1 00:00:00,760 --> 00:00:17,520 Speaker 1: I am all in. Let's just you. I am all 2 00:00:17,600 --> 00:00:21,959 Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hey everybody, 3 00:00:22,040 --> 00:00:25,520 Speaker 1: Scott Patterson, I am all in podcast our Heart Radio 4 00:00:25,840 --> 00:00:28,479 Speaker 1: one eleven productions, and today we're gonna do a little 5 00:00:28,520 --> 00:00:32,280 Speaker 1: special Oh I did not welcome our very very special panel, 6 00:00:32,720 --> 00:00:36,800 Speaker 1: Riley pollution. Oh no, I'm going to Daniel Romo. Hello. 7 00:00:38,080 --> 00:00:40,600 Speaker 1: I think she's on the the the aft deck of 8 00:00:40,640 --> 00:00:44,360 Speaker 1: her yacht, one of her yachts, and Amy Sugarman calling 9 00:00:44,400 --> 00:00:47,600 Speaker 1: in from one of her many homes for this today. Actually, 10 00:00:47,600 --> 00:00:49,559 Speaker 1: it's it's it's so we're gonna do some Q and 11 00:00:49,600 --> 00:00:52,960 Speaker 1: A tell tell us what's going on today. Well, we 12 00:00:53,640 --> 00:00:59,640 Speaker 1: compiled some really really really good questions from everyone listening fans. 13 00:01:00,280 --> 00:01:01,800 Speaker 1: Maybe I threw a few of my own in there 14 00:01:02,320 --> 00:01:07,639 Speaker 1: for you to give us more inside dirt juice. Uh 15 00:01:07,720 --> 00:01:10,080 Speaker 1: in between seasons because we wanted to like give everyone 16 00:01:10,080 --> 00:01:13,639 Speaker 1: a minute to catch up. Next week we are coming 17 00:01:13,720 --> 00:01:16,920 Speaker 1: back massive with season three. But this is just you know, 18 00:01:17,319 --> 00:01:19,720 Speaker 1: to give us a little bit of a nice tie 19 00:01:20,280 --> 00:01:23,640 Speaker 1: tie it up with a bow. Because we are the 20 00:01:23,680 --> 00:01:26,800 Speaker 1: hardest working road crew and podcast and we were laying down, 21 00:01:26,959 --> 00:01:30,480 Speaker 1: slapping down three episodes a week we do it? How 22 00:01:30,520 --> 00:01:32,839 Speaker 1: do we do it? I don't know how we do it? Daniel? 23 00:01:32,880 --> 00:01:34,399 Speaker 1: What are we going to call it? Should we? Should 24 00:01:34,400 --> 00:01:38,400 Speaker 1: we call this the season two Q and A wrap party? 25 00:01:38,600 --> 00:01:44,039 Speaker 1: First of all, Daniel, are you in charge of the 26 00:01:44,120 --> 00:01:47,880 Speaker 1: naming things? Because that's a really clever man. You know what. 27 00:01:48,840 --> 00:01:51,320 Speaker 1: I'm here, I'm ready to party. I'm ready to have 28 00:01:51,360 --> 00:01:55,400 Speaker 1: our rap party and answer these Q and A questions. Okay, 29 00:01:55,440 --> 00:01:57,720 Speaker 1: so trialed up. You know what shocked me the most. 30 00:01:57,760 --> 00:01:59,960 Speaker 1: So obviously we're coming off of the season too for now, 31 00:02:00,600 --> 00:02:02,480 Speaker 1: and I don't know if Scott will be shocked by this, 32 00:02:02,560 --> 00:02:06,120 Speaker 1: but I actually was surprised, even though I don't feel 33 00:02:06,160 --> 00:02:17,920 Speaker 1: this way. People really dislike Christopher. They literally do not 34 00:02:18,080 --> 00:02:21,880 Speaker 1: like Christopher and Ly together. They do not like that 35 00:02:21,919 --> 00:02:25,600 Speaker 1: he calls her lower, even though I love it. Amy, 36 00:02:25,639 --> 00:02:28,919 Speaker 1: Can I just stop you here for a second. Listen, 37 00:02:29,160 --> 00:02:33,520 Speaker 1: here's something that I know. No, I'm not shocked. Okay, Listen, 38 00:02:33,800 --> 00:02:39,440 Speaker 1: anything or anyone that tries to drive a wedge between 39 00:02:39,520 --> 00:02:43,920 Speaker 1: Luke and Laureli is going to get a lot of hate. 40 00:02:44,639 --> 00:02:46,840 Speaker 1: That's all there is, don't I mean even my daughter, 41 00:02:46,919 --> 00:02:50,880 Speaker 1: my own daughter, April, right, I know they do not 42 00:02:51,040 --> 00:02:55,720 Speaker 1: care for my daughter Dane's blood running through her veins. 43 00:02:56,280 --> 00:02:59,639 Speaker 1: Danielle's face is like, should I read some of these 44 00:02:59,680 --> 00:03:04,000 Speaker 1: common good you guys, You guys, huddle up. They used 45 00:03:04,360 --> 00:03:09,279 Speaker 1: the vomit like they I've never seen the vomit emojis. 46 00:03:09,400 --> 00:03:12,560 Speaker 1: This is much. This is an engaged fan base. This 47 00:03:12,639 --> 00:03:15,560 Speaker 1: is a dedicated They want what they want, and they 48 00:03:15,639 --> 00:03:19,960 Speaker 1: want it now, and they want Luke and Lorelai together. 49 00:03:20,080 --> 00:03:23,640 Speaker 1: In that regard, they don't like being messed with, with 50 00:03:23,720 --> 00:03:26,000 Speaker 1: the whole, with the with the with the sleeve, with 51 00:03:26,040 --> 00:03:28,080 Speaker 1: the with the with the with the T shirts and 52 00:03:28,120 --> 00:03:31,400 Speaker 1: the fawning over the Christopher start. They don't want it. 53 00:03:31,440 --> 00:03:34,080 Speaker 1: They don't like the gold, the angelic locks, and the 54 00:03:34,480 --> 00:03:37,560 Speaker 1: and the perma smile. They don't know. Let me read 55 00:03:37,600 --> 00:03:40,200 Speaker 1: some of these for you. Sue's boop fifty eight says, 56 00:03:41,200 --> 00:03:43,480 Speaker 1: when I hear him called Lord, La Lord, it makes 57 00:03:43,520 --> 00:03:48,920 Speaker 1: my skin crawl. Um, Amy, you got some hate in 58 00:03:48,960 --> 00:03:53,560 Speaker 1: this one, pr Amy. Why did you spoil it for Danielle? 59 00:03:53,640 --> 00:03:58,280 Speaker 1: Let her experience it without without hands as much as possible. Really, 60 00:03:59,680 --> 00:04:04,040 Speaker 1: lots of hate. Christopher'soit emoji bombit emoji, like lots of 61 00:04:04,120 --> 00:04:06,760 Speaker 1: vomit emoji, is also the one with the emoji with 62 00:04:06,800 --> 00:04:14,160 Speaker 1: a mask over its mouth, um vomit emoji. Although I there, 63 00:04:14,200 --> 00:04:19,839 Speaker 1: you know, buried in there. From like every fifteen bad comments, 64 00:04:19,960 --> 00:04:22,120 Speaker 1: you get a good one that's like, you know what, 65 00:04:22,160 --> 00:04:26,440 Speaker 1: I wouldn't mind if Lorla ended up with Christopher. I 66 00:04:26,480 --> 00:04:28,960 Speaker 1: think that that happens when people have some kind of 67 00:04:29,000 --> 00:04:33,400 Speaker 1: episode in their lives and they lose their grip on 68 00:04:33,520 --> 00:04:38,000 Speaker 1: reality or their ability to reason. No, I'm just kidding, Well, 69 00:04:38,040 --> 00:04:42,520 Speaker 1: I love this person. It's they did multiple vomit emoji. 70 00:04:43,160 --> 00:04:50,440 Speaker 1: It was so and that's Amy Sugarman on emoji she 71 00:04:50,480 --> 00:04:57,640 Speaker 1: plays there. We'll get into these questions, but like respect 72 00:04:57,640 --> 00:05:00,680 Speaker 1: to everybody that comments on the Instagram because they they 73 00:05:00,720 --> 00:05:05,000 Speaker 1: pulled through with the genius nous, like it is so good? 74 00:05:05,480 --> 00:05:07,560 Speaker 1: What else? What else you got? What else you got? 75 00:05:07,760 --> 00:05:13,800 Speaker 1: Are you ready? Christopher is garbage. He's a selfish person 76 00:05:13,880 --> 00:05:16,080 Speaker 1: and a double dad and because of that, I find 77 00:05:16,080 --> 00:05:18,599 Speaker 1: be very unlikable and not someone you want to root for. 78 00:05:18,720 --> 00:05:20,440 Speaker 1: And he only gets worse and worse and worse as 79 00:05:20,480 --> 00:05:22,520 Speaker 1: the show goes on when he and I'm not going 80 00:05:22,560 --> 00:05:23,880 Speaker 1: to ruin it. I'm not going to read the rest 81 00:05:23,880 --> 00:05:25,480 Speaker 1: of that comment because it's going to ruin it for me. 82 00:05:25,640 --> 00:05:33,039 Speaker 1: But poor guy man, he just signed he got a job, 83 00:05:33,120 --> 00:05:38,000 Speaker 1: he signed up to do a role, right, garbage? Did 84 00:05:38,040 --> 00:05:40,160 Speaker 1: he know what he was walking Did David know what 85 00:05:40,240 --> 00:05:43,120 Speaker 1: he was walking into? Here? Oh? My god? Because I 86 00:05:43,200 --> 00:05:46,840 Speaker 1: love Christopher, I stand by it. We know where You're 87 00:05:46,880 --> 00:05:50,039 Speaker 1: not walking back those comments. This one is like he 88 00:05:50,240 --> 00:05:52,680 Speaker 1: is a spoiled, manipulative man. He was young when he 89 00:05:52,680 --> 00:05:55,080 Speaker 1: had Rory, but he's well into his thirties now. Unless 90 00:05:55,120 --> 00:05:57,800 Speaker 1: it fits into his life, he is not having it. 91 00:05:57,800 --> 00:05:59,720 Speaker 1: It's tough to enjoy a kiss of a guy who 92 00:05:59,800 --> 00:06:01,719 Speaker 1: acts like he has a right in the decisions of 93 00:06:01,720 --> 00:06:07,400 Speaker 1: how Lorelei raises Rory well said, but also, I'm still 94 00:06:07,720 --> 00:06:11,839 Speaker 1: team Christopher. But like, you know what, what did you 95 00:06:11,920 --> 00:06:17,320 Speaker 1: just say him? On I Am all in? You just 96 00:06:17,640 --> 00:06:20,800 Speaker 1: you just made an incredible statement on I am all 97 00:06:20,839 --> 00:06:25,039 Speaker 1: in with Scott Patterson your team CHRISTI Did you just 98 00:06:25,080 --> 00:06:29,240 Speaker 1: say that you were team Christopher? End? I'm Luke and 99 00:06:29,279 --> 00:06:32,200 Speaker 1: Lorely I'm about to take off the cantel. Where are 100 00:06:32,240 --> 00:06:38,000 Speaker 1: you right now? I'm Luke and Lorelei forever like forever. 101 00:06:38,480 --> 00:06:41,280 Speaker 1: But I don't hate Christopher. Okay, you can't be team 102 00:06:41,360 --> 00:06:48,240 Speaker 1: Christopher though you know what team Christopher amongst the Max Medina, 103 00:06:48,320 --> 00:06:56,919 Speaker 1: the Styles, what's his name, Harry Styles, Jason Siles. I 104 00:06:57,000 --> 00:06:59,600 Speaker 1: know that one is in Gilmore Girls, and one is 105 00:07:00,000 --> 00:07:03,160 Speaker 1: the rock star Harry Style. But he shows up, we're 106 00:07:03,160 --> 00:07:05,680 Speaker 1: gonna call him Harry Daniel. Let's call him Harry. You 107 00:07:05,720 --> 00:07:11,000 Speaker 1: know why not Harry? But yeah, I mean so I 108 00:07:11,040 --> 00:07:15,800 Speaker 1: can see your team Christopher amongst those people, those those 109 00:07:15,880 --> 00:07:22,320 Speaker 1: that category of mail Homo sapiens. Okay, but Luke, isn't it. 110 00:07:22,320 --> 00:07:26,120 Speaker 1: It's not a team, Luke, it's just what is? It's 111 00:07:26,160 --> 00:07:29,320 Speaker 1: the truth? Correct? Correct? All right? I just wanted everybody 112 00:07:29,360 --> 00:07:33,160 Speaker 1: to be clear on that anyway. Okay, guys, he's in 113 00:07:33,200 --> 00:07:37,840 Speaker 1: the hot seat, a hot seat, what's going on? I 114 00:07:37,840 --> 00:07:41,160 Speaker 1: don't even know what this is? What you answer questions? Yeah, 115 00:07:41,680 --> 00:07:44,920 Speaker 1: these are fan questions. Yes, and as you can tell 116 00:07:45,040 --> 00:07:50,080 Speaker 1: from before, the fans are oozing with passion, some passionate questions. God, 117 00:07:50,360 --> 00:07:55,280 Speaker 1: are they going to stop me? I hope not. Okay, 118 00:07:55,320 --> 00:07:57,600 Speaker 1: So first we have a question. I can always I 119 00:07:57,600 --> 00:07:59,800 Speaker 1: can sorry, but I can always say so long ago. 120 00:08:00,080 --> 00:08:04,560 Speaker 1: Just don't remember your Wikipedia ready, get ready to like 121 00:08:05,160 --> 00:08:10,920 Speaker 1: something that's fun to listen to. I don't be here typing, no, 122 00:08:11,080 --> 00:08:14,040 Speaker 1: you did it. That first question we have is the 123 00:08:14,840 --> 00:08:18,440 Speaker 1: seven Why is there a guitar in Luke's apartment? It's 124 00:08:18,520 --> 00:08:21,680 Speaker 1: visible in multiple episodes that show Luke's apartment starting from 125 00:08:21,680 --> 00:08:25,280 Speaker 1: season one. Does that mean Luke plays guitar? Was it 126 00:08:25,320 --> 00:08:28,080 Speaker 1: included in Luke's apartment as a nod to you, Scott? 127 00:08:28,480 --> 00:08:30,160 Speaker 1: Was there anything else in Luke's apartment that was a 128 00:08:30,200 --> 00:08:35,160 Speaker 1: nod to you? In every contract that I have negotiated 129 00:08:35,520 --> 00:08:41,000 Speaker 1: in my illustrious Hollywood career, one of the add ons 130 00:08:41,240 --> 00:08:45,320 Speaker 1: is there must be a guitar on any set that 131 00:08:45,400 --> 00:08:51,440 Speaker 1: I am. Is that true? No, that's you're a good actor, dude, 132 00:08:51,480 --> 00:08:56,040 Speaker 1: because I totally believed you. I think it was. Yeah, 133 00:08:56,080 --> 00:08:59,640 Speaker 1: it was just a character thing. Every you know, everybody dabbles, right, 134 00:08:59,679 --> 00:09:02,680 Speaker 1: there was probably and in my character history, and what 135 00:09:02,720 --> 00:09:04,760 Speaker 1: I told Amy was, yeah, he's a bit of a 136 00:09:04,760 --> 00:09:07,600 Speaker 1: guitar player. I think she got to know me and 137 00:09:07,720 --> 00:09:10,080 Speaker 1: she realized that I grew up playing the guitar, and 138 00:09:10,120 --> 00:09:14,080 Speaker 1: it was it had significant meaning for me, as it 139 00:09:14,120 --> 00:09:16,240 Speaker 1: does most people to pick up a guitar. So yeah, 140 00:09:16,280 --> 00:09:20,400 Speaker 1: it's a a very very meaningful prop to the point 141 00:09:20,440 --> 00:09:24,199 Speaker 1: where it was almost a character So okay. Next one 142 00:09:24,400 --> 00:09:28,040 Speaker 1: is from Meta. When Luke gets mad or frustrated in 143 00:09:28,120 --> 00:09:30,760 Speaker 1: turns quiet, he crosses his arms and puts his head 144 00:09:30,800 --> 00:09:35,400 Speaker 1: down and physically becomes a ball before he blows up. Scott, 145 00:09:35,440 --> 00:09:39,400 Speaker 1: was this an acting choice by you? You know, yes, 146 00:09:39,559 --> 00:09:43,960 Speaker 1: and I but it's it's really not something that's it's 147 00:09:44,000 --> 00:09:46,600 Speaker 1: it's it's always in the moment because you're trying to 148 00:09:46,679 --> 00:09:51,960 Speaker 1: stay within the scene of of uh that has that 149 00:09:52,080 --> 00:09:55,719 Speaker 1: kind of energy in it, um, you know, and there's conflict, 150 00:09:56,160 --> 00:09:58,240 Speaker 1: it's just sort of you know, like I said in 151 00:09:58,280 --> 00:10:01,520 Speaker 1: the previous podcast, all about behavior, what organically will happen 152 00:10:01,559 --> 00:10:04,559 Speaker 1: and what organically do you feel? And you just sort 153 00:10:04,600 --> 00:10:06,800 Speaker 1: of let your body behave just like you would in 154 00:10:06,840 --> 00:10:10,960 Speaker 1: a normal situation. It's not you're not tied down by 155 00:10:11,000 --> 00:10:13,880 Speaker 1: the dialogue. You're just sort of free of it and 156 00:10:13,960 --> 00:10:17,200 Speaker 1: free with it, and you're responding and behaving in a 157 00:10:17,200 --> 00:10:21,160 Speaker 1: way that is appropriate for the that situation. That's really 158 00:10:21,200 --> 00:10:24,720 Speaker 1: is it's all instincts. So it's yeah, do you get 159 00:10:24,760 --> 00:10:28,240 Speaker 1: totally immersed Like when you're doing a scene and you're 160 00:10:28,280 --> 00:10:30,400 Speaker 1: like it's not like you're going, what's my next line, 161 00:10:30,400 --> 00:10:33,640 Speaker 1: what's my next You're like completely in it. Oh wow, No, 162 00:10:34,000 --> 00:10:37,120 Speaker 1: it really you know, the lines just come you know, 163 00:10:37,200 --> 00:10:42,439 Speaker 1: I'm cold anyway. Um, but it's really it's a rehearsed 164 00:10:42,520 --> 00:10:45,600 Speaker 1: type of behavior. It's a behavior that you sort of 165 00:10:45,600 --> 00:10:50,480 Speaker 1: found the roadmap to in the rehearsal process. Uh. And 166 00:10:50,520 --> 00:10:53,320 Speaker 1: it's just sort of it's sort of gels in in 167 00:10:53,400 --> 00:10:56,280 Speaker 1: the the end of the rehearsal process, in the first 168 00:10:56,280 --> 00:11:00,360 Speaker 1: couple of takes for me. Um. So yeah, I mean 169 00:11:00,360 --> 00:11:03,240 Speaker 1: it's just sort of it has a shape. It's the 170 00:11:03,240 --> 00:11:05,440 Speaker 1: shape of the scene. That's what we call it. We 171 00:11:05,480 --> 00:11:09,600 Speaker 1: call it shaping the scene and and finding our cues 172 00:11:09,640 --> 00:11:12,800 Speaker 1: and finding our blocking and finding the behavior and it's 173 00:11:12,840 --> 00:11:17,200 Speaker 1: all gotta and it all just sort of comes together. Yeah. Yeah, 174 00:11:17,360 --> 00:11:19,280 Speaker 1: it is kind of cool. It's very cool. I love it. 175 00:11:19,440 --> 00:11:21,800 Speaker 1: I mean I love I love the rehearsal process more 176 00:11:21,840 --> 00:11:24,600 Speaker 1: than anything because that's when all the discovery happens. You know. 177 00:11:24,800 --> 00:11:28,240 Speaker 1: It's wonderful. Oh that's interesting. You build the scene with 178 00:11:28,360 --> 00:11:30,600 Speaker 1: your partner, with your scene part whoever is in the scene. 179 00:11:30,600 --> 00:11:32,720 Speaker 1: You're building it with a director, you're just sort of 180 00:11:32,880 --> 00:11:34,640 Speaker 1: and it's I love that all that back and forth 181 00:11:34,679 --> 00:11:37,080 Speaker 1: and all that information that's flying back and forth and choices. 182 00:11:37,400 --> 00:11:41,720 Speaker 1: So did you love doing scenes with Milo? Oh? Yeah, God, 183 00:11:41,600 --> 00:11:44,640 Speaker 1: like he was just awesome. Yeah, everybody was great. I 184 00:11:44,640 --> 00:11:47,160 Speaker 1: mean everybody was great to work with. I mean everybody's 185 00:11:47,200 --> 00:11:50,200 Speaker 1: operating at a very high level, and you know, the 186 00:11:50,240 --> 00:11:54,720 Speaker 1: discussions were pretty much the same tenor because everybody was 187 00:11:54,720 --> 00:11:58,040 Speaker 1: speaking the same sort of language of the theater. Right. 188 00:11:58,120 --> 00:12:01,199 Speaker 1: It's it's all about motivation, and you know, if somebody 189 00:12:01,240 --> 00:12:02,800 Speaker 1: had a problem they can't walk over there because they 190 00:12:02,800 --> 00:12:06,520 Speaker 1: can't motivate it, well, then we'd solve that problem. So it's, um, 191 00:12:06,520 --> 00:12:10,160 Speaker 1: it's it's should a lot of credit be given to 192 00:12:10,320 --> 00:12:13,679 Speaker 1: the casting person who was so on the top of 193 00:12:13,760 --> 00:12:16,760 Speaker 1: his or her game, because it seems like you all 194 00:12:16,840 --> 00:12:19,960 Speaker 1: love each other so much and you're all still close, 195 00:12:20,120 --> 00:12:23,920 Speaker 1: and like, who who gets the credit for hiring such 196 00:12:23,960 --> 00:12:27,000 Speaker 1: amazing people? Is it the casting director or does that 197 00:12:27,000 --> 00:12:30,360 Speaker 1: go even above? I think it goes with casting. I 198 00:12:30,400 --> 00:12:33,240 Speaker 1: think it goes with Amy and Dan because I think 199 00:12:33,240 --> 00:12:36,559 Speaker 1: they have final say on everybody. I remember being in 200 00:12:36,600 --> 00:12:39,040 Speaker 1: the room initially when I read for the pilot with 201 00:12:39,080 --> 00:12:43,160 Speaker 1: Amy and who else was there? Gampalone and Leslie Lincoln 202 00:12:43,200 --> 00:12:47,040 Speaker 1: Gladder who was directing the pilot, Um and there was 203 00:12:47,120 --> 00:12:49,719 Speaker 1: just you know, she's got to feel something right. I mean, 204 00:12:49,760 --> 00:12:52,360 Speaker 1: you know when it's right. And I guess you know, 205 00:12:52,360 --> 00:12:53,880 Speaker 1: it was one of I walked into a lot of 206 00:12:53,960 --> 00:12:57,000 Speaker 1: rooms and prior to that, and the feeling wasn't there, 207 00:12:57,040 --> 00:12:58,840 Speaker 1: and they didn't feel that I was right. But I 208 00:12:58,880 --> 00:13:02,640 Speaker 1: walked into that room and they it was really right. Um. Yeah, 209 00:13:02,960 --> 00:13:05,520 Speaker 1: So that it's that's got a click with the creator, 210 00:13:06,000 --> 00:13:08,600 Speaker 1: you know, or the director or you know, it's got 211 00:13:08,600 --> 00:13:11,840 Speaker 1: a click with the room. And and that's and that's 212 00:13:11,840 --> 00:13:14,280 Speaker 1: why I was so surprised I didn't get Reservoir Dogs 213 00:13:14,280 --> 00:13:17,360 Speaker 1: because it really clear I felt really click with Tarantino 214 00:13:17,480 --> 00:13:20,160 Speaker 1: and bender makes sense. So I have a question, and 215 00:13:20,240 --> 00:13:23,760 Speaker 1: I'm sorry to steal. I'll stop after this. Have you 216 00:13:23,840 --> 00:13:27,720 Speaker 1: ever met or heard from anyone maybe that we that 217 00:13:27,840 --> 00:13:31,360 Speaker 1: was recognizable that auditioned for Luke? You know how you 218 00:13:31,400 --> 00:13:34,600 Speaker 1: always hear like these ten people were up for a 219 00:13:34,600 --> 00:13:37,880 Speaker 1: certain part, like was there anyone else? Because look, you 220 00:13:37,920 --> 00:13:40,720 Speaker 1: are Luke and they were right, But was there anyone 221 00:13:40,720 --> 00:13:42,640 Speaker 1: else that you know went in and read for it? 222 00:13:42,760 --> 00:13:46,880 Speaker 1: There was a guy at another audition like a like 223 00:13:47,679 --> 00:13:51,400 Speaker 1: two thousand and twelve or two thousand and thirteen, and 224 00:13:51,440 --> 00:13:54,320 Speaker 1: we were sitting in in the waiting room waiting to 225 00:13:54,360 --> 00:13:57,480 Speaker 1: go in to read for the director, and he I 226 00:13:57,559 --> 00:14:01,040 Speaker 1: forget who he was, but he wasn't like a known 227 00:14:01,640 --> 00:14:04,319 Speaker 1: he wasn't a known celebrity kind of guy. He didn't 228 00:14:04,320 --> 00:14:06,640 Speaker 1: he told you, but he told me. He goes. You know, 229 00:14:06,760 --> 00:14:08,760 Speaker 1: I was there that day. I remember when you came in. 230 00:14:08,840 --> 00:14:10,679 Speaker 1: I remember what you were wearing. And I kind of 231 00:14:10,720 --> 00:14:12,640 Speaker 1: said to myself, that guy is going to get the role. 232 00:14:12,760 --> 00:14:14,719 Speaker 1: He said, you had this air and he said, I 233 00:14:15,000 --> 00:14:17,000 Speaker 1: did a great job. I really prepared it. But I 234 00:14:17,080 --> 00:14:18,640 Speaker 1: just I knew you were going to get that role. 235 00:14:18,679 --> 00:14:22,560 Speaker 1: I was not surprised when when when I read it, Wow, 236 00:14:23,080 --> 00:14:26,280 Speaker 1: very cool. Yeah, a cool guy too. He was a 237 00:14:26,320 --> 00:14:29,800 Speaker 1: really really good guy. So thank you. A guy whoever 238 00:14:29,880 --> 00:14:37,240 Speaker 1: you are, wherever you are, probably John Hamm and I, 239 00:14:37,280 --> 00:14:40,840 Speaker 1: you know, I don't because he did. Didn't doesn't John 240 00:14:40,880 --> 00:14:44,480 Speaker 1: ham Come on, isn't he's he's he's got an episode? Yeah? 241 00:14:44,720 --> 00:14:50,240 Speaker 1: Where he Yeah? Okay, keep going. Next s up, we 242 00:14:50,280 --> 00:14:54,360 Speaker 1: have question from Mandarilla Scott from an actor's perspective, how 243 00:14:54,400 --> 00:14:56,880 Speaker 1: did your character grow from season one to the end 244 00:14:56,920 --> 00:15:00,640 Speaker 1: of season two? Um, I think he put on a 245 00:15:00,640 --> 00:15:06,920 Speaker 1: little weight. I think he grew in Tonnage too much 246 00:15:07,000 --> 00:15:13,360 Speaker 1: craft service. I'm not kidding. I think I started out 247 00:15:13,360 --> 00:15:18,480 Speaker 1: the role. I think season the pilot I was about one, 248 00:15:18,840 --> 00:15:21,240 Speaker 1: and by the end of season two I was to 249 00:15:21,480 --> 00:15:25,840 Speaker 1: ten too many red vines out there, No, no, no, no. 250 00:15:26,000 --> 00:15:29,920 Speaker 1: I was working out more. Also, it was like Muscily, Yeah, 251 00:15:29,920 --> 00:15:33,160 Speaker 1: oh sure it was. It wasn't it wasn't so bad. 252 00:15:33,600 --> 00:15:36,520 Speaker 1: Oh no, Well, it was a combination of mass quantities 253 00:15:36,560 --> 00:15:41,200 Speaker 1: of food, and I just started working out more because 254 00:15:41,800 --> 00:15:44,200 Speaker 1: the reason I was working out more was because I 255 00:15:44,280 --> 00:15:47,760 Speaker 1: wanted to be I wanted to feel really fit and 256 00:15:48,080 --> 00:15:51,960 Speaker 1: healthy when I came on set, because then I started 257 00:15:52,240 --> 00:15:56,160 Speaker 1: realizing what kind of a grind I was involved in. Right, 258 00:15:56,320 --> 00:16:00,400 Speaker 1: it was my first series regular role and I wasn't 259 00:16:00,440 --> 00:16:05,240 Speaker 1: twenty right, So so I said, okay, so let's get 260 00:16:05,320 --> 00:16:07,560 Speaker 1: in the gym and get in shape. Was there a 261 00:16:07,640 --> 00:16:12,280 Speaker 1: moment for you, Scott when you were like, I am Luke, 262 00:16:12,480 --> 00:16:17,200 Speaker 1: Like I know Luke. Now, I am comfortable really being 263 00:16:17,280 --> 00:16:20,280 Speaker 1: Luke as soon as I read the script, as soon 264 00:16:20,320 --> 00:16:24,440 Speaker 1: as I read the first scene of Luke. Because that's 265 00:16:24,440 --> 00:16:26,720 Speaker 1: why that's that's gotta be. Then that makes sense why 266 00:16:26,760 --> 00:16:28,960 Speaker 1: you got it, Because you're like, I got this. Yeah, 267 00:16:29,240 --> 00:16:34,320 Speaker 1: I couldn't imagine anybody else playing it. And I remember 268 00:16:34,480 --> 00:16:38,320 Speaker 1: when I really vibe was something that I'm reading an 269 00:16:38,360 --> 00:16:42,880 Speaker 1: audition and I start rehearsing the first scene right away. 270 00:16:42,920 --> 00:16:45,600 Speaker 1: When I'm reading it and seeing how it's going to sound, 271 00:16:46,280 --> 00:16:49,800 Speaker 1: That's when I know it's it's it's good for me. Um. 272 00:16:49,840 --> 00:16:51,680 Speaker 1: If I don't do that, and if I'm still trying 273 00:16:51,720 --> 00:16:55,160 Speaker 1: to find you know something about the character that I 274 00:16:55,200 --> 00:16:57,600 Speaker 1: can hook into them, that's usually when I don't get it. 275 00:16:58,480 --> 00:17:01,640 Speaker 1: You shouldn't, You're not right for it. So this spoke 276 00:17:01,680 --> 00:17:06,639 Speaker 1: to me. It's actually screamed at me. It said, I 277 00:17:06,680 --> 00:17:09,320 Speaker 1: am the role you have been waiting for, and it 278 00:17:09,359 --> 00:17:18,600 Speaker 1: was deafening. Yeah. Absolutely, Yeah. Next one is from Bella. 279 00:17:19,280 --> 00:17:21,840 Speaker 1: What was more surprising the fact that Rory and just 280 00:17:22,040 --> 00:17:27,240 Speaker 1: kissed or that Sherry was pregnant. That's a great question. 281 00:17:27,320 --> 00:17:29,879 Speaker 1: That that is a great question. You know that I 282 00:17:30,000 --> 00:17:34,280 Speaker 1: was surprised by both of those things. Uh. I was 283 00:17:34,400 --> 00:17:37,800 Speaker 1: delighted by the kiss because I thought it really enhanced, 284 00:17:38,760 --> 00:17:42,520 Speaker 1: uh the story, It deepened the story, it complicated the story. 285 00:17:43,080 --> 00:17:46,680 Speaker 1: It left us with a a nice feeling and nice 286 00:17:46,920 --> 00:17:50,159 Speaker 1: that was a nice balanced type of a cliffhanger. The 287 00:17:50,240 --> 00:17:53,800 Speaker 1: pregnancy thing, I wasn't expecting because I just thought it 288 00:17:53,880 --> 00:17:56,760 Speaker 1: was I don't know, I just thought it was ham 289 00:17:56,880 --> 00:18:00,119 Speaker 1: handed in some way. It wasn't my favorite moment in 290 00:18:00,160 --> 00:18:05,400 Speaker 1: the show from a from a writer's perspective. So but 291 00:18:05,960 --> 00:18:08,760 Speaker 1: what else could they do? You know, what did you think? 292 00:18:08,760 --> 00:18:11,200 Speaker 1: Because Danielle, it's hard for me to answer because I've 293 00:18:11,240 --> 00:18:13,560 Speaker 1: seen this so many times. Danielle, you're watching it for 294 00:18:13,600 --> 00:18:17,480 Speaker 1: the very first time. What shocked you more? I was 295 00:18:17,520 --> 00:18:22,160 Speaker 1: shocked that Sherry was pregnant. I knew Rory and Jess 296 00:18:22,200 --> 00:18:23,679 Speaker 1: we're going to kiss like that was just only a 297 00:18:23,720 --> 00:18:26,000 Speaker 1: matter of time. Was waiting for it to happen, was 298 00:18:26,119 --> 00:18:29,280 Speaker 1: waiting for him to come back to town, like I 299 00:18:29,720 --> 00:18:34,360 Speaker 1: saw that coming. But Sherry being pregnant, you got me there. 300 00:18:34,520 --> 00:18:37,040 Speaker 1: The thing, the thing that surprised me most about the 301 00:18:37,160 --> 00:18:40,160 Speaker 1: Jess Rory kissing scene was that Dean didn't whoosh through 302 00:18:40,200 --> 00:18:43,200 Speaker 1: the middle of it on a trapiece with a sign 303 00:18:43,320 --> 00:18:51,159 Speaker 1: saying hands off my girl, my girl. I knew you 304 00:18:51,240 --> 00:18:59,120 Speaker 1: were vision or is in the background just like flipping 305 00:18:59,119 --> 00:19:02,640 Speaker 1: out silent. You know, that kiss was so well done, though, 306 00:19:02,680 --> 00:19:09,240 Speaker 1: because it was like whoa you're here, kiss, double kiss, run, 307 00:19:09,800 --> 00:19:11,600 Speaker 1: and then just as you're like, oh my god, she's 308 00:19:11,640 --> 00:19:15,640 Speaker 1: freaking out, she's running away, she turns with the welcome home. 309 00:19:16,240 --> 00:19:20,520 Speaker 1: So you're like, that was a happy girl, such a 310 00:19:20,760 --> 00:19:24,520 Speaker 1: such a well done. And I'll tell you the great 311 00:19:24,520 --> 00:19:26,879 Speaker 1: part about it for me wasn't just a kiss. It 312 00:19:26,920 --> 00:19:29,080 Speaker 1: was just the look on Jesse's face when he arrived 313 00:19:29,119 --> 00:19:32,160 Speaker 1: and they locked eyes. He looked like he really needed 314 00:19:32,359 --> 00:19:35,640 Speaker 1: a hug and a kiss. Yeah, that's why he was there. 315 00:19:35,800 --> 00:19:38,600 Speaker 1: I mean it was just as vulnerable and fullhearted as 316 00:19:38,600 --> 00:19:40,600 Speaker 1: he could possibly be at that stage in his life. 317 00:19:40,640 --> 00:19:44,240 Speaker 1: And it's like, I love you, Rory, please, let's I 318 00:19:44,240 --> 00:19:46,360 Speaker 1: wish she would kiss me, and she did. I came 319 00:19:46,400 --> 00:19:49,560 Speaker 1: back for you. It's also like I came back, you know, 320 00:19:49,720 --> 00:19:53,600 Speaker 1: like here I am. I came back because of you. Anyway, 321 00:19:53,720 --> 00:20:01,440 Speaker 1: Poor Deine, Dean Dean up a tree falling, poor guy. 322 00:20:01,160 --> 00:20:05,399 Speaker 1: I love Jared though, and I love how Jared loves Dean, 323 00:20:05,920 --> 00:20:07,680 Speaker 1: do you know what I mean? Even still to this day, 324 00:20:08,840 --> 00:20:11,840 Speaker 1: Jared's had so much success, you can tell he really 325 00:20:11,840 --> 00:20:14,160 Speaker 1: holds a special place for Dean and always talks about 326 00:20:14,240 --> 00:20:17,640 Speaker 1: him in interviews and always answers the questions. It's really 327 00:20:17,640 --> 00:20:20,439 Speaker 1: sweet how all the cast has that he's great in 328 00:20:20,480 --> 00:20:22,879 Speaker 1: that role. I mean, he really is a talent. He 329 00:20:23,000 --> 00:20:25,800 Speaker 1: was a talented young cat, you know, eighteen. I didn't 330 00:20:25,800 --> 00:20:28,480 Speaker 1: realize how good he was until I started watching you know, 331 00:20:28,520 --> 00:20:31,400 Speaker 1: still until I started doing this podcast, because I'd walk 332 00:20:31,400 --> 00:20:33,320 Speaker 1: around it. What's a big deal with this case? You know, 333 00:20:33,440 --> 00:20:36,520 Speaker 1: what's what's the big deal? But now I know. Keely 334 00:20:36,600 --> 00:20:39,720 Speaker 1: wants to know Scott so far, which guest star has 335 00:20:39,760 --> 00:20:42,560 Speaker 1: made the biggest impact on you watching the season's back? 336 00:20:43,320 --> 00:20:47,640 Speaker 1: That is another epic question. Which guest star that I've 337 00:20:47,680 --> 00:20:49,879 Speaker 1: had on the podcast or which guest star in the 338 00:20:49,920 --> 00:20:53,880 Speaker 1: ship that I'm witnessing on the show most of them 339 00:20:54,119 --> 00:20:58,280 Speaker 1: yea god? Which which guests start repeat the question again? 340 00:20:58,400 --> 00:21:02,560 Speaker 1: Could you counselor thank you? Of course I can use 341 00:21:02,600 --> 00:21:04,960 Speaker 1: it in a sentence and a phrase, has somebody turned 342 00:21:05,000 --> 00:21:08,800 Speaker 1: on the air conditioner? Thank you? Kiely wants to know 343 00:21:08,960 --> 00:21:12,120 Speaker 1: Scott's so far, which guest star has made the biggest 344 00:21:12,160 --> 00:21:17,240 Speaker 1: impact on you watching the season's back? Guest star? Guest star? 345 00:21:18,760 --> 00:21:27,320 Speaker 1: Um got the biggest, the biggest impression? Uh no, guest star, 346 00:21:27,560 --> 00:21:30,879 Speaker 1: guest star. I mean somebody that just popped in for 347 00:21:30,920 --> 00:21:35,080 Speaker 1: one episode, not a recurring character, alright, so that wipes 348 00:21:35,119 --> 00:21:39,560 Speaker 1: out a whole list of people. Uh guest star. Gosh, 349 00:21:39,760 --> 00:21:43,680 Speaker 1: I gotta say Rune. Oh that's a great answer. Yeah, 350 00:21:43,880 --> 00:21:47,879 Speaker 1: because I enjoyed I enjoyed him so much when he 351 00:21:47,960 --> 00:21:53,919 Speaker 1: came on the podcast. Um, and I just enjoyed hanging 352 00:21:53,960 --> 00:21:55,679 Speaker 1: with him on the set. He was he was a 353 00:21:55,680 --> 00:22:00,640 Speaker 1: ton of fun. He's a unique personality for sure. Are 354 00:22:00,720 --> 00:22:03,240 Speaker 1: all heart and soul and he's and he's he's funny 355 00:22:03,240 --> 00:22:05,720 Speaker 1: as i'll get out. So and I just I love 356 00:22:05,800 --> 00:22:09,000 Speaker 1: that character. I just love that character. I mean, it 357 00:22:09,040 --> 00:22:11,720 Speaker 1: was nice to see Jane Lynch, Papa, remember that when 358 00:22:11,800 --> 00:22:13,920 Speaker 1: Richard had the heart attack. That was kind of kind 359 00:22:13,920 --> 00:22:17,080 Speaker 1: of didn't have a huge impact on me, you know 360 00:22:17,200 --> 00:22:20,479 Speaker 1: the way that the run did. But yeah, I agree, 361 00:22:20,560 --> 00:22:23,560 Speaker 1: that's that Alex Borstein, I guess we can count her 362 00:22:24,320 --> 00:22:27,920 Speaker 1: m hmm. Was she was she a guest stor yeah, 363 00:22:27,920 --> 00:22:31,000 Speaker 1: because she was in like two episodes. I don't really 364 00:22:31,040 --> 00:22:33,840 Speaker 1: I don't I remember her in the in the episodes 365 00:22:33,880 --> 00:22:36,800 Speaker 1: of Netflix things, but I don't remember in the show. Um, 366 00:22:36,840 --> 00:22:41,960 Speaker 1: I do remember Jane Lynch. She was very uh professional. 367 00:22:42,720 --> 00:22:48,800 Speaker 1: Uhc Seth, you love Seth McFarlane. I wasn't. Yes, yes, 368 00:22:49,359 --> 00:22:52,840 Speaker 1: he's right, you know what You're okay, all right, that's 369 00:22:52,880 --> 00:22:56,840 Speaker 1: the guy. He's my number one. I would say run 370 00:22:57,119 --> 00:23:02,440 Speaker 1: and Seth, and I'm blanking on Max Pearlock. Max Pearl, 371 00:23:02,480 --> 00:23:05,520 Speaker 1: I can sell right neck and neck for number one. 372 00:23:05,560 --> 00:23:11,120 Speaker 1: You're absolutely correct. Epic question, great answers, Yeah, okay. Next 373 00:23:11,200 --> 00:23:13,760 Speaker 1: question is from Catherine. Do you think the reason why 374 00:23:13,800 --> 00:23:16,680 Speaker 1: Emily cannot keep a maid is because she keeps trying 375 00:23:16,720 --> 00:23:20,119 Speaker 1: to fill a hole from losing Laurel, and thus nobody 376 00:23:20,200 --> 00:23:23,919 Speaker 1: can take the place of her daughter. That's really deep. 377 00:23:24,480 --> 00:23:30,000 Speaker 1: It's like Laurel as with a duster, Laura Lei with 378 00:23:30,160 --> 00:23:36,240 Speaker 1: the cleaning products, cleaning like, nobody can clean Emily's soul, 379 00:23:36,640 --> 00:23:38,920 Speaker 1: So she's got to keep trying to find I don't 380 00:23:38,960 --> 00:23:43,119 Speaker 1: know that's that's a that's quite a theory. I'm not 381 00:23:43,200 --> 00:23:47,280 Speaker 1: a licensed therapist, so I don't I'm not trained as 382 00:23:47,359 --> 00:23:51,080 Speaker 1: a psychologist. I don't know if there's a connection there, 383 00:23:51,080 --> 00:23:54,879 Speaker 1: but there could be. I mean, it's a I just 384 00:23:54,960 --> 00:23:59,359 Speaker 1: think not just maids, but anybody else she mistreats. Uh, 385 00:24:00,080 --> 00:24:02,960 Speaker 1: And I think it's it's it's so ingrained in her. 386 00:24:03,000 --> 00:24:05,600 Speaker 1: The frustration and the angst is so ingrained in her 387 00:24:05,600 --> 00:24:08,960 Speaker 1: over the sixteen years that she's just gonna snap at everybody. 388 00:24:09,359 --> 00:24:12,000 Speaker 1: And I don't know, maybe she was like this before. 389 00:24:12,080 --> 00:24:14,399 Speaker 1: Maybe she did have this sort of abusive side to 390 00:24:14,440 --> 00:24:16,760 Speaker 1: herself which drove Laurel I away and didn't want to 391 00:24:16,760 --> 00:24:20,680 Speaker 1: become that person who knows. But I like the perspective 392 00:24:20,720 --> 00:24:23,880 Speaker 1: though there because that's interesting. It is that is an 393 00:24:23,880 --> 00:24:27,439 Speaker 1: interesting thing. Like I've had people that work with me 394 00:24:27,560 --> 00:24:31,800 Speaker 1: for twenty years. I've worked with Ryan Seacrest for thirty years, 395 00:24:32,000 --> 00:24:34,720 Speaker 1: So like there is it is interesting that she has 396 00:24:35,160 --> 00:24:39,000 Speaker 1: so much turnover. There must be something more complicated to 397 00:24:39,080 --> 00:24:43,040 Speaker 1: it that maybe Amy was fascinated with because she wrote 398 00:24:43,080 --> 00:24:47,120 Speaker 1: it in there must be something there. So she couldn't 399 00:24:47,440 --> 00:24:50,520 Speaker 1: get Laurel I. She couldn't train laurel She didn't train 400 00:24:50,640 --> 00:24:53,600 Speaker 1: Laureli the way she wanted to train Laurel I to obey, 401 00:24:53,680 --> 00:24:56,280 Speaker 1: and she can't train any maids to do exactly what 402 00:24:56,400 --> 00:24:59,800 Speaker 1: she wants, so she keeps trying, you know what, Okay, yeah, 403 00:25:00,080 --> 00:25:02,600 Speaker 1: I accept that now, yes, yeah, or yeah, or maybe 404 00:25:02,640 --> 00:25:05,280 Speaker 1: we just start to get that Emily is so complicated, 405 00:25:05,520 --> 00:25:07,520 Speaker 1: she's not easy to work for it might be more 406 00:25:07,960 --> 00:25:11,560 Speaker 1: on the nose, you know what I mean. But yeah, 407 00:25:10,840 --> 00:25:14,480 Speaker 1: I totally accept that theory. I think it's a I 408 00:25:14,480 --> 00:25:18,119 Speaker 1: wouldn't mind it pulling the audience on that one. Yeah, 409 00:25:18,320 --> 00:25:21,520 Speaker 1: that seems interesting. It is interesting. It's an interesting take. Yeah. 410 00:25:22,880 --> 00:25:26,119 Speaker 1: Next we have up from Klein, Mari fractures her wrist. 411 00:25:26,440 --> 00:25:33,359 Speaker 1: Did you notice stars Hollow has an e r I 412 00:25:33,440 --> 00:25:36,880 Speaker 1: did in that episode or was it an urgent care? Yeah? 413 00:25:37,440 --> 00:25:39,320 Speaker 1: I get the vibe. It's like an urgent care. I 414 00:25:39,359 --> 00:25:41,879 Speaker 1: don't think anybody's doing surgery over there. I don't think 415 00:25:41,920 --> 00:25:45,240 Speaker 1: it's cedars. Yeah, I think it's a couple of volunteers 416 00:25:45,280 --> 00:25:49,280 Speaker 1: and urgent care. They're they're in bed at their homes 417 00:25:49,320 --> 00:25:51,679 Speaker 1: and then they come in the right. Where did they 418 00:25:51,720 --> 00:25:56,600 Speaker 1: take Richer? Well, that was that was in Hartford? Right? 419 00:25:56,600 --> 00:25:59,000 Speaker 1: Where did he have his heart attack? Oh? Yeah, you're right, 420 00:25:59,040 --> 00:26:03,200 Speaker 1: you're right, you're right. Not course, it wasn't he had 421 00:26:03,200 --> 00:26:04,800 Speaker 1: it at home or something or at the office. And 422 00:26:04,960 --> 00:26:09,520 Speaker 1: I don't know. Um, yeah, that was hard for it. Mhmm. Okay. 423 00:26:09,600 --> 00:26:12,439 Speaker 1: Next one is from Holly. Emily and Richard's house is 424 00:26:12,480 --> 00:26:15,119 Speaker 1: so different from season to season and how Laura, La 425 00:26:15,280 --> 00:26:18,439 Speaker 1: and Rory have a piano. Why would sets change if 426 00:26:18,480 --> 00:26:22,280 Speaker 1: it would mess up the show's continuity as they saying, 427 00:26:22,320 --> 00:26:24,720 Speaker 1: there was a piano there and initially and then it 428 00:26:24,760 --> 00:26:28,880 Speaker 1: was gone or a piano was added. Maybe they sold 429 00:26:28,920 --> 00:26:31,959 Speaker 1: the piano. I don't know, nobody played anyway. Yeah, I mean, 430 00:26:32,200 --> 00:26:35,000 Speaker 1: let me do so like when you guys are gone 431 00:26:35,040 --> 00:26:39,159 Speaker 1: for the summer but you're on hiatus, do they break 432 00:26:39,200 --> 00:26:43,040 Speaker 1: down the set and let someone else use that studio? 433 00:26:43,840 --> 00:26:46,800 Speaker 1: Could that be the reason for change? So maybe if 434 00:26:46,800 --> 00:26:49,240 Speaker 1: they've rented it out. Yeah, I mean, look, the studio 435 00:26:49,320 --> 00:26:53,040 Speaker 1: is in the business of renting out their facilities to productions. 436 00:26:53,800 --> 00:26:56,560 Speaker 1: Not all of them are on the lot have deals 437 00:26:56,680 --> 00:26:58,480 Speaker 1: on the lot, And if they do have deals on 438 00:26:58,560 --> 00:27:00,720 Speaker 1: the lot, it depends on their deal how much they 439 00:27:00,760 --> 00:27:05,720 Speaker 1: pay and rent for that stage. Right. These are massive stages, right, 440 00:27:05,920 --> 00:27:08,840 Speaker 1: and you've got to hire a construction crew to build 441 00:27:08,840 --> 00:27:11,320 Speaker 1: your sets. So but it's you know, they take these 442 00:27:11,359 --> 00:27:14,840 Speaker 1: sets apart in pieces and then they store them and 443 00:27:14,880 --> 00:27:17,440 Speaker 1: then they reconstruct them. You know, it's not like they 444 00:27:17,440 --> 00:27:21,120 Speaker 1: have to start from scratch and repaint and retool everything. 445 00:27:21,200 --> 00:27:23,080 Speaker 1: You know. But you know, if you've got a big 446 00:27:23,119 --> 00:27:26,120 Speaker 1: movie production coming in, yeah there, you know, if Tom 447 00:27:26,160 --> 00:27:28,240 Speaker 1: Cruise wants a jungle. You know, he's gonna get it 448 00:27:29,400 --> 00:27:32,360 Speaker 1: lauralize how it's gonna go on ice for the summary, 449 00:27:32,400 --> 00:27:34,800 Speaker 1: you know what I mean. Um, yeah, So they do 450 00:27:34,920 --> 00:27:37,280 Speaker 1: that very quickly. It's it's kind of amazing. I remember 451 00:27:37,280 --> 00:27:41,080 Speaker 1: one day, Uh, speaking of Tom Cruise, he was there 452 00:27:41,119 --> 00:27:43,639 Speaker 1: was that movie where he was, Um, I don't know, 453 00:27:43,640 --> 00:27:46,639 Speaker 1: it's the eighteen hundreds. It was China, in China, The 454 00:27:46,720 --> 00:27:50,040 Speaker 1: Last Samurai or something like that. Yeah, so they did 455 00:27:50,119 --> 00:27:53,720 Speaker 1: the uh, some of the exteriors of these villages in China, 456 00:27:53,960 --> 00:27:57,119 Speaker 1: exteriors of these villages in China right on the back 457 00:27:57,240 --> 00:27:59,800 Speaker 1: lot where we would shoot. So we were walking through 458 00:27:59,800 --> 00:28:03,480 Speaker 1: these these wild sets to get to the town hall 459 00:28:03,520 --> 00:28:05,560 Speaker 1: meeting or to Luke's diner. It was it was kind 460 00:28:05,560 --> 00:28:08,960 Speaker 1: of cool. Uh, nobody I did see Tom Cruise, but 461 00:28:09,000 --> 00:28:11,760 Speaker 1: we did not look at him very long. We weren't 462 00:28:11,760 --> 00:28:17,399 Speaker 1: allowed to sidebar. I have to interject you guys watched 463 00:28:17,440 --> 00:28:19,840 Speaker 1: the new trailer for Top Gun. I just saw it 464 00:28:19,880 --> 00:28:23,280 Speaker 1: this morning. It looks fantastic And I just saw the 465 00:28:23,680 --> 00:28:25,840 Speaker 1: I was watching the original last night and I think 466 00:28:25,880 --> 00:28:29,639 Speaker 1: it's fantastic. It's so good. First of all, Maverick, no 467 00:28:29,720 --> 00:28:33,040 Speaker 1: one likes you because you're you're you're unsafe. I'm not 468 00:28:33,200 --> 00:28:36,359 Speaker 1: gonna lie. When I saw ice Man's photo on the 469 00:28:36,400 --> 00:28:41,000 Speaker 1: wall and I realized, Oh my god, this is how 470 00:28:41,040 --> 00:28:45,080 Speaker 1: they're working. Iceman back in. Iceman is the one bringing 471 00:28:45,120 --> 00:28:50,640 Speaker 1: Maverick back. Yes, real tears, real tears, I know. I 472 00:28:50,720 --> 00:28:55,560 Speaker 1: literally physically cried and out loud my mouth said, Oh 473 00:28:57,440 --> 00:29:02,600 Speaker 1: of course. Oh so and Miles and Miles Tellers, Anthony 474 00:29:02,760 --> 00:29:06,800 Speaker 1: Edwards Son, Yes, who's coming back to? Oh and the 475 00:29:06,880 --> 00:29:12,440 Speaker 1: and the the flying stuff looks so cool. Oh my god, 476 00:29:13,480 --> 00:29:15,680 Speaker 1: it looks like a real It looks so good. Looks 477 00:29:15,720 --> 00:29:19,600 Speaker 1: like a movie we waited two years that was supposed 478 00:29:19,600 --> 00:29:23,600 Speaker 1: to come out in Yeah. Yeah, no, I know it's 479 00:29:23,600 --> 00:29:25,720 Speaker 1: going to be a big blockbuster. Man, that thing looks 480 00:29:25,760 --> 00:29:32,120 Speaker 1: really cool. Sorry, no, no, that's good. Yeah. That's next 481 00:29:32,280 --> 00:29:35,720 Speaker 1: up we have from Julie. Her question is regarding the 482 00:29:35,760 --> 00:29:39,000 Speaker 1: sign for Luke's Diner. It says William's Hardware. Why wouldn't 483 00:29:39,000 --> 00:29:41,680 Speaker 1: it be Dane's Hardware since it was his father's store. 484 00:29:41,920 --> 00:29:46,480 Speaker 1: Was Luke's original name Luke Williams. That is, his father's 485 00:29:46,720 --> 00:29:49,600 Speaker 1: first name is William, So that's why it's Williams Hardware. 486 00:29:50,000 --> 00:29:53,840 Speaker 1: It's not a last name missing the apostrophe. That makes 487 00:29:53,880 --> 00:29:56,400 Speaker 1: total sense. You know, We've had a fifty people ask 488 00:29:56,520 --> 00:30:01,880 Speaker 1: us that question. It's Williams, like Williams of Postops, like 489 00:30:01,880 --> 00:30:05,120 Speaker 1: like Luke's hardware, like Luke's the same thing. It's like 490 00:30:05,160 --> 00:30:15,400 Speaker 1: Bill's hardware, just Williams. I would preferred Bill's hardware. Bill, Yeah, okay. 491 00:30:15,480 --> 00:30:17,760 Speaker 1: Next one is from Sasha. When a scene is being 492 00:30:17,800 --> 00:30:20,120 Speaker 1: filmed with you in the background talking to other actors 493 00:30:20,120 --> 00:30:23,000 Speaker 1: on set, what are you actually saying to the other person. 494 00:30:23,160 --> 00:30:26,600 Speaker 1: I've always wondered if they make pretend lines up or 495 00:30:26,640 --> 00:30:28,840 Speaker 1: if the actors just talked about their own lives. Is 496 00:30:28,960 --> 00:30:31,920 Speaker 1: awkward when you have to do this. So when we're 497 00:30:32,560 --> 00:30:38,200 Speaker 1: visible in the background but not engaged in dialogue, we 498 00:30:38,240 --> 00:30:41,680 Speaker 1: are not talking. We are not allowed. We're not allowed. Yes, 499 00:30:42,320 --> 00:30:45,320 Speaker 1: we are miming. It's called miming. Can you do it 500 00:30:45,360 --> 00:30:47,520 Speaker 1: for us right now? Like, because do you do it 501 00:30:47,600 --> 00:30:53,200 Speaker 1: like this? No, you don't do it like that. You 502 00:30:53,240 --> 00:30:59,640 Speaker 1: do it like wow. Wait okay wait, that's how you 503 00:30:59,640 --> 00:31:04,040 Speaker 1: do it, get so much better at it than us? Wait? Wait, 504 00:31:04,080 --> 00:31:08,640 Speaker 1: this is genius. Okay, So Scott okay, okay, so Scott right, okay, 505 00:31:10,160 --> 00:31:13,760 Speaker 1: you talk talk something, and Riley and I are going 506 00:31:13,800 --> 00:31:16,480 Speaker 1: to pretend we're like background all right, let me. I 507 00:31:16,520 --> 00:31:19,680 Speaker 1: have to see this. I have to see this. Degrade 508 00:31:19,720 --> 00:31:23,040 Speaker 1: you on your performance. Okay, okay, So Riley, you and 509 00:31:23,080 --> 00:31:24,760 Speaker 1: I are going to pretend we're talking to each other. 510 00:31:24,800 --> 00:31:26,959 Speaker 1: All right. So this will be a scene in Luke's diner. 511 00:31:28,440 --> 00:31:31,480 Speaker 1: You're doing some kind of monologue and we're in the 512 00:31:31,520 --> 00:31:36,320 Speaker 1: diner eating. Let me get my drink. Are you ready? Okay? 513 00:31:36,320 --> 00:31:47,480 Speaker 1: Tell us action? All right? Camera ready, actors ready? Action anyway, 514 00:31:47,520 --> 00:31:50,200 Speaker 1: So Taylor, let me tell you something. Pal, you don't 515 00:31:50,240 --> 00:31:54,719 Speaker 1: get out of my that's really that's okay. Cut, No, 516 00:31:57,320 --> 00:32:02,440 Speaker 1: I don't know what we are we going to too much? Yeah? Okay, 517 00:32:02,440 --> 00:32:04,000 Speaker 1: so can we do it again? It's too much and 518 00:32:04,040 --> 00:32:06,080 Speaker 1: it's too negative. It's too much and it's too negative. 519 00:32:06,120 --> 00:32:09,880 Speaker 1: It's distraction to negative because you were like, you know 520 00:32:10,720 --> 00:32:12,920 Speaker 1: that could be interpreted as my bad acting. You're like 521 00:32:13,040 --> 00:32:14,880 Speaker 1: this Seene stinks and you don't want to do that. 522 00:32:15,440 --> 00:32:17,720 Speaker 1: So director would stop you deadness tracks and I did, 523 00:32:18,280 --> 00:32:23,480 Speaker 1: thank you give it again? Do it again? Okay? What 524 00:32:23,600 --> 00:32:25,960 Speaker 1: can I get you? Wait? Can you give us an action? 525 00:32:26,120 --> 00:32:31,160 Speaker 1: For God's sake? Professional you're telling me to be professional. Okay, 526 00:32:31,360 --> 00:32:36,840 Speaker 1: thank you. And Action uh yeah, we got uh. I 527 00:32:36,880 --> 00:32:38,720 Speaker 1: can get you anything you need. We got hamburgers, we 528 00:32:38,840 --> 00:32:43,600 Speaker 1: got steaks. There's a menu right there. Okay, just stop, Okay, Amy, 529 00:32:43,720 --> 00:32:46,520 Speaker 1: what are you doing? You look like you're in a 530 00:32:46,560 --> 00:32:49,400 Speaker 1: scene from Gone with the Wind, Like what's happening with 531 00:32:49,520 --> 00:32:53,480 Speaker 1: the over acting? So funny because I feel like I'm 532 00:32:53,520 --> 00:32:57,520 Speaker 1: doing awesome, Like I feel like and that's what people 533 00:32:57,680 --> 00:33:02,280 Speaker 1: on set think too. And then when they're stopped, I 534 00:33:02,320 --> 00:33:07,560 Speaker 1: feel like I was trying to say to Briley, like 535 00:33:07,680 --> 00:33:11,080 Speaker 1: you want something like so just ask her what's with 536 00:33:11,120 --> 00:33:15,840 Speaker 1: all the facial moves one more time? Chill out your face? Bro? 537 00:33:18,520 --> 00:33:22,680 Speaker 1: Like well it's like, I mean, all of a sudden, 538 00:33:22,960 --> 00:33:28,800 Speaker 1: you know. Okay, and Action, Hey yeah, what can I 539 00:33:28,840 --> 00:33:34,760 Speaker 1: get you? Rory? Oh yeah, all right, okay, I gotta 540 00:33:34,760 --> 00:33:39,560 Speaker 1: stop you again. You know what the problem is, Amy, 541 00:33:39,640 --> 00:33:43,080 Speaker 1: You have too much personality. It's just it's just it 542 00:33:43,200 --> 00:33:46,400 Speaker 1: just you can't you can't help it. You can't help yourself. 543 00:33:46,960 --> 00:33:48,840 Speaker 1: I'll tell you this right now. You are not a 544 00:33:48,920 --> 00:33:53,080 Speaker 1: background person. You're a star. That's so much. That's the problem. 545 00:33:53,440 --> 00:33:57,480 Speaker 1: The weirdest part is I felt like I was nailing. 546 00:33:58,080 --> 00:34:02,280 Speaker 1: I literally in my body is like I am at this. 547 00:34:02,440 --> 00:34:05,120 Speaker 1: You were you were the extra that thinks that you 548 00:34:05,160 --> 00:34:08,200 Speaker 1: were the extra that thinks of the star. You were 549 00:34:08,239 --> 00:34:10,799 Speaker 1: the extra that thinks that the cameras on you. And 550 00:34:10,840 --> 00:34:15,000 Speaker 1: it's not I cannot wait to see it because I 551 00:34:15,880 --> 00:34:19,280 Speaker 1: don't know what I was doing. And here's here's another 552 00:34:19,320 --> 00:34:22,279 Speaker 1: funny thing. You know, background acting is really you know, 553 00:34:22,280 --> 00:34:24,800 Speaker 1: it's a real art in and of itself, right, And 554 00:34:25,040 --> 00:34:27,640 Speaker 1: like a lot of people that are first time background 555 00:34:27,640 --> 00:34:30,239 Speaker 1: people and they're in the diner and we're having a 556 00:34:30,280 --> 00:34:33,239 Speaker 1: big scene. You know, they're moving their mouths but they're 557 00:34:33,280 --> 00:34:39,680 Speaker 1: actually talking, and that's not good. Right of course you 558 00:34:39,719 --> 00:34:41,239 Speaker 1: can pick you can pick up and we can hear 559 00:34:41,239 --> 00:34:42,760 Speaker 1: it too. When we're trying to be in a scene. 560 00:34:42,760 --> 00:34:48,239 Speaker 1: It's like right, right, right, so the direct right, so 561 00:34:48,280 --> 00:34:51,440 Speaker 1: the director will go cut and they're banging their forks 562 00:34:51,440 --> 00:34:53,560 Speaker 1: on their plates and like really eating, and you're like, 563 00:34:53,680 --> 00:34:56,040 Speaker 1: the director comes out and say, guys, can you okay, 564 00:34:56,040 --> 00:34:59,320 Speaker 1: no sound coming out of your mouths and stop banging 565 00:34:59,680 --> 00:35:02,200 Speaker 1: the works on the plates And it's not like really eating. 566 00:35:02,200 --> 00:35:04,239 Speaker 1: You've gotta be real careful with the noises you make 567 00:35:04,280 --> 00:35:07,600 Speaker 1: because the sound picks up. The sound guy picks up everything, 568 00:35:07,920 --> 00:35:09,919 Speaker 1: and he'll be standing there with his arms shaking because 569 00:35:09,960 --> 00:35:12,279 Speaker 1: he's been doing it all day, and he'll just he'll 570 00:35:12,320 --> 00:35:14,560 Speaker 1: just drop a set and go, oh no, we gotta cut, 571 00:35:14,800 --> 00:35:16,560 Speaker 1: you know, And the director comes out and talks to 572 00:35:16,600 --> 00:35:18,279 Speaker 1: people and then they kind of get it. But some 573 00:35:18,280 --> 00:35:19,920 Speaker 1: people just do it through the whole day. They're like, 574 00:35:22,160 --> 00:35:24,399 Speaker 1: we need to get another Remember we had the one 575 00:35:24,440 --> 00:35:26,400 Speaker 1: background actor on. I think I just sent you a 576 00:35:26,400 --> 00:35:29,040 Speaker 1: TikTok from another one. Let's get another one on so 577 00:35:29,080 --> 00:35:34,040 Speaker 1: we can ask all our new questions. Okay, it's really 578 00:35:34,040 --> 00:35:36,319 Speaker 1: an art. I mean it's the sign of a great 579 00:35:36,400 --> 00:35:41,120 Speaker 1: director is directing background two. You know, watch watch If 580 00:35:41,160 --> 00:35:44,520 Speaker 1: you don't notice the background that's a great director. If 581 00:35:44,560 --> 00:35:49,000 Speaker 1: you notice them and there's too too obvious in the scene, 582 00:35:49,280 --> 00:35:52,080 Speaker 1: it's not good. So should I put this video on 583 00:35:52,120 --> 00:35:58,040 Speaker 1: my reel for my background acting audition? You should not. No, 584 00:35:58,520 --> 00:36:01,400 Speaker 1: you should lock that away a secret place that nobody 585 00:36:01,440 --> 00:36:03,439 Speaker 1: knows about and throw away the case. Should I stay 586 00:36:03,480 --> 00:36:06,560 Speaker 1: with podcasting even though people are like, I hate her, 587 00:36:07,200 --> 00:36:10,879 Speaker 1: this is your strength strength podcast. You do the podcasting. 588 00:36:11,000 --> 00:36:15,720 Speaker 1: Let that personality run amuck all over the place. Don't 589 00:36:15,760 --> 00:36:19,600 Speaker 1: try to silence don't try to silence yourself. It doesn't work. 590 00:36:20,320 --> 00:36:25,200 Speaker 1: I gave you, I gave you three shots. It was 591 00:36:25,239 --> 00:36:29,680 Speaker 1: actually really fun. You're too expressive. You're too expressive. Was 592 00:36:29,800 --> 00:36:33,759 Speaker 1: Riley good? I was so distracted by your bad backgrounding 593 00:36:33,840 --> 00:36:37,319 Speaker 1: that I didn't notice Riley, which so the answer is, yes, 594 00:36:37,760 --> 00:36:40,680 Speaker 1: Riley was really good. And that's not to say she's 595 00:36:40,680 --> 00:36:44,840 Speaker 1: a wallflower. Maybe she just kind of gets it. You know. 596 00:36:46,600 --> 00:36:48,080 Speaker 1: It's like when you felt like when you wanted to 597 00:36:48,160 --> 00:36:52,960 Speaker 1: leave a party and you're like someone's facing your like right, No, 598 00:36:53,280 --> 00:37:03,080 Speaker 1: it's not like, m oh, that was good. You had 599 00:37:03,080 --> 00:37:07,520 Speaker 1: to put that up on the Instagram. All you guys 600 00:37:07,520 --> 00:37:09,160 Speaker 1: don't know what it's like to be on a zoom. 601 00:37:09,200 --> 00:37:11,200 Speaker 1: I just keep looking it like I'm trying to get 602 00:37:11,200 --> 00:37:14,239 Speaker 1: skinnier in the zoom. The people that ask for the 603 00:37:14,280 --> 00:37:20,320 Speaker 1: full podcast, you're like sometimes I'm like all the whole podcast, 604 00:37:23,800 --> 00:37:25,680 Speaker 1: thank you so much everyone you asked for that, Like, 605 00:37:25,800 --> 00:37:29,360 Speaker 1: where can I watch it? It's just like, oh god, no, 606 00:37:29,960 --> 00:37:38,400 Speaker 1: look like oh gosh U. Next, we have a question 607 00:37:38,440 --> 00:37:41,080 Speaker 1: from Amelia. She says how long of a break was 608 00:37:41,120 --> 00:37:45,480 Speaker 1: there between filming seasons Alextion Alexis really matured between season 609 00:37:45,520 --> 00:37:47,640 Speaker 1: two finale and the first episode of season three, which 610 00:37:47,680 --> 00:37:50,720 Speaker 1: we'll see. Huh um, Well, it's just like high school. 611 00:37:51,000 --> 00:37:54,080 Speaker 1: You go, you go through your academic year, and then 612 00:37:54,120 --> 00:37:58,000 Speaker 1: you take summer vacation. It's the same same schedule. Christmas 613 00:37:58,040 --> 00:38:00,800 Speaker 1: breaks everything, Yeah, Thanksgiving a whole It's like being in 614 00:38:00,880 --> 00:38:04,240 Speaker 1: high school again, which is three months off an accurate depiction. 615 00:38:04,520 --> 00:38:06,839 Speaker 1: What's that? Yeah, and did you typically chill or did 616 00:38:06,840 --> 00:38:09,680 Speaker 1: you go and do like other projects? Uh? No, I was. 617 00:38:09,840 --> 00:38:13,440 Speaker 1: I was working a lot, not in the beginning, but 618 00:38:13,680 --> 00:38:18,120 Speaker 1: I saw now that was why was that? That was? 619 00:38:18,920 --> 00:38:23,560 Speaker 1: That was after season seven, the first one I did, 620 00:38:23,640 --> 00:38:26,400 Speaker 1: and that's when I found out. That's when I found 621 00:38:26,400 --> 00:38:29,960 Speaker 1: out the series was canceled. I was on the set 622 00:38:30,000 --> 00:38:32,680 Speaker 1: of Saul four up in Toronto and I got the 623 00:38:32,680 --> 00:38:36,239 Speaker 1: call from the manager. That must have not been a 624 00:38:36,360 --> 00:38:39,560 Speaker 1: fun call. I was busy working. I don't care, you know, 625 00:38:39,640 --> 00:38:41,719 Speaker 1: It's like, oh, well, I kind of knew it was 626 00:38:41,719 --> 00:38:45,080 Speaker 1: gonna get canceled anyway. I had some intel, you know, 627 00:38:45,160 --> 00:38:47,680 Speaker 1: I had my attorney do some intel. My attorney is 628 00:38:47,760 --> 00:38:52,680 Speaker 1: very connected. Yeah, he was warning me. He was saying, 629 00:38:52,719 --> 00:38:58,160 Speaker 1: it's not looking good. So next up. Sarah asked, there 630 00:38:58,200 --> 00:39:00,239 Speaker 1: was a lot of drinking on the show. Was any 631 00:39:00,280 --> 00:39:03,120 Speaker 1: of the real alcohol? I assume it's not, But what 632 00:39:03,200 --> 00:39:04,799 Speaker 1: would be used in place of it to make it 633 00:39:04,840 --> 00:39:08,080 Speaker 1: look like alcohol? It's, um, it's either well, let's see, 634 00:39:08,080 --> 00:39:11,719 Speaker 1: if you're drinking whiskey, then it's it's gosh, what is it? 635 00:39:11,719 --> 00:39:16,480 Speaker 1: It's coca cola. Yeah, if you're drinking it's water. It's 636 00:39:16,560 --> 00:39:19,839 Speaker 1: apple juices. Yeah, they use fruit juices. And I didn't 637 00:39:19,880 --> 00:39:23,120 Speaker 1: always hear that Alexis didn't drink coffee, so her coffee 638 00:39:23,200 --> 00:39:26,480 Speaker 1: mug was filled with Coca cola. She did drink, She 639 00:39:26,520 --> 00:39:30,960 Speaker 1: did drink Coca cola, yes, yeah, yeah, I always had 640 00:39:31,320 --> 00:39:36,240 Speaker 1: a very healthy carrot juice. Uh and sometimes coffee yeah, 641 00:39:36,520 --> 00:39:41,920 Speaker 1: oh really, uh huh. Yeah. They do love their cocktails 642 00:39:41,920 --> 00:39:44,800 Speaker 1: over at the Gilmore's. They do. That's kind of post. 643 00:39:44,880 --> 00:39:47,879 Speaker 1: That's when you wrap then we're just no. But even 644 00:39:47,920 --> 00:39:51,719 Speaker 1: always when they're Friday night dinner, there's always, you know, 645 00:39:51,760 --> 00:39:53,400 Speaker 1: the first thing they say is can I get you 646 00:39:53,400 --> 00:39:55,680 Speaker 1: a drink? Like they always have a cocktail at sure 647 00:39:55,760 --> 00:39:59,880 Speaker 1: at the Gilmore's Friday night. Yeah, they were not real cocktails. 648 00:40:00,719 --> 00:40:10,080 Speaker 1: Nobody's drinking on set six hours later yea from Gilmore's 649 00:40:10,160 --> 00:40:14,960 Speaker 1: Girls to Euphoria. There you go? There you sorry? Sorry, 650 00:40:16,520 --> 00:40:19,520 Speaker 1: all right. Our last question comes from Steph. What was 651 00:40:19,560 --> 00:40:21,600 Speaker 1: it like filming a finale? Did the cast do anything 652 00:40:21,680 --> 00:40:25,279 Speaker 1: special after wrapping each season? Yeah? There was always a 653 00:40:25,360 --> 00:40:27,440 Speaker 1: rap party. You know, there was a rap party and 654 00:40:27,480 --> 00:40:30,319 Speaker 1: it was fun. Sometimes it was on set, you know, 655 00:40:30,440 --> 00:40:32,480 Speaker 1: after we wrapped and then you know, hey, you know, 656 00:40:34,000 --> 00:40:36,080 Speaker 1: getting your street clothes and come on back and we're 657 00:40:36,080 --> 00:40:39,080 Speaker 1: gonna have some parties and that's what we do, you know. 658 00:40:39,320 --> 00:40:41,960 Speaker 1: Sometimes it was at a restaurant. Some was a restaurant. 659 00:40:42,000 --> 00:40:45,160 Speaker 1: Sometimes it was fun. Yeah, Scott, what would we have 660 00:40:45,280 --> 00:40:47,279 Speaker 1: to do and we don't have to do it yet? 661 00:40:47,320 --> 00:40:50,279 Speaker 1: Maybe it'll be for the season three rap party. What 662 00:40:50,320 --> 00:40:52,200 Speaker 1: would we have to do to get you to go 663 00:40:52,880 --> 00:40:59,520 Speaker 1: on the Warner Brothers tour with us to Gilmore? Are 664 00:40:59,560 --> 00:41:03,520 Speaker 1: you planning on doing that? Well, we're asking you what 665 00:41:03,560 --> 00:41:06,000 Speaker 1: would you have to do? Like, no, what would we 666 00:41:06,040 --> 00:41:07,440 Speaker 1: have to do to get you to go with us? 667 00:41:07,560 --> 00:41:10,480 Speaker 1: Or would you just do it? What do you mean? 668 00:41:10,840 --> 00:41:13,800 Speaker 1: You mean go on the Warner Brothers tour? Like like 669 00:41:14,320 --> 00:41:17,640 Speaker 1: be a tourist? You want me to go do that? 670 00:41:17,719 --> 00:41:20,359 Speaker 1: I'll do that. That will be fun. Do you want 671 00:41:20,360 --> 00:41:22,319 Speaker 1: do you want to do a podcast from the course 672 00:41:22,360 --> 00:41:24,920 Speaker 1: and we're going to film the whole thing. That's kind 673 00:41:24,920 --> 00:41:28,840 Speaker 1: of like that you the news is that your thing? No, 674 00:41:29,400 --> 00:41:32,120 Speaker 1: my news was just how everybody hates Christopher. But just 675 00:41:32,280 --> 00:41:36,719 Speaker 1: I have the idea. I'm gonna find out, like, can 676 00:41:36,760 --> 00:41:39,800 Speaker 1: you imagine we do the podcast and like you surprise 677 00:41:39,840 --> 00:41:43,800 Speaker 1: everybody on the tour. That would be fun. Okay Easton? 678 00:41:43,960 --> 00:41:46,480 Speaker 1: Is that Easton? So our engineer Easton just wrote in 679 00:41:46,520 --> 00:41:49,040 Speaker 1: the chat, Yes, that would be That would be a 680 00:41:49,040 --> 00:41:51,120 Speaker 1: lot of fun. That would be Jeff, you used to 681 00:41:51,160 --> 00:41:52,719 Speaker 1: work over there, and I'm gonna find out who I 682 00:41:52,840 --> 00:41:55,239 Speaker 1: hit up now. Oh, I can get I can make it. 683 00:41:55,360 --> 00:42:02,439 Speaker 1: I can call James over there, James right now. He'd 684 00:42:02,440 --> 00:42:05,160 Speaker 1: probably say yes right now while we're on the air. Totally. 685 00:42:05,280 --> 00:42:06,960 Speaker 1: Oh my god, Okay, we have to do that, Like 686 00:42:07,000 --> 00:42:11,640 Speaker 1: we'll do it this summer or something amazing. It would 687 00:42:11,640 --> 00:42:14,040 Speaker 1: be cool. That would be cool. We should do it 688 00:42:14,120 --> 00:42:17,600 Speaker 1: sooner rather than later. I might be going away. Oh, 689 00:42:17,640 --> 00:42:21,080 Speaker 1: I didn't want to ask if you remember, like I 690 00:42:21,080 --> 00:42:23,680 Speaker 1: can't remember our last episode of the one before there 691 00:42:23,680 --> 00:42:26,840 Speaker 1: was a phone call. Have we had any more phone calls? 692 00:42:26,920 --> 00:42:32,799 Speaker 1: We're negotiating. There's negotiations. Okay, then we'll do it. We'll 693 00:42:32,800 --> 00:42:34,239 Speaker 1: either do it right before, we'll do it when you 694 00:42:34,239 --> 00:42:36,279 Speaker 1: get back. We'll figure it out. Don't forget to bring 695 00:42:36,280 --> 00:42:38,759 Speaker 1: your microphone if you get that job. Yeah, yeah, no, 696 00:42:38,840 --> 00:42:42,640 Speaker 1: I'm gonna I have to bring all this stuff. Wait, Riley, 697 00:42:42,680 --> 00:42:45,120 Speaker 1: was that the last question? That was the last question? 698 00:42:45,280 --> 00:42:49,560 Speaker 1: Was so good? This is good, so good. Okay, we'll 699 00:42:49,560 --> 00:42:54,239 Speaker 1: do this again after season three. Absolutely, I'm gonna go 700 00:42:54,320 --> 00:42:56,360 Speaker 1: get some I'm gonna go send out my resume for 701 00:42:56,440 --> 00:43:01,399 Speaker 1: my background acting. Okay, don't print too many of them, 702 00:43:01,719 --> 00:43:08,920 Speaker 1: don't worry, you know. Yeah, great, maybe at and you 703 00:43:08,920 --> 00:43:16,040 Speaker 1: can have Scott go. I endorse this. I trained her 704 00:43:16,120 --> 00:43:18,640 Speaker 1: right daughter everything she knows about background. But I can't 705 00:43:18,680 --> 00:43:22,279 Speaker 1: believe that's so bad an you know it's a bad act. Look, no, 706 00:43:22,520 --> 00:43:27,319 Speaker 1: it's just too bigger personality. What are you gonna do? 707 00:43:27,640 --> 00:43:30,160 Speaker 1: You can't contain it. I'll have to go back to 708 00:43:30,200 --> 00:43:33,080 Speaker 1: my dreams of being a rock star. Then, really you 709 00:43:33,120 --> 00:43:35,440 Speaker 1: had dreams? Oh you know what I always wanted to be. 710 00:43:35,520 --> 00:43:37,080 Speaker 1: Not that anyone cares, but we're at the end of 711 00:43:37,080 --> 00:43:38,800 Speaker 1: the show. You would have been a good rock star. 712 00:43:39,480 --> 00:43:43,280 Speaker 1: I always My dream was to be James Taylor's backup singer. 713 00:43:43,680 --> 00:43:47,080 Speaker 1: Never a front man in the front. You have to 714 00:43:47,080 --> 00:43:50,759 Speaker 1: be you have to be a front front. You're the 715 00:43:50,800 --> 00:43:54,000 Speaker 1: front man. I'm just slightly back. Ryan Seacrest the front man. 716 00:43:54,080 --> 00:43:56,920 Speaker 1: I'm just back behind. Can you sing, though? I mean, 717 00:43:56,960 --> 00:44:01,120 Speaker 1: are you a singer? I mean, I'm not gonna lie. 718 00:44:01,200 --> 00:44:04,080 Speaker 1: In the sixth grade musical, I was Maria in the 719 00:44:04,120 --> 00:44:08,040 Speaker 1: Sound of Music. But I don't know, so bust bust out. 720 00:44:08,040 --> 00:44:11,440 Speaker 1: A couple of later, my brothers tell me I'm the 721 00:44:11,480 --> 00:44:13,520 Speaker 1: worst thinger they've ever heard. But then people give me 722 00:44:13,600 --> 00:44:16,759 Speaker 1: like singing parts. I'm like, man, I don't know. I've 723 00:44:16,800 --> 00:44:19,239 Speaker 1: got some songs. You know, we can go. We can 724 00:44:19,239 --> 00:44:21,560 Speaker 1: go out and play. We can go bust. You want 725 00:44:21,560 --> 00:44:25,360 Speaker 1: to go bust, let's go busking? What is that? That 726 00:44:25,400 --> 00:44:26,640 Speaker 1: means you go out in the street and you play 727 00:44:26,640 --> 00:44:30,960 Speaker 1: songs for stranger good Third Street promenade. Yes, I wonder 728 00:44:31,000 --> 00:44:33,560 Speaker 1: if we'd make money. It doesn't matter. We have our 729 00:44:33,600 --> 00:44:36,200 Speaker 1: hat out to get like a quarter here, donate everything, right, 730 00:44:36,680 --> 00:44:39,480 Speaker 1: of course. Yeah, so let's let's do it. If you 731 00:44:39,520 --> 00:44:44,440 Speaker 1: can sing, I'll stand there and play the guitar. We'll 732 00:44:44,480 --> 00:44:48,120 Speaker 1: talk about This is after your background career comes to 733 00:44:48,120 --> 00:44:50,120 Speaker 1: an end. After I get a lot of background work 734 00:44:50,160 --> 00:44:52,000 Speaker 1: and then our Warner Brothers, right, and then you retire 735 00:44:52,000 --> 00:44:54,800 Speaker 1: to dominate a duet on the Warner Brothers tour of 736 00:44:54,840 --> 00:44:58,839 Speaker 1: the theme song between you two. Yeah, I guess that's 737 00:44:58,840 --> 00:45:00,319 Speaker 1: why I can't do it again. You can. As for 738 00:45:00,360 --> 00:45:02,120 Speaker 1: a background person, You're getting a star on the Walk 739 00:45:02,160 --> 00:45:05,200 Speaker 1: off the Walk of Fame. It's on it's in Pacoima. 740 00:45:05,480 --> 00:45:08,520 Speaker 1: It's on Third Street up in Pacoima. That's where the 741 00:45:08,719 --> 00:45:15,480 Speaker 1: that is so une Okay, So now everybody was serious. 742 00:45:16,040 --> 00:45:19,720 Speaker 1: Season three, Episode one next week, So everybody get ready. 743 00:45:19,800 --> 00:45:22,759 Speaker 1: Get ready, everybody, because we're boning up. I mean, we're 744 00:45:22,800 --> 00:45:25,680 Speaker 1: watching the heck out of this episode and we're going 745 00:45:25,760 --> 00:45:28,600 Speaker 1: to slice and dice it. Hi, everybody, Thanks so much. 746 00:45:29,400 --> 00:45:32,560 Speaker 1: Danielle Amy, We're Danielle never came back, but thanks Danie 747 00:45:34,239 --> 00:45:37,680 Speaker 1: emergency Riley, good seeing everybody. Thank you Amy, That's what 748 00:45:37,800 --> 00:45:40,239 Speaker 1: this was a blast. We should do. This is really 749 00:45:40,280 --> 00:45:43,640 Speaker 1: a lot of fun. Um and thanks everybody for downloading. 750 00:45:43,640 --> 00:45:45,920 Speaker 1: Best fans on the planet. Love you all, and uh 751 00:45:46,000 --> 00:46:17,920 Speaker 1: we will see you next time. Stay saving ya, hey everybody, 752 00:46:17,920 --> 00:46:21,239 Speaker 1: and don't forget follow us on Instagram at I Am 753 00:46:21,320 --> 00:46:25,319 Speaker 1: all In podcast, and email us at Gilmore at I 754 00:46:25,520 --> 00:46:28,839 Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're 755 00:46:28,840 --> 00:46:30,720 Speaker 1: looking for the best cup of coffee in the world, 756 00:46:30,760 --> 00:46:34,680 Speaker 1: go to my website for my company, scott EP dot com. 757 00:46:34,800 --> 00:46:37,000 Speaker 1: S C O T. T y P dot com, scott 758 00:46:37,000 --> 00:46:47,920 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.