WEBVTT - Amaro's One-Eighty w/ Danny Pino

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<v Speaker 1>Of the law and order franchises. S VU is considered

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<v Speaker 1>especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 1>These episodes are based on. These are our stories.

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<v Speaker 3>Done done, Hello, and welcome to That's Messed Up an

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<v Speaker 3>SVU podcast.

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<v Speaker 2>I'm Kara Klank and I'm Liza Traeger. We're coming to

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<v Speaker 2>you fast and loose. We talk to a SVU crime.

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<v Speaker 4>Sometimes we have guests, and today we have a big guest,

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<v Speaker 4>Big guests.

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<v Speaker 1>Big big guests, today, big episode. Yeah, this is going

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<v Speaker 1>to be a thrill.

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<v Speaker 2>I also, you know, so since last episode you did

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<v Speaker 2>watch the got Meic Nikki Glazer videos, I'd like you

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<v Speaker 2>to address.

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<v Speaker 4>And I would and I would like to address the

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<v Speaker 4>and stam corrected.

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<v Speaker 1>No.

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<v Speaker 4>I literally was like, I'm sure it's just similar premises.

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<v Speaker 4>But when I saw the side of my side, I

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<v Speaker 4>was like, fuck, that's uh.

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<v Speaker 1>That's really word for word, babe.

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<v Speaker 4>But yeah, it's shocking too, because god, Maic is like

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<v Speaker 4>such a perfectionist and also pretty funny, and I'm sure

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<v Speaker 4>could have thought of things on her own, so it's

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<v Speaker 4>really it's really strange. But also I was talking to

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<v Speaker 4>somebody about this and they were like, yeah, that's like TikTok.

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<v Speaker 4>People kind of just are like, yeah, you can kind

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<v Speaker 4>of just like take other things and like make them

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<v Speaker 4>your own. Like it's sort of like a thing people

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<v Speaker 4>think they can do now and it's like, no, you

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<v Speaker 4>can't do that, not with my jokes.

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<v Speaker 1>I don't think. I don't think so like you can

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<v Speaker 1>rip things.

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<v Speaker 2>I don't know, but yeah, I get what he's saying

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<v Speaker 2>because all of us like there's a topic and then

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<v Speaker 2>suddenly everyone's doing videos about.

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<v Speaker 1>It, and it's like you didn't come up with it.

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<v Speaker 1>Like I think about the.

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<v Speaker 2>Christmas stocking a lot, and it is a valid thing,

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<v Speaker 2>like all these moms don't No one fills up they're stalking, yes,

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<v Speaker 2>but then all these videos of like if you don't

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<v Speaker 2>fill up your stocking, it's like, but you didn't know

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<v Speaker 2>about that.

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<v Speaker 1>This isn't your idea, This isn't some big take.

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<v Speaker 2>And right now I actually did get into the comments

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<v Speaker 2>because I'm really annoyed with people right now being like and.

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<v Speaker 1>I'm not tipping.

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<v Speaker 4>If I'm it's like, oh that then don't tip, Like

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<v Speaker 4>what are you doing? What are you doing? I don't

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<v Speaker 4>understand it? Toxic tipping culture.

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<v Speaker 2>No is an option, it's not. Yeah, if no wasn't

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<v Speaker 2>an option, there's a conversation. I'm forced to tip. I'm

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<v Speaker 2>living in a you know, a tip for.

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<v Speaker 1>It's not.

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<v Speaker 2>No is a button in an option. So what's the

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<v Speaker 2>actual big deal? Yeah, people want your money, tell them no.

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<v Speaker 2>People also call be like donate to this. You say no,

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<v Speaker 2>it's fine. Yeah, yeah, yeah, yeah, that's true. That's very true.

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<v Speaker 2>I I do like Robbie Hoffman's bit about it.

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<v Speaker 1>Well, you know, I don't.

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<v Speaker 4>She's just funny to me because she's like a Larry

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<v Speaker 4>David character to me. So she's like, what is this?

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<v Speaker 4>I got a they're giving me a number. I gotta

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<v Speaker 4>bring it to my own like it was making me laugh.

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<v Speaker 1>But that's just her. I agree. I am annoyed too.

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<v Speaker 2>I don't like. I don't like that kind of service.

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<v Speaker 2>It happens a lot in LA. I don't love it. Yeah,

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<v Speaker 2>I love certain places. I have to fill up my

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<v Speaker 2>own water cup? What are we doing here?

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<v Speaker 1>Is that not catching on as much? In New York?

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<v Speaker 2>I still hit it. I still hit the tips, So

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<v Speaker 2>go fuck yourselves. No, the number thing is very LA.

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<v Speaker 2>It's very that's very much yeah, I'm sorry. I mean,

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<v Speaker 2>I'm sure there's.

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<v Speaker 4>What we're talking about is like you go up to

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<v Speaker 4>a counter, you order, you take a number, they bring

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<v Speaker 4>you your food, but you're expected to sort of you're

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<v Speaker 4>sort of expected to still tip twenty percent even though

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<v Speaker 4>you're not getting like continuous service, like you're literally just

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<v Speaker 4>getting somebody dropping your meal at your table. And I

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<v Speaker 4>think that's what people's issue is. But I was wondering

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<v Speaker 4>if that had not like hit New York as hard.

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<v Speaker 4>But it is very large. I'm sure it is.

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<v Speaker 2>It's not like you know, I'm not I haven't gone

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<v Speaker 2>all over that, but it's to me, it's an la thing,

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<v Speaker 2>very common. Yes, yeah, just the but's if it's the

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<v Speaker 2>culture of you know, the kind of lunches they're doing.

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<v Speaker 2>I feel if you're gonna have lunch here, you're either

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<v Speaker 2>somewhere fancy, like you're going to Chipriani or something, or

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<v Speaker 2>you're going to pret You're going to pre sitting on

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<v Speaker 2>a stair, So I know, I think it's just like

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<v Speaker 2>a little different.

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<v Speaker 1>Wow, you really like that one.

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<v Speaker 4>I do like that you are going to pret and

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<v Speaker 4>you're sitting on a museum step and you're trying to

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<v Speaker 4>stop the birds from eating your food.

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<v Speaker 1>That's what you're doing.

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<v Speaker 4>Well, what else is going on with you besides talking culture?

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<v Speaker 2>I did want to know, you know, about Rosie's zoo

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<v Speaker 2>camp experience. But I had an animal encounter. Oh, and

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<v Speaker 2>it's one of my favorite categories of animal encounter. But

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<v Speaker 2>I was with some friends in a pool and we

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<v Speaker 2>had snacks over there, and then I look up and

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<v Speaker 2>I see a bird with a potato chip in its

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<v Speaker 2>mouth flying and.

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<v Speaker 1>It kept going out on a ship hustle.

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<v Speaker 2>I love an animal with food in its mouth that

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<v Speaker 2>it stole from humans, like It's one of my favorite things.

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<v Speaker 2>So to see a bird flying with a chip really

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<v Speaker 2>made me happy. But our friends were at Coney Island

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<v Speaker 2>and one with the games won a giant seagull with

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<v Speaker 2>a French fry in its mouth, which kind of reminds

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<v Speaker 2>me of the drag Race UK challenge with the bag

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<v Speaker 2>of chips and all the fries and like the wind.

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<v Speaker 1>Yes, I'm remembering that vaguely.

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<v Speaker 2>Yes, listen, I was pretty jealous when I saw that

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<v Speaker 2>he won that, but you know, stay tuned, I might

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<v Speaker 2>win it too.

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<v Speaker 1>I'm not bad at those games.

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<v Speaker 4>I the birds also near the beach Coney Island stuff

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<v Speaker 4>like that they are or like near the Santa Monicappier,

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<v Speaker 4>they're ballsy, like they've swooped down and taken a full

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<v Speaker 4>scoop of ice cream off my friend's cone once, like

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<v Speaker 4>they're they don't give a fuck, They're just swooping.

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<v Speaker 5>Wow.

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<v Speaker 2>I also read read the Internet told me and I

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<v Speaker 2>didn't even check a fact, but that pigeons used to

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<v Speaker 2>be like dot like they were chip. They were our

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<v Speaker 2>pets and did errands for people, like you know, the

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<v Speaker 2>letters and stuff. Yes, and then one day we just went,

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<v Speaker 2>you're the get out of here, you see flying rahet?

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<v Speaker 1>Yeah? And I don't I don't know. I don't know.

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<v Speaker 1>It's so interesting.

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<v Speaker 4>I mean, Dennis Leary used to do this like bit

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<v Speaker 4>that I liked and when I was like in middle

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<v Speaker 4>school about like what's the process of like of Like

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<v Speaker 4>he's like animals go up to like God or whatever

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<v Speaker 4>and are like, what are you I do?

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<v Speaker 1>I'm a seal.

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<v Speaker 4>I do cute little human like tricks with my hands.

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<v Speaker 4>You can go, And then it's like, what are you

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<v Speaker 4>a cow? Get on the fucking truck, Like we just

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<v Speaker 4>decide what animals were gonna eat and treat like shit,

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<v Speaker 4>and then what animals are like too cute? I'm telling you,

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<v Speaker 4>Rosie is obsessed with the axel Lottle. We talked about

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<v Speaker 4>it this morning at length.

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<v Speaker 1>Wow. Wow, that's funny.

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<v Speaker 4>She wants to get one. She's like, can we get one?

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<v Speaker 4>I'm like, I don't, are they a pet? I don't

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<v Speaker 4>know if they're pets. I think they are. I think

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<v Speaker 4>some of our listeners have told us they have pet

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<v Speaker 4>axel Lottle since we brought it up.

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<v Speaker 1>I think that hand.

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<v Speaker 2>I mean, the day that you crack and get a pet,

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<v Speaker 2>that's gonna be you know, inevitable, but you know that's

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<v Speaker 2>that's gonna be interesting.

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<v Speaker 4>I am sort of warming up to the dog idea,

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<v Speaker 4>but I have to work on Jared. I just finished

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<v Speaker 4>a book yesterday. It's sorry this is totally off topic,

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<v Speaker 4>but I have famously been barely reading since I had children,

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<v Speaker 4>and I did finish a book that I really loved

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<v Speaker 4>called Educated.

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<v Speaker 1>I don't know if you've heard of it, but.

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<v Speaker 4>It's like this girl grows up in like a fundamentalist

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<v Speaker 4>Mormon family off the grid, like not only are they Mormon,

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<v Speaker 4>but like it's not fundamentalist, Like there's not it's not polygamy,

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<v Speaker 4>but it's like no hospitals, nothing with the government, didn't

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<v Speaker 4>send any of them to school. And this girl like

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<v Speaker 4>is the youngest of the family and it's just like

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<v Speaker 4>her life and like her pursuit of education, and it's

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<v Speaker 4>it was fascinating, Like I loved it.

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<v Speaker 1>I thought it was really great. It came out in

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<v Speaker 1>twenty eighteen.

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<v Speaker 4>Like I'm not new on this book, but and I

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<v Speaker 4>think it won a lot of prizes and shit, but

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<v Speaker 4>really really fascinating stuff and like misogyny, you know, like

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<v Speaker 4>pumped through it. It's like some of the kids could

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<v Speaker 4>most of the kids didn't go to school ever, but

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<v Speaker 4>like the dad would be like, your brother has to

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<v Speaker 4>go to school. He's a genius. We got to get

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<v Speaker 4>him into college. And it's like your daughter is like

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<v Speaker 4>a full genius as well. Like it's like they just

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<v Speaker 4>want her in the kitchen making sandwiches, and like, you know,

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<v Speaker 4>there's a lot of obviously.

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<v Speaker 2>This is reminding me. I'm just you know, the movie.

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<v Speaker 2>Games are just rushing through my head at all times.

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<v Speaker 2>And Strands made it out of beta, by the way,

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<v Speaker 2>Wow wow, Frands on the New York Times Games it's

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<v Speaker 2>out of.

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<v Speaker 4>Beta it's a game. They picked it, and this is

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<v Speaker 4>a day for us. I'm excited we have I feel

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<v Speaker 4>like we have something to do with that. We've been

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<v Speaker 4>we've been yelling about strands to the rooftop.

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<v Speaker 2>Actually it was out last weekend and at one point

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<v Speaker 2>like it was a bigger group. And son, I hear

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<v Speaker 2>a friend go, oh, she loves strands more than anyone.

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<v Speaker 1>I know.

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<v Speaker 2>I heard it from across the sidewalk, but I was

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<v Speaker 2>just looking up.

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<v Speaker 1>There's some show. Oh I had to watch.

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<v Speaker 2>I don't even remember what network, but I was reading

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<v Speaker 2>about it, probably on Vulture. But it's like a dude

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<v Speaker 2>that keeps his adult daughters under like in this kind

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<v Speaker 2>of you know, regressed trapped situation. And yeah, it's like

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<v Speaker 2>a man and his three adult daughters and he's ruining

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<v Speaker 2>their lives.

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<v Speaker 1>And I was like, I gotta fucking watch this.

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<v Speaker 2>And now I don't Maybe if I go through my

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<v Speaker 2>history on the internet, I don't know if it's worth it.

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<v Speaker 1>Can you you gotta talk while I do this?

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<v Speaker 4>Okay, No, I'm trying to think, like, I don't know

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<v Speaker 4>if I have Well, I'll just tell you about Rosie

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<v Speaker 4>Zoo Camp. She did go to a zoo camp and

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<v Speaker 4>it was again one of the greatest weeks of her

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<v Speaker 4>life this week year.

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<v Speaker 1>This week she had friends.

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<v Speaker 2>And dog Tooth. Dog Tooth? Is this from two thousand

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<v Speaker 2>and nine. Oh, it's a it's a movie. Okay, it's

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<v Speaker 2>a k what's his name? Your ghost Lanthemos Oh, a controlling,

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<v Speaker 2>manipulative father locks his three adult offsprings in a state

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<v Speaker 2>of perpetual childhood by keeping them prisoner.

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<v Speaker 1>Then the sprawling family compound.

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<v Speaker 4>Oh, and I think it might be Greek, right, I

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<v Speaker 4>don't know. The actors all have Greek names.

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<v Speaker 2>Casey is nodding, yeah, because Vulture did is do did a?

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<v Speaker 2>You know, they do these lists of his movies in

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<v Speaker 2>a row of the best to work, you know, like, yeah,

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<v Speaker 2>I rate them and this was number one and I

0:10:19.840 --> 0:10:22.200
<v Speaker 2>love the favorite, So I really got to watch this

0:10:22.559 --> 0:10:24.520
<v Speaker 2>and his fucking name comes up in those games.

0:10:24.559 --> 0:10:27.280
<v Speaker 4>I'm like interested though, if you're if you would like

0:10:27.280 --> 0:10:28.640
<v Speaker 4>like other of his movies, like.

0:10:28.679 --> 0:10:32.000
<v Speaker 1>I hated a lot. I started and adding My.

0:10:32.040 --> 0:10:35.800
<v Speaker 4>Sacred Dear is like it made my skin crawl, Like

0:10:35.880 --> 0:10:38.080
<v Speaker 4>there's some of his his movies are just like very

0:10:38.720 --> 0:10:39.360
<v Speaker 4>all different.

0:10:39.480 --> 0:10:40.680
<v Speaker 1>I feel like so different.

0:10:40.800 --> 0:10:43.080
<v Speaker 2>Maybe I'll hate it. It's worth a shot to not,

0:10:43.320 --> 0:10:45.720
<v Speaker 2>you know, be productive in life. I'll find something to

0:10:45.760 --> 0:10:48.800
<v Speaker 2>do and I guess I'll watch Dog tooth. But yeah,

0:10:48.800 --> 0:10:51.200
<v Speaker 2>the lobster to me, I was crap. I was like,

0:10:51.240 --> 0:10:53.520
<v Speaker 2>get me out of this hell misery. I don't think

0:10:53.520 --> 0:10:55.839
<v Speaker 2>I even made it fifteen minutes. I really don't think so.

0:10:56.880 --> 0:11:00.880
<v Speaker 4>Before I was well, I'm not keeping my dn confined

0:11:00.920 --> 0:11:03.280
<v Speaker 4>in a compound. But I did keep Rosie confined in

0:11:03.360 --> 0:11:05.480
<v Speaker 4>zoo camp for a week, and she fucking loved it.

0:11:05.679 --> 0:11:08.480
<v Speaker 4>She saw three bat nurseries. She was obsessed with the

0:11:09.040 --> 0:11:11.560
<v Speaker 4>I can't believe her luck. She said, there's a fox

0:11:11.640 --> 0:11:15.120
<v Speaker 4>named Kara at the zoo. At the zoo, she was like, Mom,

0:11:15.520 --> 0:11:18.120
<v Speaker 4>you won't believe this. There's a fox na Kara, And

0:11:18.160 --> 0:11:20.720
<v Speaker 4>there's there is actually an orangutang named Rosie that we

0:11:20.760 --> 0:11:22.439
<v Speaker 4>did meet the last time we all went to the zoo.

0:11:22.480 --> 0:11:23.800
<v Speaker 1>So we're really we're.

0:11:23.640 --> 0:11:26.079
<v Speaker 4>Really loving the zoo moments these days. And now she's

0:11:26.120 --> 0:11:28.240
<v Speaker 4>at an art camp this week. She made a beautiful

0:11:28.280 --> 0:11:32.440
<v Speaker 4>print yesterday. You know she's thriving. She's thriving in the

0:11:32.559 --> 0:11:36.000
<v Speaker 4>La summer heat. Yes, yes, and it's fucking hot here

0:11:36.040 --> 0:11:38.480
<v Speaker 4>and we are pooling it up as much as we can.

0:11:39.520 --> 0:11:41.640
<v Speaker 1>Hot hot, hot, Yeah you got a pool.

0:11:41.720 --> 0:11:44.199
<v Speaker 2>I mean I already sent like a pool type meme

0:11:44.280 --> 0:11:45.880
<v Speaker 2>with someone I know has that has a pool on

0:11:45.920 --> 0:11:48.840
<v Speaker 2>their apartment building, being like hello, wel and he's.

0:11:48.720 --> 0:11:49.880
<v Speaker 1>Like, you're invited.

0:11:51.240 --> 0:11:53.199
<v Speaker 2>But I just I just don't want to know how

0:11:53.200 --> 0:11:55.080
<v Speaker 2>shameless I can be with people, like can I just

0:11:55.120 --> 0:11:56.800
<v Speaker 2>message and go can I come to the pool or

0:11:56.840 --> 0:11:59.280
<v Speaker 2>what like yeah, yeah, I'm not going to lunch though,

0:11:59.480 --> 0:12:01.760
<v Speaker 2>you know what I mean, this is a pool based

0:12:01.800 --> 0:12:06.640
<v Speaker 2>hang and I can't really pretend that there's not a.

0:12:07.960 --> 0:12:11.160
<v Speaker 4>Pool in New York City in your building. People are

0:12:11.280 --> 0:12:13.240
<v Speaker 4>probably throwing their friendship that.

0:12:13.320 --> 0:12:16.280
<v Speaker 1>You left right last summer. Like I can't even imagine that.

0:12:16.679 --> 0:12:18.320
<v Speaker 4>I can't think of a person I knew with a

0:12:18.320 --> 0:12:20.720
<v Speaker 4>pool in New York or access to it. And I

0:12:20.760 --> 0:12:25.800
<v Speaker 4>babysat for some rich ass people. That's really luxurious. Yeah

0:12:26.120 --> 0:12:29.480
<v Speaker 4>you know it is, it really is. And lucky to

0:12:29.559 --> 0:12:33.400
<v Speaker 4>know him. So we'll see, we'll see. What do we

0:12:33.520 --> 0:12:36.960
<v Speaker 4>want to talk about this Jack the Ripper thing or no?

0:12:37.360 --> 0:12:39.920
<v Speaker 4>Well yeah, so may let's see. Let me get to

0:12:39.960 --> 0:12:40.520
<v Speaker 4>the article.

0:12:40.840 --> 0:12:43.240
<v Speaker 2>So this is from art net, which I don't know

0:12:43.280 --> 0:12:46.280
<v Speaker 2>if this is what's it called respected? I don't know,

0:12:46.440 --> 0:12:50.600
<v Speaker 2>but it came out May twenty four so not too

0:12:50.640 --> 0:12:53.920
<v Speaker 2>long ago. But it's a theory. Was Edgar Dega the

0:12:54.000 --> 0:12:55.079
<v Speaker 2>ga right, the god?

0:12:55.200 --> 0:12:55.680
<v Speaker 1>Yeah?

0:12:56.080 --> 0:13:00.800
<v Speaker 4>Actually actually Jack the Ripper, This dogged ticked talker has

0:13:00.840 --> 0:13:01.320
<v Speaker 4>a theory.

0:13:01.480 --> 0:13:04.720
<v Speaker 1>What is dog What does this mean? Dogged? Dogged? What

0:13:04.920 --> 0:13:05.840
<v Speaker 1>is that? Yeah?

0:13:06.640 --> 0:13:10.160
<v Speaker 4>Like dogged is like relentless, like when if you're like, yeah,

0:13:10.160 --> 0:13:12.000
<v Speaker 4>it's like relentless.

0:13:11.280 --> 0:13:12.559
<v Speaker 1>Relentless TikToker.

0:13:12.640 --> 0:13:14.839
<v Speaker 2>Okay, so this TikTok so, this whole thing is because

0:13:14.840 --> 0:13:16.200
<v Speaker 2>of a TikToker, a maniac.

0:13:16.280 --> 0:13:16.559
<v Speaker 1>Okay.

0:13:16.800 --> 0:13:20.080
<v Speaker 2>The impressionist artists spent time in London, she pointed out,

0:13:20.120 --> 0:13:22.640
<v Speaker 2>and she's always find his art a bit creepy. So

0:13:22.800 --> 0:13:28.079
<v Speaker 2>I guess there's like journals and his art is, yeah,

0:13:28.320 --> 0:13:29.520
<v Speaker 2>just very anatomy.

0:13:29.520 --> 0:13:30.640
<v Speaker 1>He was friends with the surgeon.

0:13:30.760 --> 0:13:32.920
<v Speaker 2>His travel things like I wouldn't put a past to

0:13:32.960 --> 0:13:33.880
<v Speaker 2>any man to murder.

0:13:34.360 --> 0:13:35.679
<v Speaker 1>The best is like that.

0:13:35.720 --> 0:13:38.559
<v Speaker 4>They say that the TikToker is like laying out her

0:13:38.600 --> 0:13:40.880
<v Speaker 4>theory in a denim jacket in the passenger seat of

0:13:40.920 --> 0:13:44.600
<v Speaker 4>her twenty fourteen Hundai Santa fe Like that's shade.

0:13:44.640 --> 0:13:47.440
<v Speaker 1>That's where they're shading her. So hard.

0:13:48.080 --> 0:13:51.560
<v Speaker 2>Well, yeah, maybe Artnett is you know the snabby art

0:13:52.679 --> 0:13:59.400
<v Speaker 2>website we wanted because that is so rude. Yeah show, yeah,

0:13:59.440 --> 0:14:00.480
<v Speaker 2>but she knows it's crazy.

0:14:00.520 --> 0:14:05.719
<v Speaker 4>She's like, hear me out she Oh, she.

0:14:05.760 --> 0:14:07.920
<v Speaker 2>Was on her way to the doctors with a fever.

0:14:08.080 --> 0:14:10.080
<v Speaker 2>She should have really left that part out.

0:14:10.559 --> 0:14:11.960
<v Speaker 1>But art Nut's covering it.

0:14:13.040 --> 0:14:13.320
<v Speaker 4>I know.

0:14:13.600 --> 0:14:16.640
<v Speaker 1>So yeah, but so is bored Panda the Daily Dot.

0:14:16.760 --> 0:14:18.440
<v Speaker 4>A lot of people are picking up this Jack the

0:14:18.480 --> 0:14:20.200
<v Speaker 4>Ripper dig A story.

0:14:20.400 --> 0:14:22.680
<v Speaker 1>It's uh in April as well.

0:14:22.800 --> 0:14:25.240
<v Speaker 2>Yeah, well, because you've not seen one of my favorite movies,

0:14:25.320 --> 0:14:26.840
<v Speaker 2>Art School Confidential.

0:14:26.320 --> 0:14:28.760
<v Speaker 1>Yet, Right, you've never seen that? No, I should.

0:14:29.000 --> 0:14:31.560
<v Speaker 2>Yeah, we got to do that because it's one of

0:14:31.560 --> 0:14:35.160
<v Speaker 2>my favorites. But it's the guy who did the cartoon

0:14:35.360 --> 0:14:37.360
<v Speaker 2>for ghost World.

0:14:37.360 --> 0:14:38.960
<v Speaker 1>I think too, but I'm not sure.

0:14:39.120 --> 0:14:42.880
<v Speaker 4>Yeah, I'm looking at okay, Art School Confidential. Oh yes,

0:14:42.920 --> 0:14:44.920
<v Speaker 4>I remember the poster of this and everything.

0:14:45.040 --> 0:14:45.240
<v Speaker 1>Yeah.

0:14:45.320 --> 0:14:45.600
<v Speaker 3>Yeah.

0:14:45.640 --> 0:14:49.560
<v Speaker 2>Well, so what's funny is for everyone listening, there used

0:14:49.560 --> 0:14:52.760
<v Speaker 2>to be a really hip show in La called The Meltdown, Right,

0:14:53.000 --> 0:14:54.400
<v Speaker 2>That's what was the name of.

0:14:54.360 --> 0:14:58.640
<v Speaker 4>The store, nerd melt like uh no comics. Yeah, so

0:14:58.720 --> 0:14:59.400
<v Speaker 4>you got paid.

0:14:59.520 --> 0:15:02.680
<v Speaker 2>They would give fifty dollars to spend, but there wasn't

0:15:02.680 --> 0:15:05.360
<v Speaker 2>even Simpson stuff, like this is a real comic book store,

0:15:05.920 --> 0:15:07.720
<v Speaker 2>and so I bought the Art.

0:15:07.640 --> 0:15:09.920
<v Speaker 1>School Confidential comic book, Like I really.

0:15:09.720 --> 0:15:11.840
<v Speaker 2>I had to really digged out in that store, but

0:15:11.880 --> 0:15:13.240
<v Speaker 2>it was my belt down money.

0:15:13.840 --> 0:15:15.920
<v Speaker 4>Yeah, that was I would get paid for that show

0:15:15.920 --> 0:15:18.280
<v Speaker 4>and be like, Jared, you want anything, like I've done

0:15:18.360 --> 0:15:22.040
<v Speaker 4>anything to buy like yeah, but when you would visit

0:15:22.160 --> 0:15:24.080
<v Speaker 4>La like that was the show you wanted to get on,

0:15:24.120 --> 0:15:25.160
<v Speaker 4>and I feel like I maybe I do.

0:15:25.360 --> 0:15:27.760
<v Speaker 1>I did it maybe three times, but yeah.

0:15:27.560 --> 0:15:29.560
<v Speaker 4>It was a hot show and it became a TV show.

0:15:29.720 --> 0:15:32.760
<v Speaker 4>Jared still gets some residual checks for like, you know,

0:15:32.880 --> 0:15:35.080
<v Speaker 4>seven cents once in a while from doing that TV show.

0:15:35.160 --> 0:15:43.200
<v Speaker 2>Yeah, well, I'm sorry obviously. I know a lot of

0:15:43.240 --> 0:15:45.400
<v Speaker 2>people are proud that I haven't mentioned it, but I

0:15:45.400 --> 0:15:47.400
<v Speaker 2>think a lot of people are waiting for me to

0:15:47.480 --> 0:15:50.000
<v Speaker 2>mention Travis on stage with Taylor.

0:15:50.080 --> 0:15:52.080
<v Speaker 1>I'm sorry, like that is big news.

0:15:52.880 --> 0:15:55.360
<v Speaker 2>We are recording this the day the New Heights episode

0:15:55.720 --> 0:15:58.200
<v Speaker 2>came out, so I've only seen the two clips. But

0:15:58.360 --> 0:16:01.880
<v Speaker 2>like I post sit a comment that in minutes already

0:16:01.880 --> 0:16:04.320
<v Speaker 2>has like hundreds and hundreds of likes, like we are committed.

0:16:04.400 --> 0:16:07.360
<v Speaker 2>But Jason Kelsey was just talking about how, you know

0:16:07.520 --> 0:16:10.000
<v Speaker 2>Taylor does the hat thing. You don't like when she

0:16:10.080 --> 0:16:13.000
<v Speaker 2>sings twenty two. There's a kid that's picked. I don't

0:16:13.040 --> 0:16:15.160
<v Speaker 2>know how they're picked. Yeah, but like one of Kobe

0:16:15.160 --> 0:16:18.880
<v Speaker 2>Bryant's daughters was, yeah, girls got the dining chat and

0:16:19.000 --> 0:16:22.800
<v Speaker 2>so you know, he goes watching a young girl get

0:16:23.280 --> 0:16:25.480
<v Speaker 2>that hat and thinking what that would mean to me

0:16:25.760 --> 0:16:26.640
<v Speaker 2>and my daughters.

0:16:26.680 --> 0:16:28.000
<v Speaker 1>And he started tearing out.

0:16:28.000 --> 0:16:30.760
<v Speaker 2>And I'm like, I'm teering up watching this football player

0:16:30.800 --> 0:16:32.680
<v Speaker 2>talk about a girl getting a hat, Like, I don't

0:16:32.880 --> 0:16:37.160
<v Speaker 2>this has just gotten too deep. But he loved And

0:16:37.200 --> 0:16:39.400
<v Speaker 2>then they're calling Kylie Princess Kayana.

0:16:39.760 --> 0:16:42.520
<v Speaker 1>I really like that. But it was just cool and

0:16:42.680 --> 0:16:48.320
<v Speaker 1>he nailed it and it was fun. But and it

0:16:48.360 --> 0:16:49.520
<v Speaker 1>was just all start setting.

0:16:49.560 --> 0:16:51.880
<v Speaker 2>I mean, Paul McCartney's at your concert, you know what

0:16:51.880 --> 0:16:53.400
<v Speaker 2>I mean, your boyfriend's there.

0:16:53.440 --> 0:16:58.200
<v Speaker 1>It's cool. And there's five more in August. Wow. Yeah,

0:16:58.240 --> 0:16:59.960
<v Speaker 1>there were a lot of big names there. I saw.

0:17:00.160 --> 0:17:02.440
<v Speaker 4>It's like all that, and then there was like the

0:17:02.560 --> 0:17:05.480
<v Speaker 4>Dave Grohl comment that everybody's talking about.

0:17:05.840 --> 0:17:06.040
<v Speaker 1>Yeah.

0:17:06.440 --> 0:17:09.479
<v Speaker 2>The thing that's weird is he complimented her recently so

0:17:09.520 --> 0:17:12.560
<v Speaker 2>it's strange they have photos together. But also you look

0:17:12.680 --> 0:17:15.879
<v Speaker 2>stupid because you're in the smaller venue in London that night,

0:17:16.320 --> 0:17:18.200
<v Speaker 2>you know what I mean, Like you kind of look

0:17:18.320 --> 0:17:20.160
<v Speaker 2>stupid and it looks like you're trying to get clout

0:17:20.160 --> 0:17:21.520
<v Speaker 2>and what are you sixty five?

0:17:21.800 --> 0:17:23.160
<v Speaker 1>Like it's just swee.

0:17:23.320 --> 0:17:26.320
<v Speaker 4>I was literally talking to another text threat about this

0:17:26.359 --> 0:17:27.840
<v Speaker 4>because I was like, you can say whatever you want

0:17:27.880 --> 0:17:29.639
<v Speaker 4>about Taylor Swift. You have the right to not like

0:17:29.680 --> 0:17:32.159
<v Speaker 4>her if you want, but to say that she's not

0:17:32.240 --> 0:17:34.200
<v Speaker 4>performing live when she does like a three and a

0:17:34.240 --> 0:17:38.359
<v Speaker 4>half hour truly like a feat of performance, like it's

0:17:38.520 --> 0:17:40.879
<v Speaker 4>I go, it's kind of the last criticism I'll except,

0:17:40.960 --> 0:17:43.440
<v Speaker 4>like I will not accept that, like she's not performing

0:17:43.480 --> 0:17:45.560
<v Speaker 4>live and that her live concert is not an experience

0:17:45.600 --> 0:17:48.919
<v Speaker 4>that people are obsessed with, because nobody does a concert

0:17:48.960 --> 0:17:51.640
<v Speaker 4>that long, Nobody sings that many songs, that many set pieces,

0:17:51.640 --> 0:17:55.840
<v Speaker 4>costume changes, Like it's really crazy that he said that.

0:17:55.880 --> 0:17:59.320
<v Speaker 4>But then another friend piped in and goes, well, I

0:17:59.400 --> 0:18:03.080
<v Speaker 4>heard that Dave Grohl's daughter said some shit about Taylor

0:18:03.200 --> 0:18:06.000
<v Speaker 4>using a private jet and the Swifties came for her,

0:18:06.400 --> 0:18:08.800
<v Speaker 4>and that's why he's kind of clapping back it's more

0:18:08.840 --> 0:18:12.399
<v Speaker 4>like about about making her fans mad than it is

0:18:12.440 --> 0:18:16.560
<v Speaker 4>about really critiquing her. Is what someone said they saw interesting?

0:18:16.640 --> 0:18:20.199
<v Speaker 2>Yeah, you know what that's actually I heard like his

0:18:20.359 --> 0:18:24.199
<v Speaker 2>daughter is a brat fan. She loves Charlie XCX so okay,

0:18:24.800 --> 0:18:26.119
<v Speaker 2>or Billie Eilish or something.

0:18:26.200 --> 0:18:27.080
<v Speaker 1>So there's all of that.

0:18:27.320 --> 0:18:30.600
<v Speaker 2>It's just you can talk shit and your rocks or whatever,

0:18:30.640 --> 0:18:32.600
<v Speaker 2>but like to do it when you're in the smaller

0:18:32.760 --> 0:18:35.399
<v Speaker 2>which is still eighty thousand people. But when you're in

0:18:35.520 --> 0:18:37.960
<v Speaker 2>the smaller venue in the same town and you're not

0:18:38.000 --> 0:18:40.639
<v Speaker 2>getting the attention that this woman is getting, like it,

0:18:40.920 --> 0:18:44.320
<v Speaker 2>you just look silly. And I've experienced this before because

0:18:44.400 --> 0:18:47.040
<v Speaker 2>I was I've talked about this a lot, but Ludacris

0:18:47.160 --> 0:18:48.879
<v Speaker 2>was not on the main stage when I saw him

0:18:48.920 --> 0:18:52.240
<v Speaker 2>at Bumber Shoot, and it was like, not the Chromio

0:18:52.320 --> 0:18:55.120
<v Speaker 2>brother the Chainsmokers, right, yeah.

0:18:54.760 --> 0:18:58.480
<v Speaker 1>So he was. He was upset. I'm sorry.

0:18:58.520 --> 0:19:01.399
<v Speaker 4>The idea of calling the Chainsmokers Chromeo brothers is so

0:19:01.560 --> 0:19:02.199
<v Speaker 4>funny to me.

0:19:08.600 --> 0:19:10.679
<v Speaker 1>Okay, sorry, back to the story.

0:19:10.920 --> 0:19:13.600
<v Speaker 4>The Chainsmokers were on a bigger stage because they were

0:19:13.600 --> 0:19:15.120
<v Speaker 4>having a more okay.

0:19:15.080 --> 0:19:16.920
<v Speaker 1>Yeah, and and you know what, looted it.

0:19:17.080 --> 0:19:20.800
<v Speaker 2>He just performed better, like yeah, he goes, you know what,

0:19:20.880 --> 0:19:23.080
<v Speaker 2>the main stage, This is the main stage, and then

0:19:23.119 --> 0:19:26.040
<v Speaker 2>he played hit after hit after hit and solidified himself

0:19:26.119 --> 0:19:30.160
<v Speaker 2>like the actual performer of the night. But like being like, nah,

0:19:30.280 --> 0:19:33.000
<v Speaker 2>where are the errors tour? But if he's protecting his daughter,

0:19:33.040 --> 0:19:36.239
<v Speaker 2>I get it. Whatever, ye like he should have done

0:19:36.280 --> 0:19:38.960
<v Speaker 2>a better insult like your costumes are lame, or like

0:19:39.000 --> 0:19:40.640
<v Speaker 2>your cringe or you're a capitalist.

0:19:40.760 --> 0:19:41.119
<v Speaker 1>I don't know.

0:19:41.160 --> 0:19:43.960
<v Speaker 2>There was just like other things to do except the

0:19:44.000 --> 0:19:46.480
<v Speaker 2>thing that like she is playing a piano and guitar

0:19:46.520 --> 0:19:50.000
<v Speaker 2>and sing like that is the thing. Maybe shouldre's backing

0:19:50.080 --> 0:19:55.119
<v Speaker 2>tracks during you know, certain numbers, but I think she

0:19:55.119 --> 0:19:58.760
<v Speaker 2>she is singing live, yeah, because if she was, she

0:19:58.920 --> 0:20:01.120
<v Speaker 2>wasn't people wouldn't be like this bitch can't sing because

0:20:01.160 --> 0:20:03.080
<v Speaker 2>that's the thing, like people that don't like.

0:20:03.040 --> 0:20:05.200
<v Speaker 1>Her, like I don't like her voice at all.

0:20:06.280 --> 0:20:08.560
<v Speaker 4>Sure, yeah, so it's like if she was using a

0:20:08.600 --> 0:20:12.280
<v Speaker 4>backing track, she might have made it, you know better. Well,

0:20:12.800 --> 0:20:15.920
<v Speaker 4>you know, it's just it was just such a magical

0:20:15.960 --> 0:20:21.879
<v Speaker 4>thing where it just looks like jealousy from outside. But

0:20:22.880 --> 0:20:25.879
<v Speaker 4>also the Taylor Watch podcast like released an episode early.

0:20:26.119 --> 0:20:28.800
<v Speaker 4>Everyone was just losing their minds, and then how I

0:20:28.840 --> 0:20:30.560
<v Speaker 4>saw a clip of Howard Stern talking about it.

0:20:30.560 --> 0:20:32.160
<v Speaker 1>He goes, I don't understand.

0:20:32.200 --> 0:20:35.400
<v Speaker 2>He goes, her boyfriend was on stage, and people are

0:20:35.440 --> 0:20:37.359
<v Speaker 2>losing their minds. And then they play a clip and

0:20:37.440 --> 0:20:39.280
<v Speaker 2>you because you know, when you hold the cell phone

0:20:39.320 --> 0:20:41.600
<v Speaker 2>at a concert, you singing, her talking is what is

0:20:41.640 --> 0:20:42.800
<v Speaker 2>gonna get picked up the most.

0:20:42.840 --> 0:20:46.119
<v Speaker 1>It's just people going, what the fuck? What the fuck?

0:20:46.640 --> 0:20:51.199
<v Speaker 1>People can't comprehend what's happening. And then of course the comparisons.

0:20:50.680 --> 0:20:54.040
<v Speaker 2>Are being mad, like being made that like no one

0:20:54.119 --> 0:20:56.560
<v Speaker 2>is mad that Travis is on stage, like the football

0:20:56.600 --> 0:20:58.840
<v Speaker 2>guys were mad about.

0:20:58.600 --> 0:21:02.840
<v Speaker 4>Just that she was at the games. Yeah, yeah, interest

0:21:03.160 --> 0:21:04.600
<v Speaker 4>slip interesting.

0:21:04.800 --> 0:21:10.080
<v Speaker 2>We were were thrilled, like were There's theories being made like.

0:21:10.000 --> 0:21:14.120
<v Speaker 4>No one's like stick to football, you're distracting from the music.

0:21:13.880 --> 0:21:15.840
<v Speaker 2>You know, And my favorite fact, everyone's like how do

0:21:15.960 --> 0:21:17.560
<v Speaker 2>we not see him? And they're like he was under

0:21:17.600 --> 0:21:20.440
<v Speaker 2>the willow cloak, and it's like this fandom is insane

0:21:20.480 --> 0:21:23.560
<v Speaker 2>and I can't believe how much I've infiltrated my mind

0:21:23.640 --> 0:21:24.560
<v Speaker 2>so quickly.

0:21:24.680 --> 0:21:26.760
<v Speaker 1>Where I'm like, not the willow cloak, it's.

0:21:26.760 --> 0:21:29.480
<v Speaker 4>I don't even know what you're talking about. But I'm wow,

0:21:29.560 --> 0:21:30.800
<v Speaker 4>that sounds like a big moment.

0:21:31.680 --> 0:21:32.400
<v Speaker 1>Wait did I talk.

0:21:32.320 --> 0:21:34.919
<v Speaker 4>About doing Mallia? Was that last week? Or No, No,

0:21:35.040 --> 0:21:37.040
<v Speaker 4>you haven't, but we do have to start soon because

0:21:37.160 --> 0:21:38.720
<v Speaker 4>I think this interview is going to be long.

0:21:38.800 --> 0:21:40.240
<v Speaker 1>Oh yeah, we have a big value.

0:21:40.640 --> 0:21:43.560
<v Speaker 2>Okay, Well I did Molly at though Desk the concert

0:21:43.640 --> 0:21:45.960
<v Speaker 2>and it was a good time. And the funniest thing

0:21:46.160 --> 0:21:50.479
<v Speaker 2>that my friend Dave said we were together was like

0:21:50.720 --> 0:21:53.240
<v Speaker 2>we were all just behaved and mature at this concert.

0:21:53.480 --> 0:21:57.080
<v Speaker 2>You know, we did the appropriate amount of drugs. Everyone

0:21:57.200 --> 0:22:01.240
<v Speaker 2>was there was no line, everyone was chill. And he goes, yeah,

0:22:01.280 --> 0:22:05.320
<v Speaker 2>we've come a long way, and I went, we sure have.

0:22:05.520 --> 0:22:09.359
<v Speaker 2>Like thinking about me at nineteen at Lallapalooza, it's like

0:22:10.119 --> 0:22:14.840
<v Speaker 2>I survived a zombie attack, Like I remember finding my

0:22:14.920 --> 0:22:17.840
<v Speaker 2>friend in the middle of the street, thighs fully chased,

0:22:18.520 --> 0:22:25.320
<v Speaker 2>like bleeding, just ripped apart, sweating dehydrate, like limping out

0:22:25.359 --> 0:22:28.840
<v Speaker 2>of just clawing my way to the front of the

0:22:28.880 --> 0:22:30.879
<v Speaker 2>stage to see the red hot chili peppers in a

0:22:30.920 --> 0:22:32.359
<v Speaker 2>way that I'm humiliated by.

0:22:32.520 --> 0:22:36.400
<v Speaker 4>And at this concert you're like swirling a cocktail like we.

0:22:36.320 --> 0:22:37.080
<v Speaker 1>Didn't even drink.

0:22:37.320 --> 0:22:39.840
<v Speaker 2>No, we met, So my friend came in from Jersey,

0:22:39.880 --> 0:22:41.280
<v Speaker 2>so I was like, yeah, let's just meet at a bar.

0:22:41.359 --> 0:22:42.840
<v Speaker 1>And then I got a cock a drink I have.

0:22:42.920 --> 0:22:44.960
<v Speaker 2>You know, I haven't been into drinking as much lately

0:22:45.480 --> 0:22:48.719
<v Speaker 2>and so and with drugs, it's just too much. And

0:22:48.800 --> 0:22:50.400
<v Speaker 2>so when he got there, he didn't get a drink.

0:22:50.400 --> 0:22:52.119
<v Speaker 2>I'm like, what the fuck, why aren't you getting a drink?

0:22:52.520 --> 0:22:54.600
<v Speaker 2>And he goes, I go, you say to meet at

0:22:54.600 --> 0:22:56.480
<v Speaker 2>a bar, and I'm gonna drink. He goes, you said

0:22:56.480 --> 0:22:58.400
<v Speaker 2>to meet at a bar. I don't want to drink.

0:22:58.480 --> 0:23:02.320
<v Speaker 2>I go, I don't want to drink either. But then

0:23:02.320 --> 0:23:02.920
<v Speaker 2>I took a shot.

0:23:02.960 --> 0:23:03.440
<v Speaker 1>But then listen.

0:23:03.520 --> 0:23:05.840
<v Speaker 2>So then we go outside. I know we have to start.

0:23:05.840 --> 0:23:06.560
<v Speaker 2>This is a nightmare.

0:23:06.680 --> 0:23:08.280
<v Speaker 1>There's like a little electrical box.

0:23:08.320 --> 0:23:10.199
<v Speaker 2>We're just like trying to do Molly, putting it in

0:23:10.240 --> 0:23:15.240
<v Speaker 2>our waters, like just talking. I'm we walk away to

0:23:15.280 --> 0:23:17.119
<v Speaker 2>grab a bite of food before we go into Madison

0:23:17.160 --> 0:23:19.160
<v Speaker 2>Square Garden. I realized I left my phone on an

0:23:19.160 --> 0:23:22.080
<v Speaker 2>electrical box in the middle of like, yeah, I'm thirty

0:23:22.080 --> 0:23:24.280
<v Speaker 2>first twelve, Oh my god. And so in my head

0:23:24.320 --> 0:23:27.320
<v Speaker 2>I'm like, fuck, the tickets are on it. But and honestly,

0:23:27.359 --> 0:23:29.080
<v Speaker 2>I can log into the email, we can put the

0:23:29.119 --> 0:23:31.000
<v Speaker 2>app on his phone like it would have been fine.

0:23:31.480 --> 0:23:33.119
<v Speaker 2>I like, I was like, I'm not going to get

0:23:33.160 --> 0:23:35.080
<v Speaker 2>it back, and it was still there, which is a

0:23:35.200 --> 0:23:38.000
<v Speaker 2>fucking miracle. And I think it's because it was the

0:23:38.040 --> 0:23:41.720
<v Speaker 2>black side out of my phone, not the case side. Yeah,

0:23:42.000 --> 0:23:44.000
<v Speaker 2>so it blended in a little bit. But it was

0:23:44.080 --> 0:23:46.879
<v Speaker 2>probably on an electrical box in the city for like

0:23:47.040 --> 0:23:48.720
<v Speaker 2>I would say, twenty eight minutes twenty.

0:23:48.520 --> 0:23:52.119
<v Speaker 1>Five minutes before I realized it. Crazy wow, Because I

0:23:52.119 --> 0:23:54.000
<v Speaker 1>also try to be in the moment. I am less

0:23:54.040 --> 0:23:56.000
<v Speaker 1>on my phone. I really try to be there.

0:23:56.240 --> 0:24:00.000
<v Speaker 4>Yeah, and on drugs, you don't want to get like yeah,

0:24:00.119 --> 0:24:03.159
<v Speaker 4>thinking about text to something that was like business for

0:24:03.200 --> 0:24:04.840
<v Speaker 4>the podcast, and I was like, I don't want to bother.

0:24:04.720 --> 0:24:06.320
<v Speaker 1>Her during the concert, so I emailed it.

0:24:06.600 --> 0:24:09.040
<v Speaker 4>I was like, she won't check her email during a concert,

0:24:09.400 --> 0:24:10.680
<v Speaker 4>but she might look at texts.

0:24:12.040 --> 0:24:14.160
<v Speaker 1>No, I kept my phone down there. But they were incredible.

0:24:14.200 --> 0:24:16.040
<v Speaker 2>And another funny thing Dave said is he looked at

0:24:16.040 --> 0:24:18.160
<v Speaker 2>me he goes, this is like the Blue Man Group,

0:24:18.200 --> 0:24:22.600
<v Speaker 2>and I'm like, yeah, So it's like drummers with neat lights.

0:24:22.760 --> 0:24:23.560
<v Speaker 1>It's like lights.

0:24:23.600 --> 0:24:27.399
<v Speaker 2>There's witches that come out with cellos and lights and

0:24:27.480 --> 0:24:30.000
<v Speaker 2>it's a full light show screens like it felt like

0:24:30.040 --> 0:24:31.439
<v Speaker 2>we were in the winter at moments.

0:24:31.480 --> 0:24:32.159
<v Speaker 1>It's like a.

0:24:32.040 --> 0:24:38.320
<v Speaker 2>Full lights show, wild experience. It's really cool because my friends,

0:24:38.400 --> 0:24:40.600
<v Speaker 2>my other friend, my friend from India, a DT is

0:24:40.680 --> 0:24:43.919
<v Speaker 2>visiting from Mumbai and she was like, what does it mean?

0:24:43.960 --> 0:24:46.000
<v Speaker 1>It's a drug band? And then while I was there,

0:24:46.000 --> 0:24:46.639
<v Speaker 1>I was just laughing.

0:24:46.680 --> 0:24:50.520
<v Speaker 2>It was like fire, like full fire in the like

0:24:50.600 --> 0:24:56.200
<v Speaker 2>first song fire confetti in the beginning, neon drum wie.

0:24:57.600 --> 0:24:59.440
<v Speaker 1>Jesus. It was wild.

0:25:00.040 --> 0:25:02.840
<v Speaker 4>We have a great interview, so don't you know, don't

0:25:02.840 --> 0:25:05.919
<v Speaker 4>skip the interview today and uh yeah, as usual, go

0:25:05.960 --> 0:25:08.080
<v Speaker 4>to That's Messed Up live dot com for our merch

0:25:08.520 --> 0:25:13.560
<v Speaker 4>Lisa's tour dates, any of our any more information about us,

0:25:13.920 --> 0:25:16.320
<v Speaker 4>follow us on Instagram, I don't know whatever, and all

0:25:16.320 --> 0:25:18.040
<v Speaker 4>of our promo codes are up there too as well.

0:25:18.160 --> 0:25:19.640
<v Speaker 4>Let's get started.

0:25:23.720 --> 0:25:28.760
<v Speaker 2>Okay, so today we will be doing Tomorrow's which is

0:25:28.800 --> 0:25:31.919
<v Speaker 2>an episode where Tomorrow really fucks up and I have

0:25:32.040 --> 0:25:36.600
<v Speaker 2>fucked up as well, and I definitely forgot all of

0:25:36.600 --> 0:25:39.960
<v Speaker 2>my recording equipment before I went on the road for.

0:25:39.880 --> 0:25:42.840
<v Speaker 1>Ten months, ten months. Can you imagine for.

0:25:42.880 --> 0:25:46.040
<v Speaker 2>Ten days I did buy a microphone forgetting I don't

0:25:46.040 --> 0:25:47.960
<v Speaker 2>have a USB port, So listen.

0:25:47.960 --> 0:25:50.320
<v Speaker 1>Am I using Delta headphones right now? I am? So

0:25:50.840 --> 0:25:52.160
<v Speaker 1>we'll see what happens, Carol.

0:25:52.280 --> 0:25:54.280
<v Speaker 4>You might notice the sound quality is a little different

0:25:54.280 --> 0:25:58.199
<v Speaker 4>than usual, but the same old Lisa is there. Yeah,

0:25:58.400 --> 0:26:02.920
<v Speaker 4>but with my curtains and this. Yeah, it is always

0:26:02.960 --> 0:26:04.879
<v Speaker 4>embarrassing when we do have a guest and I do

0:26:04.960 --> 0:26:08.919
<v Speaker 4>have to interview them in front of these curtains because

0:26:08.960 --> 0:26:11.760
<v Speaker 4>they must think I'm a maniac. I feel like you

0:26:11.800 --> 0:26:14.600
<v Speaker 4>could be at a hotel with those curtains. You're right,

0:26:14.640 --> 0:26:16.680
<v Speaker 4>I don't have to, let you know, my mom don't

0:26:16.680 --> 0:26:18.400
<v Speaker 4>have to be like I'm in my childhood bedroom. It's

0:26:18.440 --> 0:26:19.560
<v Speaker 4>not a necessity, you know.

0:26:20.160 --> 0:26:22.120
<v Speaker 2>Yeah, we should take a screen shot so people can

0:26:22.160 --> 0:26:25.040
<v Speaker 2>see the opulence my mom finds at Marshalls. Yes, because

0:26:25.560 --> 0:26:28.800
<v Speaker 2>she said to take a screenshot and the opulence mine.

0:26:28.880 --> 0:26:29.680
<v Speaker 1>But we are here.

0:26:29.800 --> 0:26:34.960
<v Speaker 2>We're in season fifteen, episode eleven, and this aired in January,

0:26:35.160 --> 0:26:38.359
<v Speaker 2>right after the Christmas break. I believe probably they were like,

0:26:38.520 --> 0:26:39.800
<v Speaker 2>enjoy your holidays now.

0:26:39.840 --> 0:26:45.359
<v Speaker 4>Boom okayah, So tomorrow starts off this episode hitting you know,

0:26:45.520 --> 0:26:47.560
<v Speaker 4>a punching bag, a boxing bag.

0:26:47.600 --> 0:26:50.280
<v Speaker 2>What are the little ones is feedbag speedback. But it

0:26:50.320 --> 0:26:52.040
<v Speaker 2>wasn't a speed bag. It was a long one.

0:26:52.320 --> 0:26:54.879
<v Speaker 4>Oh that was a big and that's just a punching bag. Yeah, okay,

0:26:54.920 --> 0:26:56.200
<v Speaker 4>so the little one's a speedbag.

0:26:56.320 --> 0:26:59.600
<v Speaker 2>Yeah he's wearing a wife beater inappropriate name, but I

0:26:59.600 --> 0:27:01.440
<v Speaker 2>don't know that is what that tank is called.

0:27:02.680 --> 0:27:03.360
<v Speaker 1>Yeah.

0:27:03.359 --> 0:27:07.080
<v Speaker 4>Wait, Trixy and Katia just talked about this on their podcast,

0:27:07.960 --> 0:27:10.000
<v Speaker 4>but do they have a fun name. They were like,

0:27:10.080 --> 0:27:11.880
<v Speaker 4>it's actually called.

0:27:11.640 --> 0:27:15.359
<v Speaker 2>Because even the other name seems culturally insensitive. So one's

0:27:15.359 --> 0:27:18.720
<v Speaker 2>about abuse and the other is about a demographical.

0:27:18.200 --> 0:27:21.600
<v Speaker 4>Well, somebody said wife pleaser, which they didn't like either.

0:27:22.200 --> 0:27:24.760
<v Speaker 4>But then Trixy had like sort of what sounded like

0:27:24.800 --> 0:27:27.159
<v Speaker 4>a fashion name for it, like a frame tank or

0:27:27.200 --> 0:27:29.600
<v Speaker 4>something like that, but like, I don't know what it is.

0:27:29.560 --> 0:27:31.520
<v Speaker 1>And I can't find it right now. I'm not saying

0:27:31.560 --> 0:27:34.800
<v Speaker 1>a frame tank. It was something like that, like eight like,

0:27:34.840 --> 0:27:37.520
<v Speaker 1>but it wasn't that. But yes, white.

0:27:37.359 --> 0:27:42.600
<v Speaker 4>Ribbed tea right right, white ribbed tank does require too

0:27:42.680 --> 0:27:45.560
<v Speaker 4>much spelling, and we do know what the other term means,

0:27:45.560 --> 0:27:46.440
<v Speaker 4>but it is not good.

0:27:46.560 --> 0:27:48.040
<v Speaker 1>But yeah, it is not good.

0:27:48.240 --> 0:27:51.600
<v Speaker 2>But to me, nothing is hotter than like a bikini

0:27:51.680 --> 0:27:54.040
<v Speaker 2>top or a black barsling with a wife beaterer on

0:27:54.119 --> 0:27:56.800
<v Speaker 2>top and like denim shorts like that to me is

0:27:57.280 --> 0:28:00.520
<v Speaker 2>epitome of Well, it's because I grew up in the

0:28:00.520 --> 0:28:01.880
<v Speaker 2>heyday of Britney Spears and.

0:28:03.320 --> 0:28:04.239
<v Speaker 1>That is what I like.

0:28:04.440 --> 0:28:07.920
<v Speaker 2>I don't Anyways, Finn walks in, He's like, he calls

0:28:07.960 --> 0:28:08.639
<v Speaker 2>him La Joya.

0:28:08.680 --> 0:28:10.199
<v Speaker 1>He's like, come on, let's go, we gotta go.

0:28:10.480 --> 0:28:14.640
<v Speaker 4>We're duet lives and Amaro goes, just go, I'll meet

0:28:14.640 --> 0:28:16.720
<v Speaker 4>you there, and it's like, stop punching the bag. We

0:28:16.760 --> 0:28:20.320
<v Speaker 4>got to get to your boss's house. And Finn goes, nah,

0:28:20.400 --> 0:28:22.480
<v Speaker 4>I'll chill. Then he is annoyed.

0:28:22.600 --> 0:28:24.879
<v Speaker 2>I feel like I just sounded like justin Timberlake when

0:28:24.920 --> 0:28:26.560
<v Speaker 2>he said hi to like genuine or something.

0:28:27.640 --> 0:28:29.320
<v Speaker 1>Do you remember yes?

0:28:31.359 --> 0:28:34.119
<v Speaker 2>Then he is annoyed, like how many more times do

0:28:34.160 --> 0:28:38.320
<v Speaker 2>we have to celebrate her sergeant's exam? And basically though,

0:28:38.320 --> 0:28:41.120
<v Speaker 2>he's actually sad because they're not going to let her

0:28:41.160 --> 0:28:43.760
<v Speaker 2>supervise them, so that means she's going to be transferred,

0:28:43.760 --> 0:28:46.920
<v Speaker 2>and he's really upset, but it does make Tomorrow stop

0:28:46.960 --> 0:28:49.680
<v Speaker 2>punching the bag because he's like, fuck, I don't want

0:28:49.720 --> 0:28:50.320
<v Speaker 2>her transferred.

0:28:50.320 --> 0:28:51.360
<v Speaker 1>We should get to her house.

0:28:51.760 --> 0:28:53.960
<v Speaker 2>So we show up at the apartment and we're in

0:28:54.040 --> 0:28:57.800
<v Speaker 2>the short hair Bob Live era and she's popping open

0:28:57.800 --> 0:29:01.000
<v Speaker 2>a bottle of wine and Rollins is already there helping out.

0:29:01.200 --> 0:29:02.240
<v Speaker 1>There's a brunette woman.

0:29:02.360 --> 0:29:04.480
<v Speaker 4>I don't really know who she is, but I'm assuming

0:29:04.560 --> 0:29:06.160
<v Speaker 4>she's giving off social worker energy.

0:29:06.200 --> 0:29:09.240
<v Speaker 1>I feel like she probably like helped her. She's Craigan's gal.

0:29:10.080 --> 0:29:12.760
<v Speaker 1>That's Eileen. Yeah. Wow.

0:29:12.880 --> 0:29:17.200
<v Speaker 2>She's like, thanks for including me, Like you, yeah, okay,

0:29:17.360 --> 0:29:18.240
<v Speaker 2>so that's Eileen.

0:29:18.400 --> 0:29:20.160
<v Speaker 4>I you know, I never put a face to a name.

0:29:21.040 --> 0:29:23.520
<v Speaker 4>She's not in it that much, but yeah, that's her.

0:29:23.840 --> 0:29:24.640
<v Speaker 1>I'm really happy.

0:29:25.240 --> 0:29:29.200
<v Speaker 2>So she asks where Brian is and he's undercover, and

0:29:29.240 --> 0:29:31.800
<v Speaker 2>then Eileen is like, but he was there for you

0:29:31.880 --> 0:29:34.400
<v Speaker 2>at your trial, so that you know that's something.

0:29:34.600 --> 0:29:35.400
<v Speaker 1>And then that's just.

0:29:35.480 --> 0:29:38.080
<v Speaker 2>A low bar of men where you know, the most

0:29:38.080 --> 0:29:40.440
<v Speaker 2>traumatic thing that's ever happened to you he did show

0:29:40.520 --> 0:29:44.200
<v Speaker 2>up then, But whatever. She's a professional, she gets it.

0:29:44.320 --> 0:29:46.680
<v Speaker 4>But also you could tell Benson's annoyed by the comment, like, oh,

0:29:46.720 --> 0:29:48.720
<v Speaker 4>fuck yourself, why are you bringing up William Lewis in

0:29:48.800 --> 0:29:51.320
<v Speaker 4>my trial at my fun party while I'm drinking wine?

0:29:51.400 --> 0:29:54.000
<v Speaker 4>Like stop, yeah, you really don't have to bring up

0:29:54.040 --> 0:29:54.600
<v Speaker 4>the trauma.

0:29:54.680 --> 0:29:55.040
<v Speaker 1>Thank you.

0:29:55.560 --> 0:29:58.160
<v Speaker 2>Ben is already bitching to Craigan like can we leave already?

0:29:58.240 --> 0:30:01.440
<v Speaker 2>It's like shut up, and Craigan goes, how about we

0:30:01.560 --> 0:30:04.000
<v Speaker 2>toast first and then you can rush home to whatever

0:30:04.040 --> 0:30:06.160
<v Speaker 2>you rush home to, which is you know.

0:30:06.720 --> 0:30:08.640
<v Speaker 4>I feel like there is a place for a joke there,

0:30:08.720 --> 0:30:10.360
<v Speaker 4>Like I wanted there to be a little joke there,

0:30:10.400 --> 0:30:12.640
<v Speaker 4>like his video games is weed like something, but they

0:30:12.640 --> 0:30:14.440
<v Speaker 4>didn't give it to me. But I'm also thinking, like

0:30:14.480 --> 0:30:16.680
<v Speaker 4>a comedy writer, probably well, I think.

0:30:16.560 --> 0:30:18.640
<v Speaker 2>The comedy is that no one knows what, Like I

0:30:18.640 --> 0:30:23.000
<v Speaker 2>don't know anything about it. Yeah, like they didn't know

0:30:23.040 --> 0:30:25.560
<v Speaker 2>yet a son, I think till what season eight, So

0:30:25.600 --> 0:30:30.080
<v Speaker 2>like I think that's what they're trying to kind of show.

0:30:33.440 --> 0:30:36.400
<v Speaker 2>Rollins tries to give Hmara wine. He says no, She

0:30:36.520 --> 0:30:39.520
<v Speaker 2>calls him a choir boy, so he gives in and

0:30:39.600 --> 0:30:42.280
<v Speaker 2>grabs the wine. Craigan does a speech, and Ben's his

0:30:42.320 --> 0:30:45.840
<v Speaker 2>bookshelf is so nice, so many frames, Vaza's cool things,

0:30:45.880 --> 0:30:47.520
<v Speaker 2>a clock and there's a coat hook.

0:30:47.840 --> 0:30:50.480
<v Speaker 4>Yeah, luckily they're not cutting wide to see the fucking

0:30:51.120 --> 0:30:55.000
<v Speaker 4>uh taxidermied moose or whatever the hell Cassidy made her

0:30:55.080 --> 0:30:55.720
<v Speaker 4>hang on the wall.

0:30:56.040 --> 0:30:56.960
<v Speaker 1>I don't even remember that.

0:30:56.960 --> 0:31:01.440
<v Speaker 4>Because this is their apartment together. Luckily we're not getting

0:31:01.480 --> 0:31:02.920
<v Speaker 4>the mail energy.

0:31:03.240 --> 0:31:06.120
<v Speaker 2>No, and then well maybe that clock was That was

0:31:06.160 --> 0:31:09.240
<v Speaker 2>a big ass clock. And then Craigan drops a huge

0:31:09.240 --> 0:31:13.760
<v Speaker 2>announcement and basically one PP bureaucracy, YadA YadA. Benson gets

0:31:13.760 --> 0:31:17.200
<v Speaker 2>to stay at SVU, so Finn is happy he's gonna stay,

0:31:17.280 --> 0:31:18.360
<v Speaker 2>and he goes, I'll drink to that.

0:31:18.480 --> 0:31:21.240
<v Speaker 1>Spoiler alert, there's ten more seasons of the show.

0:31:21.400 --> 0:31:25.920
<v Speaker 4>She says, Rollin's and Tomorrow are now walking under some

0:31:25.960 --> 0:31:28.360
<v Speaker 4>scaffolding and he asked if she wants to ride, and

0:31:28.400 --> 0:31:29.760
<v Speaker 4>she's like, oh, you could just drop me off at

0:31:29.800 --> 0:31:33.040
<v Speaker 4>the sixth sab F train, which is if just take

0:31:33.080 --> 0:31:35.520
<v Speaker 4>her home. But anyways, so they're walking and talking and

0:31:35.560 --> 0:31:38.400
<v Speaker 4>they're really happy that Live is staying, and Tomorrow doesn't

0:31:38.440 --> 0:31:40.680
<v Speaker 4>know who his new partner is going to be and

0:31:40.720 --> 0:31:43.440
<v Speaker 4>he's like, you know, the NYPD doesn't tell me anything.

0:31:43.840 --> 0:31:45.920
<v Speaker 4>Then behind them is a police chase and a cop

0:31:46.000 --> 0:31:50.040
<v Speaker 4>is screaming and two people are running and they're like stop, stop,

0:31:50.320 --> 0:31:52.400
<v Speaker 4>and then one of the cops gets hit by a

0:31:52.440 --> 0:31:56.000
<v Speaker 4>taxi cab and crashes into the windshield. So they go

0:31:56.160 --> 0:31:57.800
<v Speaker 4>check on the dude, and the guy on the ground

0:31:57.880 --> 0:32:00.200
<v Speaker 4>says they saw those kids do a deal and his

0:32:00.240 --> 0:32:03.920
<v Speaker 4>partner saw a gun. Tomorrow then confirms the gun detail.

0:32:03.920 --> 0:32:06.160
<v Speaker 4>He goes, there was a gun, They go, yes, a gun.

0:32:07.080 --> 0:32:10.640
<v Speaker 4>So then, but also let the kid do a drug deal,

0:32:10.760 --> 0:32:13.479
<v Speaker 4>Like is it that big of a deal. I just

0:32:14.200 --> 0:32:16.720
<v Speaker 4>I would just be like, okay, whatever. The kid got away,

0:32:17.760 --> 0:32:20.000
<v Speaker 4>so he bought some drugs, Like what, yeah, I mean

0:32:20.040 --> 0:32:24.280
<v Speaker 4>the war on drugs is, We've got some there's some problems.

0:32:24.840 --> 0:32:26.400
<v Speaker 4>It's like, who gives a shit.

0:32:26.560 --> 0:32:30.160
<v Speaker 2>I just everything that spirals out after this is like,

0:32:31.240 --> 0:32:32.680
<v Speaker 2>you could have just let the kid run.

0:32:33.960 --> 0:32:35.240
<v Speaker 1>You're gonna hate the real crime.

0:32:36.600 --> 0:32:36.920
<v Speaker 4>Yeah.

0:32:36.960 --> 0:32:39.720
<v Speaker 2>To me, it's like you already got hit by a car.

0:32:39.800 --> 0:32:43.000
<v Speaker 2>Like it's done, Bro, it's done. The chase is done.

0:32:43.160 --> 0:32:48.200
<v Speaker 2>You're off like that, you're not even working. But Rollin

0:32:48.320 --> 0:32:51.520
<v Speaker 2>stays with the fallen cop and Amorro runs after the kid,

0:32:51.960 --> 0:32:54.760
<v Speaker 2>and so then Rollin's calls it in and there are

0:32:54.800 --> 0:32:57.440
<v Speaker 2>people with their phones out already capturing what's going down.

0:32:57.720 --> 0:33:00.960
<v Speaker 2>We also see another cop chasing the kid, and again

0:33:01.040 --> 0:33:04.920
<v Speaker 2>I think they're doing too much. Amaro joins this detective

0:33:05.120 --> 0:33:07.440
<v Speaker 2>and they're each on one wall of the side of

0:33:07.480 --> 0:33:11.440
<v Speaker 2>a hallway. Very action movie, I would say, and uh,

0:33:11.520 --> 0:33:14.920
<v Speaker 2>the woman is Officer McKenna and she's played by Vicky Judy,

0:33:15.000 --> 0:33:18.040
<v Speaker 2>who is Watkins from Orange Is the New Black. If

0:33:18.080 --> 0:33:20.520
<v Speaker 2>you're a fan, guess what My nephew and his girlfriend

0:33:20.600 --> 0:33:21.880
<v Speaker 2>are watching Orange is the New Black.

0:33:21.960 --> 0:33:23.840
<v Speaker 1>She's already seen it. She loves it. She's making him

0:33:23.880 --> 0:33:25.840
<v Speaker 1>watch it and he loves Oh, I love that.

0:33:26.240 --> 0:33:28.720
<v Speaker 4>Yeah, he's on season three, and like, we talked about

0:33:28.720 --> 0:33:30.400
<v Speaker 4>the faves and who we've had on the pod, and

0:33:30.440 --> 0:33:33.280
<v Speaker 4>it was tell him that you're available for when he

0:33:33.320 --> 0:33:35.760
<v Speaker 4>gets to the season finale, because the series finale, because

0:33:35.760 --> 0:33:36.800
<v Speaker 4>it's I.

0:33:36.680 --> 0:33:39.640
<v Speaker 1>Was not only that, what about when I'm.

0:33:39.680 --> 0:33:42.480
<v Speaker 4>So many things that happen are terrible. But then at

0:33:42.520 --> 0:33:45.160
<v Speaker 4>the end, I cried so hard the big death, I

0:33:45.320 --> 0:33:48.080
<v Speaker 4>cried out. I cried so hard at that. Yeah, that

0:33:48.200 --> 0:33:51.480
<v Speaker 4>was a tough one. So God, they're gonna get it.

0:33:51.560 --> 0:33:54.640
<v Speaker 4>They're gonna get there. But they were like, who's your favorite,

0:33:54.640 --> 0:33:55.960
<v Speaker 4>and I was like, I guess I have to say

0:33:56.000 --> 0:34:02.160
<v Speaker 4>Red because of our cultural Oh yeah, Red is red rules,

0:34:02.720 --> 0:34:03.440
<v Speaker 4>Red rules.

0:34:03.640 --> 0:34:05.720
<v Speaker 1>So my plain Jane of Orange Is the New Black.

0:34:05.840 --> 0:34:08.239
<v Speaker 1>It's so hard to say it's so hard to say.

0:34:08.360 --> 0:34:10.000
<v Speaker 4>Oh no, I kept going. I kept going, and then

0:34:10.000 --> 0:34:11.400
<v Speaker 4>I was like, oh no, this was no I like.

0:34:11.600 --> 0:34:12.600
<v Speaker 4>But I do think I like the.

0:34:12.560 --> 0:34:15.840
<v Speaker 2>Older women because I like DEA's mom and I like

0:34:16.440 --> 0:34:18.800
<v Speaker 2>the one who won't do our podcast with the short.

0:34:18.640 --> 0:34:21.839
<v Speaker 4>Oh yeah, oh selanis Levia. We've been wanting to get

0:34:21.880 --> 0:34:22.400
<v Speaker 4>her forever.

0:34:22.520 --> 0:34:22.880
<v Speaker 1>Yeah.

0:34:22.960 --> 0:34:24.960
<v Speaker 2>Yeah, so I think I And then of course I

0:34:25.000 --> 0:34:28.560
<v Speaker 2>said natash leone. Also, at my mom's birthday, my niece's

0:34:28.719 --> 0:34:32.160
<v Speaker 2>college roommate was with us. Oh, she's like visiting. So

0:34:32.200 --> 0:34:34.720
<v Speaker 2>I got to meet another Trinity, another trim girl.

0:34:34.840 --> 0:34:37.960
<v Speaker 1>I love it. Yeah, so it was really exciting.

0:34:37.960 --> 0:34:42.239
<v Speaker 2>But anyway, so Vicki, Judy Watkins McKenna, Okay, she keeps

0:34:42.320 --> 0:34:45.239
<v Speaker 2>yelling for him to drop his gun, and Amaro realizes

0:34:45.360 --> 0:34:48.080
<v Speaker 2>and then screams out like he doesn't speak English.

0:34:48.440 --> 0:34:50.080
<v Speaker 1>So then the woman taping on this and I was

0:34:50.120 --> 0:34:51.120
<v Speaker 1>reading the subtitles.

0:34:51.160 --> 0:34:53.120
<v Speaker 4>By the way, he is speaking French and he is

0:34:53.160 --> 0:34:55.600
<v Speaker 4>saying I didn't do anything. I didn't do anything. And

0:34:55.640 --> 0:34:57.920
<v Speaker 4>then he's saying I don't have a gun. But he's

0:34:57.920 --> 0:35:01.480
<v Speaker 4>saying in French. Yeah, you would think he's an E.

0:35:01.680 --> 0:35:04.600
<v Speaker 4>S Cellar or something. Yeah, I wonder how fresh she

0:35:04.680 --> 0:35:10.080
<v Speaker 4>is to the country. Yeah, okay, so you saw that.

0:35:10.400 --> 0:35:13.200
<v Speaker 1>I saw that. I was reading the subtitles. Yeah damn.

0:35:13.239 --> 0:35:15.720
<v Speaker 4>It was like Jay rim Fay, like I have done nothing,

0:35:15.880 --> 0:35:18.799
<v Speaker 4>Like I can't even imagine how scary this is.

0:35:18.960 --> 0:35:22.680
<v Speaker 2>So so he but Amorrow does realize that. And then

0:35:22.719 --> 0:35:25.320
<v Speaker 2>the woman taping on the streets, she busts in balls

0:35:25.320 --> 0:35:27.279
<v Speaker 2>of steel on this woman.

0:35:27.360 --> 0:35:29.120
<v Speaker 1>She looks just like a grandma, but she is I.

0:35:29.480 --> 0:35:31.319
<v Speaker 4>Think is holding but I thought she was holding a

0:35:31.320 --> 0:35:33.840
<v Speaker 4>caprice so and I was like, rock on that woman

0:35:33.960 --> 0:35:36.319
<v Speaker 4>rules like, I can't see what she's holding.

0:35:36.000 --> 0:35:37.520
<v Speaker 1>But I was like, it really looks like.

0:35:39.239 --> 0:35:41.240
<v Speaker 4>In the other hand, Well, when she comes into the hallway,

0:35:41.239 --> 0:35:43.000
<v Speaker 4>there was I didn't I didn't know if she was taping,

0:35:43.000 --> 0:35:44.400
<v Speaker 4>and she was holding something, and I go, is that

0:35:44.400 --> 0:35:46.080
<v Speaker 4>a caprice on? But I was like doing I was,

0:35:46.239 --> 0:35:46.959
<v Speaker 4>I wasn't made.

0:35:47.000 --> 0:35:50.600
<v Speaker 1>Now I want a caprice son? Oh god? Okay.

0:35:50.760 --> 0:35:53.480
<v Speaker 2>So she busts in and she goes, you leave that

0:35:53.560 --> 0:35:56.719
<v Speaker 2>boy alone, and Amarro actually points his gun at her

0:35:56.840 --> 0:35:58.400
<v Speaker 2>and tells her to get the fuck out, which I

0:35:58.400 --> 0:36:00.200
<v Speaker 2>think is a little much, but she walks out out.

0:36:00.600 --> 0:36:05.560
<v Speaker 2>Then Officer McKenna decides to run and I just it's

0:36:05.600 --> 0:36:08.879
<v Speaker 2>so stupid. And so then she runs in like this

0:36:08.920 --> 0:36:11.480
<v Speaker 2>is kind of when Stabler goes undercover with the Animal Ring.

0:36:11.560 --> 0:36:13.319
<v Speaker 2>It's like, this is what you want to leave this

0:36:13.400 --> 0:36:14.800
<v Speaker 2>world for, like ils.

0:36:14.840 --> 0:36:19.920
<v Speaker 4>Like there's no imminent danger, like if he has a gun,

0:36:20.520 --> 0:36:23.160
<v Speaker 4>wait for backup, like even if this guy has a gun,

0:36:23.160 --> 0:36:26.520
<v Speaker 4>like backup cameras, like other things we can do, like

0:36:26.920 --> 0:36:29.200
<v Speaker 4>to get these to draw people out, rather than go

0:36:29.280 --> 0:36:31.600
<v Speaker 4>into a situation where you have no idea how many

0:36:31.600 --> 0:36:33.719
<v Speaker 4>people are behind a door, how many weapons there are,

0:36:33.760 --> 0:36:36.120
<v Speaker 4>Like you have no idea. It's like I doubt it's

0:36:36.200 --> 0:36:37.520
<v Speaker 4>what the police department teaches.

0:36:37.880 --> 0:36:39.880
<v Speaker 2>No, And so she's a dumb bitch. So yeah, she

0:36:39.960 --> 0:36:42.920
<v Speaker 2>decides to run into this hallway. She then is on

0:36:43.040 --> 0:36:46.520
<v Speaker 2>the ground, she is shot. There's gunfire everywhere, like we

0:36:46.560 --> 0:36:49.120
<v Speaker 2>hear all of this noise. So then he wants to

0:36:49.120 --> 0:36:52.960
<v Speaker 2>save her, so he pulls her out. Then he puts

0:36:52.960 --> 0:36:55.640
<v Speaker 2>his gun into the hallway without looking again like an

0:36:55.680 --> 0:36:56.360
<v Speaker 2>action movie.

0:36:56.400 --> 0:36:59.920
<v Speaker 1>I'm like, are we in Rambo? Yeah, he's around.

0:36:59.640 --> 0:37:02.880
<v Speaker 4>A nine agree corner with no visibility, just pounding his

0:37:02.880 --> 0:37:06.160
<v Speaker 4>weapon like shoot shoo, shoot choo choot like an insane

0:37:06.360 --> 0:37:10.520
<v Speaker 4>And so then of course, the boy is shot and

0:37:10.600 --> 0:37:13.799
<v Speaker 4>Tomorrow keeps screaming, secure the gun, Secure the gun. There

0:37:14.000 --> 0:37:16.680
<v Speaker 4>is no gun, and the young boy is bleeding out.

0:37:16.960 --> 0:37:20.759
<v Speaker 4>Now his parents are screaming, and then Tomorrow like he

0:37:20.920 --> 0:37:23.919
<v Speaker 4>just was running home. And then Tomorrow and this boy

0:37:24.000 --> 0:37:26.240
<v Speaker 4>is like it seems like he is dying blood everyone

0:37:26.239 --> 0:37:28.719
<v Speaker 4>and they're making dramatic eye contact. They are looking at

0:37:28.719 --> 0:37:32.520
<v Speaker 4>each other. And now Tomorrow is like holding the boy's wound.

0:37:32.640 --> 0:37:35.000
<v Speaker 4>And now it's the credits and this is a mess.

0:37:35.160 --> 0:37:38.120
<v Speaker 4>So now, and also what I don't understand is like,

0:37:38.160 --> 0:37:42.759
<v Speaker 4>you don't even know these cops, like what, yeah, you

0:37:42.920 --> 0:37:45.200
<v Speaker 4>shot a kid for some bit you don't even know.

0:37:45.600 --> 0:37:46.880
<v Speaker 1>I don't get it.

0:37:47.440 --> 0:37:50.360
<v Speaker 2>We're back and you know all the cops staff, everyone's

0:37:50.400 --> 0:37:52.520
<v Speaker 2>running around, everyone's looking for this gun. And then the

0:37:52.520 --> 0:37:54.640
<v Speaker 2>EMT does say that Tomorrow did a good job with

0:37:54.800 --> 0:37:57.480
<v Speaker 2>doing triage and it did save the boy's life. The

0:37:57.520 --> 0:38:00.319
<v Speaker 2>boy is wheeled out on a stretcher and out of

0:38:00.320 --> 0:38:05.080
<v Speaker 2>his coat falls caught which is an East African amphetamine

0:38:05.200 --> 0:38:09.000
<v Speaker 2>and Somali pirates use it to be fearless and I

0:38:09.080 --> 0:38:09.719
<v Speaker 2>kind of like that.

0:38:09.920 --> 0:38:15.319
<v Speaker 1>Okay, so omar kaht cot what is that? Well?

0:38:16.440 --> 0:38:19.279
<v Speaker 4>Amara was like this small amount. This is like a

0:38:19.320 --> 0:38:25.240
<v Speaker 4>small time dealer. Yep, yeah, that's why I and whatever.

0:38:25.280 --> 0:38:29.560
<v Speaker 4>We'll get to more and more infuriation. So then friend

0:38:29.560 --> 0:38:31.880
<v Speaker 4>of the pod Kathy Moorey already walks in as Captain

0:38:31.920 --> 0:38:35.040
<v Speaker 4>Tony Howard were obsessed with her, and she said, you

0:38:35.120 --> 0:38:38.080
<v Speaker 4>saved my guys, thank you. I didn't realize SV was

0:38:38.120 --> 0:38:40.840
<v Speaker 4>working with my precinct. Rollins goes, no, we were just

0:38:40.880 --> 0:38:43.040
<v Speaker 4>walking and we saw an officer get hit by a cap.

0:38:43.600 --> 0:38:44.959
<v Speaker 1>So he asks.

0:38:44.640 --> 0:38:48.120
<v Speaker 4>Tony how is McKenna and the response is that she

0:38:48.239 --> 0:38:50.600
<v Speaker 4>lost some blood but she'll be okay. And then of

0:38:50.600 --> 0:38:53.360
<v Speaker 4>course Tony hates to ask, but she needs his weapon

0:38:53.400 --> 0:38:55.120
<v Speaker 4>and he needs to go to the hospital for a

0:38:55.160 --> 0:38:58.440
<v Speaker 4>full work up and blood alcohol level. Fuck he had wine.

0:38:59.120 --> 0:39:01.480
<v Speaker 4>So then Rollin said it was a good shoot.

0:39:02.000 --> 0:39:02.960
<v Speaker 1>You weren't there.

0:39:03.880 --> 0:39:07.880
<v Speaker 2>Mariarty fires back, kid was armed, find the weapon, So

0:39:08.040 --> 0:39:11.600
<v Speaker 2>Amara walks off. Rollins looks worried, huge crowds everywhere. Benson

0:39:11.680 --> 0:39:14.200
<v Speaker 2>arrives to check in on him with Kragan. He gives

0:39:14.239 --> 0:39:17.839
<v Speaker 2>them the low down. Howard's actually Finn's old lieutenant from narcotics.

0:39:18.239 --> 0:39:21.319
<v Speaker 2>So then Kragan goes, that doesn't matter, you know, not

0:39:21.400 --> 0:39:25.120
<v Speaker 2>to say anything to anybody. So Craigan goes with Tomorrow

0:39:25.239 --> 0:39:27.880
<v Speaker 2>to the hospital and Tomorrow says he had to shoot

0:39:27.960 --> 0:39:31.640
<v Speaker 2>because McKenna was down, and Craigan goes, you can't talk

0:39:31.680 --> 0:39:33.360
<v Speaker 2>to me either, like this is not privileged.

0:39:33.360 --> 0:39:35.640
<v Speaker 1>Shut your fucking mouth. So the rest of the squad

0:39:35.719 --> 0:39:36.239
<v Speaker 1>stays to.

0:39:36.160 --> 0:39:38.960
<v Speaker 2>Help find the gun, and Howard is warm to Finn

0:39:39.000 --> 0:39:41.239
<v Speaker 2>and relieved he saw nothing so she can actually put

0:39:41.280 --> 0:39:44.560
<v Speaker 2>him to work. Benson offers her French skills, of course,

0:39:45.239 --> 0:39:47.799
<v Speaker 2>to talk to the parents. Howard said, no, tranp no,

0:39:47.920 --> 0:39:49.960
<v Speaker 2>it's fine. We have a translator on the way, but

0:39:50.520 --> 0:39:55.080
<v Speaker 2>fix Benson. So they can't be the main investigators obviously,

0:39:55.239 --> 0:39:57.480
<v Speaker 2>but before everyone shows up, they can at least help

0:39:57.480 --> 0:39:59.759
<v Speaker 2>look for the gun. So at this point I don't

0:39:59.760 --> 0:40:02.040
<v Speaker 2>feel has a gun, and he proved why he ran

0:40:02.120 --> 0:40:04.840
<v Speaker 2>because fuck the police, like you're just shooting into a

0:40:04.880 --> 0:40:08.720
<v Speaker 2>hallway with one kid, You're a fucking lunatic. Rollins finds

0:40:08.719 --> 0:40:11.560
<v Speaker 2>a big problem. There's a window, a giant window open

0:40:11.640 --> 0:40:14.839
<v Speaker 2>in the apartment, and there's an older brother missing, and

0:40:14.880 --> 0:40:17.680
<v Speaker 2>Howard knows him. He has a rap sheet for pedaling

0:40:17.719 --> 0:40:20.799
<v Speaker 2>without permits, really like petty shit, but he's well known

0:40:20.840 --> 0:40:23.000
<v Speaker 2>to the squad, so they're like, well, maybe he went

0:40:23.040 --> 0:40:25.439
<v Speaker 2>out the window with the gun. Now, a blonde woman

0:40:25.480 --> 0:40:27.880
<v Speaker 2>introduces herself to Tomorrow at the hospital. Her name is

0:40:27.960 --> 0:40:31.160
<v Speaker 2>Dede Densler, and that's going to be his delegate. She

0:40:31.280 --> 0:40:33.400
<v Speaker 2>stops the nurse from taking his blood and says to

0:40:33.440 --> 0:40:36.839
<v Speaker 2>wait that they have to talk police confidential business. And

0:40:36.960 --> 0:40:39.560
<v Speaker 2>this actress has actually been in six episodes of SBU,

0:40:39.640 --> 0:40:43.000
<v Speaker 2>spanning season two to seventeen, three different characters, and I

0:40:43.040 --> 0:40:45.680
<v Speaker 2>actually recognized her as one of the lesbians in the

0:40:45.760 --> 0:40:48.120
<v Speaker 2>cheating Curve from Sex and the City that Charlotte starts

0:40:48.160 --> 0:40:52.200
<v Speaker 2>hanging out with, which Tomorrow Tuney's in that episode as well,

0:40:52.800 --> 0:40:56.600
<v Speaker 2>So that's exciting. So the nurse with funky scrubs leaves

0:40:57.200 --> 0:40:59.640
<v Speaker 2>and they get down to business. She's like, none of

0:40:59.680 --> 0:41:02.600
<v Speaker 2>this is privileged, but he goes, listen, I had two

0:41:02.600 --> 0:41:04.719
<v Speaker 2>glasses of wine. She's like, you need to talk to

0:41:04.760 --> 0:41:07.280
<v Speaker 2>a psychologist. She says, tell me everything.

0:41:07.360 --> 0:41:09.480
<v Speaker 4>Hopefully they find the gun, and Amaro's like, I hope

0:41:09.480 --> 0:41:11.399
<v Speaker 4>the kid lives, Like who cares about the gun?

0:41:11.560 --> 0:41:14.640
<v Speaker 1>Like I do? Like this he has humanity. He goes,

0:41:14.640 --> 0:41:15.200
<v Speaker 1>what what is he?

0:41:15.360 --> 0:41:18.239
<v Speaker 4>Sixteen? And she goes, they're claiming fourteen? What do you

0:41:18.239 --> 0:41:21.480
<v Speaker 4>mean claiming? What do you mean claiming he's fourteen? Why

0:41:21.480 --> 0:41:24.040
<v Speaker 4>would they lie? Amaro looks really.

0:41:23.719 --> 0:41:28.560
<v Speaker 2>Sad, and uh oh it's Tucker walking in and he's pissed.

0:41:28.680 --> 0:41:32.760
<v Speaker 2>So this is funny, Like we always say how IAB

0:41:33.000 --> 0:41:33.319
<v Speaker 2>is just.

0:41:33.239 --> 0:41:35.359
<v Speaker 4>To make sure the cops are like doing the right thing.

0:41:35.480 --> 0:41:36.560
<v Speaker 4>But there are these enemies.

0:41:36.960 --> 0:41:39.919
<v Speaker 2>And even in this episode where it's like a kid

0:41:39.960 --> 0:41:43.880
<v Speaker 2>is a shot, like everyone is still treating it like fuck,

0:41:44.000 --> 0:41:45.920
<v Speaker 2>leave them alone.

0:41:46.400 --> 0:41:48.719
<v Speaker 1>He just shot into a hallway and shot a kid.

0:41:49.239 --> 0:41:51.600
<v Speaker 4>No, you know what I mean, with no evidence, we'll

0:41:51.680 --> 0:41:53.200
<v Speaker 4>run backing cops anymore.

0:41:53.640 --> 0:41:57.120
<v Speaker 1>It's just like it. It is a funky episode.

0:41:57.120 --> 0:42:00.520
<v Speaker 2>So then then so basically Tucker says, the new mayor

0:42:00.560 --> 0:42:03.720
<v Speaker 2>wants IAB to be involved in this case. Dean Winters

0:42:03.800 --> 0:42:05.960
<v Speaker 2>is here too, you know, as Brian all hands on

0:42:06.040 --> 0:42:09.040
<v Speaker 2>deck and he's training to be an IAB right now,

0:42:09.360 --> 0:42:11.719
<v Speaker 2>which makes me laugh. It's like you know when you

0:42:11.719 --> 0:42:14.120
<v Speaker 2>have a waitress that's training and then the real waitress

0:42:14.120 --> 0:42:17.800
<v Speaker 2>stands behind and so they just it's like, no, Brian,

0:42:17.840 --> 0:42:19.040
<v Speaker 2>you you try this time?

0:42:19.120 --> 0:42:20.880
<v Speaker 1>Yeah, wyting you ask if they want dessert?

0:42:22.800 --> 0:42:25.880
<v Speaker 2>Craigan makes the comment I don't love but he says, well,

0:42:25.920 --> 0:42:30.720
<v Speaker 2>everyone only cares because he's a black team, and it's like, okay,

0:42:30.760 --> 0:42:34.040
<v Speaker 2>but if that's true, is that not appropriate?

0:42:34.080 --> 0:42:37.000
<v Speaker 1>Like yeah, I don't know why that's bad.

0:42:37.080 --> 0:42:39.000
<v Speaker 2>Yeah, they care because it's a black team, because you

0:42:39.000 --> 0:42:40.920
<v Speaker 2>guys continuously kill black people.

0:42:41.120 --> 0:42:42.680
<v Speaker 1>So yeah, that's why they're.

0:42:42.480 --> 0:42:45.200
<v Speaker 4>Making there's not as many instances of cops just shooting

0:42:45.239 --> 0:42:46.359
<v Speaker 4>white teens for no reason.

0:42:46.400 --> 0:42:48.120
<v Speaker 1>They usually bring the white teens in a live.

0:42:48.520 --> 0:42:51.960
<v Speaker 4>Yeah, and you I know for a fact, you wouldn't

0:42:51.960 --> 0:42:54.120
<v Speaker 4>have chased if it was a white team, Like yeah,

0:42:54.160 --> 0:42:55.600
<v Speaker 4>they can pretend all they want.

0:42:55.800 --> 0:42:57.799
<v Speaker 1>And that's why, like on what is it?

0:42:58.360 --> 0:43:01.560
<v Speaker 2>Unconscious bias is so import because none of these people

0:43:01.560 --> 0:43:03.920
<v Speaker 2>think they're racist. But it's like, there's no fucking way

0:43:04.120 --> 0:43:05.799
<v Speaker 2>you would have chased a white girl like this.

0:43:06.000 --> 0:43:06.920
<v Speaker 1>It's right there.

0:43:07.400 --> 0:43:09.319
<v Speaker 4>It's also even right there in what we were just

0:43:09.360 --> 0:43:12.440
<v Speaker 4>talking about. Oh, what is he's sixteen? No, he's fourteen.

0:43:12.480 --> 0:43:17.120
<v Speaker 4>There's like a thing where people make black children seem older.

0:43:17.280 --> 0:43:19.440
<v Speaker 1>They think that they're older. They treat them older.

0:43:19.560 --> 0:43:22.400
<v Speaker 4>They you know, they like treat them like adults and

0:43:22.400 --> 0:43:26.000
<v Speaker 4>criminals when they're children their kids. Yes, you know, yes,

0:43:26.600 --> 0:43:29.240
<v Speaker 4>so that's like that writting right there into the script,

0:43:29.239 --> 0:43:31.560
<v Speaker 4>into the thing, you know. Oh, they're claiming he's fourteen. No,

0:43:31.640 --> 0:43:38.200
<v Speaker 4>he's fucking fourteen. Yeah, and it's like, no, if it

0:43:38.239 --> 0:43:40.799
<v Speaker 4>was a white woman, she would see the department aka

0:43:41.600 --> 0:43:46.400
<v Speaker 4>Leam McSweeney and start a business. So that's what would happen.

0:43:47.120 --> 0:43:49.040
<v Speaker 4>Oh my god, Wait, did I tell you what happened

0:43:49.080 --> 0:43:50.080
<v Speaker 4>at New York Comedy Club?

0:43:50.719 --> 0:43:51.000
<v Speaker 1>No?

0:43:51.440 --> 0:43:54.719
<v Speaker 4>Okay, So I'm just doing a set. I mentioned the Housewives,

0:43:54.760 --> 0:43:58.840
<v Speaker 4>and this kind of drunk girl yells out Aaron Lee Chee,

0:43:59.760 --> 0:44:03.200
<v Speaker 4>and I go, fuck that bitch. She used Breakstone sour

0:44:03.239 --> 0:44:06.600
<v Speaker 4>cream with caviaars. She's a fraud, she's and I start

0:44:06.680 --> 0:44:09.720
<v Speaker 4>going off, and then the woman goes, wait, that's his aunt.

0:44:09.880 --> 0:44:10.680
<v Speaker 1>That's his aunt.

0:44:11.200 --> 0:44:15.120
<v Speaker 4>So she was with his nephew.

0:44:15.719 --> 0:44:17.600
<v Speaker 1>Well, I'm going off on his aunt.

0:44:17.760 --> 0:44:20.560
<v Speaker 2>And what a horrible addition she is to the to

0:44:20.600 --> 0:44:21.320
<v Speaker 2>the franchise.

0:44:22.600 --> 0:44:24.680
<v Speaker 1>And then everyone obviously starts laughing.

0:44:24.800 --> 0:44:26.600
<v Speaker 4>I start laughing, and then I go, no, I mean

0:44:26.640 --> 0:44:28.000
<v Speaker 4>she and then I have to kind of back up,

0:44:28.040 --> 0:44:29.879
<v Speaker 4>but I'm like, why would you yell out someone's name?

0:44:29.920 --> 0:44:32.720
<v Speaker 2>That's like a famous part, like right when you're related.

0:44:32.719 --> 0:44:34.640
<v Speaker 2>But then I said were you at that party? Were

0:44:34.640 --> 0:44:38.120
<v Speaker 2>you at that fucking party? He goes, I was at

0:44:38.120 --> 0:44:41.160
<v Speaker 2>the bank, the big bank party. He goes, I was

0:44:41.160 --> 0:44:43.600
<v Speaker 2>at the party, and I go, was there food? And

0:44:43.640 --> 0:44:48.640
<v Speaker 2>he goes, I left full and satisfied. Oh okay, standing

0:44:48.719 --> 0:44:49.399
<v Speaker 2>up for his aunt.

0:44:49.480 --> 0:44:50.040
<v Speaker 1>I got it.

0:44:50.440 --> 0:44:54.400
<v Speaker 4>Yeah, but yeah, I just thought I would share that

0:44:54.400 --> 0:44:57.880
<v Speaker 4>little tid bit funny. So, hey, you gotta be careful

0:44:58.160 --> 0:45:01.799
<v Speaker 4>because remember I talked about the Queen Your Love Ultimatum show.

0:45:01.920 --> 0:45:05.200
<v Speaker 4>Oh yeahs a twin sister was at our show. Yeah,

0:45:05.280 --> 0:45:07.440
<v Speaker 4>so's my sister's on that. And it's like, yeah, no,

0:45:07.520 --> 0:45:11.640
<v Speaker 4>you look exactly like her, right, yeah, thank god your

0:45:12.040 --> 0:45:15.200
<v Speaker 4>your sister wasn't as problematic because her big titted girlfriend.

0:45:15.280 --> 0:45:15.600
<v Speaker 1>Okay.

0:45:15.760 --> 0:45:20.319
<v Speaker 2>So yeah, Craigan's like, because he's block Okay. So then

0:45:20.360 --> 0:45:23.880
<v Speaker 2>Tucker's testing Brian because he needs to prove he can

0:45:23.920 --> 0:45:26.520
<v Speaker 2>be unbiased. So he thinks, I AB and the mayor

0:45:26.560 --> 0:45:29.160
<v Speaker 2>are just trying to use tomorrow as a sacrificial lamb.

0:45:29.520 --> 0:45:32.759
<v Speaker 2>And it's like, but he did shoot, And so then

0:45:32.840 --> 0:45:34.360
<v Speaker 2>a pastor comes in from behind.

0:45:34.480 --> 0:45:35.520
<v Speaker 1>Craigan is surrounded.

0:45:35.600 --> 0:45:39.880
<v Speaker 2>It's Reverend Curtis Scott aka Leslie Odom Jr. Says the

0:45:39.920 --> 0:45:41.920
<v Speaker 2>only person's sacrifice is Yusuf.

0:45:42.600 --> 0:45:43.960
<v Speaker 1>I'm with the I'm with the reverend.

0:45:44.200 --> 0:45:48.399
<v Speaker 2>So Craigan does a slow spin and goes, wow, we're

0:45:48.560 --> 0:45:51.600
<v Speaker 2>word travels fast, and it's like, yeah, when the NYPD

0:45:51.640 --> 0:45:54.040
<v Speaker 2>shoots an unarmed boy, we tend to talk about it.

0:45:54.520 --> 0:45:59.920
<v Speaker 2>So his parents are with him. Tiger Tiger, Tiger Tigger. Okay,

0:46:00.160 --> 0:46:04.880
<v Speaker 2>So Tiger fights with Pastor now too, and he's like,

0:46:04.920 --> 0:46:09.439
<v Speaker 2>hold your horses, we'll see what happens. Have you seen

0:46:09.440 --> 0:46:11.480
<v Speaker 2>the trend on TikTok where black people are doing things

0:46:11.560 --> 0:46:14.080
<v Speaker 2>of like what phrases by white people they really do,

0:46:14.280 --> 0:46:16.520
<v Speaker 2>like like white people really popped off when they came

0:46:16.600 --> 0:46:18.759
<v Speaker 2>up with it, And it's like I've had it up

0:46:18.800 --> 0:46:19.719
<v Speaker 2>to hear.

0:46:22.480 --> 0:46:25.160
<v Speaker 1>And it's like you're cruising for a cruises.

0:46:27.560 --> 0:46:31.280
<v Speaker 4>And I feel like hold your horses is one of those, yeah,

0:46:31.320 --> 0:46:35.399
<v Speaker 4>that the whites popped off. And so Pastor Curtis gets

0:46:35.440 --> 0:46:37.440
<v Speaker 4>invol and goes, oh, now that you can't stop him,

0:46:37.440 --> 0:46:39.880
<v Speaker 4>frisk you just shoot, and they all fight that it

0:46:39.920 --> 0:46:42.799
<v Speaker 4>was not racially motivated, and he gets them and goes,

0:46:42.840 --> 0:46:45.000
<v Speaker 4>I thought, we haven't determined what happened yet.

0:46:45.520 --> 0:46:47.640
<v Speaker 1>So it's like you guys are saying it's not race related.

0:46:47.680 --> 0:46:50.239
<v Speaker 2>But then you also said the investigation's not done, so

0:46:50.239 --> 0:46:53.640
<v Speaker 2>you're already just like clamoring for whatever.

0:46:53.760 --> 0:46:55.600
<v Speaker 1>It's like, Rollin's going, that was a good shoot.

0:46:55.760 --> 0:47:00.520
<v Speaker 2>It's like, yeah, you guys are not investigating and you're

0:47:00.560 --> 0:47:05.040
<v Speaker 2>not being like self aware. So he says, the whole

0:47:05.040 --> 0:47:07.879
<v Speaker 2>city is watching you and the mayor, so let's see.

0:47:07.960 --> 0:47:10.399
<v Speaker 2>So Craigan goes, oh, babe, I wouldn't waste your time

0:47:10.440 --> 0:47:13.160
<v Speaker 2>with us. So then the Reverend goes, the whole city

0:47:13.200 --> 0:47:15.399
<v Speaker 2>is watching you and so is the mayor. We'll see

0:47:15.400 --> 0:47:18.399
<v Speaker 2>what happens. Craigan goes, oh, I wouldn't waste your time

0:47:18.440 --> 0:47:20.560
<v Speaker 2>with us. The cameras are down there, and the Reverend

0:47:20.640 --> 0:47:22.960
<v Speaker 2>runs straight to the media. He is a fame wore.

0:47:23.360 --> 0:47:26.680
<v Speaker 2>So Benson runs to Brian and he introduces himself as

0:47:26.760 --> 0:47:30.480
<v Speaker 2>IAB so they can't talk and Benson just keeps running.

0:47:31.000 --> 0:47:33.520
<v Speaker 2>She meets up with Tomorrow and the blonde delegate d

0:47:33.640 --> 0:47:37.200
<v Speaker 2>d or whatever, who leaves after Benson rushes her out.

0:47:37.440 --> 0:47:40.399
<v Speaker 2>She warns Tomorrow, it's a circus out there, so we're

0:47:40.400 --> 0:47:42.920
<v Speaker 2>going to take you out the back door, and she

0:47:43.000 --> 0:47:45.520
<v Speaker 2>does have to inform him the gun has not been

0:47:45.520 --> 0:47:49.160
<v Speaker 2>found and the older brother is still missing, and Yusuf

0:47:49.239 --> 0:47:52.640
<v Speaker 2>is alive, thank god, but one bullet did hit his spine,

0:47:52.680 --> 0:47:54.600
<v Speaker 2>but they don't know what it means, and Tomorrow goes,

0:47:54.719 --> 0:47:58.319
<v Speaker 2>yeah they do, so dramatic music plays and Tomorrow is sad.

0:47:58.920 --> 0:48:02.440
<v Speaker 2>We open on walking into the woodblind's room and announcing

0:48:02.440 --> 0:48:05.239
<v Speaker 2>that the kid may be piraalized. The doctor did say

0:48:05.239 --> 0:48:08.839
<v Speaker 2>that Tomorrow saved use of slice, but yeah, wheelchair. Then

0:48:08.920 --> 0:48:10.960
<v Speaker 2>Craigan is like, okay, so does use have have a

0:48:11.000 --> 0:48:15.120
<v Speaker 2>criminal record? I don't know, but he's paralyzed now, so

0:48:15.480 --> 0:48:19.920
<v Speaker 2>what Like what the fuck? I just don't understand why

0:48:19.960 --> 0:48:21.640
<v Speaker 2>they can't be like we fucked up. We should be

0:48:21.680 --> 0:48:23.880
<v Speaker 2>in trouble and move on. But then we wouldn't have

0:48:23.920 --> 0:48:25.480
<v Speaker 2>a TV show, and I wouldn't be right.

0:48:25.560 --> 0:48:27.640
<v Speaker 4>And I guess, like if you want to like play

0:48:27.719 --> 0:48:31.040
<v Speaker 4>Devil's Advocate or whatever, if you're watching the episode, like

0:48:31.080 --> 0:48:33.760
<v Speaker 4>the dumb Woman cop goes in from Oranges the New Black,

0:48:33.800 --> 0:48:34.760
<v Speaker 4>and then you just hear.

0:48:34.719 --> 0:48:36.280
<v Speaker 1>Bullets, bullets, bullets, bullets, bullets.

0:48:36.440 --> 0:48:39.080
<v Speaker 4>So in his mind, somebody with a gun is there

0:48:39.080 --> 0:48:41.200
<v Speaker 4>trying to shoot a cop, so he just shoots back,

0:48:41.440 --> 0:48:44.080
<v Speaker 4>you know, like he thinks he's protecting his fellow officer,

0:48:44.600 --> 0:48:46.640
<v Speaker 4>you know. But the way they went about it was

0:48:46.680 --> 0:48:49.840
<v Speaker 4>all idiotic to begin with and not worth it and

0:48:49.960 --> 0:48:55.480
<v Speaker 4>not like and not literally nobody would be injured at

0:48:55.480 --> 0:48:58.120
<v Speaker 4>all if you guys just stayed outside and waited for backup.

0:48:58.920 --> 0:49:02.600
<v Speaker 4>So they say, base, the little brother just has minor

0:49:02.760 --> 0:49:05.920
<v Speaker 4>like street pedaling busts. It's the big brother who's the

0:49:05.920 --> 0:49:08.600
<v Speaker 4>bad boy. So Benson thinks younger brother might work for

0:49:08.640 --> 0:49:12.000
<v Speaker 4>older brother who ran with the gun, and Finn is like, listen,

0:49:12.280 --> 0:49:14.759
<v Speaker 4>the only person who saw him with a gun is

0:49:14.800 --> 0:49:17.960
<v Speaker 4>this female cop. We did a grid search for two blocks.

0:49:18.000 --> 0:49:21.080
<v Speaker 4>There is nothing. The neighbors are clean. Everything is clean.

0:49:21.560 --> 0:49:23.680
<v Speaker 4>So they're dead set on looking for the older brother

0:49:23.719 --> 0:49:26.719
<v Speaker 4>and put pressure on people. So Tomorrow goes to church

0:49:26.800 --> 0:49:29.959
<v Speaker 4>obviously to confess and get advice from his priest. And

0:49:30.080 --> 0:49:34.319
<v Speaker 4>he does confess that he paralyzed a child. He's like, yeah,

0:49:34.480 --> 0:49:39.320
<v Speaker 4>I know it's in the news. But the pastor says,

0:49:39.400 --> 0:49:42.040
<v Speaker 4>I'm sure the guilt is a lot and a burden,

0:49:42.080 --> 0:49:44.920
<v Speaker 4>and he says, no, that's the thing. According to my training,

0:49:45.320 --> 0:49:48.000
<v Speaker 4>I did everything I was supposed to do. And he goes, okay,

0:49:48.320 --> 0:49:51.680
<v Speaker 4>how about for your conscience and it's not really clicking.

0:49:51.760 --> 0:49:54.280
<v Speaker 4>So finally goes, what tell me why you feel guilty?

0:49:54.440 --> 0:49:56.879
<v Speaker 4>Was their hate in your heart? And he says no,

0:49:57.040 --> 0:50:01.400
<v Speaker 4>I was just trying to help the other cop and oh,

0:50:01.480 --> 0:50:02.840
<v Speaker 4>I don't know what I wrote, but it's because I

0:50:02.840 --> 0:50:05.600
<v Speaker 4>called the priest a caller boy and that's why I

0:50:05.680 --> 0:50:10.240
<v Speaker 4>was confused. So so the guy in the collar is like, okay,

0:50:10.280 --> 0:50:13.560
<v Speaker 4>then you tell me why you feel guilty, Like, obviously

0:50:13.640 --> 0:50:14.799
<v Speaker 4>all my guesses aren't working.

0:50:14.920 --> 0:50:16.120
<v Speaker 1>Is it because you had a few drinks?

0:50:16.120 --> 0:50:18.279
<v Speaker 4>He said it didn't affect him, but they're gonna say

0:50:18.280 --> 0:50:20.279
<v Speaker 4>it did or that I did it because the kid

0:50:20.360 --> 0:50:22.520
<v Speaker 4>was black, And the priest is like, oh, it's your pride,

0:50:22.560 --> 0:50:26.239
<v Speaker 4>that's what's wounded. He goes, I did everything right, and

0:50:26.239 --> 0:50:28.400
<v Speaker 4>it's like you didn't. I don't know.

0:50:28.480 --> 0:50:30.600
<v Speaker 1>It's just shooting into a hallway as correct.

0:50:31.000 --> 0:50:32.800
<v Speaker 4>So then the priest gets it and goes, oh, okay,

0:50:32.840 --> 0:50:35.000
<v Speaker 4>so you feel like you did everything right and yet

0:50:35.040 --> 0:50:38.160
<v Speaker 4>God did not give you the results you expected or deserved.

0:50:38.680 --> 0:50:41.719
<v Speaker 4>And then the clapback is God planned for me to

0:50:41.800 --> 0:50:45.759
<v Speaker 4>paralyze yousef So whatever, they chat about God's plans, but

0:50:45.840 --> 0:50:48.439
<v Speaker 4>one lesson to learn the priest says is, why don't

0:50:48.440 --> 0:50:51.520
<v Speaker 4>you figure out why pride is a sin? Something to

0:50:51.520 --> 0:50:55.160
<v Speaker 4>sit with? Okay, And so the actors playing the priest is,

0:50:56.320 --> 0:51:00.960
<v Speaker 4>I think it's Gabenga akinagbe, thank you, and he's working.

0:51:01.000 --> 0:51:03.840
<v Speaker 4>He's from the wire, he's been a nurse Jackie and

0:51:03.920 --> 0:51:06.120
<v Speaker 4>you know, he really gagged Tomorrow at that point.

0:51:06.239 --> 0:51:07.399
<v Speaker 1>So Amorrow goes off.

0:51:07.440 --> 0:51:10.200
<v Speaker 4>He's not happy about it, and then he does a

0:51:10.239 --> 0:51:13.279
<v Speaker 4>little Catholic hand thing and leaves. So if it and

0:51:13.360 --> 0:51:15.479
<v Speaker 4>Rollind's go to visit McKenna and it is her first

0:51:15.480 --> 0:51:18.080
<v Speaker 4>time being shot, so she's They're like, yeah, yeah, it's tough.

0:51:18.080 --> 0:51:19.680
<v Speaker 1>You'll get shot again. It'll be fine.

0:51:20.000 --> 0:51:21.759
<v Speaker 2>And so then she says that her deli get told

0:51:21.760 --> 0:51:24.320
<v Speaker 2>her not to answer any questions, and they're like sure.

0:51:24.360 --> 0:51:27.640
<v Speaker 2>But the thing is, iab is going after Tomorrow really hard.

0:51:27.920 --> 0:51:30.440
<v Speaker 2>They think it was his gun and kid the kid's

0:51:30.440 --> 0:51:32.600
<v Speaker 2>gun is gone, Like are you sure you saw a gun?

0:51:33.200 --> 0:51:36.440
<v Speaker 2>She is testy and goes, listen, I saw a flash

0:51:36.480 --> 0:51:38.680
<v Speaker 2>of metal during the deal and in the hallway I

0:51:38.719 --> 0:51:42.240
<v Speaker 2>got hit by a bullet that he fired. She held

0:51:42.280 --> 0:51:44.680
<v Speaker 2>her head down until Amorrow pulled her to safety, so

0:51:44.719 --> 0:51:47.960
<v Speaker 2>she didn't see anything else, but maybe the woman recording

0:51:48.000 --> 0:51:50.720
<v Speaker 2>on her phone did, and Rolind's is like, whoa what woman?

0:51:51.360 --> 0:51:52.360
<v Speaker 1>So then the woman.

0:51:52.080 --> 0:51:55.279
<v Speaker 4>Who like hates cops was in there, and Tomorrow told

0:51:55.280 --> 0:51:57.280
<v Speaker 4>her to get back, but she kept her for recording

0:51:57.440 --> 0:51:59.800
<v Speaker 4>that woman, and so we got to find her. So

0:52:00.320 --> 0:52:04.160
<v Speaker 4>now we have Elizabeth Marvel aka Rita Calhoun Rita Calhoun.

0:52:04.600 --> 0:52:07.120
<v Speaker 4>Both names don't feel real, like I always forget which

0:52:07.160 --> 0:52:09.040
<v Speaker 4>one's her real name and which one's her state name,

0:52:09.120 --> 0:52:12.759
<v Speaker 4>because with Marvel is kind of like an amazing after name.

0:52:13.080 --> 0:52:15.960
<v Speaker 4>Yeah yeah, but that means he's paying for the big guns,

0:52:15.960 --> 0:52:16.520
<v Speaker 4>you know what I mean.

0:52:17.239 --> 0:52:18.360
<v Speaker 1>She's not a cheap lawyer.

0:52:19.120 --> 0:52:22.320
<v Speaker 4>So they walk into a room and Marie Hardy's blonde

0:52:22.360 --> 0:52:25.640
<v Speaker 4>recipe voiced gift from the heavens is here, and in

0:52:25.640 --> 0:52:28.879
<v Speaker 4>the room is also the IAB Dynamic Sexy bad duo.

0:52:29.120 --> 0:52:34.640
<v Speaker 4>There must be like a double team fanfic of Tucker Cassidy. Yeah,

0:52:34.880 --> 0:52:38.000
<v Speaker 4>IAB coming to.

0:52:37.000 --> 0:52:38.120
<v Speaker 1>Enforce the rules.

0:52:38.760 --> 0:52:41.560
<v Speaker 4>There must be two sexy older guys making sure the

0:52:41.600 --> 0:52:42.719
<v Speaker 4>cops aren't fucking up.

0:52:42.960 --> 0:52:43.360
<v Speaker 3>I like that.

0:52:44.719 --> 0:52:47.000
<v Speaker 2>So they all sit down and they're ready for the meeting,

0:52:47.280 --> 0:52:49.320
<v Speaker 2>and he doesn't like that. Cassidy's going to be asking

0:52:49.360 --> 0:52:52.120
<v Speaker 2>the questions, but he is training, so he has to

0:52:53.280 --> 0:52:56.200
<v Speaker 2>and it's tense. They asked you, did you announced yourself,

0:52:56.239 --> 0:52:58.120
<v Speaker 2>did you see the gun? You had drinks?

0:52:58.200 --> 0:52:58.600
<v Speaker 1>Did you?

0:52:59.120 --> 0:53:02.239
<v Speaker 4>And the amarro gets sassy and goes, why don't you

0:53:02.239 --> 0:53:04.320
<v Speaker 4>go test the holes in the walls and they're.

0:53:04.080 --> 0:53:06.719
<v Speaker 1>Like we yeah, we're doing that, thanks, thanks, we are.

0:53:07.480 --> 0:53:09.280
<v Speaker 2>And so then with the drinks, the line of questioning

0:53:09.360 --> 0:53:13.440
<v Speaker 2>is amazing because he's at Cassidy's apartment, so like he

0:53:13.640 --> 0:53:18.280
<v Speaker 2>was drinking in front of Cassidy, Like this is wild.

0:53:18.520 --> 0:53:20.359
<v Speaker 2>So then they bring up like, you also didn't let

0:53:20.400 --> 0:53:23.399
<v Speaker 2>the nurse take your blood, and Marvel interrupts quickly and goes,

0:53:23.400 --> 0:53:26.040
<v Speaker 2>that was the delegate. But IAB does not like that,

0:53:26.080 --> 0:53:29.280
<v Speaker 2>and Cassidy is now interviewing all our friends on camera

0:53:29.480 --> 0:53:33.000
<v Speaker 2>and goes, yeah, he was sober. Rollins goes, yeah, they

0:53:33.080 --> 0:53:35.440
<v Speaker 2>said that the suspect was armed, but also she did

0:53:35.440 --> 0:53:38.279
<v Speaker 2>not see a gun. And now it's Benson in the

0:53:38.320 --> 0:53:40.680
<v Speaker 2>interview room and she goes, I didn't serve him, and

0:53:40.719 --> 0:53:43.840
<v Speaker 2>Tucker says, stopping, cute, detective, it was your apartment.

0:53:44.480 --> 0:53:45.320
<v Speaker 1>Was he served?

0:53:45.600 --> 0:53:48.760
<v Speaker 2>She says, of maybe two glasses of wine over two hours,

0:53:48.800 --> 0:53:51.600
<v Speaker 2>and he ate dinner and he was unimpaired. Tucker goes,

0:53:51.640 --> 0:53:53.200
<v Speaker 2>they're going to ask you this on the stand. Is

0:53:53.239 --> 0:53:55.120
<v Speaker 2>that what you're going to say under oath? And it

0:53:55.200 --> 0:53:57.400
<v Speaker 2>hits her like, oh, fuck, you want this to go

0:53:57.440 --> 0:54:00.719
<v Speaker 2>to trial. So then we leave the interrogation montage to

0:54:00.719 --> 0:54:03.520
<v Speaker 2>the elevator doors at the precinct opening up. Benson's telling

0:54:03.600 --> 0:54:05.879
<v Speaker 2>Craigan like, fuck, Tucker, let it slip. He wants this

0:54:05.920 --> 0:54:08.520
<v Speaker 2>to go to trial. Craigan reassures her it's not going

0:54:08.600 --> 0:54:11.440
<v Speaker 2>to be Tucker's call. He's like, it's the regime change,

0:54:11.480 --> 0:54:14.480
<v Speaker 2>and she goes okay, and their first act is to

0:54:14.520 --> 0:54:15.640
<v Speaker 2>crucify Amorrow.

0:54:16.480 --> 0:54:19.239
<v Speaker 1>He is not innocent, and she is.

0:54:19.239 --> 0:54:21.240
<v Speaker 2>So loud and they walk into the office and Tomorrow

0:54:21.239 --> 0:54:25.640
<v Speaker 2>overhears the conversation and Benson's like, oh, Nick, are you

0:54:25.680 --> 0:54:28.359
<v Speaker 2>sure you should be here? Rollins pops up like yep,

0:54:28.400 --> 0:54:30.320
<v Speaker 2>I told him to be here, And she has footage

0:54:30.360 --> 0:54:33.080
<v Speaker 2>from the cell phone of the shooting. So the footage

0:54:33.120 --> 0:54:35.640
<v Speaker 2>is on a website and basically we see the running.

0:54:35.840 --> 0:54:38.920
<v Speaker 2>We see that like he kicks her the woman out,

0:54:39.160 --> 0:54:42.960
<v Speaker 2>but the subtitles and what they make the video seem

0:54:43.080 --> 0:54:46.960
<v Speaker 2>like as Tomorrow goes speak English like kind of rude

0:54:47.160 --> 0:54:50.919
<v Speaker 2>like ghosts like speak English verse. He doesn't speak English,

0:54:50.960 --> 0:54:54.160
<v Speaker 2>which is a huge difference, I would say. And so

0:54:54.360 --> 0:54:57.680
<v Speaker 2>Tomorrow slams the laptop and he goes, this is useless

0:54:57.760 --> 0:54:59.920
<v Speaker 2>and bullshit fuck, and I mean.

0:54:59.800 --> 0:55:01.920
<v Speaker 4>It's it's just him shooting a kid into a hallway.

0:55:02.200 --> 0:55:03.279
<v Speaker 4>But he feels set up.

0:55:03.760 --> 0:55:05.760
<v Speaker 2>So now they're going to go find the og clip,

0:55:05.840 --> 0:55:07.919
<v Speaker 2>not the edited one, and see if that helps at all.

0:55:08.440 --> 0:55:10.880
<v Speaker 2>But before they all dispersed to go work, Cassidy and

0:55:10.920 --> 0:55:14.520
<v Speaker 2>Tucker walk in and Yusuf had no guns shot residue

0:55:14.520 --> 0:55:18.120
<v Speaker 2>on him at all. The only shots fired came from

0:55:18.200 --> 0:55:22.080
<v Speaker 2>McKenna's gun, and Amorrow's that's it. There's no third gun

0:55:22.120 --> 0:55:26.760
<v Speaker 2>and it was never fired. McKenna was shot on accident

0:55:26.880 --> 0:55:29.000
<v Speaker 2>by her own gun. And she's also saying that she

0:55:29.080 --> 0:55:32.040
<v Speaker 2>didn't shoot, that she tripped and her finger was on

0:55:32.080 --> 0:55:34.719
<v Speaker 2>the trigger and that's why it even shot. She said

0:55:34.719 --> 0:55:38.240
<v Speaker 2>she tripped and fell and did not mean to shoot.

0:55:38.360 --> 0:55:40.880
<v Speaker 2>So Cragan's like, sure, but Amaro believed that a fellow

0:55:40.920 --> 0:55:43.680
<v Speaker 2>officer had been shot by the perp and he was

0:55:43.719 --> 0:55:47.080
<v Speaker 2>trying to save her, and Tucker says maybe, but McKenna's

0:55:47.120 --> 0:55:53.000
<v Speaker 2>refusing to cooperate in any way. So he risked everything

0:55:54.080 --> 0:55:58.120
<v Speaker 2>to help his fellow officer, and she's just like, I

0:55:58.160 --> 0:55:58.600
<v Speaker 2>don't care.

0:55:58.760 --> 0:56:00.600
<v Speaker 1>I tripped, it was an accident, and I had no

0:56:00.680 --> 0:56:06.839
<v Speaker 1>idea why he was there. So also we.

0:56:06.800 --> 0:56:09.040
<v Speaker 4>Find out his blood alcohol was point zero four to

0:56:09.160 --> 0:56:12.960
<v Speaker 4>nine and that's two hours after the shooting, so he

0:56:13.000 --> 0:56:14.520
<v Speaker 4>could have actually been impaired.

0:56:15.000 --> 0:56:17.399
<v Speaker 1>And Tomorrow hands over his badge. No one even has

0:56:17.440 --> 0:56:17.759
<v Speaker 1>to ask.

0:56:17.800 --> 0:56:19.959
<v Speaker 2>He knows what's up, and at nine am he needs

0:56:20.000 --> 0:56:23.200
<v Speaker 2>to turn himself in. Craigan says that this is a farce,

0:56:23.280 --> 0:56:26.520
<v Speaker 2>arresting him before he's even been indicted, and Tucker tells

0:56:26.560 --> 0:56:29.040
<v Speaker 2>him he better get his affairs in order. They all

0:56:29.120 --> 0:56:33.040
<v Speaker 2>rally around tomorrow and we go straight to court. Calhoun

0:56:33.200 --> 0:56:37.400
<v Speaker 2>in court is like, hey, they're rushing. This is an overcharge.

0:56:37.440 --> 0:56:41.240
<v Speaker 2>This is a decorated career officer, and they want a release,

0:56:41.719 --> 0:56:44.319
<v Speaker 2>and the judge says, hell, no, bail is half a

0:56:44.360 --> 0:56:49.040
<v Speaker 2>million dollars, and then Calhoun goes, is this punitive or political?

0:56:49.160 --> 0:56:51.440
<v Speaker 4>The judge ignores her. He calls for the bailiff and

0:56:51.480 --> 0:56:54.480
<v Speaker 4>he wants the next case brought in. He's scared that

0:56:54.520 --> 0:56:57.200
<v Speaker 4>he doesn't have that kind of money and h you know.

0:56:57.280 --> 0:56:59.839
<v Speaker 4>Rita Calhoun goes, you have a house, you know, put

0:56:59.880 --> 0:57:02.600
<v Speaker 4>it up and he's like, fuck, I have to message

0:57:02.680 --> 0:57:04.279
<v Speaker 4>my wife we're separated, but.

0:57:04.840 --> 0:57:06.800
<v Speaker 1>She says she better sign it. So they're going to

0:57:06.840 --> 0:57:07.480
<v Speaker 1>put the house up.

0:57:07.520 --> 0:57:10.040
<v Speaker 2>The media, there's a frenzy the reverends talking to the

0:57:10.040 --> 0:57:14.440
<v Speaker 2>cameras about change. And then the older brother went to

0:57:14.520 --> 0:57:17.400
<v Speaker 2>check in on the younger brother at the hospital. So

0:57:17.480 --> 0:57:20.280
<v Speaker 2>they found him and they're holding him but she's not

0:57:20.360 --> 0:57:23.160
<v Speaker 2>telling iab and told them not to and basically they're

0:57:23.200 --> 0:57:24.920
<v Speaker 2>being shady, but they're going to go talk to the

0:57:24.960 --> 0:57:28.160
<v Speaker 2>brother first. So Benson goes, okay, yeah, I'm gonna go

0:57:28.200 --> 0:57:29.920
<v Speaker 2>chat with him, see if he can help us, like

0:57:29.960 --> 0:57:31.720
<v Speaker 2>why would he? But also why would he help the

0:57:31.720 --> 0:57:34.640
<v Speaker 2>person that paralyzed his brother. So we're in a cement

0:57:34.720 --> 0:57:37.000
<v Speaker 2>room bars and Rollins is like, we know that Yusuf

0:57:37.160 --> 0:57:40.320
<v Speaker 2>was selling cop for you, and he says, Yusef delivered

0:57:40.320 --> 0:57:40.560
<v Speaker 2>for me.

0:57:40.760 --> 0:57:43.600
<v Speaker 1>That's it. He never sold it. Rollins asks why did

0:57:43.600 --> 0:57:44.040
<v Speaker 1>he run?

0:57:44.240 --> 0:57:47.000
<v Speaker 4>And it's like, okay, captain obvious because cops kill black

0:57:47.040 --> 0:57:49.000
<v Speaker 4>people and you were chasing him, so why wouldn't he

0:57:49.080 --> 0:57:51.760
<v Speaker 4>be running? So then he goes, yeah, you're always fucking

0:57:51.800 --> 0:57:54.800
<v Speaker 4>with us, always an excuse, whether a permit or a fine,

0:57:54.920 --> 0:57:56.720
<v Speaker 4>You're always going to find a way to bother us.

0:57:57.080 --> 0:57:59.240
<v Speaker 4>Finn asks why did you run, and he's like, you

0:57:59.360 --> 0:58:03.600
<v Speaker 4>shot my brother, wouldn't you run to so knock knock.

0:58:03.640 --> 0:58:05.080
<v Speaker 4>Benson goes to visit Tomorrow.

0:58:05.840 --> 0:58:09.840
<v Speaker 2>Zara is there and Grandma Amorro and Zara wants to play,

0:58:10.000 --> 0:58:14.000
<v Speaker 2>but weird Time girl Weird Time puts it down, so

0:58:14.040 --> 0:58:17.520
<v Speaker 2>she asks how he's doing, which also again everyone is

0:58:17.560 --> 0:58:20.880
<v Speaker 2>being stupid Right now, things are not good, so Omorrow

0:58:20.960 --> 0:58:24.440
<v Speaker 2>decides to channel his anger and hating Benson's boyfriend Brian Cassidy,

0:58:24.920 --> 0:58:27.520
<v Speaker 2>and that Brian is enjoying this, that he's a sicko,

0:58:27.760 --> 0:58:30.560
<v Speaker 2>he's leaking files, he's sam bagging me in the press,

0:58:31.000 --> 0:58:32.640
<v Speaker 2>and she's like no, no, no, he hates this.

0:58:33.320 --> 0:58:35.200
<v Speaker 1>She is like, you're being paranoid.

0:58:35.360 --> 0:58:38.000
<v Speaker 4>This is about one Pp, Like one Ppe wants to

0:58:38.000 --> 0:58:40.520
<v Speaker 4>make you a fall guye not Brian, and he's like,

0:58:40.520 --> 0:58:41.360
<v Speaker 4>whatever you say.

0:58:41.800 --> 0:58:44.800
<v Speaker 2>Benson goes, we all have your back. That bang, bang

0:58:44.840 --> 0:58:47.040
<v Speaker 2>bang bullet shots through the window and he runs to

0:58:47.080 --> 0:58:50.520
<v Speaker 2>protect Zara asks if she's okay. Everyone is super scared

0:58:50.560 --> 0:58:53.880
<v Speaker 2>but physically fine. Benson calls for backup for shots fired.

0:58:54.200 --> 0:58:56.840
<v Speaker 2>She walks out gun out. She finds the gunmen and

0:58:56.880 --> 0:58:58.840
<v Speaker 2>they are young black men who put their hands up

0:58:58.880 --> 0:59:01.919
<v Speaker 2>right away and go what are we next? Benson asked

0:59:01.960 --> 0:59:04.240
<v Speaker 2>for them to explain themselves, and they say, we didn't

0:59:04.240 --> 0:59:07.520
<v Speaker 2>see nothing. Amaro runs out with a baseball bat, screaming

0:59:07.520 --> 0:59:10.560
<v Speaker 2>they're lying. One of the men respond maybe if someone

0:59:10.600 --> 0:59:13.840
<v Speaker 2>saw you with a gun. He keeps yelling, oh, you're

0:59:13.840 --> 0:59:16.320
<v Speaker 2>shooting my house with my daughter inside, and it's like

0:59:16.400 --> 0:59:20.280
<v Speaker 2>you did the same thing. Yeah, you ran into someone's

0:59:20.280 --> 0:59:23.520
<v Speaker 2>apartment building and shot them where their parents were right there,

0:59:23.640 --> 0:59:27.200
<v Speaker 2>Like yeah, yeah, tzara you got Like now you know

0:59:27.240 --> 0:59:27.960
<v Speaker 2>how it feels.

0:59:29.120 --> 0:59:30.680
<v Speaker 1>I don't want anything that been a tzara.

0:59:30.840 --> 0:59:33.240
<v Speaker 4>But it's like, why would someone shooting into your windows

0:59:33.280 --> 0:59:36.640
<v Speaker 4>be any less like or any more bad.

0:59:36.480 --> 0:59:39.040
<v Speaker 1>Than what you did? Yeah? But whatever.

0:59:41.040 --> 0:59:44.439
<v Speaker 2>So he screams cuffum, cuffam now, and this is all

0:59:44.480 --> 0:59:46.880
<v Speaker 2>being taped. So they say, well, you imagined a gun

0:59:46.920 --> 0:59:48.800
<v Speaker 2>and there wasn't one, and he gets frustrated and then

0:59:48.800 --> 0:59:51.480
<v Speaker 2>he hits the garbage can with the baseball bat. Craigan

0:59:51.560 --> 0:59:54.080
<v Speaker 2>arrives and he says that they found a twenty two

0:59:54.280 --> 0:59:57.560
<v Speaker 2>in the sewer. Great, and they're bringing two of the

0:59:57.600 --> 1:00:00.200
<v Speaker 2>three kids in. So basically they didn't find this this

1:00:00.320 --> 1:00:04.240
<v Speaker 2>gun that was shot into Tomorrow's window. And Tucker arrives

1:00:04.240 --> 1:00:07.480
<v Speaker 2>on the scene, Craigan jumps up, we got this. Benson, then,

1:00:07.520 --> 1:00:11.320
<v Speaker 2>in shocking news, says that she called him in. She says, Nick,

1:00:11.440 --> 1:00:15.280
<v Speaker 2>I had to. Nick screams at Tucker, they shot through

1:00:15.320 --> 1:00:18.400
<v Speaker 2>my windows with my mother and child inside, and Tucker goes,

1:00:18.440 --> 1:00:20.680
<v Speaker 2>I get the pain and upsetness, but you can't go

1:00:20.720 --> 1:00:23.720
<v Speaker 2>after civilians with a baseball bat. Oh, but they can

1:00:23.760 --> 1:00:27.160
<v Speaker 2>shoot at me, and Benson tells him to stop. Craigan says,

1:00:27.800 --> 1:00:30.520
<v Speaker 2>like they shot at his daughter, and Tucker goes, I understand,

1:00:30.600 --> 1:00:33.120
<v Speaker 2>and I get it, but I have to investigate. So

1:00:33.160 --> 1:00:35.520
<v Speaker 2>then Benson asked Tucker to please give us a minute,

1:00:35.920 --> 1:00:38.680
<v Speaker 2>but before he steps outside, he tells Tomorrow he gets

1:00:38.720 --> 1:00:40.880
<v Speaker 2>it and he would have done the same thing or worse.

1:00:42.480 --> 1:00:44.760
<v Speaker 2>So Craigan down to business. We got to get you

1:00:44.800 --> 1:00:47.040
<v Speaker 2>and your family out of here. But he's ahead of that.

1:00:47.520 --> 1:00:49.160
<v Speaker 2>His mom's going to take Zara home and then they're

1:00:49.160 --> 1:00:52.040
<v Speaker 2>going to go to DC tomorrow. Kraigan asks, well, what's

1:00:52.080 --> 1:00:55.480
<v Speaker 2>your plan. Amara responds that he's good right where he is,

1:00:55.600 --> 1:00:58.800
<v Speaker 2>you know, same old, same old hero cop talk. Benson

1:00:58.840 --> 1:01:00.880
<v Speaker 2>tells him to come home with her, and he's like, gross,

1:01:00.920 --> 1:01:03.200
<v Speaker 2>I'm not going to where Cassidy lives. She goes, come on,

1:01:03.240 --> 1:01:07.240
<v Speaker 2>I have a comfy couch, Like I don't know, okay,

1:01:07.240 --> 1:01:09.320
<v Speaker 2>they always get witnesses hotel rooms, like, get him a

1:01:09.360 --> 1:01:09.919
<v Speaker 2>hotel room.

1:01:10.720 --> 1:01:12.960
<v Speaker 1>Whatever she asks. She like begs. She goes, please just

1:01:13.000 --> 1:01:13.960
<v Speaker 1>try it out for a few days.

1:01:14.040 --> 1:01:16.760
<v Speaker 2>So he grims, and then it cuts to black and

1:01:16.920 --> 1:01:20.000
<v Speaker 2>I really don't think they should be together, him and Cassidy,

1:01:20.040 --> 1:01:23.200
<v Speaker 2>but okay, So then Amaro listens to Benson and he's

1:01:23.360 --> 1:01:25.520
<v Speaker 2>taking the big couch and he's on the phone with

1:01:25.600 --> 1:01:28.200
<v Speaker 2>Maria while Benson is setting up his couch for sleepy time.

1:01:28.640 --> 1:01:29.680
<v Speaker 1>He hangs up pissed.

1:01:29.680 --> 1:01:32.080
<v Speaker 2>She wants full custody to let least the trial is over,

1:01:32.600 --> 1:01:35.960
<v Speaker 2>and Benson does feel sad for him. Yeah, like he

1:01:36.000 --> 1:01:38.160
<v Speaker 2>can't really argue with her. It is safer for Zara

1:01:38.320 --> 1:01:40.760
<v Speaker 2>to be with her mother. And if he gets convicted,

1:01:40.880 --> 1:01:43.440
<v Speaker 2>He's like, what then Zara can come visit me in prison.

1:01:43.960 --> 1:01:47.920
<v Speaker 2>Benson stops him and says, stop catastrophizing. And he's like, bitch,

1:01:48.120 --> 1:01:50.760
<v Speaker 2>too late for that, Are you kidding me? He's already

1:01:50.760 --> 1:01:53.160
<v Speaker 2>thinking like maybe I should cut a deal. And then

1:01:53.200 --> 1:01:55.480
<v Speaker 2>he goes, you know who I missed right now, Munch,

1:01:56.280 --> 1:02:00.120
<v Speaker 2>and Benson says they all do. So Brian walks in and.

1:02:00.520 --> 1:02:02.840
<v Speaker 4>Says, hi, babe, and then he does say hi to Nick,

1:02:02.880 --> 1:02:04.880
<v Speaker 4>and Nick looks forward. He will not look at him,

1:02:04.880 --> 1:02:07.440
<v Speaker 4>he will not respond to him. And then Brian asks

1:02:07.440 --> 1:02:10.360
<v Speaker 4>about Zarro, so he does say she's fine, but she's

1:02:10.400 --> 1:02:13.040
<v Speaker 4>still like he still will not look at Cassidy and

1:02:13.200 --> 1:02:16.000
<v Speaker 4>is just seething it is wild to be like, come

1:02:16.000 --> 1:02:18.040
<v Speaker 4>back and stay at my apartment with my IAB and

1:02:18.120 --> 1:02:19.080
<v Speaker 4>training boyfriend.

1:02:19.200 --> 1:02:23.280
<v Speaker 1>Like it's like, it's just not what would happen. It's insane.

1:02:23.520 --> 1:02:25.920
<v Speaker 2>So Craigan's in the office and he's spying in the

1:02:25.920 --> 1:02:28.240
<v Speaker 2>glass where Amorrow's in the cement room talking to Munch

1:02:28.240 --> 1:02:30.680
<v Speaker 2>on his cell phone. Craigan walks in and he says

1:02:30.680 --> 1:02:32.480
<v Speaker 2>that Munch thinks he should take a deal and get

1:02:32.480 --> 1:02:35.440
<v Speaker 2>this over with. He said, just because your paranoid doesn't

1:02:35.440 --> 1:02:36.640
<v Speaker 2>mean you don't have enemies.

1:02:37.320 --> 1:02:38.120
<v Speaker 1>Pretty good Munch.

1:02:38.320 --> 1:02:41.680
<v Speaker 2>Craigan reassures Nick, like, bro, you're a good cop. But

1:02:41.920 --> 1:02:44.840
<v Speaker 2>cops do make enemies. Omaro looks up and goes, so

1:02:44.920 --> 1:02:46.720
<v Speaker 2>you agree, I should take the deal if I can

1:02:46.800 --> 1:02:49.600
<v Speaker 2>keep my pension and just do it, and Craigan goes,

1:02:49.680 --> 1:02:52.000
<v Speaker 2>I can't make that decision for you, Nick, But then

1:02:52.040 --> 1:02:54.000
<v Speaker 2>he asks, have you ever thought what your life would

1:02:54.000 --> 1:02:56.960
<v Speaker 2>be like without the badge? And he doesn't know, So

1:02:57.080 --> 1:02:59.360
<v Speaker 2>maybe he should move to DC, he could be closer

1:02:59.400 --> 1:03:02.360
<v Speaker 2>to Zara up security work, and they both sit down.

1:03:02.760 --> 1:03:05.280
<v Speaker 2>Craigan goes, sure, but like this might stick with you,

1:03:06.200 --> 1:03:09.240
<v Speaker 2>Amaro goes, no, I know, I'm damn no matter what.

1:03:09.600 --> 1:03:10.200
<v Speaker 1>This sucks.

1:03:10.600 --> 1:03:12.640
<v Speaker 2>So then Craigan leans in and says, I wish I

1:03:12.640 --> 1:03:14.920
<v Speaker 2>could say NYPD looks out for their own, but I'm

1:03:14.960 --> 1:03:17.840
<v Speaker 2>not gonna lie to you. Nick nods and spaces out

1:03:17.840 --> 1:03:20.160
<v Speaker 2>and has a lot of thinking to do. So now

1:03:20.160 --> 1:03:23.200
<v Speaker 2>we cut to the office of Special Prosecutor Derek Strauss's

1:03:23.320 --> 1:03:27.440
<v Speaker 2>office played by Greg Jerman. German, I don't know, you

1:03:27.520 --> 1:03:29.440
<v Speaker 2>might not know his name, but you recognize this face

1:03:29.560 --> 1:03:32.280
<v Speaker 2>like he is. He's been in a few s views,

1:03:32.400 --> 1:03:36.400
<v Speaker 2>but also he was in Ali McBeal and Gray's in Anatomy.

1:03:36.520 --> 1:03:38.480
<v Speaker 1>Yeah, he kind of looks like him. And Josh Picce

1:03:38.560 --> 1:03:40.840
<v Speaker 1>can be like brothers or something. He has kind of

1:03:40.880 --> 1:03:42.600
<v Speaker 1>like that look to me.

1:03:43.200 --> 1:03:48.040
<v Speaker 4>Yeah, but doesn't he also look like like a Dax Shepherd.

1:03:48.040 --> 1:03:51.440
<v Speaker 1>I feel like he also looks like Deker older. Yeah,

1:03:51.520 --> 1:03:52.280
<v Speaker 1>So he's Ali.

1:03:52.240 --> 1:03:56.760
<v Speaker 2>Mcbeale, Grey's anatomy And the meeting is with him, Calhoun

1:03:56.840 --> 1:04:01.840
<v Speaker 2>and Tomorrow and he he goes, so, how's your son,

1:04:02.280 --> 1:04:04.680
<v Speaker 2>and Tomorrow doesn't correct him. He's like, yeah, yeah, I'm good,

1:04:05.840 --> 1:04:08.440
<v Speaker 2>and Derek says, well, you know, it's a tragic situation

1:04:08.600 --> 1:04:09.200
<v Speaker 2>for everyone.

1:04:09.560 --> 1:04:11.680
<v Speaker 1>Calhoun just wants to get to it. She's all business.

1:04:11.680 --> 1:04:13.160
<v Speaker 1>She has a lot of cases. She says.

1:04:13.160 --> 1:04:16.640
<v Speaker 2>He's willing to plead guilty to misdemeanor reckless endangerment, willing

1:04:16.680 --> 1:04:19.680
<v Speaker 2>to leave the department but keep pension and no jail time.

1:04:20.160 --> 1:04:21.919
<v Speaker 2>The dude is like, he's going to have to serve

1:04:22.000 --> 1:04:24.240
<v Speaker 2>some sort of time, babe, Like, how about one year probation.

1:04:24.480 --> 1:04:27.280
<v Speaker 2>She agrees for Nick and says that's fine as long

1:04:27.320 --> 1:04:30.120
<v Speaker 2>as there's no felony charge on his record, but that

1:04:30.200 --> 1:04:33.000
<v Speaker 2>might be an issue because they really want him to

1:04:33.000 --> 1:04:37.320
<v Speaker 2>plead guilty to a hate crime. Nick scoffs stunned a

1:04:37.480 --> 1:04:41.320
<v Speaker 2>hate crime. He screams where is this coming from Reverend Curtis,

1:04:41.400 --> 1:04:44.640
<v Speaker 2>I am not a racist. Calhoun whips her head around

1:04:44.640 --> 1:04:48.000
<v Speaker 2>and says, Nick, easy. So then Derek then has to

1:04:48.040 --> 1:04:50.440
<v Speaker 2>explain you shot a black fourteen year old. And then

1:04:50.480 --> 1:04:52.480
<v Speaker 2>when after two other black kids in the street with

1:04:52.560 --> 1:04:55.520
<v Speaker 2>a baseball bat, Nick jumps up from his chair and says,

1:04:55.600 --> 1:04:55.960
<v Speaker 2>that's it.

1:04:56.080 --> 1:04:56.720
<v Speaker 1>I'm out of here.

1:04:56.840 --> 1:05:00.120
<v Speaker 2>I'm done, runs off, as Derek yells, oh, don't worry,

1:05:00.160 --> 1:05:03.160
<v Speaker 2>this is only the beginning. So Calhoun catches up to

1:05:03.240 --> 1:05:04.960
<v Speaker 2>Nick and I love the sound of her heels on

1:05:05.000 --> 1:05:07.520
<v Speaker 2>the marble court lot before clickity clacking.

1:05:07.840 --> 1:05:09.440
<v Speaker 1>Yeah, that amorro's a good sound.

1:05:09.760 --> 1:05:13.040
<v Speaker 4>It is, it's and it's sustained because she's like chasing him,

1:05:13.080 --> 1:05:14.480
<v Speaker 4>so it takes a little while, so we get a

1:05:14.520 --> 1:05:15.400
<v Speaker 4>lot of little clicks.

1:05:15.920 --> 1:05:19.600
<v Speaker 2>Amaro says, this has nothing to do with hate. She responds,

1:05:19.640 --> 1:05:21.479
<v Speaker 2>do you seriously think you can count on a jury

1:05:21.480 --> 1:05:23.760
<v Speaker 2>from them to know what was in your heart? And

1:05:23.800 --> 1:05:26.080
<v Speaker 2>then she says, this is why I like defending criminals.

1:05:26.120 --> 1:05:29.720
<v Speaker 2>They're much less trusting. So he won't admit to something

1:05:29.760 --> 1:05:31.960
<v Speaker 2>he didn't do, and if that's pride, he doesn't care,

1:05:32.040 --> 1:05:34.360
<v Speaker 2>because you know he knows the grand jury's going to

1:05:34.400 --> 1:05:35.439
<v Speaker 2>indict him either way.

1:05:35.840 --> 1:05:37.160
<v Speaker 1>So it's grand jury.

1:05:36.840 --> 1:05:41.760
<v Speaker 4>Time Derek versus Calhoun McKenna and like Derek is just

1:05:41.800 --> 1:05:42.880
<v Speaker 4>such a like douche name.

1:05:42.920 --> 1:05:43.600
<v Speaker 1>It's so funny.

1:05:44.160 --> 1:05:46.480
<v Speaker 4>Okay, So McKenna is on the stand and it is

1:05:46.600 --> 1:05:47.480
<v Speaker 4>I mentioned this like.

1:05:47.480 --> 1:05:49.520
<v Speaker 2>All cops are rah rah rah, like we're in it

1:05:49.600 --> 1:05:52.280
<v Speaker 2>for each other except this one woman, even though Tomorrow

1:05:52.400 --> 1:05:54.800
<v Speaker 2>like tried his best, but she's taking care of her

1:05:54.800 --> 1:05:56.720
<v Speaker 2>ass like she might be on the chopping block too,

1:05:57.480 --> 1:05:59.360
<v Speaker 2>or like had to do this, Like I wonder what

1:05:59.440 --> 1:06:03.520
<v Speaker 2>conversation since I ab had with her? Yeah, like why

1:06:03.560 --> 1:06:07.920
<v Speaker 2>not also try to indict her and stuff. She's a

1:06:08.120 --> 1:06:10.320
<v Speaker 2>huge part of this. I feel like, how do we

1:06:10.960 --> 1:06:12.960
<v Speaker 2>I guess the one that saw the gun? And they

1:06:13.000 --> 1:06:15.800
<v Speaker 2>also tested bullets right, like it's not her bullet hit

1:06:15.840 --> 1:06:18.880
<v Speaker 2>the kid. Yeah, they probably tested right her her own

1:06:18.920 --> 1:06:22.280
<v Speaker 2>bullet hit herself, like she shouldn't be an officer. Yeah, yeah,

1:06:22.880 --> 1:06:26.480
<v Speaker 2>you're not good, Yeah you tripped, you fell, and then

1:06:26.520 --> 1:06:29.200
<v Speaker 2>a ricochet bullet shot yeah, and she said I'm going

1:06:29.240 --> 1:06:31.200
<v Speaker 2>in when Tomorrow told her not to do that, you know,

1:06:31.240 --> 1:06:34.360
<v Speaker 2>when Amara was like don't you know, yeah, dumb bitch,

1:06:34.600 --> 1:06:38.360
<v Speaker 2>So Mitch alert, she says he did not verbalize he

1:06:38.480 --> 1:06:40.600
<v Speaker 2>was a cop, but he did flash a badge and

1:06:40.800 --> 1:06:44.760
<v Speaker 2>says that Omaro just started shooting immediately after she accidentally

1:06:44.800 --> 1:06:47.360
<v Speaker 2>fired her gun. Now we have the nurse with the

1:06:47.400 --> 1:06:49.680
<v Speaker 2>blood draw delay and she goes, it was a forty

1:06:49.720 --> 1:06:53.240
<v Speaker 2>minute delay and zero point oh five like right under

1:06:53.240 --> 1:06:54.520
<v Speaker 2>that is legally impaired.

1:06:54.920 --> 1:06:57.360
<v Speaker 4>Robins now is on the stand and she stands by

1:06:57.400 --> 1:06:59.880
<v Speaker 4>her man. So she walks out and they ask her

1:06:59.920 --> 1:07:02.800
<v Speaker 4>how it is, and basically Rollins goes, well, it sucks

1:07:02.800 --> 1:07:05.840
<v Speaker 4>because Derek can say things in the grand jury that

1:07:05.880 --> 1:07:08.080
<v Speaker 4>he can't say in the courtroom. So there's a lot

1:07:08.080 --> 1:07:12.919
<v Speaker 4>of insinuations. And Finn confirms like, oh yeah, it was bad.

1:07:13.600 --> 1:07:16.480
<v Speaker 4>So now we see the boy in the wheelchair and

1:07:16.520 --> 1:07:19.000
<v Speaker 4>a gaggle of people around him, and Tomorrow sees him

1:07:19.080 --> 1:07:22.040
<v Speaker 4>and it's like okay, well he testifies, I'm going to

1:07:22.080 --> 1:07:24.600
<v Speaker 4>be indicted for sure. Maybe I should just take a plea,

1:07:25.000 --> 1:07:27.960
<v Speaker 4>and it's like, yay, you paralyze the young fourteen year olds,

1:07:28.000 --> 1:07:29.200
<v Speaker 4>like yeah, the people want.

1:07:29.080 --> 1:07:30.400
<v Speaker 1>To indict you. Yeah.

1:07:30.440 --> 1:07:32.680
<v Speaker 2>But then Craigan is like, listen, I can't tell you

1:07:32.720 --> 1:07:34.800
<v Speaker 2>what to do, but if you take that hate crime plea,

1:07:35.000 --> 1:07:37.280
<v Speaker 2>you will not be able to live with yourself. So

1:07:37.360 --> 1:07:40.320
<v Speaker 2>the squad stands in a circle supporting him before walking off.

1:07:40.360 --> 1:07:42.479
<v Speaker 2>And now we're back outside the court the next day

1:07:42.800 --> 1:07:45.160
<v Speaker 2>and it's Calhoun and Benson and Tomorrow, and they're talking

1:07:45.280 --> 1:07:47.040
<v Speaker 2>him out of going in front of the grand jury.

1:07:47.520 --> 1:07:50.120
<v Speaker 2>They're like, Derek can ask you anything he wants and

1:07:50.160 --> 1:07:52.880
<v Speaker 2>it can all be used against you. Calhoun calls it

1:07:52.920 --> 1:07:56.880
<v Speaker 2>a cardinal sin to go up. Well, but also I

1:07:56.880 --> 1:07:58.800
<v Speaker 2>think shooting a child too cardinal sin.

1:07:58.920 --> 1:08:03.200
<v Speaker 4>Okay, it's tomorrow, Like be a little self aware, like

1:08:03.240 --> 1:08:05.800
<v Speaker 4>you're not good under pressure, like you know, like you

1:08:05.840 --> 1:08:08.680
<v Speaker 4>will fuck up on the stale, like you if somebody

1:08:08.720 --> 1:08:10.720
<v Speaker 4>baits you, you are going to do that.

1:08:11.720 --> 1:08:15.240
<v Speaker 2>Yeah, she doesn't want it. She's like, you're being investigated.

1:08:15.320 --> 1:08:16.080
<v Speaker 2>You really can't.

1:08:16.120 --> 1:08:18.200
<v Speaker 4>I can't be there with you, he's gonna say, and

1:08:18.479 --> 1:08:21.479
<v Speaker 4>but Amara wants to do it, so he doesn't want

1:08:21.479 --> 1:08:21.680
<v Speaker 4>them to.

1:08:21.760 --> 1:08:24.000
<v Speaker 2>He's gonna do it. So now Derek humiliates him. First

1:08:24.080 --> 1:08:26.519
<v Speaker 2>question out, he goes, so you were drunk and shot

1:08:26.560 --> 1:08:29.160
<v Speaker 2>an unarmed boy. Do you still maintain you did everything right?

1:08:30.000 --> 1:08:32.600
<v Speaker 2>And he said, there was a female officer down. I

1:08:32.640 --> 1:08:35.000
<v Speaker 2>did what I was trained to do. Derek goes a

1:08:35.040 --> 1:08:38.880
<v Speaker 2>female officer, Amoro corrects himself, officer, but the damage has

1:08:38.880 --> 1:08:42.040
<v Speaker 2>been done and he and Derek says, well, you know,

1:08:42.080 --> 1:08:43.840
<v Speaker 2>the last time you brought out your gun was to

1:08:43.840 --> 1:08:47.559
<v Speaker 2>protect another female officer, So is that what happens you

1:08:47.640 --> 1:08:49.439
<v Speaker 2>just draw your gun out every time you see a

1:08:49.479 --> 1:08:52.800
<v Speaker 2>woman in danger. Is like all your reason goes out

1:08:52.880 --> 1:08:55.839
<v Speaker 2>the window. And he said, I made the only decision

1:08:55.880 --> 1:08:59.120
<v Speaker 2>I could under the circumstances. So then Derek recaps the

1:08:59.240 --> 1:09:02.759
<v Speaker 2>night you at drinks, you didn't announce yourself during the chase.

1:09:02.880 --> 1:09:05.559
<v Speaker 2>Then McKenna went around the corner, tripped and shot herself

1:09:05.600 --> 1:09:08.320
<v Speaker 2>without visual confirmation that she's been fired at.

1:09:08.840 --> 1:09:11.120
<v Speaker 4>And then without looking, you poked your gun around the

1:09:11.160 --> 1:09:14.720
<v Speaker 4>wall and started firing. He goes, yeah, until I ascertained

1:09:14.720 --> 1:09:16.920
<v Speaker 4>that the firing stopped, and Derek goes, you are the

1:09:16.920 --> 1:09:20.799
<v Speaker 4>only one shooting, so you stop firing when you stop firing.

1:09:21.560 --> 1:09:24.800
<v Speaker 4>He defends himself that he couldn't know those bullets were ricocheting.

1:09:25.360 --> 1:09:27.960
<v Speaker 4>He says that the hallway was an echo chamber, and

1:09:28.000 --> 1:09:30.120
<v Speaker 4>he's like, fuck, you know, it's so easy for you

1:09:30.200 --> 1:09:34.080
<v Speaker 4>to judge in hindsight, and it took CSU twenty four

1:09:34.120 --> 1:09:37.080
<v Speaker 4>hours to figure out what you expected me to figure.

1:09:36.720 --> 1:09:37.839
<v Speaker 1>Out in that moment.

1:09:38.400 --> 1:09:40.240
<v Speaker 4>And that is the one good point he has made

1:09:40.320 --> 1:09:44.280
<v Speaker 4>all episode, where yeah, in hindsight, we're all talking about it,

1:09:44.360 --> 1:09:47.639
<v Speaker 4>but but you're also a professional, and you were also

1:09:47.680 --> 1:09:51.840
<v Speaker 4>in the military. But but they're also but like also

1:09:51.880 --> 1:09:54.200
<v Speaker 4>the show is trying to confuse you because like in

1:09:54.240 --> 1:09:57.360
<v Speaker 4>that moment, you are hearing bullets being discharged from a gun.

1:09:57.439 --> 1:10:01.599
<v Speaker 4>You're not hearing ricochets like I was hearing bullets being fired.

1:10:02.080 --> 1:10:05.400
<v Speaker 2>So yeah, but you're not trained. He should be better

1:10:05.439 --> 1:10:05.880
<v Speaker 2>than us.

1:10:06.520 --> 1:10:07.280
<v Speaker 1>Yes. True.

1:10:08.080 --> 1:10:10.200
<v Speaker 2>He then asks if it would have been easier for

1:10:10.280 --> 1:10:12.639
<v Speaker 2>him to figure it out if he hadn't been drinking,

1:10:12.880 --> 1:10:15.519
<v Speaker 2>or if McKenna was chasing a fourteen year old white

1:10:15.520 --> 1:10:17.559
<v Speaker 2>girl and we brought that up. There's no way they

1:10:17.600 --> 1:10:19.599
<v Speaker 2>would have chased the fourte year old white girl. No way,

1:10:19.680 --> 1:10:22.479
<v Speaker 2>There's no fucking way, no way there are. The camera

1:10:22.560 --> 1:10:24.800
<v Speaker 2>goes to a black woman juror who is looking him

1:10:25.000 --> 1:10:27.920
<v Speaker 2>up and down with a grin like you've been gotten,

1:10:28.000 --> 1:10:31.240
<v Speaker 2>you fool. Derek had no more questions and amorrow is

1:10:31.280 --> 1:10:34.120
<v Speaker 2>asked to step down, and then another juror, also a

1:10:34.160 --> 1:10:36.559
<v Speaker 2>black woman, asks wait, we can ask something right.

1:10:37.200 --> 1:10:38.040
<v Speaker 1>Derek allows it.

1:10:38.479 --> 1:10:40.760
<v Speaker 2>She asks, detective, do you think it would have made

1:10:40.800 --> 1:10:45.160
<v Speaker 2>a difference that night if you hadn't been drinking? Tomorrow? Answers, ma'am,

1:10:45.320 --> 1:10:49.240
<v Speaker 2>My judgment was not impaired. She asks another question, like okay,

1:10:49.360 --> 1:10:51.360
<v Speaker 2>and like that lawyer said if it had been a

1:10:51.360 --> 1:10:53.720
<v Speaker 2>fourteen year old white girl. He says, I did not

1:10:54.040 --> 1:10:58.200
<v Speaker 2>shoot yousif because he's black. Shelian's back and says, so

1:10:58.240 --> 1:11:01.760
<v Speaker 2>you honestly think you did ever everything right. It takes

1:11:01.800 --> 1:11:04.040
<v Speaker 2>them a few moments to gather himself, and he says,

1:11:04.120 --> 1:11:06.200
<v Speaker 2>there's no right way to shoot a fourteen year old boy,

1:11:06.520 --> 1:11:09.120
<v Speaker 2>cripple him and put him in a wheelchair. I've always

1:11:09.160 --> 1:11:12.400
<v Speaker 2>prided myself on following my training and my professionalism and

1:11:12.439 --> 1:11:15.720
<v Speaker 2>respect for the law. I've been struggling to reconcile with

1:11:15.800 --> 1:11:18.760
<v Speaker 2>how doing everything right can lead to such a horribly

1:11:18.920 --> 1:11:19.759
<v Speaker 2>wrong result.

1:11:20.400 --> 1:11:21.880
<v Speaker 1>Tears are welled up in his eyes.

1:11:22.560 --> 1:11:25.240
<v Speaker 4>But if it was that situation again, would I do

1:11:25.280 --> 1:11:25.920
<v Speaker 4>the same thing?

1:11:26.200 --> 1:11:31.200
<v Speaker 1>Yes? But do I regret yes? Yes I do. So

1:11:31.240 --> 1:11:33.120
<v Speaker 1>if you regret it, why would you do everything the

1:11:33.120 --> 1:11:35.160
<v Speaker 1>same way? Okay?

1:11:35.400 --> 1:11:38.599
<v Speaker 4>So she's deep in thought. Everyone on the jury is

1:11:38.640 --> 1:11:39.719
<v Speaker 4>like thinking honestly.

1:11:40.800 --> 1:11:43.559
<v Speaker 2>So Amaro was standing in the hallway as Benson approaches

1:11:43.640 --> 1:11:45.720
<v Speaker 2>and asks if he wants to take a walk, but

1:11:45.800 --> 1:11:48.120
<v Speaker 2>he doesn't because Calhoun said this would be fast. They

1:11:48.120 --> 1:11:52.360
<v Speaker 2>only need thirteen people to indict. Calhoun walks over to him,

1:11:52.479 --> 1:11:55.519
<v Speaker 2>but before Calhoun can even say anything, Nick says, you

1:11:55.560 --> 1:11:58.560
<v Speaker 2>are right, counselor, this was a mistake, and she goes, no,

1:11:58.920 --> 1:12:01.519
<v Speaker 2>I was wrong. Tenant, dight and eight didn't want to

1:12:01.680 --> 1:12:04.479
<v Speaker 2>He is free to go. Oh wow, she is going

1:12:04.560 --> 1:12:07.839
<v Speaker 2>to tell the press that the DA overreached, and Benson

1:12:07.880 --> 1:12:11.320
<v Speaker 2>thanks Rita. She spins away, ready to make the mayor

1:12:11.360 --> 1:12:14.360
<v Speaker 2>and commissioner like trip all over their shit and all

1:12:14.400 --> 1:12:15.519
<v Speaker 2>all over their ties.

1:12:15.800 --> 1:12:18.639
<v Speaker 1>She what was she gonna say? Balls, trip all over

1:12:18.680 --> 1:12:21.720
<v Speaker 1>their balls? I think that's what I think that's the

1:12:22.080 --> 1:12:25.760
<v Speaker 1>that's a saying yeah, but she says ties walk over

1:12:25.800 --> 1:12:26.640
<v Speaker 1>your dicks.

1:12:26.960 --> 1:12:29.880
<v Speaker 4>Yeah, she's a little dirty humor. I was gonna go

1:12:29.960 --> 1:12:33.080
<v Speaker 4>have a martini afterwork. So Benson says cynic like, let's

1:12:33.080 --> 1:12:34.840
<v Speaker 4>get the hell out of here. But then we get

1:12:34.880 --> 1:12:37.320
<v Speaker 4>a glimpse of usif surrounded by his family in a wheelchair,

1:12:37.360 --> 1:12:41.360
<v Speaker 4>and that is bullshit, Like I to not indict this

1:12:41.439 --> 1:12:44.080
<v Speaker 4>cop who paralyzed this kid, because I wonder if there's

1:12:44.120 --> 1:12:46.240
<v Speaker 4>no indict if they can still do a civil trial

1:12:46.320 --> 1:12:48.880
<v Speaker 4>and like sue the department or not you can, okay,

1:12:49.680 --> 1:12:52.400
<v Speaker 4>so that at least, but I mean, I don't I

1:12:52.439 --> 1:12:54.920
<v Speaker 4>can't imagine how this family is feeling right now, like

1:12:54.960 --> 1:12:58.240
<v Speaker 4>that they're like that their son doesn't fucking matter. So

1:12:58.280 --> 1:13:00.400
<v Speaker 4>then Nick decides to go talk to them, which is

1:13:00.960 --> 1:13:01.960
<v Speaker 4>a bullshit decision.

1:13:02.080 --> 1:13:05.280
<v Speaker 2>Leave them alone. He can't walk, so then Reverend Curtis

1:13:05.320 --> 1:13:08.960
<v Speaker 2>stops him, thank God, like, Nick, get the fuck over

1:13:09.040 --> 1:13:13.320
<v Speaker 2>yourself and says, now's not the time, officer, while putting

1:13:13.320 --> 1:13:15.639
<v Speaker 2>his hands up to stop him from getting any closer

1:13:15.680 --> 1:13:18.759
<v Speaker 2>to the family. And Nick does walk away, but really slowly,

1:13:18.800 --> 1:13:20.800
<v Speaker 2>and he still looks at them, and he breathes really

1:13:20.880 --> 1:13:23.240
<v Speaker 2>deep and then bites his lip and he starts to cry.

1:13:24.000 --> 1:13:25.960
<v Speaker 2>So now he's back at work at the desk, and

1:13:26.000 --> 1:13:29.000
<v Speaker 2>Craigan puts his badge back on his desk and Nick asks, like,

1:13:29.040 --> 1:13:32.360
<v Speaker 2>what does one PP want? So after two days of negotiations,

1:13:32.400 --> 1:13:36.200
<v Speaker 2>he's looking at command discipline, anger management, and mandatory retraining

1:13:36.280 --> 1:13:39.080
<v Speaker 2>to be done using vacation days, and for the moment,

1:13:39.240 --> 1:13:41.960
<v Speaker 2>he's on desk duty until Benson says he's not, and

1:13:42.040 --> 1:13:44.600
<v Speaker 2>she looks up from her desk and goes, what And

1:13:44.720 --> 1:13:47.519
<v Speaker 2>Finn's listening now too, and Craigan asks for their attention

1:13:47.680 --> 1:13:50.640
<v Speaker 2>from everybody and says, listen up. He didn't want to

1:13:50.640 --> 1:13:53.880
<v Speaker 2>announce this until Nick's situation got resolved, and now that

1:13:53.960 --> 1:13:58.360
<v Speaker 2>it's done, so is he he is leaving? Robin screams

1:13:58.520 --> 1:14:02.120
<v Speaker 2>what now? So Tomorrow stands up and is like, if

1:14:02.120 --> 1:14:04.840
<v Speaker 2>this is part of the deal, then fuck this. Craig goes, Nope,

1:14:04.880 --> 1:14:07.200
<v Speaker 2>this is my call. I'm going to travel around the

1:14:07.200 --> 1:14:09.680
<v Speaker 2>world with Eileen. She got us two tickets for a

1:14:09.720 --> 1:14:14.040
<v Speaker 2>six month cruise. And he's accrued enough leave too, like

1:14:14.560 --> 1:14:17.520
<v Speaker 2>he can take all of his leave until his mandatory retirement.

1:14:17.880 --> 1:14:20.439
<v Speaker 2>So basically he would make less money if he stayed

1:14:21.040 --> 1:14:23.240
<v Speaker 2>than if he left. And Rollin starts to tear up

1:14:23.240 --> 1:14:26.439
<v Speaker 2>and says, well, if anyone's earned it, and he's honored

1:14:26.479 --> 1:14:28.960
<v Speaker 2>and grateful to Rick was such a great group of detectives,

1:14:28.960 --> 1:14:31.639
<v Speaker 2>and he says that the finest he knows, and he's proud.

1:14:31.920 --> 1:14:32.720
<v Speaker 1>He's proud of them.

1:14:33.240 --> 1:14:35.240
<v Speaker 2>He says, Nick, you will get through this because you're

1:14:35.240 --> 1:14:38.120
<v Speaker 2>a good cop and a good man Amanda, he was

1:14:38.200 --> 1:14:40.680
<v Speaker 2>never sorry for bringing her up from Atlanta, and he

1:14:40.680 --> 1:14:43.360
<v Speaker 2>would do it again. And then Finn, he says, for

1:14:43.400 --> 1:14:45.800
<v Speaker 2>a guy who should have never been an SVU detective,

1:14:46.280 --> 1:14:51.720
<v Speaker 2>you're okay. He says right back at you, captain, and

1:14:51.800 --> 1:14:54.519
<v Speaker 2>nobody can ever take your place, and Craigan says, well

1:14:54.560 --> 1:14:57.639
<v Speaker 2>for the meantime, Detective Benson will it's not easy going

1:14:57.640 --> 1:15:00.280
<v Speaker 2>from player to coach, so don't bust her chops, and

1:15:00.280 --> 1:15:02.559
<v Speaker 2>then he leans into Benson and says, if they do,

1:15:02.840 --> 1:15:03.439
<v Speaker 2>just give.

1:15:03.280 --> 1:15:04.120
<v Speaker 1>It right back.

1:15:04.160 --> 1:15:06.320
<v Speaker 2>And then everyone claps, and I do love merch because

1:15:06.320 --> 1:15:07.559
<v Speaker 2>black manicure it's perfect.

1:15:08.000 --> 1:15:09.679
<v Speaker 1>Everyone claps, keep.

1:15:09.520 --> 1:15:12.160
<v Speaker 4>Clapping, and he's now packing up his office and Benson

1:15:12.200 --> 1:15:14.559
<v Speaker 4>comes into chat. Benson says, we got to throw you

1:15:14.600 --> 1:15:17.400
<v Speaker 4>a party. He goes, I don't like parties, and she giggles.

1:15:17.760 --> 1:15:21.639
<v Speaker 4>He says this is good word of advice. She says please,

1:15:21.800 --> 1:15:24.280
<v Speaker 4>and they giggle again. He says, I gave my whole

1:15:24.280 --> 1:15:26.479
<v Speaker 4>life to the NYPD and I forgot to live my

1:15:26.560 --> 1:15:29.519
<v Speaker 4>own me and Eileen, that's a hail Mary, that's my

1:15:29.560 --> 1:15:32.120
<v Speaker 4>shot at happiness. People used to say this to me

1:15:32.200 --> 1:15:34.320
<v Speaker 4>all the time, and I never understood what they meant,

1:15:34.320 --> 1:15:37.839
<v Speaker 4>but take care of yourself. She smiles a tender smile.

1:15:38.160 --> 1:15:39.360
<v Speaker 4>He says, you deserve it.

1:15:39.479 --> 1:15:40.000
<v Speaker 1>They hug.

1:15:40.560 --> 1:15:42.479
<v Speaker 2>He takes his bag of stuff on the way out

1:15:42.520 --> 1:15:45.520
<v Speaker 2>and says, oh, and Olivia do something with the place.

1:15:45.320 --> 1:15:45.640
<v Speaker 1>Will you?

1:15:46.640 --> 1:15:49.120
<v Speaker 4>And that's dick well baby, And she does do something

1:15:49.160 --> 1:15:53.800
<v Speaker 4>with the place. She turns it into a sleek, modern future. Yeah,

1:15:53.800 --> 1:15:56.599
<v Speaker 4>I profiling place. I miss the way the priestcinct used

1:15:56.600 --> 1:15:59.360
<v Speaker 4>to look. I'm gonna be honest, thank you Lisa for

1:15:59.439 --> 1:16:02.680
<v Speaker 4>walking us through that very wild episode.

1:16:03.040 --> 1:16:05.400
<v Speaker 1>It's not it's not going to look up from here.

1:16:05.439 --> 1:16:16.200
<v Speaker 1>I'm going to say that. So Ramarlee Graham.

1:16:16.240 --> 1:16:18.160
<v Speaker 4>This is the case of Vermarley Graham, who was eighteen

1:16:18.280 --> 1:16:20.360
<v Speaker 4>years old born in Jamaica, but was living in the

1:16:20.400 --> 1:16:23.679
<v Speaker 4>Bronx in twenty twelve. And on February second of twenty twelve,

1:16:24.000 --> 1:16:26.960
<v Speaker 4>a narcotics unit was taking out a bodega on East

1:16:26.960 --> 1:16:29.640
<v Speaker 4>two hundred and twenty eighth Street in the Bronx. I

1:16:29.640 --> 1:16:32.240
<v Speaker 4>think it's the Wakefield neighborhood of the Bronx where a

1:16:32.280 --> 1:16:36.200
<v Speaker 4>tipster told them drugs were being sold again, drugs, Like

1:16:36.360 --> 1:16:40.320
<v Speaker 4>I don't think anybody said, hey, there's a cartel there

1:16:40.320 --> 1:16:42.960
<v Speaker 4>with tons and tons of heroin. It sounds like it's

1:16:43.360 --> 1:16:45.960
<v Speaker 4>baggies of weed and coke passing between people. Like it

1:16:46.000 --> 1:16:50.400
<v Speaker 4>doesn't sound like it's, you know, massive quantities. I understand

1:16:50.439 --> 1:16:53.360
<v Speaker 4>that drugs are a problem, but I have a problem

1:16:53.360 --> 1:16:57.240
<v Speaker 4>with the war on drugs a little bit. Officers reportedly

1:16:57.240 --> 1:17:00.160
<v Speaker 4>saw three men leaving the bodega, and they said that

1:17:00.200 --> 1:17:02.840
<v Speaker 4>they observed the butt of a gun on Romarley Graham,

1:17:02.840 --> 1:17:05.519
<v Speaker 4>who they claimed was adjusting it in the waistband of

1:17:05.520 --> 1:17:09.480
<v Speaker 4>his pants. So this a man with the most hilariously

1:17:09.920 --> 1:17:14.439
<v Speaker 4>named cop of all time, Richard Haste. Officer Richard Haste,

1:17:14.760 --> 1:17:17.080
<v Speaker 4>like you know, Haste is like when you work without thinking,

1:17:17.120 --> 1:17:20.760
<v Speaker 4>you go too quickly, and Officer John McLaughlin were in

1:17:20.800 --> 1:17:23.320
<v Speaker 4>a police van for prisoners and they saw Graham on

1:17:23.360 --> 1:17:26.160
<v Speaker 4>the street and they followed him. The police at first

1:17:26.200 --> 1:17:28.560
<v Speaker 4>claimed that Ramarley ran away from them, but that was

1:17:28.640 --> 1:17:32.479
<v Speaker 4>later debunked when surveillance footage showed him walking casually as

1:17:32.520 --> 1:17:36.400
<v Speaker 4>the police followed him. And then Richard Hays followed Graham

1:17:36.479 --> 1:17:39.360
<v Speaker 4>into the apartment building that he shared with his grandmother,

1:17:39.840 --> 1:17:42.080
<v Speaker 4>even though he did not have permission to enter that home.

1:17:42.560 --> 1:17:44.719
<v Speaker 1>And that's probably why they said that he.

1:17:44.640 --> 1:17:46.439
<v Speaker 4>Was running so that they could claim that they were

1:17:46.479 --> 1:17:48.400
<v Speaker 4>in pursuit, because then I think cops can enter our

1:17:48.400 --> 1:17:51.000
<v Speaker 4>places if they're in hot pursuit. But they can't. They

1:17:51.000 --> 1:17:53.679
<v Speaker 4>can't just go into places without warrens. So when Hays

1:17:53.720 --> 1:17:57.160
<v Speaker 4>got to the apartment, Romarley was in the bathroom dumping

1:17:57.160 --> 1:17:59.600
<v Speaker 4>a small amount of marijuana into the toilet, trying to

1:17:59.640 --> 1:18:01.519
<v Speaker 4>flush it. So this is like a kid that's like, fuck,

1:18:01.520 --> 1:18:03.000
<v Speaker 4>I don't want the cops to bust me for weed

1:18:03.320 --> 1:18:07.280
<v Speaker 4>flushing a tiny bit of weed in tinfoil. And his

1:18:07.320 --> 1:18:10.240
<v Speaker 4>grandmother's right there, and like that's what is like the

1:18:10.280 --> 1:18:12.519
<v Speaker 4>punishment for a small amount of weed in America. If

1:18:12.520 --> 1:18:15.280
<v Speaker 4>you're a cop, it's like you like you just basically

1:18:15.360 --> 1:18:19.240
<v Speaker 4>get to kill them. So the idiot cop shot multiple

1:18:19.320 --> 1:18:21.640
<v Speaker 4>rounds into this eighteen year old and murdered him right

1:18:21.640 --> 1:18:25.800
<v Speaker 4>in front of his grandmother. He so unfortunately he wasn't

1:18:25.840 --> 1:18:29.120
<v Speaker 4>saved by the cop like in this episode. He did die,

1:18:29.439 --> 1:18:32.680
<v Speaker 4>and the cop later claimed that he thought Romarley was

1:18:32.720 --> 1:18:34.720
<v Speaker 4>reaching for a gun in his waistband and that he

1:18:34.720 --> 1:18:37.639
<v Speaker 4>heard another officer say, I see the weapon. It's on him,

1:18:38.000 --> 1:18:40.440
<v Speaker 4>so much like in this episode, it was like secondhand

1:18:40.439 --> 1:18:43.240
<v Speaker 4>information about what other officers were telling each other.

1:18:43.840 --> 1:18:46.120
<v Speaker 1>And guess what, there was no fucking gun. There was

1:18:46.160 --> 1:18:46.760
<v Speaker 1>never a gun.

1:18:46.840 --> 1:18:48.880
<v Speaker 4>Okay, there was no brother going out the window like

1:18:48.920 --> 1:18:50.880
<v Speaker 4>in the episode. There was just no fucking gun at all.

1:18:51.080 --> 1:18:52.559
<v Speaker 4>Like I think they found a toy gun in the

1:18:52.560 --> 1:18:54.280
<v Speaker 4>backyard of the house. That's as close to a gun

1:18:54.320 --> 1:18:58.520
<v Speaker 4>as they found. So originally hayste is put on desk duty.

1:18:58.560 --> 1:19:01.920
<v Speaker 4>Then he is charged with slaughter, and so he was

1:19:01.960 --> 1:19:04.920
<v Speaker 4>indicted and charged with manslaughter. But then a judge had

1:19:04.960 --> 1:19:08.120
<v Speaker 4>to dismiss the charges. This is in May of twenty

1:19:08.160 --> 1:19:11.320
<v Speaker 4>thirteen because they found that the prosecution had given improper

1:19:11.360 --> 1:19:13.760
<v Speaker 4>instructions to the grand jury that indicted him, and the

1:19:13.840 --> 1:19:16.960
<v Speaker 4>judge was pissed. Like the judge was named Justice Stephen

1:19:17.000 --> 1:19:21.000
<v Speaker 4>Barrett said, quote with not great pleasure, I'm obliged in.

1:19:20.960 --> 1:19:22.320
<v Speaker 1>This case to dismiss the charges.

1:19:22.439 --> 1:19:27.320
<v Speaker 4>So they instructed him them based on something that involved

1:19:28.439 --> 1:19:32.000
<v Speaker 4>what the cop was told by other cops and that

1:19:32.120 --> 1:19:34.600
<v Speaker 4>made it that placed in importance on it that it

1:19:34.680 --> 1:19:36.800
<v Speaker 4>didn't need to be placed on it, that would have

1:19:36.800 --> 1:19:39.080
<v Speaker 4>come out in trial later, and they said that could

1:19:39.080 --> 1:19:40.360
<v Speaker 4>have influenced the indictment.

1:19:40.560 --> 1:19:42.040
<v Speaker 1>So they had to dismiss that.

1:19:42.080 --> 1:19:45.679
<v Speaker 4>Trial, and then another grand jury, much like in this episode,

1:19:45.960 --> 1:19:49.080
<v Speaker 4>decided not to charge him. So this was the So

1:19:49.200 --> 1:19:52.439
<v Speaker 4>basically he's saying I saw gun. His lawyers are trying

1:19:52.479 --> 1:19:54.840
<v Speaker 4>to say this was an officer trying to get a

1:19:54.880 --> 1:19:57.479
<v Speaker 4>gun off the streets, trying to help people try like

1:19:58.040 --> 1:20:02.000
<v Speaker 4>and everyone else is like, no, this is absolute bullshit

1:20:02.080 --> 1:20:04.320
<v Speaker 4>like this. It's also it's like weed, what are you

1:20:04.360 --> 1:20:07.879
<v Speaker 4>talking about? So this is in twenty twelve. An NYPD

1:20:07.960 --> 1:20:10.519
<v Speaker 4>officer had not been charged in a case involving a

1:20:10.520 --> 1:20:13.919
<v Speaker 4>police shooting since two thousand and seven, when three detectives

1:20:13.960 --> 1:20:16.600
<v Speaker 4>were charged in the murder of Sean Bell, which was

1:20:16.760 --> 1:20:18.439
<v Speaker 4>huge when I was living in New York, Like, that

1:20:18.520 --> 1:20:20.639
<v Speaker 4>was in the papers every day. This was a guy

1:20:20.680 --> 1:20:24.360
<v Speaker 4>who was shot on his wedding day, like outside. It

1:20:24.400 --> 1:20:26.120
<v Speaker 4>was basically he was outside of a strip club. I

1:20:26.120 --> 1:20:27.880
<v Speaker 4>think his bachelor party had been the night before. He

1:20:27.960 --> 1:20:30.360
<v Speaker 4>was shot by these cops outside of a strip club

1:20:30.439 --> 1:20:31.320
<v Speaker 4>in Queen's.

1:20:31.240 --> 1:20:32.800
<v Speaker 1>And it was the day he was supposed to get married.

1:20:32.840 --> 1:20:35.439
<v Speaker 4>It was horrible and it was all over the news

1:20:35.479 --> 1:20:37.559
<v Speaker 4>back when I lived in New York. And it's been

1:20:37.640 --> 1:20:40.040
<v Speaker 4>five years since any cop has been charged, and a

1:20:40.080 --> 1:20:42.880
<v Speaker 4>lot of anger about police brutality and racial profileing by

1:20:42.920 --> 1:20:45.679
<v Speaker 4>the police had sort of faded, and now this murder

1:20:45.720 --> 1:20:48.160
<v Speaker 4>of Romarley Graham brought it all back into the forefront.

1:20:48.640 --> 1:20:52.599
<v Speaker 4>So when the judge dismissed the case, obviously Ramarley's family

1:20:52.720 --> 1:20:55.720
<v Speaker 4>was like screaming and angry in the court. But when

1:20:55.760 --> 1:20:59.200
<v Speaker 4>hayeswapped out, cops were in line, high fiving him as

1:20:59.200 --> 1:21:03.000
<v Speaker 4>he walked out, of course, so eventually the city did

1:21:03.120 --> 1:21:05.880
<v Speaker 4>pay Ramarley Graham's family three point nine million dollars in

1:21:05.880 --> 1:21:08.839
<v Speaker 4>a civil suit. So they did get a civil judgment.

1:21:09.520 --> 1:21:13.040
<v Speaker 4>But five years after the shooting, which happened in twenty twelve,

1:21:13.080 --> 1:21:15.719
<v Speaker 4>this is now twenty seventeen, there was an internal NYPD

1:21:15.840 --> 1:21:20.280
<v Speaker 4>investigation into haste handling of the shooting. Prosecutors were looking

1:21:20.280 --> 1:21:22.320
<v Speaker 4>to get Haste fired and they said he never should

1:21:22.360 --> 1:21:24.920
<v Speaker 4>have entered the apartment alone or kicked down the bathroom door,

1:21:25.320 --> 1:21:28.599
<v Speaker 4>and one of the prosecutors, Beth Douglas said, quote Officer

1:21:28.600 --> 1:21:31.240
<v Speaker 4>Hayse was completely exposed and used none of the tactics

1:21:31.240 --> 1:21:33.439
<v Speaker 4>that were taught to him in the department end quote.

1:21:33.640 --> 1:21:35.800
<v Speaker 4>And his lawyers again tried to argue, this is a

1:21:35.800 --> 1:21:37.360
<v Speaker 4>hero trying to keep it going off the streets. But

1:21:37.400 --> 1:21:41.080
<v Speaker 4>eventually he was found guilty in the NYPD disciplinary review,

1:21:41.280 --> 1:21:43.600
<v Speaker 4>which ruled that he had used poor tactical judgment and

1:21:43.680 --> 1:21:46.080
<v Speaker 4>recommended his dismissal. And so he had been on the

1:21:46.120 --> 1:21:47.920
<v Speaker 4>force for not even ten years. He had been on

1:21:47.960 --> 1:21:51.439
<v Speaker 4>since two thousand and eight. So twenty seventeen, he gets

1:21:51.640 --> 1:21:53.960
<v Speaker 4>indict not indicted, but he gets found guilty by this

1:21:54.000 --> 1:21:55.360
<v Speaker 4>disciplinary review and.

1:21:55.360 --> 1:21:57.760
<v Speaker 1>He tenders his resignation two days later.

1:21:58.240 --> 1:22:01.240
<v Speaker 4>The disciplinary review board also said that right after Ramarley

1:22:01.280 --> 1:22:04.479
<v Speaker 4>locked himself in his apartment, officers should have retreated, but

1:22:04.560 --> 1:22:06.680
<v Speaker 4>this idiot had to like go off and go in.

1:22:06.920 --> 1:22:09.519
<v Speaker 4>So they they, you know, were like, this is not

1:22:09.520 --> 1:22:12.960
<v Speaker 4>how we train people. So officer has, uh, just like

1:22:13.080 --> 1:22:15.519
<v Speaker 4>Amorrow had the whole plea deal thing, which he kind

1:22:15.520 --> 1:22:19.080
<v Speaker 4>of ended up rejecting. This guy, officer has also rejected

1:22:19.080 --> 1:22:21.439
<v Speaker 4>a plea deal. And in the plea deal, he wouldn't

1:22:21.439 --> 1:22:23.439
<v Speaker 4>have had to have the disciplinary hearing. He would have

1:22:23.520 --> 1:22:26.400
<v Speaker 4>just resigned with a small pension. And he thought, no, no,

1:22:26.439 --> 1:22:27.960
<v Speaker 4>the boys in blue are going to back me up.

1:22:28.000 --> 1:22:30.160
<v Speaker 4>But like actually they're like, no, you are actually super dumb.

1:22:30.160 --> 1:22:31.599
<v Speaker 4>And you are too dumb to be a cop. So

1:22:32.120 --> 1:22:34.240
<v Speaker 4>he is off the force and that's the only good

1:22:34.240 --> 1:22:38.639
<v Speaker 4>thing in this story. But sadly Ramartley Graham lost his life. Yeah,

1:22:38.640 --> 1:22:41.439
<v Speaker 4>but even just like the pension of it all is

1:22:41.479 --> 1:22:44.000
<v Speaker 4>so annoying where it's like even this three point nine

1:22:44.040 --> 1:22:46.759
<v Speaker 4>million dollars, like that should come out of their probably

1:22:47.520 --> 1:22:50.920
<v Speaker 4>like it sucks because why does it actually hurt them,

1:22:50.960 --> 1:22:52.960
<v Speaker 4>Like the police pay out I think hundreds of millions

1:22:52.960 --> 1:22:56.040
<v Speaker 4>of dollars in wrongful days. Oh yeah, suits and all this,

1:22:56.240 --> 1:22:58.280
<v Speaker 4>but it comes out of our like we pay like

1:22:58.760 --> 1:23:01.040
<v Speaker 4>our taxes pay for that, I know, And that is

1:23:01.080 --> 1:23:03.400
<v Speaker 4>like if I that was like one of my top things.

1:23:03.400 --> 1:23:04.760
<v Speaker 1>I stayed all the time on this pot.

1:23:04.800 --> 1:23:07.680
<v Speaker 4>But they should have to pay for it because there

1:23:07.680 --> 1:23:09.360
<v Speaker 4>were a couple of other kids should have their.

1:23:09.280 --> 1:23:13.200
<v Speaker 1>Way, they should have their like salary garnish.

1:23:13.360 --> 1:23:15.920
<v Speaker 4>Yeah, because there were a couple of other cases that

1:23:16.000 --> 1:23:19.479
<v Speaker 4>were kind of linked to the Oranges the New Black

1:23:19.479 --> 1:23:23.479
<v Speaker 4>Woman's uh side of it, where cops shot by accident,

1:23:23.600 --> 1:23:25.280
<v Speaker 4>Like one guy shot a kid when he was just

1:23:25.320 --> 1:23:28.200
<v Speaker 4>like unholstering his gun and it went off and like

1:23:28.400 --> 1:23:32.639
<v Speaker 4>those those cops like did get off. But also huge

1:23:32.640 --> 1:23:35.320
<v Speaker 4>civil amounts were awarded to those families as well, So

1:23:35.720 --> 1:23:38.439
<v Speaker 4>which good. But I mean, I don't know how much

1:23:38.439 --> 1:23:40.559
<v Speaker 4>you pay for someone's life. But yeah, you're right, it's

1:23:40.600 --> 1:23:42.840
<v Speaker 4>like it's happening all the time. They are paying millions

1:23:42.880 --> 1:23:44.080
<v Speaker 4>and millions and millions all the time.

1:23:45.040 --> 1:23:46.519
<v Speaker 1>So that's that.

1:23:46.760 --> 1:23:49.960
<v Speaker 4>It's a fucked up case and a fucked up episode.

1:23:50.000 --> 1:23:53.360
<v Speaker 4>But guys, we're about to make your day with an

1:23:53.400 --> 1:24:05.200
<v Speaker 4>amazing guest, so stay right where you are. Our guest

1:24:05.280 --> 1:24:08.759
<v Speaker 4>today truly needs no introduction, but he will get one anyway.

1:24:08.880 --> 1:24:12.120
<v Speaker 4>He is known for his role as Detective Scottie Vallens

1:24:12.160 --> 1:24:15.839
<v Speaker 4>on Cold Case or a drug cartel leader Miguel Galindo

1:24:15.960 --> 1:24:18.680
<v Speaker 4>on My Ens, but you guys know him as the

1:24:18.720 --> 1:24:22.800
<v Speaker 4>lovable hothead detective Nickomarrow. Please enjoy a chat that we

1:24:22.920 --> 1:24:30.040
<v Speaker 4>enjoyed so much with the very talented Danny Pino. Danny Pino, gosh,

1:24:30.080 --> 1:24:32.040
<v Speaker 4>we've been waiting a long time for this.

1:24:32.200 --> 1:24:33.160
<v Speaker 1>We're very excited.

1:24:33.320 --> 1:24:35.320
<v Speaker 6>Oh well, I'm excited too. Thank you for having me.

1:24:35.640 --> 1:24:38.560
<v Speaker 4>This is huge for USAIC.

1:24:39.360 --> 1:24:41.720
<v Speaker 2>People didn't hear it, but in your soundtrack you mentioned him.

1:24:41.720 --> 1:24:44.400
<v Speaker 2>He was our first cast member guest. Of course he was,

1:24:44.560 --> 1:24:47.080
<v Speaker 2>so it was a big and he was amazing.

1:24:47.160 --> 1:24:49.240
<v Speaker 4>He took out a charcoal drawing of him and the

1:24:49.240 --> 1:24:52.840
<v Speaker 4>monkey and the basketball from an episode in season ten,

1:24:53.000 --> 1:24:56.000
<v Speaker 4>and he was a legend.

1:24:56.800 --> 1:24:58.440
<v Speaker 1>But we are so excited.

1:24:58.040 --> 1:25:01.160
<v Speaker 4>To have you here today so we could talk about

1:25:01.160 --> 1:25:04.840
<v Speaker 4>your illustrious career on Law and Order SVU, but also

1:25:04.920 --> 1:25:06.479
<v Speaker 4>other projects you.

1:25:06.400 --> 1:25:07.000
<v Speaker 1>Have going on.

1:25:07.360 --> 1:25:10.280
<v Speaker 4>When you came onto this show, you'd already been in

1:25:10.320 --> 1:25:13.400
<v Speaker 4>like procedurals like Cold Case and stuff like that, right,

1:25:13.439 --> 1:25:15.760
<v Speaker 4>so you'd been on a procedural before, but you kind

1:25:15.800 --> 1:25:18.559
<v Speaker 4>of came at a time where like Maloney had just

1:25:18.720 --> 1:25:21.360
<v Speaker 4>left and you were like sort of filling these big

1:25:21.720 --> 1:25:23.080
<v Speaker 4>Maloney size shoes.

1:25:23.720 --> 1:25:24.640
<v Speaker 1>What was that like?

1:25:24.760 --> 1:25:26.600
<v Speaker 4>Do you remember how like what it was like at

1:25:26.640 --> 1:25:28.160
<v Speaker 4>the beginning. I'm sure by the end it was like,

1:25:28.600 --> 1:25:31.000
<v Speaker 4>you know, the well oiled machine we hear about all

1:25:31.000 --> 1:25:33.479
<v Speaker 4>the time, that is the SVU set, But like, how

1:25:33.560 --> 1:25:35.919
<v Speaker 4>was it when you just walked into the role of Amorrow.

1:25:36.280 --> 1:25:38.360
<v Speaker 5>Well, first of all, thank you for having me. I'm

1:25:38.400 --> 1:25:43.360
<v Speaker 5>excited to revisit Tomorrow. I'm excited to you know, revisit

1:25:43.600 --> 1:25:48.000
<v Speaker 5>Law and Order SVU. Some of the best years of

1:25:48.000 --> 1:25:52.599
<v Speaker 5>my career were spent in that precinct with that crew

1:25:52.720 --> 1:25:55.880
<v Speaker 5>and with that cast and those writers, knowing that we

1:25:55.880 --> 1:25:58.439
<v Speaker 5>were going to talk about Tomorrow's one eighty today, I

1:25:58.520 --> 1:26:02.000
<v Speaker 5>rewatched it and uh, you know, I I'm just so

1:26:02.160 --> 1:26:04.960
<v Speaker 5>proud of the work that we all did there and

1:26:05.000 --> 1:26:09.160
<v Speaker 5>to be counted among that. You know, that legacy and

1:26:09.320 --> 1:26:13.160
<v Speaker 5>Chris Maloney is no different. The legacy that he left.

1:26:13.760 --> 1:26:16.439
<v Speaker 5>His shadow was long. And I didn't really just walk

1:26:16.479 --> 1:26:18.439
<v Speaker 5>into it, you know, it wasn't It wasn't like it

1:26:18.520 --> 1:26:21.600
<v Speaker 5>was presented to me as like you are going to

1:26:21.640 --> 1:26:27.720
<v Speaker 5>be sort of Benson's next partner. In fact, having to

1:26:27.760 --> 1:26:31.760
<v Speaker 5>come and test for the role was something that was mandatory,

1:26:32.560 --> 1:26:36.280
<v Speaker 5>you know, given how big a role it was, and

1:26:36.320 --> 1:26:39.080
<v Speaker 5>how you know, like I said, the legacy of the

1:26:39.120 --> 1:26:42.479
<v Speaker 5>show was sort of at a tipping point. And so

1:26:42.760 --> 1:26:47.120
<v Speaker 5>I flew out to New York, and you know, I

1:26:47.200 --> 1:26:49.880
<v Speaker 5>was among you know, several other actors who they were

1:26:49.920 --> 1:26:54.160
<v Speaker 5>looking to cast. And so when I landed and I

1:26:54.200 --> 1:26:57.800
<v Speaker 5>was the last one to test, I walked on to set.

1:26:57.840 --> 1:27:01.320
<v Speaker 5>It was the most actualized test I've ever been a

1:27:01.360 --> 1:27:04.639
<v Speaker 5>part of. We were actually in the in the conference

1:27:04.720 --> 1:27:11.840
<v Speaker 5>room of the precinct, and we we actually had a

1:27:11.880 --> 1:27:17.400
<v Speaker 5>full crew. They had cameras set up on Dolly's and

1:27:18.040 --> 1:27:23.720
<v Speaker 5>they had lighting. They had cast actors to read opposite

1:27:23.760 --> 1:27:26.880
<v Speaker 5>me who were off book, so it was almost as

1:27:26.920 --> 1:27:30.720
<v Speaker 5>if we were shooting a scene and my character then,

1:27:30.840 --> 1:27:33.720
<v Speaker 5>you know, didn't really have a name. So I just

1:27:33.960 --> 1:27:38.040
<v Speaker 5>I walked onto, you know, onto the set, and I

1:27:38.080 --> 1:27:42.679
<v Speaker 5>remember the actor was asleep, you know, playing playing that character.

1:27:42.720 --> 1:27:43.719
<v Speaker 6>The character was asleep.

1:27:44.640 --> 1:27:46.479
<v Speaker 5>And when I walked onto the set the first time

1:27:46.680 --> 1:27:49.080
<v Speaker 5>to sort of rehearse and kind of get a sense

1:27:49.120 --> 1:27:50.920
<v Speaker 5>as to how we were going to shoot this, I

1:27:50.960 --> 1:27:53.959
<v Speaker 5>looked down and there were a bunch of marks already

1:27:54.280 --> 1:27:57.000
<v Speaker 5>on the floor right And I looked up and you know,

1:27:57.080 --> 1:27:59.080
<v Speaker 5>having done it for a while, I realized, well, they've

1:27:59.080 --> 1:28:02.760
<v Speaker 5>already set up the light and that's probably corresponding with

1:28:02.840 --> 1:28:05.360
<v Speaker 5>the marks. And the camera was already on a Dolly

1:28:05.760 --> 1:28:08.720
<v Speaker 5>on a track, so they had all the movements set up.

1:28:09.560 --> 1:28:12.920
<v Speaker 5>And I called, you know, Michael Green, who became a

1:28:13.040 --> 1:28:14.960
<v Speaker 5>very good friend, you know, after that. I didn't know

1:28:15.000 --> 1:28:17.360
<v Speaker 5>who he was before that, but that was the director

1:28:17.400 --> 1:28:21.280
<v Speaker 5>of photography. I called Michael greenover and I said, how

1:28:21.360 --> 1:28:24.320
<v Speaker 5>vital are these marks? Like do I have to hit

1:28:24.520 --> 1:28:28.400
<v Speaker 5>these particular marks? I mean, who set these marks. They said, well,

1:28:29.000 --> 1:28:34.439
<v Speaker 5>the previous actors who came into audition, the first actor

1:28:34.560 --> 1:28:37.599
<v Speaker 5>set them, and then everybody else sort of like hit

1:28:37.640 --> 1:28:40.440
<v Speaker 5>those marks throughout the day of auditioning.

1:28:41.080 --> 1:28:42.040
<v Speaker 6>And I looked at.

1:28:41.880 --> 1:28:43.760
<v Speaker 5>Michael and I said, would it be okay if we

1:28:44.040 --> 1:28:46.840
<v Speaker 5>lifted the marks? I mean, I don't want to be

1:28:47.080 --> 1:28:49.120
<v Speaker 5>held to what other actors did. I kind of want

1:28:49.120 --> 1:28:52.439
<v Speaker 5>to find this character on my own. And I said,

1:28:52.520 --> 1:28:55.040
<v Speaker 5>and I'm aware that you've set up your lights, and

1:28:55.120 --> 1:28:58.599
<v Speaker 5>I don't want to cause any issues, but I also

1:28:58.720 --> 1:29:02.320
<v Speaker 5>don't feel like I want to step into somebody else's instincts.

1:29:02.360 --> 1:29:04.240
<v Speaker 5>I want to follow my own instincts in the scene.

1:29:04.760 --> 1:29:06.800
<v Speaker 5>And if I'm going to get the role, it'll be

1:29:06.800 --> 1:29:10.000
<v Speaker 5>because I followed my instincts, not because I was trying

1:29:10.000 --> 1:29:14.040
<v Speaker 5>to fit somebody else's sort of parameters. And Michael looked

1:29:14.080 --> 1:29:16.760
<v Speaker 5>up at his lights and he looked at me and

1:29:16.880 --> 1:29:18.880
<v Speaker 5>he's he looked back at the crew that was all,

1:29:19.000 --> 1:29:23.479
<v Speaker 5>you know, uh waiting, and he said, uh, strip the marks, boys, please,

1:29:24.280 --> 1:29:27.920
<v Speaker 5>And so they stripped the marks. And I looked over

1:29:27.960 --> 1:29:31.280
<v Speaker 5>the shoulder, over his shoulder, and Mariushka was standing, you know,

1:29:31.400 --> 1:29:35.360
<v Speaker 5>kind of in the precinct with Dick Wolf and you

1:29:35.400 --> 1:29:39.920
<v Speaker 5>know that whole brain trust watching the audition, and I thought,

1:29:39.960 --> 1:29:42.120
<v Speaker 5>for sure, I'm never going to get this, Like I

1:29:42.160 --> 1:29:45.800
<v Speaker 5>already came in and rocked the boat, and and so

1:29:45.880 --> 1:29:48.320
<v Speaker 5>we found it. We found the scene. I never felt

1:29:48.360 --> 1:29:52.679
<v Speaker 5>like I was replacing Chris Maloney, although obviously I think

1:29:52.720 --> 1:29:59.480
<v Speaker 5>that that's a convenient and probably easy way to phrase it. Thankfully,

1:29:59.640 --> 1:30:03.559
<v Speaker 5>I can't on board with Kelly Giddish, right, and so

1:30:04.160 --> 1:30:07.840
<v Speaker 5>in fact she in terms of the chronology of shooting,

1:30:08.160 --> 1:30:09.519
<v Speaker 5>Kelly started before me.

1:30:09.680 --> 1:30:13.719
<v Speaker 2>Did you guys have kind of like an immediate kinship

1:30:13.760 --> 1:30:15.960
<v Speaker 2>since you both entered in season thirteen?

1:30:16.880 --> 1:30:17.480
<v Speaker 6>Absolutely?

1:30:17.920 --> 1:30:20.280
<v Speaker 5>Yeah, I think I think we both We both knew

1:30:20.840 --> 1:30:25.360
<v Speaker 5>that there was a microscope on us, and you know,

1:30:25.400 --> 1:30:29.000
<v Speaker 5>the pressure was high. We felt a certain amount of

1:30:29.040 --> 1:30:32.639
<v Speaker 5>responsibility not only to the show and to the cast

1:30:32.680 --> 1:30:36.120
<v Speaker 5>and to the crew, but also to the fans. You know,

1:30:36.240 --> 1:30:39.040
<v Speaker 5>we wanted to make sure that the fans saw a

1:30:39.080 --> 1:30:42.679
<v Speaker 5>show that they were familiar with but that was new.

1:30:42.920 --> 1:30:44.080
<v Speaker 1>Well, yeah, we were curious.

1:30:44.080 --> 1:30:46.960
<v Speaker 2>So like when you watch this back or when you

1:30:47.000 --> 1:30:49.599
<v Speaker 2>were reading these scripts, when Tomorrow does go kind of

1:30:50.400 --> 1:30:53.840
<v Speaker 2>rogue or makes these mistakes, what goes through your mind

1:30:53.880 --> 1:30:55.479
<v Speaker 2>when you read, are you like, what the fuck don't

1:30:55.479 --> 1:30:55.720
<v Speaker 2>do this?

1:30:55.960 --> 1:30:58.479
<v Speaker 1>Or you like you have to understand what he's doing,

1:30:58.720 --> 1:31:02.280
<v Speaker 1>or like how is that? When you're reading?

1:31:02.600 --> 1:31:06.479
<v Speaker 5>Well man, you know, mostly exciting, you know, and whatever

1:31:06.520 --> 1:31:09.479
<v Speaker 5>you feel As an actor, you know, I don't know

1:31:09.479 --> 1:31:10.280
<v Speaker 5>how I'm gonna do this.

1:31:10.560 --> 1:31:14.360
<v Speaker 6>I mean, I'm I'm a little bit scared by this,

1:31:14.360 --> 1:31:15.000
<v Speaker 6>this arc.

1:31:15.280 --> 1:31:16.720
<v Speaker 5>You know, how am I gonna How am I going

1:31:16.800 --> 1:31:20.360
<v Speaker 5>to play that without overdoing it? Without under selling it?

1:31:20.360 --> 1:31:21.560
<v Speaker 5>How am I going to stay in the moment and

1:31:21.920 --> 1:31:25.400
<v Speaker 5>really you know, give the character his due, Especially when

1:31:25.439 --> 1:31:27.680
<v Speaker 5>you get great writing, You're like, I just don't want

1:31:27.680 --> 1:31:30.519
<v Speaker 5>to mess this up, you know. So, I mean that's

1:31:30.560 --> 1:31:34.600
<v Speaker 5>really that's really my main focus. You know, I'm a

1:31:34.640 --> 1:31:38.800
<v Speaker 5>fan first, so I get to read, I get to

1:31:38.880 --> 1:31:39.599
<v Speaker 5>read what.

1:31:39.680 --> 1:31:41.760
<v Speaker 6>Is happening for the characters.

1:31:41.960 --> 1:31:44.479
<v Speaker 5>I'm among the first one the first people to find

1:31:44.520 --> 1:31:46.880
<v Speaker 5>out what is going to happen. So it's a page turner,

1:31:47.000 --> 1:31:49.640
<v Speaker 5>especially with you know, with our writing staff. It was

1:31:49.680 --> 1:31:51.840
<v Speaker 5>like I wanted to find out what was going on,

1:31:52.080 --> 1:31:54.920
<v Speaker 5>and and then I pay very close attention to sort

1:31:54.960 --> 1:31:59.519
<v Speaker 5>of what that roller coaster of emotion and anticipation, what's

1:31:59.520 --> 1:32:03.599
<v Speaker 5>going to happen next In that first read, I try

1:32:03.640 --> 1:32:06.960
<v Speaker 5>to pay a lot of attention to that because that's

1:32:07.040 --> 1:32:09.240
<v Speaker 5>essentially the ride that the fans are going to take.

1:32:09.800 --> 1:32:11.320
<v Speaker 6>And so when I.

1:32:11.240 --> 1:32:15.439
<v Speaker 5>Read that first uh, that first read through of the script,

1:32:16.120 --> 1:32:20.160
<v Speaker 5>I don't take notes, I don't highlight anything. It really

1:32:20.200 --> 1:32:23.000
<v Speaker 5>is sitting down for forty five minutes to an hour

1:32:23.520 --> 1:32:28.559
<v Speaker 5>without interruption and just let the story flow through. And

1:32:28.640 --> 1:32:31.760
<v Speaker 5>so that way I know, okay, I'm keenly aware of

1:32:31.920 --> 1:32:33.479
<v Speaker 5>how this story blows.

1:32:33.560 --> 1:32:36.240
<v Speaker 2>You did mention that the character there was no name,

1:32:36.320 --> 1:32:38.519
<v Speaker 2>There was kind of nothing like all the guys you

1:32:38.560 --> 1:32:39.320
<v Speaker 2>were auditioning with.

1:32:39.400 --> 1:32:40.639
<v Speaker 1>Did everyone look different?

1:32:41.000 --> 1:32:43.160
<v Speaker 4>Did they have any idea or did you really create

1:32:43.960 --> 1:32:47.240
<v Speaker 4>this person together and like the name of him? Or

1:32:47.280 --> 1:32:51.160
<v Speaker 4>I also noticed like first scene in the personal fouls

1:32:51.200 --> 1:32:54.040
<v Speaker 4>facial hair, second scene no facial hair, Like did you

1:32:54.080 --> 1:32:55.920
<v Speaker 4>come in with a beer? Did they want to take it? Like,

1:32:55.960 --> 1:32:57.439
<v Speaker 4>I'm just so curious about that.

1:32:57.960 --> 1:33:00.599
<v Speaker 5>I think you know the idea was and I think

1:33:00.640 --> 1:33:05.080
<v Speaker 5>the name came from Warren Light. I'm not sure where

1:33:05.080 --> 1:33:06.760
<v Speaker 5>he came up with the name. I know he likes

1:33:06.920 --> 1:33:09.760
<v Speaker 5>Italian red wine, so it could be that you know

1:33:10.400 --> 1:33:12.559
<v Speaker 5>that a morl comes from that I'm not one hundred percent.

1:33:12.640 --> 1:33:15.360
<v Speaker 5>You might have to ask him. The idea that he

1:33:15.520 --> 1:33:21.000
<v Speaker 5>was coming in from an undercover squad was, I think,

1:33:21.240 --> 1:33:24.639
<v Speaker 5>something that we were both keen on. And I also

1:33:24.720 --> 1:33:29.639
<v Speaker 5>wanted to come on and not look like Scottie Vollen's right,

1:33:29.760 --> 1:33:34.320
<v Speaker 5>because Cold Case had essentially just ended, and frankly, I

1:33:34.360 --> 1:33:38.639
<v Speaker 5>wasn't looking to be on another procedural show. In fact,

1:33:38.680 --> 1:33:41.479
<v Speaker 5>when I was first approached about this opportunity, I turned

1:33:41.479 --> 1:33:45.640
<v Speaker 5>it down because I just felt like number one, I

1:33:45.680 --> 1:33:49.840
<v Speaker 5>felt like it wasn't I didn't want to step on

1:33:49.960 --> 1:33:53.920
<v Speaker 5>the same footprint that I had already sort of walked.

1:33:55.000 --> 1:33:58.360
<v Speaker 5>And so I said, you know, let's Cold Case had

1:33:58.400 --> 1:34:02.519
<v Speaker 5>already ended maybe a year before, and I wanted to

1:34:02.600 --> 1:34:05.960
<v Speaker 5>give myself a chance to try something else. And so

1:34:07.000 --> 1:34:12.800
<v Speaker 5>about three days after humbly and gratefully turning down the

1:34:12.840 --> 1:34:16.280
<v Speaker 5>opportunity of being on SVU, I got a call back

1:34:16.800 --> 1:34:21.600
<v Speaker 5>from Dick Wolf and you know, the Wolf camp, and

1:34:21.640 --> 1:34:22.920
<v Speaker 5>they said, well, what do you want to what do

1:34:22.960 --> 1:34:23.360
<v Speaker 5>you want?

1:34:23.880 --> 1:34:25.439
<v Speaker 6>What is it that you want?

1:34:26.520 --> 1:34:31.000
<v Speaker 5>And so that conversation started in earnest in terms of

1:34:31.080 --> 1:34:34.360
<v Speaker 5>shaping the character and how he would be different from

1:34:34.400 --> 1:34:37.559
<v Speaker 5>Scotty Valance and how you know his arc would be

1:34:37.600 --> 1:34:40.960
<v Speaker 5>different from Scotty and that essentially he would be given

1:34:41.360 --> 1:34:43.680
<v Speaker 5>a lot of turmoil and that I'd be able to

1:34:43.720 --> 1:34:47.599
<v Speaker 5>play all of these different levels and shades and whatnot.

1:34:47.680 --> 1:34:51.160
<v Speaker 6>And so that started the conversation in earnest and so

1:34:51.200 --> 1:34:51.679
<v Speaker 6>I think.

1:34:51.479 --> 1:34:55.200
<v Speaker 5>That leads back to how do we, you know, close

1:34:55.240 --> 1:34:59.320
<v Speaker 5>a chapter of Cold Case that was so meaningful to me,

1:35:00.400 --> 1:35:03.360
<v Speaker 5>not only as an actor but personally with everybody involved

1:35:03.360 --> 1:35:06.840
<v Speaker 5>on the show and sort of wipe the slate clean

1:35:07.240 --> 1:35:13.080
<v Speaker 5>and show up physically looking different. Uh, so that we

1:35:13.240 --> 1:35:17.800
<v Speaker 5>there's a clean cut between Scottie Vollen's and Nickomarrow.

1:35:18.000 --> 1:35:19.160
<v Speaker 6>And that was one of the.

1:35:19.120 --> 1:35:22.400
<v Speaker 5>Things that that we talked about that Warren and I

1:35:22.439 --> 1:35:25.120
<v Speaker 5>talked about is that he'd come in looking like Circroco.

1:35:25.800 --> 1:35:29.000
<v Speaker 5>And I think there's a line. There's a line where

1:35:29.120 --> 1:35:29.800
<v Speaker 5>they refer to me.

1:35:29.800 --> 1:35:34.080
<v Speaker 4>As that Munch calls you at one point, I think, yeah,

1:35:34.120 --> 1:35:34.559
<v Speaker 4>that's right.

1:35:34.560 --> 1:35:38.719
<v Speaker 5>Well, Richard, thank you for bringing up Richard Belzer.

1:35:39.280 --> 1:35:40.280
<v Speaker 6>I love Richard Belzer.

1:35:40.400 --> 1:35:43.600
<v Speaker 4>You guys have like such a friendship as your characters.

1:35:43.720 --> 1:35:46.440
<v Speaker 4>Was that like mimicking a real life friendship?

1:35:47.479 --> 1:35:47.759
<v Speaker 6>Woof?

1:35:49.680 --> 1:35:53.040
<v Speaker 4>Yeah, yeah, he was a legend.

1:35:54.600 --> 1:35:57.960
<v Speaker 5>It's hard it's hard to even talk about Brankley. Yeah,

1:35:58.000 --> 1:36:07.920
<v Speaker 5>the mentorship and friendship between myself and Richard Belzer that

1:36:08.120 --> 1:36:14.960
<v Speaker 5>as you can tell, was very real. Uh, you know,

1:36:15.120 --> 1:36:19.680
<v Speaker 5>when just to go back when we're talking about, you know,

1:36:20.080 --> 1:36:26.839
<v Speaker 5>this transition in the show, this sort of false feeling

1:36:26.880 --> 1:36:30.840
<v Speaker 5>that we needed to replace anybody or or you know

1:36:31.400 --> 1:36:33.840
<v Speaker 5>whatever that was at the very beginning that we that

1:36:33.880 --> 1:36:36.960
<v Speaker 5>we tried so hard to just you know, move past

1:36:37.000 --> 1:36:39.880
<v Speaker 5>and really create our own story and our own characters,

1:36:39.920 --> 1:36:45.720
<v Speaker 5>and you know, understand what and where our characters were

1:36:45.720 --> 1:36:48.120
<v Speaker 5>coming from so that they would feel real, so that

1:36:48.160 --> 1:36:51.280
<v Speaker 5>it wouldn't feel like, oh, nothing's happening here. We're just

1:36:51.400 --> 1:36:54.080
<v Speaker 5>we're missing this you know, vital piece of what has

1:36:54.080 --> 1:36:57.599
<v Speaker 5>made the last twelve years successful. And we're just going

1:36:57.640 --> 1:37:00.840
<v Speaker 5>to pop these two new characters, and we really wanted

1:37:00.840 --> 1:37:03.880
<v Speaker 5>to invest and make them full and that was what

1:37:04.000 --> 1:37:09.559
<v Speaker 5>our main goal as artists as actors was. However, there's

1:37:09.600 --> 1:37:13.679
<v Speaker 5>always the personal part, right and when you walk into

1:37:13.720 --> 1:37:18.439
<v Speaker 5>the first read through, as you know, these new characters,

1:37:18.479 --> 1:37:22.280
<v Speaker 5>as these new people in the production office at you know,

1:37:22.560 --> 1:37:27.000
<v Speaker 5>at Chelsea Piers, and the first person to stand up

1:37:27.120 --> 1:37:31.640
<v Speaker 5>from the table and come and greet you and you know,

1:37:32.120 --> 1:37:35.640
<v Speaker 5>give you a hug and just say, hey, I'm excited

1:37:35.640 --> 1:37:39.960
<v Speaker 5>that you're here. You're part of the family. So that's

1:37:40.000 --> 1:37:43.479
<v Speaker 5>that's Richard Belzer, you know. And so it started, It

1:37:43.640 --> 1:37:48.400
<v Speaker 5>started from the very beginning. And I don't know whether

1:37:48.520 --> 1:37:50.800
<v Speaker 5>Warren and Julie and the.

1:37:50.760 --> 1:37:52.519
<v Speaker 6>Writers saw that.

1:37:53.600 --> 1:37:57.880
<v Speaker 5>I don't know, you know, they're very observant, and I'm

1:37:57.880 --> 1:38:02.559
<v Speaker 5>not sure whether you know there were drawing parallels from

1:38:02.840 --> 1:38:06.400
<v Speaker 5>real life to then you know, put in their scripts

1:38:06.720 --> 1:38:07.479
<v Speaker 5>and on our show.

1:38:08.439 --> 1:38:12.320
<v Speaker 6>But Belzer from day one was that for me.

1:38:12.920 --> 1:38:13.040
<v Speaker 4>Uh.

1:38:13.880 --> 1:38:17.479
<v Speaker 5>You know Dan Floric also you know, had a lot

1:38:17.520 --> 1:38:20.840
<v Speaker 5>of that. So to see in Tomorrow's one eighty uh,

1:38:21.160 --> 1:38:25.439
<v Speaker 5>that Kragan, you know, the sort of the biggest sort

1:38:25.479 --> 1:38:29.639
<v Speaker 5>of movement at the end of that episode is that Kragan, Uh,

1:38:30.560 --> 1:38:33.880
<v Speaker 5>you know leaves squad. You know, I remember that day

1:38:34.439 --> 1:38:40.360
<v Speaker 5>very very clearly. But certainly, you know, Belzer was was

1:38:40.439 --> 1:38:46.400
<v Speaker 5>a a way for tomorrow, you know, Munch was away

1:38:46.400 --> 1:38:49.880
<v Speaker 5>for tomorrow to have support and sort of like that

1:38:50.120 --> 1:38:51.280
<v Speaker 5>unconditional support.

1:38:52.120 --> 1:38:55.599
<v Speaker 6>Ah. And you know, I think we all miss him.

1:38:56.680 --> 1:39:01.960
<v Speaker 5>Uh and uh, you know, I I have very very

1:39:02.000 --> 1:39:04.920
<v Speaker 5>beautiful memories of Bells.

1:39:05.360 --> 1:39:06.880
<v Speaker 1>Were you always a theater kid?

1:39:07.200 --> 1:39:09.920
<v Speaker 6>Oh yeah, yeah, since sixth sixth grade. I was. I

1:39:10.000 --> 1:39:12.240
<v Speaker 6>was a theater rat. I was.

1:39:12.400 --> 1:39:15.680
<v Speaker 5>I was always in a player in a musical. I

1:39:15.720 --> 1:39:19.760
<v Speaker 5>studied theater in from my undergrad at Florida International University.

1:39:20.880 --> 1:39:23.600
<v Speaker 5>I got my BFA there and then I went to

1:39:24.479 --> 1:39:26.680
<v Speaker 5>ny US two School of the Arts to get my

1:39:26.800 --> 1:39:30.360
<v Speaker 5>master's degree in theater performance.

1:39:31.040 --> 1:39:34.320
<v Speaker 2>What do you look back on any of your childhood roles? Finally,

1:39:34.840 --> 1:39:36.080
<v Speaker 2>any stick out?

1:39:37.320 --> 1:39:39.560
<v Speaker 6>Yeah? I mean I loved Shakespeare.

1:39:40.120 --> 1:39:43.120
<v Speaker 5>I used to to you know, I used to throw

1:39:43.160 --> 1:39:47.240
<v Speaker 5>myself into that quite a bit, anywhere from Romeo to

1:39:47.320 --> 1:39:51.080
<v Speaker 5>Hamlet to Petrucchio and then as a professional doing Shakespeare

1:39:51.080 --> 1:39:52.440
<v Speaker 5>in the Park a few times.

1:39:54.200 --> 1:39:55.639
<v Speaker 6>You know that. Yeah, that was.

1:39:56.280 --> 1:39:58.880
<v Speaker 5>Moments in your career where you look back and you

1:39:59.040 --> 1:40:01.760
<v Speaker 5>just like, I'm at the Delacorte Theater.

1:40:02.280 --> 1:40:05.840
<v Speaker 6>Yeah. Yeah, it's you know, like you know, like the

1:40:05.880 --> 1:40:07.320
<v Speaker 6>legacy of law and order.

1:40:07.640 --> 1:40:11.360
<v Speaker 5>He's you're you're on set and you're like, I'm part

1:40:11.400 --> 1:40:14.120
<v Speaker 5>of I'm part of this legacy of best for you?

1:40:14.120 --> 1:40:15.160
<v Speaker 1>You have so many episodes?

1:40:15.200 --> 1:40:19.520
<v Speaker 4>Are there any episodes or guest stars outside of Omorrow's

1:40:19.560 --> 1:40:22.200
<v Speaker 4>one eighty that you look fondly upon or were hard

1:40:22.280 --> 1:40:25.120
<v Speaker 4>or a funny story or anything, or like an actor

1:40:25.120 --> 1:40:27.880
<v Speaker 4>you were really surprised to see or anything like that.

1:40:28.560 --> 1:40:32.960
<v Speaker 5>Oh man, yeah, I mean the first person who popped

1:40:33.000 --> 1:40:34.200
<v Speaker 5>in my head was on Gray Brower.

1:40:34.720 --> 1:40:37.360
<v Speaker 6>Ah oh wow, Yeah, I mean he rested piece as well.

1:40:38.520 --> 1:40:42.599
<v Speaker 5>Such such an artist, a person that I'd looked up

1:40:42.640 --> 1:40:47.599
<v Speaker 5>to four years, and then to be able to watch

1:40:47.680 --> 1:40:50.120
<v Speaker 5>him work, I looked up to him even more.

1:40:50.320 --> 1:40:50.639
<v Speaker 1>I thought.

1:40:50.640 --> 1:40:53.720
<v Speaker 4>One of the coolest career moves he made was being

1:40:53.760 --> 1:40:57.799
<v Speaker 4>on Brooklyn ninet nine, because he was this super serious actor,

1:40:58.160 --> 1:41:02.000
<v Speaker 4>very respected, and and then he does this like very

1:41:02.040 --> 1:41:03.400
<v Speaker 4>goofy comedy where.

1:41:03.160 --> 1:41:05.600
<v Speaker 1>He absolutely killed it.

1:41:05.640 --> 1:41:08.200
<v Speaker 4>Is that something you have ever like thought about doing

1:41:08.240 --> 1:41:10.080
<v Speaker 4>getting into the comedy space at all? I mean, like

1:41:10.120 --> 1:41:13.439
<v Speaker 4>we're both comedians and obviously this is a pretty serious show.

1:41:13.680 --> 1:41:17.040
<v Speaker 4>We always talk about how like the Bellser seasons were

1:41:17.120 --> 1:41:19.719
<v Speaker 4>kind of like the ones that had the comedy infused

1:41:19.760 --> 1:41:22.200
<v Speaker 4>in it, like you know, you and him had some ribbing,

1:41:22.439 --> 1:41:26.280
<v Speaker 4>him and Finn, you know, But is like, would you

1:41:26.320 --> 1:41:28.519
<v Speaker 4>ever challenge yourself because like, after this show, you did

1:41:28.600 --> 1:41:30.400
<v Speaker 4>my INDs, and you know, you do a lot of

1:41:30.439 --> 1:41:33.439
<v Speaker 4>these like gritty dramas. Have you ever thought about like

1:41:34.360 --> 1:41:36.879
<v Speaker 4>being a goofy guy on a sitcom.

1:41:36.880 --> 1:41:41.120
<v Speaker 5>Ever, I think my wife would say, you're a goofy

1:41:41.200 --> 1:41:45.920
<v Speaker 5>guy in reality, so that it probably would translate a

1:41:45.960 --> 1:41:49.360
<v Speaker 5>lot easier to doing the comedy than to doing sort

1:41:49.360 --> 1:41:52.519
<v Speaker 5>of these darker, grittier roles. You know, I had the

1:41:53.640 --> 1:41:57.640
<v Speaker 5>honor the great good fortune of working with Rita Moreno

1:41:58.160 --> 1:42:03.920
<v Speaker 5>and oh yes, yes yeah, and being on one day

1:42:03.920 --> 1:42:06.200
<v Speaker 5>at a time for an episode.

1:42:07.760 --> 1:42:11.680
<v Speaker 6>It was so much fun. Uh, And it's something that

1:42:11.760 --> 1:42:12.439
<v Speaker 6>I look forward to.

1:42:12.520 --> 1:42:15.880
<v Speaker 5>But you know, Andre could do anything, you know, and

1:42:15.920 --> 1:42:18.160
<v Speaker 5>that's one of those things that I always look up

1:42:18.200 --> 1:42:19.599
<v Speaker 5>to in any performer.

1:42:19.960 --> 1:42:24.080
<v Speaker 2>Why I'll switch episodes brought great memories to We always

1:42:24.080 --> 1:42:26.360
<v Speaker 2>like to talk about the episodes that haunt us forever.

1:42:27.479 --> 1:42:30.840
<v Speaker 2>Are there any that you've read or that scenes you've

1:42:30.880 --> 1:42:32.320
<v Speaker 2>been in it that I have stuck with you and

1:42:32.520 --> 1:42:34.160
<v Speaker 2>have haunted you?

1:42:34.200 --> 1:42:35.160
<v Speaker 1>Maybe Hunting Ground?

1:42:35.200 --> 1:42:37.360
<v Speaker 4>Yeah, I was gonna say one of my best haunted

1:42:37.439 --> 1:42:39.800
<v Speaker 4>is Hunting Ground, which you're a big part of. And

1:42:40.720 --> 1:42:43.200
<v Speaker 4>that's one of those episodes where were like, god, SVU,

1:42:43.880 --> 1:42:45.200
<v Speaker 4>you really took it there.

1:42:45.960 --> 1:42:48.360
<v Speaker 6>Yeah, No, there there were several. I think.

1:42:49.840 --> 1:42:52.320
<v Speaker 5>Any episode that deals with children, you know, I have

1:42:52.680 --> 1:42:55.360
<v Speaker 5>at that I have two boys, and at that time

1:42:56.160 --> 1:42:59.720
<v Speaker 5>my kids were when we moved from Los Angeles to

1:42:59.800 --> 1:43:05.120
<v Speaker 5>New Or to start s View, my sons were going

1:43:05.200 --> 1:43:07.400
<v Speaker 5>one was going into kindergarten and the other one was

1:43:07.400 --> 1:43:09.000
<v Speaker 5>going into.

1:43:09.520 --> 1:43:10.559
<v Speaker 6>The fours in pre k.

1:43:11.320 --> 1:43:16.000
<v Speaker 5>So anything that dealt with kids was tough. I remember

1:43:16.280 --> 1:43:20.759
<v Speaker 5>there were a couple of episodes where I would we'd

1:43:20.760 --> 1:43:25.320
<v Speaker 5>shoot a scene late at night, and it was just tough.

1:43:25.479 --> 1:43:30.760
<v Speaker 5>It was a really tough emotional scene. And I'd come

1:43:30.800 --> 1:43:35.040
<v Speaker 5>home and before i'd even you know, say hello to

1:43:35.080 --> 1:43:36.760
<v Speaker 5>my wife, I knew my kids were asleep. I'd just

1:43:36.800 --> 1:43:39.280
<v Speaker 5>sneak into their room because they shared a room, and

1:43:39.320 --> 1:43:42.880
<v Speaker 5>I would just sit in their room because it was

1:43:43.040 --> 1:43:44.920
<v Speaker 5>just harsh.

1:43:45.360 --> 1:43:45.519
<v Speaker 6>You know.

1:43:45.640 --> 1:43:51.040
<v Speaker 5>It's you know, to sort of understand that our show

1:43:52.080 --> 1:43:56.120
<v Speaker 5>depicts some things that actually happened, and you know, to

1:43:56.200 --> 1:44:00.800
<v Speaker 5>count your blessings and to sort of be able to

1:44:00.880 --> 1:44:05.160
<v Speaker 5>let some of that go even though we are pretending,

1:44:05.680 --> 1:44:09.839
<v Speaker 5>you know, and it's it's all, you know, fictionalized. Sometimes

1:44:09.840 --> 1:44:12.880
<v Speaker 5>your body doesn't know that you know, your emotion does

1:44:12.920 --> 1:44:14.240
<v Speaker 5>you know, you can just let it go and you're like,

1:44:14.280 --> 1:44:16.920
<v Speaker 5>that never happened. We can just walk away, but your

1:44:16.960 --> 1:44:19.720
<v Speaker 5>body still sometimes retains that and so you know, there

1:44:19.720 --> 1:44:21.360
<v Speaker 5>were there were a few times where I just sat

1:44:21.720 --> 1:44:25.320
<v Speaker 5>in in my kids rooms and just like I was

1:44:25.360 --> 1:44:30.760
<v Speaker 5>able to to in Spanish and Cuban, we'd say I

1:44:30.800 --> 1:44:33.920
<v Speaker 5>was able to sort of like release it all. Yeah,

1:44:34.000 --> 1:44:35.680
<v Speaker 5>but yeah, no, I think I think those were the

1:44:35.680 --> 1:44:37.559
<v Speaker 5>hardest ones to sort of get past.

1:44:37.880 --> 1:44:39.519
<v Speaker 1>Yeah, those kid actors are.

1:44:39.400 --> 1:44:44.840
<v Speaker 6>So good, so good. One of the memories from Amorro's

1:44:44.840 --> 1:44:49.799
<v Speaker 6>one eighty. Yes. Yeah, I'm not sure whether Dan Floord

1:44:49.960 --> 1:44:54.240
<v Speaker 6>mentioned his last day, did he? Did he talk about him?

1:44:54.320 --> 1:44:56.360
<v Speaker 2>Well, he told us about the gift because someone gave

1:44:56.439 --> 1:45:00.639
<v Speaker 2>him that painting with him and Kimba, and we really

1:45:00.680 --> 1:45:02.600
<v Speaker 2>loved that monkey. Well, I could tell you what he

1:45:02.640 --> 1:45:04.479
<v Speaker 2>fed the monkey. That's what I remember. He gave the

1:45:04.479 --> 1:45:07.439
<v Speaker 2>monkey gummy bears. But I don't remember the last day.

1:45:08.040 --> 1:45:10.240
<v Speaker 4>We probably we talked to him for a little while

1:45:10.320 --> 1:45:13.120
<v Speaker 4>and I'm not sure what actually made the interview or not,

1:45:13.200 --> 1:45:14.559
<v Speaker 4>but I think he mentioned it.

1:45:14.640 --> 1:45:18.439
<v Speaker 5>But tell us, well, we just talked about Shakespeare. So

1:45:19.320 --> 1:45:24.000
<v Speaker 5>Dan Floric is a fantastic, phenomenal talent. I mean, he's

1:45:24.080 --> 1:45:27.719
<v Speaker 5>been doing Shakespeare, you know, his entire career, and he's

1:45:27.920 --> 1:45:31.880
<v Speaker 5>just one of those pros that I look up to

1:45:32.680 --> 1:45:35.400
<v Speaker 5>not only as a friend and as a mentor, but

1:45:35.560 --> 1:45:39.559
<v Speaker 5>just as an artist. And the way that he left

1:45:39.600 --> 1:45:43.240
<v Speaker 5>the show that you know, that day when I was

1:45:43.320 --> 1:45:46.679
<v Speaker 5>watching Tomorrow's one eighty, it just came all rushing back.

1:45:47.400 --> 1:45:50.520
<v Speaker 6>I believe it was a prospero monologue.

1:45:50.920 --> 1:45:54.680
<v Speaker 5>So the entire crew comes out, you know, some of

1:45:54.720 --> 1:45:57.080
<v Speaker 5>the writers were there, some of the producers were there.

1:45:57.640 --> 1:45:59.600
<v Speaker 5>You know, some of the actors who weren't in the

1:45:59.640 --> 1:46:03.240
<v Speaker 5>scene came in any way, and you know, there are

1:46:03.280 --> 1:46:07.040
<v Speaker 5>applause all around, and you know, very emotional, and Dan

1:46:07.600 --> 1:46:11.200
<v Speaker 5>quiets everybody down, and we expect for him to say

1:46:11.640 --> 1:46:15.880
<v Speaker 5>something to the crew and to the cast and to

1:46:15.920 --> 1:46:20.640
<v Speaker 5>the writers, and he takes a moment, he gathers himself,

1:46:20.880 --> 1:46:23.760
<v Speaker 5>and I'm thinking, well, he's getting emotional. You know, I

1:46:23.800 --> 1:46:26.599
<v Speaker 5>don't know that he's going to be able to express anything.

1:46:27.280 --> 1:46:31.400
<v Speaker 5>And he goes into this monologue without saying I want

1:46:31.400 --> 1:46:34.240
<v Speaker 5>to say this thing of the Shakespeare, this Prospero model.

1:46:34.320 --> 1:46:37.600
<v Speaker 5>He just goes into it and it's about life and

1:46:37.640 --> 1:46:42.160
<v Speaker 5>it's about time, and it's about sort of understanding the

1:46:42.240 --> 1:46:46.280
<v Speaker 5>value of the people around you. And I don't remember

1:46:46.320 --> 1:46:50.280
<v Speaker 5>the monologue exactly, but I remember how it made me

1:46:50.360 --> 1:46:53.920
<v Speaker 5>feel and it made me feel number one, an incredible

1:46:53.960 --> 1:46:58.639
<v Speaker 5>amount of respect for this man who chose this moment

1:46:59.479 --> 1:47:01.000
<v Speaker 5>to deliver this monologue.

1:47:01.160 --> 1:47:01.719
<v Speaker 6>Wasn't reading.

1:47:01.760 --> 1:47:05.080
<v Speaker 5>It was off the top of his head, and it

1:47:05.120 --> 1:47:10.720
<v Speaker 5>was so steady and emotional because of the stakes that

1:47:11.000 --> 1:47:14.280
<v Speaker 5>were in the room, and of the time that he

1:47:14.320 --> 1:47:16.479
<v Speaker 5>had spent in that squad room and what he had

1:47:16.520 --> 1:47:19.960
<v Speaker 5>given to all of us. And yet again this was

1:47:20.000 --> 1:47:23.960
<v Speaker 5>another gift, like I'm giving you this monologue, this is

1:47:24.360 --> 1:47:26.439
<v Speaker 5>this is what I do best, and here it is

1:47:26.479 --> 1:47:28.240
<v Speaker 5>for you, and I'll never forget.

1:47:28.360 --> 1:47:31.200
<v Speaker 6>I'll never forget that. That is how he chose to

1:47:31.200 --> 1:47:31.879
<v Speaker 6>say goodbye.

1:47:33.320 --> 1:47:35.559
<v Speaker 1>Can I ask how your last day was?

1:47:36.040 --> 1:47:39.640
<v Speaker 6>I was emotional wreck, I was a mess. I was

1:47:39.680 --> 1:47:42.439
<v Speaker 6>a mess. I mean, for me, it was it was

1:47:42.479 --> 1:47:43.400
<v Speaker 6>a long time coming.

1:47:43.479 --> 1:47:46.760
<v Speaker 5>I had already known that I was going to, you know,

1:47:47.200 --> 1:47:49.479
<v Speaker 5>that a tomorrow is going to cycle out from you know,

1:47:49.640 --> 1:47:55.680
<v Speaker 5>months before I had already sort of had conversations that tomorrow's.

1:47:55.000 --> 1:47:59.080
<v Speaker 6>Time, you know, on the squad was was going to

1:47:59.120 --> 1:47:59.639
<v Speaker 6>be limited.

1:48:01.160 --> 1:48:05.240
<v Speaker 5>There was already you know, conversation probably a year before

1:48:05.600 --> 1:48:09.880
<v Speaker 5>it actually happened, that you know, perhaps I was looking

1:48:09.920 --> 1:48:13.439
<v Speaker 5>to maybe do something else and already we were already

1:48:13.479 --> 1:48:17.160
<v Speaker 5>sort of towards the end of the amount that Amorrow

1:48:17.200 --> 1:48:20.920
<v Speaker 5>could actually handle, uh in terms of, you know, the

1:48:21.000 --> 1:48:23.280
<v Speaker 5>things that were being thrown at him. So it was,

1:48:23.520 --> 1:48:25.519
<v Speaker 5>it was it was kind of a good marriage between

1:48:26.080 --> 1:48:28.960
<v Speaker 5>you know, me having you know, played a police officer

1:48:29.120 --> 1:48:33.960
<v Speaker 5>for now eleven seasons including Gold Case, uh, and wanting

1:48:34.000 --> 1:48:40.559
<v Speaker 5>to potentially, you know, seek other challenges and.

1:48:38.880 --> 1:48:41.120
<v Speaker 6>And also where the show was.

1:48:41.400 --> 1:48:47.760
<v Speaker 5>So the emotion didn't come from uh, you know, this

1:48:48.000 --> 1:48:51.599
<v Speaker 5>wasn't something that I chose. It came from I'm really

1:48:51.600 --> 1:48:54.519
<v Speaker 5>going to miss these people. I'm really going to miss

1:48:54.680 --> 1:48:58.519
<v Speaker 5>this crew. I'm going to miss this cast. I'm going

1:48:58.600 --> 1:48:59.800
<v Speaker 5>to miss the writers.

1:49:00.400 --> 1:49:02.160
<v Speaker 6>You know it.

1:49:02.160 --> 1:49:04.879
<v Speaker 5>It was a moment in my life that I valued,

1:49:05.439 --> 1:49:10.120
<v Speaker 5>and that transition out of you know, that world that

1:49:10.160 --> 1:49:12.120
<v Speaker 5>I wasn't going to see them every single.

1:49:11.960 --> 1:49:16.839
<v Speaker 6>Day was an emotional an emotional day.

1:49:17.479 --> 1:49:18.160
<v Speaker 1>I'm sure.

1:49:19.000 --> 1:49:21.600
<v Speaker 2>And then do you want to talk about I'm going

1:49:21.640 --> 1:49:23.080
<v Speaker 2>to say it Union derays.

1:49:23.320 --> 1:49:25.439
<v Speaker 6>Oh, let's go. Yeah, you said you said it wrong,

1:49:25.479 --> 1:49:27.360
<v Speaker 6>but you tried, you tried really really hard.

1:49:27.760 --> 1:49:27.880
<v Speaker 5>Uh.

1:49:28.680 --> 1:49:29.519
<v Speaker 6>Yeah, no, you're right.

1:49:29.560 --> 1:49:35.439
<v Speaker 5>There is a short film that I wrote, directed, uh

1:49:35.479 --> 1:49:40.000
<v Speaker 5>and acted in and produced along with my wife Lily,

1:49:40.080 --> 1:49:41.880
<v Speaker 5>who you know I begged to be a part of

1:49:42.000 --> 1:49:44.320
<v Speaker 5>She's she's an actor. We met when we were in

1:49:44.360 --> 1:49:48.120
<v Speaker 5>middle school and yeah, in junior high we met in an.

1:49:48.000 --> 1:49:51.240
<v Speaker 6>Acting class of all places. I begged her.

1:49:52.200 --> 1:49:54.360
<v Speaker 5>She turned me down like two or three times and

1:49:54.400 --> 1:49:58.599
<v Speaker 5>then ultimately said yes, and uh, it's part of this

1:49:58.600 --> 1:49:59.320
<v Speaker 5>this short film.

1:49:59.520 --> 1:50:01.120
<v Speaker 6>The recept has been fantastic.

1:50:01.760 --> 1:50:05.639
<v Speaker 5>Directing was something that I've was very interested in back

1:50:05.760 --> 1:50:09.000
<v Speaker 5>even on SVU. It was something that I really wanted

1:50:09.040 --> 1:50:15.800
<v Speaker 5>to delve into. Unfortunately, I was able to you know,

1:50:16.200 --> 1:50:19.960
<v Speaker 5>start investigating that through the short, and then I subsequently

1:50:20.000 --> 1:50:21.600
<v Speaker 5>directed to Mayan's episodes.

1:50:22.200 --> 1:50:25.400
<v Speaker 6>Uh, fantastic to do that.

1:50:25.520 --> 1:50:28.000
<v Speaker 5>I mean, the cast and the crew and you know

1:50:28.479 --> 1:50:33.160
<v Speaker 5>elgend James, our showrunner, were just you know, there were

1:50:33.200 --> 1:50:36.240
<v Speaker 5>a gift to work with. And so that that's kind

1:50:36.240 --> 1:50:39.360
<v Speaker 5>of where started. Because I knew I was going to

1:50:39.439 --> 1:50:41.640
<v Speaker 5>direct an episode of Minds, and I didn't want to

1:50:41.640 --> 1:50:45.800
<v Speaker 5>show up to set having not directed something. So I

1:50:45.840 --> 1:50:48.720
<v Speaker 5>wrote the short and we shot it about four or

1:50:48.760 --> 1:50:51.040
<v Speaker 5>five months before I directed Mines.

1:50:51.800 --> 1:50:55.120
<v Speaker 4>And I know de Res we probably can't watch yet,

1:50:55.200 --> 1:50:57.920
<v Speaker 4>but Hotel Cocaine is the show you just did that's

1:50:57.920 --> 1:50:59.200
<v Speaker 4>on MGM plus.

1:50:59.439 --> 1:51:03.680
<v Speaker 5>That's Correcttel Cocaine nineteen seventy eight, Miami.

1:51:04.400 --> 1:51:08.519
<v Speaker 6>Wow, I was. I was born and raised in Miami

1:51:08.600 --> 1:51:12.960
<v Speaker 6>in the seventies. I do not remember a lot of it,

1:51:13.280 --> 1:51:14.439
<v Speaker 6>but because I was so young.

1:51:14.800 --> 1:51:21.479
<v Speaker 5>But the Mutiny Hotel and Club was the epicenter of

1:51:21.600 --> 1:51:25.759
<v Speaker 5>Miami in the seventies. It's similar to saying Studio fifty

1:51:25.800 --> 1:51:26.800
<v Speaker 5>four in New York.

1:51:27.000 --> 1:51:29.559
<v Speaker 6>At the time. It was the.

1:51:30.560 --> 1:51:39.520
<v Speaker 5>Dangerous sort of watering hole for politicians or superstars, celebrities, musicians,

1:51:39.960 --> 1:51:43.920
<v Speaker 5>and the cocaine cowboys along with the Dea. So it

1:51:44.080 --> 1:51:50.840
<v Speaker 5>was a rich broth of incredibly diverse characters. And I

1:51:50.920 --> 1:51:55.760
<v Speaker 5>play Vermont Comte. Ermontcomte was an actual person. It was

1:51:55.760 --> 1:51:58.600
<v Speaker 5>the father of Maurice Comte, who's an actor who I

1:51:58.640 --> 1:52:02.200
<v Speaker 5>worked with on Mayans Oh stuff.

1:52:02.360 --> 1:52:02.559
<v Speaker 6>Yeah.

1:52:02.560 --> 1:52:06.720
<v Speaker 5>So Chris Broncoto, who is our showrunner, main writer, was

1:52:06.760 --> 1:52:10.000
<v Speaker 5>the co creator of Narcos, and he worked with Maurice

1:52:10.000 --> 1:52:13.920
<v Speaker 5>Conte on Narcos and Maurice told him the story about

1:52:13.960 --> 1:52:18.120
<v Speaker 5>his father in this, you know, the epicenter of the

1:52:18.160 --> 1:52:21.880
<v Speaker 5>cocaine wars in Miami of the nineteen seventies, and Chris

1:52:21.960 --> 1:52:25.799
<v Speaker 5>was like, I think there's something there. The Hotel Cocaine

1:52:25.840 --> 1:52:32.200
<v Speaker 5>is really kind of a unicorn in that it's incredibly

1:52:32.320 --> 1:52:39.479
<v Speaker 5>dark and violent and sexy, but it's also hilarious and

1:52:39.880 --> 1:52:43.479
<v Speaker 5>there's humor and it's funny, and you know, there's so

1:52:43.560 --> 1:52:46.120
<v Speaker 5>many things happening at the same time, and the balance

1:52:46.840 --> 1:52:49.400
<v Speaker 5>is precarious and challenging.

1:52:49.760 --> 1:52:52.639
<v Speaker 6>And that's one of the things, among many other things, that.

1:52:52.560 --> 1:52:56.800
<v Speaker 5>I tipped my hat to Chris Broncato to really finding

1:52:56.840 --> 1:53:00.000
<v Speaker 5>a way to tell a story that is so complicated,

1:53:00.120 --> 1:53:03.639
<v Speaker 5>any complex and shifts from scene to scene.

1:53:04.200 --> 1:53:06.479
<v Speaker 2>Well, I came up with a game, but I don't know,

1:53:06.560 --> 1:53:09.200
<v Speaker 2>I don't know if it's cool yet. Okay, you don't

1:53:09.200 --> 1:53:11.720
<v Speaker 2>have to, so I'm gonna just say things, and then

1:53:11.760 --> 1:53:16.080
<v Speaker 2>you can choose between Kelly Iced Team, Marishka, Peter Scannabino,

1:53:16.240 --> 1:53:18.200
<v Speaker 2>Dan Floriic Raoul or Belzer.

1:53:19.120 --> 1:53:21.040
<v Speaker 6>Okay, so main main cast.

1:53:21.360 --> 1:53:24.639
<v Speaker 1>Who's the most like their character probably Marishka.

1:53:25.720 --> 1:53:30.960
<v Speaker 6>I mean I once said that the only person who

1:53:32.000 --> 1:53:38.240
<v Speaker 6>overshadows or outshines Olivia Benson is Murska Hargita, and I'm

1:53:38.280 --> 1:53:39.000
<v Speaker 6>not beautiful.

1:53:39.960 --> 1:53:43.040
<v Speaker 1>Most likely to be late to work. You don't have

1:53:43.120 --> 1:53:44.360
<v Speaker 1>to throw anybody out of the bus.

1:53:44.439 --> 1:53:47.880
<v Speaker 6>That's sorry, Yeah, I'm not answering that question. I only

1:53:47.920 --> 1:53:50.840
<v Speaker 6>look though, if you.

1:53:50.760 --> 1:53:53.200
<v Speaker 4>Could go on vacation with any of these people, who

1:53:53.200 --> 1:53:54.479
<v Speaker 4>would be the number one person?

1:53:55.120 --> 1:53:55.360
<v Speaker 6>You know?

1:53:55.560 --> 1:54:02.519
<v Speaker 5>When I when Tomorrow was done on the show, we

1:54:02.600 --> 1:54:07.599
<v Speaker 5>had a weekend up in the Hamptons where the entire

1:54:07.680 --> 1:54:11.559
<v Speaker 5>cast came out and we had moment together.

1:54:12.439 --> 1:54:14.840
<v Speaker 6>So my answer to that is all of them, because we.

1:54:14.840 --> 1:54:19.679
<v Speaker 5>Had such a last it was that was really sort

1:54:19.680 --> 1:54:23.320
<v Speaker 5>of my last sort of you know, goodbye to the show.

1:54:23.760 --> 1:54:29.880
<v Speaker 5>Was was spending a weekend with this fantastic cast and

1:54:29.920 --> 1:54:33.600
<v Speaker 5>being able to really share how much they meant to me. Uh,

1:54:33.640 --> 1:54:35.560
<v Speaker 5>and for them to be able to share things with me.

1:54:36.640 --> 1:54:39.960
<v Speaker 5>And the answer to your question is all of them,

1:54:40.080 --> 1:54:43.040
<v Speaker 5>because they're all They're all incredibly giving and special people.

1:54:44.360 --> 1:54:46.960
<v Speaker 1>I really like that you guys are in the Hamptons together.

1:54:47.280 --> 1:54:47.800
<v Speaker 1>That's great.

1:54:48.320 --> 1:54:53.120
<v Speaker 4>This like wen't have Honestly, there's like so much more

1:54:53.160 --> 1:54:53.720
<v Speaker 4>we could talk to.

1:54:53.720 --> 1:54:54.280
<v Speaker 1>You about here.

1:54:55.520 --> 1:54:56.840
<v Speaker 6>Thank you, thank you for having me.

1:54:57.320 --> 1:54:59.800
<v Speaker 5>And I appreciate, like I said, I appreciate being able

1:54:59.840 --> 1:55:03.200
<v Speaker 5>to visit Tomorrow's one eighty and to revisit some of

1:55:03.240 --> 1:55:06.240
<v Speaker 5>these fantastic memories. Uh, to be able to talk about

1:55:06.320 --> 1:55:10.280
<v Speaker 5>Richard Belzer, because I haven't spoken about him publicly since

1:55:10.320 --> 1:55:14.800
<v Speaker 5>his passing. Uh, so please excuse my emotion, but it

1:55:14.960 --> 1:55:18.400
<v Speaker 5>was it was It was very cool, uh to to

1:55:18.480 --> 1:55:21.040
<v Speaker 5>be able to talk about these people who that I

1:55:21.080 --> 1:55:24.200
<v Speaker 5>love so much, uh, talk about this character that I

1:55:24.240 --> 1:55:29.320
<v Speaker 5>love so much, uh, and to really uh one of

1:55:29.360 --> 1:55:32.360
<v Speaker 5>the things I really wanted to do today was to

1:55:33.080 --> 1:55:39.240
<v Speaker 5>thank the SVU diehards for their support throughout uh my

1:55:39.360 --> 1:55:41.840
<v Speaker 5>time on the show and my time since I left

1:55:41.880 --> 1:55:45.080
<v Speaker 5>the show. It has been uh.

1:55:45.000 --> 1:55:52.280
<v Speaker 6>You know, fundamental encouragement coming from them. Uh. And I

1:55:52.320 --> 1:55:54.760
<v Speaker 6>hope that they enjoy Hotel Cocaine, yeah.

1:55:54.680 --> 1:55:58.440
<v Speaker 5>Uh, and and that they understand that while we're not

1:55:59.640 --> 1:56:04.360
<v Speaker 5>uh it is far from SVU, that that same gray

1:56:04.440 --> 1:56:10.480
<v Speaker 5>area of character navigating that with Roman Conte is.

1:56:10.520 --> 1:56:12.120
<v Speaker 6>A similar world.

1:56:12.160 --> 1:56:16.200
<v Speaker 5>It's a similar pathway, and they might recognize some things

1:56:16.240 --> 1:56:21.800
<v Speaker 5>about Tomorrow in Roman and uh and in the writing,

1:56:22.360 --> 1:56:26.480
<v Speaker 5>in the precarious position that Tomorrow was put in throughout

1:56:26.480 --> 1:56:29.600
<v Speaker 5>episodes of SVVU that Roman Conte is now put in

1:56:30.320 --> 1:56:31.520
<v Speaker 5>throughout episodes.

1:56:31.120 --> 1:56:32.120
<v Speaker 6>Of Hotel Cocaine.

1:56:32.360 --> 1:56:35.480
<v Speaker 5>And thank you for having me on your show not

1:56:35.520 --> 1:56:39.800
<v Speaker 5>only to talk about moments past but also moments present.

1:56:40.040 --> 1:56:43.440
<v Speaker 4>So thank you, Yeah, thank you, thank you so much

1:56:43.480 --> 1:56:46.440
<v Speaker 4>for taking the time. And you'll see that the diehards,

1:56:46.480 --> 1:56:51.320
<v Speaker 4>you're a treat for them, because on Instagram you're just

1:56:51.320 --> 1:56:53.400
<v Speaker 4>going to see them all freaking out that that we

1:56:53.480 --> 1:56:54.520
<v Speaker 4>got to talk to you, So.

1:56:55.200 --> 1:56:56.240
<v Speaker 1>It will be a fun little treat.

1:56:56.360 --> 1:56:57.160
<v Speaker 6>I thank you for that.

1:57:01.880 --> 1:57:03.440
<v Speaker 1>I mean, I bet they knew.

1:57:03.440 --> 1:57:06.160
<v Speaker 2>If we're doing, you know, amorrow's one to eighty. Who

1:57:06.160 --> 1:57:08.840
<v Speaker 2>are we gonna have? The deli clerk like, yeah, we're

1:57:08.880 --> 1:57:11.320
<v Speaker 2>gonna have We're gonna have amorrow for this one.

1:57:11.840 --> 1:57:13.040
<v Speaker 1>And he watched.

1:57:12.640 --> 1:57:16.360
<v Speaker 2>It and such a good memory and stories and a

1:57:16.480 --> 1:57:20.640
<v Speaker 2>very sentimental guy. Yeah, I loved you know, no remembering

1:57:20.680 --> 1:57:22.800
<v Speaker 2>the moments of auditions and all of that. And I

1:57:22.800 --> 1:57:25.360
<v Speaker 2>feel not to make it about me, but I feel

1:57:25.560 --> 1:57:29.040
<v Speaker 2>like that's my vibe. I want to hold on to

1:57:29.160 --> 1:57:32.840
<v Speaker 2>these details and every moment is so good and I

1:57:33.040 --> 1:57:35.120
<v Speaker 2>he's I'm glad he has a good career.

1:57:35.280 --> 1:57:35.800
<v Speaker 1>He loves it.

1:57:35.840 --> 1:57:37.920
<v Speaker 4>And I was really happy that he also opened up

1:57:37.920 --> 1:57:40.240
<v Speaker 4>to us about Belzer and how much they had such

1:57:40.280 --> 1:57:41.520
<v Speaker 4>a special relationship.

1:57:41.680 --> 1:57:43.640
<v Speaker 1>And I mean.

1:57:45.080 --> 1:57:45.880
<v Speaker 6>It was just he.

1:57:45.800 --> 1:57:48.040
<v Speaker 4>Said he hasn't talked about it publicly since it happened,

1:57:48.080 --> 1:57:49.920
<v Speaker 4>So I was like, very I felt honored that he

1:57:49.920 --> 1:57:51.160
<v Speaker 4>would open up to us about that.

1:57:51.160 --> 1:57:57.760
<v Speaker 2>That was so nice, and it just seems, you know,

1:57:57.800 --> 1:57:59.640
<v Speaker 2>it's a bummer we didn't get to meet him. I

1:57:59.720 --> 1:58:03.480
<v Speaker 2>guess with Belzer, you know, like that's that is something

1:58:03.720 --> 1:58:05.440
<v Speaker 2>I think about that with Joan Rivers a lot.

1:58:05.560 --> 1:58:07.240
<v Speaker 1>Like I always just was like, I'm going to meet

1:58:07.320 --> 1:58:07.960
<v Speaker 1>Joan Rivers.

1:58:08.280 --> 1:58:10.000
<v Speaker 4>I used to used to be like I'm definitely gonna

1:58:10.000 --> 1:58:12.560
<v Speaker 4>meet Robin Williams one day, and like I just never will.

1:58:12.600 --> 1:58:15.720
<v Speaker 1>And it's so sad. But and that's how I feel

1:58:15.760 --> 1:58:16.440
<v Speaker 1>with Belser.

1:58:16.440 --> 1:58:18.560
<v Speaker 2>And it's good to know that he touched the people

1:58:18.600 --> 1:58:19.720
<v Speaker 2>that were closest to.

1:58:19.760 --> 1:58:20.400
<v Speaker 1>Him so much.

1:58:21.200 --> 1:58:24.400
<v Speaker 4>Yeah, he just seemed like such a real guy, like

1:58:24.840 --> 1:58:26.520
<v Speaker 4>a good hurt like a mensch.

1:58:26.800 --> 1:58:28.440
<v Speaker 1>You know. I think he would bail us out of

1:58:28.520 --> 1:58:31.240
<v Speaker 1>jail if he could, And.

1:58:31.200 --> 1:58:32.920
<v Speaker 4>I would happily open up a bar with him in

1:58:32.960 --> 1:58:34.360
<v Speaker 4>Baltimore after he retires.

1:58:34.880 --> 1:58:37.520
<v Speaker 1>Well, now that I love Baltimore, I get why. I

1:58:37.600 --> 1:58:39.120
<v Speaker 1>get it now.

1:58:39.240 --> 1:58:41.440
<v Speaker 2>One weekend of Baltimore and I go, I'm like, Munch,

1:58:41.600 --> 1:58:45.000
<v Speaker 2>I'm in there with you, Like I understand why you

1:58:45.080 --> 1:58:45.760
<v Speaker 2>wanted to do that.

1:58:46.000 --> 1:58:50.920
<v Speaker 1>I am fully on board. But and it seems too.

1:58:52.360 --> 1:58:56.840
<v Speaker 2>What I learned from Danny Pino, what I got from

1:58:56.880 --> 1:59:00.800
<v Speaker 2>it is they communicate about their character and build it

1:59:00.840 --> 1:59:04.120
<v Speaker 2>together and it's not just like here do this, yeah,

1:59:04.160 --> 1:59:06.880
<v Speaker 2>you know, like it seems like he has says and

1:59:06.920 --> 1:59:09.600
<v Speaker 2>then they kind of not capitalize what's the word, like

1:59:09.800 --> 1:59:14.040
<v Speaker 2>use their real relationships and how they interacted within the

1:59:14.080 --> 1:59:15.320
<v Speaker 2>show out you know.

1:59:15.440 --> 1:59:18.800
<v Speaker 4>It's nice yeah, yeah, because I'm sure, like I don't know,

1:59:18.840 --> 1:59:22.440
<v Speaker 4>I feel like if people don't get along in real life,

1:59:22.480 --> 1:59:25.760
<v Speaker 4>they're not going to always put them in situations like

1:59:26.000 --> 1:59:28.600
<v Speaker 4>always of all the characters like that, not always, I

1:59:28.640 --> 1:59:29.000
<v Speaker 4>don't think.

1:59:29.200 --> 1:59:30.720
<v Speaker 1>Wasn't that the famous thing about Moonlighting?

1:59:31.640 --> 1:59:35.480
<v Speaker 4>Like yeah, Bruce who's as Willis and Sybil Shepherd, Yeah,

1:59:35.520 --> 1:59:36.560
<v Speaker 4>they hated each other.

1:59:37.680 --> 1:59:39.520
<v Speaker 1>Hated each other well for man and woman.

1:59:39.600 --> 1:59:41.000
<v Speaker 4>I feel like that can kind of add a little

1:59:41.000 --> 1:59:42.000
<v Speaker 4>bit of sexual attension.

1:59:44.640 --> 1:59:47.920
<v Speaker 2>But wait, there's other famous ones that is interesting, Like

1:59:47.960 --> 1:59:50.120
<v Speaker 2>when I hear that people hated each other, I don't

1:59:50.160 --> 1:59:50.960
<v Speaker 2>know how they could do it.

1:59:51.040 --> 1:59:54.000
<v Speaker 4>Those I think of like the the I don't even

1:59:54.040 --> 1:59:55.840
<v Speaker 4>watch the show, but on The Good Wife, what didn't

1:59:55.840 --> 1:59:58.440
<v Speaker 4>like Juliana Margalize and that other actress like didn't like

1:59:58.440 --> 2:00:01.280
<v Speaker 4>each other? But then eventually like she left. I bet

2:00:01.320 --> 2:00:03.760
<v Speaker 4>it also depends on like how high up the person.

2:00:03.880 --> 2:00:06.000
<v Speaker 4>It's like, if Juliana Murgles does want to show with someone,

2:00:06.040 --> 2:00:07.880
<v Speaker 4>she's number one, like she can do whatever she wants.

2:00:08.200 --> 2:00:10.680
<v Speaker 4>But I guess what I'm saying is like this is

2:00:10.720 --> 2:00:13.000
<v Speaker 4>like the reverse where I feel like they capitalize like

2:00:13.040 --> 2:00:15.720
<v Speaker 4>you said on the like the good vibes between them

2:00:15.720 --> 2:00:17.600
<v Speaker 4>and the like friendship that they had.

2:00:17.800 --> 2:00:20.040
<v Speaker 2>So I just googled quickly, so and I did read

2:00:20.040 --> 2:00:23.320
<v Speaker 2>this odd, but I guess earlier. But Charlie's Throne and

2:00:23.360 --> 2:00:25.920
<v Speaker 2>Tom Hardy did not get along on Mad Max, like

2:00:26.040 --> 2:00:31.040
<v Speaker 2>hated each other. Ooh well, I'm sure. Oh yeah, Patrick

2:00:31.080 --> 2:00:36.120
<v Speaker 2>Swayze Jennifer Gray hated each other. Really yeah, I put

2:00:36.160 --> 2:00:39.280
<v Speaker 2>in famous coasters who totally hated each other, and like

2:00:39.400 --> 2:00:44.000
<v Speaker 2>I remember those articles and then I'm really curious about

2:00:44.000 --> 2:00:48.560
<v Speaker 2>this clear Danes Leonardo DiCaprio, because that's like a full

2:00:48.600 --> 2:00:49.480
<v Speaker 2>ass love story.

2:00:50.560 --> 2:00:52.240
<v Speaker 1>Yeah, but it makes it It says like he likes

2:00:52.280 --> 2:00:54.240
<v Speaker 1>to goof off. She did, but he doesn't. I don't know.

2:00:54.320 --> 2:00:58.960
<v Speaker 4>And Julia Robber whatever, like I uh, I don't. I

2:00:59.000 --> 2:01:01.800
<v Speaker 4>don't know if I have the capacity to do that,

2:01:02.040 --> 2:01:02.760
<v Speaker 4>to fake it.

2:01:03.720 --> 2:01:04.840
<v Speaker 1>That's the job of an actor.

2:01:04.920 --> 2:01:07.280
<v Speaker 2>So I'm very impressed with these people, and like they're

2:01:07.280 --> 2:01:11.120
<v Speaker 2>also getting paid millions, so it's it's like different.

2:01:11.280 --> 2:01:12.800
<v Speaker 1>I just it seems.

2:01:12.440 --> 2:01:16.040
<v Speaker 2>Really hard, Yeah, to hate someone and have to do

2:01:16.160 --> 2:01:20.720
<v Speaker 2>like intense See, I don't know. I can't imagine in

2:01:20.720 --> 2:01:22.680
<v Speaker 2>a movie at least that's like a few months or

2:01:22.880 --> 2:01:25.760
<v Speaker 2>you're out, maybe you have to do press, but a

2:01:25.840 --> 2:01:27.960
<v Speaker 2>show like all the time.

2:01:28.120 --> 2:01:32.400
<v Speaker 4>Yeah, yeah, yeah, well, okay, let's get to a post

2:01:32.440 --> 2:01:36.120
<v Speaker 4>mortem of this episode. Obviously, I don't love any cops

2:01:36.120 --> 2:01:38.520
<v Speaker 4>shooting blindly down a hallway, and I feel.

2:01:38.320 --> 2:01:39.880
<v Speaker 1>I think that we let's talk about that.

2:01:39.920 --> 2:01:41.760
<v Speaker 4>I'm just a cop from Orange is the New Black.

2:01:41.800 --> 2:01:44.000
<v Speaker 4>Shit really should have gotten a lot more heat than

2:01:44.000 --> 2:01:44.640
<v Speaker 4>she got.

2:01:44.440 --> 2:01:47.000
<v Speaker 2>In this episode. But she played the game. It's all

2:01:47.040 --> 2:01:49.960
<v Speaker 2>about the game. She was willing to say. He did that.

2:01:50.120 --> 2:01:52.520
<v Speaker 4>I'm not talking fuck his ass, you know, like that's

2:01:52.600 --> 2:01:53.440
<v Speaker 4>basically it.

2:01:54.360 --> 2:01:56.680
<v Speaker 1>And I did realize I just said fuck is ass.

2:01:57.200 --> 2:02:01.760
<v Speaker 4>Oh, while we're talking about fucking cop random cop stuff.

2:02:02.720 --> 2:02:10.760
<v Speaker 4>Apparently there is this trial happening in Massachusetts. Okay, Karen Reid,

2:02:10.840 --> 2:02:15.040
<v Speaker 4>but it's spelled Aria d. It like it's this whole

2:02:15.080 --> 2:02:18.839
<v Speaker 4>fucking thing where this cop got killed at a party,

2:02:19.520 --> 2:02:22.360
<v Speaker 4>and they're basically all these cops were at this party

2:02:22.400 --> 2:02:26.880
<v Speaker 4>and they're framing this woman saying she did it, and

2:02:26.920 --> 2:02:29.120
<v Speaker 4>like Netflix is there like shooting it right now, but

2:02:29.120 --> 2:02:32.440
<v Speaker 4>it's on trial right now. All this happened in like Canton, Massachusetts.

2:02:32.920 --> 2:02:35.360
<v Speaker 4>It's like I was just talking to all these girls

2:02:35.400 --> 2:02:37.680
<v Speaker 4>at book club last night and they were all obsessed.

2:02:37.680 --> 2:02:39.560
<v Speaker 4>They were like, you haven't heard about Karen Reid, like

2:02:39.760 --> 2:02:41.880
<v Speaker 4>you have a crime podcast. I was like, I'm sorry,

2:02:41.920 --> 2:02:43.760
<v Speaker 4>Like this hasn't popped up to me like this. This

2:02:43.840 --> 2:02:45.960
<v Speaker 4>only took place in twenty twenty two, so it's like

2:02:46.000 --> 2:02:48.800
<v Speaker 4>pretty recent. And now the trial is happening right now

2:02:49.120 --> 2:02:52.000
<v Speaker 4>and they're basically finding out that between Canton police and

2:02:52.080 --> 2:02:56.400
<v Speaker 4>Boston police there's all this corruption and that they're fully

2:02:56.440 --> 2:02:57.280
<v Speaker 4>framing this woman.

2:02:57.800 --> 2:03:01.280
<v Speaker 2>So if it's all coming out, that's good. Hopefully that's that.

2:03:01.280 --> 2:03:04.880
<v Speaker 4>Ye, But there's an FBI investigation about the cop, but

2:03:04.920 --> 2:03:07.160
<v Speaker 4>the jurors don't know about it. Like the jurors have

2:03:07.200 --> 2:03:08.840
<v Speaker 4>been I think they might be sequestered, and they've been

2:03:08.840 --> 2:03:11.680
<v Speaker 4>instructed like not to read anything. So like the jurors

2:03:11.760 --> 2:03:13.040
<v Speaker 4>don't know that there's like an FBI.

2:03:13.240 --> 2:03:15.920
<v Speaker 2>Why can't the defense bring it in like that must

2:03:15.960 --> 2:03:17.840
<v Speaker 2>be like I hope she has a good lawyer that

2:03:17.960 --> 2:03:19.760
<v Speaker 2>like that has to be able to be brought in.

2:03:20.520 --> 2:03:21.400
<v Speaker 1>Yeah, I don't know.

2:03:21.520 --> 2:03:23.440
<v Speaker 4>I literally I'm going off of what a bunch of

2:03:23.480 --> 2:03:26.800
<v Speaker 4>girls frantically screamed at me yesterday over Rose, So like

2:03:26.840 --> 2:03:28.879
<v Speaker 4>I really have to look at it up at myself.

2:03:29.200 --> 2:03:32.000
<v Speaker 4>But I'm sure some of our listeners are following along

2:03:32.040 --> 2:03:36.000
<v Speaker 4>with this, and I'm like obsessed. I'm gonna like read

2:03:36.000 --> 2:03:37.480
<v Speaker 4>about it as soon as we get off with this

2:03:37.520 --> 2:03:40.680
<v Speaker 4>because like why, why did why did its coworkers kill it?

2:03:40.720 --> 2:03:40.880
<v Speaker 1>Like what?

2:03:41.400 --> 2:03:44.600
<v Speaker 4>Because what my friends were saying is they were like

2:03:45.280 --> 2:03:48.080
<v Speaker 4>their theory is that like a teen at the house

2:03:48.120 --> 2:03:51.400
<v Speaker 4>maybe is responsible for him, Like everybody was wasted. They

2:03:51.480 --> 2:03:54.480
<v Speaker 4>think there was like a fight and that he got

2:03:54.640 --> 2:03:57.440
<v Speaker 4>he had dog bites on him. The dead body, Like

2:03:57.760 --> 2:04:00.720
<v Speaker 4>they think maybe someone else, like a teen is responsible

2:04:00.880 --> 2:04:04.240
<v Speaker 4>for it. And so they're all she, the woman they're accusing,

2:04:04.360 --> 2:04:07.120
<v Speaker 4>is the dead person's ex wife. So they're all like

2:04:07.240 --> 2:04:09.800
<v Speaker 4>just framing her because they want to save the skin

2:04:09.880 --> 2:04:12.120
<v Speaker 4>of this kid. I guess, but that's like a theory.

2:04:12.160 --> 2:04:14.000
<v Speaker 4>I don't even know if that's the real thing, but

2:04:14.240 --> 2:04:18.200
<v Speaker 4>it seems pretty like articles I'm seeing are framed or

2:04:18.200 --> 2:04:20.680
<v Speaker 4>at fault like that. I guess the cases with the

2:04:20.760 --> 2:04:23.320
<v Speaker 4>jury now like they're deciding, but everybody seems to think

2:04:23.360 --> 2:04:27.480
<v Speaker 4>that the jury's decision right now, yes, as of yesterday,

2:04:27.520 --> 2:04:30.880
<v Speaker 4>fifteen hours ago, so like, And we're recording this like

2:04:30.920 --> 2:04:32.280
<v Speaker 4>a few days before it comes out. So by the

2:04:32.280 --> 2:04:34.000
<v Speaker 4>ten this episode comes out, maybe there will be a

2:04:34.080 --> 2:04:36.960
<v Speaker 4>verdict already. I don't know how many days it usually takes,

2:04:37.000 --> 2:04:39.840
<v Speaker 4>but it's it sounds like a really crazy case, like,

2:04:40.120 --> 2:04:41.840
<v Speaker 4>so I wanted you to know about it and all

2:04:41.880 --> 2:04:44.160
<v Speaker 4>of our listeners to sort of check in. And I'm

2:04:44.160 --> 2:04:46.839
<v Speaker 4>sure we're going to get inside scoop from our Canton

2:04:46.960 --> 2:04:52.080
<v Speaker 4>Mass environs listeners. But yeah, you're right, the cops are

2:04:52.080 --> 2:04:57.160
<v Speaker 4>playing the fucking games and uh, it's no good. But

2:04:57.440 --> 2:04:59.080
<v Speaker 4>let me go into what would Sister Peg do? Because

2:04:59.120 --> 2:05:00.480
<v Speaker 4>this kind of leads to what we're we're talking about

2:05:00.520 --> 2:05:02.280
<v Speaker 4>with what would Sister Peg Do? This is our weekly

2:05:02.320 --> 2:05:05.160
<v Speaker 4>segment where we direct you guys towards an organization, a

2:05:05.240 --> 2:05:08.440
<v Speaker 4>blog post, I love just say, blog post, an article,

2:05:08.840 --> 2:05:11.680
<v Speaker 4>a you know, a podcast episode, something to give you

2:05:11.720 --> 2:05:13.560
<v Speaker 4>more information about what we talk about because we only

2:05:13.600 --> 2:05:15.920
<v Speaker 4>have so much time, and this week we wanted to

2:05:15.960 --> 2:05:19.280
<v Speaker 4>point you to the National Police Accountability Project. This group

2:05:19.320 --> 2:05:22.720
<v Speaker 4>is quote dedicated to holding law enforcement accountable for misconduct

2:05:22.760 --> 2:05:25.320
<v Speaker 4>in our communities. It is a project of the National

2:05:25.400 --> 2:05:27.760
<v Speaker 4>Lawyer's Guild and their mission is to affect change in

2:05:27.760 --> 2:05:29.640
<v Speaker 4>the flawed legal system and to fight to put an

2:05:29.760 --> 2:05:32.920
<v Speaker 4>end to police brutality and all forms. So if you

2:05:32.960 --> 2:05:38.880
<v Speaker 4>want more information, go to NLG dash NPAP. So that's

2:05:39.240 --> 2:05:41.560
<v Speaker 4>NLG is like the National Lawyers League and then NPAP

2:05:41.640 --> 2:05:44.680
<v Speaker 4>is National Police Accountability Project dot org. And obviously that's

2:05:44.680 --> 2:05:46.680
<v Speaker 4>a lot of letters. So it will be in our

2:05:46.720 --> 2:05:49.120
<v Speaker 4>story as usual the day this comes out and saved

2:05:49.360 --> 2:05:53.440
<v Speaker 4>forever in our WWSPD highlight on our Instagram page which

2:05:53.480 --> 2:05:55.280
<v Speaker 4>is thats Messed Up pod And if you're not following,

2:05:55.360 --> 2:05:56.320
<v Speaker 4>please give it a follow.

2:05:57.120 --> 2:05:59.920
<v Speaker 2>Thank you so much for that, And not as an

2:06:00.000 --> 2:06:03.960
<v Speaker 2>important legal news. But I did watch the Scooter Bron

2:06:04.080 --> 2:06:08.880
<v Speaker 2>Taylor Swift HBO two part kind of expose that like

2:06:08.920 --> 2:06:11.800
<v Speaker 2>a doc kind like one hour is Taylor's Side in

2:06:11.840 --> 2:06:16.520
<v Speaker 2>one hour is Scooter's Side? Oh and the Scooter one

2:06:16.560 --> 2:06:18.960
<v Speaker 2>is the side is really interesting because it's all these

2:06:19.040 --> 2:06:22.560
<v Speaker 2>lawyers and business people being like it's a business. Sound deal,

2:06:22.640 --> 2:06:26.480
<v Speaker 2>it's not personal, it's business, and it's like yaya, yeah,

2:06:26.520 --> 2:06:29.920
<v Speaker 2>we don't like the business. Yeah, that's it's like these

2:06:30.000 --> 2:06:32.840
<v Speaker 2>lawyers being like, no laws were broken. It's like, yeah,

2:06:32.880 --> 2:06:35.280
<v Speaker 2>you know, we know that, Like we understand someone else

2:06:35.360 --> 2:06:37.920
<v Speaker 2>owned her music and then sold it to someone she hated,

2:06:38.080 --> 2:06:40.960
<v Speaker 2>like and she's a petty bitch and a good business woman,

2:06:41.080 --> 2:06:45.080
<v Speaker 2>so yeah, no we get that. But that was their

2:06:45.120 --> 2:06:49.360
<v Speaker 2>whole defense. It's like this was business. It's it's so

2:06:50.000 --> 2:06:54.480
<v Speaker 2>we know who's they're not anyways. Retro retro everyone is

2:06:54.600 --> 2:06:58.280
<v Speaker 2>next week next week's episode retro sounds more fun than

2:06:58.320 --> 2:07:00.839
<v Speaker 2>it is Season ten. No, it's it's a great episode.

2:07:00.840 --> 2:07:03.440
<v Speaker 2>It's just like retro reminds me of like bell Bottom. Yeah,

2:07:03.480 --> 2:07:04.480
<v Speaker 2>it's not about fashion.

2:07:04.960 --> 2:07:10.120
<v Speaker 4>Yeah, Season ten episode five. Also, I mean today's strands.

2:07:10.160 --> 2:07:10.960
<v Speaker 4>Did you already do it?

2:07:11.560 --> 2:07:11.640
<v Speaker 3>No?

2:07:11.760 --> 2:07:14.080
<v Speaker 1>I haven't. Okay, I got it open, I got my

2:07:14.120 --> 2:07:15.040
<v Speaker 1>word o open right here.

2:07:16.080 --> 2:07:18.000
<v Speaker 2>I gotta do it. It has to do whatever. I

2:07:18.160 --> 2:07:20.360
<v Speaker 2>don't want to ruin that. It doesn't matter to any

2:07:20.400 --> 2:07:23.000
<v Speaker 2>of you follow us on the internet. Bye, thank you.

2:07:23.400 --> 2:07:24.200
<v Speaker 1>Next week.

2:07:33.080 --> 2:07:35.280
<v Speaker 2>That's messed up as an Exactly Right Production.

2:07:35.720 --> 2:07:37.800
<v Speaker 4>If you have compliments you'd like to give us or

2:07:37.880 --> 2:07:40.120
<v Speaker 4>episodes you'd like us to cover, shoot us an email

2:07:40.120 --> 2:07:42.839
<v Speaker 4>it That's Messed uppod at gmail dot com.

2:07:43.040 --> 2:07:46.200
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:07:46.440 --> 2:07:49.320
<v Speaker 2>and on Twitter at Messed Up Pod, and follow us

2:07:49.360 --> 2:07:52.280
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

2:07:52.600 --> 2:07:55.280
<v Speaker 4>As always, please see our show notes for sources and

2:07:55.280 --> 2:07:55.959
<v Speaker 4>more information.

2:07:56.360 --> 2:07:59.360
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:07:59.520 --> 2:08:03.040
<v Speaker 2>and our seate producer Christina Chamberlain, and to our.

2:08:02.920 --> 2:08:06.200
<v Speaker 4>Mixer John Bradley and our guest booker Patrick Cottner.

2:08:06.120 --> 2:08:08.800
<v Speaker 2>And to Henry Kaperski for our theme song and Carly

2:08:08.920 --> 2:08:10.400
<v Speaker 2>Geen Andrews for our artwork.

2:08:10.600 --> 2:08:14.360
<v Speaker 4>Thank you to our executive producers Georgia Hardstart, Karen Kilgarriff,

2:08:14.440 --> 2:08:17.040
<v Speaker 4>Daniel Kramer, and everybody at Exactly Right Media.

2:08:18.040 --> 2:08:18.919
<v Speaker 1>Dun Dun