WEBVTT - Momo Videos, Momo Problems

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<v Speaker 1>It's ten pm at a book publishing party circa nineteen

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<v Speaker 1>seven in New York City, and you're listening to Night Call. Hello,

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<v Speaker 1>and welcome to Night Call podcast for your Strange Days

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<v Speaker 1>and lonely nights. My name is Emily Oshida. I am

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<v Speaker 1>here in New York and with me on the other

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<v Speaker 1>end of the line is Molly Lambert and Tess Lynch. Hello, Hello, Momo.

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<v Speaker 1>That's what I was just gonna say. Hello, Hello, A

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<v Speaker 1>minute for momos, the Momo minute, a Momo mom, a

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<v Speaker 1>meme mom for momoh. If you haven't heard about the

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<v Speaker 1>Momo challenge, Molly and Emily and I just kind of

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<v Speaker 1>talk about it. There was this hoax going around that

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<v Speaker 1>um there's this Japanese sculpture, uh that is called Mother Bird,

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<v Speaker 1>and it looks it's like a chicken. It's it's like

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<v Speaker 1>a breasted bird lady like a like a junji Eto

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<v Speaker 1>slash Tim Burton, like like circa Beetle Juice creation. It

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<v Speaker 1>looks specifically like the bird face people in Beetlejuice. It's

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<v Speaker 1>like a woman with a bird face who has like

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<v Speaker 1>crazy bulging out eyes and like a mouth that's just

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<v Speaker 1>kind of a straight line in a v and it's scary.

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<v Speaker 1>It's super scary. Yeah, but what what exactly happened? I

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<v Speaker 1>have questions happened? Is that somehow I don't know how

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<v Speaker 1>it started, but this meme, essentially it's a meme. There

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<v Speaker 1>was like people started hearing that Momo was appearing in

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<v Speaker 1>YouTube videos in the middle of YouTube videos aimed at

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<v Speaker 1>children and telling children, like in the middle of like

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<v Speaker 1>a pepper Pig video, this is the story urban legend.

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<v Speaker 1>You don't know, like YouTube for your kids, and in

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<v Speaker 1>the middle of a puppet pig video, Bomo appears and

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<v Speaker 1>tells your kids to kill themselves and their parents. Yeah

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<v Speaker 1>or yeah, it's the Momo challenges to kill yourself and

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<v Speaker 1>get others and kill your parents. So I was so

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<v Speaker 1>I was under the impression that the Momo challenge was

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<v Speaker 1>to watch the pepper Pig video in question and come

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<v Speaker 1>out of it not wanting to kill yourself. Challenges to

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<v Speaker 1>kill yourself and your parents right to kill yourself. But

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<v Speaker 1>then I was researching it and there was another one

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<v Speaker 1>called the Blue Whale Challenge, which is what that Black

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<v Speaker 1>Mirror episode Shut Up and Dance I think is based on.

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<v Speaker 1>And the Blue Whale Challenge is another like apocryphal urban legend,

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<v Speaker 1>like you know, the challenge kids loft challenges, and that

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<v Speaker 1>one supposedly starts with like mundane things and then escalates

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<v Speaker 1>to like you have to kill somebody. You know, it's

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<v Speaker 1>do this challenge first. It's like, you know, go take

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<v Speaker 1>the milk and a bike and starting scavenger hunt and

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<v Speaker 1>ends really dark. Again. I couldn't find any real information

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<v Speaker 1>about it. They are like news articles from every country.

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<v Speaker 1>It seems like that one was more like Eastern Europe based.

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<v Speaker 1>So it feels like the deal with Momo though, is

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<v Speaker 1>that all these parents have been talking about it, like

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<v Speaker 1>saying it's traumatized their children or something. But yet the

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<v Speaker 1>videos that I've seen are all like videos taken of

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<v Speaker 1>somebody else. It doesn't exactly panic however, breaking news, which

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<v Speaker 1>won't be breaking news when you listen to this episode.

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<v Speaker 1>The sculpture has been destroyed. Why the creator of the

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<v Speaker 1>sculpture decided to throw it away? I'm sure it'll reform

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<v Speaker 1>out of the pieces, the shattered pieces. Maybe Momo is

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<v Speaker 1>getting all the blame here, and I am a Momo

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<v Speaker 1>stand I think Momo is stand legend, stay allegend. I

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<v Speaker 1>feel like almost just the female slenderman. But for some reason,

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<v Speaker 1>the fact that it's female and like just a weird

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<v Speaker 1>looking like weird girl makes me be like, Momo has

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<v Speaker 1>never done anything wrong. Did you see that somebody tried

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<v Speaker 1>to face tune Momo? They were immediately like CUTEI Momos.

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<v Speaker 1>I have two things to add to this discussion. Number

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<v Speaker 1>one is that my husband had mentioned to me that

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<v Speaker 1>we need to be careful of that he had heard

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<v Speaker 1>about the Momo challenge. She bought into it. He was like,

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<v Speaker 1>no more pepper Pig, and so I sent him this

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<v Speaker 1>really great article from the New York Times. John Hermann

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<v Speaker 1>wrote it called Momo is as real as We've made her,

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<v Speaker 1>which has like a lot of good points about how

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<v Speaker 1>Momo looks like a sleep deprived mother, Uh, exactly the

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<v Speaker 1>kind of person who is handing the phone to her

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<v Speaker 1>child saying watch all the pepper Pig and the streaming

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<v Speaker 1>to crap that you want. So how it's basically momos

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<v Speaker 1>kind of playing on our like guilt of the fact

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<v Speaker 1>that you know, the real threat is that you're just

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<v Speaker 1>kind of giving your kid a stream of YouTube and

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<v Speaker 1>you don't know what they'll see, the possibility that they'll

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<v Speaker 1>see something that's like, actually horrifying exists also, So I

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<v Speaker 1>texted this to my husband. Then on Sunday morning, I

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<v Speaker 1>was sick, so I decided to let my three year

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<v Speaker 1>old have my phone and watch Pep a Pig on

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<v Speaker 1>YouTube and I give her the phone and she like

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<v Speaker 1>sees that there's a thumbnail of Momo that I've texted

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<v Speaker 1>to my husband, and she's like, what's that? And I

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<v Speaker 1>was like, I don't worry about this Momo, and she

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<v Speaker 1>was like, I can't wait to tell my friends about Momo.

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<v Speaker 1>And you can't mention Momo. You're gonna say you've just

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<v Speaker 1>unhoaxed the Momo. Sometimes that happens that like a fake

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<v Speaker 1>thing becomes a real thing. So I don't think anyone

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<v Speaker 1>ever did the tide pod challenge, but all the articles

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<v Speaker 1>that were like these children stop eating tide pods. Hysteria.

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<v Speaker 1>Um we you also want to revisit real quick at

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<v Speaker 1>the top of the show, Um, the city of Denver,

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<v Speaker 1>beautiful Denver, Colorado. Uh, we have gotten somewhere. Intel. For one,

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<v Speaker 1>there is a mobile game that was released just last

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<v Speaker 1>month or I guess two months ago now, in January

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<v Speaker 1>of this year, about Bluesifer, in which you are Bluecifer

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<v Speaker 1>the horse and you run around rampaging through Colorado. Um, well,

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<v Speaker 1>link to that on the Twitter. Actually I already did

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<v Speaker 1>link to it on the Twitter. Um. And so the

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<v Speaker 1>mumification of Bluecifer continues apace. And then the gargoyles. UH.

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<v Speaker 1>For a fun anniversary trick, they made the gargoyles come

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<v Speaker 1>to life at the Denver Airport and start talking to people,

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<v Speaker 1>which is not at all horrifying. Again, Denver Airport way

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<v Speaker 1>to just continue to meet the meet the expectations of

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<v Speaker 1>all air travelers that they should be just like surprised

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<v Speaker 1>and frightened upon landing. And you're, WHOA, what's that? I

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<v Speaker 1>saw gargoyle the other day. I was doing a hike

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<v Speaker 1>and there was a gargoyle in somebody's backyard. I thought

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<v Speaker 1>that was a good thing to put in your backyard.

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<v Speaker 1>You know, I don't like gargoyles, but I like them

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<v Speaker 1>better than I like murals. Well, it's like the least

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<v Speaker 1>amount of chill. Again, in keeping with all things d

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<v Speaker 1>I A. Yeah. Also on the subject of art that kills,

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<v Speaker 1>which somehow has become a running theme because we love,

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<v Speaker 1>we love Haunted portrait for the Velvet buzz Pod. I

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<v Speaker 1>just watched that again with David and uh and uh

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<v Speaker 1>it's it's real fun. It holds up on a second joid.

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<v Speaker 1>I gotta say, uh. Still Velvet tide pod nice. Uh.

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<v Speaker 1>This this comes from our listener rum. This is going

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<v Speaker 1>back to we were talking about there's um ah, there's

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<v Speaker 1>a sculpture that's uh that that are these holes that

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<v Speaker 1>basically the way that they're presented, it looks like they

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<v Speaker 1>just go down forever because they're painted. Um they're painted

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<v Speaker 1>this particular shade of prietary black and the artist is

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<v Speaker 1>a Niche Kapoor. And our wrote to me on Instagram, So,

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<v Speaker 1>I hope it's okay to use this, but I feel

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<v Speaker 1>like this is this is a night call. But uh,

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<v Speaker 1>he said an Italian man. He shared an article from

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<v Speaker 1>Fast Company but about an Italian man who fell into

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<v Speaker 1>Nichs hole a few months ago. Maybe I misremembering, but

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<v Speaker 1>the first story I read about it said the man

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<v Speaker 1>stepped into the hole because he was trying to prove

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<v Speaker 1>a point that the hole wasn't really a hole. It

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<v Speaker 1>was just a circle painted on the floor in vant

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<v Speaker 1>to black Capor's proprietary black paint. That's apparently the darkest

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<v Speaker 1>paint ever produced by science UM. And there's there is

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<v Speaker 1>an article about this that somebody tried to call the

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<v Speaker 1>Hole's bluff and it was a real hole and they fell.

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<v Speaker 1>Don't the Holes? By the way, Holes is great, great movie, UM,

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<v Speaker 1>So thank you for bringing that to our attention. This

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<v Speaker 1>of calling bluffs exactly, Molly pointed us to this article

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<v Speaker 1>in the New York Times magazine, which will be a

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<v Speaker 1>couple of weeks old at this point, but it's definitely

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<v Speaker 1>worth a read. That is about this sort of operation,

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<v Speaker 1>or I guess multiple operations. They all have very fun names.

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<v Speaker 1>Um done by a woman named Susan Gerbick to kind

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<v Speaker 1>of debunk these psychics, which you said, celebrity psychics. So

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<v Speaker 1>I was thinking at first like psychics to the stuff ours,

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<v Speaker 1>but these are like psychics who are actually celebrities and

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<v Speaker 1>like commanded crowd, and you buy tickets to go see

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<v Speaker 1>them do uh, you know, readings and stuff in it,

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<v Speaker 1>although some of them are also like yeah, there's an

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<v Speaker 1>overlap for sure. I thought this article is super interesting,

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<v Speaker 1>especially the ending, Like I feel like, um, I've definitely

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<v Speaker 1>not just for stuff around psychics, but uh, you know,

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<v Speaker 1>astrology and everything like that. You and if you write

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<v Speaker 1>about this stuff or or um, you know, you you

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<v Speaker 1>express any kind of interest in it, you automatically kind

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<v Speaker 1>of come in contact with these types of rationalist debunker

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<v Speaker 1>types who are um, you know, just trying to make

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<v Speaker 1>sure that nobody believes in astrology or whatever whatever the

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<v Speaker 1>case may be. Uh. And I just thought that the

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<v Speaker 1>ending was so interesting because it was kind of about

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<v Speaker 1>I don't want to spoil it too much because it

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<v Speaker 1>does feel like a spoiler, but it was sort of

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<v Speaker 1>about the way in which even like a you know,

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<v Speaker 1>supposedly bullshit psychic reading can have some kind of power

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<v Speaker 1>or be important for people in a way besides it

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<v Speaker 1>just being like actually accurate and somebody talking to a

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<v Speaker 1>spirit or somebody uh, from Beyond the Grave. I thought

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<v Speaker 1>that was really interesting, but but the whole getting into

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<v Speaker 1>the operation was super interesting as well. Yeah, I mean

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<v Speaker 1>I think it definitely. You kind of start reading thinking

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<v Speaker 1>that it's going to be very unsympathetic to the psychics,

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<v Speaker 1>but then the author has like a very emotional experience

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<v Speaker 1>at one of these readings and you realize that there's

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<v Speaker 1>a need for something like this. Although the issue is

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<v Speaker 1>that you know that there was like another link um

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<v Speaker 1>within the article to one of my favorite pieces ever,

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<v Speaker 1>which is a few years old now, about the guy

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<v Speaker 1>who spent like seven and eighteen thousand dollars on psychics

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<v Speaker 1>and they were all just leading him on this like

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<v Speaker 1>wild Goose, she used to find this woman and it

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<v Speaker 1>just ruined his life. So obviously there are a lot

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<v Speaker 1>of bad actors there. But it's interesting because, like when

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<v Speaker 1>you totally do away with you know, people who deal

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<v Speaker 1>with things like grief and you know, people being very

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<v Speaker 1>lost in their lives and stuff, within a metaphysical way,

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<v Speaker 1>there's like a need there. So it's not all bad

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<v Speaker 1>and it does affect people positively, but it also you know,

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<v Speaker 1>you can definitely lead people down. It is religion a scam.

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<v Speaker 1>It's like if it's a helpful thing for people, like

0:13:19.600 --> 0:13:23.760
<v Speaker 1>is it a scam? Uh? When when money starts getting involved,

0:13:23.760 --> 0:13:27.280
<v Speaker 1>that's when I think I get comes a scam. But

0:13:27.280 --> 0:13:30.240
<v Speaker 1>but also cold reading is a skill right right itself.

0:13:30.480 --> 0:13:32.520
<v Speaker 1>I mean just like going into a crowd of people

0:13:32.720 --> 0:13:35.760
<v Speaker 1>or like finding a role row of elderly people or

0:13:35.800 --> 0:13:38.120
<v Speaker 1>people getting along in years at a in a conference

0:13:38.200 --> 0:13:41.200
<v Speaker 1>room and the back of a Crown Plaza hotel and

0:13:41.520 --> 0:13:43.920
<v Speaker 1>like saying, somebody here just lost a parent. I mean,

0:13:43.920 --> 0:13:48.480
<v Speaker 1>you're gonna you're gonna be right, probably, But like also

0:13:48.640 --> 0:13:51.120
<v Speaker 1>some like the fact that somebody would raise their hands

0:13:51.360 --> 0:13:54.880
<v Speaker 1>kind of means that they want they want to be seen.

0:13:54.960 --> 0:13:58.160
<v Speaker 1>They want to have a chance to like express um

0:13:58.280 --> 0:13:59.840
<v Speaker 1>or like you know, be able to talk about it

0:13:59.840 --> 0:14:03.480
<v Speaker 1>in public or or with a stranger, um to be

0:14:03.559 --> 0:14:06.080
<v Speaker 1>recognized in that way or have their pain recognized or something.

0:14:06.200 --> 0:14:08.840
<v Speaker 1>I think it's like therapy. It's like somebody pretending to

0:14:08.960 --> 0:14:12.640
<v Speaker 1>understand you or just like listening to you, and that

0:14:12.800 --> 0:14:14.920
<v Speaker 1>is like something maybe everybody needs. Well, this is the

0:14:15.200 --> 0:14:17.880
<v Speaker 1>thing I always say about astrology is that, like I

0:14:17.880 --> 0:14:21.280
<v Speaker 1>feel like the appeal of astrology is reading something that's

0:14:21.320 --> 0:14:24.440
<v Speaker 1>talking to you in second person, like addressing and telling

0:14:24.480 --> 0:14:27.680
<v Speaker 1>you things about yourself, like the the the idea that

0:14:27.760 --> 0:14:30.600
<v Speaker 1>somebody knows you and is like and can reflect that

0:14:30.640 --> 0:14:33.640
<v Speaker 1>back to you, even if it's not necessarily always accurate,

0:14:34.720 --> 0:14:37.080
<v Speaker 1>but that feels good. Like we want to hear people

0:14:37.120 --> 0:14:39.480
<v Speaker 1>tell us things about ourselves because I feel like a

0:14:39.520 --> 0:14:42.080
<v Speaker 1>lot of times we don't have an idea, like you know,

0:14:42.120 --> 0:14:44.840
<v Speaker 1>we it's hard to tell like what we're putting out there,

0:14:44.960 --> 0:14:49.880
<v Speaker 1>you know. Um, there was some really good eighteen hundreds

0:14:50.000 --> 0:14:53.000
<v Speaker 1>gossip kind of dropped into the middle of this article.

0:14:53.760 --> 0:14:57.000
<v Speaker 1>Just quote it. The poet Robert Browning once exposed the

0:14:57.040 --> 0:15:00.920
<v Speaker 1>mid nineteenth century Scottish psychic Daniel Home, who claimed to

0:15:00.920 --> 0:15:03.600
<v Speaker 1>conjure the spirit of Browning's infant son who died young.

0:15:03.840 --> 0:15:07.040
<v Speaker 1>Except Browning hadn't lost a son. Worse, the poet lunged

0:15:07.080 --> 0:15:10.040
<v Speaker 1>at the apparition to unmask it and found himself clutching

0:15:10.040 --> 0:15:17.200
<v Speaker 1>Homess bare foot. It was like, what excuse me? Which

0:15:17.240 --> 0:15:19.720
<v Speaker 1>is like an interesting thing to add to your idea

0:15:19.760 --> 0:15:22.240
<v Speaker 1>of Robert Browning. Um, I think I also told you.

0:15:22.240 --> 0:15:24.800
<v Speaker 1>I found out Thomas Edison was really into psychics and

0:15:24.840 --> 0:15:28.840
<v Speaker 1>believed in the afterlife. Yeah, yeah, I think the logic

0:15:28.960 --> 0:15:33.400
<v Speaker 1>is not incompatible with like there are things beyond logic. Also,

0:15:33.440 --> 0:15:37.880
<v Speaker 1>it's interesting how much time and energy the skeptics kind

0:15:37.880 --> 0:15:41.480
<v Speaker 1>of poured into creating these fake Facebook profiles and like

0:15:41.840 --> 0:15:44.800
<v Speaker 1>getting all costumed up and going to these psychic readings

0:15:44.800 --> 0:15:47.920
<v Speaker 1>and you know, kind I mean, it's a real gig man,

0:15:48.800 --> 0:15:50.600
<v Speaker 1>and you have to respect it because they are trying

0:15:50.640 --> 0:15:54.240
<v Speaker 1>to protect people from getting defrauded. But they're going they

0:15:54.320 --> 0:15:56.400
<v Speaker 1>must like it a little bit. Oh yeah, it's like

0:15:56.440 --> 0:16:00.960
<v Speaker 1>the movie Cruising exactly. This is the under of her assignment.

0:16:01.000 --> 0:16:04.080
<v Speaker 1>You chose, yes, Yeah, It's really interesting. The way they

0:16:04.120 --> 0:16:06.480
<v Speaker 1>do it is just like they create this entire profile

0:16:06.560 --> 0:16:08.800
<v Speaker 1>and then they basically use it as bait for the

0:16:09.240 --> 0:16:12.080
<v Speaker 1>psychic to have already looked it up ahead of time,

0:16:12.200 --> 0:16:14.800
<v Speaker 1>because you you know, you give your information when you

0:16:14.840 --> 0:16:17.680
<v Speaker 1>buy a ticket, and so they can you know, they

0:16:17.680 --> 0:16:19.600
<v Speaker 1>can name names and stuff. But then you kind of

0:16:19.600 --> 0:16:21.680
<v Speaker 1>set that as a trap so that they'll fall for

0:16:21.840 --> 0:16:24.120
<v Speaker 1>this fake profile it's been created and give your reading

0:16:24.160 --> 0:16:29.280
<v Speaker 1>based on the fake profile. Yeah. Um. Related, Molly also

0:16:29.280 --> 0:16:34.000
<v Speaker 1>sent us an article about the Crystal influencer who is

0:16:34.280 --> 0:16:38.920
<v Speaker 1>also a fraud. What's her name again? Audrey kitchen MySpace

0:16:39.000 --> 0:16:42.480
<v Speaker 1>scene Queen Yes, and starting a smashing Pumpkins video that

0:16:42.600 --> 0:16:46.000
<v Speaker 1>part of her MySpace scene Queen. She was famous for

0:16:46.040 --> 0:16:49.040
<v Speaker 1>having pink hair and being like she did hair I

0:16:49.040 --> 0:16:50.760
<v Speaker 1>think for a long time. And she dated a guy

0:16:50.960 --> 0:16:55.080
<v Speaker 1>from either Panic at the Disco or one of those. Uh,

0:16:55.200 --> 0:16:59.080
<v Speaker 1>And now she has pivoted to new Age. And this

0:16:59.160 --> 0:17:01.720
<v Speaker 1>was an article about how she's like a fraud because

0:17:01.720 --> 0:17:06.119
<v Speaker 1>she's stealing other people's one idea, like here's my one.

0:17:06.280 --> 0:17:09.080
<v Speaker 1>It was about how she's like she she has rebranded

0:17:09.080 --> 0:17:11.480
<v Speaker 1>herself as new age, but like all of her quotes

0:17:11.560 --> 0:17:14.399
<v Speaker 1>are just stolen from other people. It kind of got

0:17:14.440 --> 0:17:16.040
<v Speaker 1>to the same place of like, well if it helps

0:17:16.040 --> 0:17:19.679
<v Speaker 1>somebody doesn't matter, like um, but also that all of

0:17:19.680 --> 0:17:24.080
<v Speaker 1>her supposedly like handmade whatever products that she's selling all

0:17:24.119 --> 0:17:28.720
<v Speaker 1>come from Ali Express, and like has these assistants who

0:17:28.840 --> 0:17:32.200
<v Speaker 1>the writer interviewed who were like, yes, she ruined my life,

0:17:33.480 --> 0:17:36.520
<v Speaker 1>um by promising me things and then forcing me to

0:17:36.760 --> 0:17:40.520
<v Speaker 1>do her laundry. Yeah, I don't know. For some reason,

0:17:40.640 --> 0:17:44.200
<v Speaker 1>I it is interesting to think about, like why this

0:17:44.320 --> 0:17:49.040
<v Speaker 1>makes me a little more irritated than like a likely

0:17:49.320 --> 0:17:53.639
<v Speaker 1>very fake psychic or media or something I don't know.

0:17:53.920 --> 0:17:56.040
<v Speaker 1>They talked to the other New ag people that she

0:17:56.119 --> 0:17:59.639
<v Speaker 1>like ripped things off from, and those people are like devastated.

0:18:00.080 --> 0:18:02.240
<v Speaker 1>This well those people are also like so silly, but

0:18:02.280 --> 0:18:06.240
<v Speaker 1>you're like they're serious about it. I mean, at least

0:18:06.240 --> 0:18:08.919
<v Speaker 1>the fake psychics are taking time to sit down and

0:18:08.960 --> 0:18:11.720
<v Speaker 1>like connect with people, even if they're kind of using

0:18:11.760 --> 0:18:14.639
<v Speaker 1>clues that they found elsewhere or they're just after getting

0:18:14.960 --> 0:18:20.480
<v Speaker 1>a cynic exploiting. Yeah, it's cynical. Like even if you

0:18:20.560 --> 0:18:23.320
<v Speaker 1>know yourself on some love, if you're if you're a

0:18:23.400 --> 0:18:26.320
<v Speaker 1>touring psychic and you know that your thing is mostly

0:18:26.359 --> 0:18:29.639
<v Speaker 1>bullshit and you're using and you're looking at people's Facebook accounts, like,

0:18:29.920 --> 0:18:31.920
<v Speaker 1>there's still some part of it where it's like, well

0:18:31.960 --> 0:18:34.520
<v Speaker 1>I want to, like you know, hey, you're putting in

0:18:34.520 --> 0:18:36.399
<v Speaker 1>the time. Yeah, I want to, And I want to

0:18:36.400 --> 0:18:39.880
<v Speaker 1>give a meaningful experience to somebody, like you know, you're

0:18:39.880 --> 0:18:44.359
<v Speaker 1>like an actor. Yeah, sure, it's a girlfriend experience. She

0:18:44.440 --> 0:18:47.760
<v Speaker 1>doesn't seem like somebody that anybody would want to be like,

0:18:48.440 --> 0:18:50.480
<v Speaker 1>so it's weird she's formed a cult to personality. But

0:18:50.480 --> 0:18:52.160
<v Speaker 1>it also goes into the way that like New Age

0:18:52.160 --> 0:18:55.199
<v Speaker 1>stuff can just be narcissism, you know, like all the

0:18:55.200 --> 0:18:57.800
<v Speaker 1>group stuff that's like you wants is just like a

0:18:57.920 --> 0:19:00.639
<v Speaker 1>rich board person who doesn't have to work, like turns

0:19:00.920 --> 0:19:05.400
<v Speaker 1>entirely inward into the yoni yon just becomes one big

0:19:05.480 --> 0:19:09.160
<v Speaker 1>Yoni yoni fied. I think it's also kind of ties

0:19:09.160 --> 0:19:11.840
<v Speaker 1>in with the whole like thinking of each object as

0:19:11.880 --> 0:19:15.119
<v Speaker 1>having like a soul or a spirit or whatever, like

0:19:15.200 --> 0:19:17.520
<v Speaker 1>does it spark joy? What does it represent? Well, if

0:19:17.520 --> 0:19:20.600
<v Speaker 1>you're selling that and then you're really selling exactly, then

0:19:20.880 --> 0:19:23.240
<v Speaker 1>that's that really makes you wonder about the joy that

0:19:23.320 --> 0:19:25.760
<v Speaker 1>things can spark. I mean, I will say that, like

0:19:25.840 --> 0:19:29.119
<v Speaker 1>crystal yoni ones are not trademarkable, and a lot of

0:19:29.119 --> 0:19:32.520
<v Speaker 1>people make them. It was just clearly like she had

0:19:32.560 --> 0:19:36.359
<v Speaker 1>gotten them. That's my question. They show up on The

0:19:36.400 --> 0:19:39.520
<v Speaker 1>Real Housewives a lot. I've heard you're not supposed to

0:19:39.560 --> 0:19:45.200
<v Speaker 1>put crystals. You are not supposed because they're poorous, they're porous. Yeah,

0:19:45.200 --> 0:19:49.000
<v Speaker 1>I just wouldn't um, but people sell it as it's

0:19:49.080 --> 0:19:52.800
<v Speaker 1>like that they were the jade egg is giving people

0:19:52.880 --> 0:20:02.160
<v Speaker 1>like right, right, But that's natural, guy to make your bread. Yeah, nice,

0:20:02.480 --> 0:20:04.560
<v Speaker 1>that's how you get the mother. I'm so sorry to

0:20:04.640 --> 0:20:07.120
<v Speaker 1>our listeners for what you We've just done to you.

0:20:08.760 --> 0:20:15.840
<v Speaker 1>Oh my god, momos here, hello kids, I am at

0:20:15.960 --> 0:20:18.280
<v Speaker 1>would talk. That's exactly actually, but that's what it sounds

0:20:18.320 --> 0:20:25.800
<v Speaker 1>like in the video. You know who reminds me of Momo?

0:20:25.920 --> 0:20:28.600
<v Speaker 1>Who could that be? Someone else who pops up when

0:20:28.600 --> 0:20:33.560
<v Speaker 1>you're not expecting? Oh slip. Let's talk about fatal attraction.

0:20:33.560 --> 0:20:38.640
<v Speaker 1>So we are embarking on a series of I guess

0:20:38.760 --> 0:20:42.479
<v Speaker 1>undetermined length as long as we feel like it. I guess.

0:20:43.080 --> 0:20:48.080
<v Speaker 1>Um call it an erotic journey. Yeah, an ironic hodyessey.

0:20:48.600 --> 0:20:51.560
<v Speaker 1>Now please join us as Night Call embarks on its

0:20:51.600 --> 0:21:14.800
<v Speaker 1>first erotic odessey. We are going to be discussing films

0:21:15.080 --> 0:21:20.000
<v Speaker 1>that fit into the erotic thriller slash drama genre, a

0:21:20.080 --> 0:21:25.040
<v Speaker 1>genre which doesn't really exist anymore, and which is still

0:21:25.119 --> 0:21:28.280
<v Speaker 1>all of our favorite the most interesting. Even if it's

0:21:28.280 --> 0:21:30.800
<v Speaker 1>not my favorite, I just feel like it's the most like.

0:21:30.920 --> 0:21:32.520
<v Speaker 1>I don't know, I could talk for ages about some

0:21:32.560 --> 0:21:37.080
<v Speaker 1>of these movies. Um, yeah, it might be our favorite. Yeah,

0:21:37.560 --> 0:21:41.280
<v Speaker 1>I mean, it passes the night Called Test, the Venor Diagram,

0:21:41.440 --> 0:21:44.000
<v Speaker 1>it goes in the Hall of Fame. Yeah, we were

0:21:44.000 --> 0:21:46.879
<v Speaker 1>originally going to have this be a double feature. We

0:21:46.920 --> 0:21:49.640
<v Speaker 1>may have double features in the future. Um Our first

0:21:49.640 --> 0:21:51.800
<v Speaker 1>film that we're going to talk about is Fatal Attraction.

0:21:52.440 --> 0:21:55.280
<v Speaker 1>I had pitched that we do Fatal Attraction and the

0:21:55.320 --> 0:21:57.880
<v Speaker 1>Hand that Rocks the Cradle because they go really well together.

0:21:57.920 --> 0:22:01.080
<v Speaker 1>Do you call that one Natal Attraction, in which I

0:22:01.160 --> 0:22:03.879
<v Speaker 1>really wanted to use. We'll do that one in the

0:22:03.920 --> 0:22:07.399
<v Speaker 1>future for sure. Put it on Netflix. Netflix. Put it's

0:22:07.480 --> 0:22:10.520
<v Speaker 1>somewhere Netflix because we know where to see not. Yeah,

0:22:10.560 --> 0:22:12.560
<v Speaker 1>we can't watch it, but I've seen it so many

0:22:12.600 --> 0:22:14.560
<v Speaker 1>times that I feel like I could talk about it anyway,

0:22:14.600 --> 0:22:16.760
<v Speaker 1>but I would like to watch. You know what I

0:22:16.800 --> 0:22:20.520
<v Speaker 1>watched instead of uh, well, I watched two things instead

0:22:20.560 --> 0:22:22.760
<v Speaker 1>of Handle that Rocks to Cradle when I couldn't find it.

0:22:22.800 --> 0:22:25.560
<v Speaker 1>But the first thing was the Ciskel and Ebert episode

0:22:25.560 --> 0:22:28.199
<v Speaker 1>that included a review of Hand the Rocks of Cradle,

0:22:28.600 --> 0:22:31.760
<v Speaker 1>which just made me miss Ciskel and Ebert so badly.

0:22:31.840 --> 0:22:34.600
<v Speaker 1>It was so it's like the most civilized television show.

0:22:34.800 --> 0:22:38.960
<v Speaker 1>Guess what this show is. It's basically the same. Put

0:22:39.040 --> 0:22:41.480
<v Speaker 1>us on TV and give us some big sums. Yeah.

0:22:41.840 --> 0:22:45.000
<v Speaker 1>I had never seen Fatal Attraction before in my life,

0:22:45.040 --> 0:22:47.960
<v Speaker 1>which is crazy, Which is crazy because I have you

0:22:48.160 --> 0:22:50.680
<v Speaker 1>drive a truck Times, and I've known that it's one

0:22:50.680 --> 0:22:53.960
<v Speaker 1>of Tess's favorite movies if not, And this podcast is

0:22:54.000 --> 0:22:58.280
<v Speaker 1>all about tests, forcing us to watch movies that tell

0:22:58.400 --> 0:23:04.800
<v Speaker 1>me baby canon Yeah, a nineties lady like Tesla, and

0:23:04.880 --> 0:23:09.719
<v Speaker 1>it always has Glenn Close in it. De Um Fatal Attraction.

0:23:10.520 --> 0:23:13.000
<v Speaker 1>It was so good, so good. But before we start

0:23:13.080 --> 0:23:15.520
<v Speaker 1>talking about it, I have to say that, Um, when

0:23:15.520 --> 0:23:19.600
<v Speaker 1>we dug deeper into Glenn Close's character development for Alex

0:23:19.640 --> 0:23:23.360
<v Speaker 1>forrest Uh, She's consulted with a bunch of psychiatrists and

0:23:23.440 --> 0:23:26.239
<v Speaker 1>kind of made up this backstory that the character had

0:23:26.280 --> 0:23:29.359
<v Speaker 1>suffered from sexual abuse. So if we end up talking

0:23:29.400 --> 0:23:31.560
<v Speaker 1>about that, it might upset you if you're a survivor

0:23:31.600 --> 0:23:34.400
<v Speaker 1>of sexual abuse. So just you can mosey on by

0:23:34.560 --> 0:23:42.760
<v Speaker 1>if that Alex forrest Uh Fatal Attraction nineteen seven an

0:23:42.760 --> 0:23:46.720
<v Speaker 1>Adrian Line picture, Um, which I've seen this one. I

0:23:46.760 --> 0:23:48.760
<v Speaker 1>had seen this one a while ago, but I really

0:23:48.800 --> 0:23:50.720
<v Speaker 1>want to get to nine and a half weeks, which

0:23:50.760 --> 0:23:54.639
<v Speaker 1>is for me, I'm rare in my mind. It's just

0:23:54.720 --> 0:23:59.159
<v Speaker 1>like proto fifty shades of gray, but like have seen it,

0:23:59.200 --> 0:24:01.000
<v Speaker 1>You've never seen that, We're seen it. I really want

0:24:01.000 --> 0:24:03.199
<v Speaker 1>to see it. But like he was clearly such an

0:24:03.200 --> 0:24:05.520
<v Speaker 1>a tour of the forum, and so I feel like

0:24:05.560 --> 0:24:09.560
<v Speaker 1>we'll definitely be revisiting him. This movie is so good.

0:24:09.960 --> 0:24:12.680
<v Speaker 1>I had no idea took place in yuppie New York.

0:24:13.000 --> 0:24:17.200
<v Speaker 1>Absolutely where else could Where is it? Bedford? Yeah, the

0:24:17.240 --> 0:24:24.160
<v Speaker 1>most everything. Um, I've obviously seen so many things from

0:24:24.200 --> 0:24:27.640
<v Speaker 1>this movie out of context, and I was saying that, like,

0:24:27.720 --> 0:24:32.760
<v Speaker 1>in context, you really feel for Glenn Close. I mean,

0:24:33.119 --> 0:24:36.199
<v Speaker 1>that is the kind of thing. The more you watch it,

0:24:36.240 --> 0:24:38.840
<v Speaker 1>the more you realize that there are clues all along

0:24:39.040 --> 0:24:42.159
<v Speaker 1>that are kind of painting. Dan is his name, but

0:24:42.200 --> 0:24:46.120
<v Speaker 1>Michael Douglas's character as the actual villain, and I think

0:24:46.160 --> 0:24:48.919
<v Speaker 1>two of them I've never noticed these before. But in

0:24:49.040 --> 0:24:53.879
<v Speaker 1>two instances, he approaches versus secretary and then the police lieutenant.

0:24:54.160 --> 0:24:56.680
<v Speaker 1>And with his secretary he just starts like barking off

0:24:56.720 --> 0:24:59.359
<v Speaker 1>things he needs and then at the end looks at

0:24:59.359 --> 0:25:01.399
<v Speaker 1>her and says like, oh good morning. And then with

0:25:01.480 --> 0:25:03.320
<v Speaker 1>the police lieutenant, same thing. He's like I need you

0:25:03.320 --> 0:25:05.439
<v Speaker 1>to do this, this, this, this, this, and then like

0:25:05.480 --> 0:25:07.520
<v Speaker 1>shuts the door and the police lieutenant says something to

0:25:07.560 --> 0:25:10.080
<v Speaker 1>the effect of like oh, well you're welcome. So he's

0:25:10.119 --> 0:25:12.320
<v Speaker 1>an asshole. He also talks about how he's like a

0:25:12.400 --> 0:25:15.000
<v Speaker 1>lawyer with no morals and just like does whatever he

0:25:15.040 --> 0:25:18.240
<v Speaker 1>wants to get paid. But he's charming. He was filming

0:25:18.520 --> 0:25:20.800
<v Speaker 1>Wall Street, I guess at the same time. It was

0:25:20.840 --> 0:25:23.960
<v Speaker 1>a little bleed over. Yeah, I've never seen Wall Street.

0:25:24.000 --> 0:25:27.320
<v Speaker 1>It's so good. So this movie, in case you are

0:25:27.359 --> 0:25:32.280
<v Speaker 1>not familiar with the premise of Fatal Attraction, um, Welcome

0:25:32.560 --> 0:25:39.399
<v Speaker 1>to Earth. It is about Dan Gallagher played by Michael Douglas,

0:25:39.440 --> 0:25:44.919
<v Speaker 1>who has this kind of a weekend fling with Alex

0:25:45.040 --> 0:25:47.640
<v Speaker 1>played like Glenn Close. He's a married guy in New York.

0:25:47.680 --> 0:25:49.480
<v Speaker 1>He's like it, works as a lawyer for a publishing

0:25:49.520 --> 0:25:52.800
<v Speaker 1>company and uh, you know, a real yuppy guy. But

0:25:52.840 --> 0:25:55.840
<v Speaker 1>they're about to make their move up state and escape

0:25:55.880 --> 0:26:00.680
<v Speaker 1>the city. But before that happens, he uh, he has

0:26:00.800 --> 0:26:04.840
<v Speaker 1>some weekend fun with another lady and then she becomes

0:26:04.840 --> 0:26:08.719
<v Speaker 1>obsessed with him and will not leave him or his

0:26:08.760 --> 0:26:12.000
<v Speaker 1>family alone even when they move. It is I think

0:26:12.040 --> 0:26:16.320
<v Speaker 1>hearing about the actual planned ending, which actually feels much

0:26:16.320 --> 0:26:20.480
<v Speaker 1>more like a kind of hitchcock. He sort of noir. Um,

0:26:20.520 --> 0:26:23.160
<v Speaker 1>do you guys know about the actual ending? Yeah? Yeah,

0:26:23.320 --> 0:26:26.280
<v Speaker 1>so this is the ending that was the original ending,

0:26:26.280 --> 0:26:29.159
<v Speaker 1>and when they changed it, Glen Close was like furious,

0:26:29.240 --> 0:26:32.760
<v Speaker 1>quite mad, which I would be too, honestly, Like, yeah,

0:26:32.960 --> 0:26:37.040
<v Speaker 1>spoiler alert. In the original ending, um, there is a

0:26:37.080 --> 0:26:41.080
<v Speaker 1>face off with a kitchen knife and Glenn Close Alex

0:26:41.119 --> 0:26:43.840
<v Speaker 1>Forrest uses it to kill herself, but because it has

0:26:43.880 --> 0:26:47.760
<v Speaker 1>been handled by Dan, it's used to like implicate him

0:26:47.760 --> 0:26:50.240
<v Speaker 1>in her murder, and he's hauled off to the police.

0:26:50.280 --> 0:26:53.520
<v Speaker 1>But then his wife, who is Beth played by Anne Archer,

0:26:53.560 --> 0:26:57.400
<v Speaker 1>finds this cassette that Alex had made for Dan where

0:26:57.440 --> 0:26:59.639
<v Speaker 1>she's just like ranting about how she has to have

0:26:59.760 --> 0:27:02.760
<v Speaker 1>it and you know, he's so horrible and it basically

0:27:02.920 --> 0:27:05.920
<v Speaker 1>exonerates Dan when Beth brings it to the police and

0:27:05.960 --> 0:27:09.000
<v Speaker 1>they realize that she's him, end it with him going

0:27:09.040 --> 0:27:15.520
<v Speaker 1>to jail. Well, he, oh, not quite. The thing is

0:27:15.560 --> 0:27:18.520
<v Speaker 1>he got himself into this position and he acts as

0:27:18.560 --> 0:27:21.320
<v Speaker 1>though he should not have to claw his way out,

0:27:21.359 --> 0:27:23.919
<v Speaker 1>which you know, you can get yourself into a position

0:27:23.920 --> 0:27:25.760
<v Speaker 1>and claw your way out, that's fine, but you can't

0:27:25.800 --> 0:27:29.560
<v Speaker 1>just ghost he wants to go. This is like it's

0:27:29.600 --> 0:27:33.760
<v Speaker 1>a revenge fantasy about somebody ghosting. Yeah, right, I mean, well,

0:27:33.800 --> 0:27:36.480
<v Speaker 1>it's a really interesting choice about the script is that

0:27:37.160 --> 0:27:40.240
<v Speaker 1>it does not give you any reason. It doesn't set

0:27:40.359 --> 0:27:44.800
<v Speaker 1>up like a sexless or passionless marriage or anything like that.

0:27:45.000 --> 0:27:48.240
<v Speaker 1>It doesn't give him any reason to want to do it.

0:27:48.640 --> 0:27:51.240
<v Speaker 1>So that when he you know, ends up, you know,

0:27:51.320 --> 0:27:53.560
<v Speaker 1>getting stuck in the rain with Glenn close and going

0:27:53.600 --> 0:27:55.359
<v Speaker 1>and having a drink with her and then one thing

0:27:55.440 --> 0:27:58.840
<v Speaker 1>leads to another, there's no reason that we would believe

0:27:58.880 --> 0:28:01.000
<v Speaker 1>this would happen other than he's just like a dude,

0:28:01.080 --> 0:28:04.440
<v Speaker 1>and this is like what dudes apparently do in nine

0:28:04.720 --> 0:28:08.359
<v Speaker 1>eighties New York. Uh So when she, you know, later

0:28:08.480 --> 0:28:11.200
<v Speaker 1>brings back this idea of like, you know, you thought

0:28:11.200 --> 0:28:12.639
<v Speaker 1>that you could just sleep with me over the weekend,

0:28:12.720 --> 0:28:14.920
<v Speaker 1>nothing would happen. I mean, even though she's done plenty

0:28:14.920 --> 0:28:17.600
<v Speaker 1>of stuff that she is not a good person, let's

0:28:17.640 --> 0:28:20.119
<v Speaker 1>just like make that clear. But like on that tip,

0:28:20.240 --> 0:28:26.560
<v Speaker 1>she is definitely right, Like he yeah, complicated by the

0:28:26.600 --> 0:28:29.120
<v Speaker 1>fact that she claims to be pregnant, which is then

0:28:29.640 --> 0:28:33.800
<v Speaker 1>verified when he calls her gynecologist, which, by the way,

0:28:33.840 --> 0:28:36.440
<v Speaker 1>a guy in ecologist would not tell a stranger over

0:28:36.480 --> 0:28:41.360
<v Speaker 1>the phone. Anything goes when you get the gynecologist number

0:28:41.360 --> 0:28:46.000
<v Speaker 1>on your rolodex, you know, but I mean that kind

0:28:46.040 --> 0:28:48.480
<v Speaker 1>of like that's kind of glossed over, is like, oh,

0:28:48.480 --> 0:28:51.000
<v Speaker 1>she's crazy, is she lying? But then when you think, well,

0:28:51.000 --> 0:28:53.920
<v Speaker 1>if she actually were pregnant, she'd suffered a miscarriage the

0:28:54.000 --> 0:28:56.920
<v Speaker 1>year before, so she obviously, you know, has kind of

0:28:56.960 --> 0:28:59.440
<v Speaker 1>like some baggage with that maybe wants to get pregnant.

0:28:59.640 --> 0:29:02.240
<v Speaker 1>Now he's pregnant. She thought it was impossible, and she's

0:29:02.280 --> 0:29:04.960
<v Speaker 1>trying to tell him, but he won't answer her calls.

0:29:06.160 --> 0:29:10.880
<v Speaker 1>M Yeah, I feel like these hysterical woman movies, you're

0:29:10.880 --> 0:29:14.920
<v Speaker 1>gonna identify with the hysterical woman. Well yeah, but also

0:29:15.360 --> 0:29:17.120
<v Speaker 1>I think like a lot of the things that have

0:29:17.160 --> 0:29:20.440
<v Speaker 1>been written about Fatal Attraction rightfully deal with the fact

0:29:20.480 --> 0:29:26.000
<v Speaker 1>that she's a career woman and Beth is like the family.

0:29:26.120 --> 0:29:28.840
<v Speaker 1>She's the perfect wife because yes, Emily said, like she's

0:29:28.840 --> 0:29:31.640
<v Speaker 1>she's still passionate about her husband, and she's like totally

0:29:31.720 --> 0:29:34.520
<v Speaker 1>understanding that he's, you know, taking a weekend to stay

0:29:34.520 --> 0:29:36.800
<v Speaker 1>in the station. She's the perfect wife and it doesn't matter.

0:29:37.800 --> 0:29:40.680
<v Speaker 1>H Glenn close seduces him, but he never says no,

0:29:41.360 --> 0:29:43.800
<v Speaker 1>He goes with it. It's all his fault. But then

0:29:43.840 --> 0:29:46.280
<v Speaker 1>he doesn't want to take any responsibility and she's just

0:29:46.360 --> 0:29:48.960
<v Speaker 1>keeps showing up being like you have to take responsibility

0:29:49.000 --> 0:29:51.840
<v Speaker 1>for your actions. That's how it works. I think one

0:29:51.880 --> 0:29:54.320
<v Speaker 1>reason that it doesn't come off as pure just like

0:29:54.560 --> 0:29:58.080
<v Speaker 1>a nightmare about a clingy bitch, is that he does

0:29:58.160 --> 0:30:02.880
<v Speaker 1>so much stupid ship beyond just having the affair, like

0:30:03.240 --> 0:30:05.640
<v Speaker 1>every single moment, every single I had to like I

0:30:05.960 --> 0:30:08.200
<v Speaker 1>usually never do this, Like I usually like watch movies

0:30:08.240 --> 0:30:11.240
<v Speaker 1>at home with my full attention. But about halfway through,

0:30:11.320 --> 0:30:14.600
<v Speaker 1>like somewhere around the pregnancy thing, I got so stressed

0:30:14.640 --> 0:30:18.520
<v Speaker 1>out by his inability to just like cut ties and

0:30:18.520 --> 0:30:21.160
<v Speaker 1>and like kept the way he kept screening her along

0:30:21.280 --> 0:30:23.520
<v Speaker 1>and kept like kind of trying to like trying to

0:30:23.560 --> 0:30:26.920
<v Speaker 1>the attention, love the attention. I got so stressed out

0:30:26.920 --> 0:30:28.400
<v Speaker 1>I had to take out my phone and start like

0:30:28.440 --> 0:30:31.960
<v Speaker 1>looking at something stupid, not like go with him. I

0:30:32.040 --> 0:30:34.360
<v Speaker 1>was saying, it's like she gives me strong real hunter

0:30:36.120 --> 0:30:38.040
<v Speaker 1>in general. But I was also saying, like, you know

0:30:38.120 --> 0:30:40.880
<v Speaker 1>that I always resented this movie for the fact that,

0:30:40.920 --> 0:30:43.000
<v Speaker 1>like her hair is supposed to makes you she's so

0:30:43.040 --> 0:30:45.000
<v Speaker 1>crazy and her hair is so big and some of

0:30:45.080 --> 0:30:49.200
<v Speaker 1>us just have big, curly hair. Well. In this interview

0:30:49.280 --> 0:30:52.000
<v Speaker 1>or nos a talk that like going close to which

0:30:52.000 --> 0:30:53.920
<v Speaker 1>we'll go to us in a second. She does say

0:30:54.000 --> 0:30:57.240
<v Speaker 1>that a lot of Alex's personal style, including her hair,

0:30:57.800 --> 0:30:59.800
<v Speaker 1>might be owed to the way that Glenn Close looked

0:30:59.800 --> 0:31:04.920
<v Speaker 1>when she went in for her audition. But also like

0:31:05.200 --> 0:31:09.720
<v Speaker 1>an archer also has like a perm everybody everybody has,

0:31:11.000 --> 0:31:16.600
<v Speaker 1>so again, in context, it all seems more motivated. Um,

0:31:16.680 --> 0:31:19.560
<v Speaker 1>she's so good. This is the thing though, is like

0:31:19.880 --> 0:31:22.160
<v Speaker 1>also in that thing she talks about, and I think

0:31:22.160 --> 0:31:25.520
<v Speaker 1>this is true, Like she was really not seen as

0:31:25.520 --> 0:31:30.280
<v Speaker 1>somebody who could be like sexual on screen. Um. And

0:31:30.280 --> 0:31:32.440
<v Speaker 1>and a lot of people, like including the producers of

0:31:32.480 --> 0:31:35.160
<v Speaker 1>the film, didn't think that she could do it. But

0:31:35.200 --> 0:31:39.160
<v Speaker 1>then if you know anything about Hollywood casting, you know

0:31:39.280 --> 0:31:45.280
<v Speaker 1>that it is people saying that broads aren't fleable enough. Um.

0:31:45.480 --> 0:31:47.880
<v Speaker 1>Sherry Lansing was one of the producers that she named

0:31:47.880 --> 0:31:51.000
<v Speaker 1>who said who like was totally convinced that it goes

0:31:51.120 --> 0:31:53.520
<v Speaker 1>it's all internal life. What they're saying a lot of

0:31:53.520 --> 0:31:55.800
<v Speaker 1>the time is I don't want to see you be sexual.

0:31:56.400 --> 0:32:00.080
<v Speaker 1>And what is so great about her performance is that

0:32:00.320 --> 0:32:03.320
<v Speaker 1>she's hot in it. I was very like, Oh, I

0:32:03.360 --> 0:32:06.080
<v Speaker 1>didn't know that Glenn Close could be sexual. She's very

0:32:06.160 --> 0:32:08.480
<v Speaker 1>hot at it. I also think that from the first

0:32:08.480 --> 0:32:11.520
<v Speaker 1>time that you see her, which is when one of Um,

0:32:11.600 --> 0:32:13.960
<v Speaker 1>one of Dan's colleagues, is checking her out at a

0:32:14.120 --> 0:32:17.040
<v Speaker 1>dinner where they're all there with their wives, but of

0:32:17.040 --> 0:32:20.600
<v Speaker 1>course the lawyers are eyeballing all the women. She basically

0:32:20.640 --> 0:32:24.040
<v Speaker 1>shuts him down with this like icy stare that is

0:32:24.200 --> 0:32:29.920
<v Speaker 1>so incredibly like red Flag. And it's interesting because I

0:32:29.960 --> 0:32:32.960
<v Speaker 1>think what draws him to her the whole time is

0:32:33.000 --> 0:32:36.280
<v Speaker 1>how powerful she isn't how scary, and there's a scene

0:32:37.960 --> 0:32:41.880
<v Speaker 1>she's intense. There's a scene when Alex kidnaps um the

0:32:42.000 --> 0:32:44.760
<v Speaker 1>daughter Ellen. That's when you maybe turn on Alex. Well.

0:32:45.080 --> 0:32:47.120
<v Speaker 1>What's interesting is there's a scene where they're on a

0:32:47.240 --> 0:32:50.560
<v Speaker 1>roller coaster and Ellen is supposed to be five or

0:32:50.600 --> 0:32:53.400
<v Speaker 1>six years old, so she's probably like on the younger

0:32:53.480 --> 0:32:57.800
<v Speaker 1>end to ride a roller coaster, that's the first thing

0:32:57.840 --> 0:33:02.600
<v Speaker 1>I think. But you see her face and she's like terrified,

0:33:02.720 --> 0:33:05.000
<v Speaker 1>and then eventually by the end of the roller coaster

0:33:05.160 --> 0:33:07.520
<v Speaker 1>she's loving it. And I think that it kind of

0:33:07.520 --> 0:33:10.760
<v Speaker 1>plays on the fact that what Dan wants from Alex

0:33:10.840 --> 0:33:14.520
<v Speaker 1>is like something dangerous that could almost blow up his life.

0:33:15.080 --> 0:33:18.280
<v Speaker 1>That it's the ultimate luxury for someone who has it

0:33:18.360 --> 0:33:21.360
<v Speaker 1>all it is, And it's also like the ultimate sexual thrill,

0:33:21.440 --> 0:33:23.760
<v Speaker 1>like on the elevator when she's giving him a blowjob

0:33:23.760 --> 0:33:26.120
<v Speaker 1>and it stops between floors, like she has the hook

0:33:26.160 --> 0:33:28.040
<v Speaker 1>in him at that point, and he ends up going

0:33:28.120 --> 0:33:31.040
<v Speaker 1>back to her apartment. When I've noticed about erotic thrillers,

0:33:31.080 --> 0:33:34.880
<v Speaker 1>is nobody ever has sex on a bed. Yea, It's

0:33:34.880 --> 0:33:38.120
<v Speaker 1>always going to be running water in this movie. It's

0:33:38.120 --> 0:33:40.000
<v Speaker 1>stressful to be living in l A. I'm like someone

0:33:40.040 --> 0:33:41.960
<v Speaker 1>turned off the water. It's part of it too. It's

0:33:42.000 --> 0:33:44.920
<v Speaker 1>like she doesn't care. The water is just gonna overflow.

0:33:44.920 --> 0:33:49.320
<v Speaker 1>The boiling on this dove, bunny or stew doesn't matter.

0:33:49.760 --> 0:33:53.959
<v Speaker 1>The opera is too loud. Everything too loud. And I

0:33:54.000 --> 0:33:56.200
<v Speaker 1>like that he has a daughter because you're also like,

0:33:56.560 --> 0:34:01.400
<v Speaker 1>the daughter is totally clocking all the stuff that's happening. Yeah,

0:34:01.480 --> 0:34:03.400
<v Speaker 1>well that's the other thing. Is so the ending that

0:34:03.440 --> 0:34:05.440
<v Speaker 1>they went with, which I think Glenn Close in the

0:34:05.480 --> 0:34:09.080
<v Speaker 1>Oxford Union talk Um discusses as being you know, she

0:34:09.200 --> 0:34:10.600
<v Speaker 1>was like, I don't think that it could have been

0:34:10.640 --> 0:34:14.160
<v Speaker 1>a hit without that ending. Is that spoiler alert? Again?

0:34:14.520 --> 0:34:19.840
<v Speaker 1>Beth ends up shooting Alex uh the good way woman,

0:34:19.920 --> 0:34:23.880
<v Speaker 1>to protect the family, to protect the family, and Glenn

0:34:23.920 --> 0:34:27.440
<v Speaker 1>Close was obviously, you know, very against this because to her,

0:34:27.520 --> 0:34:30.120
<v Speaker 1>Alex was a victim and Alex was like a person

0:34:30.160 --> 0:34:32.719
<v Speaker 1>struggling with mountal illness. And when she was looking into

0:34:32.760 --> 0:34:35.799
<v Speaker 1>the character, one of the psychiatrists who she consulted with

0:34:35.920 --> 0:34:39.680
<v Speaker 1>suggested that in a scene where alex um is peeking

0:34:39.680 --> 0:34:43.120
<v Speaker 1>through a window and sees Dan giving his child this

0:34:43.280 --> 0:34:46.360
<v Speaker 1>bunny and they're having this like warm moment and Alex

0:34:46.440 --> 0:34:50.720
<v Speaker 1>runs away to throw up, the psychiatrists suggested that maybe

0:34:50.760 --> 0:34:54.000
<v Speaker 1>that reaction was because Alex was the victim of incest

0:34:54.080 --> 0:34:56.840
<v Speaker 1>at that age. Alex's father had died when she was

0:34:56.920 --> 0:34:59.359
<v Speaker 1>seven of a heart attack, and that you know, she

0:34:59.520 --> 0:35:02.640
<v Speaker 1>was re living kind of like the gagging nausea that

0:35:02.719 --> 0:35:05.640
<v Speaker 1>she had when she was that age around her father. Again,

0:35:05.680 --> 0:35:08.440
<v Speaker 1>when you when you put it that way, you're just like,

0:35:08.520 --> 0:35:12.839
<v Speaker 1>this person will deserve sympathy because her life but just

0:35:12.920 --> 0:35:15.840
<v Speaker 1>as much as ruined. This is why I like, I'm

0:35:15.920 --> 0:35:19.520
<v Speaker 1>kind of surprised that you guys describe her Alex as

0:35:19.560 --> 0:35:22.440
<v Speaker 1>like this powerful woman because like I think that she

0:35:22.560 --> 0:35:24.880
<v Speaker 1>has a career, yes, and she's like not you know,

0:35:24.960 --> 0:35:28.680
<v Speaker 1>she hasn't like decided to be a housewife. But like

0:35:28.760 --> 0:35:31.680
<v Speaker 1>I feel like from the get go, like that's not

0:35:31.840 --> 0:35:33.960
<v Speaker 1>the first word I would used to describe her, Like

0:35:34.040 --> 0:35:37.080
<v Speaker 1>she like obviously has an appetite, but I don't, I

0:35:37.080 --> 0:35:40.239
<v Speaker 1>don't know. I think that she hasn't she has an

0:35:40.280 --> 0:35:44.320
<v Speaker 1>appetite that like matches his. But she also has a magnetism,

0:35:44.400 --> 0:35:47.720
<v Speaker 1>and I think that that's her powers, like a sexual power.

0:35:47.840 --> 0:35:49.840
<v Speaker 1>And also I mean just the fact that she deals

0:35:50.280 --> 0:35:53.279
<v Speaker 1>with men as an equal basic I mean, like when

0:35:53.320 --> 0:35:55.520
<v Speaker 1>they when she's asking him in a very forward way,

0:35:55.520 --> 0:35:58.440
<v Speaker 1>like if he can be discreet, and it's a total lie.

0:35:58.719 --> 0:36:00.960
<v Speaker 1>You know, she can't be dis eat at all, But

0:36:01.120 --> 0:36:03.880
<v Speaker 1>I mean she's just bluffing in a very believable way.

0:36:03.920 --> 0:36:07.160
<v Speaker 1>That kind of speaks to this confidence that she has.

0:36:07.200 --> 0:36:09.840
<v Speaker 1>But then obviously there's no core there. There's like no

0:36:10.000 --> 0:36:13.080
<v Speaker 1>center to her, right, Yeah, And that, yeah, that's the

0:36:13.160 --> 0:36:16.640
<v Speaker 1>thing is like knowing somebody past the first weekend, Like

0:36:17.120 --> 0:36:19.919
<v Speaker 1>you can get away with not having an actual core

0:36:20.000 --> 0:36:22.680
<v Speaker 1>to you or being like empty inside for a weekend,

0:36:22.800 --> 0:36:28.560
<v Speaker 1>but being a wandering void. But because like Michael Douglas

0:36:28.719 --> 0:36:31.920
<v Speaker 1>is a wandering Yeah, that would be more than her

0:36:32.040 --> 0:36:35.399
<v Speaker 1>because with her you feel something for her, and with him,

0:36:35.440 --> 0:36:37.840
<v Speaker 1>you're just like, well, he deserves to lose his family.

0:36:38.800 --> 0:36:41.080
<v Speaker 1>He made the choices that lead to he should lose

0:36:41.120 --> 0:36:44.520
<v Speaker 1>his family. Yeah, I mean it's also kind of one

0:36:44.560 --> 0:36:47.040
<v Speaker 1>thing that really like is hard to swallow is how

0:36:47.120 --> 0:36:49.719
<v Speaker 1>long he goes without telling his wife because you're just like,

0:36:49.760 --> 0:36:53.399
<v Speaker 1>why are you suffering like this? When he finally tells her,

0:36:53.440 --> 0:36:59.759
<v Speaker 1>she's kind of like, okay, want when he needs her

0:36:59.840 --> 0:37:02.640
<v Speaker 1>to help him address the problem. That's the only time

0:37:02.680 --> 0:37:05.840
<v Speaker 1>that he gets the like when when the value way,

0:37:05.920 --> 0:37:07.760
<v Speaker 1>like you know, tips over to like okay, I should

0:37:07.800 --> 0:37:11.520
<v Speaker 1>tell my tell my wife right, and then he can't

0:37:11.560 --> 0:37:14.480
<v Speaker 1>even you know, she's got a killer, Like he can't

0:37:14.480 --> 0:37:17.400
<v Speaker 1>do anything right. Yeah, it's true. Also, I have to

0:37:17.440 --> 0:37:19.640
<v Speaker 1>say that the architecture in this movie, like I just

0:37:19.719 --> 0:37:22.960
<v Speaker 1>love looking in people's apartments and houses and how the

0:37:23.000 --> 0:37:25.760
<v Speaker 1>crazy person always lives in a loft because only crazy

0:37:25.760 --> 0:37:28.960
<v Speaker 1>people can really exist would live in the meatpacking district.

0:37:29.320 --> 0:37:31.680
<v Speaker 1>I love whenever they're walking through the alleyway and the

0:37:31.760 --> 0:37:35.440
<v Speaker 1>meat packing and everything is like on fire. Yeah they

0:37:35.560 --> 0:37:40.400
<v Speaker 1>have like normal fires happening, yes, eighties. Yeah, lives on

0:37:40.440 --> 0:37:43.080
<v Speaker 1>the edge. Yeah, there's like graffiti on her window, but

0:37:43.080 --> 0:37:45.839
<v Speaker 1>it's a really expensive looking apart. Talk about Glenn Close

0:37:45.880 --> 0:37:48.000
<v Speaker 1>for a minute, because we all learned something about Glenn Close.

0:37:48.080 --> 0:37:52.360
<v Speaker 1>Oh god, right close, And so again we highly recommend

0:37:52.719 --> 0:37:55.520
<v Speaker 1>you can google list or or look it up on YouTube.

0:37:55.560 --> 0:37:59.600
<v Speaker 1>There's a talk that Glen Close gave at Oxford University

0:38:00.000 --> 0:38:03.200
<v Speaker 1>out a year ago. Um, where she's it's it's about

0:38:03.239 --> 0:38:06.879
<v Speaker 1>it's about mental health, uh in general, what it's about

0:38:06.880 --> 0:38:09.440
<v Speaker 1>her career and kind of her life and then her

0:38:09.440 --> 0:38:11.480
<v Speaker 1>approach different characters. So that's where you know a lot

0:38:11.520 --> 0:38:14.160
<v Speaker 1>of the stuff about Alex Forrest comes in, but also

0:38:14.440 --> 0:38:16.480
<v Speaker 1>has and I mean, this is not new, This was

0:38:16.520 --> 0:38:19.359
<v Speaker 1>not news, I don't think at the time. But apparently

0:38:19.680 --> 0:38:23.040
<v Speaker 1>going Close grew up in a cult and lived in

0:38:23.120 --> 0:38:27.719
<v Speaker 1>one from age seven to twenty two apparently, and she

0:38:27.920 --> 0:38:30.840
<v Speaker 1>decided so long break out of the cult as a

0:38:30.880 --> 0:38:33.000
<v Speaker 1>twenty two year old so she could go to college

0:38:33.440 --> 0:38:35.440
<v Speaker 1>where she went to William and Mary and she studied

0:38:35.480 --> 0:38:37.600
<v Speaker 1>theater there and then like you know, the rest is history.

0:38:38.080 --> 0:38:42.839
<v Speaker 1>But like that was fascinating to me, Like she I don't,

0:38:42.880 --> 0:38:44.319
<v Speaker 1>I don't. I guess I don't know that much about

0:38:44.280 --> 0:38:47.239
<v Speaker 1>Glenn Close. In general, I guess I knew nothing about her.

0:38:47.560 --> 0:38:50.160
<v Speaker 1>I think I always I think I always thought she

0:38:50.280 --> 0:38:53.440
<v Speaker 1>was like a Juilliard person, like Meryl Streep or something.

0:38:53.560 --> 0:38:56.520
<v Speaker 1>But this, this makes more sense. She has so many layers.

0:38:56.600 --> 0:38:59.920
<v Speaker 1>She in this topic. MARYL. Streep go to Vassar. I'm sorry,

0:39:00.000 --> 0:39:04.799
<v Speaker 1>I don't want to. I thought she was born into

0:39:04.800 --> 0:39:06.680
<v Speaker 1>the theater. I thought she was born into the theater.

0:39:06.840 --> 0:39:09.280
<v Speaker 1>I would have assumed she was like from old money

0:39:09.400 --> 0:39:11.319
<v Speaker 1>or something. I would not have guessed that she grew

0:39:11.360 --> 0:39:13.560
<v Speaker 1>up in a cult. If her father was a famous surgeon,

0:39:13.680 --> 0:39:16.560
<v Speaker 1>I believe um. But I mean she also talked about

0:39:16.600 --> 0:39:19.640
<v Speaker 1>how her family, like her sister, suffered from mental illness,

0:39:19.719 --> 0:39:22.000
<v Speaker 1>and um, no one was allowed to see a psychiatrist

0:39:22.080 --> 0:39:23.840
<v Speaker 1>or a psychologist growing up. She said it would have

0:39:23.840 --> 0:39:26.920
<v Speaker 1>been as frowned upon as inviting a democrat to dinner.

0:39:28.520 --> 0:39:32.840
<v Speaker 1>I mean, she's just a phenomenally interesting actor and person.

0:39:32.920 --> 0:39:35.960
<v Speaker 1>I love her. I'm getting well, it's interesting too, because

0:39:36.000 --> 0:39:39.560
<v Speaker 1>she's so she didn't win for the Wife. But she

0:39:39.800 --> 0:39:44.359
<v Speaker 1>is doing Sunset Boulevard the musical next, which she's done

0:39:44.400 --> 0:39:47.080
<v Speaker 1>like several She's done several times, but it's going to

0:39:47.160 --> 0:39:49.520
<v Speaker 1>be the filmed version of it Um And I think

0:39:49.560 --> 0:39:52.520
<v Speaker 1>that's interesting because obviously Norman Desmond is like another one

0:39:52.560 --> 0:39:55.440
<v Speaker 1>of like films great female monsters, who I think is

0:39:55.480 --> 0:39:58.120
<v Speaker 1>like a sympathetic character that I love, you know, where

0:39:58.120 --> 0:40:01.040
<v Speaker 1>you're like, oh what, she's a villain because she's like

0:40:01.120 --> 0:40:04.120
<v Speaker 1>old and still wants to be famous. Like it's more

0:40:04.160 --> 0:40:08.040
<v Speaker 1>about like men's projected fear of women than anything else,

0:40:08.160 --> 0:40:12.480
<v Speaker 1>you know, because she's like a cool Dracula. So I

0:40:12.520 --> 0:40:15.040
<v Speaker 1>can't wait. That's gonna be I mean, that's gonna be

0:40:15.120 --> 0:40:18.040
<v Speaker 1>the thing. It's good that she didn't win it for

0:40:18.040 --> 0:40:21.319
<v Speaker 1>the Wife. She's not near death, She's not anywhere near

0:40:21.360 --> 0:40:24.239
<v Speaker 1>the end of her career. She has so much left

0:40:24.280 --> 0:40:27.440
<v Speaker 1>in her she's going to be fed. We asked a

0:40:27.440 --> 0:40:30.799
<v Speaker 1>lot of great Here's here's an idea, Glenn Close play

0:40:30.880 --> 0:40:37.080
<v Speaker 1>Momo when the Oscar misunderstood. I'm just saying she does

0:40:37.120 --> 0:40:40.799
<v Speaker 1>well with character roles and difficult women. My mom said

0:40:40.840 --> 0:40:43.080
<v Speaker 1>that her performance and The Wife was like one of

0:40:43.080 --> 0:40:46.839
<v Speaker 1>her favorite performances in years. She's really good in the way.

0:40:47.120 --> 0:40:48.600
<v Speaker 1>I want to say. I didn't see The Wife, but

0:40:48.640 --> 0:40:50.680
<v Speaker 1>I saw the Hoo Weekly Live show where they showed

0:40:50.760 --> 0:40:53.799
<v Speaker 1>Bobby Finger showed like a super cut of just Hall

0:40:53.880 --> 0:40:58.200
<v Speaker 1>of her reactions of just like looking away, sadly great,

0:40:58.280 --> 0:41:02.080
<v Speaker 1>great acting, She's awesome. She also looks fantastic in it.

0:41:02.120 --> 0:41:06.000
<v Speaker 1>She did not, Yeah, she she writes a concorde. It's

0:41:06.040 --> 0:41:09.719
<v Speaker 1>a period piece, so she's like, shall in the concorde

0:41:09.840 --> 0:41:12.919
<v Speaker 1>like being close. It's just it's I mean, that movie

0:41:12.960 --> 0:41:17.839
<v Speaker 1>isn't great by any means, but it's it's relaxing, It's

0:41:17.840 --> 0:41:21.319
<v Speaker 1>got its mama. I will also recommend Glenn Close a

0:41:21.320 --> 0:41:24.719
<v Speaker 1>great follow on Instagram. I just learned I followed her

0:41:24.760 --> 0:41:26.680
<v Speaker 1>on Instagram. She posts a lot of pictures of her dog,

0:41:26.680 --> 0:41:29.279
<v Speaker 1>whose name is Pip, and then she posts close up

0:41:29.320 --> 0:41:33.040
<v Speaker 1>photos that are called hip quizzes. Very big at the

0:41:33.080 --> 0:41:36.360
<v Speaker 1>Indie Spirits. He was like the celebrity. She'll post a

0:41:36.400 --> 0:41:38.520
<v Speaker 1>close up photo and be like what is this and

0:41:38.560 --> 0:41:40.520
<v Speaker 1>then like two weeks later be like it was some

0:41:40.600 --> 0:41:43.919
<v Speaker 1>rust on a window sill. I love that me too.

0:41:43.960 --> 0:41:48.200
<v Speaker 1>I feel like going close with kids are like like

0:41:48.360 --> 0:41:54.040
<v Speaker 1>clothes come on nightcall gun, clothes, come on nightcall. C um.

0:41:54.320 --> 0:41:56.640
<v Speaker 1>One other question I have for you guys, which can

0:41:56.680 --> 0:42:00.880
<v Speaker 1>maybe like lead us to a future erotic thriller. Um,

0:42:00.920 --> 0:42:04.000
<v Speaker 1>what do you guys. Think of the sex in Fatal Attraction.

0:42:04.840 --> 0:42:09.640
<v Speaker 1>The sex scenes. I mean, there's the elevator one, there

0:42:09.920 --> 0:42:12.960
<v Speaker 1>is uh oh gosh. Now I'm like, I'm having a

0:42:13.000 --> 0:42:17.640
<v Speaker 1>weird brain melt because I watched two erotic throw yeah

0:42:17.640 --> 0:42:21.320
<v Speaker 1>you sink uh and like the pant pants around the ankles.

0:42:21.640 --> 0:42:24.000
<v Speaker 1>They're good. They're good sex scenes. I'm totally down with

0:42:24.040 --> 0:42:26.279
<v Speaker 1>those sex scenes. What do you think. I mean, they're

0:42:26.400 --> 0:42:30.640
<v Speaker 1>very like they're very like Madonna musical video level, like

0:42:30.719 --> 0:42:33.640
<v Speaker 1>the like either in the white room or in the

0:42:33.719 --> 0:42:36.600
<v Speaker 1>elevator with like the light coming through the shafts while

0:42:36.680 --> 0:42:39.120
<v Speaker 1>she's like up against the wall. It's very the guy

0:42:39.200 --> 0:42:42.120
<v Speaker 1>walking by. Honestly, the weirdest thing to me is when

0:42:42.160 --> 0:42:45.239
<v Speaker 1>she like grabs like a handful of water and kind

0:42:45.239 --> 0:42:50.480
<v Speaker 1>of like her down. But it's funny because it's her.

0:42:51.239 --> 0:42:55.880
<v Speaker 1>You're supposed to react like, WHOA so kinky? Do I

0:42:55.880 --> 0:42:59.799
<v Speaker 1>feel like anything weird? And specifically that's why I like

0:43:00.040 --> 0:43:02.120
<v Speaker 1>the peeling off the eyebrows and the stars point and

0:43:02.120 --> 0:43:05.759
<v Speaker 1>you're just like never thought of that, think you can

0:43:05.800 --> 0:43:08.520
<v Speaker 1>make that hot. But like the best part in Fifty

0:43:08.600 --> 0:43:11.400
<v Speaker 1>Shades of Gray is like somebody like bites into toast

0:43:11.920 --> 0:43:15.560
<v Speaker 1>you weird, right, You're like, that's the best part of

0:43:15.600 --> 0:43:18.399
<v Speaker 1>the movie. Um, it's weird specific things, and this movie

0:43:18.440 --> 0:43:20.879
<v Speaker 1>has some weird specific things. Emily, what did you think

0:43:20.920 --> 0:43:25.400
<v Speaker 1>of the sexy sex in Fatal Attraction? Oh, I'm into it.

0:43:25.480 --> 0:43:29.239
<v Speaker 1>I mean, like I feel like her bedroom, which is

0:43:29.280 --> 0:43:31.719
<v Speaker 1>where I mean there's the sexy sex ends after like

0:43:31.760 --> 0:43:34.880
<v Speaker 1>the first third obviously, Um, he does not go back

0:43:35.040 --> 0:43:39.120
<v Speaker 1>for more, keeps flirting even when he's telling your yeah

0:43:39.480 --> 0:43:45.319
<v Speaker 1>or do mixed signals. Yeah, I mean this is one

0:43:45.360 --> 0:43:48.799
<v Speaker 1>of those things also where I think getting used to

0:43:48.840 --> 0:43:51.880
<v Speaker 1>like that kind of nudity again, that kind of casual nudity,

0:43:51.960 --> 0:43:53.920
<v Speaker 1>like even in movies that are R rated and have

0:43:53.960 --> 0:43:55.640
<v Speaker 1>sex in them that come out now you just don't

0:43:55.760 --> 0:43:59.680
<v Speaker 1>see that is much like you don't just see grown up. Yeah,

0:44:00.000 --> 0:44:02.600
<v Speaker 1>don't see a woman just like as she would after sex,

0:44:02.680 --> 0:44:06.919
<v Speaker 1>like casually like hanging out with her tips out, Like, yeah,

0:44:06.920 --> 0:44:12.719
<v Speaker 1>it feels she's also so tan's because I think that's

0:44:12.760 --> 0:44:15.600
<v Speaker 1>the thing. It's like, she's so dangerous, she's so tan.

0:44:15.880 --> 0:44:19.719
<v Speaker 1>Where has she been that she got this tan? Don't

0:44:19.760 --> 0:44:22.600
<v Speaker 1>have that a little crazy from the beginning, So you're

0:44:22.680 --> 0:44:25.319
<v Speaker 1>like he went for it because of that well, that

0:44:25.400 --> 0:44:27.799
<v Speaker 1>was all I know. We're going like really long on

0:44:27.880 --> 0:44:30.399
<v Speaker 1>fatal Attraction. That was a thing she said is in

0:44:30.440 --> 0:44:34.600
<v Speaker 1>the Oxford address about how she was like so nervous

0:44:34.640 --> 0:44:37.120
<v Speaker 1>about the audition. She couldn't do her hair and she

0:44:37.160 --> 0:44:38.759
<v Speaker 1>always has a hard time doing her hair and she

0:44:38.840 --> 0:44:40.880
<v Speaker 1>was just like fucking and it was crazy. And she

0:44:40.960 --> 0:44:43.319
<v Speaker 1>was wearing this black dress and she was like, you know,

0:44:43.440 --> 0:44:45.800
<v Speaker 1>just she She's like, you're like, I'd like to get crazy.

0:44:45.960 --> 0:44:49.319
<v Speaker 1>She did the like can just a white shirt dress? Thing?

0:44:49.560 --> 0:44:54.480
<v Speaker 1>Like oh she was the black dry That's what she said. Yeah,

0:44:54.600 --> 0:44:57.120
<v Speaker 1>but she did that can you be discreet? Thing? And

0:44:57.200 --> 0:44:59.239
<v Speaker 1>she was like just trying to throw some things out there,

0:44:59.239 --> 0:45:02.000
<v Speaker 1>but she was freak out and it was so it's

0:45:02.040 --> 0:45:04.840
<v Speaker 1>so interesting because her hair, her hair being like Medusa,

0:45:04.880 --> 0:45:09.000
<v Speaker 1>like definitely part is when she's sitting alone in her apartment.

0:45:11.080 --> 0:45:13.560
<v Speaker 1>I took a video of that for the Instagram and

0:45:13.680 --> 0:45:17.720
<v Speaker 1>I will send you. I like any movie that whose

0:45:17.760 --> 0:45:20.120
<v Speaker 1>message is be terrified of women, because I'm always like,

0:45:20.160 --> 0:45:26.280
<v Speaker 1>that's right correct, That's what I love. Audition Also, yeah, yeah, um,

0:45:26.360 --> 0:45:29.480
<v Speaker 1>any movie that's like flur you in with femininity and

0:45:29.520 --> 0:45:32.840
<v Speaker 1>then your life becomes a nightmare. We'll get to basic instinct.

0:45:32.840 --> 0:45:36.200
<v Speaker 1>I mean, Michael Douglas not farewell in any of these movies,

0:45:37.040 --> 0:45:39.480
<v Speaker 1>like if ever there was a man to see be

0:45:39.640 --> 0:45:44.760
<v Speaker 1>made miserable and by various like wildly hot and amazing women.

0:45:45.080 --> 0:45:50.080
<v Speaker 1>Uh yeah, it's very satisfying. Um. Well, if you have

0:45:50.200 --> 0:45:52.600
<v Speaker 1>any erotic thrillers you would like to hear discussed on

0:45:52.680 --> 0:45:54.959
<v Speaker 1>Night Call, please give us a call to four oh

0:45:55.200 --> 0:45:59.000
<v Speaker 1>four six night Also, if you have any erotic thrillers

0:45:59.040 --> 0:46:02.080
<v Speaker 1>that really bother you or really bad, tell us about

0:46:02.120 --> 0:46:06.480
<v Speaker 1>those two and through misery. Yeah, I believe it's called

0:46:06.520 --> 0:46:10.880
<v Speaker 1>wild Orchid is the one. Yes, and that's added to

0:46:10.880 --> 0:46:15.600
<v Speaker 1>the list. Now. We are also on Twitter at Nightcall Pod,

0:46:15.960 --> 0:46:19.880
<v Speaker 1>Instagram at Nightcall Podcast, and Facebook at Nightcall Podcast. Uh

0:46:19.960 --> 0:46:23.480
<v Speaker 1>and you can also subscribe to us on iTunes and

0:46:23.600 --> 0:46:25.799
<v Speaker 1>give us a review at a rating. Maybe you can

0:46:25.800 --> 0:46:29.319
<v Speaker 1>talk about your favorite erotic thrillers in your review. There's

0:46:29.360 --> 0:46:31.920
<v Speaker 1>no rules, you can do whatever you want. Well, we'll

0:46:31.960 --> 0:46:35.000
<v Speaker 1>be back next week with more erotic thrillers. This is

0:46:35.000 --> 0:46:38.440
<v Speaker 1>now a show about erotic thrillers, erotic tillers, and Momo.

0:46:40.000 --> 0:46:56.640
<v Speaker 1>And just like Momo, we will not be ignored. Bye. Okay,