WEBVTT - Conversation with a Cholo

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<v Speaker 1>And then dre providing that music right, that fit that landscape,

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<v Speaker 1>like all of that p funk they was using. I

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<v Speaker 1>asked a lot of my O G hommies, that's all

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<v Speaker 1>gang bang music. They were telling me. Flashlight will get

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<v Speaker 1>you funked up at the party. This is the attention

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<v Speaker 1>to detail necessary to separate good from great. This guy

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<v Speaker 1>will stop recording for the a C. That's that's the standard.

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<v Speaker 1>He's that's the standard here. He's meticulous like that. He'll

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<v Speaker 1>let me come on and the sound of my miserable

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<v Speaker 1>voice saying dumbest stupidity for thirty minutes. Cool. But if

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<v Speaker 1>the a C is on in the background, we're stopping it. Um,

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<v Speaker 1>why do you feel? What's the slight on? You feel?

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<v Speaker 1>Being a cholo is because me and you always burial stereotypers,

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<v Speaker 1>You feel me, I think, Um. The the general understanding

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<v Speaker 1>of rollo is very Hollywood, very movie, very you know,

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<v Speaker 1>like a crip. I guess you know, because I'm not

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<v Speaker 1>familiar how I don't don't. I don't know if you

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<v Speaker 1>don't know how people think crip sposed well, because you know,

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<v Speaker 1>I know real crips. I've been in real cripals at

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<v Speaker 1>the point. You know, real Tolos, So it's just different

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<v Speaker 1>from me. I guess I hold it a little bit

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<v Speaker 1>different because I am a trolo so to speak, right,

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<v Speaker 1>you know, by by origin and all that. But um, yeah,

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<v Speaker 1>you know the the image of trollo. Have you ever

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<v Speaker 1>seen the movie Cobra? Anybody remember that movie Cobra was

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<v Speaker 1>the Western saloon. Well there, there there's an image there.

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<v Speaker 1>There's a part in that movie where he pulls up

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<v Speaker 1>on the beach and there's some trollos there and he

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<v Speaker 1>like rips his fucking uh his tank top off of

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<v Speaker 1>him and he slaps him and takes a cigarette and

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<v Speaker 1>smokes it. And that's kind of like the generalization of

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<v Speaker 1>nobody would portray totals, so to speak. You feel, I'm say, no, no, nobody. Actually,

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<v Speaker 1>when people think of Tolos and films, they're gonna think

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<v Speaker 1>of American Me or Bloody and blood Out and Worst

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<v Speaker 1>and Worst Time. Those movies are are are not completely

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<v Speaker 1>on of what the trollo really is. But that's I mean,

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<v Speaker 1>that's like Colors. Rocket is not really a crip. What

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<v Speaker 1>I mean, I meant turned through crips like Rocket though,

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<v Speaker 1>who play Rocket Dog? Oh but I'm saying they don't

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<v Speaker 1>act like don Cheeto, No, but I mean that they're

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<v Speaker 1>they're moving like that for sure. So you mean to

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<v Speaker 1>tell me you feel like they're hanging on crips. You

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<v Speaker 1>feel like crips have the correct representation in Hollywood, but

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<v Speaker 1>not Chelos. I think I think that moment in time

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<v Speaker 1>they did, for sure. But you know what, at that

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<v Speaker 1>moment in time, I think they portrayed Torolos accurate at

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<v Speaker 1>the same time exactly, That's what I'm saying. But but

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<v Speaker 1>you know current day, they don't. They still portray them

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<v Speaker 1>at that at that so what I'm saying, that's what

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<v Speaker 1>I'm saying, Like there's no evolution of the son is

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<v Speaker 1>in here doing That's my biggest thing. Whenever they never

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<v Speaker 1>televised the elevation of the crolo or the or the

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<v Speaker 1>the fucking what do you call? But do you feel

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<v Speaker 1>that's the evolution of the crolo? But you don't think

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<v Speaker 1>that's I don't know if that's evolution. Why. I mean,

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<v Speaker 1>go to East La and you'll see the evolution of

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<v Speaker 1>the trollo really is. Yeah, what is just just for

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<v Speaker 1>the audience sake, yuah, what's sterence between a clo, a Latino,

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<v Speaker 1>a Chicano some of that, And how has the trolo

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<v Speaker 1>evolved in the last thirty five years? First off, by

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<v Speaker 1>by by origin, right, the trollo is a Chicano thing. Yeah,

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<v Speaker 1>and the chicano is a is a Mexican American. Okay,

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<v Speaker 1>so you have to be born here to be a

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<v Speaker 1>Chicano if you're Mexican. Latino is it's a representation of

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<v Speaker 1>anything Laddin, so that could be Salvadorians, Puerto Ricans, Dominicans. Still,

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<v Speaker 1>do you like the term Latin Latin stupid? Exactly? Yeah?

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<v Speaker 1>Do you like the term Latin X or is Latin

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<v Speaker 1>X kind of stupid? No, I'm a Chicano. I'm not

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<v Speaker 1>no Latin. That's that you know that A little to walk,

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<v Speaker 1>a little too walk for this for this student. Yeah, No,

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<v Speaker 1>I'm not gonna do that at all. I'm not doing that.

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<v Speaker 1>We're not gonna do that. I don't know. I don't

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<v Speaker 1>know where that came with l M bro, We're gonna

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<v Speaker 1>leave them right, don't make me go. They're gonna fuck

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<v Speaker 1>gay ladies go whoop your Yeah, you know they're after me. Man,

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<v Speaker 1>he'd be talking about b l A. I mean gay

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<v Speaker 1>lady lady likes one gonna squab you up, Bro, I'm

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<v Speaker 1>just look like, bro, look, I speak on it because

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<v Speaker 1>it's you know, they're coming in under the cover of

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<v Speaker 1>social issues for black people, like they're representing them type

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<v Speaker 1>of issues when they're not. You know, they're not here

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<v Speaker 1>for the betterment of that community. They're here for their

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<v Speaker 1>own agenda to push homosexuality and all that other stuff

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<v Speaker 1>and really like the the masculinity of society and all. Honestly,

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<v Speaker 1>if you really want to bust it down from like it,

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<v Speaker 1>what's going on right now? You feel what I'm saying,

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<v Speaker 1>like and that's bad. I'm not going to disagree with

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<v Speaker 1>the word of that political football content. I'm not against it.

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<v Speaker 1>How would you then, ductors defies, Let me ask you something.

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<v Speaker 1>Are you comfortable with your son going to school learning

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<v Speaker 1>about you know, men kissing and I'm not having kids.

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<v Speaker 1>I'm just saying or that's why I'm not having it.

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<v Speaker 1>There's no politically correct like keep it real, bro, That's

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<v Speaker 1>why I'm not having it. The problem with society now

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<v Speaker 1>is we can't keep it real. Nobody wants to talk

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<v Speaker 1>about I'm keeping room. I'm keeping it real. I don't

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<v Speaker 1>want everybody wants to go to heaven. You know they're

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<v Speaker 1>talking about you know what a theby isby? That's a

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<v Speaker 1>phrase that they're they're trying to make that is that

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<v Speaker 1>calling the baby? It's a theby? You know why? Because

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<v Speaker 1>it's waiting for it to grow up and decide what gender.

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<v Speaker 1>It is fascinating. People don't kill you dig me how

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<v Speaker 1>many years? Maybe some people decide that what they are

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<v Speaker 1>sooner than others. I don't know so so the way

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<v Speaker 1>I feel about it all that's why I don't want

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<v Speaker 1>to have children. Okay, the world that's going on today,

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<v Speaker 1>it's a little too complex. I don't got enough energy

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<v Speaker 1>to explain to another human being what's going on. And

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<v Speaker 1>I couldn't rationalize it, honestly, See, I would expect glasses

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<v Speaker 1>to say, you know, that's why I'm standing up and

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<v Speaker 1>I'm letting anybody know the day on some function. But

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<v Speaker 1>he's he's about now. He's saying, you know, I'm gonna

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<v Speaker 1>far back. I ain't gonna get involved. No, I'm motherucker's

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<v Speaker 1>gotta get involved. Motherfucker's gotta talk about this ship they

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<v Speaker 1>gotta raise, how about it? I'm not I'm listening so

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<v Speaker 1>the way I feel about listen, Um, I just literally

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<v Speaker 1>agree with your debate. I'm saying the world has gotten

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<v Speaker 1>so complex, I don't want to have children. I feel

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<v Speaker 1>that that's so to your point, well hold on, but

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<v Speaker 1>see that's that's the effect of this whole fucking weird

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<v Speaker 1>old society that we live in. It's making people not

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<v Speaker 1>even want to have children. That's true. A one point

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<v Speaker 1>six per two. You feel me not wanting to not

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<v Speaker 1>wanting to see himself and and to come up. You did, like,

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<v Speaker 1>that's crazy to take it even a step further. You

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<v Speaker 1>grew up in the eighties and nineties and Watts, and

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<v Speaker 1>you don't want your kid to grow up in the

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<v Speaker 1>suburbs in this social environment. That's a statement. WATS is

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<v Speaker 1>easy relative to uh, Watts is easier than woke right now, Woke.

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<v Speaker 1>I like that. I wish WATTS is definitely one can't

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<v Speaker 1>be easy to navigate through. Once you've been there for me, Yeah,

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<v Speaker 1>like I can navigate. If I could raise a kid

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<v Speaker 1>and Watson, he'll be fine. You can get on the

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<v Speaker 1>green line and go to elsegon to two seconds. You

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<v Speaker 1>can't leave woke crowd. Woke chases you down. You have

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<v Speaker 1>a thousand people. So as far as Black Lives Matter,

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<v Speaker 1>I just think it's some pussy ship please, you know,

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<v Speaker 1>so I'm just being honest. I just think you genuinely.

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<v Speaker 1>But but but for a different reason, right. Um, I

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<v Speaker 1>don't like to tell somebody, hey, you know what, the

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<v Speaker 1>way you're treating me is bad. Um, you please stop

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<v Speaker 1>treating me this way. Uh. I don't like Black Lives

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<v Speaker 1>Matter because it's like put out your phone and record

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<v Speaker 1>what's going on. Like I'm more black power. Like if

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<v Speaker 1>I see an injustice, I'm gonna risk my life to

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<v Speaker 1>save the brother. But see, that's the thing. They're not

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<v Speaker 1>even in the business of doing that. Well. I mean again,

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<v Speaker 1>their business is a whole different conversation obviously, you know

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<v Speaker 1>what I mean. I mean they got a grip of

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<v Speaker 1>stuff incorporated, you know, not for profit. George Seyles funded

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<v Speaker 1>them a million dollars. That's not a conspiracy theory. I've

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<v Speaker 1>heard that before, so THATSCT. No, it's on the books.

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<v Speaker 1>I mean most small yeah, that's probably smaller most nonprofits

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<v Speaker 1>are funded. I mean, think about it right now. Um,

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<v Speaker 1>Colin Kaepernick is funded by Nike, and that's the same

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<v Speaker 1>people that's fund in the nfl H. I mean, so again,

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<v Speaker 1>I don't really buy into any of these movements. Um,

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<v Speaker 1>I for sure, Like so capp Is, I think his

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<v Speaker 1>point is he's trying to do the right thing right.

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<v Speaker 1>That's where I'm focused at right, And and his old

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<v Speaker 1>ladiness is the home girl. I know they're trying to

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<v Speaker 1>do the right thing. But nobody that come up where

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<v Speaker 1>we come up will be trying to teach kids rights.

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<v Speaker 1>The police are ignoring your right to live. The last

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<v Speaker 1>thing you needed to be doing is arguing some fucking

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<v Speaker 1>civil or or or criminal matters with the motherfucking person

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<v Speaker 1>paid to try to keep peace. That's something you explain

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<v Speaker 1>in court. So it definitely bothers me that certain people

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<v Speaker 1>like that who don't who may don't have the vested interests,

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<v Speaker 1>or whoever is around him explaining to them what should

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<v Speaker 1>be happening. It's like I tell sticks all the time, like,

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<v Speaker 1>don't go teach a bunch of poor people financial literacy.

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<v Speaker 1>Let's figure out how to create industry around these poor people.

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<v Speaker 1>And then as they're making money, we can teach them

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<v Speaker 1>financial literacy. But how are you gonna tell the motherfucker

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<v Speaker 1>that can't pay rent how to save money? That might

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<v Speaker 1>be a little distracting to try to you know, I

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<v Speaker 1>need to remember these lessons on how to save money. Mean,

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<v Speaker 1>while I can't pay the rent some money, you know

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<v Speaker 1>what I'm saying. So I think there's a lot of

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<v Speaker 1>chicken and a conversations where I think they're only like

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<v Speaker 1>that because people not from where we're from. I just

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<v Speaker 1>feel like, I feel like because I am older, No right,

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<v Speaker 1>I feel like because I've I've been through so many

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<v Speaker 1>things in my life. I'm I'm even though I am

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<v Speaker 1>a cholo, like I'm pretty well rounded this ship. Like

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<v Speaker 1>wat are you saying the Crip can't be well around it? No?

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<v Speaker 1>But you know most people student, you know what I'm saying.

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<v Speaker 1>But I have I have Native American friends. I have

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<v Speaker 1>Crip friends. You might see me with just one day,

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<v Speaker 1>you see me with some cripts, and so you know,

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<v Speaker 1>I I because of the type of experiences I've had

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<v Speaker 1>with all these different types of people. Sometimes maybe I

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<v Speaker 1>feel like I have a past to speak on certain things,

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<v Speaker 1>and I want to speak on certain things because it's

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<v Speaker 1>just not going the way. You know, that's not the

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<v Speaker 1>right way. So, um, I did it a little backlash

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<v Speaker 1>for speaking on bl M because a lot of people

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<v Speaker 1>immediately want to accumulate it it as it to being

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<v Speaker 1>a racist thing because I'm a Mexican guy and I'm

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<v Speaker 1>talking about these things. But you can. But but at

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<v Speaker 1>the same time, like I speak on it because I

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<v Speaker 1>I understand it, Like I've been in the in the streets,

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<v Speaker 1>I know what's going on here. You know collusion when

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<v Speaker 1>you see it. You know collusion when you see it,

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<v Speaker 1>you feel me it's grazy as fun. I feel what

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<v Speaker 1>I'm saying. I don't know. One day, I'm gonna sit

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<v Speaker 1>down and talk to the people. Um. I obviously anybody

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<v Speaker 1>that's thinking would have a question about it. I mean

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<v Speaker 1>anything that individualized. I guess that's how they feel progress

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<v Speaker 1>is gonna be made. But I didn't you know what

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<v Speaker 1>I mean, I don't. I didn't even get you here

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<v Speaker 1>to talk about that. What I think. I wanted to

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<v Speaker 1>focus on that because because we always do what we do. Yeah, period, Um,

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<v Speaker 1>what do you think? So again back to the point

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<v Speaker 1>of TOLO, like evolution, Like what do you feel it's

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<v Speaker 1>evolved into? Um, that's an interesting question. Is I don't

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<v Speaker 1>know if evolution is the correct word, Like I think

0:12:28.640 --> 0:12:31.360
<v Speaker 1>and well, it has evolved we just I don't think

0:12:31.400 --> 0:12:34.760
<v Speaker 1>evolved is the right word. I think it's starting to blend, right,

0:12:34.880 --> 0:12:37.040
<v Speaker 1>is where it's not being cultured at all. Well, I

0:12:37.120 --> 0:12:40.240
<v Speaker 1>think that's the evolution of it all blending. No, I mean,

0:12:40.320 --> 0:12:43.200
<v Speaker 1>I don't assimilating. I mean to some degree, but it's

0:12:43.240 --> 0:12:49.200
<v Speaker 1>as simulation evolution, yeah, because it's it's stepping into something

0:12:49.280 --> 0:12:52.760
<v Speaker 1>that it wasn't before. I mean, evolution, evolution is built

0:12:52.800 --> 0:12:56.760
<v Speaker 1>on the preserve life. Well, let me ask you this, Well,

0:12:56.840 --> 0:12:59.360
<v Speaker 1>at this point, it's gonna be kind of hard to

0:12:59.600 --> 0:13:05.920
<v Speaker 1>keep the evolution of the cholo conventional because it's just

0:13:06.080 --> 0:13:07.679
<v Speaker 1>not like that in l A. No more that the

0:13:08.440 --> 0:13:12.880
<v Speaker 1>lines are being crossed constantly. There's no more show me

0:13:13.120 --> 0:13:18.320
<v Speaker 1>a predominant show me a black neighborhood, all black people,

0:13:18.480 --> 0:13:21.280
<v Speaker 1>all black businesses, all black everything. I don't know if

0:13:21.320 --> 0:13:23.240
<v Speaker 1>there's ever been there before. You feel what I'm saying

0:13:23.240 --> 0:13:28.280
<v Speaker 1>to me. But no, no, no, that's not true because

0:13:28.679 --> 0:13:31.600
<v Speaker 1>many many majority zip codes. That's not true. You know why,

0:13:31.679 --> 0:13:35.559
<v Speaker 1>because I think at a certain time in Watts it

0:13:35.720 --> 0:13:38.440
<v Speaker 1>might have been exactly like that almost maybe aside from

0:13:38.480 --> 0:13:43.079
<v Speaker 1>the actual business from nobody predominantly black and Watson and

0:13:43.160 --> 0:13:49.120
<v Speaker 1>Compton at one point, but now it's what Mexicans black. Okay,

0:13:49.360 --> 0:13:53.959
<v Speaker 1>so even more so, how why you understand that the

0:13:54.040 --> 0:13:59.320
<v Speaker 1>evolution is like you're saying, it's starting a becoming connecting

0:13:59.400 --> 0:14:03.640
<v Speaker 1>to something totally different because the influence is there. Well,

0:14:03.679 --> 0:14:06.440
<v Speaker 1>I don't know if that's I think that's going mainstream.

0:14:07.040 --> 0:14:09.360
<v Speaker 1>So it's like we all talk about hip hop, right,

0:14:09.400 --> 0:14:12.920
<v Speaker 1>our jobs and hip hop is cultural, Like our job

0:14:13.040 --> 0:14:16.880
<v Speaker 1>is to supply culture the greatest people supply culture that

0:14:17.000 --> 0:14:21.000
<v Speaker 1>has no representation, right the Snoop Dog is probably the

0:14:21.080 --> 0:14:24.200
<v Speaker 1>greatest hip hop artist of all time, not your favorite,

0:14:24.280 --> 0:14:27.640
<v Speaker 1>not the best, not the most successful, the greatest like

0:14:28.440 --> 0:14:32.960
<v Speaker 1>his his his uh, his bearing is is unbelievable. He's

0:14:33.000 --> 0:14:36.720
<v Speaker 1>probably the most famous as well, right, um, biggest pop printing.

0:14:37.040 --> 0:14:42.440
<v Speaker 1>Yeah yeah, because he represents possibly the greatest black phenomenon

0:14:42.680 --> 0:14:45.000
<v Speaker 1>that came out of America that's crossed over the world,

0:14:45.040 --> 0:14:48.920
<v Speaker 1>which is being a gang member. Right. Then he's embodied

0:14:49.000 --> 0:14:53.760
<v Speaker 1>being a hippie, right, which is California base, being a pimp,

0:14:54.320 --> 0:14:56.920
<v Speaker 1>which is some West Coast shit, h I mean, And

0:14:58.560 --> 0:15:01.720
<v Speaker 1>I think that's why, you know, outside of Dre obviously

0:15:01.800 --> 0:15:03.320
<v Speaker 1>being a part of the music and should have an

0:15:03.360 --> 0:15:07.080
<v Speaker 1>a vision for it. He represented the greatest cultural phenomenon

0:15:07.200 --> 0:15:09.560
<v Speaker 1>that we've ever seen as far as Black people in America.

0:15:11.120 --> 0:15:14.720
<v Speaker 1>I think the key with Mexican hip hop, right, I

0:15:14.840 --> 0:15:16.880
<v Speaker 1>like to call him, I like to specialize, not Latin

0:15:16.960 --> 0:15:21.840
<v Speaker 1>hip hop. Mexican hip hop is truly embodying a culture

0:15:21.960 --> 0:15:25.880
<v Speaker 1>that has no representation. But if the if the actual

0:15:27.200 --> 0:15:31.760
<v Speaker 1>culture being represented doesn't have identity pieces or identity points,

0:15:32.760 --> 0:15:34.840
<v Speaker 1>then why buy it from that person versus buying it

0:15:34.920 --> 0:15:38.080
<v Speaker 1>from somebody else. Yeah, it's like I'm not going to

0:15:39.880 --> 0:15:43.520
<v Speaker 1>to McDonald's to buy tacos. I'm going to go to

0:15:43.640 --> 0:15:46.520
<v Speaker 1>King Tacos. No, I get it. I get it. Um.

0:15:46.840 --> 0:15:48.200
<v Speaker 1>So that's why I said, I don't know if it's

0:15:48.240 --> 0:15:51.640
<v Speaker 1>a conversation of evolution or it's the same thing that's

0:15:51.680 --> 0:15:55.080
<v Speaker 1>happening across the world to everybody else where. You're assimilating

0:15:55.120 --> 0:15:59.360
<v Speaker 1>into mainstream. Because yeah, it's like there's no culture. I

0:15:59.360 --> 0:16:03.000
<v Speaker 1>always tell you this, there's no culture in Gucci. There's

0:16:03.040 --> 0:16:05.800
<v Speaker 1>no culture. Culture in Lousia. I feel like there is

0:16:05.840 --> 0:16:08.760
<v Speaker 1>culture and Gucci though no zero. I mean, look at

0:16:08.800 --> 0:16:12.400
<v Speaker 1>look at where Gucci even became, you know, where it

0:16:12.520 --> 0:16:14.640
<v Speaker 1>was introduced into the hip hop industry. It came from

0:16:14.680 --> 0:16:18.040
<v Speaker 1>New York, from the drug dealers, you know, Alpole and

0:16:18.120 --> 0:16:20.040
<v Speaker 1>all that. They was wearing Gucci before the rappers was

0:16:20.080 --> 0:16:22.400
<v Speaker 1>wearing it. That's where the rappers start wearing it because

0:16:22.400 --> 0:16:24.480
<v Speaker 1>they started and Dapper Damn was making it ship. You

0:16:24.560 --> 0:16:27.120
<v Speaker 1>feel what I'm saying and boom, there it is there

0:16:27.200 --> 0:16:30.000
<v Speaker 1>that's a grassroot influencing hip hop ricor well, I'm not

0:16:30.080 --> 0:16:32.520
<v Speaker 1>saying that influence. I'm saying it's not cultural. It's not

0:16:32.640 --> 0:16:35.800
<v Speaker 1>a cultural thing. It's like, um, it's cultural for hip hop,

0:16:35.920 --> 0:16:39.320
<v Speaker 1>and every motherfucker in this in this culture owns something

0:16:39.400 --> 0:16:42.960
<v Speaker 1>of Gucci has But but I think that waters it down.

0:16:43.960 --> 0:16:46.600
<v Speaker 1>I think that's the problem, is it. Well, yeah, I

0:16:46.640 --> 0:16:49.760
<v Speaker 1>guess it, and that I mean the value, but it's

0:16:49.760 --> 0:16:54.280
<v Speaker 1>still cultural to our culture. I think it's us taking

0:16:54.440 --> 0:16:57.600
<v Speaker 1>from kind of So what happened to hip hop is

0:16:57.640 --> 0:17:01.120
<v Speaker 1>we got caught up trying to sell wealth. I feel like,

0:17:01.160 --> 0:17:03.400
<v Speaker 1>and we said wealth to other poor people, so we

0:17:03.520 --> 0:17:05.040
<v Speaker 1>all want to look like we got it to other

0:17:05.080 --> 0:17:08.639
<v Speaker 1>poor people because don't nobody who have money think about it? Right,

0:17:08.640 --> 0:17:12.280
<v Speaker 1>don't nobody wealthy care about Gucci? Like the wealthiest people

0:17:12.359 --> 0:17:14.280
<v Speaker 1>I know don't even own Gulci. I think. I think,

0:17:14.320 --> 0:17:16.680
<v Speaker 1>I think hip hop create. A matter of fact, this

0:17:16.760 --> 0:17:19.280
<v Speaker 1>is a great question for Pete. Look, hip hop created.

0:17:21.080 --> 0:17:25.840
<v Speaker 1>Hip hop created a finish line for the hood or

0:17:26.359 --> 0:17:30.600
<v Speaker 1>a place of honor, right, and so you know, they

0:17:30.720 --> 0:17:32.679
<v Speaker 1>go and they and they get the Gucci and all

0:17:32.760 --> 0:17:35.240
<v Speaker 1>these things that you want to You want to work hard,

0:17:35.320 --> 0:17:37.080
<v Speaker 1>you want to get it right because you see your

0:17:37.160 --> 0:17:39.399
<v Speaker 1>favorite the people we lucky to look up to, the

0:17:39.480 --> 0:17:42.240
<v Speaker 1>hip hop artists, you feel me the ambassadors of where

0:17:42.280 --> 0:17:45.440
<v Speaker 1>we come from, and they give us that that that

0:17:45.600 --> 0:17:49.160
<v Speaker 1>standard of what we're reaching. The finally you know success.

0:17:49.840 --> 0:17:52.520
<v Speaker 1>To me, that's what that represents. What I'm saying, And

0:17:52.600 --> 0:17:57.200
<v Speaker 1>if there was a time capsule for hip hop something,

0:17:58.080 --> 0:18:00.480
<v Speaker 1>Gucci better be in that. Motherfucker you know what I'm not.

0:18:02.800 --> 0:18:07.960
<v Speaker 1>But but I think that I think this hard. I

0:18:08.080 --> 0:18:09.560
<v Speaker 1>I mean to cut you off, and I think these

0:18:10.160 --> 0:18:15.200
<v Speaker 1>soft new motherfucker's, these politics motherfucker's try to try to

0:18:15.280 --> 0:18:18.920
<v Speaker 1>fuck Gucci and hip hop's relationship. Fuck y'all for that.

0:18:22.040 --> 0:18:25.119
<v Speaker 1>It's I mean, like like two points. I think to

0:18:25.200 --> 0:18:26.760
<v Speaker 1>some degree, I mean that we were talking about like

0:18:26.880 --> 0:18:30.280
<v Speaker 1>like demographic ships, I think globalization of technology. It's the

0:18:30.600 --> 0:18:33.720
<v Speaker 1>integrity of a subculture is a lot easier to remain

0:18:33.800 --> 0:18:36.480
<v Speaker 1>intact when it's in more of a of an echo

0:18:36.600 --> 0:18:39.120
<v Speaker 1>chamber and it's held together. I mean, like you look

0:18:39.160 --> 0:18:44.280
<v Speaker 1>at like the history of the population in southern California's

0:18:44.280 --> 0:18:48.280
<v Speaker 1>black community was a really south central, centralized late eighties.

0:18:49.200 --> 0:18:52.680
<v Speaker 1>It's Marino Valley, It's high desertus Inland Empire. It's much

0:18:52.720 --> 0:18:55.440
<v Speaker 1>more Latino in South l A. That trans continuous. So

0:18:55.480 --> 0:19:00.800
<v Speaker 1>now you see these more an integrated water down areas

0:19:00.880 --> 0:19:03.520
<v Speaker 1>where the black communityists in the California. So the culture

0:19:03.560 --> 0:19:06.399
<v Speaker 1>and of itself becomes exposed to and broken up more

0:19:06.480 --> 0:19:09.080
<v Speaker 1>different influences that are localized. You see the same thing

0:19:09.160 --> 0:19:12.160
<v Speaker 1>happening electronically with you know, globalization of access and stuff

0:19:12.200 --> 0:19:16.040
<v Speaker 1>like that. Um well, I was I was gonna ask

0:19:16.040 --> 0:19:17.919
<v Speaker 1>you as far as like the evolution of like a cello,

0:19:18.680 --> 0:19:20.920
<v Speaker 1>I thought a fair illustration of it, and it's a

0:19:20.960 --> 0:19:23.240
<v Speaker 1>stupid little seas from a lot of years ago, or

0:19:23.320 --> 0:19:26.359
<v Speaker 1>the Sealina movie when the trollos pull up on the bus.

0:19:27.119 --> 0:19:28.840
<v Speaker 1>What's the troll And I was probably supposed to be

0:19:29.240 --> 0:19:33.520
<v Speaker 1>that been early nineties, probably like King Little Yeah, it was,

0:19:33.600 --> 0:19:36.880
<v Speaker 1>it was that was totally Hollywood hackish. But yeah, what's

0:19:36.920 --> 0:19:40.880
<v Speaker 1>what's okay? So the modern I'd say King Luji, He's

0:19:40.920 --> 0:19:43.480
<v Speaker 1>a representation of what these young dudes look like now

0:19:43.520 --> 0:19:46.080
<v Speaker 1>because you know, I'm a little older than them, you know,

0:19:46.240 --> 0:19:49.080
<v Speaker 1>I I still have my original roots to a certain extent,

0:19:49.240 --> 0:19:52.040
<v Speaker 1>you know. But but let me ask you a question. Um,

0:19:53.920 --> 0:19:59.680
<v Speaker 1>And that's the point I'm saying, like, Um, so I

0:19:59.800 --> 0:20:01.960
<v Speaker 1>was out of the titles, right, Um, and this is

0:20:02.040 --> 0:20:04.760
<v Speaker 1>something that I have to contend with all the time. Um,

0:20:04.880 --> 0:20:09.360
<v Speaker 1>outside of the titles. Cultural is is all about language.

0:20:10.480 --> 0:20:18.080
<v Speaker 1>Culture is all about lingo, morale, cuisine, fashion. Whenever we

0:20:18.280 --> 0:20:24.680
<v Speaker 1>wear European like, think about the greatest movements ever, you

0:20:24.720 --> 0:20:27.680
<v Speaker 1>know what I mean. Initially they started with very simple concepts,

0:20:28.040 --> 0:20:33.399
<v Speaker 1>whether it's obviously death row or or uh ruthless right,

0:20:34.200 --> 0:20:37.399
<v Speaker 1>that's a forty dollar outfit at that time. Yeah, the

0:20:38.119 --> 0:20:43.280
<v Speaker 1>Ben Davis twenty dollar shoes, Cortez fear me like this

0:20:43.520 --> 0:20:46.800
<v Speaker 1>is this is what made it dope culture. There's no

0:20:46.920 --> 0:20:51.160
<v Speaker 1>culture what wealthy people are. Culture pretty much resides where

0:20:51.200 --> 0:20:54.560
<v Speaker 1>poor people are because that's where you. The dirt creates

0:20:54.600 --> 0:20:56.359
<v Speaker 1>the culture, and if you kind of living good, you

0:20:56.480 --> 0:21:02.520
<v Speaker 1>far away from the dirt. Um cash money T shirt. Yeah,

0:21:02.520 --> 0:21:05.600
<v Speaker 1>I mean like yeah, but you see the elevation of

0:21:05.720 --> 0:21:09.200
<v Speaker 1>them on the next album d had a Rolex. You know,

0:21:09.440 --> 0:21:13.280
<v Speaker 1>I'm not I'm not disagreeing with Had fucking Jaguars and

0:21:13.320 --> 0:21:16.600
<v Speaker 1>the projects, but I think that I think the perfect

0:21:16.680 --> 0:21:21.040
<v Speaker 1>blend is those two things together. Okay, As I always

0:21:21.040 --> 0:21:25.480
<v Speaker 1>said you, I think the perfect blend are success and culture,

0:21:26.040 --> 0:21:29.800
<v Speaker 1>and they don't necessarily supposed to go together, but they

0:21:29.920 --> 0:21:34.280
<v Speaker 1>go together. Nothing is more doper like, nothing is fresher

0:21:34.880 --> 0:21:37.640
<v Speaker 1>right then seeing a nigga. You ever see the nigga

0:21:37.760 --> 0:21:39.960
<v Speaker 1>jump out of a Lamborghini wearing a Dickey suit and

0:21:40.040 --> 0:21:46.959
<v Speaker 1>some Chucks, That is probably that's probably the most epic

0:21:47.119 --> 0:21:50.560
<v Speaker 1>thing in the world. And another thing I disagree with

0:21:50.600 --> 0:21:53.240
<v Speaker 1>a lot of artists today and modern artists is like

0:21:53.440 --> 0:21:56.280
<v Speaker 1>and I disagree one in my time too. I don't

0:21:56.320 --> 0:21:59.520
<v Speaker 1>think there's no culture in the Midley. I think that

0:21:59.640 --> 0:22:03.720
<v Speaker 1>Repper since wealth do right, but there's no culture. And

0:22:03.720 --> 0:22:05.480
<v Speaker 1>I'm gonna tell you the problem I used to run into.

0:22:06.400 --> 0:22:10.760
<v Speaker 1>So Bentley is only a Bentley to poor people when

0:22:10.800 --> 0:22:14.520
<v Speaker 1>you went Beverly Hills. It's a regular car. When I

0:22:14.680 --> 0:22:16.680
<v Speaker 1>was in the g Wagon, I'm driving the g Wagon

0:22:16.920 --> 0:22:20.680
<v Speaker 1>that's a soccer mom car. But if I had to

0:22:20.800 --> 0:22:24.280
<v Speaker 1>rag fifty seven right with the new chassis under there,

0:22:24.400 --> 0:22:31.320
<v Speaker 1>the LS painted custom looking nice, that's the same car

0:22:31.480 --> 0:22:35.159
<v Speaker 1>that's special in the hood and in Beverly Hills. When

0:22:35.200 --> 0:22:37.520
<v Speaker 1>I would drive my old school through Beverly Hills, I

0:22:37.560 --> 0:22:42.240
<v Speaker 1>would get thumbs up all the white menut hey. And

0:22:42.359 --> 0:22:44.760
<v Speaker 1>that's what hip hop is all about. That's what made

0:22:44.880 --> 0:22:48.760
<v Speaker 1>Death Row in West Coast hip hop the greatest renaissance

0:22:48.800 --> 0:22:52.840
<v Speaker 1>and all arts, because literally it became something the whole

0:22:52.960 --> 0:22:55.960
<v Speaker 1>world can be. You know what I mean. You didn't

0:22:56.000 --> 0:22:59.840
<v Speaker 1>have to have great credit. You just put your grandpa

0:23:00.000 --> 0:23:02.560
<v Speaker 1>old car from out the yard under the tree, fixed

0:23:02.600 --> 0:23:05.440
<v Speaker 1>that thing up, put some datinges on there, chrome some stuff,

0:23:05.480 --> 0:23:09.000
<v Speaker 1>puts my draulics. You didn't have to have thousands of

0:23:09.080 --> 0:23:11.760
<v Speaker 1>dollars to buy clothes, right, You just go to the

0:23:12.240 --> 0:23:21.480
<v Speaker 1>local uh surplus surplus and shoes, put some big laces

0:23:21.520 --> 0:23:26.240
<v Speaker 1>in there for me, and you are cultured. And I

0:23:26.400 --> 0:23:30.760
<v Speaker 1>think that's what made hip hop special. I think these

0:23:30.880 --> 0:23:34.080
<v Speaker 1>moments that's not special now is because of that. I

0:23:34.160 --> 0:23:37.040
<v Speaker 1>think that's why we don't have any global acts, Like no,

0:23:37.400 --> 0:23:40.600
<v Speaker 1>we have global acts. We don't have giants anymore. When's

0:23:40.600 --> 0:23:45.560
<v Speaker 1>the last time we had a giant? And he's the closest, right,

0:23:45.640 --> 0:23:47.320
<v Speaker 1>but he's not even all the way there. You don't think.

0:23:47.320 --> 0:23:48.560
<v Speaker 1>I mean, I don't know if I would say he's

0:23:48.560 --> 0:23:51.520
<v Speaker 1>Snoop Dogg. He's gonna. I don't think he's game yet,

0:23:52.400 --> 0:23:57.720
<v Speaker 1>you question, I don't know if he but he's right there. Yeah,

0:23:57.720 --> 0:24:00.760
<v Speaker 1>because games out at this point like like a shift

0:24:01.040 --> 0:24:03.120
<v Speaker 1>and say, like the culture like talking about going global

0:24:04.080 --> 0:24:11.760
<v Speaker 1>and in music now you see like DJs go do shows.

0:24:11.800 --> 0:24:14.320
<v Speaker 1>I mean they'll put on a concert playing someone else's

0:24:14.400 --> 0:24:17.280
<v Speaker 1>music and that's the DJ. He picks great other people's songs.

0:24:17.400 --> 0:24:20.159
<v Speaker 1>That's how hip hop started. Yeah, well yeah, that's the

0:24:20.280 --> 0:24:23.840
<v Speaker 1>origin of the foundation of hip hop sport. Yeah, but

0:24:23.880 --> 0:24:28.439
<v Speaker 1>it got big when the names could go out there

0:24:28.520 --> 0:24:32.520
<v Speaker 1>you get headline. That's how we're starting. Whyn't they started

0:24:32.560 --> 0:24:34.880
<v Speaker 1>the car That's the thing like, and we're talking about

0:24:34.920 --> 0:24:36.800
<v Speaker 1>like if you start talking about like David Getta, they're

0:24:36.880 --> 0:24:39.920
<v Speaker 1>just doing all that whole style is just oh hip hop.

0:24:41.000 --> 0:24:44.440
<v Speaker 1>I know that sounds crazy that that's what cool Herd was,

0:24:44.560 --> 0:24:46.800
<v Speaker 1>don't most people don't know who Cool herk M C

0:24:47.080 --> 0:24:49.240
<v Speaker 1>wkay you know what this is. This is what I

0:24:49.280 --> 0:24:51.320
<v Speaker 1>can say about about what you was asking me right

0:24:51.520 --> 0:24:54.440
<v Speaker 1>now that I'm thinking about it and we're talking the

0:24:54.560 --> 0:24:58.800
<v Speaker 1>reason why it seems like the Mexican rap scene and

0:24:59.240 --> 0:25:02.280
<v Speaker 1>all that in all that whole little scenario is coming

0:25:02.320 --> 0:25:04.960
<v Speaker 1>together the way you're saying it is connecting like becoming

0:25:05.400 --> 0:25:09.159
<v Speaker 1>pretty much entwining into a different culture. I think it's because,

0:25:09.359 --> 0:25:14.520
<v Speaker 1>um M, you know, for the on the artists we

0:25:14.560 --> 0:25:18.200
<v Speaker 1>have the artists, there was never no real elevation like

0:25:18.320 --> 0:25:22.280
<v Speaker 1>there was for the mainstream artists. So you know, whether

0:25:22.640 --> 0:25:25.520
<v Speaker 1>you know you see the Game become a millionaire you

0:25:25.560 --> 0:25:29.280
<v Speaker 1>feel me, or you see Kendrick become a millionaire, you

0:25:29.400 --> 0:25:32.440
<v Speaker 1>never seen Brown Side become a millionaire, you know. And

0:25:32.480 --> 0:25:34.680
<v Speaker 1>they were signed to a major label, they're signing Ruthless,

0:25:35.000 --> 0:25:38.080
<v Speaker 1>but you've just never seen that elevation. So at some

0:25:38.240 --> 0:25:41.240
<v Speaker 1>point the fans in the community began to look at

0:25:41.280 --> 0:25:44.399
<v Speaker 1>what the next best thing that's shooting upwards. They have

0:25:44.560 --> 0:25:46.520
<v Speaker 1>to they have to find something to feed off of

0:25:46.640 --> 0:25:50.480
<v Speaker 1>and and be um influenced by, and they have to

0:25:50.520 --> 0:25:54.000
<v Speaker 1>have some type of structure to graph for right success.

0:25:54.359 --> 0:25:58.399
<v Speaker 1>So boom, they shifted their their visual to who the

0:25:58.480 --> 0:26:02.520
<v Speaker 1>people that you see becoming rich Snoop Dogg exhibit, you know,

0:26:03.320 --> 0:26:05.760
<v Speaker 1>and so forth and so forth. You know, Yeah, but

0:26:05.800 --> 0:26:10.199
<v Speaker 1>I don't know. I don't know if so. One thing

0:26:10.320 --> 0:26:13.800
<v Speaker 1>I realized is hip hop is two things right the

0:26:13.920 --> 0:26:15.960
<v Speaker 1>record like with the hip hop side of the record label. Right,

0:26:16.000 --> 0:26:20.879
<v Speaker 1>it's two things right styles, it's vision and it's music.

0:26:21.840 --> 0:26:25.560
<v Speaker 1>The greatest movements ever had vision and music. Right. So

0:26:26.560 --> 0:26:28.680
<v Speaker 1>if we go back to Ruthless right from the West,

0:26:28.960 --> 0:26:32.440
<v Speaker 1>easy is the vision they all wrote, Easy, Ease, Life,

0:26:32.720 --> 0:26:36.280
<v Speaker 1>low Riding Looking this way. He was the vision. Dr

0:26:36.400 --> 0:26:39.440
<v Speaker 1>Dre was the music. Death Row Sugar Knight was the vision.

0:26:40.600 --> 0:26:45.520
<v Speaker 1>Dr Dre was the music. Um No Limit P was

0:26:45.640 --> 0:26:49.400
<v Speaker 1>the vision. Beats by the Pound was the music. Cash

0:26:49.480 --> 0:26:52.320
<v Speaker 1>Money Records, Birdman is Slim was the vision. That's how

0:26:52.400 --> 0:26:56.359
<v Speaker 1>you saw them. Many Fresh did the music. Bad Boy

0:26:57.119 --> 0:27:00.240
<v Speaker 1>Puff with the vision made me with the mu Zick.

0:27:02.000 --> 0:27:05.720
<v Speaker 1>I think as far as Mexican hip hop goes right,

0:27:05.880 --> 0:27:11.320
<v Speaker 1>I think the producer part has been lacking because that matters, right,

0:27:11.400 --> 0:27:15.160
<v Speaker 1>because you got to know what you're pulling from, like cultural, culturally,

0:27:15.240 --> 0:27:18.560
<v Speaker 1>it matters, right. Fingers is probably the most successful. Is

0:27:18.600 --> 0:27:20.720
<v Speaker 1>that fair to saye? He is probably the most successful.

0:27:21.359 --> 0:27:24.920
<v Speaker 1>So to me, that probably David Solace after him. Right,

0:27:25.320 --> 0:27:28.760
<v Speaker 1>So to me, I don't understand why enough artists don't

0:27:28.800 --> 0:27:32.639
<v Speaker 1>work with fingers. And then at that point, now you

0:27:32.800 --> 0:27:35.600
<v Speaker 1>also have to have somebody more resourceful with the vision.

0:27:37.440 --> 0:27:40.400
<v Speaker 1>There is no shoop Dog without sug Night. I don't

0:27:40.440 --> 0:27:43.120
<v Speaker 1>care if it's just Dre's. Yeah, I told I told

0:27:43.200 --> 0:27:45.560
<v Speaker 1>Royalty that from a low profile. He calls me all

0:27:45.560 --> 0:27:48.399
<v Speaker 1>the time. Um, shout out to Royal team man that

0:27:48.560 --> 0:27:51.160
<v Speaker 1>that's it. You would like him. You gotta real solid

0:27:51.240 --> 0:27:54.359
<v Speaker 1>still always talk about it. You know, mean he's but

0:27:55.840 --> 0:27:57.440
<v Speaker 1>you know that's what I always tell him. There's no

0:27:58.200 --> 0:28:00.680
<v Speaker 1>there's no mediums and ship you feel mean that there's

0:28:00.720 --> 0:28:03.880
<v Speaker 1>no there's no there's no places to go, there's no moguls,

0:28:03.920 --> 0:28:07.119
<v Speaker 1>there's no labels for us, and and that's and and

0:28:07.240 --> 0:28:11.359
<v Speaker 1>until we build that that foundation for ourselves, it's always

0:28:11.400 --> 0:28:13.160
<v Speaker 1>going to be in shambles. It's always gonna be going

0:28:13.240 --> 0:28:16.800
<v Speaker 1>one and one and in every direction. You know, there's

0:28:16.800 --> 0:28:18.680
<v Speaker 1>always gonna be people trying to mimic the people that

0:28:18.760 --> 0:28:21.320
<v Speaker 1>are doing it the best, you feel me, because there's

0:28:21.359 --> 0:28:25.520
<v Speaker 1>no there's no place to go, there's no organic sound

0:28:25.600 --> 0:28:28.960
<v Speaker 1>being created for theirselves. You feel what I'm saying, So

0:28:29.080 --> 0:28:33.280
<v Speaker 1>you're correct on that. So the reality is I think

0:28:33.400 --> 0:28:35.760
<v Speaker 1>that's where that becomes a thing, like you have to

0:28:35.840 --> 0:28:38.800
<v Speaker 1>go to fingers, right, but then you have to have

0:28:38.960 --> 0:28:42.480
<v Speaker 1>somebody that has the vision. And the vision is is

0:28:42.640 --> 0:28:47.800
<v Speaker 1>really important what I'm saying, it's it's it's I won't

0:28:47.800 --> 0:28:51.360
<v Speaker 1>say it's important, it's as important as the music, but

0:28:51.760 --> 0:28:55.560
<v Speaker 1>it is really you know, Cardinals, it's it's imperative that

0:28:55.680 --> 0:28:57.920
<v Speaker 1>you get the vision together if you want to have

0:28:58.040 --> 0:29:01.760
<v Speaker 1>longevity as an artist, because the brand is what people.

0:29:01.960 --> 0:29:04.720
<v Speaker 1>People buy albums because of brands, because of the way

0:29:04.800 --> 0:29:07.440
<v Speaker 1>it looks, how it feels, you know what I mean.

0:29:07.480 --> 0:29:10.240
<v Speaker 1>They buy singles because of how the record, you know,

0:29:10.360 --> 0:29:13.920
<v Speaker 1>because of the music. They buy brands because of the vision.

0:29:14.560 --> 0:29:17.360
<v Speaker 1>So that's why I said part of Sugar Knights appealed

0:29:17.400 --> 0:29:20.320
<v Speaker 1>with Snoopers understanding what he wanted to say with death Row.

0:29:20.800 --> 0:29:22.520
<v Speaker 1>You know, initially it was supposed to be d e

0:29:22.760 --> 0:29:31.400
<v Speaker 1>f Row like deaf Jam, uh, because came up with that. Doc.

0:29:31.600 --> 0:29:33.800
<v Speaker 1>Doc came up with that, and he wanted to be

0:29:34.000 --> 0:29:38.200
<v Speaker 1>deaf Row like deaf Jam. But should caught a vision

0:29:38.280 --> 0:29:41.240
<v Speaker 1>and realized it needed to be death row like a

0:29:41.280 --> 0:29:43.320
<v Speaker 1>bunch of niggas that that was getting out of jail

0:29:43.440 --> 0:29:46.960
<v Speaker 1>or fighting cases. Right. So when he created that vision,

0:29:47.000 --> 0:29:49.640
<v Speaker 1>he understood with Gangmagan meet in the l A and

0:29:49.760 --> 0:29:51.600
<v Speaker 1>he had enough heart to say, Okay, we're gonna take

0:29:51.640 --> 0:29:53.560
<v Speaker 1>this out to the world and mind you this is

0:29:53.600 --> 0:29:57.120
<v Speaker 1>the greatest movement of blood and crypts together the highest level.

0:29:57.480 --> 0:30:02.000
<v Speaker 1>And then Dre providing that music right that fit that landscape,

0:30:02.280 --> 0:30:04.320
<v Speaker 1>like all of that p funk they was using. I

0:30:04.400 --> 0:30:06.479
<v Speaker 1>asked a lot of my O G hummies, that's all

0:30:06.600 --> 0:30:10.440
<v Speaker 1>gang bang music. They was telling me. Flashlight will get

0:30:10.480 --> 0:30:12.720
<v Speaker 1>you fucked up. At the party, flashlight came out. That

0:30:12.840 --> 0:30:17.800
<v Speaker 1>was the gang bang zone. My mom, like, my mom

0:30:17.840 --> 0:30:22.160
<v Speaker 1>and dad are from my hood, right, um, I can remember.

0:30:22.320 --> 0:30:24.600
<v Speaker 1>It's funny you said that people don't understand that where

0:30:24.640 --> 0:30:27.120
<v Speaker 1>your hood is. Your hood is just where you're from period. Like,

0:30:27.240 --> 0:30:29.200
<v Speaker 1>don't matter if you say you're not, everybody else gonna

0:30:29.200 --> 0:30:31.880
<v Speaker 1>tell you from. Even if I wasn't like physically put

0:30:31.960 --> 0:30:35.200
<v Speaker 1>into that hood, I'm still from there because my mother

0:30:35.440 --> 0:30:39.280
<v Speaker 1>showed birthright, all her brothers, all her sisters, my father,

0:30:39.920 --> 0:30:45.560
<v Speaker 1>my cousins, everybody to the same gang Anyways, um my

0:30:45.720 --> 0:30:49.520
<v Speaker 1>first memories. I I remember waking up in the middle

0:30:49.520 --> 0:30:52.600
<v Speaker 1>of the night and you know, walking into my kitchen

0:30:52.640 --> 0:30:55.160
<v Speaker 1>and my dad's getting a tattoo right there, and there's

0:30:56.120 --> 0:30:59.600
<v Speaker 1>motherfucker's in our front room, like dancing and fucking flashlight

0:30:59.840 --> 0:31:02.560
<v Speaker 1>or no parking on the dance floor. Get your ass killed,

0:31:02.840 --> 0:31:05.520
<v Speaker 1>you know what I'm saying. They told me that type

0:31:05.560 --> 0:31:08.360
<v Speaker 1>of ship used to come on you fucking ready to

0:31:08.400 --> 0:31:10.160
<v Speaker 1>get killed in the party if you wasn't for real,

0:31:10.480 --> 0:31:15.640
<v Speaker 1>you know, so pack James Brown Dad like you know

0:31:15.920 --> 0:31:18.800
<v Speaker 1>that Styles, Styles made a good way. Shout out to

0:31:18.960 --> 0:31:22.000
<v Speaker 1>hold you on staff. Style said took his workout. Music

0:31:22.120 --> 0:31:25.280
<v Speaker 1>was big payback that when you hear it, I mean,

0:31:25.560 --> 0:31:27.680
<v Speaker 1>obviously you can't think of hip hop because hip hop

0:31:27.760 --> 0:31:30.080
<v Speaker 1>is so much more dark and sinister. But I would

0:31:30.160 --> 0:31:34.480
<v Speaker 1>imagine what that song sounds like because it is kind

0:31:34.520 --> 0:31:38.239
<v Speaker 1>of sinister as fun. When it's the payback doctor get up.

0:31:38.760 --> 0:31:40.880
<v Speaker 1>He's screaming at your ass, you like, bitch, ass, I'm

0:31:40.880 --> 0:31:44.240
<v Speaker 1>gonna knock your ass nick out tonight that your ass

0:31:44.280 --> 0:31:46.600
<v Speaker 1>Nick thought it was cool? Then a buffing at Venice

0:31:49.880 --> 0:31:54.520
<v Speaker 1>nig it was hard? Is there like in some sense

0:31:54.680 --> 0:31:57.680
<v Speaker 1>or another I'm saying, this is why as far as

0:31:57.800 --> 0:32:00.120
<v Speaker 1>like black rappers on the West Coast getting on to

0:32:01.280 --> 0:32:03.680
<v Speaker 1>Mexican rap tracks by Mexican producer and stuff like that,

0:32:03.880 --> 0:32:05.960
<v Speaker 1>that's funny. He just was talking about this. That's funny.

0:32:07.800 --> 0:32:11.520
<v Speaker 1>That is a different breed. So so I'm liferent for him,

0:32:11.640 --> 0:32:13.360
<v Speaker 1>but I'm gonna tell you, I'm gonna teppoint. It's going

0:32:13.400 --> 0:32:15.640
<v Speaker 1>to be different. I'm gonna tell you why. I don't

0:32:15.680 --> 0:32:19.880
<v Speaker 1>agree with that point. People ain't ship, So let me

0:32:20.000 --> 0:32:24.320
<v Speaker 1>tell you what motherfucker's do. People gonna get on anybody hot.

0:32:24.600 --> 0:32:26.920
<v Speaker 1>They're gonna pay anybody that they think is going to

0:32:27.040 --> 0:32:30.360
<v Speaker 1>give them some ears. They will pay a dude that

0:32:30.560 --> 0:32:33.920
<v Speaker 1>told on somebody if they thought people was gonna listen

0:32:34.000 --> 0:32:36.800
<v Speaker 1>to them. I don't know that. I mean, yeah, but no,

0:32:36.960 --> 0:32:39.000
<v Speaker 1>it depends on who we're talking about at this point.

0:32:39.240 --> 0:32:41.960
<v Speaker 1>I'm just saying that people will pay a person that's

0:32:42.000 --> 0:32:46.560
<v Speaker 1>not even reality a real person, because they're looking for exposure.

0:32:46.600 --> 0:32:49.560
<v Speaker 1>So I think, and and that's funny. He just was

0:32:49.560 --> 0:32:52.560
<v Speaker 1>talking about that that all hip hop was dope. I'm

0:32:52.600 --> 0:32:54.520
<v Speaker 1>proud I had be on you about that, but that's fire.

0:32:54.560 --> 0:32:57.760
<v Speaker 1>I just want the best. I said that Uh, he

0:32:57.920 --> 0:32:59.520
<v Speaker 1>was just saying that. He was saying he felt that

0:32:59.600 --> 0:33:04.360
<v Speaker 1>there was uh a disparity, And I'm like, I get it,

0:33:04.480 --> 0:33:08.200
<v Speaker 1>I get how that could be, But how many other

0:33:08.320 --> 0:33:11.960
<v Speaker 1>times do people work together in which other business? Everybody

0:33:12.160 --> 0:33:16.360
<v Speaker 1>only go to people that caters to their benefits. I mean,

0:33:16.520 --> 0:33:20.400
<v Speaker 1>you see for me, look, because I put career has

0:33:20.440 --> 0:33:23.200
<v Speaker 1>been different, right, Like, I haven't had to pay a

0:33:23.280 --> 0:33:26.479
<v Speaker 1>lot of people, and I have some pretty notable features

0:33:26.560 --> 0:33:32.320
<v Speaker 1>from Big Black Girl. I'm but the the majority of me,

0:33:33.480 --> 0:33:35.880
<v Speaker 1>I guess I wrap a certain way, right so I

0:33:35.920 --> 0:33:38.960
<v Speaker 1>can wiggle through the cracks the majority of the Mexican

0:33:39.040 --> 0:33:41.680
<v Speaker 1>rappers that don't rap like me, I've seen what they've

0:33:41.760 --> 0:33:44.880
<v Speaker 1>had to go through to get these people on the records.

0:33:45.080 --> 0:33:47.040
<v Speaker 1>But that's what they're supposed to have to pay, right

0:33:48.040 --> 0:33:51.960
<v Speaker 1>because I just seen, you know, anybody from everybody walking

0:33:52.000 --> 0:33:55.200
<v Speaker 1>the glasses student be like where you want me to go?

0:33:55.280 --> 0:33:58.760
<v Speaker 1>Because yeah, but that's not what are they gonna do

0:33:58.840 --> 0:34:02.959
<v Speaker 1>that to everybody? Though? Every last other black rabber from

0:34:03.000 --> 0:34:05.760
<v Speaker 1>what I've seen, yeah, they definitely it's not. Don't listen

0:34:05.800 --> 0:34:09.719
<v Speaker 1>to him. I never I never seen somebody nobody, I never,

0:34:09.760 --> 0:34:11.799
<v Speaker 1>I never seen nobody charge a D for a verse,

0:34:11.800 --> 0:34:13.839
<v Speaker 1>so I know him pretty good. Trust me. I never

0:34:13.920 --> 0:34:16.520
<v Speaker 1>seen no one charge glasses for trust me, niggas will

0:34:16.560 --> 0:34:19.239
<v Speaker 1>try to charge a D. I've never seen nobody charge

0:34:19.280 --> 0:34:21.319
<v Speaker 1>glasses for her. That's because I know who to ask,

0:34:22.239 --> 0:34:24.560
<v Speaker 1>and I haven't seen the biggest stars with glasses. But

0:34:24.800 --> 0:34:27.040
<v Speaker 1>but but but I also know who to ask. Or

0:34:27.160 --> 0:34:29.959
<v Speaker 1>there's there's things. But if it's rapper a who's coming

0:34:30.040 --> 0:34:32.719
<v Speaker 1>up that people don't know they're gonna charge you. Yeah,

0:34:32.800 --> 0:34:35.640
<v Speaker 1>but I think there should be Uh. I'm not saying

0:34:35.640 --> 0:34:37.759
<v Speaker 1>you shouldn't charge people. Don't get it sucked up. Yeah,

0:34:37.760 --> 0:34:40.200
<v Speaker 1>because if I'm sounding rock, I want my money. But

0:34:40.600 --> 0:34:44.120
<v Speaker 1>there should be uh respect for you. If that was

0:34:44.160 --> 0:34:45.719
<v Speaker 1>there a reluctance like you said, you would have a

0:34:45.760 --> 0:34:48.200
<v Speaker 1>little rock like and let's you be a respecting you

0:34:48.320 --> 0:34:50.759
<v Speaker 1>out of the equation because you know, don't don't don't

0:34:50.840 --> 0:34:53.120
<v Speaker 1>rip my head off. You know, if you come get

0:34:53.160 --> 0:34:54.719
<v Speaker 1>a bird from me, I ain't gonna charge you the full.

0:34:54.880 --> 0:34:56.520
<v Speaker 1>That's a lie. I'm gonna take three or four off,

0:34:56.600 --> 0:35:00.600
<v Speaker 1>that's a goddamn sure. Gonna charge full. I'm not, I

0:35:00.719 --> 0:35:02.200
<v Speaker 1>swear to God, if you're my man, I'm not. I'm

0:35:02.200 --> 0:35:05.640
<v Speaker 1>gonna take three off because you're my guy. I'm gonna

0:35:05.640 --> 0:35:07.680
<v Speaker 1>take at least three thousand off the press, the dope

0:35:08.280 --> 0:35:15.040
<v Speaker 1>and that understand. That's that's respectable. That's is not being honest. Dope.

0:35:16.040 --> 0:35:18.919
<v Speaker 1>When you cross the border, it's cheap. It is cheap.

0:35:20.040 --> 0:35:25.439
<v Speaker 1>When you get to this motherfucker, it is top dollar. Yeah. Yeah,

0:35:25.520 --> 0:35:28.760
<v Speaker 1>but you still can't afford to take a certain amount

0:35:28.800 --> 0:35:32.520
<v Speaker 1>off and still make your profit and not rape your pockets,

0:35:32.600 --> 0:35:35.600
<v Speaker 1>is what I'm saying. Yeah, but nobody when when when dope, right,

0:35:35.640 --> 0:35:37.680
<v Speaker 1>there should be a respex? Is where about thirty one?

0:35:37.800 --> 0:35:41.200
<v Speaker 1>Thirty two? Or they still crazy? No? That's um. Last

0:35:41.239 --> 0:35:43.120
<v Speaker 1>I heard it was I like that thirty or something. Okay,

0:35:43.200 --> 0:35:45.959
<v Speaker 1>so right, thirty right because the Graham is like eighty

0:35:46.000 --> 0:35:50.920
<v Speaker 1>dollars right, And it's crazy because if you take the

0:35:50.920 --> 0:35:54.640
<v Speaker 1>ship and you actually clean it, you might get like fun,

0:35:54.800 --> 0:35:57.640
<v Speaker 1>maybe a nickel because most of its cut at this point.

0:35:58.920 --> 0:36:02.120
<v Speaker 1>But let me get to a point. No, No, nobody

0:36:02.200 --> 0:36:04.279
<v Speaker 1>giving you no deals. Nobody like you know what you

0:36:04.400 --> 0:36:10.120
<v Speaker 1>do me let me like, he's not listening, They're not like, okay, no,

0:36:12.400 --> 0:36:16.080
<v Speaker 1>but there are deals to get deals. Bro. A deal

0:36:16.160 --> 0:36:17.920
<v Speaker 1>with bricks is if you're buying a hundred and I'm

0:36:17.920 --> 0:36:22.920
<v Speaker 1>going to take two thousand dollars off three two. But

0:36:23.080 --> 0:36:27.719
<v Speaker 1>like because there's not a great parallel there, because that's

0:36:27.800 --> 0:36:34.200
<v Speaker 1>such a one direction supply chain. You know, it is

0:36:34.280 --> 0:36:38.760
<v Speaker 1>different to say like like you or Black rapper generic

0:36:38.960 --> 0:36:41.799
<v Speaker 1>A would have Little Rob on his track, but will

0:36:41.880 --> 0:36:46.359
<v Speaker 1>he go get on Little Robs. He'll he'll have little

0:36:46.640 --> 0:36:48.800
<v Speaker 1>Little Robber will have Glasses on his album. But I

0:36:48.840 --> 0:36:51.160
<v Speaker 1>don't think Little Rob's popping up on glasses and new ship.

0:36:51.360 --> 0:36:53.040
<v Speaker 1>That's not true, Little Rob. It's hard. You don't be

0:36:53.080 --> 0:36:54.759
<v Speaker 1>wanting to do work for everything. Like I would love

0:36:54.840 --> 0:36:56.800
<v Speaker 1>that Little Rob on my album. But but yeah, but

0:36:56.920 --> 0:36:58.560
<v Speaker 1>see that's why I say we can't use him as

0:36:58.640 --> 0:37:01.520
<v Speaker 1>as That's probably fair because you know I'll make it work.

0:37:01.920 --> 0:37:05.120
<v Speaker 1>You know, he's gonna get that treatment. Mexican people love Glasses. Well,

0:37:05.160 --> 0:37:07.160
<v Speaker 1>that's because we're pretty time. We all grew up the

0:37:07.200 --> 0:37:09.760
<v Speaker 1>same way as Big As but but but but also

0:37:11.080 --> 0:37:14.240
<v Speaker 1>very popular. Yeah, you know, he has a big Mexican follower.

0:37:14.719 --> 0:37:21.399
<v Speaker 1>That's why people like Coca Co. Yeah, dog, you can't

0:37:21.480 --> 0:37:23.799
<v Speaker 1>use him, you know, but I told him, but I'm saying,

0:37:24.080 --> 0:37:28.520
<v Speaker 1>but I'm it's a brother that wants King Little G

0:37:28.719 --> 0:37:32.880
<v Speaker 1>for a verse. He's in Washington. Is he going to

0:37:32.960 --> 0:37:35.320
<v Speaker 1>pay him? He's trying to pay That's what's up. But

0:37:35.480 --> 0:37:39.880
<v Speaker 1>let me frame that Washington. If you yeah, he's you

0:37:39.960 --> 0:37:43.040
<v Speaker 1>gotta pay anybody. He's not from my leg I listen.

0:37:43.280 --> 0:37:45.800
<v Speaker 1>My thing is people will pay King Little G to

0:37:45.840 --> 0:37:49.240
<v Speaker 1>wrap on their song. No, they will not paying people

0:37:49.400 --> 0:37:52.919
<v Speaker 1>in Los Angeles will paying. What I'm saying, Jepariko ain't

0:37:52.960 --> 0:37:54.839
<v Speaker 1>gonna pay him to get on the record. Why would they?

0:37:55.239 --> 0:37:57.680
<v Speaker 1>They're literally brands are the same. I'm just saying that

0:37:57.840 --> 0:38:00.160
<v Speaker 1>it would benefit That's all I'm saying. Yeah, but why

0:38:00.160 --> 0:38:02.719
<v Speaker 1>would Gie Perrico, who was actually six. He's not gonna

0:38:02.760 --> 0:38:05.520
<v Speaker 1>pay most people to get on the record. I'm just saying.

0:38:05.960 --> 0:38:07.520
<v Speaker 1>But I'm saying, but that's like King neil Ge not

0:38:07.560 --> 0:38:09.680
<v Speaker 1>gonna pay most people to get on the record. At

0:38:09.719 --> 0:38:14.160
<v Speaker 1>this point. Two part questions, Is there a stigma among

0:38:14.280 --> 0:38:20.560
<v Speaker 1>the black listening audience about Mexican rap music? Yeah, yeah,

0:38:20.600 --> 0:38:24.520
<v Speaker 1>because I remember that when I was younger. Like I said,

0:38:27.080 --> 0:38:29.440
<v Speaker 1>I agree with him there, but that's not that's not crazy.

0:38:29.520 --> 0:38:33.640
<v Speaker 1>What does that impact? But that's but that's not that's

0:38:33.680 --> 0:38:38.680
<v Speaker 1>not because that influences the playlisteners. Let me tell you something.

0:38:39.080 --> 0:38:42.719
<v Speaker 1>The game does not treat Mexican artists fair. But that's not.

0:38:42.840 --> 0:38:44.920
<v Speaker 1>But that's not. Hold up me. Let me say, I'm

0:38:44.960 --> 0:38:49.600
<v Speaker 1>gonna throw motherfucker's under the but I'm not gonna motherfucker's.

0:38:50.080 --> 0:38:54.520
<v Speaker 1>Motherfucker's will interview somebody with two thousand views or two

0:38:54.600 --> 0:38:59.080
<v Speaker 1>thousand followers, but won't interview let's say m c smiley,

0:38:59.120 --> 0:39:03.200
<v Speaker 1>who got twenty thousand followers. I don't know if that's true.

0:39:03.280 --> 0:39:05.040
<v Speaker 1>I know that's true. I don't know if that's true.

0:39:06.040 --> 0:39:08.640
<v Speaker 1>We would love for Homegrown Radio to answer our emails.

0:39:09.440 --> 0:39:13.640
<v Speaker 1>But what I'm saying, but but with Head and I'm

0:39:13.680 --> 0:39:17.040
<v Speaker 1>talking Head, and they try to there there we were

0:39:17.080 --> 0:39:18.480
<v Speaker 1>trying to get on a different show. They try to

0:39:18.560 --> 0:39:20.879
<v Speaker 1>charge us for an interview. Hold up Head and chuck

0:39:21.360 --> 0:39:26.200
<v Speaker 1>millions of yous. He but that's not But that's that, nigga.

0:39:26.239 --> 0:39:29.880
<v Speaker 1>I'm not on Homegrown right now. I'm not, but I'm not.

0:39:30.000 --> 0:39:33.520
<v Speaker 1>I'm just using them as because it could be anybody

0:39:34.160 --> 0:39:37.239
<v Speaker 1>styles as any means publicist. Y'all can't see his face

0:39:37.400 --> 0:39:42.000
<v Speaker 1>right now, anybody last look, And that's my sund It's

0:39:42.440 --> 0:39:44.600
<v Speaker 1>because Head is my man styles no head. We all

0:39:44.680 --> 0:39:48.040
<v Speaker 1>came up, so it's fucking hilarious. But but what I'm

0:39:48.040 --> 0:39:51.680
<v Speaker 1>saying is it's don't try to walk it back that head. Damn.

0:39:51.800 --> 0:39:54.640
<v Speaker 1>We're just using them as an example because there's other

0:39:54.760 --> 0:40:00.440
<v Speaker 1>people that were reaching has homegrown every interview Kinglji No,

0:40:00.640 --> 0:40:02.719
<v Speaker 1>and I don't know why they haven't. Why haven't they?

0:40:02.840 --> 0:40:05.440
<v Speaker 1>I don't know why? And the funk haven't they. We're

0:40:05.440 --> 0:40:07.600
<v Speaker 1>talking about a man who got millions of views, so

0:40:07.719 --> 0:40:09.759
<v Speaker 1>then at that point they should be. But I'm gonna

0:40:09.760 --> 0:40:13.520
<v Speaker 1>tell you why. So if they haven't point proven, if

0:40:13.560 --> 0:40:15.960
<v Speaker 1>they have it point proven, if they haven't seen an

0:40:16.040 --> 0:40:20.239
<v Speaker 1>interview with Mother, I've got three thousand followers, hold how

0:40:20.280 --> 0:40:23.759
<v Speaker 1>many half a million million followers? Is it necessary at

0:40:23.840 --> 0:40:26.880
<v Speaker 1>some point to have a major black producer signing can

0:40:27.000 --> 0:40:28.880
<v Speaker 1>rap it the way Little John did pit Bull or

0:40:28.960 --> 0:40:32.040
<v Speaker 1>something like that. Yeah, it is because you're not gonna

0:40:32.080 --> 0:40:34.120
<v Speaker 1>get that. You're gonna you're not gonna get that. Look at.

0:40:34.160 --> 0:40:36.759
<v Speaker 1>Let me tell you some king uh cap G has

0:40:36.800 --> 0:40:40.319
<v Speaker 1>a black team. Yeah, but that's not everybody behind him

0:40:40.440 --> 0:40:43.279
<v Speaker 1>is a black man. That means that he's gonna get

0:40:43.800 --> 0:40:47.560
<v Speaker 1>them exclusive looks. He's gonna get those revote interviews. He's

0:40:47.560 --> 0:40:51.000
<v Speaker 1>gonna get those those things that the mainstream artists get.

0:40:51.120 --> 0:40:54.120
<v Speaker 1>He's gonna get those looks. But isn't that a relationship

0:40:54.200 --> 0:40:59.120
<v Speaker 1>thing at that point? So okay, so look, so Young Drummer,

0:40:59.239 --> 0:41:01.319
<v Speaker 1>so listen, we don't. We're not the gatekeepers. Hold up,

0:41:01.360 --> 0:41:03.600
<v Speaker 1>hold up, hold up, hold up, so young trying to

0:41:03.680 --> 0:41:05.840
<v Speaker 1>walk through a gate to get to those relationships. Hold up,

0:41:05.880 --> 0:41:09.400
<v Speaker 1>hold up, Young Drummer was on home Wrong, Young Drummer

0:41:09.440 --> 0:41:15.800
<v Speaker 1>boy one year ago? Hold up? King Little g on

0:41:16.000 --> 0:41:19.640
<v Speaker 1>Big Boy? How long ago? One year ago? Okay, it's

0:41:19.680 --> 0:41:26.560
<v Speaker 1>been a pandemic, King Little G on No Jumper twice? Okay, No,

0:41:26.680 --> 0:41:28.400
<v Speaker 1>to mean it was so so those are those are

0:41:28.480 --> 0:41:30.279
<v Speaker 1>just the premier artist that said there. I'm just I

0:41:30.360 --> 0:41:32.239
<v Speaker 1>just I just went to because I said King home

0:41:32.280 --> 0:41:36.600
<v Speaker 1>Grown Radio. Okay, I'm sure FIFA and just for the record, right,

0:41:37.400 --> 0:41:42.680
<v Speaker 1>I'm not targeting damn, they're just tete. I'm not teting

0:41:43.680 --> 0:41:46.560
<v Speaker 1>that the home is getting targeted. I've got targeted, but

0:41:47.920 --> 0:41:51.680
<v Speaker 1>probably yeah, I'm not target but no, obviously obviously they

0:41:51.800 --> 0:41:54.879
<v Speaker 1>know that. We're just making examples. But but I'm saying

0:41:54.960 --> 0:41:56.800
<v Speaker 1>that's not fair. I'm gonna tell you. You know what

0:41:56.960 --> 0:42:01.439
<v Speaker 1>funk that I'm in that classic um um Kendrick Lamar

0:42:01.520 --> 0:42:04.160
<v Speaker 1>interview that they have the classic one. I'm sitting right

0:42:04.200 --> 0:42:06.759
<v Speaker 1>behind Kendrick. That motherfucker's added me out, dog, So you

0:42:06.840 --> 0:42:10.520
<v Speaker 1>know what I am talking about. Y'all know they edited

0:42:10.560 --> 0:42:15.160
<v Speaker 1>me out. Yeah, I was sitting there the whole interview.

0:42:15.200 --> 0:42:19.160
<v Speaker 1>And now I mean that what's going on? If I

0:42:19.200 --> 0:42:21.640
<v Speaker 1>need all my respect, I need my answers, I need

0:42:21.680 --> 0:42:25.320
<v Speaker 1>my respect, answer why am I edited out? Not in

0:42:25.400 --> 0:42:30.160
<v Speaker 1>that interviewed to the extent that obviously the regionals are

0:42:30.160 --> 0:42:36.319
<v Speaker 1>different cultures different. Whatnot is the how's the expand upon

0:42:36.480 --> 0:42:41.200
<v Speaker 1>the relationship between like Latino in black New York and

0:42:41.280 --> 0:42:44.280
<v Speaker 1>the hip hop culture and community there versus Los Angeles.

0:42:44.400 --> 0:42:48.720
<v Speaker 1>That's but he knows that's what's different. But what's different

0:42:49.520 --> 0:42:52.759
<v Speaker 1>the average the average Black person. It's not what I'm

0:42:52.760 --> 0:42:55.799
<v Speaker 1>gonna tell you by because so one, there's a lie.

0:42:56.080 --> 0:42:58.600
<v Speaker 1>So there's a lie that's floating around. I wanted to

0:42:58.640 --> 0:43:01.080
<v Speaker 1>make sure I shared this feed. Yeah, classes, the Latin

0:43:01.080 --> 0:43:04.560
<v Speaker 1>people are super racist in New York. Like there's the

0:43:04.680 --> 0:43:07.560
<v Speaker 1>thing like they like black people know a lot of

0:43:07.640 --> 0:43:10.600
<v Speaker 1>the motherfucker's is racist and ship too. But it's just

0:43:10.760 --> 0:43:14.439
<v Speaker 1>a stigma here, right, especially for clos where people feel

0:43:14.480 --> 0:43:16.719
<v Speaker 1>like clos don't like black people. Yeah, you know, they

0:43:16.800 --> 0:43:21.440
<v Speaker 1>got crazy rumors people a lot of what happened. Oh,

0:43:21.560 --> 0:43:24.560
<v Speaker 1>don't wear white T shirts and all remember that bull shirt. No,

0:43:24.800 --> 0:43:28.320
<v Speaker 1>it's not that you can't wear a white teeth is

0:43:28.360 --> 0:43:30.880
<v Speaker 1>gonna get you. What kind of weird ship? Motherfucker's they

0:43:30.960 --> 0:43:37.120
<v Speaker 1>flash your head like, don't flash it back? Yeah, ship, bro,

0:43:37.320 --> 0:43:38.759
<v Speaker 1>they's be coming up with some ship. I don't know

0:43:38.800 --> 0:43:41.160
<v Speaker 1>who we be sending this ship out. I always called

0:43:41.200 --> 0:43:43.000
<v Speaker 1>always send it to my homies for one seven to

0:43:43.040 --> 0:43:47.239
<v Speaker 1>be like foo, look at this, so you know, I'll say,

0:43:47.400 --> 0:43:49.759
<v Speaker 1>so look, so I'm from right, it's a Mexican gang.

0:43:49.800 --> 0:43:52.480
<v Speaker 1>That's the same hood, the CV one one sevens. So

0:43:53.680 --> 0:43:56.680
<v Speaker 1>I grew up like that, like kind of you know,

0:43:56.800 --> 0:43:58.640
<v Speaker 1>my one of my best friends as a kid is

0:43:58.719 --> 0:44:00.440
<v Speaker 1>my boy mind though for me, I go to his

0:44:00.520 --> 0:44:03.440
<v Speaker 1>house all the time. His family, he's Mexic family from Mexico.

0:44:03.640 --> 0:44:05.719
<v Speaker 1>Are you the exception of the rule? But no, I

0:44:06.640 --> 0:44:09.920
<v Speaker 1>think on the East Side in general, it's kind of

0:44:10.000 --> 0:44:15.120
<v Speaker 1>like but but so, first off, he's from eighteen Street,

0:44:16.400 --> 0:44:20.000
<v Speaker 1>so you know, the average black person think eighteen Street

0:44:20.040 --> 0:44:22.200
<v Speaker 1>hate all niggas, but that's not true. But that's not

0:44:22.360 --> 0:44:26.640
<v Speaker 1>that's not see you see multiple cultural people. From there

0:44:26.680 --> 0:44:28.919
<v Speaker 1>you go telling the truth, that's not the point. That's true.

0:44:29.520 --> 0:44:32.400
<v Speaker 1>She's top telling the truth. That's the problem. You telling

0:44:32.400 --> 0:44:35.879
<v Speaker 1>the truth because not my truth. The thing that sent

0:44:36.000 --> 0:44:40.040
<v Speaker 1>people's mind is what's wrong? Yeah, eighteen question real quick?

0:44:40.640 --> 0:44:42.720
<v Speaker 1>Eighteen started because I was in the pressure of eighteen

0:44:42.719 --> 0:44:45.160
<v Speaker 1>started as a multicultural hood back in the day. Was

0:44:45.280 --> 0:44:47.560
<v Speaker 1>there an effort at some point with eighteen to kind

0:44:47.560 --> 0:44:49.680
<v Speaker 1>of cleanse that out didn't have to deal with anything

0:44:49.719 --> 0:44:51.600
<v Speaker 1>with the third teen relationship? Was that was at a

0:44:51.880 --> 0:44:58.560
<v Speaker 1>potentiary thing? Or when um, yeah, I could talk about it, Okay.

0:44:59.400 --> 0:45:01.200
<v Speaker 1>When when they when they had the peace treaties a

0:45:01.280 --> 0:45:05.200
<v Speaker 1>while back, Um, they didn't want you know, I think

0:45:05.239 --> 0:45:07.720
<v Speaker 1>they were looking down on like Mexican gangs with black members,

0:45:08.400 --> 0:45:11.960
<v Speaker 1>and if I remember correctly, there was like a hood

0:45:12.080 --> 0:45:14.839
<v Speaker 1>or two that they tried to force and then they

0:45:14.880 --> 0:45:16.239
<v Speaker 1>were going to come in, you know, they were going

0:45:16.280 --> 0:45:18.560
<v Speaker 1>to try to I guess maybe, yeah, cleans is the word.

0:45:18.600 --> 0:45:23.520
<v Speaker 1>Maybe I don't want to use the word cultural cleanse,

0:45:25.040 --> 0:45:30.560
<v Speaker 1>gang cleans, gang cleans, right, But you know eighteen because

0:45:30.560 --> 0:45:33.680
<v Speaker 1>I remember specifically being from a meeting where there was

0:45:33.800 --> 0:45:35.400
<v Speaker 1>one hood where they didn't want to let them in.

0:45:35.760 --> 0:45:38.120
<v Speaker 1>There was no peg like Morgan Freeman. That's what you're saying.

0:45:38.840 --> 0:45:43.799
<v Speaker 1>I thought that good, let's edit that out. You gotta

0:45:43.880 --> 0:45:48.879
<v Speaker 1>keep that. I want to make Freeman don't don't. Oh

0:45:49.640 --> 0:45:55.040
<v Speaker 1>why did you combine those names to published the exact motherfucker?

0:45:57.880 --> 0:46:00.520
<v Speaker 1>We're just beating out anyway, lost stories. You know what

0:46:00.600 --> 0:46:03.080
<v Speaker 1>it's like South Park? They will you know you ever

0:46:03.120 --> 0:46:05.560
<v Speaker 1>see South Park? When they know it's family guy, they

0:46:05.600 --> 0:46:08.399
<v Speaker 1>won't show, Uh, you don't talk about gus. They will

0:46:08.440 --> 0:46:12.560
<v Speaker 1>show uh who is the who is the character? They

0:46:12.600 --> 0:46:15.160
<v Speaker 1>won't show he's the neighbor, isn't he? No, it's it's

0:46:15.200 --> 0:46:17.840
<v Speaker 1>like a god like the Muslim? Oh no, is it

0:46:17.880 --> 0:46:20.560
<v Speaker 1>a lie? Who is the character that they were Mohammed?

0:46:21.120 --> 0:46:25.360
<v Speaker 1>They will not show the prophet Mohammed? Who go so

0:46:25.640 --> 0:46:27.480
<v Speaker 1>so they was there was you know, they was trying

0:46:27.520 --> 0:46:30.520
<v Speaker 1>to stop gangs with certain members from going in and

0:46:30.640 --> 0:46:32.799
<v Speaker 1>we were like, nah, funk all that, like these are

0:46:33.080 --> 0:46:35.600
<v Speaker 1>people because we should we showed up. There was about

0:46:35.640 --> 0:46:39.880
<v Speaker 1>like five my black homies with me, like specificularly specifically

0:46:39.920 --> 0:46:42.400
<v Speaker 1>from my click, there's about like twenty black people and

0:46:42.480 --> 0:46:46.279
<v Speaker 1>they're all related and ship So you know, I don't

0:46:46.480 --> 0:46:49.319
<v Speaker 1>I don't know that. Yeah, I guess, but we were

0:46:49.360 --> 0:46:51.960
<v Speaker 1>in a we're in a different position. And it's Mexicans

0:46:52.000 --> 0:46:54.480
<v Speaker 1>from my hood too, like not just one one seven,

0:46:55.000 --> 0:46:57.799
<v Speaker 1>but literally from a hundred seventeen street watch crypt there's

0:46:57.840 --> 0:47:00.480
<v Speaker 1>like Mexican people from my gang. I mean, you know

0:47:00.520 --> 0:47:02.640
<v Speaker 1>they're gonna people are gonna do whatever you allow them

0:47:02.680 --> 0:47:08.640
<v Speaker 1>to do. And like you talk about the perception along

0:47:08.719 --> 0:47:11.719
<v Speaker 1>black people hates black people, is is that part of

0:47:11.760 --> 0:47:15.240
<v Speaker 1>a ramification of like that that that's because that's because

0:47:16.640 --> 0:47:18.759
<v Speaker 1>we you know, eighteen Street how to be for the

0:47:18.840 --> 0:47:20.840
<v Speaker 1>black gang. I mean, they still have that bet, but

0:47:20.960 --> 0:47:23.800
<v Speaker 1>it's not as active as it once was. But you know,

0:47:25.440 --> 0:47:27.360
<v Speaker 1>for lack of better words, that gang just chose the

0:47:27.400 --> 0:47:31.000
<v Speaker 1>wrong battle. What what what? What's crazy? Then you know

0:47:31.320 --> 0:47:33.360
<v Speaker 1>they but but but let me say something. Let me

0:47:33.400 --> 0:47:36.200
<v Speaker 1>say no, once you start a machine, it doesn't stop.

0:47:36.440 --> 0:47:38.880
<v Speaker 1>And when you start seeing a lot of motherfucker's falling,

0:47:38.920 --> 0:47:41.160
<v Speaker 1>then you start saying, Yo, these motherfucker's ain't playing. But

0:47:41.680 --> 0:47:44.120
<v Speaker 1>let me let me say something. Something that is not

0:47:44.320 --> 0:47:48.840
<v Speaker 1>known about eighteen streets. It's not one gang. It's a

0:47:48.960 --> 0:47:52.879
<v Speaker 1>gang of gangs that operate under the same fame kind

0:47:53.080 --> 0:47:56.560
<v Speaker 1>kind of the same federal guidelines. It's fair to say.

0:47:56.600 --> 0:47:59.440
<v Speaker 1>It's like it'll be different states and in different federal guidelines.

0:47:59.440 --> 0:48:03.560
<v Speaker 1>It's different different infantries for sure, like an army, I guess,

0:48:03.680 --> 0:48:07.040
<v Speaker 1>so you can't be in different ran Hoover is you

0:48:07.120 --> 0:48:09.279
<v Speaker 1>guys are off for like Original eighteen or and like

0:48:09.520 --> 0:48:12.440
<v Speaker 1>Lynwood and like. But but the Hoovers is a great point.

0:48:12.480 --> 0:48:14.520
<v Speaker 1>The Hoovers is the same kind of gang. There's multiple

0:48:14.640 --> 0:48:18.160
<v Speaker 1>gangs that operate under this federal guideline of Hoover, but

0:48:18.239 --> 0:48:20.920
<v Speaker 1>they all won they all different games. Yeah, because like

0:48:21.480 --> 0:48:24.440
<v Speaker 1>so where he's from, it's totally different than on the

0:48:24.480 --> 0:48:26.440
<v Speaker 1>other side of the Washington and Hoover or something like,

0:48:27.600 --> 0:48:29.759
<v Speaker 1>or like if you start going to the west side,

0:48:29.800 --> 0:48:31.640
<v Speaker 1>somewhere close to the four or five, it's totally not

0:48:31.760 --> 0:48:35.560
<v Speaker 1>in day. Yeah, it's different. It's it's totally different, you know.

0:48:35.640 --> 0:48:38.040
<v Speaker 1>But my passes are good there. I can't function there.

0:48:38.760 --> 0:48:39.960
<v Speaker 1>But he don't even know the depth of that if

0:48:40.000 --> 0:48:42.040
<v Speaker 1>we're not even talking about that part. But I'm just

0:48:42.120 --> 0:48:45.080
<v Speaker 1>saying it's just different. They have their own beat. There

0:48:45.160 --> 0:48:48.879
<v Speaker 1>be are different. My rivals are different from every other

0:48:48.960 --> 0:48:51.239
<v Speaker 1>eighteen set. It's like a crip. Like a crip. Every

0:48:51.280 --> 0:48:54.040
<v Speaker 1>crip don't got the same rivals just where you're from.

0:48:54.560 --> 0:48:59.080
<v Speaker 1>But but I think, I think, um, I think the

0:48:59.239 --> 0:49:02.520
<v Speaker 1>moments right that have been celebrated in Mexican hip hop, right,

0:49:03.560 --> 0:49:06.680
<v Speaker 1>the Kid Frost A lot of eyes all right, Um,

0:49:07.080 --> 0:49:09.160
<v Speaker 1>I mean I wouldn't celebrate Kid Frost, but I get it.

0:49:09.280 --> 0:49:11.640
<v Speaker 1>I mean, you're missing the point of what I'm saying

0:49:11.719 --> 0:49:14.000
<v Speaker 1>that I'm celebrating. We gotta write your own music in

0:49:14.120 --> 0:49:15.960
<v Speaker 1>order for me to start. I'm not gonna do if

0:49:16.120 --> 0:49:19.000
<v Speaker 1>nothing to that point. Cyrus Hill and they're kind of

0:49:19.000 --> 0:49:23.640
<v Speaker 1>a blip, But there there's there anique is be real

0:49:23.760 --> 0:49:28.319
<v Speaker 1>Mexican the Cuman. So you cub as long as you're

0:49:28.320 --> 0:49:30.880
<v Speaker 1>not hook and you can be of the greater Latin

0:49:31.080 --> 0:49:33.800
<v Speaker 1>x umbrella and surviving hip hop, it just can't specifically

0:49:33.840 --> 0:49:37.400
<v Speaker 1>be Mexicans. Was almost come down to yeah, yeah in

0:49:37.480 --> 0:49:39.759
<v Speaker 1>a way, because it's going on in l A, you know,

0:49:39.920 --> 0:49:42.360
<v Speaker 1>because of the because of the scrimmagese that's going on

0:49:42.440 --> 0:49:44.080
<v Speaker 1>in the neighborhood. But I don't, I don't think. But

0:49:44.120 --> 0:49:47.879
<v Speaker 1>I don't think that's true. I think when I think

0:49:47.920 --> 0:49:53.040
<v Speaker 1>it still comes down to records. The record. Records is

0:49:53.080 --> 0:49:56.160
<v Speaker 1>the one thing. Man, I've had great records here you go,

0:49:56.360 --> 0:50:00.319
<v Speaker 1>it's not I've had records radios. But when I I'm

0:50:00.320 --> 0:50:02.800
<v Speaker 1>not the motherfucking home studio, you know what fun that.

0:50:02.920 --> 0:50:05.320
<v Speaker 1>I got a motherfucking problem with two point three not

0:50:05.440 --> 0:50:08.320
<v Speaker 1>going to do this. Look, see, I had a motherfucking

0:50:08.400 --> 0:50:11.359
<v Speaker 1>record on thirty five motherfucking markets. You know how hard

0:50:11.440 --> 0:50:14.120
<v Speaker 1>that is to be an independent artist and have thirty

0:50:14.200 --> 0:50:18.560
<v Speaker 1>five markets playing your record? Bro mix show. Secondary point

0:50:18.640 --> 0:50:21.279
<v Speaker 1>being is I'm building I come all the way home

0:50:21.440 --> 0:50:23.839
<v Speaker 1>after about nine months on the road to really doing

0:50:23.880 --> 0:50:26.520
<v Speaker 1>this ship, and they ain't playing my motherfucking record. They

0:50:26.520 --> 0:50:29.839
<v Speaker 1>won't even put me mix. So, yeah, man, I got

0:50:29.840 --> 0:50:32.879
<v Speaker 1>a problem with that. I'm letting grief and just grieve

0:50:33.000 --> 0:50:34.839
<v Speaker 1>right now, even though it was a couple of years ago.

0:50:34.920 --> 0:50:37.000
<v Speaker 1>But you know, but but but the point is, I

0:50:37.160 --> 0:50:40.800
<v Speaker 1>think records are the true barrier styles. I think records

0:50:40.880 --> 0:50:45.319
<v Speaker 1>are the true barrier. I think we have celebrated enough

0:50:45.440 --> 0:50:48.560
<v Speaker 1>records from people that you would never believe, like we

0:50:48.719 --> 0:50:51.640
<v Speaker 1>celebrated Vanilla Ice in this culture before. Yeah, but those

0:50:51.680 --> 0:50:54.080
<v Speaker 1>records were forced down your throat with a budget. We're

0:50:54.120 --> 0:50:55.759
<v Speaker 1>not going to do that. We're not gonna front like

0:50:55.800 --> 0:50:57.600
<v Speaker 1>Ice Ice Baby wasn't the ship. I'm not gonna even

0:50:57.640 --> 0:50:59.279
<v Speaker 1>I'm not gonna even let you lie to the people

0:50:59.320 --> 0:51:01.759
<v Speaker 1>out here this podcast, this is this is why, this

0:51:01.920 --> 0:51:06.919
<v Speaker 1>is why, this is why all that. They don't want

0:51:06.960 --> 0:51:10.400
<v Speaker 1>me to look, they don't want me to talk because

0:51:10.480 --> 0:51:13.520
<v Speaker 1>I've been there. I know that, I know the plays,

0:51:14.239 --> 0:51:16.359
<v Speaker 1>I know how the rex. So you're saying we didn't

0:51:16.360 --> 0:51:18.879
<v Speaker 1>like Ice Ice Baby. I love the Ice the first

0:51:18.960 --> 0:51:22.279
<v Speaker 1>day you heard it. Man, I'm just making sure you're

0:51:22.280 --> 0:51:25.080
<v Speaker 1>just not gonna lie to people. What was it? Stop

0:51:25.400 --> 0:51:31.680
<v Speaker 1>collaborate and listen. I really, I'm just making sure you

0:51:31.920 --> 0:51:35.000
<v Speaker 1>you're not fronting on the nicenest of that record. No,

0:51:35.239 --> 0:51:37.440
<v Speaker 1>never that the record is hard, but what this is

0:51:37.480 --> 0:51:41.160
<v Speaker 1>what I'm saying, right, I remember when hy was working

0:51:41.200 --> 0:51:43.200
<v Speaker 1>to it and booted before he got the label signed.

0:51:43.600 --> 0:51:45.560
<v Speaker 1>He went in there, boom, he got them to mix

0:51:45.640 --> 0:51:47.719
<v Speaker 1>show at all that right, No, that that's not that's

0:51:48.120 --> 0:51:50.759
<v Speaker 1>you're missing. They don't show that type of Mexican. That's

0:51:50.760 --> 0:51:55.799
<v Speaker 1>not little can't make sure up there, that's not that's

0:51:55.840 --> 0:51:59.120
<v Speaker 1>not totally transparent. Why that's true, It's not totally transparent.

0:51:59.560 --> 0:52:03.759
<v Speaker 1>Hy G had the hottest record in Los Angeles, all

0:52:03.920 --> 0:52:07.920
<v Speaker 1>the all the party everything. Everybody knew the record in

0:52:08.000 --> 0:52:12.920
<v Speaker 1>the scene, first word to last word. That show happened.

0:52:14.560 --> 0:52:15.960
<v Speaker 1>The same thing with Hot Dollar. I was there on

0:52:16.080 --> 0:52:18.959
<v Speaker 1>Hot Dollar single, Got Cracking. She wasn't playing on radio

0:52:19.080 --> 0:52:22.080
<v Speaker 1>like that until he until Jermaine to pre signed him.

0:52:22.280 --> 0:52:25.640
<v Speaker 1>But he was already radio played because he was the

0:52:25.880 --> 0:52:28.520
<v Speaker 1>j and the DJs were showing him that love. They're

0:52:28.520 --> 0:52:30.359
<v Speaker 1>not going to do that to a Mexican. He's doing

0:52:30.440 --> 0:52:32.960
<v Speaker 1>that again. You knew he was signed to fil You

0:52:33.000 --> 0:52:34.799
<v Speaker 1>knew he had He wasn't signed that that he had

0:52:34.840 --> 0:52:37.840
<v Speaker 1>to deal with Filly fail him if he had fairly

0:52:37.880 --> 0:52:41.279
<v Speaker 1>failed him and fell fail was wording him. But they

0:52:41.360 --> 0:52:44.640
<v Speaker 1>were really close, and that's where all he was. You

0:52:44.680 --> 0:52:47.359
<v Speaker 1>didn't your head are really close. But but I'm saying

0:52:47.440 --> 0:52:52.120
<v Speaker 1>relationships again, keyword is relationships, but keyword is relationship. But

0:52:52.160 --> 0:52:55.640
<v Speaker 1>those relationships ain't available for Mexican. I totally disagree. It's

0:52:55.680 --> 0:52:58.439
<v Speaker 1>not as many. Actually, in theory it should be more,

0:52:59.400 --> 0:53:02.080
<v Speaker 1>because why isn't it Then you have no idea? Why

0:53:02.239 --> 0:53:04.680
<v Speaker 1>you gotta tell me. It's a ton of Mexican people

0:53:04.719 --> 0:53:07.640
<v Speaker 1>that work at the radio station. All of them. Shoot,

0:53:07.680 --> 0:53:09.400
<v Speaker 1>every time I went up there, there was like, where's glasses?

0:53:09.760 --> 0:53:11.880
<v Speaker 1>Is he coming with you? Yeah? But you got it.

0:53:11.920 --> 0:53:15.400
<v Speaker 1>How many of you took lunch? A nice amount of

0:53:17.000 --> 0:53:21.200
<v Speaker 1>you took the lunch, but not probably not that many,

0:53:21.280 --> 0:53:25.759
<v Speaker 1>but took there you go like one or two. But

0:53:25.920 --> 0:53:28.719
<v Speaker 1>trust me, there is a boys club mentality in this ship. Bro,

0:53:28.920 --> 0:53:34.000
<v Speaker 1>you have to understand me. I can't. It's part he

0:53:34.160 --> 0:53:36.000
<v Speaker 1>knows because he's in. He's in the end crowd of

0:53:36.040 --> 0:53:41.040
<v Speaker 1>that Ship's partially true and partially not true. Just follow me.

0:53:42.719 --> 0:53:45.360
<v Speaker 1>Rose the l a hip hop radio, the majority of

0:53:45.480 --> 0:53:50.279
<v Speaker 1>the people on the microphones all day long, if they

0:53:50.280 --> 0:53:55.880
<v Speaker 1>aren't Mexican, their Latino. The overwhelming majority of the listenership

0:53:56.760 --> 0:53:59.919
<v Speaker 1>is if they're not Mexican, the Latino, probably eighty plus percent.

0:54:01.320 --> 0:54:05.960
<v Speaker 1>If a song, what's the barrier? Because I'm sure that

0:54:06.000 --> 0:54:08.000
<v Speaker 1>there are songs some artists that they are so big.

0:54:09.640 --> 0:54:13.040
<v Speaker 1>The promotion and the availability of the outlets, it's what's

0:54:13.320 --> 0:54:16.680
<v Speaker 1>hindering the progress. But it's it's gonna take longer for

0:54:16.760 --> 0:54:19.000
<v Speaker 1>a record a word of out to get millions views

0:54:19.520 --> 0:54:23.040
<v Speaker 1>opposed to you knowing this record has potential, it's starting

0:54:23.080 --> 0:54:25.439
<v Speaker 1>to take off. Boom now we're playing it at mixed show,

0:54:25.560 --> 0:54:27.560
<v Speaker 1>but boom now people are inviting you to a club

0:54:27.640 --> 0:54:29.759
<v Speaker 1>to open up real quick. I've been in clubs were

0:54:29.800 --> 0:54:32.359
<v Speaker 1>glasses before I was actually with him where he had

0:54:32.400 --> 0:54:35.520
<v Speaker 1>to me the mic and I wrapped. So I've glasses

0:54:35.640 --> 0:54:39.680
<v Speaker 1>giving me a lot of opportunity. And you know, he's

0:54:39.719 --> 0:54:42.160
<v Speaker 1>synonymous for my career, believe it or not, right, but

0:54:42.320 --> 0:54:44.880
<v Speaker 1>that's because he's always given me that type of opportunity.

0:54:45.120 --> 0:54:48.279
<v Speaker 1>He's that type of artists, but artists ain't getting that

0:54:48.320 --> 0:54:50.960
<v Speaker 1>type of treatment constantly. Where I come from, I'm a

0:54:51.040 --> 0:54:54.600
<v Speaker 1>special type of artists in all honesty, who got certain

0:54:54.640 --> 0:54:58.160
<v Speaker 1>attention from artists that was made that's not that's literally

0:54:58.239 --> 0:55:00.319
<v Speaker 1>not sure I get. I get the concept a song

0:55:00.440 --> 0:55:02.160
<v Speaker 1>that had Like when the song does it, it might

0:55:02.280 --> 0:55:04.480
<v Speaker 1>take longer, a slower process, but if it hits critical

0:55:04.560 --> 0:55:07.240
<v Speaker 1>mass among the Latin l A audience, it's got five

0:55:07.360 --> 0:55:10.480
<v Speaker 1>hundred thousand, a million views whatever it is, does that

0:55:10.640 --> 0:55:13.399
<v Speaker 1>not get on l A radio because you've got people

0:55:14.160 --> 0:55:16.000
<v Speaker 1>right now. But I'm gonna tell you, people like King,

0:55:16.480 --> 0:55:19.960
<v Speaker 1>they got videos with eighteen twenty million views and they're

0:55:20.000 --> 0:55:22.279
<v Speaker 1>not getting played on radios. If you're playing that, you

0:55:22.400 --> 0:55:25.040
<v Speaker 1>demand enough listenership to be able to not get but

0:55:25.200 --> 0:55:28.640
<v Speaker 1>because because but no, it's not no, no, that's not

0:55:28.800 --> 0:55:31.239
<v Speaker 1>that's not fair. So I'm gonna tell you, I'm gonna

0:55:31.239 --> 0:55:34.879
<v Speaker 1>tell you that's not true. YouTube doesn't always translate into

0:55:34.920 --> 0:55:37.200
<v Speaker 1>what you here, it's what you see. Does he have

0:55:37.320 --> 0:55:40.160
<v Speaker 1>songs with twenty million spins on Spotify? That would be

0:55:40.200 --> 0:55:44.719
<v Speaker 1>an argument if he has. If he has million, most

0:55:44.719 --> 0:55:46.880
<v Speaker 1>of them are gonna be here. And that's enough to

0:55:47.280 --> 0:55:54.000
<v Speaker 1>make Coca Cola pay for that turn. You have to

0:55:54.080 --> 0:55:56.520
<v Speaker 1>do some incredible ship for them to funk with you

0:55:56.719 --> 0:56:00.520
<v Speaker 1>like that. Bro, that's not cap capture You got love,

0:56:02.920 --> 0:56:06.080
<v Speaker 1>You got loved because Capy has a black team that

0:56:06.840 --> 0:56:10.200
<v Speaker 1>can make it through them doors that we can. And

0:56:10.760 --> 0:56:12.759
<v Speaker 1>this is his demo. But cat G doesn't have a

0:56:12.840 --> 0:56:15.680
<v Speaker 1>record bigger than the Summer Nights. No, but he had

0:56:15.719 --> 0:56:18.160
<v Speaker 1>a big record that that girlfriend record was big. A

0:56:18.480 --> 0:56:19.960
<v Speaker 1>was not big in the Summer Nights. And but this

0:56:20.120 --> 0:56:22.200
<v Speaker 1>is his demo, so obviously this is where they're gonna

0:56:22.200 --> 0:56:24.960
<v Speaker 1>play it. But you have to have them. That's why

0:56:25.000 --> 0:56:26.600
<v Speaker 1>I say every time when people say, how did your

0:56:26.680 --> 0:56:28.680
<v Speaker 1>radio runs go? The first thing people would tell me

0:56:28.800 --> 0:56:31.480
<v Speaker 1>is where his glasses? But but that's but that's only

0:56:31.560 --> 0:56:33.440
<v Speaker 1>because and I'd be like, well, he's not here, but

0:56:33.600 --> 0:56:36.439
<v Speaker 1>you know he's behind me. But but but that's also

0:56:36.600 --> 0:56:38.719
<v Speaker 1>that's tricky, right, And they want that coat sign, they

0:56:38.800 --> 0:56:41.560
<v Speaker 1>want you feel me. Yes, that can help. I'm not

0:56:41.680 --> 0:56:44.680
<v Speaker 1>saying all of these things don't help, right, But what

0:56:44.800 --> 0:56:50.040
<v Speaker 1>I'm saying is as a Mexican rapper, as a Mexican

0:56:50.120 --> 0:56:54.040
<v Speaker 1>hip hop artist, the demo is yours. And I think

0:56:54.120 --> 0:56:57.480
<v Speaker 1>what you're what you're kind of conceding is well, the

0:56:57.600 --> 0:57:00.439
<v Speaker 1>people in between us is making it too. I can't

0:57:00.440 --> 0:57:05.959
<v Speaker 1>get to them. That is impossible. It's impossible because those

0:57:06.040 --> 0:57:07.920
<v Speaker 1>people are right on the other side of them. You

0:57:08.080 --> 0:57:10.759
<v Speaker 1>don't need these people in the middle to get to

0:57:10.880 --> 0:57:14.440
<v Speaker 1>those with a faster process. But because I can get

0:57:14.440 --> 0:57:16.360
<v Speaker 1>to my demo, but I'm on the corner passing ship

0:57:16.440 --> 0:57:19.959
<v Speaker 1>out daily, busting my ass opposed to Foully foul ringing

0:57:19.960 --> 0:57:21.800
<v Speaker 1>the battle on my ship. That sucking. But three o'clock

0:57:22.800 --> 0:57:25.160
<v Speaker 1>now the whole fucking cities listening to Yeah, but I

0:57:25.520 --> 0:57:29.520
<v Speaker 1>still think that's still not the situation, right, I still

0:57:29.640 --> 0:57:32.480
<v Speaker 1>think that you're saying. I don't have the conveniance of

0:57:32.600 --> 0:57:35.880
<v Speaker 1>making it easier. Well, because the people, the people believe

0:57:36.080 --> 0:57:39.040
<v Speaker 1>what the powers that be tell them to believe. Nobody

0:57:39.120 --> 0:57:41.880
<v Speaker 1>could tell no one's gonna believe I'm a rapper handing you,

0:57:42.440 --> 0:57:44.200
<v Speaker 1>You're like, you're not gonna Hey, yo, I'm the hottest

0:57:44.200 --> 0:57:46.200
<v Speaker 1>ship in l A. Take my c D. No, they're

0:57:46.200 --> 0:57:48.160
<v Speaker 1>not gonna believe me. But the way to fort Foully

0:57:48.200 --> 0:57:50.240
<v Speaker 1>Foul to say any means it's the hottest ship in

0:57:50.400 --> 0:57:53.439
<v Speaker 1>l A. This is his record Boom Jake Cruz, whoever

0:57:53.520 --> 0:57:55.280
<v Speaker 1>in the Yeah. But because I don't give a funk

0:57:55.280 --> 0:57:57.080
<v Speaker 1>about radio at this point, but they don't. But they

0:57:57.160 --> 0:57:58.960
<v Speaker 1>don't have to say that for you to be the

0:57:59.000 --> 0:58:02.919
<v Speaker 1>hottest ship. Does listen? You could be the hottest ship.

0:58:03.120 --> 0:58:05.640
<v Speaker 1>If djr Head gets on ninety two point three right now, Head,

0:58:05.680 --> 0:58:08.320
<v Speaker 1>I'd love you. It says you know, any means it's

0:58:08.320 --> 0:58:11.560
<v Speaker 1>the hottest ship. Follow that motherfucker. They're gonna do it.

0:58:12.040 --> 0:58:14.920
<v Speaker 1>I bet you wouldn't get a thousand followers. I just

0:58:15.000 --> 0:58:19.760
<v Speaker 1>seen him fucking talk to UH Music exact last night,

0:58:19.840 --> 0:58:21.680
<v Speaker 1>talking about I need you to do this email. I

0:58:21.840 --> 0:58:24.080
<v Speaker 1>bet you. I bet you if he got on the

0:58:24.200 --> 0:58:26.520
<v Speaker 1>radio and ship happened. I bet you if he got

0:58:26.560 --> 0:58:28.040
<v Speaker 1>on the radio and said any means it is the

0:58:28.080 --> 0:58:30.720
<v Speaker 1>hottest artists follow him, you wouldn't get a thousand followers.

0:58:30.880 --> 0:58:32.800
<v Speaker 1>I bet you I would. What you want to bet?

0:58:33.360 --> 0:58:35.000
<v Speaker 1>You know why? I would? Because I would take that

0:58:35.120 --> 0:58:37.160
<v Speaker 1>fucking clip and I put it on my social I

0:58:37.280 --> 0:58:40.080
<v Speaker 1>bet you wouldn't get that running and everybody would see it.

0:58:40.160 --> 0:58:41.640
<v Speaker 1>And I guarantee you that would give me more than

0:58:41.680 --> 0:58:48.720
<v Speaker 1>a thousand followers. I bet you so. So we're gonna

0:58:48.800 --> 0:58:51.600
<v Speaker 1>that's beat My biggest My biggest record to day is

0:58:51.640 --> 0:58:54.840
<v Speaker 1>with Glasses wherever you want to eat. I got big records,

0:58:54.920 --> 0:58:57.800
<v Speaker 1>but we can make it fun. It's with him summertimes. Yeah,

0:58:57.800 --> 0:59:00.440
<v Speaker 1>but that's not but you're not. Also, this is the thing,

0:59:00.560 --> 0:59:02.760
<v Speaker 1>right because they want that co sign, they want to

0:59:02.760 --> 0:59:05.400
<v Speaker 1>believe your famous. The only believe your famous if you're

0:59:05.400 --> 0:59:08.280
<v Speaker 1>with famous people, the co sign is easier. You don't

0:59:08.360 --> 0:59:12.280
<v Speaker 1>need the co sign it and you don't need radio

0:59:12.480 --> 0:59:15.240
<v Speaker 1>to get to people, and you don't need other like

0:59:15.400 --> 0:59:17.040
<v Speaker 1>this is the thing. I'm not saying you don't need

0:59:17.080 --> 0:59:20.760
<v Speaker 1>a mass distribution. That's not true. And I understand traditionally

0:59:20.840 --> 0:59:22.560
<v Speaker 1>in place, right, And this is something I had to

0:59:22.600 --> 0:59:25.680
<v Speaker 1>break myself of thinking, like I just was talking to

0:59:26.000 --> 0:59:28.320
<v Speaker 1>this little dude on Instagram about it right now. Too

0:59:28.400 --> 0:59:31.640
<v Speaker 1>many times we're on autopilot, we're taking routes right that

0:59:31.760 --> 0:59:34.520
<v Speaker 1>planes that flew before, and we just resting back in

0:59:34.560 --> 0:59:36.640
<v Speaker 1>the plane and getting mad because the plane is not

0:59:37.240 --> 0:59:40.080
<v Speaker 1>doing what we wanted to do well because we're trying

0:59:40.160 --> 0:59:42.400
<v Speaker 1>to take a route that somebody else has already took.

0:59:42.440 --> 0:59:45.560
<v Speaker 1>That's how autopilot work, right, So what I'm saying is

0:59:46.000 --> 0:59:49.000
<v Speaker 1>grab the wheel, turn off the switches, and fly the plane.

0:59:49.920 --> 0:59:51.840
<v Speaker 1>Just created my own career, though that's that's not what

0:59:51.920 --> 0:59:54.120
<v Speaker 1>I'm saying. Obviously, right, we wouldn't be in his room.

0:59:54.760 --> 0:59:57.720
<v Speaker 1>But what I'm saying to you is right, is there's

0:59:57.920 --> 1:00:01.240
<v Speaker 1>more ways to get to the Mexican demographic of people

1:00:01.320 --> 1:00:04.200
<v Speaker 1>who want to hear Mexican hip hop from a Mexican

1:00:04.320 --> 1:00:08.959
<v Speaker 1>rapper then Fairly Failed, then DJ Head, then Big Boy

1:00:09.560 --> 1:00:12.400
<v Speaker 1>than anybody, right, So you have to figure out your

1:00:12.520 --> 1:00:15.680
<v Speaker 1>job is to figure out how to get this idea

1:00:15.960 --> 1:00:18.080
<v Speaker 1>to millions of those people. It's part of the puzzle

1:00:18.160 --> 1:00:20.600
<v Speaker 1>bro not part of the traditional sense. It's part of

1:00:20.640 --> 1:00:22.120
<v Speaker 1>the puzzle. You get what I'm saying. Let me let

1:00:22.120 --> 1:00:25.320
<v Speaker 1>me give you a great example. Right, White Lightning was

1:00:25.440 --> 1:00:28.400
<v Speaker 1>the ship, but it wasn't popping until Game got involved.

1:00:29.520 --> 1:00:33.360
<v Speaker 1>That's when it became real, right glasses, Um well I

1:00:33.440 --> 1:00:35.880
<v Speaker 1>was real. I was always with him the whole time. Okay,

1:00:36.720 --> 1:00:38.920
<v Speaker 1>But but but point proving that. But I'm gonna tell

1:00:38.920 --> 1:00:41.000
<v Speaker 1>you the point why it's point proving because there's four

1:00:41.120 --> 1:00:43.760
<v Speaker 1>other artists around that time that didn't have what I

1:00:43.840 --> 1:00:45.520
<v Speaker 1>had and it didn't work out for them as well.

1:00:45.800 --> 1:00:49.320
<v Speaker 1>Who Black Friday at the time be flying at the time.

1:00:49.440 --> 1:00:51.800
<v Speaker 1>It's about three or four different people life at the time.

1:00:53.120 --> 1:00:56.280
<v Speaker 1>People I don't come on, it's not it's not but

1:00:56.320 --> 1:00:59.680
<v Speaker 1>it's not. But it's not about the white men. Don't

1:00:59.680 --> 1:01:02.280
<v Speaker 1>do that. Listen. I'm talking about game, game that put

1:01:02.320 --> 1:01:07.600
<v Speaker 1>together groups, Game had tech, crooked game. There's already somebody

1:01:07.680 --> 1:01:11.200
<v Speaker 1>though Eastwood Tech was already somebody was already somebody. But

1:01:11.240 --> 1:01:13.160
<v Speaker 1>you're missing the point of what I'm saying. And how

1:01:13.200 --> 1:01:16.240
<v Speaker 1>did they get on Sugar Knight? But co signed? Yeah,

1:01:16.280 --> 1:01:18.880
<v Speaker 1>but they're not on. Like if I call it all

1:01:18.960 --> 1:01:21.880
<v Speaker 1>right now, he wouldn't they were on. He's what would

1:01:21.920 --> 1:01:24.280
<v Speaker 1>never believe he's on. He'd be like, y'all making a living.

1:01:24.880 --> 1:01:26.800
<v Speaker 1>Tech would believe I'm making living. They're not like, yeah,

1:01:26.800 --> 1:01:30.560
<v Speaker 1>we're like, we're what we should know, artists, the pretty on,

1:01:30.720 --> 1:01:33.520
<v Speaker 1>let's be on. You know, people may bad, bad, bad

1:01:33.600 --> 1:01:36.240
<v Speaker 1>decisions with the wealth and all that. That's something totally No,

1:01:36.360 --> 1:01:38.200
<v Speaker 1>I believe if you asked them that, they'll tell you

1:01:38.280 --> 1:01:40.640
<v Speaker 1>that the people in power didn't believe in him. If

1:01:40.760 --> 1:01:42.800
<v Speaker 1>right now, if we call, if we call Hill cover

1:01:42.960 --> 1:01:45.520
<v Speaker 1>but fucking double X out magazine. But he still would

1:01:45.520 --> 1:01:48.440
<v Speaker 1>tell one that's considered a legendary cover. But I'm sure

1:01:48.480 --> 1:01:51.240
<v Speaker 1>he still would tell you. You're telling me that ain'tn opportunity. Yeah,

1:01:51.240 --> 1:01:56.080
<v Speaker 1>but I'm telling you exposure, what you're exposing is more

1:01:56.160 --> 1:02:00.120
<v Speaker 1>than the exposure. Well, okay, see that's that's where that's

1:02:00.160 --> 1:02:02.480
<v Speaker 1>where you separate the big boys from the little boys.

1:02:02.880 --> 1:02:06.440
<v Speaker 1>Exposure talent takes you the rest where you need to go.

1:02:07.560 --> 1:02:09.480
<v Speaker 1>You need to have that exposure in order for your

1:02:09.520 --> 1:02:11.200
<v Speaker 1>talent to take you where you need to go. No,

1:02:11.440 --> 1:02:14.120
<v Speaker 1>but I'm saying, talent talent, wille what I'm saying, listen,

1:02:14.280 --> 1:02:16.800
<v Speaker 1>talent talent. Let me tell you all the difference, right,

1:02:16.880 --> 1:02:18.440
<v Speaker 1>talent could sit out in the corner front of the

1:02:18.480 --> 1:02:20.440
<v Speaker 1>liquor store and make a living. No, it can't. Yes

1:02:20.480 --> 1:02:22.960
<v Speaker 1>you can you literally if you can play the piano

1:02:23.000 --> 1:02:26.560
<v Speaker 1>and sing. If you're super talented what you do, you'll

1:02:26.600 --> 1:02:28.160
<v Speaker 1>make a living in front of the liquor Sture hints

1:02:28.960 --> 1:02:33.960
<v Speaker 1>quotation super yeah. I think that's the thing is, it's

1:02:34.000 --> 1:02:38.360
<v Speaker 1>not the the exemplary case. It's the aggregate median case

1:02:38.600 --> 1:02:41.439
<v Speaker 1>exactly that he's trying to get across. Because the top

1:02:42.080 --> 1:02:43.800
<v Speaker 1>one in a thousand is going to be the top

1:02:43.840 --> 1:02:45.400
<v Speaker 1>one in a thousand. But if it doesn't have to

1:02:45.440 --> 1:02:47.240
<v Speaker 1>be top one of a thousand to get on, and

1:02:47.320 --> 1:02:49.080
<v Speaker 1>it's you, it has to be typed one thousand, get

1:02:49.160 --> 1:02:51.880
<v Speaker 1>on ast him, I asked his point. But but I'm

1:02:51.960 --> 1:02:54.280
<v Speaker 1>telling you that the reason that is is because if

1:02:54.360 --> 1:02:56.920
<v Speaker 1>you're depending on an old system to get you to

1:02:57.040 --> 1:02:58.880
<v Speaker 1>the public. Well, I mean, at this point I'm not

1:02:59.400 --> 1:03:03.680
<v Speaker 1>I mean not obviously, but we're not talking. What I'm

1:03:03.680 --> 1:03:06.320
<v Speaker 1>still asking for is equality in the game. Right, So

1:03:06.480 --> 1:03:11.160
<v Speaker 1>what I mean by equality is I mean all hip hop. Um.

1:03:11.400 --> 1:03:15.360
<v Speaker 1>They've they've supported me throughout the years, they've really supported me, um,

1:03:15.720 --> 1:03:19.000
<v Speaker 1>But why haven't they supported other Mexican rappers, how many

1:03:19.080 --> 1:03:23.480
<v Speaker 1>are reaching out with a publicist? Like? How many? How many?

1:03:23.560 --> 1:03:26.520
<v Speaker 1>How many people have their business together? Like I would

1:03:26.520 --> 1:03:27.960
<v Speaker 1>have to talk to see a g Z. I would

1:03:27.960 --> 1:03:29.720
<v Speaker 1>have to talk to some of these dudes and say, hey,

1:03:30.480 --> 1:03:32.440
<v Speaker 1>are your publishers doing your work? How? I don't think

1:03:32.440 --> 1:03:34.400
<v Speaker 1>they have publicis So at that point, if you don't

1:03:34.480 --> 1:03:38.160
<v Speaker 1>have a professional set up right, you're not gonna invest

1:03:38.160 --> 1:03:40.760
<v Speaker 1>in yourself. How something else can invest in you? Yeah,

1:03:40.840 --> 1:03:45.280
<v Speaker 1>but you you gotta understand too. Um, They're they're in

1:03:45.360 --> 1:03:47.880
<v Speaker 1>a position to where they don't necessarily need the publicist

1:03:48.080 --> 1:03:52.600
<v Speaker 1>because they're generating so much attention. So that's where the

1:03:53.560 --> 1:03:57.440
<v Speaker 1>system is broken too, because nobody's reaching out for that ground,

1:03:57.640 --> 1:04:00.840
<v Speaker 1>that grassroot talent. No more. It ain't about finding the

1:04:00.960 --> 1:04:03.880
<v Speaker 1>diamonds anymore, you feel what I'm saying. And that's like

1:04:04.000 --> 1:04:07.360
<v Speaker 1>I said, as long as there's an equal platform, I'm

1:04:07.440 --> 1:04:09.800
<v Speaker 1>cool with it because I know motherfucker's is gonna sink

1:04:09.840 --> 1:04:12.560
<v Speaker 1>and they're gonna swim, and only there's only a field

1:04:12.560 --> 1:04:14.200
<v Speaker 1>of us that are really gonna make it, you know

1:04:14.240 --> 1:04:15.520
<v Speaker 1>what I mean, Because I've been in this game with

1:04:15.560 --> 1:04:17.520
<v Speaker 1>a lot of dudes that are not here no more,

1:04:17.560 --> 1:04:20.120
<v Speaker 1>but I am so you know. That's all I say

1:04:20.200 --> 1:04:23.200
<v Speaker 1>is give everybody a fair opportunity. But the same way

1:04:23.240 --> 1:04:26.360
<v Speaker 1>you're putting everybody else, put them there and let them

1:04:26.400 --> 1:04:30.080
<v Speaker 1>far where they may question for the room. Whoever like

1:04:30.800 --> 1:04:34.120
<v Speaker 1>Z most can't miss? Who gives a funk about the

1:04:34.200 --> 1:04:38.760
<v Speaker 1>price tag DJ producer right now in the game if this,

1:04:39.000 --> 1:04:41.680
<v Speaker 1>if you're on this guy's beat, that's all you need

1:04:41.760 --> 1:04:44.840
<v Speaker 1>in life, perfect example, right, No mean to cut you.

1:04:45.680 --> 1:04:50.400
<v Speaker 1>I I introduced head to an artist named Bella that's

1:04:50.440 --> 1:04:52.840
<v Speaker 1>a Mexican artist in l A right now. She's a

1:04:52.960 --> 1:04:56.560
<v Speaker 1>young female and she's doing millions of views by herself. Right,

1:04:57.360 --> 1:05:03.720
<v Speaker 1>had shared her profile and boom opportunity. Not not saying

1:05:03.760 --> 1:05:08.200
<v Speaker 1>the opportunity wasn't already coming, but it just enhanced the opportunities.

1:05:08.920 --> 1:05:11.720
<v Speaker 1>More people are watching, more people hold up, who's that? Yeah?

1:05:11.720 --> 1:05:14.320
<v Speaker 1>But what's because that's somebody would notoriety. But what's the

1:05:14.440 --> 1:05:17.960
<v Speaker 1>value in Head sharing it? It had to have an opportunity,

1:05:18.200 --> 1:05:19.920
<v Speaker 1>you know what I'm saying. What's the value for him

1:05:22.040 --> 1:05:26.560
<v Speaker 1>being being supporting grassroot Los Angeles music? Reaching out? I

1:05:26.600 --> 1:05:29.400
<v Speaker 1>was reaching out to it. It's expanding his audience space exactly.

1:05:29.720 --> 1:05:32.080
<v Speaker 1>So So the point is, but I don't I mean,

1:05:32.120 --> 1:05:33.840
<v Speaker 1>I don't know. I don't think I know. I don't

1:05:33.840 --> 1:05:35.680
<v Speaker 1>think he operates like that. I think he likes what

1:05:35.800 --> 1:05:38.600
<v Speaker 1>he likes and he's pretty sharp what wants. But that

1:05:38.800 --> 1:05:40.720
<v Speaker 1>it's it's, it's it's true in both things. I mean,

1:05:40.760 --> 1:05:42.960
<v Speaker 1>I'm sure there's certain things like, hey, if he don't

1:05:43.000 --> 1:05:45.080
<v Speaker 1>like the music, he's not gonna suck what I'm saying,

1:05:45.560 --> 1:05:50.280
<v Speaker 1>but there there's a benefit, and also sharing somebody that's dope, right,

1:05:50.880 --> 1:05:55.280
<v Speaker 1>or sharing somebody that's popular, right. So I think he

1:05:55.400 --> 1:05:57.520
<v Speaker 1>does a really good job of sharing everybody. I think

1:05:57.560 --> 1:06:00.080
<v Speaker 1>he'll funk with anybody if he's aware of it. He

1:06:00.200 --> 1:06:03.800
<v Speaker 1>just not aware of it. In your situation, you've done homegrown, Okay, Well,

1:06:03.880 --> 1:06:06.840
<v Speaker 1>that's the thing. The awareness needs to be the same

1:06:06.920 --> 1:06:09.360
<v Speaker 1>way they're aware of Blasts before he was blast, The

1:06:09.440 --> 1:06:15.120
<v Speaker 1>same way they're aware of you know, fucking Westside Boogie

1:06:15.240 --> 1:06:17.360
<v Speaker 1>or whatever his name before anybody was aware of him.

1:06:17.720 --> 1:06:20.400
<v Speaker 1>Is the same way they should be aware of Ballad.

1:06:20.600 --> 1:06:22.240
<v Speaker 1>They should be aware of C and G. They should

1:06:22.240 --> 1:06:24.240
<v Speaker 1>be aware of any means that's not where the people

1:06:24.320 --> 1:06:26.720
<v Speaker 1>that are making noise in that corner of the of

1:06:26.840 --> 1:06:29.480
<v Speaker 1>the city. But but that but that's my point. That's

1:06:29.520 --> 1:06:33.160
<v Speaker 1>not their responsibility really is though, if you're a tastemaker

1:06:33.200 --> 1:06:35.120
<v Speaker 1>and you're breaking the music. But I think that's how

1:06:35.200 --> 1:06:36.960
<v Speaker 1>you look at them, even if they that's the way

1:06:36.960 --> 1:06:38.840
<v Speaker 1>it should be. Yeah, but even if they want to

1:06:38.880 --> 1:06:41.160
<v Speaker 1>claim it, that's not real. Like you're not aware of

1:06:41.240 --> 1:06:43.920
<v Speaker 1>everything going on. You're not like you know, uh, what

1:06:44.120 --> 1:06:45.920
<v Speaker 1>is the word I'm looking for. You're not omnipotent. Your

1:06:45.960 --> 1:06:48.640
<v Speaker 1>your awareness is not everywhere at once, right, you have

1:06:48.800 --> 1:06:52.000
<v Speaker 1>to kind of the awareness has to be brought to you. Well,

1:06:52.440 --> 1:06:54.400
<v Speaker 1>you know, if you're if I'm gonna be honest with you,

1:06:54.440 --> 1:06:56.560
<v Speaker 1>if you're gonna use the word gatekeeper, then I'm gonna

1:06:56.600 --> 1:07:00.360
<v Speaker 1>hold you accountable for being the gatekeeper and and and properly.

1:07:00.400 --> 1:07:02.280
<v Speaker 1>If I was the gatekeeper, I will be in every

1:07:02.360 --> 1:07:04.360
<v Speaker 1>fucking hood. But none of these guys would be in

1:07:04.400 --> 1:07:08.439
<v Speaker 1>the Leaso Village. I'd be in motherfucking you know, Jordan Down,

1:07:08.560 --> 1:07:11.360
<v Speaker 1>I'd be but none of you. For the talent, but

1:07:11.440 --> 1:07:14.400
<v Speaker 1>none of these guys are truly gatekeepers. That's just an

1:07:14.440 --> 1:07:17.840
<v Speaker 1>overstated thing. A gate is a special thing. Like you're

1:07:17.880 --> 1:07:19.880
<v Speaker 1>not in the game because he had stamps. You It

1:07:20.040 --> 1:07:22.680
<v Speaker 1>literally means you literally have another step up. You took

1:07:22.720 --> 1:07:24.800
<v Speaker 1>another step up on the ladder. It's a far ladder

1:07:25.040 --> 1:07:26.560
<v Speaker 1>to get to the gate where you walk in and

1:07:26.640 --> 1:07:28.560
<v Speaker 1>you're in the gate. Well, we could use somebody else

1:07:28.600 --> 1:07:31.880
<v Speaker 1>for then we could use Charisma for example. Right, so

1:07:31.960 --> 1:07:33.880
<v Speaker 1>you don't think Charisma does a good job of breaking

1:07:33.920 --> 1:07:37.880
<v Speaker 1>Mexican artists or like or never never seen her do it?

1:07:40.360 --> 1:07:43.760
<v Speaker 1>And tell me right now Charisma broke that's a Mexican artist. Well,

1:07:43.800 --> 1:07:45.720
<v Speaker 1>I don't think I don't think that's fair broke any

1:07:45.800 --> 1:07:49.680
<v Speaker 1>Mexican rapper. I'm sure she played King Logi early. I

1:07:49.720 --> 1:07:54.320
<v Speaker 1>remember playing King Logi early. Um, she complaining, Yeah, but

1:07:54.360 --> 1:07:56.240
<v Speaker 1>but again, you have to have records that are working.

1:07:57.280 --> 1:07:59.720
<v Speaker 1>If your records aren't working is different. Who's the who

1:07:59.880 --> 1:08:02.840
<v Speaker 1>you know? Most? Can't misproducer in all of hip hop

1:08:02.920 --> 1:08:08.680
<v Speaker 1>in America anywhere? Right here and now? Must could Could

1:08:08.680 --> 1:08:12.160
<v Speaker 1>a Mexican rapper get Muster to do a great track

1:08:12.320 --> 1:08:15.040
<v Speaker 1>for him? But yeah, we probably with a million dollar budget. Okay,

1:08:15.080 --> 1:08:17.240
<v Speaker 1>he don't eat that much money, probably got spent he

1:08:17.280 --> 1:08:19.000
<v Speaker 1>would do. I guarantee you if I can't right now

1:08:19.040 --> 1:08:20.840
<v Speaker 1>with Tan ground and I said, glasses take me to much.

1:08:20.880 --> 1:08:23.840
<v Speaker 1>Tim ain't gonna get it done. No budget, no budget budget,

1:08:24.040 --> 1:08:26.120
<v Speaker 1>no damn wild Glasses, says your mustard. I got tan

1:08:26.240 --> 1:08:30.160
<v Speaker 1>right here. He's gonna be like what you're doing the record.

1:08:30.439 --> 1:08:32.360
<v Speaker 1>I'm telling you the truth. I wouldn't play me to

1:08:32.560 --> 1:08:34.360
<v Speaker 1>Gold right now. I wouldn't playing with him. I at

1:08:34.439 --> 1:08:36.720
<v Speaker 1>least have to go seeing with a dub Ski do

1:08:37.000 --> 1:08:40.160
<v Speaker 1>he probably getting thirty forty? Bro if he lays down

1:08:40.240 --> 1:08:44.519
<v Speaker 1>a like a great like and that artist. This is

1:08:44.600 --> 1:08:47.080
<v Speaker 1>something this is something me him debate about and we

1:08:47.160 --> 1:08:50.840
<v Speaker 1>have historically. Right is the music scene is different, like

1:08:50.960 --> 1:08:54.280
<v Speaker 1>the cultural scene is different, Like it matters like how

1:08:54.479 --> 1:08:57.360
<v Speaker 1>this person makes music. I guess the reason that Fingers

1:08:57.400 --> 1:09:00.240
<v Speaker 1>has been more successful than any black artist, be any

1:09:00.280 --> 1:09:04.840
<v Speaker 1>black producer with Mexican hip hop artists, Fingers understands a

1:09:04.880 --> 1:09:07.439
<v Speaker 1>little bit more sonically of what has to happen on

1:09:07.640 --> 1:09:10.799
<v Speaker 1>these records because you still grooming music. Like when somebody

1:09:10.960 --> 1:09:13.320
<v Speaker 1>like I like, if a Mexican person listens to a

1:09:13.400 --> 1:09:17.560
<v Speaker 1>black artist, they're listening for something specifically. They're not just

1:09:17.680 --> 1:09:20.799
<v Speaker 1>listening to hear some ship that sounds like fucking Frank Sinatra.

1:09:21.200 --> 1:09:23.320
<v Speaker 1>They're listen to Frank Sinatra. For Franks, not so when

1:09:23.320 --> 1:09:26.240
<v Speaker 1>they're listening to Uh. If you're listening, if we're listening

1:09:26.320 --> 1:09:28.519
<v Speaker 1>to a parliament, we know what we're listening for. If

1:09:28.560 --> 1:09:31.280
<v Speaker 1>you're listening for Kendrick Lamar, you know what you're listening for.

1:09:31.720 --> 1:09:33.720
<v Speaker 1>The thing is we come to Black artists or we

1:09:33.800 --> 1:09:36.439
<v Speaker 1>come to Mexican artists for different things. That's the reality

1:09:36.520 --> 1:09:38.320
<v Speaker 1>of it. We can't say we come to Wrap to

1:09:38.439 --> 1:09:40.640
<v Speaker 1>Rap because I'm not coming to him and them the

1:09:40.720 --> 1:09:42.559
<v Speaker 1>same reason I'm going to Snoop Dog. I don't give

1:09:42.600 --> 1:09:45.080
<v Speaker 1>a father. They both wrapped. I want something different from

1:09:45.160 --> 1:09:48.599
<v Speaker 1>them than I want from Dog. So then that's the point.

1:09:49.120 --> 1:09:51.959
<v Speaker 1>Back to the music, right, the music needs to reflect

1:09:52.320 --> 1:09:59.040
<v Speaker 1>cultural aspects that could connect to the listener. Son, But

1:09:59.160 --> 1:10:00.960
<v Speaker 1>this is where I think the all it is, and

1:10:01.080 --> 1:10:02.719
<v Speaker 1>this is why I think he's saying in the Nutsha

1:10:02.840 --> 1:10:06.880
<v Speaker 1>He's like, well, in theory, a Mexican song should be

1:10:06.960 --> 1:10:09.200
<v Speaker 1>able to be as enjoyed by a Black artists from

1:10:09.200 --> 1:10:13.000
<v Speaker 1>the first day. And I'm like, that might not make

1:10:13.080 --> 1:10:14.960
<v Speaker 1>sense when you think about it. It should be true

1:10:15.000 --> 1:10:18.200
<v Speaker 1>in humanity, but because human beings are not the same culturally,

1:10:18.640 --> 1:10:21.200
<v Speaker 1>then that can't be the same. I'm just not going

1:10:21.840 --> 1:10:24.519
<v Speaker 1>to for Mexican food. I'm not going to any brother

1:10:24.640 --> 1:10:27.599
<v Speaker 1>before I'm going to King Tako. It's just not I'm

1:10:27.640 --> 1:10:30.240
<v Speaker 1>just not going there because when I want the flavor, no,

1:10:30.360 --> 1:10:32.360
<v Speaker 1>and I get that. And when I want the flavor,

1:10:32.400 --> 1:10:34.640
<v Speaker 1>I want the flavor, I get that. And that's not

1:10:34.840 --> 1:10:40.760
<v Speaker 1>necessarily what I'm saying. Um, I'm saying that I make. Okay, look,

1:10:40.840 --> 1:10:44.320
<v Speaker 1>I make I make hip hop that appeals to Mexican people.

1:10:44.760 --> 1:10:48.120
<v Speaker 1>I do that purposely because that's my demo and that's

1:10:48.120 --> 1:10:52.040
<v Speaker 1>who I served whole or a curse. No, No, no,

1:10:54.640 --> 1:10:56.559
<v Speaker 1>that's not that's not true. Hold up, that's a trick.

1:10:56.640 --> 1:10:59.800
<v Speaker 1>He tricking. That's a trick question my question. No, this

1:11:00.000 --> 1:11:01.479
<v Speaker 1>is the trick question that No, what he said right

1:11:01.479 --> 1:11:05.360
<v Speaker 1>now is a trick statement. That's not totally sincere. Who

1:11:05.640 --> 1:11:10.240
<v Speaker 1>makes the most commercially successful hip hop for Mexican artists?

1:11:11.520 --> 1:11:15.439
<v Speaker 1>What producer of all time? Fingers? How many records you

1:11:15.479 --> 1:11:18.680
<v Speaker 1>got with it? I got one record with fingers? How

1:11:18.720 --> 1:11:20.960
<v Speaker 1>many records you got? I got a lot of records.

1:11:21.000 --> 1:11:23.240
<v Speaker 1>How if you had to roughly just guessed it, four

1:11:23.360 --> 1:11:27.840
<v Speaker 1>hundred niggah, you got more than four reds? Okay, well

1:11:27.880 --> 1:11:30.360
<v Speaker 1>published records about four hundred, I don't know, maybe a thousand.

1:11:31.040 --> 1:11:35.519
<v Speaker 1>So out of all of the motherfucker's records, he got

1:11:37.320 --> 1:11:39.920
<v Speaker 1>the one who has had the most success with Mexican

1:11:40.000 --> 1:11:43.400
<v Speaker 1>hip hop. He has one with that's the problem. Well,

1:11:43.439 --> 1:11:46.240
<v Speaker 1>because he had he had, he had success in a time,

1:11:46.800 --> 1:11:49.640
<v Speaker 1>in a place and time. He's the only person with

1:11:49.840 --> 1:11:54.840
<v Speaker 1>success in in that Pacific time. He hasn't had anything

1:11:54.880 --> 1:11:58.120
<v Speaker 1>in years exactly, He's the only one with success. My

1:11:58.200 --> 1:12:03.880
<v Speaker 1>biggest record was produced by fun Can Muggs. What Mugs

1:12:04.200 --> 1:12:10.479
<v Speaker 1>Muggs with Mexican hip hop? Up? But oh yeah? Or

1:12:10.520 --> 1:12:13.280
<v Speaker 1>would it be no? He does? He does, He's the

1:12:13.360 --> 1:12:16.960
<v Speaker 1>biggest that's the question. So then how many records you

1:12:16.960 --> 1:12:20.200
<v Speaker 1>got with Muggs. I don't have any connection with Muggs.

1:12:20.720 --> 1:12:23.120
<v Speaker 1>That's the problem. So it starts right there first, right,

1:12:23.200 --> 1:12:25.960
<v Speaker 1>it starts right there. So this is some Styles I

1:12:26.040 --> 1:12:29.200
<v Speaker 1>got for you. Because so Styles also is a publicist.

1:12:29.240 --> 1:12:32.479
<v Speaker 1>Super Ill got a podcast. We'll be doing this ship

1:12:32.640 --> 1:12:37.439
<v Speaker 1>all that right here, he goes, right, Damn, I lost

1:12:37.520 --> 1:12:41.200
<v Speaker 1>my thought. He was gonna say, but that he needs

1:12:41.240 --> 1:12:44.000
<v Speaker 1>to give me a record by Mugs. We definitely, you

1:12:44.120 --> 1:12:47.519
<v Speaker 1>definitely need to record for Mugs okay me up again.

1:12:47.600 --> 1:12:51.439
<v Speaker 1>I had it. I had it because, um, does the

1:12:51.560 --> 1:12:55.000
<v Speaker 1>fact that you make music for a Mexican hip hop

1:12:55.439 --> 1:13:00.280
<v Speaker 1>market to some degree play into the fact it it's

1:13:00.320 --> 1:13:02.200
<v Speaker 1>hard to get out of a Mexican hip hop market.

1:13:02.439 --> 1:13:06.000
<v Speaker 1>Not because because my music is probably the personification of

1:13:06.080 --> 1:13:12.320
<v Speaker 1>crossover at this point, so perfect Yeah sure, um you

1:13:12.400 --> 1:13:17.760
<v Speaker 1>know yeah, crack, rock, bounce and so because because I

1:13:17.960 --> 1:13:20.519
<v Speaker 1>I did them all Mulke, I got it, I got it.

1:13:21.040 --> 1:13:25.200
<v Speaker 1>So here it is right right now. You're from New

1:13:25.280 --> 1:13:29.040
<v Speaker 1>York styles and you're a producer. I mean, you have

1:13:29.080 --> 1:13:30.280
<v Speaker 1>an artist that you want to work with and this

1:13:30.400 --> 1:13:32.080
<v Speaker 1>Artists like man, I need to go get produced. I

1:13:32.160 --> 1:13:36.640
<v Speaker 1>need to get production from a really great producer. But

1:13:36.760 --> 1:13:40.479
<v Speaker 1>there's no modern version of that. You're just gonna say,

1:13:40.680 --> 1:13:44.519
<v Speaker 1>don't go work with Puff. You're gonna say, don't go

1:13:44.600 --> 1:13:48.120
<v Speaker 1>work with Swiss Beats. You're gonna say, don't go work

1:13:48.160 --> 1:13:50.439
<v Speaker 1>with Jess Blaze right now. For you from not gonna

1:13:50.479 --> 1:13:52.479
<v Speaker 1>go to them for what I need right now, I'm saying,

1:13:52.479 --> 1:13:55.120
<v Speaker 1>if you're a New York artist right now, you wouldn't

1:13:55.120 --> 1:13:57.280
<v Speaker 1>go to Jes Blaze, Swiss Beats and fucking Puff. If

1:13:57.280 --> 1:13:59.720
<v Speaker 1>you're a Miami artist, You're gonna go to Cool and Dre. No, No,

1:14:00.040 --> 1:14:03.719
<v Speaker 1>I'm not. I'm saying I'm just being honest. I'm not honest.

1:14:04.479 --> 1:14:09.000
<v Speaker 1>I mean, logically, it sounds like you would go to them,

1:14:09.120 --> 1:14:13.519
<v Speaker 1>but I probably try to go to the person stuff. Yeah,

1:14:13.720 --> 1:14:16.000
<v Speaker 1>but that guy's not from New York. But I'm just

1:14:16.040 --> 1:14:19.120
<v Speaker 1>saying that New York. But but I think, I think,

1:14:19.240 --> 1:14:22.360
<v Speaker 1>I think that's popping all over because his passing became

1:14:22.840 --> 1:14:25.840
<v Speaker 1>to Hitmaker. I will go to hitmaker makers lost Hitman

1:14:25.920 --> 1:14:28.639
<v Speaker 1>makers based on that lay. But that's that's the mistake

1:14:28.800 --> 1:14:30.360
<v Speaker 1>artists of making. And that's the point I asked the

1:14:30.400 --> 1:14:32.360
<v Speaker 1>que in reality I could do with hitmakers doing because

1:14:32.400 --> 1:14:34.479
<v Speaker 1>I've did it before. Like all, he's doing the sampling

1:14:34.760 --> 1:14:36.680
<v Speaker 1>records from the night, but that and and that's don't

1:14:36.680 --> 1:14:39.120
<v Speaker 1>shout out the burd because he is getting busy, he's

1:14:39.120 --> 1:14:41.240
<v Speaker 1>getting dope. So but but what I'm stupid. But what

1:14:41.360 --> 1:14:46.200
<v Speaker 1>I'm saying is that's the mistake we're all making. So

1:14:46.760 --> 1:14:48.519
<v Speaker 1>I could see if you thought that on the West,

1:14:49.360 --> 1:14:51.920
<v Speaker 1>because we do have Mustard, we do have hit Boy.

1:14:52.800 --> 1:14:55.799
<v Speaker 1>But if you're on the East, there is no Mustard

1:14:55.880 --> 1:14:58.760
<v Speaker 1>of the East. Right now, there is no hit Boy

1:14:58.880 --> 1:15:00.920
<v Speaker 1>of the East. They're gonna take that motherfucking playing flight.

1:15:00.960 --> 1:15:02.640
<v Speaker 1>They're gonna come over and get with him. So why

1:15:02.720 --> 1:15:05.960
<v Speaker 1>would you not go to Swiss Beats Because Swiss just

1:15:06.080 --> 1:15:08.479
<v Speaker 1>doesn't understand the climate of the game right now. The

1:15:08.600 --> 1:15:12.120
<v Speaker 1>game hasn't changed to hit record right now. You missed

1:15:12.320 --> 1:15:14.479
<v Speaker 1>because people are not does not have a hit record

1:15:14.560 --> 1:15:16.599
<v Speaker 1>because people are not going to Swiss be because they

1:15:16.640 --> 1:15:18.720
<v Speaker 1>know he's not delivering what they need. That's a lot.

1:15:18.880 --> 1:15:23.960
<v Speaker 1>He hasn't showed me his missus. When was the last

1:15:24.000 --> 1:15:26.800
<v Speaker 1>time he put out a record as also, I mean,

1:15:26.880 --> 1:15:29.599
<v Speaker 1>how available are they? They ain't doing ain't like they're

1:15:29.640 --> 1:15:34.160
<v Speaker 1>doing nothing else. Yeah, yeah, that's a big statement. Not

1:15:34.280 --> 1:15:36.439
<v Speaker 1>like we could knock on the door and say, hey Swiss,

1:15:37.040 --> 1:15:39.160
<v Speaker 1>it's not that hard to catch bro. Instagram and Twitter,

1:15:39.280 --> 1:15:42.160
<v Speaker 1>you could tweet Swiss. I mean, Bro, but that's a

1:15:42.200 --> 1:15:44.479
<v Speaker 1>needle in the haystack at Oh no, no, it's not.

1:15:44.600 --> 1:15:47.479
<v Speaker 1>It's a lot. You should you should, man, bro Okay,

1:15:47.560 --> 1:15:50.280
<v Speaker 1>like shout out the Hood right um, And this is

1:15:50.439 --> 1:15:52.639
<v Speaker 1>somebody that I like the shout out to shout out

1:15:52.640 --> 1:15:55.160
<v Speaker 1>the Hood. I love his music. I always loved his music.

1:15:55.439 --> 1:15:58.200
<v Speaker 1>We're collaborating he's coming down. But you know, when I

1:15:58.280 --> 1:16:00.160
<v Speaker 1>first reached out to him, he was like, Yo, what up?

1:16:00.240 --> 1:16:03.400
<v Speaker 1>Like a little sound office because of the way I look,

1:16:03.520 --> 1:16:05.800
<v Speaker 1>you feel me? But sure, because because all he heard

1:16:06.040 --> 1:16:09.560
<v Speaker 1>is that this acholo can be a threat. But you

1:16:09.640 --> 1:16:11.880
<v Speaker 1>know what I'm saying. So it's not as easy as

1:16:11.880 --> 1:16:15.200
<v Speaker 1>all I'm saying. But but it doesn't matter. If it's easy, right,

1:16:15.280 --> 1:16:17.920
<v Speaker 1>you have to go get it. I think hip hop

1:16:18.080 --> 1:16:21.640
<v Speaker 1>is making a huge mistake it bro, but no, but

1:16:21.760 --> 1:16:23.920
<v Speaker 1>that's not you listen. I think hip hop is making

1:16:23.960 --> 1:16:27.760
<v Speaker 1>a huge mistake all aspects of it, all subcultures of it,

1:16:28.280 --> 1:16:33.280
<v Speaker 1>right by turning our back on the successful. Now, I

1:16:33.400 --> 1:16:36.080
<v Speaker 1>get it, if you're on the West, I don't agree

1:16:36.120 --> 1:16:38.519
<v Speaker 1>with it. I think right now, why you can go

1:16:38.640 --> 1:16:41.040
<v Speaker 1>to Battle Can and get a hit record? I bet

1:16:41.680 --> 1:16:44.000
<v Speaker 1>my last nime on it. Yeah, I mean I believe

1:16:44.080 --> 1:16:47.599
<v Speaker 1>that because that's what you're taught about. I believe Uh

1:16:48.200 --> 1:16:50.280
<v Speaker 1>Tiger can go to Dr Dre and get a hit

1:16:50.320 --> 1:16:54.880
<v Speaker 1>record today. Well, because you know we're our OURVPN system

1:16:55.000 --> 1:16:57.240
<v Speaker 1>is different from there. But I mean, mindest that I'm saying,

1:16:58.280 --> 1:17:00.360
<v Speaker 1>even though we have mustered me hit boy right now

1:17:00.439 --> 1:17:02.640
<v Speaker 1>and Blast starting to preserve the culture and move the

1:17:02.680 --> 1:17:05.840
<v Speaker 1>culture to the next phase of it. Right. But it's

1:17:05.880 --> 1:17:09.280
<v Speaker 1>no different than when snooping them right, and they went

1:17:09.400 --> 1:17:13.080
<v Speaker 1>and they just flipped, uh the dramatics and had Ryn

1:17:13.120 --> 1:17:18.280
<v Speaker 1>Banks and them come sing on Dolly Dog World. It's

1:17:18.400 --> 1:17:21.680
<v Speaker 1>it's really just Ryn Banks. I mean, it's really just

1:17:21.760 --> 1:17:26.800
<v Speaker 1>the dramatics. It's not crazy like I think we're making

1:17:26.840 --> 1:17:28.960
<v Speaker 1>a mistake. And I'm saying this is important that Mexican

1:17:29.040 --> 1:17:32.439
<v Speaker 1>hip hop because open your door, Mustard. I'm coming to over,

1:17:32.800 --> 1:17:39.280
<v Speaker 1>not Mustard. It's not Mustard's fingers man fingers fingers is

1:17:39.400 --> 1:17:41.560
<v Speaker 1>like doing some Disney ship last I heard that. That

1:17:41.600 --> 1:17:44.120
<v Speaker 1>don't change that. He still got it. I got something

1:17:44.160 --> 1:17:48.160
<v Speaker 1>from him right now? Do you play for me? See

1:17:48.240 --> 1:17:51.560
<v Speaker 1>this different though, see glasses heat like he like, you know,

1:17:51.680 --> 1:17:53.280
<v Speaker 1>he got a lot of connections, and he's like, not,

1:17:53.479 --> 1:17:55.519
<v Speaker 1>it's not connection. You know, I just got in first

1:17:55.560 --> 1:17:58.600
<v Speaker 1>some games. You ain't go with you. That's not he

1:17:58.720 --> 1:18:00.760
<v Speaker 1>missed the whole point. See you see how I did

1:18:00.880 --> 1:18:06.800
<v Speaker 1>that stuff. I'm done. I don't know. I'm done. Matter

1:18:06.800 --> 1:18:08.360
<v Speaker 1>of fact, guy, I need my verse from you.