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Speaker 1: I am all in Want kiss you. I am all

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Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hey everybody,

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Speaker 1: Scott Patterson, we are back for another podcast. I Am

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Speaker 1: all in my Heart Radio one eleven Productions and Riley

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Speaker 1: Take it Away, Episode seventeen, Dead Uncles and Vegetables. Give

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Speaker 1: us your synopsis. That's right in air date April six two.

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Speaker 1: Luke's uncle Louis passed away and Lorel helps out helps

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Speaker 1: out at the diner. Emily gets too involved in Sukie's

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Speaker 1: wedding planning, and Taylor gets worked up over a farmer's

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Speaker 1: market opening in the town square. What an episode, Good lord,

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Speaker 1: I am going to have to write off the bat

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Speaker 1: recuse myself from opining from the Luke stuff. Really? Why?

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Speaker 1: Because I was nauseous watching it? Because I can't watch

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Speaker 1: myself really, so you found this particularly hard to watch?

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Speaker 1: For for when I was on screen most of the time. Yes,

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Speaker 1: I thought it was the best part of the whole episode. Okay,

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Speaker 1: so that's why I'm recusing myself. You guys, do you

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Speaker 1: know I'm gonna I'm gonna opine on everything else. I'm

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Speaker 1: not gonna interject on Luke. Okay, that's fine, And I'm

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Speaker 1: actually I want to question you. I want to pepper

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Speaker 1: y'all with questions about the dynamic between Luke and Laurel

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Speaker 1: I because you know, I perceive it one way and

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Speaker 1: maybe you're perceiving in another way, and I know the

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Speaker 1: audience is responding in a favorable way. But to me,

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Speaker 1: it was just I just I just cringe when I

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Speaker 1: when I act, I just it's like stunned right now

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Speaker 1: because to me, with some of your best work, I

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Speaker 1: don't know, I saw them falling in love even more.

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Speaker 1: I just listen. For me, this was just more proof

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Speaker 1: of the glory of Lauren Graham. Okay, I mean, what

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Speaker 1: a delightful presence on screen. And let me tell you something.

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Speaker 1: Another thought popped into my little head when I was

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Speaker 1: watching this episode. You could inject Lauren Graham into just

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Speaker 1: about any nineteen sixties or nineteen seventies series and she

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Speaker 1: would have. She could have been in Bewitched. She could

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Speaker 1: have been the lead in Bewitched. She she rivals Elizabeth

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Speaker 1: Montgomery energy and and and lightness and skill and and

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Speaker 1: and and you know she wasn't. Her comedy in this

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Speaker 1: episode was more subtle than everything because she was so

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Speaker 1: busy doing stuff. But it was so nuanced and so great.

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Speaker 1: But she was being such a great friend, and she

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Speaker 1: was being so charming, and she was so easy to watch,

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Speaker 1: and it was just, oh, my goodness, I'm just very

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Speaker 1: surprised that you're having a hard time watching your self

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Speaker 1: and if you look, I don't want to talk about

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Speaker 1: that crap already talked about. I want to talk about

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Speaker 1: all right, did this episode bother you in quotes more

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Speaker 1: than others? Harder to watch yourself in this? Yeah? Wow? Okay, Yeah,

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Speaker 1: it was just too much Luke for me. It was like,

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Speaker 1: it's enough, what you know, the guy died and the

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Speaker 1: whole thing, and finally we'll talk about you like you're

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Speaker 1: not here, because I not like I'm not here. I'm here. Okay,

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Speaker 1: I will remind you of that fact. I am here.

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Speaker 1: I loved the Luke stuff, but it's just like I was.

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Speaker 1: I was so relieved to seem smile at the end.

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Speaker 1: It was like, finally a smile. It's just I don't know,

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Speaker 1: go ahead, do your thing. Look great episode, by the way,

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Speaker 1: A great episode, Okay, despite how I feel about watching myself. Um,

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Speaker 1: but I just thought the writing was snappy and funny

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Speaker 1: and great, and I loved all the Suki stuff and

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Speaker 1: the and you know, and Lauren just killed this episode.

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Speaker 1: She just killed this episode. Man, I want to Riley,

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Speaker 1: I mean, give us some Luke talk. Unpopular opinion was

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Speaker 1: not my favorite episode. Yeah, I'm sorry, guys, I'm sorry.

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Speaker 1: I texted Amy and I was like, oh, this Gilmore

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Speaker 1: Girls episode is in my favorite And then like five

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Speaker 1: minutes later, with like the last fIF two minutes of

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Speaker 1: the episode, I was like, Okay, it's good. It's good.

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Speaker 1: It's good. For the first half, I was just kind

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Speaker 1: of like, do do do do? I don't know, because

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Speaker 1: because you know, Gilmore doesn't really deal with death. You

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Speaker 1: don't see you next, you don't. It's maybe maybe a

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Speaker 1: Cinnamon's wake and it's a funny thing and all poor

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Speaker 1: Carrot and everybody's but it's like he's we're dealing with

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Speaker 1: death here in a real way. That show doesn't do that.

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Speaker 1: It turned around for me when Emily was in the

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Speaker 1: diner with Laurel and she was just like, this is

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Speaker 1: your this is your goat, your dude, you know. I

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Speaker 1: was like, I'm ready, I'm back. I thought it was

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Speaker 1: a phenomenal town meeting phenomenal, absolutely, absolutely phenomenal, short and sweet.

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Speaker 1: I remember we didn't have to be there all day.

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Speaker 1: I guess here's what I'm gonna say. First of all,

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Speaker 1: I agree with you completely about Lauren. I am such

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Speaker 1: a Laura Lae lover, like I just love everything about her,

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Speaker 1: and to me, Laura Lee and Lauren are the same person.

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Speaker 1: But I am a huge fan of Luke. I find

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Speaker 1: him to be so much fun to watch. And I

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Speaker 1: use the word fun loosely because it's like he's clever,

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Speaker 1: he's sexy, he's funny, he's grouchy, he's just I love

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Speaker 1: that guy. I love Luke Dane so to me, because

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Speaker 1: this was a predominantly Luke episode, maybe that's why I

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Speaker 1: I liked it from start to finish. I agree the

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Speaker 1: second half was better than the first half, but the

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Speaker 1: first half, to me was also awesome. I don't know.

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Speaker 1: I just think there's um, I don't know. Let's the

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Speaker 1: way I want to discuss this is, let's take it,

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Speaker 1: you know, couples at a time. Because it's Suki Jackson,

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Speaker 1: it's Laura, la Luke, it's Rory jess Right, it's it's

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Speaker 1: it's it's it's Lauren I'm sorry. It's it's god, what

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Speaker 1: is her? Laura Lae and Emily, It's yeah, yeah, yeah,

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Speaker 1: you're all those dynamics right, And I and I thought

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Speaker 1: they I thought when the when they played on the

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Speaker 1: lightness of the comedy was lighter here, it wasn't so laden,

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Speaker 1: it wasn't so heavy. It wasn't so my mother is

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Speaker 1: getting all my nerves so much. I mean, the first

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Speaker 1: scene started out that way, but it was light and

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Speaker 1: kind of funny, and she's leaving the messages and all

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Speaker 1: that kind of stuff, the overbearing grading mother, sure and

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Speaker 1: her and her responses to it were funny and fabulous

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Speaker 1: and all that stuff until she went up the stairs

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Speaker 1: and said that comment about her ears. But throughout it

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Speaker 1: it was like it was Laura La kind of skipping away,

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Speaker 1: and you know, they were showing, the creators were showing

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Speaker 1: that she has this protective armor of this town. She's

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Speaker 1: busy with her real world life, the life that she wanted,

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Speaker 1: the life that she fought for. She ran away from

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Speaker 1: from Hartford and all of that stuffiness and all of

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Speaker 1: that privilege and money to come here. And this is

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Speaker 1: what you're seeing here, people at their best, Because Luke,

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Speaker 1: you know a townsperson has had a loss and they're

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Speaker 1: all going to rally, and why did she rally for Luke?

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Speaker 1: And I just I just fell so more and more

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Speaker 1: in love with her character. Like what an outstanding episode

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Speaker 1: for Laura La. I mean, I think she could murder

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Speaker 1: people from here on out, I'd still love her because

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Speaker 1: what gods, what a friend? I mean, what a friend? Friend?

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Speaker 1: She's a friend to you, and she's also willing to

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Speaker 1: stand up to her mom to help out Jackson and Suki,

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Speaker 1: Like she's a loyal friends Like mom, you don't understand

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Speaker 1: what real life is all about and what loving other

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Speaker 1: people is about, and opening your heart to an entire

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Speaker 1: community of people is about. Where their status is not involved,

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Speaker 1: money is not involved. It's real feelings, it's real values,

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Speaker 1: you know. It's like treating people well no matter what

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Speaker 1: stational life they're from. And you are the opposite that.

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Speaker 1: I mean, she walks in the diner with her you know,

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Speaker 1: her designer clothes on and her attitude, and she's always

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Speaker 1: I think we're wanting to help. Suki did come from

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Speaker 1: a good place, although she was living vicariously through Suki

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Speaker 1: of what she wanted for Lorelai she just is like

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Speaker 1: doesn't get reality and how rich she is and how

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Speaker 1: regular these guys are. Right, that was the big disconnect,

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Speaker 1: and it was kind of shocking that Laura La had

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Speaker 1: to explain that to her. It was really shocking. It's like,

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Speaker 1: do you understand the money that I mean, what do

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Speaker 1: you think that wedding would have cost? By the way easily?

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Speaker 1: M h easily and the wedding they probably can afford,

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Speaker 1: and that's a lot of money. Like I was watching

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Speaker 1: h G TV last night and it was this show

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Speaker 1: where they planned their wedding and buy a house at

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Speaker 1: the same time, and the wedding for ten dollars maybe fifteen,

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Speaker 1: you can have a really beautiful wedding. I mean not

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Speaker 1: a lot of alcohol, but yet not a lot of bows,

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Speaker 1: but you know byl me um. But yeah, anyway, I

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Speaker 1: just that was very That really stuck out for me

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Speaker 1: is how out of touch she is with the real world.

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Speaker 1: Her take on why she was getting so invested in

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Speaker 1: Suki's wedding, well, I think I think Lorela explained it

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Speaker 1: best at the end. You weren't planning her wedding, you

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Speaker 1: were planning my wedding, and which just shows you how

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Speaker 1: unconscious Emily is or how deeply ingrained her her trauma

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Speaker 1: is as the breakup with her her own daughter and

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Speaker 1: losing her own daughter, and she's still in in in

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Speaker 1: deep down. She's trying to win her back somehow, and

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Speaker 1: this is how she's doing it. She wants to do,

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Speaker 1: but she's it's also for selfish reason. She's doing it

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Speaker 1: for herself as well. She needs to do this thing.

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Speaker 1: Emily is just she's so I don't know, she's just

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Speaker 1: so chained down with all of her issues and all

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Speaker 1: of her traditions and all of her money and all.

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Speaker 1: I mean, it's just waging. You could really feel the

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Speaker 1: weight of all that in this episode where it was like, man,

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Speaker 1: how do you get through to this woman? What do

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Speaker 1: you don't mind? When you said that, I had a

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Speaker 1: total aha moment. She's not a board and writing his

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Speaker 1: board and just jonesing for something to do with her

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Speaker 1: skill set, which is like she's got skilled in this

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Speaker 1: extravagant wedding, but she's bored, so she just glombs onto

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Speaker 1: it in me imdiately right. And this is the first

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Speaker 1: time I and there have been other times, but this

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Speaker 1: it was really glaring. In this episode She's jealous of

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Speaker 1: Laurelized life. She's jealous of the freedom she has. She's

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Speaker 1: jealous of her friends. She's jealous of the variety of

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Speaker 1: friends she has. She's jealous of all of that life.

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Speaker 1: And I think she's questions. You know, maybe Emily. I

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Speaker 1: don't think Emily would ever question you know, her own

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Speaker 1: life and her choices, and you know, she's the Queen

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Speaker 1: of Hartford and all that. But you know, she when

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Speaker 1: she comes to her stars Hollow, she's triggered because of

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Speaker 1: what she's missing in her life. She sees Laurela having

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Speaker 1: in her life. That's such a good point. She's jealous

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Speaker 1: of how busy Lorela is and how her laurea La

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Speaker 1: has a lot going on, not just like physically she's

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Speaker 1: gotta do this, she gotta go here, she's got all

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Speaker 1: these friends, but she stimulated. Lore La is planning this

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Speaker 1: or taking care of that. Like she's got things she's

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Speaker 1: thinking about and doing and ranting a business and all

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Speaker 1: these things. But I don't think Emily, you know, let me,

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Speaker 1: let me, let me go, let me walk this back

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Speaker 1: a little bit. I don't think for a minute that

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Speaker 1: Emily looks at Laurela because I just said, oh, maybe

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Speaker 1: she's a little jealous. But I don't think for a minute,

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Speaker 1: let me correct this. I don't think for a minute

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Speaker 1: that Emily looks at Laurela and and let me put

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Speaker 1: her down other way. I'm having trouble expressing this. I

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Speaker 1: think she's still pities Laureli. I think that she looks

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Speaker 1: at Laurel I and says, you have no idea what

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Speaker 1: you walked away from because I would never walk away

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Speaker 1: from that, and no woman in their right mind would

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Speaker 1: walk away from something like this, because this is how

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Speaker 1: life is supposed to be lived at this level. And

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Speaker 1: I think every little success that Laurela has, she minimizes.

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Speaker 1: She puts it down. Um. She she's very condescending about

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Speaker 1: it because it's in this little town and these little

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Speaker 1: goals and little little stuff, and it's like, what happened

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Speaker 1: to my daughter? I don't recognize my daughter. But if

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Speaker 1: you're Emily and you're looking at Laurela, your d her,

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Speaker 1: what are you seeing? You're seeing a tall, beautiful, intelligent,

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Speaker 1: motivated woman who's doing a great job at her end.

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Speaker 1: She's doing a great job obviously raising her kid, but

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Speaker 1: you still feel sorry for because she's in that town,

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Speaker 1: and she's not living the high life at the Squiss

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Speaker 1: Swiss chalet in the winter and then starts in the summer. Right,

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Speaker 1: she's still looking down her nose at her She'll always

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Speaker 1: look down her No, she'll never she'll never understand her

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Speaker 1: own daughter, who would want a CD player and the

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Speaker 1: risk that the person in charge of the CD player

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Speaker 1: doesn't know when to turn it off or on when

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Speaker 1: you could have a string quartet. So it's like you

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Speaker 1: make it, You're saying, it's so accurately that she why

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Speaker 1: would you want this when you can have this? And

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Speaker 1: she's just so befuddled by the fact that lor like

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Speaker 1: chooses stars hollow and she can't, you know, she can't

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Speaker 1: reconcile with the fact that she had anything to do

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Speaker 1: with that. So she's got to say, my crazy daughter,

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Speaker 1: My daughter is a little nuts. So there's something wrong

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Speaker 1: with her because it can't be me. It can't be

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Speaker 1: my fault. You know, it's not Richard and I, it's

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Speaker 1: not how we raised her. She's an only child. We

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Speaker 1: gave her everything, and she just can't let off the

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Speaker 1: gas pedal that you know well so well said, Yeah,

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Speaker 1: I don't think it's gonna happen. That's the tension. That's

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Speaker 1: the tension between the two characters. It's wonderful. It's wonderful conceived, yes,

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Speaker 1: because I understand. I mean, if I was told you

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Speaker 1: can live here at the Gilmore's right by Chiltern, or

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Speaker 1: you can live in stars Hollow, there is something so

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Speaker 1: appealing to me about stars Hollow. But to Emily, she's

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Speaker 1: like totally shocked by that. Why would you ever live

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Speaker 1: in stars Hollow when you can live here. Laurla has

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Speaker 1: a soul, she's got real feelings, and she's like, you know,

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Speaker 1: she could probably couldn't believe. And again we didn't see

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Speaker 1: those scenes. Gilmore Girls is not you know, it's not

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Speaker 1: a prequel. If maybe there should be a prequel and

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Speaker 1: love it right, but I mean, can you imagine how

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Speaker 1: she viewed her parents, and especially her mother back in

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Speaker 1: the day when she was getting when she told her mother,

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Speaker 1: I imagine those scenes, Mom, I'm pregnant. How Emily found

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Speaker 1: out my god? Can you imagine that? And um, I

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Speaker 1: think she saw a side of her mother that made

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Speaker 1: her just I want to be a different person, maybe

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Speaker 1: even change your name and dropped the Gilmore and like

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Speaker 1: you you're a monster. How what kind of human being

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Speaker 1: are you to react this way? And what had nothing

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Speaker 1: to do with it? Just Emily tough. And I don't

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Speaker 1: mean that in the complimentary way that I did when

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Speaker 1: I say it about lor lia I. It was glaring

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Speaker 1: in the episode the week before when Emily law Ster

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Speaker 1: Noodle at the end and turned it all on lower Lie.

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Speaker 1: So you can only imagine that growing up that happened

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Speaker 1: all the time. And I think Laurel I learned how

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Speaker 1: to be iconoclastic and rebellious because her mother was so rigid,

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Speaker 1: and she's really good at being a cool iconoclastic check.

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Speaker 1: I mean, she's really a hip, cool girl, right. I

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Speaker 1: mean she's got all those comebacks, she's got all that

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Speaker 1: quick pattern, she's got all that stuff. I mean, she's

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Speaker 1: just such a great character. Now, what do you think

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Speaker 1: about that? This is the second time that Emily fully

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Speaker 1: knows that Luke and Lorelei are in love, second time

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Speaker 1: and she said it again. What do you think of that?

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Speaker 1: I don't know. I think it was the weakest part

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Speaker 1: of the script. I think it was the weakest part

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Speaker 1: because it was just so I mean, you could either

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Speaker 1: see it coming a mile away, or it wasn't even necessary.

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Speaker 1: It could have gone said, and the fact that she

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Speaker 1: got into it, well, you know, don't you. It's just like, Okay,

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Speaker 1: you know, we know that they're hitting us over the

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Speaker 1: head with this gain. I know you have to do

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Speaker 1: it because you want to forward that narrative. And though

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Speaker 1: I just listen, like I said, I'm going to be

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Speaker 1: off on these uh analyzes of this storyline, So I'm

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Speaker 1: going to recuse myself. Danielle, what did you like? Yeah,

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Speaker 1: I said it earlier. That was my favorite scene. Really,

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Speaker 1: it's yeah, that was my favorite scene. That's when it

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Speaker 1: the episode changed for me. Yeah, I I appreciate what

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Speaker 1: you're saying and that it was hitting us over the head.

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Speaker 1: But for me, it's like, yeah, you go, girl, you

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Speaker 1: tell them like and just that Emily always knew, so

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Speaker 1: like when push comes to shove down the road and

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Speaker 1: you are together, it's like, yes, she knew, a mother knows.

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Speaker 1: It was a little I know, but it was a

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Speaker 1: little much for me. I mean, it was kind of

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Speaker 1: I just would rather have left it alone because Laurel

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Speaker 1: I was acting. I mean, she was so energized and

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Speaker 1: so happy to be in that position, and it's probably

305
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Speaker 1: because it was a change of pace and it was

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Speaker 1: a different kind of job she was doing, and she

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Speaker 1: was having a lot of fun with the language. And

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Speaker 1: you know, float the boat and wreck them and all

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Speaker 1: you know whatever it put it on a pink stick

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Speaker 1: and scramble them or whatever. Can you read Scott all

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Speaker 1: the lingo? I guess so, I sure can. So we

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Speaker 1: have an Adam and Eve on a raft and Wreckham's too,

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Speaker 1: scrambled eggs on toast, burn one. Then pass me a

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Speaker 1: pink stick and throw some mud on it. Hamburger with

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Speaker 1: strawberry ice cream with chocolate sauce, Hot blond with sand

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Speaker 1: is coffee with cream and sugar. Make sure it's foot

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Speaker 1: out the doors to go a wimpy with a rosepin

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Speaker 1: on it is a turkey burger with onions. I heard

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Speaker 1: of bulls shopping for China are customers. And then Laura

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Speaker 1: La goes on a piggy piggy with a green blanket

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Speaker 1: and then gives up because it was a baalty with

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Speaker 1: nobody right right, right, right right. I mean it's the

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Speaker 1: little details of this show that just grab you. I mean,

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Speaker 1: all that little office so great, it's so great, um,

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Speaker 1: but I've never seen laurel Ee so supportive and loving

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Speaker 1: and happy in that role and just so light on

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Speaker 1: her feet and so graceful about the whole thing. And

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Speaker 1: I just was wild by that performance at the funeral. Yes,

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Speaker 1: she's she teared up. Yeah, man, she's feeling it. I

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Speaker 1: mean she's like, she doesn't know your uncle? Who know you?

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Speaker 1: So it's all about Luke? Yeah? So why? Okay, So okay,

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Speaker 1: I will get into this discussion. Let's let's get into

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Speaker 1: this film, this this analytical discussion as to what she

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Speaker 1: sees in him? Why him? Why do you think she

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Speaker 1: likes him so much? If she does, I'm not assuming

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Speaker 1: that she does. I'm seeing that she kind of does.

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Speaker 1: And he obviously is nuts about her. But do you

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Speaker 1: think she feels anyway? And why why he's a loner? Malcontent,

339
00:20:05,960 --> 00:20:09,560
Speaker 1: he's grumpy, he's all this stuff, and and so is

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Speaker 1: that like you know, for somebody like Laurelize, that just

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Speaker 1: he just needs he just needs a little love. He

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Speaker 1: just needs some hugs, and he needs he needs a

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Speaker 1: little attention. I'm holding my tongue till after that. Alright,

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Speaker 1: go ahead, guys, Hey, here's my perspective. He lets her

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Speaker 1: be exactly who she isantastic state, nothing like loyal, Lize

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Speaker 1: loy ly, and Luke likes lore Ly and doesn't want

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Speaker 1: to change anything. I from a female perspective, like, I

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Speaker 1: think that's why perfect so he so he she goes

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Speaker 1: with the flow and is her self true self when

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Speaker 1: she's with him, exactly. Yeah, and that's you can't beat

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Speaker 1: yourself around that many people. So I think there's there's

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Speaker 1: something there that's my dig on it. Okay, Riley, what's

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Speaker 1: your still holding my tongue? And I think that he

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Speaker 1: is the constant and stability that she needs and wants.

355
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Speaker 1: Like with Emily, she never knows what she's gonna get.

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Speaker 1: She know, she's back and forth. I think with Luke

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Speaker 1: she's like, I know his temperament. I know he's gonna

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Speaker 1: be there for me. I know that he you know,

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Speaker 1: is my friend and that he's he's there. I think

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Speaker 1: that's what she loves about him. She sees beyond the personality,

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Speaker 1: the grumpiness that apparently the shut off, closed off person

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Speaker 1: emotionally disconnected. He's rolling her eyes. Yes, I agree with

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Speaker 1: everything you're saying. But also, and Scott, I don't know

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Speaker 1: if you need to plug your ears, but Luke Danes

365
00:21:39,000 --> 00:21:44,879
Speaker 1: is it sexy hatty dude with the dreamy blue eyes

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Speaker 1: and the freaking awesomeness, Like, I I'm sorry, I love Luke.

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Speaker 1: I love the look of Luke. Sorry because I know

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Speaker 1: you're Luke. But it's also like I love his vibe.

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Speaker 1: I love his walk, I of how he moves, I

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00:22:01,160 --> 00:22:04,879
Speaker 1: love his funny quips. I love he's just that dude's

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Speaker 1: a stunt. Of course, the whole town has a crush

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Speaker 1: on Luke. What are you talking about? You don't think

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Speaker 1: Miss Patty also has a crush on Luke. Everybody's got

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Speaker 1: a crush on Luke. She's the only one who can

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Speaker 1: get him. So he's so he's in some sense unattainable. Yeah,

376
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Speaker 1: he's just right because he rarely dates, rarely settles down.

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Speaker 1: But look, Luke is a stud. Rachel was no, she

378
00:22:29,280 --> 00:22:35,120
Speaker 1: was a knockout, like she was beautiful, Like Luke gets chicks.

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Speaker 1: I don't know how to say it, like look at yes,

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Speaker 1: look at his his nephew, his his his genetics. Like

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Speaker 1: these people are sexy studs. I and like I think

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Speaker 1: people agree with me, Like Luke is dreaming, so he's

383
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Speaker 1: so you think he's as unattainable as she is, like

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Speaker 1: his standards are as comp located and high falutin as

385
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Speaker 1: hers are. Yes, like if Brad Pitt was a diner

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Speaker 1: owner the whole town and be like, did you see

387
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Speaker 1: the diner owner? Like it's like he's the town cutie

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Speaker 1: or like sexy. I remember because I'm forty eight now,

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Speaker 1: So when I watched it, I was like, and I

390
00:23:19,680 --> 00:23:22,800
Speaker 1: remember like crushing on Luke and just being like I

391
00:23:22,880 --> 00:23:26,960
Speaker 1: love this show because I admit it. I love Lorlie.

392
00:23:27,040 --> 00:23:28,919
Speaker 1: I want to be lor La everything about lor Lae.

393
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Speaker 1: But I was like, I also watched because I'm like,

394
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Speaker 1: I have a crush on Luke. He's cool. I accept that.

395
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Speaker 1: I mean, you know, I guess it's not something that

396
00:23:40,600 --> 00:23:44,760
Speaker 1: enters my mind, but it's interesting perspective. Um, I would

397
00:23:44,760 --> 00:23:48,000
Speaker 1: have been at that dinner all the time, like you know,

398
00:23:48,160 --> 00:23:51,520
Speaker 1: they're you know, like a little girl, like maybe you

399
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Speaker 1: would have been ordering the Piggy Piggy in a green blanket.

400
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Speaker 1: That's funny you think they go there every day. It

401
00:23:58,720 --> 00:24:02,520
Speaker 1: wasn't for Luke, I'd be at all pancake World. Amy

402
00:24:02,560 --> 00:24:09,639
Speaker 1: wanted to be the Piggy Piggy, but as a huge

403
00:24:09,760 --> 00:24:12,280
Speaker 1: like am. I'm a fan of this show. I love

404
00:24:12,320 --> 00:24:15,159
Speaker 1: the writing, I love the stories. But part of it,

405
00:24:15,280 --> 00:24:22,200
Speaker 1: I know, is because I had a crush on Luke's awesome.

406
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Speaker 1: All right, let's talk about let's talk about Rory and Jess.

407
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Speaker 1: Let's talk about Rory and Jesse's dynamic in this episode,

408
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Speaker 1: which I found entertaining, cute. It was thoroughly gilmourd, right,

409
00:24:43,640 --> 00:24:48,400
Speaker 1: but I didn't recognize him well, right, because she's being

410
00:24:48,680 --> 00:24:54,480
Speaker 1: very type A or uh kind of. Really she looked great.

411
00:24:54,680 --> 00:24:57,560
Speaker 1: She was great, She was great, she was fun, and

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Speaker 1: it's like, get your butt in there, and you know,

413
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Speaker 1: but it really I don't know that I you know,

414
00:25:02,440 --> 00:25:05,600
Speaker 1: they it was. It was humorous and entertaining and light

415
00:25:05,760 --> 00:25:08,680
Speaker 1: and delightful and all that, But what did it do

416
00:25:08,840 --> 00:25:15,479
Speaker 1: to his character? He likes that, Rory, but wow, I

417
00:25:15,520 --> 00:25:18,240
Speaker 1: mean he was But look, guys, I mean all the

418
00:25:18,240 --> 00:25:20,639
Speaker 1: stuff you just said about Luke, it has to apply

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Speaker 1: to Jess as well. And you know, to the tenth power, right,

420
00:25:25,160 --> 00:25:27,119
Speaker 1: And he was and they set him up to be

421
00:25:27,160 --> 00:25:30,919
Speaker 1: this cool guy and mysterious and unreachable, and you know,

422
00:25:31,400 --> 00:25:35,440
Speaker 1: Rory working hard to maintain her relationship with the Dean

423
00:25:35,600 --> 00:25:38,080
Speaker 1: and and it's that's not working, and we all know that,

424
00:25:38,160 --> 00:25:41,479
Speaker 1: but man to really like bring him. I thought they

425
00:25:41,520 --> 00:25:44,240
Speaker 1: brought his character down too many notches, too finished. In

426
00:25:44,280 --> 00:25:47,520
Speaker 1: one episode, parallels between Luke and Lorelei and Rory and

427
00:25:47,640 --> 00:25:52,560
Speaker 1: Jess that the only one who has any power in

428
00:25:52,720 --> 00:25:55,560
Speaker 1: quotes over Jess is worried. He doesn't care what anybody

429
00:25:55,560 --> 00:25:59,080
Speaker 1: else says. But he's gonna he's going downstairs when she said,

430
00:25:59,119 --> 00:26:04,040
Speaker 1: come downstairs, and he does sort of what she asks.

431
00:26:04,240 --> 00:26:07,080
Speaker 1: He's gonna be nice to Laura Lieu r he asked.

432
00:26:09,600 --> 00:26:11,879
Speaker 1: He's afraid. He's afraid of her a little bit. He

433
00:26:11,960 --> 00:26:15,840
Speaker 1: respects her, and she's not respects perfect word, he respects

434
00:26:15,840 --> 00:26:18,680
Speaker 1: her and he and she is not afraid of him.

435
00:26:18,680 --> 00:26:22,520
Speaker 1: She sees right through him. She she knows exactly what

436
00:26:22,560 --> 00:26:26,359
Speaker 1: he is. Another guy who has great potential, who is

437
00:26:26,400 --> 00:26:29,680
Speaker 1: not as emotionally mature as I am. He may never be,

438
00:26:30,080 --> 00:26:33,199
Speaker 1: but he's probably worth a shot. He's a project for

439
00:26:33,240 --> 00:26:36,560
Speaker 1: her now, right, And she's just trying to up the

440
00:26:36,600 --> 00:26:40,520
Speaker 1: timeline by just taking command and being the you know,

441
00:26:40,560 --> 00:26:42,600
Speaker 1: the drill sergeant, like get your butt over there and

442
00:26:42,640 --> 00:26:44,960
Speaker 1: guilting him and everything and move your ass and help

443
00:26:45,080 --> 00:26:47,280
Speaker 1: him out and what the hell's wrong with you? And

444
00:26:47,320 --> 00:26:49,119
Speaker 1: I think it angered her because it's like, you're not

445
00:26:49,160 --> 00:26:51,000
Speaker 1: the guy I'm gonna fall in love with her stay

446
00:26:51,040 --> 00:26:52,720
Speaker 1: in love with if this is what you are, like

447
00:26:52,800 --> 00:26:57,960
Speaker 1: so freaking change And might be going too deep on this,

448
00:26:58,359 --> 00:27:00,600
Speaker 1: but if she's got to help out at Luke Diner,

449
00:27:01,119 --> 00:27:03,399
Speaker 1: well she wants her crush. Whether she's gonna admit it

450
00:27:03,480 --> 00:27:05,200
Speaker 1: or not, she wants her crush down there to help

451
00:27:05,200 --> 00:27:07,080
Speaker 1: her out too. It makes it that much more fun

452
00:27:07,200 --> 00:27:11,000
Speaker 1: serving those plates. So, hey, you need to come down

453
00:27:11,000 --> 00:27:15,040
Speaker 1: and help. It's like why, right, It's almost like, why

454
00:27:15,040 --> 00:27:17,280
Speaker 1: don't you need me more? Why don't you show that

455
00:27:17,359 --> 00:27:19,359
Speaker 1: you need me more? Why are you lying? I mean

456
00:27:19,400 --> 00:27:21,440
Speaker 1: he's watching an episode of I Dream of Genie, which,

457
00:27:21,560 --> 00:27:26,640
Speaker 1: by the way, Lauren Graham would have been great role, right.

458
00:27:27,000 --> 00:27:30,680
Speaker 1: I mean, Barbara Eden was perfection, but Lauren Graham could

459
00:27:30,720 --> 00:27:34,880
Speaker 1: have played that role in the nine sixties. I mean

460
00:27:35,000 --> 00:27:37,720
Speaker 1: she had the look, she's got the personality, she's got

461
00:27:37,760 --> 00:27:41,800
Speaker 1: all that stuff right, perfect perfect actors. I can't wait

462
00:27:41,880 --> 00:27:45,199
Speaker 1: to talk about Dosi. Yeah, but I mean that's just

463
00:27:45,320 --> 00:27:46,840
Speaker 1: but I want to get into this Jess thing a

464
00:27:46,920 --> 00:27:49,560
Speaker 1: little more because I just I don't know it was

465
00:27:49,840 --> 00:27:54,040
Speaker 1: for me, it was careful, careful with Jess. I mean,

466
00:27:54,040 --> 00:27:57,240
Speaker 1: you don't want to make him to um, you know,

467
00:27:57,280 --> 00:27:59,640
Speaker 1: you don't want to beat him down too much because

468
00:27:59,680 --> 00:28:01,959
Speaker 1: he's to lose all of that appeal that he had,

469
00:28:02,000 --> 00:28:06,000
Speaker 1: all of that mystery how smart he is. But but

470
00:28:06,320 --> 00:28:09,480
Speaker 1: as an audience, we're watching this kid, this jest, struggle

471
00:28:09,560 --> 00:28:12,000
Speaker 1: with his own demons, right, He's struggling with his own

472
00:28:12,040 --> 00:28:15,560
Speaker 1: anger issues. He's struggling with his his abandonment issues and

473
00:28:15,840 --> 00:28:19,000
Speaker 1: all of that stuff, and it's very powerful. But now

474
00:28:19,040 --> 00:28:22,280
Speaker 1: you've got somebody like Rory who he respects and is

475
00:28:22,320 --> 00:28:26,720
Speaker 1: in love with. Right, the whole power, the whole dynamic

476
00:28:27,280 --> 00:28:32,439
Speaker 1: really shifted. It really shifted. Um, that was unexpected. I

477
00:28:32,480 --> 00:28:35,080
Speaker 1: was not expecting that, And I guess I'll have to see,

478
00:28:36,119 --> 00:28:38,520
Speaker 1: you know, how it develops. But yeah, I thought it

479
00:28:38,520 --> 00:28:41,920
Speaker 1: was a little much. I wouldn't want it every episode.

480
00:28:42,280 --> 00:28:44,320
Speaker 1: I agree with you there that I don't want him

481
00:28:44,360 --> 00:28:47,080
Speaker 1: to just be her b I T C. But that's

482
00:28:47,080 --> 00:28:49,800
Speaker 1: how he came off in the episode. It was too

483
00:28:49,800 --> 00:28:53,000
Speaker 1: many repetitive scenes of of her, like you know, putting

484
00:28:53,000 --> 00:28:55,040
Speaker 1: Alisha on him and dragging him down the street and

485
00:28:55,080 --> 00:28:56,760
Speaker 1: get in there. You know, it was like three or

486
00:28:56,760 --> 00:28:58,440
Speaker 1: four those and it was like, you maybe you need

487
00:28:58,480 --> 00:29:03,960
Speaker 1: one or two. Yeah, we've got your whole storyline with

488
00:29:04,080 --> 00:29:08,320
Speaker 1: your uncle, which is major. Then we've got Emily and Suki,

489
00:29:08,480 --> 00:29:11,520
Speaker 1: We've got that whole storyline. Way we've got Dosy and

490
00:29:12,120 --> 00:29:15,440
Speaker 1: Tribute or number two dealing with their thing. So maybe

491
00:29:15,600 --> 00:29:20,560
Speaker 1: the episode was just so filled that they really couldn't

492
00:29:20,600 --> 00:29:22,960
Speaker 1: do much more with Rory and Jess, but they wanted

493
00:29:23,000 --> 00:29:25,040
Speaker 1: to sort of keep that going. I don't know, I'm

494
00:29:25,040 --> 00:29:26,719
Speaker 1: just throwing that out there that maybe that's why they

495
00:29:26,720 --> 00:29:29,160
Speaker 1: just sort of hit us over the head. In this episode,

496
00:29:29,520 --> 00:29:33,000
Speaker 1: we see that Jess likes Rory, so he kind of

497
00:29:33,040 --> 00:29:35,560
Speaker 1: does what she says. But even at the end when

498
00:29:35,600 --> 00:29:38,560
Speaker 1: she says, you know, you helped and you he goes,

499
00:29:38,760 --> 00:29:41,400
Speaker 1: you know something crazy lady at to Dance Studio called me.

500
00:29:41,840 --> 00:29:43,760
Speaker 1: So when you come downstairs and unlocked the door, that's

501
00:29:43,800 --> 00:29:45,080
Speaker 1: all I did. And I want to back up, says

502
00:29:45,120 --> 00:29:46,640
Speaker 1: that's all I didn't. I didn't there was one my

503
00:29:46,720 --> 00:29:50,360
Speaker 1: idea and and Rory says, yeah, but but at least

504
00:29:50,400 --> 00:29:52,440
Speaker 1: that's you doing something that you're part of the community.

505
00:29:52,440 --> 00:29:53,920
Speaker 1: You're part of the community. I mean it was it

506
00:29:54,000 --> 00:29:59,600
Speaker 1: was just we liked that. I want to see him

507
00:29:59,640 --> 00:30:02,400
Speaker 1: having a epiphany, if even if it's a small one,

508
00:30:03,080 --> 00:30:06,120
Speaker 1: so that he takes a little bit of responsibility. I

509
00:30:06,200 --> 00:30:09,600
Speaker 1: just want to see some growth, right Sure, I feel

510
00:30:09,640 --> 00:30:14,200
Speaker 1: like we were getting that that he's allowing himself, whether

511
00:30:14,240 --> 00:30:19,080
Speaker 1: it's with this massive hesitation into her world a little bit,

512
00:30:19,400 --> 00:30:21,480
Speaker 1: even if it's just to answer the phone from the

513
00:30:21,520 --> 00:30:24,280
Speaker 1: crazy lady and open the door, He's going to let

514
00:30:24,400 --> 00:30:29,400
Speaker 1: himself into into her world, which is this world. Mm hmm.

515
00:30:31,320 --> 00:30:33,160
Speaker 1: I love that scene in the diner at the end

516
00:30:33,160 --> 00:30:37,680
Speaker 1: of Interesting with the quote reception. Sorry, I keep saying, quote, God,

517
00:30:37,760 --> 00:30:43,280
Speaker 1: people aren't so annoying, is it quote annoying? Unquote? Can

518
00:30:43,320 --> 00:30:47,040
Speaker 1: we just guts something about the diner that? Did anyone

519
00:30:47,040 --> 00:30:51,400
Speaker 1: else realize? Mysteriously no more construction and the roof was falling. Well,

520
00:30:51,440 --> 00:30:54,560
Speaker 1: there was a plastic thing still hanging in the doorway

521
00:30:55,000 --> 00:30:59,080
Speaker 1: from the diner to the apartment to the office, but

522
00:30:59,160 --> 00:31:05,720
Speaker 1: the actual diner dealing mis fixed. But does this episode

523
00:31:05,720 --> 00:31:10,920
Speaker 1: of dovetail of the next day from the last episode.

524
00:31:11,760 --> 00:31:14,440
Speaker 1: I mean, we don't have the timeline. But I remodeled

525
00:31:14,440 --> 00:31:17,200
Speaker 1: garage and it took me a month and a half,

526
00:31:17,280 --> 00:31:21,000
Speaker 1: so you had a lot of good Listen, man, I'm

527
00:31:21,000 --> 00:31:23,840
Speaker 1: still looking for you know, Maximudena. Where the hell happen

528
00:31:23,880 --> 00:31:27,200
Speaker 1: to him? I know where Maximudina is. Let me tell you.

529
00:31:27,480 --> 00:31:33,200
Speaker 1: He's on Matt Zukry show, The Resident, and he's playing

530
00:31:33,240 --> 00:31:38,640
Speaker 1: a complete creeper, really, Scott Cohen. He's been in two

531
00:31:38,720 --> 00:31:42,400
Speaker 1: episodes so far, maybe three, but I think too. And

532
00:31:42,480 --> 00:31:46,640
Speaker 1: he is. He's on The Resident with Logan a k a.

533
00:31:46,720 --> 00:31:50,440
Speaker 1: Mad Zukri, and he is playing not a good dude.

534
00:31:51,160 --> 00:31:54,000
Speaker 1: He's such a good actor though he can looks a

535
00:31:54,080 --> 00:31:57,000
Speaker 1: little older, you know, he and he played kind of

536
00:31:57,000 --> 00:31:59,080
Speaker 1: a creepy agent guy. He was really great at it.

537
00:31:59,280 --> 00:32:01,320
Speaker 1: He never over does it. He always just you know,

538
00:32:01,800 --> 00:32:05,960
Speaker 1: he just is the guy exactly. So you think you

539
00:32:06,080 --> 00:32:08,160
Speaker 1: like him and then you find out something about him

540
00:32:08,200 --> 00:32:10,720
Speaker 1: on The Resident of m and I know it immediately.

541
00:32:10,720 --> 00:32:13,040
Speaker 1: They before he came on screen, they showed a picture

542
00:32:13,560 --> 00:32:15,080
Speaker 1: of him or something, if I remember, And I was like,

543
00:32:15,400 --> 00:32:18,760
Speaker 1: was that ma Consudina? Like was that? Well? What I

544
00:32:18,840 --> 00:32:22,000
Speaker 1: meant not? I wasn't talking about Scott Cohen's career. I

545
00:32:22,120 --> 00:32:24,480
Speaker 1: was talking about where's Max macdona in the show? Thank you?

546
00:32:24,560 --> 00:32:27,720
Speaker 1: Very much. Let's try to stay here and Gilmore island

547
00:32:27,760 --> 00:32:30,680
Speaker 1: here or the planet Gilmore. I know, don't even get

548
00:32:30,720 --> 00:32:34,719
Speaker 1: me started about the fact that Emily Gilmore is starting

549
00:32:34,720 --> 00:32:40,680
Speaker 1: her episodes on Mazel, so we wanted to get into that. Okay, um, well,

550
00:32:40,720 --> 00:32:43,160
Speaker 1: it's nice to see somebody working, right, I mean, it's

551
00:32:43,200 --> 00:32:45,640
Speaker 1: like it's tough getting a job out there. I don't

552
00:32:45,680 --> 00:32:47,840
Speaker 1: want to say it, but I feel like you came

553
00:32:47,920 --> 00:32:53,280
Speaker 1: up with the most genius idea. What I was that, yeah,

554
00:32:53,400 --> 00:32:58,000
Speaker 1: five minutes ago, Well, the Gilmore prequel. I would so

555
00:32:58,400 --> 00:33:00,960
Speaker 1: watch that. And you know, Mazel's ending in a year.

556
00:33:01,040 --> 00:33:03,600
Speaker 1: They just announced it's renewed for fifth season and then

557
00:33:03,600 --> 00:33:07,480
Speaker 1: it's ending, so someone might have some time on their hands.

558
00:33:07,520 --> 00:33:09,640
Speaker 1: And I feel like, oh, I don't think anybody's going

559
00:33:09,680 --> 00:33:13,040
Speaker 1: to have time on their hands after no fil More

560
00:33:13,120 --> 00:33:20,120
Speaker 1: prequel would be let's let's go to Warner Brothers and

561
00:33:20,160 --> 00:33:25,560
Speaker 1: pitch this right. Yeah? Who technically I'm getting in the

562
00:33:25,600 --> 00:33:29,040
Speaker 1: weeds here, like owns the characters. Is it Warner Brothers

563
00:33:29,200 --> 00:33:34,280
Speaker 1: or is it the Paladine. I think it's shared. Would

564
00:33:34,280 --> 00:33:36,280
Speaker 1: you not want to watch that? I think I think

565
00:33:36,280 --> 00:33:40,200
Speaker 1: it's really Warner Brothers. But they defer to the Paladinos

566
00:33:40,240 --> 00:33:42,960
Speaker 1: for everything because you know, they want to keep the

567
00:33:43,040 --> 00:33:46,560
Speaker 1: relationship right. They don't want to like sex in the city, right,

568
00:33:46,560 --> 00:33:48,640
Speaker 1: They don't want to step on anybody's toes. Even though

569
00:33:48,680 --> 00:33:50,920
Speaker 1: they could that, they won't do it. You know what

570
00:33:51,000 --> 00:33:54,840
Speaker 1: I meant that herb being Warner Brothers is a very

571
00:33:54,920 --> 00:33:59,120
Speaker 1: classy studio, right, they really are, and they really do.

572
00:34:00,160 --> 00:34:02,320
Speaker 1: And I know there was a little tension, you know,

573
00:34:02,560 --> 00:34:05,640
Speaker 1: season one, season two, all this, but you know everything

574
00:34:05,640 --> 00:34:09,560
Speaker 1: got ironed out and um, you know, they really really

575
00:34:09,600 --> 00:34:12,719
Speaker 1: respect those two. They respect those creators, and they don't

576
00:34:13,440 --> 00:34:16,840
Speaker 1: feel watching a young Luke because think about it, a

577
00:34:16,880 --> 00:34:21,320
Speaker 1: Gilmore prequel. Even though Lorala I didn't live in Stars Hollow,

578
00:34:21,400 --> 00:34:25,400
Speaker 1: then you could still have the young Luke, the young

579
00:34:26,239 --> 00:34:28,719
Speaker 1: you know, Suki, all the people that grew up in

580
00:34:28,719 --> 00:34:32,000
Speaker 1: that town, and we can explore that storyline where we're simultaneously.

581
00:34:32,120 --> 00:34:35,680
Speaker 1: I'm in. I think it's a great idea for the

582
00:34:35,719 --> 00:34:39,080
Speaker 1: c W. You know, I think it's it's Alix. It's

583
00:34:39,080 --> 00:34:43,000
Speaker 1: a completely different yeah, sure, completely different cast. Who would

584
00:34:43,000 --> 00:34:50,319
Speaker 1: play young Luke Brad Pitt, So if Luke was sixteen,

585
00:34:50,440 --> 00:34:53,839
Speaker 1: who is a sixteen year old kid right now? Because

586
00:34:54,040 --> 00:34:57,879
Speaker 1: I would have said Milow, but Milo is like old now,

587
00:34:58,120 --> 00:35:03,520
Speaker 1: so who I'm got Eastwood vibe? Too old, I know,

588
00:35:03,719 --> 00:35:07,719
Speaker 1: but he's a little too old. Yeah, sixteen year old Luke. Yeah,

589
00:35:07,760 --> 00:35:10,880
Speaker 1: because it's a prequel, so it's them at their teen years.

590
00:35:11,239 --> 00:35:16,879
Speaker 1: So who is a sixteen year old actor? Wait a minute,

591
00:35:16,880 --> 00:35:18,759
Speaker 1: how old is Luke in the show? We meet him?

592
00:35:18,800 --> 00:35:23,800
Speaker 1: She's thirty two. I'm like, so it's not a sixteen

593
00:35:23,840 --> 00:35:27,200
Speaker 1: year old Luke, it's a it's a twenty one year

594
00:35:27,239 --> 00:35:29,920
Speaker 1: old Luke. Oh, pardon me, correct, pardon you are correct?

595
00:35:29,960 --> 00:35:33,280
Speaker 1: So twenty one year old? Correct? You know you're sure

596
00:35:33,320 --> 00:35:35,319
Speaker 1: that he's thirty five at the beginning of the show.

597
00:35:35,320 --> 00:35:40,000
Speaker 1: All right, yeah, because I don't think he's quite forty. Right, Okay,

598
00:35:40,080 --> 00:35:42,279
Speaker 1: I'm very good at math, as everyone knows, but I

599
00:35:42,280 --> 00:35:45,759
Speaker 1: blew it on that one. Everybody knows you're good. Who

600
00:35:45,800 --> 00:35:47,360
Speaker 1: do we like as a twenty one year old that

601
00:35:47,360 --> 00:35:49,880
Speaker 1: would play Luke? I don't know who? Could it be

602
00:35:52,000 --> 00:35:58,759
Speaker 1: from Euphoria Woo pretty boys? So maybe just get the

603
00:35:58,800 --> 00:36:01,160
Speaker 1: whole cast of you four area and just put him

604
00:36:01,160 --> 00:36:05,759
Speaker 1: in this Gilmore prequel kind of clean up, clean them

605
00:36:05,760 --> 00:36:08,839
Speaker 1: all up a little bit. I feel like is good,

606
00:36:08,880 --> 00:36:15,480
Speaker 1: but more more edge than that guy. Okay, he's a

607
00:36:15,480 --> 00:36:18,919
Speaker 1: little bit older. You know. He looks like he looks

608
00:36:19,000 --> 00:36:22,400
Speaker 1: like that actor that was on that Australian actor. He

609
00:36:22,440 --> 00:36:25,120
Speaker 1: looks like a young version of that Australian actor. Was

610
00:36:25,160 --> 00:36:28,560
Speaker 1: his name, No, no no, no, no, the one that was

611
00:36:28,600 --> 00:36:34,080
Speaker 1: in Troy with Brad Pitt. What's his name? Really good actor?

612
00:36:34,320 --> 00:36:38,319
Speaker 1: Dark hair? What's his name? Eric? Eric Banna? That looks

613
00:36:38,360 --> 00:36:42,840
Speaker 1: like a hundred now, like he's not a d stop it.

614
00:36:44,480 --> 00:36:47,200
Speaker 1: That's not a hundred, it's fifty. And he looks like

615
00:36:47,239 --> 00:36:52,960
Speaker 1: a Greek. God, give me a break Instagram. Who would

616
00:36:53,040 --> 00:36:59,920
Speaker 1: who is twenty right now? Even I? Who would be

617
00:37:00,040 --> 00:37:02,799
Speaker 1: the young Luke if there was a prequel? Boy, that's

618
00:37:02,800 --> 00:37:06,640
Speaker 1: a good question. It's not that guy because he looks

619
00:37:06,640 --> 00:37:10,480
Speaker 1: like a young Eric Dane, I mean young Eric Eric Bana.

620
00:37:11,400 --> 00:37:14,040
Speaker 1: I think Eric is the whole Oh god, we're sidetrack.

621
00:37:14,160 --> 00:37:18,839
Speaker 1: Let's get back to break, all right. We're gonna, man,

622
00:37:18,920 --> 00:37:21,040
Speaker 1: we really, We're not just gonna need a towel off.

623
00:37:21,040 --> 00:37:23,800
Speaker 1: We're just gonna need to get buffed. Um so listen,

624
00:37:24,040 --> 00:37:28,600
Speaker 1: uh perfumed and alright, we're gonna take a little break

625
00:37:28,719 --> 00:37:32,000
Speaker 1: and taking knee here, folks, and we'll be right back

626
00:37:32,080 --> 00:37:43,000
Speaker 1: after these words. Ye are everybody, We're back. Everybody's feeling fresh.

627
00:37:43,040 --> 00:37:48,520
Speaker 1: We're talking to We're gonna, we're gonna, we're gonna aromatic wafting.

628
00:37:48,680 --> 00:37:55,920
Speaker 1: It's wonderful. The scent of cucumber in the air, that's wonderful. Um,

629
00:37:55,960 --> 00:37:58,280
Speaker 1: so what are we going to talk about? The the

630
00:37:58,280 --> 00:38:02,560
Speaker 1: the open air market? I thought that was hilarious fresh.

631
00:38:03,120 --> 00:38:07,279
Speaker 1: Josie was so freaking pissed, and Troubadour number two was

632
00:38:07,360 --> 00:38:13,400
Speaker 1: so rapa, Oh my god. David Gruber Alan, Well, how

633
00:38:13,400 --> 00:38:15,480
Speaker 1: do you say his name? He's got He's Gruber. He's

634
00:38:15,520 --> 00:38:18,120
Speaker 1: just known as Gruber. Well he I think in this

635
00:38:18,120 --> 00:38:22,320
Speaker 1: show he's credited as Dave Allen. But obviously we've tracked

636
00:38:22,360 --> 00:38:23,759
Speaker 1: him down and he's going to be on with you

637
00:38:23,800 --> 00:38:27,919
Speaker 1: next So we're gonna, we're gonna, we're gonna, We're gonna

638
00:38:27,920 --> 00:38:30,880
Speaker 1: talk to him because that that young man needs to

639
00:38:30,880 --> 00:38:32,800
Speaker 1: be you know, he needs to answer some questions for

640
00:38:32,840 --> 00:38:35,319
Speaker 1: good later this week. Everyone can hear that episode. But yes,

641
00:38:35,480 --> 00:38:39,120
Speaker 1: I think his like kind of nickname or name is Brewber. Yeah, yeah,

642
00:38:39,200 --> 00:38:41,120
Speaker 1: but what I mean, what a what a I mean?

643
00:38:41,160 --> 00:38:43,480
Speaker 1: Not that I'm getting sick of the show at all.

644
00:38:43,520 --> 00:38:46,560
Speaker 1: But what a great new energy to introduce into this

645
00:38:46,680 --> 00:38:51,600
Speaker 1: Gilmore tapestry. What what a fantastic performance. S this how

646
00:38:51,640 --> 00:38:58,000
Speaker 1: he flirts with and he was so great with Taylor,

647
00:38:58,080 --> 00:39:03,319
Speaker 1: A raging Taylor, right what I was hysterical. He hey, man,

648
00:39:03,440 --> 00:39:05,759
Speaker 1: you know I got all the public bravery work. You know, man,

649
00:39:05,800 --> 00:39:08,120
Speaker 1: it's all good. And yeah, you know my uncle was

650
00:39:08,120 --> 00:39:10,680
Speaker 1: shot in the button. Everything tips over when he drinks coffee.

651
00:39:10,680 --> 00:39:14,160
Speaker 1: But he's good. Everything's good. You know, It's like what

652
00:39:14,920 --> 00:39:18,600
Speaker 1: it was the funniest delivery I've ever heard. It was great. Right.

653
00:39:18,880 --> 00:39:22,200
Speaker 1: The town meeting was so low. Oh my god, oh

654
00:39:22,520 --> 00:39:26,960
Speaker 1: he was the tailors like, uh, miss Patty, you take over.

655
00:39:27,040 --> 00:39:31,920
Speaker 1: And he goes down and he's like she calls on him, like, bro,

656
00:39:32,080 --> 00:39:34,719
Speaker 1: you can just do that from up there. The car

657
00:39:34,840 --> 00:39:45,360
Speaker 1: Kiosk car Chios, the double Chris. It was hysterical. Don't

658
00:39:45,360 --> 00:39:48,319
Speaker 1: go he hands he hands with the gavel and you know,

659
00:39:48,400 --> 00:39:51,960
Speaker 1: Laura Lauraa comes in late with perhaps the best line

660
00:39:52,080 --> 00:39:56,600
Speaker 1: of the whole episode was uh, well you're late, miss Massy,

661
00:39:56,560 --> 00:40:00,719
Speaker 1: and she goes, God, I help him. Not pregnant, so good,

662
00:40:01,560 --> 00:40:10,520
Speaker 1: so good. I'm not pregnant. Stop repeating yourself and being redundant,

663
00:40:10,520 --> 00:40:15,960
Speaker 1: and stop repeating yourself the same thing. I mean, it

664
00:40:16,040 --> 00:40:21,640
Speaker 1: was just, oh, the town meeting was hilarious. It was hilarious,

665
00:40:22,480 --> 00:40:26,319
Speaker 1: God almighty. And I remember we just shot that and

666
00:40:26,400 --> 00:40:28,520
Speaker 1: that didn't take along the shoot. That was like a

667
00:40:28,600 --> 00:40:30,319
Speaker 1: couple of that. I mean it was it was. I

668
00:40:30,320 --> 00:40:33,200
Speaker 1: think it was an evening shoot, as I recall, obviously

669
00:40:33,239 --> 00:40:35,920
Speaker 1: because you have to go outdoors. But it really I

670
00:40:35,920 --> 00:40:38,480
Speaker 1: think it started late afternoon and it wasn't like an

671
00:40:38,520 --> 00:40:41,840
Speaker 1: all day, all night thing, you know. It was just

672
00:40:42,960 --> 00:40:46,000
Speaker 1: short and sweet. Um. I thought Kirk was hitting hitting

673
00:40:46,040 --> 00:40:49,879
Speaker 1: his stride in this one too. Yeah you go seven equals, Yeah,

674
00:40:49,960 --> 00:40:52,320
Speaker 1: seven equals and then his and then his line, how's

675
00:40:52,360 --> 00:40:59,000
Speaker 1: that taste? He goes perfect to steal the equals? Yeah,

676
00:40:59,120 --> 00:41:05,319
Speaker 1: take them all? And I know we'll do this in

677
00:41:05,360 --> 00:41:08,360
Speaker 1: best lines. But I wrote this down. I four fourth

678
00:41:08,520 --> 00:41:11,320
Speaker 1: don't care. But why did she say that? Was it

679
00:41:11,440 --> 00:41:14,280
Speaker 1: tied with the coffee? Why did she say that? Because

680
00:41:14,320 --> 00:41:18,279
Speaker 1: Kirk said, I like, I want three quarter caffeinated, one

681
00:41:18,360 --> 00:41:20,759
Speaker 1: quarter decaf and she goes out four force don't care.

682
00:41:25,280 --> 00:41:32,279
Speaker 1: I didn't that. Oh yeah, yeah, it's so good. What

683
00:41:32,480 --> 00:41:34,680
Speaker 1: is our job? We're just being paid to watch the

684
00:41:34,719 --> 00:41:37,520
Speaker 1: most freaking awesome show on TV. It was really a

685
00:41:37,520 --> 00:41:41,720
Speaker 1: good episode. It was really funny, and then the ending,

686
00:41:41,840 --> 00:41:45,640
Speaker 1: you know, it was so touching. The reenactors show up

687
00:41:45,719 --> 00:41:49,719
Speaker 1: and then of course Lorla is there with him, and

688
00:41:49,760 --> 00:41:53,520
Speaker 1: then they walk back and it's the whole town is

689
00:41:53,560 --> 00:41:57,200
Speaker 1: there and there, you know, everyone brought food and it's

690
00:41:57,239 --> 00:42:02,680
Speaker 1: just like wow, Now now you know why she she

691
00:42:02,800 --> 00:42:06,080
Speaker 1: moved there with the baby Rory that she she she

692
00:42:06,239 --> 00:42:11,239
Speaker 1: made a really good decision because those people are top quality.

693
00:42:11,600 --> 00:42:14,280
Speaker 1: You are so right. I just had another oprah aha

694
00:42:14,320 --> 00:42:20,280
Speaker 1: moment ahead where the Gilmore's Live is fancy and everyone

695
00:42:20,440 --> 00:42:22,839
Speaker 1: is rich and they have their mansions, and I think

696
00:42:22,880 --> 00:42:26,080
Speaker 1: she even says a line in this like bentley'ser for

697
00:42:26,120 --> 00:42:30,240
Speaker 1: people that can't afford rolls royces. But those people judge

698
00:42:30,280 --> 00:42:33,560
Speaker 1: each other all the time, and they're always trying to

699
00:42:33,640 --> 00:42:36,760
Speaker 1: do better in One Up and blah blah in Stars Hollow,

700
00:42:36,880 --> 00:42:39,719
Speaker 1: like these people are just in it for each other.

701
00:42:40,239 --> 00:42:44,160
Speaker 1: Oh you need something, I got you mm hmm. Yeah.

702
00:42:44,200 --> 00:42:47,520
Speaker 1: It's a real I would love to live there, and

703
00:42:47,560 --> 00:42:49,600
Speaker 1: it's a real town. You need a cup of sugar.

704
00:42:49,640 --> 00:42:53,600
Speaker 1: There's forty five neighbors that have sugar knock on a

705
00:42:53,680 --> 00:42:58,080
Speaker 1: door high you don't come on in we're baking blueberry

706
00:42:58,120 --> 00:43:04,279
Speaker 1: play of them not come on, you know, and it's

707
00:43:04,280 --> 00:43:06,120
Speaker 1: in the middle of the night. No, I'm just going,

708
00:43:07,200 --> 00:43:11,359
Speaker 1: I know, I know. I mean, that's that's an aspirational town.

709
00:43:11,400 --> 00:43:14,080
Speaker 1: That's a fantasy town. That's uh. But there are places,

710
00:43:14,120 --> 00:43:16,600
Speaker 1: there's a lot of places like that that exist there.

711
00:43:16,280 --> 00:43:19,400
Speaker 1: There are only only there's two other notes. I have

712
00:43:20,200 --> 00:43:24,239
Speaker 1: Michelle when Luke needs the nine rooms and he's a

713
00:43:24,400 --> 00:43:29,840
Speaker 1: French frore convention so to pop. Sure, it just didn't

714
00:43:29,880 --> 00:43:35,280
Speaker 1: miss a beat, did it this episode. Every everybody's talents

715
00:43:35,280 --> 00:43:38,799
Speaker 1: were showcased. I mean, it was just it was just

716
00:43:39,320 --> 00:43:43,520
Speaker 1: remarkable episode. And I just think, you know, I don't

717
00:43:43,560 --> 00:43:46,520
Speaker 1: know how Lauren Graham didn't become a movie star. I

718
00:43:46,560 --> 00:43:49,920
Speaker 1: don't get it. You know, she is bringing to bear,

719
00:43:50,680 --> 00:43:55,400
Speaker 1: you know, looks, charms, skills up the wazoo. I mean, Jesus,

720
00:43:55,520 --> 00:43:57,120
Speaker 1: I mean, I know she did a couple of films

721
00:43:57,120 --> 00:43:58,840
Speaker 1: and she I think she did Evan Almighty in a

722
00:43:58,840 --> 00:44:00,800
Speaker 1: big film and it didn't make a lot that Santa

723
00:44:01,160 --> 00:44:03,840
Speaker 1: and like, look, she did Parenthood. She had another series

724
00:44:04,200 --> 00:44:08,560
Speaker 1: that was massive Parenthood was brilliant, and she's she was

725
00:44:08,640 --> 00:44:10,920
Speaker 1: much more dramatic, but she still brings the funny. But

726
00:44:11,000 --> 00:44:13,200
Speaker 1: I don't know why something. I mean they you know,

727
00:44:13,719 --> 00:44:16,640
Speaker 1: if you've got those kind of comedy skills and those

728
00:44:16,719 --> 00:44:20,399
Speaker 1: kind of dramatic skills, why why didn't the studio make

729
00:44:20,440 --> 00:44:23,040
Speaker 1: her a star? Right? Like? Why does that mean? Do

730
00:44:23,080 --> 00:44:26,040
Speaker 1: it with other girls? Right? That don't have as much

731
00:44:26,080 --> 00:44:29,759
Speaker 1: to offer? So why didn't Why didn't that happen for Lauren?

732
00:44:29,880 --> 00:44:31,719
Speaker 1: Did you think that she would at least be like

733
00:44:32,160 --> 00:44:36,839
Speaker 1: Sandra Bullock or sure Melissa McCarthy like sure, which she

734
00:44:36,880 --> 00:44:39,520
Speaker 1: works all the time. I mean, you know she's not.

735
00:44:39,800 --> 00:44:43,200
Speaker 1: It's not the same as Melissa. No, It's like, how

736
00:44:43,280 --> 00:44:49,200
Speaker 1: does that woman not have a comedy film career? A

737
00:44:49,200 --> 00:44:52,279
Speaker 1: big one? Right? I mean you could see her all

738
00:44:52,400 --> 00:44:55,720
Speaker 1: these great films. Have you seen the proposal with Sandra Bullock?

739
00:44:56,400 --> 00:44:57,960
Speaker 1: To me, that could have been Laura? I mean, I

740
00:44:57,960 --> 00:45:00,359
Speaker 1: love Sandra Bullocks, she's like McQueen, but could have been

741
00:45:00,600 --> 00:45:03,520
Speaker 1: that could have been more easily easily you could have

742
00:45:03,600 --> 00:45:05,839
Speaker 1: You just stick her into any of those roles and

743
00:45:05,880 --> 00:45:08,719
Speaker 1: she's gonna kill it. And I'm not. It's not taking

744
00:45:08,760 --> 00:45:12,040
Speaker 1: anything away from anybody, you know, especially somebody has gifted

745
00:45:12,040 --> 00:45:14,440
Speaker 1: a Sandra Bullock. But you know the vibe with Sandra

746
00:45:14,520 --> 00:45:18,000
Speaker 1: Bullock is when she was up and coming, the town

747
00:45:18,400 --> 00:45:22,680
Speaker 1: knew it. You knew that Sandra Bullock was going to

748
00:45:22,760 --> 00:45:26,960
Speaker 1: be a star because everybody was behind her. And that's

749
00:45:26,960 --> 00:45:29,440
Speaker 1: all you heard was Sandra Bullocks, Sandy Bullocks, Sandy Bullock.

750
00:45:29,600 --> 00:45:34,080
Speaker 1: She's the next big thing. Um. I just I don't know.

751
00:45:34,160 --> 00:45:36,239
Speaker 1: I just I don't get it. I don't get it.

752
00:45:36,360 --> 00:45:39,120
Speaker 1: I mean, why why didn't some studio sign her to

753
00:45:39,360 --> 00:45:42,360
Speaker 1: a multi picture deal and say rock and roll with

754
00:45:42,400 --> 00:45:45,759
Speaker 1: these comedy scripts with these great writers, and I mean,

755
00:45:45,840 --> 00:45:47,680
Speaker 1: she could have made those studios a bundle. I just

756
00:45:47,680 --> 00:45:50,400
Speaker 1: don't understand it. Maybe I don't understand the business as

757
00:45:50,440 --> 00:45:52,200
Speaker 1: much as I think I do, But I don't know.

758
00:45:52,280 --> 00:45:54,360
Speaker 1: I mean, maybe she's I don't know. It's so interesting

759
00:45:54,400 --> 00:45:57,719
Speaker 1: because Gilmar Girls is such an interesting case study like

760
00:45:57,800 --> 00:46:01,280
Speaker 1: college classes. We'll talk about it because it has been

761
00:46:01,360 --> 00:46:06,160
Speaker 1: so big on television for twenty years, because it has

762
00:46:06,160 --> 00:46:09,240
Speaker 1: its second life and its third life have been bigger

763
00:46:09,280 --> 00:46:13,200
Speaker 1: than its first life. And that doesn't happen that often.

764
00:46:14,440 --> 00:46:17,880
Speaker 1: Because you've got people like Lauren Graham at the center

765
00:46:17,920 --> 00:46:21,000
Speaker 1: of it. And it's like, Okay, I don't want to

766
00:46:21,040 --> 00:46:22,680
Speaker 1: get people to take this wrong because I don't want

767
00:46:22,680 --> 00:46:26,919
Speaker 1: to get the emails. Melissa McCarthy completely deserved everything she's

768
00:46:27,040 --> 00:46:29,719
Speaker 1: she's getting because of her skill set, because of her

769
00:46:29,719 --> 00:46:32,440
Speaker 1: dedication to her craft. I mean, she she's she writes

770
00:46:32,440 --> 00:46:35,240
Speaker 1: her own characters, she writes her own screenplays. She's she's

771
00:46:35,360 --> 00:46:39,120
Speaker 1: brilliant at crafting characters and creating original characters. I mean,

772
00:46:39,160 --> 00:46:41,799
Speaker 1: that's a skill that she probably always had. But she

773
00:46:41,960 --> 00:46:44,080
Speaker 1: you know, she was in the Grownlings for years and

774
00:46:44,080 --> 00:46:49,000
Speaker 1: it was intensified training, and it was just brilliant, brilliant,

775
00:46:49,040 --> 00:46:54,000
Speaker 1: brilliant and everybody but you know, why not, Lauren Graham,

776
00:46:54,040 --> 00:46:57,279
Speaker 1: I don't get it. It's really interesting explain this to me.

777
00:46:58,480 --> 00:47:00,960
Speaker 1: As you're maybe she loves doing TV because she's I

778
00:47:01,000 --> 00:47:03,760
Speaker 1: don't know, as you're talking, everybody wants a film career.

779
00:47:04,400 --> 00:47:06,680
Speaker 1: She's been in a lot of movies, but everybody wants

780
00:47:08,400 --> 00:47:12,040
Speaker 1: three other standouts. And Matt Zukri has an amazing career too.

781
00:47:12,600 --> 00:47:18,480
Speaker 1: Milo is a huge, huge star, right, but not in film? Correct,

782
00:47:18,880 --> 00:47:22,319
Speaker 1: Jarrett had a lucky but not in film. I know.

783
00:47:22,480 --> 00:47:28,080
Speaker 1: This is like my point and Alexis is in Handmade

784
00:47:28,080 --> 00:47:31,960
Speaker 1: Stale and she is freaking brilliant in handmaid Stale. Like her,

785
00:47:32,520 --> 00:47:38,799
Speaker 1: it is not rory at all, and it is these

786
00:47:38,800 --> 00:47:41,560
Speaker 1: people have huge careers, but they all did stay in television.

787
00:47:41,800 --> 00:47:46,920
Speaker 1: Sisterhood of the Trailing Fans, sorry, gotta gotta slide that.

788
00:47:47,200 --> 00:47:49,440
Speaker 1: And she she had, she was in some good films.

789
00:47:49,440 --> 00:47:51,640
Speaker 1: She was in Sin City, she was in Sisterhood the

790
00:47:51,680 --> 00:47:53,560
Speaker 1: Trailing Pants, she was in she was in some good,

791
00:47:53,960 --> 00:47:58,120
Speaker 1: good films some good people too. But in Lauren Graham's case,

792
00:47:58,120 --> 00:48:01,640
Speaker 1: I mean, why didn't Judd Apatow throw her in with

793
00:48:01,640 --> 00:48:05,719
Speaker 1: with his uh clan of of talented comedic actors. I mean,

794
00:48:05,760 --> 00:48:09,719
Speaker 1: she's brilliant, She's absolutely brilliant. I don't know, and I

795
00:48:09,760 --> 00:48:12,400
Speaker 1: don't get I just don't get it. I mean, how

796
00:48:12,400 --> 00:48:15,440
Speaker 1: do you watch an episode? You're just right, I understand,

797
00:48:15,440 --> 00:48:17,919
Speaker 1: I understand. I mean, I'm I'm laying too much down

798
00:48:17,920 --> 00:48:22,680
Speaker 1: on your plan to tall. She's like five s eight

799
00:48:22,680 --> 00:48:28,000
Speaker 1: maybe five ten? No, I no, not five ten, but

800
00:48:28,040 --> 00:48:32,160
Speaker 1: she's yeah, she's tall. She's five eight five nine maybe yeah, yeah,

801
00:48:32,640 --> 00:48:38,200
Speaker 1: that's but so what I know, I don't mean Blanchet

802
00:48:38,239 --> 00:48:42,640
Speaker 1: like six ft tall. And I just cannot imagine. Look,

803
00:48:42,680 --> 00:48:45,239
Speaker 1: if I'm a director and I've got a deal with

804
00:48:45,280 --> 00:48:47,239
Speaker 1: the studio and I've you know, I've got hits under

805
00:48:47,280 --> 00:48:50,279
Speaker 1: my belt, and I'm and my wife says, you've got

806
00:48:50,280 --> 00:48:52,400
Speaker 1: to see this show, this Gilmore Girls, And I'm watching

807
00:48:52,480 --> 00:48:55,680
Speaker 1: Gilmore Girl show like I saw this episode. I want

808
00:48:55,719 --> 00:48:59,160
Speaker 1: that girl in my film. I'm saying, I'm bringing her in.

809
00:49:00,120 --> 00:49:06,000
Speaker 1: I guess I don't understand. I love I'm still I

810
00:49:06,040 --> 00:49:09,839
Speaker 1: love Laura Lie, so of course I love Lauren. And

811
00:49:09,880 --> 00:49:12,839
Speaker 1: I have seen Lauren Graham do some interviews with like

812
00:49:13,320 --> 00:49:17,640
Speaker 1: talk show host and she's a funny person. I don't know.

813
00:49:18,040 --> 00:49:23,440
Speaker 1: I don't know either. Well, someday we may have to

814
00:49:23,480 --> 00:49:28,120
Speaker 1: ask her that question. Oh I'm seeing if I missed

815
00:49:28,120 --> 00:49:30,400
Speaker 1: anything else. The only other thing that kind of disturbed

816
00:49:30,440 --> 00:49:34,279
Speaker 1: me it was when Luke was obviously dealing with the

817
00:49:34,280 --> 00:49:38,239
Speaker 1: funeral and Laura Lize running the diner. I have concerns,

818
00:49:38,320 --> 00:49:40,799
Speaker 1: and everybody could kind of tell me about this. I

819
00:49:40,840 --> 00:49:44,560
Speaker 1: felt that there was an unrefrigerated bottle of ranch sitting

820
00:49:44,560 --> 00:49:49,719
Speaker 1: out behind her. Yeah, maybe both look at the register.

821
00:49:50,800 --> 00:49:55,239
Speaker 1: That can ranch be left out all day as long

822
00:49:55,280 --> 00:49:57,560
Speaker 1: as it's not opened at the grocery store. It's not

823
00:49:58,200 --> 00:50:02,000
Speaker 1: we're talking about it obviously, it's talking about the diner, right, Yeah, Okay,

824
00:50:02,000 --> 00:50:04,400
Speaker 1: that's a fair that. That's a fair answer. So it

825
00:50:04,520 --> 00:50:07,400
Speaker 1: was there. She opens it when people want ranch, and

826
00:50:07,400 --> 00:50:11,160
Speaker 1: then it goes into the fridge. Everybody take a close look.

827
00:50:11,160 --> 00:50:13,320
Speaker 1: It's when she's at the register, probably when she was

828
00:50:13,400 --> 00:50:15,920
Speaker 1: ordering the b LT and I saw this, I was like,

829
00:50:16,320 --> 00:50:20,319
Speaker 1: all Ranch. It's the details. It's the details that keep

830
00:50:20,360 --> 00:50:24,960
Speaker 1: us up at night. We don't sleep people. I don't

831
00:50:24,960 --> 00:50:29,000
Speaker 1: want any food poisoning coming from Luke's Diner. Canceled the

832
00:50:29,080 --> 00:50:31,000
Speaker 1: day Spot. We're gonna watch it again. We gotta watch

833
00:50:31,000 --> 00:50:34,399
Speaker 1: it again on Earth more details. I just talked about

834
00:50:34,400 --> 00:50:36,840
Speaker 1: the fashion. Do we need to take a break. I

835
00:50:36,840 --> 00:50:39,640
Speaker 1: think we'd better take a break, because, man, I'll tell

836
00:50:39,680 --> 00:50:43,920
Speaker 1: you something. I need to eat another pound of chocolate

837
00:50:43,920 --> 00:50:45,839
Speaker 1: to get my energy out. My god. First of all,

838
00:50:46,800 --> 00:50:50,360
Speaker 1: I shoved a sugar cookie in my mouth before this episode,

839
00:50:50,719 --> 00:50:54,520
Speaker 1: which is probably super obvious because I think I'm very spazzy.

840
00:50:58,200 --> 00:51:01,480
Speaker 1: I ate some Valentine's chalk, but my wife got me

841
00:51:01,560 --> 00:51:04,640
Speaker 1: this this wonderful. Oh it's just so good. It's like,

842
00:51:04,840 --> 00:51:09,240
Speaker 1: what is it? What it's like walnuts and chocolate. Yeah

843
00:51:11,239 --> 00:51:15,800
Speaker 1: or no, No, it's more, you know, but it's so good.

844
00:51:15,840 --> 00:51:19,799
Speaker 1: It's so good. I mean, I mean it's so I

845
00:51:19,800 --> 00:51:24,440
Speaker 1: mean we have that stuff, of course we do. But man, yeah, no,

846
00:51:24,560 --> 00:51:26,440
Speaker 1: let's take a break and when we come back, Amy

847
00:51:26,480 --> 00:51:28,960
Speaker 1: wants to get into some fashion. I'm gonna sort of

848
00:51:29,080 --> 00:51:32,000
Speaker 1: set that out, of course, and have another couple of

849
00:51:32,360 --> 00:51:34,920
Speaker 1: five or six chocolate squares. Thanks very much, We'll see

850
00:51:34,960 --> 00:51:43,200
Speaker 1: you soon. Yeah, all right, everybody, we're back. I am reinvigorated.

851
00:51:43,640 --> 00:51:47,239
Speaker 1: I have just eaten a boatload of chocolate squares. I'm

852
00:51:47,320 --> 00:51:50,800
Speaker 1: very happy. Riley, Danielle, do you guys love the fashion

853
00:51:50,840 --> 00:51:54,440
Speaker 1: as much as I do on this show? For am

854
00:51:54,440 --> 00:51:56,560
Speaker 1: I the realm? That really like? Because I I think

855
00:51:56,560 --> 00:52:00,520
Speaker 1: I just the way lower Lie dresses for me is

856
00:52:00,560 --> 00:52:04,080
Speaker 1: just amazing. Yeah, she looked great in this episode. The

857
00:52:05,280 --> 00:52:08,919
Speaker 1: go ahead. Sorry, I'm I'm going to sit out. Sorry

858
00:52:08,920 --> 00:52:11,680
Speaker 1: you were going to say the floral coat at the funeral.

859
00:52:12,960 --> 00:52:17,520
Speaker 1: She looked great. She looked great in every scene. I agree. Wait, Danielle, Riley,

860
00:52:17,560 --> 00:52:19,200
Speaker 1: do you guys you know it's not what stands out

861
00:52:19,200 --> 00:52:25,560
Speaker 1: to you? No, not really. I think I like lines better.

862
00:52:26,000 --> 00:52:29,040
Speaker 1: Oh my god, lines I'm like a magnet to lines,

863
00:52:29,880 --> 00:52:34,520
Speaker 1: lines and clown pillow. I I become obsessed with the fashion.

864
00:52:34,560 --> 00:52:37,960
Speaker 1: And I remember when it was on the first run

865
00:52:38,239 --> 00:52:42,160
Speaker 1: of Really shopping and trying to dress the way Laura

866
00:52:42,160 --> 00:52:45,000
Speaker 1: I dressed. And I noticed it in this episode because

867
00:52:45,000 --> 00:52:49,439
Speaker 1: she wears low low waste jeans, really low rise which

868
00:52:49,440 --> 00:52:51,600
Speaker 1: are coming back, and she had those low waist jeans

869
00:52:51,600 --> 00:52:54,240
Speaker 1: and I think there was a belt. She just the fashion.

870
00:52:54,320 --> 00:52:58,200
Speaker 1: To me, it's one, It's super It's one of my

871
00:52:58,239 --> 00:53:02,040
Speaker 1: favorite parts. I love coat, the floral coat at the funeral.

872
00:53:02,760 --> 00:53:06,919
Speaker 1: I did like seeing Luke in a tux It wasn't

873
00:53:06,960 --> 00:53:12,640
Speaker 1: it wasn't a tux whatever. It wasn't going to tuxedo

874
00:53:13,560 --> 00:53:17,399
Speaker 1: shot up a funeral, the tuxedo on top getting out

875
00:53:17,440 --> 00:53:21,799
Speaker 1: of a carriage with a cane. Oh my god. And

876
00:53:21,800 --> 00:53:24,080
Speaker 1: then there was another she wore. I think it was

877
00:53:24,120 --> 00:53:26,160
Speaker 1: a tound meeting. I could be wrong, but she was

878
00:53:26,160 --> 00:53:28,880
Speaker 1: wearing bright red pants and then she had sort of

879
00:53:28,920 --> 00:53:31,440
Speaker 1: what I would call like a button down denim. Sure,

880
00:53:31,520 --> 00:53:33,640
Speaker 1: but it was red, white and blue. I mean, I

881
00:53:33,680 --> 00:53:36,879
Speaker 1: don't really notice the fashion of the other people, but

882
00:53:36,960 --> 00:53:41,239
Speaker 1: for me, it's like what she is wearing is it's like,

883
00:53:41,560 --> 00:53:43,440
Speaker 1: it's like sex in the city to me, I want

884
00:53:43,480 --> 00:53:46,160
Speaker 1: to pay attention to what Lorala is wearing in every

885
00:53:46,160 --> 00:53:52,400
Speaker 1: episode you're supposed to Yeah, I mean apparently not with

886
00:53:52,440 --> 00:53:56,200
Speaker 1: these people. I do appreciate a good Laura Lee out it.

887
00:53:56,239 --> 00:53:59,200
Speaker 1: I will say that she I love her. Usually her

888
00:53:59,200 --> 00:54:03,080
Speaker 1: shirts are always something funny, like she had like a

889
00:54:03,080 --> 00:54:06,880
Speaker 1: cat on one Like, it's always like fun and different. Right,

890
00:54:06,960 --> 00:54:10,960
Speaker 1: I have googled If anybody listening knows, I am so

891
00:54:11,239 --> 00:54:13,920
Speaker 1: desperately searching for the pink turtlenext weater with the Dog.

892
00:54:14,160 --> 00:54:16,400
Speaker 1: I mean I probably spent two hours on the Internet

893
00:54:16,560 --> 00:54:18,840
Speaker 1: to see if I could find it on eBay or

894
00:54:19,040 --> 00:54:22,040
Speaker 1: posh mark or like anywhere that it was a bright

895
00:54:22,080 --> 00:54:26,120
Speaker 1: pink turtle next water with the dog. Find the picture.

896
00:54:26,239 --> 00:54:28,400
Speaker 1: But but why do you what did you consider the

897
00:54:28,800 --> 00:54:33,759
Speaker 1: wardrobe on her this episode different from other episodes? I

898
00:54:33,800 --> 00:54:38,440
Speaker 1: love her. She looked very chic throughout this entire episode,

899
00:54:38,480 --> 00:54:41,879
Speaker 1: no matter what she was wearing. Perfect words. She cheek. Yes,

900
00:54:41,960 --> 00:54:45,600
Speaker 1: you are correct, less kind of young because sometimes she

901
00:54:45,640 --> 00:54:48,000
Speaker 1: wears the right yoga sucks or the cat it was

902
00:54:48,040 --> 00:54:50,520
Speaker 1: more age appropriate, but it was sleek. Yeah, it was

903
00:54:50,600 --> 00:54:55,320
Speaker 1: very nice. That's very correct, very chic. Yeah, but pink

904
00:54:55,719 --> 00:55:05,120
Speaker 1: turtle next weater. We're gonna get that information to you

905
00:55:05,120 --> 00:55:08,840
Speaker 1: straight away. Um, all right, you want to get into

906
00:55:09,040 --> 00:55:12,680
Speaker 1: uh favorite lines? Yeah, before we do that, do you

907
00:55:12,680 --> 00:55:16,040
Speaker 1: feel any better about your performance? No? Oh no, no,

908
00:55:16,040 --> 00:55:22,640
Speaker 1: I don't want to talk about no. No, see I listen.

909
00:55:24,480 --> 00:55:28,319
Speaker 1: I just did not like the casket scene very much

910
00:55:29,239 --> 00:55:31,080
Speaker 1: when you were trying to squish the stuff in. Yeah,

911
00:55:31,120 --> 00:55:32,960
Speaker 1: I didn't like that at all. I didn't like what

912
00:55:33,040 --> 00:55:36,200
Speaker 1: I did in that scene at all. You know, I'm

913
00:55:36,320 --> 00:55:38,840
Speaker 1: I'm just too critical and and now I you know,

914
00:55:38,880 --> 00:55:41,000
Speaker 1: I can look back and I can be objective about

915
00:55:41,040 --> 00:55:44,040
Speaker 1: it at me. And I just really wish I could

916
00:55:44,040 --> 00:55:47,120
Speaker 1: go back in the time machine and redo that eppisode,

917
00:55:47,120 --> 00:55:52,360
Speaker 1: redo that scene. You know, I don't know that I

918
00:55:52,360 --> 00:55:56,000
Speaker 1: wasn't my best, so it made me sad. But you know,

919
00:55:56,560 --> 00:56:00,360
Speaker 1: this is okay. Here's another testament to to Lauren Graham.

920
00:56:00,400 --> 00:56:04,560
Speaker 1: It's like, it's really difficult for your best work to

921
00:56:04,800 --> 00:56:08,640
Speaker 1: end up in the final cut. There's because I don't

922
00:56:08,680 --> 00:56:12,719
Speaker 1: know that I have that many takes in me anyway,

923
00:56:12,760 --> 00:56:15,799
Speaker 1: because I'm always really prepared right off the bat and

924
00:56:15,840 --> 00:56:17,919
Speaker 1: out of the gate, you know, I'll get it into

925
00:56:18,040 --> 00:56:20,359
Speaker 1: or I'm not going to get it, or I'll get

926
00:56:20,400 --> 00:56:22,560
Speaker 1: it into and I always get it in the first two.

927
00:56:22,960 --> 00:56:25,719
Speaker 1: But it doesn't get better for me after that. And

928
00:56:25,800 --> 00:56:27,759
Speaker 1: that's just how I am as an act or some

929
00:56:27,840 --> 00:56:31,600
Speaker 1: people their first five or a rehearsal, right, and then

930
00:56:31,640 --> 00:56:35,440
Speaker 1: they just keep getting better and better and better and better. No,

931
00:56:35,680 --> 00:56:37,200
Speaker 1: I'm ready to go out of the gate. As soon

932
00:56:37,200 --> 00:56:39,680
Speaker 1: as that gate opens. I'm like, that's gonna be my

933
00:56:39,840 --> 00:56:44,799
Speaker 1: your best performance. Um, so I would just like to

934
00:56:44,840 --> 00:56:46,360
Speaker 1: go back and do it. But the thing is my

935
00:56:46,480 --> 00:56:50,719
Speaker 1: point is do you think they used a later take? Oh,

936
00:56:50,760 --> 00:56:52,440
Speaker 1: I'm not going to get into that. I mean they

937
00:56:52,719 --> 00:56:56,200
Speaker 1: you know, there's so many there's so many different parts

938
00:56:56,200 --> 00:56:58,839
Speaker 1: of a scene that have to work together that it's

939
00:56:58,840 --> 00:57:01,560
Speaker 1: not you know, they probably do consider your best work

940
00:57:01,600 --> 00:57:03,560
Speaker 1: and we can't use it for this reason and that

941
00:57:03,600 --> 00:57:05,520
Speaker 1: reason because it doesn't match this or something. You can

942
00:57:05,520 --> 00:57:08,560
Speaker 1: see a mic or whatever that happens. But it just

943
00:57:08,640 --> 00:57:14,040
Speaker 1: seems like her work is always top notch because it's

944
00:57:14,200 --> 00:57:17,880
Speaker 1: so consistent throughout every episode that I've seen so far,

945
00:57:17,880 --> 00:57:20,360
Speaker 1: and I've seen almost forty of them now right, I

946
00:57:20,360 --> 00:57:23,160
Speaker 1: mean so, and and it's like I'm not seeing any flaws.

947
00:57:23,160 --> 00:57:26,720
Speaker 1: I'm not seeing any you know, glaring mistakes or timing

948
00:57:26,760 --> 00:57:28,840
Speaker 1: issues or anything like that. I mean, everything is just

949
00:57:28,880 --> 00:57:31,600
Speaker 1: so easy and spot on and nuanced and the whole thing.

950
00:57:31,720 --> 00:57:35,400
Speaker 1: Especially in this episode, the humor was just so underplayed.

951
00:57:35,440 --> 00:57:39,080
Speaker 1: It was just fantastic. Um. But to get it to

952
00:57:39,200 --> 00:57:42,880
Speaker 1: that level, imagine what didn't make the cut because of

953
00:57:44,000 --> 00:57:48,200
Speaker 1: you know, screw ups or whatever. You or somebody dropped

954
00:57:48,680 --> 00:57:51,560
Speaker 1: something in the background, all we gotta sorry cut, But

955
00:57:51,640 --> 00:57:53,560
Speaker 1: you know that was a great Taylor Lauren. You know,

956
00:57:53,560 --> 00:57:55,520
Speaker 1: somebody dropped to Coke Caine in the back. We gotta go.

957
00:57:55,920 --> 00:57:58,680
Speaker 1: You know, it's you know, but it's like even her

958
00:57:58,720 --> 00:58:02,760
Speaker 1: mediocre stuff is fantastic because that's usually what ends up

959
00:58:03,920 --> 00:58:08,959
Speaker 1: in the episode to be done right right, And that's

960
00:58:09,000 --> 00:58:12,360
Speaker 1: the that's the amazing part about it. Really quick note

961
00:58:12,440 --> 00:58:15,280
Speaker 1: that I want to let you know because I read

962
00:58:16,040 --> 00:58:22,200
Speaker 1: every Instagram comment we get, and people, the people listening

963
00:58:22,560 --> 00:58:27,240
Speaker 1: want to hear you talk about acting. They yeah, So

964
00:58:27,280 --> 00:58:30,040
Speaker 1: I want you to know because you know, the majority

965
00:58:30,040 --> 00:58:34,080
Speaker 1: of people want to hear exactly what you just told.

966
00:58:34,280 --> 00:58:37,520
Speaker 1: And as a human myself, that was to I find

967
00:58:37,560 --> 00:58:39,960
Speaker 1: that so interesting. So yeah, keep them coming as you

968
00:58:40,000 --> 00:58:43,480
Speaker 1: remember stuff like that we like it. But it's just

969
00:58:43,640 --> 00:58:45,560
Speaker 1: I mean, I just want to compliment her some more

970
00:58:45,760 --> 00:58:48,560
Speaker 1: because you know, she didn't get the accolades she deserves.

971
00:58:48,560 --> 00:58:50,280
Speaker 1: She didn't get a film career out of it, really,

972
00:58:51,240 --> 00:58:55,600
Speaker 1: and her work should be recognized. Great work should be recognized,

973
00:58:55,640 --> 00:58:58,360
Speaker 1: because it's really hard with that kind of a schedule,

974
00:58:58,400 --> 00:59:00,800
Speaker 1: with eighty pages do with all that time, like to

975
00:59:00,880 --> 00:59:03,160
Speaker 1: be great in every moment of every scene. And she

976
00:59:03,320 --> 00:59:06,200
Speaker 1: is and it's a remarkable achievement. And I want people

977
00:59:06,240 --> 00:59:09,680
Speaker 1: to understand how hard that is to do well. And

978
00:59:09,720 --> 00:59:12,320
Speaker 1: it's interesting to me, and it made me feel a

979
00:59:12,320 --> 00:59:15,240
Speaker 1: little bad, But I am interested to hear that that

980
00:59:15,320 --> 00:59:17,880
Speaker 1: wasn't your favorite scene and you didn't love your performance

981
00:59:18,120 --> 00:59:19,600
Speaker 1: as much as it makes you sort of cringe to

982
00:59:19,640 --> 00:59:22,479
Speaker 1: talk about it. It's like, that's interesting. It was bad.

983
00:59:22,560 --> 00:59:24,920
Speaker 1: It was just it was just bad. It was bad acting.

984
00:59:25,040 --> 00:59:28,360
Speaker 1: It was just really good. It was not connected. It

985
00:59:28,480 --> 00:59:32,520
Speaker 1: was over the top. You know, I'm flapping my hands around,

986
00:59:32,560 --> 00:59:34,480
Speaker 1: in my arms around like some kind of spas. I

987
00:59:34,680 --> 00:59:37,280
Speaker 1: I just I did not like that scene with the

988
00:59:37,360 --> 00:59:41,760
Speaker 1: casket in that, you know, and if other people noticed,

989
00:59:41,840 --> 00:59:45,640
Speaker 1: maybe they awful appreciate you saying it or someone like me.

990
00:59:45,680 --> 00:59:50,120
Speaker 1: It was like I enjoyed that scene and didn't even notice. No. Look,

991
00:59:50,160 --> 00:59:52,760
Speaker 1: I'm a tough critic, you know. I know what good

992
00:59:52,760 --> 00:59:55,120
Speaker 1: acting isn't bad acting is. And that was not good.

993
00:59:55,640 --> 00:59:59,080
Speaker 1: That was not good. Um So I threw a flag.

994
00:59:59,760 --> 01:00:01,960
Speaker 1: I picked myself out of the game. Sorry, go to

995
01:00:01,960 --> 01:00:05,480
Speaker 1: the locker room, you know. Sorry, I just I just

996
01:00:05,640 --> 01:00:08,040
Speaker 1: was really I was kind of die. I got up

997
01:00:08,040 --> 01:00:11,200
Speaker 1: and walked away after that scene. I had to go

998
01:00:11,240 --> 01:00:13,439
Speaker 1: get a chocolate square after that. It takes you out.

999
01:00:13,480 --> 01:00:18,040
Speaker 1: But as an actor, like a regular viewer, I was

1000
01:00:18,080 --> 01:00:21,480
Speaker 1: just like, sorry, man, I mean it's like, it's like

1001
01:00:21,640 --> 01:00:26,080
Speaker 1: that scene. My acting in that scene was was the

1002
01:00:26,200 --> 01:00:29,600
Speaker 1: opposite of Shakespeare's advice to his players. Okay, if you

1003
01:00:29,600 --> 01:00:31,200
Speaker 1: want to go back and if you want to go

1004
01:00:31,200 --> 01:00:35,880
Speaker 1: into Hamlet and and and read What Shakes what Hamlet

1005
01:00:35,880 --> 01:00:39,080
Speaker 1: is saying to the players about acting, And that's really

1006
01:00:39,080 --> 01:00:43,160
Speaker 1: Shakespeare telling people what great acting is and what not

1007
01:00:43,360 --> 01:00:47,120
Speaker 1: to do. Yeah. I did all that. I did all

1008
01:00:47,160 --> 01:00:55,240
Speaker 1: the things you're not supposed to do, unless is Walter

1009
01:00:55,440 --> 01:00:59,640
Speaker 1: crun Kind with a special report. Word comes from across

1010
01:00:59,720 --> 01:01:04,880
Speaker 1: the The American actor Scott Patterson has broken in the

1011
01:01:04,920 --> 01:01:12,560
Speaker 1: basement of the Royal Shakespeare Company, three bottles of wine incoherence, salivating.

1012
01:01:13,480 --> 01:01:18,240
Speaker 1: We'll take you there now to London, England. Speak to

1013
01:01:18,240 --> 01:01:20,320
Speaker 1: the speech. I pray you as I pronounced it to you,

1014
01:01:20,400 --> 01:01:22,800
Speaker 1: trippingly on the tongue. But if you malvet, as many

1015
01:01:22,800 --> 01:01:24,920
Speaker 1: of your players do, I had to leave the town

1016
01:01:25,000 --> 01:01:27,760
Speaker 1: criss boke my lines. Nor do not solve the air

1017
01:01:27,800 --> 01:01:30,120
Speaker 1: too much with your hand. Thus, but use all gently.

1018
01:01:30,480 --> 01:01:33,000
Speaker 1: But in the very torrent tempest, and as I may say,

1019
01:01:33,080 --> 01:01:36,160
Speaker 1: the whirlwind of passion, you must acquire and beget a

1020
01:01:36,200 --> 01:01:39,160
Speaker 1: temperance that may give it smoothness. Oh, it offends me

1021
01:01:39,240 --> 01:01:42,640
Speaker 1: to the soul to hear a robustious periwink paged fellow tear,

1022
01:01:42,680 --> 01:01:45,360
Speaker 1: a passion to tatters, to very rags, to split the

1023
01:01:45,400 --> 01:01:47,520
Speaker 1: years of the groundlings were the most party, capable of

1024
01:01:47,640 --> 01:01:51,160
Speaker 1: nothing but inexplicable dumb shows a noise. I have suff

1025
01:01:51,240 --> 01:01:53,440
Speaker 1: a fellow whip frow, and doing termat it out hurts

1026
01:01:53,440 --> 01:01:56,520
Speaker 1: her it. Pray you avoid it. Be not too tame, neither,

1027
01:01:56,560 --> 01:01:58,720
Speaker 1: but let your own discretion be your too, to suit

1028
01:01:58,760 --> 01:02:00,560
Speaker 1: the action of the word. The word to the action,

1029
01:02:00,920 --> 01:02:04,560
Speaker 1: with this special observance that your step not the modesty

1030
01:02:04,560 --> 01:02:07,520
Speaker 1: of nature. For anything so overdone is from the purpose

1031
01:02:07,520 --> 01:02:10,479
Speaker 1: of playing, whose end, both at first and now wasn't

1032
01:02:10,560 --> 01:02:12,720
Speaker 1: is to hold us twit a mirror up to nature,

1033
01:02:12,760 --> 01:02:15,280
Speaker 1: to show virtue her own feature, scorn, her own image,

1034
01:02:15,520 --> 01:02:17,640
Speaker 1: and the very agent body of the time, his form

1035
01:02:17,720 --> 01:02:21,440
Speaker 1: and pressure. Neither overdone or comptari off. Though it makes

1036
01:02:21,440 --> 01:02:24,920
Speaker 1: the unskillful laugh, cannot but make the judicious greet the

1037
01:02:24,960 --> 01:02:27,360
Speaker 1: centure of which one must, and your allowance over way

1038
01:02:27,400 --> 01:02:30,000
Speaker 1: a whole theater of others. Are there be players that

1039
01:02:30,040 --> 01:02:32,600
Speaker 1: I have seen player and heard others praise, and that

1040
01:02:32,680 --> 01:02:35,440
Speaker 1: highly not to speak it profanely, but neither having the

1041
01:02:35,440 --> 01:02:37,800
Speaker 1: accent of Christians, nor the gate of Christian pagan nor

1042
01:02:37,920 --> 01:02:39,840
Speaker 1: man have so strutted and bellowed that I have thought

1043
01:02:39,840 --> 01:02:42,040
Speaker 1: some of nature's journeymen had made. Men have not made

1044
01:02:42,040 --> 01:02:47,160
Speaker 1: them well. They imitated humanity so abominably we have reformed

1045
01:02:47,240 --> 01:02:51,280
Speaker 1: that indifferently with us, sir, Oh, reform it altogether. And

1046
01:02:51,280 --> 01:02:53,760
Speaker 1: that those that play your clowns speak no more than

1047
01:02:53,840 --> 01:02:55,840
Speaker 1: is set down for them, For there be of them

1048
01:02:55,840 --> 01:02:58,120
Speaker 1: that will themselves laugh, to set on some quantity of

1049
01:02:58,120 --> 01:03:00,880
Speaker 1: barren spectators to laugh too, That when the meantime, some

1050
01:03:01,000 --> 01:03:03,680
Speaker 1: necessary question of the play began to be considered. That's

1051
01:03:03,720 --> 01:03:06,160
Speaker 1: Fallainius and shows the most pitiful ambition in the fool

1052
01:03:06,240 --> 01:03:11,080
Speaker 1: that uses it. Make you ready. British authorities caught up

1053
01:03:11,120 --> 01:03:14,960
Speaker 1: to Patterson as he was roasting marshmallows on the main

1054
01:03:15,200 --> 01:03:21,920
Speaker 1: stage at RSC. He'd built a bonfire, was naked, playing

1055
01:03:21,920 --> 01:03:28,760
Speaker 1: a stolen ray Finds guitar and singing songs. Chief Constable

1056
01:03:28,880 --> 01:03:33,680
Speaker 1: Smithereen from the First District is quoted as saying he's

1057
01:03:33,720 --> 01:03:37,640
Speaker 1: not a bad bloke at all. In fact, he had

1058
01:03:37,680 --> 01:03:43,120
Speaker 1: extra marshmallows for me and my mates. I could have

1059
01:03:43,200 --> 01:03:49,560
Speaker 1: done without the singing. It was rubbish. Patterson was booked

1060
01:03:49,600 --> 01:03:54,840
Speaker 1: into Scotland Yard on charges of using a bad British accent,

1061
01:03:55,520 --> 01:04:01,240
Speaker 1: well being American and doing Shakespeare. And that's the way

1062
01:04:01,280 --> 01:04:07,360
Speaker 1: it is. This is Walter Cronkite from New York good Night.

1063
01:04:11,480 --> 01:04:13,960
Speaker 1: I started thinking about Taylor Dossey, saying, is that the

1064
01:04:14,000 --> 01:04:16,880
Speaker 1: long haired break that wanted to beat the down trouptal

1065
01:04:19,600 --> 01:04:22,640
Speaker 1: By the way, didn't you love Taylor sitting at the

1066
01:04:22,680 --> 01:04:25,040
Speaker 1: table playing with his hair like Luke, like he's lost

1067
01:04:26,120 --> 01:04:30,800
Speaker 1: because he was so stressed that I called a farmer's market.

1068
01:04:30,800 --> 01:04:33,240
Speaker 1: You all call it a market. I'm like, I just

1069
01:04:33,360 --> 01:04:43,240
Speaker 1: love when he's like beautiful sprouts for the beautiful lady. Anyway,

1070
01:04:43,240 --> 01:04:49,080
Speaker 1: what's your favorite lines? Uh, Riley, what's your favorite line? Um?

1071
01:04:49,120 --> 01:04:52,240
Speaker 1: I love when they're in the town meeting and this

1072
01:04:52,360 --> 01:04:55,840
Speaker 1: Paddy goes the squash is beautiful, but that sexy. It's

1073
01:04:55,920 --> 01:05:03,360
Speaker 1: sexy squash. That was a good invitation. That was really good.

1074
01:05:03,560 --> 01:05:08,320
Speaker 1: Nail don't one, Danielle. So mine was when Emily and

1075
01:05:08,560 --> 01:05:13,040
Speaker 1: Laurel I were going back and forth about you and Laura.

1076
01:05:13,040 --> 01:05:16,960
Speaker 1: I goes he feeds me, and it was so relatable,

1077
01:05:17,080 --> 01:05:22,440
Speaker 1: like he is he fleeds you. Amy. I mean, I

1078
01:05:22,440 --> 01:05:25,920
Speaker 1: think I've given all mine fifty different times. But every

1079
01:05:26,000 --> 01:05:28,400
Speaker 1: line she said about the food, which Riley already caves.

1080
01:05:29,040 --> 01:05:31,320
Speaker 1: But I'd say my top was fourth force don't care.

1081
01:05:32,040 --> 01:05:34,800
Speaker 1: I a four force don't care right right to Kirk,

1082
01:05:35,000 --> 01:05:38,520
Speaker 1: I four fourths don't care. Um. My favorite line I

1083
01:05:38,520 --> 01:05:40,960
Speaker 1: think I've stated at it. It's when Laura la comes

1084
01:05:40,960 --> 01:05:43,120
Speaker 1: in late to the town meeting and says, gosh, I

1085
01:05:43,160 --> 01:05:46,840
Speaker 1: hope I'm not pregnant. I just hope I'm not pregnant.

1086
01:05:47,000 --> 01:05:50,520
Speaker 1: What did you say that? I mean that was good.

1087
01:05:50,880 --> 01:05:52,720
Speaker 1: I spit, I spit a chocolate square out of my

1088
01:05:52,720 --> 01:05:55,120
Speaker 1: mouth when she's on it. I know we say it

1089
01:05:55,160 --> 01:05:58,480
Speaker 1: every time, repeating ourselves and being redundant, repeating our skills

1090
01:05:58,480 --> 01:06:00,080
Speaker 1: and being redundant. But that's why you can watch the

1091
01:06:00,160 --> 01:06:03,439
Speaker 1: shows seven times, these episodes seven times, because you catch

1092
01:06:03,440 --> 01:06:06,560
Speaker 1: a new line every But I'll stop repeating myself and

1093
01:06:06,600 --> 01:06:08,600
Speaker 1: being redundant and saying the same thing over and over

1094
01:06:08,640 --> 01:06:16,480
Speaker 1: again and then repeating myself. God Almighty, I can talk

1095
01:06:16,520 --> 01:06:20,600
Speaker 1: about this episode forever, but I think let's wrap it up. Kids,

1096
01:06:20,600 --> 01:06:25,439
Speaker 1: anything else? Huh? Next week? Back in the saddle again? Oh?

1097
01:06:25,480 --> 01:06:27,680
Speaker 1: So that's twenty? Is that episode? What a number? Episode

1098
01:06:27,720 --> 01:06:31,720
Speaker 1: is that is that? I don't know what episode is. Gosh,

1099
01:06:32,040 --> 01:06:36,240
Speaker 1: we're flying through this season. We're almost through it. We

1100
01:06:36,320 --> 01:06:38,760
Speaker 1: might have to start looking for jobs soon. Jesus. We

1101
01:06:38,840 --> 01:06:41,440
Speaker 1: just started this podcast. We just started this and we're

1102
01:06:41,480 --> 01:06:47,880
Speaker 1: already like blowing through season two. Wow, it flies, doesn't it? Man?

1103
01:06:47,920 --> 01:06:51,520
Speaker 1: Oh man? Alright, everybody that's gonna wrap up? What is

1104
01:06:51,520 --> 01:06:53,480
Speaker 1: this episode? Let me hang out, let me do this again?

1105
01:06:54,160 --> 01:06:57,320
Speaker 1: Al Right, everybody that's gonna wrap up Episode seventeen. Dead

1106
01:06:57,400 --> 01:07:02,240
Speaker 1: Uncles and Vegetables what's a richly aired April two thousand

1107
01:07:02,240 --> 01:07:09,160
Speaker 1: and two, twenty almost twenty years ago. Um wow, thanks

1108
01:07:09,160 --> 01:07:13,480
Speaker 1: for downloading. Best fans on the planet. Can't believe we're

1109
01:07:13,480 --> 01:07:16,640
Speaker 1: talking about this show. It's two thousand and twenty two

1110
01:07:16,880 --> 01:07:19,960
Speaker 1: and the show is bigger than ever. Unbelievable. That's a

1111
01:07:19,960 --> 01:07:54,200
Speaker 1: testament to fans. Love you guys, Stay safe everyone, Hey, everybody,

1112
01:07:54,200 --> 01:07:57,520
Speaker 1: and don't forget Follow us on Instagram at I Am

1113
01:07:57,560 --> 01:08:01,560
Speaker 1: all In podcast and email us at Gilmore at I

1114
01:08:01,760 --> 01:08:05,120
Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're

1115
01:08:05,120 --> 01:08:06,960
Speaker 1: looking for the best cup of coffee in the world,

1116
01:08:07,000 --> 01:08:10,720
Speaker 1: go to my website for my company scott EP dot

1117
01:08:10,720 --> 01:08:12,840
Speaker 1: com s C O T. T y P dot com,

1118
01:08:12,880 --> 01:08:24,160
Speaker 1: scott ep dot com Grade one Specialty Coffee. Yeah.