1 00:00:16,800 --> 00:00:19,480 Speaker 1: Go ahead, were falling your leave him and in five 2 00:00:19,960 --> 00:00:26,720 Speaker 1: four three you see that, y'all. Story time with the 3 00:00:26,880 --> 00:00:32,160 Speaker 1: legendary Jerry. We are having a ball here, new face. 4 00:00:32,200 --> 00:00:36,640 Speaker 1: We on location today, we were outside our first time. 5 00:00:36,760 --> 00:00:41,120 Speaker 1: We're outside, a special place, a special place, a special guest. 6 00:00:42,400 --> 00:00:44,960 Speaker 1: I'm excited, man, I'm excited about having his brother on 7 00:00:44,960 --> 00:00:48,440 Speaker 1: the show, y'all. I'm excited about every guest every week. 8 00:00:48,520 --> 00:00:51,760 Speaker 1: This guy right here, I've had my hands directly and 9 00:00:51,800 --> 00:00:55,040 Speaker 1: indirectly uh involved in his. 10 00:00:55,080 --> 00:00:57,760 Speaker 2: Projects over the years, and. 11 00:01:00,480 --> 00:01:04,000 Speaker 1: Without without without without going too deep in because we're 12 00:01:04,040 --> 00:01:06,479 Speaker 1: about to have a great conversation. I got my brother, 13 00:01:06,600 --> 00:01:09,120 Speaker 1: new face. I am Jerry Clark, a k A D. 14 00:01:09,240 --> 00:01:15,040 Speaker 1: Legendary Jerry, and we are here a new face with singer, songwriter, 15 00:01:16,760 --> 00:01:19,959 Speaker 1: entrepreneurs gamer. Did I miss out on anything? 16 00:01:20,720 --> 00:01:21,759 Speaker 2: Writer produced? 17 00:01:21,880 --> 00:01:33,520 Speaker 1: Answer being that's the Florida Ship, Ladies and gentlemen, t 18 00:01:34,319 --> 00:01:42,200 Speaker 1: pain claps, the polls, and how you feeling mind. We 19 00:01:42,319 --> 00:01:43,520 Speaker 1: talked about this off camera. 20 00:01:43,560 --> 00:01:48,440 Speaker 3: I'm you know, I look okay. I think you say 21 00:01:48,440 --> 00:01:49,440 Speaker 3: that again, I look okay? 22 00:01:49,480 --> 00:01:50,320 Speaker 2: Do you feel okay? 23 00:01:50,560 --> 00:01:51,800 Speaker 3: You know that's subjective? 24 00:01:52,000 --> 00:01:55,480 Speaker 1: Okay, So look before before we get into this great conversation, 25 00:01:55,560 --> 00:01:59,040 Speaker 1: I got a confession to make. Okay, okay, sure, yeah. 26 00:01:59,640 --> 00:02:02,800 Speaker 1: Back back in the day before you got signed, before 27 00:02:02,800 --> 00:02:04,280 Speaker 1: you blew up and became t pain. 28 00:02:05,440 --> 00:02:05,680 Speaker 3: T J. 29 00:02:05,880 --> 00:02:10,360 Speaker 1: Chapman came to my house Mountain with a CD and 30 00:02:10,440 --> 00:02:12,400 Speaker 1: I just was in storage and I found and I 31 00:02:12,440 --> 00:02:14,959 Speaker 1: want to bring it to you, and it just took 32 00:02:15,000 --> 00:02:17,240 Speaker 1: me back. I said, damn, I'm about to interview this 33 00:02:17,280 --> 00:02:24,079 Speaker 1: guy and it said Teddy pender as down new face Teddy. 34 00:02:24,639 --> 00:02:30,480 Speaker 1: He came to my mind, let me finish my confession. 35 00:02:30,800 --> 00:02:31,760 Speaker 1: He came to my house. 36 00:02:32,000 --> 00:02:32,280 Speaker 2: T J. 37 00:02:32,480 --> 00:02:36,600 Speaker 1: Chapman said, Jerry, this dude is a star bro. He's 38 00:02:36,600 --> 00:02:39,160 Speaker 1: gonna be the next he gonna be that next big superstar. 39 00:02:39,600 --> 00:02:42,320 Speaker 1: And I was like, oh, okay. I listened to it. 40 00:02:42,320 --> 00:02:44,200 Speaker 1: It's about two three songs. I gotta find the CD. 41 00:02:44,280 --> 00:02:44,440 Speaker 2: I know. 42 00:02:44,440 --> 00:02:47,080 Speaker 1: I'm a final to get back to the house. Came 43 00:02:47,160 --> 00:02:49,000 Speaker 1: down to TJ's DJ's in Tallahasse. 44 00:02:49,040 --> 00:02:49,520 Speaker 2: He met you. 45 00:02:50,560 --> 00:02:52,359 Speaker 1: I was like, okay, my thing was I was like 46 00:02:53,200 --> 00:02:56,320 Speaker 1: scene rapp, like what like and I'm able to say 47 00:02:56,360 --> 00:02:59,640 Speaker 1: this man, I didn't get it. I mean, the musical 48 00:02:59,680 --> 00:03:02,400 Speaker 1: was good, but yeah, that's why I didn't get it. 49 00:03:02,400 --> 00:03:04,959 Speaker 1: So I just wanted before we start I could have 50 00:03:04,960 --> 00:03:06,480 Speaker 1: had the opportunity. 51 00:03:06,320 --> 00:03:07,640 Speaker 2: Most people with this guy. 52 00:03:07,800 --> 00:03:10,080 Speaker 3: Most people only got it if they didn't know what 53 00:03:10,120 --> 00:03:11,680 Speaker 3: I looked like. 54 00:03:13,040 --> 00:03:13,960 Speaker 2: A lot of people. 55 00:03:13,720 --> 00:03:17,359 Speaker 3: Thought I was hispanic before I dropped the video for Sprunt, 56 00:03:17,560 --> 00:03:19,480 Speaker 3: so they saw me and I was like, that's the. 57 00:03:19,520 --> 00:03:23,280 Speaker 1: Nigga saying that, And I'm gonna say this again paying 58 00:03:23,280 --> 00:03:27,640 Speaker 1: that I heard the music and it was good, and 59 00:03:27,720 --> 00:03:29,400 Speaker 1: I was just like and I was in a position 60 00:03:29,560 --> 00:03:33,359 Speaker 1: then from my relationships with labels to make some shape, 61 00:03:33,639 --> 00:03:35,640 Speaker 1: so I'm able to just say, from man to man, right, 62 00:03:35,920 --> 00:03:37,360 Speaker 1: I dropped the motherfucking bot. 63 00:03:37,600 --> 00:03:40,280 Speaker 3: It took it, and you weren't only one. It took 64 00:03:40,320 --> 00:03:43,440 Speaker 3: TJ a minute, you know what I mean. Like, even 65 00:03:43,480 --> 00:03:45,920 Speaker 3: when I took it to TJ and try to get 66 00:03:45,920 --> 00:03:48,720 Speaker 3: it on the Taste Maker CD, he talked me three 67 00:03:48,760 --> 00:03:50,440 Speaker 3: hundred dollars to put it on the CD, and I'm like, dude, 68 00:03:50,440 --> 00:03:51,760 Speaker 3: I'm sleeping in my car outside. 69 00:03:52,120 --> 00:03:53,280 Speaker 2: I can't do that. 70 00:03:53,840 --> 00:03:55,320 Speaker 3: He was like, well, I need three hundred dollars and 71 00:03:55,360 --> 00:03:57,160 Speaker 3: I'm like, but it's really good music. It's like, hey, man, 72 00:03:57,160 --> 00:03:58,520 Speaker 3: I got a lot of good music on this Dad. 73 00:03:58,560 --> 00:04:02,360 Speaker 3: I'm like, all right, well that's it. Then, you know, 74 00:04:02,560 --> 00:04:04,520 Speaker 3: I walked out of his office crying, went down to 75 00:04:04,560 --> 00:04:05,840 Speaker 3: my wife. She's like, what you crying for? 76 00:04:06,200 --> 00:04:14,880 Speaker 2: You know what money we had, We we gonna get something, 77 00:04:14,920 --> 00:04:15,480 Speaker 2: you know what I'm saying. 78 00:04:15,520 --> 00:04:17,359 Speaker 3: And she was in the military, so any money that 79 00:04:17,440 --> 00:04:20,320 Speaker 3: I had, like, she'd send me her check, like you 80 00:04:20,360 --> 00:04:22,039 Speaker 3: know what I mean. So she was like keeping my 81 00:04:22,160 --> 00:04:23,719 Speaker 3: lights on at the house or any money she would 82 00:04:23,760 --> 00:04:25,919 Speaker 3: send me, it would go straight to my to my 83 00:04:26,120 --> 00:04:27,680 Speaker 3: light bill, you know, at my dad's house. 84 00:04:28,200 --> 00:04:35,000 Speaker 1: Those women at pain wait what those type women. 85 00:04:35,320 --> 00:04:39,839 Speaker 3: Probably in the military, so you know, uh, you know, 86 00:04:39,880 --> 00:04:41,560 Speaker 3: she was supporting me and stuff like that, but I 87 00:04:41,800 --> 00:04:44,960 Speaker 3: like whatever. And then I started giving the CDs out 88 00:04:45,000 --> 00:04:47,680 Speaker 3: to the DJs, and uh, you know, it got down 89 00:04:47,720 --> 00:04:50,320 Speaker 3: to Miami, and then people from Miami started calling up, like, hey, well, 90 00:04:50,400 --> 00:04:52,440 Speaker 3: y'all got this nigga up there and tell her it's 91 00:04:52,520 --> 00:04:55,280 Speaker 3: hard as that was something that they had worked out. 92 00:04:55,279 --> 00:04:57,560 Speaker 3: I don't know what happened with that. And then all 93 00:04:57,560 --> 00:04:59,560 Speaker 3: that stuff with jobs started happening, and I was like, 94 00:04:59,600 --> 00:05:01,560 Speaker 3: I don't know what's going on. I'm just gonna sign 95 00:05:01,600 --> 00:05:03,200 Speaker 3: this bitch and get and do what I can. 96 00:05:03,800 --> 00:05:06,520 Speaker 1: But you know, so take us from that, take us 97 00:05:06,520 --> 00:05:08,520 Speaker 1: from what we just said, you're sleeping in the car, 98 00:05:08,640 --> 00:05:12,880 Speaker 1: your wife sending money to the situation where that whole 99 00:05:12,960 --> 00:05:16,159 Speaker 1: job thing with with job situation, I should say, with 100 00:05:16,160 --> 00:05:19,000 Speaker 1: with meth hits and everybody can all come to fruition 101 00:05:19,160 --> 00:05:19,479 Speaker 1: like that. 102 00:05:19,600 --> 00:05:22,920 Speaker 3: So basically, uh, it was my homeboy Greg at the time. 103 00:05:23,000 --> 00:05:27,120 Speaker 3: They had take it to uh to Boo Acon's brother, 104 00:05:27,520 --> 00:05:31,240 Speaker 3: and then Boo took that to Acon. Acon called me 105 00:05:31,400 --> 00:05:34,279 Speaker 3: right when I got my McDonald's application, and I thought 106 00:05:34,279 --> 00:05:36,360 Speaker 3: somebody was playing on my phone because that nigga got 107 00:05:36,360 --> 00:05:38,440 Speaker 3: a funny voice, and I was like, this is can't 108 00:05:38,440 --> 00:05:40,039 Speaker 3: be a real person on my phone? What is this? 109 00:05:40,520 --> 00:05:47,080 Speaker 3: Uh on him? Because I thought about and uh yeah, 110 00:05:47,120 --> 00:05:49,800 Speaker 3: man he he he said he wanted to meet up. 111 00:05:50,400 --> 00:05:53,040 Speaker 3: Took me to them pizza fall of him and Boo 112 00:05:53,080 --> 00:05:57,240 Speaker 3: I was like, yeah, yeah, right right by the modestation. 113 00:05:57,279 --> 00:06:00,279 Speaker 3: It was some some pizza place back then I was 114 00:06:00,480 --> 00:06:07,040 Speaker 3: sitting across from them. I'm like, y'all y'all the same persons. 115 00:06:07,240 --> 00:06:10,960 Speaker 3: Yeah yeah, but you know, uh now we went through 116 00:06:10,960 --> 00:06:13,720 Speaker 3: that and Akon was basically like, I can offer you 117 00:06:14,000 --> 00:06:17,320 Speaker 3: a career, can't offer you a bunch of money. You know. 118 00:06:17,440 --> 00:06:18,920 Speaker 3: My dad was with me at the time. My dad 119 00:06:18,960 --> 00:06:23,760 Speaker 3: was like, well, now we want money, so yeah, but 120 00:06:23,880 --> 00:06:25,839 Speaker 3: I was like, no, I want a career. But we 121 00:06:25,880 --> 00:06:28,720 Speaker 3: had more meetings. We had. We went to Atlantic in LA. 122 00:06:29,000 --> 00:06:30,400 Speaker 3: That was my first time going to LA. We went 123 00:06:30,400 --> 00:06:35,119 Speaker 3: to Atlantic, went to Geffing Interscope, uh Ship. We pretty 124 00:06:35,200 --> 00:06:37,440 Speaker 3: much went everywhere we could in l A. And then 125 00:06:38,480 --> 00:06:40,279 Speaker 3: you know, once we got back, I was like, I 126 00:06:40,279 --> 00:06:42,400 Speaker 3: didn't I didn't like any of those meetings. And my 127 00:06:42,520 --> 00:06:44,560 Speaker 3: dad was like, well we got two more, so get 128 00:06:44,560 --> 00:06:45,880 Speaker 3: ready to get back on the plane. 129 00:06:46,960 --> 00:06:48,320 Speaker 1: When you said you didn't like them, what you mean 130 00:06:48,360 --> 00:06:49,159 Speaker 1: you didn't like the meeting? 131 00:06:50,400 --> 00:06:56,200 Speaker 3: It was everybody was talking hell of money. They was 132 00:06:56,240 --> 00:06:59,000 Speaker 3: talking about millions. This job was even the ones talking 133 00:06:59,000 --> 00:07:03,200 Speaker 3: about millions, but they was stalking about millions froms from 134 00:07:03,279 --> 00:07:06,200 Speaker 3: con said I can give you twenty thousand dollars in 135 00:07:06,240 --> 00:07:09,080 Speaker 3: a career, and I was like, well that sounds better 136 00:07:09,120 --> 00:07:11,320 Speaker 3: than all this because everybody's saying they can give me 137 00:07:11,400 --> 00:07:14,000 Speaker 3: a bunch of money for one song, and I'm like, 138 00:07:14,000 --> 00:07:15,960 Speaker 3: I want to make more than this one. But when 139 00:07:15,960 --> 00:07:17,880 Speaker 3: they saw me, they want to do a single deal. 140 00:07:17,920 --> 00:07:20,800 Speaker 3: It was like this kid ain't gonna make the fastest once. Really, 141 00:07:21,200 --> 00:07:23,200 Speaker 3: that's I mean that's what they saw. They saw me, 142 00:07:23,240 --> 00:07:25,240 Speaker 3: and it was like, in what world with this nigga 143 00:07:25,440 --> 00:07:26,120 Speaker 3: go further than this? 144 00:07:26,760 --> 00:07:27,320 Speaker 2: You know what I mean. 145 00:07:27,400 --> 00:07:30,040 Speaker 3: So they all offered a ton of money. It was 146 00:07:30,080 --> 00:07:32,800 Speaker 3: offering millions and then A Kon was offering twenty grand. 147 00:07:33,240 --> 00:07:35,480 Speaker 3: But he promised me that it was going to go 148 00:07:35,560 --> 00:07:37,520 Speaker 3: further than to one song, and that's what I wanted 149 00:07:37,520 --> 00:07:37,880 Speaker 3: the most. 150 00:07:38,080 --> 00:07:39,120 Speaker 4: Was it the total opposite. 151 00:07:39,160 --> 00:07:41,200 Speaker 5: So with Jerry saying like he didn't really get it, 152 00:07:41,240 --> 00:07:42,560 Speaker 5: did these labels get it? 153 00:07:42,600 --> 00:07:44,080 Speaker 4: And they say they got they got the song? 154 00:07:44,160 --> 00:07:47,040 Speaker 3: Yeah, the song like they wanted like everybody wanted me 155 00:07:47,080 --> 00:07:49,200 Speaker 3: to cut my hair, like it was just this whole 156 00:07:49,280 --> 00:07:52,160 Speaker 3: trying to get me to fit into whatever they thought was. Yeah. 157 00:07:52,200 --> 00:07:55,400 Speaker 3: So A Kon was like, dude, I get it. I'm 158 00:07:55,440 --> 00:07:59,000 Speaker 3: a African from New Jersey, Like a lot of people 159 00:07:59,040 --> 00:08:00,000 Speaker 3: didn't get my music either. 160 00:08:00,120 --> 00:08:02,600 Speaker 1: Yeah, you know, because he was signed to the. 161 00:08:02,520 --> 00:08:05,040 Speaker 3: Fouji's, he just can sounded like fifteen deals. So you know, 162 00:08:05,480 --> 00:08:06,960 Speaker 3: like when you know when things work out and when 163 00:08:06,960 --> 00:08:09,920 Speaker 3: people can't see things. So going from that, you know, 164 00:08:10,280 --> 00:08:16,320 Speaker 3: and while I'm doing that, it's, uh, it jumped from 165 00:08:16,360 --> 00:08:19,600 Speaker 3: where it was to what it is because when we 166 00:08:19,640 --> 00:08:21,640 Speaker 3: had those last two meetings, my dad went to go 167 00:08:21,680 --> 00:08:25,040 Speaker 3: put gas in the truck to take us to the airport. 168 00:08:25,320 --> 00:08:30,480 Speaker 3: I was with Boo and my homeboy Tatim at the 169 00:08:30,520 --> 00:08:32,880 Speaker 3: house and he had my dad had pretty much an 170 00:08:32,880 --> 00:08:35,040 Speaker 3: cust out. Boo like, we're not We're not taking y'all 171 00:08:35,120 --> 00:08:37,640 Speaker 3: shitty ass deal. Go ahead and go home, man, leave 172 00:08:37,679 --> 00:08:41,240 Speaker 3: my son alone. I'm gonna go get gas. Let's let's 173 00:08:41,280 --> 00:08:42,960 Speaker 3: just end it right here. And was like, all right. 174 00:08:43,000 --> 00:08:45,240 Speaker 3: So my dad left to go get gas. I said, 175 00:08:45,440 --> 00:08:47,640 Speaker 3: how long did it take to get that Atlanta from me? 176 00:08:48,000 --> 00:08:51,160 Speaker 3: He said about a four hour drive. I I gotta 177 00:08:51,200 --> 00:08:55,640 Speaker 3: get going now. So I was like, give me two minutes. 178 00:08:56,360 --> 00:08:58,360 Speaker 3: I went in. That bitch got the biggest duffel bag 179 00:08:58,400 --> 00:09:00,680 Speaker 3: I can find, and I stuffed lamps, and that bitch. 180 00:09:03,800 --> 00:09:04,600 Speaker 2: Got a mattress that. 181 00:09:07,000 --> 00:09:14,480 Speaker 3: I said, I'm gone. We dipped out. I went up 182 00:09:14,520 --> 00:09:16,439 Speaker 3: there by myself. I fucking threw my phone away. I 183 00:09:16,480 --> 00:09:18,160 Speaker 3: didn't want no community because I knew my dad was 184 00:09:18,160 --> 00:09:19,880 Speaker 3: gonna try to find me. I just threw my phone away, 185 00:09:20,320 --> 00:09:22,439 Speaker 3: and uh, you know, I tried to, you know, just 186 00:09:22,559 --> 00:09:24,120 Speaker 3: have something I can get in touch with my wife 187 00:09:24,640 --> 00:09:27,760 Speaker 3: and man. And within the next week I was signed 188 00:09:27,800 --> 00:09:31,640 Speaker 3: the convict, damn, and here we are, dang interview in 189 00:09:31,640 --> 00:09:32,240 Speaker 3: my mouse. 190 00:09:32,200 --> 00:09:35,360 Speaker 1: And then and then and then I don't know how 191 00:09:35,440 --> 00:09:37,320 Speaker 1: much time after that you gotta signed. But I get 192 00:09:37,360 --> 00:09:41,360 Speaker 1: a call from the label like, Jerry, we need you 193 00:09:41,400 --> 00:09:43,760 Speaker 1: to come to patchwork. It was Memphis, Memphis. He's like, 194 00:09:43,800 --> 00:09:46,320 Speaker 1: I need you to come to patchwork, Yeah, and hear 195 00:09:46,440 --> 00:09:48,640 Speaker 1: these records before the alum drop. I need you to 196 00:09:48,640 --> 00:09:50,000 Speaker 1: be the one of the first people to hear. And 197 00:09:50,160 --> 00:09:51,800 Speaker 1: you know, I was like cool because I had already, 198 00:09:51,880 --> 00:09:54,200 Speaker 1: like I said earlier, had heard the music and liked it. 199 00:09:54,240 --> 00:09:57,920 Speaker 1: So I came in and I remember him playing I 200 00:09:58,040 --> 00:10:02,160 Speaker 1: Never Forget, I Never Forget y'all played I'm in Love 201 00:10:02,200 --> 00:10:05,560 Speaker 1: with a Stripper, and I told the engineer to bring that. 202 00:10:05,960 --> 00:10:08,880 Speaker 1: He might have played that bitch maybe ten times in. 203 00:10:08,880 --> 00:10:09,439 Speaker 3: The rock. 204 00:10:11,160 --> 00:10:17,040 Speaker 1: No New Face the Big Man, Uh yeah, but downstairs passwork, 205 00:10:17,880 --> 00:10:20,720 Speaker 1: and I was like, I just kept saying, this is 206 00:10:20,920 --> 00:10:23,000 Speaker 1: this is the one, this one from the ship. He 207 00:10:23,120 --> 00:10:25,920 Speaker 1: was saying, one from the ship. He was saying in 208 00:10:25,960 --> 00:10:27,800 Speaker 1: the round. I just and you know, Plus at that time, 209 00:10:27,840 --> 00:10:30,920 Speaker 1: I used to frequent I used to frequent adult entertainment. 210 00:10:31,040 --> 00:10:32,880 Speaker 1: Establish it a little bit a lot more than what 211 00:10:32,960 --> 00:10:37,960 Speaker 1: I pay, a lot more than what I do now 212 00:10:39,080 --> 00:10:39,760 Speaker 1: in those days. 213 00:10:39,800 --> 00:10:41,720 Speaker 2: So when I hear it hit home for me in 214 00:10:41,760 --> 00:10:42,080 Speaker 2: a lot. 215 00:10:41,960 --> 00:10:45,440 Speaker 1: Of different way, and I just kept saying, But after 216 00:10:45,520 --> 00:10:47,840 Speaker 1: I got over that, that that love for that record, 217 00:10:48,800 --> 00:10:52,280 Speaker 1: and the engineer started playing other records, I said, motherfuck, 218 00:10:52,360 --> 00:10:58,280 Speaker 1: I don't need yeah, man, this motherfucker got records, man, 219 00:10:58,360 --> 00:10:58,560 Speaker 1: you know. 220 00:10:58,640 --> 00:10:59,199 Speaker 2: And there was a lot. 221 00:10:59,200 --> 00:11:00,920 Speaker 3: There was a lot going on in between that too, 222 00:11:00,960 --> 00:11:03,960 Speaker 3: because when meth Hits got a hold of me, he 223 00:11:04,080 --> 00:11:06,280 Speaker 3: still remembered from the first go round, you know what 224 00:11:06,320 --> 00:11:08,280 Speaker 3: I mean, like what was going on with with all 225 00:11:08,320 --> 00:11:10,720 Speaker 3: the deals and now with con and now everybody get 226 00:11:10,720 --> 00:11:13,000 Speaker 3: signed to a major. So now TJ is like, wait 227 00:11:13,000 --> 00:11:16,440 Speaker 3: a minute, hey, I started this whole ship on now yeah, 228 00:11:16,760 --> 00:11:18,959 Speaker 3: And then you know, so he's like, you know him 229 00:11:18,960 --> 00:11:19,960 Speaker 3: and Myphi is getting into. 230 00:11:19,800 --> 00:11:22,600 Speaker 1: It because nowmbers like I remember remember. 231 00:11:23,080 --> 00:11:26,840 Speaker 3: Uh Memphis, Like, well, unfortunately we just stopped doing. 232 00:11:26,640 --> 00:11:32,559 Speaker 1: That because because I remember talking to t J after 233 00:11:32,600 --> 00:11:35,360 Speaker 1: the fact. So with with myth being a and R 234 00:11:35,440 --> 00:11:37,800 Speaker 1: over there jib and him being part of your project. 235 00:11:38,520 --> 00:11:41,160 Speaker 1: Of course I know from you know, from being in 236 00:11:41,160 --> 00:11:43,199 Speaker 1: the industry for years and just being in that building 237 00:11:43,559 --> 00:11:47,720 Speaker 1: that it soon became some friction with you and him. 238 00:11:47,720 --> 00:11:50,120 Speaker 3: Man myth Yeah soon. 239 00:11:50,840 --> 00:11:53,680 Speaker 1: I mean it was after a while, We're okay. After 240 00:11:53,880 --> 00:11:58,240 Speaker 1: what depends on what it's all relativele that, because. 241 00:11:58,040 --> 00:12:01,600 Speaker 3: I can't even remember like a significant beats were like, yeah, 242 00:12:01,640 --> 00:12:04,920 Speaker 3: we were inseparable, But I think that I think what 243 00:12:04,960 --> 00:12:08,440 Speaker 3: you're talking about came when his committee started. So when 244 00:12:08,600 --> 00:12:11,400 Speaker 3: Men tried to start doing his own label on the side, 245 00:12:11,600 --> 00:12:14,280 Speaker 3: then he kind of started leveraging his relationship with me, 246 00:12:14,600 --> 00:12:16,720 Speaker 3: and then he kind of started using me for different 247 00:12:16,720 --> 00:12:18,839 Speaker 3: things on his label. And I'm not getting paid over here, 248 00:12:18,880 --> 00:12:20,640 Speaker 3: but he's also not paying attention to the shit he's 249 00:12:20,640 --> 00:12:23,760 Speaker 3: supposed to benettenente at Jive to make sure my career 250 00:12:23,800 --> 00:12:26,200 Speaker 3: is still good enough to even have a notoriety to 251 00:12:26,240 --> 00:12:28,360 Speaker 3: do shit for him. And then he started fanishing his 252 00:12:28,480 --> 00:12:30,880 Speaker 3: artists more and I'm I'm producing his artists for him 253 00:12:30,880 --> 00:12:32,320 Speaker 3: for free and all stuff like that. 254 00:12:32,360 --> 00:12:34,360 Speaker 1: So artists for free. 255 00:12:34,480 --> 00:12:36,280 Speaker 3: Yeah, I was doing everything that needed me to do. 256 00:12:36,320 --> 00:12:38,000 Speaker 3: I was doing for free, you know what I mean. 257 00:12:38,040 --> 00:12:40,599 Speaker 3: So it was like it was like a thing to 258 00:12:40,600 --> 00:12:41,520 Speaker 3: where it was like all right. 259 00:12:41,400 --> 00:12:42,880 Speaker 4: That dude, but it wouldn't balance it out. 260 00:12:42,960 --> 00:12:45,880 Speaker 3: It wouldn't balancing out because I'm helping his artists out. 261 00:12:45,920 --> 00:12:49,000 Speaker 3: I'm doing videos like baby Hugh, I'll repeat baby h Yeah. 262 00:12:49,080 --> 00:12:53,439 Speaker 3: Like all them joints I did for him was just bono, 263 00:12:53,600 --> 00:12:56,760 Speaker 3: all the poplin and job at G five, all the videos, 264 00:12:56,840 --> 00:12:58,400 Speaker 3: you know what I mean, Like all that stuff was 265 00:12:58,520 --> 00:13:00,600 Speaker 3: just there, you know what I mean, because it was 266 00:13:00,600 --> 00:13:01,520 Speaker 3: myth you know what I mean? 267 00:13:01,640 --> 00:13:03,959 Speaker 1: So yeah, because I like, like we just said, I 268 00:13:04,000 --> 00:13:07,040 Speaker 1: remember at one point you all were y'all were thinkest thieves. 269 00:13:06,679 --> 00:13:08,319 Speaker 3: And he yeah, we still talk. 270 00:13:09,920 --> 00:13:16,120 Speaker 1: Okay, good good, that's my guy, man, man, that's yea, yeah, 271 00:13:16,559 --> 00:13:18,920 Speaker 1: that's I was going to ask, So, y'all are everything. 272 00:13:19,600 --> 00:13:22,080 Speaker 3: I'm executive produced on this new TV show. Everything's like 273 00:13:22,120 --> 00:13:27,400 Speaker 3: it's good. Supposed to be A and R from Happy Boy. 274 00:13:28,440 --> 00:13:34,000 Speaker 2: But he had three jobs already. 275 00:13:34,360 --> 00:13:38,160 Speaker 1: I love Matthews there about three he don't stop. 276 00:13:40,120 --> 00:13:43,719 Speaker 3: But no, it came through a priority problem. Man. 277 00:13:43,760 --> 00:13:43,880 Speaker 2: Man. 278 00:13:43,880 --> 00:13:46,040 Speaker 3: We never had like a legitimate beefeel, just like, bro, 279 00:13:46,280 --> 00:13:48,120 Speaker 3: if that's what you're gonna go do, and I gotta 280 00:13:48,200 --> 00:13:50,360 Speaker 3: I gotta figure out what's going on over here. And 281 00:13:50,400 --> 00:13:53,200 Speaker 3: then you know he had some uh, he had some 282 00:13:53,240 --> 00:13:55,240 Speaker 3: struggles on his own. You know that he needed to 283 00:13:55,240 --> 00:13:57,560 Speaker 3: get through and stuff like that. So you know, you know, 284 00:13:58,400 --> 00:14:00,920 Speaker 3: you start getting fired from the label, and he wanted 285 00:14:00,920 --> 00:14:03,599 Speaker 3: me to fight for him, like you are kind of 286 00:14:03,640 --> 00:14:08,319 Speaker 3: crazy though, but but it was. 287 00:14:08,280 --> 00:14:10,600 Speaker 1: Good to have somebody from the South up in that 288 00:14:10,720 --> 00:14:14,160 Speaker 1: office in New York, because you got it. He understood 289 00:14:14,920 --> 00:14:17,840 Speaker 1: music coming from the South. He understood the culture of 290 00:14:17,840 --> 00:14:19,800 Speaker 1: the South. So you know, no disrespect. 291 00:14:20,280 --> 00:14:23,560 Speaker 3: And that's what the problem was, was my guy in there. 292 00:14:23,600 --> 00:14:26,160 Speaker 2: Yeah, we needed we needed something from the South. 293 00:14:26,800 --> 00:14:29,120 Speaker 3: When he stopped paying attention to that part, I was like, dude, 294 00:14:29,200 --> 00:14:29,680 Speaker 3: where are you? 295 00:14:29,840 --> 00:14:32,320 Speaker 2: What are you doing? Losing all of these battles and 296 00:14:32,360 --> 00:14:32,880 Speaker 2: these meetings. 297 00:14:34,120 --> 00:14:35,200 Speaker 1: You see, I'm babysitting this. 298 00:14:37,640 --> 00:14:40,520 Speaker 2: Faith. You know this, this this old body. 299 00:14:40,560 --> 00:14:45,640 Speaker 1: Sometimes you mentioned you mentioned follies a minute ago, pain 300 00:14:46,480 --> 00:14:48,080 Speaker 1: and this is totally off the music suffect. But I 301 00:14:48,080 --> 00:14:55,320 Speaker 1: gotta ask, Yeah, when we're talking about strip club follies, Magic. 302 00:14:56,600 --> 00:14:59,960 Speaker 3: Magic every time, y'all hear that every single time. 303 00:15:00,160 --> 00:15:01,920 Speaker 1: That's my go to spots to shout out to Magic, 304 00:15:01,920 --> 00:15:02,800 Speaker 1: shout out of Magic. 305 00:15:03,040 --> 00:15:06,840 Speaker 4: That's literally the last time I seen him, literally. 306 00:15:10,960 --> 00:15:14,320 Speaker 5: After they aspire, you did the show going there and 307 00:15:14,600 --> 00:15:17,720 Speaker 5: I'm like, he just performed and he just chilling like. 308 00:15:17,760 --> 00:15:20,280 Speaker 1: Hey, I had, and I've been I've been one to 309 00:15:20,320 --> 00:15:23,160 Speaker 1: ask that question for so long because Magic City is 310 00:15:23,160 --> 00:15:25,760 Speaker 1: my spot now when I go, there's. 311 00:15:25,560 --> 00:15:28,800 Speaker 3: A different things that have happened in clubs that kind 312 00:15:28,800 --> 00:15:32,280 Speaker 3: of throw me off, and Magic is the only place 313 00:15:32,320 --> 00:15:35,680 Speaker 3: that hasn't me throw you off. So like in Folie, 314 00:15:36,600 --> 00:15:39,120 Speaker 3: I went to follies like twice in my life, and 315 00:15:39,840 --> 00:15:41,960 Speaker 3: it was bad business that they had the best girl. 316 00:15:42,320 --> 00:15:44,040 Speaker 3: They had the best girls, and that's the reason I 317 00:15:44,040 --> 00:15:51,440 Speaker 3: went the second time. But but the fact that like 318 00:15:52,040 --> 00:15:54,920 Speaker 3: you can't use credit card to get ones, you can't 319 00:15:55,040 --> 00:15:57,360 Speaker 3: have a bottle at your table. Yeah, man, you don't 320 00:15:57,400 --> 00:15:59,920 Speaker 3: know what you're getting. You ordered, you order some expensive 321 00:16:00,120 --> 00:16:03,200 Speaker 3: they're pouring the you don't know they can give you 322 00:16:03,280 --> 00:16:03,800 Speaker 3: open bottles. 323 00:16:03,840 --> 00:16:05,760 Speaker 1: You know, it's like little That's why I don't like 324 00:16:05,800 --> 00:16:10,000 Speaker 1: about Blue Flame. You can't you can't everything, Like damn man. 325 00:16:09,920 --> 00:16:10,280 Speaker 2: I just want. 326 00:16:11,280 --> 00:16:13,800 Speaker 3: I want to flame one time and they put me 327 00:16:13,840 --> 00:16:16,400 Speaker 3: in the section by the bathroom. And when I tell you, 328 00:16:16,440 --> 00:16:21,600 Speaker 3: that whole section smelled like three mops, that just wet mops. 329 00:16:21,840 --> 00:16:23,280 Speaker 3: And I was like, this smell. 330 00:16:23,120 --> 00:16:30,080 Speaker 1: Like the wet mops is that's that's a bad comment 331 00:16:30,320 --> 00:16:31,800 Speaker 1: because now you don't know where the smell. 332 00:16:32,960 --> 00:16:35,560 Speaker 2: You know what I mean, it's aroma wise, that's what 333 00:16:35,720 --> 00:16:38,960 Speaker 2: you want to be. He's not Aroma wis. You know 334 00:16:38,960 --> 00:16:39,440 Speaker 2: what I mean. 335 00:16:39,760 --> 00:16:42,920 Speaker 1: That's not that's not a that's not a guess. 336 00:16:43,760 --> 00:16:46,880 Speaker 3: And as far as far as from here, you know 337 00:16:46,880 --> 00:16:48,880 Speaker 3: what I mean. I got the club in my house. 338 00:16:48,960 --> 00:16:52,120 Speaker 4: I just put on the subject of clubs, dance, strip clubs. 339 00:16:52,400 --> 00:16:54,760 Speaker 5: How did they rank with Florida? Where you frequent those 340 00:16:54,800 --> 00:16:56,000 Speaker 5: back home in Tallahassee or. 341 00:16:56,280 --> 00:16:58,160 Speaker 2: You ain't had no money? 342 00:16:58,400 --> 00:17:01,680 Speaker 3: Not only well said, that's where the government lives. We're 343 00:17:01,680 --> 00:17:05,680 Speaker 3: not we're not allowed to have strip club strip houses, 344 00:17:06,400 --> 00:17:07,560 Speaker 3: so we would have. 345 00:17:07,960 --> 00:17:10,280 Speaker 2: Yeah, they get completely naked. 346 00:17:10,400 --> 00:17:13,320 Speaker 4: That was the thing in Miami. They couldn't get completely naked. 347 00:17:13,720 --> 00:17:16,959 Speaker 3: And you know they get but that's the naked capital 348 00:17:18,960 --> 00:17:30,800 Speaker 3: naked like Miami is America's Africa. It's America's what America's Africa. 349 00:17:31,400 --> 00:17:35,240 Speaker 1: Miami got what it is. Yeah, Okay, that's where they. 350 00:17:35,200 --> 00:17:38,159 Speaker 3: Grow booties at that's where they come on a field 351 00:17:38,200 --> 00:17:38,679 Speaker 3: of asses. 352 00:17:38,960 --> 00:17:41,800 Speaker 1: Now let me say this, let me say this pain Now, Look, 353 00:17:41,840 --> 00:17:43,360 Speaker 1: we didn't we didn't talk about the strip club. 354 00:17:43,400 --> 00:17:45,280 Speaker 2: Let's look now we're gonna get back to some music. 355 00:17:45,320 --> 00:17:46,720 Speaker 3: Okay, yeah, yeah, yeah. 356 00:18:02,880 --> 00:18:05,840 Speaker 1: I haven't been in the studio with you to see 357 00:18:05,920 --> 00:18:09,320 Speaker 1: your work ethic personally, to be able to watch with 358 00:18:09,359 --> 00:18:11,600 Speaker 1: my own eyes. But I had an artist signed to 359 00:18:11,640 --> 00:18:14,960 Speaker 1: me by the name of black Jack Jack Yes, and 360 00:18:15,080 --> 00:18:18,679 Speaker 1: our biggest, our biggest record at that when when he 361 00:18:18,800 --> 00:18:22,680 Speaker 1: was signed, was five hundred dollars. And I remember sending 362 00:18:22,720 --> 00:18:26,639 Speaker 1: you the record you sent back. We sent it like 363 00:18:27,720 --> 00:18:32,920 Speaker 1: twelve that afternoon, new face. By that evening, this this 364 00:18:32,960 --> 00:18:36,200 Speaker 1: motherfucker is sent back, like we sent one version. He 365 00:18:36,240 --> 00:18:38,320 Speaker 1: thought we was trying to I never forget you. We 366 00:18:38,359 --> 00:18:39,800 Speaker 1: got on for you said, we thought we was trying 367 00:18:39,840 --> 00:18:43,240 Speaker 1: to get like a Hyphi, And I was like, nah, 368 00:18:43,320 --> 00:18:46,480 Speaker 1: this don't sund right. So it wasn't thirty minutes they 369 00:18:46,520 --> 00:18:48,600 Speaker 1: sit back a whole other verse verse Yeah. Because I 370 00:18:48,680 --> 00:18:51,520 Speaker 1: understood it from I was like, okay, this one, that 371 00:18:51,600 --> 00:18:54,640 Speaker 1: one was just cool, not even I mean, I swear 372 00:18:54,680 --> 00:18:56,600 Speaker 1: it was like two in the morning. You sent another 373 00:18:56,640 --> 00:18:59,680 Speaker 1: one and that motherfucker was so hard, and I said, 374 00:19:00,040 --> 00:19:03,600 Speaker 1: it's pretty good. This dude's work, I said, I said, 375 00:19:04,200 --> 00:19:07,600 Speaker 1: I see why he went in. Yeah, so has it 376 00:19:07,640 --> 00:19:08,600 Speaker 1: all your work ethic? 377 00:19:08,640 --> 00:19:08,879 Speaker 2: Has that? 378 00:19:09,000 --> 00:19:11,560 Speaker 1: I mean, I know you early struggles. 379 00:19:12,240 --> 00:19:13,159 Speaker 3: That's out the window. 380 00:19:13,600 --> 00:19:15,679 Speaker 2: It has always been like that. 381 00:19:15,840 --> 00:19:18,760 Speaker 3: No, it don't exist no more. Wow, I get in 382 00:19:18,760 --> 00:19:21,440 Speaker 3: the studio. I get in the studio twice a month and. 383 00:19:21,520 --> 00:19:22,480 Speaker 1: Just paying the work ethic. 384 00:19:22,560 --> 00:19:24,640 Speaker 3: Gone, I get in the studio about twice. It's only 385 00:19:24,640 --> 00:19:26,840 Speaker 3: because I'm doing other ship, you know what I mean. 386 00:19:27,000 --> 00:19:29,200 Speaker 3: Like the people that are in the studio night and day. 387 00:19:29,280 --> 00:19:32,080 Speaker 3: That's because that's all they do, and that's what they So. 388 00:19:32,080 --> 00:19:33,520 Speaker 1: What you're saying is what you did for black Jack, 389 00:19:33,560 --> 00:19:34,760 Speaker 1: you don't have to do that ship no more. 390 00:19:35,040 --> 00:19:37,960 Speaker 3: Yeah, I mean I was. 391 00:19:38,040 --> 00:19:40,400 Speaker 2: I'm be honest. I was bion and a half. 392 00:19:40,400 --> 00:19:49,280 Speaker 3: I didn't have to do it then, Okay, I like that. 393 00:19:49,640 --> 00:19:51,160 Speaker 2: It's so crazy his new face. 394 00:19:51,680 --> 00:19:53,600 Speaker 1: He didn't hit me over the head with a price, bro. 395 00:19:53,840 --> 00:19:55,640 Speaker 1: And this was what I'm talking about. 396 00:19:56,000 --> 00:19:58,280 Speaker 4: He was t Pain trying to figure out that this 397 00:19:58,359 --> 00:19:59,600 Speaker 4: process of the timeframe. 398 00:19:59,680 --> 00:20:02,280 Speaker 5: So you you're doing this epic feature run. 399 00:20:02,359 --> 00:20:04,919 Speaker 4: What was the mind state doing that epic run with 400 00:20:05,000 --> 00:20:05,440 Speaker 4: T Pain? 401 00:20:05,600 --> 00:20:07,119 Speaker 3: Was featured doing music? 402 00:20:07,240 --> 00:20:09,439 Speaker 1: He pouring a second that he's trying to send us 403 00:20:09,440 --> 00:20:17,000 Speaker 1: a message small my body, my body can't take that. 404 00:20:17,640 --> 00:20:21,560 Speaker 1: God man, y'all need to what's going on with this 405 00:20:21,640 --> 00:20:27,159 Speaker 1: is a man all about my alcoholic when this is 406 00:20:27,960 --> 00:20:30,520 Speaker 1: it's the difference between being a drunk and an alcoholic. 407 00:20:30,880 --> 00:20:34,720 Speaker 2: Yeah yeah, if y'all want to hear, i'd be chilling. 408 00:20:34,760 --> 00:20:39,600 Speaker 3: I'd be drinking, came bill in fact, because let the 409 00:20:39,840 --> 00:20:42,480 Speaker 3: jarring new faces. That's what it's the It's the activity, 410 00:20:42,520 --> 00:20:44,560 Speaker 3: you know what I mean, there's something to do, like 411 00:20:44,680 --> 00:20:46,520 Speaker 3: you know, this might crank me up later on and 412 00:20:46,520 --> 00:20:47,120 Speaker 3: my wife. 413 00:20:49,080 --> 00:20:53,960 Speaker 1: Hey man, look, because hey, let's get active today. I'm 414 00:20:53,960 --> 00:20:57,119 Speaker 1: gonna let you get more active on that my chair burns. 415 00:20:57,240 --> 00:20:59,120 Speaker 3: Yeah, yeah, you want something. 416 00:21:00,840 --> 00:21:04,120 Speaker 2: I was gonna say a minute, get a little. I'm cool. 417 00:21:04,119 --> 00:21:08,560 Speaker 3: I'm a grown ad mane No, but you know the 418 00:21:08,640 --> 00:21:11,560 Speaker 3: work ethic is because I'm doing other stuff, you know 419 00:21:11,600 --> 00:21:13,119 Speaker 3: what i mean, Like when people try to get me 420 00:21:13,119 --> 00:21:15,520 Speaker 3: to go do shows, I'm like, you got to in 421 00:21:15,600 --> 00:21:17,359 Speaker 3: order to get me out of this house, you gotta 422 00:21:17,440 --> 00:21:19,199 Speaker 3: you got I got to be making more than I'm 423 00:21:19,240 --> 00:21:21,639 Speaker 3: making playing video games down the hallway, you know what 424 00:21:21,720 --> 00:21:24,640 Speaker 3: I mean, Like when you you're making fifty sixty grand 425 00:21:24,680 --> 00:21:27,479 Speaker 3: an hour playing video games in your draws, it's got 426 00:21:27,520 --> 00:21:29,480 Speaker 3: a heart go out of the country for you know 427 00:21:29,520 --> 00:21:29,960 Speaker 3: what I'm saying. 428 00:21:29,960 --> 00:21:31,440 Speaker 1: Well, hold on hold on pause. 429 00:21:32,280 --> 00:21:32,800 Speaker 2: You got it. 430 00:21:33,080 --> 00:21:35,480 Speaker 1: You said, fifty sixty grand. This is what this is 431 00:21:35,520 --> 00:21:39,280 Speaker 1: what I've that gaming world is like that. Oh my god, 432 00:21:39,560 --> 00:21:42,440 Speaker 1: I knew what No I knew I do making it. 433 00:21:42,920 --> 00:21:45,520 Speaker 3: And I'm on the I'm on the low tier. I'm 434 00:21:45,560 --> 00:21:47,760 Speaker 3: on the low tier. This dude's making millions a month. 435 00:21:47,880 --> 00:21:50,719 Speaker 4: Your boy t Grizzly crazy. 436 00:21:51,000 --> 00:21:53,919 Speaker 3: He was like, and I'm and I'm making lesson T gris, 437 00:21:53,920 --> 00:21:57,120 Speaker 3: Oh ship, I know I'm making lesson well, I mean 438 00:21:57,240 --> 00:21:59,640 Speaker 3: when we talk about hourly, I know I'm doing lesson 439 00:21:59,680 --> 00:22:01,880 Speaker 3: to grit. But you talk about like when I when 440 00:22:01,880 --> 00:22:04,240 Speaker 3: I get playing video game, but when I yeah, when 441 00:22:04,240 --> 00:22:05,320 Speaker 3: I get deals. 442 00:22:04,960 --> 00:22:06,920 Speaker 1: Like and what am I done doing something like my 443 00:22:07,040 --> 00:22:07,480 Speaker 1: life like this? 444 00:22:07,680 --> 00:22:12,280 Speaker 3: There was an activation seven eleven. What's the seven eleven? 445 00:22:12,880 --> 00:22:16,920 Speaker 3: Seven eleven? They gave me two hundred and fifty grand 446 00:22:17,960 --> 00:22:21,439 Speaker 3: to play any game I wanted for two hours, but 447 00:22:21,800 --> 00:22:25,159 Speaker 3: just in certain intervals just say, hey, guys, seven eleven 448 00:22:25,160 --> 00:22:30,040 Speaker 3: has pizza. Now, don't you want a pizza from seven eleven? Cool, 449 00:22:30,119 --> 00:22:34,960 Speaker 3: Let's get back to the game for two hours. We 450 00:22:35,000 --> 00:22:36,199 Speaker 3: don't have seven elevens And. 451 00:22:39,520 --> 00:22:42,480 Speaker 4: So it's like, damn, what. 452 00:22:44,200 --> 00:22:44,960 Speaker 2: You think about that? 453 00:22:45,080 --> 00:22:48,920 Speaker 3: You think about the pack close, go get on the 454 00:22:48,960 --> 00:22:51,560 Speaker 3: stage for hour and a half, sweat it out in 455 00:22:51,640 --> 00:22:53,200 Speaker 3: a state that I don't know what the fuck is 456 00:22:53,240 --> 00:22:56,119 Speaker 3: going on or out the country before I stay in 457 00:22:56,160 --> 00:23:00,000 Speaker 3: that room and just say seven eleven has pizza and then. 458 00:23:00,119 --> 00:23:04,800 Speaker 2: Go back to the game. You think, my house right here, right. 459 00:23:05,240 --> 00:23:09,000 Speaker 3: So it's like getting in the studio isn't like a 460 00:23:09,280 --> 00:23:12,880 Speaker 3: thing to me, because it's like when people think about 461 00:23:13,359 --> 00:23:15,240 Speaker 3: I gotta make songs, I gotta make songs, it's because 462 00:23:15,240 --> 00:23:17,919 Speaker 3: they shooting all they shots you you you know, obviously 463 00:23:18,000 --> 00:23:19,920 Speaker 3: you missed one hundredercent of shots you're gonna take. So 464 00:23:20,240 --> 00:23:23,960 Speaker 3: people are like, I gotta keep recording songs because one 465 00:23:24,000 --> 00:23:25,879 Speaker 3: of these bitch is gonna hit and I'm gonna make money. 466 00:23:26,320 --> 00:23:27,800 Speaker 3: Now it's still the point to where I got so 467 00:23:27,840 --> 00:23:30,440 Speaker 3: much other shit going on, I don't need nothing to hit. 468 00:23:31,080 --> 00:23:33,800 Speaker 3: All the shit that doesn't hit, it's still providing, you 469 00:23:33,800 --> 00:23:36,920 Speaker 3: know what I mean, Like it's still you know, because 470 00:23:36,920 --> 00:23:39,480 Speaker 3: some of these motherfuckers they make hits, but their hits 471 00:23:39,560 --> 00:23:41,880 Speaker 3: last for two months and that's it and you got 472 00:23:41,880 --> 00:23:43,679 Speaker 3: to move on to the next thing. But it's like 473 00:23:43,720 --> 00:23:46,080 Speaker 3: the hits that I've come up with are still providing 474 00:23:46,080 --> 00:23:48,320 Speaker 3: for me ten years later to where people are like, 475 00:23:48,640 --> 00:23:51,080 Speaker 3: I remember Tea paying for fucking two thousand and seven, wasn't. 476 00:23:50,880 --> 00:23:51,520 Speaker 2: At a cool time? 477 00:23:51,720 --> 00:23:55,400 Speaker 3: Here's a million dollars. Okay, No, really not leaving house, 478 00:23:55,640 --> 00:23:57,320 Speaker 3: but you know what I mean, I'm really not going 479 00:23:57,320 --> 00:23:59,520 Speaker 3: in the studio. If it's somebody I really really fucked with, 480 00:24:00,160 --> 00:24:02,600 Speaker 3: I get in the studio. It's like like like Andre, 481 00:24:03,480 --> 00:24:05,119 Speaker 3: like anybody get three snacks in the studio. 482 00:24:05,200 --> 00:24:12,000 Speaker 2: Rod just talking about he's good, bro, He's good, Like 483 00:24:12,040 --> 00:24:14,360 Speaker 2: you know what I'm saying, Like we're good. 484 00:24:14,920 --> 00:24:18,679 Speaker 5: Definitely, you did the Juicy Fest, So what prompted you 485 00:24:18,720 --> 00:24:19,960 Speaker 5: to say yes to a show like that? 486 00:24:20,040 --> 00:24:26,000 Speaker 3: I just love Australia, Australia, and that would be that 487 00:24:26,040 --> 00:24:28,040 Speaker 3: would have been. That was my first time headlining a 488 00:24:28,080 --> 00:24:32,439 Speaker 3: tour in Australia. That up and the money and a 489 00:24:32,480 --> 00:24:36,879 Speaker 3: bunch of the niggas on the tour. I really like 490 00:24:37,040 --> 00:24:39,560 Speaker 3: famulous Trey songs. 491 00:24:39,240 --> 00:24:39,679 Speaker 2: You know what I mean? 492 00:24:39,800 --> 00:24:42,280 Speaker 3: So I really you know, basically yes. 493 00:24:42,400 --> 00:24:42,879 Speaker 2: You know what I mean. 494 00:24:43,080 --> 00:24:50,240 Speaker 1: I was like, the beautiful country, Australia. 495 00:24:49,800 --> 00:24:54,000 Speaker 3: It's gonna be cool as hell. I come back with 496 00:24:54,119 --> 00:25:00,720 Speaker 3: more than I left with, headlining the whole for a month. 497 00:25:00,840 --> 00:25:02,879 Speaker 3: I mean, you can imagine the numbers, you. 498 00:25:02,920 --> 00:25:03,360 Speaker 2: Know what I mean. 499 00:25:03,400 --> 00:25:05,840 Speaker 3: So it's it was cool as hell, but you know, 500 00:25:05,960 --> 00:25:10,040 Speaker 3: but also doing that, it was because I wanted to 501 00:25:10,040 --> 00:25:12,480 Speaker 3: do it, because right before that, I did the Hello 502 00:25:12,560 --> 00:25:15,159 Speaker 3: Fresh ship and got the same amount of money, but 503 00:25:15,200 --> 00:25:16,520 Speaker 3: I didn't have to leave home. 504 00:25:16,760 --> 00:25:17,960 Speaker 2: You know what I mean. Like it was you know 505 00:25:18,000 --> 00:25:18,360 Speaker 2: what I mean. 506 00:25:18,400 --> 00:25:21,680 Speaker 3: So it's like it's kind of it's kind of when 507 00:25:21,720 --> 00:25:24,840 Speaker 3: I really fun with somebody or something or a place, then. 508 00:25:25,000 --> 00:25:26,800 Speaker 1: Does your wife and family still try? Like when you 509 00:25:26,840 --> 00:25:28,879 Speaker 1: go do like an Australia with a long run like that, 510 00:25:29,160 --> 00:25:31,760 Speaker 1: my wife is with me ad time. That's dope. 511 00:25:31,920 --> 00:25:41,200 Speaker 3: We gotta gotta recruit business some kind of way. 512 00:25:38,560 --> 00:25:44,800 Speaker 2: Very serious, that's a whole. 513 00:25:46,880 --> 00:25:48,399 Speaker 3: But I try to keep my kids out of that, man, 514 00:25:48,440 --> 00:25:50,760 Speaker 3: because the uh you know, I know a lot of 515 00:25:50,760 --> 00:25:52,440 Speaker 3: people take their kids with them on tour and stuff 516 00:25:52,440 --> 00:25:58,439 Speaker 3: like that. The grueling struggle of travel, like just you 517 00:25:58,480 --> 00:26:01,280 Speaker 3: see people screaming in the airport to get to Indianapolis, nigga, 518 00:26:01,320 --> 00:26:03,200 Speaker 3: Like it's not you're talking about. 519 00:26:02,920 --> 00:26:07,760 Speaker 1: Traveling in a different country. 520 00:26:06,560 --> 00:26:08,199 Speaker 3: Every day, bath bro. I don't want to put my 521 00:26:08,240 --> 00:26:10,960 Speaker 3: kids through that. They I barely see them in the house. 522 00:26:11,359 --> 00:26:12,560 Speaker 3: They don't leave in their rooms. 523 00:26:13,040 --> 00:26:15,240 Speaker 4: It's like, what do your kids think you do in 524 00:26:15,280 --> 00:26:16,439 Speaker 4: their I mean, oh, they. 525 00:26:16,280 --> 00:26:18,960 Speaker 3: Know exactly what's going on, you know. The kids grown, 526 00:26:19,000 --> 00:26:24,919 Speaker 3: the kids nineteen seventeen, Yeah, they grown fifteen. So are 527 00:26:24,920 --> 00:26:27,960 Speaker 3: the games they are. That's why they don't leave their rooms. 528 00:26:28,359 --> 00:26:29,640 Speaker 3: So the times I talked. 529 00:26:29,400 --> 00:26:32,280 Speaker 1: About the whole family, the whole family is making money 530 00:26:32,280 --> 00:26:34,320 Speaker 1: off game making money? 531 00:26:36,200 --> 00:26:37,439 Speaker 2: Is the whole family making money off? 532 00:26:37,840 --> 00:26:40,439 Speaker 3: Yeah? I mean making obviously, And it's not it's not 533 00:26:40,560 --> 00:26:42,879 Speaker 3: by design. I didn't make them game or anything like that. 534 00:26:42,960 --> 00:26:46,600 Speaker 3: They just they game. And then it's just like you know, 535 00:26:46,920 --> 00:26:49,639 Speaker 3: like when I when deals come in for me and 536 00:26:49,680 --> 00:26:52,680 Speaker 3: I'm like, well that's not enough money, And I'm like, well, 537 00:26:52,840 --> 00:26:55,879 Speaker 3: you know my kid plays that game too. Do you 538 00:26:55,880 --> 00:26:56,600 Speaker 3: want them to do it? 539 00:26:56,720 --> 00:26:56,880 Speaker 4: Oh? 540 00:26:56,960 --> 00:26:57,960 Speaker 3: Yeah, they can do it? Cool? 541 00:26:57,960 --> 00:26:59,520 Speaker 4: Oh, passing it on down. 542 00:27:01,000 --> 00:27:03,679 Speaker 1: This Vegas, this Vegas residency. How does ship go go? 543 00:27:03,760 --> 00:27:05,280 Speaker 2: You you used to be here the crib? 544 00:27:05,720 --> 00:27:09,480 Speaker 3: Yeah, well the Vegas Residency. See when people hear residency, 545 00:27:09,280 --> 00:27:13,920 Speaker 3: they think, my shit is once a month. Oh you cool, 546 00:27:14,119 --> 00:27:16,520 Speaker 3: I'm good as fuck, And it's and it's only and 547 00:27:16,560 --> 00:27:18,720 Speaker 3: we already scheduled it to where it's only when I'm 548 00:27:18,880 --> 00:27:23,360 Speaker 3: over that way anyways, the West Coast, you. 549 00:27:23,280 --> 00:27:23,720 Speaker 2: Know what I mean. 550 00:27:23,760 --> 00:27:28,119 Speaker 1: So it's like, so it's not your typical residency. 551 00:27:28,280 --> 00:27:31,000 Speaker 3: It's it's a lot more involved than so. You know, 552 00:27:31,480 --> 00:27:33,880 Speaker 3: the reason it's not a tyficult residency is because there's 553 00:27:33,920 --> 00:27:35,639 Speaker 3: so much shit going on. We can only do it 554 00:27:35,680 --> 00:27:36,360 Speaker 3: once a month. 555 00:27:36,520 --> 00:27:37,880 Speaker 4: And once a month for how long? 556 00:27:38,440 --> 00:27:39,280 Speaker 3: For a year? 557 00:27:40,160 --> 00:27:40,680 Speaker 1: That's dope. 558 00:27:40,760 --> 00:27:43,639 Speaker 3: Yeah, So you know the ship that we're doing in 559 00:27:43,680 --> 00:27:46,520 Speaker 3: the show, it's like they're not allowed to do that 560 00:27:46,560 --> 00:27:49,879 Speaker 3: every day. And keep in mind, this residency is in 561 00:27:49,920 --> 00:27:52,119 Speaker 3: a club, you know what I mean. It's in a 562 00:27:52,200 --> 00:27:55,359 Speaker 3: It's in a nightclub. So it's not like like a 563 00:27:55,520 --> 00:27:57,399 Speaker 3: like a theater stage or anything like that. But I'm 564 00:27:57,440 --> 00:28:00,560 Speaker 3: bringing I'm bringing theater ship to the night club. So 565 00:28:00,560 --> 00:28:02,600 Speaker 3: they're not even allowed. Like we're bringing cars in the 566 00:28:02,640 --> 00:28:05,119 Speaker 3: club and ship. It's a lot going on. 567 00:28:05,119 --> 00:28:07,280 Speaker 1: Oh you got coming out, you got breezy, Chris Brown, 568 00:28:08,480 --> 00:28:11,560 Speaker 1: just see this is Let me tell yall something. Let 569 00:28:11,600 --> 00:28:14,640 Speaker 1: me talk to the camp. This is the difference between 570 00:28:15,160 --> 00:28:18,399 Speaker 1: having a hit record and being a hit artist like 571 00:28:18,480 --> 00:28:20,160 Speaker 1: my face. I used to tell people that all the time. 572 00:28:20,280 --> 00:28:22,680 Speaker 1: I want to hit artists like you say from two 573 00:28:22,680 --> 00:28:25,040 Speaker 1: thousand and five too, thou people still coming and they 574 00:28:25,119 --> 00:28:27,040 Speaker 1: still jamming to your ship. It ain't like a year later, 575 00:28:27,119 --> 00:28:29,359 Speaker 1: like oh yeah, I remember that record talking about we're 576 00:28:29,359 --> 00:28:33,640 Speaker 1: talking about fifteen twenty years for sure, and you still well, 577 00:28:33,640 --> 00:28:35,120 Speaker 1: you got to you got to make sure we get 578 00:28:35,119 --> 00:28:38,120 Speaker 1: out there, me and me and new face and out 579 00:28:37,680 --> 00:28:40,440 Speaker 1: Can we can we can we come to one of 580 00:28:40,440 --> 00:28:41,360 Speaker 1: the can we come? 581 00:28:42,360 --> 00:28:54,440 Speaker 3: Definitely show up? Definitely show up. Just talk to people, say. 582 00:28:57,040 --> 00:29:00,480 Speaker 2: This house, look, I got to picture this basis. Come on, 583 00:29:00,520 --> 00:29:00,920 Speaker 2: I don't know. 584 00:29:01,360 --> 00:29:02,960 Speaker 3: No, I don't know, I don't know. We don't know. 585 00:29:03,320 --> 00:29:04,720 Speaker 4: So how do you decide to. 586 00:29:08,160 --> 00:29:10,640 Speaker 2: You know, house side. Oh he's gonna hout side on 587 00:29:10,720 --> 00:29:14,320 Speaker 2: the new fail. He definitely gonna do that. Like no, no, no, 588 00:29:14,520 --> 00:29:15,640 Speaker 2: don't let the motherfuckers in. 589 00:29:17,200 --> 00:29:17,880 Speaker 4: A show like this. 590 00:29:18,040 --> 00:29:20,240 Speaker 5: But how do you decide which you know, like he 591 00:29:20,360 --> 00:29:23,240 Speaker 5: Jerry said, you forget this artist? How do you decide 592 00:29:23,280 --> 00:29:25,760 Speaker 5: which songs to select for this or will it be 593 00:29:25,800 --> 00:29:26,960 Speaker 5: a different show anytime? 594 00:29:27,200 --> 00:29:31,280 Speaker 3: Or have you decided that you go to iTunes forgot 595 00:29:31,400 --> 00:29:35,840 Speaker 3: disc searched by popularity. There's a popularity tab and I 596 00:29:36,200 --> 00:29:39,320 Speaker 3: don't know if y'all know about that yet. There's a 597 00:29:40,040 --> 00:29:41,200 Speaker 3: you just dive in T Pain. 598 00:29:42,240 --> 00:29:42,800 Speaker 2: He's done this. 599 00:29:43,320 --> 00:29:47,680 Speaker 3: Hit the the popularity all those songs at least, and 600 00:29:48,000 --> 00:29:50,440 Speaker 3: and pick the first sixty minutes of that. 601 00:29:53,080 --> 00:29:53,280 Speaker 2: Show. 602 00:29:53,560 --> 00:29:56,520 Speaker 3: And that's a show to me and Mante. But you know, 603 00:29:56,680 --> 00:29:58,400 Speaker 3: we picked the songs and me and Mante coming there 604 00:29:58,400 --> 00:30:02,560 Speaker 3: for about a week. DJ Montes, Yeah, yeah, me and 605 00:30:02,600 --> 00:30:05,080 Speaker 3: Mante coming here. And you know, before I was T Pain, 606 00:30:05,200 --> 00:30:09,200 Speaker 3: I was DJ Pain. So having two DJs, you know, 607 00:30:09,320 --> 00:30:11,880 Speaker 3: putting a show together, were putting in, you know, mixes 608 00:30:11,920 --> 00:30:15,080 Speaker 3: of the songs and you know, different beats on. You know, 609 00:30:15,240 --> 00:30:17,160 Speaker 3: we were making sure that people don't just come to 610 00:30:17,280 --> 00:30:19,720 Speaker 3: hear T Pains like you come to a club to 611 00:30:19,760 --> 00:30:21,920 Speaker 3: hear T Pain set. You want to get some you 612 00:30:21,960 --> 00:30:23,240 Speaker 3: know what I'm saying, You want to get some variety. 613 00:30:23,360 --> 00:30:26,360 Speaker 3: So you know, we remixing the songs. We we you know, 614 00:30:26,480 --> 00:30:29,680 Speaker 3: putting the songs with their respective tempos and stuff like that. 615 00:30:29,760 --> 00:30:32,240 Speaker 3: And you know, with DJ and the show basically, but 616 00:30:33,280 --> 00:30:36,160 Speaker 3: even at the residency Monte, DJ's for thirty minutes before 617 00:30:38,160 --> 00:30:41,600 Speaker 3: about you know, we bring the South to Vegas, you 618 00:30:41,640 --> 00:30:43,200 Speaker 3: know what I mean. So we're just getting people ready 619 00:30:43,200 --> 00:30:51,600 Speaker 3: because you know, you go to Vegas club, I feel like, yeah, 620 00:30:52,040 --> 00:30:54,480 Speaker 3: so what what what me and Mante came up with 621 00:30:54,640 --> 00:30:57,640 Speaker 3: is we add some of that into his DJ set 622 00:30:58,080 --> 00:31:00,760 Speaker 3: so it'll transition from the ship. So know, you know, 623 00:31:00,920 --> 00:31:04,000 Speaker 3: you don't want to you want to make it too 624 00:31:04,080 --> 00:31:05,360 Speaker 3: jarring for the white people in there. 625 00:31:05,520 --> 00:31:10,480 Speaker 1: So so so once a moth, Yeah, we we get 626 00:31:10,560 --> 00:31:14,760 Speaker 1: this t pain residency of all your hits, all your smashes, 627 00:31:15,440 --> 00:31:16,400 Speaker 1: every song you wrote. 628 00:31:19,040 --> 00:31:21,160 Speaker 3: We left a lot of shit out. The first time 629 00:31:21,240 --> 00:31:23,040 Speaker 3: we did the show, me and my table was like, dude, 630 00:31:23,080 --> 00:31:25,640 Speaker 3: you know what we didn't even do. I'm sprung in 631 00:31:25,720 --> 00:31:32,240 Speaker 3: that yo, I would It's crazy. 632 00:31:33,480 --> 00:31:35,800 Speaker 2: People were really really fucking satisfied. 633 00:31:36,160 --> 00:31:39,400 Speaker 3: Like I fit in. I fit in cover songs. I like, 634 00:31:39,640 --> 00:31:42,920 Speaker 3: you know, when people perform at this particular club, you 635 00:31:43,040 --> 00:31:45,040 Speaker 3: got a stage that you perform on. But I like 636 00:31:45,160 --> 00:31:47,480 Speaker 3: there's a part of the show that goes out into 637 00:31:47,560 --> 00:31:50,040 Speaker 3: the crowd, Like it goes all the way around the club. 638 00:31:50,160 --> 00:31:52,840 Speaker 3: Like it's it's not just me just like you know, 639 00:31:53,080 --> 00:31:54,760 Speaker 3: just just mobbed out into the crowd. There's like a 640 00:31:54,840 --> 00:31:57,480 Speaker 3: specific thing the security know to clear the path like 641 00:31:57,600 --> 00:32:00,640 Speaker 3: before this song, Like it's it's real and evolved, Like 642 00:32:00,720 --> 00:32:03,240 Speaker 3: we use all the lights in the club. There's a 643 00:32:04,480 --> 00:32:07,080 Speaker 3: a thing in the club called the Mothership, and it's 644 00:32:07,160 --> 00:32:09,360 Speaker 3: like a set of lights that comes down and moves 645 00:32:09,400 --> 00:32:13,840 Speaker 3: across the club and it looks like it's like it's crazy. 646 00:32:13,920 --> 00:32:15,800 Speaker 3: So we we utilize everything. 647 00:32:15,600 --> 00:32:16,840 Speaker 1: In life experience. 648 00:32:17,000 --> 00:32:18,920 Speaker 3: Yeah, we take it, we take it over and we 649 00:32:19,080 --> 00:32:22,400 Speaker 3: make it. Uh, it's Napipore automotive theme. So I got 650 00:32:22,520 --> 00:32:25,120 Speaker 3: to I have an automotive company because I've gotten in 651 00:32:25,160 --> 00:32:26,560 Speaker 3: the cars a lot and shit like that. So I 652 00:32:26,680 --> 00:32:29,480 Speaker 3: started an automotive company with you know, some some very 653 00:32:29,520 --> 00:32:33,560 Speaker 3: reputable people. And you know, now that residency, it's all 654 00:32:33,640 --> 00:32:36,720 Speaker 3: Napubre automotive theme. And our colors are pink and white. 655 00:32:37,280 --> 00:32:40,720 Speaker 3: So the whole club is pink and white. Everything about it. 656 00:32:40,840 --> 00:32:43,520 Speaker 3: The video that's playing behind me, the intro is all 657 00:32:43,560 --> 00:32:46,640 Speaker 3: automotive theme. Everything is car theme. Even in the songs 658 00:32:47,320 --> 00:32:49,800 Speaker 3: there's there's you know, breakdowns where there's car sounds and 659 00:32:49,960 --> 00:32:53,000 Speaker 3: you know, there's it's like stuff like we really made 660 00:32:53,080 --> 00:32:55,920 Speaker 3: the show a theme, and that that's the only time 661 00:32:56,000 --> 00:32:58,000 Speaker 3: we do that show. As for the residency, like when 662 00:32:58,040 --> 00:33:00,320 Speaker 3: I go out, you know, do normal shows, wanna do 663 00:33:00,400 --> 00:33:03,360 Speaker 3: tour like it's a completely different show, but the residency 664 00:33:03,440 --> 00:33:05,040 Speaker 3: gets that one is that one theme. 665 00:33:05,120 --> 00:33:08,400 Speaker 1: So it ain't no better way of branding your your 666 00:33:08,440 --> 00:33:09,120 Speaker 1: company now. 667 00:33:09,080 --> 00:33:12,360 Speaker 3: Of course you know what I mean. So it's so 668 00:33:12,480 --> 00:33:14,800 Speaker 3: people do leave their satisfied because they don't even realize 669 00:33:14,840 --> 00:33:17,560 Speaker 3: what you didn't do, because we do so much, you know, 670 00:33:17,960 --> 00:33:19,920 Speaker 3: like we learned from a long time ago. Me and 671 00:33:20,000 --> 00:33:25,239 Speaker 3: Monte we did Fader fort Its south by Southwest one 672 00:33:25,320 --> 00:33:27,880 Speaker 3: time and we did forty three songs in forty five minutes. 673 00:33:27,960 --> 00:33:31,200 Speaker 3: Wait wait what so we did forty three songs in 674 00:33:31,280 --> 00:33:33,719 Speaker 3: forty five minutes. And after that me and Mante was like, bro, 675 00:33:33,880 --> 00:33:37,720 Speaker 3: this is so doable, Like we can, we can. We 676 00:33:37,840 --> 00:33:41,680 Speaker 3: can run this shit so quick and so fast to 677 00:33:41,760 --> 00:33:43,840 Speaker 3: where we can satisfy everybody. And this is the first 678 00:33:44,560 --> 00:33:47,680 Speaker 3: time we realized that we can satisfy everybody. And then, 679 00:33:48,600 --> 00:33:52,040 Speaker 3: you know, because before then people were like every after 680 00:33:52,080 --> 00:33:53,680 Speaker 3: every show, you know, I got to check Twitter. I'm like, 681 00:33:53,720 --> 00:33:55,280 Speaker 3: you know, see what people thought about the show? Why 682 00:33:55,320 --> 00:33:57,280 Speaker 3: didn't you do this? Why didn't you do this? Where 683 00:33:57,400 --> 00:33:57,800 Speaker 3: was this at? 684 00:33:57,840 --> 00:33:58,400 Speaker 2: Where was this that? 685 00:33:58,520 --> 00:34:00,719 Speaker 3: Where was it? And once we did them forty three 686 00:34:00,760 --> 00:34:02,680 Speaker 3: songs in forty five minutes, was like, bro, we can. 687 00:34:03,240 --> 00:34:03,920 Speaker 2: We can do everything. 688 00:34:04,520 --> 00:34:04,920 Speaker 3: We can do. 689 00:34:04,960 --> 00:34:07,240 Speaker 2: It's possible. Now we know we can do this now, 690 00:34:07,520 --> 00:34:08,080 Speaker 2: you know what I mean? 691 00:34:08,200 --> 00:34:11,839 Speaker 1: So it's like forty three songs forty an hour. 692 00:34:12,280 --> 00:34:16,200 Speaker 3: Yeah, because that was like my first time performing again 693 00:34:16,360 --> 00:34:19,520 Speaker 3: because that was like two thousand. That had to be 694 00:34:19,880 --> 00:34:22,040 Speaker 3: fifteen sixteen or something like that. Because I didn't have 695 00:34:22,120 --> 00:34:24,680 Speaker 3: any hair when I did that. I do my timeline 696 00:34:24,680 --> 00:34:30,040 Speaker 3: about how my look. So it had been my first 697 00:34:30,080 --> 00:34:32,200 Speaker 3: time doing like a real big performance in a while. 698 00:34:32,719 --> 00:34:34,480 Speaker 3: And we started to ship out like hey, I'm t 699 00:34:34,680 --> 00:34:37,600 Speaker 3: pain and I just came to remind y'all about all 700 00:34:37,640 --> 00:34:38,319 Speaker 3: this stuff real quick. 701 00:34:38,360 --> 00:34:41,880 Speaker 5: And you speak about your hair, the hair like the lifetime. 702 00:34:41,960 --> 00:34:44,160 Speaker 5: But what about the top hats? There was a significant 703 00:34:44,200 --> 00:34:46,400 Speaker 5: time is there. I was expecting to see a selection 704 00:34:46,600 --> 00:34:48,920 Speaker 5: or wall of the top miss I. 705 00:34:49,239 --> 00:34:51,520 Speaker 2: Say, okay, miss still miss them. 706 00:34:51,520 --> 00:34:53,120 Speaker 3: They're hanging from the ceiling in the hallway. 707 00:34:53,360 --> 00:34:54,399 Speaker 4: Where did that come from? 708 00:34:54,560 --> 00:34:56,480 Speaker 3: Or just the first time I went to London, I 709 00:34:56,600 --> 00:34:58,040 Speaker 3: was like, you know, we got to find the top 710 00:34:58,080 --> 00:35:00,480 Speaker 3: hat somewhere, like you know, like that, I just went 711 00:35:00,520 --> 00:35:02,440 Speaker 3: to I went to London, did Tim Westwood, And I 712 00:35:02,520 --> 00:35:06,000 Speaker 3: was like, we're in London. I need me a topic. 713 00:35:06,120 --> 00:35:09,080 Speaker 3: And I start wearing it around and as I was 714 00:35:09,120 --> 00:35:10,600 Speaker 3: taking pictures. People were like, man, I. 715 00:35:10,719 --> 00:35:11,680 Speaker 4: Like, that's that look. 716 00:35:11,800 --> 00:35:14,279 Speaker 3: That's pretty cool. And then I started coming back like 717 00:35:15,560 --> 00:35:20,080 Speaker 3: I want to wear you know, I'm always I'm always 718 00:35:20,080 --> 00:35:22,239 Speaker 3: looking for a hat. It's always some kind of hat 719 00:35:22,280 --> 00:35:24,279 Speaker 3: that I gotta wear because my face. 720 00:35:25,920 --> 00:35:25,960 Speaker 2: On. 721 00:35:28,000 --> 00:35:30,360 Speaker 1: You just mentioned that that that downtime. You say you 722 00:35:30,440 --> 00:35:32,279 Speaker 1: hadn't done a show in a while. What was going 723 00:35:32,360 --> 00:35:35,960 Speaker 1: on personally and professionally in that timeframe? Alcoholism? 724 00:35:36,480 --> 00:35:40,440 Speaker 3: Mhm, real rampant was depression. 725 00:35:41,040 --> 00:35:41,400 Speaker 5: It was a. 726 00:35:41,520 --> 00:35:48,600 Speaker 3: Combination of a combination finances, uh, depression, fucking all that 727 00:35:48,680 --> 00:35:51,600 Speaker 3: ship just just the world was like against me, you 728 00:35:51,680 --> 00:35:53,920 Speaker 3: know what it was? The industry was getting tired of me. 729 00:35:54,840 --> 00:35:57,600 Speaker 3: And I never saw that part coming because you start 730 00:35:57,680 --> 00:35:58,000 Speaker 3: to get this. 731 00:35:58,200 --> 00:35:59,400 Speaker 1: The death of auto tune. 732 00:35:59,520 --> 00:36:01,759 Speaker 3: Death auto tune was happening, you know what I mean, 733 00:36:01,840 --> 00:36:04,160 Speaker 3: And I'm like, what the fuck did I do? You 734 00:36:04,239 --> 00:36:07,520 Speaker 3: know what I mean, Because there was nothing that preceded that. 735 00:36:08,040 --> 00:36:11,239 Speaker 3: Everything was just going fine, and then the world turned 736 00:36:11,280 --> 00:36:14,000 Speaker 3: against me. Once that shit happened. It was just like God, damn, 737 00:36:14,520 --> 00:36:14,920 Speaker 3: what do I. 738 00:36:16,760 --> 00:36:21,040 Speaker 2: What do you want? I'm just in there chilling, you 739 00:36:21,080 --> 00:36:21,480 Speaker 2: know what I mean. 740 00:36:21,600 --> 00:36:24,000 Speaker 3: So it was a it was a combination of things. 741 00:36:24,040 --> 00:36:25,640 Speaker 3: But at the same time it was it was more 742 00:36:25,760 --> 00:36:28,759 Speaker 3: so me thinking that everything was gonna be okay all 743 00:36:28,840 --> 00:36:31,239 Speaker 3: the time. Once it was okay, knowing that that's not 744 00:36:31,360 --> 00:36:33,640 Speaker 3: how the world works, you know. And once I got 745 00:36:33,680 --> 00:36:35,640 Speaker 3: out of that mindset, once I started looking at myself 746 00:36:35,680 --> 00:36:38,600 Speaker 3: and like, it's it's me. I can I can change 747 00:36:38,600 --> 00:36:40,839 Speaker 3: this if I want to. I can stop reading do itter? 748 00:36:41,400 --> 00:36:44,080 Speaker 3: I can? I can. I can absolutely stop going on 749 00:36:44,160 --> 00:36:45,800 Speaker 3: social media. Why do I do this to myself? 750 00:36:46,360 --> 00:36:48,279 Speaker 4: Has a flip phone to stop him? 751 00:36:48,440 --> 00:36:51,200 Speaker 2: Yeah, he spoke about how that helps. 752 00:36:52,120 --> 00:36:54,360 Speaker 3: Yeah, so me and my wife I got simphones to 753 00:36:54,440 --> 00:36:57,719 Speaker 3: where it like it's not even a screen on it. 754 00:36:58,640 --> 00:37:01,719 Speaker 3: It's literally just it's just numbers. And that's it. 755 00:37:02,719 --> 00:37:04,080 Speaker 1: Social media plays tricks on you. 756 00:37:05,400 --> 00:37:09,400 Speaker 3: That's the first thing we look at. I employ everybody 757 00:37:09,520 --> 00:37:10,239 Speaker 3: to please. 758 00:37:11,960 --> 00:37:14,000 Speaker 2: And tell everybody that please don't. 759 00:37:13,880 --> 00:37:16,040 Speaker 3: Start your day with social media. Now, let me tell 760 00:37:16,040 --> 00:37:18,520 Speaker 3: you something. Do start your day with social media because 761 00:37:18,640 --> 00:37:20,080 Speaker 3: you don't know what you did last night and you 762 00:37:20,160 --> 00:37:23,480 Speaker 3: need to make sure you ain't posting no crazy ship. 763 00:37:24,320 --> 00:37:24,719 Speaker 3: Go do that. 764 00:37:24,800 --> 00:37:28,279 Speaker 2: But after that, after that, so I do I do? 765 00:37:28,560 --> 00:37:29,000 Speaker 2: Wake up? 766 00:37:29,719 --> 00:37:34,400 Speaker 3: I checked text messages, then emails and then uh d 767 00:37:34,600 --> 00:37:37,640 Speaker 3: M s and after that, How did you. 768 00:37:37,680 --> 00:37:39,960 Speaker 1: Pull yourself out of that rut? I know with you 769 00:37:40,080 --> 00:37:43,720 Speaker 1: having kids and a wife had the effect on your family, 770 00:37:43,800 --> 00:37:44,080 Speaker 1: That's what. 771 00:37:44,320 --> 00:37:44,960 Speaker 2: That's what it was. 772 00:37:45,440 --> 00:37:48,440 Speaker 3: That's what it was. It was my family. It was 773 00:37:49,440 --> 00:37:52,560 Speaker 3: specifically my daughter. She was She texted me one name 774 00:37:52,560 --> 00:37:54,560 Speaker 3: and was like, I'm scared. I don't know what's gonna 775 00:37:54,560 --> 00:37:54,960 Speaker 3: happen to here. 776 00:37:55,719 --> 00:37:58,400 Speaker 1: And you know, I was like, okay, well ship. 777 00:37:59,080 --> 00:38:01,360 Speaker 3: And she had never been vocal like that before, you 778 00:38:01,400 --> 00:38:03,799 Speaker 3: know what I mean, I never said anything. I mean 779 00:38:03,840 --> 00:38:07,200 Speaker 3: that was she was fucking thirteen at that time of day, 780 00:38:07,600 --> 00:38:09,719 Speaker 3: you know what I mean. So yeah, it was like, 781 00:38:09,760 --> 00:38:10,480 Speaker 3: all right, we got I go. 782 00:38:10,600 --> 00:38:14,799 Speaker 1: I gotta change this. That's crazy, yeah, you. 783 00:38:14,840 --> 00:38:16,239 Speaker 3: Know what I mean, because because I don't know, you 784 00:38:16,239 --> 00:38:18,440 Speaker 3: don't pay attention and stuff like that, you know what 785 00:38:18,480 --> 00:38:19,800 Speaker 3: I mean, you don't know how it's affected. 786 00:38:19,840 --> 00:38:21,160 Speaker 1: I know, they got to be proud of you now 787 00:38:21,200 --> 00:38:24,719 Speaker 1: because you're thriving. Oh yeah, new making fifty sixty grand 788 00:38:25,280 --> 00:38:28,239 Speaker 1: playing game now or so something like that. 789 00:38:28,360 --> 00:38:30,600 Speaker 2: I let me not because I ain't no pucket watching. 790 00:38:32,040 --> 00:38:37,120 Speaker 2: I ain't no pocket watching as it's always the ballpark. 791 00:38:37,640 --> 00:38:39,560 Speaker 2: Because but you're doing good. 792 00:38:39,719 --> 00:38:43,440 Speaker 1: I'm doing what I'm financially, mentally, physically, all that. Man, 793 00:38:43,520 --> 00:38:46,239 Speaker 1: it's a great thing. It's a beautiful thing. 794 00:38:46,400 --> 00:38:46,560 Speaker 2: Man. 795 00:38:52,239 --> 00:38:55,520 Speaker 1: Story Time with the Legendary Jerry's hosted by me, the 796 00:38:55,640 --> 00:38:58,240 Speaker 1: one and Only Jerry Clark. 797 00:38:59,120 --> 00:39:02,480 Speaker 2: Music has been by July the producer. 798 00:39:03,360 --> 00:39:07,160 Speaker 1: If you haven't already, please please make sure you subscribe 799 00:39:07,239 --> 00:39:11,040 Speaker 1: to Storytime with the Legendary Jerry on YouTube and wherever 800 00:39:11,120 --> 00:39:14,040 Speaker 1: you listen to podcasts, and make sure you follow us 801 00:39:14,120 --> 00:39:18,560 Speaker 1: on all social media platforms at the Legendary Jerry Podcast. 802 00:39:19,160 --> 00:39:22,000 Speaker 1: For more podcasts on my iHeart media, visit the iHeartRadio app, 803 00:39:22,040 --> 00:39:24,600 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.