1 00:00:00,560 --> 00:00:03,760 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:03,800 --> 00:00:13,960 Speaker 1: Stuff Works dot com. Hello, and welcome to the podcast. 3 00:00:14,040 --> 00:00:16,759 Speaker 1: I'm Katie Lamber and I'm Sarah Dowdy. And one of 4 00:00:16,760 --> 00:00:20,599 Speaker 1: our absolute favorite podcasts was What Happened to Cleopatra's Children. 5 00:00:20,880 --> 00:00:23,760 Speaker 1: We chose it because we really like Cleopatra and Jubatu, 6 00:00:23,840 --> 00:00:27,920 Speaker 1: and Jubatu because he's our our favorite historical personage, um. 7 00:00:27,920 --> 00:00:30,200 Speaker 1: But we also chose it because we wanted to learn 8 00:00:30,240 --> 00:00:33,720 Speaker 1: more about Cleopatra's personal life and that of her children. 9 00:00:34,159 --> 00:00:38,000 Speaker 1: But consequently we learned a little bit about her struggle 10 00:00:38,040 --> 00:00:40,960 Speaker 1: against Rome too, and she is not the only woman 11 00:00:41,080 --> 00:00:43,960 Speaker 1: who stood up to Rome. Another woman who has as 12 00:00:43,960 --> 00:00:47,680 Speaker 1: our subject for today's podcast, and I'll let really in 13 00:00:47,800 --> 00:00:51,800 Speaker 1: give her introduction with this quote, how Ozenobia has thou 14 00:00:51,960 --> 00:00:56,120 Speaker 1: dared to insult Roman emperors? And how indeed so? A 15 00:00:56,120 --> 00:00:58,080 Speaker 1: little bit about who she was. She was the third 16 00:00:58,120 --> 00:01:01,560 Speaker 1: century queen of Palmyra, which today as Syria, and she 17 00:01:01,720 --> 00:01:04,800 Speaker 1: was a warrior queen. She conquered again and again until 18 00:01:04,880 --> 00:01:09,520 Speaker 1: she came up against Aurelian. She also styled herself like Cleopatra, 19 00:01:09,600 --> 00:01:12,840 Speaker 1: who she viewed somewhat as a role model, and did 20 00:01:12,880 --> 00:01:16,160 Speaker 1: a lot of building her own legend in her own time. 21 00:01:16,480 --> 00:01:18,720 Speaker 1: There are all these stories about her, you know, about 22 00:01:18,720 --> 00:01:21,400 Speaker 1: her being this gorgeous woman with her dark brown skin 23 00:01:21,520 --> 00:01:24,280 Speaker 1: and her pearly white teeth. But she was someone who 24 00:01:24,360 --> 00:01:27,440 Speaker 1: could drink with the boys and also used sex as 25 00:01:27,480 --> 00:01:30,000 Speaker 1: a weapon within the bounds of her marriage. So of 26 00:01:30,040 --> 00:01:33,440 Speaker 1: course this kind of woman gets written about. Picaccio and 27 00:01:33,640 --> 00:01:37,000 Speaker 1: Chaucer right about her. Chaucer mentions her in the Monk's Tale. 28 00:01:37,440 --> 00:01:40,720 Speaker 1: So a little bit about who she is. Zenobia has 29 00:01:40,840 --> 00:01:43,800 Speaker 1: two names in Latin, it's septimmy as Zenobia and an 30 00:01:43,880 --> 00:01:47,280 Speaker 1: Aramaic it's abouts Aby. She was Arab, but she may 31 00:01:47,319 --> 00:01:50,120 Speaker 1: also have been Aramian, and some have said she was 32 00:01:50,240 --> 00:01:53,800 Speaker 1: Jewish because she treated the Jews of Alexandria well. But 33 00:01:53,960 --> 00:01:57,400 Speaker 1: other historians have made a point, like Antonia Fraser, that 34 00:01:57,400 --> 00:02:00,320 Speaker 1: that says a lot about Jews in history and their 35 00:02:00,360 --> 00:02:03,440 Speaker 1: persecution if you assume just because someone was nice enough 36 00:02:03,480 --> 00:02:05,840 Speaker 1: to be people, they must have been part of the group. 37 00:02:06,160 --> 00:02:10,160 Speaker 1: So Zenobia's mother may have been Egyptian. Her father was 38 00:02:10,200 --> 00:02:14,920 Speaker 1: definitely a wealthy, educated Arab merchant aristocrat, and we've mentioned 39 00:02:14,919 --> 00:02:19,560 Speaker 1: Cleopatra a few times now. Zenobia wanted to be like Cleopatra. 40 00:02:19,760 --> 00:02:23,280 Speaker 1: She's her role model. She says she's descended from her 41 00:02:23,320 --> 00:02:26,639 Speaker 1: by Juba to of course Um, she probably isn't, but 42 00:02:26,880 --> 00:02:32,000 Speaker 1: she's still just seizes on this potential ancestor to align 43 00:02:32,080 --> 00:02:34,840 Speaker 1: herself with and should kind of put herself in that mole. 44 00:02:35,040 --> 00:02:38,040 Speaker 1: And just as Cleopatra tries to align herself with Isis, 45 00:02:38,120 --> 00:02:42,560 Speaker 1: the goddess isis Um, Zenobia has this more modern version. 46 00:02:43,600 --> 00:02:46,120 Speaker 1: So we should talk a little bit more about Palmyra 47 00:02:46,200 --> 00:02:48,840 Speaker 1: and what this kingdom is that she has. It's also 48 00:02:48,880 --> 00:02:51,440 Speaker 1: non invites more ancient named Todd Moore at the city 49 00:02:51,960 --> 00:02:55,440 Speaker 1: and then the third century BC is when it became important, 50 00:02:55,560 --> 00:02:58,600 Speaker 1: and that's because of the city's location in relation to trade. 51 00:02:58,639 --> 00:03:02,560 Speaker 1: It's between the Deterranean and the Euphrates on an oasis, 52 00:03:03,000 --> 00:03:05,639 Speaker 1: so it was linked by caravan routes to Phoenicia and 53 00:03:05,800 --> 00:03:09,640 Speaker 1: Mysa and Damascus, so it's really linking Mesopotamia to the 54 00:03:09,680 --> 00:03:12,799 Speaker 1: East here and as far as trade goes, it's a 55 00:03:12,840 --> 00:03:17,720 Speaker 1: good place to be. Camels, another favorite topic of pot 56 00:03:18,760 --> 00:03:22,120 Speaker 1: are bringing in silk and jade from China. Spices and 57 00:03:22,160 --> 00:03:26,080 Speaker 1: ebony are coming in from India, and these wealthy merchant 58 00:03:26,120 --> 00:03:29,440 Speaker 1: aristocrats who live there are oftentimes patrons of the art 59 00:03:29,440 --> 00:03:34,120 Speaker 1: as well. In a D one fourteen, Palmyra is technically 60 00:03:34,200 --> 00:03:37,000 Speaker 1: part of the Roman Empire, but Hadrian gave them a 61 00:03:37,040 --> 00:03:40,120 Speaker 1: lot of freedom, even let them levy their own municipal taxes, 62 00:03:40,160 --> 00:03:43,320 Speaker 1: which was a big deal. And Palmyra is valuable to 63 00:03:43,400 --> 00:03:46,480 Speaker 1: the Roman Empire because it connects them to the east, 64 00:03:46,520 --> 00:03:50,560 Speaker 1: and also because of their military prowess. The Palmarian archers 65 00:03:50,640 --> 00:03:53,400 Speaker 1: were considered pretty amazing and the Romans were hoping to 66 00:03:53,480 --> 00:03:57,720 Speaker 1: use them against the Parthians. So Palmira eventually becomes a colony, 67 00:03:57,840 --> 00:04:00,120 Speaker 1: so they get an even better deal than they have 68 00:04:00,640 --> 00:04:04,800 Speaker 1: and again more freedom from Rome. And Rome puts Zenobia's 69 00:04:04,920 --> 00:04:11,880 Speaker 1: husband on nat Or odin Athis maybe in charge um 70 00:04:11,960 --> 00:04:15,280 Speaker 1: and they're too busy dealing with the Goths. The Roman 71 00:04:15,920 --> 00:04:18,960 Speaker 1: emperors are too busy, right, so they want someone else 72 00:04:18,960 --> 00:04:22,320 Speaker 1: who's watching over the eastern provinces for them while they're 73 00:04:22,320 --> 00:04:26,640 Speaker 1: fighting battles on their other borders, and Odonais does the 74 00:04:26,680 --> 00:04:30,960 Speaker 1: empire of service. The Emperor Valerian has been defeated, captured 75 00:04:31,000 --> 00:04:33,719 Speaker 1: and killed in a gory way by King Support of Persia, 76 00:04:34,200 --> 00:04:37,400 Speaker 1: and say he was forced to swallow molten gold and 77 00:04:37,440 --> 00:04:39,560 Speaker 1: it looks like Persia is going to take over these 78 00:04:39,600 --> 00:04:44,320 Speaker 1: eastern provinces, but odan Athis manages to repel them. However, 79 00:04:44,400 --> 00:04:48,080 Speaker 1: he is assassinated in two sixty six or two sixty seven, 80 00:04:48,160 --> 00:04:51,719 Speaker 1: as is his heir from his first marriage. So who 81 00:04:51,800 --> 00:04:54,479 Speaker 1: killed them? That's our big question here. This guy's at 82 00:04:54,600 --> 00:04:58,920 Speaker 1: the height of his glory and he's assassinated. There's a 83 00:04:58,960 --> 00:05:01,920 Speaker 1: good reason to believe it could have been Zenobia because 84 00:05:02,040 --> 00:05:06,320 Speaker 1: next in line for the throne is her kid, Babalathus Athenodorus. 85 00:05:06,480 --> 00:05:09,120 Speaker 1: I'm sorry if I mispronouncing that, which is entirely likely, 86 00:05:09,680 --> 00:05:11,919 Speaker 1: and then she would be regent for him. Or it 87 00:05:11,920 --> 00:05:14,520 Speaker 1: could also have been the Romans, who may not have 88 00:05:14,560 --> 00:05:18,320 Speaker 1: been happy with this self styled king taking over large 89 00:05:18,360 --> 00:05:20,919 Speaker 1: parts of their empire and who's getting quite proud of 90 00:05:20,960 --> 00:05:25,920 Speaker 1: himself too. So Zenobia becomes region and immediately attacks Egypt. 91 00:05:26,160 --> 00:05:29,040 Speaker 1: Rome is busy again fighting the golfs, and in two 92 00:05:29,160 --> 00:05:31,880 Speaker 1: sixty nine she's conquered most of Egypt and the next 93 00:05:31,920 --> 00:05:35,480 Speaker 1: most of Syria, and by two seventies she's into Asia Minor. 94 00:05:35,600 --> 00:05:41,080 Speaker 1: So Palmyra now goes from Egypt to the Bosphorus, including Syria, Mesopotamia, Palestine, 95 00:05:41,080 --> 00:05:43,880 Speaker 1: in Northern Arabia, Egypt, and a big part of Asia Minor. 96 00:05:44,120 --> 00:05:48,039 Speaker 1: She's controlling this huge amount of territory in all of 97 00:05:48,120 --> 00:05:50,159 Speaker 1: the trade routes that go through it, which is the 98 00:05:50,200 --> 00:05:54,840 Speaker 1: really crucial thing here. Rome totally depends on Egypt for corn, 99 00:05:55,120 --> 00:05:58,120 Speaker 1: So if you have Zenobia shedding you out of Egypt, 100 00:05:58,120 --> 00:06:00,960 Speaker 1: you're you're in a mess of rubble. So this is 101 00:06:01,000 --> 00:06:03,839 Speaker 1: bad news for Rome, but again they're dealing with other 102 00:06:03,880 --> 00:06:06,280 Speaker 1: things on other fronts. They don't have the time or 103 00:06:06,320 --> 00:06:10,039 Speaker 1: the energy to devote to Zenobia until she declares that 104 00:06:10,080 --> 00:06:12,920 Speaker 1: she is independent from Rome, she's no longer a part 105 00:06:12,960 --> 00:06:15,440 Speaker 1: of their empire, and in two seventy one she has 106 00:06:15,480 --> 00:06:18,680 Speaker 1: money made with her and her son's image, which it's 107 00:06:18,680 --> 00:06:21,320 Speaker 1: basically just a declaration of war. Reminds me again of 108 00:06:21,360 --> 00:06:25,040 Speaker 1: Cleopatra too, oh exactly. So, the Palm Marines go to 109 00:06:25,120 --> 00:06:29,080 Speaker 1: the oracles to find out about the future of their empire, 110 00:06:29,960 --> 00:06:32,839 Speaker 1: and it does not go well, to say the very least. 111 00:06:33,040 --> 00:06:37,919 Speaker 1: The oracle at Apollo Sarpidonius tells them their inquiries basically 112 00:06:37,960 --> 00:06:40,880 Speaker 1: an insult, and the oracle at Venus Aphasitas won't even 113 00:06:40,920 --> 00:06:44,080 Speaker 1: take their offerings. Didn't you say it floats there. Yeah, 114 00:06:44,160 --> 00:06:46,839 Speaker 1: this is a bad, bad omen for the pal Marines. 115 00:06:47,480 --> 00:06:52,040 Speaker 1: It reminded us of the Specters that when whenever ghosts 116 00:06:52,080 --> 00:06:55,640 Speaker 1: the Specters happen, it's just bad news. But Realme has 117 00:06:55,680 --> 00:06:59,039 Speaker 1: a new emperor into seventy, a Relian, and he's tired 118 00:06:59,160 --> 00:07:03,240 Speaker 1: of Zenobia's shenanigans and marches to Asia Minor. So the 119 00:07:03,279 --> 00:07:07,200 Speaker 1: pal Marines faith are alien outside of Antioch, and the 120 00:07:07,200 --> 00:07:10,560 Speaker 1: palm Marines had this awesome line of archers with the 121 00:07:10,600 --> 00:07:14,280 Speaker 1: cavalry behind it and then the infantry behind that, But 122 00:07:14,320 --> 00:07:17,680 Speaker 1: the cavalry had a bad habit of getting over zealous 123 00:07:17,760 --> 00:07:21,240 Speaker 1: and just losing touch with what else was going on, 124 00:07:21,360 --> 00:07:26,800 Speaker 1: according to Anthony Fraser's Yes, and so they get tricky 125 00:07:26,920 --> 00:07:29,440 Speaker 1: and they pretend to retreat, hoping that the cavalry will 126 00:07:29,480 --> 00:07:32,080 Speaker 1: follow them, which they do, and they then have the 127 00:07:32,120 --> 00:07:35,760 Speaker 1: cavalry and the writers running around in the desert until 128 00:07:35,800 --> 00:07:38,880 Speaker 1: they get tired, at which point they surround them and 129 00:07:39,040 --> 00:07:42,040 Speaker 1: kill them all. So Zenobia is obviously in trouble. At 130 00:07:42,040 --> 00:07:45,400 Speaker 1: this point, she heads to Amis that she has alien 131 00:07:45,520 --> 00:07:49,200 Speaker 1: in pursuit of her, and each side has about seventy 132 00:07:49,280 --> 00:07:53,960 Speaker 1: thousand men, which is a truly large number, and they 133 00:07:53,960 --> 00:07:56,480 Speaker 1: catch up with her and the Romans when they were 134 00:07:56,520 --> 00:07:59,720 Speaker 1: simply the better army. There are dead men and horses 135 00:08:00,280 --> 00:08:03,880 Speaker 1: littering the countryside, and Zenobia flees again. She goes back 136 00:08:03,880 --> 00:08:06,680 Speaker 1: to Palmyra, which is about a hundred miles from where 137 00:08:06,680 --> 00:08:09,960 Speaker 1: they are. She's probably hoping the distance and the terrain 138 00:08:10,040 --> 00:08:13,200 Speaker 1: and the heat are going to keep Arelian from getting 139 00:08:13,200 --> 00:08:15,600 Speaker 1: to her, but he makes it, and then she's stuck. 140 00:08:15,680 --> 00:08:18,240 Speaker 1: She's in this isolated area. She's got nowhere else to go, 141 00:08:18,400 --> 00:08:21,080 Speaker 1: and he sets up a blockade, and famine sets in 142 00:08:21,160 --> 00:08:24,440 Speaker 1: pretty soon, and the two right each other's Enobia and 143 00:08:24,560 --> 00:08:29,120 Speaker 1: Arlian and Uh. He tells her to surrender and offers 144 00:08:29,120 --> 00:08:33,680 Speaker 1: her pretty good terms, but she refuses, absolutely and defiantly. 145 00:08:33,800 --> 00:08:37,640 Speaker 1: She will not surrender to the emperor, and she leaves 146 00:08:37,679 --> 00:08:42,880 Speaker 1: the city. The snottier interpretation of it is that she 147 00:08:43,000 --> 00:08:44,760 Speaker 1: was just trying to escape and she was leaving her 148 00:08:44,760 --> 00:08:46,960 Speaker 1: people to their fate, but some people say she was 149 00:08:47,000 --> 00:08:50,200 Speaker 1: going to try to get help from Persia against Arielian. 150 00:08:50,320 --> 00:08:52,760 Speaker 1: Either way, she's caught at their euphrates and she's brought 151 00:08:52,800 --> 00:08:56,040 Speaker 1: to a mesa. Palmyra falls and now she has to 152 00:08:56,080 --> 00:09:00,280 Speaker 1: deal with Arillian. So Arelian is not happy that all 153 00:09:00,280 --> 00:09:03,000 Speaker 1: of this trouble happened over a woman, and he gives 154 00:09:03,000 --> 00:09:08,199 Speaker 1: all these speeches basically trying to justify fighting a woman, essentially, 155 00:09:08,240 --> 00:09:10,840 Speaker 1: you know, saying, well, she's a woman, but she really 156 00:09:10,880 --> 00:09:12,960 Speaker 1: has a lot of the qualities of a man just 157 00:09:13,080 --> 00:09:16,520 Speaker 1: trying to make himself better, look a little better. But 158 00:09:16,559 --> 00:09:21,240 Speaker 1: then she goes back with the classic trick of saying, well, 159 00:09:22,080 --> 00:09:24,440 Speaker 1: I'm just a weak woman, and it was men who 160 00:09:24,440 --> 00:09:26,960 Speaker 1: tricked me. And you know this was none of my 161 00:09:27,040 --> 00:09:30,200 Speaker 1: own doing. I didn't even write that defiant letter. It 162 00:09:30,280 --> 00:09:35,480 Speaker 1: was the scholar instead, poor scholars executed. And she plays 163 00:09:35,520 --> 00:09:38,680 Speaker 1: her cards well. She's taken as a captive to Rome 164 00:09:39,240 --> 00:09:43,080 Speaker 1: in this giant parade that Aurelian sets up. In addition 165 00:09:43,080 --> 00:09:47,199 Speaker 1: to having Zenobia wearing tons of jewels, pounds of them 166 00:09:47,200 --> 00:09:51,800 Speaker 1: and gold shackles, the triumph also features elephants and giraffes 167 00:09:51,880 --> 00:09:57,040 Speaker 1: and gladiators and ambassadors captives wearing placards. So I really 168 00:09:57,080 --> 00:09:59,920 Speaker 1: liked that detail. They've got people all sorts of captives. 169 00:10:00,000 --> 00:10:03,560 Speaker 1: Arialian scotten even though you know Zenobia's captain number one, 170 00:10:03,679 --> 00:10:06,920 Speaker 1: but they are signs around their necks saying like Amazon 171 00:10:07,120 --> 00:10:09,360 Speaker 1: or something, except for Zenobia, who doesn't need them. With 172 00:10:09,360 --> 00:10:13,320 Speaker 1: the pounds of jewels. It's like an exotic natural history triumph. 173 00:10:13,400 --> 00:10:15,840 Speaker 1: I really wish I'd been there. But she goes off 174 00:10:15,880 --> 00:10:18,040 Speaker 1: to live the rest of her life rather quietly. She 175 00:10:18,120 --> 00:10:20,480 Speaker 1: married a Roman senator and went to live in a 176 00:10:20,559 --> 00:10:23,600 Speaker 1: villain in the countryside, and that's pretty much the end 177 00:10:23,679 --> 00:10:27,559 Speaker 1: of what you hear about Zenobia. So this slow denolment 178 00:10:27,640 --> 00:10:31,040 Speaker 1: of her life contrasts really interestingly to that of Cleopatra, 179 00:10:31,160 --> 00:10:33,960 Speaker 1: who knows how to go out with a bang or 180 00:10:34,080 --> 00:10:38,800 Speaker 1: a rather exactly um. But yeah, I find it so 181 00:10:38,880 --> 00:10:42,480 Speaker 1: interesting that somebody who has modeled her life um so 182 00:10:42,559 --> 00:10:46,560 Speaker 1: closely on that of Cleopatra is willing to give it 183 00:10:46,640 --> 00:10:51,280 Speaker 1: up in the end and admit her defeat. I guess 184 00:10:51,320 --> 00:10:57,120 Speaker 1: another interesting thing about Zenobia versus other warrior queens throughout history, 185 00:10:57,160 --> 00:10:59,600 Speaker 1: like Boudica, and again I'm going to Anthony of Rager's 186 00:10:59,600 --> 00:11:03,920 Speaker 1: book Your Queen's is that her military pursuits weren't about 187 00:11:04,080 --> 00:11:07,880 Speaker 1: righting wrongs or any sort of weren't moral, No, they 188 00:11:07,880 --> 00:11:12,480 Speaker 1: were completely about ambition, pure burning ambition. And you know, 189 00:11:12,600 --> 00:11:14,640 Speaker 1: then she ends up in her little villa in the countryside, 190 00:11:14,679 --> 00:11:17,920 Speaker 1: I guess, accomplishing what she could well, and and that 191 00:11:17,960 --> 00:11:20,920 Speaker 1: fits into this legend building that we were talking about 192 00:11:20,920 --> 00:11:25,040 Speaker 1: earlier that surrounds her, this ambition to UM not only 193 00:11:25,080 --> 00:11:30,360 Speaker 1: conquer territories, but build herself up into this uh consequently 194 00:11:30,720 --> 00:11:35,080 Speaker 1: mythical personage. She's done such a good job at her 195 00:11:35,080 --> 00:11:38,160 Speaker 1: own legend building that she seems kind of false almost. 196 00:11:38,240 --> 00:11:41,959 Speaker 1: She seems like the perfect character for UM, like a 197 00:11:42,080 --> 00:11:45,079 Speaker 1: made for TV movie or something. It would absolutely go 198 00:11:45,240 --> 00:11:52,320 Speaker 1: see that. But that brings us to listener mail, and 199 00:11:52,360 --> 00:11:54,640 Speaker 1: today listener mails a little bit different. We're not going 200 00:11:54,679 --> 00:11:57,600 Speaker 1: to give you anyone's names, but we had a listener 201 00:11:57,760 --> 00:12:01,320 Speaker 1: right to us and he said, please ease in caps, 202 00:12:01,800 --> 00:12:05,079 Speaker 1: no more women's history, and we're sorry to say that 203 00:12:05,080 --> 00:12:09,040 Speaker 1: that's not going to happen, not at all. I think 204 00:12:09,040 --> 00:12:11,640 Speaker 1: when a lot of people think of women's history, they 205 00:12:11,679 --> 00:12:15,440 Speaker 1: think of a Jane Austen novel come to life, people 206 00:12:16,000 --> 00:12:19,760 Speaker 1: sitting in sitting rooms and talking about manners and things. 207 00:12:19,760 --> 00:12:22,680 Speaker 1: And we don't want to discount those stories because those 208 00:12:22,679 --> 00:12:26,000 Speaker 1: stories are important, and we would love to talk about 209 00:12:26,000 --> 00:12:28,640 Speaker 1: someone like Jane Austen. We do, we would love Jane Austen, 210 00:12:29,320 --> 00:12:32,240 Speaker 1: but there are also other stories that don't get covered 211 00:12:32,240 --> 00:12:34,360 Speaker 1: as often and things that you do miss in history, 212 00:12:34,480 --> 00:12:37,760 Speaker 1: like Zenobia, who I certainly never encountered before today, someone 213 00:12:37,800 --> 00:12:41,520 Speaker 1: who was working very much in a male sphere. So 214 00:12:41,679 --> 00:12:45,800 Speaker 1: since we're not willing to discount fifty one percent of history, um, 215 00:12:45,840 --> 00:12:49,440 Speaker 1: you should send us your favorite women's history topics or 216 00:12:49,480 --> 00:12:52,920 Speaker 1: any history because we're always open to it. All to 217 00:12:53,640 --> 00:12:57,240 Speaker 1: history podcasts at how stuff works dot com, and if 218 00:12:57,280 --> 00:12:59,920 Speaker 1: you like to follow us on Twitter, we're at Missed 219 00:13:00,040 --> 00:13:02,200 Speaker 1: in History And if you would like to learn more 220 00:13:02,240 --> 00:13:05,000 Speaker 1: about women in the history, you should check out our 221 00:13:05,000 --> 00:13:09,960 Speaker 1: website at www dot how stuff works dot com. For 222 00:13:10,040 --> 00:13:12,560 Speaker 1: more on this and thousands of other topics, visit how 223 00:13:12,600 --> 00:13:14,840 Speaker 1: stuff works dot com and be sure to check out 224 00:13:14,920 --> 00:13:17,120 Speaker 1: the Stuff you Missed in History class, blogged on the 225 00:13:17,120 --> 00:13:27,520 Speaker 1: how stuff works dot com home page