WEBVTT - You Weren't Babbling (S2, E17 "Dead Uncles and Vegetables")

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<v Speaker 1>I am all in Want kiss you. I am all

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<v Speaker 1>in with Scott Patterson and I Heart Radio Podcast. Hey everybody,

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<v Speaker 1>Scott Patterson, we are back for another podcast. I Am

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<v Speaker 1>all in my Heart Radio one eleven Productions and Riley

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<v Speaker 1>Take it Away, Episode seventeen, Dead Uncles and Vegetables. Give

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<v Speaker 1>us your synopsis. That's right in air date April six two.

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<v Speaker 1>Luke's uncle Louis passed away and Lorel helps out helps

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<v Speaker 1>out at the diner. Emily gets too involved in Sukie's

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<v Speaker 1>wedding planning, and Taylor gets worked up over a farmer's

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<v Speaker 1>market opening in the town square. What an episode, Good lord,

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<v Speaker 1>I am going to have to write off the bat

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<v Speaker 1>recuse myself from opining from the Luke stuff. Really? Why?

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<v Speaker 1>Because I was nauseous watching it? Because I can't watch

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<v Speaker 1>myself really, so you found this particularly hard to watch?

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<v Speaker 1>For for when I was on screen most of the time. Yes,

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<v Speaker 1>I thought it was the best part of the whole episode. Okay,

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<v Speaker 1>so that's why I'm recusing myself. You guys, do you

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<v Speaker 1>know I'm gonna I'm gonna opine on everything else. I'm

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<v Speaker 1>not gonna interject on Luke. Okay, that's fine, And I'm

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<v Speaker 1>actually I want to question you. I want to pepper

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<v Speaker 1>y'all with questions about the dynamic between Luke and Laurel

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<v Speaker 1>I because you know, I perceive it one way and

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<v Speaker 1>maybe you're perceiving in another way, and I know the

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<v Speaker 1>audience is responding in a favorable way. But to me,

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<v Speaker 1>it was just I just I just cringe when I

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<v Speaker 1>when I act, I just it's like stunned right now

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<v Speaker 1>because to me, with some of your best work, I

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<v Speaker 1>don't know, I saw them falling in love even more.

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<v Speaker 1>I just listen. For me, this was just more proof

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<v Speaker 1>of the glory of Lauren Graham. Okay, I mean, what

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<v Speaker 1>a delightful presence on screen. And let me tell you something.

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<v Speaker 1>Another thought popped into my little head when I was

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<v Speaker 1>watching this episode. You could inject Lauren Graham into just

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<v Speaker 1>about any nineteen sixties or nineteen seventies series and she

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<v Speaker 1>would have. She could have been in Bewitched. She could

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<v Speaker 1>have been the lead in Bewitched. She she rivals Elizabeth

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<v Speaker 1>Montgomery energy and and and lightness and skill and and

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<v Speaker 1>and and you know she wasn't. Her comedy in this

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<v Speaker 1>episode was more subtle than everything because she was so

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<v Speaker 1>busy doing stuff. But it was so nuanced and so great.

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<v Speaker 1>But she was being such a great friend, and she

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<v Speaker 1>was being so charming, and she was so easy to watch,

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<v Speaker 1>and it was just, oh, my goodness, I'm just very

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<v Speaker 1>surprised that you're having a hard time watching your self

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<v Speaker 1>and if you look, I don't want to talk about

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<v Speaker 1>that crap already talked about. I want to talk about

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<v Speaker 1>all right, did this episode bother you in quotes more

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<v Speaker 1>than others? Harder to watch yourself in this? Yeah? Wow? Okay, Yeah,

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<v Speaker 1>it was just too much Luke for me. It was like,

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<v Speaker 1>it's enough, what you know, the guy died and the

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<v Speaker 1>whole thing, and finally we'll talk about you like you're

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<v Speaker 1>not here, because I not like I'm not here. I'm here. Okay,

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<v Speaker 1>I will remind you of that fact. I am here.

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<v Speaker 1>I loved the Luke stuff, but it's just like I was.

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<v Speaker 1>I was so relieved to seem smile at the end.

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<v Speaker 1>It was like, finally a smile. It's just I don't know,

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<v Speaker 1>go ahead, do your thing. Look great episode, by the way,

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<v Speaker 1>A great episode, Okay, despite how I feel about watching myself. Um,

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<v Speaker 1>but I just thought the writing was snappy and funny

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<v Speaker 1>and great, and I loved all the Suki stuff and

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<v Speaker 1>the and you know, and Lauren just killed this episode.

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<v Speaker 1>She just killed this episode. Man, I want to Riley,

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<v Speaker 1>I mean, give us some Luke talk. Unpopular opinion was

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<v Speaker 1>not my favorite episode. Yeah, I'm sorry, guys, I'm sorry.

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<v Speaker 1>I texted Amy and I was like, oh, this Gilmore

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<v Speaker 1>Girls episode is in my favorite And then like five

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<v Speaker 1>minutes later, with like the last fIF two minutes of

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<v Speaker 1>the episode, I was like, Okay, it's good. It's good.

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<v Speaker 1>It's good. For the first half, I was just kind

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<v Speaker 1>of like, do do do do? I don't know, because

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<v Speaker 1>because you know, Gilmore doesn't really deal with death. You

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<v Speaker 1>don't see you next, you don't. It's maybe maybe a

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<v Speaker 1>Cinnamon's wake and it's a funny thing and all poor

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<v Speaker 1>Carrot and everybody's but it's like he's we're dealing with

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<v Speaker 1>death here in a real way. That show doesn't do that.

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<v Speaker 1>It turned around for me when Emily was in the

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<v Speaker 1>diner with Laurel and she was just like, this is

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<v Speaker 1>your this is your goat, your dude, you know. I

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<v Speaker 1>was like, I'm ready, I'm back. I thought it was

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<v Speaker 1>a phenomenal town meeting phenomenal, absolutely, absolutely phenomenal, short and sweet.

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<v Speaker 1>I remember we didn't have to be there all day.

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<v Speaker 1>I guess here's what I'm gonna say. First of all,

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<v Speaker 1>I agree with you completely about Lauren. I am such

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<v Speaker 1>a Laura Lae lover, like I just love everything about her,

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<v Speaker 1>and to me, Laura Lee and Lauren are the same person.

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<v Speaker 1>But I am a huge fan of Luke. I find

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<v Speaker 1>him to be so much fun to watch. And I

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<v Speaker 1>use the word fun loosely because it's like he's clever,

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<v Speaker 1>he's sexy, he's funny, he's grouchy, he's just I love

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<v Speaker 1>that guy. I love Luke Dane so to me, because

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<v Speaker 1>this was a predominantly Luke episode, maybe that's why I

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<v Speaker 1>I liked it from start to finish. I agree the

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<v Speaker 1>second half was better than the first half, but the

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<v Speaker 1>first half, to me was also awesome. I don't know.

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<v Speaker 1>I just think there's um, I don't know. Let's the

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<v Speaker 1>way I want to discuss this is, let's take it,

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<v Speaker 1>you know, couples at a time. Because it's Suki Jackson,

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<v Speaker 1>it's Laura, la Luke, it's Rory jess Right, it's it's

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<v Speaker 1>it's it's it's Lauren I'm sorry. It's it's god, what

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<v Speaker 1>is her? Laura Lae and Emily, It's yeah, yeah, yeah,

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<v Speaker 1>you're all those dynamics right, And I and I thought

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<v Speaker 1>they I thought when the when they played on the

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<v Speaker 1>lightness of the comedy was lighter here, it wasn't so laden,

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<v Speaker 1>it wasn't so heavy. It wasn't so my mother is

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<v Speaker 1>getting all my nerves so much. I mean, the first

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<v Speaker 1>scene started out that way, but it was light and

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<v Speaker 1>kind of funny, and she's leaving the messages and all

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<v Speaker 1>that kind of stuff, the overbearing grading mother, sure and

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<v Speaker 1>her and her responses to it were funny and fabulous

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<v Speaker 1>and all that stuff until she went up the stairs

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<v Speaker 1>and said that comment about her ears. But throughout it

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<v Speaker 1>it was like it was Laura La kind of skipping away,

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<v Speaker 1>and you know, they were showing, the creators were showing

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<v Speaker 1>that she has this protective armor of this town. She's

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<v Speaker 1>busy with her real world life, the life that she wanted,

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<v Speaker 1>the life that she fought for. She ran away from

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<v Speaker 1>from Hartford and all of that stuffiness and all of

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<v Speaker 1>that privilege and money to come here. And this is

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<v Speaker 1>what you're seeing here, people at their best, Because Luke,

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<v Speaker 1>you know a townsperson has had a loss and they're

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<v Speaker 1>all going to rally, and why did she rally for Luke?

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<v Speaker 1>And I just I just fell so more and more

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<v Speaker 1>in love with her character. Like what an outstanding episode

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<v Speaker 1>for Laura La. I mean, I think she could murder

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<v Speaker 1>people from here on out, I'd still love her because

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<v Speaker 1>what gods, what a friend? I mean, what a friend? Friend?

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<v Speaker 1>She's a friend to you, and she's also willing to

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<v Speaker 1>stand up to her mom to help out Jackson and Suki,

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<v Speaker 1>Like she's a loyal friends Like mom, you don't understand

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<v Speaker 1>what real life is all about and what loving other

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<v Speaker 1>people is about, and opening your heart to an entire

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<v Speaker 1>community of people is about. Where their status is not involved,

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<v Speaker 1>money is not involved. It's real feelings, it's real values,

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<v Speaker 1>you know. It's like treating people well no matter what

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<v Speaker 1>stational life they're from. And you are the opposite that.

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<v Speaker 1>I mean, she walks in the diner with her you know,

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<v Speaker 1>her designer clothes on and her attitude, and she's always

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<v Speaker 1>I think we're wanting to help. Suki did come from

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<v Speaker 1>a good place, although she was living vicariously through Suki

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<v Speaker 1>of what she wanted for Lorelai she just is like

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<v Speaker 1>doesn't get reality and how rich she is and how

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<v Speaker 1>regular these guys are. Right, that was the big disconnect,

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<v Speaker 1>and it was kind of shocking that Laura La had

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<v Speaker 1>to explain that to her. It was really shocking. It's like,

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<v Speaker 1>do you understand the money that I mean, what do

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<v Speaker 1>you think that wedding would have cost? By the way easily?

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<v Speaker 1>M h easily and the wedding they probably can afford,

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<v Speaker 1>and that's a lot of money. Like I was watching

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<v Speaker 1>h G TV last night and it was this show

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<v Speaker 1>where they planned their wedding and buy a house at

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<v Speaker 1>the same time, and the wedding for ten dollars maybe fifteen,

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<v Speaker 1>you can have a really beautiful wedding. I mean not

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<v Speaker 1>a lot of alcohol, but yet not a lot of bows,

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<v Speaker 1>but you know byl me um. But yeah, anyway, I

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<v Speaker 1>just that was very That really stuck out for me

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<v Speaker 1>is how out of touch she is with the real world.

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<v Speaker 1>Her take on why she was getting so invested in

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<v Speaker 1>Suki's wedding, well, I think I think Lorela explained it

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<v Speaker 1>best at the end. You weren't planning her wedding, you

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<v Speaker 1>were planning my wedding, and which just shows you how

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<v Speaker 1>unconscious Emily is or how deeply ingrained her her trauma

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<v Speaker 1>is as the breakup with her her own daughter and

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<v Speaker 1>losing her own daughter, and she's still in in in

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<v Speaker 1>deep down. She's trying to win her back somehow, and

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<v Speaker 1>this is how she's doing it. She wants to do,

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<v Speaker 1>but she's it's also for selfish reason. She's doing it

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<v Speaker 1>for herself as well. She needs to do this thing.

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<v Speaker 1>Emily is just she's so I don't know, she's just

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<v Speaker 1>so chained down with all of her issues and all

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<v Speaker 1>of her traditions and all of her money and all.

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<v Speaker 1>I mean, it's just waging. You could really feel the

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<v Speaker 1>weight of all that in this episode where it was like, man,

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<v Speaker 1>how do you get through to this woman? What do

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<v Speaker 1>you don't mind? When you said that, I had a

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<v Speaker 1>total aha moment. She's not a board and writing his

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<v Speaker 1>board and just jonesing for something to do with her

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<v Speaker 1>skill set, which is like she's got skilled in this

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<v Speaker 1>extravagant wedding, but she's bored, so she just glombs onto

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<v Speaker 1>it in me imdiately right. And this is the first

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<v Speaker 1>time I and there have been other times, but this

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<v Speaker 1>it was really glaring. In this episode She's jealous of

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<v Speaker 1>Laurelized life. She's jealous of the freedom she has. She's

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<v Speaker 1>jealous of her friends. She's jealous of the variety of

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<v Speaker 1>friends she has. She's jealous of all of that life.

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<v Speaker 1>And I think she's questions. You know, maybe Emily. I

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<v Speaker 1>don't think Emily would ever question you know, her own

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<v Speaker 1>life and her choices, and you know, she's the Queen

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<v Speaker 1>of Hartford and all that. But you know, she when

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<v Speaker 1>she comes to her stars Hollow, she's triggered because of

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<v Speaker 1>what she's missing in her life. She sees Laurela having

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<v Speaker 1>in her life. That's such a good point. She's jealous

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<v Speaker 1>of how busy Lorela is and how her laurea La

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<v Speaker 1>has a lot going on, not just like physically she's

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<v Speaker 1>gotta do this, she gotta go here, she's got all

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<v Speaker 1>these friends, but she stimulated. Lore La is planning this

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<v Speaker 1>or taking care of that. Like she's got things she's

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<v Speaker 1>thinking about and doing and ranting a business and all

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<v Speaker 1>these things. But I don't think Emily, you know, let me,

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<v Speaker 1>let me, let me go, let me walk this back

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<v Speaker 1>a little bit. I don't think for a minute that

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<v Speaker 1>Emily looks at Laurela because I just said, oh, maybe

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<v Speaker 1>she's a little jealous. But I don't think for a minute,

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<v Speaker 1>let me correct this. I don't think for a minute

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<v Speaker 1>that Emily looks at Laurela and and let me put

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<v Speaker 1>her down other way. I'm having trouble expressing this. I

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<v Speaker 1>think she's still pities Laureli. I think that she looks

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<v Speaker 1>at Laurel I and says, you have no idea what

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<v Speaker 1>you walked away from because I would never walk away

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<v Speaker 1>from that, and no woman in their right mind would

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<v Speaker 1>walk away from something like this, because this is how

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<v Speaker 1>life is supposed to be lived at this level. And

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<v Speaker 1>I think every little success that Laurela has, she minimizes.

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<v Speaker 1>She puts it down. Um. She she's very condescending about

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<v Speaker 1>it because it's in this little town and these little

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<v Speaker 1>goals and little little stuff, and it's like, what happened

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<v Speaker 1>to my daughter? I don't recognize my daughter. But if

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<v Speaker 1>you're Emily and you're looking at Laurela, your d her,

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<v Speaker 1>what are you seeing? You're seeing a tall, beautiful, intelligent,

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<v Speaker 1>motivated woman who's doing a great job at her end.

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<v Speaker 1>She's doing a great job obviously raising her kid, but

0:13:13.880 --> 0:13:16.920
<v Speaker 1>you still feel sorry for because she's in that town,

0:13:17.040 --> 0:13:20.240
<v Speaker 1>and she's not living the high life at the Squiss

0:13:20.320 --> 0:13:25.199
<v Speaker 1>Swiss chalet in the winter and then starts in the summer. Right,

0:13:25.800 --> 0:13:28.240
<v Speaker 1>she's still looking down her nose at her She'll always

0:13:28.240 --> 0:13:31.160
<v Speaker 1>look down her No, she'll never she'll never understand her

0:13:31.160 --> 0:13:34.360
<v Speaker 1>own daughter, who would want a CD player and the

0:13:34.480 --> 0:13:36.920
<v Speaker 1>risk that the person in charge of the CD player

0:13:36.960 --> 0:13:39.839
<v Speaker 1>doesn't know when to turn it off or on when

0:13:39.880 --> 0:13:42.800
<v Speaker 1>you could have a string quartet. So it's like you

0:13:42.880 --> 0:13:47.200
<v Speaker 1>make it, You're saying, it's so accurately that she why

0:13:47.200 --> 0:13:50.000
<v Speaker 1>would you want this when you can have this? And

0:13:50.160 --> 0:13:52.400
<v Speaker 1>she's just so befuddled by the fact that lor like

0:13:52.720 --> 0:13:58.520
<v Speaker 1>chooses stars hollow and she can't, you know, she can't

0:13:58.520 --> 0:14:00.720
<v Speaker 1>reconcile with the fact that she had anything to do

0:14:00.800 --> 0:14:04.160
<v Speaker 1>with that. So she's got to say, my crazy daughter,

0:14:04.360 --> 0:14:06.559
<v Speaker 1>My daughter is a little nuts. So there's something wrong

0:14:06.600 --> 0:14:08.640
<v Speaker 1>with her because it can't be me. It can't be

0:14:08.720 --> 0:14:11.960
<v Speaker 1>my fault. You know, it's not Richard and I, it's

0:14:11.960 --> 0:14:14.120
<v Speaker 1>not how we raised her. She's an only child. We

0:14:14.160 --> 0:14:19.040
<v Speaker 1>gave her everything, and she just can't let off the

0:14:19.080 --> 0:14:23.320
<v Speaker 1>gas pedal that you know well so well said, Yeah,

0:14:23.600 --> 0:14:26.200
<v Speaker 1>I don't think it's gonna happen. That's the tension. That's

0:14:26.240 --> 0:14:31.280
<v Speaker 1>the tension between the two characters. It's wonderful. It's wonderful conceived, yes,

0:14:31.400 --> 0:14:35.600
<v Speaker 1>because I understand. I mean, if I was told you

0:14:35.640 --> 0:14:40.640
<v Speaker 1>can live here at the Gilmore's right by Chiltern, or

0:14:40.760 --> 0:14:44.360
<v Speaker 1>you can live in stars Hollow, there is something so

0:14:44.440 --> 0:14:49.480
<v Speaker 1>appealing to me about stars Hollow. But to Emily, she's

0:14:49.560 --> 0:14:53.680
<v Speaker 1>like totally shocked by that. Why would you ever live

0:14:53.680 --> 0:14:58.760
<v Speaker 1>in stars Hollow when you can live here. Laurla has

0:14:58.800 --> 0:15:03.440
<v Speaker 1>a soul, she's got real feelings, and she's like, you know,

0:15:03.600 --> 0:15:07.600
<v Speaker 1>she could probably couldn't believe. And again we didn't see

0:15:07.640 --> 0:15:11.240
<v Speaker 1>those scenes. Gilmore Girls is not you know, it's not

0:15:11.280 --> 0:15:13.560
<v Speaker 1>a prequel. If maybe there should be a prequel and

0:15:15.640 --> 0:15:18.480
<v Speaker 1>love it right, but I mean, can you imagine how

0:15:18.560 --> 0:15:21.960
<v Speaker 1>she viewed her parents, and especially her mother back in

0:15:22.000 --> 0:15:24.760
<v Speaker 1>the day when she was getting when she told her mother,

0:15:24.800 --> 0:15:28.600
<v Speaker 1>I imagine those scenes, Mom, I'm pregnant. How Emily found

0:15:28.600 --> 0:15:32.920
<v Speaker 1>out my god? Can you imagine that? And um, I

0:15:32.960 --> 0:15:36.640
<v Speaker 1>think she saw a side of her mother that made

0:15:36.640 --> 0:15:40.040
<v Speaker 1>her just I want to be a different person, maybe

0:15:40.080 --> 0:15:42.360
<v Speaker 1>even change your name and dropped the Gilmore and like

0:15:42.480 --> 0:15:45.760
<v Speaker 1>you you're a monster. How what kind of human being

0:15:45.800 --> 0:15:49.360
<v Speaker 1>are you to react this way? And what had nothing

0:15:49.400 --> 0:15:51.560
<v Speaker 1>to do with it? Just Emily tough. And I don't

0:15:51.560 --> 0:15:53.480
<v Speaker 1>mean that in the complimentary way that I did when

0:15:53.520 --> 0:15:56.720
<v Speaker 1>I say it about lor lia I. It was glaring

0:15:56.840 --> 0:16:00.160
<v Speaker 1>in the episode the week before when Emily law Ster

0:16:00.560 --> 0:16:03.480
<v Speaker 1>Noodle at the end and turned it all on lower Lie.

0:16:03.600 --> 0:16:07.120
<v Speaker 1>So you can only imagine that growing up that happened

0:16:07.160 --> 0:16:10.960
<v Speaker 1>all the time. And I think Laurel I learned how

0:16:11.000 --> 0:16:14.600
<v Speaker 1>to be iconoclastic and rebellious because her mother was so rigid,

0:16:14.640 --> 0:16:18.120
<v Speaker 1>and she's really good at being a cool iconoclastic check.

0:16:18.200 --> 0:16:22.800
<v Speaker 1>I mean, she's really a hip, cool girl, right. I

0:16:22.800 --> 0:16:25.160
<v Speaker 1>mean she's got all those comebacks, she's got all that

0:16:25.520 --> 0:16:28.080
<v Speaker 1>quick pattern, she's got all that stuff. I mean, she's

0:16:28.120 --> 0:16:31.200
<v Speaker 1>just such a great character. Now, what do you think

0:16:31.200 --> 0:16:36.000
<v Speaker 1>about that? This is the second time that Emily fully

0:16:36.080 --> 0:16:40.640
<v Speaker 1>knows that Luke and Lorelei are in love, second time

0:16:40.880 --> 0:16:44.080
<v Speaker 1>and she said it again. What do you think of that?

0:16:45.600 --> 0:16:47.920
<v Speaker 1>I don't know. I think it was the weakest part

0:16:47.960 --> 0:16:50.440
<v Speaker 1>of the script. I think it was the weakest part

0:16:50.640 --> 0:16:54.640
<v Speaker 1>because it was just so I mean, you could either

0:16:54.760 --> 0:16:58.400
<v Speaker 1>see it coming a mile away, or it wasn't even necessary.

0:16:59.240 --> 0:17:01.400
<v Speaker 1>It could have gone said, and the fact that she

0:17:01.520 --> 0:17:05.960
<v Speaker 1>got into it, well, you know, don't you. It's just like, Okay,

0:17:06.119 --> 0:17:08.080
<v Speaker 1>you know, we know that they're hitting us over the

0:17:08.080 --> 0:17:09.880
<v Speaker 1>head with this gain. I know you have to do

0:17:09.920 --> 0:17:12.360
<v Speaker 1>it because you want to forward that narrative. And though

0:17:12.720 --> 0:17:15.080
<v Speaker 1>I just listen, like I said, I'm going to be

0:17:15.160 --> 0:17:19.680
<v Speaker 1>off on these uh analyzes of this storyline, So I'm

0:17:19.680 --> 0:17:22.680
<v Speaker 1>going to recuse myself. Danielle, what did you like? Yeah,

0:17:23.200 --> 0:17:25.960
<v Speaker 1>I said it earlier. That was my favorite scene. Really,

0:17:26.080 --> 0:17:28.480
<v Speaker 1>it's yeah, that was my favorite scene. That's when it

0:17:28.840 --> 0:17:35.560
<v Speaker 1>the episode changed for me. Yeah, I I appreciate what

0:17:35.600 --> 0:17:37.800
<v Speaker 1>you're saying and that it was hitting us over the head.

0:17:38.640 --> 0:17:41.320
<v Speaker 1>But for me, it's like, yeah, you go, girl, you

0:17:41.400 --> 0:17:46.040
<v Speaker 1>tell them like and just that Emily always knew, so

0:17:46.160 --> 0:17:49.439
<v Speaker 1>like when push comes to shove down the road and

0:17:49.480 --> 0:17:54.399
<v Speaker 1>you are together, it's like, yes, she knew, a mother knows.

0:17:55.080 --> 0:17:56.600
<v Speaker 1>It was a little I know, but it was a

0:17:56.600 --> 0:17:58.159
<v Speaker 1>little much for me. I mean, it was kind of

0:17:58.760 --> 0:18:01.120
<v Speaker 1>I just would rather have left it alone because Laurel

0:18:01.240 --> 0:18:04.240
<v Speaker 1>I was acting. I mean, she was so energized and

0:18:04.280 --> 0:18:06.800
<v Speaker 1>so happy to be in that position, and it's probably

0:18:06.840 --> 0:18:08.159
<v Speaker 1>because it was a change of pace and it was

0:18:08.200 --> 0:18:09.720
<v Speaker 1>a different kind of job she was doing, and she

0:18:09.760 --> 0:18:11.800
<v Speaker 1>was having a lot of fun with the language. And

0:18:12.080 --> 0:18:14.159
<v Speaker 1>you know, float the boat and wreck them and all

0:18:14.280 --> 0:18:16.440
<v Speaker 1>you know whatever it put it on a pink stick

0:18:16.480 --> 0:18:20.280
<v Speaker 1>and scramble them or whatever. Can you read Scott all

0:18:20.320 --> 0:18:24.320
<v Speaker 1>the lingo? I guess so, I sure can. So we

0:18:24.359 --> 0:18:26.800
<v Speaker 1>have an Adam and Eve on a raft and Wreckham's too,

0:18:26.800 --> 0:18:29.600
<v Speaker 1>scrambled eggs on toast, burn one. Then pass me a

0:18:29.640 --> 0:18:31.840
<v Speaker 1>pink stick and throw some mud on it. Hamburger with

0:18:31.840 --> 0:18:35.000
<v Speaker 1>strawberry ice cream with chocolate sauce, Hot blond with sand

0:18:35.080 --> 0:18:37.440
<v Speaker 1>is coffee with cream and sugar. Make sure it's foot

0:18:37.480 --> 0:18:40.440
<v Speaker 1>out the doors to go a wimpy with a rosepin

0:18:40.600 --> 0:18:43.680
<v Speaker 1>on it is a turkey burger with onions. I heard

0:18:43.720 --> 0:18:47.600
<v Speaker 1>of bulls shopping for China are customers. And then Laura

0:18:47.640 --> 0:18:49.920
<v Speaker 1>La goes on a piggy piggy with a green blanket

0:18:50.880 --> 0:18:52.800
<v Speaker 1>and then gives up because it was a baalty with

0:18:52.840 --> 0:18:56.600
<v Speaker 1>nobody right right, right, right right. I mean it's the

0:18:56.640 --> 0:18:59.000
<v Speaker 1>little details of this show that just grab you. I mean,

0:18:59.200 --> 0:19:04.640
<v Speaker 1>all that little office so great, it's so great, um,

0:19:04.640 --> 0:19:08.639
<v Speaker 1>but I've never seen laurel Ee so supportive and loving

0:19:08.680 --> 0:19:12.359
<v Speaker 1>and happy in that role and just so light on

0:19:12.400 --> 0:19:15.800
<v Speaker 1>her feet and so graceful about the whole thing. And

0:19:15.840 --> 0:19:20.320
<v Speaker 1>I just was wild by that performance at the funeral. Yes,

0:19:20.480 --> 0:19:25.480
<v Speaker 1>she's she teared up. Yeah, man, she's feeling it. I

0:19:25.480 --> 0:19:31.040
<v Speaker 1>mean she's like, she doesn't know your uncle? Who know you?

0:19:31.800 --> 0:19:40.439
<v Speaker 1>So it's all about Luke? Yeah? So why? Okay, So okay,

0:19:40.480 --> 0:19:43.040
<v Speaker 1>I will get into this discussion. Let's let's get into

0:19:43.080 --> 0:19:46.520
<v Speaker 1>this film, this this analytical discussion as to what she

0:19:46.640 --> 0:19:49.199
<v Speaker 1>sees in him? Why him? Why do you think she

0:19:49.280 --> 0:19:53.160
<v Speaker 1>likes him so much? If she does, I'm not assuming

0:19:53.160 --> 0:19:55.120
<v Speaker 1>that she does. I'm seeing that she kind of does.

0:19:55.160 --> 0:19:59.040
<v Speaker 1>And he obviously is nuts about her. But do you

0:19:59.080 --> 0:20:05.120
<v Speaker 1>think she feels anyway? And why why he's a loner? Malcontent,

0:20:05.960 --> 0:20:09.560
<v Speaker 1>he's grumpy, he's all this stuff, and and so is

0:20:09.600 --> 0:20:12.719
<v Speaker 1>that like you know, for somebody like Laurelize, that just

0:20:12.880 --> 0:20:15.800
<v Speaker 1>he just needs he just needs a little love. He

0:20:15.920 --> 0:20:18.000
<v Speaker 1>just needs some hugs, and he needs he needs a

0:20:18.000 --> 0:20:20.840
<v Speaker 1>little attention. I'm holding my tongue till after that. Alright,

0:20:20.880 --> 0:20:24.399
<v Speaker 1>go ahead, guys, Hey, here's my perspective. He lets her

0:20:24.560 --> 0:20:30.440
<v Speaker 1>be exactly who she isantastic state, nothing like loyal, Lize

0:20:30.440 --> 0:20:33.160
<v Speaker 1>loy ly, and Luke likes lore Ly and doesn't want

0:20:33.160 --> 0:20:38.000
<v Speaker 1>to change anything. I from a female perspective, like, I

0:20:38.040 --> 0:20:43.560
<v Speaker 1>think that's why perfect so he so he she goes

0:20:43.640 --> 0:20:47.840
<v Speaker 1>with the flow and is her self true self when

0:20:47.880 --> 0:20:53.160
<v Speaker 1>she's with him, exactly. Yeah, and that's you can't beat

0:20:53.280 --> 0:20:56.360
<v Speaker 1>yourself around that many people. So I think there's there's

0:20:56.440 --> 0:20:59.840
<v Speaker 1>something there that's my dig on it. Okay, Riley, what's

0:20:59.840 --> 0:21:05.399
<v Speaker 1>your still holding my tongue? And I think that he

0:21:05.560 --> 0:21:08.520
<v Speaker 1>is the constant and stability that she needs and wants.

0:21:08.560 --> 0:21:10.640
<v Speaker 1>Like with Emily, she never knows what she's gonna get.

0:21:10.760 --> 0:21:12.960
<v Speaker 1>She know, she's back and forth. I think with Luke

0:21:13.080 --> 0:21:15.560
<v Speaker 1>she's like, I know his temperament. I know he's gonna

0:21:15.560 --> 0:21:17.199
<v Speaker 1>be there for me. I know that he you know,

0:21:17.480 --> 0:21:20.040
<v Speaker 1>is my friend and that he's he's there. I think

0:21:20.080 --> 0:21:23.040
<v Speaker 1>that's what she loves about him. She sees beyond the personality,

0:21:23.119 --> 0:21:27.439
<v Speaker 1>the grumpiness that apparently the shut off, closed off person

0:21:27.480 --> 0:21:31.520
<v Speaker 1>emotionally disconnected. He's rolling her eyes. Yes, I agree with

0:21:31.560 --> 0:21:35.000
<v Speaker 1>everything you're saying. But also, and Scott, I don't know

0:21:35.000 --> 0:21:38.280
<v Speaker 1>if you need to plug your ears, but Luke Danes

0:21:39.000 --> 0:21:44.879
<v Speaker 1>is it sexy hatty dude with the dreamy blue eyes

0:21:45.400 --> 0:21:51.680
<v Speaker 1>and the freaking awesomeness, Like, I I'm sorry, I love Luke.

0:21:51.920 --> 0:21:55.119
<v Speaker 1>I love the look of Luke. Sorry because I know

0:21:55.240 --> 0:21:58.840
<v Speaker 1>you're Luke. But it's also like I love his vibe.

0:21:58.840 --> 0:22:01.080
<v Speaker 1>I love his walk, I of how he moves, I

0:22:01.160 --> 0:22:04.879
<v Speaker 1>love his funny quips. I love he's just that dude's

0:22:04.880 --> 0:22:08.080
<v Speaker 1>a stunt. Of course, the whole town has a crush

0:22:08.119 --> 0:22:09.719
<v Speaker 1>on Luke. What are you talking about? You don't think

0:22:09.760 --> 0:22:12.439
<v Speaker 1>Miss Patty also has a crush on Luke. Everybody's got

0:22:12.480 --> 0:22:14.600
<v Speaker 1>a crush on Luke. She's the only one who can

0:22:14.680 --> 0:22:20.880
<v Speaker 1>get him. So he's so he's in some sense unattainable. Yeah,

0:22:20.920 --> 0:22:25.400
<v Speaker 1>he's just right because he rarely dates, rarely settles down.

0:22:25.640 --> 0:22:28.840
<v Speaker 1>But look, Luke is a stud. Rachel was no, she

0:22:29.280 --> 0:22:35.120
<v Speaker 1>was a knockout, like she was beautiful, Like Luke gets chicks.

0:22:35.400 --> 0:22:38.040
<v Speaker 1>I don't know how to say it, like look at yes,

0:22:38.119 --> 0:22:42.879
<v Speaker 1>look at his his nephew, his his his genetics. Like

0:22:43.119 --> 0:22:51.320
<v Speaker 1>these people are sexy studs. I and like I think

0:22:51.320 --> 0:22:54.760
<v Speaker 1>people agree with me, Like Luke is dreaming, so he's

0:22:54.880 --> 0:22:57.719
<v Speaker 1>so you think he's as unattainable as she is, like

0:22:57.840 --> 0:23:02.399
<v Speaker 1>his standards are as comp located and high falutin as

0:23:02.480 --> 0:23:05.320
<v Speaker 1>hers are. Yes, like if Brad Pitt was a diner

0:23:05.320 --> 0:23:06.840
<v Speaker 1>owner the whole town and be like, did you see

0:23:06.880 --> 0:23:11.680
<v Speaker 1>the diner owner? Like it's like he's the town cutie

0:23:11.960 --> 0:23:16.080
<v Speaker 1>or like sexy. I remember because I'm forty eight now,

0:23:16.440 --> 0:23:19.560
<v Speaker 1>So when I watched it, I was like, and I

0:23:19.680 --> 0:23:22.800
<v Speaker 1>remember like crushing on Luke and just being like I

0:23:22.880 --> 0:23:26.960
<v Speaker 1>love this show because I admit it. I love Lorlie.

0:23:27.040 --> 0:23:28.919
<v Speaker 1>I want to be lor La everything about lor Lae.

0:23:29.359 --> 0:23:31.600
<v Speaker 1>But I was like, I also watched because I'm like,

0:23:31.640 --> 0:23:37.160
<v Speaker 1>I have a crush on Luke. He's cool. I accept that.

0:23:37.240 --> 0:23:40.480
<v Speaker 1>I mean, you know, I guess it's not something that

0:23:40.600 --> 0:23:44.760
<v Speaker 1>enters my mind, but it's interesting perspective. Um, I would

0:23:44.760 --> 0:23:48.000
<v Speaker 1>have been at that dinner all the time, like you know,

0:23:48.160 --> 0:23:51.520
<v Speaker 1>they're you know, like a little girl, like maybe you

0:23:51.520 --> 0:23:54.280
<v Speaker 1>would have been ordering the Piggy Piggy in a green blanket.

0:23:55.400 --> 0:23:58.640
<v Speaker 1>That's funny you think they go there every day. It

0:23:58.720 --> 0:24:02.520
<v Speaker 1>wasn't for Luke, I'd be at all pancake World. Amy

0:24:02.560 --> 0:24:09.639
<v Speaker 1>wanted to be the Piggy Piggy, but as a huge

0:24:09.760 --> 0:24:12.280
<v Speaker 1>like am. I'm a fan of this show. I love

0:24:12.320 --> 0:24:15.159
<v Speaker 1>the writing, I love the stories. But part of it,

0:24:15.280 --> 0:24:22.200
<v Speaker 1>I know, is because I had a crush on Luke's awesome.

0:24:22.600 --> 0:24:27.320
<v Speaker 1>All right, let's talk about let's talk about Rory and Jess.

0:24:28.040 --> 0:24:32.200
<v Speaker 1>Let's talk about Rory and Jesse's dynamic in this episode,

0:24:32.280 --> 0:24:41.720
<v Speaker 1>which I found entertaining, cute. It was thoroughly gilmourd, right,

0:24:43.640 --> 0:24:48.400
<v Speaker 1>but I didn't recognize him well, right, because she's being

0:24:48.680 --> 0:24:54.480
<v Speaker 1>very type A or uh kind of. Really she looked great.

0:24:54.680 --> 0:24:57.560
<v Speaker 1>She was great, She was great, she was fun, and

0:24:57.560 --> 0:24:59.359
<v Speaker 1>it's like, get your butt in there, and you know,

0:24:59.800 --> 0:25:02.399
<v Speaker 1>but it really I don't know that I you know,

0:25:02.440 --> 0:25:05.600
<v Speaker 1>they it was. It was humorous and entertaining and light

0:25:05.760 --> 0:25:08.680
<v Speaker 1>and delightful and all that, But what did it do

0:25:08.840 --> 0:25:15.479
<v Speaker 1>to his character? He likes that, Rory, but wow, I

0:25:15.520 --> 0:25:18.240
<v Speaker 1>mean he was But look, guys, I mean all the

0:25:18.240 --> 0:25:20.639
<v Speaker 1>stuff you just said about Luke, it has to apply

0:25:20.720 --> 0:25:24.280
<v Speaker 1>to Jess as well. And you know, to the tenth power, right,

0:25:25.160 --> 0:25:27.119
<v Speaker 1>And he was and they set him up to be

0:25:27.160 --> 0:25:30.919
<v Speaker 1>this cool guy and mysterious and unreachable, and you know,

0:25:31.400 --> 0:25:35.440
<v Speaker 1>Rory working hard to maintain her relationship with the Dean

0:25:35.600 --> 0:25:38.080
<v Speaker 1>and and it's that's not working, and we all know that,

0:25:38.160 --> 0:25:41.479
<v Speaker 1>but man to really like bring him. I thought they

0:25:41.520 --> 0:25:44.240
<v Speaker 1>brought his character down too many notches, too finished. In

0:25:44.280 --> 0:25:47.520
<v Speaker 1>one episode, parallels between Luke and Lorelei and Rory and

0:25:47.640 --> 0:25:52.560
<v Speaker 1>Jess that the only one who has any power in

0:25:52.720 --> 0:25:55.560
<v Speaker 1>quotes over Jess is worried. He doesn't care what anybody

0:25:55.560 --> 0:25:59.080
<v Speaker 1>else says. But he's gonna he's going downstairs when she said,

0:25:59.119 --> 0:26:04.040
<v Speaker 1>come downstairs, and he does sort of what she asks.

0:26:04.240 --> 0:26:07.080
<v Speaker 1>He's gonna be nice to Laura Lieu r he asked.

0:26:09.600 --> 0:26:11.879
<v Speaker 1>He's afraid. He's afraid of her a little bit. He

0:26:11.960 --> 0:26:15.840
<v Speaker 1>respects her, and she's not respects perfect word, he respects

0:26:15.840 --> 0:26:18.680
<v Speaker 1>her and he and she is not afraid of him.

0:26:18.680 --> 0:26:22.520
<v Speaker 1>She sees right through him. She she knows exactly what

0:26:22.560 --> 0:26:26.359
<v Speaker 1>he is. Another guy who has great potential, who is

0:26:26.400 --> 0:26:29.680
<v Speaker 1>not as emotionally mature as I am. He may never be,

0:26:30.080 --> 0:26:33.199
<v Speaker 1>but he's probably worth a shot. He's a project for

0:26:33.240 --> 0:26:36.560
<v Speaker 1>her now, right, And she's just trying to up the

0:26:36.600 --> 0:26:40.520
<v Speaker 1>timeline by just taking command and being the you know,

0:26:40.560 --> 0:26:42.600
<v Speaker 1>the drill sergeant, like get your butt over there and

0:26:42.640 --> 0:26:44.960
<v Speaker 1>guilting him and everything and move your ass and help

0:26:45.080 --> 0:26:47.280
<v Speaker 1>him out and what the hell's wrong with you? And

0:26:47.320 --> 0:26:49.119
<v Speaker 1>I think it angered her because it's like, you're not

0:26:49.160 --> 0:26:51.000
<v Speaker 1>the guy I'm gonna fall in love with her stay

0:26:51.040 --> 0:26:52.720
<v Speaker 1>in love with if this is what you are, like

0:26:52.800 --> 0:26:57.960
<v Speaker 1>so freaking change And might be going too deep on this,

0:26:58.359 --> 0:27:00.600
<v Speaker 1>but if she's got to help out at Luke Diner,

0:27:01.119 --> 0:27:03.399
<v Speaker 1>well she wants her crush. Whether she's gonna admit it

0:27:03.480 --> 0:27:05.200
<v Speaker 1>or not, she wants her crush down there to help

0:27:05.200 --> 0:27:07.080
<v Speaker 1>her out too. It makes it that much more fun

0:27:07.200 --> 0:27:11.000
<v Speaker 1>serving those plates. So, hey, you need to come down

0:27:11.000 --> 0:27:15.040
<v Speaker 1>and help. It's like why, right, It's almost like, why

0:27:15.040 --> 0:27:17.280
<v Speaker 1>don't you need me more? Why don't you show that

0:27:17.359 --> 0:27:19.359
<v Speaker 1>you need me more? Why are you lying? I mean

0:27:19.400 --> 0:27:21.440
<v Speaker 1>he's watching an episode of I Dream of Genie, which,

0:27:21.560 --> 0:27:26.640
<v Speaker 1>by the way, Lauren Graham would have been great role, right.

0:27:27.000 --> 0:27:30.680
<v Speaker 1>I mean, Barbara Eden was perfection, but Lauren Graham could

0:27:30.720 --> 0:27:34.880
<v Speaker 1>have played that role in the nine sixties. I mean

0:27:35.000 --> 0:27:37.720
<v Speaker 1>she had the look, she's got the personality, she's got

0:27:37.760 --> 0:27:41.800
<v Speaker 1>all that stuff right, perfect perfect actors. I can't wait

0:27:41.880 --> 0:27:45.199
<v Speaker 1>to talk about Dosi. Yeah, but I mean that's just

0:27:45.320 --> 0:27:46.840
<v Speaker 1>but I want to get into this Jess thing a

0:27:46.920 --> 0:27:49.560
<v Speaker 1>little more because I just I don't know it was

0:27:49.840 --> 0:27:54.040
<v Speaker 1>for me, it was careful, careful with Jess. I mean,

0:27:54.040 --> 0:27:57.240
<v Speaker 1>you don't want to make him to um, you know,

0:27:57.280 --> 0:27:59.640
<v Speaker 1>you don't want to beat him down too much because

0:27:59.680 --> 0:28:01.959
<v Speaker 1>he's to lose all of that appeal that he had,

0:28:02.000 --> 0:28:06.000
<v Speaker 1>all of that mystery how smart he is. But but

0:28:06.320 --> 0:28:09.480
<v Speaker 1>as an audience, we're watching this kid, this jest, struggle

0:28:09.560 --> 0:28:12.000
<v Speaker 1>with his own demons, right, He's struggling with his own

0:28:12.040 --> 0:28:15.560
<v Speaker 1>anger issues. He's struggling with his his abandonment issues and

0:28:15.840 --> 0:28:19.000
<v Speaker 1>all of that stuff, and it's very powerful. But now

0:28:19.040 --> 0:28:22.280
<v Speaker 1>you've got somebody like Rory who he respects and is

0:28:22.320 --> 0:28:26.720
<v Speaker 1>in love with. Right, the whole power, the whole dynamic

0:28:27.280 --> 0:28:32.439
<v Speaker 1>really shifted. It really shifted. Um, that was unexpected. I

0:28:32.480 --> 0:28:35.080
<v Speaker 1>was not expecting that, And I guess I'll have to see,

0:28:36.119 --> 0:28:38.520
<v Speaker 1>you know, how it develops. But yeah, I thought it

0:28:38.520 --> 0:28:41.920
<v Speaker 1>was a little much. I wouldn't want it every episode.

0:28:42.280 --> 0:28:44.320
<v Speaker 1>I agree with you there that I don't want him

0:28:44.360 --> 0:28:47.080
<v Speaker 1>to just be her b I T C. But that's

0:28:47.080 --> 0:28:49.800
<v Speaker 1>how he came off in the episode. It was too

0:28:49.800 --> 0:28:53.000
<v Speaker 1>many repetitive scenes of of her, like you know, putting

0:28:53.000 --> 0:28:55.040
<v Speaker 1>Alisha on him and dragging him down the street and

0:28:55.080 --> 0:28:56.760
<v Speaker 1>get in there. You know, it was like three or

0:28:56.760 --> 0:28:58.440
<v Speaker 1>four those and it was like, you maybe you need

0:28:58.480 --> 0:29:03.960
<v Speaker 1>one or two. Yeah, we've got your whole storyline with

0:29:04.080 --> 0:29:08.320
<v Speaker 1>your uncle, which is major. Then we've got Emily and Suki,

0:29:08.480 --> 0:29:11.520
<v Speaker 1>We've got that whole storyline. Way we've got Dosy and

0:29:12.120 --> 0:29:15.440
<v Speaker 1>Tribute or number two dealing with their thing. So maybe

0:29:15.600 --> 0:29:20.560
<v Speaker 1>the episode was just so filled that they really couldn't

0:29:20.600 --> 0:29:22.960
<v Speaker 1>do much more with Rory and Jess, but they wanted

0:29:23.000 --> 0:29:25.040
<v Speaker 1>to sort of keep that going. I don't know, I'm

0:29:25.040 --> 0:29:26.719
<v Speaker 1>just throwing that out there that maybe that's why they

0:29:26.720 --> 0:29:29.160
<v Speaker 1>just sort of hit us over the head. In this episode,

0:29:29.520 --> 0:29:33.000
<v Speaker 1>we see that Jess likes Rory, so he kind of

0:29:33.040 --> 0:29:35.560
<v Speaker 1>does what she says. But even at the end when

0:29:35.600 --> 0:29:38.560
<v Speaker 1>she says, you know, you helped and you he goes,

0:29:38.760 --> 0:29:41.400
<v Speaker 1>you know something crazy lady at to Dance Studio called me.

0:29:41.840 --> 0:29:43.760
<v Speaker 1>So when you come downstairs and unlocked the door, that's

0:29:43.800 --> 0:29:45.080
<v Speaker 1>all I did. And I want to back up, says

0:29:45.120 --> 0:29:46.640
<v Speaker 1>that's all I didn't. I didn't there was one my

0:29:46.720 --> 0:29:50.360
<v Speaker 1>idea and and Rory says, yeah, but but at least

0:29:50.400 --> 0:29:52.440
<v Speaker 1>that's you doing something that you're part of the community.

0:29:52.440 --> 0:29:53.920
<v Speaker 1>You're part of the community. I mean it was it

0:29:54.000 --> 0:29:59.600
<v Speaker 1>was just we liked that. I want to see him

0:29:59.640 --> 0:30:02.400
<v Speaker 1>having a epiphany, if even if it's a small one,

0:30:03.080 --> 0:30:06.120
<v Speaker 1>so that he takes a little bit of responsibility. I

0:30:06.200 --> 0:30:09.600
<v Speaker 1>just want to see some growth, right Sure, I feel

0:30:09.640 --> 0:30:14.200
<v Speaker 1>like we were getting that that he's allowing himself, whether

0:30:14.240 --> 0:30:19.080
<v Speaker 1>it's with this massive hesitation into her world a little bit,

0:30:19.400 --> 0:30:21.480
<v Speaker 1>even if it's just to answer the phone from the

0:30:21.520 --> 0:30:24.280
<v Speaker 1>crazy lady and open the door, He's going to let

0:30:24.400 --> 0:30:29.400
<v Speaker 1>himself into into her world, which is this world. Mm hmm.

0:30:31.320 --> 0:30:33.160
<v Speaker 1>I love that scene in the diner at the end

0:30:33.160 --> 0:30:37.680
<v Speaker 1>of Interesting with the quote reception. Sorry, I keep saying, quote, God,

0:30:37.760 --> 0:30:43.280
<v Speaker 1>people aren't so annoying, is it quote annoying? Unquote? Can

0:30:43.320 --> 0:30:47.040
<v Speaker 1>we just guts something about the diner that? Did anyone

0:30:47.040 --> 0:30:51.400
<v Speaker 1>else realize? Mysteriously no more construction and the roof was falling. Well,

0:30:51.440 --> 0:30:54.560
<v Speaker 1>there was a plastic thing still hanging in the doorway

0:30:55.000 --> 0:30:59.080
<v Speaker 1>from the diner to the apartment to the office, but

0:30:59.160 --> 0:31:05.720
<v Speaker 1>the actual diner dealing mis fixed. But does this episode

0:31:05.720 --> 0:31:10.920
<v Speaker 1>of dovetail of the next day from the last episode.

0:31:11.760 --> 0:31:14.440
<v Speaker 1>I mean, we don't have the timeline. But I remodeled

0:31:14.440 --> 0:31:17.200
<v Speaker 1>garage and it took me a month and a half,

0:31:17.280 --> 0:31:21.000
<v Speaker 1>so you had a lot of good Listen, man, I'm

0:31:21.000 --> 0:31:23.840
<v Speaker 1>still looking for you know, Maximudena. Where the hell happen

0:31:23.880 --> 0:31:27.200
<v Speaker 1>to him? I know where Maximudina is. Let me tell you.

0:31:27.480 --> 0:31:33.200
<v Speaker 1>He's on Matt Zukry show, The Resident, and he's playing

0:31:33.240 --> 0:31:38.640
<v Speaker 1>a complete creeper, really, Scott Cohen. He's been in two

0:31:38.720 --> 0:31:42.400
<v Speaker 1>episodes so far, maybe three, but I think too. And

0:31:42.480 --> 0:31:46.640
<v Speaker 1>he is. He's on The Resident with Logan a k a.

0:31:46.720 --> 0:31:50.440
<v Speaker 1>Mad Zukri, and he is playing not a good dude.

0:31:51.160 --> 0:31:54.000
<v Speaker 1>He's such a good actor though he can looks a

0:31:54.080 --> 0:31:57.000
<v Speaker 1>little older, you know, he and he played kind of

0:31:57.000 --> 0:31:59.080
<v Speaker 1>a creepy agent guy. He was really great at it.

0:31:59.280 --> 0:32:01.320
<v Speaker 1>He never over does it. He always just you know,

0:32:01.800 --> 0:32:05.960
<v Speaker 1>he just is the guy exactly. So you think you

0:32:06.080 --> 0:32:08.160
<v Speaker 1>like him and then you find out something about him

0:32:08.200 --> 0:32:10.720
<v Speaker 1>on The Resident of m and I know it immediately.

0:32:10.720 --> 0:32:13.040
<v Speaker 1>They before he came on screen, they showed a picture

0:32:13.560 --> 0:32:15.080
<v Speaker 1>of him or something, if I remember, And I was like,

0:32:15.400 --> 0:32:18.760
<v Speaker 1>was that ma Consudina? Like was that? Well? What I

0:32:18.840 --> 0:32:22.000
<v Speaker 1>meant not? I wasn't talking about Scott Cohen's career. I

0:32:22.120 --> 0:32:24.480
<v Speaker 1>was talking about where's Max macdona in the show? Thank you?

0:32:24.560 --> 0:32:27.720
<v Speaker 1>Very much. Let's try to stay here and Gilmore island

0:32:27.760 --> 0:32:30.680
<v Speaker 1>here or the planet Gilmore. I know, don't even get

0:32:30.720 --> 0:32:34.719
<v Speaker 1>me started about the fact that Emily Gilmore is starting

0:32:34.720 --> 0:32:40.680
<v Speaker 1>her episodes on Mazel, so we wanted to get into that. Okay, um, well,

0:32:40.720 --> 0:32:43.160
<v Speaker 1>it's nice to see somebody working, right, I mean, it's

0:32:43.200 --> 0:32:45.640
<v Speaker 1>like it's tough getting a job out there. I don't

0:32:45.680 --> 0:32:47.840
<v Speaker 1>want to say it, but I feel like you came

0:32:47.920 --> 0:32:53.280
<v Speaker 1>up with the most genius idea. What I was that, yeah,

0:32:53.400 --> 0:32:58.000
<v Speaker 1>five minutes ago, Well, the Gilmore prequel. I would so

0:32:58.400 --> 0:33:00.960
<v Speaker 1>watch that. And you know, Mazel's ending in a year.

0:33:01.040 --> 0:33:03.600
<v Speaker 1>They just announced it's renewed for fifth season and then

0:33:03.600 --> 0:33:07.480
<v Speaker 1>it's ending, so someone might have some time on their hands.

0:33:07.520 --> 0:33:09.640
<v Speaker 1>And I feel like, oh, I don't think anybody's going

0:33:09.680 --> 0:33:13.040
<v Speaker 1>to have time on their hands after no fil More

0:33:13.120 --> 0:33:20.120
<v Speaker 1>prequel would be let's let's go to Warner Brothers and

0:33:20.160 --> 0:33:25.560
<v Speaker 1>pitch this right. Yeah? Who technically I'm getting in the

0:33:25.600 --> 0:33:29.040
<v Speaker 1>weeds here, like owns the characters. Is it Warner Brothers

0:33:29.200 --> 0:33:34.280
<v Speaker 1>or is it the Paladine. I think it's shared. Would

0:33:34.280 --> 0:33:36.280
<v Speaker 1>you not want to watch that? I think I think

0:33:36.280 --> 0:33:40.200
<v Speaker 1>it's really Warner Brothers. But they defer to the Paladinos

0:33:40.240 --> 0:33:42.960
<v Speaker 1>for everything because you know, they want to keep the

0:33:43.040 --> 0:33:46.560
<v Speaker 1>relationship right. They don't want to like sex in the city, right,

0:33:46.560 --> 0:33:48.640
<v Speaker 1>They don't want to step on anybody's toes. Even though

0:33:48.680 --> 0:33:50.920
<v Speaker 1>they could that, they won't do it. You know what

0:33:51.000 --> 0:33:54.840
<v Speaker 1>I meant that herb being Warner Brothers is a very

0:33:54.920 --> 0:33:59.120
<v Speaker 1>classy studio, right, they really are, and they really do.

0:34:00.160 --> 0:34:02.320
<v Speaker 1>And I know there was a little tension, you know,

0:34:02.560 --> 0:34:05.640
<v Speaker 1>season one, season two, all this, but you know everything

0:34:05.640 --> 0:34:09.560
<v Speaker 1>got ironed out and um, you know, they really really

0:34:09.600 --> 0:34:12.719
<v Speaker 1>respect those two. They respect those creators, and they don't

0:34:13.440 --> 0:34:16.840
<v Speaker 1>feel watching a young Luke because think about it, a

0:34:16.880 --> 0:34:21.320
<v Speaker 1>Gilmore prequel. Even though Lorala I didn't live in Stars Hollow,

0:34:21.400 --> 0:34:25.400
<v Speaker 1>then you could still have the young Luke, the young

0:34:26.239 --> 0:34:28.719
<v Speaker 1>you know, Suki, all the people that grew up in

0:34:28.719 --> 0:34:32.000
<v Speaker 1>that town, and we can explore that storyline where we're simultaneously.

0:34:32.120 --> 0:34:35.680
<v Speaker 1>I'm in. I think it's a great idea for the

0:34:35.719 --> 0:34:39.080
<v Speaker 1>c W. You know, I think it's it's Alix. It's

0:34:39.080 --> 0:34:43.000
<v Speaker 1>a completely different yeah, sure, completely different cast. Who would

0:34:43.000 --> 0:34:50.319
<v Speaker 1>play young Luke Brad Pitt, So if Luke was sixteen,

0:34:50.440 --> 0:34:53.839
<v Speaker 1>who is a sixteen year old kid right now? Because

0:34:54.040 --> 0:34:57.879
<v Speaker 1>I would have said Milow, but Milo is like old now,

0:34:58.120 --> 0:35:03.520
<v Speaker 1>so who I'm got Eastwood vibe? Too old, I know,

0:35:03.719 --> 0:35:07.719
<v Speaker 1>but he's a little too old. Yeah, sixteen year old Luke. Yeah,

0:35:07.760 --> 0:35:10.880
<v Speaker 1>because it's a prequel, so it's them at their teen years.

0:35:11.239 --> 0:35:16.879
<v Speaker 1>So who is a sixteen year old actor? Wait a minute,

0:35:16.880 --> 0:35:18.759
<v Speaker 1>how old is Luke in the show? We meet him?

0:35:18.800 --> 0:35:23.800
<v Speaker 1>She's thirty two. I'm like, so it's not a sixteen

0:35:23.840 --> 0:35:27.200
<v Speaker 1>year old Luke, it's a it's a twenty one year

0:35:27.239 --> 0:35:29.920
<v Speaker 1>old Luke. Oh, pardon me, correct, pardon you are correct?

0:35:29.960 --> 0:35:33.280
<v Speaker 1>So twenty one year old? Correct? You know you're sure

0:35:33.320 --> 0:35:35.319
<v Speaker 1>that he's thirty five at the beginning of the show.

0:35:35.320 --> 0:35:40.000
<v Speaker 1>All right, yeah, because I don't think he's quite forty. Right, Okay,

0:35:40.080 --> 0:35:42.279
<v Speaker 1>I'm very good at math, as everyone knows, but I

0:35:42.280 --> 0:35:45.759
<v Speaker 1>blew it on that one. Everybody knows you're good. Who

0:35:45.800 --> 0:35:47.360
<v Speaker 1>do we like as a twenty one year old that

0:35:47.360 --> 0:35:49.880
<v Speaker 1>would play Luke? I don't know who? Could it be

0:35:52.000 --> 0:35:58.759
<v Speaker 1>from Euphoria Woo pretty boys? So maybe just get the

0:35:58.800 --> 0:36:01.160
<v Speaker 1>whole cast of you four area and just put him

0:36:01.160 --> 0:36:05.759
<v Speaker 1>in this Gilmore prequel kind of clean up, clean them

0:36:05.760 --> 0:36:08.839
<v Speaker 1>all up a little bit. I feel like is good,

0:36:08.880 --> 0:36:15.480
<v Speaker 1>but more more edge than that guy. Okay, he's a

0:36:15.480 --> 0:36:18.919
<v Speaker 1>little bit older. You know. He looks like he looks

0:36:19.000 --> 0:36:22.400
<v Speaker 1>like that actor that was on that Australian actor. He

0:36:22.440 --> 0:36:25.120
<v Speaker 1>looks like a young version of that Australian actor. Was

0:36:25.160 --> 0:36:28.560
<v Speaker 1>his name, No, no no, no, no, the one that was

0:36:28.600 --> 0:36:34.080
<v Speaker 1>in Troy with Brad Pitt. What's his name? Really good actor?

0:36:34.320 --> 0:36:38.319
<v Speaker 1>Dark hair? What's his name? Eric? Eric Banna? That looks

0:36:38.360 --> 0:36:42.840
<v Speaker 1>like a hundred now, like he's not a d stop it.

0:36:44.480 --> 0:36:47.200
<v Speaker 1>That's not a hundred, it's fifty. And he looks like

0:36:47.239 --> 0:36:52.960
<v Speaker 1>a Greek. God, give me a break Instagram. Who would

0:36:53.040 --> 0:36:59.920
<v Speaker 1>who is twenty right now? Even I? Who would be

0:37:00.040 --> 0:37:02.799
<v Speaker 1>the young Luke if there was a prequel? Boy, that's

0:37:02.800 --> 0:37:06.640
<v Speaker 1>a good question. It's not that guy because he looks

0:37:06.640 --> 0:37:10.480
<v Speaker 1>like a young Eric Dane, I mean young Eric Eric Bana.

0:37:11.400 --> 0:37:14.040
<v Speaker 1>I think Eric is the whole Oh god, we're sidetrack.

0:37:14.160 --> 0:37:18.839
<v Speaker 1>Let's get back to break, all right. We're gonna, man,

0:37:18.920 --> 0:37:21.040
<v Speaker 1>we really, We're not just gonna need a towel off.

0:37:21.040 --> 0:37:23.800
<v Speaker 1>We're just gonna need to get buffed. Um so listen,

0:37:24.040 --> 0:37:28.600
<v Speaker 1>uh perfumed and alright, we're gonna take a little break

0:37:28.719 --> 0:37:32.000
<v Speaker 1>and taking knee here, folks, and we'll be right back

0:37:32.080 --> 0:37:43.000
<v Speaker 1>after these words. Ye are everybody, We're back. Everybody's feeling fresh.

0:37:43.040 --> 0:37:48.520
<v Speaker 1>We're talking to We're gonna, we're gonna, we're gonna aromatic wafting.

0:37:48.680 --> 0:37:55.920
<v Speaker 1>It's wonderful. The scent of cucumber in the air, that's wonderful. Um,

0:37:55.960 --> 0:37:58.280
<v Speaker 1>so what are we going to talk about? The the

0:37:58.280 --> 0:38:02.560
<v Speaker 1>the open air market? I thought that was hilarious fresh.

0:38:03.120 --> 0:38:07.279
<v Speaker 1>Josie was so freaking pissed, and Troubadour number two was

0:38:07.360 --> 0:38:13.400
<v Speaker 1>so rapa, Oh my god. David Gruber Alan, Well, how

0:38:13.400 --> 0:38:15.480
<v Speaker 1>do you say his name? He's got He's Gruber. He's

0:38:15.520 --> 0:38:18.120
<v Speaker 1>just known as Gruber. Well he I think in this

0:38:18.120 --> 0:38:22.320
<v Speaker 1>show he's credited as Dave Allen. But obviously we've tracked

0:38:22.360 --> 0:38:23.759
<v Speaker 1>him down and he's going to be on with you

0:38:23.800 --> 0:38:27.919
<v Speaker 1>next So we're gonna, we're gonna, we're gonna, We're gonna

0:38:27.920 --> 0:38:30.880
<v Speaker 1>talk to him because that that young man needs to

0:38:30.880 --> 0:38:32.800
<v Speaker 1>be you know, he needs to answer some questions for

0:38:32.840 --> 0:38:35.319
<v Speaker 1>good later this week. Everyone can hear that episode. But yes,

0:38:35.480 --> 0:38:39.120
<v Speaker 1>I think his like kind of nickname or name is Brewber. Yeah, yeah,

0:38:39.200 --> 0:38:41.120
<v Speaker 1>but what I mean, what a what a I mean?

0:38:41.160 --> 0:38:43.480
<v Speaker 1>Not that I'm getting sick of the show at all.

0:38:43.520 --> 0:38:46.560
<v Speaker 1>But what a great new energy to introduce into this

0:38:46.680 --> 0:38:51.600
<v Speaker 1>Gilmore tapestry. What what a fantastic performance. S this how

0:38:51.640 --> 0:38:58.000
<v Speaker 1>he flirts with and he was so great with Taylor,

0:38:58.080 --> 0:39:03.319
<v Speaker 1>A raging Taylor, right what I was hysterical. He hey, man,

0:39:03.440 --> 0:39:05.759
<v Speaker 1>you know I got all the public bravery work. You know, man,

0:39:05.800 --> 0:39:08.120
<v Speaker 1>it's all good. And yeah, you know my uncle was

0:39:08.120 --> 0:39:10.680
<v Speaker 1>shot in the button. Everything tips over when he drinks coffee.

0:39:10.680 --> 0:39:14.160
<v Speaker 1>But he's good. Everything's good. You know, It's like what

0:39:14.920 --> 0:39:18.600
<v Speaker 1>it was the funniest delivery I've ever heard. It was great. Right.

0:39:18.880 --> 0:39:22.200
<v Speaker 1>The town meeting was so low. Oh my god, oh

0:39:22.520 --> 0:39:26.960
<v Speaker 1>he was the tailors like, uh, miss Patty, you take over.

0:39:27.040 --> 0:39:31.920
<v Speaker 1>And he goes down and he's like she calls on him, like, bro,

0:39:32.080 --> 0:39:34.719
<v Speaker 1>you can just do that from up there. The car

0:39:34.840 --> 0:39:45.360
<v Speaker 1>Kiosk car Chios, the double Chris. It was hysterical. Don't

0:39:45.360 --> 0:39:48.319
<v Speaker 1>go he hands he hands with the gavel and you know,

0:39:48.400 --> 0:39:51.960
<v Speaker 1>Laura Lauraa comes in late with perhaps the best line

0:39:52.080 --> 0:39:56.600
<v Speaker 1>of the whole episode was uh, well you're late, miss Massy,

0:39:56.560 --> 0:40:00.719
<v Speaker 1>and she goes, God, I help him. Not pregnant, so good,

0:40:01.560 --> 0:40:10.520
<v Speaker 1>so good. I'm not pregnant. Stop repeating yourself and being redundant,

0:40:10.520 --> 0:40:15.960
<v Speaker 1>and stop repeating yourself the same thing. I mean, it

0:40:16.040 --> 0:40:21.640
<v Speaker 1>was just, oh, the town meeting was hilarious. It was hilarious,

0:40:22.480 --> 0:40:26.319
<v Speaker 1>God almighty. And I remember we just shot that and

0:40:26.400 --> 0:40:28.520
<v Speaker 1>that didn't take along the shoot. That was like a

0:40:28.600 --> 0:40:30.319
<v Speaker 1>couple of that. I mean it was it was. I

0:40:30.320 --> 0:40:33.200
<v Speaker 1>think it was an evening shoot, as I recall, obviously

0:40:33.239 --> 0:40:35.920
<v Speaker 1>because you have to go outdoors. But it really I

0:40:35.920 --> 0:40:38.480
<v Speaker 1>think it started late afternoon and it wasn't like an

0:40:38.520 --> 0:40:41.840
<v Speaker 1>all day, all night thing, you know. It was just

0:40:42.960 --> 0:40:46.000
<v Speaker 1>short and sweet. Um. I thought Kirk was hitting hitting

0:40:46.040 --> 0:40:49.879
<v Speaker 1>his stride in this one too. Yeah you go seven equals, Yeah,

0:40:49.960 --> 0:40:52.320
<v Speaker 1>seven equals and then his and then his line, how's

0:40:52.360 --> 0:40:59.000
<v Speaker 1>that taste? He goes perfect to steal the equals? Yeah,

0:40:59.120 --> 0:41:05.319
<v Speaker 1>take them all? And I know we'll do this in

0:41:05.360 --> 0:41:08.360
<v Speaker 1>best lines. But I wrote this down. I four fourth

0:41:08.520 --> 0:41:11.320
<v Speaker 1>don't care. But why did she say that? Was it

0:41:11.440 --> 0:41:14.280
<v Speaker 1>tied with the coffee? Why did she say that? Because

0:41:14.320 --> 0:41:18.279
<v Speaker 1>Kirk said, I like, I want three quarter caffeinated, one

0:41:18.360 --> 0:41:20.759
<v Speaker 1>quarter decaf and she goes out four force don't care.

0:41:25.280 --> 0:41:32.279
<v Speaker 1>I didn't that. Oh yeah, yeah, it's so good. What

0:41:32.480 --> 0:41:34.680
<v Speaker 1>is our job? We're just being paid to watch the

0:41:34.719 --> 0:41:37.520
<v Speaker 1>most freaking awesome show on TV. It was really a

0:41:37.520 --> 0:41:41.720
<v Speaker 1>good episode. It was really funny, and then the ending,

0:41:41.840 --> 0:41:45.640
<v Speaker 1>you know, it was so touching. The reenactors show up

0:41:45.719 --> 0:41:49.719
<v Speaker 1>and then of course Lorla is there with him, and

0:41:49.760 --> 0:41:53.520
<v Speaker 1>then they walk back and it's the whole town is

0:41:53.560 --> 0:41:57.200
<v Speaker 1>there and there, you know, everyone brought food and it's

0:41:57.239 --> 0:42:02.680
<v Speaker 1>just like wow, Now now you know why she she

0:42:02.800 --> 0:42:06.080
<v Speaker 1>moved there with the baby Rory that she she she

0:42:06.239 --> 0:42:11.239
<v Speaker 1>made a really good decision because those people are top quality.

0:42:11.600 --> 0:42:14.280
<v Speaker 1>You are so right. I just had another oprah aha

0:42:14.320 --> 0:42:20.280
<v Speaker 1>moment ahead where the Gilmore's Live is fancy and everyone

0:42:20.440 --> 0:42:22.839
<v Speaker 1>is rich and they have their mansions, and I think

0:42:22.880 --> 0:42:26.080
<v Speaker 1>she even says a line in this like bentley'ser for

0:42:26.120 --> 0:42:30.240
<v Speaker 1>people that can't afford rolls royces. But those people judge

0:42:30.280 --> 0:42:33.560
<v Speaker 1>each other all the time, and they're always trying to

0:42:33.640 --> 0:42:36.760
<v Speaker 1>do better in One Up and blah blah in Stars Hollow,

0:42:36.880 --> 0:42:39.719
<v Speaker 1>like these people are just in it for each other.

0:42:40.239 --> 0:42:44.160
<v Speaker 1>Oh you need something, I got you mm hmm. Yeah.

0:42:44.200 --> 0:42:47.520
<v Speaker 1>It's a real I would love to live there, and

0:42:47.560 --> 0:42:49.600
<v Speaker 1>it's a real town. You need a cup of sugar.

0:42:49.640 --> 0:42:53.600
<v Speaker 1>There's forty five neighbors that have sugar knock on a

0:42:53.680 --> 0:42:58.080
<v Speaker 1>door high you don't come on in we're baking blueberry

0:42:58.120 --> 0:43:04.279
<v Speaker 1>play of them not come on, you know, and it's

0:43:04.280 --> 0:43:06.120
<v Speaker 1>in the middle of the night. No, I'm just going,

0:43:07.200 --> 0:43:11.359
<v Speaker 1>I know, I know. I mean, that's that's an aspirational town.

0:43:11.400 --> 0:43:14.080
<v Speaker 1>That's a fantasy town. That's uh. But there are places,

0:43:14.120 --> 0:43:16.600
<v Speaker 1>there's a lot of places like that that exist there.

0:43:16.280 --> 0:43:19.400
<v Speaker 1>There are only only there's two other notes. I have

0:43:20.200 --> 0:43:24.239
<v Speaker 1>Michelle when Luke needs the nine rooms and he's a

0:43:24.400 --> 0:43:29.840
<v Speaker 1>French frore convention so to pop. Sure, it just didn't

0:43:29.880 --> 0:43:35.280
<v Speaker 1>miss a beat, did it this episode. Every everybody's talents

0:43:35.280 --> 0:43:38.799
<v Speaker 1>were showcased. I mean, it was just it was just

0:43:39.320 --> 0:43:43.520
<v Speaker 1>remarkable episode. And I just think, you know, I don't

0:43:43.560 --> 0:43:46.520
<v Speaker 1>know how Lauren Graham didn't become a movie star. I

0:43:46.560 --> 0:43:49.920
<v Speaker 1>don't get it. You know, she is bringing to bear,

0:43:50.680 --> 0:43:55.400
<v Speaker 1>you know, looks, charms, skills up the wazoo. I mean, Jesus,

0:43:55.520 --> 0:43:57.120
<v Speaker 1>I mean, I know she did a couple of films

0:43:57.120 --> 0:43:58.840
<v Speaker 1>and she I think she did Evan Almighty in a

0:43:58.840 --> 0:44:00.800
<v Speaker 1>big film and it didn't make a lot that Santa

0:44:01.160 --> 0:44:03.840
<v Speaker 1>and like, look, she did Parenthood. She had another series

0:44:04.200 --> 0:44:08.560
<v Speaker 1>that was massive Parenthood was brilliant, and she's she was

0:44:08.640 --> 0:44:10.920
<v Speaker 1>much more dramatic, but she still brings the funny. But

0:44:11.000 --> 0:44:13.200
<v Speaker 1>I don't know why something. I mean they you know,

0:44:13.719 --> 0:44:16.640
<v Speaker 1>if you've got those kind of comedy skills and those

0:44:16.719 --> 0:44:20.399
<v Speaker 1>kind of dramatic skills, why why didn't the studio make

0:44:20.440 --> 0:44:23.040
<v Speaker 1>her a star? Right? Like? Why does that mean? Do

0:44:23.080 --> 0:44:26.040
<v Speaker 1>it with other girls? Right? That don't have as much

0:44:26.080 --> 0:44:29.759
<v Speaker 1>to offer? So why didn't Why didn't that happen for Lauren?

0:44:29.880 --> 0:44:31.719
<v Speaker 1>Did you think that she would at least be like

0:44:32.160 --> 0:44:36.839
<v Speaker 1>Sandra Bullock or sure Melissa McCarthy like sure, which she

0:44:36.880 --> 0:44:39.520
<v Speaker 1>works all the time. I mean, you know she's not.

0:44:39.800 --> 0:44:43.200
<v Speaker 1>It's not the same as Melissa. No, It's like, how

0:44:43.280 --> 0:44:49.200
<v Speaker 1>does that woman not have a comedy film career? A

0:44:49.200 --> 0:44:52.279
<v Speaker 1>big one? Right? I mean you could see her all

0:44:52.400 --> 0:44:55.720
<v Speaker 1>these great films. Have you seen the proposal with Sandra Bullock?

0:44:56.400 --> 0:44:57.960
<v Speaker 1>To me, that could have been Laura? I mean, I

0:44:57.960 --> 0:45:00.359
<v Speaker 1>love Sandra Bullocks, she's like McQueen, but could have been

0:45:00.600 --> 0:45:03.520
<v Speaker 1>that could have been more easily easily you could have

0:45:03.600 --> 0:45:05.839
<v Speaker 1>You just stick her into any of those roles and

0:45:05.880 --> 0:45:08.719
<v Speaker 1>she's gonna kill it. And I'm not. It's not taking

0:45:08.760 --> 0:45:12.040
<v Speaker 1>anything away from anybody, you know, especially somebody has gifted

0:45:12.040 --> 0:45:14.440
<v Speaker 1>a Sandra Bullock. But you know the vibe with Sandra

0:45:14.520 --> 0:45:18.000
<v Speaker 1>Bullock is when she was up and coming, the town

0:45:18.400 --> 0:45:22.680
<v Speaker 1>knew it. You knew that Sandra Bullock was going to

0:45:22.760 --> 0:45:26.960
<v Speaker 1>be a star because everybody was behind her. And that's

0:45:26.960 --> 0:45:29.440
<v Speaker 1>all you heard was Sandra Bullocks, Sandy Bullocks, Sandy Bullock.

0:45:29.600 --> 0:45:34.080
<v Speaker 1>She's the next big thing. Um. I just I don't know.

0:45:34.160 --> 0:45:36.239
<v Speaker 1>I just I don't get it. I don't get it.

0:45:36.360 --> 0:45:39.120
<v Speaker 1>I mean, why why didn't some studio sign her to

0:45:39.360 --> 0:45:42.360
<v Speaker 1>a multi picture deal and say rock and roll with

0:45:42.400 --> 0:45:45.759
<v Speaker 1>these comedy scripts with these great writers, and I mean,

0:45:45.840 --> 0:45:47.680
<v Speaker 1>she could have made those studios a bundle. I just

0:45:47.680 --> 0:45:50.400
<v Speaker 1>don't understand it. Maybe I don't understand the business as

0:45:50.440 --> 0:45:52.200
<v Speaker 1>much as I think I do, But I don't know.

0:45:52.280 --> 0:45:54.360
<v Speaker 1>I mean, maybe she's I don't know. It's so interesting

0:45:54.400 --> 0:45:57.719
<v Speaker 1>because Gilmar Girls is such an interesting case study like

0:45:57.800 --> 0:46:01.280
<v Speaker 1>college classes. We'll talk about it because it has been

0:46:01.360 --> 0:46:06.160
<v Speaker 1>so big on television for twenty years, because it has

0:46:06.160 --> 0:46:09.240
<v Speaker 1>its second life and its third life have been bigger

0:46:09.280 --> 0:46:13.200
<v Speaker 1>than its first life. And that doesn't happen that often.

0:46:14.440 --> 0:46:17.880
<v Speaker 1>Because you've got people like Lauren Graham at the center

0:46:17.920 --> 0:46:21.000
<v Speaker 1>of it. And it's like, Okay, I don't want to

0:46:21.040 --> 0:46:22.680
<v Speaker 1>get people to take this wrong because I don't want

0:46:22.680 --> 0:46:26.919
<v Speaker 1>to get the emails. Melissa McCarthy completely deserved everything she's

0:46:27.040 --> 0:46:29.719
<v Speaker 1>she's getting because of her skill set, because of her

0:46:29.719 --> 0:46:32.440
<v Speaker 1>dedication to her craft. I mean, she she's she writes

0:46:32.440 --> 0:46:35.240
<v Speaker 1>her own characters, she writes her own screenplays. She's she's

0:46:35.360 --> 0:46:39.120
<v Speaker 1>brilliant at crafting characters and creating original characters. I mean,

0:46:39.160 --> 0:46:41.799
<v Speaker 1>that's a skill that she probably always had. But she

0:46:41.960 --> 0:46:44.080
<v Speaker 1>you know, she was in the Grownlings for years and

0:46:44.080 --> 0:46:49.000
<v Speaker 1>it was intensified training, and it was just brilliant, brilliant,

0:46:49.040 --> 0:46:54.000
<v Speaker 1>brilliant and everybody but you know, why not, Lauren Graham,

0:46:54.040 --> 0:46:57.279
<v Speaker 1>I don't get it. It's really interesting explain this to me.

0:46:58.480 --> 0:47:00.960
<v Speaker 1>As you're maybe she loves doing TV because she's I

0:47:01.000 --> 0:47:03.760
<v Speaker 1>don't know, as you're talking, everybody wants a film career.

0:47:04.400 --> 0:47:06.680
<v Speaker 1>She's been in a lot of movies, but everybody wants

0:47:08.400 --> 0:47:12.040
<v Speaker 1>three other standouts. And Matt Zukri has an amazing career too.

0:47:12.600 --> 0:47:18.480
<v Speaker 1>Milo is a huge, huge star, right, but not in film? Correct,

0:47:18.880 --> 0:47:22.319
<v Speaker 1>Jarrett had a lucky but not in film. I know.

0:47:22.480 --> 0:47:28.080
<v Speaker 1>This is like my point and Alexis is in Handmade

0:47:28.080 --> 0:47:31.960
<v Speaker 1>Stale and she is freaking brilliant in handmaid Stale. Like her,

0:47:32.520 --> 0:47:38.799
<v Speaker 1>it is not rory at all, and it is these

0:47:38.800 --> 0:47:41.560
<v Speaker 1>people have huge careers, but they all did stay in television.

0:47:41.800 --> 0:47:46.920
<v Speaker 1>Sisterhood of the Trailing Fans, sorry, gotta gotta slide that.

0:47:47.200 --> 0:47:49.440
<v Speaker 1>And she she had, she was in some good films.

0:47:49.440 --> 0:47:51.640
<v Speaker 1>She was in Sin City, she was in Sisterhood the

0:47:51.680 --> 0:47:53.560
<v Speaker 1>Trailing Pants, she was in she was in some good,

0:47:53.960 --> 0:47:58.120
<v Speaker 1>good films some good people too. But in Lauren Graham's case,

0:47:58.120 --> 0:48:01.640
<v Speaker 1>I mean, why didn't Judd Apatow throw her in with

0:48:01.640 --> 0:48:05.719
<v Speaker 1>with his uh clan of of talented comedic actors. I mean,

0:48:05.760 --> 0:48:09.719
<v Speaker 1>she's brilliant, She's absolutely brilliant. I don't know, and I

0:48:09.760 --> 0:48:12.400
<v Speaker 1>don't get I just don't get it. I mean, how

0:48:12.400 --> 0:48:15.440
<v Speaker 1>do you watch an episode? You're just right, I understand,

0:48:15.440 --> 0:48:17.919
<v Speaker 1>I understand. I mean, I'm I'm laying too much down

0:48:17.920 --> 0:48:22.680
<v Speaker 1>on your plan to tall. She's like five s eight

0:48:22.680 --> 0:48:28.000
<v Speaker 1>maybe five ten? No, I no, not five ten, but

0:48:28.040 --> 0:48:32.160
<v Speaker 1>she's yeah, she's tall. She's five eight five nine maybe yeah, yeah,

0:48:32.640 --> 0:48:38.200
<v Speaker 1>that's but so what I know, I don't mean Blanchet

0:48:38.239 --> 0:48:42.640
<v Speaker 1>like six ft tall. And I just cannot imagine. Look,

0:48:42.680 --> 0:48:45.239
<v Speaker 1>if I'm a director and I've got a deal with

0:48:45.280 --> 0:48:47.239
<v Speaker 1>the studio and I've you know, I've got hits under

0:48:47.280 --> 0:48:50.279
<v Speaker 1>my belt, and I'm and my wife says, you've got

0:48:50.280 --> 0:48:52.400
<v Speaker 1>to see this show, this Gilmore Girls, And I'm watching

0:48:52.480 --> 0:48:55.680
<v Speaker 1>Gilmore Girl show like I saw this episode. I want

0:48:55.719 --> 0:48:59.160
<v Speaker 1>that girl in my film. I'm saying, I'm bringing her in.

0:49:00.120 --> 0:49:06.000
<v Speaker 1>I guess I don't understand. I love I'm still I

0:49:06.040 --> 0:49:09.839
<v Speaker 1>love Laura Lie, so of course I love Lauren. And

0:49:09.880 --> 0:49:12.839
<v Speaker 1>I have seen Lauren Graham do some interviews with like

0:49:13.320 --> 0:49:17.640
<v Speaker 1>talk show host and she's a funny person. I don't know.

0:49:18.040 --> 0:49:23.440
<v Speaker 1>I don't know either. Well, someday we may have to

0:49:23.480 --> 0:49:28.120
<v Speaker 1>ask her that question. Oh I'm seeing if I missed

0:49:28.120 --> 0:49:30.400
<v Speaker 1>anything else. The only other thing that kind of disturbed

0:49:30.440 --> 0:49:34.279
<v Speaker 1>me it was when Luke was obviously dealing with the

0:49:34.280 --> 0:49:38.239
<v Speaker 1>funeral and Laura Lize running the diner. I have concerns,

0:49:38.320 --> 0:49:40.799
<v Speaker 1>and everybody could kind of tell me about this. I

0:49:40.840 --> 0:49:44.560
<v Speaker 1>felt that there was an unrefrigerated bottle of ranch sitting

0:49:44.560 --> 0:49:49.719
<v Speaker 1>out behind her. Yeah, maybe both look at the register.

0:49:50.800 --> 0:49:55.239
<v Speaker 1>That can ranch be left out all day as long

0:49:55.280 --> 0:49:57.560
<v Speaker 1>as it's not opened at the grocery store. It's not

0:49:58.200 --> 0:50:02.000
<v Speaker 1>we're talking about it obviously, it's talking about the diner, right, Yeah, Okay,

0:50:02.000 --> 0:50:04.400
<v Speaker 1>that's a fair that. That's a fair answer. So it

0:50:04.520 --> 0:50:07.400
<v Speaker 1>was there. She opens it when people want ranch, and

0:50:07.400 --> 0:50:11.160
<v Speaker 1>then it goes into the fridge. Everybody take a close look.

0:50:11.160 --> 0:50:13.320
<v Speaker 1>It's when she's at the register, probably when she was

0:50:13.400 --> 0:50:15.920
<v Speaker 1>ordering the b LT and I saw this, I was like,

0:50:16.320 --> 0:50:20.319
<v Speaker 1>all Ranch. It's the details. It's the details that keep

0:50:20.360 --> 0:50:24.960
<v Speaker 1>us up at night. We don't sleep people. I don't

0:50:24.960 --> 0:50:29.000
<v Speaker 1>want any food poisoning coming from Luke's Diner. Canceled the

0:50:29.080 --> 0:50:31.000
<v Speaker 1>day Spot. We're gonna watch it again. We gotta watch

0:50:31.000 --> 0:50:34.399
<v Speaker 1>it again on Earth more details. I just talked about

0:50:34.400 --> 0:50:36.840
<v Speaker 1>the fashion. Do we need to take a break. I

0:50:36.840 --> 0:50:39.640
<v Speaker 1>think we'd better take a break, because, man, I'll tell

0:50:39.680 --> 0:50:43.920
<v Speaker 1>you something. I need to eat another pound of chocolate

0:50:43.920 --> 0:50:45.839
<v Speaker 1>to get my energy out. My god. First of all,

0:50:46.800 --> 0:50:50.360
<v Speaker 1>I shoved a sugar cookie in my mouth before this episode,

0:50:50.719 --> 0:50:54.520
<v Speaker 1>which is probably super obvious because I think I'm very spazzy.

0:50:58.200 --> 0:51:01.480
<v Speaker 1>I ate some Valentine's chalk, but my wife got me

0:51:01.560 --> 0:51:04.640
<v Speaker 1>this this wonderful. Oh it's just so good. It's like,

0:51:04.840 --> 0:51:09.240
<v Speaker 1>what is it? What it's like walnuts and chocolate. Yeah

0:51:11.239 --> 0:51:15.800
<v Speaker 1>or no, No, it's more, you know, but it's so good.

0:51:15.840 --> 0:51:19.799
<v Speaker 1>It's so good. I mean, I mean it's so I

0:51:19.800 --> 0:51:24.440
<v Speaker 1>mean we have that stuff, of course we do. But man, yeah, no,

0:51:24.560 --> 0:51:26.440
<v Speaker 1>let's take a break and when we come back, Amy

0:51:26.480 --> 0:51:28.960
<v Speaker 1>wants to get into some fashion. I'm gonna sort of

0:51:29.080 --> 0:51:32.000
<v Speaker 1>set that out, of course, and have another couple of

0:51:32.360 --> 0:51:34.920
<v Speaker 1>five or six chocolate squares. Thanks very much, We'll see

0:51:34.960 --> 0:51:43.200
<v Speaker 1>you soon. Yeah, all right, everybody, we're back. I am reinvigorated.

0:51:43.640 --> 0:51:47.239
<v Speaker 1>I have just eaten a boatload of chocolate squares. I'm

0:51:47.320 --> 0:51:50.800
<v Speaker 1>very happy. Riley, Danielle, do you guys love the fashion

0:51:50.840 --> 0:51:54.440
<v Speaker 1>as much as I do on this show? For am

0:51:54.440 --> 0:51:56.560
<v Speaker 1>I the realm? That really like? Because I I think

0:51:56.560 --> 0:52:00.520
<v Speaker 1>I just the way lower Lie dresses for me is

0:52:00.560 --> 0:52:04.080
<v Speaker 1>just amazing. Yeah, she looked great in this episode. The

0:52:05.280 --> 0:52:08.919
<v Speaker 1>go ahead. Sorry, I'm I'm going to sit out. Sorry

0:52:08.920 --> 0:52:11.680
<v Speaker 1>you were going to say the floral coat at the funeral.

0:52:12.960 --> 0:52:17.520
<v Speaker 1>She looked great. She looked great in every scene. I agree. Wait, Danielle, Riley,

0:52:17.560 --> 0:52:19.200
<v Speaker 1>do you guys you know it's not what stands out

0:52:19.200 --> 0:52:25.560
<v Speaker 1>to you? No, not really. I think I like lines better.

0:52:26.000 --> 0:52:29.040
<v Speaker 1>Oh my god, lines I'm like a magnet to lines,

0:52:29.880 --> 0:52:34.520
<v Speaker 1>lines and clown pillow. I I become obsessed with the fashion.

0:52:34.560 --> 0:52:37.960
<v Speaker 1>And I remember when it was on the first run

0:52:38.239 --> 0:52:42.160
<v Speaker 1>of Really shopping and trying to dress the way Laura

0:52:42.160 --> 0:52:45.000
<v Speaker 1>I dressed. And I noticed it in this episode because

0:52:45.000 --> 0:52:49.439
<v Speaker 1>she wears low low waste jeans, really low rise which

0:52:49.440 --> 0:52:51.600
<v Speaker 1>are coming back, and she had those low waist jeans

0:52:51.600 --> 0:52:54.240
<v Speaker 1>and I think there was a belt. She just the fashion.

0:52:54.320 --> 0:52:58.200
<v Speaker 1>To me, it's one, It's super It's one of my

0:52:58.239 --> 0:53:02.040
<v Speaker 1>favorite parts. I love coat, the floral coat at the funeral.

0:53:02.760 --> 0:53:06.919
<v Speaker 1>I did like seeing Luke in a tux It wasn't

0:53:06.960 --> 0:53:12.640
<v Speaker 1>it wasn't a tux whatever. It wasn't going to tuxedo

0:53:13.560 --> 0:53:17.399
<v Speaker 1>shot up a funeral, the tuxedo on top getting out

0:53:17.440 --> 0:53:21.799
<v Speaker 1>of a carriage with a cane. Oh my god. And

0:53:21.800 --> 0:53:24.080
<v Speaker 1>then there was another she wore. I think it was

0:53:24.120 --> 0:53:26.160
<v Speaker 1>a tound meeting. I could be wrong, but she was

0:53:26.160 --> 0:53:28.880
<v Speaker 1>wearing bright red pants and then she had sort of

0:53:28.920 --> 0:53:31.440
<v Speaker 1>what I would call like a button down denim. Sure,

0:53:31.520 --> 0:53:33.640
<v Speaker 1>but it was red, white and blue. I mean, I

0:53:33.680 --> 0:53:36.879
<v Speaker 1>don't really notice the fashion of the other people, but

0:53:36.960 --> 0:53:41.239
<v Speaker 1>for me, it's like what she is wearing is it's like,

0:53:41.560 --> 0:53:43.440
<v Speaker 1>it's like sex in the city to me, I want

0:53:43.480 --> 0:53:46.160
<v Speaker 1>to pay attention to what Lorala is wearing in every

0:53:46.160 --> 0:53:52.400
<v Speaker 1>episode you're supposed to Yeah, I mean apparently not with

0:53:52.440 --> 0:53:56.200
<v Speaker 1>these people. I do appreciate a good Laura Lee out it.

0:53:56.239 --> 0:53:59.200
<v Speaker 1>I will say that she I love her. Usually her

0:53:59.200 --> 0:54:03.080
<v Speaker 1>shirts are always something funny, like she had like a

0:54:03.080 --> 0:54:06.880
<v Speaker 1>cat on one Like, it's always like fun and different. Right,

0:54:06.960 --> 0:54:10.960
<v Speaker 1>I have googled If anybody listening knows, I am so

0:54:11.239 --> 0:54:13.920
<v Speaker 1>desperately searching for the pink turtlenext weater with the Dog.

0:54:14.160 --> 0:54:16.400
<v Speaker 1>I mean I probably spent two hours on the Internet

0:54:16.560 --> 0:54:18.840
<v Speaker 1>to see if I could find it on eBay or

0:54:19.040 --> 0:54:22.040
<v Speaker 1>posh mark or like anywhere that it was a bright

0:54:22.080 --> 0:54:26.120
<v Speaker 1>pink turtle next water with the dog. Find the picture.

0:54:26.239 --> 0:54:28.400
<v Speaker 1>But but why do you what did you consider the

0:54:28.800 --> 0:54:33.759
<v Speaker 1>wardrobe on her this episode different from other episodes? I

0:54:33.800 --> 0:54:38.440
<v Speaker 1>love her. She looked very chic throughout this entire episode,

0:54:38.480 --> 0:54:41.879
<v Speaker 1>no matter what she was wearing. Perfect words. She cheek. Yes,

0:54:41.960 --> 0:54:45.600
<v Speaker 1>you are correct, less kind of young because sometimes she

0:54:45.640 --> 0:54:48.000
<v Speaker 1>wears the right yoga sucks or the cat it was

0:54:48.040 --> 0:54:50.520
<v Speaker 1>more age appropriate, but it was sleek. Yeah, it was

0:54:50.600 --> 0:54:55.320
<v Speaker 1>very nice. That's very correct, very chic. Yeah, but pink

0:54:55.719 --> 0:55:05.120
<v Speaker 1>turtle next weater. We're gonna get that information to you

0:55:05.120 --> 0:55:08.840
<v Speaker 1>straight away. Um, all right, you want to get into

0:55:09.040 --> 0:55:12.680
<v Speaker 1>uh favorite lines? Yeah, before we do that, do you

0:55:12.680 --> 0:55:16.040
<v Speaker 1>feel any better about your performance? No? Oh no, no,

0:55:16.040 --> 0:55:22.640
<v Speaker 1>I don't want to talk about no. No, see I listen.

0:55:24.480 --> 0:55:28.319
<v Speaker 1>I just did not like the casket scene very much

0:55:29.239 --> 0:55:31.080
<v Speaker 1>when you were trying to squish the stuff in. Yeah,

0:55:31.120 --> 0:55:32.960
<v Speaker 1>I didn't like that at all. I didn't like what

0:55:33.040 --> 0:55:36.200
<v Speaker 1>I did in that scene at all. You know, I'm

0:55:36.320 --> 0:55:38.840
<v Speaker 1>I'm just too critical and and now I you know,

0:55:38.880 --> 0:55:41.000
<v Speaker 1>I can look back and I can be objective about

0:55:41.040 --> 0:55:44.040
<v Speaker 1>it at me. And I just really wish I could

0:55:44.040 --> 0:55:47.120
<v Speaker 1>go back in the time machine and redo that eppisode,

0:55:47.120 --> 0:55:52.360
<v Speaker 1>redo that scene. You know, I don't know that I

0:55:52.360 --> 0:55:56.000
<v Speaker 1>wasn't my best, so it made me sad. But you know,

0:55:56.560 --> 0:56:00.360
<v Speaker 1>this is okay. Here's another testament to to Lauren Graham.

0:56:00.400 --> 0:56:04.560
<v Speaker 1>It's like, it's really difficult for your best work to

0:56:04.800 --> 0:56:08.640
<v Speaker 1>end up in the final cut. There's because I don't

0:56:08.680 --> 0:56:12.719
<v Speaker 1>know that I have that many takes in me anyway,

0:56:12.760 --> 0:56:15.799
<v Speaker 1>because I'm always really prepared right off the bat and

0:56:15.840 --> 0:56:17.919
<v Speaker 1>out of the gate, you know, I'll get it into

0:56:18.040 --> 0:56:20.359
<v Speaker 1>or I'm not going to get it, or I'll get

0:56:20.400 --> 0:56:22.560
<v Speaker 1>it into and I always get it in the first two.

0:56:22.960 --> 0:56:25.719
<v Speaker 1>But it doesn't get better for me after that. And

0:56:25.800 --> 0:56:27.759
<v Speaker 1>that's just how I am as an act or some

0:56:27.840 --> 0:56:31.600
<v Speaker 1>people their first five or a rehearsal, right, and then

0:56:31.640 --> 0:56:35.440
<v Speaker 1>they just keep getting better and better and better and better. No,

0:56:35.680 --> 0:56:37.200
<v Speaker 1>I'm ready to go out of the gate. As soon

0:56:37.200 --> 0:56:39.680
<v Speaker 1>as that gate opens. I'm like, that's gonna be my

0:56:39.840 --> 0:56:44.799
<v Speaker 1>your best performance. Um, so I would just like to

0:56:44.840 --> 0:56:46.360
<v Speaker 1>go back and do it. But the thing is my

0:56:46.480 --> 0:56:50.719
<v Speaker 1>point is do you think they used a later take? Oh,

0:56:50.760 --> 0:56:52.440
<v Speaker 1>I'm not going to get into that. I mean they

0:56:52.719 --> 0:56:56.200
<v Speaker 1>you know, there's so many there's so many different parts

0:56:56.200 --> 0:56:58.839
<v Speaker 1>of a scene that have to work together that it's

0:56:58.840 --> 0:57:01.560
<v Speaker 1>not you know, they probably do consider your best work

0:57:01.600 --> 0:57:03.560
<v Speaker 1>and we can't use it for this reason and that

0:57:03.600 --> 0:57:05.520
<v Speaker 1>reason because it doesn't match this or something. You can

0:57:05.520 --> 0:57:08.560
<v Speaker 1>see a mic or whatever that happens. But it just

0:57:08.640 --> 0:57:14.040
<v Speaker 1>seems like her work is always top notch because it's

0:57:14.200 --> 0:57:17.880
<v Speaker 1>so consistent throughout every episode that I've seen so far,

0:57:17.880 --> 0:57:20.360
<v Speaker 1>and I've seen almost forty of them now right, I

0:57:20.360 --> 0:57:23.160
<v Speaker 1>mean so, and and it's like I'm not seeing any flaws.

0:57:23.160 --> 0:57:26.720
<v Speaker 1>I'm not seeing any you know, glaring mistakes or timing

0:57:26.760 --> 0:57:28.840
<v Speaker 1>issues or anything like that. I mean, everything is just

0:57:28.880 --> 0:57:31.600
<v Speaker 1>so easy and spot on and nuanced and the whole thing.

0:57:31.720 --> 0:57:35.400
<v Speaker 1>Especially in this episode, the humor was just so underplayed.

0:57:35.440 --> 0:57:39.080
<v Speaker 1>It was just fantastic. Um. But to get it to

0:57:39.200 --> 0:57:42.880
<v Speaker 1>that level, imagine what didn't make the cut because of

0:57:44.000 --> 0:57:48.200
<v Speaker 1>you know, screw ups or whatever. You or somebody dropped

0:57:48.680 --> 0:57:51.560
<v Speaker 1>something in the background, all we gotta sorry cut, But

0:57:51.640 --> 0:57:53.560
<v Speaker 1>you know that was a great Taylor Lauren. You know,

0:57:53.560 --> 0:57:55.520
<v Speaker 1>somebody dropped to Coke Caine in the back. We gotta go.

0:57:55.920 --> 0:57:58.680
<v Speaker 1>You know, it's you know, but it's like even her

0:57:58.720 --> 0:58:02.760
<v Speaker 1>mediocre stuff is fantastic because that's usually what ends up

0:58:03.920 --> 0:58:08.959
<v Speaker 1>in the episode to be done right right, And that's

0:58:09.000 --> 0:58:12.360
<v Speaker 1>the that's the amazing part about it. Really quick note

0:58:12.440 --> 0:58:15.280
<v Speaker 1>that I want to let you know because I read

0:58:16.040 --> 0:58:22.200
<v Speaker 1>every Instagram comment we get, and people, the people listening

0:58:22.560 --> 0:58:27.240
<v Speaker 1>want to hear you talk about acting. They yeah, So

0:58:27.280 --> 0:58:30.040
<v Speaker 1>I want you to know because you know, the majority

0:58:30.040 --> 0:58:34.080
<v Speaker 1>of people want to hear exactly what you just told.

0:58:34.280 --> 0:58:37.520
<v Speaker 1>And as a human myself, that was to I find

0:58:37.560 --> 0:58:39.960
<v Speaker 1>that so interesting. So yeah, keep them coming as you

0:58:40.000 --> 0:58:43.480
<v Speaker 1>remember stuff like that we like it. But it's just

0:58:43.640 --> 0:58:45.560
<v Speaker 1>I mean, I just want to compliment her some more

0:58:45.760 --> 0:58:48.560
<v Speaker 1>because you know, she didn't get the accolades she deserves.

0:58:48.560 --> 0:58:50.280
<v Speaker 1>She didn't get a film career out of it, really,

0:58:51.240 --> 0:58:55.600
<v Speaker 1>and her work should be recognized. Great work should be recognized,

0:58:55.640 --> 0:58:58.360
<v Speaker 1>because it's really hard with that kind of a schedule,

0:58:58.400 --> 0:59:00.800
<v Speaker 1>with eighty pages do with all that time, like to

0:59:00.880 --> 0:59:03.160
<v Speaker 1>be great in every moment of every scene. And she

0:59:03.320 --> 0:59:06.200
<v Speaker 1>is and it's a remarkable achievement. And I want people

0:59:06.240 --> 0:59:09.680
<v Speaker 1>to understand how hard that is to do well. And

0:59:09.720 --> 0:59:12.320
<v Speaker 1>it's interesting to me, and it made me feel a

0:59:12.320 --> 0:59:15.240
<v Speaker 1>little bad, But I am interested to hear that that

0:59:15.320 --> 0:59:17.880
<v Speaker 1>wasn't your favorite scene and you didn't love your performance

0:59:18.120 --> 0:59:19.600
<v Speaker 1>as much as it makes you sort of cringe to

0:59:19.640 --> 0:59:22.479
<v Speaker 1>talk about it. It's like, that's interesting. It was bad.

0:59:22.560 --> 0:59:24.920
<v Speaker 1>It was just it was just bad. It was bad acting.

0:59:25.040 --> 0:59:28.360
<v Speaker 1>It was just really good. It was not connected. It

0:59:28.480 --> 0:59:32.520
<v Speaker 1>was over the top. You know, I'm flapping my hands around,

0:59:32.560 --> 0:59:34.480
<v Speaker 1>in my arms around like some kind of spas. I

0:59:34.680 --> 0:59:37.280
<v Speaker 1>I just I did not like that scene with the

0:59:37.360 --> 0:59:41.760
<v Speaker 1>casket in that, you know, and if other people noticed,

0:59:41.840 --> 0:59:45.640
<v Speaker 1>maybe they awful appreciate you saying it or someone like me.

0:59:45.680 --> 0:59:50.120
<v Speaker 1>It was like I enjoyed that scene and didn't even notice. No. Look,

0:59:50.160 --> 0:59:52.760
<v Speaker 1>I'm a tough critic, you know. I know what good

0:59:52.760 --> 0:59:55.120
<v Speaker 1>acting isn't bad acting is. And that was not good.

0:59:55.640 --> 0:59:59.080
<v Speaker 1>That was not good. Um So I threw a flag.

0:59:59.760 --> 1:00:01.960
<v Speaker 1>I picked myself out of the game. Sorry, go to

1:00:01.960 --> 1:00:05.480
<v Speaker 1>the locker room, you know. Sorry, I just I just

1:00:05.640 --> 1:00:08.040
<v Speaker 1>was really I was kind of die. I got up

1:00:08.040 --> 1:00:11.200
<v Speaker 1>and walked away after that scene. I had to go

1:00:11.240 --> 1:00:13.439
<v Speaker 1>get a chocolate square after that. It takes you out.

1:00:13.480 --> 1:00:18.040
<v Speaker 1>But as an actor, like a regular viewer, I was

1:00:18.080 --> 1:00:21.480
<v Speaker 1>just like, sorry, man, I mean it's like, it's like

1:00:21.640 --> 1:00:26.080
<v Speaker 1>that scene. My acting in that scene was was the

1:00:26.200 --> 1:00:29.600
<v Speaker 1>opposite of Shakespeare's advice to his players. Okay, if you

1:00:29.600 --> 1:00:31.200
<v Speaker 1>want to go back and if you want to go

1:00:31.200 --> 1:00:35.880
<v Speaker 1>into Hamlet and and and read What Shakes what Hamlet

1:00:35.880 --> 1:00:39.080
<v Speaker 1>is saying to the players about acting, And that's really

1:00:39.080 --> 1:00:43.160
<v Speaker 1>Shakespeare telling people what great acting is and what not

1:00:43.360 --> 1:00:47.120
<v Speaker 1>to do. Yeah. I did all that. I did all

1:00:47.160 --> 1:00:55.240
<v Speaker 1>the things you're not supposed to do, unless is Walter

1:00:55.440 --> 1:00:59.640
<v Speaker 1>crun Kind with a special report. Word comes from across

1:00:59.720 --> 1:01:04.880
<v Speaker 1>the The American actor Scott Patterson has broken in the

1:01:04.920 --> 1:01:12.560
<v Speaker 1>basement of the Royal Shakespeare Company, three bottles of wine incoherence, salivating.

1:01:13.480 --> 1:01:18.240
<v Speaker 1>We'll take you there now to London, England. Speak to

1:01:18.240 --> 1:01:20.320
<v Speaker 1>the speech. I pray you as I pronounced it to you,

1:01:20.400 --> 1:01:22.800
<v Speaker 1>trippingly on the tongue. But if you malvet, as many

1:01:22.800 --> 1:01:24.920
<v Speaker 1>of your players do, I had to leave the town

1:01:25.000 --> 1:01:27.760
<v Speaker 1>criss boke my lines. Nor do not solve the air

1:01:27.800 --> 1:01:30.120
<v Speaker 1>too much with your hand. Thus, but use all gently.

1:01:30.480 --> 1:01:33.000
<v Speaker 1>But in the very torrent tempest, and as I may say,

1:01:33.080 --> 1:01:36.160
<v Speaker 1>the whirlwind of passion, you must acquire and beget a

1:01:36.200 --> 1:01:39.160
<v Speaker 1>temperance that may give it smoothness. Oh, it offends me

1:01:39.240 --> 1:01:42.640
<v Speaker 1>to the soul to hear a robustious periwink paged fellow tear,

1:01:42.680 --> 1:01:45.360
<v Speaker 1>a passion to tatters, to very rags, to split the

1:01:45.400 --> 1:01:47.520
<v Speaker 1>years of the groundlings were the most party, capable of

1:01:47.640 --> 1:01:51.160
<v Speaker 1>nothing but inexplicable dumb shows a noise. I have suff

1:01:51.240 --> 1:01:53.440
<v Speaker 1>a fellow whip frow, and doing termat it out hurts

1:01:53.440 --> 1:01:56.520
<v Speaker 1>her it. Pray you avoid it. Be not too tame, neither,

1:01:56.560 --> 1:01:58.720
<v Speaker 1>but let your own discretion be your too, to suit

1:01:58.760 --> 1:02:00.560
<v Speaker 1>the action of the word. The word to the action,

1:02:00.920 --> 1:02:04.560
<v Speaker 1>with this special observance that your step not the modesty

1:02:04.560 --> 1:02:07.520
<v Speaker 1>of nature. For anything so overdone is from the purpose

1:02:07.520 --> 1:02:10.479
<v Speaker 1>of playing, whose end, both at first and now wasn't

1:02:10.560 --> 1:02:12.720
<v Speaker 1>is to hold us twit a mirror up to nature,

1:02:12.760 --> 1:02:15.280
<v Speaker 1>to show virtue her own feature, scorn, her own image,

1:02:15.520 --> 1:02:17.640
<v Speaker 1>and the very agent body of the time, his form

1:02:17.720 --> 1:02:21.440
<v Speaker 1>and pressure. Neither overdone or comptari off. Though it makes

1:02:21.440 --> 1:02:24.920
<v Speaker 1>the unskillful laugh, cannot but make the judicious greet the

1:02:24.960 --> 1:02:27.360
<v Speaker 1>centure of which one must, and your allowance over way

1:02:27.400 --> 1:02:30.000
<v Speaker 1>a whole theater of others. Are there be players that

1:02:30.040 --> 1:02:32.600
<v Speaker 1>I have seen player and heard others praise, and that

1:02:32.680 --> 1:02:35.440
<v Speaker 1>highly not to speak it profanely, but neither having the

1:02:35.440 --> 1:02:37.800
<v Speaker 1>accent of Christians, nor the gate of Christian pagan nor

1:02:37.920 --> 1:02:39.840
<v Speaker 1>man have so strutted and bellowed that I have thought

1:02:39.840 --> 1:02:42.040
<v Speaker 1>some of nature's journeymen had made. Men have not made

1:02:42.040 --> 1:02:47.160
<v Speaker 1>them well. They imitated humanity so abominably we have reformed

1:02:47.240 --> 1:02:51.280
<v Speaker 1>that indifferently with us, sir, Oh, reform it altogether. And

1:02:51.280 --> 1:02:53.760
<v Speaker 1>that those that play your clowns speak no more than

1:02:53.840 --> 1:02:55.840
<v Speaker 1>is set down for them, For there be of them

1:02:55.840 --> 1:02:58.120
<v Speaker 1>that will themselves laugh, to set on some quantity of

1:02:58.120 --> 1:03:00.880
<v Speaker 1>barren spectators to laugh too, That when the meantime, some

1:03:01.000 --> 1:03:03.680
<v Speaker 1>necessary question of the play began to be considered. That's

1:03:03.720 --> 1:03:06.160
<v Speaker 1>Fallainius and shows the most pitiful ambition in the fool

1:03:06.240 --> 1:03:11.080
<v Speaker 1>that uses it. Make you ready. British authorities caught up

1:03:11.120 --> 1:03:14.960
<v Speaker 1>to Patterson as he was roasting marshmallows on the main

1:03:15.200 --> 1:03:21.920
<v Speaker 1>stage at RSC. He'd built a bonfire, was naked, playing

1:03:21.920 --> 1:03:28.760
<v Speaker 1>a stolen ray Finds guitar and singing songs. Chief Constable

1:03:28.880 --> 1:03:33.680
<v Speaker 1>Smithereen from the First District is quoted as saying he's

1:03:33.720 --> 1:03:37.640
<v Speaker 1>not a bad bloke at all. In fact, he had

1:03:37.680 --> 1:03:43.120
<v Speaker 1>extra marshmallows for me and my mates. I could have

1:03:43.200 --> 1:03:49.560
<v Speaker 1>done without the singing. It was rubbish. Patterson was booked

1:03:49.600 --> 1:03:54.840
<v Speaker 1>into Scotland Yard on charges of using a bad British accent,

1:03:55.520 --> 1:04:01.240
<v Speaker 1>well being American and doing Shakespeare. And that's the way

1:04:01.280 --> 1:04:07.360
<v Speaker 1>it is. This is Walter Cronkite from New York good Night.

1:04:11.480 --> 1:04:13.960
<v Speaker 1>I started thinking about Taylor Dossey, saying, is that the

1:04:14.000 --> 1:04:16.880
<v Speaker 1>long haired break that wanted to beat the down trouptal

1:04:19.600 --> 1:04:22.640
<v Speaker 1>By the way, didn't you love Taylor sitting at the

1:04:22.680 --> 1:04:25.040
<v Speaker 1>table playing with his hair like Luke, like he's lost

1:04:26.120 --> 1:04:30.800
<v Speaker 1>because he was so stressed that I called a farmer's market.

1:04:30.800 --> 1:04:33.240
<v Speaker 1>You all call it a market. I'm like, I just

1:04:33.360 --> 1:04:43.240
<v Speaker 1>love when he's like beautiful sprouts for the beautiful lady. Anyway,

1:04:43.240 --> 1:04:49.080
<v Speaker 1>what's your favorite lines? Uh, Riley, what's your favorite line? Um?

1:04:49.120 --> 1:04:52.240
<v Speaker 1>I love when they're in the town meeting and this

1:04:52.360 --> 1:04:55.840
<v Speaker 1>Paddy goes the squash is beautiful, but that sexy. It's

1:04:55.920 --> 1:05:03.360
<v Speaker 1>sexy squash. That was a good invitation. That was really good.

1:05:03.560 --> 1:05:08.320
<v Speaker 1>Nail don't one, Danielle. So mine was when Emily and

1:05:08.560 --> 1:05:13.040
<v Speaker 1>Laurel I were going back and forth about you and Laura.

1:05:13.040 --> 1:05:16.960
<v Speaker 1>I goes he feeds me, and it was so relatable,

1:05:17.080 --> 1:05:22.440
<v Speaker 1>like he is he fleeds you. Amy. I mean, I

1:05:22.440 --> 1:05:25.920
<v Speaker 1>think I've given all mine fifty different times. But every

1:05:26.000 --> 1:05:28.400
<v Speaker 1>line she said about the food, which Riley already caves.

1:05:29.040 --> 1:05:31.320
<v Speaker 1>But I'd say my top was fourth force don't care.

1:05:32.040 --> 1:05:34.800
<v Speaker 1>I a four force don't care right right to Kirk,

1:05:35.000 --> 1:05:38.520
<v Speaker 1>I four fourths don't care. Um. My favorite line I

1:05:38.520 --> 1:05:40.960
<v Speaker 1>think I've stated at it. It's when Laura la comes

1:05:40.960 --> 1:05:43.120
<v Speaker 1>in late to the town meeting and says, gosh, I

1:05:43.160 --> 1:05:46.840
<v Speaker 1>hope I'm not pregnant. I just hope I'm not pregnant.

1:05:47.000 --> 1:05:50.520
<v Speaker 1>What did you say that? I mean that was good.

1:05:50.880 --> 1:05:52.720
<v Speaker 1>I spit, I spit a chocolate square out of my

1:05:52.720 --> 1:05:55.120
<v Speaker 1>mouth when she's on it. I know we say it

1:05:55.160 --> 1:05:58.480
<v Speaker 1>every time, repeating ourselves and being redundant, repeating our skills

1:05:58.480 --> 1:06:00.080
<v Speaker 1>and being redundant. But that's why you can watch the

1:06:00.160 --> 1:06:03.439
<v Speaker 1>shows seven times, these episodes seven times, because you catch

1:06:03.440 --> 1:06:06.560
<v Speaker 1>a new line every But I'll stop repeating myself and

1:06:06.600 --> 1:06:08.600
<v Speaker 1>being redundant and saying the same thing over and over

1:06:08.640 --> 1:06:16.480
<v Speaker 1>again and then repeating myself. God Almighty, I can talk

1:06:16.520 --> 1:06:20.600
<v Speaker 1>about this episode forever, but I think let's wrap it up. Kids,

1:06:20.600 --> 1:06:25.439
<v Speaker 1>anything else? Huh? Next week? Back in the saddle again? Oh?

1:06:25.480 --> 1:06:27.680
<v Speaker 1>So that's twenty? Is that episode? What a number? Episode

1:06:27.720 --> 1:06:31.720
<v Speaker 1>is that is that? I don't know what episode is. Gosh,

1:06:32.040 --> 1:06:36.240
<v Speaker 1>we're flying through this season. We're almost through it. We

1:06:36.320 --> 1:06:38.760
<v Speaker 1>might have to start looking for jobs soon. Jesus. We

1:06:38.840 --> 1:06:41.440
<v Speaker 1>just started this podcast. We just started this and we're

1:06:41.480 --> 1:06:47.880
<v Speaker 1>already like blowing through season two. Wow, it flies, doesn't it? Man?

1:06:47.920 --> 1:06:51.520
<v Speaker 1>Oh man? Alright, everybody that's gonna wrap up? What is

1:06:51.520 --> 1:06:53.480
<v Speaker 1>this episode? Let me hang out, let me do this again?

1:06:54.160 --> 1:06:57.320
<v Speaker 1>Al Right, everybody that's gonna wrap up Episode seventeen. Dead

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<v Speaker 1>Uncles and Vegetables what's a richly aired April two thousand

1:07:02.240 --> 1:07:09.160
<v Speaker 1>and two, twenty almost twenty years ago. Um wow, thanks

1:07:09.160 --> 1:07:13.480
<v Speaker 1>for downloading. Best fans on the planet. Can't believe we're

1:07:13.480 --> 1:07:16.640
<v Speaker 1>talking about this show. It's two thousand and twenty two

1:07:16.880 --> 1:07:19.960
<v Speaker 1>and the show is bigger than ever. Unbelievable. That's a

1:07:19.960 --> 1:07:54.200
<v Speaker 1>testament to fans. Love you guys, Stay safe everyone, Hey, everybody,

1:07:54.200 --> 1:07:57.520
<v Speaker 1>and don't forget Follow us on Instagram at I Am

1:07:57.560 --> 1:08:01.560
<v Speaker 1>all In podcast and email us at Gilmore at I

1:08:01.760 --> 1:08:05.120
<v Speaker 1>heart radio dot com. Oh you Gilmore fans. If you're

1:08:05.120 --> 1:08:06.960
<v Speaker 1>looking for the best cup of coffee in the world,

1:08:07.000 --> 1:08:10.720
<v Speaker 1>go to my website for my company scott EP dot

1:08:10.720 --> 1:08:12.840
<v Speaker 1>com s C O T. T y P dot com,

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<v Speaker 1>scott ep dot com Grade one Specialty Coffee. Yeah.