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Speaker 1: It's with Jenny Garth and Tori Spelling. Hi everybody, we

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Speaker 1: are here with another episode of nine O two one OMG,

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Speaker 1: and yeah, Tori is still out. I don't want to

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Speaker 1: like sugarcoat it. I know everybody's missing her. I'm missing

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Speaker 1: her so much. But she's coming back. I promised, promise,

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Speaker 1: she's coming back. We're just having some crazy scheduling issues.

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Speaker 1: She's gonna explain it all when she comes back. But

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Speaker 1: we definitely have ourselves covered. Today. We have Amy sugar

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Speaker 1: Man with us and we're joined once again by David Lasher,

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Speaker 1: who has graciously told us that he would fill in

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Speaker 1: for Tori today. So thanks David. Yes, happy to be here. Thanks. Hi.

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Speaker 1: Last time you were with us was like a year ago,

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Speaker 1: I think, yeah, yeah, remember yeah the summer, the summer

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Speaker 1: episode that we did, our big Beach episode. Yes, yes,

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Speaker 1: Kyle and Kelly. Yeah, but you're back now and you're

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Speaker 1: helping me, and you watched the episode this week, So

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Speaker 1: we're tell me nine two when I was did you do?

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Speaker 1: I think it was three episodes and they all had

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Speaker 1: you know, they were all really meaningful, you know, having

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Speaker 1: rewatched them, I can't believe how bold and uh you know, courageous.

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Speaker 1: Those three episodes were I felt like, okay, so they've

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Speaker 1: asked you back for this episode, right, and you're like, yes, cool.

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Speaker 1: But honestly, they underused you. They didn't give you the

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Speaker 1: character of Kyle anything to do. Yeah, well, Kyle had

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Speaker 1: you know. The first episode, as we spoke about, was

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Speaker 1: you know, a very you know, a kind of ground

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Speaker 1: breaking episode about sexual orientation and a high school kid

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Speaker 1: coming out to you know, a very close friend. Uh.

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Speaker 1: And then the next episode, I was using steroids on

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Speaker 1: the football team and Brandon exposed our use of you know,

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Speaker 1: illegal steroids. And then this one was I mean, we'll

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Speaker 1: get into it, but like serious racial issues. Um So,

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Speaker 1: I don't know, maybe they ran out of heavy topics,

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Speaker 1: but I just wanted your I just wanted your character

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Speaker 1: to like do more, be say more, do more. Like

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Speaker 1: in the episode it was so packed with Brandon in

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Speaker 1: the newspaper and dance and everything. But yeah, no, I

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Speaker 1: I yeah, I looking back, I don't remember that episode

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Speaker 1: so much because I probably didn't. I didn't have that

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Speaker 1: much to do. But I remember, you know, all you

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Speaker 1: working with you guys in Michael Cutlitz, and I isn't

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Speaker 1: that wild that Michael Cutlitz is. It's just like a

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Speaker 1: jock in this. Yeah, it's super cool that, like you

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Speaker 1: guys are It's like you guys are part of the

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Speaker 1: group now, kind of like just like part of the

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Speaker 1: football team. Is the guys hanging out? You know? I

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Speaker 1: like that. Yeah, those are my boys. And it wasn't

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Speaker 1: Michael like in production design. And Michael's story was our construction.

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Speaker 1: He was in our construction department. So he built sets

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Speaker 1: for the first season, two seasons whenever he started, and

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Speaker 1: then all of a sudden he was acting on the show.

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Speaker 1: They're like, wait, what do you Why are you in here?

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Speaker 1: What are you doing on the set? Yeah? And then

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Speaker 1: he did the walking gay go figure. But before we

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Speaker 1: get into the episode, I just want to kind of

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Speaker 1: catch up with you, Like, what's been going on in

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Speaker 1: the last year with you? What if? What have we missed? Um?

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Speaker 1: I guess first and foremost most recently, been having a

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Speaker 1: great time. I'm with my my family, my kids. I

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Speaker 1: have a freshman in college who came and met us

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Speaker 1: in Colorado last week for spring break and we had

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Speaker 1: a week of skiing. Yeah, and there you know, my

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Speaker 1: son's the junior and he's uh captain of his varsity

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Speaker 1: basketball team, and you know, studying for a c t S.

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Speaker 1: And we're looking at colleges. And then I have a

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Speaker 1: twelve year old Chelsea who's a little TikTok star and

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Speaker 1: soccer player. Um and uh, we just had such a

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Speaker 1: great week scheme because they're old enough to ski with us. Now.

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Speaker 1: You know, I'm not like carrying three sets of skis

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Speaker 1: begging them to go to ski school you know. Um, yeah,

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Speaker 1: I've been there. Skiing with little kids is a lot

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Speaker 1: of work, a lot, but it's when when they get

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Speaker 1: older and they can do it. It's like it's like, hey,

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Speaker 1: I have a ski buddy. I have. These are my friends,

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Speaker 1: not my kids anymore. It's so fun. How old are

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Speaker 1: your kids? Okay? My youngest is almost sixteen, my middle

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Speaker 1: one is nineteen, and my oldest one is almost okay,

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Speaker 1: so you know, I listen. I enjoyed all the stages

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Speaker 1: of my kids lives, but now it's just so much fun.

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Speaker 1: They're like these grown people that are now friends and

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Speaker 1: people that I respect and enjoy. It's it's really cool. Um.

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Speaker 1: And then yeah, I've been doing a lot of podcasts.

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Speaker 1: I did, Uh this Forward Filmmaker podcast for a distributor

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Speaker 1: of a movie that I have on Apple TV called

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Speaker 1: Sister with this great actress Grace Coughin, who is also

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Speaker 1: starring in and Apple's new movie called The Sky Is Everywhere. Um,

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Speaker 1: So we released right after that to try and capture

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Speaker 1: some of that audience. And she's just one of the

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Speaker 1: best actresses I've ever worked with. Um. And then I

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Speaker 1: just I just finished the last re write on a

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Speaker 1: screenplay that I have with with Tribeca Films. Um. I

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Speaker 1: don't know if I'm even allowed to say that yet

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Speaker 1: because we haven't finalized anything, but Jane Rosenthal and Tribeca

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Speaker 1: really championed this last script. The last film I did

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Speaker 1: called Sister, we premier to Tribeca and uh so they're

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Speaker 1: very interested in this new screenplay. And it's been a

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Speaker 1: number of years because I promised myself I'm not going

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Speaker 1: to do another film unless it's something I'm dying to

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Speaker 1: do that I think people need to see because it

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Speaker 1: does takes like two years of your life. Um. But yeah,

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Speaker 1: you know, finishing a piece of writing is really satisfying.

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Speaker 1: I'm really happy with it. What an accomplishment. I mean,

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Speaker 1: that's that's really admirable. Yeah, we'll see if it gets made.

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Speaker 1: I've written it doesn't get made, Like just finishing a script,

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Speaker 1: finishing a book, wishing something like that is such a

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Speaker 1: huge undertaking. Yeah, I was like, I didn't know what

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Speaker 1: to do with myself. When I finally submitted it to them,

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Speaker 1: I'm like, Wow, there's nothing else I can do. It's

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Speaker 1: either it's either gonna get made or it's not. It's

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Speaker 1: now it's out of my control. But well, fingers crossed

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Speaker 1: were sending all the good Nina and OMG vibes to you. Okay,

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Speaker 1: should we get into the episode? You guys? Yeah, you

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Speaker 1: want to when you read Okay, already everybody. This is

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Speaker 1: season three, episode ten, Home and Away. It aired on

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Speaker 1: October Synopsis. After two students are shot at Shaw High

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Speaker 1: Schools football game, the West Beverly School Board cancels their

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Speaker 1: upcoming football game. Brenda holds band auditions and selects David's

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Speaker 1: band to perform at the dance. Brandon and Jordan Bonner

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Speaker 1: band together to publish an titorial inviting Shaw students to

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Speaker 1: attend West Beverly's dance. Kelly makes plans to meet up

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Speaker 1: with her father. Directed by Jack bender written by Chip Johansson.

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Speaker 1: My favorite thing about nine until No literally is that

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Speaker 1: we can have this very serious, very of the time

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Speaker 1: heavy story going well. Simultaneously we have not the whack

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Speaker 1: like Sue scambling, like just being nuts, David, David singing again,

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Speaker 1: David dancing and singing, and then the drama of Kelly's dad.

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Speaker 1: It's like, what was a lot going on in this episode?

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Speaker 1: I don't even know where to start, Like what do

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Speaker 1: we how do we even begin? I mean, okay, I'm

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Speaker 1: just jump right in. The beginning was unlike something we've

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Speaker 1: ever seen on the show. Was different with the whole band,

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Speaker 1: the marching band, and the uh that was before the credits.

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Speaker 1: It was just very different. And then straight into the

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Speaker 1: voiceover of Brandon, which the show has never done that

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Speaker 1: kind of device, that of using that voiceover, and it

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Speaker 1: was like, wait, what's happening? I don't know if I

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Speaker 1: like this, but I ended up kind of liking it.

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Speaker 1: I gotta be honest, Yeah, what did you think of that? David?

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Speaker 1: It was an interesting device and we sort of had

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Speaker 1: like a little bit of a we went back in

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Speaker 1: time and then it was current like it was a

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Speaker 1: little whoa, this is different. Yeah, I didn't realize they

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Speaker 1: had never used voiceover, But I thought getting inside Brandon's

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Speaker 1: head for his motivations and what he was trying to

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Speaker 1: accomplish was very effective. Here's my question about that, because

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Speaker 1: you know from your experience probably that a lot of

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Speaker 1: times filmmakers will producers, whoever, directors will use that voiceover

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Speaker 1: device as a as a X because the episode isn't

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Speaker 1: coming together, it's not understandable, the audience is, it's not

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Speaker 1: getting it, so they decide, okay, let's go and lay

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Speaker 1: in some voiceover to sort of explain what's happening as

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Speaker 1: it's happening. And it happens all the time, and sometimes

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Speaker 1: it's great, sometimes it's in you know, it's like the

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Speaker 1: premise of the show. But this was just so out

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Speaker 1: of context for our show that I was curious, like

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Speaker 1: maybe that was the reason they decided to do that

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Speaker 1: voice over. I it sounded like it was part of

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Speaker 1: the original screenplay. Yeah, it was like the narrative of

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Speaker 1: this is all about Brandon retelling this story, catching us

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Speaker 1: up on sort of what was happening, and then the

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Speaker 1: Blaze becoming such an important part of it, and then

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Speaker 1: Jordan's also writing his thing, and that was all part

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Speaker 1: of this like master plan they had. I mean I

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Speaker 1: appreciated the story for sure, and the importance of it,

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Speaker 1: and especially being on the heels of the riots and

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Speaker 1: all the Rodney King stuff that happened in the nineties. Yeah,

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Speaker 1: and that was just a few months earlier. It was

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Speaker 1: really timely, Like this was October and that had been

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Speaker 1: happening in April May. So I wonder if the you know,

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Speaker 1: producers and writers were like, we need to really address this.

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Speaker 1: We can't just not talk about this, all this tension

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Speaker 1: that's going on in the city. And that's why this

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Speaker 1: episode came in. Yeah, David, you remember at all or

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Speaker 1: like when you when they brought you back, do you

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Speaker 1: remember them discussing anything about like this is a very

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Speaker 1: serious episode. Well, like I said, my previous two episodes

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Speaker 1: were also very heavy issues. So I just thought, wow,

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Speaker 1: these writers are they're going for it there. You know,

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Speaker 1: you guys had a huge platform. First of all, right, so, uh,

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Speaker 1: you're filming in a city that I had just moved here.

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Speaker 1: I remember the riots. I mean it was insane. Um

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Speaker 1: so to do a show that takes place in l A.

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Speaker 1: Films in l A and just ignore it would have

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Speaker 1: been uh, not not irresponsible, but just kind of strange. Yeah,

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Speaker 1: they they went for it here on this one. It

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Speaker 1: felt oddly or oddly is not the right word sad.

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Speaker 1: How Also, we're still dealing with school shootings and issues

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Speaker 1: very similar to this, So I was like, Wow, if

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Speaker 1: you removed sort of the nine o two one oh

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Speaker 1: of it, like just the you know, the clothes, the

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Speaker 1: cheesy parts, the episode could have been on any show

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Speaker 1: today like this is. That's just this is such a

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Speaker 1: topic that is completely in the news and something everyone's

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Speaker 1: discussing on a regular basis. So I thought, Wow, they

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Speaker 1: really did have some sort of a crystal ball or

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Speaker 1: knew like these issues are always going to be relevant. Unfortunately. Sad. Yeah,

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Speaker 1: sad that we haven't progressed. I mean, I guess at

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Speaker 1: first when I saw it, I kind of felt like

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Speaker 1: the school board or Mrs Teasley, the whole big meeting

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Speaker 1: about canceling the game, canceling the dance. At first, I

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Speaker 1: was like, wait, what why are they doing that? That

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Speaker 1: seems so not okay to do? And uh, but I

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Speaker 1: guess I get it. I mean I would be afraid

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Speaker 1: to like if I wouldn't want to be responsible for sending,

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Speaker 1: you know, the school the kids into a dangerous environment.

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Speaker 1: But then they did say that it wasn't it wasn't

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Speaker 1: the Shaw kids the right the incident was caused by

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Speaker 1: It was the other school that came in. So I

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Speaker 1: also kind of was like, why are they pinning it

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Speaker 1: on Shaw when it just happened there. You know what

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Speaker 1: I think is so fascinating is after watching it, I

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Speaker 1: was like, Oh, this is and I'm just gonna say it,

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Speaker 1: like this is gonna be hard to talk about, And

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Speaker 1: it's like that's pretty something that an episode from thirty

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Speaker 1: years ago is challenging to navigate properly for us thirty

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Speaker 1: years later, because it's like I literally was like, how

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Speaker 1: am I going to do this? Because I also want

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Speaker 1: to talk about the goofy parts of the episode and

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Speaker 1: it seems insensitive to the seriousness of the a storyline,

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Speaker 1: And it's like, wow, like I'm having the same conversations

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Speaker 1: that I have, how do we navigate current news stories

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Speaker 1: today about a show from thirty years ago. I'm like,

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Speaker 1: I don't want to say the wrong thing, and I

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Speaker 1: don't want to like mess this up, and I need

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Speaker 1: to like do my research and handle this probably and

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Speaker 1: it's like this from thirty years ago. It's nine O

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Speaker 1: two one oh what like it did you guys at all? Like?

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Speaker 1: Still very relevant issues. But I think Brandon's um solution

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Speaker 1: is incredible, you know. I mean, yes, there's risk involved

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Speaker 1: in bringing the groups together, but what what other choice

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Speaker 1: do we have except stay divided or come together at

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Speaker 1: a dance and and try and find common ground? Right? Yeah?

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Speaker 1: I was really tense when well, first of all, I

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Speaker 1: was a little lost, like I kept getting a little

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Speaker 1: lost in the story with the newspaper and the articles

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Speaker 1: and the and the I did, and I was I

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Speaker 1: was grateful for the voice over because I didn't really

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Speaker 1: I literally agree with you, Jenny. I wrote down somewhere

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Speaker 1: I'm not sure I'm getting what's happening. Yeah, And I

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Speaker 1: felt like, wait, why have I not understanding an episode?

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Speaker 1: I don't want out? Something's wrong with me. I literally

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Speaker 1: was like, Well'm not falling. It's a little convoluted with

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Speaker 1: like who's gonna be this though, because then it's this,

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Speaker 1: because then it's this. Yeah, I was like, wait, who's

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Speaker 1: writing what? Who cares? I don't even care about the newspaper,

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Speaker 1: But I did focus on Brandon's beautiful eyebrows. I mean,

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Speaker 1: we can't do this podcast and not talk about stuff

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Speaker 1: like that. This eyebrows are so expressive. Did you guys

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Speaker 1: ever notice the way they're like, he looked great typing

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Speaker 1: because they kind of first of all pleased talk about

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Speaker 1: the computer. The computer was like, oh my god, I

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Speaker 1: did notice that. So uncomfortable and so like bizarre, Like

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Speaker 1: he was like, look, there was a computer. It was

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Speaker 1: the old Apple twee or something like that, Like I

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Speaker 1: remember having that for sure. But then they shot it

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Speaker 1: so you could see his like looking like a bad reflection.

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Speaker 1: I saw that shot. That was a great shot. They

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Speaker 1: did not twice. It was so good they used it twice,

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Speaker 1: but it was There were so many fun things to

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Speaker 1: talk about in this episode. Other than me being confused

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Speaker 1: a little bit by the storyline. There was just it

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Speaker 1: was tricky and they were navigating this heavy thing while

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Speaker 1: we're literally with some of this other stuff like what

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Speaker 1: dance were you guys? Okay, we're not there, we cannot

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Speaker 1: We're not jump into the end. I'm sorry. We have

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Speaker 1: to say that. Really that's the piece to resistance. Like, yeah,

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Speaker 1: I will say I was confused as well by what

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Speaker 1: was happening with Kelly and Dylan, because it was as

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Speaker 1: if nothing had happened before. It was back to normal.

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Speaker 1: Dylan's with Brenda and Kelly's seemingly fine with it and

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Speaker 1: off with her father. I just was like, what is

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Speaker 1: how is this? And then there's a moment where the

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Speaker 1: three of you were dancing dance and I was like,

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Speaker 1: three like a threesome dance? That's there. There's like this

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Speaker 1: all this tension in the episode before and the episode

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Speaker 1: before and the episode before, and I didn't I was like,

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Speaker 1: how do they It's like I felt all confused. Yeah,

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Speaker 1: And then there was that beautiful scene at the peach

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Speaker 1: fit between the two of them were like, deep down

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Speaker 1: in my mind, I'm like they love each other. It

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Speaker 1: was all like goog, like, we have so much more

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Speaker 1: to unpack. Let's take a quick break and we'll be

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Speaker 1: right back. I love that We've always noticed the same, Like, yeah,

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Speaker 1: when Luke pulls both of you in together, I was like,

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Speaker 1: this guy wants both of them. I mean, I am

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Speaker 1: I mistaken? Or is there still is there something going

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Speaker 1: on with Bryn, I mean with Dylan and Kelly? Or

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Speaker 1: am I did I smoke, you have not resolved that right, Oh,

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Speaker 1: and it's it's the big the big thing is coming.

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Speaker 1: So that's why I was still that threesome. Dands, I

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Speaker 1: was like, yeah, And even when he goes to the

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Speaker 1: peach pen and finds poor little Kelly there drowning in

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Speaker 1: her tears, uh, I was still I was like, I

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Speaker 1: don't I don't know where these two characters are. I

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Speaker 1: like that they're still friends like this, and they're still

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Speaker 1: there for each other on this little deep level of understanding.

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Speaker 1: But I was very confused. I felt like it was consistent.

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Speaker 1: I felt like I didn't know, Like I felt like

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Speaker 1: that storyline was kind of dropped. Yeah, David, I'm so

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Speaker 1: curious when you did this episode, do you remember like

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Speaker 1: how big nine O two have gotten now, like and

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Speaker 1: how major it was and how Kelly Dylan Brenda Dylan

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Speaker 1: was such a thing. Yeah, I mean, I think I

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Speaker 1: talked about it when we did are The first episode

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Speaker 1: I did was that summer where the show really blew

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Speaker 1: up and I just moved to l A. And you know,

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Speaker 1: I had told you guys, I was pretty good friends

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Speaker 1: with Luke at the time, and uh, I remember driving

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Speaker 1: to those Beach episode It's down PC to go work with, like,

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Speaker 1: you know, the big on the biggest show in the

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Speaker 1: world at the time. And I just remember feeling like

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Speaker 1: the magic of California, you know, when you first moved

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Speaker 1: there and you got working on the show, and you know,

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Speaker 1: Jenny certainly looked a part of like the California Girl,

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Speaker 1: and um, it was magical. It was definitely a magical time.

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Speaker 1: And then I remember going to those warehouses to shoot

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Speaker 1: the interiors. I was like, what the hell is this this?

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Speaker 1: Why aren't we on Disney Load or Warner Brothers. So

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Speaker 1: I was just driving down p two days ago and

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Speaker 1: I was driving right by where the Beach Club was

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Speaker 1: and I couldn't find it. I was looking, like I thought,

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Speaker 1: I wondered it hasn't been torn down and rebuilt. I

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Speaker 1: think it was called Back at the Beach. I think

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Speaker 1: it's still there, still there. It's so magical right there,

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Speaker 1: Like when you do drive that that mile right there,

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Speaker 1: I just get flooded with like nineties memories. Yeah, me too,

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Speaker 1: So should we digg it? Okay, So we're jumping around

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Speaker 1: a but let's talk about Kelly and her dad. Okay, Okay,

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Speaker 1: and I thought, okay, there's a couple of things I

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Speaker 1: want to ask you about. One is, obviously I did

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Speaker 1: love the scene in the peach Pit, and I thought, oh,

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Speaker 1: when Dylan says she's Kelly says, I don't know whether

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Speaker 1: to laugh or cry, and and Dylan says nobody does.

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Speaker 1: And it's just like, oh, like that's why we all

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Speaker 1: fell in love with him so much. He was almost

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Speaker 1: like like he's so hot and sexy and then just

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Speaker 1: so wise. Yeah, well we get a little we get

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Speaker 1: that peek into where you say, like I would have.

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Speaker 1: I went with Cliff Berman in his pool house and

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Speaker 1: got high for three days, and my mom was coked up,

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Speaker 1: and I'm like, whoa, Yeah, You're like, okay, well, people

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Speaker 1: are dealing with stuff. She was a hot mess. She

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Speaker 1: was a mess. That was one of my watching that

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Speaker 1: scene act I remember filming that, and I remember preparing

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Speaker 1: for that scene and like getting to that place where

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Speaker 1: Kelly had to be for that scene, and that line

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Speaker 1: was so like impactful on me just as an actress

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Speaker 1: on the you know, just feeling so much like empathy

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Speaker 1: and for this character and loving her so much and

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Speaker 1: her her struggle and I don't know, it just took

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Speaker 1: me right back. Yeah, that was that was heavy stuff.

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Speaker 1: I mean a father that's missing and and a mother

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Speaker 1: that's coked up. That's I mean that could play today

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Speaker 1: on like the edgiest shows like Euphoria, you know back

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Speaker 1: then it's I can't believe they wrote that stuff. Really. Yeah,

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Speaker 1: that's so interesting to bring that up because a lot

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Speaker 1: of fans right in and talk about the similarities between

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Speaker 1: nine O two O and Euphoria, and it's really true.

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Speaker 1: Like I knew in that moment, like oh wow, like

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Speaker 1: this character has such a past and it's so heavy

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Speaker 1: and she is a completely different person, but like, oh

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Speaker 1: it all just still is in her in there. Yeah,

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Speaker 1: it was a great scene. I like that scene too.

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Speaker 1: I remember doing it. I remember I remember doing that

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Speaker 1: scene with Luca. Was a good day. Yeah, tell me

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Speaker 1: to tell me more. What do you remember from it? Like,

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Speaker 1: because he obviously plays such an important part in that scene,

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Speaker 1: and it has to be him, it couldn't have been

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Speaker 1: anyone else. Yeah, because he, like I said, they just

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Speaker 1: have a deeper understanding of each other and from like

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Speaker 1: childhood and the way they were raised in this environment.

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Speaker 1: It's very similar environments. Is this the first time that

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Speaker 1: we see Kelly's troubles with her no show dad. We

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Speaker 1: may have an inkling of it before, but this really,

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Speaker 1: to me was the most like, oh wow, like this

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Speaker 1: is real left up. The dad comes later, yes, and

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Speaker 1: we do get to know who that is and kind

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Speaker 1: of flush that out a little bit. But yeah, that

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Speaker 1: seemed like I just remember, you know, usually when you're

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Speaker 1: doing an emotional scene like that and you're trying to

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Speaker 1: get your your bearings about you, it's like it takes

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Speaker 1: a lot of focus and concentration and you have to

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Speaker 1: really put yourself in that scenario in your mind. And

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Speaker 1: I just remember every time, because you know, Luk and

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Speaker 1: I had to do that all the time with storyline stuff,

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Speaker 1: and I just remember we goofed around all the time.

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Speaker 1: We joked around all the time. We were always punching

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Speaker 1: each other and tickling each other and laughing and kicking

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00:24:52,680 --> 00:24:55,359
Speaker 1: people like you know, like tripping people, like doing jokes

390
00:24:55,400 --> 00:24:57,359
Speaker 1: all the time. But then when it came to work

391
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Speaker 1: like that, we would both just really get quiet and

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Speaker 1: and just be there for each other to like really

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Speaker 1: work off of. And I love that about him, and

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Speaker 1: and it taught me that, you know, that's that's called,

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Speaker 1: you know, being a good scene partner, you know, being

396
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Speaker 1: just as an invested in what the other actors going

397
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Speaker 1: through as you know, as as he was in that moment.

398
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Speaker 1: It just was so helpful and it really taught me

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Speaker 1: a lot about like professionalism and doing scenes like that.

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Speaker 1: You know. Wow, Yeah, David, you remember about Luke, like

401
00:25:41,119 --> 00:25:45,960
Speaker 1: just as a person, that he was just that guy. Honestly,

402
00:25:45,960 --> 00:25:48,320
Speaker 1: when I walked on the set the first day, I

403
00:25:48,400 --> 00:25:51,280
Speaker 1: pulled up to the beach and I heard him go,

404
00:25:51,880 --> 00:25:57,240
Speaker 1: you know, Lasher get over here, and literally walked me through,

405
00:25:57,320 --> 00:26:00,480
Speaker 1: introducing me to everyone, like from day one. I I

406
00:26:00,520 --> 00:26:02,640
Speaker 1: guess he knew I I called him that I got

407
00:26:02,640 --> 00:26:05,919
Speaker 1: the show. But he was, like Jenny was saying, just

408
00:26:06,240 --> 00:26:15,200
Speaker 1: very generous, very grateful and giving. And yeah, it's it's

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00:26:15,280 --> 00:26:17,119
Speaker 1: sad to talk about him. I gotta say, it's like,

410
00:26:17,160 --> 00:26:21,040
Speaker 1: I honestly can't. I can't believe that he's gone. But

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Speaker 1: he was everything Jenny was saying for sure. Yeah, I

412
00:26:25,200 --> 00:26:29,159
Speaker 1: think that's why Dylan. There's so much of him in Dylan,

413
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Speaker 1: because just like for me, Dylan is the hero of

414
00:26:35,040 --> 00:26:38,959
Speaker 1: the group and just how of course it's Dylan and

415
00:26:39,000 --> 00:26:42,520
Speaker 1: there he is to save her and in such a

416
00:26:42,720 --> 00:26:45,159
Speaker 1: and in such a beautiful way, like he's not just

417
00:26:45,240 --> 00:26:49,960
Speaker 1: like you know, like bossy about it or like that guy,

418
00:26:50,040 --> 00:26:56,720
Speaker 1: he's so tender he holds her hand through it. Yeah,

419
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Speaker 1: And I also appreciate the way they're like they can

420
00:27:00,000 --> 00:27:04,120
Speaker 1: even in those you know, dark like emotional ful moments,

421
00:27:04,200 --> 00:27:06,639
Speaker 1: they're still joking with each other and there's still that

422
00:27:06,720 --> 00:27:11,840
Speaker 1: little glimmer of like flirtation and only you understand me

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00:27:12,000 --> 00:27:16,239
Speaker 1: the way I understand you, you know. Yeah, is it

424
00:27:16,280 --> 00:27:18,120
Speaker 1: harder to do that scene in the peach fit boats

425
00:27:18,119 --> 00:27:20,679
Speaker 1: such like it's such an emotional scene and then like

426
00:27:21,000 --> 00:27:24,720
Speaker 1: they're in like a Hamburger joint. But well, I think

427
00:27:24,720 --> 00:27:26,560
Speaker 1: it was a slow night. It was a slow night

428
00:27:26,640 --> 00:27:29,640
Speaker 1: speech pit, so a lot of people are in their

429
00:27:29,680 --> 00:27:32,879
Speaker 1: crying over their French fries. Can we go backwards and

430
00:27:32,920 --> 00:27:38,720
Speaker 1: talk about Sioux Scanlin, like come on? Yeah, so that

431
00:27:38,800 --> 00:27:41,760
Speaker 1: they are trying super hard. So David, okay, so we

432
00:27:41,840 --> 00:27:43,840
Speaker 1: have learned. And I don't know if you knew about this,

433
00:27:43,920 --> 00:27:50,520
Speaker 1: but the rumor the something is that as these main

434
00:27:50,680 --> 00:27:53,200
Speaker 1: kids were supposed to be going off to college, there

435
00:27:53,359 --> 00:27:56,840
Speaker 1: was the idea that the Nikki character and the Sioux

436
00:27:56,880 --> 00:28:02,840
Speaker 1: Scanlin character and Brian Austin Green would continue at really

437
00:28:02,880 --> 00:28:05,080
Speaker 1: would be the stars of the show. Oh my god,

438
00:28:05,119 --> 00:28:08,120
Speaker 1: that would have been a disaster. Sorry, no offense anyone else.

439
00:28:08,160 --> 00:28:11,760
Speaker 1: David's not in favor of that. That girl look kept

440
00:28:11,880 --> 00:28:17,359
Speaker 1: like fawning over Brian, right. It was like, so I

441
00:28:17,400 --> 00:28:19,359
Speaker 1: think they were sort of like attempting. I don't know

442
00:28:19,400 --> 00:28:21,760
Speaker 1: we're making that, but this is what we kind of

443
00:28:21,840 --> 00:28:24,200
Speaker 1: understand is that they were sort of attempting to grow

444
00:28:24,280 --> 00:28:29,399
Speaker 1: these characters. And for me, Nikki is really working, like

445
00:28:29,520 --> 00:28:33,080
Speaker 1: she really works, whereas just Scanling's all flirty and handsy

446
00:28:33,200 --> 00:28:37,640
Speaker 1: and like um so forward everything about it, her clothes

447
00:28:37,760 --> 00:28:41,960
Speaker 1: or makeup, it's just the whole character was like you

448
00:28:42,000 --> 00:28:44,680
Speaker 1: don't know what you're missing. You don't know what you're missing,

449
00:28:44,960 --> 00:28:48,520
Speaker 1: Like what fifteen year old? First of all, yeah, well

450
00:28:48,520 --> 00:28:50,600
Speaker 1: who says that? But I kind of liked it that

451
00:28:50,680 --> 00:28:52,720
Speaker 1: she said that because I was like a go girl,

452
00:28:53,200 --> 00:28:55,800
Speaker 1: know you're worth I like that. It's just one of

453
00:28:55,840 --> 00:28:58,200
Speaker 1: those ones when you know, like grown adults are writing

454
00:28:58,240 --> 00:29:00,440
Speaker 1: these things because you're like, no, fifty a year old

455
00:29:00,480 --> 00:29:03,400
Speaker 1: has like like gum should I don't know that's a

456
00:29:03,480 --> 00:29:06,520
Speaker 1: very Gramma word, but gum shouldn't to like be all

457
00:29:06,600 --> 00:29:10,320
Speaker 1: flirty with David Silver, who we know dates Donna and

458
00:29:10,320 --> 00:29:12,840
Speaker 1: then like grabbing him in the locker room, like the

459
00:29:13,440 --> 00:29:16,040
Speaker 1: just coming up behind him, putting her hands on his

460
00:29:16,120 --> 00:29:18,920
Speaker 1: shoulders and like grubbing them or was like, I don't

461
00:29:18,960 --> 00:29:23,640
Speaker 1: like that. I don't want to see that. Wait, so okay,

462
00:29:23,640 --> 00:29:25,320
Speaker 1: I don't want to know for both of you, when

463
00:29:25,320 --> 00:29:28,800
Speaker 1: you watch it it, does it take you back to

464
00:29:28,920 --> 00:29:31,840
Speaker 1: being young or now? As parents? Do you watch it like,

465
00:29:32,200 --> 00:29:34,960
Speaker 1: oh god, like if my kid did that? Do you

466
00:29:35,000 --> 00:29:36,520
Speaker 1: know what I mean? Like, do you watch it totally

467
00:29:36,520 --> 00:29:42,360
Speaker 1: differently now than when you experienced it? Then? I guess yeah.

468
00:29:42,600 --> 00:29:46,120
Speaker 1: I mean I just watch it so subjectively now as

469
00:29:46,120 --> 00:29:48,480
Speaker 1: a fan like it, So I'm not really watching it

470
00:29:48,480 --> 00:29:52,480
Speaker 1: as a parent a lot of the time because it

471
00:29:52,520 --> 00:29:56,520
Speaker 1: doesn't really strike that chord with me. But yeah, but

472
00:29:56,640 --> 00:30:00,880
Speaker 1: like I just I just I can't believe what I'm saying.

473
00:30:00,880 --> 00:30:03,400
Speaker 1: I did see like the like the scene when Kelly

474
00:30:03,440 --> 00:30:06,080
Speaker 1: and Donner were sitting at the peach pick counter I

475
00:30:06,080 --> 00:30:09,240
Speaker 1: think it was, and they're joking about Sue Scanlon and

476
00:30:09,440 --> 00:30:12,959
Speaker 1: Donna's like, oh, she's totally learning with him. I just

477
00:30:13,040 --> 00:30:17,240
Speaker 1: thought this is a perfect Kelly Donner moment like, this

478
00:30:17,320 --> 00:30:21,959
Speaker 1: is these two girls just being you know, girls, and

479
00:30:22,160 --> 00:30:25,280
Speaker 1: their chemistry is so great and you could I could

480
00:30:25,320 --> 00:30:27,959
Speaker 1: just feel that friendship and it made me a miss Tory.

481
00:30:28,120 --> 00:30:30,600
Speaker 1: I missed her I wanted to do. Yeah. Yeah, they

482
00:30:30,640 --> 00:30:34,240
Speaker 1: do feel authentic. So David, when you're watching it back

483
00:30:34,320 --> 00:30:36,560
Speaker 1: last night, like when you're not in the specifics of it,

484
00:30:36,640 --> 00:30:39,960
Speaker 1: just like as a whole, what kind of like takeaway

485
00:30:40,000 --> 00:30:46,840
Speaker 1: do you get rewatching it? I get? I get really nostalgic. Uh.

486
00:30:47,160 --> 00:30:51,640
Speaker 1: It takes me right back to that time period. I

487
00:30:51,680 --> 00:30:54,600
Speaker 1: feel like I'm you know, twenty three again when I'm

488
00:30:54,600 --> 00:30:59,840
Speaker 1: watching it. But then I'm also appreciating what the show

489
00:31:00,320 --> 00:31:02,320
Speaker 1: was and what it had to offer and how like

490
00:31:02,400 --> 00:31:06,400
Speaker 1: we talked about how bold the writing was between the cast,

491
00:31:07,040 --> 00:31:09,040
Speaker 1: you know, Luke and Jenny. In that scene, I was like,

492
00:31:09,200 --> 00:31:13,600
Speaker 1: whoa this is? You know, whatever happened with their relationship,

493
00:31:14,280 --> 00:31:18,320
Speaker 1: their connections between their family issues and their their issues

494
00:31:18,360 --> 00:31:22,280
Speaker 1: with their fathers was more important than any you know,

495
00:31:22,440 --> 00:31:25,720
Speaker 1: sexual whatever was going on. And it was just really

496
00:31:25,720 --> 00:31:30,200
Speaker 1: I was able to really appreciate the show and understand

497
00:31:30,360 --> 00:31:35,720
Speaker 1: as an adult why it wasn't just uh, I don't

498
00:31:35,720 --> 00:31:37,440
Speaker 1: know what was the show at the time. Why why

499
00:31:37,480 --> 00:31:40,480
Speaker 1: it wasn't saved by the bell and why uh you

500
00:31:40,520 --> 00:31:45,720
Speaker 1: know what it became it was really freaking good. You

501
00:31:45,760 --> 00:31:48,360
Speaker 1: gave me do Stempsy because it's so true. I mean

502
00:31:48,400 --> 00:31:52,040
Speaker 1: that honestly, I feel like that while the show was

503
00:31:52,120 --> 00:31:57,719
Speaker 1: like a huge success worldwide, why instant fame? Instant? Like

504
00:31:58,440 --> 00:32:01,720
Speaker 1: we're like the show and viral before there was a viral,

505
00:32:01,840 --> 00:32:03,120
Speaker 1: you know what I mean. I don't know how it

506
00:32:03,240 --> 00:32:06,160
Speaker 1: spread so quickly to what it to what it did.

507
00:32:06,840 --> 00:32:10,200
Speaker 1: But like I also over the years have often thought

508
00:32:11,320 --> 00:32:14,000
Speaker 1: it was overlooked. It was a show, the first show

509
00:32:14,040 --> 00:32:17,160
Speaker 1: of it's kind in the nineties. Um then after that

510
00:32:17,280 --> 00:32:21,600
Speaker 1: came you know, Party of Five and then Felicity, all

511
00:32:21,600 --> 00:32:24,760
Speaker 1: the shows that were sort of in that same vein.

512
00:32:25,360 --> 00:32:30,040
Speaker 1: And I remember, you know, people were getting um noticed

513
00:32:30,160 --> 00:32:32,880
Speaker 1: or recognized for their work. The show was being their

514
00:32:32,920 --> 00:32:37,080
Speaker 1: shows were being like recognized, you know, in in awards

515
00:32:37,120 --> 00:32:39,720
Speaker 1: and whatever and all that things, and and and actors

516
00:32:39,720 --> 00:32:44,040
Speaker 1: were being given uh parts in other movies. It just

517
00:32:44,120 --> 00:32:48,680
Speaker 1: felt like oftentimes I felt like the show as a

518
00:32:48,760 --> 00:32:51,720
Speaker 1: whole and the actors on the show we're sort of

519
00:32:53,080 --> 00:32:56,040
Speaker 1: well not just stereotyped or Pigeonhole, but just like overlooked,

520
00:32:56,040 --> 00:32:59,280
Speaker 1: and it was like in this weird time war bubble

521
00:32:59,400 --> 00:33:03,600
Speaker 1: that was on its own, like it wasn't it wasn't

522
00:33:03,600 --> 00:33:09,560
Speaker 1: a part of the rest of the industry. Yeah, it

523
00:33:09,640 --> 00:33:11,400
Speaker 1: sort of was always put in that lane with the

524
00:33:11,480 --> 00:33:15,920
Speaker 1: soapy Melrose playsy things and I think Aaron Spelling, I mean,

525
00:33:15,920 --> 00:33:17,480
Speaker 1: I don't want to speak out of school, but his

526
00:33:17,560 --> 00:33:21,440
Speaker 1: shows were that Dynasty and or The love Boat, like

527
00:33:21,600 --> 00:33:26,000
Speaker 1: they were never the Emmy winning you know, those shows.

528
00:33:26,040 --> 00:33:27,880
Speaker 1: And so even though nine O two one oh may

529
00:33:27,960 --> 00:33:31,720
Speaker 1: have been more over on another side, it did get

530
00:33:31,720 --> 00:33:35,440
Speaker 1: looped in as like it's a soap opera, it's a

531
00:33:35,600 --> 00:33:38,040
Speaker 1: nighttime it's a primetime soap, and you're like, I don't

532
00:33:38,080 --> 00:33:40,200
Speaker 1: know if it is. It has those elements, but then

533
00:33:40,200 --> 00:33:42,520
Speaker 1: that has all these other things do. Yeah, because the

534
00:33:42,680 --> 00:33:45,720
Speaker 1: writers were doing some great work, the directors were doing

535
00:33:45,760 --> 00:33:47,840
Speaker 1: great work, the actors were doing great work, and it

536
00:33:48,000 --> 00:33:53,400
Speaker 1: just was kind of overlooked at times. Yeah, but I

537
00:33:53,440 --> 00:34:00,640
Speaker 1: don't think awards are nice. But the show was appreciated

538
00:34:00,720 --> 00:34:04,000
Speaker 1: by the entire world. And and and because it was

539
00:34:04,040 --> 00:34:06,959
Speaker 1: so good, not just for the soapy aspect of it,

540
00:34:07,000 --> 00:34:09,680
Speaker 1: you know, and party of five and Felicity. You know,

541
00:34:09,760 --> 00:34:13,400
Speaker 1: they bordered on serious melo drama in my opinion, you know,

542
00:34:13,480 --> 00:34:15,520
Speaker 1: and I love them. I I worked with Scott on

543
00:34:15,719 --> 00:34:19,279
Speaker 1: White Squad. He's a great actor. But um, I think

544
00:34:19,480 --> 00:34:21,399
Speaker 1: you know, Jenny, looking back on it, you can see

545
00:34:21,400 --> 00:34:23,759
Speaker 1: how good the work was, you know. Yeah, there was

546
00:34:23,800 --> 00:34:26,839
Speaker 1: a lot of good components going on. For sure. One

547
00:34:26,840 --> 00:34:32,439
Speaker 1: of them was not uh was dancing though. I think

548
00:34:32,480 --> 00:34:36,200
Speaker 1: one of the things is like when it hits its moment,

549
00:34:36,520 --> 00:34:42,200
Speaker 1: like in a Kelly Dylan scene, sprinkled with cheese right

550
00:34:42,200 --> 00:34:46,640
Speaker 1: in the next minute, like you're like, but and then

551
00:34:46,680 --> 00:34:50,360
Speaker 1: you ask your skin the pigskin problem, and then you recognize,

552
00:34:50,360 --> 00:34:53,520
Speaker 1: like how much it annoys me that Andrea calls Brandon

553
00:34:53,560 --> 00:34:58,640
Speaker 1: Ace every five minutes. Where has more stopped saying Ace?

554
00:34:59,400 --> 00:35:02,080
Speaker 1: I just feels so bad for her. With the outfits

555
00:35:02,120 --> 00:35:08,160
Speaker 1: like the laser and green laser like double breas literally

556
00:35:08,400 --> 00:35:13,640
Speaker 1: a Halter top jump so lazer, or the fact that

557
00:35:13,760 --> 00:35:16,560
Speaker 1: Jordan's the character of Jordan who was so well acted

558
00:35:16,560 --> 00:35:20,560
Speaker 1: by Michael Rawlins but clearly way too old to be

559
00:35:20,560 --> 00:35:23,960
Speaker 1: a high school student. There's no way that guy was

560
00:35:24,000 --> 00:35:34,319
Speaker 1: in high school. But I am suspend your disbelief you

561
00:35:34,360 --> 00:35:36,160
Speaker 1: are much closer weight. So at the time you were

562
00:35:36,200 --> 00:35:39,560
Speaker 1: like twenty three, you said, David, Um, Yeah, I was

563
00:35:40,120 --> 00:35:42,120
Speaker 1: born in seventy two, so but I don't know we

564
00:35:42,280 --> 00:35:45,359
Speaker 1: were I think we started we shot him ninety nine four,

565
00:35:45,480 --> 00:35:47,880
Speaker 1: so yeah, I was like two years old. When you

566
00:35:48,600 --> 00:35:51,600
Speaker 1: guys are close in age, right close in age? When

567
00:35:51,760 --> 00:35:57,400
Speaker 1: when is your birthday this month? April? I'm April to

568
00:35:57,960 --> 00:36:02,320
Speaker 1: April three. I just heard fit I'm telling about happy birthday?

569
00:36:02,480 --> 00:36:06,720
Speaker 1: Thank you. How does it feel? How does I just

570
00:36:06,719 --> 00:36:10,040
Speaker 1: just say it? How does fifty feel? I'm knocking on

571
00:36:10,120 --> 00:36:13,799
Speaker 1: the door? It feels weird. It feels amazing. Now that

572
00:36:13,880 --> 00:36:17,040
Speaker 1: I'm I'm I am fifty. Like the lead up to fifty,

573
00:36:17,360 --> 00:36:21,480
Speaker 1: the week right before, man always getting some head trips happening,

574
00:36:21,840 --> 00:36:25,120
Speaker 1: like there's a lot of stuff happening in the brain

575
00:36:25,160 --> 00:36:29,080
Speaker 1: of mine. And but now that I'm here, I'm like, oh,

576
00:36:29,560 --> 00:36:32,120
Speaker 1: all right, I kind of like this, Like I can

577
00:36:32,440 --> 00:36:39,760
Speaker 1: I see a new UM chapter presenting itself, and that's exciting.

578
00:36:39,800 --> 00:36:42,919
Speaker 1: For the first time in a while, I like it. David,

579
00:36:42,960 --> 00:36:44,760
Speaker 1: are you weirded out or is a guy like less

580
00:36:44,800 --> 00:36:46,239
Speaker 1: weird about I don't know. I don't want to make

581
00:36:46,280 --> 00:36:48,320
Speaker 1: a girl guy. But you know, I know I feel

582
00:36:48,400 --> 00:36:50,680
Speaker 1: I feel a lot like Jenny said, let's lead up

583
00:36:50,719 --> 00:36:57,040
Speaker 1: to it. You know, my wife's planning big party. I

584
00:36:57,120 --> 00:37:01,239
Speaker 1: don't want any of it. Me. You turn fifty and

585
00:37:01,280 --> 00:37:03,319
Speaker 1: then look back and go, oh, that wasn't so bad,

586
00:37:04,120 --> 00:37:07,120
Speaker 1: and be where Jenny is. We really noticed. Yeah, my

587
00:37:07,200 --> 00:37:09,359
Speaker 1: daughters threw a big party for me too, and I

588
00:37:09,400 --> 00:37:15,080
Speaker 1: was dreading it. Yeah, showing me like logos for the

589
00:37:15,120 --> 00:37:18,480
Speaker 1: hat last night. I was, oh, yeah, it's gonna be

590
00:37:18,640 --> 00:37:23,560
Speaker 1: hats making you like vomit. You're like the logos says

591
00:37:23,800 --> 00:37:28,800
Speaker 1: uh fifty and then dot dot dot on the d L.

592
00:37:30,040 --> 00:37:35,560
Speaker 1: My friends called me DL. It's it's exactly what you said.

593
00:37:35,200 --> 00:37:39,600
Speaker 1: The lead up messes with your head. It does well.

594
00:37:39,640 --> 00:37:41,239
Speaker 1: At least you have a nice wife. It's making you

595
00:37:41,239 --> 00:37:47,359
Speaker 1: a hat. She is, she's the best intentions. You need

596
00:37:47,400 --> 00:37:50,360
Speaker 1: to send us the hat by the way. Okay, you

597
00:37:50,480 --> 00:37:55,799
Speaker 1: got it, Okay, so back to it. Okay, So we'll

598
00:37:55,800 --> 00:37:57,960
Speaker 1: still save the dance for the end. You know, I

599
00:37:58,000 --> 00:38:00,400
Speaker 1: always love when there's a good men and of an

600
00:38:00,520 --> 00:38:03,160
Speaker 1: l a thing. So this had a nice spago mentioned,

601
00:38:03,440 --> 00:38:06,719
Speaker 1: which I thought was great and I and you know,

602
00:38:06,760 --> 00:38:08,839
Speaker 1: the takeaway was supposed to be like, look at these

603
00:38:08,880 --> 00:38:12,239
Speaker 1: Beverly Hills kids talking about Spago and this when like

604
00:38:12,840 --> 00:38:16,640
Speaker 1: literally at a school down the road to teenagers were

605
00:38:16,680 --> 00:38:19,280
Speaker 1: just shot. And it's like we are supposed to really

606
00:38:19,320 --> 00:38:23,480
Speaker 1: be clear on, like, come on, West Beverly, get it together.

607
00:38:24,600 --> 00:38:40,240
Speaker 1: There's a real world happening. What about the moment when

608
00:38:40,840 --> 00:38:44,120
Speaker 1: um Brandon's paper comes out of the article comes out,

609
00:38:44,640 --> 00:38:48,040
Speaker 1: and he's standing in the whole way and they cut

610
00:38:48,080 --> 00:38:51,880
Speaker 1: away to each different group of people saying Brandon, Brandon,

611
00:38:52,600 --> 00:38:57,800
Speaker 1: Brandon mad. It cracked me up so hard. That wouldn't

612
00:38:57,840 --> 00:39:00,759
Speaker 1: every no one would be mad. But like cool, we're

613
00:39:00,760 --> 00:39:04,160
Speaker 1: gonna have more kids here, Like sounds great. We're sick

614
00:39:04,200 --> 00:39:07,239
Speaker 1: of all the boys here. Let's have more choices, like

615
00:39:07,360 --> 00:39:12,919
Speaker 1: no kid is Like Steve was really upset, Brenda was pissed. John,

616
00:39:13,000 --> 00:39:17,319
Speaker 1: it was terrified. That was a real stopy moment. That

617
00:39:17,360 --> 00:39:25,880
Speaker 1: could have been like a general hospital exactly. Oh man,

618
00:39:26,200 --> 00:39:28,560
Speaker 1: that was over the top two And it's like, Mrs

619
00:39:28,640 --> 00:39:31,240
Speaker 1: you know, Mrs Teasley really had a lot of action

620
00:39:31,320 --> 00:39:33,799
Speaker 1: in this episode, more than she normally. She had a

621
00:39:33,800 --> 00:39:35,920
Speaker 1: lot of action, but she didn't do what I wanted

622
00:39:35,920 --> 00:39:37,920
Speaker 1: her to. She didn't say the things I wanted her

623
00:39:37,960 --> 00:39:40,280
Speaker 1: to say. She didn't take the stance that I wanted

624
00:39:40,280 --> 00:39:44,640
Speaker 1: her to take. It felt weird. Yea, it felt weird.

625
00:39:44,680 --> 00:39:47,720
Speaker 1: It felt weird. It felt weird. It felt felt cost

626
00:39:47,800 --> 00:39:53,239
Speaker 1: over dated too. There was some elements where you're like, really, teachers,

627
00:39:53,280 --> 00:39:55,640
Speaker 1: I don't think you're gonna be handling it this way,

628
00:39:56,280 --> 00:40:01,560
Speaker 1: and like Gil Gil was she on you? Who can

629
00:40:01,600 --> 00:40:04,239
Speaker 1: I bring up a line that what is it the

630
00:40:04,320 --> 00:40:06,520
Speaker 1: editor of the paper, that guy's a teacher, right as

631
00:40:06,560 --> 00:40:14,080
Speaker 1: a teachers a line? Sorry if my take onf No,

632
00:40:14,360 --> 00:40:16,160
Speaker 1: I know what you're going to say, and I agree

633
00:40:16,440 --> 00:40:21,240
Speaker 1: give it. He said that he's hosting the dance because

634
00:40:21,280 --> 00:40:26,920
Speaker 1: I'm a sucker for girls. In part was so bad.

635
00:40:27,320 --> 00:40:30,960
Speaker 1: Students just serving on many levels, not just the underage

636
00:40:31,040 --> 00:40:35,160
Speaker 1: student weirdness of it, but the choice of being into

637
00:40:35,360 --> 00:40:39,560
Speaker 1: party shoes. It was like, of all, like why the

638
00:40:39,600 --> 00:40:42,319
Speaker 1: shoes was what I was curious about? Is that not

639
00:40:42,440 --> 00:40:46,000
Speaker 1: the classic that did not age well? Like that was

640
00:40:46,080 --> 00:40:51,680
Speaker 1: like what I'm surprised that he said that, knowing having

641
00:40:51,719 --> 00:40:53,440
Speaker 1: had him on the show before and talked about this,

642
00:40:53,480 --> 00:40:57,440
Speaker 1: I'm surprised that he said that because he was super

643
00:40:58,920 --> 00:41:02,080
Speaker 1: cautious with that, with what he was willing to do

644
00:41:02,120 --> 00:41:05,040
Speaker 1: with that character he said and what they wanted him

645
00:41:05,040 --> 00:41:08,160
Speaker 1: to do. But that line was, yeah, standout, I'll just wait, Jenny,

646
00:41:08,280 --> 00:41:11,960
Speaker 1: because there just wait. There's a little something coming that

647
00:41:12,000 --> 00:41:15,799
Speaker 1: I think explains why they sprinkled these lines in and

648
00:41:15,840 --> 00:41:18,000
Speaker 1: it will resolve itself. I feel like they're laying the

649
00:41:18,360 --> 00:41:24,680
Speaker 1: groundwork for something bigger. Yes, yes, because that was awkward

650
00:41:24,960 --> 00:41:27,080
Speaker 1: And you don't call a teacher gil like I don't

651
00:41:27,120 --> 00:41:30,719
Speaker 1: even know. I think that's wow, like he always says it,

652
00:41:30,960 --> 00:41:34,040
Speaker 1: but they really do it just weird. And then I

653
00:41:34,120 --> 00:41:38,920
Speaker 1: also thought, no teacher is going to cover for a student,

654
00:41:39,000 --> 00:41:41,880
Speaker 1: like if it really was a sort of dramatic that

655
00:41:42,040 --> 00:41:44,840
Speaker 1: Brandon went rogue and put this article in the paper,

656
00:41:45,120 --> 00:41:47,640
Speaker 1: Like the teacher is not going to cover for him.

657
00:41:48,400 --> 00:41:50,799
Speaker 1: The teacher would say like, hey, let's I don't think

658
00:41:50,800 --> 00:41:53,000
Speaker 1: he should be expelled or suspended. But yeah, he went

659
00:41:53,080 --> 00:41:55,640
Speaker 1: rogue and put this they bo on the computer, and

660
00:41:55,680 --> 00:41:57,640
Speaker 1: he's also not gonna be like, oh cool, then I'll

661
00:41:57,680 --> 00:42:00,400
Speaker 1: just peel out now early, like he's going to stay

662
00:42:00,520 --> 00:42:02,920
Speaker 1: until the article's done proof it put it in the

663
00:42:03,160 --> 00:42:07,600
Speaker 1: like what kind of teacher is he? The kind of

664
00:42:07,680 --> 00:42:14,719
Speaker 1: like whatever that is? I gotta go. What did you

665
00:42:14,719 --> 00:42:16,960
Speaker 1: think about Mr and Mrs Walsh and how they were

666
00:42:17,040 --> 00:42:24,600
Speaker 1: handling the situation? Did they did they do anything? Did they?

667
00:42:25,000 --> 00:42:29,840
Speaker 1: They just were like, worry. That looks pretty normal. I

668
00:42:29,880 --> 00:42:33,000
Speaker 1: guess it was a little. Yeah. I mean I would

669
00:42:33,280 --> 00:42:37,560
Speaker 1: personally be very worried if my kids were due to

670
00:42:37,680 --> 00:42:40,920
Speaker 1: go to the scene of a crime like that and

671
00:42:41,280 --> 00:42:45,280
Speaker 1: being the same exact you know, seats and the same

672
00:42:45,320 --> 00:42:48,560
Speaker 1: experience as what had just happened. I would be way

673
00:42:48,600 --> 00:42:54,080
Speaker 1: more concerned than old Jim and Cindy were. You know what,

674
00:42:54,120 --> 00:42:58,040
Speaker 1: I will point out that again with Dylan being they

675
00:42:58,080 --> 00:43:03,320
Speaker 1: always right for for that character, like I said before,

676
00:43:03,400 --> 00:43:09,000
Speaker 1: the hero, because he's the one who acknowledges the uh

677
00:43:09,320 --> 00:43:12,840
Speaker 1: article being spot on, like he said, you know, he

678
00:43:12,920 --> 00:43:16,520
Speaker 1: said something like it was the right take and this

679
00:43:16,600 --> 00:43:19,759
Speaker 1: is the right thing. And he says that too. I

680
00:43:19,800 --> 00:43:23,200
Speaker 1: think Brenda when they're all freaking out, like I think

681
00:43:23,200 --> 00:43:26,319
Speaker 1: she called Brandon a heinous trader, and he's like, did

682
00:43:26,320 --> 00:43:30,600
Speaker 1: you read the article because it's spot on? Like he's

683
00:43:30,640 --> 00:43:38,200
Speaker 1: always that wise soul, that's Dyllan. Yeah. Um well, I

684
00:43:38,200 --> 00:43:42,480
Speaker 1: would like to go forward now to the dance because

685
00:43:42,960 --> 00:43:45,560
Speaker 1: we need to talk about that. Um starting with the

686
00:43:45,600 --> 00:43:49,120
Speaker 1: mic check moment. Did you guys appreciate that as much

687
00:43:49,160 --> 00:43:53,759
Speaker 1: as I did? David is doing his mic check and

688
00:43:53,800 --> 00:43:57,600
Speaker 1: he's like, Mike, Mike, Mike, Mike, I gotta check check

689
00:43:57,719 --> 00:44:00,480
Speaker 1: check it in my my Mike, like A couldn't stop.

690
00:44:00,520 --> 00:44:02,040
Speaker 1: I want to, I want to. I want to Mike

691
00:44:02,120 --> 00:44:05,920
Speaker 1: check check check my check my mind. Now from that

692
00:44:06,280 --> 00:44:08,080
Speaker 1: moving forward, that's the only way I'm going to be

693
00:44:08,160 --> 00:44:11,440
Speaker 1: able to check my mis Oh my god. It was

694
00:44:11,520 --> 00:44:16,920
Speaker 1: like so good and just his dancing and just everything

695
00:44:16,960 --> 00:44:20,200
Speaker 1: about it. He has that sort of Brian Ason green

696
00:44:20,320 --> 00:44:23,640
Speaker 1: move he does I can't do. It's like like how

697
00:44:23,719 --> 00:44:26,680
Speaker 1: that guy got booted early on Dancing with the Stars.

698
00:44:26,800 --> 00:44:31,240
Speaker 1: I will never know, because he actually get some natural

699
00:44:31,320 --> 00:44:34,920
Speaker 1: flow there. He had some some genuine my groove and

700
00:44:35,000 --> 00:44:38,439
Speaker 1: his step it was natural. Yeah. I think with when

701
00:44:38,440 --> 00:44:40,560
Speaker 1: he was at Dancing with the Stars, I think it

702
00:44:40,680 --> 00:44:44,160
Speaker 1: was too like you know, regiment, like step by step

703
00:44:44,200 --> 00:44:46,640
Speaker 1: and he felt a little I don't even know. I

704
00:44:46,640 --> 00:44:48,759
Speaker 1: haven't talked to him, but from watching it. I only

705
00:44:48,760 --> 00:44:50,799
Speaker 1: watched one of his dances, but it felt like he

706
00:44:50,840 --> 00:44:54,640
Speaker 1: was too constrained and too like nervous and under the

707
00:44:54,760 --> 00:44:57,120
Speaker 1: gun of like doing the steps exactly right, because he's

708
00:44:57,120 --> 00:45:00,680
Speaker 1: more of like a free form kind of you know, dancer,

709
00:45:01,719 --> 00:45:03,800
Speaker 1: Like I want to see him on in that environment.

710
00:45:03,800 --> 00:45:06,520
Speaker 1: I want to see him anything that you keep playing,

711
00:45:07,000 --> 00:45:09,879
Speaker 1: keep playing David, like if that was where it got

712
00:45:09,880 --> 00:45:12,360
Speaker 1: to him of nine O two and oe like music

713
00:45:12,400 --> 00:45:17,160
Speaker 1: will save the day, music will bring him together, and

714
00:45:17,239 --> 00:45:21,720
Speaker 1: it does. And then NICKI see that Nicky out of nowhere.

715
00:45:22,040 --> 00:45:26,279
Speaker 1: All solve it like wanta dance. But before that, she's like,

716
00:45:26,400 --> 00:45:28,600
Speaker 1: did you hear her line say, guess Who's coming to dinner?

717
00:45:28,960 --> 00:45:33,400
Speaker 1: Oh god? That was cringe e too. Who was that actress?

718
00:45:33,480 --> 00:45:37,200
Speaker 1: By the way, Dana Baron. She's from Vacation remember the

719
00:45:37,280 --> 00:45:44,319
Speaker 1: original She's Audrey from Vacation. My goodness, so memorable. Yeah,

720
00:45:44,360 --> 00:45:46,480
Speaker 1: the guest is coming to dinner line, like obviously I

721
00:45:46,560 --> 00:45:49,600
Speaker 1: get it, but it was just like, yeah, like that

722
00:45:49,680 --> 00:45:53,759
Speaker 1: was weird. That was weird. Yeah, I didn't like it.

723
00:45:53,880 --> 00:45:57,799
Speaker 1: I didn't know the movie referencing the movie Guess Who's

724
00:45:57,840 --> 00:46:02,040
Speaker 1: coming to dinner? And it's like, wasn't it I can't

725
00:46:02,040 --> 00:46:06,719
Speaker 1: say Potier And it was just like, come on, I

726
00:46:06,840 --> 00:46:10,080
Speaker 1: was hashtag trying too hard? Oh yeah yeah, and then

727
00:46:10,120 --> 00:46:12,399
Speaker 1: she and then and then what happens to the show

728
00:46:12,560 --> 00:46:19,040
Speaker 1: kids coming to the dance. Everybody's so scared, securities an alert,

729
00:46:19,120 --> 00:46:23,520
Speaker 1: and that those kids did the unimaginable. They danced to

730
00:46:23,640 --> 00:46:27,080
Speaker 1: David Silver's music. I never saw that coming. Was that

731
00:46:27,200 --> 00:46:34,239
Speaker 1: the electric slide? What dance was? Okay, go let's take

732
00:46:34,400 --> 00:46:36,919
Speaker 1: Let's go back to that moment in time, because I

733
00:46:37,000 --> 00:46:41,799
Speaker 1: remember the scene. I remember, I remember Brenda's outfit with

734
00:46:41,840 --> 00:46:45,839
Speaker 1: the boots and the white dress. I remember Donna's hair

735
00:46:46,040 --> 00:46:48,880
Speaker 1: and her outfit, and I remember Kelly was kind of

736
00:46:48,920 --> 00:46:51,960
Speaker 1: like out of place because she was dressed like fancy

737
00:46:52,040 --> 00:46:54,440
Speaker 1: and they had us all pairing off to do that

738
00:46:54,440 --> 00:46:57,200
Speaker 1: that those dance moves I am not good on in

739
00:46:57,200 --> 00:47:01,640
Speaker 1: aligned dance environment, Like and know what you saw there

740
00:47:01,719 --> 00:47:04,040
Speaker 1: with Kelly like goofing off and being like, I don't

741
00:47:04,040 --> 00:47:06,720
Speaker 1: know what I'm doing. That was actually stand out bad

742
00:47:06,760 --> 00:47:14,240
Speaker 1: one for Andrea. Oh yeah, sorry gap that she tried

743
00:47:14,360 --> 00:47:20,120
Speaker 1: so hard. She tried so hard. But Donna and Donna

744
00:47:20,160 --> 00:47:24,000
Speaker 1: and Brenda were really the stars of the whole shuffle

745
00:47:24,719 --> 00:47:27,760
Speaker 1: uh line dance there. It was really tory. Actually, I'm superum.

746
00:47:28,920 --> 00:47:31,239
Speaker 1: That was really I really want to talk to her

747
00:47:31,239 --> 00:47:34,120
Speaker 1: about those dance moves. But before that even when she

748
00:47:34,280 --> 00:47:36,520
Speaker 1: starts dancing with the guy, like they bring them out

749
00:47:36,520 --> 00:47:40,279
Speaker 1: into the dance word, She's like like she got that move? Like,

750
00:47:40,320 --> 00:47:45,680
Speaker 1: what is that move? Jenny? Is there anything harder than

751
00:47:45,840 --> 00:47:50,239
Speaker 1: fake dancing? To some playback? No, was everybody watching you

752
00:47:51,360 --> 00:47:54,279
Speaker 1: in a quiet gym where no one's saying that's the worst? Wait?

753
00:47:54,360 --> 00:47:56,920
Speaker 1: You guys, explain that because I'm just learning about this.

754
00:47:57,040 --> 00:47:59,480
Speaker 1: So when you do scenes like that, is there no

755
00:47:59,640 --> 00:48:04,680
Speaker 1: news sick or where's the music? No? Usually they'll QUE

756
00:48:04,840 --> 00:48:10,400
Speaker 1: playback and it'll be completely unrelated songs that Q playback

757
00:48:10,520 --> 00:48:13,319
Speaker 1: explain that don't play music, but no one else is

758
00:48:13,400 --> 00:48:16,600
Speaker 1: dancing and no one else is talking, and the cameras

759
00:48:16,640 --> 00:48:22,320
Speaker 1: on you just doing horrifying Yeah, like, hopefully there's a

760
00:48:22,400 --> 00:48:25,640
Speaker 1: choreographer you know that like at least gives you something.

761
00:48:26,480 --> 00:48:28,840
Speaker 1: I feel like, Wait, so you might have to be

762
00:48:28,920 --> 00:48:32,560
Speaker 1: dancing on your zoom in. You might have to be

763
00:48:32,760 --> 00:48:39,280
Speaker 1: dancing alone. You never know. Oh, certainly not in a loud,

764
00:48:39,320 --> 00:48:43,879
Speaker 1: crowded party. It's silent and you're even like if you're

765
00:48:44,160 --> 00:48:47,160
Speaker 1: like I know with Kelly's she was in like a

766
00:48:47,200 --> 00:48:50,480
Speaker 1: three shot of her and some people. I didn't know

767
00:48:50,719 --> 00:48:53,480
Speaker 1: that these are actually like background actors and be just

768
00:48:54,080 --> 00:48:57,120
Speaker 1: trying to stand. But I think that choreographed. That was

769
00:48:57,200 --> 00:49:01,920
Speaker 1: choreographed by Tori and Shannon if I were a called correctly,

770
00:49:01,960 --> 00:49:05,600
Speaker 1: because they were into that shuffle slide whatever that was,

771
00:49:06,239 --> 00:49:07,719
Speaker 1: and they were really good at it. But I think

772
00:49:07,760 --> 00:49:11,480
Speaker 1: that they choreographed that for the whole scene for everybody.

773
00:49:11,840 --> 00:49:15,640
Speaker 1: That's how that happened. People were doing that at the time.

774
00:49:15,680 --> 00:49:18,239
Speaker 1: I remember going, I don't know weddings or parties or

775
00:49:18,280 --> 00:49:21,319
Speaker 1: whatever I've seen that day, but maybe I just knew

776
00:49:21,320 --> 00:49:25,200
Speaker 1: it from nine o two one. Oh. I tried so

777
00:49:25,239 --> 00:49:27,480
Speaker 1: hard to do it and I have never been able

778
00:49:27,520 --> 00:49:29,640
Speaker 1: to do it. It's embarrassing. I can't do the shuffle.

779
00:49:31,920 --> 00:49:36,000
Speaker 1: But it brought the schools together. That's all that really mattered.

780
00:49:37,960 --> 00:49:42,640
Speaker 1: And and then and in doing so always well yeah,

781
00:49:42,680 --> 00:49:44,000
Speaker 1: and then it was tied up with a nice little

782
00:49:44,080 --> 00:49:49,120
Speaker 1: nine oh wait before we go, you guys. The other

783
00:49:49,160 --> 00:49:51,400
Speaker 1: thing that totally took me back. And I don't know

784
00:49:51,440 --> 00:49:54,040
Speaker 1: if you have to tell me your kids, Okay, so

785
00:49:54,160 --> 00:49:56,480
Speaker 1: when because we're all the same age, So at the

786
00:49:56,520 --> 00:49:59,160
Speaker 1: eighth grade dance or the prom or whatever like that

787
00:49:59,400 --> 00:50:02,279
Speaker 1: is how you slow dance back then? Remember you just

788
00:50:02,360 --> 00:50:05,839
Speaker 1: like the girl would put her arms around the boy

789
00:50:06,520 --> 00:50:09,000
Speaker 1: neck and then the boy would like have their arms

790
00:50:09,080 --> 00:50:11,160
Speaker 1: around the hips, and that it was just that just

791
00:50:11,320 --> 00:50:14,839
Speaker 1: rocking back and forth. Like is that how kids do

792
00:50:14,920 --> 00:50:18,960
Speaker 1: that now? I think that I want to believe that

793
00:50:18,960 --> 00:50:22,560
Speaker 1: that that's yes, I think it's all they do it

794
00:50:22,640 --> 00:50:25,480
Speaker 1: to dance. I don't think they do that. But it

795
00:50:25,600 --> 00:50:29,040
Speaker 1: was alive and well, no, there's a lot more body

796
00:50:29,120 --> 00:50:33,440
Speaker 1: contact now and there's a there's like a back to

797
00:50:33,600 --> 00:50:36,719
Speaker 1: front position that's very popular with the kids. These back

798
00:50:36,800 --> 00:50:42,720
Speaker 1: to like you know, like what is but into the guy?

799
00:50:42,840 --> 00:50:47,600
Speaker 1: I don't like that, like they yeah, is slow dancing

800
00:50:47,640 --> 00:50:50,440
Speaker 1: even around anymore? Like I feel like at proms do

801
00:50:50,480 --> 00:50:53,839
Speaker 1: they play my kid? My daughter went to homecoming this

802
00:50:53,920 --> 00:50:57,239
Speaker 1: year and she was so bummed because she this was

803
00:50:57,280 --> 00:50:59,959
Speaker 1: like her first big school dance experience and she wanted

804
00:51:00,080 --> 00:51:01,560
Speaker 1: it to be like she'd seen it in the movies.

805
00:51:02,360 --> 00:51:05,920
Speaker 1: But that nobody slow danced and they all just like

806
00:51:06,000 --> 00:51:10,279
Speaker 1: mosh pit. That's what my niece said. They just a

807
00:51:10,360 --> 00:51:19,279
Speaker 1: pit together. Sounds fun. I think this went out with

808
00:51:19,360 --> 00:51:21,680
Speaker 1: the nineties, as much as I hate to admit it,

809
00:51:21,719 --> 00:51:23,759
Speaker 1: because that was like remember back in the day, that

810
00:51:23,880 --> 00:51:27,279
Speaker 1: was like, oh my God, Tommy asked me to slow

811
00:51:27,360 --> 00:51:31,479
Speaker 1: dance like leap like that was like a big deal.

812
00:51:31,760 --> 00:51:34,480
Speaker 1: Remember the Stairway to Heaven? Do you guys remember Stairway

813
00:51:34,480 --> 00:51:36,640
Speaker 1: to Heaven? You if you got stuck with the wrong

814
00:51:36,680 --> 00:51:39,319
Speaker 1: person on Stairway to Heaven, you were posed because it's

815
00:51:39,320 --> 00:51:42,920
Speaker 1: like a nine minute song and then it has that

816
00:51:43,000 --> 00:51:44,600
Speaker 1: like fast part and you're like, oh, you have to

817
00:51:44,640 --> 00:51:47,439
Speaker 1: do both. So and so just asked me to dance

818
00:51:47,440 --> 00:51:52,840
Speaker 1: and it stair what it Heaven? Yeah, you need two

819
00:51:52,880 --> 00:51:55,959
Speaker 1: different you need two different dances for that song because

820
00:51:55,960 --> 00:51:59,400
Speaker 1: then it gets fast and so onward. Okay, let's go,

821
00:51:59,600 --> 00:52:02,080
Speaker 1: let's take a little moment, Let's take a breather, and

822
00:52:02,200 --> 00:52:17,680
Speaker 1: we come back. We'll talk about some other things. Okay, Amy,

823
00:52:17,760 --> 00:52:20,520
Speaker 1: did you have favorite fashion? David? He didn't know what

824
00:52:20,600 --> 00:52:22,799
Speaker 1: he's getting himself into. I just email and was like, hey,

825
00:52:22,800 --> 00:52:24,399
Speaker 1: can you do me a favorite? And he's like, oh god,

826
00:52:24,440 --> 00:52:29,960
Speaker 1: I didn't realize that. Just this like girl chat, let

827
00:52:30,000 --> 00:52:33,439
Speaker 1: it fly. I will say the outfit and you all

828
00:52:33,480 --> 00:52:41,760
Speaker 1: tell me what you thought. Andrea Green green blazer, David,

829
00:52:41,800 --> 00:52:44,280
Speaker 1: your character was just kind of like a plaid shirt wearing.

830
00:52:45,120 --> 00:52:51,160
Speaker 1: He was very color blocky. Yeah, it was not bad. Yeah,

831
00:52:51,200 --> 00:52:55,920
Speaker 1: but I'm looking at this photo next to and oh

832
00:52:56,560 --> 00:53:01,319
Speaker 1: he's wearing like a Bill Cosby. I'm not the same thing.

833
00:53:01,480 --> 00:53:04,960
Speaker 1: Like God, we've we've told Ian, We're like, why did

834
00:53:05,040 --> 00:53:07,640
Speaker 1: they dress you so bad? And he's like, my god,

835
00:53:07,920 --> 00:53:12,960
Speaker 1: he think he looks like always like vintage clothes from

836
00:53:13,040 --> 00:53:18,839
Speaker 1: Libra totally. And same with Jason Slash Brandon. He always looks.

837
00:53:19,000 --> 00:53:24,920
Speaker 1: He always brings the like slightly weird button ups into play,

838
00:53:24,960 --> 00:53:27,279
Speaker 1: like there's a lot of pattern going on, maybe some

839
00:53:27,400 --> 00:53:32,480
Speaker 1: velvet disaster. What did you think of David Silver's leopard

840
00:53:32,600 --> 00:53:35,400
Speaker 1: with I believe I have a Leopard blazer somewhere, like,

841
00:53:35,640 --> 00:53:38,360
Speaker 1: but I almost wanted to wear today. He was full

842
00:53:38,480 --> 00:53:41,040
Speaker 1: Leopard sequence. I mean obviously took it off, thank god.

843
00:53:41,120 --> 00:53:43,720
Speaker 1: Kelly was like, yeah, I don't think that's a good idea,

844
00:53:46,000 --> 00:53:47,920
Speaker 1: did you Okay? So then the other one that stood out,

845
00:53:47,920 --> 00:53:51,000
Speaker 1: I think it was a jumpsuit. Kelly wore a halter

846
00:53:52,280 --> 00:54:00,279
Speaker 1: top jumpsuit, like it was very sexy for a high schooler. Yes,

847
00:54:00,320 --> 00:54:03,600
Speaker 1: for band band auditions, it was really good. It was

848
00:54:03,719 --> 00:54:06,680
Speaker 1: very Kelly too, Like I felt like Kelly's close this episode,

849
00:54:06,680 --> 00:54:10,920
Speaker 1: We're perfect Kelly clothes. Yes, once again. We had the

850
00:54:11,000 --> 00:54:15,560
Speaker 1: dressing room scene that's totally darculous with the doors where

851
00:54:15,600 --> 00:54:17,600
Speaker 1: the heads stick out. I'm like, why didn't they just

852
00:54:18,160 --> 00:54:21,160
Speaker 1: put the camera like make normal dressing rooms and then

853
00:54:21,200 --> 00:54:24,160
Speaker 1: just like put a camera in there as each of

854
00:54:24,160 --> 00:54:26,279
Speaker 1: you talked. But instead it was like a because they

855
00:54:26,280 --> 00:54:30,920
Speaker 1: didn't want to show our bodies. The way to have

856
00:54:31,120 --> 00:54:35,160
Speaker 1: us continue the scene but not be nakey on camera

857
00:54:36,560 --> 00:54:39,640
Speaker 1: so awkward, and it's all one to three they're like

858
00:54:39,840 --> 00:54:42,719
Speaker 1: numbered yeah, but at least this time it wasn't like

859
00:54:42,760 --> 00:54:47,120
Speaker 1: the little outfits like remember the last one was so bad,

860
00:54:47,200 --> 00:54:50,840
Speaker 1: although cut out. Donna's outfit crushed like that black dress

861
00:54:51,280 --> 00:54:59,920
Speaker 1: was awesome. I remember Brenda's outfit white. When we were shooting,

862
00:55:00,000 --> 00:55:04,000
Speaker 1: I remember thinking, oh, that's very provocative. I don't yes,

863
00:55:04,080 --> 00:55:06,319
Speaker 1: I thought so too, especially when Mrs Walsh was like,

864
00:55:06,360 --> 00:55:09,120
Speaker 1: you look great, honey, and I can see you're wearing

865
00:55:09,120 --> 00:55:10,960
Speaker 1: a bra and a see throw top over it in

866
00:55:11,000 --> 00:55:15,080
Speaker 1: a very short skirt. I would be like, go change.

867
00:55:15,080 --> 00:55:17,880
Speaker 1: That was I the only one worried during the dance.

868
00:55:17,920 --> 00:55:21,000
Speaker 1: I'm like, oh, don't bend over. That move is rough,

869
00:55:21,239 --> 00:55:25,960
Speaker 1: Like you think the clothes were provocative for today though, well,

870
00:55:27,400 --> 00:55:29,880
Speaker 1: I mean, I I my daughter has friends that go

871
00:55:29,960 --> 00:55:34,560
Speaker 1: out in a bra and I can't even believe it.

872
00:55:34,800 --> 00:55:36,840
Speaker 1: I was like, if you ever, if you ever do that?

873
00:55:36,960 --> 00:55:39,920
Speaker 1: Or did they post on social media wearing that stuff?

874
00:55:40,239 --> 00:55:43,000
Speaker 1: Here's the yeah. I just my kid went to see

875
00:55:43,040 --> 00:55:46,919
Speaker 1: Billie Eilish the other night, which she had the best time,

876
00:55:47,719 --> 00:55:52,880
Speaker 1: but her she had a corset. She's fifteen and a half.

877
00:55:52,920 --> 00:55:54,480
Speaker 1: She didn't get dressed at my house. By the way,

878
00:55:54,960 --> 00:55:57,440
Speaker 1: she had a corset on, which was cute, I mean,

879
00:55:57,560 --> 00:56:00,040
Speaker 1: and her little friend had a little matching corset. And

880
00:56:00,080 --> 00:56:02,719
Speaker 1: then they had their dickies. But their dickies are now

881
00:56:02,880 --> 00:56:07,080
Speaker 1: rolled down at the top, like the zippers slightly open,

882
00:56:07,160 --> 00:56:11,760
Speaker 1: and then they roll the bottom so it's like lower again.

883
00:56:11,920 --> 00:56:14,319
Speaker 1: Why am I like blanking? What is It's like the

884
00:56:14,400 --> 00:56:18,920
Speaker 1: mechanic pants, you know, the work pants. Okay, okay, so

885
00:56:18,960 --> 00:56:22,040
Speaker 1: they've low waist is back, which I'm actually happy about.

886
00:56:22,120 --> 00:56:25,600
Speaker 1: But they're going a little low. But what do you

887
00:56:25,600 --> 00:56:28,719
Speaker 1: guys do? She said? Moment the craziest thing happened. I

888
00:56:28,719 --> 00:56:30,799
Speaker 1: was dancing was the best time. I was laughing at

889
00:56:30,880 --> 00:56:33,360
Speaker 1: crying and screaming, and then I noticed both my boobs

890
00:56:33,360 --> 00:56:37,560
Speaker 1: were out. No, I was like, I don't want to

891
00:56:37,600 --> 00:56:44,480
Speaker 1: hear this. Oh no, not to switch it. But Donna

892
00:56:44,600 --> 00:56:47,719
Speaker 1: did have a super cute crop top, which I thought,

893
00:56:47,719 --> 00:56:50,760
Speaker 1: how does she get her tummy that? Tan? That's my question.

894
00:56:51,480 --> 00:56:55,759
Speaker 1: First of all, tor like it was so rock and

895
00:56:56,320 --> 00:56:58,560
Speaker 1: I remember the guys We've talked about this before, but

896
00:56:58,800 --> 00:57:02,080
Speaker 1: Luke Jason, they used to come up and put their

897
00:57:02,120 --> 00:57:06,200
Speaker 1: hands around her waist like this, like both hands around.

898
00:57:06,360 --> 00:57:10,719
Speaker 1: They could touch their hands together around her waist. Yeah,

899
00:57:10,840 --> 00:57:12,640
Speaker 1: and that was like the party trick. That was like

900
00:57:12,719 --> 00:57:18,840
Speaker 1: the like tour to come here. Let me see. I'd

901
00:57:18,920 --> 00:57:23,000
Speaker 1: have to give winning always to to Brandon and Dylan,

902
00:57:23,320 --> 00:57:26,360
Speaker 1: and then I think you and Tory won the fashion

903
00:57:26,560 --> 00:57:29,520
Speaker 1: of the episode, even though Shannon's white was pretty iconic,

904
00:57:29,600 --> 00:57:31,280
Speaker 1: but it was I would give it to the two

905
00:57:31,280 --> 00:57:34,600
Speaker 1: of you, and always missrs Walsh is the worst. They

906
00:57:34,680 --> 00:57:39,479
Speaker 1: just oh god, she can't. She cannot win in any

907
00:57:39,520 --> 00:57:42,400
Speaker 1: kind of fashion contest ever. So we talked a little

908
00:57:42,400 --> 00:57:44,880
Speaker 1: bit about lines, like one of my favorite lines was

909
00:57:44,960 --> 00:57:48,920
Speaker 1: the Kelly line about Cliff Burman in a pool else

910
00:57:49,040 --> 00:57:51,040
Speaker 1: that was a great line. Did you guys have any

911
00:57:51,040 --> 00:57:56,320
Speaker 1: other standout lines that you loved? Nobody does that when

912
00:57:56,360 --> 00:57:59,240
Speaker 1: you say I don't know whether the Africa nobody does

913
00:57:59,280 --> 00:58:01,520
Speaker 1: to me that just I put star Star Star Star,

914
00:58:01,600 --> 00:58:04,919
Speaker 1: Star Star Star. That was a good one. Now, yeah,

915
00:58:04,960 --> 00:58:08,120
Speaker 1: that one hit me too, but I'm gonna stick with

916
00:58:08,840 --> 00:58:12,919
Speaker 1: I'm a sucker for girls and party shoes. It's I've

917
00:58:12,920 --> 00:58:19,960
Speaker 1: never heard that before. You're a troublemaker, David Lasher. I

918
00:58:20,000 --> 00:58:21,960
Speaker 1: also thought, okay, wait before we go, I'm sorry, I'm

919
00:58:22,000 --> 00:58:26,040
Speaker 1: getting sidetracked. But all of a sudden, Brandon and Steve

920
00:58:26,040 --> 00:58:30,400
Speaker 1: are besties with the football guys. When like literally punch

921
00:58:30,440 --> 00:58:33,120
Speaker 1: Steve in the face like two episodes ago, I was

922
00:58:33,360 --> 00:58:36,160
Speaker 1: very like, why are all the guys to like, why

923
00:58:36,240 --> 00:58:41,440
Speaker 1: is Brandon in with the jocks? Now into this he

924
00:58:41,520 --> 00:58:44,480
Speaker 1: wrote an article about us doing steroids and busted all

925
00:58:44,520 --> 00:58:48,760
Speaker 1: of us. Right now, you like him and I love

926
00:58:48,880 --> 00:58:52,440
Speaker 1: Steve on the phone on the like cord phone in

927
00:58:52,520 --> 00:58:55,600
Speaker 1: the peach pick getting the scores, like it was just

928
00:58:55,640 --> 00:58:59,280
Speaker 1: like that was like, oh my god, was this pretty

929
00:58:59,320 --> 00:59:03,120
Speaker 1: cell phone? Yeah? Like in ninety two, this was was

930
00:59:03,160 --> 00:59:06,000
Speaker 1: this did you say ninety two October two? But this

931
00:59:06,080 --> 00:59:08,440
Speaker 1: was I think we had those big brick phones because

932
00:59:08,480 --> 00:59:12,080
Speaker 1: I do vividly remember being shooting the beach episodes, which

933
00:59:12,240 --> 00:59:15,640
Speaker 1: we've already been had on uh and having like an

934
00:59:15,680 --> 00:59:19,640
Speaker 1: emergency phone call or like, uh something like the phone

935
00:59:19,680 --> 00:59:21,800
Speaker 1: brought out to you on set and it was that

936
00:59:21,920 --> 00:59:24,840
Speaker 1: big giant brick with the antenna. Yeah, I had the

937
00:59:24,880 --> 00:59:28,000
Speaker 1: ones in the car like so in the car. It

938
00:59:28,040 --> 00:59:31,680
Speaker 1: was stuck in the car, like and then your dad

939
00:59:31,720 --> 00:59:35,080
Speaker 1: would scream at you and go, why is this bill

940
00:59:35,240 --> 00:59:39,840
Speaker 1: five hundred dollars? Like, sorry, Dad, I don't know. Because

941
00:59:41,800 --> 00:59:47,320
Speaker 1: there was no unlimited calling. She had that weird contraption.

942
00:59:48,760 --> 00:59:50,040
Speaker 1: I know we have to go, so I let of

943
00:59:50,080 --> 00:59:51,440
Speaker 1: them go. But you know what we used to get

944
00:59:51,560 --> 00:59:55,040
Speaker 1: so busted four back then too, calling four one one.

945
00:59:55,520 --> 00:59:57,400
Speaker 1: Do you guys remember four one one? And you're like,

946
00:59:57,440 --> 01:00:00,200
Speaker 1: formation can I get the number for a round ta well?

947
01:00:00,240 --> 01:00:02,480
Speaker 1: And then you're like can you connect me? And like

948
01:00:02,520 --> 01:00:05,720
Speaker 1: it's an extra quarter and you're like that's cool, and

949
01:00:05,800 --> 01:00:10,959
Speaker 1: you're I don't care, I'm not paying it four one one.

950
01:00:11,240 --> 01:00:14,840
Speaker 1: Use the phone book, and you know, it's so fun

951
01:00:14,840 --> 01:00:17,840
Speaker 1: to catch up and it's fun to uh watch the

952
01:00:17,840 --> 01:00:21,240
Speaker 1: episode and talk about it with you and mix it

953
01:00:21,320 --> 01:00:23,680
Speaker 1: up a little bit. Thank you David for doing this.

954
01:00:24,760 --> 01:00:27,840
Speaker 1: Oh anytime. I had really the best memories working with

955
01:00:27,880 --> 01:00:30,920
Speaker 1: you guys, So thanks for having me. Yeah, David, you're

956
01:00:30,920 --> 01:00:33,160
Speaker 1: the sweetest. And if I may say, you have an

957
01:00:33,200 --> 01:00:36,960
Speaker 1: aged a day, not a day good. Looks exactly all

958
01:00:37,000 --> 01:00:42,520
Speaker 1: the same on the d L. But he's got I'm

959
01:00:42,520 --> 01:00:45,360
Speaker 1: sending you the hats. Thank you for the compliment. And

960
01:00:45,920 --> 01:00:49,320
Speaker 1: I'd say the same about you guys that we got it.

961
01:00:49,320 --> 01:00:51,680
Speaker 1: We got all going for us. So the next episode

962
01:00:51,880 --> 01:00:58,240
Speaker 1: everybody is Season three, episode eleven. A presumption of innocence

963
01:00:59,600 --> 01:01:04,120
Speaker 1: looks to meet something serious. Oh I know what it is.

964
01:01:04,200 --> 01:01:07,880
Speaker 1: Oh my god, Sorry, it's so scandling to me. I

965
01:01:07,920 --> 01:01:09,600
Speaker 1: know what it is. I think it might be so scandling.

966
01:01:09,640 --> 01:01:13,080
Speaker 1: I'm excited. Its Gil. Get rid of him. I hope

967
01:01:13,120 --> 01:01:17,880
Speaker 1: something bad happens. Bye bye Gil. Alright, so weird. If

968
01:01:17,880 --> 01:01:22,720
Speaker 1: I just keep watching the show, I'm gonna join the part.

969
01:01:22,720 --> 01:01:24,760
Speaker 1: I'm gonna listen to the podcast. Two guys, you keep

970
01:01:24,760 --> 01:01:27,920
Speaker 1: doing it. It's fun. We're having a great time, all right.

971
01:01:27,960 --> 01:01:32,240
Speaker 1: Everybody have a good week. That's all I got to say. Bye, guys.

972
01:01:32,360 --> 01:01:39,600
Speaker 1: You guys are the best. I