WEBVTT - Season 2 Q&A Wrap Party!!!!! (worst title ever)

0:00:00.760 --> 0:00:17.520
<v Speaker 1>I am all in. Let's just you. I am all

0:00:17.600 --> 0:00:21.959
<v Speaker 1>in with Scott Patterson and I Heart Radio Podcast. Hey everybody,

0:00:22.040 --> 0:00:25.520
<v Speaker 1>Scott Patterson, I am all in podcast our Heart Radio

0:00:25.840 --> 0:00:28.479
<v Speaker 1>one eleven productions, and today we're gonna do a little

0:00:28.520 --> 0:00:32.280
<v Speaker 1>special Oh I did not welcome our very very special panel,

0:00:32.720 --> 0:00:36.800
<v Speaker 1>Riley pollution. Oh no, I'm going to Daniel Romo. Hello.

0:00:38.080 --> 0:00:40.600
<v Speaker 1>I think she's on the the the aft deck of

0:00:40.640 --> 0:00:44.360
<v Speaker 1>her yacht, one of her yachts, and Amy Sugarman calling

0:00:44.400 --> 0:00:47.600
<v Speaker 1>in from one of her many homes for this today. Actually,

0:00:47.600 --> 0:00:49.559
<v Speaker 1>it's it's it's so we're gonna do some Q and

0:00:49.600 --> 0:00:52.960
<v Speaker 1>A tell tell us what's going on today. Well, we

0:00:53.640 --> 0:00:59.640
<v Speaker 1>compiled some really really really good questions from everyone listening fans.

0:01:00.280 --> 0:01:01.800
<v Speaker 1>Maybe I threw a few of my own in there

0:01:02.320 --> 0:01:07.639
<v Speaker 1>for you to give us more inside dirt juice. Uh

0:01:07.720 --> 0:01:10.080
<v Speaker 1>in between seasons because we wanted to like give everyone

0:01:10.080 --> 0:01:13.639
<v Speaker 1>a minute to catch up. Next week we are coming

0:01:13.720 --> 0:01:16.920
<v Speaker 1>back massive with season three. But this is just you know,

0:01:17.319 --> 0:01:19.720
<v Speaker 1>to give us a little bit of a nice tie

0:01:20.280 --> 0:01:23.640
<v Speaker 1>tie it up with a bow. Because we are the

0:01:23.680 --> 0:01:26.800
<v Speaker 1>hardest working road crew and podcast and we were laying down,

0:01:26.959 --> 0:01:30.480
<v Speaker 1>slapping down three episodes a week we do it? How

0:01:30.520 --> 0:01:32.839
<v Speaker 1>do we do it? I don't know how we do it? Daniel?

0:01:32.880 --> 0:01:34.399
<v Speaker 1>What are we going to call it? Should we? Should

0:01:34.400 --> 0:01:38.400
<v Speaker 1>we call this the season two Q and A wrap party?

0:01:38.600 --> 0:01:44.039
<v Speaker 1>First of all, Daniel, are you in charge of the

0:01:44.120 --> 0:01:47.880
<v Speaker 1>naming things? Because that's a really clever man. You know what.

0:01:48.840 --> 0:01:51.320
<v Speaker 1>I'm here, I'm ready to party. I'm ready to have

0:01:51.360 --> 0:01:55.400
<v Speaker 1>our rap party and answer these Q and A questions. Okay,

0:01:55.440 --> 0:01:57.720
<v Speaker 1>so trialed up. You know what shocked me the most.

0:01:57.760 --> 0:01:59.960
<v Speaker 1>So obviously we're coming off of the season too for now,

0:02:00.600 --> 0:02:02.480
<v Speaker 1>and I don't know if Scott will be shocked by this,

0:02:02.560 --> 0:02:06.120
<v Speaker 1>but I actually was surprised, even though I don't feel

0:02:06.160 --> 0:02:17.920
<v Speaker 1>this way. People really dislike Christopher. They literally do not

0:02:18.080 --> 0:02:21.880
<v Speaker 1>like Christopher and Ly together. They do not like that

0:02:21.919 --> 0:02:25.600
<v Speaker 1>he calls her lower, even though I love it. Amy,

0:02:25.639 --> 0:02:28.919
<v Speaker 1>Can I just stop you here for a second. Listen,

0:02:29.160 --> 0:02:33.520
<v Speaker 1>here's something that I know. No, I'm not shocked. Okay, Listen,

0:02:33.800 --> 0:02:39.440
<v Speaker 1>anything or anyone that tries to drive a wedge between

0:02:39.520 --> 0:02:43.920
<v Speaker 1>Luke and Laureli is going to get a lot of hate.

0:02:44.639 --> 0:02:46.840
<v Speaker 1>That's all there is, don't I mean even my daughter,

0:02:46.919 --> 0:02:50.880
<v Speaker 1>my own daughter, April, right, I know they do not

0:02:51.040 --> 0:02:55.720
<v Speaker 1>care for my daughter Dane's blood running through her veins.

0:02:56.280 --> 0:02:59.639
<v Speaker 1>Danielle's face is like, should I read some of these

0:02:59.680 --> 0:03:04.000
<v Speaker 1>common good you guys, You guys, huddle up. They used

0:03:04.360 --> 0:03:09.279
<v Speaker 1>the vomit like they I've never seen the vomit emojis.

0:03:09.400 --> 0:03:12.560
<v Speaker 1>This is much. This is an engaged fan base. This

0:03:12.639 --> 0:03:15.560
<v Speaker 1>is a dedicated They want what they want, and they

0:03:15.639 --> 0:03:19.960
<v Speaker 1>want it now, and they want Luke and Lorelai together.

0:03:20.080 --> 0:03:23.640
<v Speaker 1>In that regard, they don't like being messed with, with

0:03:23.720 --> 0:03:26.000
<v Speaker 1>the whole, with the with the with the sleeve, with

0:03:26.040 --> 0:03:28.080
<v Speaker 1>the with the with the with the T shirts and

0:03:28.120 --> 0:03:31.400
<v Speaker 1>the fawning over the Christopher start. They don't want it.

0:03:31.440 --> 0:03:34.080
<v Speaker 1>They don't like the gold, the angelic locks, and the

0:03:34.480 --> 0:03:37.560
<v Speaker 1>and the perma smile. They don't know. Let me read

0:03:37.600 --> 0:03:40.200
<v Speaker 1>some of these for you. Sue's boop fifty eight says,

0:03:41.200 --> 0:03:43.480
<v Speaker 1>when I hear him called Lord, La Lord, it makes

0:03:43.520 --> 0:03:48.920
<v Speaker 1>my skin crawl. Um, Amy, you got some hate in

0:03:48.960 --> 0:03:53.560
<v Speaker 1>this one, pr Amy. Why did you spoil it for Danielle?

0:03:53.640 --> 0:03:58.280
<v Speaker 1>Let her experience it without without hands as much as possible. Really,

0:03:59.680 --> 0:04:04.040
<v Speaker 1>lots of hate. Christopher'soit emoji bombit emoji, like lots of

0:04:04.120 --> 0:04:06.760
<v Speaker 1>vomit emoji, is also the one with the emoji with

0:04:06.800 --> 0:04:14.160
<v Speaker 1>a mask over its mouth, um vomit emoji. Although I there,

0:04:14.200 --> 0:04:19.839
<v Speaker 1>you know, buried in there. From like every fifteen bad comments,

0:04:19.960 --> 0:04:22.120
<v Speaker 1>you get a good one that's like, you know what,

0:04:22.160 --> 0:04:26.440
<v Speaker 1>I wouldn't mind if Lorla ended up with Christopher. I

0:04:26.480 --> 0:04:28.960
<v Speaker 1>think that that happens when people have some kind of

0:04:29.000 --> 0:04:33.400
<v Speaker 1>episode in their lives and they lose their grip on

0:04:33.520 --> 0:04:38.000
<v Speaker 1>reality or their ability to reason. No, I'm just kidding, Well,

0:04:38.040 --> 0:04:42.520
<v Speaker 1>I love this person. It's they did multiple vomit emoji.

0:04:43.160 --> 0:04:50.440
<v Speaker 1>It was so and that's Amy Sugarman on emoji she

0:04:50.480 --> 0:04:57.640
<v Speaker 1>plays there. We'll get into these questions, but like respect

0:04:57.640 --> 0:05:00.680
<v Speaker 1>to everybody that comments on the Instagram because they they

0:05:00.720 --> 0:05:05.000
<v Speaker 1>pulled through with the genius nous, like it is so good?

0:05:05.480 --> 0:05:07.560
<v Speaker 1>What else? What else you got? What else you got?

0:05:07.760 --> 0:05:13.800
<v Speaker 1>Are you ready? Christopher is garbage. He's a selfish person

0:05:13.880 --> 0:05:16.080
<v Speaker 1>and a double dad and because of that, I find

0:05:16.080 --> 0:05:18.599
<v Speaker 1>be very unlikable and not someone you want to root for.

0:05:18.720 --> 0:05:20.440
<v Speaker 1>And he only gets worse and worse and worse as

0:05:20.480 --> 0:05:22.520
<v Speaker 1>the show goes on when he and I'm not going

0:05:22.560 --> 0:05:23.880
<v Speaker 1>to ruin it. I'm not going to read the rest

0:05:23.880 --> 0:05:25.480
<v Speaker 1>of that comment because it's going to ruin it for me.

0:05:25.640 --> 0:05:33.039
<v Speaker 1>But poor guy man, he just signed he got a job,

0:05:33.120 --> 0:05:38.000
<v Speaker 1>he signed up to do a role, right, garbage? Did

0:05:38.040 --> 0:05:40.160
<v Speaker 1>he know what he was walking Did David know what

0:05:40.240 --> 0:05:43.120
<v Speaker 1>he was walking into? Here? Oh? My god? Because I

0:05:43.200 --> 0:05:46.840
<v Speaker 1>love Christopher, I stand by it. We know where You're

0:05:46.880 --> 0:05:50.039
<v Speaker 1>not walking back those comments. This one is like he

0:05:50.240 --> 0:05:52.680
<v Speaker 1>is a spoiled, manipulative man. He was young when he

0:05:52.680 --> 0:05:55.080
<v Speaker 1>had Rory, but he's well into his thirties now. Unless

0:05:55.120 --> 0:05:57.800
<v Speaker 1>it fits into his life, he is not having it.

0:05:57.800 --> 0:05:59.720
<v Speaker 1>It's tough to enjoy a kiss of a guy who

0:05:59.800 --> 0:06:01.719
<v Speaker 1>acts like he has a right in the decisions of

0:06:01.720 --> 0:06:07.400
<v Speaker 1>how Lorelei raises Rory well said, but also, I'm still

0:06:07.720 --> 0:06:11.839
<v Speaker 1>team Christopher. But like, you know what, what did you

0:06:11.920 --> 0:06:17.320
<v Speaker 1>just say him? On I Am all in? You just

0:06:17.640 --> 0:06:20.800
<v Speaker 1>you just made an incredible statement on I am all

0:06:20.839 --> 0:06:25.039
<v Speaker 1>in with Scott Patterson your team CHRISTI Did you just

0:06:25.080 --> 0:06:29.240
<v Speaker 1>say that you were team Christopher? End? I'm Luke and

0:06:29.279 --> 0:06:32.200
<v Speaker 1>Lorely I'm about to take off the cantel. Where are

0:06:32.240 --> 0:06:38.000
<v Speaker 1>you right now? I'm Luke and Lorelei forever like forever.

0:06:38.480 --> 0:06:41.280
<v Speaker 1>But I don't hate Christopher. Okay, you can't be team

0:06:41.360 --> 0:06:48.240
<v Speaker 1>Christopher though you know what team Christopher amongst the Max Medina,

0:06:48.320 --> 0:06:56.919
<v Speaker 1>the Styles, what's his name, Harry Styles, Jason Siles. I

0:06:57.000 --> 0:06:59.600
<v Speaker 1>know that one is in Gilmore Girls, and one is

0:07:00.000 --> 0:07:03.160
<v Speaker 1>the rock star Harry Style. But he shows up, we're

0:07:03.160 --> 0:07:05.680
<v Speaker 1>gonna call him Harry Daniel. Let's call him Harry. You

0:07:05.720 --> 0:07:11.000
<v Speaker 1>know why not Harry? But yeah, I mean so I

0:07:11.040 --> 0:07:15.800
<v Speaker 1>can see your team Christopher amongst those people, those those

0:07:15.880 --> 0:07:22.320
<v Speaker 1>that category of mail Homo sapiens. Okay, but Luke, isn't it.

0:07:22.320 --> 0:07:26.120
<v Speaker 1>It's not a team, Luke, it's just what is? It's

0:07:26.160 --> 0:07:29.320
<v Speaker 1>the truth? Correct? Correct? All right? I just wanted everybody

0:07:29.360 --> 0:07:33.160
<v Speaker 1>to be clear on that anyway. Okay, guys, he's in

0:07:33.200 --> 0:07:37.840
<v Speaker 1>the hot seat, a hot seat, what's going on? I

0:07:37.840 --> 0:07:41.160
<v Speaker 1>don't even know what this is? What you answer questions? Yeah,

0:07:41.680 --> 0:07:44.920
<v Speaker 1>these are fan questions. Yes, and as you can tell

0:07:45.040 --> 0:07:50.080
<v Speaker 1>from before, the fans are oozing with passion, some passionate questions. God,

0:07:50.360 --> 0:07:55.280
<v Speaker 1>are they going to stop me? I hope not. Okay,

0:07:55.320 --> 0:07:57.600
<v Speaker 1>So first we have a question. I can always I

0:07:57.600 --> 0:07:59.800
<v Speaker 1>can sorry, but I can always say so long ago.

0:08:00.080 --> 0:08:04.560
<v Speaker 1>Just don't remember your Wikipedia ready, get ready to like

0:08:05.160 --> 0:08:10.920
<v Speaker 1>something that's fun to listen to. I don't be here typing, no,

0:08:11.080 --> 0:08:14.040
<v Speaker 1>you did it. That first question we have is the

0:08:14.840 --> 0:08:18.440
<v Speaker 1>seven Why is there a guitar in Luke's apartment? It's

0:08:18.520 --> 0:08:21.680
<v Speaker 1>visible in multiple episodes that show Luke's apartment starting from

0:08:21.680 --> 0:08:25.280
<v Speaker 1>season one. Does that mean Luke plays guitar? Was it

0:08:25.320 --> 0:08:28.080
<v Speaker 1>included in Luke's apartment as a nod to you, Scott?

0:08:28.480 --> 0:08:30.160
<v Speaker 1>Was there anything else in Luke's apartment that was a

0:08:30.200 --> 0:08:35.160
<v Speaker 1>nod to you? In every contract that I have negotiated

0:08:35.520 --> 0:08:41.000
<v Speaker 1>in my illustrious Hollywood career, one of the add ons

0:08:41.240 --> 0:08:45.320
<v Speaker 1>is there must be a guitar on any set that

0:08:45.400 --> 0:08:51.440
<v Speaker 1>I am. Is that true? No, that's you're a good actor, dude,

0:08:51.480 --> 0:08:56.040
<v Speaker 1>because I totally believed you. I think it was. Yeah,

0:08:56.080 --> 0:08:59.640
<v Speaker 1>it was just a character thing. Every you know, everybody dabbles, right,

0:08:59.679 --> 0:09:02.680
<v Speaker 1>there was probably and in my character history, and what

0:09:02.720 --> 0:09:04.760
<v Speaker 1>I told Amy was, yeah, he's a bit of a

0:09:04.760 --> 0:09:07.600
<v Speaker 1>guitar player. I think she got to know me and

0:09:07.720 --> 0:09:10.080
<v Speaker 1>she realized that I grew up playing the guitar, and

0:09:10.120 --> 0:09:14.080
<v Speaker 1>it was it had significant meaning for me, as it

0:09:14.120 --> 0:09:16.240
<v Speaker 1>does most people to pick up a guitar. So yeah,

0:09:16.280 --> 0:09:20.400
<v Speaker 1>it's a a very very meaningful prop to the point

0:09:20.440 --> 0:09:24.199
<v Speaker 1>where it was almost a character So okay. Next one

0:09:24.400 --> 0:09:28.040
<v Speaker 1>is from Meta. When Luke gets mad or frustrated in

0:09:28.120 --> 0:09:30.760
<v Speaker 1>turns quiet, he crosses his arms and puts his head

0:09:30.800 --> 0:09:35.400
<v Speaker 1>down and physically becomes a ball before he blows up. Scott,

0:09:35.440 --> 0:09:39.400
<v Speaker 1>was this an acting choice by you? You know, yes,

0:09:39.559 --> 0:09:43.960
<v Speaker 1>and I but it's it's really not something that's it's

0:09:44.000 --> 0:09:46.600
<v Speaker 1>it's it's always in the moment because you're trying to

0:09:46.679 --> 0:09:51.960
<v Speaker 1>stay within the scene of of uh that has that

0:09:52.080 --> 0:09:55.719
<v Speaker 1>kind of energy in it, um, you know, and there's conflict,

0:09:56.160 --> 0:09:58.240
<v Speaker 1>it's just sort of you know, like I said in

0:09:58.280 --> 0:10:01.520
<v Speaker 1>the previous podcast, all about behavior, what organically will happen

0:10:01.559 --> 0:10:04.559
<v Speaker 1>and what organically do you feel? And you just sort

0:10:04.600 --> 0:10:06.800
<v Speaker 1>of let your body behave just like you would in

0:10:06.840 --> 0:10:10.960
<v Speaker 1>a normal situation. It's not you're not tied down by

0:10:11.000 --> 0:10:13.880
<v Speaker 1>the dialogue. You're just sort of free of it and

0:10:13.960 --> 0:10:17.200
<v Speaker 1>free with it, and you're responding and behaving in a

0:10:17.200 --> 0:10:21.160
<v Speaker 1>way that is appropriate for the that situation. That's really

0:10:21.200 --> 0:10:24.720
<v Speaker 1>is it's all instincts. So it's yeah, do you get

0:10:24.760 --> 0:10:28.240
<v Speaker 1>totally immersed Like when you're doing a scene and you're

0:10:28.280 --> 0:10:30.400
<v Speaker 1>like it's not like you're going, what's my next line,

0:10:30.400 --> 0:10:33.640
<v Speaker 1>what's my next You're like completely in it. Oh wow, No,

0:10:34.000 --> 0:10:37.120
<v Speaker 1>it really you know, the lines just come you know,

0:10:37.200 --> 0:10:42.439
<v Speaker 1>I'm cold anyway. Um, but it's really it's a rehearsed

0:10:42.520 --> 0:10:45.600
<v Speaker 1>type of behavior. It's a behavior that you sort of

0:10:45.600 --> 0:10:50.480
<v Speaker 1>found the roadmap to in the rehearsal process. Uh. And

0:10:50.520 --> 0:10:53.320
<v Speaker 1>it's just sort of it's sort of gels in in

0:10:53.400 --> 0:10:56.280
<v Speaker 1>the the end of the rehearsal process, in the first

0:10:56.280 --> 0:11:00.360
<v Speaker 1>couple of takes for me. Um. So yeah, I mean

0:11:00.360 --> 0:11:03.240
<v Speaker 1>it's just sort of it has a shape. It's the

0:11:03.240 --> 0:11:05.440
<v Speaker 1>shape of the scene. That's what we call it. We

0:11:05.480 --> 0:11:09.600
<v Speaker 1>call it shaping the scene and and finding our cues

0:11:09.640 --> 0:11:12.800
<v Speaker 1>and finding our blocking and finding the behavior and it's

0:11:12.840 --> 0:11:17.200
<v Speaker 1>all gotta and it all just sort of comes together. Yeah. Yeah,

0:11:17.360 --> 0:11:19.280
<v Speaker 1>it is kind of cool. It's very cool. I love it.

0:11:19.440 --> 0:11:21.800
<v Speaker 1>I mean I love I love the rehearsal process more

0:11:21.840 --> 0:11:24.600
<v Speaker 1>than anything because that's when all the discovery happens. You know.

0:11:24.800 --> 0:11:28.240
<v Speaker 1>It's wonderful. Oh that's interesting. You build the scene with

0:11:28.360 --> 0:11:30.600
<v Speaker 1>your partner, with your scene part whoever is in the scene.

0:11:30.600 --> 0:11:32.720
<v Speaker 1>You're building it with a director, you're just sort of

0:11:32.880 --> 0:11:34.640
<v Speaker 1>and it's I love that all that back and forth

0:11:34.679 --> 0:11:37.080
<v Speaker 1>and all that information that's flying back and forth and choices.

0:11:37.400 --> 0:11:41.720
<v Speaker 1>So did you love doing scenes with Milo? Oh? Yeah, God,

0:11:41.600 --> 0:11:44.640
<v Speaker 1>like he was just awesome. Yeah, everybody was great. I

0:11:44.640 --> 0:11:47.160
<v Speaker 1>mean everybody was great to work with. I mean everybody's

0:11:47.200 --> 0:11:50.200
<v Speaker 1>operating at a very high level, and you know, the

0:11:50.240 --> 0:11:54.720
<v Speaker 1>discussions were pretty much the same tenor because everybody was

0:11:54.720 --> 0:11:58.040
<v Speaker 1>speaking the same sort of language of the theater. Right.

0:11:58.120 --> 0:12:01.199
<v Speaker 1>It's it's all about motivation, and you know, if somebody

0:12:01.240 --> 0:12:02.800
<v Speaker 1>had a problem they can't walk over there because they

0:12:02.800 --> 0:12:06.520
<v Speaker 1>can't motivate it, well, then we'd solve that problem. So it's, um,

0:12:06.520 --> 0:12:10.160
<v Speaker 1>it's it's should a lot of credit be given to

0:12:10.320 --> 0:12:13.679
<v Speaker 1>the casting person who was so on the top of

0:12:13.760 --> 0:12:16.760
<v Speaker 1>his or her game, because it seems like you all

0:12:16.840 --> 0:12:19.960
<v Speaker 1>love each other so much and you're all still close,

0:12:20.120 --> 0:12:23.920
<v Speaker 1>and like, who who gets the credit for hiring such

0:12:23.960 --> 0:12:27.000
<v Speaker 1>amazing people? Is it the casting director or does that

0:12:27.000 --> 0:12:30.360
<v Speaker 1>go even above? I think it goes with casting. I

0:12:30.400 --> 0:12:33.240
<v Speaker 1>think it goes with Amy and Dan because I think

0:12:33.240 --> 0:12:36.559
<v Speaker 1>they have final say on everybody. I remember being in

0:12:36.600 --> 0:12:39.040
<v Speaker 1>the room initially when I read for the pilot with

0:12:39.080 --> 0:12:43.160
<v Speaker 1>Amy and who else was there? Gampalone and Leslie Lincoln

0:12:43.200 --> 0:12:47.040
<v Speaker 1>Gladder who was directing the pilot, Um and there was

0:12:47.120 --> 0:12:49.719
<v Speaker 1>just you know, she's got to feel something right. I mean,

0:12:49.760 --> 0:12:52.360
<v Speaker 1>you know when it's right. And I guess you know,

0:12:52.360 --> 0:12:53.880
<v Speaker 1>it was one of I walked into a lot of

0:12:53.960 --> 0:12:57.000
<v Speaker 1>rooms and prior to that, and the feeling wasn't there,

0:12:57.040 --> 0:12:58.840
<v Speaker 1>and they didn't feel that I was right. But I

0:12:58.880 --> 0:13:02.640
<v Speaker 1>walked into that room and they it was really right. Um. Yeah,

0:13:02.960 --> 0:13:05.520
<v Speaker 1>So that it's that's got a click with the creator,

0:13:06.000 --> 0:13:08.600
<v Speaker 1>you know, or the director or you know, it's got

0:13:08.600 --> 0:13:11.840
<v Speaker 1>a click with the room. And and that's and that's

0:13:11.840 --> 0:13:14.280
<v Speaker 1>why I was so surprised I didn't get Reservoir Dogs

0:13:14.280 --> 0:13:17.360
<v Speaker 1>because it really clear I felt really click with Tarantino

0:13:17.480 --> 0:13:20.160
<v Speaker 1>and bender makes sense. So I have a question, and

0:13:20.240 --> 0:13:23.760
<v Speaker 1>I'm sorry to steal. I'll stop after this. Have you

0:13:23.840 --> 0:13:27.720
<v Speaker 1>ever met or heard from anyone maybe that we that

0:13:27.840 --> 0:13:31.360
<v Speaker 1>was recognizable that auditioned for Luke? You know how you

0:13:31.400 --> 0:13:34.600
<v Speaker 1>always hear like these ten people were up for a

0:13:34.600 --> 0:13:37.880
<v Speaker 1>certain part, like was there anyone else? Because look, you

0:13:37.920 --> 0:13:40.720
<v Speaker 1>are Luke and they were right, But was there anyone

0:13:40.720 --> 0:13:42.640
<v Speaker 1>else that you know went in and read for it?

0:13:42.760 --> 0:13:46.880
<v Speaker 1>There was a guy at another audition like a like

0:13:47.679 --> 0:13:51.400
<v Speaker 1>two thousand and twelve or two thousand and thirteen, and

0:13:51.440 --> 0:13:54.320
<v Speaker 1>we were sitting in in the waiting room waiting to

0:13:54.360 --> 0:13:57.480
<v Speaker 1>go in to read for the director, and he I

0:13:57.559 --> 0:14:01.040
<v Speaker 1>forget who he was, but he wasn't like a known

0:14:01.640 --> 0:14:04.319
<v Speaker 1>he wasn't a known celebrity kind of guy. He didn't

0:14:04.320 --> 0:14:06.640
<v Speaker 1>he told you, but he told me. He goes. You know,

0:14:06.760 --> 0:14:08.760
<v Speaker 1>I was there that day. I remember when you came in.

0:14:08.840 --> 0:14:10.679
<v Speaker 1>I remember what you were wearing. And I kind of

0:14:10.720 --> 0:14:12.640
<v Speaker 1>said to myself, that guy is going to get the role.

0:14:12.760 --> 0:14:14.719
<v Speaker 1>He said, you had this air and he said, I

0:14:15.000 --> 0:14:17.000
<v Speaker 1>did a great job. I really prepared it. But I

0:14:17.080 --> 0:14:18.640
<v Speaker 1>just I knew you were going to get that role.

0:14:18.679 --> 0:14:22.560
<v Speaker 1>I was not surprised when when when I read it, Wow,

0:14:23.080 --> 0:14:26.280
<v Speaker 1>very cool. Yeah, a cool guy too. He was a

0:14:26.320 --> 0:14:29.800
<v Speaker 1>really really good guy. So thank you. A guy whoever

0:14:29.880 --> 0:14:37.240
<v Speaker 1>you are, wherever you are, probably John Hamm and I,

0:14:37.280 --> 0:14:40.840
<v Speaker 1>you know, I don't because he did. Didn't doesn't John

0:14:40.880 --> 0:14:44.480
<v Speaker 1>ham Come on, isn't he's he's he's got an episode? Yeah?

0:14:44.720 --> 0:14:50.240
<v Speaker 1>Where he Yeah? Okay, keep going. Next s up, we

0:14:50.280 --> 0:14:54.360
<v Speaker 1>have question from Mandarilla Scott from an actor's perspective, how

0:14:54.400 --> 0:14:56.880
<v Speaker 1>did your character grow from season one to the end

0:14:56.920 --> 0:15:00.640
<v Speaker 1>of season two? Um, I think he put on a

0:15:00.640 --> 0:15:06.920
<v Speaker 1>little weight. I think he grew in Tonnage too much

0:15:07.000 --> 0:15:13.360
<v Speaker 1>craft service. I'm not kidding. I think I started out

0:15:13.360 --> 0:15:18.480
<v Speaker 1>the role. I think season the pilot I was about one,

0:15:18.840 --> 0:15:21.240
<v Speaker 1>and by the end of season two I was to

0:15:21.480 --> 0:15:25.840
<v Speaker 1>ten too many red vines out there, No, no, no, no.

0:15:26.000 --> 0:15:29.920
<v Speaker 1>I was working out more. Also, it was like Muscily, Yeah,

0:15:29.920 --> 0:15:33.160
<v Speaker 1>oh sure it was. It wasn't it wasn't so bad.

0:15:33.600 --> 0:15:36.520
<v Speaker 1>Oh no, Well, it was a combination of mass quantities

0:15:36.560 --> 0:15:41.200
<v Speaker 1>of food, and I just started working out more because

0:15:41.800 --> 0:15:44.200
<v Speaker 1>the reason I was working out more was because I

0:15:44.280 --> 0:15:47.760
<v Speaker 1>wanted to be I wanted to feel really fit and

0:15:48.080 --> 0:15:51.960
<v Speaker 1>healthy when I came on set, because then I started

0:15:52.240 --> 0:15:56.160
<v Speaker 1>realizing what kind of a grind I was involved in. Right,

0:15:56.320 --> 0:16:00.400
<v Speaker 1>it was my first series regular role and I wasn't

0:16:00.440 --> 0:16:05.240
<v Speaker 1>twenty right, So so I said, okay, so let's get

0:16:05.320 --> 0:16:07.560
<v Speaker 1>in the gym and get in shape. Was there a

0:16:07.640 --> 0:16:12.280
<v Speaker 1>moment for you, Scott when you were like, I am Luke,

0:16:12.480 --> 0:16:17.200
<v Speaker 1>Like I know Luke. Now, I am comfortable really being

0:16:17.280 --> 0:16:20.280
<v Speaker 1>Luke as soon as I read the script, as soon

0:16:20.320 --> 0:16:24.440
<v Speaker 1>as I read the first scene of Luke. Because that's

0:16:24.440 --> 0:16:26.720
<v Speaker 1>why that's that's gotta be. Then that makes sense why

0:16:26.760 --> 0:16:28.960
<v Speaker 1>you got it, Because you're like, I got this. Yeah,

0:16:29.240 --> 0:16:34.320
<v Speaker 1>I couldn't imagine anybody else playing it. And I remember

0:16:34.480 --> 0:16:38.320
<v Speaker 1>when I really vibe was something that I'm reading an

0:16:38.360 --> 0:16:42.880
<v Speaker 1>audition and I start rehearsing the first scene right away.

0:16:42.920 --> 0:16:45.600
<v Speaker 1>When I'm reading it and seeing how it's going to sound,

0:16:46.280 --> 0:16:49.800
<v Speaker 1>That's when I know it's it's it's good for me. Um.

0:16:49.840 --> 0:16:51.680
<v Speaker 1>If I don't do that, and if I'm still trying

0:16:51.720 --> 0:16:55.160
<v Speaker 1>to find you know something about the character that I

0:16:55.200 --> 0:16:57.600
<v Speaker 1>can hook into them, that's usually when I don't get it.

0:16:58.480 --> 0:17:01.640
<v Speaker 1>You shouldn't, You're not right for it. So this spoke

0:17:01.680 --> 0:17:06.639
<v Speaker 1>to me. It's actually screamed at me. It said, I

0:17:06.680 --> 0:17:09.320
<v Speaker 1>am the role you have been waiting for, and it

0:17:09.359 --> 0:17:18.600
<v Speaker 1>was deafening. Yeah. Absolutely, Yeah. Next one is from Bella.

0:17:19.280 --> 0:17:21.840
<v Speaker 1>What was more surprising the fact that Rory and just

0:17:22.040 --> 0:17:27.240
<v Speaker 1>kissed or that Sherry was pregnant. That's a great question.

0:17:27.320 --> 0:17:29.879
<v Speaker 1>That that is a great question. You know that I

0:17:30.000 --> 0:17:34.280
<v Speaker 1>was surprised by both of those things. Uh. I was

0:17:34.400 --> 0:17:37.800
<v Speaker 1>delighted by the kiss because I thought it really enhanced,

0:17:38.760 --> 0:17:42.520
<v Speaker 1>uh the story, It deepened the story, it complicated the story.

0:17:43.080 --> 0:17:46.680
<v Speaker 1>It left us with a a nice feeling and nice

0:17:46.920 --> 0:17:50.159
<v Speaker 1>that was a nice balanced type of a cliffhanger. The

0:17:50.240 --> 0:17:53.800
<v Speaker 1>pregnancy thing, I wasn't expecting because I just thought it

0:17:53.880 --> 0:17:56.760
<v Speaker 1>was I don't know, I just thought it was ham

0:17:56.880 --> 0:18:00.119
<v Speaker 1>handed in some way. It wasn't my favorite moment in

0:18:00.160 --> 0:18:05.400
<v Speaker 1>the show from a from a writer's perspective. So but

0:18:05.960 --> 0:18:08.760
<v Speaker 1>what else could they do? You know, what did you think?

0:18:08.760 --> 0:18:11.200
<v Speaker 1>Because Danielle, it's hard for me to answer because I've

0:18:11.240 --> 0:18:13.560
<v Speaker 1>seen this so many times. Danielle, you're watching it for

0:18:13.600 --> 0:18:17.480
<v Speaker 1>the very first time. What shocked you more? I was

0:18:17.520 --> 0:18:22.160
<v Speaker 1>shocked that Sherry was pregnant. I knew Rory and Jess

0:18:22.200 --> 0:18:23.679
<v Speaker 1>we're going to kiss like that was just only a

0:18:23.720 --> 0:18:26.000
<v Speaker 1>matter of time. Was waiting for it to happen, was

0:18:26.119 --> 0:18:29.280
<v Speaker 1>waiting for him to come back to town, like I

0:18:29.720 --> 0:18:34.360
<v Speaker 1>saw that coming. But Sherry being pregnant, you got me there.

0:18:34.520 --> 0:18:37.040
<v Speaker 1>The thing, the thing that surprised me most about the

0:18:37.160 --> 0:18:40.160
<v Speaker 1>Jess Rory kissing scene was that Dean didn't whoosh through

0:18:40.200 --> 0:18:43.200
<v Speaker 1>the middle of it on a trapiece with a sign

0:18:43.320 --> 0:18:51.159
<v Speaker 1>saying hands off my girl, my girl. I knew you

0:18:51.240 --> 0:18:59.120
<v Speaker 1>were vision or is in the background just like flipping

0:18:59.119 --> 0:19:02.640
<v Speaker 1>out silent. You know, that kiss was so well done, though,

0:19:02.680 --> 0:19:09.240
<v Speaker 1>because it was like whoa you're here, kiss, double kiss, run,

0:19:09.800 --> 0:19:11.600
<v Speaker 1>and then just as you're like, oh my god, she's

0:19:11.640 --> 0:19:15.640
<v Speaker 1>freaking out, she's running away, she turns with the welcome home.

0:19:16.240 --> 0:19:20.520
<v Speaker 1>So you're like, that was a happy girl, such a

0:19:20.760 --> 0:19:24.520
<v Speaker 1>such a well done. And I'll tell you the great

0:19:24.520 --> 0:19:26.879
<v Speaker 1>part about it for me wasn't just a kiss. It

0:19:26.920 --> 0:19:29.080
<v Speaker 1>was just the look on Jesse's face when he arrived

0:19:29.119 --> 0:19:32.160
<v Speaker 1>and they locked eyes. He looked like he really needed

0:19:32.359 --> 0:19:35.640
<v Speaker 1>a hug and a kiss. Yeah, that's why he was there.

0:19:35.800 --> 0:19:38.600
<v Speaker 1>I mean it was just as vulnerable and fullhearted as

0:19:38.600 --> 0:19:40.600
<v Speaker 1>he could possibly be at that stage in his life.

0:19:40.640 --> 0:19:44.240
<v Speaker 1>And it's like, I love you, Rory, please, let's I

0:19:44.240 --> 0:19:46.360
<v Speaker 1>wish she would kiss me, and she did. I came

0:19:46.400 --> 0:19:49.560
<v Speaker 1>back for you. It's also like I came back, you know,

0:19:49.720 --> 0:19:53.600
<v Speaker 1>like here I am. I came back because of you. Anyway,

0:19:53.720 --> 0:20:01.440
<v Speaker 1>Poor Deine, Dean Dean up a tree falling, poor guy.

0:20:01.160 --> 0:20:05.399
<v Speaker 1>I love Jared though, and I love how Jared loves Dean,

0:20:05.920 --> 0:20:07.680
<v Speaker 1>do you know what I mean? Even still to this day,

0:20:08.840 --> 0:20:11.840
<v Speaker 1>Jared's had so much success, you can tell he really

0:20:11.840 --> 0:20:14.160
<v Speaker 1>holds a special place for Dean and always talks about

0:20:14.240 --> 0:20:17.640
<v Speaker 1>him in interviews and always answers the questions. It's really

0:20:17.640 --> 0:20:20.439
<v Speaker 1>sweet how all the cast has that he's great in

0:20:20.480 --> 0:20:22.879
<v Speaker 1>that role. I mean, he really is a talent. He

0:20:23.000 --> 0:20:25.800
<v Speaker 1>was a talented young cat, you know, eighteen. I didn't

0:20:25.800 --> 0:20:28.480
<v Speaker 1>realize how good he was until I started watching you know,

0:20:28.520 --> 0:20:31.400
<v Speaker 1>still until I started doing this podcast, because I'd walk

0:20:31.400 --> 0:20:33.320
<v Speaker 1>around it. What's a big deal with this case? You know,

0:20:33.440 --> 0:20:36.520
<v Speaker 1>what's what's the big deal? But now I know. Keely

0:20:36.600 --> 0:20:39.720
<v Speaker 1>wants to know Scott so far, which guest star has

0:20:39.760 --> 0:20:42.560
<v Speaker 1>made the biggest impact on you watching the season's back?

0:20:43.320 --> 0:20:47.640
<v Speaker 1>That is another epic question. Which guest star that I've

0:20:47.680 --> 0:20:49.879
<v Speaker 1>had on the podcast or which guest star in the

0:20:49.920 --> 0:20:53.880
<v Speaker 1>ship that I'm witnessing on the show most of them

0:20:54.119 --> 0:20:58.280
<v Speaker 1>yea god? Which which guests start repeat the question again?

0:20:58.400 --> 0:21:02.560
<v Speaker 1>Could you counselor thank you? Of course I can use

0:21:02.600 --> 0:21:04.960
<v Speaker 1>it in a sentence and a phrase, has somebody turned

0:21:05.000 --> 0:21:08.800
<v Speaker 1>on the air conditioner? Thank you? Kiely wants to know

0:21:08.960 --> 0:21:12.120
<v Speaker 1>Scott's so far, which guest star has made the biggest

0:21:12.160 --> 0:21:17.240
<v Speaker 1>impact on you watching the season's back? Guest star? Guest star?

0:21:18.760 --> 0:21:27.320
<v Speaker 1>Um got the biggest, the biggest impression? Uh no, guest star,

0:21:27.560 --> 0:21:30.879
<v Speaker 1>guest star. I mean somebody that just popped in for

0:21:30.920 --> 0:21:35.080
<v Speaker 1>one episode, not a recurring character, alright, so that wipes

0:21:35.119 --> 0:21:39.560
<v Speaker 1>out a whole list of people. Uh guest star. Gosh,

0:21:39.760 --> 0:21:43.680
<v Speaker 1>I gotta say Rune. Oh that's a great answer. Yeah,

0:21:43.880 --> 0:21:47.879
<v Speaker 1>because I enjoyed I enjoyed him so much when he

0:21:47.960 --> 0:21:53.919
<v Speaker 1>came on the podcast. Um, and I just enjoyed hanging

0:21:53.960 --> 0:21:55.679
<v Speaker 1>with him on the set. He was he was a

0:21:55.680 --> 0:22:00.640
<v Speaker 1>ton of fun. He's a unique personality for sure. Are

0:22:00.720 --> 0:22:03.240
<v Speaker 1>all heart and soul and he's and he's he's funny

0:22:03.240 --> 0:22:05.720
<v Speaker 1>as i'll get out. So and I just I love

0:22:05.800 --> 0:22:09.000
<v Speaker 1>that character. I just love that character. I mean, it

0:22:09.040 --> 0:22:11.720
<v Speaker 1>was nice to see Jane Lynch, Papa, remember that when

0:22:11.800 --> 0:22:13.920
<v Speaker 1>Richard had the heart attack. That was kind of kind

0:22:13.920 --> 0:22:17.080
<v Speaker 1>of didn't have a huge impact on me, you know

0:22:17.200 --> 0:22:20.479
<v Speaker 1>the way that the run did. But yeah, I agree,

0:22:20.560 --> 0:22:23.560
<v Speaker 1>that's that Alex Borstein, I guess we can count her

0:22:24.320 --> 0:22:27.920
<v Speaker 1>m hmm. Was she was she a guest stor yeah,

0:22:27.920 --> 0:22:31.000
<v Speaker 1>because she was in like two episodes. I don't really

0:22:31.040 --> 0:22:33.840
<v Speaker 1>I don't I remember her in the in the episodes

0:22:33.880 --> 0:22:36.800
<v Speaker 1>of Netflix things, but I don't remember in the show. Um,

0:22:36.840 --> 0:22:41.960
<v Speaker 1>I do remember Jane Lynch. She was very uh professional.

0:22:42.720 --> 0:22:48.800
<v Speaker 1>Uhc Seth, you love Seth McFarlane. I wasn't. Yes, yes,

0:22:49.359 --> 0:22:52.840
<v Speaker 1>he's right, you know what You're okay, all right, that's

0:22:52.880 --> 0:22:56.840
<v Speaker 1>the guy. He's my number one. I would say run

0:22:57.119 --> 0:23:02.440
<v Speaker 1>and Seth, and I'm blanking on Max Pearlock. Max Pearl,

0:23:02.480 --> 0:23:05.520
<v Speaker 1>I can sell right neck and neck for number one.

0:23:05.560 --> 0:23:11.120
<v Speaker 1>You're absolutely correct. Epic question, great answers, Yeah, okay. Next

0:23:11.200 --> 0:23:13.760
<v Speaker 1>question is from Catherine. Do you think the reason why

0:23:13.800 --> 0:23:16.680
<v Speaker 1>Emily cannot keep a maid is because she keeps trying

0:23:16.720 --> 0:23:20.119
<v Speaker 1>to fill a hole from losing Laurel, and thus nobody

0:23:20.200 --> 0:23:23.919
<v Speaker 1>can take the place of her daughter. That's really deep.

0:23:24.480 --> 0:23:30.000
<v Speaker 1>It's like Laurel as with a duster, Laura Lei with

0:23:30.160 --> 0:23:36.240
<v Speaker 1>the cleaning products, cleaning like, nobody can clean Emily's soul,

0:23:36.640 --> 0:23:38.920
<v Speaker 1>So she's got to keep trying to find I don't

0:23:38.960 --> 0:23:43.119
<v Speaker 1>know that's that's a that's quite a theory. I'm not

0:23:43.200 --> 0:23:47.280
<v Speaker 1>a licensed therapist, so I don't I'm not trained as

0:23:47.359 --> 0:23:51.080
<v Speaker 1>a psychologist. I don't know if there's a connection there,

0:23:51.080 --> 0:23:54.879
<v Speaker 1>but there could be. I mean, it's a I just

0:23:54.960 --> 0:23:59.359
<v Speaker 1>think not just maids, but anybody else she mistreats. Uh,

0:24:00.080 --> 0:24:02.960
<v Speaker 1>And I think it's it's it's so ingrained in her.

0:24:03.000 --> 0:24:05.600
<v Speaker 1>The frustration and the angst is so ingrained in her

0:24:05.600 --> 0:24:08.960
<v Speaker 1>over the sixteen years that she's just gonna snap at everybody.

0:24:09.359 --> 0:24:12.000
<v Speaker 1>And I don't know, maybe she was like this before.

0:24:12.080 --> 0:24:14.399
<v Speaker 1>Maybe she did have this sort of abusive side to

0:24:14.440 --> 0:24:16.760
<v Speaker 1>herself which drove Laurel I away and didn't want to

0:24:16.760 --> 0:24:20.680
<v Speaker 1>become that person who knows. But I like the perspective

0:24:20.720 --> 0:24:23.880
<v Speaker 1>though there because that's interesting. It is that is an

0:24:23.880 --> 0:24:27.439
<v Speaker 1>interesting thing. Like I've had people that work with me

0:24:27.560 --> 0:24:31.800
<v Speaker 1>for twenty years. I've worked with Ryan Seacrest for thirty years,

0:24:32.000 --> 0:24:34.720
<v Speaker 1>So like there is it is interesting that she has

0:24:35.160 --> 0:24:39.000
<v Speaker 1>so much turnover. There must be something more complicated to

0:24:39.080 --> 0:24:43.040
<v Speaker 1>it that maybe Amy was fascinated with because she wrote

0:24:43.080 --> 0:24:47.120
<v Speaker 1>it in there must be something there. So she couldn't

0:24:47.440 --> 0:24:50.520
<v Speaker 1>get Laurel I. She couldn't train laurel She didn't train

0:24:50.640 --> 0:24:53.600
<v Speaker 1>Laureli the way she wanted to train Laurel I to obey,

0:24:53.680 --> 0:24:56.280
<v Speaker 1>and she can't train any maids to do exactly what

0:24:56.400 --> 0:24:59.800
<v Speaker 1>she wants, so she keeps trying, you know what, Okay, yeah,

0:25:00.080 --> 0:25:02.600
<v Speaker 1>I accept that now, yes, yeah, or yeah, or maybe

0:25:02.640 --> 0:25:05.280
<v Speaker 1>we just start to get that Emily is so complicated,

0:25:05.520 --> 0:25:07.520
<v Speaker 1>she's not easy to work for it might be more

0:25:07.960 --> 0:25:11.560
<v Speaker 1>on the nose, you know what I mean. But yeah,

0:25:10.840 --> 0:25:14.480
<v Speaker 1>I totally accept that theory. I think it's a I

0:25:14.480 --> 0:25:18.119
<v Speaker 1>wouldn't mind it pulling the audience on that one. Yeah,

0:25:18.320 --> 0:25:21.520
<v Speaker 1>that seems interesting. It is interesting. It's an interesting take. Yeah.

0:25:22.880 --> 0:25:26.119
<v Speaker 1>Next we have up from Klein, Mari fractures her wrist.

0:25:26.440 --> 0:25:33.359
<v Speaker 1>Did you notice stars Hollow has an e r I

0:25:33.440 --> 0:25:36.880
<v Speaker 1>did in that episode or was it an urgent care? Yeah?

0:25:37.440 --> 0:25:39.320
<v Speaker 1>I get the vibe. It's like an urgent care. I

0:25:39.359 --> 0:25:41.879
<v Speaker 1>don't think anybody's doing surgery over there. I don't think

0:25:41.920 --> 0:25:45.240
<v Speaker 1>it's cedars. Yeah, I think it's a couple of volunteers

0:25:45.280 --> 0:25:49.280
<v Speaker 1>and urgent care. They're they're in bed at their homes

0:25:49.320 --> 0:25:51.679
<v Speaker 1>and then they come in the right. Where did they

0:25:51.720 --> 0:25:56.600
<v Speaker 1>take Richer? Well, that was that was in Hartford? Right?

0:25:56.600 --> 0:25:59.000
<v Speaker 1>Where did he have his heart attack? Oh? Yeah, you're right,

0:25:59.040 --> 0:26:03.200
<v Speaker 1>you're right, you're right. Not course, it wasn't he had

0:26:03.200 --> 0:26:04.800
<v Speaker 1>it at home or something or at the office. And

0:26:04.960 --> 0:26:09.520
<v Speaker 1>I don't know. Um, yeah, that was hard for it. Mhmm. Okay.

0:26:09.600 --> 0:26:12.439
<v Speaker 1>Next one is from Holly. Emily and Richard's house is

0:26:12.480 --> 0:26:15.119
<v Speaker 1>so different from season to season and how Laura, La

0:26:15.280 --> 0:26:18.439
<v Speaker 1>and Rory have a piano. Why would sets change if

0:26:18.480 --> 0:26:22.280
<v Speaker 1>it would mess up the show's continuity as they saying,

0:26:22.320 --> 0:26:24.720
<v Speaker 1>there was a piano there and initially and then it

0:26:24.760 --> 0:26:28.880
<v Speaker 1>was gone or a piano was added. Maybe they sold

0:26:28.920 --> 0:26:31.959
<v Speaker 1>the piano. I don't know, nobody played anyway. Yeah, I mean,

0:26:32.200 --> 0:26:35.000
<v Speaker 1>let me do so like when you guys are gone

0:26:35.040 --> 0:26:39.159
<v Speaker 1>for the summer but you're on hiatus, do they break

0:26:39.200 --> 0:26:43.040
<v Speaker 1>down the set and let someone else use that studio?

0:26:43.840 --> 0:26:46.800
<v Speaker 1>Could that be the reason for change? So maybe if

0:26:46.800 --> 0:26:49.240
<v Speaker 1>they've rented it out. Yeah, I mean, look, the studio

0:26:49.320 --> 0:26:53.040
<v Speaker 1>is in the business of renting out their facilities to productions.

0:26:53.800 --> 0:26:56.560
<v Speaker 1>Not all of them are on the lot have deals

0:26:56.680 --> 0:26:58.480
<v Speaker 1>on the lot, And if they do have deals on

0:26:58.560 --> 0:27:00.720
<v Speaker 1>the lot, it depends on their deal how much they

0:27:00.760 --> 0:27:05.720
<v Speaker 1>pay and rent for that stage. Right. These are massive stages, right,

0:27:05.920 --> 0:27:08.840
<v Speaker 1>and you've got to hire a construction crew to build

0:27:08.840 --> 0:27:11.320
<v Speaker 1>your sets. So but it's you know, they take these

0:27:11.359 --> 0:27:14.840
<v Speaker 1>sets apart in pieces and then they store them and

0:27:14.880 --> 0:27:17.440
<v Speaker 1>then they reconstruct them. You know, it's not like they

0:27:17.440 --> 0:27:21.120
<v Speaker 1>have to start from scratch and repaint and retool everything.

0:27:21.200 --> 0:27:23.080
<v Speaker 1>You know. But you know, if you've got a big

0:27:23.119 --> 0:27:26.120
<v Speaker 1>movie production coming in, yeah there, you know, if Tom

0:27:26.160 --> 0:27:28.240
<v Speaker 1>Cruise wants a jungle. You know, he's gonna get it

0:27:29.400 --> 0:27:32.360
<v Speaker 1>lauralize how it's gonna go on ice for the summary,

0:27:32.400 --> 0:27:34.800
<v Speaker 1>you know what I mean. Um, yeah, So they do

0:27:34.920 --> 0:27:37.280
<v Speaker 1>that very quickly. It's it's kind of amazing. I remember

0:27:37.280 --> 0:27:41.080
<v Speaker 1>one day, Uh, speaking of Tom Cruise, he was there

0:27:41.119 --> 0:27:43.639
<v Speaker 1>was that movie where he was, Um, I don't know,

0:27:43.640 --> 0:27:46.639
<v Speaker 1>it's the eighteen hundreds. It was China, in China, The

0:27:46.720 --> 0:27:50.040
<v Speaker 1>Last Samurai or something like that. Yeah, so they did

0:27:50.119 --> 0:27:53.720
<v Speaker 1>the uh, some of the exteriors of these villages in China,

0:27:53.960 --> 0:27:57.119
<v Speaker 1>exteriors of these villages in China right on the back

0:27:57.240 --> 0:27:59.800
<v Speaker 1>lot where we would shoot. So we were walking through

0:27:59.800 --> 0:28:03.480
<v Speaker 1>these these wild sets to get to the town hall

0:28:03.520 --> 0:28:05.560
<v Speaker 1>meeting or to Luke's diner. It was it was kind

0:28:05.560 --> 0:28:08.960
<v Speaker 1>of cool. Uh, nobody I did see Tom Cruise, but

0:28:09.000 --> 0:28:11.760
<v Speaker 1>we did not look at him very long. We weren't

0:28:11.760 --> 0:28:17.399
<v Speaker 1>allowed to sidebar. I have to interject you guys watched

0:28:17.440 --> 0:28:19.840
<v Speaker 1>the new trailer for Top Gun. I just saw it

0:28:19.880 --> 0:28:23.280
<v Speaker 1>this morning. It looks fantastic And I just saw the

0:28:23.680 --> 0:28:25.840
<v Speaker 1>I was watching the original last night and I think

0:28:25.880 --> 0:28:29.639
<v Speaker 1>it's fantastic. It's so good. First of all, Maverick, no

0:28:29.720 --> 0:28:33.040
<v Speaker 1>one likes you because you're you're you're unsafe. I'm not

0:28:33.200 --> 0:28:36.359
<v Speaker 1>gonna lie. When I saw ice Man's photo on the

0:28:36.400 --> 0:28:41.000
<v Speaker 1>wall and I realized, Oh my god, this is how

0:28:41.040 --> 0:28:45.080
<v Speaker 1>they're working. Iceman back in. Iceman is the one bringing

0:28:45.120 --> 0:28:50.640
<v Speaker 1>Maverick back. Yes, real tears, real tears, I know. I

0:28:50.720 --> 0:28:55.560
<v Speaker 1>literally physically cried and out loud my mouth said, Oh

0:28:57.440 --> 0:29:02.600
<v Speaker 1>of course. Oh so and Miles and Miles Tellers, Anthony

0:29:02.760 --> 0:29:06.800
<v Speaker 1>Edwards Son, Yes, who's coming back to? Oh and the

0:29:06.880 --> 0:29:12.440
<v Speaker 1>and the the flying stuff looks so cool. Oh my god,

0:29:13.480 --> 0:29:15.680
<v Speaker 1>it looks like a real It looks so good. Looks

0:29:15.720 --> 0:29:19.600
<v Speaker 1>like a movie we waited two years that was supposed

0:29:19.600 --> 0:29:23.600
<v Speaker 1>to come out in Yeah. Yeah, no, I know it's

0:29:23.600 --> 0:29:25.720
<v Speaker 1>going to be a big blockbuster. Man, that thing looks

0:29:25.760 --> 0:29:32.120
<v Speaker 1>really cool. Sorry, no, no, that's good. Yeah. That's next

0:29:32.280 --> 0:29:35.720
<v Speaker 1>up we have from Julie. Her question is regarding the

0:29:35.760 --> 0:29:39.000
<v Speaker 1>sign for Luke's Diner. It says William's Hardware. Why wouldn't

0:29:39.000 --> 0:29:41.680
<v Speaker 1>it be Dane's Hardware since it was his father's store.

0:29:41.920 --> 0:29:46.480
<v Speaker 1>Was Luke's original name Luke Williams. That is, his father's

0:29:46.720 --> 0:29:49.600
<v Speaker 1>first name is William, So that's why it's Williams Hardware.

0:29:50.000 --> 0:29:53.840
<v Speaker 1>It's not a last name missing the apostrophe. That makes

0:29:53.880 --> 0:29:56.400
<v Speaker 1>total sense. You know, We've had a fifty people ask

0:29:56.520 --> 0:30:01.880
<v Speaker 1>us that question. It's Williams, like Williams of Postops, like

0:30:01.880 --> 0:30:05.120
<v Speaker 1>like Luke's hardware, like Luke's the same thing. It's like

0:30:05.160 --> 0:30:15.400
<v Speaker 1>Bill's hardware, just Williams. I would preferred Bill's hardware. Bill, Yeah, okay.

0:30:15.480 --> 0:30:17.760
<v Speaker 1>Next one is from Sasha. When a scene is being

0:30:17.800 --> 0:30:20.120
<v Speaker 1>filmed with you in the background talking to other actors

0:30:20.120 --> 0:30:23.000
<v Speaker 1>on set, what are you actually saying to the other person.

0:30:23.160 --> 0:30:26.600
<v Speaker 1>I've always wondered if they make pretend lines up or

0:30:26.640 --> 0:30:28.840
<v Speaker 1>if the actors just talked about their own lives. Is

0:30:28.960 --> 0:30:31.920
<v Speaker 1>awkward when you have to do this. So when we're

0:30:32.560 --> 0:30:38.200
<v Speaker 1>visible in the background but not engaged in dialogue, we

0:30:38.240 --> 0:30:41.680
<v Speaker 1>are not talking. We are not allowed. We're not allowed. Yes,

0:30:42.320 --> 0:30:45.320
<v Speaker 1>we are miming. It's called miming. Can you do it

0:30:45.360 --> 0:30:47.520
<v Speaker 1>for us right now? Like, because do you do it

0:30:47.600 --> 0:30:53.200
<v Speaker 1>like this? No, you don't do it like that. You

0:30:53.240 --> 0:30:59.640
<v Speaker 1>do it like wow. Wait okay wait, that's how you

0:30:59.640 --> 0:31:04.040
<v Speaker 1>do it, get so much better at it than us? Wait? Wait,

0:31:04.080 --> 0:31:08.640
<v Speaker 1>this is genius. Okay, So Scott okay, okay, so Scott right, okay,

0:31:10.160 --> 0:31:13.760
<v Speaker 1>you talk talk something, and Riley and I are going

0:31:13.800 --> 0:31:16.480
<v Speaker 1>to pretend we're like background all right, let me. I

0:31:16.520 --> 0:31:19.680
<v Speaker 1>have to see this. I have to see this. Degrade

0:31:19.720 --> 0:31:23.040
<v Speaker 1>you on your performance. Okay, okay, So Riley, you and

0:31:23.080 --> 0:31:24.760
<v Speaker 1>I are going to pretend we're talking to each other.

0:31:24.800 --> 0:31:26.959
<v Speaker 1>All right. So this will be a scene in Luke's diner.

0:31:28.440 --> 0:31:31.480
<v Speaker 1>You're doing some kind of monologue and we're in the

0:31:31.520 --> 0:31:36.320
<v Speaker 1>diner eating. Let me get my drink. Are you ready? Okay?

0:31:36.320 --> 0:31:47.480
<v Speaker 1>Tell us action? All right? Camera ready, actors ready? Action anyway,

0:31:47.520 --> 0:31:50.200
<v Speaker 1>So Taylor, let me tell you something. Pal, you don't

0:31:50.240 --> 0:31:54.719
<v Speaker 1>get out of my that's really that's okay. Cut, No,

0:31:57.320 --> 0:32:02.440
<v Speaker 1>I don't know what we are we going to too much? Yeah? Okay,

0:32:02.440 --> 0:32:04.000
<v Speaker 1>so can we do it again? It's too much and

0:32:04.040 --> 0:32:06.080
<v Speaker 1>it's too negative. It's too much and it's too negative.

0:32:06.120 --> 0:32:09.880
<v Speaker 1>It's distraction to negative because you were like, you know

0:32:10.720 --> 0:32:12.920
<v Speaker 1>that could be interpreted as my bad acting. You're like

0:32:13.040 --> 0:32:14.880
<v Speaker 1>this Seene stinks and you don't want to do that.

0:32:15.440 --> 0:32:17.720
<v Speaker 1>So director would stop you deadness tracks and I did,

0:32:18.280 --> 0:32:23.480
<v Speaker 1>thank you give it again? Do it again? Okay? What

0:32:23.600 --> 0:32:25.960
<v Speaker 1>can I get you? Wait? Can you give us an action?

0:32:26.120 --> 0:32:31.160
<v Speaker 1>For God's sake? Professional you're telling me to be professional. Okay,

0:32:31.360 --> 0:32:36.840
<v Speaker 1>thank you. And Action uh yeah, we got uh. I

0:32:36.880 --> 0:32:38.720
<v Speaker 1>can get you anything you need. We got hamburgers, we

0:32:38.840 --> 0:32:43.600
<v Speaker 1>got steaks. There's a menu right there. Okay, just stop, Okay, Amy,

0:32:43.720 --> 0:32:46.520
<v Speaker 1>what are you doing? You look like you're in a

0:32:46.560 --> 0:32:49.400
<v Speaker 1>scene from Gone with the Wind, Like what's happening with

0:32:49.520 --> 0:32:53.480
<v Speaker 1>the over acting? So funny because I feel like I'm

0:32:53.520 --> 0:32:57.520
<v Speaker 1>doing awesome, Like I feel like and that's what people

0:32:57.680 --> 0:33:02.280
<v Speaker 1>on set think too. And then when they're stopped, I

0:33:02.320 --> 0:33:07.560
<v Speaker 1>feel like I was trying to say to Briley, like

0:33:07.680 --> 0:33:11.080
<v Speaker 1>you want something like so just ask her what's with

0:33:11.120 --> 0:33:15.840
<v Speaker 1>all the facial moves one more time? Chill out your face? Bro?

0:33:18.520 --> 0:33:22.680
<v Speaker 1>Like well it's like, I mean, all of a sudden,

0:33:22.960 --> 0:33:28.800
<v Speaker 1>you know. Okay, and Action, Hey yeah, what can I

0:33:28.840 --> 0:33:34.760
<v Speaker 1>get you? Rory? Oh yeah, all right, okay, I gotta

0:33:34.760 --> 0:33:39.560
<v Speaker 1>stop you again. You know what the problem is, Amy,

0:33:39.640 --> 0:33:43.080
<v Speaker 1>You have too much personality. It's just it's just it

0:33:43.200 --> 0:33:46.400
<v Speaker 1>just you can't you can't help it. You can't help yourself.

0:33:46.960 --> 0:33:48.840
<v Speaker 1>I'll tell you this right now. You are not a

0:33:48.920 --> 0:33:53.080
<v Speaker 1>background person. You're a star. That's so much. That's the problem.

0:33:53.440 --> 0:33:57.480
<v Speaker 1>The weirdest part is I felt like I was nailing.

0:33:58.080 --> 0:34:02.280
<v Speaker 1>I literally in my body is like I am at this.

0:34:02.440 --> 0:34:05.120
<v Speaker 1>You were you were the extra that thinks that you

0:34:05.160 --> 0:34:08.200
<v Speaker 1>were the extra that thinks of the star. You were

0:34:08.239 --> 0:34:10.799
<v Speaker 1>the extra that thinks that the cameras on you. And

0:34:10.840 --> 0:34:15.000
<v Speaker 1>it's not I cannot wait to see it because I

0:34:15.880 --> 0:34:19.280
<v Speaker 1>don't know what I was doing. And here's here's another

0:34:19.320 --> 0:34:22.279
<v Speaker 1>funny thing. You know, background acting is really you know,

0:34:22.280 --> 0:34:24.800
<v Speaker 1>it's a real art in and of itself, right, And

0:34:25.040 --> 0:34:27.640
<v Speaker 1>like a lot of people that are first time background

0:34:27.640 --> 0:34:30.239
<v Speaker 1>people and they're in the diner and we're having a

0:34:30.280 --> 0:34:33.239
<v Speaker 1>big scene. You know, they're moving their mouths but they're

0:34:33.280 --> 0:34:39.680
<v Speaker 1>actually talking, and that's not good. Right of course you

0:34:39.719 --> 0:34:41.239
<v Speaker 1>can pick you can pick up and we can hear

0:34:41.239 --> 0:34:42.760
<v Speaker 1>it too. When we're trying to be in a scene.

0:34:42.760 --> 0:34:48.239
<v Speaker 1>It's like right, right, right, so the direct right, so

0:34:48.280 --> 0:34:51.440
<v Speaker 1>the director will go cut and they're banging their forks

0:34:51.440 --> 0:34:53.560
<v Speaker 1>on their plates and like really eating, and you're like,

0:34:53.680 --> 0:34:56.040
<v Speaker 1>the director comes out and say, guys, can you okay,

0:34:56.040 --> 0:34:59.320
<v Speaker 1>no sound coming out of your mouths and stop banging

0:34:59.680 --> 0:35:02.200
<v Speaker 1>the works on the plates And it's not like really eating.

0:35:02.200 --> 0:35:04.239
<v Speaker 1>You've gotta be real careful with the noises you make

0:35:04.280 --> 0:35:07.600
<v Speaker 1>because the sound picks up. The sound guy picks up everything,

0:35:07.920 --> 0:35:09.919
<v Speaker 1>and he'll be standing there with his arms shaking because

0:35:09.960 --> 0:35:12.279
<v Speaker 1>he's been doing it all day, and he'll just he'll

0:35:12.320 --> 0:35:14.560
<v Speaker 1>just drop a set and go, oh no, we gotta cut,

0:35:14.800 --> 0:35:16.560
<v Speaker 1>you know, And the director comes out and talks to

0:35:16.600 --> 0:35:18.279
<v Speaker 1>people and then they kind of get it. But some

0:35:18.280 --> 0:35:19.920
<v Speaker 1>people just do it through the whole day. They're like,

0:35:22.160 --> 0:35:24.399
<v Speaker 1>we need to get another Remember we had the one

0:35:24.440 --> 0:35:26.400
<v Speaker 1>background actor on. I think I just sent you a

0:35:26.400 --> 0:35:29.040
<v Speaker 1>TikTok from another one. Let's get another one on so

0:35:29.080 --> 0:35:34.040
<v Speaker 1>we can ask all our new questions. Okay, it's really

0:35:34.040 --> 0:35:36.319
<v Speaker 1>an art. I mean it's the sign of a great

0:35:36.400 --> 0:35:41.120
<v Speaker 1>director is directing background two. You know, watch watch If

0:35:41.160 --> 0:35:44.520
<v Speaker 1>you don't notice the background that's a great director. If

0:35:44.560 --> 0:35:49.000
<v Speaker 1>you notice them and there's too too obvious in the scene,

0:35:49.280 --> 0:35:52.080
<v Speaker 1>it's not good. So should I put this video on

0:35:52.120 --> 0:35:58.040
<v Speaker 1>my reel for my background acting audition? You should not. No,

0:35:58.520 --> 0:36:01.400
<v Speaker 1>you should lock that away a secret place that nobody

0:36:01.440 --> 0:36:03.439
<v Speaker 1>knows about and throw away the case. Should I stay

0:36:03.480 --> 0:36:06.560
<v Speaker 1>with podcasting even though people are like, I hate her,

0:36:07.200 --> 0:36:10.879
<v Speaker 1>this is your strength strength podcast. You do the podcasting.

0:36:11.000 --> 0:36:15.720
<v Speaker 1>Let that personality run amuck all over the place. Don't

0:36:15.760 --> 0:36:19.600
<v Speaker 1>try to silence don't try to silence yourself. It doesn't work.

0:36:20.320 --> 0:36:25.200
<v Speaker 1>I gave you, I gave you three shots. It was

0:36:25.239 --> 0:36:29.680
<v Speaker 1>actually really fun. You're too expressive. You're too expressive. Was

0:36:29.800 --> 0:36:33.759
<v Speaker 1>Riley good? I was so distracted by your bad backgrounding

0:36:33.840 --> 0:36:37.319
<v Speaker 1>that I didn't notice Riley, which so the answer is, yes,

0:36:37.760 --> 0:36:40.680
<v Speaker 1>Riley was really good. And that's not to say she's

0:36:40.680 --> 0:36:44.840
<v Speaker 1>a wallflower. Maybe she just kind of gets it. You know.

0:36:46.600 --> 0:36:48.080
<v Speaker 1>It's like when you felt like when you wanted to

0:36:48.160 --> 0:36:52.960
<v Speaker 1>leave a party and you're like someone's facing your like right, No,

0:36:53.280 --> 0:37:03.080
<v Speaker 1>it's not like, m oh, that was good. You had

0:37:03.080 --> 0:37:07.520
<v Speaker 1>to put that up on the Instagram. All you guys

0:37:07.520 --> 0:37:09.160
<v Speaker 1>don't know what it's like to be on a zoom.

0:37:09.200 --> 0:37:11.200
<v Speaker 1>I just keep looking it like I'm trying to get

0:37:11.200 --> 0:37:14.239
<v Speaker 1>skinnier in the zoom. The people that ask for the

0:37:14.280 --> 0:37:20.320
<v Speaker 1>full podcast, you're like sometimes I'm like all the whole podcast,

0:37:23.800 --> 0:37:25.680
<v Speaker 1>thank you so much everyone you asked for that, Like,

0:37:25.800 --> 0:37:29.360
<v Speaker 1>where can I watch it? It's just like, oh god, no,

0:37:29.960 --> 0:37:38.400
<v Speaker 1>look like oh gosh U. Next, we have a question

0:37:38.440 --> 0:37:41.080
<v Speaker 1>from Amelia. She says how long of a break was

0:37:41.120 --> 0:37:45.480
<v Speaker 1>there between filming seasons Alextion Alexis really matured between season

0:37:45.520 --> 0:37:47.640
<v Speaker 1>two finale and the first episode of season three, which

0:37:47.680 --> 0:37:50.720
<v Speaker 1>we'll see. Huh um, Well, it's just like high school.

0:37:51.000 --> 0:37:54.080
<v Speaker 1>You go, you go through your academic year, and then

0:37:54.120 --> 0:37:58.000
<v Speaker 1>you take summer vacation. It's the same same schedule. Christmas

0:37:58.040 --> 0:38:00.800
<v Speaker 1>breaks everything, Yeah, Thanksgiving a whole It's like being in

0:38:00.880 --> 0:38:04.240
<v Speaker 1>high school again, which is three months off an accurate depiction.

0:38:04.520 --> 0:38:06.839
<v Speaker 1>What's that? Yeah, and did you typically chill or did

0:38:06.840 --> 0:38:09.680
<v Speaker 1>you go and do like other projects? Uh? No, I was.

0:38:09.840 --> 0:38:13.440
<v Speaker 1>I was working a lot, not in the beginning, but

0:38:13.680 --> 0:38:18.120
<v Speaker 1>I saw now that was why was that? That was?

0:38:18.920 --> 0:38:23.560
<v Speaker 1>That was after season seven, the first one I did,

0:38:23.640 --> 0:38:26.400
<v Speaker 1>and that's when I found out. That's when I found

0:38:26.400 --> 0:38:29.960
<v Speaker 1>out the series was canceled. I was on the set

0:38:30.000 --> 0:38:32.680
<v Speaker 1>of Saul four up in Toronto and I got the

0:38:32.680 --> 0:38:36.239
<v Speaker 1>call from the manager. That must have not been a

0:38:36.360 --> 0:38:39.560
<v Speaker 1>fun call. I was busy working. I don't care, you know,

0:38:39.640 --> 0:38:41.719
<v Speaker 1>It's like, oh, well, I kind of knew it was

0:38:41.719 --> 0:38:45.080
<v Speaker 1>gonna get canceled anyway. I had some intel, you know,

0:38:45.160 --> 0:38:47.680
<v Speaker 1>I had my attorney do some intel. My attorney is

0:38:47.760 --> 0:38:52.680
<v Speaker 1>very connected. Yeah, he was warning me. He was saying,

0:38:52.719 --> 0:38:58.160
<v Speaker 1>it's not looking good. So next up. Sarah asked, there

0:38:58.200 --> 0:39:00.239
<v Speaker 1>was a lot of drinking on the show. Was any

0:39:00.280 --> 0:39:03.120
<v Speaker 1>of the real alcohol? I assume it's not, But what

0:39:03.200 --> 0:39:04.799
<v Speaker 1>would be used in place of it to make it

0:39:04.840 --> 0:39:08.080
<v Speaker 1>look like alcohol? It's, um, it's either well, let's see,

0:39:08.080 --> 0:39:11.719
<v Speaker 1>if you're drinking whiskey, then it's it's gosh, what is it?

0:39:11.719 --> 0:39:16.480
<v Speaker 1>It's coca cola. Yeah, if you're drinking it's water. It's

0:39:16.560 --> 0:39:19.839
<v Speaker 1>apple juices. Yeah, they use fruit juices. And I didn't

0:39:19.880 --> 0:39:23.120
<v Speaker 1>always hear that Alexis didn't drink coffee, so her coffee

0:39:23.200 --> 0:39:26.480
<v Speaker 1>mug was filled with Coca cola. She did drink, She

0:39:26.520 --> 0:39:30.960
<v Speaker 1>did drink Coca cola, yes, yeah, yeah, I always had

0:39:31.320 --> 0:39:36.240
<v Speaker 1>a very healthy carrot juice. Uh and sometimes coffee yeah,

0:39:36.520 --> 0:39:41.920
<v Speaker 1>oh really, uh huh. Yeah. They do love their cocktails

0:39:41.920 --> 0:39:44.800
<v Speaker 1>over at the Gilmore's. They do. That's kind of post.

0:39:44.880 --> 0:39:47.879
<v Speaker 1>That's when you wrap then we're just no. But even

0:39:47.920 --> 0:39:51.719
<v Speaker 1>always when they're Friday night dinner, there's always, you know,

0:39:51.760 --> 0:39:53.400
<v Speaker 1>the first thing they say is can I get you

0:39:53.400 --> 0:39:55.680
<v Speaker 1>a drink? Like they always have a cocktail at sure

0:39:55.760 --> 0:39:59.880
<v Speaker 1>at the Gilmore's Friday night. Yeah, they were not real cocktails.

0:40:00.719 --> 0:40:10.080
<v Speaker 1>Nobody's drinking on set six hours later yea from Gilmore's

0:40:10.160 --> 0:40:14.960
<v Speaker 1>Girls to Euphoria. There you go? There you sorry? Sorry,

0:40:16.520 --> 0:40:19.520
<v Speaker 1>all right. Our last question comes from Steph. What was

0:40:19.560 --> 0:40:21.600
<v Speaker 1>it like filming a finale? Did the cast do anything

0:40:21.680 --> 0:40:25.279
<v Speaker 1>special after wrapping each season? Yeah? There was always a

0:40:25.360 --> 0:40:27.440
<v Speaker 1>rap party. You know, there was a rap party and

0:40:27.480 --> 0:40:30.319
<v Speaker 1>it was fun. Sometimes it was on set, you know,

0:40:30.440 --> 0:40:32.480
<v Speaker 1>after we wrapped and then you know, hey, you know,

0:40:34.000 --> 0:40:36.080
<v Speaker 1>getting your street clothes and come on back and we're

0:40:36.080 --> 0:40:39.080
<v Speaker 1>gonna have some parties and that's what we do, you know.

0:40:39.320 --> 0:40:41.960
<v Speaker 1>Sometimes it was at a restaurant. Some was a restaurant.

0:40:42.000 --> 0:40:45.160
<v Speaker 1>Sometimes it was fun. Yeah, Scott, what would we have

0:40:45.280 --> 0:40:47.279
<v Speaker 1>to do and we don't have to do it yet?

0:40:47.320 --> 0:40:50.279
<v Speaker 1>Maybe it'll be for the season three rap party. What

0:40:50.320 --> 0:40:52.200
<v Speaker 1>would we have to do to get you to go

0:40:52.880 --> 0:40:59.520
<v Speaker 1>on the Warner Brothers tour with us to Gilmore? Are

0:40:59.560 --> 0:41:03.520
<v Speaker 1>you planning on doing that? Well, we're asking you what

0:41:03.560 --> 0:41:06.000
<v Speaker 1>would you have to do? Like, no, what would we

0:41:06.040 --> 0:41:07.440
<v Speaker 1>have to do to get you to go with us?

0:41:07.560 --> 0:41:10.480
<v Speaker 1>Or would you just do it? What do you mean?

0:41:10.840 --> 0:41:13.800
<v Speaker 1>You mean go on the Warner Brothers tour? Like like

0:41:14.320 --> 0:41:17.640
<v Speaker 1>be a tourist? You want me to go do that?

0:41:17.719 --> 0:41:20.359
<v Speaker 1>I'll do that. That will be fun. Do you want

0:41:20.360 --> 0:41:22.319
<v Speaker 1>do you want to do a podcast from the course

0:41:22.360 --> 0:41:24.920
<v Speaker 1>and we're going to film the whole thing. That's kind

0:41:24.920 --> 0:41:28.840
<v Speaker 1>of like that you the news is that your thing? No,

0:41:29.400 --> 0:41:32.120
<v Speaker 1>my news was just how everybody hates Christopher. But just

0:41:32.280 --> 0:41:36.719
<v Speaker 1>I have the idea. I'm gonna find out, like, can

0:41:36.760 --> 0:41:39.800
<v Speaker 1>you imagine we do the podcast and like you surprise

0:41:39.840 --> 0:41:43.800
<v Speaker 1>everybody on the tour. That would be fun. Okay Easton?

0:41:43.960 --> 0:41:46.480
<v Speaker 1>Is that Easton? So our engineer Easton just wrote in

0:41:46.520 --> 0:41:49.040
<v Speaker 1>the chat, Yes, that would be That would be a

0:41:49.040 --> 0:41:51.120
<v Speaker 1>lot of fun. That would be Jeff, you used to

0:41:51.160 --> 0:41:52.719
<v Speaker 1>work over there, and I'm gonna find out who I

0:41:52.840 --> 0:41:55.239
<v Speaker 1>hit up now. Oh, I can get I can make it.

0:41:55.360 --> 0:42:02.439
<v Speaker 1>I can call James over there, James right now. He'd

0:42:02.440 --> 0:42:05.160
<v Speaker 1>probably say yes right now while we're on the air. Totally.

0:42:05.280 --> 0:42:06.960
<v Speaker 1>Oh my god, Okay, we have to do that, Like

0:42:07.000 --> 0:42:11.640
<v Speaker 1>we'll do it this summer or something amazing. It would

0:42:11.640 --> 0:42:14.040
<v Speaker 1>be cool. That would be cool. We should do it

0:42:14.120 --> 0:42:17.600
<v Speaker 1>sooner rather than later. I might be going away. Oh,

0:42:17.640 --> 0:42:21.080
<v Speaker 1>I didn't want to ask if you remember, like I

0:42:21.080 --> 0:42:23.680
<v Speaker 1>can't remember our last episode of the one before there

0:42:23.680 --> 0:42:26.840
<v Speaker 1>was a phone call. Have we had any more phone calls?

0:42:26.920 --> 0:42:32.799
<v Speaker 1>We're negotiating. There's negotiations. Okay, then we'll do it. We'll

0:42:32.800 --> 0:42:34.239
<v Speaker 1>either do it right before, we'll do it when you

0:42:34.239 --> 0:42:36.279
<v Speaker 1>get back. We'll figure it out. Don't forget to bring

0:42:36.280 --> 0:42:38.759
<v Speaker 1>your microphone if you get that job. Yeah, yeah, no,

0:42:38.840 --> 0:42:42.640
<v Speaker 1>I'm gonna I have to bring all this stuff. Wait, Riley,

0:42:42.680 --> 0:42:45.120
<v Speaker 1>was that the last question? That was the last question?

0:42:45.280 --> 0:42:49.560
<v Speaker 1>Was so good? This is good, so good. Okay, we'll

0:42:49.560 --> 0:42:54.239
<v Speaker 1>do this again after season three. Absolutely, I'm gonna go

0:42:54.320 --> 0:42:56.360
<v Speaker 1>get some I'm gonna go send out my resume for

0:42:56.440 --> 0:43:01.399
<v Speaker 1>my background acting. Okay, don't print too many of them,

0:43:01.719 --> 0:43:08.920
<v Speaker 1>don't worry, you know. Yeah, great, maybe at and you

0:43:08.920 --> 0:43:16.040
<v Speaker 1>can have Scott go. I endorse this. I trained her

0:43:16.120 --> 0:43:18.640
<v Speaker 1>right daughter everything she knows about background. But I can't

0:43:18.680 --> 0:43:22.279
<v Speaker 1>believe that's so bad an you know it's a bad act. Look, no,

0:43:22.520 --> 0:43:27.319
<v Speaker 1>it's just too bigger personality. What are you gonna do?

0:43:27.640 --> 0:43:30.160
<v Speaker 1>You can't contain it. I'll have to go back to

0:43:30.200 --> 0:43:33.080
<v Speaker 1>my dreams of being a rock star. Then, really you

0:43:33.120 --> 0:43:35.440
<v Speaker 1>had dreams? Oh you know what I always wanted to be.

0:43:35.520 --> 0:43:37.080
<v Speaker 1>Not that anyone cares, but we're at the end of

0:43:37.080 --> 0:43:38.800
<v Speaker 1>the show. You would have been a good rock star.

0:43:39.480 --> 0:43:43.280
<v Speaker 1>I always My dream was to be James Taylor's backup singer.

0:43:43.680 --> 0:43:47.080
<v Speaker 1>Never a front man in the front. You have to

0:43:47.080 --> 0:43:50.759
<v Speaker 1>be you have to be a front front. You're the

0:43:50.800 --> 0:43:54.000
<v Speaker 1>front man. I'm just slightly back. Ryan Seacrest the front man.

0:43:54.080 --> 0:43:56.920
<v Speaker 1>I'm just back behind. Can you sing, though? I mean,

0:43:56.960 --> 0:44:01.120
<v Speaker 1>are you a singer? I mean, I'm not gonna lie.

0:44:01.200 --> 0:44:04.080
<v Speaker 1>In the sixth grade musical, I was Maria in the

0:44:04.120 --> 0:44:08.040
<v Speaker 1>Sound of Music. But I don't know, so bust bust out.

0:44:08.040 --> 0:44:11.440
<v Speaker 1>A couple of later, my brothers tell me I'm the

0:44:11.480 --> 0:44:13.520
<v Speaker 1>worst thinger they've ever heard. But then people give me

0:44:13.600 --> 0:44:16.759
<v Speaker 1>like singing parts. I'm like, man, I don't know. I've

0:44:16.800 --> 0:44:19.239
<v Speaker 1>got some songs. You know, we can go. We can

0:44:19.239 --> 0:44:21.560
<v Speaker 1>go out and play. We can go bust. You want

0:44:21.560 --> 0:44:25.360
<v Speaker 1>to go bust, let's go busking? What is that? That

0:44:25.400 --> 0:44:26.640
<v Speaker 1>means you go out in the street and you play

0:44:26.640 --> 0:44:30.960
<v Speaker 1>songs for stranger good Third Street promenade. Yes, I wonder

0:44:31.000 --> 0:44:33.560
<v Speaker 1>if we'd make money. It doesn't matter. We have our

0:44:33.600 --> 0:44:36.200
<v Speaker 1>hat out to get like a quarter here, donate everything, right,

0:44:36.680 --> 0:44:39.480
<v Speaker 1>of course. Yeah, so let's let's do it. If you

0:44:39.520 --> 0:44:44.440
<v Speaker 1>can sing, I'll stand there and play the guitar. We'll

0:44:44.480 --> 0:44:48.120
<v Speaker 1>talk about This is after your background career comes to

0:44:48.120 --> 0:44:50.120
<v Speaker 1>an end. After I get a lot of background work

0:44:50.160 --> 0:44:52.000
<v Speaker 1>and then our Warner Brothers, right, and then you retire

0:44:52.000 --> 0:44:54.800
<v Speaker 1>to dominate a duet on the Warner Brothers tour of

0:44:54.840 --> 0:44:58.839
<v Speaker 1>the theme song between you two. Yeah, I guess that's

0:44:58.840 --> 0:45:00.319
<v Speaker 1>why I can't do it again. You can. As for

0:45:00.360 --> 0:45:02.120
<v Speaker 1>a background person, You're getting a star on the Walk

0:45:02.160 --> 0:45:05.200
<v Speaker 1>off the Walk of Fame. It's on it's in Pacoima.

0:45:05.480 --> 0:45:08.520
<v Speaker 1>It's on Third Street up in Pacoima. That's where the

0:45:08.719 --> 0:45:15.480
<v Speaker 1>that is so une Okay, So now everybody was serious.

0:45:16.040 --> 0:45:19.720
<v Speaker 1>Season three, Episode one next week, So everybody get ready.

0:45:19.800 --> 0:45:22.759
<v Speaker 1>Get ready, everybody, because we're boning up. I mean, we're

0:45:22.800 --> 0:45:25.680
<v Speaker 1>watching the heck out of this episode and we're going

0:45:25.760 --> 0:45:28.600
<v Speaker 1>to slice and dice it. Hi, everybody, Thanks so much.

0:45:29.400 --> 0:45:32.560
<v Speaker 1>Danielle Amy, We're Danielle never came back, but thanks Danie

0:45:34.239 --> 0:45:37.680
<v Speaker 1>emergency Riley, good seeing everybody. Thank you Amy, That's what

0:45:37.800 --> 0:45:40.239
<v Speaker 1>this was a blast. We should do. This is really

0:45:40.280 --> 0:45:43.640
<v Speaker 1>a lot of fun. Um and thanks everybody for downloading.

0:45:43.640 --> 0:45:45.920
<v Speaker 1>Best fans on the planet. Love you all, and uh

0:45:46.000 --> 0:46:17.920
<v Speaker 1>we will see you next time. Stay saving ya, hey everybody,

0:46:17.920 --> 0:46:21.239
<v Speaker 1>and don't forget follow us on Instagram at I Am

0:46:21.320 --> 0:46:25.319
<v Speaker 1>all In podcast, and email us at Gilmore at I

0:46:25.520 --> 0:46:28.839
<v Speaker 1>heart radio dot com. Oh you Gilmore fans. If you're

0:46:28.840 --> 0:46:30.720
<v Speaker 1>looking for the best cup of coffee in the world,

0:46:30.760 --> 0:46:34.680
<v Speaker 1>go to my website for my company, scott EP dot com.

0:46:34.800 --> 0:46:37.000
<v Speaker 1>S C O T. T y P dot com, scott

0:46:37.000 --> 0:46:47.920
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.