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Speaker 1: Y'all was going on Bro Dreams Radio.

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Speaker 2: But he's a legendary Queen's rapper.

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Speaker 3: Hey, Hanks is your boy in no I he's a

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Speaker 3: Miami hip hop pioneer.

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Speaker 2: What Up is dj e f N?

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Speaker 4: Together they drink it up with some of the biggest

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Speaker 4: players in music and sports.

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Speaker 2: You know what I mean?

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Speaker 5: The most professional, unprofessional podcast and your number one source

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Speaker 5: for drunk facts.

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Speaker 6: This is Drinks Radio. Every d is New Year's e.

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Speaker 6: That's right, Hey Hanks, Ibi, this is your boy and what.

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Speaker 2: Up is DJ e f and his drinks tant mother?

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Speaker 2: The book of podcast makes up? That's the horns as

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Speaker 2: everybody even participated in this and right now, I'm so

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Speaker 2: honored to have our first guests.

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Speaker 6: Who came.

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Speaker 2: He knew that we was foul podcast from the beginning.

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Speaker 4: No, he didn't know what to expect, no way to

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Speaker 4: but so that's why, that's why it was a special episode, and.

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Speaker 2: It's a special episode today because right now, not only

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Speaker 2: he's my friend, not only he's my brother, he's a

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Speaker 2: great sneaker officionado and we are his sneak assistant.

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Speaker 6: This is amazing doing it up right now.

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Speaker 2: The space Annoyse for fat Joey.

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Speaker 1: Right now we are up in YC. Well, first of all,

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Speaker 1: let's set it off for Sae. I was your first kids, Yes,

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Speaker 1: and I'm keeping to my word.

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Speaker 6: I told you guys, I was never going back to

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Speaker 6: the show. We came here. But let's.

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Speaker 2: So let's break down this up in n y C. Yes,

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Speaker 2: this is a beautiful I see you got cookies there.

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Speaker 2: I see you got pum ones up all the time.

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Speaker 1: We got Nike, we got Jordan's Major, Jordan's restock, we

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Speaker 1: got Nike in the building, we got Timberland. We are

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Speaker 1: billionaires boys Club p on PS. I mean getting a

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Speaker 1: lot of money, billionaire joint over there.

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Speaker 6: I mean we're working. No, you super working.

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Speaker 2: And you got the drink champions here, you got the

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Speaker 2: dreams Da Joe. I could never be proud of you

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Speaker 2: because you can never be more proud of you than

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Speaker 2: I am right now, because you are really a sneaker

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Speaker 2: God like you.

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Speaker 6: You like every.

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Speaker 2: Times I get a sneaker and I just come.

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Speaker 6: Around you and I won't say nothing, and then.

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Speaker 2: You'll be like I got those already, damn, Like like

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Speaker 2: you're really you had your sneaking display out here.

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Speaker 6: Yes, I have a museum. Oh my god, you're a sneaker.

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Speaker 2: He's a fast sneaker from Jordan, because I've seen the

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Speaker 2: Jordan Moneys.

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Speaker 6: Yes, oh my gosh.

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Speaker 1: So what happens is we we wanted to stay true

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Speaker 1: to the sneaking heads, and I made like a museum

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Speaker 1: and every two months it'll be somebody else's collection. So

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Speaker 1: right now, that's my collection, and the two months it'll

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Speaker 1: be the Mayor's and two months after that it'll be

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Speaker 1: called Melo Anthemis two months after that to be Spike

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Speaker 1: Lee's two months after that.

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Speaker 6: So it's a museum for.

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Speaker 1: The kids who really really loved uh, the sneaker culture,

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Speaker 1: so we have to stay true to them.

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Speaker 6: And so we wanted to do both.

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Speaker 1: We wanted to bring something really really fly to the community.

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Speaker 1: You know, we uptown Washington Heights and it's the end

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Speaker 1: of Hayes.

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Speaker 2: If you can't fly, if you can't find Hayes Head,

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Speaker 2: then you're just not looking.

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Speaker 6: I'll tell you one thing. The Cubans was here.

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Speaker 7: Listen.

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Speaker 8: Let me tell you the Cubans was here before Dominicans.

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Speaker 6: Then the Dominicans came and took.

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Speaker 2: When we say that, we got Johnny Newman is taking

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Speaker 2: a shot, john.

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Speaker 6: You don't mean the camera shot.

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Speaker 1: Started soleonas now you know pretty much first my first

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Speaker 1: customer was fifty cent this morning year, so I didn't even.

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Speaker 2: Get up too early. Yeah yeah, he caught me up

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Speaker 2: and he's like, yah, I'm here before you.

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Speaker 6: I'm like, yeoh, my man, I can't. I can't.

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Speaker 2: It was too early.

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Speaker 6: So let's ask you this question.

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Speaker 2: You gotta you got a famous story on the podcast,

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Speaker 2: and right now it's between no Joke and Dave da

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Speaker 2: which one is telling the truth?

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Speaker 9: I have to admit it's Damon dat your story.

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Speaker 2: Choke is my brother. So Dame is telling the truth,

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Speaker 2: but Choke is your brother. That's make a noise for that.

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Speaker 6: Got that.

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Speaker 2: Only because I'm working. I can't tell the long story.

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Speaker 6: Don't tell them.

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Speaker 2: I'll come to the next story, all right.

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Speaker 10: But it all started when but pretty much uh Day

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Speaker 10: refused to allow this the infamous Paris story to get

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Speaker 10: beat down by a bunch of pivots and he took

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Speaker 10: a bruise and some stitches, but he.

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Speaker 6: How was he swinging the can?

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Speaker 2: You showed us the camera.

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Speaker 6: We got to be looking at Johnny.

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Speaker 2: You came getting it in Johnny you know.

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Speaker 6: This ain't no chunk.

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Speaker 9: All I will say is that all the kids that

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Speaker 9: he used to travel with, they were pussy.

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Speaker 2: And they ran.

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Speaker 9: What what made what made me stay behind was that

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Speaker 9: I've never been traveling out of out his country. So

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Speaker 9: for the first time to be out of the country,

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Speaker 9: I didn't want to be that sucker that ran in

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Speaker 9: a fight.

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Speaker 2: So how was he holding the camera when you, Smoky

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Speaker 2: showed us it's got a camera. Show us how you

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Speaker 2: showed us before.

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Speaker 6: I'll do it for the next time.

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Speaker 2: No, no, no, no, next time's drink n y C

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Speaker 2: is a new sneaker store.

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Speaker 6: You can't do that time.

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Speaker 5: He was.

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Speaker 2: Choke no joke. No, but chummy and Dame you squashed.

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Speaker 6: You love that both.

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Speaker 1: Johnny Noon years, I do Christmas hat. Can't say a

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Speaker 1: nice guy didn't know he's swinging.

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Speaker 2: He'll stab somebody for you. God, God, damn smoke, dizzey smoke, Disney,

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Speaker 2: come over here. You and Status said like to come

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Speaker 2: over here, come on, come over staty so let his

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Speaker 2: original drink Champ.

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Speaker 6: You know that is my first time on him. I'm

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Speaker 6: kind of heat. No, no, you you.

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Speaker 2: Crazy, You're crazy. Yes, go ahead, you're crazy. Static in Miami.

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Speaker 7: You remember, we went to eighty nine and we're gonna get

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Speaker 7: French and he ended up pushing it back and there.

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Speaker 6: It was Ramadan and you went to the club and.

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Speaker 7: With fifteen on him and I passed the funk out

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Speaker 7: of the hotel.

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Speaker 2: I went to.

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Speaker 6: Miami for no reason. I just sleeping. I mean, you

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Speaker 6: got enjoy yourself.

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Speaker 2: So you see how he said, we went to the

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Speaker 2: club and see fifty he he just lined it up

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Speaker 2: that that's how he got fifty that night. Goddamn big

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Speaker 2: up fifty cent.

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Speaker 6: He let me tell you he was here. You shid

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Speaker 6: the ship out of me.

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Speaker 1: I just saw that Donald Trump had on my.

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Speaker 6: Trump joint.

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Speaker 2: Smoke is not in our element because me and you

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Speaker 2: are both smokers. But being with you can't smoke in

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Speaker 2: fat Joe grab you can't do that.

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Speaker 6: You know you can't. Not in the balcony though.

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Speaker 2: He is his especial Norri balcony.

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Speaker 6: In his career. He has wonderful crib.

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Speaker 2: He's very rich, by the way, no make.

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Speaker 1: By sneakers. Listen, listen, let me tell you something. I

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Speaker 1: got my little man first. Simon America Rasht whoa a

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Speaker 1: k A money kicks.

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Speaker 2: He from Dubai, Duba you know it. He looked like

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Speaker 2: your bracest smell sound sound like Dubai, Like you're very rich.

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Speaker 2: How you doing, I'm good, telling you I am great.

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Speaker 1: Have you seen me, Dobby? Have you seen my snap?

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Speaker 1: And I was carrying the lion. The lion had three lines, no,

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Speaker 1: one hundred lines. Got a zoo in his house, and

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Speaker 1: what's crazy? In the middle of the zoo, he got

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Speaker 1: a sneak a room sneaker collector, so he said, he said,

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Speaker 1: find Joe, my brother. I want to come America. I said,

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Speaker 1: come on, let's go more tea and travelers. Let's hit

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Speaker 1: him with that royal elite right now, you.

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Speaker 6: Smoke this.

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Speaker 2: I don't know if you know Fat Joe has the

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Speaker 2: best relationships in hip hop. No, no, I'm like, that's

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Speaker 2: the best relationships. I know. I'm talking about Carmelo Anthony.

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Speaker 2: You know. He just says things like that, I went

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Speaker 2: out to dinner with Spike Lee yesterday, like word for real,

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Speaker 2: Like nobody don't do that?

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Speaker 6: Like do you agree with me?

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Speaker 2: Of course?

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Speaker 6: Let's make some joy. This guy calls me from a

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Speaker 6: plane last night.

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Speaker 7: I can't even understand him and I'm like Joe, whatever

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Speaker 7: it is, it's on literally.

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Speaker 2: Like, come on, fan, Joe's the best guy on hip

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Speaker 2: hop for for real, there guy and E f N

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Speaker 2: wants to make sure he represents Cuban human being human

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Speaker 2: beings and this is what drink. I'm Wato Rican, so

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Speaker 2: I wanted to represent the Puerto Rican side.

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Speaker 6: He wants Puerto.

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Speaker 2: Rican and Cuban.

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Speaker 6: It is what it is.

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Speaker 2: He's care said.

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Speaker 6: So smoke Disney, you from n y C.

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Speaker 2: What is it? What does this mean for you to

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Speaker 2: come in this store and see Fat Joe. This is

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Speaker 2: Fat Joe's star and this is it's monumental, you know.

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Speaker 2: I mean, that's why I came.

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Speaker 11: I'm like, man, I gotta come support, buy some sneakers

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Speaker 11: to bring my niggas here and let them cop out

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Speaker 11: because I mean, you know, we ain't got ship like

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Speaker 11: this in New York, you know what I mean.

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Speaker 2: So it's big for the city period. And the thing

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Speaker 2: about Joe store is it's exclusive, but it's retail, so.

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Speaker 6: He's not trying to rub nobody. He's selling it is

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Speaker 6: this true.

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Speaker 1: Joe boxed rice nothing sold over, so it's boxed price

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Speaker 1: a brand like Philip Pin. It would never be in

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Speaker 1: the Philip Lyne do four hundred million a year.

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Speaker 6: I don't know what that in your look? Oh yeah,

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Speaker 6: what is that?

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Speaker 1: Well, it's three four thousand dollars Jackiet shirt Oler.

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Speaker 2: It's over there like a Jackie. You got all right,

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Speaker 2: now you're very flying that. Let's start out.

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Speaker 6: Let's hear what out this big?

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Speaker 2: Be proud of you.

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Speaker 6: Big, I'm gona be. It looks on thousand and one,

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Speaker 6: but what but it is.

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Speaker 1: But what I'm saying to you is, you know, I like,

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Speaker 1: I feel like us Latinos blacks. We set the trends,

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Speaker 1: you know, and we never get our share of flying this.

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Speaker 1: So when I did the store, I said, shut up.

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Speaker 1: My partner, Scotti, the youngest partner in the wady nineteen

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Speaker 1: years old.

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Speaker 6: He working very well, My Scotty gotta work. I we

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Speaker 6: was hand. I felt Richard just there ahead continue and we.

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Speaker 1: Just wanted to bring like the Hamptons in the middle

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Speaker 1: of Washington Heights. So it's actually I wanted them to

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Speaker 1: see the sneaker culture. Same time, get stuff box price

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Speaker 1: where we ain't robbing nobody. Plus we're giving them something

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Speaker 1: that they can see their favorite rapp Let's look at

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Speaker 1: this Drink Chance number one show in the US.

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Speaker 6: Last we can we bigger than Howard Stern.

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Speaker 8: Tell them you drink Chances, No drink.

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Speaker 6: Your ship to put the show you back in your

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Speaker 6: nasty what up?

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Speaker 1: We got the Bing whatever you do, don't sharpen this

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Speaker 1: ship please.

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Speaker 2: That's my brother King Bing. We also got the Ching

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Speaker 2: Bing Mike Booth podcast. Let's also look out for Fat

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Speaker 2: Joe's podcast. We're announcing it live do the Drink Chance Network.

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Speaker 2: It's called just for kicks. Let's make somenoy Pat, y'all.

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Speaker 2: I love you so much man. Look you also know

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Speaker 2: you got a cubans of God. I give you a

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Speaker 2: car he avert.

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Speaker 6: Let me tell you who I'm proud of.

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Speaker 1: I'm proud of you guys, right because you prove that

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Speaker 1: you can make something out of enough.

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Speaker 2: That's a fact you guys.

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Speaker 1: You know you're started with something and you had an idea.

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Speaker 1: You didn't know it was gonna be this big, And

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Speaker 1: what happens is it's the true testament to never giving up.

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Speaker 6: And that's the story of our life. You know. Because

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Speaker 6: a lot of people got short memory.

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Speaker 1: We put out platinum albums, gold albums.

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Speaker 6: We put out the biggest hits.

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Speaker 1: But after a while the fans is almost like they

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Speaker 1: be like, where's your last hit now? So they start,

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Speaker 1: you know, forgetting the work you put in. But you

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Speaker 1: never laid down, and now you got a two million

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Speaker 1: viewers two million points four every week.

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Speaker 6: Two six last month because you believed.

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Speaker 1: In yourself and you did something in the Vadia Breddy

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Speaker 1: something my brother show What Happens.

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Speaker 6: Is the same thing with Fat Joe. I sit in

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Speaker 6: the couch.

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Speaker 1: Sometimes when I ain't gotta hit, people try to act

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Speaker 1: like they forget that we ain't put out lean back,

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Speaker 1: making rain all these things. So then we got to

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Speaker 1: hit him with.

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Speaker 2: All the way up, by the way, all the way up.

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Speaker 2: It's platinum. Let's make.

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Speaker 6: Oh no excuse me, sir, double all the way platinum.

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Speaker 2: Yo. But you know, Fat Joe, I just want to,

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Speaker 2: you know, big you up because you transcended with people

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Speaker 2: thought like people thought you gonna.

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Speaker 6: Have a hit record like cause smoke design.

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Speaker 2: We know you're a new artist, but after you get

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Speaker 2: ten years a better, people gonna.

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Speaker 6: Count you out.

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Speaker 2: Even if you hot, they're gonna count you out. They're

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Speaker 2: gonna say you can't do it again. They're gonna say whatever, whatever.

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Speaker 2: But faan Joe, you you you stumbled over those and

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Speaker 2: you kept going. And one thing about you that I

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Speaker 2: notice you really still love this game. Oh I love it?

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Speaker 1: You really love Yeah. I'm fighting for my respect. All

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Speaker 1: these years in the game, I still don't get my

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Speaker 1: just Duke, I keep fighting for my respect. The album's

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Speaker 1: called Plot Thou Plombo, shout out remy man. She's on

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Speaker 1: her way. She went Banana's on this album. This album

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Speaker 1: is incredible. Once again, I repeat incredible.

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Speaker 6: By the time if you love.

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Speaker 1: Hip hop, by the time you get to the fourth song,

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Speaker 1: by the time you get to the fourth song, you

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Speaker 1: texting thirty people like, oh no, they serious about this.

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Speaker 2: We know you're serious already.

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Speaker 6: Joe, stop killing you.

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Speaker 1: Don't practice every year.

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Speaker 6: It's time after the time, every year ever failed.

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Speaker 2: And I'm gonna keep it a honey with you, man.

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Speaker 6: Fa Joe is hip hop.

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Speaker 9: If y'r niggas thiga is a game, y'all niggas is out.

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Speaker 6: Of pocket because the BX is fat Joe. I forgot And.

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Speaker 2: Let's make.

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Speaker 6: So smoke Disney, you got wean on you.

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Speaker 2: Questions. We're gonna take a smoke break and were gonna

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Speaker 2: go acro the street. Let's not.

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Speaker 12: Joe.

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Speaker 2: Stop Joe.

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Speaker 6: I'm the most respectful nigga.

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Speaker 2: Now let me tell you the story though that Joe

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Speaker 2: in writing me to his crib on Thanksgiving.

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Speaker 6: Listen up, listen up, yo, my nigga guesses, hold on, no,

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Speaker 6: this is last.

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Speaker 2: This is this is this thing is given last things

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Speaker 2: give and yo. You know Joe is rich, so he

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Speaker 2: has the caterer. He says that he has the caterer.

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Speaker 2: He has everybody out. So I'm sitting there and Joe

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Speaker 2: was He's he lit, he's got strike nigga. I'm like, ship,

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Speaker 2: I feel like.

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Speaker 6: He's challenging me.

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Speaker 2: But this is my brother, so I don't want to

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Speaker 2: take it this and he goes and then Fat Joe

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Speaker 2: threw up in his own crib one thanks Giving Joe

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Speaker 2: jokey drinking joke drink yo.

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Speaker 6: Hold on, they went all in the cup.

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Speaker 2: You who's a profession smoothing store bareveroing in the cup?

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Speaker 6: Listen listen, hold up.

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Speaker 1: I got a very special person in the house tonight,

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Speaker 1: who's actually the hottest host in New York City clubs.

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Speaker 6: Pretty little pretty loose right behind you?

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Speaker 2: What's that wom shame my shi shame, my pretty little

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Speaker 2: I see a little in the hospital, God bless I

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Speaker 2: pray for you. And look at you, you out the

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Speaker 2: hospital looking fucking what. You text me this morning? You

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Speaker 2: ask me what sneakers I was putting on, and then

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Speaker 2: you you, you put on the same sneakers. Little just

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Speaker 2: only gig.

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Speaker 6: I'm manager.

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Speaker 7: Let me feel hold on before says I would have

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Speaker 7: expected for everybody. I see Lou at the radio station, right,

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Speaker 7: Denny's in the club. Denni's in the hospital getting treatment,

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Speaker 7: Denny's at the radio, Denn He's in the club.

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Speaker 13: Damn.

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Speaker 7: This guy's consistency with putting work. A lot of people

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Speaker 7: with just punks out and be like I'm done.

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Speaker 6: This guy is stronger. That's right, pretty low. What's up?

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Speaker 2: Man in in was s oh no, we're here the

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Speaker 2: grand opening up in YC. I see a lot of

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Speaker 2: beautiful people.

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Speaker 1: Your pretty new Hold up, because there's a lot of

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Speaker 1: this is I'm not just saying it.

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Speaker 6: This is the biggest podcast in the world.

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Speaker 2: Hold on. Let me let me tell you something.

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Speaker 1: Hold on, hold on, hold up, tell them your journey

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Speaker 1: with cancer. Because you're inspiring thousands and thousands and thousands.

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Speaker 6: Of people with your journey, pretty Lou, tell them that

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Speaker 6: people got to hear this.

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Speaker 14: Let me tell everybody man one thing. I want to

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Speaker 14: thank Fat Joe on this podcast. Man without Fat Joe.

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Speaker 14: I want to be where I'm at right now with

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Speaker 14: the with the power and the and the stamina that

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Speaker 14: I have two years of fighting leukemia, two years of

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Speaker 14: having on blood cancer and.

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Speaker 2: Let's make some nuts for Look.

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Speaker 8: And you know.

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Speaker 6: He's not making no put it like.

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Speaker 2: Put it like this. You know.

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Speaker 14: I want to thank God because if it wasn't for God,

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Speaker 14: and see people and all my supporters it's all about God,

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Speaker 14: I wouldn't be I wouldn't be touching what is it, Joe,

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Speaker 14: thousands and thousands of people.

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Speaker 2: Stage on stages.

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Speaker 1: Yeah, but it's more than that, Lou. Let me explain

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Speaker 1: something to you. Great, right now, you're not even fighting

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Speaker 1: for Lou. You fighting for somebody who got cancer somewhere

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Speaker 1: in the world watching you, and they getting up and

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Speaker 1: they don't have the motivation you got. So every day

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Speaker 1: you wake up and you fight, and you go work

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Speaker 1: and you talk, tell your story.

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Speaker 6: You are inspiring the little kid.

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Speaker 1: Somewhere wrest cancer who's saying I could make it pretty

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Speaker 1: lose a fighter.

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Speaker 6: I'm gonna fight you out. That's what's so powerful about you.

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Speaker 6: Now makes a noise for that there.

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Speaker 12: You know.

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Speaker 2: This is Joe Town.

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Speaker 14: But I'm gonna say one thing for the grand folk.

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Speaker 14: Shout to the Instagra, shout to everybody. But listen, anybody

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Speaker 14: who's out there fighting cancer or any type of disease,

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Speaker 14: always lets you know that the disease doesn't take you.

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Speaker 14: You know what I'm saying. It's all about the mind.

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Speaker 14: It's all about the power. It doesn't matter what type

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Speaker 14: of chemotherapy you get, what type of medicine you get.

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Speaker 14: It's all about your mind. If you put your mind

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Speaker 14: into it, never matter. You know what I'm saying, and

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Speaker 14: you don't let the disease get to you. Believe me,

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Speaker 14: it doesn't take no drug for you to beat this. Yeah,

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Speaker 14: number one podcasts.

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Speaker 2: I said it. I've been listening. This is the hospital

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Speaker 2: bed and listen pretty little. I also want to pick

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Speaker 2: you up. But just always being a motivator, always being

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Speaker 2: an inspired person, always being every time I've seen you,

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Speaker 2: you smiling, and you know that's important to me because

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Speaker 2: I don't I can't do this business. I can't be

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00:20:01,119 --> 00:20:03,600
Speaker 2: a part of this business. Unless I'm smiling. If I

401
00:20:03,600 --> 00:20:05,720
Speaker 2: ain't having fun doing what I want to do, I

402
00:20:05,800 --> 00:20:07,200
Speaker 2: can't do it. You know what I'm saying.

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Speaker 6: Elite might be helping, I don't even I don't even help.

404
00:20:12,160 --> 00:20:19,760
Speaker 2: I don't eat unless i'm I'm sorry. Man.

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Speaker 6: I appreciate you always having the Roylar eleae bottom. You

406
00:20:23,160 --> 00:20:23,840
Speaker 6: ain't have faun.

407
00:20:24,200 --> 00:20:27,399
Speaker 1: You always wrapped that Broylar elee that back up brands

408
00:20:27,960 --> 00:20:28,439
Speaker 1: you want to take.

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Speaker 6: By the way, have you tasted it yet?

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Speaker 2: This is my first time.

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Speaker 1: This is get the cameras on its.

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00:20:38,840 --> 00:20:50,520
Speaker 2: How no no, no show you or a check watch out,

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Speaker 2: You're gonna die For twelve seconds, it goes down smiling light.

414
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Speaker 2: This nigga Fat Joe got the thirteenth century roka out there.

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Speaker 2: Let's respect that even living queens are taking the days

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Speaker 2: with this ship.

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00:21:17,119 --> 00:21:18,760
Speaker 6: They used to come out with this ship. It says

418
00:21:18,840 --> 00:21:24,760
Speaker 6: eighteen having straight up that ship from mommy, how did

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00:21:24,760 --> 00:21:26,560
Speaker 6: you get how did you get put on the Royal League?

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00:21:26,960 --> 00:21:31,160
Speaker 1: Well, you know, I started drinking it first, and then

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00:21:31,400 --> 00:21:33,640
Speaker 1: he's a great said, you know what, he's amazing drinking

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00:21:33,720 --> 00:21:35,159
Speaker 1: it first, and I was like, yo, this is the

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00:21:35,280 --> 00:21:39,520
Speaker 1: best quiet you know, best kept secret. So I contacted

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00:21:39,600 --> 00:21:42,160
Speaker 1: the owners and was like, yo, you might need fat

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00:21:42,240 --> 00:21:44,320
Speaker 1: Joe in your life. And then they cut us through something.

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00:21:45,760 --> 00:21:48,760
Speaker 1: I believe that you always got to be like a

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00:21:49,280 --> 00:21:52,640
Speaker 1: product of the product. So I became now I love

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Speaker 1: the product. So I contacted them and now we're partners.

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Speaker 6: Wow. Then they cut that chall that just making that job.

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Speaker 6: I two white Okay, God loom.

431
00:22:08,520 --> 00:22:11,959
Speaker 2: Okay, money, we ain't watching and listen, there's a lot

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Speaker 2: of coke dealers that's gonna come here by sneakers.

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00:22:15,200 --> 00:22:19,000
Speaker 6: Know that a legend allegedly got, don't you that's a

434
00:22:19,160 --> 00:22:22,879
Speaker 6: nice people here. I've seen Chinese people come for.

435
00:22:23,000 --> 00:22:30,320
Speaker 2: All of these gender genderfuer gentified, I said, gentle gentified,

436
00:22:30,800 --> 00:22:44,600
Speaker 2: all right? That whoa we got for men? Face? What up?

437
00:22:45,440 --> 00:22:48,200
Speaker 2: We need Premo on drink Champs make you drunk Later,

438
00:22:50,400 --> 00:22:58,160
Speaker 2: we get you drunk. Primo, Yes, have your prayer, Holy ship,

439
00:22:58,200 --> 00:23:00,440
Speaker 2: I was throwing up PREMI So you gotta album with

440
00:23:00,600 --> 00:23:01,120
Speaker 2: geek Rock?

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Speaker 6: How the fuck did that happen?

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00:23:04,920 --> 00:23:06,720
Speaker 2: Well? I knew Pete since I was young, you know

443
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Speaker 2: what I mean?

444
00:23:07,119 --> 00:23:08,720
Speaker 11: And I used to carry Pete face to get in

445
00:23:08,760 --> 00:23:10,480
Speaker 11: the club before I could get it from Mount Vernon.

446
00:23:10,880 --> 00:23:14,120
Speaker 2: Now I'm from hollow, but pe you know, pee everywhere.

447
00:23:14,520 --> 00:23:18,600
Speaker 11: But we did something for Flex and uh pete really

448
00:23:18,640 --> 00:23:20,080
Speaker 11: fun with the James, Like, yo, let's just do a

449
00:23:20,119 --> 00:23:20,560
Speaker 11: whole album.

450
00:23:21,119 --> 00:23:25,520
Speaker 2: You know. That's how that ship came about. Don't Smoke

451
00:23:25,600 --> 00:23:28,000
Speaker 2: Rock and it looked like the pay the full comfort

452
00:23:29,840 --> 00:23:31,000
Speaker 2: take it back n y C.

453
00:23:31,320 --> 00:23:33,560
Speaker 6: Let me tell you something, smoke. There's a uh.

454
00:23:34,280 --> 00:23:38,040
Speaker 2: I respect everybody coming up new artists, but I especially

455
00:23:38,200 --> 00:23:41,760
Speaker 2: respect new artists from n y C. Because that's where

456
00:23:41,760 --> 00:23:43,840
Speaker 2: my heart is. I live in Miami. I'm wear flip

457
00:23:43,880 --> 00:23:46,800
Speaker 2: flops all day. Keep it the honey and I never

458
00:23:46,920 --> 00:23:54,119
Speaker 2: have a babysitter. But the only the only store in

459
00:23:54,200 --> 00:23:57,000
Speaker 2: America it's gonna have the drink Champ Slide is gonna be.

460
00:23:59,040 --> 00:24:01,920
Speaker 2: I want to support you. I want to continue you

461
00:24:02,000 --> 00:24:06,320
Speaker 2: know you, the Younger Maids, the Davidss, the Eight Boogies,

462
00:24:06,960 --> 00:24:09,760
Speaker 2: the don Cs. I want to continue to support y'all

463
00:24:09,800 --> 00:24:11,719
Speaker 2: because y'all what's gonna keep us?

464
00:24:12,040 --> 00:24:14,520
Speaker 6: Y'all was going to bring it back and he's got

465
00:24:14,600 --> 00:24:15,000
Speaker 6: a movement.

466
00:24:15,000 --> 00:24:17,360
Speaker 2: You gotta move the man. I look up to y'all.

467
00:24:17,480 --> 00:24:18,280
Speaker 2: I mean, like a nigga.

468
00:24:18,280 --> 00:24:20,880
Speaker 11: I started this ship listening to y'all listen in the crack,

469
00:24:20,960 --> 00:24:22,160
Speaker 11: listening the pun, listening to the noise.

470
00:24:22,560 --> 00:24:24,359
Speaker 2: The whole listen to d m X and I mean

471
00:24:24,440 --> 00:24:29,920
Speaker 2: a lot. So let's make noise. Cut checks now. It's

472
00:24:29,920 --> 00:24:34,480
Speaker 2: a noise for whole checks. Oh my god, lell you later.

473
00:24:35,040 --> 00:24:38,200
Speaker 6: God damn it. That's big up, that big up.

474
00:24:41,080 --> 00:24:41,280
Speaker 2: God.

475
00:24:41,760 --> 00:24:47,719
Speaker 6: Come in from from Nike. Don't cut no, I need

476
00:24:48,160 --> 00:24:48,600
Speaker 6: your account.

477
00:24:49,359 --> 00:24:51,200
Speaker 2: He's actually a big fan of the drink.

478
00:24:54,960 --> 00:24:59,040
Speaker 6: Right now, say your names wearing out. We need like

479
00:24:59,320 --> 00:25:01,800
Speaker 6: we need to like you love ship here you go. Yeah,

480
00:25:01,920 --> 00:25:06,600
Speaker 6: that's about the bell something Instagram in your Twitter and

481
00:25:06,680 --> 00:25:06,879
Speaker 6: all that.

482
00:25:07,119 --> 00:25:07,760
Speaker 4: No, not.

483
00:25:09,960 --> 00:25:12,800
Speaker 6: The blanket club, Yo, I wear you know you ain't

484
00:25:12,840 --> 00:25:14,840
Speaker 6: my number. You know what you know me?

485
00:25:15,320 --> 00:25:17,239
Speaker 1: I went and met with him and I was like, Yo,

486
00:25:17,400 --> 00:25:20,479
Speaker 1: it's the choice of Joe from the Bronx. He actually

487
00:25:20,600 --> 00:25:22,480
Speaker 1: got a story. Talk him about your mom.

488
00:25:24,520 --> 00:25:26,720
Speaker 6: This is drink jack, this is real. You get to

489
00:25:26,840 --> 00:25:28,400
Speaker 6: talk to the money, your fact.

490
00:25:28,720 --> 00:25:28,919
Speaker 15: This is.

491
00:25:37,800 --> 00:25:38,399
Speaker 6: Yet.

492
00:25:38,680 --> 00:25:42,000
Speaker 2: Tell me I grew up one hundred eighty second in

493
00:25:42,080 --> 00:25:45,240
Speaker 2: Preston and the Boots. Oh yeah, Harry Rocky.

494
00:25:45,920 --> 00:25:49,280
Speaker 6: So uh when I live, Joe used to uh hang

495
00:25:49,359 --> 00:25:53,359
Speaker 6: out out. That's he's so cracked there. So it's I

496
00:25:53,480 --> 00:25:56,000
Speaker 6: got into something and I.

497
00:25:56,080 --> 00:25:59,080
Speaker 7: Tell you one thing, this man and your your I

498
00:25:59,240 --> 00:26:02,439
Speaker 7: tell you all that this son's head Carty brother came up.

499
00:26:02,760 --> 00:26:04,840
Speaker 6: My mother was screaming, what's going on? What's going on?

500
00:26:05,040 --> 00:26:08,480
Speaker 2: They said, Debbie, we got you, so can met and

501
00:26:08,600 --> 00:26:10,720
Speaker 2: now what wait something years later.

502
00:26:10,680 --> 00:26:12,320
Speaker 6: Now you're a big dogg a Nike and you have.

503
00:26:13,840 --> 00:26:16,560
Speaker 2: Huge Let's make sure you take my number buses.

504
00:26:19,520 --> 00:26:21,720
Speaker 6: I love the story. I love the story, but look,

505
00:26:22,040 --> 00:26:22,840
Speaker 6: take my number bucking.

506
00:26:23,720 --> 00:26:24,600
Speaker 2: Are you out? You're out here?

507
00:26:24,640 --> 00:26:26,840
Speaker 6: I got We're gonna do this, me and you, nigga.

508
00:26:28,440 --> 00:26:29,679
Speaker 6: I don't need to pass you all.

509
00:26:30,359 --> 00:26:38,000
Speaker 4: This is the number taking section. I'm my next nice book.

510
00:26:38,000 --> 00:26:39,880
Speaker 4: While they're doing that, let's talk about this album. Pete

511
00:26:39,920 --> 00:26:42,439
Speaker 4: rocks Man, so yeah, make you lord, get that.

512
00:26:44,840 --> 00:26:47,720
Speaker 2: And please whatever when y'all come myself in putting Nike

513
00:26:48,240 --> 00:26:51,680
Speaker 2: fights very important, very important. We don't have they don't

514
00:26:51,680 --> 00:26:53,840
Speaker 2: have another Nike. Himm and pe Rocker coming up him

515
00:26:53,880 --> 00:26:55,560
Speaker 2: and Pee rock is coming. But you hanging out with

516
00:26:55,680 --> 00:26:59,920
Speaker 2: us right now? When Johnny newnas Can I'm standing right behind,

517
00:27:00,760 --> 00:27:03,239
Speaker 2: come sitting down all right? Let me get you. Oh

518
00:27:03,240 --> 00:27:05,159
Speaker 2: you got a BlackBerry still, I'm just blowing up.

519
00:27:05,200 --> 00:27:05,639
Speaker 6: Be careful.

520
00:27:07,480 --> 00:27:11,359
Speaker 2: You can't hack the eat Uncle Static selected, what up

521
00:27:11,800 --> 00:27:13,000
Speaker 2: your official drink chain?

522
00:27:13,119 --> 00:27:17,520
Speaker 7: We talk about how we really set off my drink Champ.

523
00:27:18,040 --> 00:27:21,080
Speaker 6: My brother you pronounce it. I'm the prince of drink

524
00:27:21,240 --> 00:27:23,359
Speaker 6: Champs and he's like the king Novelle.

525
00:27:23,720 --> 00:27:27,320
Speaker 7: Let's talk about how the drink Champ Norris static ship started.

526
00:27:27,520 --> 00:27:28,840
Speaker 6: Yo, smoke this be careful.

527
00:27:29,720 --> 00:27:32,560
Speaker 2: Yeah, I'm only drinking against that because because they pay

528
00:27:32,640 --> 00:27:38,160
Speaker 2: for the flag up. Yeah, yeah, coming up? Maybe, my god,

529
00:27:38,240 --> 00:27:40,720
Speaker 2: don't leave man, we come in here.

530
00:27:41,119 --> 00:27:43,440
Speaker 6: Yeah listen.

531
00:27:45,440 --> 00:27:50,560
Speaker 2: Yo statics selected. Yeah, h huh, Johnny knwonan is we

532
00:27:50,680 --> 00:27:50,960
Speaker 2: need the.

533
00:27:51,000 --> 00:27:58,320
Speaker 6: Rest of that story? My god, damn it. This drink

534
00:27:58,480 --> 00:27:59,920
Speaker 6: is fantastic.

535
00:28:03,760 --> 00:28:04,000
Speaker 10: Going on?

536
00:28:05,960 --> 00:28:13,120
Speaker 2: What there's three DJs and a rapper right now. Don't

537
00:28:13,119 --> 00:28:18,840
Speaker 2: forget Nasty here too, fluid the motherfucking house. Man. I

538
00:28:18,880 --> 00:28:21,040
Speaker 2: did not know DJ Nasty was Cuban, Yes, man, I

539
00:28:21,160 --> 00:28:25,120
Speaker 2: did Cubans not Cuban DJ know these things. So Camillo,

540
00:28:25,160 --> 00:28:28,520
Speaker 2: what's going on? You opened up a slice? Yes too, Yes,

541
00:28:28,880 --> 00:28:31,280
Speaker 2: and the Storia got one in the Storia and one

542
00:28:31,359 --> 00:28:33,680
Speaker 2: in Longan City, Queens, Long Island City, Queens.

543
00:28:33,760 --> 00:28:35,560
Speaker 6: You'll get a lot of money. It makes a noise

544
00:28:35,600 --> 00:28:36,560
Speaker 6: for Camilla get a lot.

545
00:28:36,440 --> 00:28:43,120
Speaker 2: Of er DJ Camillo, What yo, So you're the international

546
00:28:44,120 --> 00:28:45,680
Speaker 2: because one thing I know about your.

547
00:28:45,600 --> 00:28:47,960
Speaker 6: Parties is every race comes to your party.

548
00:28:48,640 --> 00:28:50,280
Speaker 2: Fact is that? Well?

549
00:28:50,400 --> 00:28:52,960
Speaker 6: Now you know in New York I have that Latin

550
00:28:54,280 --> 00:28:56,520
Speaker 6: core fan love.

551
00:28:59,600 --> 00:29:02,400
Speaker 2: If you're like Spanish bitches, go to the Committal thousand.

552
00:29:02,760 --> 00:29:04,200
Speaker 6: Let's just get to the point. Let's get to the point.

553
00:29:08,880 --> 00:29:11,600
Speaker 2: Super Old demonized the back Okaine for these guys back

554
00:29:11,600 --> 00:29:12,120
Speaker 2: in the day.

555
00:29:14,000 --> 00:29:16,920
Speaker 6: And take it back to Queens. He's back in the day, yo.

556
00:29:17,520 --> 00:29:22,480
Speaker 2: Static Selector, Static Selector and DJ Camillo, I would like

557
00:29:22,520 --> 00:29:25,720
Speaker 2: to ask you both a question right now, you're both.

558
00:29:25,560 --> 00:29:30,320
Speaker 6: DJ every night. What is the go to record right now?

559
00:29:30,880 --> 00:29:31,040
Speaker 15: Man?

560
00:29:32,480 --> 00:29:32,920
Speaker 2: Right now?

561
00:29:33,040 --> 00:29:34,720
Speaker 6: And is it different right now, right now?

562
00:29:35,120 --> 00:29:36,080
Speaker 10: Right for you?

563
00:29:36,160 --> 00:29:37,040
Speaker 6: It means DC.

564
00:29:37,200 --> 00:29:40,920
Speaker 7: For Lyddy, I don't even know what. Yes, sir, that's Hall,

565
00:29:41,080 --> 00:29:45,400
Speaker 7: That's Hall, right yeah? Yeah, then I thought the day

566
00:29:45,400 --> 00:29:52,440
Speaker 7: of the group was DC. All right, cool, let me think.

567
00:29:52,640 --> 00:29:52,840
Speaker 2: Man.

568
00:29:53,080 --> 00:29:59,360
Speaker 6: That's a tough question though, because so many I would say, uh, man,

569
00:29:59,680 --> 00:30:01,160
Speaker 6: you could depending on the crowd too.

570
00:30:01,240 --> 00:30:07,800
Speaker 7: Yeah, it definitely depends on the I'm I'm the artist.

571
00:30:08,600 --> 00:30:09,880
Speaker 6: No, I'm not the artist. I'm a fan.

572
00:30:10,040 --> 00:30:11,680
Speaker 2: But you don't understand it, man, I don't in the

573
00:30:11,720 --> 00:30:15,880
Speaker 2: cloud DJ with them, give us, give us one.

574
00:30:16,080 --> 00:30:18,680
Speaker 6: Don't you you know? I mean listen, DC for just

575
00:30:18,760 --> 00:30:21,640
Speaker 6: dropped this week, big, big up Meek Mill. We've been

576
00:30:21,680 --> 00:30:23,040
Speaker 6: buying right now in the.

577
00:30:23,080 --> 00:30:23,960
Speaker 2: Street right now.

578
00:30:24,520 --> 00:30:27,720
Speaker 6: That's what's going on. That's it right now, that's it.

579
00:30:28,440 --> 00:30:30,600
Speaker 6: You know what it is. Nobody got it though? What

580
00:30:30,840 --> 00:30:31,560
Speaker 6: that new trip called?

581
00:30:31,640 --> 00:30:31,800
Speaker 2: Quest?

582
00:30:32,040 --> 00:30:38,280
Speaker 6: Don't ask me. I think I think you misunderstood my question.

583
00:30:38,400 --> 00:30:40,000
Speaker 7: Like nah, I know in the club, in the club,

584
00:30:40,040 --> 00:30:43,600
Speaker 7: in the club, and like what do you man? I

585
00:30:43,640 --> 00:30:47,160
Speaker 7: would say, you know what a fade man, Kanye fade.

586
00:30:47,200 --> 00:30:51,720
Speaker 6: I love that record. That's Taylor. That's all about that big.

587
00:30:51,800 --> 00:30:54,120
Speaker 6: I love the record that's big. You know what for

588
00:30:54,200 --> 00:30:56,840
Speaker 6: a DJ that that's like a tool. There's a rule

589
00:30:56,920 --> 00:30:58,600
Speaker 6: to where you can like the record they can bring you.

590
00:30:58,640 --> 00:31:00,680
Speaker 7: You can either go school after go new with it,

591
00:31:00,800 --> 00:31:02,320
Speaker 7: like it's just one of those records you use as

592
00:31:02,320 --> 00:31:04,520
Speaker 7: a tool and then musician right and.

593
00:31:04,520 --> 00:31:07,320
Speaker 16: Then when this club bangers, it's like just left records

594
00:31:07,360 --> 00:31:09,560
Speaker 16: you could just hate. Anybody goes crazy like Shorty low

595
00:31:09,680 --> 00:31:13,840
Speaker 16: jay Z jay Z got I mean, I'm sorry, jeez,

596
00:31:14,800 --> 00:31:15,160
Speaker 16: I'm bad.

597
00:31:15,800 --> 00:31:16,360
Speaker 2: I'm looking.

598
00:31:20,160 --> 00:31:22,680
Speaker 6: Drawing the drink chaps. I'm looking all I'm looking at

599
00:31:22,720 --> 00:31:27,360
Speaker 6: his liquor around because you're you're You're not a guy,

600
00:31:27,400 --> 00:31:30,520
Speaker 6: You're an effing guy. That's right, but everything your leads together.

601
00:31:30,600 --> 00:31:35,120
Speaker 6: Take a shot, squad.

602
00:31:36,080 --> 00:31:38,520
Speaker 2: He say it was the first customer today, He said,

603
00:31:38,520 --> 00:31:39,640
Speaker 2: what was the first customer? I seen that?

604
00:31:39,680 --> 00:31:40,200
Speaker 4: What is this?

605
00:31:40,360 --> 00:31:40,720
Speaker 2: What is this?

606
00:31:40,840 --> 00:31:41,040
Speaker 15: This is.

607
00:31:42,680 --> 00:31:44,720
Speaker 6: Leading right all right on the way up. They cut

608
00:31:44,760 --> 00:31:45,040
Speaker 6: the check.

609
00:31:45,080 --> 00:31:45,560
Speaker 2: God damn it.

610
00:31:46,200 --> 00:31:48,400
Speaker 6: I do this by myself though, all right, I'm doing.

611
00:31:48,480 --> 00:31:50,720
Speaker 6: I'm doing, and I'm still one of that. I'm still

612
00:31:50,720 --> 00:31:56,240
Speaker 6: on these drink half don't have more. I don't have shots.

613
00:31:56,440 --> 00:32:00,160
Speaker 6: Get Columbian, man, Look, there's already.

614
00:32:01,720 --> 00:32:03,040
Speaker 2: Shots. Let's go.

615
00:32:03,160 --> 00:32:05,800
Speaker 6: You want to go full shopping and I can't.

616
00:32:06,480 --> 00:32:10,440
Speaker 2: I'm gonna just throw it out there. Listen, listen, listen.

617
00:32:11,040 --> 00:32:13,320
Speaker 2: Staddy was the first guy that I said, you can't

618
00:32:13,360 --> 00:32:17,080
Speaker 2: beat him to join him. I put Hennessy in his cup.

619
00:32:17,280 --> 00:32:18,760
Speaker 2: Then I put the rock in his cup and he

620
00:32:18,920 --> 00:32:22,200
Speaker 2: drank it, and then and then he mixed it with Moet,

621
00:32:22,400 --> 00:32:24,200
Speaker 2: and then I gave him three more drinks. And I'm

622
00:32:24,240 --> 00:32:26,640
Speaker 2: looking wait for the earl. I would have loved that

623
00:32:26,720 --> 00:32:28,960
Speaker 2: puff drink. Oh no, no, no, puff made the Jeff

624
00:32:29,440 --> 00:32:35,480
Speaker 2: made the puff imagine right, here, right here, listen, salute

625
00:32:35,520 --> 00:32:42,719
Speaker 2: the DJs. DJ come in on, DJ e Fin. Let

626
00:32:42,760 --> 00:32:45,240
Speaker 2: me tell you something. As an artist, we don't salute

627
00:32:45,280 --> 00:32:45,760
Speaker 2: y'all enough.

628
00:32:45,880 --> 00:32:46,640
Speaker 6: Hell no, you don't.

629
00:32:47,560 --> 00:32:48,920
Speaker 2: Hofuckers don't support the DJ.

630
00:32:50,160 --> 00:32:52,400
Speaker 6: Hold over man that's coming.

631
00:32:53,200 --> 00:32:56,640
Speaker 2: So as an artist, you know, without y'all, we don't

632
00:32:56,680 --> 00:32:59,200
Speaker 2: exist because there has to be a DJ who has

633
00:32:59,240 --> 00:33:02,080
Speaker 2: to understand on our record, play our record, and support

634
00:33:02,160 --> 00:33:06,080
Speaker 2: our record. So the thing about when you got to

635
00:33:06,160 --> 00:33:09,640
Speaker 2: DJs that that break records, like DJ Camillo, like a

636
00:33:09,720 --> 00:33:11,960
Speaker 2: DJ e f L, like a status select Nasty. I

637
00:33:12,120 --> 00:33:14,880
Speaker 2: want to that Nasty. I want to salute you, brothers.

638
00:33:15,000 --> 00:33:15,920
Speaker 2: Give Nasty a shot.

639
00:33:15,960 --> 00:33:16,440
Speaker 6: God damn it.

640
00:33:18,080 --> 00:33:26,160
Speaker 2: Drinking to you ain't the best today? You the best shot.

641
00:33:28,120 --> 00:33:28,520
Speaker 6: I want to.

642
00:33:29,120 --> 00:33:32,120
Speaker 2: I want to. I want to salute the DJ because

643
00:33:32,360 --> 00:33:37,320
Speaker 2: without again, without the DJ, you know what the DJ is, y'all,

644
00:33:37,360 --> 00:33:37,880
Speaker 2: the bullets.

645
00:33:37,920 --> 00:33:41,200
Speaker 6: We're the gun, but the gun can't function.

646
00:33:41,360 --> 00:33:42,920
Speaker 2: The DJ is the backbone of hip hop. Man.

647
00:33:43,000 --> 00:33:44,680
Speaker 6: Let me break it down my way. I'm gonna tell you.

648
00:33:45,040 --> 00:33:46,400
Speaker 6: Let me bring it to tell you right now.

649
00:33:47,440 --> 00:33:49,800
Speaker 2: The DJ is the bullets and we are the gun.

650
00:33:50,040 --> 00:33:52,280
Speaker 2: And I want to salute the DJ, DJ Nasty, DJ

651
00:33:52,440 --> 00:34:01,240
Speaker 2: Camillo Static Select though, DJ Enough, DJ MV, Clue Master,

652
00:34:01,400 --> 00:34:04,680
Speaker 2: flex K Slave, everybody.

653
00:34:04,200 --> 00:34:10,640
Speaker 6: On the way, and I say, kick Capri just man

654
00:34:10,840 --> 00:34:19,320
Speaker 6: sollo he hallow. That made me want to go that's crazy.

655
00:34:19,400 --> 00:34:20,839
Speaker 2: You can't Yo, what's that record?

656
00:34:22,360 --> 00:34:22,440
Speaker 6: Yo?

657
00:34:22,560 --> 00:34:22,759
Speaker 2: Really?

658
00:34:24,080 --> 00:34:26,719
Speaker 16: One time I was listening to one of the episodes

659
00:34:26,760 --> 00:34:29,000
Speaker 16: and I had to hit up nor Chance because of

660
00:34:29,080 --> 00:34:32,719
Speaker 16: course Drink Chances, because after the after the episode, I

661
00:34:32,840 --> 00:34:36,399
Speaker 16: was like, Norri, great show for fuck you twisted right.

662
00:34:36,400 --> 00:34:39,800
Speaker 2: Hell because Dame Da I don't know which one it was.

663
00:34:40,360 --> 00:34:42,920
Speaker 2: I've listened to, like maybe Dame is the Moon.

664
00:34:43,040 --> 00:34:44,839
Speaker 7: He was fucked up the fifty one. You were sucked

665
00:34:44,880 --> 00:34:47,000
Speaker 7: up the fifties fucked up more than me though, Yeah

666
00:34:47,160 --> 00:34:50,120
Speaker 7: fifty you don't drink, Yeah you got onto drink.

667
00:34:50,200 --> 00:34:51,319
Speaker 2: And that was an amazing show.

668
00:34:51,360 --> 00:34:54,480
Speaker 6: Shout out to everybody getting the Way from Drink Champs.

669
00:34:54,880 --> 00:35:00,720
Speaker 6: Everybody would do a right con for the podcast.

670
00:35:00,800 --> 00:35:03,440
Speaker 7: But I can't even like I'm wanting to do now,

671
00:35:03,480 --> 00:35:05,879
Speaker 7: I'll say it on the air. It's called backstory. Shot

672
00:35:05,920 --> 00:35:08,279
Speaker 7: my partner JFK. We're doing this thing called backstory right.

673
00:35:08,680 --> 00:35:10,520
Speaker 7: The co host is gonna blow your mind when you

674
00:35:10,560 --> 00:35:14,200
Speaker 7: see who it is. But uirrel now, but it's about

675
00:35:14,320 --> 00:35:16,880
Speaker 7: basically every episode is gonna be the making of an

676
00:35:16,880 --> 00:35:19,960
Speaker 7: album a class. So we gotta do War Report. We

677
00:35:20,040 --> 00:35:22,360
Speaker 7: gotta do a couple of different things. It's a podcast

678
00:35:22,400 --> 00:35:24,040
Speaker 7: you're gonna do Yeah, but I.

679
00:35:24,120 --> 00:35:24,880
Speaker 2: Hate I hate that.

680
00:35:25,040 --> 00:35:28,920
Speaker 7: Everybody's what I gotta feel bad because my Shade forty

681
00:35:28,920 --> 00:35:29,359
Speaker 7: five ship.

682
00:35:29,760 --> 00:35:32,040
Speaker 6: It's like everybody that's on the podcast that's not down

683
00:35:32,080 --> 00:35:32,719
Speaker 6: with drink Champs.

684
00:35:32,800 --> 00:35:36,239
Speaker 2: Let's do that right to say, I'll be doing let's

685
00:35:36,239 --> 00:35:40,320
Speaker 2: work out, I'm having to afford you.

686
00:35:40,560 --> 00:35:42,320
Speaker 6: Let's not get DJ Nast to get that. Get that

687
00:35:42,440 --> 00:35:47,279
Speaker 6: my for a second, man, right now, Man, Orlando J.

688
00:35:47,480 --> 00:35:51,080
Speaker 4: Shout out to Orlando Man, tell the first person to

689
00:35:51,120 --> 00:35:54,200
Speaker 4: play a crazy hood record straight at Ed'll style.

690
00:35:54,440 --> 00:35:56,400
Speaker 2: Yeah, and that's where Colin is really from. Let's keep

691
00:35:56,440 --> 00:36:01,680
Speaker 2: it really from my way, your mississipp Orlando J started

692
00:36:01,719 --> 00:36:04,760
Speaker 2: out there, Yeah I started. But he's from New Orleans,

693
00:36:05,080 --> 00:36:10,799
Speaker 2: Window Orlando. And then he made his home some god

694
00:36:10,880 --> 00:36:13,719
Speaker 2: damn god damn it snapchat. I heard the own snapchat.

695
00:36:14,560 --> 00:36:17,360
Speaker 2: I had no idea. I'm killing its supposed to be

696
00:36:17,400 --> 00:36:18,040
Speaker 2: on drink Chance.

697
00:36:18,120 --> 00:36:19,319
Speaker 6: Man, we're waiting for you, No, I.

698
00:36:19,360 --> 00:36:24,719
Speaker 2: Know that gotta get Yeah, he keeps sucking with the

699
00:36:24,800 --> 00:36:28,399
Speaker 2: corny people. God damn it. Bick them up as well

700
00:36:28,920 --> 00:36:30,160
Speaker 2: as well. We love you rap raight now.

701
00:36:30,960 --> 00:36:32,880
Speaker 5: Yes, he's still on the radio, and know what's our

702
00:36:32,960 --> 00:36:34,040
Speaker 5: ninety five point three is right?

703
00:36:34,520 --> 00:36:34,719
Speaker 2: Yep?

704
00:36:35,600 --> 00:36:37,360
Speaker 6: Now is that that's a clear channel?

705
00:36:37,800 --> 00:36:41,719
Speaker 4: Hard Cocks, Yo, you've been there forever right, you must

706
00:36:41,800 --> 00:36:45,600
Speaker 4: own the station now cos yeah radio man.

707
00:36:46,000 --> 00:36:49,840
Speaker 2: Am right, that's Meedy Orlando. I'm saying it's not the

708
00:36:49,880 --> 00:36:53,960
Speaker 2: same cocks. Nah oh yeah, oh yeah, yeah yeah yeah

709
00:36:54,320 --> 00:37:03,359
Speaker 2: ship man, what brother like you? Bigga said, God, I'm

710
00:37:04,719 --> 00:37:06,520
Speaker 2: big up to my dude, super old man.

711
00:37:07,000 --> 00:37:07,919
Speaker 6: I love you, super Old.

712
00:37:07,920 --> 00:37:11,759
Speaker 16: You're looking very slim shot the nasty was Beance tour

713
00:37:11,800 --> 00:37:15,080
Speaker 16: with Cali right, yeah, yeah, I'm watching.

714
00:37:15,239 --> 00:37:16,920
Speaker 6: I'm watching You can to smell with Beyonce.

715
00:37:18,680 --> 00:37:19,560
Speaker 5: Yeah yeah, she smelled.

716
00:37:19,880 --> 00:37:20,719
Speaker 6: I heard she smelled like.

717
00:37:22,480 --> 00:37:26,160
Speaker 2: The fact people I'll be texting hole like yo, he

718
00:37:26,239 --> 00:37:26,640
Speaker 2: smelled it.

719
00:37:27,040 --> 00:37:29,160
Speaker 6: I'm not you definitely about that.

720
00:37:29,719 --> 00:37:30,200
Speaker 2: You're crazy.

721
00:37:30,280 --> 00:37:31,319
Speaker 6: But I felt good for.

722
00:37:31,360 --> 00:37:33,759
Speaker 2: The moment, for the moment. Big up the whole because

723
00:37:33,800 --> 00:37:37,239
Speaker 2: he's cutting checks right now. He's cutting checks right now,

724
00:37:37,280 --> 00:37:40,000
Speaker 2: Look up the whole. And you switched from Sarah to

725
00:37:40,280 --> 00:37:43,920
Speaker 2: f correct what happened. Let's get straight to the point

726
00:37:44,800 --> 00:37:47,560
Speaker 2: I feel like you about the real we talked about

727
00:37:47,600 --> 00:37:49,520
Speaker 2: to the point. Yeah, I was with you.

728
00:37:49,680 --> 00:37:51,840
Speaker 6: Shot the puff you know what I'm saying. He definitely

729
00:37:51,880 --> 00:37:52,439
Speaker 6: opened the door.

730
00:37:52,600 --> 00:37:52,799
Speaker 2: Yeah.

731
00:37:52,840 --> 00:37:55,160
Speaker 6: But I was down with boys for five years.

732
00:37:55,800 --> 00:37:59,080
Speaker 16: And the situation came about two years ago, came down

733
00:37:59,560 --> 00:38:02,320
Speaker 16: and I was like a gentleman a step just puffing

734
00:38:02,360 --> 00:38:05,480
Speaker 16: and say, yo, I got this situation here, man, what's up?

735
00:38:05,920 --> 00:38:08,719
Speaker 16: So you just took a map for him rocking situationally

736
00:38:09,040 --> 00:38:12,920
Speaker 16: stepped to like press press And then the first year

737
00:38:13,000 --> 00:38:13,560
Speaker 16: I didn't take it.

738
00:38:14,000 --> 00:38:15,960
Speaker 6: You didn't take that. So the offer was on the

739
00:38:16,000 --> 00:38:19,040
Speaker 6: tip from men. Yeah, but you from queens.

740
00:38:19,440 --> 00:38:24,000
Speaker 16: Exactly second year, second year they were knocking again, what's suck?

741
00:38:24,600 --> 00:38:26,520
Speaker 16: And then and then and then I did the right

742
00:38:26,600 --> 00:38:29,279
Speaker 16: thing again. I said, Yo, my brothers, you know this

743
00:38:29,440 --> 00:38:29,920
Speaker 16: is going on.

744
00:38:30,120 --> 00:38:32,839
Speaker 6: What's up? You know right now? Things they moving things,

745
00:38:32,880 --> 00:38:35,600
Speaker 6: And I'm like, okay, well then y'all know I took

746
00:38:35,680 --> 00:38:38,640
Speaker 6: them up to Rock Nation offices. Yo, this is about

747
00:38:38,680 --> 00:38:40,919
Speaker 6: to go down, yall. We still can't make a move.

748
00:38:41,040 --> 00:38:41,759
Speaker 6: We can't help you.

749
00:38:42,040 --> 00:38:47,440
Speaker 2: Blah blah blah, Rock saying that, saying that, okay, man,

750
00:38:47,520 --> 00:38:48,960
Speaker 2: I don't I don't you know, because he said, went

751
00:38:49,000 --> 00:38:51,520
Speaker 2: to Rock Nation offices that Yeah.

752
00:38:51,360 --> 00:38:53,040
Speaker 6: I made him. You know I did the right thing.

753
00:38:53,120 --> 00:38:53,839
Speaker 6: You know, I gave him.

754
00:38:55,600 --> 00:38:59,200
Speaker 2: Not because yeah, right, and then you know, after a

755
00:38:59,239 --> 00:38:59,759
Speaker 2: while being.

756
00:38:59,680 --> 00:39:01,840
Speaker 16: There fire years, you know, I say, you know, I

757
00:39:01,880 --> 00:39:03,759
Speaker 16: think it's time, man, fifty. You know, I want to

758
00:39:03,760 --> 00:39:05,239
Speaker 16: get down with this new and and it's great to

759
00:39:05,280 --> 00:39:07,200
Speaker 16: start something new again, you know what I'm saying, up

760
00:39:07,280 --> 00:39:09,879
Speaker 16: and coming. You know, fing is new, still still new,

761
00:39:09,960 --> 00:39:12,560
Speaker 16: and you believe in the product absolutely, and then just

762
00:39:12,640 --> 00:39:16,480
Speaker 16: the whole Queen's movement that's on fifty goddamn it, yo.

763
00:39:16,680 --> 00:39:19,120
Speaker 6: You know he was real, genuine. I met when him was.

764
00:39:23,560 --> 00:39:25,400
Speaker 16: Due and he you know, he put he put the

765
00:39:25,440 --> 00:39:27,480
Speaker 16: whole paint, the whole picture for me. And it's just

766
00:39:27,600 --> 00:39:29,279
Speaker 16: more than just effing you know what I'm saying. He

767
00:39:29,320 --> 00:39:30,200
Speaker 16: has a plan behind it.

768
00:39:30,880 --> 00:39:32,920
Speaker 2: Big of fifty goddamn it right. So you know I

769
00:39:33,040 --> 00:39:35,920
Speaker 2: got the move But you can come to drink Champ. Yeah,

770
00:39:39,400 --> 00:39:43,279
Speaker 2: the chance Army please hit him up, because we let

771
00:39:43,400 --> 00:39:44,560
Speaker 2: him slip out of our things.

772
00:39:44,680 --> 00:39:46,760
Speaker 6: He came and did the podcast. We let him slip.

773
00:39:46,960 --> 00:39:48,800
Speaker 2: We didn't pressure him. But now it's time to pressure

774
00:39:48,840 --> 00:39:50,080
Speaker 2: Hi because everybody tell me he's a good guy. But

775
00:39:50,080 --> 00:39:52,839
Speaker 2: you're a guy, right not. I'm actually a free agent.

776
00:39:59,000 --> 00:40:02,919
Speaker 2: We just I don't know if I got the power

777
00:40:03,000 --> 00:40:05,560
Speaker 2: to do that, but I just already did it. I'm sorry.

778
00:40:05,560 --> 00:40:09,680
Speaker 2: I'm sorry, Royal Lee hollo Way. Yeah, so was your

779
00:40:09,719 --> 00:40:11,920
Speaker 2: Dawn with her Rocke at one point? No, I never

780
00:40:11,960 --> 00:40:14,600
Speaker 2: got into the you know, you don't really drink. I

781
00:40:14,719 --> 00:40:15,719
Speaker 2: drink a little bit drink.

782
00:40:15,760 --> 00:40:15,880
Speaker 12: You know.

783
00:40:16,160 --> 00:40:19,879
Speaker 2: Cuban man, he drinks a little card here, cub Yeah,

784
00:40:20,000 --> 00:40:25,200
Speaker 2: am grooving Cuban, und you one hundred percent of yeah?

785
00:40:25,360 --> 00:40:27,879
Speaker 2: You know what what you black?

786
00:40:28,960 --> 00:40:31,880
Speaker 7: I gotta go change typers. I love you Selective.

787
00:40:32,120 --> 00:40:33,960
Speaker 2: Let's make sure you shout out to Instagram and all

788
00:40:34,000 --> 00:40:36,240
Speaker 2: these people so they make sure you know original.

789
00:40:35,920 --> 00:40:38,400
Speaker 7: Drink champs at static select that's what k is now

790
00:40:38,480 --> 00:40:40,480
Speaker 7: ss S T A T I K S E L

791
00:40:40,560 --> 00:40:43,040
Speaker 7: E K T you know, shave forty five Thursday nights

792
00:40:43,280 --> 00:40:44,879
Speaker 7: and me and are about to build about this other

793
00:40:45,000 --> 00:40:46,440
Speaker 7: this other podcasting.

794
00:40:46,440 --> 00:40:48,359
Speaker 2: Wipe me and you fish out in that guy makes

795
00:40:49,160 --> 00:40:53,719
Speaker 2: connect the guy you know brother, Okay, let me know

796
00:40:53,960 --> 00:40:56,920
Speaker 2: no hear me that we're gonna strimp all right, We're

797
00:40:56,920 --> 00:40:57,920
Speaker 2: gonna edit that part out.

798
00:40:58,000 --> 00:41:02,320
Speaker 6: That's it, all right, So listen dj.

799
00:41:03,880 --> 00:41:07,440
Speaker 2: We got DJs. I'm excited. When you go to a club,

800
00:41:07,719 --> 00:41:09,799
Speaker 2: how does it How does it work? You look at

801
00:41:09,840 --> 00:41:12,920
Speaker 2: the crowd and you play? Or do you play and

802
00:41:13,000 --> 00:41:13,879
Speaker 2: didn't look at the crowd?

803
00:41:16,040 --> 00:41:19,439
Speaker 16: You mean camello, I walk in, I have definitely a drink.

804
00:41:19,880 --> 00:41:21,000
Speaker 16: I gotta get an a zone.

805
00:41:21,080 --> 00:41:21,200
Speaker 2: Man.

806
00:41:21,320 --> 00:41:24,239
Speaker 16: Yeah, sometimes I sometimes got to wake up myself. And

807
00:41:24,360 --> 00:41:26,479
Speaker 16: you definitely observe the crowd, you know what I'm saying.

808
00:41:26,719 --> 00:41:28,680
Speaker 16: You know, doing it so long, so many years, you

809
00:41:28,760 --> 00:41:29,319
Speaker 16: already know what.

810
00:41:29,400 --> 00:41:30,120
Speaker 2: You're walking into.

811
00:41:30,520 --> 00:41:31,560
Speaker 6: But still you gotta observe the car.

812
00:41:31,600 --> 00:41:33,360
Speaker 16: You gotta see what the fuck the DJ did the

813
00:41:33,440 --> 00:41:36,240
Speaker 16: last twenty minutes, you know what I'm saying. Because sometimes

814
00:41:37,520 --> 00:41:40,279
Speaker 16: sometimes these the new guys, they just like to go

815
00:41:40,400 --> 00:41:40,880
Speaker 16: in early.

816
00:41:41,080 --> 00:41:41,480
Speaker 2: All that time.

817
00:41:41,760 --> 00:41:43,520
Speaker 6: They forget that, you know, the club is up until

818
00:41:43,560 --> 00:41:44,200
Speaker 6: four in the morning.

819
00:41:44,280 --> 00:41:46,640
Speaker 16: We got two more hours to go, so you're burning

820
00:41:46,680 --> 00:41:47,520
Speaker 16: all these records down.

821
00:41:47,719 --> 00:41:50,400
Speaker 4: But how often you think now because there's a difference.

822
00:41:50,480 --> 00:41:52,440
Speaker 4: I don't spend a clubes anymore. I used to, and

823
00:41:52,600 --> 00:41:54,320
Speaker 4: we used to be able to break a record in

824
00:41:54,400 --> 00:41:56,280
Speaker 4: the club. Right, it doesn't seem like you could.

825
00:41:56,080 --> 00:41:56,600
Speaker 2: Do that anymore.

826
00:41:57,000 --> 00:41:58,800
Speaker 6: No, that's not clear that I know.

827
00:41:59,160 --> 00:42:03,200
Speaker 16: Well, yes, but nowadays, right nowadays, let's say nowadays, you

828
00:42:03,239 --> 00:42:05,080
Speaker 16: have an artist in the in the in the room.

829
00:42:05,520 --> 00:42:07,960
Speaker 6: They have their assistance on our next yoh, here's the

830
00:42:08,080 --> 00:42:09,359
Speaker 6: USB yo yo.

831
00:42:09,800 --> 00:42:13,600
Speaker 2: So they might have their peoples. That might help the environment.

832
00:42:13,640 --> 00:42:14,880
Speaker 6: It might help the environment, it might not.

833
00:42:14,960 --> 00:42:16,920
Speaker 16: Also, because you know, you got the new play, the

834
00:42:17,000 --> 00:42:19,200
Speaker 16: new so and so, crowd don't want to hear the

835
00:42:19,239 --> 00:42:20,879
Speaker 16: new song and so the crowd want to hear the fun.

836
00:42:20,920 --> 00:42:22,680
Speaker 6: Even something that you like that you want to break.

837
00:42:22,960 --> 00:42:23,399
Speaker 2: It's tough.

838
00:42:23,640 --> 00:42:24,960
Speaker 6: It's tough if it is, it's tough.

839
00:42:25,040 --> 00:42:27,319
Speaker 2: Before it seemed like the crowd was like I fused

840
00:42:27,360 --> 00:42:29,680
Speaker 2: with the DJ, no matter what. It seemed like that.

841
00:42:29,800 --> 00:42:32,040
Speaker 2: That's that's the shift back in the nineties, That's what

842
00:42:32,120 --> 00:42:33,759
Speaker 2: I'm talking. That's when I was in the clube those days.

843
00:42:34,120 --> 00:42:36,720
Speaker 2: Right now, it's crazy because I see DJ's getting booked.

844
00:42:37,640 --> 00:42:38,160
Speaker 6: Are you out?

845
00:42:38,800 --> 00:42:39,719
Speaker 2: You can't leave us, man?

846
00:42:40,120 --> 00:42:43,120
Speaker 6: You know, you know you got the dinner to get

847
00:42:43,120 --> 00:42:44,320
Speaker 6: the schedule be back tonight.

848
00:42:44,560 --> 00:42:46,279
Speaker 2: But get the joints. Get the joints out of my list.

849
00:42:46,320 --> 00:42:49,799
Speaker 2: Where do you think? Right right on the Nasty Jay

850
00:42:49,920 --> 00:42:52,560
Speaker 2: rock before you leave. Yeah, I'm coming to the shore.

851
00:42:52,920 --> 00:42:55,680
Speaker 6: I'm coming, Big up Jay Rock.

852
00:42:56,200 --> 00:42:59,280
Speaker 2: We love you, Jay Rock, going away going to college

853
00:42:59,360 --> 00:43:03,319
Speaker 2: for two years, and we love you. We're always gonna

854
00:43:03,320 --> 00:43:05,439
Speaker 2: hold you down, Jay Rock. You know what I'm saying,

855
00:43:05,680 --> 00:43:07,840
Speaker 2: but so nothing else.

856
00:43:08,280 --> 00:43:12,080
Speaker 6: What we're saying, breaking the record in the breaking the record.

857
00:43:12,160 --> 00:43:13,840
Speaker 6: So this is what I see nowadays.

858
00:43:14,200 --> 00:43:16,279
Speaker 2: Nowadays, I see a DJ that get high, like a

859
00:43:16,320 --> 00:43:19,560
Speaker 2: big DJ, and they'll say he's at live, but he'll

860
00:43:19,800 --> 00:43:22,120
Speaker 2: he'll technically be on the set for twenty minutes.

861
00:43:22,640 --> 00:43:25,040
Speaker 6: That happens a lot. Does that bother you?

862
00:43:25,320 --> 00:43:25,600
Speaker 4: Like me?

863
00:43:26,640 --> 00:43:27,960
Speaker 5: I'm cool if I go in there and I do

864
00:43:28,080 --> 00:43:31,160
Speaker 5: my hour, it's cool. But you know, yeah, I know

865
00:43:31,239 --> 00:43:32,000
Speaker 5: what you're talking about.

866
00:43:32,200 --> 00:43:34,000
Speaker 2: There's also there's also a lot of politics.

867
00:43:34,080 --> 00:43:36,480
Speaker 16: Like let's say you go to live, there's mad politics

868
00:43:36,560 --> 00:43:39,000
Speaker 16: that people don't know. You know, schools on some of

869
00:43:39,040 --> 00:43:41,640
Speaker 16: those well, you know, sometimes they tell you not to go.

870
00:43:41,760 --> 00:43:44,080
Speaker 2: In, you know, they tell you not to play certain

871
00:43:44,120 --> 00:43:45,560
Speaker 2: records because Stevie J gotta buy.

872
00:43:45,719 --> 00:43:49,120
Speaker 6: Yeah, that happens. Let's for what, Let's get my hands down,

873
00:43:49,200 --> 00:43:50,800
Speaker 6: you know, let's let's sealuse STEVEJ.

874
00:43:50,840 --> 00:43:54,520
Speaker 2: Because that's how my guy, that's is how respect liuple

875
00:43:54,520 --> 00:43:54,920
Speaker 2: of times.

876
00:43:55,000 --> 00:43:57,560
Speaker 16: And I stood off certain records because I know sometimes

877
00:43:57,560 --> 00:43:58,920
Speaker 16: I see stevj right behind me.

878
00:43:59,280 --> 00:44:02,640
Speaker 2: Just stare, were like, that's kind of really like it.

879
00:44:03,080 --> 00:44:05,160
Speaker 6: But you know, but here's the other thing. You know,

880
00:44:05,239 --> 00:44:07,880
Speaker 6: you gotta live. You want to bust that nut, especially

881
00:44:08,080 --> 00:44:08,720
Speaker 6: not for Miami.

882
00:44:08,920 --> 00:44:10,960
Speaker 2: And if you can bust it without those records, of

883
00:44:11,080 --> 00:44:13,120
Speaker 2: course you kill the DJ.

884
00:44:13,200 --> 00:44:15,120
Speaker 6: Of course, but that that you know, that room is special.

885
00:44:15,480 --> 00:44:17,440
Speaker 16: It's a special room because it's one of the biggest

886
00:44:17,520 --> 00:44:18,759
Speaker 16: hip hop clubs in.

887
00:44:18,760 --> 00:44:20,160
Speaker 2: The East Coast industry too.

888
00:44:21,680 --> 00:44:25,640
Speaker 16: Sometimes you know, and them guys, they've been there over

889
00:44:25,719 --> 00:44:29,080
Speaker 16: seven years already. That's legendary for club to last over

890
00:44:29,160 --> 00:44:29,680
Speaker 16: seven years.

891
00:44:29,920 --> 00:44:31,799
Speaker 6: It doesn't happen. This is you know what I'm saying.

892
00:44:32,040 --> 00:44:35,200
Speaker 2: It's my job. I'm high. CBS hied me. Yeah, I

893
00:44:35,360 --> 00:44:39,440
Speaker 2: am pretty chance sight talking normal. It's normal ship. It's

894
00:44:39,480 --> 00:44:44,280
Speaker 2: not disrespect. It's just listen, listen. Has you ever returned

895
00:44:44,320 --> 00:44:47,200
Speaker 2: to favor like with STEVJK to New York and he

896
00:44:47,360 --> 00:44:49,520
Speaker 2: was DJing and then you ever say to him, yo,

897
00:44:49,640 --> 00:44:50,920
Speaker 2: don't play as no.

898
00:44:51,200 --> 00:44:51,239
Speaker 12: No.

899
00:44:51,400 --> 00:44:53,480
Speaker 16: He came one time uptown and I let him do

900
00:44:53,600 --> 00:44:56,920
Speaker 16: him like you know, this was back let me see vintage.

901
00:44:57,000 --> 00:44:59,040
Speaker 6: This is back uptown. Yeah, off of Dykeman.

902
00:44:59,120 --> 00:45:01,200
Speaker 2: But these are good dude right here. You're a good dude,

903
00:45:01,480 --> 00:45:01,840
Speaker 2: like you know.

904
00:45:04,120 --> 00:45:04,959
Speaker 6: A little great people.

905
00:45:05,600 --> 00:45:07,160
Speaker 16: We've been in the game for a minute, so it's

906
00:45:07,239 --> 00:45:09,440
Speaker 16: like one night ain't gonna break. You'll make you man,

907
00:45:10,040 --> 00:45:11,640
Speaker 16: you know what I'm saying. So you know there's a

908
00:45:11,640 --> 00:45:13,279
Speaker 16: lot of the other thing is, you know Stevie JA

909
00:45:13,400 --> 00:45:16,160
Speaker 16: seen him come up from when he was nobody, So

910
00:45:16,280 --> 00:45:17,759
Speaker 16: now he's buzzing you.

911
00:45:17,800 --> 00:45:19,160
Speaker 6: You know what I'm saying. Now he got that record

912
00:45:19,239 --> 00:45:21,120
Speaker 6: right now or heard of that? You know what I'm saying.

913
00:45:21,360 --> 00:45:23,239
Speaker 16: As a deep fellow DJ, I played it on half

914
00:45:23,280 --> 00:45:26,320
Speaker 16: of him found you know up here nobody playing stevj

915
00:45:26,400 --> 00:45:26,880
Speaker 16: record right now.

916
00:45:27,000 --> 00:45:30,920
Speaker 2: Really, but one thing I see about you is beginning

917
00:45:30,920 --> 00:45:33,320
Speaker 2: in the Instagram. You never posted your children.

918
00:45:33,560 --> 00:45:35,920
Speaker 6: Yeah, yeah, your wife yep, yeah, facts.

919
00:45:36,320 --> 00:45:38,759
Speaker 2: And I was like, damn, Like I used to look

920
00:45:38,800 --> 00:45:41,359
Speaker 2: at your pictures to say, his wife going to kill

921
00:45:41,440 --> 00:45:42,160
Speaker 2: him when he goes home.

922
00:45:42,400 --> 00:45:43,279
Speaker 6: He's actually black.

923
00:45:43,320 --> 00:45:45,000
Speaker 16: I used to blow him out, yeah, because you know

924
00:45:45,120 --> 00:45:47,000
Speaker 16: I was new. I g this is we're talking about

925
00:45:47,000 --> 00:45:49,560
Speaker 16: four five years back, and I'm like, yeah, I don't

926
00:45:49,560 --> 00:45:51,600
Speaker 16: want to put my kids there. They're two years old.

927
00:45:51,680 --> 00:45:54,799
Speaker 16: I don't know whether this Jesus going say something fat.

928
00:45:55,200 --> 00:45:57,000
Speaker 2: You guys gotta ignore it, that's right.

929
00:45:57,120 --> 00:45:59,520
Speaker 6: So but it wasn't even that was just like more

930
00:45:59,600 --> 00:46:01,359
Speaker 6: like I don't want my people know what my kids

931
00:46:01,400 --> 00:46:01,719
Speaker 6: look like.

932
00:46:02,280 --> 00:46:04,880
Speaker 16: You know what I'm saying, because it's personal nowadays though

933
00:46:04,960 --> 00:46:06,680
Speaker 16: twenty sixteen maps they already know.

934
00:46:06,760 --> 00:46:07,360
Speaker 2: So you change that.

935
00:46:07,480 --> 00:46:10,120
Speaker 7: Now you change because now they're old and it's on

936
00:46:10,239 --> 00:46:11,480
Speaker 7: my case because I don't bring my girl to the

937
00:46:11,480 --> 00:46:12,040
Speaker 7: podcast and.

938
00:46:12,080 --> 00:46:16,680
Speaker 2: I know that's my word. Yeah, yeah, you're right, following me.

939
00:46:16,719 --> 00:46:19,600
Speaker 6: On snirts at DJ Camello, following my instagram. DJ camel

940
00:46:19,880 --> 00:46:20,200
Speaker 6: his girl.

941
00:46:20,520 --> 00:46:24,879
Speaker 2: I mean, oh mah, Havot had his girl. I haven't

942
00:46:24,880 --> 00:46:26,520
Speaker 2: had this girl. No. He said he had a side piece.

943
00:46:26,600 --> 00:46:28,520
Speaker 2: It looked like a side piece. I just I gotta

944
00:46:28,520 --> 00:46:30,880
Speaker 2: stop saying that because you said, I ain't saying in

945
00:46:30,960 --> 00:46:33,320
Speaker 2: my mind that could be a girl. You know what

946
00:46:33,360 --> 00:46:36,480
Speaker 2: I'm saying, nasty. I'm so sorry have it, but it

947
00:46:36,520 --> 00:46:37,680
Speaker 2: could be his girl. We don't know.

948
00:46:38,000 --> 00:46:38,839
Speaker 6: They were on the show.

949
00:46:38,920 --> 00:46:42,640
Speaker 16: They're like behind just decided, Yeah, I was going to

950
00:46:42,719 --> 00:46:44,759
Speaker 16: hit you one day because like, yo, Nord, you need

951
00:46:44,840 --> 00:46:46,759
Speaker 16: some females up on the show. And then and then

952
00:46:46,840 --> 00:46:49,239
Speaker 16: I saw what was the envy and Angelie to me.

953
00:46:49,360 --> 00:46:50,800
Speaker 2: That was like, that was a dope episode.

954
00:46:51,000 --> 00:46:52,480
Speaker 6: That was the first time we had a female.

955
00:46:52,520 --> 00:46:54,399
Speaker 2: Actually, yeah, you know, we've asked.

956
00:46:54,480 --> 00:46:55,520
Speaker 6: We also have Cassie.

957
00:46:55,760 --> 00:46:59,040
Speaker 2: You got I'm trying to smoke you a blood with Cascaulloy.

958
00:46:59,120 --> 00:47:00,040
Speaker 6: So I was smoking the black.

959
00:47:03,120 --> 00:47:03,759
Speaker 2: We're not supposed to.

960
00:47:04,440 --> 00:47:05,319
Speaker 6: If you want to talk about that.

961
00:47:05,400 --> 00:47:07,560
Speaker 2: You don't give so if you want to edit that out,

962
00:47:07,640 --> 00:47:10,960
Speaker 2: don't worry about it. We already do it on the podcast.

963
00:47:12,080 --> 00:47:13,200
Speaker 6: He smokes blunts and.

964
00:47:13,239 --> 00:47:15,719
Speaker 2: I also smoke down bad business right now, and I

965
00:47:15,840 --> 00:47:18,839
Speaker 2: also smoked a download sigarerite. No, no, no, what makes

966
00:47:18,880 --> 00:47:23,640
Speaker 2: a noise for me smoking? You're smoked to dorney right now.

967
00:47:23,920 --> 00:47:26,920
Speaker 6: No, no, you can't roll up this Fat Joe's story.

968
00:47:26,960 --> 00:47:28,320
Speaker 2: You can't do that. You can't do that.

969
00:47:28,760 --> 00:47:31,120
Speaker 6: Let me tell you something, Fat Joe. Fat Joe is

970
00:47:31,160 --> 00:47:32,560
Speaker 6: a great guy, hey time.

971
00:47:32,640 --> 00:47:33,480
Speaker 2: And he's a sneaker.

972
00:47:34,480 --> 00:47:36,320
Speaker 6: Like let me tell you I said it while he

973
00:47:36,480 --> 00:47:36,759
Speaker 6: was here.

974
00:47:37,040 --> 00:47:39,319
Speaker 2: I said it right here's DJ Nasty, Like I get

975
00:47:39,440 --> 00:47:42,000
Speaker 2: exclusive sneakers. I just go hang out with him just

976
00:47:42,320 --> 00:47:44,800
Speaker 2: just because I just wait for him to analyze it

977
00:47:45,239 --> 00:47:47,839
Speaker 2: and then he'll be like, I got those are ready.

978
00:47:47,880 --> 00:47:50,960
Speaker 2: Of course he's looking at it only three times. I

979
00:47:51,000 --> 00:47:53,959
Speaker 2: knew this got twenty years only three times. He said,

980
00:47:54,160 --> 00:47:58,040
Speaker 2: I don't got those And if the Jordan's that you

981
00:47:58,200 --> 00:47:59,520
Speaker 2: have on, no it wasn't.

982
00:47:59,800 --> 00:48:03,360
Speaker 6: He's dropping my nigga. No no, no, no, no, no,

983
00:48:04,160 --> 00:48:06,239
Speaker 6: my nigga, my nigga. Biz who got the Jordan's on?

984
00:48:06,760 --> 00:48:08,840
Speaker 2: Can show us to Jordan's, Show us to Jordan's. You

985
00:48:08,920 --> 00:48:15,160
Speaker 2: got on? He's like, flip them up, my nigga, mister bitley,

986
00:48:15,880 --> 00:48:18,400
Speaker 2: mister bitley, show him, show him to Jordan's. What are

987
00:48:18,480 --> 00:48:19,040
Speaker 2: what are they call?

988
00:48:19,200 --> 00:48:19,759
Speaker 6: What are they called?

989
00:48:20,520 --> 00:48:23,640
Speaker 2: The threes? I had those on and Joven like this

990
00:48:23,760 --> 00:48:26,439
Speaker 2: to me, he said, they're not making nose again.

991
00:48:27,040 --> 00:48:29,840
Speaker 6: Good And then he finally picked me up.

992
00:48:30,080 --> 00:48:32,839
Speaker 2: He was like, I ain't got the smoke, bizzos, listen,

993
00:48:32,880 --> 00:48:33,520
Speaker 2: I gotta smoke up.

994
00:48:33,840 --> 00:48:35,359
Speaker 6: There's certain things you gotta do in hip hop.

995
00:48:37,520 --> 00:48:40,320
Speaker 2: You gotta smoke a blunt with snoop. You did that,

996
00:48:40,760 --> 00:48:43,799
Speaker 2: it's seventeen. You gotta smoke seventeen blunts with snoop because

997
00:48:44,520 --> 00:48:46,799
Speaker 2: one just just don't feel right. You gotta make sure

998
00:48:46,800 --> 00:48:49,080
Speaker 2: you put the paper on. The one is like finger popping.

999
00:48:49,560 --> 00:48:50,799
Speaker 2: Like finger popping is cool.

1000
00:48:50,960 --> 00:48:52,800
Speaker 6: You ain't, but you ain't hit you.

1001
00:48:54,000 --> 00:48:57,439
Speaker 2: But you gotta like you gotta playing with smoking with fingerbobbing.

1002
00:48:56,880 --> 00:48:57,400
Speaker 6: Is no no no.

1003
00:48:57,800 --> 00:49:00,960
Speaker 2: I explain with fingerpi the fun that finger sounds weird, man,

1004
00:49:01,520 --> 00:49:04,200
Speaker 2: But when we did the showposed finger Poppa. He likes

1005
00:49:04,239 --> 00:49:06,160
Speaker 2: the finger pop. Back in the days, he was a

1006
00:49:06,200 --> 00:49:06,880
Speaker 2: finger popper. R.

1007
00:49:07,160 --> 00:49:08,080
Speaker 6: I don't know, I don't know.

1008
00:49:08,400 --> 00:49:10,120
Speaker 2: Back in the day. You're taking this in the dark place.

1009
00:49:10,560 --> 00:49:13,359
Speaker 2: It's beautiful. We are in NYC. We got DJ coming,

1010
00:49:13,400 --> 00:49:16,400
Speaker 2: a little DJ Nasty stating select the smoke bizzle.

1011
00:49:16,760 --> 00:49:18,000
Speaker 6: I'm just patching a flashbacker.

1012
00:49:18,080 --> 00:49:19,600
Speaker 16: Now I'm looking at your f I'm like, I remember

1013
00:49:19,640 --> 00:49:22,120
Speaker 16: I tried to push mixtapes that he shot, right.

1014
00:49:22,160 --> 00:49:25,160
Speaker 2: He had to shot like y'all from me and nor

1015
00:49:25,239 --> 00:49:26,080
Speaker 2: he met in ninety seven.

1016
00:49:26,200 --> 00:49:28,080
Speaker 6: Let me let me send twenty pieces down there.

1017
00:49:29,160 --> 00:49:32,359
Speaker 2: And I had my mixtapes in Woodside. Wow, your nas

1018
00:49:32,520 --> 00:49:34,160
Speaker 2: take that hat off. You don't look good in it.

1019
00:49:34,320 --> 00:49:38,839
Speaker 6: I'm gonna keep your heart. I'm fucking with you. I'm

1020
00:49:38,840 --> 00:49:40,000
Speaker 6: fucking with you, yo.

1021
00:49:39,960 --> 00:49:43,000
Speaker 2: Johnny, Johnny, your weight, your hands some were come on, wait,

1022
00:49:46,320 --> 00:49:54,399
Speaker 2: man perspired, was lotion on his hands coming out? Yeo?

1023
00:49:54,920 --> 00:50:00,120
Speaker 2: So he was fingerpop? How how is how annoying it is?

1024
00:50:00,160 --> 00:50:04,279
Speaker 2: It when you got a wreck of you're popping. The

1025
00:50:04,520 --> 00:50:08,240
Speaker 2: artist thinks they're popping, but they kind of not popping.

1026
00:50:08,480 --> 00:50:09,839
Speaker 6: That's all day. That's every day.

1027
00:50:09,840 --> 00:50:12,640
Speaker 2: That every day, that's every day, every night, every artist.

1028
00:50:12,680 --> 00:50:15,759
Speaker 2: Do they have your phone number or do they head

1029
00:50:15,800 --> 00:50:16,320
Speaker 2: of your Twitter?

1030
00:50:16,520 --> 00:50:19,560
Speaker 6: How do they annoy you? And you don't smoke? Camel crush?

1031
00:50:19,600 --> 00:50:27,560
Speaker 2: Right, I'm white, give me black nigga Cigarettesrette who said

1032
00:50:27,640 --> 00:50:33,440
Speaker 2: that I don't find you and you in turn? Now,

1033
00:50:34,040 --> 00:50:35,600
Speaker 2: so like, how how was that?

1034
00:50:35,719 --> 00:50:35,839
Speaker 10: Now?

1035
00:50:35,960 --> 00:50:36,600
Speaker 6: He described me?

1036
00:50:37,160 --> 00:50:40,080
Speaker 2: Describe me. You're in Orlando. Guys in the landlo he

1037
00:50:40,160 --> 00:50:43,839
Speaker 2: thinks he's popping because it's shut up to everybody Orlando man,

1038
00:50:44,160 --> 00:50:48,200
Speaker 2: you used so describe me that.

1039
00:50:48,680 --> 00:50:51,960
Speaker 11: I mean, it's some of them are popping out there,

1040
00:50:51,960 --> 00:50:53,280
Speaker 11: you know what I'm saying. The ones that are popping,

1041
00:50:53,680 --> 00:50:54,640
Speaker 11: you know, we support them.

1042
00:50:54,680 --> 00:50:55,480
Speaker 6: But and you're late.

1043
00:50:56,200 --> 00:50:59,040
Speaker 2: Sometimes you're late. Yeah, sometimes we're late. I heard from

1044
00:50:59,120 --> 00:51:01,600
Speaker 2: Flex say that one night from Flex said, I played

1045
00:51:01,640 --> 00:51:03,800
Speaker 2: myself and then he jumps on the record.

1046
00:51:04,360 --> 00:51:05,880
Speaker 11: But you know, when you jump on it, it's a

1047
00:51:05,920 --> 00:51:08,920
Speaker 11: whole different story, right because you're from the town exactly,

1048
00:51:08,960 --> 00:51:10,440
Speaker 11: and it gets a bigger reaction.

1049
00:51:11,040 --> 00:51:13,600
Speaker 2: But you know, some some cads just ain't popping. You know,

1050
00:51:14,160 --> 00:51:15,680
Speaker 2: you got to get it popping.

1051
00:51:16,040 --> 00:51:17,560
Speaker 6: Sometimes they were super popping.

1052
00:51:17,960 --> 00:51:20,239
Speaker 16: They're not popping right now, and you know they're trying to,

1053
00:51:20,320 --> 00:51:22,440
Speaker 16: you know, trying to get back up where they were and.

1054
00:51:22,480 --> 00:51:24,880
Speaker 2: They hitting you like crazy, and like what do you do?

1055
00:51:25,400 --> 00:51:26,000
Speaker 6: Like what do you do?

1056
00:51:26,360 --> 00:51:27,719
Speaker 16: You don't you know, you don't want to be just

1057
00:51:27,840 --> 00:51:30,120
Speaker 16: flexing your my nigga, this ain't the one you know

1058
00:51:30,160 --> 00:51:30,640
Speaker 16: what I'm saying.

1059
00:51:31,160 --> 00:51:31,919
Speaker 6: So it's tough.

1060
00:51:32,160 --> 00:51:34,080
Speaker 2: I think I think, I think I want to correct

1061
00:51:34,120 --> 00:51:36,800
Speaker 2: you on that. I think an artist will respect that

1062
00:51:36,960 --> 00:51:39,000
Speaker 2: more if sometime you.

1063
00:51:39,000 --> 00:51:41,080
Speaker 6: Know why me and Flex have I know, I fe

1064
00:51:41,200 --> 00:51:43,000
Speaker 6: the ticket a heart be and Flex we have.

1065
00:51:43,080 --> 00:51:45,879
Speaker 2: One of the of the one of the greatest relationships.

1066
00:51:46,040 --> 00:51:49,120
Speaker 2: Because I could, I could, I've never sent records to Flex.

1067
00:51:49,239 --> 00:51:53,799
Speaker 2: I go see him and Flex be like that one

1068
00:51:54,840 --> 00:51:57,920
Speaker 2: like this, it's good. I'd be like, you don't like that,

1069
00:51:58,640 --> 00:52:01,400
Speaker 2: you know what I'm saying. It's like, but like I

1070
00:52:01,480 --> 00:52:05,880
Speaker 2: think that. But but again, to you guys, respect. You

1071
00:52:06,000 --> 00:52:08,960
Speaker 2: can't meet with every artist. You can't sit down in

1072
00:52:09,080 --> 00:52:12,400
Speaker 2: degree captain and eat some crab legs or excuse me,

1073
00:52:12,680 --> 00:52:17,280
Speaker 2: slice see and just sit down and have a slice

1074
00:52:17,280 --> 00:52:18,320
Speaker 2: of pizza with everybody.

1075
00:52:18,760 --> 00:52:22,920
Speaker 6: But but what happens if you got a record that.

1076
00:52:23,000 --> 00:52:27,400
Speaker 2: You personally love, but no other DJ on your station

1077
00:52:28,200 --> 00:52:31,440
Speaker 2: loves this record? Do you still stand there and support it? Yeah?

1078
00:52:31,920 --> 00:52:32,680
Speaker 6: Yeah, you support it.

1079
00:52:32,719 --> 00:52:34,680
Speaker 16: But then there's, of course there's a certain degree, like

1080
00:52:34,840 --> 00:52:37,320
Speaker 16: you go to a certain extent and if it's d

1081
00:52:37,600 --> 00:52:40,640
Speaker 16: be like what's called the PD forgetting Like, yeah, you

1082
00:52:40,719 --> 00:52:42,879
Speaker 16: know radio, you gotta understand radio is another ball game,

1083
00:52:43,239 --> 00:52:45,000
Speaker 16: Like I can't beat Camello on radio.

1084
00:52:45,320 --> 00:52:47,880
Speaker 6: I could be half fifty this is a.

1085
00:52:47,920 --> 00:52:51,239
Speaker 2: Business d damn man, that's programming program.

1086
00:52:53,000 --> 00:52:56,480
Speaker 6: The other fifty is radio fucking talk like it is

1087
00:52:56,560 --> 00:52:56,920
Speaker 6: what it is?

1088
00:52:57,040 --> 00:52:57,200
Speaker 2: Man?

1089
00:52:57,360 --> 00:52:59,200
Speaker 6: Wow, that's and isn't it different?

1090
00:52:59,280 --> 00:53:02,759
Speaker 4: Now where there's artists and records that are blazing on

1091
00:53:02,880 --> 00:53:03,360
Speaker 4: the Internet.

1092
00:53:04,280 --> 00:53:06,880
Speaker 2: Artists they got like hundreds of thousands of followers.

1093
00:53:07,000 --> 00:53:11,680
Speaker 16: I'll give you an example, Savage twenty one blazing blazing.

1094
00:53:13,160 --> 00:53:15,680
Speaker 2: Before you say whatever you say, that's damn near my

1095
00:53:16,040 --> 00:53:18,960
Speaker 2: my favorite new artist, Savage twenty one record, you would

1096
00:53:19,040 --> 00:53:19,560
Speaker 2: leave him.

1097
00:53:19,640 --> 00:53:22,200
Speaker 6: And he's he's fire. But can I hit that on

1098
00:53:22,280 --> 00:53:24,280
Speaker 6: the radio at five pm?

1099
00:53:24,400 --> 00:53:27,680
Speaker 2: That nigga said, he said, I'm a fucking bitch and

1100
00:53:27,760 --> 00:53:28,560
Speaker 2: then I'm gonna give that.

1101
00:53:28,600 --> 00:53:33,359
Speaker 6: Bitch that the a pill the man b pill shit

1102
00:53:33,760 --> 00:53:36,400
Speaker 6: that was That was like in Miami.

1103
00:53:36,480 --> 00:53:38,680
Speaker 4: I don't know how Denzel Curry hasn't been on the

1104
00:53:38,760 --> 00:53:41,120
Speaker 4: radio and like like on regular rotation.

1105
00:53:41,200 --> 00:53:42,279
Speaker 2: You know Denzel Curry out.

1106
00:53:42,200 --> 00:53:45,680
Speaker 6: Of Miami, you're talking about it. Yeah, he's an.

1107
00:53:45,560 --> 00:53:46,759
Speaker 2: Incredible artist, out of mind.

1108
00:53:46,800 --> 00:53:48,759
Speaker 6: He's like the next Kanye. Yeah, he's got a joint

1109
00:53:48,800 --> 00:53:49,839
Speaker 6: one cross joint.

1110
00:53:50,120 --> 00:53:51,800
Speaker 2: I have a joint on my album with Gunplate.

1111
00:53:52,560 --> 00:53:55,880
Speaker 6: Radio radio you know, radio be late, man killing radio

1112
00:53:56,000 --> 00:53:56,279
Speaker 6: be late.

1113
00:53:56,360 --> 00:53:58,480
Speaker 4: You know he was with Joy Batas with Joy Batts,

1114
00:53:58,520 --> 00:53:59,720
Speaker 4: Like I'm saying, like he's got a movement.

1115
00:54:00,120 --> 00:54:02,120
Speaker 2: That's what I'm say. It's like a different parallel.

1116
00:54:02,280 --> 00:54:04,760
Speaker 4: There's the radio parallel and then there's like this online

1117
00:54:04,800 --> 00:54:05,960
Speaker 4: internet movement.

1118
00:54:05,960 --> 00:54:08,279
Speaker 2: You know what I'm saying. When people have fans, thank

1119
00:54:08,360 --> 00:54:10,640
Speaker 2: you ain't got super depend on radio? You feel me?

1120
00:54:13,360 --> 00:54:15,399
Speaker 6: There's the new artist that radio.

1121
00:54:15,480 --> 00:54:17,319
Speaker 2: Like, what does that mean for radio? Chance?

1122
00:54:19,040 --> 00:54:19,880
Speaker 6: Radio is the ratings thing?

1123
00:54:19,960 --> 00:54:20,080
Speaker 12: Man?

1124
00:54:20,200 --> 00:54:21,320
Speaker 2: Like, what do you think you think? What do you

1125
00:54:21,360 --> 00:54:23,120
Speaker 2: think the lifespan of radio is today?

1126
00:54:24,000 --> 00:54:27,440
Speaker 16: I think it's way smaller. Man, Like, listen, nowadays, these kids,

1127
00:54:27,480 --> 00:54:29,640
Speaker 16: I don't you know when I was growing up, you

1128
00:54:29,800 --> 00:54:30,560
Speaker 16: had to go to radio.

1129
00:54:30,840 --> 00:54:31,320
Speaker 2: You had to go.

1130
00:54:31,640 --> 00:54:34,280
Speaker 16: I was just stretching by beetle Guy one in the morning.

1131
00:54:34,920 --> 00:54:36,760
Speaker 16: Let me listen to college radio. Then I was listening

1132
00:54:36,840 --> 00:54:38,920
Speaker 16: down to Flex. Then you know, I was kick apree

1133
00:54:39,000 --> 00:54:41,520
Speaker 16: when he was on the radio. Like nowadays, these kids

1134
00:54:41,560 --> 00:54:44,319
Speaker 16: wake up. It's on the phone, man, it's on the app, it's.

1135
00:54:44,239 --> 00:54:48,240
Speaker 6: On YouTube, it's on streaming, streaming, it's on the podcast.

1136
00:54:48,280 --> 00:54:50,440
Speaker 6: It's so much to so many avenues now.

1137
00:54:50,719 --> 00:54:53,480
Speaker 2: And do you think that's a good thing, the streaming thing,

1138
00:54:53,600 --> 00:54:54,640
Speaker 2: or you think that's a bad thing.

1139
00:54:55,239 --> 00:54:57,440
Speaker 6: As a DJ, it's a good thing.

1140
00:54:57,760 --> 00:54:59,080
Speaker 2: It's a good thing. I think it's a good thing.

1141
00:54:59,160 --> 00:55:02,319
Speaker 6: Yeah, it's a good thing. Can't change the apps now,

1142
00:55:02,560 --> 00:55:04,319
Speaker 6: DJ Camelo app by the way, that was Big.

1143
00:55:08,360 --> 00:55:10,560
Speaker 2: Drink Champs Lap by the way, Oh yeah drink. We

1144
00:55:10,640 --> 00:55:13,239
Speaker 2: got a text app too, and we got Texticker drunk

1145
00:55:13,320 --> 00:55:14,359
Speaker 2: Text by Drink Chaps.

1146
00:55:14,719 --> 00:55:15,319
Speaker 6: He's very rich.

1147
00:55:15,480 --> 00:55:18,560
Speaker 2: You I need to get an ABB damn feeling behind

1148
00:55:18,840 --> 00:55:21,239
Speaker 2: signed to Drink Chaps. Don't worry about we see we

1149
00:55:21,360 --> 00:55:29,400
Speaker 2: were lost colleague man, good DJ Gallup, Big up DJ College.

1150
00:55:29,440 --> 00:55:30,920
Speaker 6: We don't know where he had in the world right now.

1151
00:55:32,040 --> 00:55:34,200
Speaker 2: Yeah, I'm so so happy for you got him as

1152
00:55:34,280 --> 00:55:34,680
Speaker 2: a DJ.

1153
00:55:34,800 --> 00:55:35,920
Speaker 6: Y'all have to be happy.

1154
00:55:37,360 --> 00:55:37,640
Speaker 2: Right now.

1155
00:55:37,800 --> 00:55:38,080
Speaker 6: Happy.

1156
00:55:39,040 --> 00:55:41,080
Speaker 16: The first time I ever played in Miami, ever, there

1157
00:55:41,160 --> 00:55:43,319
Speaker 16: was this party from these guys called NFA. I don't

1158
00:55:43,320 --> 00:55:45,440
Speaker 16: know if you remember them, of course. The first time

1159
00:55:45,560 --> 00:55:48,440
Speaker 16: I played in Miami, Calid open up for me. You

1160
00:55:48,480 --> 00:55:50,200
Speaker 16: know this is back in the day when like Calie

1161
00:55:50,320 --> 00:55:54,960
Speaker 16: was around the way locals probably right, you know, early

1162
00:55:55,160 --> 00:55:58,320
Speaker 16: to see her now twenty sixteen, My brother, like he

1163
00:55:58,560 --> 00:56:00,040
Speaker 16: is then.

1164
00:56:00,160 --> 00:56:03,160
Speaker 2: Got a big looks people.

1165
00:56:03,239 --> 00:56:06,200
Speaker 4: I've seen Calied already popping a little bit in Miami,

1166
00:56:06,600 --> 00:56:09,399
Speaker 4: passing out his old flyers. Yeah, and I could never

1167
00:56:09,480 --> 00:56:12,040
Speaker 4: take that away from I've seen his grind from the beginning,

1168
00:56:12,760 --> 00:56:15,680
Speaker 4: and he's never changed. He's always been that outlandish person.

1169
00:56:16,280 --> 00:56:19,920
Speaker 2: You ever change make time? Yeah, we had a DJ segment.

1170
00:56:21,520 --> 00:56:21,640
Speaker 12: Yo.

1171
00:56:21,680 --> 00:56:23,440
Speaker 2: I've been for this, y. I ain't gonna.

1172
00:56:23,200 --> 00:56:27,400
Speaker 6: Problem out numbered. You know we're just looking at right now, guys.

1173
00:56:27,320 --> 00:56:28,920
Speaker 2: I'm looking hard.

1174
00:56:30,320 --> 00:56:30,560
Speaker 5: Right here.

1175
00:56:30,880 --> 00:56:32,680
Speaker 6: Well, thank you for not letting me get jokes old.

1176
00:56:36,160 --> 00:56:41,080
Speaker 2: Man. Yo. So what's next for DJ Nasty Before Smoking Boy?

1177
00:56:41,760 --> 00:56:43,480
Speaker 5: This is gonna be the year I put out a single.

1178
00:56:44,239 --> 00:56:49,560
Speaker 5: I've been producing behind record album. I'm not gonna do

1179
00:56:49,600 --> 00:56:51,960
Speaker 5: an album I'm just gonna do a single. See how

1180
00:56:52,000 --> 00:56:54,960
Speaker 5: that goes. Can you say what records you produced on that?

1181
00:56:55,080 --> 00:56:58,879
Speaker 5: We know a lot of records. You need a little Wayne, Yeah,

1182
00:57:00,200 --> 00:57:03,839
Speaker 5: I do. When keep going, all I do is will yeah. Man,

1183
00:57:03,960 --> 00:57:09,279
Speaker 5: Come on, man, let me get your damn man. The

1184
00:57:09,560 --> 00:57:12,279
Speaker 5: roster's crazy man's crib. It's a lot of any artist

1185
00:57:12,320 --> 00:57:13,520
Speaker 5: you can name. I worked with him.

1186
00:57:14,080 --> 00:57:15,520
Speaker 6: Come on, you gotta name these records. Now.

1187
00:57:16,280 --> 00:57:19,480
Speaker 2: He's got a lot of bigger Jesus his publishing check.

1188
00:57:20,560 --> 00:57:24,040
Speaker 6: I'll be forget how many you got new records to.

1189
00:57:24,040 --> 00:57:26,280
Speaker 5: The new Cali record too, I'll do your mind. We

1190
00:57:26,360 --> 00:57:30,560
Speaker 5: call produce that joint. Yeah, yeah, we did that joint,

1191
00:57:30,600 --> 00:57:34,800
Speaker 5: that long time coming joint. I'd be the Wikipedia sick

1192
00:57:34,880 --> 00:57:36,520
Speaker 5: man DJ nasty LBM.

1193
00:57:36,320 --> 00:57:38,520
Speaker 2: Wikipedia to be lying. Let's not go to the Wikipedia.

1194
00:57:38,560 --> 00:57:41,520
Speaker 2: We're gonna make some money. They said they told me

1195
00:57:41,560 --> 00:57:42,520
Speaker 2: I was forty years old.

1196
00:57:42,520 --> 00:57:46,040
Speaker 6: I'm thirty nine. Don't you forty years old?

1197
00:57:46,080 --> 00:57:50,280
Speaker 2: Bud? Don't you did give me an Actually, yeah, I'm

1198
00:57:50,320 --> 00:57:53,280
Speaker 2: thirty nine. Let me be thirty nine. That's the Timber six.

1199
00:57:53,400 --> 00:57:56,320
Speaker 2: I'll be forty. So you got my age. I'm good.

1200
00:57:56,480 --> 00:57:59,320
Speaker 2: So what's next? What's next for Camillo. You know, pick

1201
00:57:59,440 --> 00:58:01,040
Speaker 2: up the Lex, my nigga, Lex.

1202
00:58:01,080 --> 00:58:03,400
Speaker 6: He's on his way back. What's going on?

1203
00:58:03,560 --> 00:58:08,520
Speaker 2: What invite me to the Dominican trips? You, mister, mister Lee.

1204
00:58:10,000 --> 00:58:12,800
Speaker 2: They be having Dominican trips where they go out there

1205
00:58:12,840 --> 00:58:14,120
Speaker 2: and go crazy, and.

1206
00:58:14,200 --> 00:58:16,560
Speaker 6: They never they never invite me. I got money, go

1207
00:58:16,720 --> 00:58:18,120
Speaker 6: by mom. What's a Dominican trip?

1208
00:58:18,800 --> 00:58:27,680
Speaker 2: Like? What are you gonna think? I want to I

1209
00:58:27,760 --> 00:58:30,200
Speaker 2: want to go and see it. I already know what

1210
00:58:30,640 --> 00:58:30,960
Speaker 2: I heard.

1211
00:58:31,040 --> 00:58:33,360
Speaker 6: It's fantastic. Come on, you go to these trips too.

1212
00:58:34,080 --> 00:58:39,160
Speaker 2: No, I see you on the ground. Because I'm supposed

1213
00:58:39,160 --> 00:58:41,160
Speaker 2: to get married, right Lex? What happened?

1214
00:58:42,600 --> 00:58:43,400
Speaker 6: I can't speak on that.

1215
00:58:44,720 --> 00:58:50,280
Speaker 2: He's rare. Get read right now? Man sending on the

1216
00:58:50,320 --> 00:58:51,160
Speaker 2: podcast around.

1217
00:58:51,560 --> 00:58:52,439
Speaker 6: That's my second time.

1218
00:58:53,080 --> 00:58:54,800
Speaker 2: So you should have texted me and told me I

1219
00:58:54,840 --> 00:58:57,640
Speaker 2: shouldn't talked about this, But you didn't, so I'm gonna

1220
00:58:57,680 --> 00:59:00,280
Speaker 2: keep talking about it. So Lex supposed to get me marry.

1221
00:59:00,840 --> 00:59:02,320
Speaker 6: They was going to Dominican and Popula.

1222
00:59:03,520 --> 00:59:05,640
Speaker 2: They didn't get married, and he still went to Dominica.

1223
00:59:05,760 --> 00:59:10,440
Speaker 2: Call's crazy. Big up. Mister Lee started rock clothing and

1224
00:59:10,680 --> 00:59:13,600
Speaker 2: Lex she got Okary I got open a little bit.

1225
00:59:13,920 --> 00:59:15,160
Speaker 6: But listen, I'm gonna married.

1226
00:59:15,360 --> 00:59:17,720
Speaker 2: Yeah, you're a married guy, So I know why they

1227
00:59:17,760 --> 00:59:18,920
Speaker 2: don't invite me to Dominican.

1228
00:59:19,880 --> 00:59:21,160
Speaker 6: But I can behave myself.

1229
00:59:21,200 --> 00:59:24,560
Speaker 2: I can go there, everybody, I doubt it. I can relax.

1230
00:59:24,920 --> 00:59:27,960
Speaker 2: What's going on, Big Pink? What's going on? My nigga?

1231
00:59:28,240 --> 00:59:31,480
Speaker 2: You ate your cor bra? All right? All right, all right,

1232
00:59:31,760 --> 00:59:34,360
Speaker 2: all right, all right. That's my nigga, Big Pink.

1233
00:59:34,480 --> 00:59:36,040
Speaker 6: I've never met him, but he looks a.

1234
00:59:38,280 --> 00:59:38,680
Speaker 2: Big pick.

1235
00:59:39,160 --> 00:59:41,720
Speaker 6: I thought you knew him. He looks dangerous.

1236
00:59:41,880 --> 00:59:45,320
Speaker 2: Thought that's big them up. Fat boy, that's my nigga,

1237
00:59:46,360 --> 00:59:50,600
Speaker 2: fat Boy Instagram famous, and he got on camera on Pink.

1238
00:59:51,560 --> 00:59:56,200
Speaker 2: Let's make some noise for that. You'll commit off stop.

1239
00:59:56,320 --> 00:59:59,720
Speaker 2: Don't worry, Lex. We want you to get married eventually.

1240
01:00:00,320 --> 01:00:03,160
Speaker 2: We really do it because you've been having your dick

1241
01:00:03,200 --> 01:00:05,760
Speaker 2: in the dirt for a long time, twenty years.

1242
01:00:06,240 --> 01:00:08,200
Speaker 6: I met you twenty years ago and your.

1243
01:00:08,160 --> 01:00:12,080
Speaker 2: Dick was there, and then I come back twenty years later,

1244
01:00:12,320 --> 01:00:14,560
Speaker 2: dick is still there. You gotta take your dick up

1245
01:00:14,600 --> 01:00:20,040
Speaker 2: the legs. You gotta listen, crazy, horrible, there's a lot

1246
01:00:20,080 --> 01:00:23,000
Speaker 2: of there's a lot of people listen. I know if

1247
01:00:23,000 --> 01:00:25,400
Speaker 2: you're from Left Brack City, the only fuck left rack

1248
01:00:25,480 --> 01:00:26,080
Speaker 2: city pussy.

1249
01:00:26,320 --> 01:00:27,000
Speaker 6: You can't do that.

1250
01:00:27,680 --> 01:00:30,640
Speaker 2: You gotta take your dick and do it if it

1251
01:00:30,720 --> 01:00:34,360
Speaker 2: warned up in manhand or it's better than left rack,

1252
01:00:35,240 --> 01:00:37,800
Speaker 2: even though you might have a bitch, that's not better

1253
01:00:38,000 --> 01:00:39,360
Speaker 2: than the left frack chick.

1254
01:00:39,720 --> 01:00:40,920
Speaker 6: It's just you gotta travel.

1255
01:00:41,200 --> 01:00:44,120
Speaker 2: You gotta take your dick, and you got to give

1256
01:00:44,120 --> 01:00:45,760
Speaker 2: you a dick. Where has this podcast gone?

1257
01:00:45,840 --> 01:00:45,960
Speaker 15: Right?

1258
01:00:47,160 --> 01:00:50,720
Speaker 2: You gotta take her? Yes, you gotta give you a dick.

1259
01:00:50,880 --> 01:00:54,800
Speaker 6: Knowledge cast right, you gotta give you a dick. Frequent

1260
01:00:54,840 --> 01:00:58,560
Speaker 6: flyer Miles, my nigga.

1261
01:00:58,640 --> 01:01:01,320
Speaker 2: I want can see the legends. You're gonna smoke a

1262
01:01:01,360 --> 01:01:08,680
Speaker 2: new ball with me? Commitle what's up?

1263
01:01:08,960 --> 01:01:11,680
Speaker 6: Camilla? You don't be fucking though, I'll be seeing Mary Man.

1264
01:01:13,120 --> 01:01:13,840
Speaker 6: Let me keep it real.

1265
01:01:13,960 --> 01:01:16,560
Speaker 2: Blow everybody like, don't blow.

1266
01:01:16,640 --> 01:01:20,200
Speaker 6: Everybody know what everybody Paul, but you and Daddy.

1267
01:01:20,240 --> 01:01:24,720
Speaker 2: You and Daddy Yankee is probably the only people I've seen.

1268
01:01:24,920 --> 01:01:27,240
Speaker 2: They got the baddest chicks that want to fuck y'all.

1269
01:01:27,280 --> 01:01:31,520
Speaker 2: And you ain't taking you and Daddy yuck. Yeah, but

1270
01:01:31,680 --> 01:01:39,120
Speaker 2: you be taking them down sometimes. I've got to ten years.

1271
01:01:39,160 --> 01:01:41,720
Speaker 2: You know, I'm married kids, not.

1272
01:01:41,800 --> 01:01:44,160
Speaker 6: To get married ten No, I want no problem.

1273
01:01:44,600 --> 01:01:48,000
Speaker 2: Ten years together in the relationship, ten years together, five

1274
01:01:48,120 --> 01:01:51,360
Speaker 2: years married, I'm gonna marry my wife again nice because

1275
01:01:51,360 --> 01:01:55,919
Speaker 2: I love her like that, I respect them. I felt

1276
01:01:56,000 --> 01:02:00,840
Speaker 2: like I felt like my first wedding was like I

1277
01:02:01,000 --> 01:02:03,200
Speaker 2: just did it. I mean, I'm doing my wife. It's

1278
01:02:03,240 --> 01:02:06,680
Speaker 2: my second marriage. I'm sorry, Okay if I confuseing y'all

1279
01:02:06,920 --> 01:02:10,360
Speaker 2: there with me. Here's my second time married. But this

1280
01:02:10,560 --> 01:02:13,919
Speaker 2: wedding that I gave my new wife like, it wasn't

1281
01:02:14,040 --> 01:02:14,600
Speaker 2: Nori like.

1282
01:02:15,360 --> 01:02:18,600
Speaker 6: It was like, you're the big Catholic.

1283
01:02:18,640 --> 01:02:20,440
Speaker 2: I'm going to do a big captain wedding and Chris

1284
01:02:20,520 --> 01:02:23,560
Speaker 2: Lighties where Chris Lighty got married, remember Sky and I

1285
01:02:23,720 --> 01:02:26,200
Speaker 2: write it, y'all because we wanted to jump Steve Stole

1286
01:02:26,280 --> 01:02:28,600
Speaker 2: at that time. But you want in short using shorts

1287
01:02:28,640 --> 01:02:29,440
Speaker 2: and he didn't when it went in.

1288
01:02:29,840 --> 01:02:30,800
Speaker 6: Let me jail let me.

1289
01:02:31,480 --> 01:02:34,040
Speaker 2: I'm telling my people like, let me DJ STU, let's

1290
01:02:34,080 --> 01:02:37,160
Speaker 2: DJ let me. I'm gonna remarry my wife September fall.

1291
01:02:37,280 --> 01:02:41,320
Speaker 6: Let's do it next year. At the wedding.

1292
01:02:45,000 --> 01:02:46,960
Speaker 2: You're gonna be dressed up though, no, I mean that's

1293
01:02:46,960 --> 01:02:50,760
Speaker 2: all all right, tucks and the podcast you're gonna do

1294
01:02:51,080 --> 01:02:55,240
Speaker 2: DJ that that that's Labor Day weekend that's they wanted.

1295
01:02:56,960 --> 01:02:59,360
Speaker 2: But just so you know that you got it, I

1296
01:02:59,400 --> 01:03:03,520
Speaker 2: ain't got it, Yo.

1297
01:03:03,960 --> 01:03:04,760
Speaker 6: Chance Podcast.

1298
01:03:04,960 --> 01:03:14,960
Speaker 2: We're gonna take a break and smoke some cigarettes. Hey

1299
01:03:15,000 --> 01:03:16,400
Speaker 2: he ain't Sam Green Hope, you're sid beaters?

1300
01:03:16,560 --> 01:03:17,520
Speaker 6: Boy n are what up?

1301
01:03:17,520 --> 01:03:19,320
Speaker 2: It is dj e FN and this is drink Chance.

1302
01:03:19,400 --> 01:03:26,240
Speaker 2: Motherfucking podcast makes something. And right now we got the

1303
01:03:26,360 --> 01:03:30,240
Speaker 2: queen of hip hop. She is running it. I seem

1304
01:03:30,280 --> 01:03:33,640
Speaker 2: to her as a as like we were both youngins

1305
01:03:35,040 --> 01:03:39,080
Speaker 2: and this was Pun's number one shooter, like when it

1306
01:03:39,200 --> 01:03:42,680
Speaker 2: came to rhyme's her number one. I'm so proud.

1307
01:03:42,840 --> 01:03:46,800
Speaker 6: I'm so happy of what you're doing. I'm proud of.

1308
01:03:46,800 --> 01:03:49,040
Speaker 2: Your husband as well, because god damn it, you a

1309
01:03:49,120 --> 01:03:50,479
Speaker 2: real nickel. Proud of the union.

1310
01:03:50,600 --> 01:03:52,120
Speaker 6: Let's make some llyse for black love.

1311
01:03:52,200 --> 01:03:58,080
Speaker 2: God damn so for me? How how how's life been?

1312
01:03:58,840 --> 01:04:04,680
Speaker 2: I'm chilling, good m you're not drinking. You don't smoke, okay,

1313
01:04:04,960 --> 01:04:08,400
Speaker 2: and even Parole you can't drink. God damn it. I

1314
01:04:08,440 --> 01:04:10,960
Speaker 2: mean I never really was a drinker, but.

1315
01:04:11,000 --> 01:04:12,240
Speaker 6: Pat Poos is a drinker though.

1316
01:04:17,840 --> 01:04:21,040
Speaker 2: Something of bad influence. Need a whole different before like

1317
01:04:21,200 --> 01:04:21,840
Speaker 2: and my family.

1318
01:04:22,000 --> 01:04:25,000
Speaker 12: It's like I'm running ongoing joke like it's Pools and

1319
01:04:25,080 --> 01:04:27,000
Speaker 12: then when he's drinking, we call him drunk Paps.

1320
01:04:27,640 --> 01:04:31,640
Speaker 2: It's like two different people turned to another person on

1321
01:04:32,240 --> 01:04:35,640
Speaker 2: introduce me to drunk path. I only know science tific

1322
01:04:35,840 --> 01:04:38,280
Speaker 2: pack right, like, like you know what I'm saying, yo,

1323
01:04:38,440 --> 01:04:43,000
Speaker 2: But Pat Pools man, you know you and Remy. The

1324
01:04:43,080 --> 01:04:46,520
Speaker 2: one thing I want to admire about y'all is this real,

1325
01:04:47,000 --> 01:04:48,960
Speaker 2: no doubt, Like y'are the first people that got on

1326
01:04:49,080 --> 01:04:52,520
Speaker 2: love and hip hop and it actually inspired me to

1327
01:04:52,600 --> 01:04:55,000
Speaker 2: do love and hip hop. I said no at the end, Okay,

1328
01:04:55,080 --> 01:04:58,160
Speaker 2: but when I seen y'all, y'all was sold. Y'all was

1329
01:04:58,200 --> 01:05:00,560
Speaker 2: sold like elegant. Y'all was so sincere.

1330
01:05:00,680 --> 01:05:01,439
Speaker 6: It was so real.

1331
01:05:01,720 --> 01:05:04,120
Speaker 2: I can tell Like they didn't give y'all script at all.

1332
01:05:04,920 --> 01:05:08,960
Speaker 2: So like what what because the way you rhyme is

1333
01:05:09,040 --> 01:05:11,120
Speaker 2: like anti love and hip hop? So what made you

1334
01:05:11,480 --> 01:05:13,200
Speaker 2: make the decision to do love and hip hop?

1335
01:05:13,360 --> 01:05:15,200
Speaker 13: I mean actually they wanted to. They was reaching out

1336
01:05:15,240 --> 01:05:16,840
Speaker 13: for a while when she was locked up. They just

1337
01:05:16,880 --> 01:05:18,840
Speaker 13: wanted to document me, visit or none and all that.

1338
01:05:18,960 --> 01:05:21,080
Speaker 13: But we look clined it for those reasons that you said.

1339
01:05:21,160 --> 01:05:22,480
Speaker 13: He was like, we ain't with the fool of me,

1340
01:05:22,520 --> 01:05:24,080
Speaker 13: you know, what I'm saying. But when she came home,

1341
01:05:24,160 --> 01:05:26,280
Speaker 13: we was like, yo, you know what, why not put

1342
01:05:26,320 --> 01:05:28,320
Speaker 13: the rill on the show and how they introduced the toys.

1343
01:05:28,360 --> 01:05:29,840
Speaker 13: They was like, yeah, we want somebody who could really

1344
01:05:29,880 --> 01:05:31,400
Speaker 13: live up to the title Love and Hip Hop.

1345
01:05:31,600 --> 01:05:35,280
Speaker 2: Right, let's make some noise that I'm married as well

1346
01:05:38,000 --> 01:05:38,760
Speaker 2: wife listening to.

1347
01:05:40,080 --> 01:05:43,960
Speaker 6: Hopefully son, man, you you look so good. Thank you.

1348
01:05:44,280 --> 01:05:47,320
Speaker 2: You came home and it was like you just came

1349
01:05:47,400 --> 01:05:50,520
Speaker 2: home and you you just hit the track running.

1350
01:05:51,960 --> 01:05:53,040
Speaker 6: What was that planned?

1351
01:05:53,280 --> 01:05:53,400
Speaker 2: Was you?

1352
01:05:54,440 --> 01:05:54,680
Speaker 7: Yeah?

1353
01:05:54,960 --> 01:05:58,440
Speaker 12: I mean I looked at the history of everybody who

1354
01:05:58,600 --> 01:06:00,840
Speaker 12: got locked up and with it when they came home,

1355
01:06:01,480 --> 01:06:04,400
Speaker 12: what they did and panned out, and it wasn't looking

1356
01:06:04,440 --> 01:06:07,600
Speaker 12: too Goody came home, tried to chill for a little while,

1357
01:06:07,720 --> 01:06:10,880
Speaker 12: like and it didn't work that for some reason, because

1358
01:06:10,920 --> 01:06:14,000
Speaker 12: this big conception that if you go to prison, you're gonna.

1359
01:06:13,840 --> 01:06:17,080
Speaker 2: Come home, you're gonna be lit right, But you know,

1360
01:06:17,160 --> 01:06:23,200
Speaker 2: everybody come to pots that he's the only one. Everyone else,

1361
01:06:23,400 --> 01:06:26,760
Speaker 2: you know, they came home. So listen, let me just

1362
01:06:26,840 --> 01:06:30,760
Speaker 2: say something. I'm just so happy that the one thing

1363
01:06:30,880 --> 01:06:34,320
Speaker 2: that I see from Love and Hip Hop was, like

1364
01:06:34,360 --> 01:06:36,960
Speaker 2: I said, ship was real, But the fact that I

1365
01:06:37,040 --> 01:06:41,280
Speaker 2: wanted to promote that more like me personally. You said

1366
01:06:41,280 --> 01:06:45,080
Speaker 2: it was the only positive thing that was because because

1367
01:06:45,400 --> 01:06:47,320
Speaker 2: I ain't gonna lie and I'm gonna keep it on honting.

1368
01:06:47,800 --> 01:06:51,200
Speaker 2: When you went to see her at the restaurant, right,

1369
01:06:51,760 --> 01:06:53,440
Speaker 2: and then you gave her something and.

1370
01:06:53,520 --> 01:06:55,560
Speaker 6: She was like, is this is nail bag or whatever?

1371
01:06:55,600 --> 01:06:55,880
Speaker 12: Whatever?

1372
01:06:56,320 --> 01:06:58,520
Speaker 2: And then you gave it a teddy bed your tail

1373
01:06:58,600 --> 01:06:59,200
Speaker 2: came my mind.

1374
01:07:01,360 --> 01:07:03,600
Speaker 6: I swear to God, I'm not even lying. I was like,

1375
01:07:05,760 --> 01:07:10,960
Speaker 6: you know, but I felt bad. I was just like, damn.

1376
01:07:11,360 --> 01:07:11,520
Speaker 12: You know.

1377
01:07:11,800 --> 01:07:15,440
Speaker 2: That's one thing when I met my my uh my

1378
01:07:15,560 --> 01:07:17,760
Speaker 2: new wife, because this is my second time being mad

1379
01:07:17,800 --> 01:07:20,880
Speaker 2: with my new wife, I found out that she only

1380
01:07:20,920 --> 01:07:23,360
Speaker 2: had one pelopium too, you know what I'm saying, like,

1381
01:07:23,640 --> 01:07:27,760
Speaker 2: and so she couldn't reproduce. But then she got pregnant,

1382
01:07:28,400 --> 01:07:30,280
Speaker 2: and it was like, it was like, damn, that was

1383
01:07:30,320 --> 01:07:32,400
Speaker 2: a blessing for God. So my son, my Cuban son,

1384
01:07:32,440 --> 01:07:35,960
Speaker 2: because his nigga's Cuban pro Cuban, my Cuban son. He's

1385
01:07:36,000 --> 01:07:39,200
Speaker 2: a miracle. But when you did that at that moment,

1386
01:07:39,320 --> 01:07:41,640
Speaker 2: it reminded me of how I felt because I would

1387
01:07:41,640 --> 01:07:43,440
Speaker 2: have loved my wife whether she could reproduce or not.

1388
01:07:43,920 --> 01:07:45,800
Speaker 2: It was just something that she just gave me. But

1389
01:07:46,160 --> 01:07:49,840
Speaker 2: that moment, I was like, I didn't that type of crime.

1390
01:07:50,080 --> 01:07:54,520
Speaker 2: It was a thug tidation And I really, I really

1391
01:07:55,040 --> 01:07:57,280
Speaker 2: think that you should be a miad more. You know

1392
01:07:57,320 --> 01:07:59,760
Speaker 2: what I'm saying because I heard you say something you

1393
01:07:59,800 --> 01:08:04,480
Speaker 2: say when you go visit your homies, Yeah, you see

1394
01:08:04,520 --> 01:08:06,400
Speaker 2: people on the v our floor, but when you go

1395
01:08:06,560 --> 01:08:08,120
Speaker 2: visit your wife.

1396
01:08:08,080 --> 01:08:10,440
Speaker 6: Right, can you break that down?

1397
01:08:10,600 --> 01:08:10,800
Speaker 2: Yeah?

1398
01:08:10,920 --> 01:08:13,000
Speaker 13: Man, Basically, you know, I visit a lot of my

1399
01:08:13,080 --> 01:08:14,720
Speaker 13: homies that's locked up over there. You know how it

1400
01:08:14,800 --> 01:08:17,240
Speaker 13: is we're from and every time I'm going to the visit,

1401
01:08:17,320 --> 01:08:19,040
Speaker 13: whether it's a lot of snow on the ground or

1402
01:08:19,040 --> 01:08:22,400
Speaker 13: in summertime, you see a lot of females pushing strollers,

1403
01:08:22,760 --> 01:08:24,640
Speaker 13: carrying babies, bringing packages.

1404
01:08:24,880 --> 01:08:25,400
Speaker 2: It's crowded.

1405
01:08:25,439 --> 01:08:27,120
Speaker 13: You can't even get in there because the females are

1406
01:08:27,160 --> 01:08:30,400
Speaker 13: supporting them. But coming from the hood, they always say, yo, bitches,

1407
01:08:30,439 --> 01:08:32,080
Speaker 13: ain't shit. You know, if you catch the cakes, they

1408
01:08:32,080 --> 01:08:34,320
Speaker 13: don't hold you down. So you know you kind of

1409
01:08:34,479 --> 01:08:36,200
Speaker 13: that though, is kind of implanted in your brain.

1410
01:08:36,600 --> 01:08:37,639
Speaker 2: Well, my wife became.

1411
01:08:37,439 --> 01:08:39,840
Speaker 13: Incarstabated and I started visiting her. When I went to

1412
01:08:39,920 --> 01:08:43,639
Speaker 13: the facility. The visiting floor is empty. There's no dudes

1413
01:08:43,760 --> 01:08:45,880
Speaker 13: visiting them, and they got to visit every day. So

1414
01:08:45,960 --> 01:08:47,559
Speaker 13: I'm like, damn, the hood taught us wrong.

1415
01:08:47,680 --> 01:08:47,840
Speaker 9: Man.

1416
01:08:47,880 --> 01:08:50,280
Speaker 13: Like they're so hard on the females, saying they're not lower,

1417
01:08:50,400 --> 01:08:51,680
Speaker 13: but we're not supporting them.

1418
01:08:51,720 --> 01:08:54,160
Speaker 2: And it's a lot of females in there, nobody visiting them.

1419
01:08:54,320 --> 01:08:55,599
Speaker 6: Spakeingoids from Black Love again.

1420
01:08:55,680 --> 01:08:56,160
Speaker 2: Goddamn it.

1421
01:08:59,120 --> 01:09:03,000
Speaker 6: Got damn you got too many niggas in yo.

1422
01:09:03,080 --> 01:09:06,000
Speaker 2: I don't know WoT fat Joe Fat Joe tells everybody

1423
01:09:06,080 --> 01:09:06,960
Speaker 2: else that's not with us.

1424
01:09:07,880 --> 01:09:10,400
Speaker 6: They say, Fat Joe asked Hill, you wait, he's ignored.

1425
01:09:17,640 --> 01:09:19,240
Speaker 12: I don't want to let you know that. I would

1426
01:09:19,240 --> 01:09:22,880
Speaker 12: have been did you know your podcast? But you brow

1427
01:09:23,040 --> 01:09:26,880
Speaker 12: and we're very loose yo, So pretty much to me,

1428
01:09:28,400 --> 01:09:30,280
Speaker 12: it's like, I don't like when we.

1429
01:09:30,320 --> 01:09:32,280
Speaker 2: Did the record. Y'all did the record?

1430
01:09:32,320 --> 01:09:32,360
Speaker 15: Is?

1431
01:09:33,080 --> 01:09:35,560
Speaker 2: Oh, I gotta thank you face to face. It's not

1432
01:09:36,800 --> 01:09:40,240
Speaker 2: you know what, No, remy, you know what. It's because

1433
01:09:40,240 --> 01:09:43,479
Speaker 2: there's a lot of people in this game that you know,

1434
01:09:43,600 --> 01:09:44,360
Speaker 2: I might have seen.

1435
01:09:44,200 --> 01:09:44,600
Speaker 6: Him come up.

1436
01:09:44,640 --> 01:09:46,960
Speaker 2: I've really seen you come up, like I really seen

1437
01:09:47,280 --> 01:09:50,360
Speaker 2: the like from when pun signed you to where you're

1438
01:09:50,400 --> 01:09:53,040
Speaker 2: at now and it's no, it's like it's no prouder

1439
01:09:53,120 --> 01:09:56,000
Speaker 2: I can be thank you. And it's also like I

1440
01:09:56,160 --> 01:09:58,840
Speaker 2: just I was so like also came in my eye

1441
01:09:58,880 --> 01:10:02,760
Speaker 2: when you and when Joe squashed it because like I

1442
01:10:03,320 --> 01:10:05,360
Speaker 2: love the original TS. I'm sorry, I know I'm in.

1443
01:10:05,560 --> 01:10:08,040
Speaker 2: I know I'm in at your store. I know I'm in,

1444
01:10:08,240 --> 01:10:12,200
Speaker 2: you know, closer to the Bronx with I mean, I'm

1445
01:10:12,360 --> 01:10:14,320
Speaker 2: just saying, like, you know, I just love the original.

1446
01:10:14,840 --> 01:10:19,240
Speaker 2: So when when when the turmoilal happened, I remember pun

1447
01:10:19,360 --> 01:10:24,920
Speaker 2: loving everybody, so I couldn't really like separate because that's

1448
01:10:24,960 --> 01:10:26,920
Speaker 2: who I am, Like I wasn't that guy in the

1449
01:10:27,000 --> 01:10:28,760
Speaker 2: hood that you whip me, you against me. I was like,

1450
01:10:28,800 --> 01:10:32,360
Speaker 2: all right, well y'all niggas right, because I'm just and

1451
01:10:32,680 --> 01:10:35,320
Speaker 2: to see where you at to see I just I

1452
01:10:35,479 --> 01:10:37,960
Speaker 2: just want to salute you. I want to keep continue

1453
01:10:38,000 --> 01:10:41,960
Speaker 2: to support you. Thank you, and because you are the

1454
01:10:42,160 --> 01:10:44,880
Speaker 2: queen of hip hop right now, there is no bitch

1455
01:10:45,200 --> 01:10:48,519
Speaker 2: fucking with the mervy mam and everybody makes a noise.

1456
01:10:52,640 --> 01:10:56,240
Speaker 2: I agree with you on that. What I was saying

1457
01:10:56,479 --> 01:10:58,240
Speaker 2: was like, you know, I did the record.

1458
01:10:58,280 --> 01:10:59,680
Speaker 12: I was something Joe like y'all did the record is

1459
01:10:59,760 --> 01:11:03,439
Speaker 12: don't listen to whatever, and he was like, you better

1460
01:11:03,560 --> 01:11:05,120
Speaker 12: not do that damn podcast?

1461
01:11:07,880 --> 01:11:08,439
Speaker 2: Good about it?

1462
01:11:08,720 --> 01:11:10,600
Speaker 12: So then you know, he goes him and pat like,

1463
01:11:11,160 --> 01:11:14,280
Speaker 12: you know, I'm I'm like that. He used to be

1464
01:11:14,360 --> 01:11:14,800
Speaker 12: the bad guy.

1465
01:11:14,840 --> 01:11:16,519
Speaker 2: He was like the straightest arrow.

1466
01:11:17,840 --> 01:11:20,960
Speaker 12: Him and Joe they joined forces against me, and they

1467
01:11:21,120 --> 01:11:24,200
Speaker 12: going like little areas and have these disclosed conversations about

1468
01:11:24,240 --> 01:11:26,080
Speaker 12: what I can and cannot do. It's the point that like,

1469
01:11:26,120 --> 01:11:28,439
Speaker 12: if me and him get into a disagreement at home,

1470
01:11:28,520 --> 01:11:30,200
Speaker 12: he'd be like, oh, really, you know what, let me

1471
01:11:30,240 --> 01:11:31,479
Speaker 12: see what Joe would say about that.

1472
01:11:33,000 --> 01:11:33,680
Speaker 6: I love that.

1473
01:11:36,840 --> 01:11:41,479
Speaker 2: Going to like doing something where he can't really control.

1474
01:11:41,640 --> 01:11:43,320
Speaker 12: He goes and he calls Pap and they have private

1475
01:11:43,400 --> 01:11:46,519
Speaker 12: conversations like don't let me do Nordy's podcast.

1476
01:11:47,120 --> 01:11:50,400
Speaker 2: Take two of Us, that's so beautiful, even though you're

1477
01:11:50,400 --> 01:11:55,439
Speaker 2: shipping of us, it's just little's a great ship on us,

1478
01:11:55,479 --> 01:11:58,120
Speaker 2: because you know what it is, you have a supporting

1479
01:11:58,240 --> 01:12:01,760
Speaker 2: cast and a lot of people. Artists sometimes they make

1480
01:12:01,840 --> 01:12:04,880
Speaker 2: it then they think it's just them. And I was

1481
01:12:04,960 --> 01:12:05,760
Speaker 2: an artist that did that.

1482
01:12:05,880 --> 01:12:08,000
Speaker 6: I made it. It was like what the fu fuck everybody?

1483
01:12:08,360 --> 01:12:10,600
Speaker 6: And I fucked up. You know what, I'm saying, so.

1484
01:12:10,640 --> 01:12:15,000
Speaker 2: When you think about like to make up every great artist,

1485
01:12:15,040 --> 01:12:18,160
Speaker 2: it's at least five to ten people that make them break.

1486
01:12:18,240 --> 01:12:20,320
Speaker 2: There's people that's behind it. He's putting it.

1487
01:12:20,560 --> 01:12:20,680
Speaker 6: You know.

1488
01:12:20,760 --> 01:12:23,320
Speaker 2: It's the mister LEAs that people don't I'm realized about.

1489
01:12:23,400 --> 01:12:25,639
Speaker 2: It's a sunny D's even though you fucked up, I'm

1490
01:12:25,640 --> 01:12:26,920
Speaker 2: gonna beyondest the son.

1491
01:12:27,840 --> 01:12:29,439
Speaker 6: I'm not really digging you up right now.

1492
01:12:29,600 --> 01:12:32,559
Speaker 2: My nigga, his first time in New York and fifteen years.

1493
01:12:34,320 --> 01:12:36,920
Speaker 6: He's a fake New York nigga. Look at him. You

1494
01:12:36,960 --> 01:12:38,679
Speaker 6: look like he's from New York. He's a from Brooklyn.

1495
01:12:38,760 --> 01:12:43,800
Speaker 2: Pat is the first class. You think even Brooklyn? You

1496
01:12:43,960 --> 01:12:46,960
Speaker 2: never know. Man, the back of the plane, nigga, say

1497
01:12:48,240 --> 01:12:48,880
Speaker 2: one in Brooklyn.

1498
01:12:49,000 --> 01:12:51,280
Speaker 6: You said, Nigga, that was part of Brooklyn. He's nineteen

1499
01:12:51,400 --> 01:12:52,080
Speaker 6: Saint Paul.

1500
01:12:52,360 --> 01:12:53,920
Speaker 2: Bush Okay from the Bush.

1501
01:12:54,920 --> 01:12:56,080
Speaker 6: I don't know if you agreed.

1502
01:12:59,200 --> 01:13:02,960
Speaker 2: It's always a brook everywhere. That's that's true. Everywhere, that's true.

1503
01:13:03,320 --> 01:13:07,439
Speaker 2: Som Yes, are you doing a solo or it's blot

1504
01:13:07,479 --> 01:13:08,599
Speaker 2: the Plomos First.

1505
01:13:08,560 --> 01:13:12,160
Speaker 12: Yeah, that's coming this year next month actually, and then

1506
01:13:12,520 --> 01:13:15,479
Speaker 12: is my solo album seven one is the sixth Summers

1507
01:13:16,360 --> 01:13:16,880
Speaker 12: So that's.

1508
01:13:17,520 --> 01:13:21,760
Speaker 2: Come on, Joe, I was going over here, just over

1509
01:13:22,960 --> 01:13:29,640
Speaker 2: me from this show, kicking his strange people out.

1510
01:13:29,720 --> 01:13:33,960
Speaker 6: That's not what I do. Tell you something. I was

1511
01:13:34,000 --> 01:13:37,200
Speaker 6: the first person that absolutely I said it would not

1512
01:13:37,400 --> 01:13:41,759
Speaker 6: do it. Hockey.

1513
01:13:44,800 --> 01:13:47,000
Speaker 1: They start talking about remember when you punched the girl

1514
01:13:47,040 --> 01:13:55,960
Speaker 1: and you know, remember you gotta little and she's the

1515
01:13:56,040 --> 01:13:57,559
Speaker 1: queen and he turned.

1516
01:13:59,320 --> 01:14:01,400
Speaker 6: First worst my first.

1517
01:14:02,880 --> 01:14:07,679
Speaker 2: Rappers the queen.

1518
01:14:09,000 --> 01:14:11,679
Speaker 6: There's nobody. You know, he's bigger than Howard Stern.

1519
01:14:11,760 --> 01:14:17,479
Speaker 2: Now millions, said Joe six million, six millions, six six million,

1520
01:14:18,280 --> 01:14:21,240
Speaker 2: and six millions for the movie Bigger than Glass.

1521
01:14:22,479 --> 01:14:24,479
Speaker 6: Get radio stations. You know, we have to soul Train

1522
01:14:24,560 --> 01:14:26,880
Speaker 6: Awards tomorrow. Were nominated to be my sister for two

1523
01:14:26,920 --> 01:14:31,479
Speaker 6: awards that Jess Martin there right, we all would to stop.

1524
01:14:32,040 --> 01:14:36,200
Speaker 1: We're paying bills. We're very humble about things, and uh

1525
01:14:37,640 --> 01:14:39,560
Speaker 1: but I forgot what I was gonna say when I

1526
01:14:39,720 --> 01:14:40,240
Speaker 1: just came by.

1527
01:14:40,280 --> 01:14:42,320
Speaker 2: Said Principle about the scolders.

1528
01:14:42,560 --> 01:14:45,599
Speaker 1: Yeah, I gotta do that because you know your name

1529
01:14:45,600 --> 01:14:47,960
Speaker 1: and Nory. Everybody's Norrie's cousin in the storm.

1530
01:14:48,000 --> 01:14:53,280
Speaker 2: I'm trying to clear it out everybody because you have

1531
01:14:53,360 --> 01:14:58,519
Speaker 2: that problem. You're run rap your counsel, Miss bananas is.

1532
01:14:59,320 --> 01:15:00,599
Speaker 6: Yeah, I'm gonna know yeah.

1533
01:15:01,000 --> 01:15:03,800
Speaker 1: Remember I tell you it's gonna the streets is gonna

1534
01:15:03,840 --> 01:15:05,000
Speaker 1: be paralyzed.

1535
01:15:05,439 --> 01:15:07,360
Speaker 2: The only problem is just me a Pat Poos that's

1536
01:15:07,400 --> 01:15:11,559
Speaker 2: not on there. That's the same way family, and that's

1537
01:15:11,560 --> 01:15:14,920
Speaker 2: feel like a TS change. You know, real niggas with

1538
01:15:15,000 --> 01:15:18,720
Speaker 2: tschang on. I'm throwing a song for Pat Poos. That's

1539
01:15:18,760 --> 01:15:20,160
Speaker 2: a fact, man, Jobo.

1540
01:15:21,560 --> 01:15:24,960
Speaker 6: I'm taking the ke from Rough Riders a day. That's

1541
01:15:25,000 --> 01:15:26,160
Speaker 6: my nigga. I'm taking it too.

1542
01:15:26,240 --> 01:15:30,200
Speaker 2: Joe's change what you're talking about?

1543
01:15:33,960 --> 01:15:37,360
Speaker 6: Say so, I let him want These are good diamonds too, Joe.

1544
01:15:37,439 --> 01:15:39,400
Speaker 2: You know I'm gonna I'm gonna I'm gonna get lost

1545
01:15:39,560 --> 01:15:48,559
Speaker 2: like you're not gonna know that. God, I'm gonna keep it, yo.

1546
01:15:49,040 --> 01:15:49,960
Speaker 6: Joe's on wanna cut you off?

1547
01:15:50,000 --> 01:15:51,920
Speaker 2: N Yeah, Joe's on that hoodie season three. Man. I

1548
01:15:51,960 --> 01:15:54,680
Speaker 2: want to think I'm blue enough on that look over that.

1549
01:15:57,080 --> 01:16:00,720
Speaker 6: I don't retired. Hey, Ray, what is it?

1550
01:16:00,880 --> 01:16:01,240
Speaker 2: Velvet?

1551
01:16:04,479 --> 01:16:07,680
Speaker 6: You know helt You see the doc over there.

1552
01:16:07,800 --> 01:16:09,080
Speaker 2: You see the doc the dentist.

1553
01:16:12,640 --> 01:16:16,720
Speaker 6: That's how you know people they just running around. This

1554
01:16:16,880 --> 01:16:19,080
Speaker 6: is rich, yo, Listen.

1555
01:16:19,360 --> 01:16:22,240
Speaker 2: I can't be proud of of this union I'm going

1556
01:16:22,320 --> 01:16:23,880
Speaker 2: to keep continue big enough this union.

1557
01:16:24,000 --> 01:16:27,280
Speaker 6: Listen. Normy said nor heart all the way up before anybody. Yes,

1558
01:16:27,320 --> 01:16:29,000
Speaker 6: I did, And when I played it for.

1559
01:16:29,080 --> 01:16:36,920
Speaker 1: Him, he said, yoall it feels like lean back had babies. Like, Yo,

1560
01:16:37,080 --> 01:16:39,280
Speaker 1: this is just like leaning back to the baby.

1561
01:16:40,720 --> 01:16:44,800
Speaker 6: This is crazy. I can't lie.

1562
01:16:45,120 --> 01:16:47,760
Speaker 2: I went to the studio because when I first heard

1563
01:16:47,840 --> 01:16:50,439
Speaker 2: your mixtape, I was like, damn, I didn't feel like

1564
01:16:50,479 --> 01:16:52,720
Speaker 2: it was remy. I felt like it was just you,

1565
01:16:53,000 --> 01:16:56,000
Speaker 2: like you know, just coming home and discovering something. But

1566
01:16:56,080 --> 01:16:58,040
Speaker 2: when I see all the way up, I was like,

1567
01:16:58,680 --> 01:17:00,479
Speaker 2: that's exactly cool.

1568
01:17:00,800 --> 01:17:01,840
Speaker 15: I know, I know.

1569
01:17:02,080 --> 01:17:04,360
Speaker 2: I didn't have to see you again. I knew exactly

1570
01:17:04,360 --> 01:17:07,559
Speaker 2: and you where you are comfortable. So when you when

1571
01:17:07,600 --> 01:17:07,880
Speaker 2: I was.

1572
01:17:07,920 --> 01:17:11,200
Speaker 12: Saying Blackjack, I got an eight city nine and I'm

1573
01:17:11,280 --> 01:17:14,240
Speaker 12: still like hitting sheet on write a rhyms, he fed

1574
01:17:14,520 --> 01:17:16,800
Speaker 12: lines like Britney, I don't need a shooter.

1575
01:17:16,920 --> 01:17:19,960
Speaker 2: I'm the shooter. Come and get me. Got a non millimeter.

1576
01:17:19,600 --> 01:17:22,680
Speaker 12: Resting on my right, kid. This for everybody that was

1577
01:17:22,720 --> 01:17:25,920
Speaker 12: claiming that they missed me for where Crispy fly it

1578
01:17:26,000 --> 01:17:29,040
Speaker 12: into Frisbee. Keep a paper made in some college, rule

1579
01:17:29,120 --> 01:17:32,720
Speaker 12: with me and look a fifty non fifty getting the

1580
01:17:32,800 --> 01:17:36,000
Speaker 12: heroin from Houston, so I call it Whitney and makes

1581
01:17:36,040 --> 01:17:39,040
Speaker 12: the fiend scream, So I call the fiend Sydney. Shoot

1582
01:17:39,080 --> 01:17:41,280
Speaker 12: at your crib, But I don't mean where you live, see,

1583
01:17:41,600 --> 01:17:44,400
Speaker 12: I mean the crib where your motherfucking kids sleep. You

1584
01:17:44,520 --> 01:17:47,840
Speaker 12: a squear like a motherfucking bingejeep. I'm more hood than

1585
01:17:47,880 --> 01:17:50,679
Speaker 12: a cool Klux clan sheet. I'm'a sit on the throne

1586
01:17:50,760 --> 01:17:53,599
Speaker 12: since hos can't stand me and leave until they call

1587
01:17:53,600 --> 01:17:57,439
Speaker 12: it an ounce me seven grandms. Can't nobody tell me

1588
01:17:57,560 --> 01:18:00,439
Speaker 12: that own does this? I need some hammer hands because

1589
01:18:00,479 --> 01:18:03,360
Speaker 12: can't no bitch touch this court. Y'all red handed? Oh yeah,

1590
01:18:03,400 --> 01:18:07,439
Speaker 12: bitches is busted, might flow sick nor she's disgusted. My

1591
01:18:07,600 --> 01:18:10,479
Speaker 12: mic sounds nice. I just had the dusty the rap

1592
01:18:10,560 --> 01:18:11,280
Speaker 12: game twisted.

1593
01:18:11,360 --> 01:18:12,439
Speaker 2: I'm here. They're just it.

1594
01:18:12,720 --> 01:18:15,200
Speaker 12: I know y'all flustered, got paintings, is bunching, you know,

1595
01:18:15,520 --> 01:18:17,400
Speaker 12: eat rap holes or breakfast in there and lunch. But

1596
01:18:17,840 --> 01:18:20,519
Speaker 12: if y'all play nice with me in the sandbox, I'll

1597
01:18:20,560 --> 01:18:23,120
Speaker 12: let y'all bitches breathe no need for its tampons. But

1598
01:18:23,240 --> 01:18:25,400
Speaker 12: if you want to bleive my Welcome to gym Rock

1599
01:18:25,479 --> 01:18:26,599
Speaker 12: I just did six years.

1600
01:18:26,640 --> 01:18:28,040
Speaker 2: Bitch. You're nice with a can top.

1601
01:18:31,479 --> 01:18:32,960
Speaker 12: So you're telling me you listened.

1602
01:18:32,680 --> 01:18:48,320
Speaker 3: Today, beautiful queen, queen. He's a beautiful way queen. Because

1603
01:18:49,720 --> 01:18:50,719
Speaker 3: some people weren't listening.

1604
01:18:51,720 --> 01:18:52,560
Speaker 2: We just listen to that.

1605
01:18:53,080 --> 01:18:57,000
Speaker 6: We listened to that was amazing. What happens is, let

1606
01:18:57,080 --> 01:19:00,679
Speaker 6: me you know, we we got back together and get together.

1607
01:19:01,120 --> 01:19:01,559
Speaker 2: She got.

1608
01:19:02,960 --> 01:19:11,960
Speaker 6: Said she just kept making me think. I was like, said,

1609
01:19:12,040 --> 01:19:19,960
Speaker 6: she can't get I looked at I was like, damn,

1610
01:19:20,680 --> 01:19:21,920
Speaker 6: I was looking for the helicopter.

1611
01:19:22,920 --> 01:19:26,200
Speaker 12: What happens is like we describe it like people people

1612
01:19:26,360 --> 01:19:29,479
Speaker 12: like Fetcher like that this hands down, this long glad,

1613
01:19:29,960 --> 01:19:31,200
Speaker 12: people like remy moms.

1614
01:19:31,760 --> 01:19:34,160
Speaker 2: But they love to see us together. They do.

1615
01:19:35,960 --> 01:19:39,320
Speaker 12: So I think what happens is when we we bring

1616
01:19:39,439 --> 01:19:42,400
Speaker 12: a different dynamic to it. I gotta be on my

1617
01:19:42,640 --> 01:19:45,479
Speaker 12: super A game and vice versa. Like we we make

1618
01:19:45,600 --> 01:19:49,719
Speaker 12: each other better. So I think that's that's what people respect,

1619
01:19:50,120 --> 01:19:52,200
Speaker 12: and that's what people love when they when they hear

1620
01:19:52,360 --> 01:19:54,320
Speaker 12: these records, and I feel like when they hear the

1621
01:19:54,560 --> 01:19:57,000
Speaker 12: entire project, you know it's.

1622
01:19:56,880 --> 01:20:00,080
Speaker 1: Album, didn't you a?

1623
01:20:00,160 --> 01:20:02,080
Speaker 6: This is gonna be the first people to hear the album.

1624
01:20:02,439 --> 01:20:06,040
Speaker 2: Let's do it? You literally the first listen, but we're

1625
01:20:06,040 --> 01:20:06,639
Speaker 2: not independent.

1626
01:20:06,680 --> 01:20:08,640
Speaker 6: We can play it for two point two million if

1627
01:20:08,640 --> 01:20:11,840
Speaker 6: you're independent, now we can do it if I want

1628
01:20:11,880 --> 01:20:13,639
Speaker 6: you to hear it in the studio, to do something

1629
01:20:13,680 --> 01:20:17,120
Speaker 6: so y'all can know once again, and then we do

1630
01:20:17,200 --> 01:20:17,599
Speaker 6: a review.

1631
01:20:17,680 --> 01:20:18,759
Speaker 2: You got this album.

1632
01:20:18,880 --> 01:20:21,719
Speaker 6: Once you hear he heard it, he was damned old ship.

1633
01:20:22,600 --> 01:20:23,479
Speaker 6: Your pact is crazy.

1634
01:20:23,560 --> 01:20:23,600
Speaker 2: You.

1635
01:20:24,240 --> 01:20:26,400
Speaker 6: I ain't just saying once you hear it in choke.

1636
01:20:28,080 --> 01:20:32,080
Speaker 1: The in Choe, you're gonna know immediately from the intro, like, oh,

1637
01:20:32,160 --> 01:20:34,600
Speaker 1: these niggas ain't playing so y'all about the time you

1638
01:20:34,640 --> 01:20:35,599
Speaker 1: get by the thirty four.

1639
01:20:35,840 --> 01:20:38,360
Speaker 6: I'm telling you the album is phenomenal.

1640
01:20:38,560 --> 01:20:40,560
Speaker 2: I'm not a ship popping.

1641
01:20:40,280 --> 01:20:42,880
Speaker 6: When you married and the scope at Come at y'all. No,

1642
01:20:43,040 --> 01:20:48,559
Speaker 6: we don't want nobody doing double platinum? Are you crazy?

1643
01:20:48,600 --> 01:20:51,000
Speaker 6: We we don't want nobody to come goddamn it. We

1644
01:20:51,120 --> 01:20:52,120
Speaker 6: all sports.

1645
01:20:53,479 --> 01:20:59,000
Speaker 2: Did god niggas for the Tigers and Ship.

1646
01:21:01,360 --> 01:21:03,920
Speaker 1: We don't want twelve cents a record, We want seven

1647
01:21:04,040 --> 01:21:04,760
Speaker 1: dollars a week.

1648
01:21:05,439 --> 01:21:09,800
Speaker 2: God damn, Come on, how long are you before you're

1649
01:21:09,800 --> 01:21:14,200
Speaker 2: inactive or or for all? After three more years? They

1650
01:21:14,240 --> 01:21:15,160
Speaker 2: don't know years?

1651
01:21:15,400 --> 01:21:16,960
Speaker 6: Oh no, they don't trust me. I don't.

1652
01:21:17,439 --> 01:21:19,360
Speaker 2: But when I am of August.

1653
01:21:21,000 --> 01:21:24,240
Speaker 12: On a Saturday, August second in twenty nineteen, I'll be

1654
01:21:24,320 --> 01:21:26,200
Speaker 12: having the biggest wee party having all.

1655
01:21:28,400 --> 01:21:30,120
Speaker 6: And we got Deep from Rough Ridutes in the building.

1656
01:21:30,200 --> 01:21:34,720
Speaker 2: God, damn God, damnite rough product. What's going on?

1657
01:21:34,880 --> 01:21:35,320
Speaker 6: My nigga?

1658
01:21:36,040 --> 01:21:36,599
Speaker 2: How you doing?

1659
01:21:36,680 --> 01:21:36,880
Speaker 6: Deep?

1660
01:21:36,960 --> 01:21:40,080
Speaker 2: You got you got? It's my nigga, man, you know

1661
01:21:40,160 --> 01:21:41,559
Speaker 2: fact don't finally got me a tsch.

1662
01:21:43,120 --> 01:21:44,640
Speaker 6: I've been thirty five years.

1663
01:21:44,880 --> 01:21:48,240
Speaker 2: Of being with these guys. I love thee I love

1664
01:21:48,280 --> 01:21:49,760
Speaker 2: these people, man, Deep, So what's going on?

1665
01:21:49,920 --> 01:21:50,080
Speaker 13: Man?

1666
01:21:50,760 --> 01:21:52,599
Speaker 6: Talk to the people Deep, Say something.

1667
01:21:52,439 --> 01:21:52,840
Speaker 2: To the people.

1668
01:21:52,920 --> 01:21:53,679
Speaker 6: Man, this is drink.

1669
01:21:56,680 --> 01:22:03,040
Speaker 2: Let's just I feel like Rough Riders got something up.

1670
01:22:03,080 --> 01:22:04,880
Speaker 2: They sleep, they're doing something different.

1671
01:22:04,960 --> 01:22:07,519
Speaker 6: Now you know we're walking. We're trying to get ready

1672
01:22:07,560 --> 01:22:10,160
Speaker 6: to do this movie right quick, this book.

1673
01:22:10,280 --> 01:22:12,920
Speaker 2: Then we're gonna go on to Rough Riders movie. Don't

1674
01:22:13,000 --> 01:22:16,360
Speaker 2: just say that, Just move over the Rough Riders movie. Yeah,

1675
01:22:16,960 --> 01:22:19,040
Speaker 2: they're gonna have d m X with his with his jogs.

1676
01:22:19,080 --> 01:22:22,960
Speaker 2: Shut wind up, you gonna that's how that was a

1677
01:22:23,040 --> 01:22:23,519
Speaker 2: you't gonna have.

1678
01:22:24,080 --> 01:22:25,560
Speaker 6: The locks with shiny suits on.

1679
01:22:25,800 --> 01:22:26,280
Speaker 2: We love that.

1680
01:22:26,400 --> 01:22:28,880
Speaker 6: I don't know why people we can't see a little.

1681
01:22:29,280 --> 01:22:31,439
Speaker 2: I'm going is a documentary or is a legit like

1682
01:22:32,080 --> 01:22:33,639
Speaker 2: trying to sh I love.

1683
01:22:33,720 --> 01:22:35,519
Speaker 6: I loved when they was in the shiny suits. It

1684
01:22:35,520 --> 01:22:39,000
Speaker 6: didn't bother me at all. They had a problem, got

1685
01:22:39,040 --> 01:22:42,280
Speaker 6: open for you a little bit. No, They're good. I

1686
01:22:42,320 --> 01:22:48,000
Speaker 6: didn't have better. Leo said that on the podcast. Leo said,

1687
01:22:48,000 --> 01:22:48,360
Speaker 6: that's true.

1688
01:22:48,479 --> 01:22:51,599
Speaker 2: I think did you all like them when you signed

1689
01:22:51,640 --> 01:22:53,040
Speaker 2: the lock when they was a bad boy?

1690
01:22:53,360 --> 01:22:56,160
Speaker 6: That bad boy took over and like made them something else?

1691
01:22:56,200 --> 01:22:56,840
Speaker 6: Did you feel like that?

1692
01:22:57,120 --> 01:22:57,280
Speaker 4: Nah?

1693
01:22:57,479 --> 01:23:00,280
Speaker 6: See what did you'll agree to that? Friends? Look, come

1694
01:23:00,320 --> 01:23:02,439
Speaker 6: over there. I took locks and the mace over there.

1695
01:23:02,560 --> 01:23:05,639
Speaker 6: I gave them to them because I ain't really oh Max,

1696
01:23:06,479 --> 01:23:08,400
Speaker 6: I was murder on that point.

1697
01:23:08,960 --> 01:23:10,880
Speaker 17: I was only managing them at that point because I

1698
01:23:10,920 --> 01:23:12,439
Speaker 17: really didn't know the business. I was more in the

1699
01:23:12,479 --> 01:23:14,280
Speaker 17: streets than the business. So I said, he take them,

1700
01:23:14,560 --> 01:23:15,960
Speaker 17: then I can learn off for them and then do

1701
01:23:16,040 --> 01:23:18,280
Speaker 17: the next thing with my label. So I was just

1702
01:23:18,400 --> 01:23:20,599
Speaker 17: managing them at that point, so I didn't have him

1703
01:23:20,640 --> 01:23:20,960
Speaker 17: signed to.

1704
01:23:21,000 --> 01:23:24,519
Speaker 12: Each Okay, Okay, I mean I think that the outfits

1705
01:23:24,600 --> 01:23:25,880
Speaker 12: didn't change the way they.

1706
01:23:25,880 --> 01:23:30,320
Speaker 6: Was, That's what I'm saying that. But outside of that.

1707
01:23:30,400 --> 01:23:33,280
Speaker 4: You just felt more real, like when they was outside

1708
01:23:33,320 --> 01:23:34,960
Speaker 4: of that environment, not wearing those suits.

1709
01:23:35,400 --> 01:23:38,160
Speaker 2: So being at Remy is the first female artist that

1710
01:23:38,240 --> 01:23:40,400
Speaker 2: we ever had of it and the fact that she

1711
01:23:40,600 --> 01:23:42,880
Speaker 2: is the queen female artist.

1712
01:23:43,720 --> 01:23:44,920
Speaker 6: Who are you? Who is Remy?

1713
01:23:45,000 --> 01:23:45,040
Speaker 15: What?

1714
01:23:45,280 --> 01:23:47,000
Speaker 6: What female is Remy listening to?

1715
01:23:47,920 --> 01:23:50,680
Speaker 12: With other females? Don't listen to Oh, I listened to

1716
01:23:50,800 --> 01:23:52,479
Speaker 12: all of them. I'll be chocking about everything.

1717
01:23:52,960 --> 01:23:54,160
Speaker 2: Sho ain't no subs.

1718
01:23:53,960 --> 01:23:56,640
Speaker 12: Being said, see who I gotta shut down before they

1719
01:23:56,720 --> 01:23:59,800
Speaker 12: get through popping. And I'm on.

1720
01:24:00,560 --> 01:24:01,320
Speaker 2: That for everything.

1721
01:24:01,400 --> 01:24:03,519
Speaker 12: Like you know, in this industry, they act like it

1722
01:24:03,560 --> 01:24:04,280
Speaker 12: can only be one.

1723
01:24:04,320 --> 01:24:05,360
Speaker 2: They might let it be two.

1724
01:24:05,800 --> 01:24:08,000
Speaker 12: So I gotta I gotta make sure that I solidified

1725
01:24:08,040 --> 01:24:08,599
Speaker 12: my spots up.

1726
01:24:08,600 --> 01:24:09,200
Speaker 2: I see something like.

1727
01:24:09,240 --> 01:24:11,560
Speaker 12: Oh whole lot wait or she getting crazy, let me go,

1728
01:24:11,720 --> 01:24:12,840
Speaker 12: let me go drop something real.

1729
01:24:13,240 --> 01:24:14,960
Speaker 2: So I stay on my a game.

1730
01:24:17,000 --> 01:24:18,120
Speaker 6: Tell them or not.

1731
01:24:18,840 --> 01:24:20,840
Speaker 2: I don't fuck with anybody.

1732
01:24:22,720 --> 01:24:29,639
Speaker 12: Work because what happens is like you'll say you fuck

1733
01:24:29,680 --> 01:24:31,840
Speaker 12: with somebody and then they'll do something that ship on you.

1734
01:24:31,840 --> 01:24:34,679
Speaker 12: You be like yo, like they don't like they don't

1735
01:24:34,760 --> 01:24:38,040
Speaker 12: know the previous like before Bedford Hills me.

1736
01:24:38,120 --> 01:24:40,240
Speaker 2: So I just sit back and say nothing. I'll be

1737
01:24:40,320 --> 01:24:40,679
Speaker 2: like okay.

1738
01:24:41,080 --> 01:24:44,639
Speaker 12: So when I do, I got a conversational pap. I said,

1739
01:24:44,640 --> 01:24:46,200
Speaker 12: from now on, when they asked me about anything, I

1740
01:24:46,360 --> 01:24:48,720
Speaker 12: fuck with nobody because when you try to, you know,

1741
01:24:48,800 --> 01:24:50,360
Speaker 12: you try to big people up and say something and

1742
01:24:50,560 --> 01:24:52,280
Speaker 12: somewhere down and now they try to get crazy.

1743
01:24:52,680 --> 01:24:54,880
Speaker 2: Now I'm just like, like, I'm gonna want to find you.

1744
01:24:55,080 --> 01:24:55,640
Speaker 12: So I just.

1745
01:24:57,160 --> 01:24:59,640
Speaker 2: A female artist hit me right when they found out

1746
01:24:59,680 --> 01:25:01,720
Speaker 2: that I had something to do with the Fat Joe

1747
01:25:01,800 --> 01:25:04,400
Speaker 2: and jay Z squam so female artists in.

1748
01:25:04,439 --> 01:25:06,320
Speaker 6: Me and said, but why don't you squash it with

1749
01:25:06,400 --> 01:25:06,960
Speaker 6: me and Remy?

1750
01:25:07,400 --> 01:25:15,439
Speaker 2: And I was like, no, this is awkward, right, I

1751
01:25:15,600 --> 01:25:19,600
Speaker 2: was like no, because I know Remy and I know

1752
01:25:19,960 --> 01:25:22,640
Speaker 2: I respect Remy and respect me. I don't know if

1753
01:25:23,160 --> 01:25:26,679
Speaker 2: your respect. So I just stood away from this ship.

1754
01:25:27,200 --> 01:25:28,840
Speaker 2: I didn't know I had beef that needed to be.

1755
01:25:28,880 --> 01:25:31,559
Speaker 6: Squashed about it, he said, fuck that bitch.

1756
01:25:37,640 --> 01:25:41,360
Speaker 12: But the thing about it is I'm very respectable. Like

1757
01:25:41,439 --> 01:25:43,680
Speaker 12: if you are being disrespectful and you come to me

1758
01:25:43,800 --> 01:25:45,760
Speaker 12: like yo, I think I feel like it's a bad

1759
01:25:45,840 --> 01:25:47,519
Speaker 12: blood deal. Whatever I was to I told you I

1760
01:25:47,640 --> 01:25:49,240
Speaker 12: had no problem. The problem is when you try to

1761
01:25:49,240 --> 01:25:52,720
Speaker 12: get crazy, like my first resort, my first is to

1762
01:25:52,800 --> 01:25:55,280
Speaker 12: resort to violence, Like that's that's that's just.

1763
01:25:55,360 --> 01:25:57,400
Speaker 6: The fact I chose to mind my business.

1764
01:25:57,600 --> 01:26:01,680
Speaker 12: But I think, I think right now, I'm super approachable.

1765
01:26:01,760 --> 01:26:03,760
Speaker 12: Like anybody I come like, yo, they want to do

1766
01:26:03,800 --> 01:26:05,840
Speaker 12: a song, they were just like they'd be telling like

1767
01:26:05,880 --> 01:26:07,400
Speaker 12: why did you just do that? So I don't care,

1768
01:26:07,560 --> 01:26:09,240
Speaker 12: like it's nothing like I never was the type to

1769
01:26:09,280 --> 01:26:11,639
Speaker 12: think like I'm too big to work with certain people,

1770
01:26:12,200 --> 01:26:14,880
Speaker 12: or I feel like intimidated, Like I don't care. I

1771
01:26:14,920 --> 01:26:16,840
Speaker 12: don't be on it like that at all perviod when

1772
01:26:16,840 --> 01:26:19,080
Speaker 12: I see people. But if I see something like like yo,

1773
01:26:19,160 --> 01:26:21,160
Speaker 12: she looked right there. Oh she killed it on that verse.

1774
01:26:21,240 --> 01:26:23,360
Speaker 12: So whatever the case may be, I don't get that

1775
01:26:23,560 --> 01:26:25,960
Speaker 12: back like everybody sitting back like like are you saying

1776
01:26:26,040 --> 01:26:27,479
Speaker 12: like rem you're doing your thing right now?

1777
01:26:28,280 --> 01:26:30,760
Speaker 2: I don't hear that, like like I'm not doing nothing.

1778
01:26:30,800 --> 01:26:43,680
Speaker 2: They don't like I know very right now.

1779
01:26:43,840 --> 01:26:47,519
Speaker 12: It's the impossible, Like never mind in the rap industry,

1780
01:26:47,600 --> 01:26:49,479
Speaker 12: you got people who did half the time I did.

1781
01:26:49,640 --> 01:26:53,120
Speaker 12: Can't get a job at the corner store, Like it's hard.

1782
01:26:53,520 --> 01:26:55,400
Speaker 12: So when I see certain things, I'm be like you

1783
01:26:55,479 --> 01:26:57,800
Speaker 12: want to hate it on me? Like I was done,

1784
01:26:57,920 --> 01:27:00,840
Speaker 12: like everybody counting me out, I was finished. You was

1785
01:27:00,920 --> 01:27:04,160
Speaker 12: locked down for six sixth summers, seven winners and sixth

1786
01:27:04,400 --> 01:27:04,680
Speaker 12: of us.

1787
01:27:05,160 --> 01:27:06,160
Speaker 6: Can you say that line again?

1788
01:27:06,200 --> 01:27:10,439
Speaker 2: I love it. I'm sorry we're part of all that.

1789
01:27:11,400 --> 01:27:13,080
Speaker 12: I don't want to hear a bunch of records and

1790
01:27:13,200 --> 01:27:15,800
Speaker 12: big numbers because I was locked down seven winners and

1791
01:27:15,880 --> 01:27:18,840
Speaker 12: sixth summers, cuffed all on that bus, locked me your

1792
01:27:18,920 --> 01:27:19,439
Speaker 12: little ways.

1793
01:27:19,520 --> 01:27:31,040
Speaker 6: And now now you you worked for Eve, that was

1794
01:27:31,120 --> 01:27:31,679
Speaker 6: your artist?

1795
01:27:32,160 --> 01:27:32,559
Speaker 2: Was Eve?

1796
01:27:33,000 --> 01:27:35,880
Speaker 6: Did you sign because even signed out the dre at first?

1797
01:27:36,320 --> 01:27:36,719
Speaker 2: Yeah?

1798
01:27:36,840 --> 01:27:38,639
Speaker 6: And what did Jimmy bring you Eve?

1799
01:27:39,920 --> 01:27:39,960
Speaker 2: No?

1800
01:27:40,200 --> 01:27:44,960
Speaker 17: He switched off to me because Drey really couldn't break us,

1801
01:27:45,000 --> 01:27:46,120
Speaker 17: so we had to come and break up.

1802
01:27:46,200 --> 01:27:47,799
Speaker 6: We broke us rough Riders was popping.

1803
01:27:47,920 --> 01:27:49,799
Speaker 17: Yeah, yeah, we had a little bus at that Thompson

1804
01:27:50,280 --> 01:27:51,760
Speaker 17: he bought it us and we just broke them.

1805
01:27:52,880 --> 01:27:55,040
Speaker 6: And how how how was that like? Because you know

1806
01:27:55,640 --> 01:27:57,479
Speaker 6: she was like the queen of that. Yeh, that's my girl.

1807
01:27:57,560 --> 01:27:59,439
Speaker 6: She keep it one hundred to this day. So I

1808
01:27:59,560 --> 01:28:01,200
Speaker 6: fuck with she got she got to be in it.

1809
01:28:01,880 --> 01:28:04,439
Speaker 17: You got some woman the way more thoroughly niggas believe

1810
01:28:04,439 --> 01:28:06,439
Speaker 17: it than that. You know, that's how we go.

1811
01:28:06,720 --> 01:28:09,839
Speaker 6: That's why I felt about Remy. She's very to somebody

1812
01:28:09,920 --> 01:28:10,600
Speaker 6: here she's shown me.

1813
01:28:10,640 --> 01:28:13,680
Speaker 2: Now somebody said yo, I want to say yo, Like

1814
01:28:15,000 --> 01:28:16,880
Speaker 2: you know, sometimes they say, don't choose sides.

1815
01:28:16,920 --> 01:28:26,120
Speaker 6: I chose sides a long time. I think I'm with

1816
01:28:26,240 --> 01:28:29,679
Speaker 6: her in case I'm saying.

1817
01:28:30,920 --> 01:28:33,559
Speaker 12: But want you don't even gott to choosething like it's

1818
01:28:33,640 --> 01:28:35,720
Speaker 12: love right, Like when when it came and was like, YO,

1819
01:28:36,000 --> 01:28:38,080
Speaker 12: want you to do the track? I said, send me

1820
01:28:38,160 --> 01:28:40,519
Speaker 12: the record, like what's the problem. Let me do Like

1821
01:28:40,600 --> 01:28:42,519
Speaker 12: it wasn't a question. I wasn't thinking about it. I

1822
01:28:42,840 --> 01:28:45,000
Speaker 12: kids that I just did all the way up. I'm like, yo,

1823
01:28:45,280 --> 01:28:46,000
Speaker 12: I'm still.

1824
01:28:45,800 --> 01:28:46,840
Speaker 6: Waiting for the art work.

1825
01:28:46,920 --> 01:28:48,519
Speaker 2: And I'm like, yo, there's the artworks. I can post

1826
01:28:48,520 --> 01:28:51,200
Speaker 2: it on my page. Still waiting for that the artwork.

1827
01:28:51,240 --> 01:28:53,360
Speaker 6: It was like, for real, I said, got the art

1828
01:28:53,400 --> 01:28:54,479
Speaker 6: work of you and.

1829
01:28:54,560 --> 01:28:56,760
Speaker 2: Jay Z And I said, for real, I never got it,

1830
01:28:57,000 --> 01:28:58,800
Speaker 2: never got it. But you know what I'm saying, I

1831
01:28:58,880 --> 01:29:05,439
Speaker 2: just I just I just feel like I don't stuff

1832
01:29:05,520 --> 01:29:06,880
Speaker 2: like that. That's stupid to me.

1833
01:29:07,479 --> 01:29:10,000
Speaker 12: When I when I came home, I gave it up

1834
01:29:10,040 --> 01:29:13,000
Speaker 12: to everybody like you always have it. So when somebody

1835
01:29:13,120 --> 01:29:15,479
Speaker 12: coming at me crazy or I hear my hands like

1836
01:29:15,800 --> 01:29:18,599
Speaker 12: people so stupid, they don't realize, you hear, everything that's

1837
01:29:18,600 --> 01:29:20,599
Speaker 12: going on in this industry is very small. So when

1838
01:29:20,600 --> 01:29:23,120
Speaker 12: I hear the world small, when I hear certain things,

1839
01:29:23,160 --> 01:29:25,679
Speaker 12: I just be like, yo, that's like I can't do nothing.

1840
01:29:26,040 --> 01:29:26,479
Speaker 2: I really, I.

1841
01:29:26,560 --> 01:29:27,719
Speaker 6: Literally can't do anything.

1842
01:29:28,040 --> 01:29:30,519
Speaker 12: So I just ignore it. You know. I go on

1843
01:29:30,640 --> 01:29:32,720
Speaker 12: my social media and I just you know, laugh and

1844
01:29:33,400 --> 01:29:37,559
Speaker 12: I look at it because it's really sad. It's really sad, sad.

1845
01:29:37,640 --> 01:29:40,599
Speaker 12: I love to see any any female male that come

1846
01:29:40,640 --> 01:29:42,320
Speaker 12: from the bottom where we come from, make it and

1847
01:29:42,400 --> 01:29:44,040
Speaker 12: need to put some money in their pockets and take

1848
01:29:44,080 --> 01:29:46,160
Speaker 12: care of their family or their kids or whatever the case.

1849
01:29:46,439 --> 01:29:47,640
Speaker 2: I'm never going to hate on that.

1850
01:29:47,720 --> 01:29:49,519
Speaker 12: So somebody that can hate on that and talking about

1851
01:29:49,680 --> 01:29:52,680
Speaker 12: a little dumb shit that don't even matter, like, I can't.

1852
01:29:52,640 --> 01:29:53,479
Speaker 2: Take it seriously.

1853
01:29:53,640 --> 01:29:55,960
Speaker 12: Like at this point in my life, that's one of

1854
01:29:56,000 --> 01:29:57,400
Speaker 12: the reasons why I did love and hip hop.

1855
01:29:57,479 --> 01:29:58,160
Speaker 2: When I came home.

1856
01:29:58,240 --> 01:30:02,360
Speaker 12: I'm like, yo, when I left, if you was ten

1857
01:30:02,520 --> 01:30:05,160
Speaker 12: years old, twelve years old, you're eighteen now, or if

1858
01:30:05,160 --> 01:30:07,840
Speaker 12: you was twelve, you twenty Like these people, it's a

1859
01:30:07,880 --> 01:30:09,280
Speaker 12: lot of people that didn't know who I was.

1860
01:30:09,400 --> 01:30:11,240
Speaker 2: I looked at they they numb, missed.

1861
01:30:11,000 --> 01:30:13,840
Speaker 12: They got three million people that watch it every Monday,

1862
01:30:13,920 --> 01:30:16,680
Speaker 12: not includion times when they rerunning. I said, people are like,

1863
01:30:16,760 --> 01:30:18,719
Speaker 12: oh boy, you gotta look stupid out there. You comma

1864
01:30:18,800 --> 01:30:20,640
Speaker 12: looks stupid. If I'm not acting stupid in front of

1865
01:30:20,640 --> 01:30:22,800
Speaker 12: the camera, they can't make me look stupid. This is

1866
01:30:22,840 --> 01:30:25,160
Speaker 12: impossible to make me look stupid unless I'm being a clown.

1867
01:30:25,720 --> 01:30:27,679
Speaker 12: So I told I'm like, yo, babe, if we're gonna

1868
01:30:27,680 --> 01:30:29,000
Speaker 12: go to on that, we're gonna do what we do

1869
01:30:29,640 --> 01:30:32,479
Speaker 12: this impossibly, but nobody's gonna throw any type of drink

1870
01:30:32,520 --> 01:30:32,720
Speaker 12: at you.

1871
01:30:34,080 --> 01:30:36,640
Speaker 2: Nobody's spitting in that area, like if we're gonna do

1872
01:30:36,760 --> 01:30:37,160
Speaker 2: what we do?

1873
01:30:37,520 --> 01:30:39,920
Speaker 12: And it came, of course, like he ain't gonna lie pa,

1874
01:30:40,080 --> 01:30:41,479
Speaker 12: He said, here act like if you was scared.

1875
01:30:43,000 --> 01:30:44,280
Speaker 2: He was like, I don't trust you.

1876
01:30:45,080 --> 01:30:46,040
Speaker 6: You're a live wire.

1877
01:30:46,120 --> 01:30:48,080
Speaker 2: You're unpredictable. I don't know what you're gonna do.

1878
01:30:48,439 --> 01:30:51,000
Speaker 13: I was you, you know what it is that visiting

1879
01:30:51,080 --> 01:30:53,479
Speaker 13: her in that penitentiary for so long, I just ain't

1880
01:30:53,520 --> 01:30:55,880
Speaker 13: want to interact, and nothing that could make that happen again.

1881
01:30:56,320 --> 01:30:57,840
Speaker 13: So I'll be walking on thin ice and you know

1882
01:30:57,880 --> 01:30:59,480
Speaker 13: what I mean, like, if let's be careful.

1883
01:30:59,200 --> 01:31:01,439
Speaker 2: Man, And then I remember I remember one night she

1884
01:31:01,520 --> 01:31:04,360
Speaker 2: stayed out too late and you came and that's that's

1885
01:31:04,400 --> 01:31:06,920
Speaker 2: what that's what that's what I do. It's like to

1886
01:31:07,080 --> 01:31:10,600
Speaker 2: my wife, like when I see relate, so relate. My

1887
01:31:10,680 --> 01:31:12,720
Speaker 2: wife looked and was like, oh my god, you and

1888
01:31:12,760 --> 01:31:16,400
Speaker 2: Pap must be best friends. The same exact thing I

1889
01:31:16,479 --> 01:31:18,559
Speaker 2: did to her. I get it to the day before.

1890
01:31:19,680 --> 01:31:22,639
Speaker 2: So I'm like, yo, like, come on, we're going home then,

1891
01:31:23,160 --> 01:31:26,080
Speaker 2: and you did the same exact thing. I was like, No, definitely.

1892
01:31:26,120 --> 01:31:26,880
Speaker 2: Whenever what y'all see on.

1893
01:31:26,920 --> 01:31:28,640
Speaker 13: Love and hiphip man, we just we don't go up

1894
01:31:28,680 --> 01:31:30,280
Speaker 13: and get up there and be frogen in on fake.

1895
01:31:30,720 --> 01:31:32,040
Speaker 2: We show y'all are real, you know what I mean.

1896
01:31:32,080 --> 01:31:33,120
Speaker 2: They edited how they went, but.

1897
01:31:33,160 --> 01:31:35,040
Speaker 13: We show y'all the hell ship that go on, you

1898
01:31:35,120 --> 01:31:37,200
Speaker 13: know with black couples, with couples of course the planet.

1899
01:31:37,320 --> 01:31:38,599
Speaker 6: And we also fake cousins.

1900
01:31:38,680 --> 01:31:38,800
Speaker 12: Right.

1901
01:31:39,800 --> 01:31:41,720
Speaker 2: I told her that, we said, you know me like,

1902
01:31:42,000 --> 01:31:44,920
Speaker 2: because I related, lady.

1903
01:31:46,479 --> 01:31:49,120
Speaker 15: Because when I when I damn, I was like, okay,

1904
01:31:50,479 --> 01:32:00,599
Speaker 15: y'all related related today that I related to? Good story

1905
01:32:01,320 --> 01:32:01,719
Speaker 15: is true.

1906
01:32:02,040 --> 01:32:02,479
Speaker 6: It's true.

1907
01:32:09,720 --> 01:32:15,400
Speaker 2: Family, So listen. D D Pat pools remy mam. I

1908
01:32:15,439 --> 01:32:18,400
Speaker 2: can't thank y'all so much because you know what. The

1909
01:32:18,520 --> 01:32:21,800
Speaker 2: nucleus of us, of us sitting down right now is

1910
01:32:21,880 --> 01:32:24,760
Speaker 2: Fat Joe. The Fat Joe has been my brother. Yeah,

1911
01:32:24,880 --> 01:32:27,320
Speaker 2: that's a fact. He's been my brother through the thick

1912
01:32:27,400 --> 01:32:32,840
Speaker 2: and things to bless us to do the drink Champs.

1913
01:32:33,080 --> 01:32:37,439
Speaker 2: He's a guy who introduced me to my best friend

1914
01:32:37,520 --> 01:32:40,360
Speaker 2: as a rapper, was big fun like I didn't.

1915
01:32:41,040 --> 01:32:43,880
Speaker 6: That was the first rappert ever hung out with.

1916
01:32:44,640 --> 01:32:47,200
Speaker 2: I remember meeting Big que and he's a unique studios

1917
01:32:48,160 --> 01:32:50,000
Speaker 2: and I had a two five momie. I don't know why,

1918
01:32:50,200 --> 01:32:52,280
Speaker 2: but like, I just had a two five movie. The

1919
01:32:52,320 --> 01:32:53,120
Speaker 2: Fat Joe walked in.

1920
01:32:53,240 --> 01:32:53,760
Speaker 6: He was eating.

1921
01:32:54,400 --> 01:32:59,720
Speaker 2: No idea why I was carrying. He just got it on.

1922
01:32:59,880 --> 01:33:08,760
Speaker 2: It's a hobby and he's eating. He's like and he's like,

1923
01:33:09,080 --> 01:33:11,040
Speaker 2: which one of your niggas got shot? And I just

1924
01:33:11,120 --> 01:33:13,680
Speaker 2: felt like that was like the disrespectful discussion I ever

1925
01:33:13,760 --> 01:33:16,519
Speaker 2: heard in my life. Poe had just got shot like

1926
01:33:16,560 --> 01:33:18,800
Speaker 2: the day before. So I'm looking at this nigga. I

1927
01:33:18,840 --> 01:33:20,960
Speaker 2: never met Fat Joe before, right, So I'm looking at

1928
01:33:21,080 --> 01:33:23,960
Speaker 2: this nigga and I'm just like, I'm a queen's nigga.

1929
01:33:24,040 --> 01:33:26,080
Speaker 6: Like your niggas think queens is soft, but we get

1930
01:33:26,120 --> 01:33:27,040
Speaker 6: a popping right.

1931
01:33:27,560 --> 01:33:29,599
Speaker 2: So I got done on my ship, and then Fat

1932
01:33:29,680 --> 01:33:32,720
Speaker 2: Joe goes and then Pun Pun walks up to me

1933
01:33:32,840 --> 01:33:35,120
Speaker 2: and looks at me up and down because he seen

1934
01:33:35,200 --> 01:33:37,320
Speaker 2: me scheming, so he looks at me up and there

1935
01:33:37,520 --> 01:33:39,160
Speaker 2: like you Puerto Rican.

1936
01:33:39,479 --> 01:33:42,719
Speaker 6: I said, yeah, he said, take the ice girl off there, Papa,

1937
01:33:43,160 --> 01:33:44,360
Speaker 6: You're gonna be my friend.

1938
01:33:48,040 --> 01:33:49,120
Speaker 2: Like ever my life.

1939
01:33:49,240 --> 01:33:51,040
Speaker 6: Like, I was just like, but I'm still trying to

1940
01:33:51,080 --> 01:33:54,080
Speaker 6: be hard like I'm like laughing and ship.

1941
01:33:54,160 --> 01:33:57,320
Speaker 2: And from that day forward, Pun was my man and

1942
01:33:57,439 --> 01:34:01,479
Speaker 2: his favorite artist, his number one artist that he had

1943
01:34:01,520 --> 01:34:03,920
Speaker 2: a dream for right here.

1944
01:34:05,120 --> 01:34:08,439
Speaker 6: It's right here. And every time I see you shine,

1945
01:34:08,640 --> 01:34:10,400
Speaker 6: I ain't gonna lie. I claim be a success like

1946
01:34:10,439 --> 01:34:11,719
Speaker 6: his mons. I'm just being honest.

1947
01:34:11,920 --> 01:34:16,760
Speaker 2: You and Joe's I'd be like, like like the awards, yo,

1948
01:34:16,920 --> 01:34:19,439
Speaker 2: oh my, Joe came up here and said you want

1949
01:34:19,479 --> 01:34:19,880
Speaker 2: an award.

1950
01:34:19,960 --> 01:34:21,840
Speaker 6: I said, I'm blowing it up right now. I hung

1951
01:34:21,920 --> 01:34:23,880
Speaker 6: up the phone and I put it in the podcast immediately.

1952
01:34:24,160 --> 01:34:26,280
Speaker 2: Its way before this shit came right right, I did

1953
01:34:26,320 --> 01:34:31,320
Speaker 2: a bootleg version of y'all ships because I'm so happy, though, man,

1954
01:34:31,479 --> 01:34:33,360
Speaker 2: so happy with what you're doing. I'm so happy the

1955
01:34:33,439 --> 01:34:35,360
Speaker 2: succession you can take. And you know what's the crazy

1956
01:34:35,360 --> 01:34:36,840
Speaker 2: shit about? Are you all remy?

1957
01:34:37,600 --> 01:34:38,800
Speaker 6: You're not like a fake queen.

1958
01:34:38,880 --> 01:34:41,360
Speaker 2: What I mean by that it's people who with the

1959
01:34:41,439 --> 01:34:44,640
Speaker 2: queens and hip hop. Then you find out people are

1960
01:34:44,840 --> 01:34:47,599
Speaker 2: helping write in their rhyms or whatever. But your rhyms

1961
01:34:47,680 --> 01:34:51,280
Speaker 2: are fucking least super leaked.

1962
01:34:51,439 --> 01:34:51,479
Speaker 1: You.

1963
01:34:51,640 --> 01:34:56,120
Speaker 2: You're hitting, you beating niggas. You gotta stop competing with women.

1964
01:34:56,960 --> 01:34:59,960
Speaker 2: You guys, don't you gotta start. You're gonna start.

1965
01:35:00,040 --> 01:35:04,000
Speaker 12: Got a fine actually told me, like, you know, any

1966
01:35:04,120 --> 01:35:05,760
Speaker 12: song you have to get on with somebody. He's like,

1967
01:35:05,840 --> 01:35:08,360
Speaker 12: I don't care food is the goal is so when

1968
01:35:08,400 --> 01:35:10,640
Speaker 12: the song goes off for them to be like rendybody.

1969
01:35:11,520 --> 01:35:13,960
Speaker 12: That's when he told me. And that's what I literally do,

1970
01:35:14,120 --> 01:35:17,519
Speaker 12: whether it's I'm gonna my husband Joe, like I ain't

1971
01:35:17,600 --> 01:35:17,960
Speaker 12: tell you.

1972
01:35:19,360 --> 01:35:24,519
Speaker 2: Like I want to know.

1973
01:35:24,960 --> 01:35:27,760
Speaker 12: It's a wonderful thing when when you know my pen,

1974
01:35:28,000 --> 01:35:30,240
Speaker 12: my pen has never been questioned like ever, Like I

1975
01:35:30,360 --> 01:35:32,880
Speaker 12: sit I purposely, you know, go to studios and I

1976
01:35:32,960 --> 01:35:34,479
Speaker 12: sit there with people and I want to write my

1977
01:35:34,840 --> 01:35:36,679
Speaker 12: music in front of them so that they.

1978
01:35:36,720 --> 01:35:38,639
Speaker 2: Know that it's authentic. I mean, it's it's cool.

1979
01:35:38,720 --> 01:35:41,360
Speaker 12: Like some people are artists and they get their things

1980
01:35:41,400 --> 01:35:43,360
Speaker 12: handed to them, and you know, they go and they

1981
01:35:43,439 --> 01:35:45,719
Speaker 12: do what they do and that's cool, But don't.

1982
01:35:45,520 --> 01:35:46,000
Speaker 2: Play with me.

1983
01:35:46,360 --> 01:35:50,160
Speaker 6: No, we're not playing with you. We understand. So now

1984
01:35:50,240 --> 01:35:50,840
Speaker 6: you come home.

1985
01:35:52,600 --> 01:35:57,439
Speaker 2: You hear the music, right, what makes you say I'm

1986
01:35:57,439 --> 01:36:01,000
Speaker 2: gonna go in a different direction? And now everybody else

1987
01:36:01,000 --> 01:36:04,240
Speaker 2: because all the way up he sounds like what's happening now?

1988
01:36:04,400 --> 01:36:08,920
Speaker 2: But at the same token, it sounds classic. I don't

1989
01:36:09,000 --> 01:36:10,000
Speaker 2: know how to be a follower.

1990
01:36:10,840 --> 01:36:11,240
Speaker 6: Me neither.

1991
01:36:11,760 --> 01:36:14,280
Speaker 2: I don't know, Like I never was a good follower.

1992
01:36:14,040 --> 01:36:16,160
Speaker 12: Like even if I started off trying to be down,

1993
01:36:16,240 --> 01:36:17,080
Speaker 12: somehow I ended.

1994
01:36:17,000 --> 01:36:18,160
Speaker 2: Up in charge, like.

1995
01:36:20,000 --> 01:36:23,200
Speaker 12: Like I can't like I can't, I can't conform. I

1996
01:36:24,120 --> 01:36:25,840
Speaker 12: like to do things the way I like to do it.

1997
01:36:26,400 --> 01:36:31,519
Speaker 12: And what it seemed like is that everybody is cool

1998
01:36:31,640 --> 01:36:34,479
Speaker 12: with being like like I literally turn on the radio

1999
01:36:34,520 --> 01:36:36,880
Speaker 12: sometimes and I don't know who I'm listening to because

2000
01:36:36,960 --> 01:36:42,080
Speaker 12: everybody sounds so much ALIKEE like really bad. And when

2001
01:36:42,160 --> 01:36:46,120
Speaker 12: me and Joe was working on our project, that was

2002
01:36:46,240 --> 01:36:49,000
Speaker 12: our goal, like, yo, how do we do what we

2003
01:36:49,120 --> 01:36:50,960
Speaker 12: want to do and get this bad? Because that was

2004
01:36:51,040 --> 01:36:52,960
Speaker 12: the goal Like before when I first started, it was

2005
01:36:53,120 --> 01:36:54,519
Speaker 12: I just wanted to be the nicest rap. I want

2006
01:36:54,520 --> 01:36:56,320
Speaker 12: to everybody be like, O, she's dope, she's the best whatever,

2007
01:36:56,439 --> 01:36:58,000
Speaker 12: Like all right, cool, we passed that. Now we got

2008
01:36:58,080 --> 01:36:59,960
Speaker 12: to get this bag. How do we get this bad

2009
01:37:00,080 --> 01:37:04,080
Speaker 12: act and still be us? Because what happens is if

2010
01:37:04,160 --> 01:37:05,720
Speaker 12: I try to be somebody else, you might catch me

2011
01:37:05,760 --> 01:37:08,000
Speaker 12: on a bad day and then you're gonna meet the

2012
01:37:08,040 --> 01:37:08,479
Speaker 12: real mets.

2013
01:37:08,520 --> 01:37:09,599
Speaker 2: That's that's not gonna be good.

2014
01:37:09,880 --> 01:37:13,000
Speaker 12: Same same thing, the same thing with you know, with Joe,

2015
01:37:13,800 --> 01:37:15,720
Speaker 12: he could try to be you know, certain thing, but

2016
01:37:16,960 --> 01:37:19,439
Speaker 12: at the nucleus, like you said, at the nucleus, he's

2017
01:37:19,479 --> 01:37:22,320
Speaker 12: still you know, fat Joe. And that was what we

2018
01:37:22,439 --> 01:37:24,320
Speaker 12: wanted to keep. We did not want to have to

2019
01:37:24,400 --> 01:37:28,400
Speaker 12: sacrifice who we are to be successful. And that's what

2020
01:37:28,439 --> 01:37:30,680
Speaker 12: people were telling us. Nah, y'all got to get on

2021
01:37:30,800 --> 01:37:34,320
Speaker 12: this way. Y'all got to talk about picking these books.

2022
01:37:34,320 --> 01:37:35,080
Speaker 12: It's picking these books.

2023
01:37:35,080 --> 01:37:39,560
Speaker 2: It's like, nah, like I don't I don't know.

2024
01:37:39,680 --> 01:37:42,160
Speaker 12: Punic rule over in his grade, Like I make it

2025
01:37:42,240 --> 01:37:44,920
Speaker 12: my business. I need every bar to have a bar,

2026
01:37:45,200 --> 01:37:48,559
Speaker 12: And and that's what we did. And I think it's

2027
01:37:48,680 --> 01:37:51,080
Speaker 12: it's a little shift going on right now. I always

2028
01:37:51,120 --> 01:37:53,080
Speaker 12: catch the middle of the ship were shifting right now

2029
01:37:53,160 --> 01:37:55,080
Speaker 12: to where you know, people are kind of starting to

2030
01:37:55,160 --> 01:38:00,320
Speaker 12: care about the lyrics. So so you know it's good

2031
01:38:00,360 --> 01:38:02,799
Speaker 12: for people like me. You know there's some people that's.

2032
01:38:02,640 --> 01:38:03,479
Speaker 6: Not gonna say something.

2033
01:38:04,200 --> 01:38:06,240
Speaker 13: I want to say something real quick, man, because I

2034
01:38:06,280 --> 01:38:09,680
Speaker 13: want to make sure I pay the proper homage. I

2035
01:38:09,840 --> 01:38:11,760
Speaker 13: was outside of the game watching all of y'all. You

2036
01:38:11,760 --> 01:38:13,320
Speaker 13: know what I'm saying, So for me to be in

2037
01:38:13,400 --> 01:38:14,360
Speaker 13: the presence, even.

2038
01:38:14,240 --> 01:38:15,360
Speaker 11: You a poem, you know what I'm saying, Like I

2039
01:38:15,439 --> 01:38:17,880
Speaker 11: love y'all nigga shit, like I used to get crazy

2040
01:38:17,960 --> 01:38:20,160
Speaker 11: and want to do wild ship listening to y'all ship

2041
01:38:20,439 --> 01:38:21,840
Speaker 11: everything de board to the game.

2042
01:38:21,840 --> 01:38:23,360
Speaker 13: You know what I'm saying with rough Rider, I want

2043
01:38:23,400 --> 01:38:25,680
Speaker 13: to salute you. I respect everything y'all did.

2044
01:38:26,080 --> 01:38:26,719
Speaker 2: And my uncle.

2045
01:38:26,920 --> 01:38:28,360
Speaker 13: I mean if my ugle was and my uncle worth

2046
01:38:28,400 --> 01:38:30,320
Speaker 13: in burging path from off uncle, working guy, he go

2047
01:38:30,400 --> 01:38:33,120
Speaker 13: to work every day. He could verify. I seen my

2048
01:38:33,200 --> 01:38:35,200
Speaker 13: wife years ago when I told him, I said, Yo,

2049
01:38:35,800 --> 01:38:36,200
Speaker 13: one day.

2050
01:38:36,120 --> 01:38:38,720
Speaker 2: I'm gonna have this ship was like before I even

2051
01:38:38,760 --> 01:38:40,080
Speaker 2: got in the game. You know what I'm saying.

2052
01:38:40,720 --> 01:38:42,440
Speaker 6: Story, It's like Meek Mill, Sorry.

2053
01:38:42,200 --> 01:38:45,439
Speaker 2: I like this. I told my uncle that, like, Yo, man.

2054
01:38:45,680 --> 01:38:47,479
Speaker 13: One day, I'm gonna meet her and I'm gonna make

2055
01:38:47,479 --> 01:38:48,840
Speaker 13: her mind, you know what I'm saying. So I just

2056
01:38:48,960 --> 01:38:54,720
Speaker 13: want to everybody say even even even know you know

2057
01:38:54,760 --> 01:38:56,679
Speaker 13: what I mean. When he first started the podcast joint,

2058
01:38:57,040 --> 01:38:58,240
Speaker 13: he was kicking it, you know what I'm saying.

2059
01:38:58,280 --> 01:39:00,240
Speaker 2: Nor he would send me certain numbers like yo, look

2060
01:39:00,280 --> 01:39:01,639
Speaker 2: at this, look at that one. You know what I'm saying.

2061
01:39:01,680 --> 01:39:04,519
Speaker 2: So just to see another rapper make the transition.

2062
01:39:04,160 --> 01:39:07,160
Speaker 13: From rapping into doing something like this when you are

2063
01:39:07,479 --> 01:39:09,640
Speaker 13: impact in the world, I want to salute you on that, man.

2064
01:39:09,720 --> 01:39:12,000
Speaker 2: So I just want to slew Ally just is your

2065
01:39:12,000 --> 01:39:18,479
Speaker 2: favorite rapp up? Just came right there? Right? No, right

2066
01:39:18,520 --> 01:39:20,720
Speaker 2: now hip hop? My favorite rapper is re me mind

2067
01:39:20,760 --> 01:39:21,400
Speaker 2: fat Joe Man.

2068
01:39:21,680 --> 01:39:27,240
Speaker 12: Let me tell y'all, I love him to death, but

2069
01:39:27,360 --> 01:39:29,519
Speaker 12: he's the biggest critic ever.

2070
01:39:30,120 --> 01:39:32,599
Speaker 2: Like no bad, Like it's real bad. If you didn't

2071
01:39:32,640 --> 01:39:34,720
Speaker 2: come out before in nineteen eighty nine. He doesn't like you.

2072
01:39:34,840 --> 01:39:38,080
Speaker 2: I respect that it's bad.

2073
01:39:38,560 --> 01:39:42,400
Speaker 12: So when we were in the studio and he was like, yo, y'all,

2074
01:39:43,040 --> 01:39:45,080
Speaker 12: y'd really like it killed him. The first day He's

2075
01:39:45,160 --> 01:39:47,519
Speaker 12: like sitting there, he was like, y'all, I ain't gonna

2076
01:39:47,600 --> 01:39:51,360
Speaker 12: lie y'all. When y'all get together like ship, it's like, yo,

2077
01:39:51,680 --> 01:39:52,360
Speaker 12: Like I was.

2078
01:39:52,400 --> 01:39:55,000
Speaker 2: Like, what do you want to say? Okay, So the

2079
01:39:55,120 --> 01:39:58,000
Speaker 2: first time Fat Joe announced that y'all was doing the

2080
01:39:58,080 --> 01:40:01,280
Speaker 2: album was on our podcast. And then he also said

2081
01:40:01,800 --> 01:40:05,280
Speaker 2: that at first Joe told you to come to Miami. Yeah,

2082
01:40:07,479 --> 01:40:10,360
Speaker 2: he said, He's like, wait, if you're going to Miami

2083
01:40:10,439 --> 01:40:11,080
Speaker 2: for how many.

2084
01:40:11,000 --> 01:40:12,400
Speaker 6: Leaks, let's break that down.

2085
01:40:12,920 --> 01:40:15,240
Speaker 13: I mean basically, man, I don't know if the world knows,

2086
01:40:15,280 --> 01:40:16,880
Speaker 13: but I managed my wife, you know what I'm saying.

2087
01:40:17,760 --> 01:40:19,880
Speaker 13: I picked up the job by default. She was away

2088
01:40:20,080 --> 01:40:24,080
Speaker 13: because when she got real, everybody over here, you know

2089
01:40:24,120 --> 01:40:24,559
Speaker 13: what I'm saying.

2090
01:40:24,560 --> 01:40:28,439
Speaker 2: So, and we're doing another hip hop at the time,

2091
01:40:29,040 --> 01:40:31,760
Speaker 2: and she was just like, Remy is very spontaneous. You know,

2092
01:40:31,840 --> 01:40:32,920
Speaker 2: she's gonna do what she wanted to do.

2093
01:40:32,960 --> 01:40:34,680
Speaker 13: At that time period, you know what I'm saying. So

2094
01:40:34,840 --> 01:40:36,120
Speaker 13: she came out of nowhere. It was like, I'm going

2095
01:40:36,120 --> 01:40:37,880
Speaker 13: to Miami and then she was like two days away

2096
01:40:37,880 --> 01:40:38,479
Speaker 13: of some crazy shit.

2097
01:40:38,560 --> 01:40:41,600
Speaker 2: I like this, Yo, just went the jealous story that

2098
01:40:42,800 --> 01:40:44,640
Speaker 2: I'm a jealous looks.

2099
01:40:48,439 --> 01:40:51,320
Speaker 12: In lead. We got a winning and we got at it.

2100
01:40:51,360 --> 01:40:54,360
Speaker 12: Over got this, I'm I need to record mine. He's like,

2101
01:40:54,479 --> 01:40:59,640
Speaker 12: not was coming, So what ended that happen? And Joe

2102
01:40:59,760 --> 01:41:01,599
Speaker 12: King's the wedding and he was like, yo, so when

2103
01:41:01,640 --> 01:41:06,400
Speaker 12: you want honeymoon? Trying to was like, he was like,

2104
01:41:07,760 --> 01:41:09,599
Speaker 12: when you coming up, when you come from your honeymoon,

2105
01:41:09,680 --> 01:41:10,599
Speaker 12: can we record the album?

2106
01:41:11,040 --> 01:41:13,240
Speaker 2: So I'm like, record the album tomorrow. Joe he like,

2107
01:41:14,160 --> 01:41:14,800
Speaker 2: so you're not gonna go.

2108
01:41:15,000 --> 01:41:16,880
Speaker 6: I was like, so I asked them to go on

2109
01:41:16,920 --> 01:41:17,519
Speaker 6: your honey.

2110
01:41:18,800 --> 01:41:22,320
Speaker 12: Them you ain't gonna let me go to Miami record,

2111
01:41:22,479 --> 01:41:23,599
Speaker 12: So now we don't.

2112
01:41:23,400 --> 01:41:24,040
Speaker 2: Get no honeymoon.

2113
01:41:24,080 --> 01:41:26,519
Speaker 6: I got to make my album. You ain't going no honeymoon.

2114
01:41:27,080 --> 01:41:30,160
Speaker 6: Oh my god, Oh my god.

2115
01:41:30,800 --> 01:41:31,679
Speaker 2: We call them the poor.

2116
01:41:31,760 --> 01:41:35,720
Speaker 6: Tomorrow, we're gonna go to Hawaii because it's in the

2117
01:41:35,880 --> 01:41:37,400
Speaker 6: United States, and I'm coming with y'all.

2118
01:41:37,479 --> 01:41:38,880
Speaker 2: That's crazy, he said that, But that's what you want

2119
01:41:39,880 --> 01:41:41,479
Speaker 2: Hawaii for now, that's where we is gonna go. But

2120
01:41:41,560 --> 01:41:44,720
Speaker 2: I com my pastor, I'm gonna come.

2121
01:41:45,200 --> 01:41:47,120
Speaker 6: I want to I'm gonna go on the other side

2122
01:41:47,120 --> 01:41:49,160
Speaker 6: of the hotel. But you know, let's let's go.

2123
01:41:49,320 --> 01:41:49,600
Speaker 2: Let's go.

2124
01:41:49,760 --> 01:41:51,640
Speaker 12: But look, we didn't go on a honeymoon, but we

2125
01:41:51,720 --> 01:41:53,639
Speaker 12: came up with all these You got so much money

2126
01:41:53,720 --> 01:41:54,519
Speaker 12: now you got so much.

2127
01:41:55,160 --> 01:41:58,960
Speaker 2: You know it was the right choice because y'are all

2128
01:41:59,000 --> 01:42:01,800
Speaker 2: the way up. But now it's time to enjoy, right,

2129
01:42:02,360 --> 01:42:06,120
Speaker 2: and you have your children. You have beautiful children. You guys,

2130
01:42:06,200 --> 01:42:09,360
Speaker 2: Black Love should continue to be supported. I'm gonna support

2131
01:42:09,400 --> 01:42:13,000
Speaker 2: it that personally. I don't need nothing. I don't need

2132
01:42:13,040 --> 01:42:14,760
Speaker 2: a handshake, I don't need a verse, I don't need

2133
01:42:14,920 --> 01:42:18,439
Speaker 2: I just need love. And you guys, love should be

2134
01:42:18,479 --> 01:42:21,280
Speaker 2: supported and continue to be on the forefront, and I'm

2135
01:42:21,280 --> 01:42:22,160
Speaker 2: gonna continue to do it.

2136
01:42:22,200 --> 01:42:23,160
Speaker 6: I don't give a fuck.

2137
01:42:23,320 --> 01:42:25,639
Speaker 12: Well, I get to see one more season of it before.

2138
01:42:27,040 --> 01:42:27,760
Speaker 6: He announcing that.

2139
01:42:27,960 --> 01:42:30,799
Speaker 12: I get to see one more stress little like it's

2140
01:42:31,120 --> 01:42:33,360
Speaker 12: really crazy, like it gets crazy.

2141
01:42:33,400 --> 01:42:35,519
Speaker 2: But they don't love it when they it's already done

2142
01:42:36,240 --> 01:42:38,640
Speaker 2: because you do a drinking self faced right, I've heard that.

2143
01:42:38,960 --> 01:42:39,920
Speaker 6: I see what Joe said.

2144
01:42:41,360 --> 01:42:45,400
Speaker 2: Shout out themself, man, I'm doing drinking, my man, Shout

2145
01:42:45,439 --> 01:42:46,080
Speaker 2: out the self man.

2146
01:42:46,080 --> 01:42:47,280
Speaker 6: When you do a drinking this space.

2147
01:42:47,120 --> 01:42:48,280
Speaker 2: What had I he was playing?

2148
01:42:48,360 --> 01:42:49,800
Speaker 6: Yo got here in New York too much?

2149
01:42:49,920 --> 01:42:50,040
Speaker 2: Right?

2150
01:42:50,360 --> 01:42:50,880
Speaker 9: You know what I mean?

2151
01:42:50,960 --> 01:42:51,120
Speaker 1: Man?

2152
01:42:51,800 --> 01:42:54,479
Speaker 6: No, No, I'm like the fact I already self is

2153
01:42:54,560 --> 01:42:54,840
Speaker 6: my god.

2154
01:42:54,920 --> 01:42:56,559
Speaker 13: Shout out the self man, Shout out to the old

2155
01:42:56,560 --> 01:42:57,760
Speaker 13: love and hip hop man shout out.

2156
01:42:57,800 --> 01:42:59,679
Speaker 2: The more the love Mona Scott part of me come

2157
01:43:00,240 --> 01:43:00,679
Speaker 2: this season.

2158
01:43:00,960 --> 01:43:01,960
Speaker 6: I think y'all gonna love it.

2159
01:43:02,040 --> 01:43:03,840
Speaker 2: Man. It was a you know, we really got a

2160
01:43:03,920 --> 01:43:06,240
Speaker 2: chance to document in his face and real ship nah man,

2161
01:43:07,560 --> 01:43:14,479
Speaker 2: I patty patty, y'a but song I tryed to hear

2162
01:43:14,600 --> 01:43:15,519
Speaker 2: with you got a song.

2163
01:43:15,680 --> 01:43:17,759
Speaker 6: I'm trying to get fifty on it and fifty ship.

2164
01:43:19,080 --> 01:43:21,120
Speaker 2: Petty like I used to boy it this versus and

2165
01:43:21,160 --> 01:43:22,439
Speaker 2: then when I break up with him, I take the

2166
01:43:22,479 --> 01:43:28,240
Speaker 2: first back. Is that petty? No? You told me yo

2167
01:43:28,840 --> 01:43:31,480
Speaker 2: yo yo Yo's concerned?

2168
01:43:31,840 --> 01:43:35,200
Speaker 12: Hold on, I was gonna say that shouldn't have sucked

2169
01:43:35,240 --> 01:43:39,479
Speaker 12: up Dallent the next.

2170
01:43:39,400 --> 01:43:40,599
Speaker 6: Nigger with my bags?

2171
01:43:40,840 --> 01:43:46,840
Speaker 2: You know you petty petty on when I when I

2172
01:43:46,960 --> 01:43:49,680
Speaker 2: was signing to see Universal.

2173
01:43:49,600 --> 01:43:50,160
Speaker 6: That's why I see.

2174
01:43:50,160 --> 01:43:53,360
Speaker 2: That's before I got bann from that building. I still

2175
01:43:53,400 --> 01:43:54,599
Speaker 2: go in there. I should be like, now I want

2176
01:43:54,640 --> 01:44:02,280
Speaker 2: my Norsey ship. Everybody posted that really being there, I

2177
01:44:02,400 --> 01:44:02,800
Speaker 2: used to do that.

2178
01:44:02,840 --> 01:44:04,960
Speaker 6: I'm on some petty ship. I'll tell you post it down.

2179
01:44:07,200 --> 01:44:10,000
Speaker 12: I didn't understand why I was in and it was

2180
01:44:10,040 --> 01:44:10,759
Speaker 12: just all these posts.

2181
01:44:10,960 --> 01:44:13,599
Speaker 2: Quar, nigga, you just sent it to the black section.

2182
01:44:13,680 --> 01:44:16,960
Speaker 2: I don't really understand that because when both sections, remember

2183
01:44:17,000 --> 01:44:21,200
Speaker 2: I'm black Puerto Rico. Come on, I'm sorry, it's okay, yo.

2184
01:44:22,000 --> 01:44:23,960
Speaker 2: Can you open up in Jack? Look how icy you are.

2185
01:44:24,439 --> 01:44:25,960
Speaker 2: This is how you were supposed to come home. God

2186
01:44:26,040 --> 01:44:30,320
Speaker 2: damn it, like a queen. And you know what, you

2187
01:44:30,439 --> 01:44:32,680
Speaker 2: know who was the What was the craziest thing when

2188
01:44:32,720 --> 01:44:35,320
Speaker 2: I seen Pat Poots out there, because everybody tried.

2189
01:44:35,200 --> 01:44:37,360
Speaker 6: To have a live broadcast when he was coming home.

2190
01:44:37,960 --> 01:44:40,439
Speaker 2: You know, I tuned in, But when I seen Pat

2191
01:44:41,439 --> 01:44:44,720
Speaker 2: out there, I was like, that's a real nigga, like

2192
01:44:44,840 --> 01:44:48,640
Speaker 2: he really like yo, yo, yo yo, come on you

2193
01:44:49,439 --> 01:44:51,160
Speaker 2: because you know it wasn't easy. Though, I'm gonna say

2194
01:44:51,160 --> 01:44:53,160
Speaker 2: that never thank you because you know why. And you

2195
01:44:53,240 --> 01:44:55,200
Speaker 2: know who else I want to big up Gucci man

2196
01:44:55,280 --> 01:44:59,680
Speaker 2: wife right right, she don't get enough praise. Shout, she

2197
01:44:59,720 --> 01:45:03,600
Speaker 2: don't enough praise because you could have been out here

2198
01:45:03,640 --> 01:45:05,959
Speaker 2: and been a scumbag. And if you want to scumback,

2199
01:45:06,000 --> 01:45:07,800
Speaker 2: I would blow it up right now because that's I'm

2200
01:45:08,080 --> 01:45:09,000
Speaker 2: that type of scumback.

2201
01:45:09,360 --> 01:45:14,000
Speaker 6: But you out here like really holding it down.

2202
01:45:14,479 --> 01:45:14,839
Speaker 2: Definitely.

2203
01:45:14,840 --> 01:45:16,680
Speaker 13: I feel like that's what I had called for. You know,

2204
01:45:17,479 --> 01:45:18,880
Speaker 13: she deserved that type of respect.

2205
01:45:19,000 --> 01:45:20,519
Speaker 6: And you're a real nigga. Its not like you like

2206
01:45:20,560 --> 01:45:21,360
Speaker 6: a like a like.

2207
01:45:21,600 --> 01:45:23,200
Speaker 2: I can't look at a man to say he ugly

2208
01:45:23,320 --> 01:45:26,560
Speaker 2: or cute, but like you shouldn't be right because he

2209
01:45:26,680 --> 01:45:28,920
Speaker 2: was getting pussied before. You know what I'm saying. So,

2210
01:45:29,120 --> 01:45:31,720
Speaker 2: but but your wife went away and you held it down.

2211
01:45:32,200 --> 01:45:35,080
Speaker 2: I really didn't feel like she deserves what happened to him.

2212
01:45:35,120 --> 01:45:36,240
Speaker 6: And that's why it went so hard.

2213
01:45:36,560 --> 01:45:39,439
Speaker 2: He's trying to say that, I'm so ill you say.

2214
01:45:42,040 --> 01:45:47,479
Speaker 6: You say that, God the god, she just your I'm

2215
01:45:47,479 --> 01:45:49,240
Speaker 6: whipped heart, she humbled.

2216
01:45:49,640 --> 01:45:51,960
Speaker 2: Just say you wa, Yeah I am.

2217
01:45:52,040 --> 01:45:54,120
Speaker 6: I'm whipped to So that makes win.

2218
01:45:54,280 --> 01:45:54,599
Speaker 2: Niggas.

2219
01:45:57,880 --> 01:46:00,760
Speaker 6: Look, look the niggas that ain't make no I ain't

2220
01:46:00,800 --> 01:46:04,360
Speaker 6: got the good thing. I respect you. I respect the

2221
01:46:04,400 --> 01:46:06,960
Speaker 6: niggas ain't got the good thing. You didn't make noise.

2222
01:46:06,960 --> 01:46:12,400
Speaker 2: I'm concerned, concerned because you didn't make noise. He made

2223
01:46:12,479 --> 01:46:16,720
Speaker 2: noise on the inside. You gotta stop being on the bus.

2224
01:46:16,960 --> 01:46:19,200
Speaker 6: Listen, your girl gotta stop coming out.

2225
01:46:19,240 --> 01:46:19,400
Speaker 15: Man.

2226
01:46:19,720 --> 01:46:20,400
Speaker 6: I'm just keeping it.

2227
01:46:21,160 --> 01:46:23,080
Speaker 12: Don't don't say it with pat Pat be making it

2228
01:46:23,200 --> 01:46:25,600
Speaker 12: hard for people like you gonna do the tobo and

2229
01:46:25,640 --> 01:46:25,920
Speaker 12: they was.

2230
01:46:25,920 --> 01:46:29,840
Speaker 2: Like fucking up my relationship right.

2231
01:46:31,920 --> 01:46:37,320
Speaker 15: There's some people that be like, yo, y'all good role models,

2232
01:46:37,880 --> 01:46:40,680
Speaker 15: and then this somebody is like your pam fucking my

2233
01:46:40,880 --> 01:46:41,519
Speaker 15: house up.

2234
01:46:46,200 --> 01:46:47,840
Speaker 12: I'm gonna tell you what they made. No call me,

2235
01:46:49,520 --> 01:46:52,479
Speaker 12: he said, it's a face. I'm like what You're like, No,

2236
01:46:52,600 --> 01:46:55,320
Speaker 12: I want both to you motherfuckers. I'm like cool, You're like, nah,

2237
01:46:55,360 --> 01:46:58,439
Speaker 12: get that other black love, motherfucker. I'm gonna find a

2238
01:46:58,439 --> 01:47:00,240
Speaker 12: way to get you motherfuckers off of TV. I like,

2239
01:47:00,880 --> 01:47:04,679
Speaker 12: before you, yo, it's not my problem. You gotta start

2240
01:47:04,800 --> 01:47:05,240
Speaker 12: living right.

2241
01:47:06,479 --> 01:47:08,560
Speaker 2: I got on the FaceTime. He's like, yo, man, my

2242
01:47:08,720 --> 01:47:11,000
Speaker 2: fucking way. Everything happens. She keep saying, Yo, you need

2243
01:47:11,040 --> 01:47:11,360
Speaker 2: to do this.

2244
01:47:11,439 --> 01:47:14,479
Speaker 6: Like Badpool, you need to do that. Oh nah, you

2245
01:47:14,560 --> 01:47:15,759
Speaker 6: didn't suck it up for niggas.

2246
01:47:16,040 --> 01:47:16,439
Speaker 2: Ain't gonn.

2247
01:47:16,600 --> 01:47:19,880
Speaker 6: I'm living right, but ready so I respect you. Right,

2248
01:47:20,000 --> 01:47:22,320
Speaker 6: I'm living right, But there's a lot of niggas that's

2249
01:47:22,360 --> 01:47:22,760
Speaker 6: mad at you.

2250
01:47:23,120 --> 01:47:25,880
Speaker 2: I'm living right. I don't know what to say.

2251
01:47:25,920 --> 01:47:27,479
Speaker 13: Man, you know what it is thought normally where we

2252
01:47:27,600 --> 01:47:30,960
Speaker 13: come from, man, life wasn't easy. So when you come

2253
01:47:31,000 --> 01:47:32,600
Speaker 13: to it's all about growing up when you come to

2254
01:47:32,760 --> 01:47:34,200
Speaker 13: I came to a certain space of my life. But

2255
01:47:34,280 --> 01:47:37,599
Speaker 13: I said, yo, man, you're taking this is the female good.

2256
01:47:37,760 --> 01:47:39,439
Speaker 13: This is the female that I feel like deserve it.

2257
01:47:39,880 --> 01:47:41,519
Speaker 13: I want to be lawyer fayful.

2258
01:47:41,600 --> 01:47:42,080
Speaker 6: Look at him.

2259
01:47:43,680 --> 01:47:45,560
Speaker 13: Woman is the most precious jew. Man really in the

2260
01:47:45,640 --> 01:47:48,080
Speaker 13: room and got on staff fire. You ain't got to

2261
01:47:48,120 --> 01:47:50,120
Speaker 13: take one woman and rides above.

2262
01:47:49,880 --> 01:47:51,760
Speaker 2: The rism so she can show how pressure she is.

2263
01:47:51,840 --> 01:47:52,920
Speaker 6: You get a rind of the post.

2264
01:47:57,600 --> 01:47:58,639
Speaker 2: Listen, I ain't gonna lie.

2265
01:47:58,560 --> 01:47:59,040
Speaker 6: I ain't gonna li.

2266
01:47:59,040 --> 01:48:01,880
Speaker 2: I'm gonna still hanging out with happen just like just

2267
01:48:01,960 --> 01:48:05,160
Speaker 2: on the strength because like we too, married lawyer, missus

2268
01:48:05,200 --> 01:48:13,559
Speaker 2: nor what's your name? Miss nary ry Arry there, I'm

2269
01:48:13,600 --> 01:48:15,720
Speaker 2: coming to Sunday, me and my wife. We want to

2270
01:48:16,240 --> 01:48:18,760
Speaker 2: because like real talk, we like we like right.

2271
01:48:19,360 --> 01:48:21,240
Speaker 12: He loves singing out with other married copies.

2272
01:48:21,800 --> 01:48:23,519
Speaker 2: You got it to man. It makes him feel like

2273
01:48:23,600 --> 01:48:25,880
Speaker 2: he's not the only what's the best advices, man, Tony,

2274
01:48:26,040 --> 01:48:28,040
Speaker 2: every tithing hang around the matter. Listen, you got my number,

2275
01:48:28,200 --> 01:48:30,160
Speaker 2: red definel, like you got a real number, real talk.

2276
01:48:30,200 --> 01:48:32,040
Speaker 6: I got niggas that got my other number, me too.

2277
01:48:32,120 --> 01:48:34,400
Speaker 6: You don't got this nigga, you got the real no doubt.

2278
01:48:34,520 --> 01:48:36,760
Speaker 2: Thank you, Remy, thanks for being in the podcast.

2279
01:48:36,840 --> 01:48:38,360
Speaker 6: Thank you for giving us that verse.

2280
01:48:38,640 --> 01:48:41,040
Speaker 2: I wasn't ready because I need to shoot a five

2281
01:48:41,120 --> 01:48:41,920
Speaker 2: hundred thousand.

2282
01:48:41,680 --> 01:48:44,479
Speaker 6: Dollars video for that. It's like I got like two

2283
01:48:44,560 --> 01:48:45,320
Speaker 6: fifty right now.

2284
01:48:47,080 --> 01:48:50,120
Speaker 12: Now I want to do something something Verroe, you can

2285
01:48:50,160 --> 01:48:55,519
Speaker 12: do that for fifteen right right now, workout, not fifteen.

2286
01:48:55,720 --> 01:48:58,240
Speaker 6: But I'm gonna get it out. Letnna get it out well.

2287
01:48:58,280 --> 01:49:02,720
Speaker 2: I picture Johnny noonan is man, Johnny lets you dar

2288
01:49:03,960 --> 01:49:05,240
Speaker 2: let you alright?

2289
01:49:06,760 --> 01:49:07,639
Speaker 14: Everybody here.

2290
01:49:10,280 --> 01:49:18,560
Speaker 2: Make the Ace of Spade made me caught? Are we

2291
01:49:18,720 --> 01:49:20,400
Speaker 2: sure this is good? Man?

2292
01:49:21,000 --> 01:49:23,120
Speaker 6: I know Hope is cutting checks, so let me start.

2293
01:49:23,920 --> 01:49:24,479
Speaker 2: Get big up.

2294
01:49:25,520 --> 01:49:30,400
Speaker 6: I love it. Oh, I love tight end Hole Fuddy.

2295
01:49:30,200 --> 01:49:31,120
Speaker 2: Chack, I love him.

2296
01:49:31,560 --> 01:49:34,400
Speaker 6: You'll thank you so much. Ray Yo yo, d we

2297
01:49:34,560 --> 01:49:36,000
Speaker 6: love you. D rough Riders.

2298
01:49:36,640 --> 01:49:38,720
Speaker 2: What's uphead? And say say before you get out of here,

2299
01:49:39,479 --> 01:49:41,720
Speaker 2: what's the new for a Rough Riders movie?

2300
01:49:42,439 --> 01:49:45,040
Speaker 6: A movie? Oh, we're doing a movie. Let's do it.

2301
01:49:45,120 --> 01:49:46,120
Speaker 6: We're out here, Drake chat