:27:24,879 Speaker 3: Were you know, toned down. But everything else is you know, 529 00:27:25,400 --> 00:27:26,280 Speaker 3: just not appropriate. 530 00:27:26,600 --> 00:27:30,480 Speaker 1: So how's Instagram helping your business? Because it's a good platform. 531 00:27:30,560 --> 00:27:33,000 Speaker 1: I mean, if you use that right, it can really help. 532 00:27:33,320 --> 00:27:34,680 Speaker 2: Yeah, if you use it correctly. 533 00:27:34,920 --> 00:27:37,919 Speaker 3: And it's funny because I've you know, I went from 534 00:27:38,040 --> 00:27:42,040 Speaker 3: when Instagram first started to you know, I hired influencers 535 00:27:42,119 --> 00:27:45,200 Speaker 3: and I have found that I've spent a lot more 536 00:27:45,280 --> 00:27:46,040 Speaker 3: money on. 537 00:27:46,359 --> 00:27:49,320 Speaker 2: Geting people to do it where I haven't seen the 538 00:27:49,480 --> 00:27:53,399 Speaker 2: ROI versus if I do it myself. And you know, 539 00:27:53,480 --> 00:27:54,200 Speaker 2: when you when you. 540 00:27:54,119 --> 00:27:58,080 Speaker 3: Dig into the little algorithms, it can be very very useful. 541 00:27:58,119 --> 00:28:00,840 Speaker 3: But again, it's just like anything. It's just like TV film. 542 00:28:00,880 --> 00:28:03,400 Speaker 3: It's all about connection and that's what all of us 543 00:28:03,760 --> 00:28:08,280 Speaker 3: want and that it goes the same with you know, 544 00:28:08,800 --> 00:28:10,920 Speaker 3: this day and I don't use Instagram for myself to 545 00:28:11,000 --> 00:28:13,000 Speaker 3: choose a place to go and dine or to go 546 00:28:13,000 --> 00:28:16,719 Speaker 3: to watch, but everyone else in my demographic hunder is 547 00:28:17,160 --> 00:28:20,000 Speaker 3: yeah if they if I can connect with them on 548 00:28:20,119 --> 00:28:24,359 Speaker 3: any of my socials uh and cross traffic, uh, you 549 00:28:24,400 --> 00:28:25,200 Speaker 3: know which it does. 550 00:28:25,400 --> 00:28:28,280 Speaker 2: I'm very blessed for that. So, uh yeah, I think 551 00:28:28,280 --> 00:28:30,200 Speaker 2: it's a great platform. I'm not a TikToker. 552 00:28:30,800 --> 00:28:33,280 Speaker 3: Uh, Instagram is pretty much as far as far as 553 00:28:33,320 --> 00:28:37,959 Speaker 3: I go, but it is it has been very very useful, 554 00:28:38,200 --> 00:28:39,560 Speaker 3: especially over the last two years. 555 00:28:39,680 --> 00:28:44,600 Speaker 1: Yeah, it's an interesting platform, all right. So mama said yes. 556 00:28:44,640 --> 00:28:48,920 Speaker 1: And Bay and Dangers, yeah, could could be Yeah. Uh, 557 00:28:49,040 --> 00:28:53,120 Speaker 1: Mama said yes in South Bay yep, Torrents uh not 558 00:28:53,400 --> 00:28:58,760 Speaker 1: in Torrance, uh nalu vida in Venice, Venice Beach, Uh 559 00:28:59,280 --> 00:29:03,120 Speaker 1: tell us, tell us what the big nights are in there? 560 00:29:04,360 --> 00:29:04,640 Speaker 2: Wow? 561 00:29:04,680 --> 00:29:08,240 Speaker 3: Okay, well, Venice Beach, I would I would absolutely come 562 00:29:08,320 --> 00:29:11,040 Speaker 3: down here on on one of our weekend days because 563 00:29:11,680 --> 00:29:16,040 Speaker 3: on the weekends, on second Saturdays, we have a live entertainment. 564 00:29:16,080 --> 00:29:18,400 Speaker 3: It's community gathering, so we put a stage out and 565 00:29:18,400 --> 00:29:19,200 Speaker 3: we have local. 566 00:29:18,960 --> 00:29:20,760 Speaker 2: Performers and oh that's cool. 567 00:29:20,920 --> 00:29:24,480 Speaker 3: We're local artists too, so we have art installations in 568 00:29:24,520 --> 00:29:26,480 Speaker 3: the restaurant as well. Uh. 569 00:29:26,560 --> 00:29:29,720 Speaker 2: So you get you get some of that that beautiful. 570 00:29:29,280 --> 00:29:33,560 Speaker 3: Grit that Venice has always been super popular for over 571 00:29:33,600 --> 00:29:37,560 Speaker 3: the years, through the art, through the entertainment, and we are, 572 00:29:37,640 --> 00:29:38,840 Speaker 3: you know, two steps away. 573 00:29:38,640 --> 00:29:41,600 Speaker 2: From the sand. So you know, any any day or 574 00:29:41,720 --> 00:29:43,520 Speaker 2: night is fun at NA Luvida. 575 00:29:43,640 --> 00:29:46,240 Speaker 3: Just depending on if you you're coming down for dining 576 00:29:46,320 --> 00:29:47,840 Speaker 3: or if you're coming down for entertainment. 577 00:29:48,160 --> 00:29:51,280 Speaker 1: All right, everybody, get on down there, whether you live here, 578 00:29:51,400 --> 00:29:54,200 Speaker 1: you're coming on vacation, you're visiting Venice Beach, get down 579 00:29:54,240 --> 00:29:58,880 Speaker 1: to if you're in Torrance, Yeah, Mom South and Mama 580 00:29:58,960 --> 00:30:00,520 Speaker 1: said yes, go hello. 581 00:30:00,880 --> 00:30:03,520 Speaker 3: If you want to do some line dancing, you know, 582 00:30:03,800 --> 00:30:06,520 Speaker 3: Mom said yes on Thursday nights. That's the way to 583 00:30:06,560 --> 00:30:06,880 Speaker 3: do it. 584 00:30:07,600 --> 00:30:09,760 Speaker 1: That's the way to do it, all right, justin thank 585 00:30:09,800 --> 00:30:13,760 Speaker 1: you so much for joining us, and good luck with 586 00:30:13,880 --> 00:30:17,080 Speaker 1: the restaurants, and I wish you all the best. 587 00:30:17,320 --> 00:30:18,320 Speaker 2: Thank you so much too. 588 00:30:18,440 --> 00:30:20,440 Speaker 3: I hope you feel better, and I hope to see 589 00:30:20,440 --> 00:30:23,880 Speaker 3: you on set someday with us, you know, doing something 590 00:30:23,880 --> 00:30:24,560 Speaker 3: with horses. 591 00:30:24,320 --> 00:30:27,680 Speaker 1: Doing something, doing something. Man, I'll get on set someday. 592 00:30:27,880 --> 00:30:31,640 Speaker 1: It's just you know, more and more auditions in my future. 593 00:30:32,440 --> 00:30:35,240 Speaker 1: But anyways, best fans on the planet. Thanks for your downloads. Everybody, 594 00:30:35,280 --> 00:30:37,479 Speaker 1: Remember where you lead, we will follow. 595 00:30:37,560 --> 00:31:08,040 Speaker 4: Stay safe, everybody, and don't forget. 596 00:31:08,080 --> 00:31:12,160 Speaker 1: Follow us on Instagram at I Am all In podcast 597 00:31:12,240 --> 00:31:26,400 Speaker 1: and email us at Gilmore at iHeartRadio dot com.