WEBVTT - 2021 Halloween Spooktacular!

0:00:01.480 --> 0:00:04.280
<v Speaker 1>Welcome to Stuff you Should Know, a production of I

0:00:04.360 --> 0:00:19.200
<v Speaker 1>Heart Radio. Hey, and welcome to the Spooktacular, the Spooky

0:00:19.360 --> 0:00:24.400
<v Speaker 1>spoek Tacular of the Spooktaculars of All Time Tacular. This

0:00:24.440 --> 0:00:29.880
<v Speaker 1>is stuff you should know, the Spooktacular the as tradition dictates,

0:00:30.080 --> 0:00:34.760
<v Speaker 1>add free spook Tacular m It's in our contract, it is.

0:00:34.840 --> 0:00:37.519
<v Speaker 1>We fight for it. Everyone, do not put ads and

0:00:37.600 --> 0:00:41.680
<v Speaker 1>ruin our bad readings of Halloween stories, which we try

0:00:41.840 --> 0:00:46.159
<v Speaker 1>very hard to select from the increasingly small pantheon of

0:00:47.080 --> 0:00:50.639
<v Speaker 1>public domain horror short fiction. I found a few this year,

0:00:50.640 --> 0:00:52.560
<v Speaker 1>so I got a couple in my hip pocket. Oh good,

0:00:52.560 --> 0:00:55.600
<v Speaker 1>I'm glad. I'm glad. I gotta say, uh, nice work.

0:00:55.920 --> 0:00:57.920
<v Speaker 1>I think both of these that we dug up are

0:00:58.000 --> 0:01:01.400
<v Speaker 1>really really good stories, agreed, m R James and hl

0:01:01.480 --> 0:01:06.480
<v Speaker 1>Mankin right. I thought it was Mr James. That's what

0:01:06.640 --> 0:01:10.319
<v Speaker 1>he likes, call me Mr James. He but you're a doctor,

0:01:10.640 --> 0:01:14.360
<v Speaker 1>so what. Yeah. The one I picked this year is

0:01:14.440 --> 0:01:17.319
<v Speaker 1>Lost Hearts by m R James. And I'm pretty psyched

0:01:17.319 --> 0:01:20.200
<v Speaker 1>about this one because it is good. Agreed. It's a corker,

0:01:20.319 --> 0:01:23.240
<v Speaker 1>you can figure it out, but it's still it's it's entertaining.

0:01:23.240 --> 0:01:27.800
<v Speaker 1>How about that it's entertaining, it's fun. Uh. There are

0:01:27.840 --> 0:01:31.959
<v Speaker 1>a couple of spooky uh dates in this did you

0:01:32.000 --> 0:01:35.319
<v Speaker 1>notice that we'll talk about that? I didn't know. I

0:01:35.360 --> 0:01:39.480
<v Speaker 1>can't wait to hear it. And um, you know, I

0:01:39.560 --> 0:01:44.960
<v Speaker 1>don't think we need a content warning. It's it's spooky. Um.

0:01:45.000 --> 0:01:47.800
<v Speaker 1>But you know with kids, and there's always a chance

0:01:47.840 --> 0:01:49.440
<v Speaker 1>if you have kids, they may not want to listen.

0:01:49.480 --> 0:01:51.919
<v Speaker 1>It's not over the top because it was written in

0:01:51.920 --> 0:01:55.160
<v Speaker 1>in the nineteenth century, right, yeah, and being written in

0:01:55.200 --> 0:01:57.280
<v Speaker 1>the nineteenth century that we should probably point out there's

0:01:57.280 --> 0:02:02.880
<v Speaker 1>a couple of um, yes, touchy, semi racist, uh, just

0:02:03.840 --> 0:02:07.400
<v Speaker 1>terms that will explain. Yeah, I mean, should we go

0:02:07.440 --> 0:02:10.600
<v Speaker 1>ahead and say now, oh sure, go ahead? Yeah? I

0:02:10.600 --> 0:02:13.360
<v Speaker 1>mean we did a podcast on the Roma people, and

0:02:13.520 --> 0:02:16.239
<v Speaker 1>UH made took great pains to tell people that using

0:02:16.240 --> 0:02:18.200
<v Speaker 1>the word gypsy is no longer something you should do.

0:02:18.720 --> 0:02:20.960
<v Speaker 1>We're saying jipped off, which is something that I learned

0:02:21.120 --> 0:02:24.200
<v Speaker 1>while doing that podcast. And they use the word gypsy

0:02:24.240 --> 0:02:26.640
<v Speaker 1>in here a couple of times. They also use chinaman

0:02:26.680 --> 0:02:29.280
<v Speaker 1>in here, but they're actually talking about something specific, so

0:02:29.400 --> 0:02:32.320
<v Speaker 1>we'll explain later, okay, Right, And there's a general with

0:02:32.360 --> 0:02:38.760
<v Speaker 1>this one lady um sort of xenophobic bent thank people

0:02:38.800 --> 0:02:43.160
<v Speaker 1>from other countries. She's a yeah exactly, She's an archetypal

0:02:43.760 --> 0:02:47.079
<v Speaker 1>rural died in the wool salt of the earth woman.

0:02:47.960 --> 0:02:51.120
<v Speaker 1>So all that is to say, the opinions expressed there

0:02:51.160 --> 0:02:54.040
<v Speaker 1>and do not represent those of the hostess. Very nice,

0:02:54.480 --> 0:03:00.320
<v Speaker 1>here with forthwith guarantee void in Tennessee. Alright, Uh, everyone,

0:03:00.360 --> 0:03:05.200
<v Speaker 1>turned the lights down. I've got my lights dimmed. Yeah,

0:03:05.280 --> 0:03:06.959
<v Speaker 1>let's do that. I'm going the first time we're not

0:03:06.960 --> 0:03:08.959
<v Speaker 1>in the same room holding hands. I know, I'm a

0:03:09.040 --> 0:03:12.800
<v Speaker 1>little scared. A little scared too. I can't see the

0:03:12.840 --> 0:03:14.640
<v Speaker 1>paper as well with that light off, So I'm gonna

0:03:14.639 --> 0:03:17.799
<v Speaker 1>turn it back on. Okay, Uh, turn the lights down

0:03:17.880 --> 0:03:22.359
<v Speaker 1>to get to pour yourself a spooky drink and gather kids.

0:03:22.840 --> 0:03:27.520
<v Speaker 1>And here we go for the spook tacular. And this

0:03:27.639 --> 0:03:33.320
<v Speaker 1>is Lost Hearts by Mr Mr James. I'll start, Okay,

0:03:33.560 --> 0:03:46.520
<v Speaker 1>sure it was, as far as I can ascertain, in

0:03:46.640 --> 0:03:49.680
<v Speaker 1>September of the year eighteen eleven. Is that a spooky date?

0:03:49.760 --> 0:03:53.360
<v Speaker 1>Chuck Bill, Well, it's coming, Okay, that a post chaise.

0:03:53.600 --> 0:03:55.880
<v Speaker 1>I think that's a kind of coach drew up before

0:03:55.920 --> 0:03:59.440
<v Speaker 1>the door of Aswarby Hall in the heart of Lincolnshire.

0:04:00.160 --> 0:04:01.920
<v Speaker 1>The little boy who jumped out as soon as it

0:04:01.960 --> 0:04:05.560
<v Speaker 1>had stopped, looked about him with the keenest curiosity. During

0:04:05.560 --> 0:04:08.200
<v Speaker 1>the short interval that elapsed between the ringing of the

0:04:08.200 --> 0:04:11.080
<v Speaker 1>bell and the opening of the hall door, he saw

0:04:11.120 --> 0:04:14.200
<v Speaker 1>a tall, square, red brick house built in the rain

0:04:14.240 --> 0:04:17.159
<v Speaker 1>of an A stone pillared porch had been added in

0:04:17.200 --> 0:04:20.880
<v Speaker 1>the purest classical style of seventeen ninety. The windows of

0:04:20.880 --> 0:04:23.920
<v Speaker 1>the house were many, tall and narrow, with small panes

0:04:23.960 --> 0:04:27.560
<v Speaker 1>and thick white woodwork. A pediment pierced with round window

0:04:27.839 --> 0:04:30.479
<v Speaker 1>crowned the front. There were wings to the left and

0:04:30.520 --> 0:04:34.800
<v Speaker 1>the right, connected by curious glazed galleries supported by colonnades

0:04:35.040 --> 0:04:38.760
<v Speaker 1>with the central block. These wings plainly contained the stables

0:04:38.760 --> 0:04:41.520
<v Speaker 1>and offices of the house. Each was surmounted by an

0:04:41.600 --> 0:04:46.359
<v Speaker 1>ornamental cupola with a gilded vein cupola. You know, I

0:04:46.400 --> 0:04:49.120
<v Speaker 1>always said coupola, and then every single person on the

0:04:49.200 --> 0:04:52.640
<v Speaker 1>Inspiration four crew called that thing on the dragon capsule

0:04:52.680 --> 0:04:54.640
<v Speaker 1>of the cupola, So I'm just going with that now.

0:04:57.160 --> 0:04:59.960
<v Speaker 1>An evening light shone on the building, making the window

0:05:00.080 --> 0:05:03.960
<v Speaker 1>panes glow like so many fires, so many away from

0:05:03.960 --> 0:05:06.480
<v Speaker 1>the hall in front stretched a flat park studded with

0:05:06.520 --> 0:05:10.520
<v Speaker 1>oaks and fringed with furs, which stood out against the sky.

0:05:10.760 --> 0:05:13.279
<v Speaker 1>The clock in the church tower buried in trees on

0:05:13.279 --> 0:05:16.280
<v Speaker 1>the edge of the park, only its golden weathercock catching

0:05:16.320 --> 0:05:19.840
<v Speaker 1>the light was striking six, and the sound came gently

0:05:19.920 --> 0:05:23.400
<v Speaker 1>beating down the wind. It was an altogether pleasant impression,

0:05:23.560 --> 0:05:26.320
<v Speaker 1>though tinged with the sort of melancholy appropriate to an

0:05:26.320 --> 0:05:29.080
<v Speaker 1>evening in early autumn, that was conveyed to the mind

0:05:29.080 --> 0:05:31.360
<v Speaker 1>of the boy who was standing in the porch waiting

0:05:31.400 --> 0:05:34.360
<v Speaker 1>for the door to open to him. The post chaise

0:05:34.440 --> 0:05:37.919
<v Speaker 1>had brought him from Warwickshire, where six months before he

0:05:37.960 --> 0:05:41.440
<v Speaker 1>had been left in orphan. Now, owing to the generous

0:05:41.480 --> 0:05:44.600
<v Speaker 1>offer of his elderly cousin, Mr Abney, he had come

0:05:44.640 --> 0:05:47.960
<v Speaker 1>to live at as Worthy. The offer was unexpected, because

0:05:48.040 --> 0:05:51.160
<v Speaker 1>all who knew anything of Mr Abney looked upon him

0:05:51.200 --> 0:05:55.280
<v Speaker 1>as a somewhat austere recluse into whose steady going household

0:05:55.480 --> 0:05:57.800
<v Speaker 1>the advent of a small boy would import a new

0:05:58.080 --> 0:06:02.120
<v Speaker 1>and it seemed incongruous lament. The truth is that very

0:06:02.160 --> 0:06:05.159
<v Speaker 1>little was known of Mr Abney's pursuits or temper. The

0:06:05.240 --> 0:06:07.520
<v Speaker 1>professor of Greek at Cambridge had been heard to say

0:06:07.560 --> 0:06:09.920
<v Speaker 1>that no one knew more of the religious beliefs of

0:06:10.000 --> 0:06:13.920
<v Speaker 1>the later Pagans than did the owner of Aswarby. Certainly

0:06:13.920 --> 0:06:17.000
<v Speaker 1>his library contained all the then available books bearing on

0:06:17.040 --> 0:06:21.039
<v Speaker 1>the mysteries, the orphic poems, the worship of Mithras, and

0:06:21.080 --> 0:06:24.360
<v Speaker 1>the neo Platonists. In the marble paved hall stood a

0:06:24.400 --> 0:06:27.400
<v Speaker 1>fine figure of Mythrust slaying a bull, which had been

0:06:27.440 --> 0:06:30.080
<v Speaker 1>imported from the Levant at great expense by the owner.

0:06:30.720 --> 0:06:34.040
<v Speaker 1>He had contributed a description of it to the Gentleman's Magazine.

0:06:34.600 --> 0:06:38.280
<v Speaker 1>I think not that kind Gentleman's magazine, and he had

0:06:38.279 --> 0:06:41.440
<v Speaker 1>written a remarkable series of articles in the Critical Museum

0:06:41.600 --> 0:06:44.279
<v Speaker 1>on the superstitions of the Romans of the Lower Empire.

0:06:44.720 --> 0:06:47.640
<v Speaker 1>It was published in Hustler House. Let me tell you

0:06:47.640 --> 0:06:52.080
<v Speaker 1>about my Mythress laying a bull statue. He was looked

0:06:52.160 --> 0:06:54.920
<v Speaker 1>upon in fine as a man wrapped up in his books.

0:06:55.040 --> 0:06:56.919
<v Speaker 1>And it was a matter of great surprise among his

0:06:56.960 --> 0:06:59.360
<v Speaker 1>neighbors that he should even have heard of his cousin

0:06:59.520 --> 0:07:02.400
<v Speaker 1>Stephen Elliott, much more that he should have volunteered to

0:07:02.440 --> 0:07:09.600
<v Speaker 1>make him an inmate of Aswarbie Hall. All right, so

0:07:10.360 --> 0:07:12.920
<v Speaker 1>this orphan boy showed up at this house to live

0:07:13.480 --> 0:07:16.800
<v Speaker 1>with his relative, who seems like a decent guy. It's

0:07:16.840 --> 0:07:19.320
<v Speaker 1>a little dark, yeah, but it was a surprise because

0:07:19.320 --> 0:07:21.800
<v Speaker 1>he was, like, you know, wrapped up in his books,

0:07:21.800 --> 0:07:24.400
<v Speaker 1>a bachelor, not really interested in having a kid around.

0:07:24.800 --> 0:07:31.040
<v Speaker 1>All right, shall I whatever may have been expected by

0:07:31.040 --> 0:07:34.200
<v Speaker 1>his neighbors, It is certain that Mr Abney, that's all

0:07:34.360 --> 0:07:37.680
<v Speaker 1>the thin. The austere seemed inclined to give his young

0:07:37.720 --> 0:07:41.720
<v Speaker 1>cousin a kindly reception. The moment the front door was opened,

0:07:41.960 --> 0:07:45.000
<v Speaker 1>he darted out of his study, rubbing his hands with delight.

0:07:45.680 --> 0:07:48.480
<v Speaker 1>How are you, my boy? How are you? How old

0:07:48.520 --> 0:07:52.160
<v Speaker 1>are you? Said he? That is, you are not too

0:07:52.200 --> 0:07:55.840
<v Speaker 1>much tired? I hope by your journey to eat your supper? Now,

0:07:55.880 --> 0:08:02.840
<v Speaker 1>thank you, sir, said Mr Elliott. I'm pretty well. Oh

0:08:02.840 --> 0:08:05.120
<v Speaker 1>that's a good that, that's a good lad, said Mr Abney.

0:08:05.480 --> 0:08:08.760
<v Speaker 1>And how old are you, my boy? It seemed a

0:08:08.760 --> 0:08:11.920
<v Speaker 1>little odd that he should have asked the question twice

0:08:12.360 --> 0:08:15.480
<v Speaker 1>in the first two minutes of their acquaintance. I'm twelve

0:08:15.560 --> 0:08:20.080
<v Speaker 1>years old. Dick's birthday, sir, said Stephen. And when is

0:08:20.120 --> 0:08:25.560
<v Speaker 1>your birthday, my dear boy? Eleventh of September a spooky

0:08:25.640 --> 0:08:29.000
<v Speaker 1>date I think he predicted the whole thing. I got you, okay,

0:08:29.240 --> 0:08:33.800
<v Speaker 1>Mr James did eleventh of September. A. That's well, that's

0:08:33.960 --> 0:08:37.400
<v Speaker 1>very well, nearly a year. Hence, isn't it. I like,

0:08:37.600 --> 0:08:40.120
<v Speaker 1>ha ha, I like to get these things down in

0:08:40.200 --> 0:08:46.680
<v Speaker 1>my book. Sure it's twelve certain, Yes quite, yer, sir, well,

0:08:46.760 --> 0:08:50.080
<v Speaker 1>well take him to Mrs Bunch's room, Parks and let

0:08:50.120 --> 0:08:53.880
<v Speaker 1>him have his tea, supper whatever it is. Yes, sir,

0:08:54.600 --> 0:08:57.720
<v Speaker 1>answered the state Mr Parks, and conducted Stephen to the

0:08:57.760 --> 0:09:01.440
<v Speaker 1>lower regions. Mrs Bunch was the most comfortable and human

0:09:01.480 --> 0:09:04.960
<v Speaker 1>person whom Stephen had as yet met in as Warby.

0:09:05.440 --> 0:09:08.560
<v Speaker 1>She made him completely at home. They were great friends

0:09:08.559 --> 0:09:11.640
<v Speaker 1>in a quarter of an hour, and great friends they remained.

0:09:12.120 --> 0:09:15.000
<v Speaker 1>Mrs Bunch had been born in the neighborhood some fifty

0:09:15.000 --> 0:09:18.079
<v Speaker 1>five years before the date of Stephen's arrival, and her

0:09:18.160 --> 0:09:22.360
<v Speaker 1>residence at the hall was of twenty years standing. Consequently,

0:09:22.600 --> 0:09:24.439
<v Speaker 1>if anyone knew the ins and outs of the house

0:09:24.520 --> 0:09:27.760
<v Speaker 1>and the district, Mrs Bunch knew them, and she was

0:09:27.880 --> 0:09:34.520
<v Speaker 1>by no means disinclined to communicate her information. So we

0:09:34.600 --> 0:09:36.760
<v Speaker 1>got a nice lady that lives there, who knows everything

0:09:36.760 --> 0:09:40.360
<v Speaker 1>that's going on. Very nice person, seemingly nice. Aside from

0:09:40.400 --> 0:09:45.960
<v Speaker 1>the xenophobia, as we will see, certainly, there were plenty

0:09:45.960 --> 0:09:48.679
<v Speaker 1>of things about the hall and the hall gardens which Stephen,

0:09:49.200 --> 0:09:53.160
<v Speaker 1>who was of an adventurous and inquiring turn, was anxious

0:09:53.200 --> 0:09:55.560
<v Speaker 1>to have explained to him. Who built the temple at

0:09:55.559 --> 0:09:57.480
<v Speaker 1>the end of the Laura Walk, Who was the old

0:09:57.559 --> 0:10:00.160
<v Speaker 1>man whose picture hung on the staircase sitting at a

0:10:00.200 --> 0:10:03.720
<v Speaker 1>table with a skull under his hand. These and many

0:10:03.760 --> 0:10:06.720
<v Speaker 1>similar points were cleared up by the resources of Mrs

0:10:06.720 --> 0:10:10.880
<v Speaker 1>Bunch's powerful intellect. There were others, however, of which the

0:10:10.960 --> 0:10:15.760
<v Speaker 1>explanations furnished were less satisfactory. One November evening, Stephen was

0:10:15.840 --> 0:10:18.520
<v Speaker 1>sitting by the fire in the housekeeper's room, reflecting on

0:10:18.640 --> 0:10:22.160
<v Speaker 1>the surroundings. It's best having a good man, and will

0:10:22.160 --> 0:10:25.440
<v Speaker 1>you go to heaven? He suddenly asked, with a peculiar

0:10:25.480 --> 0:10:28.880
<v Speaker 1>confidence with which children possess in the ability of their

0:10:28.920 --> 0:10:32.760
<v Speaker 1>elders to settle these questions, the decision of which is

0:10:32.800 --> 0:10:37.800
<v Speaker 1>believed to be reserved for other tribunals. Can't wait to

0:10:37.840 --> 0:10:41.439
<v Speaker 1>hear this one. I don't really haven't even worked out

0:10:41.440 --> 0:10:47.520
<v Speaker 1>how I'm gonna do it. Let's try this. Good bless

0:10:47.559 --> 0:10:51.400
<v Speaker 1>the child, said Mrs Bunch. Masters as kind a soul

0:10:51.480 --> 0:10:55.600
<v Speaker 1>as I ever see, didn't I she's like my age,

0:10:56.440 --> 0:11:01.360
<v Speaker 1>she's fifty. Yeah, but old timey nineteenth century way different,

0:11:02.520 --> 0:11:05.240
<v Speaker 1>did didn't? I never tell you the little boy as

0:11:05.240 --> 0:11:08.160
<v Speaker 1>he took in out of the street, as you may

0:11:08.160 --> 0:11:11.480
<v Speaker 1>say this seven years back, and the little girl two

0:11:11.600 --> 0:11:14.640
<v Speaker 1>years after I first come here. Now, do tell me

0:11:14.679 --> 0:11:21.360
<v Speaker 1>all about them, Mrs Bunch, Now this minute easy. Sorry,

0:11:21.400 --> 0:11:24.000
<v Speaker 1>I added that, so this guy took in a couple

0:11:24.040 --> 0:11:28.280
<v Speaker 1>of other kids. Huh, all right, well, said missus much.

0:11:28.640 --> 0:11:30.920
<v Speaker 1>The little girl I don't seem to recollect so much

0:11:30.960 --> 0:11:33.640
<v Speaker 1>about I know. Master brought her back with him from

0:11:33.640 --> 0:11:36.439
<v Speaker 1>his walk one day and give orders to Mrs Ellis,

0:11:36.760 --> 0:11:40.319
<v Speaker 1>as was housekeeper then as she should be, took every

0:11:40.360 --> 0:11:43.480
<v Speaker 1>care with and the poor child had no one belonging

0:11:43.520 --> 0:11:46.679
<v Speaker 1>to her. She told me so her own self. And

0:11:46.760 --> 0:11:49.839
<v Speaker 1>here she lived with us a matter of three weeks,

0:11:49.880 --> 0:11:53.920
<v Speaker 1>it might be, and then whether she were somethink of

0:11:53.960 --> 0:11:57.520
<v Speaker 1>a gypsy at her blood or whatnot, But one morning

0:11:58.080 --> 0:12:00.719
<v Speaker 1>she out of her bed, for any of us had

0:12:00.720 --> 0:12:04.120
<v Speaker 1>open an eye, and neither trek nor yet trace of

0:12:04.200 --> 0:12:07.760
<v Speaker 1>her have I set eyes on sense. Master was wonderful

0:12:07.800 --> 0:12:11.120
<v Speaker 1>put about and had all the ponds dragged. But it's

0:12:11.200 --> 0:12:14.920
<v Speaker 1>my belief she was had away by them gypsies, for

0:12:15.040 --> 0:12:17.360
<v Speaker 1>there was singing round the house for as much as

0:12:17.360 --> 0:12:21.000
<v Speaker 1>an hour the night she went. And Parkes, he declares

0:12:21.080 --> 0:12:24.960
<v Speaker 1>he heard them a colin in the woods all that afternoon. Dear, Dear,

0:12:25.480 --> 0:12:29.760
<v Speaker 1>a odd child, said odd. I think she's saying odd

0:12:29.840 --> 0:12:33.320
<v Speaker 1>in the old timing way with an okay, an odd child.

0:12:33.400 --> 0:12:36.720
<v Speaker 1>She was so silent it always and all, but I

0:12:36.760 --> 0:12:41.800
<v Speaker 1>was wonderful taken up with her, so domesticated, she was surprising.

0:12:42.280 --> 0:12:46.880
<v Speaker 1>And what about the little boy, said Stephen, Oh, that

0:12:47.080 --> 0:12:52.960
<v Speaker 1>poor boy, sighed Mrs Bunch. He was a foreigner, jeviny,

0:12:53.040 --> 0:12:56.800
<v Speaker 1>he called himself. And he come a tweaking his hurdy

0:12:56.840 --> 0:13:02.119
<v Speaker 1>gurdie round about. He was tweaking, speaking his hurdie gurdie.

0:13:02.400 --> 0:13:07.040
<v Speaker 1>He wasn't working at least, uh tweaking his hurdy gurdie

0:13:07.160 --> 0:13:09.400
<v Speaker 1>rounded about the drive. When went to day and Master

0:13:10.080 --> 0:13:13.680
<v Speaker 1>Adam in that minute and asked all about where he

0:13:13.720 --> 0:13:17.400
<v Speaker 1>came from, how old he was, how he made his way,

0:13:17.800 --> 0:13:21.040
<v Speaker 1>and where was his relatives, and all his kind heart

0:13:21.080 --> 0:13:24.440
<v Speaker 1>could wish but it with the same way with him.

0:13:24.480 --> 0:13:28.040
<v Speaker 1>They're an unruly lot, them foreign nations, I do suppose.

0:13:28.400 --> 0:13:30.480
<v Speaker 1>And he was off one fine morning, just the same

0:13:30.480 --> 0:13:33.319
<v Speaker 1>as the girl. Why he went and what he done

0:13:33.679 --> 0:13:35.880
<v Speaker 1>was our question for as much as a year after.

0:13:36.320 --> 0:13:39.280
<v Speaker 1>But he never took his urdie gurdie And there it

0:13:39.360 --> 0:13:45.920
<v Speaker 1>lays on the shelf. What is urdie gurdie, Hurdy gurdie.

0:13:45.920 --> 0:13:49.440
<v Speaker 1>It's like a kind of like a musical instrument. I think, um,

0:13:49.520 --> 0:13:52.800
<v Speaker 1>like a squeeze box. Maybe. So a little boy named

0:13:52.920 --> 0:13:56.880
<v Speaker 1>Jovanni showed up squeezing his squeezebox on their driveway and

0:13:56.880 --> 0:14:02.080
<v Speaker 1>and Mr Mr Abney it is Abney, right, I think so.

0:14:02.600 --> 0:14:04.800
<v Speaker 1>Mr Abney brought him in the house and was asking

0:14:04.840 --> 0:14:06.680
<v Speaker 1>him a bunch of questions and then took him under

0:14:06.720 --> 0:14:09.160
<v Speaker 1>his wing. Yeah, like every kid he finds. He's like,

0:14:09.160 --> 0:14:11.800
<v Speaker 1>how old are you? Win your birthday? Come inside your mind?

0:14:13.760 --> 0:14:15.240
<v Speaker 1>So I think you guys can all see what we

0:14:15.240 --> 0:14:17.800
<v Speaker 1>were talking about with Mrs Bunched, right, Yeah, I think so.

0:14:18.040 --> 0:14:23.400
<v Speaker 1>I think so. The remainder of the evening was spent

0:14:23.480 --> 0:14:27.200
<v Speaker 1>by Stephen and miscellaneous cross examination of Mrs bunch and

0:14:27.240 --> 0:14:30.240
<v Speaker 1>in efforts to extract a tune from the hurdy gurdy.

0:14:30.440 --> 0:14:33.080
<v Speaker 1>That night he had a curious stream. At the end

0:14:33.120 --> 0:14:35.040
<v Speaker 1>of the passage. At the top of the house in

0:14:35.040 --> 0:14:39.160
<v Speaker 1>which his bedroom was situated, there was an old, disused bathroom.

0:14:39.200 --> 0:14:41.440
<v Speaker 1>It was kept locked, but the upper half of the

0:14:41.480 --> 0:14:44.720
<v Speaker 1>door was glazed, and since the Muslim curtains which used

0:14:44.760 --> 0:14:47.320
<v Speaker 1>to hang there had long been gone, you could look

0:14:47.360 --> 0:14:50.240
<v Speaker 1>in and see the lead line bath affixed to the

0:14:50.280 --> 0:14:53.040
<v Speaker 1>wall on the right hand, with its head towards the window.

0:14:53.880 --> 0:14:56.480
<v Speaker 1>On the night of which I am speaking, Steven Elliott

0:14:56.480 --> 0:14:59.800
<v Speaker 1>found himself, as he thought, looking through the glazed door.

0:15:00.120 --> 0:15:02.720
<v Speaker 1>That means there was a window in it. The moon

0:15:02.800 --> 0:15:05.800
<v Speaker 1>was shining through the window see, and he was gazing

0:15:05.840 --> 0:15:09.800
<v Speaker 1>at a figure which lay in the bath. His description

0:15:09.840 --> 0:15:11.680
<v Speaker 1>of what he saw reminds me of what I once

0:15:11.720 --> 0:15:14.840
<v Speaker 1>beheld myself in the famous vaults of Saint McCann's Church

0:15:14.920 --> 0:15:19.160
<v Speaker 1>in Dublin, which possesses the horrid property of preserving corpses

0:15:19.200 --> 0:15:23.720
<v Speaker 1>from decay for centuries. A figure inexpressibly thin and pathetic,

0:15:24.040 --> 0:15:27.680
<v Speaker 1>of a dusty leaden color, enveloped in a shroud like garment,

0:15:27.960 --> 0:15:30.800
<v Speaker 1>the thin lips crooked into a faint and dreadful smile.

0:15:31.280 --> 0:15:33.920
<v Speaker 1>The hands pressed tightly over the region of the heart.

0:15:34.840 --> 0:15:38.240
<v Speaker 1>As he looked upon it, a distant, almost inaudible moan

0:15:38.560 --> 0:15:41.840
<v Speaker 1>seemed to issue from its lips, and the arms began

0:15:41.880 --> 0:15:45.760
<v Speaker 1>to stir. The terror of the site forced Stephen backwards,

0:15:45.920 --> 0:15:48.040
<v Speaker 1>and he awoke to the fact that he was indeed

0:15:48.120 --> 0:15:51.080
<v Speaker 1>standing on the cold boarded floor of the passage in

0:15:51.160 --> 0:15:54.080
<v Speaker 1>the full light of the moon, with a courage which

0:15:54.080 --> 0:15:56.160
<v Speaker 1>I do not think can be common among boys of

0:15:56.240 --> 0:15:58.520
<v Speaker 1>his age. He went to the door of the bathroom

0:15:58.800 --> 0:16:01.320
<v Speaker 1>to ascertain if the figure year of his dream were

0:16:01.360 --> 0:16:05.000
<v Speaker 1>really there. It was not, and he went back to band,

0:16:08.480 --> 0:16:11.680
<v Speaker 1>keep going, yeah, look, this is getting creepy. I know,

0:16:11.760 --> 0:16:13.520
<v Speaker 1>that's what I'm saying. It's a good one. He saw

0:16:13.560 --> 0:16:18.360
<v Speaker 1>a straight up scary, decaying ghost in the bathtub. M

0:16:22.080 --> 0:16:24.960
<v Speaker 1>Mrs Bunch was much impressed next morning by his story,

0:16:25.000 --> 0:16:27.440
<v Speaker 1>and went so far as to replace the muslin curtain

0:16:27.520 --> 0:16:30.280
<v Speaker 1>over the glazed door of the bathroom ak the window.

0:16:30.960 --> 0:16:34.840
<v Speaker 1>Mr Abney moreover, to whom he confided his experiences at breakfast,

0:16:35.120 --> 0:16:37.880
<v Speaker 1>was greatly interested and made notes of the matter and

0:16:37.960 --> 0:16:42.359
<v Speaker 1>what he called his book. The Spring Equinox was approaching,

0:16:42.520 --> 0:16:45.760
<v Speaker 1>as Mr Abney frequently reminded his cousin, adding that this

0:16:45.840 --> 0:16:48.400
<v Speaker 1>had been always considered by the agents to be a

0:16:48.440 --> 0:16:51.360
<v Speaker 1>critical time for the young, that Stephen would do well

0:16:51.400 --> 0:16:53.760
<v Speaker 1>to take care of himself and shut his bedroom window

0:16:53.800 --> 0:16:56.960
<v Speaker 1>at night, and that the sense or innus had some

0:16:57.040 --> 0:17:00.960
<v Speaker 1>valuable remarks on the subject. Two inside that occurred about

0:17:00.960 --> 0:17:05.560
<v Speaker 1>this time made an impression upon Stephen's mind. Chuck will

0:17:05.640 --> 0:17:09.480
<v Speaker 1>share those two incidents with us now. The first was

0:17:09.560 --> 0:17:13.760
<v Speaker 1>after an unusually uneasy and oppressed night that he had passed,

0:17:14.040 --> 0:17:17.240
<v Speaker 1>though he could not recall any particular dream that he

0:17:17.280 --> 0:17:21.120
<v Speaker 1>had had. The following evening, Mrs Bunch was occupying herself

0:17:21.359 --> 0:17:25.280
<v Speaker 1>and mending his nightgown. Grace is me, master Stephen, She

0:17:25.400 --> 0:17:28.280
<v Speaker 1>broke forth, rather irritably. How do you manage to tear

0:17:28.359 --> 0:17:31.720
<v Speaker 1>your night dress all to flinders this way? Look here, sir,

0:17:32.320 --> 0:17:34.960
<v Speaker 1>what trouble you do give to poor servants that have

0:17:35.080 --> 0:17:39.280
<v Speaker 1>to darn and mend after you. It was indeed a

0:17:39.320 --> 0:17:43.200
<v Speaker 1>most destructive and apparently wanton series of slits or scorings

0:17:43.200 --> 0:17:46.600
<v Speaker 1>in the garment, which would undoubtedly require a skillful needle

0:17:46.640 --> 0:17:49.080
<v Speaker 1>to make good. They were confined to the left side

0:17:49.080 --> 0:17:53.200
<v Speaker 1>of his chest, long parallel slits about six inches in length,

0:17:53.720 --> 0:17:56.679
<v Speaker 1>some of them not quite piercing the texture of the linen.

0:17:57.280 --> 0:18:00.880
<v Speaker 1>Stephen could only express his entire ignorance of their origin.

0:18:01.359 --> 0:18:03.679
<v Speaker 1>He was sure that they were not there the night before,

0:18:04.480 --> 0:18:08.840
<v Speaker 1>but he said, Mrs Bunch stays just the same as

0:18:08.880 --> 0:18:11.919
<v Speaker 1>the scratches on the outside of my bedroom door, and

0:18:12.040 --> 0:18:16.639
<v Speaker 1>I'm sure I'd never had anything to do with making them.

0:18:16.720 --> 0:18:18.800
<v Speaker 1>I think it gets it across. They think I've nailed

0:18:18.840 --> 0:18:23.119
<v Speaker 1>young Stephen. I think you're nailing it. He's moving closer

0:18:23.119 --> 0:18:26.800
<v Speaker 1>and closer to cockney as we go. That's the one

0:18:26.880 --> 0:18:29.200
<v Speaker 1>I can do. That's the one anybody who can only

0:18:29.240 --> 0:18:33.720
<v Speaker 1>do one can do. Mrs Bunch gazed at him open mouth,

0:18:34.000 --> 0:18:37.359
<v Speaker 1>then snatched up a candle, departed hastily from the room,

0:18:37.440 --> 0:18:40.240
<v Speaker 1>and was heard making her way upstairs. In a few

0:18:40.240 --> 0:18:45.160
<v Speaker 1>minutes she came down. Well, she said, Master Stephen. It's

0:18:45.160 --> 0:18:47.639
<v Speaker 1>a funny thing to me how them marks and scratches

0:18:48.040 --> 0:18:50.760
<v Speaker 1>can have come. They're too high up for any cat

0:18:50.880 --> 0:18:53.200
<v Speaker 1>or dog to have made him much less a rat

0:18:53.560 --> 0:18:56.639
<v Speaker 1>for all the world, like a chinaman's fingernails. As my

0:18:56.720 --> 0:18:58.600
<v Speaker 1>uncle and the tea trade used to tell us of

0:18:58.800 --> 0:19:01.920
<v Speaker 1>when we was girls together, I wouldn't say nothing to master,

0:19:02.280 --> 0:19:05.280
<v Speaker 1>not if I was you, Master Stephen, my dear, and

0:19:05.359 --> 0:19:07.760
<v Speaker 1>just turned the key of your door when you go

0:19:07.840 --> 0:19:13.800
<v Speaker 1>to your bed, so I should probably say like she,

0:19:14.280 --> 0:19:18.160
<v Speaker 1>I was like, what is this daft, old middle agist

0:19:18.240 --> 0:19:22.000
<v Speaker 1>woman talking about? And it turns out she's referring to

0:19:22.280 --> 0:19:25.679
<v Speaker 1>apparently there was a trend among the nobility and the

0:19:25.720 --> 0:19:29.560
<v Speaker 1>courtisans of China at this time in the early nineteenth

0:19:29.560 --> 0:19:32.840
<v Speaker 1>century I think before, of wearing their fingernails very long

0:19:32.880 --> 0:19:36.000
<v Speaker 1>and pointy. She's saying, these scratches look kind of like

0:19:36.080 --> 0:19:38.440
<v Speaker 1>claw marks, and she kind of likened it to something

0:19:38.480 --> 0:19:42.360
<v Speaker 1>that had long and pointing fingernails like that. So okay,

0:19:42.720 --> 0:19:45.720
<v Speaker 1>not that that excuses everything, but you know, I got you.

0:19:46.200 --> 0:19:48.119
<v Speaker 1>There's a little background to it. I think we all

0:19:48.200 --> 0:19:50.800
<v Speaker 1>learned something here. Mrs Bunch is not totally out of

0:19:50.800 --> 0:19:53.359
<v Speaker 1>her mind, all right, So she yells at Stephen to

0:19:53.400 --> 0:19:57.960
<v Speaker 1>go to bed, and he says, I always stay, Mrs

0:19:58.000 --> 0:20:01.480
<v Speaker 1>Bunch as soon as I've said, my prey, oh that's

0:20:01.520 --> 0:20:04.440
<v Speaker 1>a good child. Always say your prayers and then no

0:20:04.480 --> 0:20:09.240
<v Speaker 1>one can't hurt you. Here with Mrs Bunch addressed herself

0:20:09.280 --> 0:20:13.520
<v Speaker 1>to mending the injured nightgown with intervals of meditation until bedtime.

0:20:14.560 --> 0:20:18.639
<v Speaker 1>Interesting this was on a Friday night in March eighteen twelve.

0:20:19.160 --> 0:20:22.080
<v Speaker 1>On the following evening, the usual duet of Stephen and

0:20:22.200 --> 0:20:26.000
<v Speaker 1>Mrs Bunch was augmented by the sudden arrival of Mr Parkes,

0:20:26.080 --> 0:20:29.159
<v Speaker 1>the butler, who as a rule kept himself rather to

0:20:29.280 --> 0:20:32.320
<v Speaker 1>himself in the pantry. He did not see that Stephen

0:20:32.440 --> 0:20:35.320
<v Speaker 1>was there. He was moreover flustered and less slow a

0:20:35.400 --> 0:20:38.919
<v Speaker 1>speech than was his. Wont master may get up his

0:20:39.040 --> 0:20:41.760
<v Speaker 1>own wine if he likes of an evening was his

0:20:41.800 --> 0:20:44.600
<v Speaker 1>first remark. Either I do it in the daytime or

0:20:44.640 --> 0:20:46.800
<v Speaker 1>not at all. Mrs Bunch, I don't know what it

0:20:46.880 --> 0:20:49.560
<v Speaker 1>may be, very like it's the rats or the wind

0:20:49.640 --> 0:20:51.760
<v Speaker 1>got into the cellars. But I'm not as young as

0:20:51.800 --> 0:20:54.000
<v Speaker 1>I was, and I can't go through with it as

0:20:54.000 --> 0:20:56.639
<v Speaker 1>I have done. Well. Mr Parks you know it is

0:20:56.680 --> 0:20:59.680
<v Speaker 1>a surprising place for the rats, is the hall. I'm

0:20:59.720 --> 0:21:01.760
<v Speaker 1>not the nying that to Mrs Bunchen. To be sure,

0:21:02.119 --> 0:21:04.120
<v Speaker 1>many a time I've heard the tale from the men

0:21:04.160 --> 0:21:06.800
<v Speaker 1>in the shipyards about the rats that could speak. I

0:21:06.880 --> 0:21:09.720
<v Speaker 1>never laid no confidence in that before, but tonight, if

0:21:09.760 --> 0:21:12.000
<v Speaker 1>I demeaned myself today my ear to the door of

0:21:12.080 --> 0:21:15.000
<v Speaker 1>the further bin. I could pretty much have heard what

0:21:15.160 --> 0:21:20.240
<v Speaker 1>they was saying. Oh man, you're crushing it. Oh damn,

0:21:20.320 --> 0:21:23.479
<v Speaker 1>Mr Parks, I had no patience with your fancies rats

0:21:23.520 --> 0:21:26.240
<v Speaker 1>talking in the wide cellar aded well, Mrs Munch, I've

0:21:26.240 --> 0:21:29.399
<v Speaker 1>no wish saw ague with you. All I can say is,

0:21:29.640 --> 0:21:31.680
<v Speaker 1>if you choose to go to the far bin and

0:21:31.800 --> 0:21:34.520
<v Speaker 1>lead your ear to the door, you may prove my

0:21:34.640 --> 0:21:39.439
<v Speaker 1>words this minute. What nonsense you do talk? Mr Parkes

0:21:39.560 --> 0:21:42.560
<v Speaker 1>not fit for children to listen to. Why you'll be

0:21:42.600 --> 0:21:45.680
<v Speaker 1>frightening Master Stephen. They're out of his wits. What Master

0:21:45.840 --> 0:21:50.360
<v Speaker 1>Stephen said, Parks awakening to the consciousness of the boy's presence.

0:21:50.520 --> 0:21:53.280
<v Speaker 1>Master Stephen knows well enough that I'm playing a joke

0:21:53.359 --> 0:21:57.680
<v Speaker 1>with you, Mrs Bunch. In fact, Stephen knew too well

0:21:57.800 --> 0:22:00.840
<v Speaker 1>to suppose that Mr Park's head, in the first instance

0:22:00.920 --> 0:22:05.119
<v Speaker 1>intended a joke. He was interested, not altogether pleasantly in

0:22:05.160 --> 0:22:09.280
<v Speaker 1>the situation, but all his questions were unsuccessful in inducing

0:22:09.280 --> 0:22:11.600
<v Speaker 1>the butler to give any more detailed account of his

0:22:11.760 --> 0:22:17.080
<v Speaker 1>experiences in the wine cellar. And we have now arrived

0:22:17.240 --> 0:22:24.000
<v Speaker 1>at March eighteen twelve. Spooky nope, okay. It was a

0:22:24.080 --> 0:22:28.000
<v Speaker 1>day of curious experiences for Stephen, a windy, noisy day

0:22:28.280 --> 0:22:31.359
<v Speaker 1>which filled the house in the gardens with a restless impression.

0:22:31.960 --> 0:22:34.240
<v Speaker 1>As Stephen stood by the fence of the grounds and

0:22:34.280 --> 0:22:36.639
<v Speaker 1>looked out into the park, he felt as if an

0:22:36.720 --> 0:22:40.199
<v Speaker 1>endless procession of unseen people were sweeping past him on

0:22:40.240 --> 0:22:44.760
<v Speaker 1>the wind, borne on restlessly and aimlessly, vainly striving to

0:22:44.800 --> 0:22:47.760
<v Speaker 1>stop themselves, to catch at something that might arrest their

0:22:47.800 --> 0:22:50.600
<v Speaker 1>flight and bring them once again into contact with the

0:22:50.640 --> 0:22:53.960
<v Speaker 1>living world of which they had formed a part. After

0:22:54.080 --> 0:23:00.520
<v Speaker 1>luncheon that day, Mr Abney said, you're Mr Abney. I'm Emney.

0:23:00.720 --> 0:23:03.320
<v Speaker 1>Yeah you are. Remember you asked him what his age was,

0:23:03.320 --> 0:23:06.679
<v Speaker 1>and that's right, that's right. We should probably leave that

0:23:06.720 --> 0:23:10.480
<v Speaker 1>in there. Stephen, my boy, do you think you could

0:23:10.520 --> 0:23:12.520
<v Speaker 1>manage to come to me tonight? I don't know if

0:23:12.520 --> 0:23:15.720
<v Speaker 1>this is the same accent. It sounds like Mrs Mrs

0:23:15.760 --> 0:23:19.480
<v Speaker 1>a Bunch is transforming into Mr Abney. Do you think

0:23:19.520 --> 0:23:21.560
<v Speaker 1>you could manage to come to me tonight? As late

0:23:21.600 --> 0:23:24.600
<v Speaker 1>as eleven o'clock in my study, She'll be busy until

0:23:24.640 --> 0:23:27.680
<v Speaker 1>that time, and I wish to show you something connected

0:23:27.920 --> 0:23:30.879
<v Speaker 1>with your future life, which it is most important that

0:23:30.960 --> 0:23:33.359
<v Speaker 1>you should know. You are not to mention this matter

0:23:33.359 --> 0:23:35.720
<v Speaker 1>to Mrs Bunch, nor to anyone else in the house,

0:23:36.000 --> 0:23:37.800
<v Speaker 1>and you had better go to your room at the

0:23:37.920 --> 0:23:41.560
<v Speaker 1>usual time. Here was a new excitement added to life.

0:23:41.960 --> 0:23:45.160
<v Speaker 1>Stephen eagerly grasped at the opportunity of sitting up till

0:23:45.160 --> 0:23:48.040
<v Speaker 1>eleven o'clock. He looked in at the library door on

0:23:48.119 --> 0:23:51.000
<v Speaker 1>his way upstairs night evening, and he saw a brazier

0:23:51.520 --> 0:23:55.879
<v Speaker 1>right which he had often noticed in the corner of

0:23:55.920 --> 0:23:58.239
<v Speaker 1>the room. It's like a little girl, I think, so

0:23:58.680 --> 0:24:01.840
<v Speaker 1>moved out before the fire. An old silver gilt cup

0:24:02.000 --> 0:24:04.840
<v Speaker 1>stood on the table filled with red wine, and some

0:24:04.920 --> 0:24:07.840
<v Speaker 1>written sheets of paper lay near it. Mr Abney was

0:24:07.840 --> 0:24:11.080
<v Speaker 1>sprinkling some incense on the brazier. I'm pretty sure that's

0:24:11.080 --> 0:24:14.440
<v Speaker 1>it from a round silver boxes. Stephen passed, but did

0:24:14.440 --> 0:24:19.840
<v Speaker 1>not seem to notice his step. All right, So what's

0:24:19.840 --> 0:24:23.360
<v Speaker 1>going on here is he's he's doing some some right,

0:24:23.600 --> 0:24:26.399
<v Speaker 1>some ritual looks like he told Stephen like this is

0:24:26.440 --> 0:24:28.560
<v Speaker 1>important for him to be a part of right. Yes,

0:24:29.240 --> 0:24:31.959
<v Speaker 1>and so now it's the night that he's told Stephen

0:24:31.960 --> 0:24:34.479
<v Speaker 1>to come down to his study at eleven, all right,

0:24:34.520 --> 0:24:41.119
<v Speaker 1>go ahead. The wind had fallen, and there was a

0:24:41.200 --> 0:24:44.240
<v Speaker 1>still night in a full moon. At about ten o'clock,

0:24:44.280 --> 0:24:47.000
<v Speaker 1>Stephen was standing at the open window of his bedroom,

0:24:47.040 --> 0:24:50.159
<v Speaker 1>looking out over the country. Still as the night was,

0:24:50.600 --> 0:24:53.760
<v Speaker 1>the mysterious population of the distant moonlit woods was not

0:24:53.920 --> 0:24:57.480
<v Speaker 1>yet lulled to rest. From time to time, strange cries

0:24:57.920 --> 0:25:02.080
<v Speaker 1>as of lost and despairing wander sounded from across the mirror.

0:25:02.320 --> 0:25:05.439
<v Speaker 1>I think that's a weird way to say meadow. They

0:25:05.520 --> 0:25:08.560
<v Speaker 1>might be the notes of owls or water birds. Yet

0:25:08.560 --> 0:25:11.600
<v Speaker 1>they did not quite resemble either sound. Were they not

0:25:11.680 --> 0:25:14.760
<v Speaker 1>coming nearer? Now? They sounded from the nearer side of

0:25:14.800 --> 0:25:17.159
<v Speaker 1>the water, and in a few moments they seemed to

0:25:17.160 --> 0:25:21.320
<v Speaker 1>be floating about among the shrubberies. Then they ceased. But

0:25:21.480 --> 0:25:23.600
<v Speaker 1>just as Stephen was thinking of shutting the window and

0:25:23.680 --> 0:25:27.680
<v Speaker 1>resuming his reading of Robinson crusoe Great Book, he caught

0:25:27.760 --> 0:25:30.840
<v Speaker 1>sight of two figures standing on the gravel terrace that

0:25:31.000 --> 0:25:33.679
<v Speaker 1>ran along the garden side of the hall, the figures

0:25:33.720 --> 0:25:36.320
<v Speaker 1>of a boy and a girl. As it seemed, they

0:25:36.320 --> 0:25:39.920
<v Speaker 1>stood side by side, looking up at the windows. Something

0:25:39.960 --> 0:25:43.000
<v Speaker 1>in the form of the girl recalled irresistibly his dream

0:25:43.160 --> 0:25:46.439
<v Speaker 1>of the figure in the bath, the boy inspired him

0:25:46.480 --> 0:25:50.760
<v Speaker 1>with more acute Whilst the girl stood still, half smiling,

0:25:50.840 --> 0:25:53.879
<v Speaker 1>with her hands clasped over her heart, The boy, a

0:25:53.960 --> 0:25:57.480
<v Speaker 1>thin shape with black hair and ragged clothing, raised his

0:25:57.600 --> 0:26:00.560
<v Speaker 1>arms in the air with an appearance of menace and

0:26:00.640 --> 0:26:05.520
<v Speaker 1>of unappeasable hunger. Longing. The moon shone upon his almost

0:26:05.560 --> 0:26:10.320
<v Speaker 1>transparent hands, and Stephen saw that the nails were fearfully long,

0:26:10.920 --> 0:26:13.960
<v Speaker 1>and that the light shone through them. As he stood

0:26:13.960 --> 0:26:17.800
<v Speaker 1>with his arms thus raised, he disclosed a terrifying spectacle.

0:26:18.359 --> 0:26:20.879
<v Speaker 1>On the left side of his chest. There opened up

0:26:20.920 --> 0:26:24.560
<v Speaker 1>black and gaping rent, and there fell upon Stephen's brain,

0:26:24.920 --> 0:26:27.280
<v Speaker 1>rather than upon his ear, the impression of one of

0:26:27.280 --> 0:26:30.760
<v Speaker 1>those hungry and desolate cries that he had heard resounding

0:26:30.840 --> 0:26:34.920
<v Speaker 1>over the woods at Aswarby all that evening. In another moment,

0:26:35.040 --> 0:26:38.119
<v Speaker 1>this dreadful pair had moved swiftly and noiselessly over the

0:26:38.200 --> 0:26:45.760
<v Speaker 1>dry grass, and he saw them no more. Wow, I

0:26:45.840 --> 0:26:48.840
<v Speaker 1>know this, poor Stephen. He's like, what the h is

0:26:48.880 --> 0:26:51.880
<v Speaker 1>going on around here? So this ghost skin he has

0:26:51.920 --> 0:26:57.359
<v Speaker 1>like no heart? Right, he's turned into John Travolta. Oh boy,

0:26:57.440 --> 0:26:58.720
<v Speaker 1>all right, this is getting good. You want me to

0:26:58.760 --> 0:27:05.679
<v Speaker 1>pick it up? Just please all right. Inexpressibly frightened as

0:27:05.680 --> 0:27:07.800
<v Speaker 1>he was, he determined to take his candle and go

0:27:07.880 --> 0:27:10.760
<v Speaker 1>down to mister Abney's study, for the hour appointed for

0:27:10.760 --> 0:27:13.879
<v Speaker 1>their meeting was near in hand. The study or library

0:27:14.000 --> 0:27:16.760
<v Speaker 1>opened out of the front hall on one side, and Stephen,

0:27:17.280 --> 0:27:19.919
<v Speaker 1>urged on by his terrors, did not take long in

0:27:20.000 --> 0:27:23.439
<v Speaker 1>getting there. To effect an entrance was not so easy.

0:27:24.040 --> 0:27:26.200
<v Speaker 1>The door was not locked, he felt sure, for the

0:27:26.280 --> 0:27:28.679
<v Speaker 1>key was on the outside of it. As usual, his

0:27:28.760 --> 0:27:32.719
<v Speaker 1>repeated knox produced no answer. Mister Abney was engaged. He

0:27:32.800 --> 0:27:36.440
<v Speaker 1>was speaking what Why did he try to cry out?

0:27:37.320 --> 0:27:40.080
<v Speaker 1>And why was the cry choked in his throat? Had

0:27:40.119 --> 0:27:43.840
<v Speaker 1>he too seen the mysterious children? But now everything was quiet,

0:27:44.160 --> 0:27:47.600
<v Speaker 1>and the door yielded to Stephen's terrified and frantic pushing

0:27:48.560 --> 0:27:51.239
<v Speaker 1>on the table. In mister Abney's study, certain papers were

0:27:51.240 --> 0:27:54.760
<v Speaker 1>found which explained the situation to Stephen Elliott when he

0:27:54.840 --> 0:27:58.040
<v Speaker 1>was of an age to understand them. The most important

0:27:58.119 --> 0:28:02.360
<v Speaker 1>sentences were as follows. It was a belief very strongly

0:28:02.520 --> 0:28:05.919
<v Speaker 1>and generally held by the ancients, of whose wisdom in

0:28:05.960 --> 0:28:10.000
<v Speaker 1>these matters I've had such experiences as induces me to

0:28:10.000 --> 0:28:15.840
<v Speaker 1>place confidence in their assertations. The wordy that by enacting

0:28:15.880 --> 0:28:19.680
<v Speaker 1>certain processes which to us moderns have something of a

0:28:19.720 --> 0:28:25.000
<v Speaker 1>barbaric complexion, a very remarkable enlightenment of the spiritual faculties

0:28:25.040 --> 0:28:28.800
<v Speaker 1>in man may be attained. That, for example, by absorbing

0:28:28.800 --> 0:28:32.600
<v Speaker 1>the personalities of a certain number of his fellow creatures,

0:28:32.960 --> 0:28:37.359
<v Speaker 1>an individual may gain a complete ascendency over those orders

0:28:37.359 --> 0:28:45.080
<v Speaker 1>of spiritual beings which control the elemental forces of our universe. Wow,

0:28:46.120 --> 0:28:50.120
<v Speaker 1>what is like possessing these people? Something like that? Keep reading,

0:28:50.240 --> 0:28:59.440
<v Speaker 1>Keep reading. It is recorded of Simon Magus that he

0:28:59.480 --> 0:29:01.640
<v Speaker 1>was able to fly on the air, to become invisible,

0:29:01.760 --> 0:29:04.640
<v Speaker 1>or to assume any form he pleased, by the agency

0:29:04.640 --> 0:29:07.280
<v Speaker 1>of the soul of a boy whom, to use the

0:29:07.360 --> 0:29:11.440
<v Speaker 1>libelous phrase employed by the author of the Clementine recognitions,

0:29:11.480 --> 0:29:15.520
<v Speaker 1>he had murdered. I find it set down moreover with

0:29:15.680 --> 0:29:21.160
<v Speaker 1>considerable detail in the writings of Hermes Trismegistus, that similar

0:29:21.200 --> 0:29:24.600
<v Speaker 1>happy results may be produced by the absorption of the

0:29:24.600 --> 0:29:28.600
<v Speaker 1>hearts of not less than three human beings below the

0:29:28.640 --> 0:29:32.480
<v Speaker 1>age of twenty one years. Ah, that's why he's got

0:29:32.480 --> 0:29:36.120
<v Speaker 1>another ages. Huh. To the testing of the truth of

0:29:36.160 --> 0:29:38.880
<v Speaker 1>this receipt, I have devoted the greater part of the

0:29:38.960 --> 0:29:43.280
<v Speaker 1>last twenty years, selecting as the corpora vilia of my

0:29:43.400 --> 0:29:48.800
<v Speaker 1>experiment such persons as could conveniently be removed without occasioning

0:29:48.840 --> 0:29:52.480
<v Speaker 1>a sensible gap in society. The first step I affected

0:29:52.640 --> 0:29:56.040
<v Speaker 1>by the removal of one Phoebe Stanley, a girl of

0:29:56.080 --> 0:30:03.240
<v Speaker 1>gypsy extraction, on March fo not creepy. The second by

0:30:03.240 --> 0:30:07.800
<v Speaker 1>the removal of a wandering Italian lad named Giovanni Paoli

0:30:08.480 --> 0:30:13.640
<v Speaker 1>on the night of March twenty three five, not spooky.

0:30:13.920 --> 0:30:17.280
<v Speaker 1>The final victim to employ a word repugnant in the

0:30:17.360 --> 0:30:21.560
<v Speaker 1>highest degree to my feelings must be my cousin Steven Elliott.

0:30:22.120 --> 0:30:25.960
<v Speaker 1>His day must be this March twenty four, eighteen twelve.

0:30:26.560 --> 0:30:29.000
<v Speaker 1>It's a creepy date. Any of those dates in they're creepy.

0:30:29.120 --> 0:30:32.040
<v Speaker 1>I don't think creepy. The best means of affecting the

0:30:32.160 --> 0:30:35.440
<v Speaker 1>required absorption is to remove the heart from the living subject,

0:30:35.960 --> 0:30:39.840
<v Speaker 1>to reduce it to ashes, and to mingle them with

0:30:39.960 --> 0:30:42.920
<v Speaker 1>about a pint of red wine, preferably port. That's a

0:30:42.960 --> 0:30:45.920
<v Speaker 1>lot of port, A lot of port. The remains of

0:30:45.960 --> 0:30:48.760
<v Speaker 1>the first two subjects, at least will be well to

0:30:48.800 --> 0:30:53.080
<v Speaker 1>conceal a disused bathroom or wine cellar will be found

0:30:53.080 --> 0:30:56.720
<v Speaker 1>convenient for such a purpose. Some annoyance may be experienced

0:30:56.720 --> 0:31:00.000
<v Speaker 1>from the psychic portion of the subjects, which popular language

0:31:00.000 --> 0:31:03.960
<v Speaker 1>which dignifies with the name of ghosts. But the man

0:31:04.000 --> 0:31:07.920
<v Speaker 1>of philosophic temperament, to whom alone the experiment is appropriate,

0:31:08.360 --> 0:31:10.880
<v Speaker 1>will be little prone to attach importance to the feeble

0:31:10.920 --> 0:31:14.120
<v Speaker 1>efforts of these beings to wreak their vengeance on him.

0:31:14.160 --> 0:31:19.080
<v Speaker 1>I contemplate with the liveliest satisfaction, the enlarged and emancipated

0:31:19.120 --> 0:31:23.680
<v Speaker 1>existence which the experiment, if successful, will confer on me,

0:31:24.440 --> 0:31:26.920
<v Speaker 1>not only placing me beyond the reach of human justice

0:31:27.120 --> 0:31:31.320
<v Speaker 1>so called, but eliminating to a great extent the prospect

0:31:31.360 --> 0:31:42.520
<v Speaker 1>of death itself. Wow. So he's basically saying like, I

0:31:42.560 --> 0:31:46.400
<v Speaker 1>can't even be haunted, and this may make me live forever. Yeah, Like,

0:31:46.840 --> 0:31:48.960
<v Speaker 1>I'm going to rip the hearts out of two, now

0:31:49.080 --> 0:31:51.800
<v Speaker 1>three little children and it'll be worth it because I'm

0:31:51.800 --> 0:31:55.400
<v Speaker 1>going to be immortal and an amazing dude. Wow, Alright,

0:31:55.440 --> 0:31:58.360
<v Speaker 1>we're gonna be I'm gonna be like Bradley Cooper and limitless.

0:31:59.360 --> 0:32:02.360
<v Speaker 1>That's his goal on what failing at the box office.

0:32:02.560 --> 0:32:04.920
<v Speaker 1>So this last paragraph is pretty important. Everybody hanging there

0:32:04.960 --> 0:32:07.440
<v Speaker 1>with us. And remember Stephen heard a cry in the

0:32:07.520 --> 0:32:10.360
<v Speaker 1>office and then later found these papers that Chuck just

0:32:10.440 --> 0:32:15.760
<v Speaker 1>read right right. Mr Abney was found in his chair,

0:32:16.280 --> 0:32:19.680
<v Speaker 1>his head thrown back, his face stamped with an expression

0:32:19.720 --> 0:32:24.520
<v Speaker 1>of rage, fright, immortal pain. In his left side was

0:32:24.560 --> 0:32:28.960
<v Speaker 1>a terrible lacerated wound, exposing the heart. There was no

0:32:29.000 --> 0:32:31.400
<v Speaker 1>blood on his hands, and a long knife that lay

0:32:31.400 --> 0:32:35.200
<v Speaker 1>on the table was perfectly clean. A savage wildcat might

0:32:35.200 --> 0:32:38.320
<v Speaker 1>have inflicted the injuries. The window of the study was open,

0:32:38.560 --> 0:32:40.680
<v Speaker 1>and it was the opinion of the coroner that Mr

0:32:40.720 --> 0:32:42.880
<v Speaker 1>Abney had met his death by the agency of some

0:32:43.000 --> 0:32:46.800
<v Speaker 1>wild creature. But Stephen Elliott study of the papers Chuck

0:32:46.920 --> 0:32:56.959
<v Speaker 1>just quoted, led him to a very different conclusion. Wow,

0:32:58.000 --> 0:33:02.760
<v Speaker 1>so little Stephen Abney Cockney boy at large owes his

0:33:02.920 --> 0:33:06.720
<v Speaker 1>took us to the little boy and girl who saved

0:33:06.800 --> 0:33:10.800
<v Speaker 1>his life. Yeah, they killed him. Murderous ghosts killed a

0:33:11.000 --> 0:33:14.800
<v Speaker 1>very bad man. I love it. Good stuff, good voice work.

0:33:14.960 --> 0:33:17.120
<v Speaker 1>That was great, Chuck. I guess now we should put

0:33:17.160 --> 0:33:20.400
<v Speaker 1>some ads in here, right. Oh wait, there's no need

0:33:20.440 --> 0:33:23.240
<v Speaker 1>for us, because this is our ad free Halloween version.

0:33:24.400 --> 0:33:30.080
<v Speaker 1>This spooky story brought to you by stamps dot com. Wow,

0:33:30.120 --> 0:33:33.840
<v Speaker 1>that was great, So it's time for yours, right, that's right?

0:33:34.320 --> 0:33:37.840
<v Speaker 1>Oh boy, who wrote this? Arthur Mock And I believe

0:33:38.640 --> 0:33:41.240
<v Speaker 1>that's right m A. C. H. E. N who was

0:33:41.400 --> 0:33:44.760
<v Speaker 1>a Welsh writer. And I think the deal with the

0:33:44.840 --> 0:33:47.280
<v Speaker 1>Great God Pan, which is what we're going to read,

0:33:47.400 --> 0:33:51.200
<v Speaker 1>is that it was a I think this is the

0:33:51.240 --> 0:33:54.520
<v Speaker 1>first chapter that originally stood on its own as a

0:33:54.520 --> 0:33:58.440
<v Speaker 1>short story published in a a literary journal or something,

0:33:58.520 --> 0:34:04.040
<v Speaker 1>or a magazine, the Gentleman's magazine. That's right. And then

0:34:04.120 --> 0:34:06.200
<v Speaker 1>he later I guess what's like he and this is

0:34:06.240 --> 0:34:09.879
<v Speaker 1>not too bad and expanded it into a novella linked thing.

0:34:09.960 --> 0:34:12.480
<v Speaker 1>But uh yeah, we're gonna stick to the first chapter.

0:34:12.640 --> 0:34:14.399
<v Speaker 1>It's one of those ones that, like, if you ask

0:34:14.440 --> 0:34:16.799
<v Speaker 1>any horror writer with the greatest horror story of all

0:34:16.840 --> 0:34:20.319
<v Speaker 1>time is probably the majority of them will say the

0:34:20.320 --> 0:34:24.879
<v Speaker 1>Great God Pan. Oh really interesting? All right? So nice, fine,

0:34:25.120 --> 0:34:27.359
<v Speaker 1>I guess is what I'm trying to say. Here we go. Then,

0:34:33.960 --> 0:34:37.600
<v Speaker 1>I'm glad you came, Clark, very glad. Indeed, I was

0:34:37.719 --> 0:34:41.000
<v Speaker 1>not sure you could spare the time. Wait a minute,

0:34:41.120 --> 0:34:43.880
<v Speaker 1>that's Abney and the Old Lady. Yeah, that was that

0:34:44.000 --> 0:34:47.120
<v Speaker 1>was a lot all right, this is gonna I'm gonna

0:34:47.160 --> 0:34:49.080
<v Speaker 1>have to workshop this as we go. Folks, Okay, I

0:34:49.120 --> 0:34:51.319
<v Speaker 1>know you're locked in the punch. That's it, all right,

0:34:51.480 --> 0:34:55.560
<v Speaker 1>So he's glad, Clark came, Yeah, Clark with any Yes,

0:34:56.040 --> 0:34:58.560
<v Speaker 1>I was able to make arrangements for a few days.

0:34:58.719 --> 0:35:01.600
<v Speaker 1>Things are not very live just now, but you have

0:35:01.640 --> 0:35:06.319
<v Speaker 1>no misgivings, Raymond, Is it absolutely safe? The two men

0:35:06.360 --> 0:35:09.000
<v Speaker 1>were slowly pacing the terrace in front of Dr Raymond's house.

0:35:09.480 --> 0:35:12.600
<v Speaker 1>The sun still hung above the western mountain line, but

0:35:12.680 --> 0:35:15.520
<v Speaker 1>it shone with a dull red glow that cast no shadows,

0:35:15.960 --> 0:35:19.120
<v Speaker 1>and all the air was quiet. A sweet breath came

0:35:19.160 --> 0:35:21.239
<v Speaker 1>from the great wood on the hillside above, and with it,

0:35:21.560 --> 0:35:25.000
<v Speaker 1>at intervals, the soft murmuring call of the wild doves

0:35:25.600 --> 0:35:27.920
<v Speaker 1>below in the long, lovely valley, The river wound in

0:35:28.000 --> 0:35:30.480
<v Speaker 1>and out between the lonely hills, and as the sun

0:35:30.520 --> 0:35:33.520
<v Speaker 1>hovered and vanished into the west, a faint mist, pure

0:35:33.560 --> 0:35:36.880
<v Speaker 1>white began to rise from the hills. Doctor Raymond turned

0:35:36.920 --> 0:35:43.120
<v Speaker 1>sharply to his friend. Safe. Of course it is in itself.

0:35:43.160 --> 0:35:46.279
<v Speaker 1>The operation is a perfectly simple one. Any surgeon could

0:35:46.320 --> 0:35:50.480
<v Speaker 1>do it, and there's no danger at any other things. None,

0:35:51.120 --> 0:35:54.200
<v Speaker 1>absolutely no physical damage whatsoever. I give you my word.

0:35:54.680 --> 0:35:58.360
<v Speaker 1>You are always timid, Clark, always with an E. But

0:35:58.480 --> 0:36:02.960
<v Speaker 1>you know my history. I have devoted myself to transcendental medicine.

0:36:03.160 --> 0:36:06.120
<v Speaker 1>For the last twenty years. I have heard myself called

0:36:06.239 --> 0:36:09.640
<v Speaker 1>quack and charlatan, an impostor. But all the while I

0:36:09.719 --> 0:36:12.399
<v Speaker 1>knew I was on the right path. Five years ago

0:36:12.560 --> 0:36:15.640
<v Speaker 1>I reached the goal, and since then every day has

0:36:15.640 --> 0:36:19.480
<v Speaker 1>been a preparation for what we shall do tonight. I

0:36:19.520 --> 0:36:23.120
<v Speaker 1>should like to believe it at all true. Clark knit

0:36:23.200 --> 0:36:26.520
<v Speaker 1>his brows and looked doubtfully at Dr Raymond. Are you

0:36:26.600 --> 0:36:29.840
<v Speaker 1>perfectly sure, Raymond, that your theory is not a fantasmagoria,

0:36:30.239 --> 0:36:33.319
<v Speaker 1>A splendid vision, certainly, but a mirror vision? After all,

0:36:34.800 --> 0:36:38.840
<v Speaker 1>speak up? This is as much as I could speak.

0:36:39.040 --> 0:36:42.360
<v Speaker 1>It's the Eco are weak of chest and breath and

0:36:42.480 --> 0:36:46.239
<v Speaker 1>very timid. All right, we made all that up here

0:36:46.280 --> 0:36:50.000
<v Speaker 1>we go. Maybe we should just riff on this whole thing. Uh.

0:36:50.239 --> 0:36:53.680
<v Speaker 1>Dr Raymond stopped in his walk and turned sharply. He

0:36:53.760 --> 0:36:55.640
<v Speaker 1>was a middle aged man, gaunt and thin, of a

0:36:55.680 --> 0:36:59.760
<v Speaker 1>pale yellow complexion. But as he answered Clark and faced him,

0:36:59.800 --> 0:37:04.440
<v Speaker 1>that was a flush on his cheek mhm. Look about you, Clark,

0:37:04.600 --> 0:37:10.400
<v Speaker 1>do you see? Look about you, Clark. You see the

0:37:10.440 --> 0:37:14.120
<v Speaker 1>mountain and hill following after hill, as wave on wave.

0:37:14.200 --> 0:37:17.040
<v Speaker 1>You see the woods and orchard, the fields of ripe corn,

0:37:17.400 --> 0:37:19.879
<v Speaker 1>and the meadows reaching to the reed beds by the river.

0:37:20.520 --> 0:37:22.920
<v Speaker 1>You see me standing here beside you, and hear my

0:37:23.040 --> 0:37:25.959
<v Speaker 1>voice as pleasant as it is. But I tell you

0:37:26.280 --> 0:37:30.359
<v Speaker 1>that all these things, yes, from that star that has

0:37:30.440 --> 0:37:32.880
<v Speaker 1>just shown out of the sky, to the solid ground

0:37:32.880 --> 0:37:35.960
<v Speaker 1>beneath our feet. I say that all these are but

0:37:36.080 --> 0:37:39.200
<v Speaker 1>dreams and shadows, the shadows that hide the real world

0:37:39.280 --> 0:37:42.160
<v Speaker 1>from our eyes. This is a real world, but it

0:37:42.280 --> 0:37:46.000
<v Speaker 1>is beyond the glamour and this vision, beyond these chases

0:37:46.040 --> 0:37:48.960
<v Speaker 1>and aras dreams in a career, beyond the mall, is

0:37:49.000 --> 0:37:52.360
<v Speaker 1>beyond a veil. Do you even know what I'm talking about?

0:37:53.719 --> 0:37:56.160
<v Speaker 1>I just realized who you're doing, and it's Truman Campody,

0:37:57.440 --> 0:38:01.960
<v Speaker 1>Truman cap I do not know whether any human being

0:38:02.000 --> 0:38:04.400
<v Speaker 1>has ever lifted that veil, but I do know, Clark,

0:38:04.840 --> 0:38:07.000
<v Speaker 1>that you and I shall see it lifted this very

0:38:07.080 --> 0:38:09.799
<v Speaker 1>night from before another's eyes. You may think this all

0:38:09.840 --> 0:38:13.400
<v Speaker 1>strange nonsense. It may be strange, but it is true

0:38:13.960 --> 0:38:17.719
<v Speaker 1>and The ancients knew what lifting the veil means. They

0:38:17.760 --> 0:38:28.040
<v Speaker 1>called it seeing the god pan nice Clark shivered. The

0:38:28.080 --> 0:38:32.320
<v Speaker 1>white mist gathering over the river was chilly. It is wonderful. Indeed,

0:38:32.480 --> 0:38:34.880
<v Speaker 1>he said, we are standing on the brink of a

0:38:35.000 --> 0:38:38.440
<v Speaker 1>strange world. Raymond, if what you say is true, I

0:38:38.480 --> 0:38:43.280
<v Speaker 1>suppose the knife is absolutely necessary. Yes, a slight lesion

0:38:43.320 --> 0:38:46.200
<v Speaker 1>in the gray matter, that is all, A trifling rearrangement

0:38:46.239 --> 0:38:50.680
<v Speaker 1>of certain cells, a microscopical alteration that would escape the

0:38:50.680 --> 0:38:54.560
<v Speaker 1>attention of brain specialists out of a hundred. I don't

0:38:54.560 --> 0:38:57.320
<v Speaker 1>want to bother you with shop Clark. I guess he

0:38:57.360 --> 0:39:00.960
<v Speaker 1>means shop talk. Ye. I'm give you a mass of

0:39:01.040 --> 0:39:04.200
<v Speaker 1>technical detail which would sound very imposing and would leave

0:39:04.239 --> 0:39:06.680
<v Speaker 1>you as enlightened as you are now. But I suppose

0:39:06.680 --> 0:39:09.480
<v Speaker 1>you have read, casually and out of the way corners

0:39:09.520 --> 0:39:12.760
<v Speaker 1>of your paper that immense strides have been made recently

0:39:12.800 --> 0:39:15.760
<v Speaker 1>in the physiology of the brain. I saw a paragraph

0:39:15.840 --> 0:39:19.680
<v Speaker 1>the other day about Digby's theory and brown Fabers discoveries,

0:39:20.200 --> 0:39:23.840
<v Speaker 1>theories and discoveries. Where they are standing now? I stood

0:39:23.880 --> 0:39:26.279
<v Speaker 1>fifteen years ago, and I need not tell you that

0:39:26.360 --> 0:39:28.880
<v Speaker 1>I have not been standing still for the last fifteen years.

0:39:29.000 --> 0:39:30.799
<v Speaker 1>It would be enough if I say that five years

0:39:30.840 --> 0:39:33.799
<v Speaker 1>ago I made the discovery that I alluded to when

0:39:33.800 --> 0:39:36.560
<v Speaker 1>I said that ten years ago I reached the goal.

0:39:36.760 --> 0:39:40.120
<v Speaker 1>It's very confusing. I feel like I'm driving people literally

0:39:40.120 --> 0:39:42.960
<v Speaker 1>away from this. No, I think, I think you. It's

0:39:43.080 --> 0:39:47.120
<v Speaker 1>very luring in a weird way. Okay. After years of labor,

0:39:47.160 --> 0:39:50.680
<v Speaker 1>After years of toiling and groping in the dark, after

0:39:50.800 --> 0:39:54.040
<v Speaker 1>days and nights of disappointments and sometimes of despair in

0:39:54.080 --> 0:39:56.239
<v Speaker 1>which I used now and then to tremble and grow

0:39:56.280 --> 0:39:59.520
<v Speaker 1>cold with the thought that perhaps there were others seeking

0:39:59.760 --> 0:40:01.919
<v Speaker 1>for it, I saw it at last, after so long.

0:40:02.440 --> 0:40:04.880
<v Speaker 1>A pang of sudden joy thrilled my soul, and I

0:40:04.960 --> 0:40:07.680
<v Speaker 1>knew the long journey was at an end by what

0:40:07.800 --> 0:40:10.840
<v Speaker 1>seemed then and still seems a chance. The suggestions of

0:40:10.840 --> 0:40:14.279
<v Speaker 1>a moment's idle thought followed up upon familiar lines and

0:40:14.360 --> 0:40:17.560
<v Speaker 1>paths that I attract a hundred times already, the great

0:40:17.600 --> 0:40:20.759
<v Speaker 1>truth burst upon me, and I saw, mapped out in

0:40:20.840 --> 0:40:24.960
<v Speaker 1>lines of sight, a whole world, a sphere unknown continents

0:40:25.000 --> 0:40:28.240
<v Speaker 1>and islands and great oceans in which no ship has sailed,

0:40:28.440 --> 0:40:31.439
<v Speaker 1>to my belief, since a man first lifted up his eyes,

0:40:31.480 --> 0:40:34.120
<v Speaker 1>and beheld the sun and the stars of heaven, and

0:40:34.160 --> 0:40:38.400
<v Speaker 1>the quiet earth beneath yep keep going, Oh, good Lord,

0:40:39.320 --> 0:40:42.440
<v Speaker 1>you will think this all high flown language, Clark, But

0:40:42.600 --> 0:40:45.080
<v Speaker 1>it is hard to be literal. And yet I do

0:40:45.160 --> 0:40:47.840
<v Speaker 1>not know whether what I am hinting at cannot be

0:40:47.920 --> 0:40:50.799
<v Speaker 1>set forth in plain and lonely terms. For instance, this

0:40:50.880 --> 0:40:54.320
<v Speaker 1>world of ours is pretty well girded now with telegraph

0:40:54.320 --> 0:40:57.920
<v Speaker 1>wires and cables fought with something less than the speed

0:40:57.960 --> 0:41:01.360
<v Speaker 1>of thought, flashes from sunrise sunset, from north to south,

0:41:01.600 --> 0:41:05.520
<v Speaker 1>across the floods and the desert places. Suppose that an

0:41:05.520 --> 0:41:09.160
<v Speaker 1>electrician of today were suddenly to perceive that he and

0:41:09.239 --> 0:41:12.000
<v Speaker 1>his friends have merely been playing with pebbles and mistaking

0:41:12.040 --> 0:41:15.040
<v Speaker 1>them for the foundations of the world. Suppose that's such

0:41:15.040 --> 0:41:18.480
<v Speaker 1>a man saw uttermost space lie open before the current,

0:41:18.840 --> 0:41:21.360
<v Speaker 1>and words of men flashed forth to the sun and

0:41:21.440 --> 0:41:24.920
<v Speaker 1>beyond the sun, into the systems beyond, and the voice

0:41:24.960 --> 0:41:28.200
<v Speaker 1>of articulate speaking men echo, and the waiste void that

0:41:28.239 --> 0:41:31.279
<v Speaker 1>bounds our thought. What do you think about that analogy, sir?

0:41:33.640 --> 0:41:36.239
<v Speaker 1>As analogies go, that is a pretty good analogy of

0:41:36.320 --> 0:41:39.640
<v Speaker 1>what I've done. You can understand now a little of

0:41:39.680 --> 0:41:42.200
<v Speaker 1>what I felt as I stood here one evening. It

0:41:42.320 --> 0:41:44.680
<v Speaker 1>was a summer evening, and the valley looked much as

0:41:44.760 --> 0:41:47.520
<v Speaker 1>it does now. I stood here and saw before me

0:41:47.640 --> 0:41:52.320
<v Speaker 1>the inutterable, the unthinkable gulf that yawns profound between two worlds,

0:41:52.560 --> 0:41:54.960
<v Speaker 1>the world of matter and the world of spirit. I

0:41:55.000 --> 0:41:58.600
<v Speaker 1>saw the great, empty, deep stretch dim before me, and

0:41:58.640 --> 0:42:01.279
<v Speaker 1>in that instant of ridge of light leapt from the

0:42:01.280 --> 0:42:03.920
<v Speaker 1>earth to the unknown shore, and the abyss was spanned.

0:42:04.440 --> 0:42:06.600
<v Speaker 1>You may look in brown Favor's book if you like,

0:42:07.400 --> 0:42:10.000
<v Speaker 1>and you will find that to the present day men

0:42:10.040 --> 0:42:12.759
<v Speaker 1>of science are unable to account for the presence or

0:42:12.800 --> 0:42:15.279
<v Speaker 1>to specify the functions of certain group of nerve cells

0:42:15.280 --> 0:42:20.480
<v Speaker 1>in the brain. Last one. I'm sorry, everybody. That group is,

0:42:20.520 --> 0:42:23.360
<v Speaker 1>as it were, land to yet a mere waste place

0:42:23.440 --> 0:42:26.200
<v Speaker 1>for fanciful theories. I am not in the position of

0:42:26.239 --> 0:42:30.239
<v Speaker 1>brown Favor and the specialist. I am perfectly instructed as

0:42:30.280 --> 0:42:33.080
<v Speaker 1>to the possible functions of those nerve centers in the

0:42:33.160 --> 0:42:35.440
<v Speaker 1>scheme of things. With a touch, I can bring them

0:42:35.440 --> 0:42:38.200
<v Speaker 1>into play. With a touch, I say, I can set

0:42:38.239 --> 0:42:41.040
<v Speaker 1>free the current. With a touch, I can complete the

0:42:41.080 --> 0:42:44.880
<v Speaker 1>communication between this world of sense, and we shall be

0:42:44.920 --> 0:42:48.120
<v Speaker 1>able to finish the sentence later on. Yes, the knife

0:42:48.200 --> 0:42:51.279
<v Speaker 1>is necessary, but think what that knife will affect. It

0:42:51.360 --> 0:42:55.719
<v Speaker 1>will level utterly the solid wall of sense, and probably

0:42:55.800 --> 0:42:59.080
<v Speaker 1>for the first time since man was made, a spirit

0:42:59.200 --> 0:43:04.120
<v Speaker 1>will gaze on a spirit world. Clark, Mary, we'll see

0:43:04.160 --> 0:43:12.160
<v Speaker 1>the God pan. Very nice, Chuck, Wow, I feel like

0:43:12.200 --> 0:43:15.560
<v Speaker 1>we need to recap that. So he's doing these brain

0:43:15.760 --> 0:43:19.920
<v Speaker 1>experiments basically where he says he can connect I mean

0:43:19.960 --> 0:43:23.480
<v Speaker 1>he really just needed that last paragraph where he can

0:43:23.480 --> 0:43:26.600
<v Speaker 1>connect people to the spirit world, right, Yeah, that basically

0:43:26.640 --> 0:43:29.680
<v Speaker 1>with the with the scrambling of a few neurons that

0:43:29.760 --> 0:43:33.000
<v Speaker 1>only he knows the true purpose of, he can basically

0:43:33.680 --> 0:43:36.880
<v Speaker 1>he can take you to a new different dimensions. You

0:43:36.880 --> 0:43:41.799
<v Speaker 1>can see God. Yeah, God pan at ly sure. Uh So,

0:43:41.840 --> 0:43:44.359
<v Speaker 1>now we're picking up with Clark with an e speaking again.

0:43:44.400 --> 0:43:49.800
<v Speaker 1>You're ready, I'm ready. But you remember what you wrote

0:43:49.800 --> 0:43:52.160
<v Speaker 1>to me. I thought it would be requisite that she

0:43:52.640 --> 0:43:55.080
<v Speaker 1>he whispered the rest of the doctor's ear. You don't

0:43:55.120 --> 0:43:58.319
<v Speaker 1>be a virgin, not at all. That at all, That

0:43:58.480 --> 0:44:01.400
<v Speaker 1>is nonsense, I assure you. Indeed, it is better as

0:44:01.440 --> 0:44:05.000
<v Speaker 1>it is. I'm quite certain of that. Consider the matter well, Raymond,

0:44:05.000 --> 0:44:08.160
<v Speaker 1>it is a great responsibility. Something might go wrong, you

0:44:08.200 --> 0:44:11.400
<v Speaker 1>would be a miserable man for the rest of your days. No,

0:44:11.640 --> 0:44:14.520
<v Speaker 1>I think that even if the worst happened, As you know,

0:44:14.760 --> 0:44:17.960
<v Speaker 1>I rescued Mary from the gutter and from almost certain

0:44:18.000 --> 0:44:20.880
<v Speaker 1>starvation when she was a child, I think her life

0:44:20.920 --> 0:44:24.000
<v Speaker 1>is mine to use as I see fit. Come, it's

0:44:24.040 --> 0:44:30.760
<v Speaker 1>getting late. We had better go in. No being canceled

0:44:30.800 --> 0:44:33.799
<v Speaker 1>as we speak. So he's saying, like, you know, he

0:44:34.040 --> 0:44:37.440
<v Speaker 1>found this, this poor homeless girl, and now that he

0:44:37.520 --> 0:44:39.040
<v Speaker 1>raised her and gave her a life, he can do

0:44:39.080 --> 0:44:41.960
<v Speaker 1>whatever he wants with her life. So now poor Mary

0:44:42.400 --> 0:44:46.000
<v Speaker 1>is going to be the first test subject for seeing

0:44:46.000 --> 0:44:49.040
<v Speaker 1>the Great God Pan And I'll take up take up

0:44:49.080 --> 0:44:56.239
<v Speaker 1>some slack from you, please do. Dr Raymond led the

0:44:56.239 --> 0:44:58.560
<v Speaker 1>way into the house, through the hall and down a

0:44:58.600 --> 0:45:01.840
<v Speaker 1>long dark passage. He took a key from his pocket

0:45:01.960 --> 0:45:04.640
<v Speaker 1>and opened a heavy door and motioned Clark with any

0:45:04.840 --> 0:45:07.880
<v Speaker 1>into his flab recording. It had once been a billiard

0:45:08.000 --> 0:45:10.080
<v Speaker 1>room and was lighted by a glass dome in the

0:45:10.120 --> 0:45:12.839
<v Speaker 1>center of the ceiling. Whence there still shown a sad

0:45:12.920 --> 0:45:15.440
<v Speaker 1>gray light on the figure of the doctor as he

0:45:15.480 --> 0:45:17.759
<v Speaker 1>lit a lamp with a heavy shade and placed it

0:45:17.800 --> 0:45:20.360
<v Speaker 1>on a table in the middle of the room. Clark

0:45:20.480 --> 0:45:23.439
<v Speaker 1>looked about him. Scarcely a foot of wall remained bare.

0:45:23.800 --> 0:45:26.680
<v Speaker 1>There were shelves all around, laden with bottles and files

0:45:26.719 --> 0:45:29.320
<v Speaker 1>of all shapes and colors. And at one end stood

0:45:29.320 --> 0:45:32.400
<v Speaker 1>a little Chippendale bookcase with its shirt off and oiled

0:45:32.400 --> 0:45:36.120
<v Speaker 1>and baby oil. Raymond pointed to this. You see that

0:45:36.239 --> 0:45:40.040
<v Speaker 1>parchment Oswald Crolius. He was one of the first to

0:45:40.080 --> 0:45:42.520
<v Speaker 1>show me the way, though I don't think he ever

0:45:42.600 --> 0:45:45.360
<v Speaker 1>found it himself. That is a strange saying of his.

0:45:46.280 --> 0:45:49.680
<v Speaker 1>In every grain of wheat, there lies hidden the soul

0:45:49.840 --> 0:45:53.120
<v Speaker 1>of a star. I guess it makes sense in a

0:45:53.160 --> 0:45:57.239
<v Speaker 1>weird way. Sure. There was not much furniture in the laboratory.

0:45:57.440 --> 0:45:59.880
<v Speaker 1>The table in the center, a stone slab with a

0:46:00.120 --> 0:46:02.719
<v Speaker 1>rain in one corner, the two arm chairs on which

0:46:02.800 --> 0:46:05.759
<v Speaker 1>Raymond and Clark were sitting. That was all except an

0:46:05.800 --> 0:46:08.920
<v Speaker 1>odd looking chair at the furtherest end of the room.

0:46:09.080 --> 0:46:11.799
<v Speaker 1>Clark looked at it and raised his eyebrows. Yes, that

0:46:11.960 --> 0:46:14.640
<v Speaker 1>is the chair, said Raymond. We may as well place

0:46:14.680 --> 0:46:17.359
<v Speaker 1>it in position. He got up and wheeled the chair

0:46:17.440 --> 0:46:19.879
<v Speaker 1>to the light, and began raising and lowering and letting

0:46:19.920 --> 0:46:22.719
<v Speaker 1>down the seat, setting the back at various angles and

0:46:22.719 --> 0:46:26.360
<v Speaker 1>adjusting the foot rest. It looked comfortable enough, and Clark

0:46:26.400 --> 0:46:28.960
<v Speaker 1>passed his hand over the soft green velvet as the

0:46:29.000 --> 0:46:34.400
<v Speaker 1>doctor manipulated the levers. Now, Clark could make yourself quite comfortable.

0:46:34.840 --> 0:46:37.279
<v Speaker 1>I had a couple of hours worked before me. I

0:46:37.360 --> 0:46:41.040
<v Speaker 1>was obliged to leave certain matters to the last. Raymond

0:46:41.040 --> 0:46:43.880
<v Speaker 1>went to the stone slab, and Clark watched him drearily

0:46:43.920 --> 0:46:46.000
<v Speaker 1>as he bent over a row of files and lit

0:46:46.040 --> 0:46:49.280
<v Speaker 1>the flame under the crucible. The doctor had a small

0:46:49.360 --> 0:46:52.360
<v Speaker 1>hand lamp shaded as the larger one on a ledge

0:46:52.360 --> 0:46:55.600
<v Speaker 1>above his apparatus, and Clark, who sat in the shadows,

0:46:55.840 --> 0:46:58.640
<v Speaker 1>looked down at the great shadowy room, wondering at the

0:46:58.680 --> 0:47:02.719
<v Speaker 1>bizarre effects of brilliant light and undefined darkness contrasting with

0:47:02.760 --> 0:47:06.280
<v Speaker 1>one another. Soon he became conscious of an odd odor,

0:47:07.440 --> 0:47:11.120
<v Speaker 1>at first the merest suggestion of an odor in the room,

0:47:11.160 --> 0:47:14.279
<v Speaker 1>and as it grew more he decided he felt surprised

0:47:14.320 --> 0:47:16.600
<v Speaker 1>that he was not reminded of the chemist's shop or

0:47:16.640 --> 0:47:22.400
<v Speaker 1>the surgery. Laver smelted doubt it. Clark found himself ugly,

0:47:22.520 --> 0:47:26.440
<v Speaker 1>endeavoring to analyze the sensation, and half conscious, he began

0:47:26.480 --> 0:47:29.319
<v Speaker 1>to think of a day fifteen years ago that he

0:47:29.360 --> 0:47:31.640
<v Speaker 1>had spent roaming through the woods and meadows near his

0:47:31.719 --> 0:47:34.440
<v Speaker 1>own home. It was a burning day at the beginning

0:47:34.440 --> 0:47:37.279
<v Speaker 1>of August. The heat had dimmed the outlines of all

0:47:37.320 --> 0:47:40.560
<v Speaker 1>things and all distances with a faint mist, and people

0:47:40.560 --> 0:47:44.239
<v Speaker 1>who observed the thermometer spoke of an abnormal register of

0:47:44.280 --> 0:47:48.399
<v Speaker 1>a temperature that was almost tropical. Strangely, that wonderful hot

0:47:48.480 --> 0:47:51.520
<v Speaker 1>day of the fifties rose up again in Clark's imagination,

0:47:52.040 --> 0:47:55.160
<v Speaker 1>the sense of dazzling all pervading sunlight, seeming to blot

0:47:55.160 --> 0:47:57.920
<v Speaker 1>out the shadows and the lights of the laboratory, and

0:47:57.960 --> 0:48:01.240
<v Speaker 1>he felt again the heated air beating gusts about his face,

0:48:01.719 --> 0:48:04.360
<v Speaker 1>saw the shimmer rising from the turf, and heard the

0:48:04.360 --> 0:48:07.520
<v Speaker 1>myriad murmur of the summer. I hope the smell doesn't

0:48:07.520 --> 0:48:11.200
<v Speaker 1>annoy you, Clark. There's nothing unwholesome about it. It may

0:48:11.280 --> 0:48:16.880
<v Speaker 1>make you a bit sleepy, that's all. Clark her the

0:48:16.920 --> 0:48:20.880
<v Speaker 1>words quite distinctly, and knew that Raymond was speaking to him.

0:48:20.960 --> 0:48:22.759
<v Speaker 1>But for the life of him, he could not rouse

0:48:22.840 --> 0:48:25.520
<v Speaker 1>himself from his lethargy. He could only think of the

0:48:25.640 --> 0:48:28.840
<v Speaker 1>lonely walk he had taken fifteen years ago. It was

0:48:28.880 --> 0:48:30.920
<v Speaker 1>his last look at the fields and woods he had

0:48:30.960 --> 0:48:33.120
<v Speaker 1>known since he was a child, and now it all

0:48:33.120 --> 0:48:36.719
<v Speaker 1>stood out in brilliant light as a picture before him.

0:48:36.760 --> 0:48:39.440
<v Speaker 1>Above all, there came to his nostrils the scent of summer,

0:48:39.880 --> 0:48:42.920
<v Speaker 1>the smell of flowers mingled, and the odor of the woods,

0:48:43.239 --> 0:48:46.760
<v Speaker 1>of cool shaded places deep in the green depths drawn

0:48:46.840 --> 0:48:49.279
<v Speaker 1>forth by the sun's heat, And the scent of the

0:48:49.320 --> 0:48:52.120
<v Speaker 1>good earth lying as it were, with arms stretched forth

0:48:52.239 --> 0:48:56.560
<v Speaker 1>and smiling lips overpowered all his fancies made him wander

0:48:56.640 --> 0:48:59.359
<v Speaker 1>as he had wandered long ago, from the fields into

0:48:59.400 --> 0:49:02.400
<v Speaker 1>the wood, tracking a little path between the shining undergrowth

0:49:02.480 --> 0:49:05.200
<v Speaker 1>of beech trees and the trickle of water dropping from

0:49:05.200 --> 0:49:08.120
<v Speaker 1>the limestone rock. Sounded as clear as a melody in

0:49:08.160 --> 0:49:14.240
<v Speaker 1>the dream. All right, so he's experiencing, dude, his trip

0:49:14.280 --> 0:49:18.879
<v Speaker 1>and sleep induced drug induced feel goods. Yeah, I mean

0:49:18.920 --> 0:49:23.719
<v Speaker 1>it sounds like a pretty great picture. I'll have what

0:49:23.760 --> 0:49:26.319
<v Speaker 1>he's having. You want me? Keep going? Yeah, keep going.

0:49:26.520 --> 0:49:31.560
<v Speaker 1>Now it gets a little weird. Thoughts began to go

0:49:31.640 --> 0:49:35.160
<v Speaker 1>astray and to mingle with other thoughts. The beach alley

0:49:35.239 --> 0:49:38.839
<v Speaker 1>was transformed to a path between elix trees, and here

0:49:38.840 --> 0:49:41.520
<v Speaker 1>and there a vine climbed from bow to bow and

0:49:41.600 --> 0:49:45.160
<v Speaker 1>sent up waving tendrils, and drooped with purple grapes, and

0:49:45.200 --> 0:49:47.960
<v Speaker 1>the sparse, gray green leaves of a wild olive tree

0:49:48.000 --> 0:49:51.360
<v Speaker 1>stood out against the dark shadows of the eyelex Clark,

0:49:51.640 --> 0:49:54.480
<v Speaker 1>in the deep folds of the dream, was conscious that

0:49:54.560 --> 0:49:57.440
<v Speaker 1>the path from his father's house had led him into

0:49:57.440 --> 0:50:00.840
<v Speaker 1>an undiscovered country, and he was wondering at the strangeness

0:50:00.880 --> 0:50:03.640
<v Speaker 1>of it all, when suddenly, in place of the harm

0:50:03.680 --> 0:50:07.840
<v Speaker 1>and murmur of the summer, an infinite silence seemed to

0:50:07.880 --> 0:50:11.960
<v Speaker 1>fall on all things, and the wood was hushed, and

0:50:12.040 --> 0:50:14.560
<v Speaker 1>for a moment in time he stood face to face

0:50:14.680 --> 0:50:17.720
<v Speaker 1>there with a presence that was neither man nor beast,

0:50:18.320 --> 0:50:21.920
<v Speaker 1>neither the living nor the dead, but all things mingled,

0:50:22.320 --> 0:50:26.000
<v Speaker 1>the form of all things, but devoid of all form.

0:50:26.040 --> 0:50:28.760
<v Speaker 1>And in that moment the sacrament of body and soul

0:50:29.080 --> 0:50:32.840
<v Speaker 1>was dissolved, and a voice seemed to cry, let us go. Hence,

0:50:33.520 --> 0:50:36.680
<v Speaker 1>and then the darkness of darkness beyond the stars, the

0:50:36.840 --> 0:50:46.359
<v Speaker 1>darkness of everlasting. Whoa, He went deep, he really did,

0:50:46.880 --> 0:50:49.399
<v Speaker 1>he went. Hence is how you'd put how the kids

0:50:49.440 --> 0:50:54.400
<v Speaker 1>would put it? Uh? Should I pick up? Yeah? Okay,

0:50:54.680 --> 0:51:02.400
<v Speaker 1>is your throat? Okay, it's fine. When Clark woke up

0:51:02.440 --> 0:51:04.680
<v Speaker 1>with a start, he saw Raymond pouring a few drops

0:51:04.680 --> 0:51:07.680
<v Speaker 1>of some oily fluid into a green file, which he

0:51:07.760 --> 0:51:12.560
<v Speaker 1>stopped her tightly. You've been dozing. The journey must have

0:51:12.600 --> 0:51:15.440
<v Speaker 1>tired you out. It is done. Now I'm going to

0:51:15.480 --> 0:51:19.399
<v Speaker 1>fetch Mary. I'll be back in ten minutes. Clark lay

0:51:19.400 --> 0:51:21.839
<v Speaker 1>back in his chair and wondered. It seemed as if

0:51:21.840 --> 0:51:24.600
<v Speaker 1>he had but passed from one dream into another. He

0:51:24.719 --> 0:51:27.520
<v Speaker 1>half expected to see the walls of the laboratory melt

0:51:27.560 --> 0:51:31.120
<v Speaker 1>and disappear, and to awaken London, shuddering at his own

0:51:31.120 --> 0:51:33.880
<v Speaker 1>sleeping fancies. But at last the door opened and the

0:51:33.920 --> 0:51:37.560
<v Speaker 1>doctor returned, and behind him came a girl about seventeen,

0:51:38.239 --> 0:51:41.760
<v Speaker 1>dressed all in white. She was so beautiful that Clark

0:51:41.840 --> 0:51:45.240
<v Speaker 1>did not wonder at what the doctor had written to him.

0:51:45.280 --> 0:51:48.520
<v Speaker 1>She was blushing now over face and neck and arms.

0:51:48.560 --> 0:51:54.319
<v Speaker 1>But Raymond seemed unmoved. Mary, the time has come. You

0:51:54.360 --> 0:51:59.280
<v Speaker 1>are quite free. Are you willing to trust me entirely? Yes? Dear,

0:52:00.920 --> 0:52:04.239
<v Speaker 1>do you hear that? Clark? You are my witness. Here

0:52:04.320 --> 0:52:07.040
<v Speaker 1>is the chair, Mary, It is quite easy. Just sit

0:52:07.120 --> 0:52:10.320
<v Speaker 1>in it and lean back Are you ready, Yes, dear,

0:52:10.520 --> 0:52:14.920
<v Speaker 1>quite ready. Give me a kiss before you begin. The

0:52:15.000 --> 0:52:21.160
<v Speaker 1>doctor stooped and kissed her mouth kindly enough. Now shut

0:52:21.239 --> 0:52:25.200
<v Speaker 1>your eyes, he said. The girl closed her eyelids as

0:52:25.239 --> 0:52:29.680
<v Speaker 1>if she were tired and longed for sleep, and Raymond

0:52:29.760 --> 0:52:33.840
<v Speaker 1>placed the green file to her nostrils. Her face grew white,

0:52:33.920 --> 0:52:37.080
<v Speaker 1>whiter than her dress. She struggled faintly, and then, with

0:52:37.120 --> 0:52:40.120
<v Speaker 1>a feeling of submission strong within her, crossed her arms

0:52:40.200 --> 0:52:42.560
<v Speaker 1>upon her breast as a little child about to say

0:52:42.560 --> 0:52:45.680
<v Speaker 1>her prayers. The bright light of the lamp fell full

0:52:45.760 --> 0:52:48.920
<v Speaker 1>upon her, and Clark watched changes fleeting over her face

0:52:49.239 --> 0:52:51.400
<v Speaker 1>as the changes of the hills when the summer clouds

0:52:51.640 --> 0:52:55.080
<v Speaker 1>flowed across the sun. And then she lay all white

0:52:55.160 --> 0:52:59.520
<v Speaker 1>and still, and the doctor turned up one of her eyelids.

0:53:00.120 --> 0:53:03.000
<v Speaker 1>She was quite unconscious. Raymond pressed hard in one of

0:53:03.040 --> 0:53:06.080
<v Speaker 1>the levers in the chair instantly sank back. Clark saw

0:53:06.160 --> 0:53:08.919
<v Speaker 1>him cutting away a circle like a tauns sheer from

0:53:08.920 --> 0:53:12.319
<v Speaker 1>her hair, and the lamp was moved nearer. Raymond took

0:53:12.320 --> 0:53:15.920
<v Speaker 1>a small glittering instrument from a little case, and Clark

0:53:16.040 --> 0:53:19.600
<v Speaker 1>turned away shudderingly. When he looked again, the doctor was

0:53:19.719 --> 0:53:22.000
<v Speaker 1>binding up the wound he had made. Clark is so

0:53:22.160 --> 0:53:27.440
<v Speaker 1>timid she will awaken. Five minutes, Raymond was still perfectly cool.

0:53:27.880 --> 0:53:30.760
<v Speaker 1>There is nothing more to be done. We can only wait.

0:53:31.520 --> 0:53:35.680
<v Speaker 1>The minutes passed slowly. They could hear a slow, heavy ticking.

0:53:37.480 --> 0:53:40.879
<v Speaker 1>There's an old clock in the passage. Clark felt sick

0:53:40.960 --> 0:53:48.080
<v Speaker 1>and faint. His knees shook beneath him. He could hardly stand.

0:53:48.800 --> 0:53:52.680
<v Speaker 1>And suddenly, as they watched, they heard a long, drawn sigh,

0:53:53.480 --> 0:53:56.279
<v Speaker 1>And suddenly did the color that had vanished returned to

0:53:56.320 --> 0:54:01.120
<v Speaker 1>the girl's cheeks, and suddenly her eyes opened. Clark quailed

0:54:01.160 --> 0:54:05.160
<v Speaker 1>before them. They shone with an awful light, looking far away,

0:54:05.520 --> 0:54:08.319
<v Speaker 1>and a great wonder fell upon her face, and her

0:54:08.320 --> 0:54:10.960
<v Speaker 1>hands stretched out as if to touch what was invisible.

0:54:11.640 --> 0:54:14.520
<v Speaker 1>But in an instant the wonder faded and gave place

0:54:14.560 --> 0:54:17.719
<v Speaker 1>to the most awful terror. The muscles of her face

0:54:17.760 --> 0:54:21.200
<v Speaker 1>were hideously convulsed. She shook from head to foot. The

0:54:21.320 --> 0:54:24.600
<v Speaker 1>soul seemed struggling and shuddering within the house of flesh.

0:54:25.200 --> 0:54:28.480
<v Speaker 1>It was a horrible sight, and Clark rushed forward, and

0:54:28.600 --> 0:54:45.720
<v Speaker 1>she fell, shrieking to the floor. Three days later, Raymond

0:54:45.760 --> 0:54:48.960
<v Speaker 1>took Clark to Mary's bedside, she was lying wide awake,

0:54:49.320 --> 0:54:53.640
<v Speaker 1>rolling her head from side to side and grinning vacantly. Yes,

0:54:54.600 --> 0:54:58.040
<v Speaker 1>the doctor said, still quite cool. It is a great pity.

0:54:58.680 --> 0:55:03.040
<v Speaker 1>She is a hopeless it it however, it could not

0:55:03.200 --> 0:55:07.040
<v Speaker 1>be helped, and after all she has seen the Great

0:55:07.120 --> 0:55:21.880
<v Speaker 1>God Pan very nice. Wow wow we wow wow. Definitely

0:55:22.960 --> 0:55:28.120
<v Speaker 1>not a doctor feel good. No, a doctor I feel bad,

0:55:28.200 --> 0:55:30.239
<v Speaker 1>I guess is the best way to put in. I think,

0:55:30.280 --> 0:55:33.120
<v Speaker 1>so doctor make bad. That was really great, Chuck. This

0:55:33.200 --> 0:55:37.600
<v Speaker 1>is truly the most spooky spook caacular spook time. Yes,

0:55:37.680 --> 0:55:41.719
<v Speaker 1>and we appreciate everyone who listens to these every Halloween.

0:55:42.000 --> 0:55:44.799
<v Speaker 1>It's one of our favorites to do because we get

0:55:44.840 --> 0:55:46.640
<v Speaker 1>to just have a little bit of fun and beat goofy.

0:55:47.560 --> 0:55:52.600
<v Speaker 1>What do you mean? Like? That was a straight read?

0:55:54.400 --> 0:55:57.640
<v Speaker 1>But everyone, you know, Halloween looks like it's probably on

0:55:57.840 --> 0:56:01.000
<v Speaker 1>for the most part this year, So be careful out

0:56:01.000 --> 0:56:05.760
<v Speaker 1>there still and stay safe and enjoy yourselves. Yes, follow

0:56:05.880 --> 0:56:11.640
<v Speaker 1>c d C guidelines for trick or treating or FELCI

0:56:11.840 --> 0:56:24.759
<v Speaker 1>will get you and you will sleep happy Halloween. Everybody.

0:56:25.360 --> 0:56:27.640
<v Speaker 1>Stuff You Should Know is a production of I Heart Radio.

0:56:28.160 --> 0:56:30.640
<v Speaker 1>For more podcasts my heart Radio, visit the i heart

0:56:30.719 --> 0:56:33.640
<v Speaker 1>Radio app. Apple podcasts, or wherever you listen to your

0:56:33.640 --> 0:56:34.400
<v Speaker 1>favorite shows.