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Speaker 1: Good news everyone.

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Speaker 2: I listen to The Black Guy Who Tips podcast because

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Speaker 2: Rod and Karen are hot.

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Speaker 1: Hi, Welcome to the Black Guy to his podcast. I'm

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Speaker 1: your host Rod, joined us always by my co host Kiaren,

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Speaker 1: and we are live on a Monday after the Super Bowl,

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Speaker 1: a hangover Monday as the alcoholics call it, and we

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Speaker 1: are ready to do some podcasting. And I'm gonna be

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Speaker 1: honest with you, guys. I only want to talk about

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Speaker 1: one thing, and honestly, I really don't want to talk

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Speaker 1: about it with a couple of people. I agree. And

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Speaker 1: one of those people is the guest on today's show.

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Speaker 1: You may have known her as you know, award winning

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Speaker 1: Best New York Times Bestseller, novelist, Arthur Poet, laureate and

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Speaker 1: all the other things, a Night of the Seven Kingdoms.

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Speaker 1: It is an official, unofficial step here. That's my girl,

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Speaker 1: bossy ig me. What's going on? Girl? Hi? Hi?

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Speaker 3: Hello? Hello? Even like a year.

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Speaker 1: You know what else? Though, you're a podcaster now?

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Speaker 3: I am?

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Speaker 1: I am?

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Speaker 4: And that is called the idea of podcast with my

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Speaker 4: guy Michael, and honestly it's just us. We come in

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Speaker 4: with a plan and then we end up just like

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Speaker 4: talking about shit. So it's not really it's not a

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Speaker 4: pop culture podcast, even that we did talk about the

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Speaker 4: halftime show today, but it's mainly about like life.

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Speaker 3: And aging and.

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Speaker 4: Just trying to figure things out out loud with other

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Speaker 4: people around. So it's called the Idea of podcasts, and

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Speaker 4: it's wherever podcasts are sold, no.

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Speaker 3: Available available, wherever they're avail available.

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Speaker 1: There you go and listen. First of all, you're many many,

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Speaker 1: many of our fans' favorite on the show. There's a

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Speaker 1: lot of people that listen to this too much with

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Speaker 1: me and you who I don't even know if they

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Speaker 1: cross over to the main show unless you're on it.

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Speaker 1: So there's so I say all this to say, there

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Speaker 1: are people looking. There are people looking for bossy content,

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Speaker 1: is my point. And they don't know that you got

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Speaker 1: a podcast because you don't be promoting shit. You you

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Speaker 1: very much like I got a thing.

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Speaker 3: This a thing.

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Speaker 1: It's like, how do people to find it? I found

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Speaker 1: out because she's slipped up in the text. She's like, yo,

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Speaker 1: I'm sorry. I just got done recording my podcast, Like

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Speaker 1: what the fuck I went? And it was episodes out,

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Speaker 1: like oh it's been out. I didn't know was out

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Speaker 1: here giving away thoughts. Okay, I'll see how it is.

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Speaker 4: But yeah, I posted at all because I don't like

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Speaker 4: my voice, and I talk a lot on the podcast,

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Speaker 4: so I'm just like, nobody needs to hear that.

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Speaker 1: You say that. First of all, you're so smart, your

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Speaker 1: voice is so good, and it's so interesting too, because

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Speaker 1: like when we did, like is this too much? When

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Speaker 1: we do have something, this too much? But I si'll

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Speaker 1: go back and listen, like she'll She'll hit me up

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Speaker 1: like a couple of days later, you know what I

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Speaker 1: forgot to say, And I'm like, what happened. She's like,

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Speaker 1: I should have said this. I'm like, damn, damn, that's

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Speaker 1: a good point. We gotta say that next time. That's

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Speaker 1: how you get better, Karen does it. I'm the one

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Speaker 1: that don't listen to my shit. I don't listen to me.

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Speaker 1: I said, I said it. I lived in a moment.

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Speaker 1: I fucked up. Then I don't need to go back.

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Speaker 2: Yeah, And I think for me, the biggest reason why

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Speaker 2: I go back and listen and I don't listen as

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Speaker 2: much to our show as much as I used to.

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Speaker 1: I used to be very adamant about it.

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Speaker 2: But the biggest reason why is because I've learned when

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Speaker 2: I go back and listen a it gets you used

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Speaker 2: to hearing the sound of your voice, so you can

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Speaker 2: get over that because most people don't like the sound

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Speaker 2: of their own voices.

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Speaker 4: Well, I like the sound of my voice. I don't

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Speaker 4: like the sound of other people hearing my.

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Speaker 2: Voice, okay, cause I know for me it was like,

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Speaker 2: just hearing your voice is kind of odd because you're

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Speaker 2: always speaking, so it's odd to kind of hear it

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Speaker 2: back to yourself. And I think for me it sharpened

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Speaker 2: when I go back and listen. It sharpens the comedic

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Speaker 2: part of me. Because I'm not a comedian, but I've

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Speaker 2: realized when I listen to it, it made me start

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Speaker 2: being sharper, start actually tying things together, doing like callbacks

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Speaker 2: and connecting dots and things like that, and and doing

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Speaker 2: more yes, anding and kind of expanding that thing and comedy.

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Speaker 1: So as a person that lives in their head, I

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Speaker 1: feel like I revisit those moments all the time. When

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Speaker 1: I don't want to. It's like four in the morning,

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Speaker 1: it's just like, hey, remember that time you said that thing?

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Speaker 1: And I'm like, fuck, I do remember that time I

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Speaker 1: said that thing. Now I can't sleep and I'm my

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Speaker 1: teacher wasn't pregnant. She just put on some weight. I

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Speaker 1: don't know why I said that. That was tenth grade.

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Speaker 1: I should be able to let that go. I'm forty six,

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Speaker 1: but I can't.

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Speaker 3: True.

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Speaker 4: I physically cringe, like I'll just speak, sitting here, minding

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Speaker 4: my own business, and something happens and I remember, I'm like, right,

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Speaker 4: go back in time.

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Speaker 1: Right, that's a good movie idea, a good sketch idea

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Speaker 1: of something. I get a time machine, but I'm just

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Speaker 1: going back fixing the tiniest fucking faux pause. It's like, well,

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Speaker 1: you're gonna stop Trump and getting reelected. I'm like, no,

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Speaker 1: I said Miss Hardaway was pregnant when I saw her

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Speaker 1: at the mall, and I said, I didn't even know

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Speaker 1: they let you out of school. Then I was like

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Speaker 1: and congratulations. I don't know what I was thinking. So

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Speaker 1: I'm just gonna stop myself from saying myself. And they're like,

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Speaker 1: and you do that, but then you go back to

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Speaker 1: the future and it's like, actually, Trump didn't become present.

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Speaker 1: You said that, and that's fixed the world. But listen, okay,

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Speaker 1: you guys, I know what you guys want to hear.

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Speaker 1: You want to hear us talk about Kendrick Lamar and

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Speaker 1: this halftime show, because that's what I want to talk about.

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Speaker 1: I'll do the show up front because that's what we're

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Speaker 1: supposed to do. And I'll find a way to slide

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Speaker 1: commercials in here somewhere because I want to make money.

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Speaker 1: I'm still a capitalist. The first thing is live show

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Speaker 1: tickets on sale. In the show notes, VIP tickets are gone,

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Speaker 1: regular seats are there. We went through a walk through

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Speaker 1: the space today. It's our first time in this more

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Speaker 1: intimate space, which means tinier, but it was still dope.

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Speaker 1: It's still the Bloom Thought Center for Performing Arts. It

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Speaker 1: was actually a little fancy, like you can see the

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Speaker 1: street in this one. You can look out these windows

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Speaker 1: and see people. They told us we can make the

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Speaker 1: sound go outside, and they said, did you want that? Said,

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Speaker 1: we're gonna be cursing and drinking.

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Speaker 2: So so I don't think that would be sneeper. Gonna

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Speaker 2: be walking around and just hit two black people, like, hey, nigga,

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Speaker 2: what what's happening?

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Speaker 1: This ain't the Lion King, right, Like, why would you

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Speaker 1: do that to random Charlotte teans? But we but like

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Speaker 1: we got everything squared Away. We're working on like other

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Speaker 1: stuff behind the scenes, but for people that want to

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Speaker 1: do VIP meet and greet, that's gonna start at five thirty.

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Speaker 1: So someone had email me to be like, what time

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Speaker 1: should I get there for that. Five thirty is when

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Speaker 1: we're playing doing that from five thirty to six thirty,

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Speaker 1: so be there beyond time. It's a lot of y'all.

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Speaker 1: We definitely want to give everybody like they moment, get

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Speaker 1: that picture and all that stuff, and then the show

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Speaker 1: starts at seven. The doors for regular folks opens up

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Speaker 1: at six thirty, so you know, feel free. There's a

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Speaker 1: bar inside you can get a drink. Try not to

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Speaker 1: be too loud when you getting a drink during the show.

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Speaker 1: I know some of y'all need your juice, but you

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Speaker 1: know what I'm saying, Just keep it real. And then

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Speaker 1: the other show note that was it? Yeah, that's it.

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Speaker 1: So just those are the show notes. Make sure y'all

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Speaker 1: do that. Lee five star reviews, blah blah. Official weapon

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Speaker 1: of the show is folding chair. Yeah, unofficial to think

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Speaker 1: about it, bullet ball at bullet Ball Extreme and now

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Speaker 1: with no show is about to say the wrong thing? Yeah,

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Speaker 1: and oh wait, you know what I do have banter

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Speaker 1: I got. I'm sorry, give me one second. Okay, we

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Speaker 1: got a little bit of banter. Then I promise Kendrick Lamart,

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Speaker 1: this will give us a chance to play a commercials.

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Speaker 1: So give me one second. Do you have.

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Speaker 5: Any do you have any?

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Speaker 1: Do you have any banter? Banter?

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Speaker 2: Banter?

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Speaker 5: Banter?

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Speaker 1: Anter? Do you have any banter? Talk to me? Do

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Speaker 1: you have any banter? Banter? Okay, we have a little

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Speaker 1: bit of banter. I only have a couple of things, Karen.

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Speaker 1: I don't know how many things you have. I got

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Speaker 1: a list, but we can. Okay, We're gonna try to

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Speaker 1: move fast, though, because I want to do mostly Yes,

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Speaker 1: that's fine. First thing I want to say, Okay, I'm

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Speaker 1: more of an awkward ranch. Okay. I think cool Ranch

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Speaker 1: is really just perpetrating, and I think I need to

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Speaker 1: embrace ourselves, not everybody, and be cool. I like the

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Speaker 1: cool Ranch, and if I'm gonna be honest, cool Ranch

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Speaker 1: not that cool. They kind of spicy and hot to me, Chad, if.

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Speaker 2: You don't get out of here, no, child, I fucking

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Speaker 2: love cool Ranch. Doritos, and Child, it ain't as spicy

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Speaker 2: as it used to be. You used to bite into

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Speaker 2: cool ranch and you was like dust and I was

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Speaker 2: like yes, and they don't kind of kind of is

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Speaker 2: not as dusty as it used to be. I don't

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Speaker 2: know if that makes sense, Like they don't use as much.

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Speaker 1: I prefer I prefer snacks that embrace who they really are.

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Speaker 1: I think coolness is a fake facade. I prefer flaming

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Speaker 1: hot Doritos and flaming hot Cheetos because they actually embrace

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Speaker 1: who they are. They live their life out loud, they

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Speaker 1: live their truth and I support them being flaming hot

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Speaker 1: hot too, right, but not, but you rather be a

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Speaker 1: cool you said, I do all your turn, your turn.

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Speaker 1: I know you practice your yes hands. But that was

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Speaker 1: very yes, no, go ahead?

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Speaker 2: Yeah yeah that was that was no, but that was agreed.

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Speaker 2: But that was okay, but boo, I'm sorry, more like

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Speaker 2: a no, but go ahead.

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Speaker 1: Okay. It was a big turn turn from me to

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Speaker 1: dunk on your thing. Please don't I oh, oh, I

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Speaker 1: should be a good partner. Okay, God, yes, I'm gonna

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Speaker 1: be a good comedic party. I'm to get that off

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Speaker 1: my chest.

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Speaker 2: I felt like it was a personal Attech, we was

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Speaker 2: watching the super commercials and my I on the one

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Speaker 2: to think that some people's high when they made some

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Speaker 2: of these commercials, because some of them made no sense,

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Speaker 2: Like I wasn't drinking or anything, but I was looking.

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Speaker 2: I was like, oh, whoever made these commercials?

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Speaker 1: Like you was drinking a beer? Okay, I was drinking

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Speaker 1: a beer, but I did, and that was going on.

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Speaker 1: I was high because I did an edible and that

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Speaker 1: was a mistake. Yes, because I'm pretty sure I hallucinated.

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Speaker 1: Seal was an actual seal. He was singing some seal

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Speaker 1: song he was. That happened, Yes, that did, and it

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Speaker 1: was weird. Okay. It was a lot of animorphic animals

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Speaker 1: talk like Yeah. I was like, this ship is hitty. No,

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Speaker 1: it wasn't you think I just saw Bill Belichick's twenty

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Speaker 1: four year old girlfriend in the commercial with Ben Affleck.

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Speaker 1: There's no way that happened. She's not famous at all.

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Speaker 1: She's only famous for fucking Bill Belichick. Why would she

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Speaker 1: be in the ad. But apparently you're saying that happened

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Speaker 1: and Tom Brady had a melt down. They put batteries

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Speaker 1: back in his arm like they had a run. Don't

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Speaker 1: watch Super Bowl commercials high. I'll tell y'all right now.

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Speaker 2: Well, it made no sense at all some of these commercials.

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Speaker 2: I was like, what is going on? And this year

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Speaker 2: was kind of weird. I don't know what's happening. But

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Speaker 2: they approved a lot of things that I think they

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Speaker 2: would have rejected in the past.

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Speaker 1: I was like, some of this shit don't make no sense.

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Speaker 1: I didn't find all the commercials to be that good.

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Speaker 1: Except the Nike Women's ad was really good. It was

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Speaker 1: just a really fucking good ad, like like it was.

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Speaker 1: When it got done, I was like, shit, that was good. Oh.

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Speaker 1: I like the one where they was playing people for

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Speaker 1: the beers. Oh yeah, yeah, the old people playing ten.

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Speaker 1: It's yeah, good. That one was good. Why they spent

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Speaker 1: Why they went to Tyler Perry's stage in Atlanta and

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Speaker 1: spent cgi Marvel money making Martha Stewart do that fucking

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Speaker 1: dance that looked like your feet don't touch it. I

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Speaker 1: never understand. I don't know, but that shit costs money,

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Speaker 1: and now it looked amazing.

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Speaker 2: Yes, And that's something else. When you look at it,

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Speaker 2: you've been like, am I high?

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Speaker 1: That's what I'm saying. I was like, shit is kicking in,

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Speaker 1: all right, here's my here's my last bantern didn't we

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Speaker 1: can we can move on. You can do one more

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Speaker 1: and then we move on. I have been coome so washed.

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Speaker 1: I'm so old at this point. The highlight of my

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Speaker 1: day yesterday was buying walking shoes. And I mean the

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Speaker 1: way I was excited was like kids on Christmas type excite,

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Speaker 1: Like like I woke up early. I googled, like what

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Speaker 1: time do the store open, and it was like not

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Speaker 1: till one. I was like, oh man, I gotta wait

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Speaker 1: till one. And I got to the store and it

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Speaker 1: was like I didn't even know it was stores that

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Speaker 1: did shit like this because I used to going into

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Speaker 1: foot locker and they just bring out that weird shoe

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Speaker 1: foot ruler and they just be like, your feet is twelves.

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Speaker 1: Hopefully we didn't lose Bossy. Hopefully it just went off screen.

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Speaker 1: But not this time. This was fancy. Yeah. They was like,

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Speaker 1: oh wait, we did lose Bossy. Okay, I'll invite her back.

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Speaker 1: But yet this shit was so fucking fancy. Yeah. This

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Speaker 1: woman had a machine that scamed my feet. Like I like,

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Speaker 1: first I filled out some shit on tablet, then I

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Speaker 1: stood on a machine that measured my feet. Then I

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Speaker 1: had to walk on this fucking like treadmill thing in

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Speaker 1: the floor over and over that that measured how much

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Speaker 1: weight I put on what part of my foot, And

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Speaker 1: then they used that to tell me what kind of

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Speaker 1: shoe I should get, And I knew what kind of

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Speaker 1: shoe I wanted. I wanted some Hokah. Then that's what

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Speaker 1: they call everybody raving about those Bomoni told me to

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Speaker 1: get them. And that's how I know he washed too,

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Speaker 1: because I told him I gotta sell on new balances,

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Speaker 1: and he was like, man, but you heard about these hawkers.

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Speaker 1: And I'm like, say what, say more? I just bought

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Speaker 1: the new balance. What's over with the hockys? Like it's

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Speaker 1: like your feet walking on clouds. I'm like clouds, Nigga,

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Speaker 1: my god, that's impossible. I didn't even look at the

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Speaker 1: price because I knew that ship was expensive. When they

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Speaker 1: scam my feet, I said, this shit going on a

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Speaker 1: credit card. It's no fucking way, Like they're.

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Speaker 2: Scared of your feet. The coast of the coust of

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Speaker 2: the feet management is in the coust of the shoes.

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Speaker 3: Yeah.

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Speaker 1: Then she gave me some some slut socks guys, and

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Speaker 1: I like them, so I call these slut socks. Because

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Speaker 1: these socks had lace see through parts. They were so sexy,

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Speaker 1: Like I'm I'm gonna post a picture of them somewhere

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Speaker 1: so y'all can see them. But these shoes, these socks,

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Speaker 1: y'all like they they like they was like the lingerie

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Speaker 1: that Rihanna has, but for feet. Yes, for I don't

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Speaker 1: know why I decided to make some part see through.

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Speaker 1: She said it so your feet can sweat. But I'm like, hey,

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Speaker 1: what the sock for. She's like, nah, you need to

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Speaker 1: wick away to sweat on their feet, and you're walking.

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Speaker 1: So I'm gonna be doing I said, I'm just walking.

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Speaker 1: I'm not running. She's like, it don't matter because people

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Speaker 1: wait till you put wait till you put these motherfuckers

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Speaker 1: on your feet. So I'm like, okay. Then I wore

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Speaker 1: them to day. She was right, they was hitting. So

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Speaker 1: the socks fancy. They cost way too much. I looked

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Speaker 1: at the price. They was like sixteen dollars. You get

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Speaker 1: two socks for sixteen dollars off not six She said

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Speaker 1: they worth it. They did feel worth it. And she

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Speaker 1: said they last a while, and the socks come with

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Speaker 1: left and right. I've never had socks that got a direction. No,

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Speaker 1: I've had socks. Socks are one size fits all in

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Speaker 1: it go on. Any you put a sock on the hand,

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Speaker 1: it don't it's a sock. This shit was like, nah,

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Speaker 1: you earn the sock wrong. How you gonna walk like that?

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Speaker 2: Son?

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Speaker 1: Flip your socks around, put it on the other front. Anyway,

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Speaker 1: I got these hoggers. I tried three different pair on,

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Speaker 1: but the ones I got, the motherfuckers was it is

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Speaker 1: like clouds. I walked uh, like three miles today and

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Speaker 1: it just felt like I hadn't walked. Like That's how

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Speaker 1: good my feet felt. Because I remember I could have

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Speaker 1: kept going. I just I just it had been time

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Speaker 1: and I was time to come back home.

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Speaker 2: I remember when you were trying them, because she had

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Speaker 2: your tryst up a pair and she because she was

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Speaker 2: so detailed, she was like, yeah, we need one that

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Speaker 2: that that kind of helped. And she was like, yeah,

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Speaker 2: you got tight hips.

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Speaker 1: She knew everything, even and when she was giving me

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Speaker 1: the shoes, she was saying, shit, that don't matter to me,

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Speaker 1: but it made me feel good that she knew she

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Speaker 1: was talking about. She was like, oh, yeah, these the

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Speaker 1: hawker uh you know the hawk of terrestrials. They got

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Speaker 1: the H frame in them, so you know you gotta

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Speaker 1: use that with the cross matrix. I'm like, I don't

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Speaker 1: know what the fuck that means, but you say, if

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00:16:48,280 --> 00:16:50,760
Speaker 1: you say that's good, it sounds sounds expensive and it

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00:16:50,800 --> 00:16:53,440
Speaker 1: sounds good. So just I was like, here's what I'm

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00:16:53,440 --> 00:16:56,120
Speaker 1: gonna do with the shoes. I'm gonna walk around, so

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00:16:56,240 --> 00:16:58,200
Speaker 1: you just give them to me. You tell me whatever's

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00:16:58,240 --> 00:17:00,000
Speaker 1: in them, they can have the flux capacity. I'm gona

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Speaker 1: walk around the store, and then I'm gonna tell you

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Speaker 1: how they feel on my feet, because that's as smart

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Speaker 1: as I get. I'm as smart as my feet feel.

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00:17:07,359 --> 00:17:10,480
Speaker 1: And so I walked around and that first pair she

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00:17:10,520 --> 00:17:12,320
Speaker 1: said it was. She says, its probably gonna be this pair,

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00:17:12,359 --> 00:17:14,399
Speaker 1: and I said, okay. Then I tried like two more

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Speaker 1: and I was like, you're right. It was them first ones,

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Speaker 1: and I bought them. I don't even want to tell

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Speaker 1: you what it costs, y'all, but it cost a lot.

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00:17:21,440 --> 00:17:24,320
Speaker 1: It cost a lot. But I think after one walk

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Speaker 1: right now, five star reviews. So just letting y'all know,

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00:17:27,520 --> 00:17:31,719
Speaker 1: I'm washed. I'm washed. I spent a lot of money

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Speaker 1: on some shoes to walk around the parking. But if

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00:17:35,080 --> 00:17:37,959
Speaker 1: you are consistent and they're not cool shoes, like, no

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Speaker 1: one's gonna be in prepped. This isn't like when you

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Speaker 1: buy Georgans and people be like, yeah, gird, I see

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Speaker 1: you got the They gonna see me with the hookers.

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Speaker 1: And only people that know yeah, only people didn't know this,

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00:17:48,119 --> 00:17:51,119
Speaker 1: like white people money cool, Like, however have she can?

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Speaker 1: You be like that's a T shirt and they're like,

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Speaker 1: oh a T shirt? Yeah, okay, okay, poor people.

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00:17:56,440 --> 00:17:59,280
Speaker 2: Yeah, I've seen what I've seen people who really love

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00:17:59,320 --> 00:18:01,639
Speaker 2: to walk in hawkers. For a long time, people have

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00:18:01,800 --> 00:18:04,240
Speaker 2: raved about him, and so I was like, well them

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00:18:04,320 --> 00:18:07,520
Speaker 2: Muspeed of Shoes is like the ship for walkers.

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Speaker 1: They are. They are. I swear by them at the

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00:18:09,920 --> 00:18:12,359
Speaker 1: one try. I actually text Bowl when I got in.

365
00:18:13,119 --> 00:18:15,439
Speaker 1: I'm like, nigga, he was right. I felt like I

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00:18:15,520 --> 00:18:18,679
Speaker 1: walked in pillows. He's amazing. He's like. I sent him

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00:18:18,720 --> 00:18:21,159
Speaker 1: a picture when I bottom, just a picture of me

368
00:18:21,200 --> 00:18:23,240
Speaker 1: holding the box. He said, nigga, you want to see.

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00:18:23,480 --> 00:18:28,119
Speaker 1: I'm like, yes, life's about to change. We both are

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00:18:28,160 --> 00:18:31,320
Speaker 1: the appropriate amount of crunk for new walking shoes. Yes,

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00:18:31,560 --> 00:18:33,960
Speaker 1: come on, get you a crunk better and that's excited

372
00:18:34,000 --> 00:18:38,840
Speaker 1: about bullshit like you is. He put the battery in

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Speaker 1: my back to be comfortable walking gang strong. But yeah,

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Speaker 1: that's that's my last banter. Karen, you got one more,

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Speaker 1: and then we'll we'll get into Kendrick.

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Speaker 2: My last one is me and Rojack had went out

377
00:18:54,040 --> 00:18:58,280
Speaker 2: to eat, and I called myself, I like, but like this,

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00:18:59,400 --> 00:19:02,480
Speaker 2: I don't mind spicy, but I don't like too spicy

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Speaker 2: because I actually want to taste my food.

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Speaker 1: I don't like spic I don't like that like cool

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00:19:06,840 --> 00:19:10,560
Speaker 1: ranch doritos, you just lauded, But go ahead, cool ranch

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00:19:10,760 --> 00:19:14,000
Speaker 1: is cool. Cool ranch is not spicy. You said they

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00:19:14,080 --> 00:19:16,600
Speaker 1: used to be more spicy. They did.

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Speaker 2: They they had more spice on it, but it just spice.

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00:19:20,320 --> 00:19:24,320
Speaker 2: Ain't like a It ain't like a heat spice, if

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00:19:24,400 --> 00:19:25,080
Speaker 2: that makes sense.

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00:19:25,520 --> 00:19:30,440
Speaker 1: And some I don't mind spiciness like that heat.

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00:19:30,240 --> 00:19:32,760
Speaker 2: But I don't want it to overpower the meal because

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Speaker 2: I actually want to taste my food. So when we

390
00:19:35,119 --> 00:19:37,919
Speaker 2: went to eat, I call myself being all fancy, and

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Speaker 2: so I put like some hot sauce as the tacos.

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00:19:40,280 --> 00:19:42,520
Speaker 2: I put the hot sauce on the side and I

393
00:19:42,560 --> 00:19:45,679
Speaker 2: dipped my uh uh my buns in them. I had

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00:19:45,720 --> 00:19:47,520
Speaker 2: to like some buns with some pork, and I dipped

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Speaker 2: it in them.

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00:19:48,520 --> 00:19:50,960
Speaker 1: Chat I was being too grown. I guess I dipped

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Speaker 1: off of it and bit too.

398
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Speaker 2: Much hot sauce, because next thing I know, I looked

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00:19:55,160 --> 00:19:57,800
Speaker 2: at Roger and that's in my eyesided water Like I

400
00:19:57,880 --> 00:20:00,000
Speaker 2: was fine, but this water started going down my eye.

401
00:20:00,040 --> 00:20:01,720
Speaker 1: I was like, oh see, this is what you get

402
00:20:01,720 --> 00:20:02,680
Speaker 1: when you're being too grown.

403
00:20:02,760 --> 00:20:06,240
Speaker 2: You know, you're supposed to do a little dad that's folks,

404
00:20:06,359 --> 00:20:07,840
Speaker 2: little da little dab.

405
00:20:07,760 --> 00:20:09,960
Speaker 1: But do you some people can't handle the spice. All right,

406
00:20:10,440 --> 00:20:13,560
Speaker 1: We're gonna play one more interlude, so I'll put a

407
00:20:13,560 --> 00:20:15,680
Speaker 1: commercial here later, and then we're gonna come back and

408
00:20:15,720 --> 00:20:19,200
Speaker 1: we're just gonna talk about Kendrick Lamar and this halftime

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00:20:19,320 --> 00:20:22,720
Speaker 1: and why I think he's a genius and I think

410
00:20:22,760 --> 00:20:25,480
Speaker 1: the rest of you are wrong and stupid. All right,

411
00:20:51,880 --> 00:20:57,760
Speaker 1: all right, we're here, Bossi's here. It's time to talk

412
00:20:58,040 --> 00:21:01,080
Speaker 1: about the man, the myth, the leg and the thing

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00:21:01,480 --> 00:21:04,240
Speaker 1: that we've all been waiting on the culination. I would

414
00:21:04,320 --> 00:21:12,880
Speaker 1: say of something that started years ago, maybe the after

415
00:21:12,920 --> 00:21:17,880
Speaker 1: the control verse, this started, but this felt like the

416
00:21:17,960 --> 00:21:23,439
Speaker 1: final level. This felt like the last say, this felt

417
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Speaker 1: like the end of a chapter for me of like

418
00:21:28,680 --> 00:21:33,639
Speaker 1: of whatever this saga has been with Drake, but also

419
00:21:33,840 --> 00:21:38,800
Speaker 1: like a huge statement to America, the music industry, black

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00:21:38,800 --> 00:21:44,879
Speaker 1: people and white people, everybody. Like this felt like a

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00:21:44,920 --> 00:21:48,320
Speaker 1: person going on stage to deliver a message that they

422
00:21:48,359 --> 00:21:50,879
Speaker 1: have been cooking for a minute, and a lot of

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00:21:50,880 --> 00:21:53,080
Speaker 1: stuff that people think is the full point was just

424
00:21:53,160 --> 00:21:55,760
Speaker 1: byproduct points. Like I would even go so far as

425
00:21:55,800 --> 00:21:59,040
Speaker 1: to say the Drake shit is a byproduct of of

426
00:21:59,600 --> 00:22:02,720
Speaker 1: what of the message Kendrick wanted to deliver, not the

427
00:22:02,760 --> 00:22:07,000
Speaker 1: not the een goal. But let's start at the beginning, guys,

428
00:22:07,040 --> 00:22:12,320
Speaker 1: all right, So they announced, uh that Kendrick was getting

429
00:22:12,320 --> 00:22:16,000
Speaker 1: the super Bowl, and the beginning of this season, some

430
00:22:16,040 --> 00:22:20,560
Speaker 1: people made it about little Wayne not getting the super Bowl. Uh.

431
00:22:20,760 --> 00:22:23,320
Speaker 1: The rest of us were like, oh, cool, Kendrick getting

432
00:22:23,359 --> 00:22:27,639
Speaker 1: the super Bowl. Let me get an overview from one

433
00:22:27,640 --> 00:22:30,119
Speaker 1: thousand feet. I'll start with you care and then go

434
00:22:30,200 --> 00:22:36,159
Speaker 1: to Bossie. What was your like hype level, your anticipation

435
00:22:36,920 --> 00:22:40,399
Speaker 1: for just Kendrick doing the super Bowl? Karen, you got first.

436
00:22:41,040 --> 00:22:44,080
Speaker 2: Well, for me, I've been excited ever since I heard

437
00:22:44,160 --> 00:22:45,680
Speaker 2: that he was going to do the super Bowl. When

438
00:22:45,680 --> 00:22:48,080
Speaker 2: I first even though it was you know, a few seconds.

439
00:22:48,320 --> 00:22:52,359
Speaker 2: I was really excited about it. I don't know if

440
00:22:52,359 --> 00:22:56,040
Speaker 2: we had already had our tickets or not. But for

441
00:22:56,160 --> 00:22:59,360
Speaker 2: his tour yeah, oh no, because the the tour thing

442
00:22:59,440 --> 00:23:02,399
Speaker 2: came later. Okay, yeah, I don't even think the album

443
00:23:02,480 --> 00:23:02,960
Speaker 2: was out.

444
00:23:03,320 --> 00:23:06,119
Speaker 1: That's right. GNX wasn't out. Yeah, yeah, it was like,

445
00:23:06,119 --> 00:23:10,240
Speaker 1: like I think, uh, I think not like ELS was

446
00:23:10,240 --> 00:23:14,880
Speaker 1: was bumping and then it was like and also that

447
00:23:14,960 --> 00:23:15,480
Speaker 1: makes sense.

448
00:23:16,320 --> 00:23:19,639
Speaker 2: And so for me, I'm a huge Kendrick fan, and

449
00:23:19,680 --> 00:23:24,000
Speaker 2: so Kendrick had Kendrick music for me is that it's

450
00:23:24,040 --> 00:23:27,399
Speaker 2: like a It's like a dense book. And so for me,

451
00:23:27,880 --> 00:23:29,720
Speaker 2: a lot of his music I listen to over and

452
00:23:29,760 --> 00:23:32,640
Speaker 2: over and over and over again. So I was like, oh,

453
00:23:32,800 --> 00:23:35,720
Speaker 2: whatever it is, I knew in my mind. I was like,

454
00:23:35,720 --> 00:23:38,640
Speaker 2: it's gonna be artistic, it's gonna be deep, it's gonna

455
00:23:38,680 --> 00:23:41,399
Speaker 2: have layers. I'm gonna have to watch YouTube on somebody

456
00:23:41,440 --> 00:23:44,320
Speaker 2: breaking down all of the things like but but for

457
00:23:44,520 --> 00:23:47,080
Speaker 2: somebody like me, I'm okay with that because I want

458
00:23:47,119 --> 00:23:48,520
Speaker 2: to know what these things mean.

459
00:23:49,160 --> 00:23:52,439
Speaker 1: So I'm I was really excited, all right, what about you?

460
00:23:52,880 --> 00:23:56,040
Speaker 1: When they announced he's getting the Super Bowl anticipation level,

461
00:23:56,400 --> 00:23:57,640
Speaker 1: all that stuff.

462
00:23:59,400 --> 00:24:03,040
Speaker 4: I I want to say I'm a new Kenchick fan

463
00:24:03,520 --> 00:24:06,960
Speaker 4: in that I've always liked him, always registered that he

464
00:24:07,040 --> 00:24:12,359
Speaker 4: was talented, but I was out of the country when

465
00:24:12,640 --> 00:24:15,800
Speaker 4: they all kind of like came up. So I came

466
00:24:15,840 --> 00:24:17,960
Speaker 4: back to the country and Drake was huge, and I

467
00:24:18,000 --> 00:24:22,800
Speaker 4: was like what and so I kind of just checked

468
00:24:22,840 --> 00:24:26,879
Speaker 4: out a hip hop at that time. And so the

469
00:24:26,960 --> 00:24:32,000
Speaker 4: last year has been me catching. I literally listened to

470
00:24:32,040 --> 00:24:36,480
Speaker 4: mister Morale every single day. So when I announced it,

471
00:24:37,080 --> 00:24:40,080
Speaker 4: because I've watched so much and seen so many performances,

472
00:24:40,119 --> 00:24:43,600
Speaker 4: like his performance of Eye on SNL, like, I was like,

473
00:24:43,680 --> 00:24:49,320
Speaker 4: this motherfucker is a performer. He's a star, no wonder,

474
00:24:50,000 --> 00:24:55,480
Speaker 4: he's Beyonce's work husband, like same level of maybe Beyonce

475
00:24:55,520 --> 00:24:56,600
Speaker 4: has been around longer.

476
00:24:56,320 --> 00:25:00,560
Speaker 1: But come up for me. Yeah, yeah, I was.

477
00:25:01,400 --> 00:25:02,960
Speaker 3: I was really really excited.

478
00:25:03,119 --> 00:25:07,520
Speaker 4: I was really excited, and I was hoping that yesterday

479
00:25:07,560 --> 00:25:10,639
Speaker 4: would be my last day of being obsessed with Kendrick Lamar.

480
00:25:11,400 --> 00:25:12,879
Speaker 1: Mm hmm, it don't stop.

481
00:25:13,000 --> 00:25:14,520
Speaker 3: It wasn't it's not.

482
00:25:15,160 --> 00:25:18,199
Speaker 1: Yeah. I think I think it's so interesting because you know,

483
00:25:18,640 --> 00:25:21,400
Speaker 1: I'm a day two, Like maybe I'm not a day

484
00:25:21,440 --> 00:25:24,640
Speaker 1: one because I feel like I started messing with him

485
00:25:24,880 --> 00:25:31,240
Speaker 1: after overly dedicated but his first official album, I was like, yeah,

486
00:25:31,320 --> 00:25:34,280
Speaker 1: section eighty, I'm all over there. That's when I came

487
00:25:34,320 --> 00:25:36,679
Speaker 1: in section eighty. Yeah. So I'll say day two so

488
00:25:36,760 --> 00:25:38,399
Speaker 1: that I don't offend the Day one because I know

489
00:25:38,480 --> 00:25:41,280
Speaker 1: y'all are very precious about that shit, and we'll write it.

490
00:25:41,680 --> 00:25:46,240
Speaker 1: But I've been riding with this dude for so long.

491
00:25:46,680 --> 00:25:50,880
Speaker 1: I'm such a Kendrick fan all my friends. I've evangelized

492
00:25:50,920 --> 00:25:57,080
Speaker 1: this nigga to everybody. I am one a mister Morale

493
00:25:57,200 --> 00:26:00,520
Speaker 1: truther like I just like, even though oh, I know

494
00:26:00,560 --> 00:26:03,600
Speaker 1: people don't think it's his most popping album whatever, that's

495
00:26:03,600 --> 00:26:06,000
Speaker 1: not what it's about to me. I'm like, no one's

496
00:26:06,040 --> 00:26:10,520
Speaker 1: making art like this, and this is more imporing than

497
00:26:10,800 --> 00:26:13,000
Speaker 1: any of the other albums coming out because it's talking

498
00:26:13,280 --> 00:26:15,639
Speaker 1: about something we don't want to talk about right and

499
00:26:15,760 --> 00:26:19,919
Speaker 1: yet and it's something Yeah, go ahead, I'm sorry, I

500
00:26:19,960 --> 00:26:23,000
Speaker 1: was gonna says. It's something I'm watching people slowly come

501
00:26:23,040 --> 00:26:26,160
Speaker 1: around to on their own, where they're having this moment

502
00:26:26,200 --> 00:26:31,399
Speaker 1: in society about loneliness, about disconnection, about being performative and

503
00:26:31,440 --> 00:26:34,320
Speaker 1: all this stuff. There's people are starting to reach this

504
00:26:34,480 --> 00:26:36,920
Speaker 1: chrescendo like I don't think I like this, This isn't

505
00:26:36,960 --> 00:26:39,560
Speaker 1: good for me, And I'm like, yeay, you know who

506
00:26:39,640 --> 00:26:41,280
Speaker 1: was talking about this a couple of years ago, and

507
00:26:41,359 --> 00:26:44,520
Speaker 1: y'all were like boring or y'all were like it makes

508
00:26:44,560 --> 00:26:48,040
Speaker 1: me feel bad. But now, but now it's like everybody

509
00:26:48,040 --> 00:26:51,040
Speaker 1: want to be a rich nigga broke fun. Everybody want

510
00:26:51,040 --> 00:26:54,399
Speaker 1: to choose them and say I'm sorry, I gotta get

511
00:26:54,440 --> 00:26:56,439
Speaker 1: the fuck out of this. Y'all is killing me to

512
00:26:56,480 --> 00:26:59,320
Speaker 1: try to be everything to everybody all the time, sir.

513
00:26:59,560 --> 00:27:01,639
Speaker 1: Everybodybody wants to do that. Everyone wants to be like

514
00:27:01,680 --> 00:27:03,600
Speaker 1: I had a good intention, I had a good heart.

515
00:27:03,680 --> 00:27:05,840
Speaker 1: I don't know all the right words, but I always

516
00:27:05,880 --> 00:27:09,480
Speaker 1: do right by you. Everybody wants that now, you know

517
00:27:09,520 --> 00:27:11,600
Speaker 1: what I'm saying. Everybody tired of the back and forth

518
00:27:11,800 --> 00:27:15,560
Speaker 1: man versus woman bullshit on the timeline now, like we

519
00:27:15,640 --> 00:27:17,800
Speaker 1: had to wait till the podcast Mike's hit the Hood

520
00:27:17,920 --> 00:27:20,320
Speaker 1: to go, oh, I see what you meant when y'all

521
00:27:20,440 --> 00:27:22,199
Speaker 1: was yelling at each other, and then that they end

522
00:27:22,280 --> 00:27:25,440
Speaker 1: y'alling up fucking because we won't stop fucking with each other,

523
00:27:25,520 --> 00:27:29,359
Speaker 1: but we will keep fighting anyways, So all of that

524
00:27:29,400 --> 00:27:33,000
Speaker 1: stuff I loved, and then when they said, yo, he

525
00:27:33,080 --> 00:27:37,479
Speaker 1: getting a halftime show. Now, this is probably why I'm

526
00:27:37,560 --> 00:27:42,000
Speaker 1: so happy today and was so happy yesterday. The halftime

527
00:27:42,040 --> 00:27:46,280
Speaker 1: show I envisioned was the one he did not like.

528
00:27:46,320 --> 00:27:49,680
Speaker 1: I know. People were like all my friends, they're obsessed

529
00:27:49,720 --> 00:27:51,800
Speaker 1: with it, you know, and I'm loving the company for

530
00:27:51,840 --> 00:27:54,480
Speaker 1: the record, Like everybody's like, I'm new to Kendrick. I'm like,

531
00:27:54,720 --> 00:27:56,760
Speaker 1: I just wanted people to like it. I don't care,

532
00:27:57,200 --> 00:27:59,280
Speaker 1: like I'm not. There's no judgment. Come on over here.

533
00:27:59,600 --> 00:28:03,120
Speaker 1: I'm say space, come over here, unless you you can

534
00:28:03,400 --> 00:28:06,359
Speaker 1: send me the craziest conspiracy Kendrick shit. And I'm just like,

535
00:28:06,640 --> 00:28:08,440
Speaker 1: I remember that lyric you're talking about, the one in

536
00:28:08,440 --> 00:28:10,560
Speaker 1: twenty thirteen or the one for twenty fifty. Like I'm

537
00:28:10,600 --> 00:28:11,240
Speaker 1: like that right now.

538
00:28:11,320 --> 00:28:15,080
Speaker 3: Remember what I said in the group chat. I said,

539
00:28:15,400 --> 00:28:18,000
Speaker 3: Drake tried to Yes, you were like tried to.

540
00:28:17,920 --> 00:28:21,160
Speaker 1: Have you tried to kill him. I'm like, I don't

541
00:28:21,160 --> 00:28:22,480
Speaker 1: think so, but say more.

542
00:28:23,960 --> 00:28:25,840
Speaker 3: Because because I was to.

543
00:28:25,920 --> 00:28:28,920
Speaker 4: Be et Cipher, I was like, he's too angry for

544
00:28:29,000 --> 00:28:32,240
Speaker 4: this just to be about. I didn't like control, You'd

545
00:28:32,320 --> 00:28:34,320
Speaker 4: hurt my feelings. I was like he's too mad for

546
00:28:34,359 --> 00:28:36,560
Speaker 4: that just to be the reason something happened.

547
00:28:37,040 --> 00:28:38,760
Speaker 3: Something happened. I'm still on it. I don't know why

548
00:28:38,960 --> 00:28:40,400
Speaker 3: something happened, but I know something.

549
00:28:40,480 --> 00:28:43,560
Speaker 4: Yeah, listen, I am too angry And that's in that cipher.

550
00:28:44,200 --> 00:28:47,320
Speaker 1: It is so crazy because like very little of what

551
00:28:47,440 --> 00:28:50,400
Speaker 1: he does like flies over my head or slides by me.

552
00:28:51,240 --> 00:28:56,000
Speaker 1: But when I tell you after like that the amount

553
00:28:56,080 --> 00:28:58,360
Speaker 1: of kis or so say shit I was doing with

554
00:28:58,480 --> 00:29:02,640
Speaker 1: his catalog or like that was about Drake too, Like

555
00:29:02,880 --> 00:29:06,560
Speaker 1: if you go back and yeah, there's so many songs,

556
00:29:06,640 --> 00:29:11,360
Speaker 1: songs that just just sprandom, like a fucking fastball he

557
00:29:11,400 --> 00:29:14,040
Speaker 1: threw right by my dumb ass. I was like, yeah, man,

558
00:29:14,520 --> 00:29:16,680
Speaker 1: I hate bitch ass niggas too. Wonder who that's about.

559
00:29:16,720 --> 00:29:18,640
Speaker 1: It's like, oh, it's about Drake and that that dad

560
00:29:18,760 --> 00:29:20,360
Speaker 1: was Me didn't know because I didn't know it was

561
00:29:20,480 --> 00:29:23,240
Speaker 1: Beef when it was when he was when he was

562
00:29:23,320 --> 00:29:29,719
Speaker 1: on Beyonce's album talking about Universal, y'all need to tell him.

563
00:29:29,760 --> 00:29:32,760
Speaker 1: I'm like, that's about him too. Like I was on

564
00:29:32,800 --> 00:29:35,200
Speaker 1: the treadmill listening to that ship in the in the Why,

565
00:29:35,280 --> 00:29:38,200
Speaker 1: and I was like, like, I'm listening to the like

566
00:29:38,800 --> 00:29:41,400
Speaker 1: universe so I was like, wait, wait a minute, wait

567
00:29:41,440 --> 00:29:42,400
Speaker 1: a minute.

568
00:29:42,600 --> 00:29:46,240
Speaker 4: When he said when he said, truthfully, I've been lying

569
00:29:46,280 --> 00:29:48,760
Speaker 4: in my rap song, I always feel to mention I

570
00:29:48,880 --> 00:29:52,560
Speaker 4: slap homies, yes, like oh no, I was stinging along

571
00:29:52,600 --> 00:29:55,240
Speaker 4: when it came out, and I'm like, right, I hope

572
00:29:55,280 --> 00:29:57,680
Speaker 4: his Day One fans have facts on him.

573
00:29:57,920 --> 00:30:03,560
Speaker 1: Fam. So he's so like listen, obsessed, obsessed like this

574
00:30:03,760 --> 00:30:06,880
Speaker 1: is like I didn't even know this was possible to

575
00:30:06,920 --> 00:30:09,960
Speaker 1: get someone out to paint like this, but it brought

576
00:30:10,000 --> 00:30:13,440
Speaker 1: us all together. He gets the super Bowl. I have

577
00:30:13,600 --> 00:30:17,080
Speaker 1: not participated in literally any of the back and forth.

578
00:30:17,720 --> 00:30:21,480
Speaker 1: And it's not that I agree with it. It's not

579
00:30:21,520 --> 00:30:23,880
Speaker 1: even that I disagree with. If I'm being honest, I

580
00:30:23,960 --> 00:30:26,760
Speaker 1: don't give a fuck. No, I got what I wanted.

581
00:30:27,960 --> 00:30:30,440
Speaker 1: I actually got what I envisioned, something I really didn't

582
00:30:30,440 --> 00:30:33,280
Speaker 1: think was possible. I thought everyone does a super Bowl

583
00:30:33,320 --> 00:30:36,080
Speaker 1: and you play your greatest hits and it's a sing along.

584
00:30:36,640 --> 00:30:38,920
Speaker 1: And I wouldn't have begrudged him for doing that. I mean,

585
00:30:39,080 --> 00:30:42,560
Speaker 1: you know, it's really people want to hear, not like us,

586
00:30:42,640 --> 00:30:45,360
Speaker 1: but you know they wanted to hear. Alright again, he's

587
00:30:45,360 --> 00:30:47,040
Speaker 1: already done that. The super Bowl. They wanted to hear

588
00:30:47,040 --> 00:30:50,000
Speaker 1: it again. They wanted to see King Kongta and Humbol,

589
00:30:50,080 --> 00:30:52,120
Speaker 1: and they wanted to bring out Jay Rock and do

590
00:30:52,240 --> 00:30:55,280
Speaker 1: win and fucking like they wanted to pop out at

591
00:30:55,280 --> 00:30:57,320
Speaker 1: the super Bowl, right, and He's like, I've already done

592
00:30:57,400 --> 00:31:01,040
Speaker 1: that once he did the pop out and that's after

593
00:31:01,080 --> 00:31:02,480
Speaker 1: I think they said he was getting the super Bowl,

594
00:31:02,520 --> 00:31:04,360
Speaker 1: but before he did the pop out. So when he

595
00:31:04,400 --> 00:31:06,760
Speaker 1: did the pop out, was like, then he's not doing

596
00:31:07,680 --> 00:31:11,000
Speaker 1: he can't do this again, right, that's just doing the

597
00:31:11,000 --> 00:31:13,560
Speaker 1: same shit, And y'all gonna really you think you want it,

598
00:31:13,600 --> 00:31:15,800
Speaker 1: but you're all gonna be like I saw this when

599
00:31:15,800 --> 00:31:17,000
Speaker 1: it was a pop out and it was better when

600
00:31:17,000 --> 00:31:18,720
Speaker 1: it was all the black people on stage from La

601
00:31:19,160 --> 00:31:21,680
Speaker 1: So I was like, he won't be doing that. What

602
00:31:21,920 --> 00:31:24,200
Speaker 1: what kindre's gonna do? It's gonna probably be a statement.

603
00:31:24,360 --> 00:31:27,560
Speaker 1: So that was my love of excitement, But I wasn't

604
00:31:27,560 --> 00:31:29,800
Speaker 1: doing the like what is he gonna play? How many

605
00:31:29,880 --> 00:31:32,600
Speaker 1: times is he gonna do? Not like us, because I

606
00:31:32,640 --> 00:31:34,800
Speaker 1: was like, he's not gonna do it thirty times. Like

607
00:31:35,360 --> 00:31:37,960
Speaker 1: I know you guys hate Drake, but it's right, it's

608
00:31:37,960 --> 00:31:39,479
Speaker 1: not gonna happen at the super Bowl. You only get

609
00:31:39,520 --> 00:31:41,320
Speaker 1: a limited amount of time, and you can't just keep

610
00:31:41,360 --> 00:31:43,800
Speaker 1: running back the same shit. And also, you guys are

611
00:31:43,840 --> 00:31:46,480
Speaker 1: some weirdos. You'll say you want it, he'll do it,

612
00:31:46,520 --> 00:31:48,720
Speaker 1: and he'll be like he made the whole super Bowl

613
00:31:48,760 --> 00:31:52,200
Speaker 1: about hate. He didn't even what about your music? What

614
00:31:52,240 --> 00:31:54,800
Speaker 1: about uplifting the people? So like, okay, fuck it? All right,

615
00:31:55,760 --> 00:31:58,160
Speaker 1: so all right, very excited, We're all very excited.

616
00:31:58,280 --> 00:32:01,880
Speaker 4: You're better than me because I argue I've been, i know,

617
00:32:02,080 --> 00:32:05,200
Speaker 4: jumping in people's comments every day all day, Like what

618
00:32:05,240 --> 00:32:06,840
Speaker 4: do you mean you didn't get it?

619
00:32:06,880 --> 00:32:10,360
Speaker 3: First of all, when he said I have to I

620
00:32:10,400 --> 00:32:12,240
Speaker 3: have to physically block.

621
00:32:12,080 --> 00:32:14,280
Speaker 4: Reddit because I was about to make an account and

622
00:32:14,360 --> 00:32:18,000
Speaker 4: just start what.

623
00:32:17,960 --> 00:32:18,480
Speaker 2: Do you mean?

624
00:32:19,360 --> 00:32:22,600
Speaker 1: Three people? I've talked to three people today, not including

625
00:32:22,640 --> 00:32:25,720
Speaker 1: BOSSI about this Like this is. People have been talking

626
00:32:25,760 --> 00:32:28,840
Speaker 1: to me offline on the phone, like in like a

627
00:32:28,960 --> 00:32:32,479
Speaker 1: voice called my mom called. I talked to Ray Sodney,

628
00:32:32,840 --> 00:32:36,480
Speaker 1: I talked to UH, to Chris Lambert and then we

629
00:32:36,560 --> 00:32:38,200
Speaker 1: was about to go live and bosses like hop on

630
00:32:38,280 --> 00:32:41,920
Speaker 1: him like this the fourth person and and I invite me. Yeah,

631
00:32:42,000 --> 00:32:44,880
Speaker 1: I've been enjoying this more than I would have enjoyed

632
00:32:45,440 --> 00:32:48,600
Speaker 1: talking to people on the Internet, because I think there's

633
00:32:48,640 --> 00:32:51,960
Speaker 1: a weird thing that's happening where we're just all content

634
00:32:52,000 --> 00:32:55,760
Speaker 1: creators now, and the internet content is like social media

635
00:32:55,800 --> 00:32:58,880
Speaker 1: content is my least favorite version of the content. I'll

636
00:32:58,880 --> 00:33:03,120
Speaker 1: listen to someone do a long form podcasts uh YouTube breakdown.

637
00:33:03,520 --> 00:33:06,520
Speaker 1: I don't I'm not, no no offense fan, I'm not

638
00:33:06,600 --> 00:33:10,600
Speaker 1: listening to your motherfucking take. Yeah, you know, like, yeah,

639
00:33:11,240 --> 00:33:14,800
Speaker 1: them together, it's gonna be it's gonna always get somewhere

640
00:33:14,800 --> 00:33:17,600
Speaker 1: out of pocket. And let me tell you why Kendrick

641
00:33:17,680 --> 00:33:21,400
Speaker 1: Lamar is actually uh, you know, worse than Jeff Bezos.

642
00:33:21,440 --> 00:33:23,120
Speaker 1: And I'm just like, I don't want to see that.

643
00:33:23,280 --> 00:33:25,160
Speaker 1: I do not care.

644
00:33:25,720 --> 00:33:29,800
Speaker 5: Yay, yeah, like, and you're wrong, right, Yeah, I'm happy

645
00:33:29,840 --> 00:33:30,240
Speaker 5: for you.

646
00:33:30,360 --> 00:33:32,880
Speaker 1: I'm sad for you. I'm not reading all that shit,

647
00:33:33,080 --> 00:33:36,480
Speaker 1: you know what I mean. So I haven't really participated

648
00:33:36,480 --> 00:33:38,520
Speaker 1: in that, and I expect people to have different takes.

649
00:33:38,920 --> 00:33:42,560
Speaker 1: But from like I said, once again, from like the

650
00:33:43,000 --> 00:33:45,760
Speaker 1: surface level or whatever, what did you think of the

651
00:33:45,880 --> 00:33:50,400
Speaker 1: halftime performance in general? You know, meeting your expectations, going

652
00:33:50,440 --> 00:33:54,840
Speaker 1: somewhere different, whatever, you're satisfaction with it as a Kendrick performance,

653
00:33:54,920 --> 00:33:58,200
Speaker 1: as a Super Bowl halftime performance uh Star with Boxy

654
00:33:58,240 --> 00:33:59,160
Speaker 1: this time. Then I got care.

655
00:34:01,880 --> 00:34:07,360
Speaker 4: I was anxious and nervous, like I had some like

656
00:34:08,120 --> 00:34:11,640
Speaker 4: I felt. I just felt nervous, like he was my

657
00:34:11,800 --> 00:34:14,319
Speaker 4: child and he was going to kindergarten for the first time.

658
00:34:14,760 --> 00:34:17,840
Speaker 4: I just I wanted him to do well, you know

659
00:34:17,880 --> 00:34:20,800
Speaker 4: what I mean, Like I wanted him to do good.

660
00:34:20,920 --> 00:34:23,200
Speaker 3: I wanted him to to whatever.

661
00:34:23,239 --> 00:34:27,239
Speaker 4: It was just like because Okay, So at the pop out,

662
00:34:27,440 --> 00:34:30,120
Speaker 4: because all the songs were new, he flubbed a lot

663
00:34:30,160 --> 00:34:33,240
Speaker 4: of lines and I was like, don't do that because

664
00:34:33,280 --> 00:34:36,239
Speaker 4: people will latch onto it. Just just just get like.

665
00:34:36,320 --> 00:34:41,319
Speaker 4: I really was so nervous for him. And when I

666
00:34:41,400 --> 00:34:46,400
Speaker 4: watched it, when Samuel L. Jackson came out, I was like, oh.

667
00:34:46,440 --> 00:34:49,480
Speaker 4: And then like five seconds in when he went like,

668
00:34:50,160 --> 00:34:55,520
Speaker 4: I was like, okay, lock in, things are happening, lock in.

669
00:34:56,040 --> 00:34:58,200
Speaker 4: And of course I missed a lot of things, but

670
00:34:58,239 --> 00:35:00,920
Speaker 4: I was just so happy to watch it, and especially

671
00:35:00,960 --> 00:35:02,840
Speaker 4: because there were things that I picked up immediately. I

672
00:35:02,880 --> 00:35:04,879
Speaker 4: was like, this is black as fuck, Like these are

673
00:35:04,960 --> 00:35:07,640
Speaker 4: this is black black, but it wasn't black in the

674
00:35:07,680 --> 00:35:09,719
Speaker 4: way you know, the ways that we talk about where

675
00:35:09,719 --> 00:35:10,439
Speaker 4: people are black.

676
00:35:10,480 --> 00:35:12,520
Speaker 3: I'm like, you don't really live like that. You just

677
00:35:13,200 --> 00:35:14,040
Speaker 3: you're you're.

678
00:35:16,040 --> 00:35:18,120
Speaker 4: Championing sexy Red, but I know you don't act like

679
00:35:18,239 --> 00:35:20,239
Speaker 4: what are you talking about? But it was like it

680
00:35:20,320 --> 00:35:22,759
Speaker 4: was a very authentic thing and it made so much

681
00:35:22,800 --> 00:35:25,799
Speaker 4: sense for him. And so I watched it and I

682
00:35:25,840 --> 00:35:31,600
Speaker 4: was like, I just felt so happy watching it and

683
00:35:31,400 --> 00:35:33,520
Speaker 4: and you know, picking up on the on the on

684
00:35:33,600 --> 00:35:36,160
Speaker 4: the it just looks so good and I was just

685
00:35:36,239 --> 00:35:36,800
Speaker 4: so happy.

686
00:35:36,960 --> 00:35:38,080
Speaker 3: I was so proud of him.

687
00:35:38,680 --> 00:35:40,640
Speaker 4: I was so proud of him for what he did

688
00:35:40,640 --> 00:35:43,440
Speaker 4: because I knew just based on what I've learned about

689
00:35:43,520 --> 00:35:46,680
Speaker 4: him and the little bit that he said, it felt

690
00:35:46,719 --> 00:35:50,080
Speaker 4: like this is exactly what he wanted to do exactly.

691
00:35:50,360 --> 00:35:52,000
Speaker 4: So that was the first that was off the rip

692
00:35:52,440 --> 00:35:55,439
Speaker 4: that I watched it again this morning and I was like, no,

693
00:35:56,000 --> 00:35:59,560
Speaker 4: I'm fighting everybody who has anything negative say about this.

694
00:35:59,560 --> 00:36:01,600
Speaker 3: This is fucking brilliant. Did I worked?

695
00:36:01,680 --> 00:36:08,400
Speaker 4: I watched the I'm going to bully anybody. It's so

696
00:36:08,920 --> 00:36:12,560
Speaker 4: good like it is it is. It is phenomenal. And

697
00:36:12,680 --> 00:36:16,279
Speaker 4: one thing like I recognized to the seventh time I

698
00:36:16,320 --> 00:36:20,200
Speaker 4: watched is that it was in direct conversation with Beyonce's

699
00:36:20,920 --> 00:36:26,080
Speaker 4: Christmas halftime show. She took the South he took hip

700
00:36:26,200 --> 00:36:29,040
Speaker 4: she took the South, and country he took the West,

701
00:36:29,080 --> 00:36:32,360
Speaker 4: but also hip hop in general. But it was the same,

702
00:36:33,120 --> 00:36:36,080
Speaker 4: like like this is who we are and you're not

703
00:36:36,160 --> 00:36:38,560
Speaker 4: gonna get it. You're gonna get something, but this is

704
00:36:38,560 --> 00:36:41,240
Speaker 4: for this is for us, and I just I loved

705
00:36:41,280 --> 00:36:42,080
Speaker 4: every single part.

706
00:36:42,360 --> 00:36:47,600
Speaker 1: And and Kendrick also both took black like like they

707
00:36:47,640 --> 00:36:50,000
Speaker 1: both were like and this is blackness, like this is

708
00:36:50,040 --> 00:36:53,880
Speaker 1: Black America speaking at this moment, which I mean, I

709
00:36:53,920 --> 00:36:57,000
Speaker 1: should never be surprised by gender divides on social media,

710
00:36:57,040 --> 00:36:59,120
Speaker 1: but it was a little surprising to see some people

711
00:36:59,120 --> 00:37:03,440
Speaker 1: that win a for the Beyonce country performance somehow picking

712
00:37:03,520 --> 00:37:06,920
Speaker 1: holes in this when I'm like, to me very much similar,

713
00:37:06,960 --> 00:37:08,600
Speaker 1: like you don't have to like both, you don't have

714
00:37:08,640 --> 00:37:12,080
Speaker 1: to dislike both, but there's some similar themes. It's weird

715
00:37:12,320 --> 00:37:16,640
Speaker 1: to feel like one was more authentic or able to

716
00:37:16,640 --> 00:37:17,960
Speaker 1: get away with it than the other.

717
00:37:18,040 --> 00:37:21,880
Speaker 4: To me, if you pull away all of like the

718
00:37:22,160 --> 00:37:24,560
Speaker 4: if you take away the horse, right, if you take

719
00:37:24,560 --> 00:37:27,680
Speaker 4: away the GNX and just the horse in GNX anyway,

720
00:37:27,840 --> 00:37:31,640
Speaker 4: like come on, but if you take away like the

721
00:37:32,480 --> 00:37:37,680
Speaker 4: things that made us specific to both, it's the same idea.

722
00:37:38,320 --> 00:37:42,239
Speaker 4: It's the same concept, it's the same idea, it's the

723
00:37:42,280 --> 00:37:47,720
Speaker 4: same attention to all parts of a stage, all parts

724
00:37:47,719 --> 00:37:48,520
Speaker 4: of an audience.

725
00:37:50,360 --> 00:37:53,680
Speaker 3: I think what it is is that people aren't used to.

726
00:37:55,440 --> 00:37:58,759
Speaker 4: Rap looking like that. Yes, I feel like if he

727
00:37:58,920 --> 00:38:00,799
Speaker 4: was singing mh and.

728
00:38:00,840 --> 00:38:03,719
Speaker 3: Would have people have been like, oh, yes he was.

729
00:38:04,280 --> 00:38:09,000
Speaker 3: And people can't really conceptualize rap in any form other

730
00:38:09,080 --> 00:38:10,120
Speaker 3: than walking back and.

731
00:38:10,280 --> 00:38:15,720
Speaker 1: Forth across the state. Yes, yeah, yeah, care, yeah, I.

732
00:38:19,120 --> 00:38:19,640
Speaker 3: It was.

733
00:38:20,880 --> 00:38:22,839
Speaker 2: I didn't know what to expect, because that's the thing

734
00:38:22,880 --> 00:38:25,480
Speaker 2: with Kendrick, from his albums to everything.

735
00:38:25,719 --> 00:38:27,840
Speaker 1: You actually don't know what to expect.

736
00:38:27,920 --> 00:38:32,120
Speaker 2: And I am the type of person I allow the

737
00:38:32,400 --> 00:38:35,319
Speaker 2: artists to take me on whatever ride they're gonna take

738
00:38:35,360 --> 00:38:38,279
Speaker 2: me on, regardless of the Grammer music. And I had

739
00:38:38,320 --> 00:38:41,560
Speaker 2: to understand everybody doesn't come in from that perspective. A

740
00:38:41,560 --> 00:38:43,759
Speaker 2: lot of people come in with their arms folded. They've

741
00:38:43,800 --> 00:38:46,000
Speaker 2: already got their minds made up. They're like, I'm not

742
00:38:46,120 --> 00:38:48,600
Speaker 2: going to enjoy this ride, whatever it is. And y'all

743
00:38:48,680 --> 00:38:53,839
Speaker 2: was talking about people talking about Kendrick and Beyonce. The thing,

744
00:38:54,000 --> 00:38:56,640
Speaker 2: the thing that that that kills me about that is

745
00:38:56,880 --> 00:39:03,239
Speaker 2: it's all blackness. Yeah, you know, and they all I've

746
00:39:03,280 --> 00:39:06,600
Speaker 2: realized that with the Internet. People in the Internet will

747
00:39:06,600 --> 00:39:09,480
Speaker 2: not admit some shit just think for them. They won't

748
00:39:09,560 --> 00:39:12,840
Speaker 2: say I don't like this thing or it's not my

749
00:39:13,000 --> 00:39:16,520
Speaker 2: jam and go on about their business. It's like they

750
00:39:16,600 --> 00:39:21,000
Speaker 2: have to be very loud and belligerent about something they

751
00:39:21,000 --> 00:39:23,719
Speaker 2: don't like. But it's like, well, you're not investing in this,

752
00:39:23,760 --> 00:39:25,680
Speaker 2: so why are you so loud about something that you

753
00:39:25,800 --> 00:39:28,880
Speaker 2: actually don't give a fuck about other than you want

754
00:39:28,960 --> 00:39:32,080
Speaker 2: the conflict, you want the confrontation, you want the chaos.

755
00:39:32,560 --> 00:39:34,120
Speaker 2: And that's what I've realized about the end of that.

756
00:39:34,200 --> 00:39:36,040
Speaker 2: So a lot of times when it comes to certain things,

757
00:39:36,080 --> 00:39:38,600
Speaker 2: I just check out because I go all the chaos

758
00:39:38,600 --> 00:39:40,040
Speaker 2: ages on both sides want to come.

759
00:39:40,080 --> 00:39:41,759
Speaker 1: I don't have time for that. I'm in a very

760
00:39:41,800 --> 00:39:46,480
Speaker 1: healthy place as of late, probably last few years. But

761
00:39:47,000 --> 00:39:49,800
Speaker 1: a lot of this stuff, because we've seen it enough times,

762
00:39:51,200 --> 00:39:55,680
Speaker 1: I'm so unmoved in a way that I just was

763
00:39:55,760 --> 00:40:00,000
Speaker 1: not capable of being unmoved before. Now I see stuff

764
00:40:00,040 --> 00:40:05,120
Speaker 1: and it's expected, yes, like honestly look around and rent

765
00:40:05,200 --> 00:40:09,120
Speaker 1: and repeat. These people do not in general, these people

766
00:40:09,120 --> 00:40:12,200
Speaker 1: do not like that halftime show. Like I'm not saying

767
00:40:12,239 --> 00:40:14,920
Speaker 1: they don't like the idea of it. I'm saying they

768
00:40:14,960 --> 00:40:16,759
Speaker 1: look up, they look forward to it, they hype it

769
00:40:16,840 --> 00:40:21,080
Speaker 1: up in their head. Whatever they get is never good enough. Agreed,

770
00:40:21,280 --> 00:40:24,480
Speaker 1: Whatever artists they select not the right artists. If they

771
00:40:24,480 --> 00:40:27,120
Speaker 1: do select the right artists, they didn't do the right songs.

772
00:40:27,400 --> 00:40:29,400
Speaker 1: If they did the right songs, they didn't perform the

773
00:40:29,440 --> 00:40:33,000
Speaker 1: right way. It's like it's always something you can go

774
00:40:33,080 --> 00:40:39,720
Speaker 1: back every single year, find articles Rihanna halftime divisive, Beyonce

775
00:40:39,880 --> 00:40:45,320
Speaker 1: halftime divisive, you know, a G funk device, Like everything

776
00:40:45,360 --> 00:40:48,799
Speaker 1: is always like somebody don't like it, somebody do. There's

777
00:40:48,840 --> 00:40:51,600
Speaker 1: a lot of bad faith reaction. Yes, So then like

778
00:40:51,680 --> 00:40:53,399
Speaker 1: I want to separate them because I have a few

779
00:40:53,440 --> 00:40:55,920
Speaker 1: friends that didn't like it that I respect, and I

780
00:40:55,920 --> 00:40:58,399
Speaker 1: think they approach it with good faith. I don't think

781
00:40:58,400 --> 00:41:01,840
Speaker 1: they're like trolls. But there's a lot of trolls on

782
00:41:01,880 --> 00:41:05,120
Speaker 1: the internet too, and it's hard to parse out like agree,

783
00:41:05,239 --> 00:41:07,359
Speaker 1: oh you didn't like it because you thought it should

784
00:41:07,400 --> 00:41:09,680
Speaker 1: have been like this, as opposed to someone being like

785
00:41:09,719 --> 00:41:12,200
Speaker 1: I don't want all that wooget it buogeted hip hop,

786
00:41:12,239 --> 00:41:15,040
Speaker 1: you know. So, like it's like it's hard to have

787
00:41:15,120 --> 00:41:19,120
Speaker 1: these conversations online at the same time. So I and

788
00:41:19,360 --> 00:41:21,920
Speaker 1: and then there's this other part that's really important, but

789
00:41:22,000 --> 00:41:25,239
Speaker 1: I'll get to that in a second. Caroen, when you

790
00:41:25,560 --> 00:41:28,319
Speaker 1: weren't you got more to say, sorry, go ahead, keep going.

791
00:41:28,680 --> 00:41:32,320
Speaker 2: And also I think, uh, for me, I didn't know

792
00:41:32,360 --> 00:41:34,520
Speaker 2: what to expect, so I went in with open eyes

793
00:41:34,600 --> 00:41:39,319
Speaker 2: and just like, Okay, I understand that the piggyback on.

794
00:41:39,480 --> 00:41:44,480
Speaker 2: Bossie says Kendrick is an artist that happens to rap.

795
00:41:44,800 --> 00:41:47,720
Speaker 2: I don't think people understand that he's an artist first,

796
00:41:48,239 --> 00:41:50,399
Speaker 2: which means he's gonna do abstract shit.

797
00:41:50,440 --> 00:41:52,600
Speaker 1: He's gonna do odd shit, he's gonna think outside of

798
00:41:52,600 --> 00:41:53,040
Speaker 1: the box.

799
00:41:53,080 --> 00:41:55,960
Speaker 2: He's gonna push the borders, like because he goes, I'm

800
00:41:56,000 --> 00:41:59,360
Speaker 2: an artist first, and I'm gonna take my rap and

801
00:41:59,440 --> 00:42:00,960
Speaker 2: inserted in this artwork.

802
00:42:01,360 --> 00:42:03,560
Speaker 1: And you could tell from the.

803
00:42:03,640 --> 00:42:05,640
Speaker 2: Layout of the field and all that stuff, like you

804
00:42:05,640 --> 00:42:08,480
Speaker 2: can tell he had a vision and he goes, Okay,

805
00:42:08,520 --> 00:42:10,480
Speaker 2: this is what I want. Now I'm gonna take my

806
00:42:10,640 --> 00:42:13,480
Speaker 2: music and put it into whatever this vision is.

807
00:42:14,040 --> 00:42:15,160
Speaker 1: And I think that's.

808
00:42:14,960 --> 00:42:17,680
Speaker 2: What catches people off guard boxes, because I do agree

809
00:42:17,719 --> 00:42:19,879
Speaker 2: that a lot of people are not trying funny. They're

810
00:42:19,960 --> 00:42:21,719
Speaker 2: used to lazy rappers, And I'm not trying to be

811
00:42:21,760 --> 00:42:22,640
Speaker 2: funny when I said that they.

812
00:42:22,680 --> 00:42:24,800
Speaker 1: Used to half assed lazy rappers.

813
00:42:25,080 --> 00:42:27,239
Speaker 2: They're not really used to people that are Like, I

814
00:42:27,280 --> 00:42:31,000
Speaker 2: take my art seriously. I'm not fucking with y'all. I

815
00:42:31,000 --> 00:42:34,560
Speaker 2: got good breath control. I actually can perform. I probably

816
00:42:34,600 --> 00:42:38,319
Speaker 2: cannot run all of y'all, Like I don't bullshit, like

817
00:42:38,320 --> 00:42:40,440
Speaker 2: like this is my lane, this is what I do,

818
00:42:40,520 --> 00:42:42,320
Speaker 2: and I'm gonna be a perfection. This said that you

819
00:42:42,320 --> 00:42:44,160
Speaker 2: can kind of tell you the perfection. It's similar to

820
00:42:44,200 --> 00:42:49,840
Speaker 2: Beyonce and so I'm sorry. And so for me, I

821
00:42:49,920 --> 00:42:54,360
Speaker 2: really enjoyed everything, like like just the colors, the vision.

822
00:42:54,360 --> 00:42:55,239
Speaker 1: I know we're going to more.

823
00:42:55,160 --> 00:42:59,840
Speaker 2: Details, but just everything was like it was almost like

824
00:42:59,880 --> 00:43:00,480
Speaker 2: a painting.

825
00:43:00,520 --> 00:43:03,200
Speaker 1: It was like a live action moving in my mind.

826
00:43:03,960 --> 00:43:06,920
Speaker 1: It's like when you watch those street painters where they

827
00:43:07,080 --> 00:43:08,600
Speaker 1: do some ship where they just it look like they

828
00:43:08,680 --> 00:43:10,880
Speaker 1: just slapping paint around and then they flip it upside

829
00:43:10,960 --> 00:43:13,399
Speaker 1: down and it's like a portrait of your mama some shit,

830
00:43:13,440 --> 00:43:15,440
Speaker 1: and you just like, how did you know that? How

831
00:43:15,480 --> 00:43:17,880
Speaker 1: do you even know what my mama looked like? You

832
00:43:17,960 --> 00:43:19,919
Speaker 1: know what I mean? Like it felt like a magic trick.

833
00:43:20,040 --> 00:43:23,640
Speaker 1: Sometimes did, and of course he's so aware of all

834
00:43:23,680 --> 00:43:27,160
Speaker 1: the space and all he's he's such a like. He

835
00:43:27,280 --> 00:43:30,440
Speaker 1: reminds me of Tupac in that people forget Tupac was

836
00:43:30,480 --> 00:43:33,640
Speaker 1: a theater kid, not not I think, no no offense

837
00:43:33,680 --> 00:43:35,719
Speaker 1: to rest in peace Tupac. And I know he's can

838
00:43:35,920 --> 00:43:39,239
Speaker 1: just go, but he's well beyond Tupac to me. But

839
00:43:40,480 --> 00:43:43,160
Speaker 1: Tupac had this gift of making you feel like he

840
00:43:43,440 --> 00:43:46,239
Speaker 1: was not a theater kid, and you think he just

841
00:43:46,360 --> 00:43:49,319
Speaker 1: like the homie, and then you you he does some

842
00:43:49,440 --> 00:43:52,600
Speaker 1: acting or he's quote some shit and you're like, oh, nigga,

843
00:43:52,640 --> 00:43:55,919
Speaker 1: you you went to like a good school. That's that's

844
00:43:56,040 --> 00:44:00,520
Speaker 1: kind of like Keidrick, Like they zoom out and you're like,

845
00:44:01,320 --> 00:44:03,920
Speaker 1: is it mirror is just the PlayStation control of buttons.

846
00:44:04,080 --> 00:44:07,239
Speaker 1: That is that little ship where you're just like, who's mine?

847
00:44:07,280 --> 00:44:10,440
Speaker 1: Things like that. But all right, so let me just

848
00:44:10,440 --> 00:44:11,040
Speaker 1: say from me.

849
00:44:11,880 --> 00:44:16,880
Speaker 4: Well, but to Karen's point, what and Rod and I

850
00:44:17,000 --> 00:44:21,279
Speaker 4: spoken about this what I appreciate so much about uh

851
00:44:21,640 --> 00:44:23,680
Speaker 4: Like in his song shut the Funk Up and Keep

852
00:44:23,680 --> 00:44:28,839
Speaker 4: It Wrap? He loves hip hop, Yes, he loves so

853
00:44:28,920 --> 00:44:33,160
Speaker 4: everything that he does outside of that, every painting, he

854
00:44:33,239 --> 00:44:37,680
Speaker 4: loves every book, he loves, every musician he loves, he

855
00:44:37,680 --> 00:44:38,959
Speaker 4: he he brings.

856
00:44:38,600 --> 00:44:39,719
Speaker 3: It all back to rap.

857
00:44:39,920 --> 00:44:43,680
Speaker 4: Yes, a lot of people believe that, oh, because I

858
00:44:43,800 --> 00:44:46,359
Speaker 4: like this other thing, I can leave rap and do

859
00:44:46,440 --> 00:44:49,440
Speaker 4: that now. But he brings it all into it and

860
00:44:49,480 --> 00:44:53,520
Speaker 4: incorporates it all into rap and and and puts it

861
00:44:53,600 --> 00:44:59,680
Speaker 4: in a in a way that makes it undeniable that

862
00:44:59,760 --> 00:45:03,239
Speaker 4: he knows what he's talking about. He trusts his audience

863
00:45:03,920 --> 00:45:06,960
Speaker 4: so much and conditions it so much, which is why

864
00:45:07,360 --> 00:45:11,480
Speaker 4: when fans, white fans, his white fans get on my nerves.

865
00:45:11,520 --> 00:45:13,840
Speaker 3: I'm sorry, if you're a white fan listening, I hate you,

866
00:45:14,320 --> 00:45:16,400
Speaker 3: but I'm just kidding.

867
00:45:17,200 --> 00:45:23,319
Speaker 4: But but they don't like it because it wasn't for them.

868
00:45:23,520 --> 00:45:27,440
Speaker 4: It wasn't like direct. They wanted to hear Ringgamortis. They

869
00:45:27,440 --> 00:45:29,880
Speaker 4: want to hear Rigamortis. They want to hear King Kuta,

870
00:45:30,360 --> 00:45:33,560
Speaker 4: and it's like, that's what you like. But what he's

871
00:45:33,719 --> 00:45:36,879
Speaker 4: doing isn't about you and isn't for you. I really

872
00:45:36,880 --> 00:45:40,520
Speaker 4: appreciated the interview that he did where he was like.

873
00:45:40,520 --> 00:45:41,040
Speaker 3: I'm black.

874
00:45:41,880 --> 00:45:48,000
Speaker 4: Like the end, I'm not. I'm not you know, relatable

875
00:45:48,040 --> 00:45:50,600
Speaker 4: to everybody. I don't have a universal appeal.

876
00:45:50,680 --> 00:45:51,880
Speaker 3: I'm not. I'm black.

877
00:45:52,239 --> 00:45:56,440
Speaker 4: Everything I do is black. So when I saw yesterday,

878
00:45:56,480 --> 00:46:00,720
Speaker 4: I was like one hundred. He's black, and that's first

879
00:46:01,320 --> 00:46:04,600
Speaker 4: before anything else he does. He's black, and then the

880
00:46:04,640 --> 00:46:06,560
Speaker 4: rest of you can be here. But he's not doing

881
00:46:06,560 --> 00:46:07,000
Speaker 4: this for you.

882
00:46:07,239 --> 00:46:11,400
Speaker 1: Yeah, I think a lot of people I think, okay,

883
00:46:11,480 --> 00:46:15,200
Speaker 1: So for me, look my response to it. Everything you

884
00:46:15,239 --> 00:46:17,680
Speaker 1: guys are saying, agreed. The one more thing I want

885
00:46:17,719 --> 00:46:22,239
Speaker 1: to point out there might be one other rapper on

886
00:46:22,280 --> 00:46:24,800
Speaker 1: the planet that I think could have done this, maybe

887
00:46:24,880 --> 00:46:28,560
Speaker 1: Tyler the Creator. Other than that, I can see that.

888
00:46:29,000 --> 00:46:30,040
Speaker 3: Oh yeah, and I don't.

889
00:46:30,160 --> 00:46:32,959
Speaker 1: It's not even disrespect. This is just how fucking good

890
00:46:32,960 --> 00:46:35,200
Speaker 1: he is. And I don't just mean it from a

891
00:46:35,280 --> 00:46:38,720
Speaker 1: sense of like his hit songs. No, I'm talking about

892
00:46:38,719 --> 00:46:44,280
Speaker 1: the technical aspect of the stage show and how fucking

893
00:46:44,360 --> 00:46:46,880
Speaker 1: in shape this guy is. Yes, he said he runs

894
00:46:46,920 --> 00:46:51,200
Speaker 1: six miles every morning. I absolutely believe this man. If anything,

895
00:46:51,280 --> 00:46:53,759
Speaker 1: he may be running twelve. And he's lying to us

896
00:46:54,440 --> 00:46:58,759
Speaker 1: because there's no backing vocals other than like stuffed like

897
00:46:58,920 --> 00:47:03,280
Speaker 1: peekaboo or something. There's no like, there's no verse backing,

898
00:47:03,840 --> 00:47:06,520
Speaker 1: which no one does at the fucking super Bowl. All

899
00:47:06,520 --> 00:47:07,960
Speaker 1: these rappers have they songs.

900
00:47:07,760 --> 00:47:09,440
Speaker 3: Playing sound like the record.

901
00:47:09,840 --> 00:47:12,880
Speaker 1: Yes, there were moments where I looked for it to

902
00:47:13,000 --> 00:47:16,480
Speaker 1: be lip sync. When he switches to Luther and he

903
00:47:16,600 --> 00:47:19,600
Speaker 1: switches his voice to match Luthor instead of the songs

904
00:47:19,600 --> 00:47:22,680
Speaker 1: he was doing, I was like, are they playing Nope,

905
00:47:22,719 --> 00:47:25,719
Speaker 1: that's him. He just switched it up. And it's not

906
00:47:25,760 --> 00:47:29,400
Speaker 1: like they're playing Luther and he's standing still. They're playing

907
00:47:29,480 --> 00:47:32,600
Speaker 1: Luther and he's walking fifty yards to get back to

908
00:47:32,640 --> 00:47:38,080
Speaker 1: the stage. He I there aren't two of these, Okay,

909
00:47:38,200 --> 00:47:39,120
Speaker 1: there's one guy.

910
00:47:39,320 --> 00:47:42,160
Speaker 3: Just really quick to your point about Tyler.

911
00:47:42,719 --> 00:47:48,319
Speaker 4: Tyler will tell you immediately that he's inspired by dot right. Yes, yeah, No,

912
00:47:48,360 --> 00:47:53,400
Speaker 4: he tell you immediately he's influenced. He Tyler Crator loves

913
00:47:53,840 --> 00:47:56,040
Speaker 4: Kendrick Lamar more than Kenath Lamar's old mother.

914
00:47:56,960 --> 00:48:00,279
Speaker 3: Like he loves and he uses that inspiration. That's big

915
00:48:00,320 --> 00:48:00,919
Speaker 3: bro to him.

916
00:48:01,480 --> 00:48:04,400
Speaker 4: But you're right, Tyler is the only other person that

917
00:48:04,440 --> 00:48:06,360
Speaker 4: I can think of in present day.

918
00:48:06,320 --> 00:48:09,800
Speaker 3: Yeah, who could do something. I agree because an entire

919
00:48:10,480 --> 00:48:12,080
Speaker 3: entire show. Yes himself.

920
00:48:12,200 --> 00:48:15,719
Speaker 2: Yes, yes, because his vision just the way because because they,

921
00:48:15,920 --> 00:48:18,400
Speaker 2: like you said, that artistry, that vision, that thinking outside

922
00:48:18,440 --> 00:48:18,840
Speaker 2: the box.

923
00:48:19,120 --> 00:48:24,439
Speaker 1: But also it's the commitment to professionalism. By what I mean,

924
00:48:24,480 --> 00:48:28,520
Speaker 1: it's like I've never seen Tyler Crator out of bruh, Right,

925
00:48:28,840 --> 00:48:30,279
Speaker 1: you know what I'm saying. And there's no offense to

926
00:48:30,360 --> 00:48:32,879
Speaker 1: these other rappers, but like everyone got vices and all

927
00:48:32,880 --> 00:48:37,200
Speaker 1: this stuff. You know, Kendrick just drinks fucking tea and

928
00:48:37,239 --> 00:48:39,920
Speaker 1: meditates and runs mouths and be around his family and

929
00:48:39,960 --> 00:48:42,279
Speaker 1: go back to the house at the like, he don't drink,

930
00:48:42,360 --> 00:48:43,920
Speaker 1: he don't really do a lot of smoking and all

931
00:48:43,960 --> 00:48:47,040
Speaker 1: this shit. So like you can tell, and I feel

932
00:48:47,080 --> 00:48:49,279
Speaker 1: like all that stuff is not just in service to

933
00:48:49,400 --> 00:48:52,160
Speaker 1: like his religion and his body being a temple, but

934
00:48:52,239 --> 00:48:54,520
Speaker 1: also into this like I need to be as clean

935
00:48:54,560 --> 00:48:57,560
Speaker 1: as possible for my art to come out as perfect

936
00:48:57,600 --> 00:49:00,799
Speaker 1: as possible. So you have him being in shape control, right,

937
00:49:00,960 --> 00:49:03,839
Speaker 1: you have the stage show the president. The other thing

938
00:49:03,880 --> 00:49:07,319
Speaker 1: is he's self censors. Now, I think some people will

939
00:49:07,320 --> 00:49:09,960
Speaker 1: look at that and be like, well, just cuss and

940
00:49:09,960 --> 00:49:12,680
Speaker 1: then let them blank it out. I say, it's one

941
00:49:12,719 --> 00:49:15,520
Speaker 1: hundred per Everything he does is meticulous, is awful reason

942
00:49:15,800 --> 00:49:18,399
Speaker 1: he's self censored, so we won't miss a word. There's

943
00:49:18,520 --> 00:49:21,040
Speaker 1: never a reason to touch the censorship button. So you

944
00:49:21,040 --> 00:49:24,239
Speaker 1: don't miss a word going into the next sentence, it

945
00:49:24,280 --> 00:49:27,920
Speaker 1: will never happen. He he can do the whole thing himself.

946
00:49:28,200 --> 00:49:31,360
Speaker 1: He changes it up on the fly. The songs lose

947
00:49:31,480 --> 00:49:35,440
Speaker 1: no meaning. He trusted you know enough of the song

948
00:49:36,080 --> 00:49:38,600
Speaker 1: that he can say he can you don't have to

949
00:49:38,840 --> 00:49:41,799
Speaker 1: Like we in the chat we were obsessing over like

950
00:49:42,120 --> 00:49:45,200
Speaker 1: you think you're gonna say pay what They probably gonna

951
00:49:45,200 --> 00:49:47,040
Speaker 1: blank it out. NBC. They not gonna just let him

952
00:49:47,080 --> 00:49:49,200
Speaker 1: say it, right, They not Foxes. They can't have that.

953
00:49:49,640 --> 00:49:51,759
Speaker 1: You think Drake Gonau like, we aren't worried that. The

954
00:49:51,880 --> 00:49:53,440
Speaker 1: NFL was worried about so but it was just like

955
00:49:53,480 --> 00:49:55,400
Speaker 1: maybe they just don't want the headache. And I was,

956
00:49:55,520 --> 00:49:58,360
Speaker 1: and I was like, oh wait, he don't gotta say

957
00:49:59,000 --> 00:50:02,719
Speaker 1: we all know the word. So he just gets to

958
00:50:02,760 --> 00:50:05,239
Speaker 1: that line. It's like, start to fight. Everybody's saying it

959
00:50:05,239 --> 00:50:07,480
Speaker 1: in the crowd. He doesn't have to say a minor.

960
00:50:07,960 --> 00:50:10,799
Speaker 1: We're gonna say a minor. But it's the fact that

961
00:50:10,880 --> 00:50:15,720
Speaker 1: he anticipated that. He switches up stuff. He's taking out curses,

962
00:50:15,760 --> 00:50:16,640
Speaker 1: he's doing all that stuff.

963
00:50:16,680 --> 00:50:17,920
Speaker 3: He changes the rhyme.

964
00:50:18,400 --> 00:50:22,600
Speaker 4: Yes, he changes the rhyme scheme in order for for

965
00:50:22,719 --> 00:50:25,720
Speaker 4: it to fit with There was there was several parts,

966
00:50:25,719 --> 00:50:28,880
Speaker 4: but The part that got me first was in Squabble

967
00:50:29,000 --> 00:50:30,920
Speaker 4: Up when he goes, can I get a drop for

968
00:50:31,000 --> 00:50:31,400
Speaker 4: the nigga?

969
00:50:31,440 --> 00:50:32,759
Speaker 3: Now he's like, can I get a drop?

970
00:50:33,480 --> 00:50:38,800
Speaker 1: No, it's and it's so and so this is why

971
00:50:39,120 --> 00:50:42,000
Speaker 1: I didn't engage with people who were saying stuff like

972
00:50:42,719 --> 00:50:45,399
Speaker 1: he didn't respect that it was the super Bowl, or

973
00:50:45,480 --> 00:50:49,760
Speaker 1: he didn't play like the songs he should have played

974
00:50:49,800 --> 00:50:52,000
Speaker 1: because he doesn't understand how big that stage is. This

975
00:50:52,080 --> 00:50:56,080
Speaker 1: is I said, no, no, Now you don't have to agree,

976
00:50:56,120 --> 00:50:57,759
Speaker 1: and you don't have to like it. So this is

977
00:50:57,800 --> 00:51:01,520
Speaker 1: not a at I'm not in mind, although I think

978
00:51:01,560 --> 00:51:05,760
Speaker 1: you should agree and like it. But he made a choice.

979
00:51:07,160 --> 00:51:09,920
Speaker 1: But he was more meticulous than any of those motherfuckers

980
00:51:09,960 --> 00:51:11,640
Speaker 1: that get up there and have to get their curses

981
00:51:11,640 --> 00:51:15,600
Speaker 1: blanked out that forget lines of songs that Lil Wayne

982
00:51:15,600 --> 00:51:17,719
Speaker 1: would have passed out thirty seconds in. Like, this is

983
00:51:17,840 --> 00:51:21,400
Speaker 1: not this is not for kids, this is this is

984
00:51:21,480 --> 00:51:24,239
Speaker 1: adult shit. This is a professional This what in a

985
00:51:24,280 --> 00:51:27,520
Speaker 1: professional look like? And I think he wants to put

986
00:51:27,560 --> 00:51:31,760
Speaker 1: on it like not like while I think by proxy

987
00:51:31,760 --> 00:51:33,640
Speaker 1: it's for black people, it's for hip hop, it's for

988
00:51:33,680 --> 00:51:37,040
Speaker 1: all this stuff, it's mostly for him in that this

989
00:51:37,200 --> 00:51:40,600
Speaker 1: is my standard. I would be doing this shit in

990
00:51:40,719 --> 00:51:43,200
Speaker 1: Charlotte in May, I'm gonna be doing this shit in

991
00:51:43,239 --> 00:51:46,520
Speaker 1: Boston and all like, this is what a Kendrick Lamar

992
00:51:46,640 --> 00:51:49,040
Speaker 1: experience is. This ain't no. He was preparing people for

993
00:51:49,080 --> 00:51:51,400
Speaker 1: the concert. Like I know y'all used to thirteen niggas

994
00:51:51,440 --> 00:51:54,120
Speaker 1: on stage, and everybody's talking over each other, and there's

995
00:51:54,120 --> 00:51:56,080
Speaker 1: so much movement that you just go, I guess it's

996
00:51:56,080 --> 00:51:59,560
Speaker 1: they're doing the concert. That ain't me. I'm finna hold

997
00:51:59,600 --> 00:52:03,880
Speaker 1: this for dolo with my dancers and ship and with

998
00:52:04,040 --> 00:52:05,000
Speaker 1: no backing.

999
00:52:04,840 --> 00:52:07,840
Speaker 3: And and it was that never left the stage.

1000
00:52:07,600 --> 00:52:10,360
Speaker 1: Never left this, And the whole field was the stage,

1001
00:52:10,440 --> 00:52:13,360
Speaker 1: by the way, the whole field was. The whole field

1002
00:52:13,520 --> 00:52:18,520
Speaker 1: was the stage. He never left everywhere like camera worked perfect,

1003
00:52:18,640 --> 00:52:20,600
Speaker 1: he well, he popped up on pikaa.

1004
00:52:20,640 --> 00:52:24,200
Speaker 4: Camera would pan over, Yes, the camera would pan over

1005
00:52:24,640 --> 00:52:27,239
Speaker 4: and he's like doing something. Then they pan over again

1006
00:52:27,239 --> 00:52:30,719
Speaker 4: and he's doing that chance over there he pick a boo.

1007
00:52:30,800 --> 00:52:32,879
Speaker 3: He pops up. I'm like and this and.

1008
00:52:32,960 --> 00:52:36,160
Speaker 1: Just fully in breath fully like guys I would have

1009
00:52:36,200 --> 00:52:38,160
Speaker 1: they would have cut them off like I would have

1010
00:52:38,160 --> 00:52:44,040
Speaker 1: popped up pickaboo. I just want them from my chain

1011
00:52:44,280 --> 00:52:48,000
Speaker 1: Pika boo, somebody hold this says the single part like it,

1012
00:52:48,280 --> 00:52:51,040
Speaker 1: like he was, the way he was holding this down.

1013
00:52:51,320 --> 00:52:56,200
Speaker 1: There's just I understand you just wanted something different. That

1014
00:52:56,239 --> 00:52:59,359
Speaker 1: does not mean what was made with some bullshit. It's

1015
00:52:59,360 --> 00:53:02,960
Speaker 1: all I'm saying. There's a big difference to me between uh.

1016
00:53:03,120 --> 00:53:07,879
Speaker 1: I think what people are conflating is that he did

1017
00:53:07,920 --> 00:53:12,480
Speaker 1: not give a fuck about that setting as far as

1018
00:53:12,640 --> 00:53:15,080
Speaker 1: doing playing by the rules, which is what the whole

1019
00:53:15,680 --> 00:53:18,239
Speaker 1: self explanatory sam sam Jackson is literally telling you, guys

1020
00:53:18,239 --> 00:53:20,120
Speaker 1: that but okay, okay, you didn't kick it up.

1021
00:53:20,960 --> 00:53:22,920
Speaker 3: Okay, right real quick.

1022
00:53:23,120 --> 00:53:27,359
Speaker 4: Yeah, so many things that people were talking about they

1023
00:53:27,400 --> 00:53:27,880
Speaker 4: didn't like.

1024
00:53:28,760 --> 00:53:35,560
Speaker 3: Samuel L. Jackson literally said, literally explained it, literally showed you.

1025
00:53:35,640 --> 00:53:38,239
Speaker 3: And it reminds me of Kodak Black in Mister Row,

1026
00:53:38,280 --> 00:53:39,759
Speaker 3: where people are like, I don't know why he's there.

1027
00:53:39,840 --> 00:53:42,000
Speaker 3: Why would he be there? Why would he?

1028
00:53:42,000 --> 00:53:46,040
Speaker 4: He tells you in the fucking songs in the album,

1029
00:53:46,239 --> 00:53:47,120
Speaker 4: why he's there.

1030
00:53:47,200 --> 00:53:50,560
Speaker 1: Yes, Samuel L. Jacks, you're not You're not catching You're

1031
00:53:50,600 --> 00:53:55,239
Speaker 1: not catching him in a in a hypocritical conflict. He

1032
00:53:55,360 --> 00:53:59,600
Speaker 1: is presenting you a hypocritical conflict. As the art he

1033
00:53:59,680 --> 00:54:03,560
Speaker 1: is like I am at the super Bowl, yet I

1034
00:54:03,600 --> 00:54:07,320
Speaker 1: feel strongly about black people, and I feel very anti

1035
00:54:07,440 --> 00:54:11,040
Speaker 1: what America stands for. And yet I chose to be

1036
00:54:11,200 --> 00:54:14,719
Speaker 1: here because I think this is the stage to tell

1037
00:54:14,760 --> 00:54:17,880
Speaker 1: you fuck you to your face, like and I'm not

1038
00:54:17,960 --> 00:54:19,239
Speaker 1: in it. And I don't even think it was like

1039
00:54:20,120 --> 00:54:22,719
Speaker 1: in a provocative way to make you mad, although many

1040
00:54:22,719 --> 00:54:25,200
Speaker 1: people got mad. I think he's like, no, I just

1041
00:54:25,239 --> 00:54:27,640
Speaker 1: believe this. This is not a thing where I'm like,

1042
00:54:28,800 --> 00:54:30,839
Speaker 1: this is not Jena Jackson pulling her titty out and

1043
00:54:30,880 --> 00:54:33,359
Speaker 1: being like shocked you America. This is him being like,

1044
00:54:34,080 --> 00:54:37,200
Speaker 1: I walk around my titties out all the time. You

1045
00:54:37,239 --> 00:54:41,680
Speaker 1: should not have let me come here, like I like, yes.

1046
00:54:42,200 --> 00:54:46,399
Speaker 4: He's said the Revolutions about to be televised. You've got

1047
00:54:46,440 --> 00:54:47,400
Speaker 4: the right time.

1048
00:54:47,239 --> 00:54:50,640
Speaker 3: But the wrong guy, right. And from there that was

1049
00:54:50,680 --> 00:54:51,400
Speaker 3: the thesis.

1050
00:54:51,560 --> 00:54:52,440
Speaker 1: Yes, no, no.

1051
00:54:52,600 --> 00:54:55,040
Speaker 4: The thesis was when he was crouched on the ged

1052
00:54:55,280 --> 00:54:58,279
Speaker 4: X he did a song that we didn't know right

1053
00:54:58,800 --> 00:55:03,080
Speaker 4: and I'm doing what I'm doing, and then the back

1054
00:55:03,320 --> 00:55:07,520
Speaker 4: not the backing, the interpolation was dead press hip hop,

1055
00:55:07,719 --> 00:55:10,600
Speaker 4: like he told everybody.

1056
00:55:09,960 --> 00:55:12,160
Speaker 3: What was going on, so for people to sit back,

1057
00:55:12,440 --> 00:55:13,839
Speaker 3: I don't know what that right.

1058
00:55:14,040 --> 00:55:16,200
Speaker 1: The second that he popped on stage and did something

1059
00:55:16,239 --> 00:55:18,600
Speaker 1: I had not heard. I was like, oh, he's going

1060
00:55:18,680 --> 00:55:21,840
Speaker 1: to do him and I like, honestly, I felt relieved,

1061
00:55:21,880 --> 00:55:25,960
Speaker 1: Like I was more nervous before it started because I

1062
00:55:26,040 --> 00:55:29,080
Speaker 1: was like, just being a Kendrick fan from way back.

1063
00:55:29,200 --> 00:55:33,120
Speaker 1: I'm like, I don't think Kendrick will be comfortable. It

1064
00:55:33,120 --> 00:55:34,719
Speaker 1: would bother him for the rest of his life. He

1065
00:55:34,760 --> 00:55:36,520
Speaker 1: got this stage and he went out there and played

1066
00:55:36,520 --> 00:55:39,280
Speaker 1: those hits and everyone said, Wow, what a great halftime,

1067
00:55:39,920 --> 00:55:42,440
Speaker 1: and we thank you for just playing all your radio

1068
00:55:42,480 --> 00:55:45,960
Speaker 1: friendly songs. Good job, mister Lamar. I think he would

1069
00:55:45,960 --> 00:55:48,680
Speaker 1: have been like, I wasted time. I wasted my shot.

1070
00:55:48,960 --> 00:55:50,839
Speaker 1: And so when he came out there and did some

1071
00:55:50,840 --> 00:55:54,720
Speaker 1: shit I hadn't heard, I sat up more. I was like, Okay,

1072
00:55:54,760 --> 00:55:56,680
Speaker 1: so I need to go back and rewatch this because

1073
00:55:56,719 --> 00:55:58,439
Speaker 1: he said, what are we saying right now?

1074
00:56:00,200 --> 00:56:04,640
Speaker 2: Surprise me if part of the stipulation of him even

1075
00:56:04,800 --> 00:56:07,040
Speaker 2: agreeing was that I get to do what I want

1076
00:56:07,120 --> 00:56:07,359
Speaker 2: to do.

1077
00:56:07,440 --> 00:56:09,600
Speaker 1: I get to have my vision, like like that was

1078
00:56:09,640 --> 00:56:10,480
Speaker 1: probably the part of it.

1079
00:56:10,560 --> 00:56:13,839
Speaker 2: I'm sure I get complete freedom on certain things like yeah,

1080
00:56:13,840 --> 00:56:15,160
Speaker 2: I'll edit and all that shit.

1081
00:56:15,280 --> 00:56:18,680
Speaker 1: Well, you know I have it on some inside authority

1082
00:56:18,800 --> 00:56:23,960
Speaker 1: that the NFL don't really censor much. Like it's like

1083
00:56:24,000 --> 00:56:26,920
Speaker 1: it's something like I'm sure there's something where they're like, hey, man,

1084
00:56:27,000 --> 00:56:31,000
Speaker 1: don't go up there and say crips, upholes down, Let's

1085
00:56:31,040 --> 00:56:33,840
Speaker 1: go kill some bloods. But like, if you want to

1086
00:56:33,880 --> 00:56:35,560
Speaker 1: go out there and you just happen to be wearing

1087
00:56:35,600 --> 00:56:38,560
Speaker 1: all red, they ain't really shit. We can do about

1088
00:56:38,600 --> 00:56:41,080
Speaker 1: that and have a good time. Maybe don't throw a game.

1089
00:56:41,120 --> 00:56:43,680
Speaker 1: Signed up, Like, I don't think it's I think all

1090
00:56:43,680 --> 00:56:45,720
Speaker 1: these other people are like they tell you what someone

1091
00:56:45,800 --> 00:56:48,239
Speaker 1: to say and what I don't think it happens, like

1092
00:56:48,320 --> 00:56:48,799
Speaker 1: so much of.

1093
00:56:48,800 --> 00:56:51,719
Speaker 4: What they put on the NFL, like the league is

1094
00:56:51,800 --> 00:56:54,719
Speaker 4: not the NFL. Like people are mad at the NFL

1095
00:56:55,239 --> 00:56:59,240
Speaker 4: over Janet Jackson. It's the FCC, right, They're the ones

1096
00:56:59,480 --> 00:57:02,840
Speaker 4: that are called the problems. They're the ones that that

1097
00:57:03,800 --> 00:57:06,359
Speaker 4: do the delays. The NFL is basically like we want

1098
00:57:06,360 --> 00:57:09,200
Speaker 4: a good show. And here's the thing too, is it

1099
00:57:09,320 --> 00:57:13,560
Speaker 4: something my sister told me? My sister said that they're

1100
00:57:13,640 --> 00:57:18,000
Speaker 4: not they're not being paid. They paid basically all of it.

1101
00:57:18,280 --> 00:57:20,720
Speaker 4: So if I went to Beyonce and said, Beyonce, you

1102
00:57:20,760 --> 00:57:24,640
Speaker 4: can't do this, that Okay, I'm not gonna be here,

1103
00:57:25,080 --> 00:57:29,080
Speaker 4: like they can just leave. There's nothing that's like holding them.

1104
00:57:29,360 --> 00:57:33,000
Speaker 4: The contract is now biting because they not getting paid.

1105
00:57:33,080 --> 00:57:36,760
Speaker 4: Like it's this whole thing and so much everything from

1106
00:57:36,840 --> 00:57:40,240
Speaker 4: Kaepernick to the to the halftime show people put on

1107
00:57:40,320 --> 00:57:44,120
Speaker 4: the NFL, all of these things, and it's it's the owners,

1108
00:57:44,480 --> 00:57:49,040
Speaker 4: it's the it's the FCC, it's the it's the the network,

1109
00:57:49,080 --> 00:57:50,920
Speaker 4: like it's always something else.

1110
00:57:51,360 --> 00:57:54,880
Speaker 3: But they don't, they don't. They chose for a reason.

1111
00:57:55,400 --> 00:57:56,040
Speaker 3: They chose you.

1112
00:57:56,080 --> 00:57:58,400
Speaker 4: That's why it was pissing me off when people are like,

1113
00:57:58,560 --> 00:58:01,520
Speaker 4: he probably doesn't have any any songs and he's not

1114
00:58:01,520 --> 00:58:04,160
Speaker 4: gonna have any songs, and how come Loula Wayne.

1115
00:58:03,880 --> 00:58:05,920
Speaker 3: Didn't get it? And it's like you think they just

1116
00:58:05,960 --> 00:58:09,520
Speaker 3: were like were you done?

1117
00:58:10,360 --> 00:58:14,880
Speaker 4: Like no, they're, they're, they're they're they've done their research,

1118
00:58:14,920 --> 00:58:18,240
Speaker 4: they figured it out. They thought about him in twenty

1119
00:58:18,320 --> 00:58:21,080
Speaker 4: twenty two when they saw him on things, they put

1120
00:58:21,120 --> 00:58:23,280
Speaker 4: him on the short list immediately after that.

1121
00:58:23,600 --> 00:58:25,560
Speaker 3: Yes, because they knew that he could do it.

1122
00:58:26,440 --> 00:58:30,200
Speaker 1: I was also proud of him watching this, like I

1123
00:58:30,400 --> 00:58:32,320
Speaker 1: fucking knew him or something like I was proud of him,

1124
00:58:32,360 --> 00:58:36,200
Speaker 1: Like he was like hours from Compton because I because

1125
00:58:36,240 --> 00:58:39,560
Speaker 1: it meant some and I get it. You're so this

1126
00:58:39,640 --> 00:58:42,520
Speaker 1: is the other part that was gonna say earlier. I

1127
00:58:42,560 --> 00:58:46,280
Speaker 1: think I've been waiting for this inflection point, this moment

1128
00:58:46,320 --> 00:58:50,040
Speaker 1: for a over a year now, or about a year now,

1129
00:58:50,080 --> 00:58:53,480
Speaker 1: maybe under a year, but about a year. I've kind

1130
00:58:53,480 --> 00:58:55,480
Speaker 1: of been waiting for a lot of people to realize

1131
00:58:55,520 --> 00:58:59,360
Speaker 1: they're not Kendrick Lamar fans. Yes you're not. You're You're

1132
00:58:59,480 --> 00:59:03,760
Speaker 1: Drake Haye who latched on to Kendrick Lamar and could

1133
00:59:03,800 --> 00:59:07,000
Speaker 1: not deny his brilliance once you got over there, you

1134
00:59:07,040 --> 00:59:09,200
Speaker 1: because you would never have bothered to really give him

1135
00:59:09,760 --> 00:59:11,760
Speaker 1: more than a passing listen to be liked the beat,

1136
00:59:11,840 --> 00:59:14,360
Speaker 1: knock or not. And that's fine, right, That's some people.

1137
00:59:14,360 --> 00:59:15,960
Speaker 1: That's how they listen to music, and that's all they

1138
00:59:16,120 --> 00:59:20,880
Speaker 1: cared for it, and that's cool. I like depth. I

1139
00:59:21,040 --> 00:59:23,960
Speaker 1: like a triple on Tandra. I want to think longer.

1140
00:59:24,880 --> 00:59:26,720
Speaker 1: All of it. Don't gotta be shallow for me.

1141
00:59:27,360 --> 00:59:32,000
Speaker 3: You know, it's the to hit me when I'm brushing

1142
00:59:32,040 --> 00:59:32,919
Speaker 3: my teeth.

1143
00:59:32,800 --> 00:59:35,960
Speaker 1: Yes, yes, it's It's. What I liked about writing for

1144
00:59:36,040 --> 00:59:39,720
Speaker 1: Game Theory, ironically, is that we weren't I like if

1145
00:59:39,760 --> 00:59:42,360
Speaker 1: I if it was Game Thrower Theory with Rod Morrow,

1146
00:59:42,960 --> 00:59:45,440
Speaker 1: the amount of silly sketches and bullshit that would be

1147
00:59:45,480 --> 00:59:47,280
Speaker 1: in that show and pranks, it would be a lot.

1148
00:59:47,320 --> 00:59:50,000
Speaker 1: Because I'm silly and I like being silly, but I

1149
00:59:50,160 --> 00:59:52,520
Speaker 1: like that. You know, they were like, no, we're gonna

1150
00:59:52,560 --> 00:59:55,360
Speaker 1: write something that demands the audience pay attention for ten minutes,

1151
00:59:55,840 --> 00:59:57,360
Speaker 1: and it's gonna go in depth, and there's gonna be

1152
00:59:57,400 --> 01:00:00,600
Speaker 1: fucking graphs and charts and fucking We're gonna make an

1153
01:00:00,680 --> 01:00:03,960
Speaker 1: argument and prove it to people for those who we

1154
01:00:04,040 --> 01:00:07,320
Speaker 1: believe our audience is smart enough to keep up. And

1155
01:00:07,360 --> 01:00:09,560
Speaker 1: we made a show that I'm proud of to this day.

1156
01:00:10,400 --> 01:00:13,360
Speaker 1: And I feel like and that did not make it

1157
01:00:13,400 --> 01:00:16,800
Speaker 1: the season three, And I feel like Kendrick Lamar did

1158
01:00:16,840 --> 01:00:18,560
Speaker 1: a super Bowl he will be proud of for the

1159
01:00:18,600 --> 01:00:22,880
Speaker 1: rest of his life. And for everyone who's like, well

1160
01:00:22,920 --> 01:00:27,240
Speaker 1: he done fucked up. Guys, they don't do two super Bowls.

1161
01:00:27,680 --> 01:00:30,360
Speaker 1: I think he's gonna be all right. I think he

1162
01:00:31,400 --> 01:00:34,360
Speaker 1: this was the penalty, this is the pinnacle. It's why

1163
01:00:34,400 --> 01:00:37,760
Speaker 1: he says game over. I think he's he's totally good.

1164
01:00:37,920 --> 01:00:40,960
Speaker 1: He wants you guys turn TV off, go outside and

1165
01:00:41,000 --> 01:00:43,680
Speaker 1: do some things. So I was so proud of him

1166
01:00:43,840 --> 01:00:46,840
Speaker 1: for pulling it off. I thought it was just flawless execution.

1167
01:00:47,240 --> 01:00:50,280
Speaker 1: I thought it was a vision that was genuinely him.

1168
01:00:50,720 --> 01:00:53,840
Speaker 1: I understand it can feel selfish to some extent that

1169
01:00:53,920 --> 01:00:57,720
Speaker 1: he chose not to make a product that was most

1170
01:00:57,800 --> 01:01:00,840
Speaker 1: palatable for all of the world because you're on all

1171
01:01:00,880 --> 01:01:03,040
Speaker 1: the world stage. I didn't give them.

1172
01:01:03,880 --> 01:01:07,280
Speaker 4: Guests and bring all the New Orleans and big free

1173
01:01:07,320 --> 01:01:08,200
Speaker 4: like in Little Waite.

1174
01:01:08,240 --> 01:01:10,280
Speaker 3: Like he did it by himself, and.

1175
01:01:10,240 --> 01:01:12,960
Speaker 1: They did all that. They did all that ship before

1176
01:01:13,360 --> 01:01:17,200
Speaker 1: the Super Bowl, they trombone Shorty and they did all that.

1177
01:01:17,680 --> 01:01:18,840
Speaker 1: I don't need him to do that.

1178
01:01:18,920 --> 01:01:19,600
Speaker 3: He did enough.

1179
01:01:19,640 --> 01:01:22,160
Speaker 1: He's what he said there. It was like welcome to

1180
01:01:22,240 --> 01:01:24,600
Speaker 1: New Orleans with the Ellator of LA or whatever. Like

1181
01:01:24,800 --> 01:01:27,320
Speaker 1: he acknowledged he was in a different space. I'm cool

1182
01:01:27,320 --> 01:01:30,080
Speaker 1: with that dog, but he was him in the most

1183
01:01:30,160 --> 01:01:33,680
Speaker 1: hymn way possible. And just as a fan of him,

1184
01:01:34,640 --> 01:01:39,880
Speaker 1: it was for me. And while I will acknowledge people's discontent,

1185
01:01:40,240 --> 01:01:43,160
Speaker 1: I won't disrespect people's discontent if it comes from a

1186
01:01:43,160 --> 01:01:46,000
Speaker 1: good faith area, right, I'm not engaged with no bad

1187
01:01:46,040 --> 01:01:49,080
Speaker 1: faith takes. So I know y'all have heard them all

1188
01:01:49,120 --> 01:01:51,680
Speaker 1: and y'all want to hear us ride ride on them.

1189
01:01:51,760 --> 01:01:55,200
Speaker 1: I really truly did not talk to these motherfuckers. Anybody

1190
01:01:55,200 --> 01:01:57,200
Speaker 1: said something stupid today. I kept scrolling. I was like,

1191
01:01:57,640 --> 01:02:00,840
Speaker 1: that's dumb, and he just kept moving. I'm sure there's

1192
01:02:00,880 --> 01:02:02,360
Speaker 1: been a lot of those people. I haven't been on

1193
01:02:02,360 --> 01:02:07,960
Speaker 1: the internet enough today, but I thought the other thing

1194
01:02:07,960 --> 01:02:10,520
Speaker 1: in Bossy, maybe you could attest to this too. The

1195
01:02:10,600 --> 01:02:15,880
Speaker 1: other thing that I thought was that this Super Bowl

1196
01:02:15,920 --> 01:02:18,880
Speaker 1: halftime is why Mister Morale and the Big Steppers is

1197
01:02:18,920 --> 01:02:22,720
Speaker 1: required reading, because I don't think I don't even think

1198
01:02:22,720 --> 01:02:25,120
Speaker 1: you can understand it. If you didn't understand that album,

1199
01:02:25,160 --> 01:02:29,240
Speaker 1: I really think to you it let you down, that

1200
01:02:29,400 --> 01:02:33,200
Speaker 1: he disappointed people and didn't want to live up to

1201
01:02:33,480 --> 01:02:37,520
Speaker 1: a certain expectation. Mister Moround the Big Steppers, the whole

1202
01:02:37,560 --> 01:02:41,360
Speaker 1: album is I'm no longer worried about your expectations. I'm

1203
01:02:41,400 --> 01:02:45,360
Speaker 1: living up to the standard that I set for myself exactly,

1204
01:02:45,440 --> 01:02:48,560
Speaker 1: and I know it's gonna let you down. I'm sorry.

1205
01:02:48,760 --> 01:02:51,680
Speaker 1: I'm not saving you. I'm not even saving hip hop.

1206
01:02:53,200 --> 01:02:55,240
Speaker 1: This is my love, this is my passion, this is

1207
01:02:55,240 --> 01:02:59,360
Speaker 1: my culture. But I don't see myself as the flawless,

1208
01:03:00,280 --> 01:03:03,240
Speaker 1: like Jesus coming to say rap and black people. I

1209
01:03:03,280 --> 01:03:06,800
Speaker 1: see myself as Kendrick Lamar, the flawed human who sometimes

1210
01:03:06,840 --> 01:03:10,320
Speaker 1: lets people down, but it's no longer letting himself down

1211
01:03:11,240 --> 01:03:12,760
Speaker 1: to tell me that wasn't the show.

1212
01:03:13,680 --> 01:03:18,040
Speaker 2: Yes, our one hundred percent agree. And also something else

1213
01:03:18,200 --> 01:03:21,160
Speaker 2: while we were talking. I really loved when he was

1214
01:03:21,160 --> 01:03:24,600
Speaker 2: talking about Kendrick and Beyonce and I was talking about

1215
01:03:24,600 --> 01:03:26,760
Speaker 2: how Kendrick was like running up like six miles a

1216
01:03:26,840 --> 01:03:31,080
Speaker 2: day with Beyonce and them used to run treadmills and

1217
01:03:31,160 --> 01:03:35,560
Speaker 2: heels and sing and so you know. And I remember

1218
01:03:35,840 --> 01:03:39,600
Speaker 2: her documentary on I want to say the concert that.

1219
01:03:41,720 --> 01:03:42,720
Speaker 1: Cochela concert.

1220
01:03:43,480 --> 01:03:46,400
Speaker 2: She was joking, but she was like, yeah, I'm used

1221
01:03:46,400 --> 01:03:48,680
Speaker 2: to practicing like twelve hours a day, like but I

1222
01:03:48,680 --> 01:03:50,840
Speaker 2: got to go home to my kids, you know.

1223
01:03:50,920 --> 01:03:51,480
Speaker 1: Type of thing.

1224
01:03:51,560 --> 01:03:55,200
Speaker 2: I was like, oh yeah, Like you could tell she

1225
01:03:55,280 --> 01:03:58,320
Speaker 2: was dedicated like she would. They would talk to her

1226
01:03:58,880 --> 01:04:02,440
Speaker 2: in those and she'd be like, y'all didn't fix what

1227
01:04:02,480 --> 01:04:05,040
Speaker 2: I told y'all to fix the first time, So what

1228
01:04:05,080 --> 01:04:05,760
Speaker 2: are we talking about.

1229
01:04:05,760 --> 01:04:09,240
Speaker 1: I think they have a similar level of professionalism for sure.

1230
01:04:09,560 --> 01:04:11,440
Speaker 1: I mean, the reason she keeps coming up because this

1231
01:04:11,480 --> 01:04:14,200
Speaker 1: ain't really about her or her halftime, but the reason

1232
01:04:14,240 --> 01:04:16,439
Speaker 1: she keeps coming up is because she also is one

1233
01:04:16,440 --> 01:04:19,520
Speaker 1: of one yes. And I think when people I think

1234
01:04:19,560 --> 01:04:22,400
Speaker 1: BOSSI alluded to this earlier, when people see rap, they

1235
01:04:22,400 --> 01:04:25,320
Speaker 1: don't respect it in the way they would respect what beyond.

1236
01:04:25,600 --> 01:04:28,520
Speaker 1: So like everyone respects what Beyonce does, like for the

1237
01:04:28,640 --> 01:04:30,760
Speaker 1: you know, not racist, but all of us are like,

1238
01:04:30,800 --> 01:04:33,640
Speaker 1: that's a crazy amount of work. Yeah, and she's an athlete, right,

1239
01:04:34,000 --> 01:04:36,880
Speaker 1: but what Kendrick does this, Like, what's just rap? Not

1240
01:04:36,960 --> 01:04:37,400
Speaker 1: to him?

1241
01:04:37,560 --> 01:04:38,760
Speaker 3: It's just talking.

1242
01:04:38,680 --> 01:04:42,240
Speaker 1: Not to him, not to him, it's not And actually, no,

1243
01:04:42,520 --> 01:04:45,200
Speaker 1: your fave can't do that. I'm sure they're cool as hell,

1244
01:04:45,360 --> 01:04:48,160
Speaker 1: and I'm sure they do that. They're amazing, But them

1245
01:04:48,200 --> 01:04:50,560
Speaker 1: Black and Miles would have been tearing their ass up

1246
01:04:50,640 --> 01:04:52,600
Speaker 1: on the fifty yard would have been tight.

1247
01:04:54,320 --> 01:04:57,840
Speaker 4: You know what to you guys, I'm talking to the audience.

1248
01:04:58,080 --> 01:05:02,160
Speaker 4: You have to watch Ken and Beyonce. They've performed together

1249
01:05:02,560 --> 01:05:06,760
Speaker 4: like two or three times, three times that I've seen,

1250
01:05:06,840 --> 01:05:09,720
Speaker 4: once when she was on tour, once for the BET Awards,

1251
01:05:09,800 --> 01:05:14,960
Speaker 4: and then once for at Renaissance. They match so well,

1252
01:05:15,120 --> 01:05:21,440
Speaker 4: like the way that they connect on a professional level

1253
01:05:21,560 --> 01:05:27,640
Speaker 4: because they recognize each other. There's something so symbiotic about

1254
01:05:27,680 --> 01:05:31,000
Speaker 4: how they work together and when you take them separately.

1255
01:05:31,440 --> 01:05:34,959
Speaker 4: First of all, at the Renaissance show, Kendrick's mike wasn't

1256
01:05:34,960 --> 01:05:39,320
Speaker 4: working and he just kept going, yeah, the world, that's

1257
01:05:39,360 --> 01:05:41,000
Speaker 4: what Beyonce would do.

1258
01:05:41,040 --> 01:05:45,200
Speaker 3: That Beyonce my MIC's not working so much, go on.

1259
01:05:46,920 --> 01:05:50,280
Speaker 2: And she was just kept on saying until they finally

1260
01:05:50,280 --> 01:05:51,600
Speaker 2: got a haircut out that fan.

1261
01:05:51,920 --> 01:05:54,200
Speaker 1: And this is the other thing about Beyonce and Kendrick.

1262
01:05:54,920 --> 01:05:59,520
Speaker 1: They make intention and hard work look so fucking cool.

1263
01:06:00,000 --> 01:06:01,600
Speaker 1: There's not a lot of people on the planet that

1264
01:06:01,600 --> 01:06:04,400
Speaker 1: can make it, make it look cool. There's, matter of fact,

1265
01:06:04,440 --> 01:06:06,360
Speaker 1: I'd say there's very few people on the planet that

1266
01:06:06,360 --> 01:06:08,919
Speaker 1: can do that. We no one really likes to try hard.

1267
01:06:08,920 --> 01:06:14,720
Speaker 1: It's why everyone, uh fuck it, It's why everyone thinks

1268
01:06:14,760 --> 01:06:17,520
Speaker 1: they love Rihanna. Right, And then we saw the super

1269
01:06:17,520 --> 01:06:19,360
Speaker 1: Bowl halftime show and everybody's like, it don't look like

1270
01:06:19,400 --> 01:06:21,440
Speaker 1: she even gave a fucking I'm like, that is what

1271
01:06:21,480 --> 01:06:24,320
Speaker 1: we said we liked about her. I don't like her.

1272
01:06:24,480 --> 01:06:27,360
Speaker 1: This is her for better or worse. This is a

1273
01:06:27,440 --> 01:06:30,520
Speaker 1: Rihanna super Bowl show. She ain't finna be doing all

1274
01:06:30,600 --> 01:06:33,160
Speaker 1: that flipping and kicking and shit that mo fucking Pink

1275
01:06:33,200 --> 01:06:36,440
Speaker 1: would do that ain't never been her. We like her

1276
01:06:36,480 --> 01:06:40,560
Speaker 1: because she gives us nothing right, right, They are some

1277
01:06:40,600 --> 01:06:43,360
Speaker 1: of the I was gonna say, there's some few people

1278
01:06:43,360 --> 01:06:46,800
Speaker 1: on the planet where it's like almost like an athlete,

1279
01:06:46,800 --> 01:06:52,760
Speaker 1: where like Kobe, Michael Jordan, uh, sometimes Kevin One. But

1280
01:06:52,800 --> 01:06:55,920
Speaker 1: they tried so fucking hard that something flipping in you

1281
01:06:56,000 --> 01:06:59,560
Speaker 1: as a person watching it when fuck man trying hardest,

1282
01:06:59,640 --> 01:07:02,840
Speaker 1: really fucking dope if you just become the best at

1283
01:07:02,880 --> 01:07:05,560
Speaker 1: it because you don't give a fuck. And that is

1284
01:07:06,080 --> 01:07:08,640
Speaker 1: what I feel when I watched Kendrick, I didn't feel

1285
01:07:08,640 --> 01:07:11,400
Speaker 1: this like, oh, this is low energy. I went, this

1286
01:07:11,520 --> 01:07:13,680
Speaker 1: is the hardest shit I've ever seen in my life

1287
01:07:14,120 --> 01:07:16,880
Speaker 1: that a rapper is doing, and he's doing it by himself,

1288
01:07:17,000 --> 01:07:22,120
Speaker 1: essentially holding his stage. I'm sorry you don't.

1289
01:07:22,040 --> 01:07:27,400
Speaker 4: Like this, Yeah, it's it's it's crazy to me how

1290
01:07:27,480 --> 01:07:31,640
Speaker 4: you can look at that and not understand the level

1291
01:07:31,880 --> 01:07:35,720
Speaker 4: of like, I dare you to sing to wrap me

1292
01:07:36,320 --> 01:07:39,240
Speaker 4: fucking self destruction while running upstairs.

1293
01:07:39,480 --> 01:07:42,560
Speaker 3: You can't, you can you cannot do it. Oh my god,

1294
01:07:42,640 --> 01:07:43,240
Speaker 3: I cannot do it.

1295
01:07:43,280 --> 01:07:46,840
Speaker 4: There's something so amazing and the thing about Rihanna. When

1296
01:07:46,880 --> 01:07:50,680
Speaker 4: I saw her halftime show, I said, she probably didn't

1297
01:07:50,680 --> 01:07:52,720
Speaker 4: want to go to rehearsal, even like, oh, she did

1298
01:07:52,800 --> 01:07:55,440
Speaker 4: it by herself. I was like, she probably didn't want

1299
01:07:55,480 --> 01:07:59,280
Speaker 4: to go to rehearsal. If she had guests, she would

1300
01:07:59,320 --> 01:08:02,120
Speaker 4: have to rehearse with those guests. Yes, what she did.

1301
01:08:02,360 --> 01:08:04,240
Speaker 4: I can do this on my own. The dancers are

1302
01:08:04,240 --> 01:08:06,440
Speaker 4: doing their own thing. I'm just walking in front of them.

1303
01:08:07,240 --> 01:08:09,880
Speaker 4: I'm just getting to where I need to go. It

1304
01:08:09,960 --> 01:08:12,120
Speaker 4: looked cool, and she was very immediately.

1305
01:08:11,800 --> 01:08:14,200
Speaker 1: And she was pregnant, and she was very pregnant. She

1306
01:08:14,320 --> 01:08:17,120
Speaker 1: was pregnant and she pulls under you know, she was pregnant,

1307
01:08:17,439 --> 01:08:20,360
Speaker 1: showed up so like it like it was a very

1308
01:08:20,439 --> 01:08:23,519
Speaker 1: Riana halftime. I ain't like I'm not out of First off,

1309
01:08:23,520 --> 01:08:24,920
Speaker 1: I don't get mad at any of the halftimes. If

1310
01:08:24,920 --> 01:08:26,800
Speaker 1: I'm gonna be real with y'all, I even like Maroon five,

1311
01:08:26,880 --> 01:08:30,679
Speaker 1: Fuck y'all me too. Like it's just halftime. It's supposed

1312
01:08:30,680 --> 01:08:33,679
Speaker 1: to be entertaining. And Temperlake, justin Timberlake was there.

1313
01:08:35,400 --> 01:08:38,720
Speaker 4: He did, But the thing about side didn't like. I

1314
01:08:38,760 --> 01:08:41,599
Speaker 4: wasn't like, oh I hate Justin Timberlake. I like justin

1315
01:08:41,640 --> 01:08:45,080
Speaker 4: Timberlake as a performer. But he didn't do justin Timberlake.

1316
01:08:45,160 --> 01:08:47,240
Speaker 4: He did something else, And so which.

1317
01:08:47,040 --> 01:08:53,479
Speaker 1: One was the Woods ear? Or this was what Janet Jackson? Yes, Chad,

1318
01:08:54,880 --> 01:08:57,679
Speaker 1: I checked that when he got in. I'm not gonna lie, dog,

1319
01:08:58,840 --> 01:09:04,320
Speaker 1: I don't remember that that halftime with just Timberlake, but

1320
01:09:05,000 --> 01:09:09,040
Speaker 1: I will restate I don't remember disliking it. I can

1321
01:09:09,120 --> 01:09:11,439
Speaker 1: either not care or I will probably like it. Those

1322
01:09:11,479 --> 01:09:14,120
Speaker 1: are my two things you like. Even when they put

1323
01:09:14,160 --> 01:09:16,160
Speaker 1: somebody up there, I'm not a fan of. They always

1324
01:09:16,160 --> 01:09:17,920
Speaker 1: play like four songs I know, and I'll be like,

1325
01:09:18,080 --> 01:09:21,080
Speaker 1: that's what the weekend made. Yes, I'm like, oh, I

1326
01:09:21,160 --> 01:09:23,760
Speaker 1: know that vibe. He's spelling that wrong. Do he know

1327
01:09:23,840 --> 01:09:24,120
Speaker 1: it's not?

1328
01:09:25,160 --> 01:09:28,200
Speaker 4: You know what though, Let's just I was trying to

1329
01:09:28,240 --> 01:09:30,160
Speaker 4: avoid bringing him up, but I kind of have to

1330
01:09:30,160 --> 01:09:32,920
Speaker 4: when we're talking about effort and we're talking about.

1331
01:09:32,760 --> 01:09:33,559
Speaker 3: Like hard work.

1332
01:09:34,439 --> 01:09:39,559
Speaker 4: I've seen clips of Drake and concert and I always think, oh,

1333
01:09:39,680 --> 01:09:42,400
Speaker 4: this is just me. This is the part where he

1334
01:09:42,400 --> 01:09:46,559
Speaker 4: he does this. Come to find out, that's all he does.

1335
01:09:47,600 --> 01:09:51,040
Speaker 4: He just plays the backing track and walks back and

1336
01:09:51,080 --> 01:09:53,920
Speaker 4: forth and ridiculous outfits and every once in a while

1337
01:09:53,960 --> 01:09:58,759
Speaker 4: he'll give an inspirational speech and then it's it's so lazy,

1338
01:09:59,479 --> 01:10:02,880
Speaker 4: and it's it's once I was like, oh, this is

1339
01:10:02,920 --> 01:10:05,120
Speaker 4: why your your music is lazy, because you.

1340
01:10:05,240 --> 01:10:10,280
Speaker 1: Don't so you know what, I'm glad. I wasn't gonna

1341
01:10:10,280 --> 01:10:12,360
Speaker 1: bring up Drake much, but I'm glad. Let's let's go

1342
01:10:12,400 --> 01:10:16,760
Speaker 1: into Drake real quick. This performance was so good and

1343
01:10:16,840 --> 01:10:19,240
Speaker 1: maybe it was the edibles, I don't know, but it

1344
01:10:19,320 --> 01:10:23,200
Speaker 1: made me have a thought that I had not said. Okay, right,

1345
01:10:24,479 --> 01:10:29,519
Speaker 1: I'm sorry, nephew, but it made me think about this

1346
01:10:29,560 --> 01:10:31,760
Speaker 1: thing in a way I hadn't thought before, or at

1347
01:10:31,800 --> 01:10:37,040
Speaker 1: least I don't remember thinking before. And that is it

1348
01:10:37,120 --> 01:10:41,280
Speaker 1: really made me see Drake as the rapper who has

1349
01:10:41,360 --> 01:10:46,240
Speaker 1: dominated the age of content. Yes, he is a content rapper,

1350
01:10:46,840 --> 01:10:50,639
Speaker 1: is he is? He is the guy that I actually

1351
01:10:50,760 --> 01:10:55,080
Speaker 1: don't know anything about. But he never stops producing, so

1352
01:10:55,120 --> 01:10:57,920
Speaker 1: it feels like he's ubiquitous and always been around and

1353
01:10:57,960 --> 01:11:01,400
Speaker 1: always will be around. But I know way more about

1354
01:11:01,479 --> 01:11:05,200
Speaker 1: Kendrick Lamar Duckworth's feelings on life and what has happened

1355
01:11:05,240 --> 01:11:07,960
Speaker 1: in his life and his biography through his music, not

1356
01:11:08,360 --> 01:11:09,120
Speaker 1: through interviews and.

1357
01:11:09,120 --> 01:11:11,840
Speaker 3: Shit, And I never see him exactly. You just go

1358
01:11:11,960 --> 01:11:13,559
Speaker 3: back to the crib.

1359
01:11:13,960 --> 01:11:16,360
Speaker 1: He pop out, he'd be like, guys, let me tell

1360
01:11:16,400 --> 01:11:21,040
Speaker 1: you something. Cell phones are fucking bad. Bye, And then

1361
01:11:21,080 --> 01:11:23,519
Speaker 1: he come back five years later he's like, I was

1362
01:11:23,560 --> 01:11:26,040
Speaker 1: thinking about it. Maybe I was a little too hard

1363
01:11:26,040 --> 01:11:28,799
Speaker 1: on the rest of these niggas. We all make mistakes.

1364
01:11:28,880 --> 01:11:30,360
Speaker 1: Let me tell you about some my mistakes. This is

1365
01:11:30,360 --> 01:11:32,720
Speaker 1: gonna fuck y'all up for real. That like, that is

1366
01:11:32,840 --> 01:11:36,479
Speaker 1: him and Drake can never go away because there is

1367
01:11:36,520 --> 01:11:42,519
Speaker 1: no substance. So he is the paper tiger algorithm monster.

1368
01:11:42,760 --> 01:11:46,960
Speaker 1: He's he's the guy whose music is in everybody's like

1369
01:11:47,160 --> 01:11:50,439
Speaker 1: TikTok challenge or when you post pictures on Instagram. But

1370
01:11:50,439 --> 01:11:54,000
Speaker 1: but it's not because you're actually relating to him. You're

1371
01:11:54,080 --> 01:11:57,320
Speaker 1: relating to the lack of something. Right, So when you

1372
01:11:57,360 --> 01:11:57,680
Speaker 1: look at.

1373
01:11:57,640 --> 01:12:01,080
Speaker 4: His most relating to the time, the time period in

1374
01:12:01,120 --> 01:12:03,320
Speaker 4: your life when the songs occurred.

1375
01:12:03,760 --> 01:12:07,559
Speaker 3: People are nostalgic for their memories. And then that's the

1376
01:12:07,600 --> 01:12:10,519
Speaker 3: soundtrack too, it's not the song itself. And I didn't

1377
01:12:10,520 --> 01:12:11,040
Speaker 3: mean to interrupt.

1378
01:12:11,080 --> 01:12:12,920
Speaker 4: There was something that I that I that I wanted

1379
01:12:12,920 --> 01:12:17,320
Speaker 4: to say really quickly. Somebody told me that part of

1380
01:12:17,360 --> 01:12:20,479
Speaker 4: the reason why they don't care about Drake anymore. Is

1381
01:12:20,520 --> 01:12:25,160
Speaker 4: that he was there to usher in the streaming, like

1382
01:12:25,800 --> 01:12:27,439
Speaker 4: was it streaming decade or whatever?

1383
01:12:27,840 --> 01:12:31,280
Speaker 3: He got big because of streaming. You are not remember

1384
01:12:31,400 --> 01:12:32,280
Speaker 3: when we were younger.

1385
01:12:32,520 --> 01:12:35,840
Speaker 4: You're not going to go to Sam Goodie to get

1386
01:12:35,880 --> 01:12:40,639
Speaker 4: a Drake album. You'll push a button on your phone

1387
01:12:40,760 --> 01:12:43,400
Speaker 4: and listen to it, but you're not leaving your house

1388
01:12:43,479 --> 01:12:46,439
Speaker 4: to go and get it. So his music is push

1389
01:12:46,439 --> 01:12:48,960
Speaker 4: a button and stay here music. If we were still

1390
01:12:48,960 --> 01:12:52,679
Speaker 4: in the age where we were have to go physical copies,

1391
01:12:53,040 --> 01:12:57,559
Speaker 4: Drake would have lasted maybe maybe two years, maybe two years.

1392
01:12:57,600 --> 01:13:00,800
Speaker 1: I'd give it a year, right, you go, and then

1393
01:13:00,800 --> 01:13:01,559
Speaker 1: I'll finish my thought.

1394
01:13:01,640 --> 01:13:04,639
Speaker 2: Okay, my thing and you peekingback on what you said.

1395
01:13:04,720 --> 01:13:09,320
Speaker 2: Roger Drake actually came in in my in my opinion,

1396
01:13:09,360 --> 01:13:13,800
Speaker 2: and he loved bombed hip hop. This is this is

1397
01:13:13,800 --> 01:13:16,280
Speaker 2: why I feel like this the reason why I say

1398
01:13:16,320 --> 01:13:19,040
Speaker 2: I feel like he loved bombed hip hop. He came

1399
01:13:19,120 --> 01:13:22,679
Speaker 2: in and he made sure that he was in every

1400
01:13:23,080 --> 01:13:26,480
Speaker 2: aspect of hip hop, and he made sure his presence

1401
01:13:26,720 --> 01:13:31,439
Speaker 2: was always around, and he made sure that a.

1402
01:13:31,400 --> 01:13:34,160
Speaker 1: Lot of love. When he came in, everybody was his

1403
01:13:34,280 --> 01:13:37,800
Speaker 1: hero in his fave until he just decided, Actually, y'all

1404
01:13:37,800 --> 01:13:38,240
Speaker 1: ain't shit.

1405
01:13:38,880 --> 01:13:41,439
Speaker 2: Fuck all your girls, yes, yes, and and and so

1406
01:13:41,560 --> 01:13:42,799
Speaker 2: you really made me kind.

1407
01:13:42,600 --> 01:13:46,320
Speaker 4: Of everybody he said he liked he ended up. Yes,

1408
01:13:46,720 --> 01:13:48,320
Speaker 4: how are you fighting with Pharrell?

1409
01:13:48,439 --> 01:13:48,560
Speaker 3: Like what?

1410
01:13:49,920 --> 01:13:50,599
Speaker 1: You're so right?

1411
01:13:50,840 --> 01:13:53,599
Speaker 2: Because they were trashed the second he couldn't use them right.

1412
01:13:53,640 --> 01:13:55,320
Speaker 2: And that's why I say it feels like it feels

1413
01:13:55,320 --> 01:13:57,559
Speaker 2: like a big love bomb. And the thing is when

1414
01:13:57,560 --> 01:14:02,360
Speaker 2: somebody love bombs you, they make up with time because

1415
01:14:02,400 --> 01:14:04,000
Speaker 2: you know he hadn't been that long, right, So in

1416
01:14:04,120 --> 01:14:06,479
Speaker 2: order to make up for that time, I have to

1417
01:14:06,880 --> 01:14:11,320
Speaker 2: push in a lot of extra shit, extra gifts, extra love,

1418
01:14:11,479 --> 01:14:15,000
Speaker 2: extra support and money and like, so he comes in,

1419
01:14:15,760 --> 01:14:16,960
Speaker 2: I'll promise you a career.

1420
01:14:17,080 --> 01:14:19,240
Speaker 1: I'll make you grow. You'll be in the video, put

1421
01:14:19,240 --> 01:14:21,599
Speaker 1: me on your phone and your and then they take

1422
01:14:21,680 --> 01:14:24,760
Speaker 1: credit for your growth. Yes, yes, yes, so shit you

1423
01:14:24,760 --> 01:14:26,720
Speaker 1: would have did on your own, like the Atlanta hip

1424
01:14:26,760 --> 01:14:29,400
Speaker 1: hop scene is now. That is actually because I came

1425
01:14:29,439 --> 01:14:31,639
Speaker 1: and was featured on your track. I gave you success,

1426
01:14:31,880 --> 01:14:33,720
Speaker 1: Rick Ross, you would have never been shpited if not

1427
01:14:33,800 --> 01:14:36,479
Speaker 1: for me. So you ain't shit now that I'm not around,

1428
01:14:36,520 --> 01:14:37,120
Speaker 1: and I don't like you.

1429
01:14:37,160 --> 01:14:39,519
Speaker 2: Right and regardless if that statement is trying or not.

1430
01:14:39,840 --> 01:14:42,640
Speaker 2: It doesn't just don't care, right and so and so

1431
01:14:42,880 --> 01:14:45,519
Speaker 2: and so I think me personally, I think that this

1432
01:14:45,640 --> 01:14:49,920
Speaker 2: is something that Kendrick saw through. And the thing is

1433
01:14:49,960 --> 01:14:52,679
Speaker 2: when you go and you tell people, hey, I think

1434
01:14:52,840 --> 01:14:55,480
Speaker 2: that he's gaslighting and he's loved bombing everybody.

1435
01:14:55,920 --> 01:14:57,559
Speaker 1: People that are.

1436
01:14:57,600 --> 01:15:00,160
Speaker 2: Trapped in it and they don't see it will look

1437
01:15:00,200 --> 01:15:02,080
Speaker 2: at you and they'll think something wrong with you.

1438
01:15:02,200 --> 01:15:04,880
Speaker 1: When narciss have flying monkeys too agree, which a lot

1439
01:15:04,920 --> 01:15:07,000
Speaker 1: of Drake's fans feel like. So the last thing I

1440
01:15:07,040 --> 01:15:08,920
Speaker 1: was gonna say about the Drake thing though, when I'm

1441
01:15:08,920 --> 01:15:12,600
Speaker 1: saying he's like this emperor of this time period. The

1442
01:15:12,680 --> 01:15:14,800
Speaker 1: other thing I think his music does have a through

1443
01:15:14,840 --> 01:15:22,640
Speaker 1: line on is emptiness, loneliness, sad sadness, and materialism. And

1444
01:15:22,680 --> 01:15:26,840
Speaker 1: I think many people are suffering from that. Yes, like

1445
01:15:26,880 --> 01:15:29,320
Speaker 1: it's a lack of connection is what his music is about.

1446
01:15:29,360 --> 01:15:32,599
Speaker 1: It's not it's not about connecting to other people. It's

1447
01:15:32,640 --> 01:15:36,120
Speaker 1: about how much even though it looks like I'm connected,

1448
01:15:36,120 --> 01:15:37,840
Speaker 1: even though it looks like I'm having fun, I'm never am.

1449
01:15:38,280 --> 01:15:41,040
Speaker 1: This girl isn't calling me back. My friends in this

1450
01:15:41,160 --> 01:15:43,960
Speaker 1: room they aren't my real friends. I actually don't trust

1451
01:15:43,960 --> 01:15:47,720
Speaker 1: these girls. Songs about this girl. I want to like her,

1452
01:15:47,760 --> 01:15:50,960
Speaker 1: but she's she's gonna have sex with other people and

1453
01:15:51,000 --> 01:15:54,120
Speaker 1: she's gonna and she's never gonna be mine. And I'm

1454
01:15:54,120 --> 01:15:56,439
Speaker 1: gonna keep having sex with other women because no one

1455
01:15:56,479 --> 01:15:59,720
Speaker 1: can tie me down. He is representative of something, but

1456
01:15:59,720 --> 01:16:02,280
Speaker 1: it's of a lack of something, right, Yes, And I

1457
01:16:02,320 --> 01:16:07,360
Speaker 1: think Kendrick's performance was the antithesis of what Drake would

1458
01:16:07,360 --> 01:16:10,439
Speaker 1: have done. I think Drake would have put on a

1459
01:16:10,439 --> 01:16:13,280
Speaker 1: better super Bowl show for the kind of people that

1460
01:16:13,400 --> 01:16:15,960
Speaker 1: did not like this show, I think Drake would have

1461
01:16:15,960 --> 01:16:18,200
Speaker 1: been the perfect choice. Even if they think they hate Drake.

1462
01:16:18,680 --> 01:16:20,439
Speaker 1: I think Drake would have got up there. He would

1463
01:16:20,479 --> 01:16:24,600
Speaker 1: have played like seven song, ten songs that they absolutely

1464
01:16:24,600 --> 01:16:26,519
Speaker 1: know every word of. He would have had all the

1465
01:16:26,520 --> 01:16:29,920
Speaker 1: features from all those rappers that he sharked, and everyone

1466
01:16:29,960 --> 01:16:32,439
Speaker 1: would have said, now that's a fucking super Bowl show. Yep.

1467
01:16:32,640 --> 01:16:36,439
Speaker 1: And I just don't think that kendrick value system is

1468
01:16:36,479 --> 01:16:40,320
Speaker 1: the same as yours or Drake's. And he said I

1469
01:16:40,360 --> 01:16:43,880
Speaker 1: would never do that shit. So y'all finna get new

1470
01:16:44,040 --> 01:16:47,160
Speaker 1: verses you ain't heard. You're gonna get interpolations you ain't

1471
01:16:47,200 --> 01:16:51,240
Speaker 1: gonna hear again you're gonna get you know, set pieces

1472
01:16:51,680 --> 01:16:55,360
Speaker 1: and shots and stuff that you're gonna get Black people

1473
01:16:55,400 --> 01:16:58,920
Speaker 1: as the American flag bending now touching each other's back,

1474
01:16:59,040 --> 01:17:01,360
Speaker 1: like this country was built on our back in front

1475
01:17:01,360 --> 01:17:03,880
Speaker 1: of a racist president who is looking down on us

1476
01:17:04,600 --> 01:17:09,120
Speaker 1: up high that the NFL is on, that Patrick Mahomes

1477
01:17:09,280 --> 01:17:11,479
Speaker 1: and Travis Kelcey are honored to play in front of.

1478
01:17:11,840 --> 01:17:14,240
Speaker 1: And I'm not gonna I'm not like what I thought

1479
01:17:14,320 --> 01:17:18,000
Speaker 1: was so great about it. It was, and it's why

1480
01:17:18,320 --> 01:17:21,840
Speaker 1: that's why I think Kendrick the greatest. It wasn't performative,

1481
01:17:21,840 --> 01:17:26,400
Speaker 1: but as a performance, it wasn't like I think a

1482
01:17:26,479 --> 01:17:30,160
Speaker 1: performative person does go fuck you Trump and they do

1483
01:17:30,400 --> 01:17:33,519
Speaker 1: make a big deal. It was I was doing this

1484
01:17:33,600 --> 01:17:36,320
Speaker 1: show like this because this is me. Yeah, just to

1485
01:17:36,360 --> 01:17:38,920
Speaker 1: show that. It'll piss some people off. But the goal

1486
01:17:39,040 --> 01:17:41,200
Speaker 1: is not to shock and surprise you and pitch you off.

1487
01:17:41,920 --> 01:17:45,160
Speaker 1: The goal is to say, my this is my message

1488
01:17:45,200 --> 01:17:48,840
Speaker 1: from Sam Jackson's intro, to turn the TV off. I

1489
01:17:48,880 --> 01:17:53,519
Speaker 1: am making a complete, cogent argument that you may disagree with,

1490
01:17:53,720 --> 01:17:56,479
Speaker 1: you may find hypocritical, being that the space that is in,

1491
01:17:57,000 --> 01:18:00,760
Speaker 1: but this is my thesis. I have delivered it, and

1492
01:18:00,880 --> 01:18:04,439
Speaker 1: I am and I will smile and sleep in peace

1493
01:18:04,720 --> 01:18:07,600
Speaker 1: because I did it my way in a way that

1494
01:18:08,080 --> 01:18:12,559
Speaker 1: not everyone, especially those weren't creatives, but also just people

1495
01:18:12,600 --> 01:18:15,120
Speaker 1: that don't see music the same way as he does

1496
01:18:15,160 --> 01:18:18,400
Speaker 1: with the reverence he does, right, they just can't connect

1497
01:18:18,400 --> 01:18:21,360
Speaker 1: to him being like I'm okay that you didn't like this.

1498
01:18:21,920 --> 01:18:24,240
Speaker 1: I just I liked it, and that's more important than

1499
01:18:24,280 --> 01:18:24,880
Speaker 1: you like it.

1500
01:18:26,120 --> 01:18:30,200
Speaker 4: Yeah, and and and Kendrick has a point of view

1501
01:18:30,880 --> 01:18:34,720
Speaker 4: that's really like clear. He knows what he wants. He

1502
01:18:34,800 --> 01:18:38,080
Speaker 4: knows who he is, so he knows that whatever he

1503
01:18:38,160 --> 01:18:41,880
Speaker 4: does he's going to feel he doesn't. He does it

1504
01:18:41,960 --> 01:18:44,320
Speaker 4: with integrity, like everything he does with integrity.

1505
01:18:44,400 --> 01:18:50,400
Speaker 3: But two things. One of the things I.

1506
01:18:49,080 --> 01:18:51,320
Speaker 4: Don't know if I tweeted or skyted or whatever it's called,

1507
01:18:51,520 --> 01:18:55,160
Speaker 4: but I said that people are so used to performative

1508
01:18:55,240 --> 01:19:03,120
Speaker 4: politics that they can't recognize they can't recognize political performance,

1509
01:19:03,800 --> 01:19:07,880
Speaker 4: like this is a political performance in that he is

1510
01:19:08,840 --> 01:19:11,320
Speaker 4: he was showcasing people we would never see.

1511
01:19:11,680 --> 01:19:13,120
Speaker 3: Yes, never it was.

1512
01:19:13,080 --> 01:19:16,680
Speaker 4: Like the same way that or the way that that

1513
01:19:16,840 --> 01:19:21,240
Speaker 4: Drake was because he's dropped her parading around sexy red.

1514
01:19:21,439 --> 01:19:26,080
Speaker 4: Yes is different than than than Kendrick showcasing these women

1515
01:19:26,240 --> 01:19:29,320
Speaker 4: with like two tone wigs and these boys with the

1516
01:19:29,360 --> 01:19:32,679
Speaker 4: grills and like people with the shiny like all these

1517
01:19:32,680 --> 01:19:33,439
Speaker 4: different things.

1518
01:19:33,600 --> 01:19:37,479
Speaker 3: He's he's not exploring them, He's showing. He's showing the

1519
01:19:37,479 --> 01:19:39,960
Speaker 3: world these people exist.

1520
01:19:39,960 --> 01:19:42,880
Speaker 4: These people on the street corner, me turning man in

1521
01:19:42,920 --> 01:19:45,559
Speaker 4: the garden into a doop song because there's some nigga's

1522
01:19:45,560 --> 01:19:48,680
Speaker 4: on the street corner who will sing dude a doop.

1523
01:19:48,479 --> 01:19:50,959
Speaker 3: With their grills in like this is all.

1524
01:19:50,880 --> 01:19:56,440
Speaker 1: Important, like all also, like while acknowledging the double consciousness

1525
01:19:56,560 --> 01:19:59,560
Speaker 1: of it right through Sam Jackson and Uncle Sam like it.

1526
01:19:59,800 --> 01:20:03,360
Speaker 1: Like that's why, like I said, I'm not gonna get

1527
01:20:03,360 --> 01:20:07,320
Speaker 1: angry about it, but that is why I'm so despissive. Right,

1528
01:20:07,439 --> 01:20:09,920
Speaker 1: I'll let Bossy get angry. Okay, she gonna get on y'all.

1529
01:20:10,080 --> 01:20:12,519
Speaker 1: But that's why I'm so dismissive of the critiques, because

1530
01:20:12,600 --> 01:20:17,400
Speaker 1: I I everything has When you're creative, everything you do

1531
01:20:17,520 --> 01:20:20,320
Speaker 1: is making a choice. Every choice you made could have

1532
01:20:20,400 --> 01:20:23,160
Speaker 1: went the other way. Someone out there thinks you should

1533
01:20:23,160 --> 01:20:25,599
Speaker 1: have went the other way. Doesn't make them a bad person,

1534
01:20:25,880 --> 01:20:28,720
Speaker 1: doesn't mean they're wrong. Their way might have worked for

1535
01:20:28,800 --> 01:20:31,559
Speaker 1: someone else in Hell, if you're so good, get to

1536
01:20:31,560 --> 01:20:34,240
Speaker 1: the super Bowl, do it yourself. Maybe we'll see that

1537
01:20:34,280 --> 01:20:35,960
Speaker 1: way it will go. Damn, that's a good way to

1538
01:20:36,000 --> 01:20:39,280
Speaker 1: do it too. But that's how I see creativity. You're

1539
01:20:39,360 --> 01:20:44,960
Speaker 1: just making choices. The choices that he made are acknowledged

1540
01:20:45,000 --> 01:20:49,400
Speaker 1: in the piece, which means he considered the critique, which

1541
01:20:49,400 --> 01:20:52,559
Speaker 1: means I don't really I cannot be stuck by your critique.

1542
01:20:52,560 --> 01:20:55,800
Speaker 1: I'm not he's saying. He's actually saying your critique is valid.

1543
01:20:55,800 --> 01:20:58,120
Speaker 1: When he's when Sam Jackson's like, oh, I see you

1544
01:20:58,160 --> 01:21:01,559
Speaker 1: brought your homies with you to get that hood passed,

1545
01:21:02,200 --> 01:21:06,040
Speaker 1: you know, like the cultural yeah like that that Like

1546
01:21:06,080 --> 01:21:08,680
Speaker 1: I'm like, okay, cool, because that is the kind of

1547
01:21:08,720 --> 01:21:11,559
Speaker 1: thing that people do to be like, I'm still down.

1548
01:21:12,080 --> 01:21:15,439
Speaker 1: And he's like acknowledging, like yes, this can look like

1549
01:21:15,520 --> 01:21:17,479
Speaker 1: I'm just putting on and trying to put on his

1550
01:21:17,600 --> 01:21:20,599
Speaker 1: coat for America and be like, hey, but I got

1551
01:21:20,600 --> 01:21:22,960
Speaker 1: my homies here, I'm still keeping it real, and and

1552
01:21:22,960 --> 01:21:25,479
Speaker 1: and Sam Jackson's like, oh yeah, what I'm gonna sell

1553
01:21:25,520 --> 01:21:29,280
Speaker 1: out minus one life? And then but you know what's funny.

1554
01:21:29,560 --> 01:21:33,639
Speaker 4: It's funny people acted like like Samuel L. Jackson just

1555
01:21:33,840 --> 01:21:37,320
Speaker 4: wandered on stage and had things to say as if

1556
01:21:37,360 --> 01:21:43,280
Speaker 4: it wasn't scripted by day Free and Kendrick Like they acted.

1557
01:21:43,040 --> 01:21:49,679
Speaker 3: Like, well, why did you do like get on my nerves?

1558
01:21:49,760 --> 01:21:53,639
Speaker 2: Samuel Jackson acted like it wasn't part of the script, right, he.

1559
01:21:53,680 --> 01:21:56,439
Speaker 1: Had a whole purpose. Uh.

1560
01:21:56,520 --> 01:22:01,040
Speaker 2: And to me, I let that Samuel L. Jacks Like,

1561
01:22:01,160 --> 01:22:05,439
Speaker 2: I looked at Tiny Tina's Wonderland. And the reason why

1562
01:22:05,479 --> 01:22:09,360
Speaker 2: I say that is because in Tiny Tina, tiny Tina

1563
01:22:09,400 --> 01:22:11,679
Speaker 2: will basically she comes in and she kind of tells

1564
01:22:11,720 --> 01:22:13,639
Speaker 2: you what's gonna happen, and then she kind of walks

1565
01:22:13,640 --> 01:22:15,360
Speaker 2: away and lets you play the game. And then she

1566
01:22:15,439 --> 01:22:17,400
Speaker 2: come back in and she tell you all the rules

1567
01:22:17,439 --> 01:22:20,000
Speaker 2: and you're punished, and then she walks away. Yeah, and

1568
01:22:20,040 --> 01:22:23,280
Speaker 2: so that's how in my mind, that's how you said.

1569
01:22:23,280 --> 01:22:25,040
Speaker 2: Because at the beginning he told you we're playing the

1570
01:22:25,120 --> 01:22:28,560
Speaker 2: video game. People skip past that, and then Kenjick does something.

1571
01:22:28,320 --> 01:22:30,559
Speaker 1: But it's like he's like a dungeon master in Dungeons

1572
01:22:30,600 --> 01:22:33,000
Speaker 1: and Dragon. Yes, here are the rules, and he's he's

1573
01:22:33,040 --> 01:22:36,639
Speaker 1: the metic voice of like you're playing the game this way, yes,

1574
01:22:37,000 --> 01:22:38,840
Speaker 1: would you need to play it the right way? Because

1575
01:22:38,880 --> 01:22:41,880
Speaker 1: you know there's rules and everyone's watching you like the

1576
01:22:41,920 --> 01:22:45,519
Speaker 1: whole thing from the fucking video game controller. But yes,

1577
01:22:45,560 --> 01:22:48,120
Speaker 1: the whole thing is this is a game. Yes, I

1578
01:22:48,280 --> 01:22:52,320
Speaker 1: know I'm playing the game, and I like a friend said, well,

1579
01:22:52,360 --> 01:22:54,479
Speaker 1: he's trying to deconstruct the master House with the master

1580
01:22:54,560 --> 01:22:56,360
Speaker 1: tool or whatever, which I think is a bit of

1581
01:22:56,360 --> 01:22:59,320
Speaker 1: a like. I think that that phrase kind of lost, yes,

1582
01:22:59,479 --> 01:23:01,320
Speaker 1: kind of lost things over the years, cause people keep

1583
01:23:01,400 --> 01:23:07,120
Speaker 1: using throng away. But the thing is one, you absolutely

1584
01:23:07,160 --> 01:23:10,960
Speaker 1: can deconstruct the house with the Master's tool, take a sledgehammer,

1585
01:23:11,160 --> 01:23:13,720
Speaker 1: hit a wall. I promise you it's not standing up.

1586
01:23:14,320 --> 01:23:19,240
Speaker 1: But secondly, say, I mean, don't don't hit your walls, guys.

1587
01:23:19,280 --> 01:23:21,080
Speaker 1: I don't know what your rental situation it's like, but

1588
01:23:21,120 --> 01:23:22,720
Speaker 1: you know what I mean, you can fuck something up

1589
01:23:22,760 --> 01:23:27,679
Speaker 1: with them tools. But then the second thing is if

1590
01:23:27,760 --> 01:23:31,280
Speaker 1: I'm aware that I'm playing this game, and I'm letting

1591
01:23:31,280 --> 01:23:34,479
Speaker 1: you guys know I'm playing the game, but I'm about

1592
01:23:34,520 --> 01:23:36,720
Speaker 1: to fucking like throw the control against the wall, I'm

1593
01:23:36,760 --> 01:23:39,880
Speaker 1: gonna like, I'm fit to do something a little different

1594
01:23:39,880 --> 01:23:44,240
Speaker 1: with the game that other people didn't do, even cheat code, right,

1595
01:23:44,640 --> 01:23:48,480
Speaker 1: is him being like, yeah, this is the hood that's

1596
01:23:48,640 --> 01:23:50,280
Speaker 1: that's what you're trying to play the game, trying to

1597
01:23:50,280 --> 01:23:52,719
Speaker 1: slide in. And the whole thing is just Sam Jackson

1598
01:23:52,760 --> 01:23:58,679
Speaker 1: being like, I'm America played by Sam Jackson who played

1599
01:23:59,640 --> 01:24:04,519
Speaker 1: Signed Simon and Django, Uh Steven Stephen and Django who

1600
01:24:04,600 --> 01:24:07,800
Speaker 1: also you know, has played these boisterous roles in like

1601
01:24:07,840 --> 01:24:10,479
Speaker 1: Spike Lee movies. It's like Masters of Ceremony type gut

1602
01:24:10,680 --> 01:24:15,200
Speaker 1: so like you got the consonent every day like Sam

1603
01:24:15,240 --> 01:24:17,080
Speaker 1: Jackson and Sam Jackson and everything, but you got the

1604
01:24:17,120 --> 01:24:20,559
Speaker 1: consonan like representation. But it's the way that he's like.

1605
01:24:21,760 --> 01:24:25,040
Speaker 1: And I thought this is so important because everyone I

1606
01:24:25,120 --> 01:24:27,280
Speaker 1: know that talked about this halftime show that wasn't me

1607
01:24:28,240 --> 01:24:30,560
Speaker 1: was like, you think he's gonna do the song. You

1608
01:24:30,600 --> 01:24:32,439
Speaker 1: think you're gonna do the Drake song? You think because

1609
01:24:32,439 --> 01:24:35,080
Speaker 1: they're not gonna let him say, they gonna sue. And

1610
01:24:35,160 --> 01:24:38,080
Speaker 1: I like that he knew that's what the fuck everybody wanted,

1611
01:24:38,680 --> 01:24:41,320
Speaker 1: and it's up front, so he ain't giving it to

1612
01:24:41,360 --> 01:24:43,720
Speaker 1: you right away. You're gonna have to eat some you

1613
01:24:43,880 --> 01:24:46,240
Speaker 1: have to eat some vegetables before you get your cake.

1614
01:24:46,880 --> 01:24:49,200
Speaker 1: And yeah, okay, Super Bowls not.

1615
01:24:50,120 --> 01:24:53,440
Speaker 3: Was the cake, right, And of course I loved.

1616
01:24:53,840 --> 01:24:56,920
Speaker 1: Super Bowl is not a vegetable plate. So everybody like,

1617
01:24:59,120 --> 01:25:00,960
Speaker 1: I know, I ain't got the I got to listen.

1618
01:25:01,240 --> 01:25:02,800
Speaker 1: I thought you were just gonna say the shit. I

1619
01:25:02,800 --> 01:25:05,960
Speaker 1: already knew. So I get the rejection of it because

1620
01:25:05,960 --> 01:25:08,240
Speaker 1: this was not supposed to be that place. But I

1621
01:25:08,320 --> 01:25:10,080
Speaker 1: just don't think it would have been Kendrick if he

1622
01:25:10,160 --> 01:25:12,840
Speaker 1: did do that. So it just felt more to me

1623
01:25:13,400 --> 01:25:15,960
Speaker 1: natural that he did it this way. And I love

1624
01:25:16,000 --> 01:25:20,599
Speaker 1: when Sam Jackson's like as he's like when he pulls

1625
01:25:20,680 --> 01:25:22,559
Speaker 1: him in line by like, okay, you open up with

1626
01:25:22,680 --> 01:25:26,479
Speaker 1: this ghetto shit, come on you at the super Bowl, Bro,

1627
01:25:26,640 --> 01:25:29,200
Speaker 1: you wouldn't have took this gig if you was just

1628
01:25:29,200 --> 01:25:31,360
Speaker 1: gonna get up here and do this hood shit. Give

1629
01:25:31,439 --> 01:25:33,599
Speaker 1: him the hits that they know from the radio. He

1630
01:25:33,680 --> 01:25:34,000
Speaker 1: did it.

1631
01:25:34,800 --> 01:25:36,680
Speaker 3: And then here comes Tolan.

1632
01:25:36,520 --> 01:25:40,559
Speaker 1: Here comes cause he's like he because Kendrick's like, I'd

1633
01:25:40,680 --> 01:25:44,400
Speaker 1: rather just toast just frid this nigga at because fuck Drake,

1634
01:25:44,720 --> 01:25:46,639
Speaker 1: let's just do what I want to do. But they

1635
01:25:46,680 --> 01:25:48,439
Speaker 1: like to suit but he's like, let me just do that.

1636
01:25:48,520 --> 01:25:51,439
Speaker 1: And then and it was like no, no, let me

1637
01:25:51,479 --> 01:25:53,920
Speaker 1: slow it down, play the game they want to. Now

1638
01:25:53,920 --> 01:25:56,479
Speaker 1: it's time to do this so he got It's like

1639
01:25:56,520 --> 01:25:59,240
Speaker 1: he found a way to check every box. Because some

1640
01:25:59,240 --> 01:26:02,639
Speaker 1: people were like, it's the song selection. Do me a favor.

1641
01:26:03,000 --> 01:26:05,960
Speaker 1: Go to Spotify. Everybody type in the name Kendrick Lamar.

1642
01:26:06,400 --> 01:26:08,680
Speaker 1: Click on that name, go to this artist page. What

1643
01:26:08,760 --> 01:26:13,120
Speaker 1: are the top five songs? He played all top five songs. Okay,

1644
01:26:13,600 --> 01:26:15,320
Speaker 1: so maybe you don't know what the fuck you're talking about.

1645
01:26:15,640 --> 01:26:19,640
Speaker 1: These songs are the popular songs. Uh, Peekaboo is not

1646
01:26:19,800 --> 01:26:23,920
Speaker 1: an album cut. Me and Karen go to Hornets games. Guys,

1647
01:26:24,000 --> 01:26:25,479
Speaker 1: I know the rest of y'all don't leave the house.

1648
01:26:25,560 --> 01:26:27,599
Speaker 1: I get this pandemic. We're all fucked up. This ain't

1649
01:26:27,600 --> 01:26:29,880
Speaker 1: I ain't judging y'all. It's cool. You don't need to

1650
01:26:29,880 --> 01:26:33,479
Speaker 1: be around people. We do be around people. The way

1651
01:26:33,560 --> 01:26:37,240
Speaker 1: they play Peekaboo, Yes they do. Like every game they

1652
01:26:37,320 --> 01:26:39,920
Speaker 1: play TV Off, they play squabdal Up and they play

1653
01:26:39,960 --> 01:26:44,280
Speaker 1: Peekaboo every fucking game multiple times, and I'll be getting

1654
01:26:44,280 --> 01:26:46,320
Speaker 1: my life every day. I know I'm a Kendrick stand

1655
01:26:46,760 --> 01:26:49,200
Speaker 1: But when they played Peekaboo and they do that cutting

1656
01:26:49,200 --> 01:26:51,120
Speaker 1: around to everyone in the crowd and they rap, and

1657
01:26:51,160 --> 01:26:54,800
Speaker 1: I was like all of us knowing the song, So

1658
01:26:54,960 --> 01:26:57,719
Speaker 1: like you, you don't have to like. I think also

1659
01:26:57,920 --> 01:26:59,559
Speaker 1: it depends on how you like GNX, because I think

1660
01:26:59,600 --> 01:27:01,360
Speaker 1: a lot of people think that's a mid album, so

1661
01:27:01,360 --> 01:27:04,640
Speaker 1: they're like, why would you play these songs? Well, uh,

1662
01:27:04,800 --> 01:27:07,240
Speaker 1: the world apparently does not think this album is mid.

1663
01:27:07,320 --> 01:27:10,840
Speaker 1: It's probably his low Key is definitely his most popular album,

1664
01:27:11,040 --> 01:27:14,599
Speaker 1: the fastest. Not saying this his most listened to album

1665
01:27:14,640 --> 01:27:15,320
Speaker 1: all time.

1666
01:27:15,160 --> 01:27:16,839
Speaker 3: Right, it's not a slow burn.

1667
01:27:17,000 --> 01:27:19,240
Speaker 1: Yeah, yeah, Like it's the one that you don't gotta

1668
01:27:19,720 --> 01:27:22,639
Speaker 1: do a lot of homework to just enjoy Off the Rip, right,

1669
01:27:22,680 --> 01:27:26,000
Speaker 1: which is what y'all saidya wanted. But of course he's

1670
01:27:26,040 --> 01:27:28,120
Speaker 1: gonna play those songs, not just because of a tour.

1671
01:27:28,640 --> 01:27:32,320
Speaker 1: Those are actually literally his most popular songs, right that

1672
01:27:32,840 --> 01:27:36,479
Speaker 1: right now, So that's why he played those songs. Anyway,

1673
01:27:37,280 --> 01:27:41,559
Speaker 1: My point being like that part where Sam's like, don't

1674
01:27:42,160 --> 01:27:44,479
Speaker 1: do the drake shit, like, just keep it peaceful, don't

1675
01:27:44,479 --> 01:27:46,240
Speaker 1: bring the beef here, and then of course he does

1676
01:27:46,280 --> 01:27:49,760
Speaker 1: it and then does TV off. He then he's aware

1677
01:27:49,800 --> 01:27:52,720
Speaker 1: of your com he's aware of your criticism. You just

1678
01:27:52,720 --> 01:27:54,760
Speaker 1: don't like the choice he made, and you're you know

1679
01:27:54,800 --> 01:27:57,160
Speaker 1: what else, he's allowed you the space to do that.

1680
01:27:57,240 --> 01:27:59,360
Speaker 1: I was saying this to a friend today. Yes, one

1681
01:27:59,400 --> 01:28:01,120
Speaker 1: of the things I love about Kendrick and I think

1682
01:28:01,160 --> 01:28:04,000
Speaker 1: we all can learn from. Kendrick does not want to

1683
01:28:04,040 --> 01:28:08,920
Speaker 1: be involved in the conversation, meaning he's not greedy. He's

1684
01:28:08,960 --> 01:28:11,240
Speaker 1: not like these comedians that piss everybody off and then

1685
01:28:11,240 --> 01:28:14,160
Speaker 1: they're like, it's just calm, you can't take a joke.

1686
01:28:14,439 --> 01:28:16,759
Speaker 1: I'm not. He's never going on a podcast and complaints.

1687
01:28:16,840 --> 01:28:19,160
Speaker 1: I've never seen him talk about his haters outside of

1688
01:28:19,200 --> 01:28:23,320
Speaker 1: a song. He is making as art right in his interviews,

1689
01:28:23,400 --> 01:28:25,679
Speaker 1: he don't. He don't like to talk about the beef

1690
01:28:25,720 --> 01:28:30,240
Speaker 1: in the interviews. He like he's not that concerned with it.

1691
01:28:29,720 --> 01:28:31,760
Speaker 1: In the he's like, if it's not I said what

1692
01:28:31,800 --> 01:28:33,400
Speaker 1: I had to say on the song to play the

1693
01:28:33,479 --> 01:28:37,280
Speaker 1: song in the song. But so like even the idea

1694
01:28:37,320 --> 01:28:39,360
Speaker 1: he was doing all this for hype and sales, he

1695
01:28:39,720 --> 01:28:42,040
Speaker 1: that's actually not what he was concerned about. I think

1696
01:28:42,080 --> 01:28:44,679
Speaker 1: he really, to his core, believes he got a nigga

1697
01:28:44,720 --> 01:28:46,080
Speaker 1: out of the paint that needed to be out of

1698
01:28:46,120 --> 01:28:49,840
Speaker 1: the paint, uh, and that it broadened his horizon as

1699
01:28:49,840 --> 01:28:52,479
Speaker 1: far as people come to listen. But I think, very

1700
01:28:52,560 --> 01:28:56,519
Speaker 1: much like how I feel about our podcast, I don't

1701
01:28:56,560 --> 01:28:58,920
Speaker 1: get too attached to that love, because there's a level

1702
01:28:58,960 --> 01:29:01,719
Speaker 1: of like professionals that needs to be had that says,

1703
01:29:02,000 --> 01:29:05,160
Speaker 1: one day you cannot love me, right, And that's okay

1704
01:29:05,160 --> 01:29:07,200
Speaker 1: because you made that choice and I should not be

1705
01:29:07,280 --> 01:29:09,479
Speaker 1: hurt for by it, and you should not be feeling

1706
01:29:09,479 --> 01:29:12,679
Speaker 1: attached to me anything superficial. And I think the Super

1707
01:29:12,680 --> 01:29:15,800
Speaker 1: Bowl said to people like you can go back to

1708
01:29:15,960 --> 01:29:20,120
Speaker 1: not liking me, like I'm not greedy or selfish. I

1709
01:29:20,240 --> 01:29:23,760
Speaker 1: did all this because I thought the message here was

1710
01:29:23,800 --> 01:29:26,920
Speaker 1: more important than me being greedy and getting y'all to

1711
01:29:27,040 --> 01:29:29,439
Speaker 1: be my fake fans for another couple of years toil

1712
01:29:29,439 --> 01:29:33,400
Speaker 1: you realize I'm not I'm not mister gn X, I'm

1713
01:29:33,439 --> 01:29:35,920
Speaker 1: mister Morale and the big stefferts.

1714
01:29:36,439 --> 01:29:39,960
Speaker 4: Yeah, and people act like like gn X was made

1715
01:29:41,479 --> 01:29:45,280
Speaker 4: to be popular, like made so that people will like

1716
01:29:45,360 --> 01:29:48,280
Speaker 4: it and like him as opposed to this is the progression.

1717
01:29:48,520 --> 01:29:50,639
Speaker 4: And he said that this is where I am right now,

1718
01:29:50,680 --> 01:29:56,200
Speaker 4: this is my progression. But I think people forget that

1719
01:29:56,320 --> 01:29:59,920
Speaker 4: the main thesis of this beef where it started with,

1720
01:30:00,240 --> 01:30:03,519
Speaker 4: it was about culture. Yes, my culture versus your lack

1721
01:30:03,560 --> 01:30:06,759
Speaker 4: of culture, the culture that I grew up in versus

1722
01:30:06,760 --> 01:30:10,280
Speaker 4: the culture that you're trying to adopt and colonize. What

1723
01:30:10,560 --> 01:30:19,599
Speaker 4: changed was Drake going rogue on family matters because on Euphoria, no,

1724
01:30:20,040 --> 01:30:21,519
Speaker 4: like that was very playful.

1725
01:30:22,000 --> 01:30:25,800
Speaker 3: It's big me. It didn't warrant push ups like that

1726
01:30:25,880 --> 01:30:27,320
Speaker 3: was something that was long held.

1727
01:30:27,360 --> 01:30:31,920
Speaker 4: Animosity. Man came back and was like, I know what

1728
01:30:31,960 --> 01:30:35,000
Speaker 4: you're gonna do. I'm asking you not to do it,

1729
01:30:35,400 --> 01:30:38,400
Speaker 4: because if you do it, I'm going to push the line.

1730
01:30:39,560 --> 01:30:42,320
Speaker 4: So here's my little rapid rap rap rap about all

1731
01:30:42,320 --> 01:30:45,160
Speaker 4: the things I don't like about you, and it's cute,

1732
01:30:45,360 --> 01:30:46,439
Speaker 4: but at the end of it.

1733
01:30:47,439 --> 01:30:50,120
Speaker 3: I know what you're about to do. Don't do it.

1734
01:30:50,560 --> 01:30:53,240
Speaker 4: A couple of days later, six sixteen, l a, oh

1735
01:30:53,320 --> 01:30:58,080
Speaker 4: what sun sticker at the marina also a nigga that

1736
01:30:58,120 --> 01:31:00,800
Speaker 4: you know is telling me all the things you're about

1737
01:31:00,840 --> 01:31:03,120
Speaker 4: to do, So I'm telling you not to do it.

1738
01:31:03,800 --> 01:31:08,280
Speaker 1: I'm telling My favorite thing about six sixteen is the

1739
01:31:08,400 --> 01:31:12,160
Speaker 1: beginning where he's literally praying not to have to do

1740
01:31:12,200 --> 01:31:16,280
Speaker 1: this to this man, like, God, you gotta understand guy,

1741
01:31:16,439 --> 01:31:19,880
Speaker 1: He's he's testing me and I know I'm not. Like

1742
01:31:19,920 --> 01:31:21,880
Speaker 1: that's what I was telling. Like one of my friends

1743
01:31:22,000 --> 01:31:25,519
Speaker 1: is like, as a Kendrick fan, like as a as

1744
01:31:25,560 --> 01:31:30,000
Speaker 1: a Day too. His music is all about the gray

1745
01:31:30,120 --> 01:31:33,320
Speaker 1: conflict area. It's like that's just what he lives in.

1746
01:31:33,680 --> 01:31:37,200
Speaker 1: He's more comfortable with that than the audiences. Yes, so

1747
01:31:37,320 --> 01:31:41,000
Speaker 1: like when when you're I and I've grown accustomed to it,

1748
01:31:41,120 --> 01:31:44,679
Speaker 1: so I expect it now. To me, the pop out

1749
01:31:44,760 --> 01:31:48,960
Speaker 1: was the The pop out was more of an abstract

1750
01:31:49,080 --> 01:31:52,280
Speaker 1: thing than than the super Bowl. Like. The pop out

1751
01:31:52,320 --> 01:31:54,559
Speaker 1: was the first time I actually saw him be like, Okay,

1752
01:31:54,600 --> 01:31:57,240
Speaker 1: this is what y'all want, Like right, I'm going, I'm

1753
01:31:57,240 --> 01:32:00,160
Speaker 1: gonna get out here and perform. I got y'all like like,

1754
01:32:00,240 --> 01:32:03,240
Speaker 1: cause he normally is like I could give you what

1755
01:32:03,280 --> 01:32:06,639
Speaker 1: you want, but I have some needs of my own, guys,

1756
01:32:06,640 --> 01:32:09,719
Speaker 1: and we're gonna have to compromise. Yes, we have McDonald's money,

1757
01:32:10,000 --> 01:32:12,160
Speaker 1: but I'm gonna need to do your homework first. That

1758
01:32:12,200 --> 01:32:13,840
Speaker 1: pop out was the first time where he was like

1759
01:32:14,240 --> 01:32:17,559
Speaker 1: none but West Coast, none but hits, nothing but but people.

1760
01:32:17,600 --> 01:32:20,280
Speaker 1: You know I'm coming out. I'm doing number versus y'all

1761
01:32:20,280 --> 01:32:23,479
Speaker 1: fuck with number never seen no, like, we'll never get it.

1762
01:32:23,560 --> 01:32:25,800
Speaker 1: The pop out was my super Bowl. We'll never get

1763
01:32:25,800 --> 01:32:28,559
Speaker 1: better than that period. I still can't believe that happened

1764
01:32:28,960 --> 01:32:30,639
Speaker 1: right to get that. I thought of that the other

1765
01:32:30,720 --> 01:32:32,960
Speaker 1: day and I was like thankful. I was like, God,

1766
01:32:33,000 --> 01:32:36,160
Speaker 1: I'm so glad I was alive when to pop Out happened, because.

1767
01:32:36,640 --> 01:32:39,120
Speaker 4: I felt like I felt I was like five or

1768
01:32:39,200 --> 01:32:44,759
Speaker 4: six yees, yeah, I'm doing Moretown twenty five. I felt

1769
01:32:44,760 --> 01:32:49,360
Speaker 4: the same way watching pop Out. I felt so elated

1770
01:32:50,040 --> 01:32:50,720
Speaker 4: in watching it.

1771
01:32:50,800 --> 01:32:54,479
Speaker 1: And when he ran Remember when he kept running back,

1772
01:32:54,640 --> 01:32:58,840
Speaker 1: running it back to back, Remember that, guys, and and

1773
01:32:59,000 --> 01:33:02,240
Speaker 1: each time, no matter how many times it was, I

1774
01:33:02,400 --> 01:33:05,360
Speaker 1: still wanted him to do it again. Me too, I

1775
01:33:05,400 --> 01:33:09,479
Speaker 1: can't that happened. And the reason it's not me, it's

1776
01:33:09,520 --> 01:33:13,000
Speaker 1: not just phenomenal that it happened for anybody. If you're

1777
01:33:13,040 --> 01:33:16,439
Speaker 1: a Kendrick fan, it's phenomenal. It happened because Kendrick does

1778
01:33:16,600 --> 01:33:21,160
Speaker 1: not do that kind of ship. All his all his albums,

1779
01:33:21,200 --> 01:33:23,400
Speaker 1: no matter how much you love his albums, all of

1780
01:33:23,439 --> 01:33:25,439
Speaker 1: them got some song where it's just like you fit

1781
01:33:25,479 --> 01:33:29,040
Speaker 1: in the cryd nigga. Yes, I don't care, Okay, we

1782
01:33:29,120 --> 01:33:31,840
Speaker 1: all had a good time. I like women, weed and

1783
01:33:31,880 --> 01:33:36,720
Speaker 1: weather too. Foe niggas from my hood that died and

1784
01:33:36,960 --> 01:33:38,720
Speaker 1: they just want me to rap about them and.

1785
01:33:39,920 --> 01:33:41,960
Speaker 2: Let me tell you how I'm that pressed screaming in

1786
01:33:42,000 --> 01:33:43,760
Speaker 2: the room at the top of my eyes. Let me

1787
01:33:43,920 --> 01:33:47,160
Speaker 2: tell you I went the therapiand fucked the white bitch

1788
01:33:47,200 --> 01:33:50,559
Speaker 2: you were like, damn listen, I cried at the end

1789
01:33:50,600 --> 01:33:51,640
Speaker 2: of mister Morale with that.

1790
01:33:51,720 --> 01:33:54,200
Speaker 1: I choose you. I'm sorry, I choose me. I'm sorry.

1791
01:33:54,600 --> 01:33:58,200
Speaker 1: I legitimately was in my car like fuck man, you

1792
01:33:58,240 --> 01:34:00,800
Speaker 1: got you gotta do what you gotta do. You can't

1793
01:34:00,840 --> 01:34:02,720
Speaker 1: be living for these other people. I would do the

1794
01:34:02,760 --> 01:34:06,160
Speaker 1: same ship like that's how like so anyway, pop out.

1795
01:34:06,200 --> 01:34:07,000
Speaker 1: The only time I'll.

1796
01:34:06,840 --> 01:34:10,840
Speaker 4: Say that n X was so important. Sorry, gn X

1797
01:34:10,920 --> 01:34:14,400
Speaker 4: was so important because he was like I deserve it all.

1798
01:34:15,439 --> 01:34:18,280
Speaker 4: I deserve it all, as opposed to other times when

1799
01:34:18,280 --> 01:34:21,760
Speaker 4: he's beating himself up, I when he wants to like

1800
01:34:21,880 --> 01:34:24,120
Speaker 4: kill himself, Like he literally wants to take his own

1801
01:34:24,120 --> 01:34:27,760
Speaker 4: life because he's got this survivor's guilt. So he gets

1802
01:34:27,800 --> 01:34:30,599
Speaker 4: to gn X, and he is for fifth. He has

1803
01:34:30,760 --> 01:34:34,160
Speaker 4: done the work, he has done everything that he needs

1804
01:34:34,520 --> 01:34:37,280
Speaker 4: and everything he wants to do. Like that that's what

1805
01:34:37,320 --> 01:34:41,240
Speaker 4: was the to where he gets it goes.

1806
01:34:41,360 --> 01:34:45,040
Speaker 1: I love listen, So I love this this whole thing

1807
01:34:45,880 --> 01:34:50,080
Speaker 1: from like the whole, the whole perspective of it. I

1808
01:34:50,120 --> 01:34:53,559
Speaker 1: love the double consciousness of it. I felt like he's

1809
01:34:53,640 --> 01:34:59,720
Speaker 1: more free now than any other time he's ever done art. Like, yeah,

1810
01:34:59,720 --> 01:35:02,800
Speaker 1: I don't. I think people really understand what freedom looks like.

1811
01:35:03,320 --> 01:35:07,040
Speaker 1: Freedom isn't I made you all happy. I think freedom

1812
01:35:07,120 --> 01:35:10,320
Speaker 1: is I'm happy, and I'm okay. If you're not, you

1813
01:35:10,360 --> 01:35:13,240
Speaker 1: should go find your happiness. And I actually don't give

1814
01:35:13,280 --> 01:35:14,920
Speaker 1: a fuck if it's the biggest stage in the world,

1815
01:35:15,640 --> 01:35:20,080
Speaker 1: like that has no bearing, Like this was excellent because

1816
01:35:20,120 --> 01:35:23,000
Speaker 1: I'm excellent. Yes, that's how I think he looked at it,

1817
01:35:23,080 --> 01:35:26,320
Speaker 1: like this shit is excellent because I I do excellent things.

1818
01:35:26,720 --> 01:35:29,280
Speaker 1: If I did this show in a fucking three people

1819
01:35:29,280 --> 01:35:31,320
Speaker 1: were in the audience, it excellent.

1820
01:35:31,400 --> 01:35:31,479
Speaker 4: Ye.

1821
01:35:33,160 --> 01:35:36,720
Speaker 1: So don't mistake this for any reverence for whiteness, for

1822
01:35:36,800 --> 01:35:39,960
Speaker 1: the platform, for the money they didn't pay me for

1823
01:35:40,080 --> 01:35:43,600
Speaker 1: the NFL, for Donald Trump. This is a reverence for

1824
01:35:43,880 --> 01:35:48,400
Speaker 1: my people, where I come from, my culture, hip hop,

1825
01:35:48,640 --> 01:35:53,040
Speaker 1: and myself. And that's okay. And that is the lesson

1826
01:35:53,080 --> 01:35:56,440
Speaker 1: I took from this, and I that is so beautiful

1827
01:35:56,840 --> 01:35:58,519
Speaker 1: and I don't want there to be two of these.

1828
01:35:58,760 --> 01:36:01,160
Speaker 1: I'm okay. If we go back to if Molly says,

1829
01:36:01,200 --> 01:36:04,240
Speaker 1: does the next one, I'm good that we don't.

1830
01:36:04,600 --> 01:36:07,800
Speaker 5: There aren't two Nick, there aren't two Kendricks anyway, So

1831
01:36:07,880 --> 01:36:11,879
Speaker 5: I'm sorry one out of your fifty seven super Bowls

1832
01:36:12,600 --> 01:36:16,640
Speaker 5: was for niggas. I'm sorry, you know two because you

1833
01:36:16,680 --> 01:36:20,000
Speaker 5: know Beyonce had had something like I'm sorry we got

1834
01:36:20,040 --> 01:36:20,920
Speaker 5: a couple guys.

1835
01:36:21,680 --> 01:36:23,880
Speaker 1: I didn't mean to ruin the party. And also, if

1836
01:36:23,880 --> 01:36:26,759
Speaker 1: you're a black person you didn't like it, no harm done.

1837
01:36:27,160 --> 01:36:28,960
Speaker 1: I'm gonna tell you how much I like it. I

1838
01:36:29,040 --> 01:36:31,400
Speaker 1: like it enough for both of us. I like it

1839
01:36:31,520 --> 01:36:33,599
Speaker 1: enough for you to hate it. That's how much I

1840
01:36:33,840 --> 01:36:35,800
Speaker 1: like it is that you could be like that was

1841
01:36:35,840 --> 01:36:38,600
Speaker 1: the worst one, and I'm somewhere like, yeah, that was

1842
01:36:38,640 --> 01:36:39,439
Speaker 1: the best one.

1843
01:36:39,920 --> 01:36:43,360
Speaker 2: And also when you was talking about Kendrick being free,

1844
01:36:44,120 --> 01:36:46,040
Speaker 2: he did it the way he wanted to do it,

1845
01:36:46,200 --> 01:36:49,800
Speaker 2: and he was like, I'm performing and I don't want

1846
01:36:49,840 --> 01:36:50,200
Speaker 2: a weight.

1847
01:36:50,360 --> 01:36:52,599
Speaker 1: I don't want I want the weight that I did

1848
01:36:52,680 --> 01:36:53,840
Speaker 1: have is gone now.

1849
01:36:54,520 --> 01:36:57,640
Speaker 2: And so I'm to the point where I know this

1850
01:36:57,800 --> 01:37:00,879
Speaker 2: might sound why, well, no, it's not wold. I cannot

1851
01:37:00,920 --> 01:37:04,360
Speaker 2: wait what he does next, because when somebody artistic is

1852
01:37:04,439 --> 01:37:07,839
Speaker 2: actually free, like like they're they're they're actually free, which.

1853
01:37:07,680 --> 01:37:09,479
Speaker 1: Means free that mine can tick.

1854
01:37:10,000 --> 01:37:15,080
Speaker 2: They can actually really get into those abstract places. There

1855
01:37:15,160 --> 01:37:18,000
Speaker 2: is no telling what we're going to get for him next,

1856
01:37:18,040 --> 01:37:22,200
Speaker 2: So I am really excitedly what he wants to do next.

1857
01:37:22,280 --> 01:37:25,439
Speaker 1: And I love that you know him. He could disappear

1858
01:37:25,479 --> 01:37:27,880
Speaker 1: for five years. Yes, this is the burden of being

1859
01:37:27,880 --> 01:37:30,400
Speaker 1: a Kendrick fan. He likes to only talk when he

1860
01:37:30,439 --> 01:37:35,320
Speaker 1: has some ship to say, and honestly it varies. Sometimes

1861
01:37:35,360 --> 01:37:39,400
Speaker 1: it's a month and sometimes it's five years.

1862
01:37:39,520 --> 01:37:42,680
Speaker 4: Says people were shocked when he dropped so many records

1863
01:37:42,760 --> 01:37:43,840
Speaker 4: during the dreams.

1864
01:37:45,280 --> 01:37:46,320
Speaker 3: He couldn't write fast.

1865
01:37:46,479 --> 01:37:50,639
Speaker 1: We were getting fed. We were getting fed during that beef.

1866
01:37:50,800 --> 01:37:53,560
Speaker 3: Like I was like a substance.

1867
01:37:54,120 --> 01:37:56,880
Speaker 1: Yeah, oh but yeah, we were getting fed good. We

1868
01:37:56,960 --> 01:37:59,960
Speaker 1: won't get no this one, twikies. We was eating good.

1869
01:38:00,400 --> 01:38:03,320
Speaker 1: I hate to sound like one of these backpack ass

1870
01:38:03,360 --> 01:38:06,280
Speaker 1: niggas because I'm not really one, but like it felt

1871
01:38:06,280 --> 01:38:09,320
Speaker 1: good that that kind of hip hop had staying value

1872
01:38:09,400 --> 01:38:14,679
Speaker 1: and was being I was like, look.

1873
01:38:14,560 --> 01:38:17,400
Speaker 3: Kendrick is not supposed to exist the way that he does.

1874
01:38:17,560 --> 01:38:21,200
Speaker 4: Yes, this is like like like most death during his

1875
01:38:21,280 --> 01:38:22,800
Speaker 4: black on both sides.

1876
01:38:22,479 --> 01:38:23,479
Speaker 3: Just blowing up.

1877
01:38:23,640 --> 01:38:26,439
Speaker 4: Yes, he's not supposed to exist so that when people

1878
01:38:26,479 --> 01:38:29,240
Speaker 4: are like all the industries behind him, they're pushing him.

1879
01:38:29,439 --> 01:38:32,240
Speaker 3: Why would they do that for a conscious rapper? Right?

1880
01:38:32,560 --> 01:38:33,560
Speaker 3: This is like what they do.

1881
01:38:34,120 --> 01:38:36,439
Speaker 1: This is I was talking to Chris Lambreth and I said,

1882
01:38:36,520 --> 01:38:41,720
Speaker 1: this is like when Nas made that Like I Am album,

1883
01:38:42,240 --> 01:38:45,519
Speaker 1: But if like not because he Nas intended to make

1884
01:38:45,560 --> 01:38:49,519
Speaker 1: a very successful commercial album and it wasn't. But it's

1885
01:38:49,560 --> 01:38:52,840
Speaker 1: like if he did it, you know, Like it's like

1886
01:38:53,000 --> 01:38:55,280
Speaker 1: because like gn X is like that to me where

1887
01:38:55,280 --> 01:38:58,479
Speaker 1: I'm like, I could absolutely see Kendrick being like that

1888
01:38:58,640 --> 01:39:02,360
Speaker 1: was gn X. I'm done make like hit music that

1889
01:39:02,600 --> 01:39:07,280
Speaker 1: is so immediately like consumable for that long of a

1890
01:39:07,320 --> 01:39:09,920
Speaker 1: period of time. Like I actually would like you niggas

1891
01:39:09,920 --> 01:39:11,880
Speaker 1: to have to think about and play this shit back

1892
01:39:11,920 --> 01:39:14,160
Speaker 1: a few times. Not that g NX has none of that,

1893
01:39:14,240 --> 01:39:16,439
Speaker 1: but this is most accessible album I think, by a

1894
01:39:16,439 --> 01:39:20,680
Speaker 1: long shot. But I can see him being like, yeah,

1895
01:39:20,720 --> 01:39:22,680
Speaker 1: I set out to do it because I can do it,

1896
01:39:22,720 --> 01:39:25,200
Speaker 1: and I could have done this the whole time. I

1897
01:39:25,280 --> 01:39:28,519
Speaker 1: did do it. This shit ain't that hard. I'm just

1898
01:39:28,600 --> 01:39:32,080
Speaker 1: really good at it, and I'm not that impressed with

1899
01:39:32,120 --> 01:39:34,160
Speaker 1: myself that I didn't like, I'm not patting myself on

1900
01:39:34,160 --> 01:39:37,400
Speaker 1: the back, like, boy, finally the goal of my life

1901
01:39:37,479 --> 01:39:40,120
Speaker 1: to be popular. He's like, I like that. I think

1902
01:39:40,200 --> 01:39:41,600
Speaker 1: low key. That's what a lot of people felt and

1903
01:39:41,600 --> 01:39:43,439
Speaker 1: sold it by. He took the Super Bowl and kind

1904
01:39:43,439 --> 01:39:46,679
Speaker 1: of said I'm okay with not being this famous. Yes,

1905
01:39:46,960 --> 01:39:47,759
Speaker 1: I'm okay.

1906
01:39:47,840 --> 01:39:51,200
Speaker 3: And he didn't. He didn't. He didn't drop an album afterwards. No,

1907
01:39:51,360 --> 01:39:53,000
Speaker 3: he didn't drop a single or video.

1908
01:39:53,120 --> 01:39:56,719
Speaker 4: Most people right, but I think everybody after the super

1909
01:39:56,720 --> 01:39:59,760
Speaker 4: Bowl they dropped something like immediately after they get on.

1910
01:40:00,560 --> 01:40:01,240
Speaker 3: He didn't do that.

1911
01:40:01,320 --> 01:40:04,400
Speaker 1: This was his final boss, this was his He's turning

1912
01:40:04,439 --> 01:40:06,840
Speaker 1: the game off. He's like, I beat the game. This

1913
01:40:07,040 --> 01:40:10,080
Speaker 1: was it, Like like I slayed that Tiger. I don't

1914
01:40:10,120 --> 01:40:12,760
Speaker 1: have another level to add to it. And there's no

1915
01:40:12,840 --> 01:40:15,600
Speaker 1: two super Bowls, So all you niggas is like, you

1916
01:40:15,680 --> 01:40:18,479
Speaker 1: donet fucked up? What's this mean for the next one?

1917
01:40:18,479 --> 01:40:20,599
Speaker 1: There's not the next one? This was it, Karen, go ahead.

1918
01:40:21,880 --> 01:40:25,000
Speaker 4: But you know what too when people are asking, you

1919
01:40:25,040 --> 01:40:29,960
Speaker 4: know or being surprised that he did number one, he

1920
01:40:30,000 --> 01:40:33,360
Speaker 4: did that verse and not like us to me, like

1921
01:40:33,400 --> 01:40:37,599
Speaker 4: I was saying before, this competition was about culture. Yes,

1922
01:40:37,960 --> 01:40:42,639
Speaker 4: so if he's having a Super Bowl set that's about culture.

1923
01:40:43,439 --> 01:40:45,640
Speaker 4: That's going to be part of it as well. But

1924
01:40:45,760 --> 01:40:48,160
Speaker 4: he did that part. You'll never ask.

1925
01:40:48,040 --> 01:40:48,840
Speaker 3: Him to do it again.

1926
01:40:48,960 --> 01:40:49,640
Speaker 1: Yes, he did it.

1927
01:40:50,000 --> 01:40:52,280
Speaker 3: You want to see it. It's on YouTube.

1928
01:40:52,800 --> 01:40:56,880
Speaker 4: He's game over the game of hip hop, the game

1929
01:40:56,960 --> 01:40:57,760
Speaker 4: of battle rap.

1930
01:40:58,200 --> 01:40:59,639
Speaker 3: It's over. He's done.

1931
01:40:59,800 --> 01:41:03,679
Speaker 1: And like the game and the game that he played

1932
01:41:03,680 --> 01:41:07,840
Speaker 1: from start to finish of like this whatever, this like

1933
01:41:07,960 --> 01:41:13,360
Speaker 1: flirting with mainstream popularity thing. He's like, I it's like

1934
01:41:13,400 --> 01:41:15,680
Speaker 1: when I played all those dudes in college football that

1935
01:41:15,760 --> 01:41:18,680
Speaker 1: year and my dorm and I had never played that

1936
01:41:18,760 --> 01:41:22,479
Speaker 1: game before, and I beat everybody's ass that one time.

1937
01:41:23,160 --> 01:41:25,720
Speaker 1: And I have never played that game the rest of

1938
01:41:25,760 --> 01:41:28,280
Speaker 1: my life. They have begged me to come back. They

1939
01:41:28,320 --> 01:41:31,160
Speaker 1: have I could whoop your ass, I know. And I

1940
01:41:31,160 --> 01:41:33,360
Speaker 1: did it with North Carolina, which is not a great

1941
01:41:33,439 --> 01:41:36,240
Speaker 1: football school. Is the year we had Julius Peppers and

1942
01:41:36,920 --> 01:41:38,680
Speaker 1: I think his name was Randall Curry or something like

1943
01:41:38,760 --> 01:41:42,680
Speaker 1: Ronnie Ronald Ronald Curry. I think. Anyway, my point not

1944
01:41:42,720 --> 01:41:44,599
Speaker 1: the not to brag on myself, but my point is

1945
01:41:44,800 --> 01:41:49,160
Speaker 1: it's the I retire from this game. I'm good. Like

1946
01:41:49,439 --> 01:41:52,519
Speaker 1: Drake wants this. Drake would have liked to be here.

1947
01:41:52,840 --> 01:41:54,960
Speaker 1: This is more his thing. I did his thing better

1948
01:41:54,960 --> 01:41:57,400
Speaker 1: than he did his thing, but I didn't sell out

1949
01:41:57,439 --> 01:41:59,360
Speaker 1: to do his thing like I did it my way

1950
01:41:59,640 --> 01:42:04,200
Speaker 1: and I'm yes, and they not like us.

1951
01:42:04,280 --> 01:42:09,320
Speaker 2: When you talk about how Kendrick understands and perceives the critiques,

1952
01:42:10,200 --> 01:42:13,720
Speaker 2: they not like us as a prime example of I

1953
01:42:13,760 --> 01:42:18,600
Speaker 2: can do simple shit. I can be like, you know,

1954
01:42:19,680 --> 01:42:22,880
Speaker 2: the the other option pussy like like like, I can

1955
01:42:22,960 --> 01:42:25,679
Speaker 2: do that, but I can then the do Drake better

1956
01:42:25,720 --> 01:42:29,760
Speaker 2: than Drake outsell him when when the wards for it.

1957
01:42:30,280 --> 01:42:33,040
Speaker 2: But he under also understand this is not my lane

1958
01:42:33,080 --> 01:42:34,960
Speaker 2: and doing this would not fulfill me.

1959
01:42:35,080 --> 01:42:38,920
Speaker 1: He never got great. He didn't start doing like remixes

1960
01:42:38,960 --> 01:42:40,719
Speaker 1: of not like us. He didn't go out and branch

1961
01:42:40,760 --> 01:42:43,519
Speaker 1: out and find other popular rappers to disc He was

1962
01:42:43,600 --> 01:42:47,360
Speaker 1: not chasing anything. He just stood his ground, said I

1963
01:42:47,400 --> 01:42:49,880
Speaker 1: don't fuck with this dude, and we should stop. And

1964
01:42:49,960 --> 01:42:53,200
Speaker 1: then it was like back to making dope music, right yeah,

1965
01:42:53,200 --> 01:42:56,800
Speaker 1: And that third that third verse, Drake can't do that

1966
01:42:56,840 --> 01:42:59,559
Speaker 1: third Nope, Drake can't make that third verse.

1967
01:42:59,760 --> 01:43:02,680
Speaker 4: But beyond him not being able to make it, the

1968
01:43:02,720 --> 01:43:05,680
Speaker 4: fact that he included it, he didn't have to do that,

1969
01:43:05,800 --> 01:43:08,920
Speaker 4: but he did because he's like, you can do this

1970
01:43:09,040 --> 01:43:11,880
Speaker 4: kind of music and say something, Yes, you can.

1971
01:43:12,200 --> 01:43:12,639
Speaker 3: You can.

1972
01:43:12,760 --> 01:43:16,160
Speaker 4: You can make people bop and then give them some

1973
01:43:16,200 --> 01:43:18,599
Speaker 4: shit to listen to, to learn about, or to know,

1974
01:43:18,960 --> 01:43:23,080
Speaker 4: or or to walk away with. It's possible. The fact

1975
01:43:23,080 --> 01:43:25,400
Speaker 4: that you're not doing it is a reflection of you.

1976
01:43:25,960 --> 01:43:28,880
Speaker 4: And that's the thing too. When he disappears, he lives

1977
01:43:28,920 --> 01:43:33,400
Speaker 4: his life. He goes to places, he has a child,

1978
01:43:33,720 --> 01:43:36,400
Speaker 4: he takes his daughter to school, he prays for he

1979
01:43:36,920 --> 01:43:40,439
Speaker 4: does all these like different things. So and one thing

1980
01:43:40,439 --> 01:43:43,720
Speaker 4: that I think I've said in the chat before, beyond

1981
01:43:44,080 --> 01:43:49,800
Speaker 4: Drake not having a culture, Drake is not cultured. There's

1982
01:43:49,880 --> 01:43:51,400
Speaker 4: never a time when he's like, yeah, I went to

1983
01:43:51,439 --> 01:43:55,439
Speaker 4: Africa for two weeks. Even even him in Australia right now,

1984
01:43:55,680 --> 01:43:59,880
Speaker 4: you just see him walking around his hotel in weird outfits.

1985
01:44:00,040 --> 01:44:01,960
Speaker 4: You don't see him on a safari or whatever the

1986
01:44:01,960 --> 01:44:04,160
Speaker 4: fuck they do in Australia. You don't see him in

1987
01:44:04,280 --> 01:44:08,200
Speaker 4: anything that is about back culture unless he's able to

1988
01:44:08,280 --> 01:44:11,000
Speaker 4: siphon something off of it. He goes to London just

1989
01:44:11,160 --> 01:44:13,680
Speaker 4: so he can work with British rappers and use his

1990
01:44:13,720 --> 01:44:17,599
Speaker 4: British accent. But He's not like going to like every

1991
01:44:17,600 --> 01:44:20,519
Speaker 4: place that he goes is to party. IBI's a party.

1992
01:44:21,360 --> 01:44:25,000
Speaker 3: What is it? Turk's party. It's it's never.

1993
01:44:24,880 --> 01:44:27,559
Speaker 4: Like I need culture or I want culture. He has

1994
01:44:27,640 --> 01:44:28,519
Speaker 4: no connection to.

1995
01:44:28,760 --> 01:44:32,679
Speaker 1: If anything, If anything, the black people around him are

1996
01:44:32,840 --> 01:44:36,479
Speaker 1: his hood paths like they are. They are what Sam

1997
01:44:36,560 --> 01:44:40,559
Speaker 1: Jackson accused Kendrick of doing during the set. It is

1998
01:44:40,640 --> 01:44:45,120
Speaker 1: the Hey, here's the blacks. I'm in the hood, I'm

1999
01:44:45,160 --> 01:44:47,879
Speaker 1: black adjacent. Keep messing with my music, and.

2000
01:44:48,439 --> 01:44:51,719
Speaker 2: Yeah, it's gonna be interesting to see what Drake does next.

2001
01:44:51,720 --> 01:44:53,400
Speaker 2: Because you bought up a good punt by some you

2002
01:44:53,400 --> 01:44:55,400
Speaker 2: say he's going to these other places, you know what,

2003
01:44:55,560 --> 01:44:57,920
Speaker 2: He's going to these other places to restart. He has

2004
01:44:57,960 --> 01:45:00,360
Speaker 2: to go somewhere because he's burned all his bridges.

2005
01:45:00,360 --> 01:45:03,200
Speaker 1: Hearing the nigga went to Australia during the super Bowl

2006
01:45:03,240 --> 01:45:06,360
Speaker 1: because there's no further place on the planet than Australia

2007
01:45:06,400 --> 01:45:09,200
Speaker 1: from US. Right now, you can't convince me otherwise. I

2008
01:45:09,240 --> 01:45:11,920
Speaker 1: don't think that's a conspiracy. I think this nigga wanted

2009
01:45:11,960 --> 01:45:14,400
Speaker 1: to be sleep when the super Bowl is happening, and

2010
01:45:14,439 --> 01:45:16,439
Speaker 1: he's like the only way that's gonna happen is if

2011
01:45:16,439 --> 01:45:20,400
Speaker 1: it's motherfucking like six am when it is six pm,

2012
01:45:20,760 --> 01:45:24,639
Speaker 1: because I if I'm alive in any Because he loved

2013
01:45:24,680 --> 01:45:27,280
Speaker 1: gambling and he loves sports, and he loved being out

2014
01:45:27,360 --> 01:45:30,520
Speaker 1: our athletes. This nigga went out there with them kangaroos

2015
01:45:30,600 --> 01:45:34,120
Speaker 1: and them tarantulas and was like, let me just pretend

2016
01:45:34,200 --> 01:45:37,880
Speaker 1: this shit is not happening, okay, and I agree.

2017
01:45:37,920 --> 01:45:41,400
Speaker 2: And the thing is because Kendrick did what he did,

2018
01:45:41,560 --> 01:45:45,000
Speaker 2: and that song's international. People from other parts of the

2019
01:45:45,080 --> 01:45:46,920
Speaker 2: world have kind of been hipped to the game, and

2020
01:45:46,920 --> 01:45:49,240
Speaker 2: it was like, if you come here and you start

2021
01:45:49,320 --> 01:45:52,519
Speaker 2: this shit here, some people over there gonna start shutting

2022
01:45:52,560 --> 01:45:53,200
Speaker 2: that shit down.

2023
01:45:53,320 --> 01:45:55,639
Speaker 1: I saw a video. I don't know, maybe it's AI,

2024
01:45:55,760 --> 01:45:57,320
Speaker 1: but I saw a video with this nigga's at a

2025
01:45:57,360 --> 01:46:00,000
Speaker 1: party and they was playing that song, like playing Kendrick songs,

2026
01:46:00,200 --> 01:46:04,120
Speaker 1: and I was like, oh god, well.

2027
01:46:04,040 --> 01:46:07,000
Speaker 4: They weren't playing the song. Somebody put the song over it.

2028
01:46:07,320 --> 01:46:10,479
Speaker 4: But the guy was singing like he was. He was

2029
01:46:10,520 --> 01:46:12,920
Speaker 4: singing the song loudly. That's why you know, Okay, it

2030
01:46:13,040 --> 01:46:15,160
Speaker 4: was off where he was like the thing was off. Yeah,

2031
01:46:15,160 --> 01:46:17,080
Speaker 4: so somebody put the song over it.

2032
01:46:17,160 --> 01:46:20,200
Speaker 1: I just I don't ever want to be that hated.

2033
01:46:20,640 --> 01:46:22,479
Speaker 1: I don't ever want to be that hated, and you

2034
01:46:22,520 --> 01:46:25,680
Speaker 1: know it's gotta hurt the worst. Kendrick got to the

2035
01:46:25,720 --> 01:46:28,880
Speaker 1: super Bowl and it's exemplary of the line that he

2036
01:46:29,000 --> 01:46:33,240
Speaker 1: had only you like being famous, Like I don't I'm

2037
01:46:33,320 --> 01:46:35,280
Speaker 1: you won't see me at the party with them rapping

2038
01:46:35,320 --> 01:46:37,320
Speaker 1: your songs, because why I ain't gonna be at the party.

2039
01:46:37,800 --> 01:46:41,000
Speaker 1: I don't care about the party I was. The party

2040
01:46:41,080 --> 01:46:43,280
Speaker 1: is over. I like to go home. Everybody, I would

2041
01:46:43,360 --> 01:46:45,479
Speaker 1: like to go home. Man, Like, did you see the

2042
01:46:45,560 --> 01:46:48,160
Speaker 1: video where he comes off stage he's hugging everybody That

2043
01:46:48,240 --> 01:46:49,880
Speaker 1: looked like a man. That's finn to go to sleep?

2044
01:46:49,960 --> 01:46:52,519
Speaker 1: Like that didn't look like a man the super Bowl? Yes,

2045
01:46:52,880 --> 01:46:55,200
Speaker 1: Like it didn't look like Kendrick was saying, Yeah, he's

2046
01:46:55,280 --> 01:46:57,840
Speaker 1: like hugging everything. It's like we It was like we

2047
01:46:57,920 --> 01:47:00,679
Speaker 1: did it. It was more like a could we did it? Y'all?

2048
01:47:00,720 --> 01:47:03,920
Speaker 1: It wasn't they like what it's up, let's turn up

2049
01:47:03,960 --> 01:47:06,160
Speaker 1: like what we're doing after this? It was like, guys,

2050
01:47:06,439 --> 01:47:07,160
Speaker 1: we did it.

2051
01:47:07,280 --> 01:47:09,920
Speaker 2: Yeah, I'm getting ready to go to the room to

2052
01:47:10,000 --> 01:47:13,160
Speaker 2: dressing and I'm be home to my road right call

2053
01:47:13,320 --> 01:47:14,839
Speaker 2: my wife by morning.

2054
01:47:15,120 --> 01:47:19,200
Speaker 3: Yes, on the plane he's like, no, he.

2055
01:47:18,240 --> 01:47:22,559
Speaker 1: Listen, he booked that. Nothing makes me heavier than knowing

2056
01:47:22,600 --> 01:47:24,720
Speaker 1: that this man is sitting at his kitchen table with

2057
01:47:24,760 --> 01:47:28,639
Speaker 1: his feet dangling, holding his babies and not even not

2058
01:47:28,680 --> 01:47:34,160
Speaker 1: even not watching a podcast, not looking at YouTube, not reading.

2059
01:47:33,960 --> 01:47:36,600
Speaker 3: Up thinking did you see him at the Grammys?

2060
01:47:37,000 --> 01:47:40,559
Speaker 4: Yes, the first award he won, he sat, He was

2061
01:47:40,560 --> 01:47:42,680
Speaker 4: sitting there like he was waiting for his name at

2062
01:47:42,680 --> 01:47:45,240
Speaker 4: the doctor's office. Yes, he's sitting there. Then he just

2063
01:47:45,280 --> 01:47:47,760
Speaker 4: got up said whatever you have to say.

2064
01:47:48,040 --> 01:47:49,439
Speaker 1: That's the that's the other part.

2065
01:47:49,600 --> 01:47:52,000
Speaker 3: Stood up with so funny, That's that's the other part.

2066
01:47:52,479 --> 01:47:55,000
Speaker 1: That's the other part, Like I'm beyond feeling sorry for Drake.

2067
01:47:55,040 --> 01:47:58,479
Speaker 1: I'm just I've built my walls, constructed them strong enough.

2068
01:47:58,760 --> 01:48:02,880
Speaker 1: But there's the other part. I do think every once

2069
01:48:02,920 --> 01:48:06,400
Speaker 1: in a while, like, thank god, Kendrick Lamar, don't hate me,

2070
01:48:06,920 --> 01:48:11,760
Speaker 1: because I don't think I would be able to make it.

2071
01:48:11,800 --> 01:48:16,040
Speaker 1: What a guy who is that well adjusted also hating

2072
01:48:16,120 --> 01:48:19,960
Speaker 1: me and being that talented because he don't seem to

2073
01:48:20,160 --> 01:48:24,320
Speaker 1: move and hate until he do, like like that Grammy,

2074
01:48:24,520 --> 01:48:27,040
Speaker 1: he looks if you didn't if you didn't tell me

2075
01:48:27,400 --> 01:48:29,760
Speaker 1: what he won those awards for, and you just showed

2076
01:48:29,760 --> 01:48:32,000
Speaker 1: me the picture of old now Grammys. I'm like, he

2077
01:48:32,040 --> 01:48:35,880
Speaker 1: made kids albums. He like what he he made some

2078
01:48:36,000 --> 01:48:39,880
Speaker 1: music for like people with special needs and write his

2079
01:48:40,000 --> 01:48:42,880
Speaker 1: pants suit is cute, like his pants. Like what's happening here?

2080
01:48:42,920 --> 01:48:44,120
Speaker 1: I'm like, oh, what what kind of what?

2081
01:48:44,280 --> 01:48:44,360
Speaker 2: So?

2082
01:48:44,400 --> 01:48:46,280
Speaker 1: What does he do? It's like, oh, he did this

2083
01:48:46,479 --> 01:48:48,960
Speaker 1: by destroying the most popular rapper on the planet and

2084
01:48:49,200 --> 01:48:52,360
Speaker 1: pretty much driving him to austral and driving of.

2085
01:48:52,280 --> 01:48:54,400
Speaker 4: What I love about it. He doesn't shy away from

2086
01:48:54,400 --> 01:48:56,559
Speaker 4: the fact that this happened. He doesn't want to talk

2087
01:48:56,560 --> 01:48:59,880
Speaker 4: about it. But it is like I when I saw

2088
01:49:00,120 --> 01:49:03,080
Speaker 4: the perspective of the woman at the table that he

2089
01:49:03,240 --> 01:49:06,040
Speaker 4: hugged on his way to the stage. He came up

2090
01:49:06,080 --> 01:49:09,080
Speaker 4: to her, like put his hand on her shoulders and

2091
01:49:09,200 --> 01:49:10,040
Speaker 4: like gave her.

2092
01:49:09,960 --> 01:49:12,479
Speaker 3: A hug, and she didn't know him. They didn't know

2093
01:49:12,560 --> 01:49:13,000
Speaker 3: each other.

2094
01:49:13,200 --> 01:49:15,639
Speaker 4: I was say, oh, this nigga Stalins by the time

2095
01:49:15,680 --> 01:49:19,920
Speaker 4: he hits the stage that a minor hits a special way.

2096
01:49:22,320 --> 01:49:23,160
Speaker 3: This is human.

2097
01:49:23,400 --> 01:49:24,840
Speaker 1: This is the last thing I'll said, and then we

2098
01:49:24,880 --> 01:49:27,599
Speaker 1: can we can wrap it up because I've enjoyed this conversation.

2099
01:49:27,600 --> 01:49:29,719
Speaker 1: Hopefully I'll listen. I enjoyed. I know we're gone awhile,

2100
01:49:30,280 --> 01:49:34,040
Speaker 1: but we always go awhile with Bossy. But I would

2101
01:49:34,040 --> 01:49:37,640
Speaker 1: be remiss if I did not bring up that motherfucking

2102
01:49:37,680 --> 01:49:40,559
Speaker 1: smiled when he hit that, Hey Drake and looks straight

2103
01:49:40,560 --> 01:49:45,400
Speaker 1: into the camera too, Hey man, hey man, Please don't

2104
01:49:45,400 --> 01:49:48,400
Speaker 1: hate me like Kendrick hate Drake. I just don't you

2105
01:49:48,479 --> 01:49:51,439
Speaker 1: do not want him. I don't know that that would,

2106
01:49:51,600 --> 01:49:52,840
Speaker 1: honest to God, haunt me.

2107
01:49:53,200 --> 01:49:54,879
Speaker 3: I would think.

2108
01:49:54,720 --> 01:49:58,400
Speaker 1: About that before I went to bed every night. If

2109
01:49:58,439 --> 01:50:01,800
Speaker 1: I'm Drake, I'm just did hey like he can't get

2110
01:50:01,840 --> 01:50:05,320
Speaker 1: away from He gonna be other places in life, and

2111
01:50:05,400 --> 01:50:07,600
Speaker 1: people gonna be, hey, drape.

2112
01:50:08,320 --> 01:50:11,120
Speaker 4: It's gonna be like mustard. People like hey, yeah, Like

2113
01:50:11,360 --> 01:50:14,439
Speaker 4: it is gonna be like mustard. But here's the reason

2114
01:50:14,439 --> 01:50:16,840
Speaker 4: why we're gonna wrap up. But here's the reason why

2115
01:50:16,960 --> 01:50:20,160
Speaker 4: I don't I was. I feel bad for Drake and

2116
01:50:20,280 --> 01:50:22,559
Speaker 4: the I would feel bad for anybody who has to

2117
01:50:22,600 --> 01:50:25,479
Speaker 4: like go through that, But I don't feel bad for

2118
01:50:25,600 --> 01:50:26,920
Speaker 4: Aubrey Graham.

2119
01:50:26,960 --> 01:50:30,680
Speaker 3: Because the things got the other way. He would be fine.

2120
01:50:30,439 --> 01:50:33,600
Speaker 4: With us singing he what is it he hired a

2121
01:50:33,640 --> 01:50:36,800
Speaker 4: crisis manage the teens? Whatever, be honest with He would

2122
01:50:36,840 --> 01:50:38,880
Speaker 4: be fine with us saying that he wouldn't feel any

2123
01:50:38,920 --> 01:50:41,200
Speaker 4: way about it, So I don't feel start for us all,

2124
01:50:41,640 --> 01:50:43,360
Speaker 4: even me just trying to sing that it's so not

2125
01:50:43,479 --> 01:50:46,400
Speaker 4: catchy definitely matters. It's such a bad song, and I'm

2126
01:50:46,479 --> 01:50:50,640
Speaker 4: sick of people acting like throwing him bail, acting like

2127
01:50:50,720 --> 01:50:52,000
Speaker 4: it's it's a good song.

2128
01:50:52,080 --> 01:50:53,160
Speaker 3: It is not a good song.

2129
01:50:53,439 --> 01:50:56,680
Speaker 4: There's like seven bars that are interesting and they're not

2130
01:50:56,760 --> 01:50:59,479
Speaker 4: even about Kendrick. Like that song is not good and

2131
01:50:59,560 --> 01:51:01,559
Speaker 4: I need you will stop lying his best his.

2132
01:51:01,640 --> 01:51:04,400
Speaker 1: Best work was push Ups, when he thought this was

2133
01:51:04,439 --> 01:51:07,680
Speaker 1: gonna just be some lightweight, funny shit and if I'm

2134
01:51:07,680 --> 01:51:10,120
Speaker 1: being done that before with the jokes, yeah, and if

2135
01:51:10,160 --> 01:51:12,760
Speaker 1: I'm being frank that was to me. When I heard that,

2136
01:51:12,760 --> 01:51:16,320
Speaker 1: I went, oh, that's pretty funny. Like I didn't go, God, damn,

2137
01:51:16,400 --> 01:51:19,400
Speaker 1: Kendrick gotta say something to this push Ups. I was like, oh,

2138
01:51:19,479 --> 01:51:21,559
Speaker 1: I was cute, Like if you keep it at push

2139
01:51:21,640 --> 01:51:26,240
Speaker 1: ups level, you'll probably be okay, right, And then Kendrick

2140
01:51:26,280 --> 01:51:28,559
Speaker 1: would have never got they like back up. And then

2141
01:51:28,640 --> 01:51:31,360
Speaker 1: Kendrick said, don't you fucking say when I think you

2142
01:51:31,400 --> 01:51:35,559
Speaker 1: about to say leave me alone? And this motherfucker said, Nigga,

2143
01:51:35,560 --> 01:51:39,280
Speaker 1: I said it, and I said Oh god, why did

2144
01:51:39,320 --> 01:51:43,520
Speaker 1: you do that?

2145
01:51:44,120 --> 01:51:48,439
Speaker 4: I didn't even finishing to family matters before meet the Grahams.

2146
01:51:48,520 --> 01:51:51,040
Speaker 1: I didn't even finish listening. Oh my god, I.

2147
01:51:51,040 --> 01:51:54,240
Speaker 3: Didn't finished listening to it. I'm just not as the songs.

2148
01:51:55,000 --> 01:51:57,040
Speaker 1: He could have showed up and did just the beef

2149
01:51:57,120 --> 01:51:58,800
Speaker 1: songs if he wanted to for super Bowl, and I

2150
01:51:58,800 --> 01:52:00,799
Speaker 1: would have been just as happy bout it way. That's it,

2151
01:52:01,000 --> 01:52:02,400
Speaker 1: like like he could have done it.

2152
01:52:02,479 --> 01:52:02,719
Speaker 3: Song.

2153
01:52:02,920 --> 01:52:05,559
Speaker 1: Yeah, they're good song. It was a good song. I was.

2154
01:52:05,840 --> 01:52:08,080
Speaker 1: I was low key mad. We only got like thirty

2155
01:52:08,120 --> 01:52:10,880
Speaker 1: seconds of euphoria. I get it. You guys have moved on.

2156
01:52:11,040 --> 01:52:14,280
Speaker 1: I will never move on. That's my one.

2157
01:52:14,720 --> 01:52:15,639
Speaker 3: I love that song.

2158
01:52:15,720 --> 01:52:16,639
Speaker 1: That's the one from me.

2159
01:52:16,840 --> 01:52:19,000
Speaker 3: That song every day, every day.

2160
01:52:19,240 --> 01:52:24,240
Speaker 1: Listen. I know all the words. Okay, Okay.

2161
01:52:24,439 --> 01:52:28,280
Speaker 4: I walk out of the house hoping somebody will ask

2162
01:52:28,320 --> 01:52:29,280
Speaker 4: me listen.

2163
01:52:29,920 --> 01:52:30,960
Speaker 3: I know all the words.

2164
01:52:31,080 --> 01:52:31,400
Speaker 1: Listen.

2165
01:52:31,479 --> 01:52:33,920
Speaker 3: Somebody asked me because I know the words.

2166
01:52:33,640 --> 01:52:35,599
Speaker 1: I'll be at the gym. You ain't got asked when

2167
01:52:35,640 --> 01:52:36,920
Speaker 1: that come on. You don't got to ask what I'm

2168
01:52:36,920 --> 01:52:40,080
Speaker 1: working out too. Okay, you know, for the second, you

2169
01:52:40,080 --> 01:52:42,800
Speaker 1: could tell every word. I pantomiming soon as I'm like

2170
01:52:42,880 --> 01:52:46,080
Speaker 1: peep peep. They're like, yeah, he about to he about

2171
01:52:46,120 --> 01:52:48,240
Speaker 1: to be doing these ways. Yeah, I'm out the way,

2172
01:52:48,320 --> 01:52:50,439
Speaker 1: ya know. Okay, they'd be like, yeah, this nigga right

2173
01:52:50,439 --> 01:52:53,040
Speaker 1: here is he getting it? He getting it? He on

2174
01:52:53,080 --> 01:52:55,800
Speaker 1: that bike, he about to kill himself, Like yeah, that

2175
01:52:55,960 --> 01:52:58,760
Speaker 1: was my one. And honestly, if he could have just

2176
01:52:58,800 --> 01:53:01,640
Speaker 1: done Euphoria all seven minutes and I would have been like,

2177
01:53:01,920 --> 01:53:03,320
Speaker 1: that was a good halftime. Right, what are you guys

2178
01:53:03,360 --> 01:53:07,400
Speaker 1: talking about? But all right, Bossy, you tell the people

2179
01:53:07,400 --> 01:53:09,400
Speaker 1: where to find you and your podcast.

2180
01:53:11,080 --> 01:53:13,280
Speaker 3: I am kind of okay.

2181
01:53:13,320 --> 01:53:16,040
Speaker 4: So I was gonna delete Twitter, but I can't because

2182
01:53:16,080 --> 01:53:19,360
Speaker 4: it's attached to like so much shit. Like I was

2183
01:53:19,400 --> 01:53:21,839
Speaker 4: trying to like get on sales, Oh my god, it's Twitter.

2184
01:53:22,160 --> 01:53:24,840
Speaker 4: I can't get off Meta because my VR joint is

2185
01:53:24,840 --> 01:53:26,080
Speaker 4: connected to the Facebook.

2186
01:53:26,120 --> 01:53:26,719
Speaker 3: So whatever.

2187
01:53:27,120 --> 01:53:30,080
Speaker 4: So I am on sky at Bossy World, but I

2188
01:53:30,240 --> 01:53:31,960
Speaker 4: also kind of on Twitter when I want to get

2189
01:53:31,960 --> 01:53:33,559
Speaker 4: a joke off and I need more people to laugh

2190
01:53:33,600 --> 01:53:33,880
Speaker 4: at it.

2191
01:53:34,640 --> 01:53:39,360
Speaker 3: So Twitter at Bossy World, but don't really Sky at

2192
01:53:39,400 --> 01:53:40,080
Speaker 3: Bossy World.

2193
01:53:40,160 --> 01:53:47,280
Speaker 4: And I have the podcast, The Idea of Podcast with

2194
01:53:47,400 --> 01:53:51,240
Speaker 4: Bossy and Mike. It's everywhere. We have like maybe nine

2195
01:53:51,479 --> 01:53:54,439
Speaker 4: episodes and our next episode is going to be we

2196
01:53:54,479 --> 01:53:56,880
Speaker 4: did We did it this morning, this afternoon, and it's

2197
01:53:56,920 --> 01:53:58,280
Speaker 4: gonna be about.

2198
01:53:59,200 --> 01:54:02,719
Speaker 3: The super Bowl half, super Bowl esus, the super Bowl halftime.

2199
01:54:03,200 --> 01:54:06,360
Speaker 3: Yeah all right, man, every.

2200
01:54:05,880 --> 01:54:08,679
Speaker 1: Make sure y'all check her out. You know, I love you, Bossy.

2201
01:54:08,800 --> 01:54:10,559
Speaker 3: I'm so glad.

2202
01:54:10,800 --> 01:54:13,320
Speaker 1: Yeah, no, I'm so glad you came here. I'm so

2203
01:54:13,400 --> 01:54:16,400
Speaker 1: glad that you did this. It was so we were

2204
01:54:16,439 --> 01:54:18,360
Speaker 1: just chatting and it was like we're about to go

2205
01:54:18,400 --> 01:54:20,840
Speaker 1: live and talk about it, like, let's do it. So

2206
01:54:21,200 --> 01:54:24,800
Speaker 1: I'm glad you could make it such for tour. It's timing, Karen,

2207
01:54:24,840 --> 01:54:27,240
Speaker 1: of course, you know I love you as well. That

2208
01:54:27,280 --> 01:54:30,439
Speaker 1: tiny tin of reference is just that's the stuff of legends.

2209
01:54:30,439 --> 01:54:32,280
Speaker 3: That's why I don't know what that is.

2210
01:54:32,480 --> 01:54:36,360
Speaker 1: It's a video Yeah, it's a it's a video game.

2211
01:54:36,560 --> 01:54:39,000
Speaker 1: And I knew, and I don't even know how many

2212
01:54:39,040 --> 01:54:41,560
Speaker 1: people in the audience knew, but that's you know, I

2213
01:54:41,600 --> 01:54:44,120
Speaker 1: love that nerd. Okay. I was like, wow, this is

2214
01:54:44,120 --> 01:54:48,080
Speaker 1: a good y'll see while we while we met, I

2215
01:54:48,120 --> 01:54:50,360
Speaker 1: think three of us have played that game and that's okay.

2216
01:54:50,760 --> 01:54:53,680
Speaker 1: Somebody else was like, there's one person in the audience

2217
01:54:53,760 --> 01:54:54,960
Speaker 1: like it is like a game.

2218
01:54:56,600 --> 01:54:59,320
Speaker 3: It was perfect though, because yeah, the whole set was

2219
01:54:59,320 --> 01:55:02,360
Speaker 3: a video game. I figured it was a video game,

2220
01:55:02,360 --> 01:55:03,280
Speaker 3: but I didn't want to be wrong.

2221
01:55:03,360 --> 01:55:06,440
Speaker 1: Yeah that that love bomb, like you, you was killing

2222
01:55:06,480 --> 01:55:07,040
Speaker 1: it man, all.

2223
01:55:07,000 --> 01:55:10,000
Speaker 3: Right, you were cooking with that. Okay, you were cooking

2224
01:55:10,040 --> 01:55:10,360
Speaker 3: with that.

2225
01:55:10,360 --> 01:55:12,320
Speaker 2: Because when y'all was talking, my brain, like I said,

2226
01:55:12,320 --> 01:55:14,080
Speaker 2: my brain was ticking in the background, and you were

2227
01:55:14,080 --> 01:55:16,360
Speaker 2: making me think about other things, like the behavior.

2228
01:55:16,800 --> 01:55:18,800
Speaker 1: And so that's how I made a lot of those listens.

2229
01:55:19,360 --> 01:55:22,840
Speaker 3: And he's moving like a narcissist, too, moving like a narcissist.

2230
01:55:22,840 --> 01:55:26,520
Speaker 1: So when you're cooking like that, when you're cooking like that,

2231
01:55:27,000 --> 01:55:28,880
Speaker 1: you don't have to tell people you're cooking. You don't

2232
01:55:28,920 --> 01:55:30,200
Speaker 1: have to be like, let's go back to when I

2233
01:55:30,240 --> 01:55:37,320
Speaker 1: was cooking. You just cooking and everybody's like you was cooking.

2234
01:55:37,360 --> 01:55:42,720
Speaker 1: That's how that normally. All right, let me stop being

2235
01:55:42,760 --> 01:55:45,080
Speaker 1: petty with these inside jokes. Now that you get we'll

2236
01:55:45,120 --> 01:55:48,160
Speaker 1: be back throughout the week. Find us the blackout tips

2237
01:55:48,200 --> 01:55:51,600
Speaker 1: everywhere you get podcasts, don't forget the live show tickets

2238
01:55:52,000 --> 01:55:54,720
Speaker 1: and all of that stuff. And until next time, I

2239
01:55:54,800 --> 01:55:56,120
Speaker 1: love you. Why