WEBVTT - Peter Is Down to Four; Plus, Singer Hunter Hayes

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<v Speaker 1>What's up, everybody, and welcome to another great episode of

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<v Speaker 1>Bachelor Happy Hour. Becca. It is week seven. We are

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<v Speaker 1>just approaching rounding the corner for hometown. Things are getting serious.

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<v Speaker 1>We're I mean, we're filling all the emotions right now.

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<v Speaker 1>Everything where happy. I don't know if that's the emotion

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<v Speaker 1>that I'm feeling watching this season at this point, but frustrated, angry, confused, us.

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<v Speaker 1>I mean, there's just austed much when it comes to

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<v Speaker 1>this season. It's not quite the emotions I thought I

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<v Speaker 1>was gonna have. No I mean, in I feel like

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<v Speaker 1>you say week seven and I'm like, holy crap, how

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<v Speaker 1>are we already at week seven? But then I get

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<v Speaker 1>it because there's so much to just happen. It feels

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<v Speaker 1>like a marathon. Yeah, like we're just making this marathon

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<v Speaker 1>and we're at like mile twenty two, but like those

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<v Speaker 1>last miles are so hard to get to. It's um

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<v Speaker 1>a whirlwin and week by week I keep saying like,

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<v Speaker 1>oh I have to take breaks and step away again.

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<v Speaker 1>That's the same with this But now I feel like,

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<v Speaker 1>because we have less girls and more one on one dates,

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<v Speaker 1>starting to get a little bit more. I'm starting to

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<v Speaker 1>feel some hope at this point, well not for four right,

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<v Speaker 1>because four people get a hometown. I thought to myself,

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<v Speaker 1>this is the first time where we might not have

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<v Speaker 1>four hometowns because I'm trying to pick the four that

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<v Speaker 1>he would give them too. I mean, he does end

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<v Speaker 1>up giving four roses out, but I don't know how

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<v Speaker 1>I will say so heading to Peru, okay, speaking from experience,

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<v Speaker 1>because I was in Peru on The Bachelor, it is beautiful,

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<v Speaker 1>it is romantic. There's just so much there. It's so vibrant.

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<v Speaker 1>So if he's going to really like start to fall

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<v Speaker 1>for some of these girls, which we will get into,

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<v Speaker 1>this is just an amazing place to do. So. So

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<v Speaker 1>we have Hannah Ann, Kelly, Kelsey, Madison, Natasha, and Victoria

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<v Speaker 1>f left and I feel like he made a lot

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<v Speaker 1>of cuts the week before, like we went from ten

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<v Speaker 1>to six. But that's that was a big chunk. I

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<v Speaker 1>feel like I've never seen four girls go home in

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<v Speaker 1>the same week. Yeah, you know what, it's We've been

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<v Speaker 1>so distracted by the drama that I almost forget that

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<v Speaker 1>people are going home every week. It's like you popped

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<v Speaker 1>up and it was like, wow, now it's time to

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<v Speaker 1>make these hard decisions. Who is he going to send home?

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<v Speaker 1>I can't believe we're already here at this point where

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<v Speaker 1>we're cutting it down to the people who are getting hometowns.

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<v Speaker 1>I feel like I finally started to get this sense.

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<v Speaker 1>I mean, Peter has been trying to take this seriously

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<v Speaker 1>this entire time, but I finally get the sense of

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<v Speaker 1>urgency where he's like, holy crap, we have hometowns. I'm

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<v Speaker 1>meeting these families. Like that's a pivotal point in any season,

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<v Speaker 1>I think when you bring the family and friends and

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<v Speaker 1>they're involved. So I think he's starting to feel that

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<v Speaker 1>and he's starting to actually be like, Okay, yes, it's

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<v Speaker 1>been fun with some of these women, Like I've had

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<v Speaker 1>great chemistry with some of these women. There's of course

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<v Speaker 1>been the drama, but like, who can I actually see

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<v Speaker 1>a life with? Yeah, which I appreciate that we're finally

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<v Speaker 1>at this point because this is what we've been wanting, Peter,

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<v Speaker 1>So thank you. Yeah. So we've got Hannah Ann, Kelly, Kelsey, Madison, Natasha,

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<v Speaker 1>and Victoria f Is that it? That's it? Six six?

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<v Speaker 1>Is it really six six? Tun four? Yeah? Okay, okay, wow, okay,

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<v Speaker 1>all right, So we're in Peru, and I love how

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<v Speaker 1>this episode pops off because it kind of and I'm

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<v Speaker 1>piggybacking on what you were saying with what you're excited

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<v Speaker 1>to finally see from Peter. Peter sits down and tells

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<v Speaker 1>the women, Hey, I know there's been a lot that's

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<v Speaker 1>going on, so let me just kind of reset and

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<v Speaker 1>let you know what I want, what my intentions are,

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<v Speaker 1>and what I'm expecting from you. And it was kind

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<v Speaker 1>of like a wake up call, good and bad because

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<v Speaker 1>I feel like the girls, who kind of feel like

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<v Speaker 1>they're on the outside are like, hold on. He's saying

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<v Speaker 1>this is what he wants, and I haven't really had

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<v Speaker 1>a chance to show him who I am because I

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<v Speaker 1>haven't had that time with him. And I think up

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<v Speaker 1>until this point, it's of course been Peter getting to

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<v Speaker 1>know these girls and trying to figure out what he wants,

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<v Speaker 1>and the ball has been in his court. And now

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<v Speaker 1>I think by him coming to sup these girls and

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<v Speaker 1>have this this heart to heart with them, to say

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<v Speaker 1>the least, I think it really made them realize like, Okay,

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<v Speaker 1>this is a two way straight he has to say,

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<v Speaker 1>but I also do too, and so I like that

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<v Speaker 1>He's like if you're not all in, then then this

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<v Speaker 1>can't continue. So I think that was good for him.

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<v Speaker 1>As you said to reset U, we then see him,

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<v Speaker 1>you know, go with Madison on their very first one

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<v Speaker 1>on one, second one on one. Oh yeah, yeah, she

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<v Speaker 1>had the first. She did have the first. It's been

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<v Speaker 1>a while. It has been a while. She has been

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<v Speaker 1>kind of hidden. I will say, in a lot of

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<v Speaker 1>past weeks, I feel like we've had three seasons of

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<v Speaker 1>the Bachelor since Madison's day because its just too much

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<v Speaker 1>has gone on which and Madison has always been I

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<v Speaker 1>think a front runner, like you can definitely tell the connection.

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<v Speaker 1>She has this special bond with him because she met

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<v Speaker 1>his family. She went to his parents val renewal for

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<v Speaker 1>goodness sake. Um, this date, I watched it with Garrett

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<v Speaker 1>and he and so let me start with Garrett has

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<v Speaker 1>watched a little bit here and there, but he has

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<v Speaker 1>not set down and watched every episode with me. So

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<v Speaker 1>he caught this date and he goes, she's the one,

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<v Speaker 1>like game over, this is Madison, Like, he is so

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<v Speaker 1>into her. Even before the moment when Peter told her

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<v Speaker 1>whicheveryone he finally said it that he is falling for someone.

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<v Speaker 1>She didn't say it bad and she did not say

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<v Speaker 1>it back, which I think that's okay. I think I

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<v Speaker 1>kind of like that because I'm watching this well okay,

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<v Speaker 1>let me back up, so Garrett. Garrett's like, Okay, this

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<v Speaker 1>is done, like she's the one, Madison is the one

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<v Speaker 1>for him now when What's going through my mind when

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<v Speaker 1>I'm watching this is, oh, Lord, please don't say it

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<v Speaker 1>to multiple women, because this is really good to screw

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<v Speaker 1>with them. I mean, I dealt with it on our

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<v Speaker 1>season with him saying I love you to two people,

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<v Speaker 1>and we have seen it with other leads as well,

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<v Speaker 1>and I think that's a tricky situation. I personally chose

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<v Speaker 1>not to say that to the guy's face to face

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<v Speaker 1>because I didn't want to steer anyone on and give

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<v Speaker 1>them like all the hope in the world. But you

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<v Speaker 1>can tell he's feeling Madison. No, he's all in with Madison.

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<v Speaker 1>And I think, first of all, I love that Garrett

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<v Speaker 1>gave his opinion because I love to have the male

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<v Speaker 1>opinion because they see things differently than we do. And

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<v Speaker 1>so if a guy walks in and he says that,

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<v Speaker 1>it's kind of like whoa, whoa, whoa, but it's very

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<v Speaker 1>obvious that he's into Madison, which makes me feel like

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<v Speaker 1>something is going to happen. When I was watching and

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<v Speaker 1>I was like, they're giving us too much. He's we're

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<v Speaker 1>seeing him say he's falling in love with her. There's

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<v Speaker 1>clearly a connection. His interaction with her is totally different

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<v Speaker 1>from everyone else's. Something's going to happen, it's otherwise, it's

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<v Speaker 1>just like, let's just stop watching. Yeah, but I did

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<v Speaker 1>find it interesting she didn't say I'm falling in love

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<v Speaker 1>with you back I did say I'm falling in love

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<v Speaker 1>with multiple people. Because I didn't say I was in

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<v Speaker 1>love with multiple people, because I was just very much

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<v Speaker 1>so of if I'm feeling it, I'm gonna say it.

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<v Speaker 1>I want no regrets. I'm going to be present in

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<v Speaker 1>the moment with every single person. But we haven't seen

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<v Speaker 1>him say it to anybody else, and he doesn't even

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<v Speaker 1>look like he's even close to say falling in love

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<v Speaker 1>with anybody. He's just like, I enjoy spending time with

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<v Speaker 1>your girl, right, Oh, this is great. I have so

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<v Speaker 1>much fun with you. Yeah, this is the first time

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<v Speaker 1>we've And when we did sit down with him, he

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<v Speaker 1>did say like he did fall for multiple women. But

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<v Speaker 1>this is the first time we're hearing it from what's

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<v Speaker 1>what's the first hearing it from the horse's mouth, the

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<v Speaker 1>horse's mouth. Yeah, we're hearing it from the horse's mouth. Um.

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<v Speaker 1>I did appreciate their nighttime conversation because a lot of

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<v Speaker 1>people complain that we don't have serious they don't see

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<v Speaker 1>us have real life conversations on camera, and I feel

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<v Speaker 1>like that's an old narrative because you even saw religion

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<v Speaker 1>talked about on well one on my season we went

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<v Speaker 1>to church, and then on with Hannah season you saw

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<v Speaker 1>that with the Luke pe and now you're seeing it

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<v Speaker 1>again between Peter and Madison. So I actually think that's

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<v Speaker 1>refreshing because Bachelor Nation has said, you don't talk politics,

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<v Speaker 1>you don't talk religion, you don't talk about these real

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<v Speaker 1>life things. Well we do. You just don't see them

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<v Speaker 1>because they're not interesting, right. But it was interesting to

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<v Speaker 1>see Madison and Peter talk about religion. If if religion

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<v Speaker 1>is a huge part of Madison's life, as she said,

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<v Speaker 1>then it needs to be talked about and addressed. One

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<v Speaker 1>thousand percent. Were you shocked at how Peter responded? I

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<v Speaker 1>wasn't shocked. I will say I was trying to put

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<v Speaker 1>myself in Peter's position because I don't, you know, he

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<v Speaker 1>has mentioned before that he's Christian. I didn't really know.

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<v Speaker 1>I didn't even know that. And maybe maybe I think

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<v Speaker 1>he mentioned it when he was here. Maybe I was

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<v Speaker 1>just talking to him, like not recording, but I know

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<v Speaker 1>he had mentioned that, but that was the extent of it.

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<v Speaker 1>I didn't know how strong it was. And I think

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<v Speaker 1>I'm finally starting to see, like when Peter says he's

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<v Speaker 1>attracted to like a strong woman who like stands for

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<v Speaker 1>something like that's how she is, that like her faith,

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<v Speaker 1>it sounds like is a huge pillar of her life

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<v Speaker 1>and her family's life. And I think he gravitates towards

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<v Speaker 1>that because it's something positive, and I think he appreciated

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<v Speaker 1>appreciates that, and it's like, Okay, I have somebody who

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<v Speaker 1>can maybe like get me back into it or pull

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<v Speaker 1>me back in, and that can like build up my

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<v Speaker 1>strength in his faith a little bit. Um. You know,

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<v Speaker 1>it's tough because there's only so much you can show

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<v Speaker 1>in a short amount of time. And so we touched

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<v Speaker 1>on it with her. I would like to hear from

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<v Speaker 1>him a little bit more of like maybe what the

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<v Speaker 1>future would look like together. I think that I wasn't

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<v Speaker 1>shocked at what he said. I didn't know he was

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<v Speaker 1>a Christian. So when he said and he was kind

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<v Speaker 1>of hesitating, and I could I feel like I could

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<v Speaker 1>see that he was like, should I go there? Should

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<v Speaker 1>I not? And he went there? And I thought, okay.

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<v Speaker 1>But my fear is that there are levels to it,

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<v Speaker 1>which he said, I'm not where I'd like to be better.

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<v Speaker 1>And Madison seemed like she's already there, and she's already

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<v Speaker 1>comparing you to her father. It's one thing when you're

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<v Speaker 1>when you say, my father has these characteristics, and I

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<v Speaker 1>see the relationship he has with my mother, and I

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<v Speaker 1>want to emulate that. I want I want to marriage

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<v Speaker 1>where we do we communicate this way or whatever. But

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<v Speaker 1>the bar is set really high. She is expecting to

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<v Speaker 1>find mind a man who honors faith the exact same

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<v Speaker 1>way that her father does. And I think that could

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<v Speaker 1>be a little troubling because and I feel like I

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<v Speaker 1>can say this as a Christian. If if her father

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<v Speaker 1>is that strong in his beliefs, in his Christianity and

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<v Speaker 1>follows the Bible that way, then he has to have

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<v Speaker 1>a huge problem about the sex in the windmill four times.

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<v Speaker 1>Oh so no, that's all I kept thinking of when

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<v Speaker 1>you when you start talking about that, it's from how

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<v Speaker 1>she describes her, like the way she practices. She has

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<v Speaker 1>to have an issue with it as well. Peter has

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<v Speaker 1>said he's very sexual. How is this not a red

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<v Speaker 1>flag from Madison? Where how is Peter not seeing Oh

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<v Speaker 1>my gosh, I'm gonna her dad is at hometown, has

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<v Speaker 1>to mention the fact about the sex. There's no way

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<v Speaker 1>that that can't come up. And you know, I'm sure

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<v Speaker 1>for Peter, well we'll see you next week. You will

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<v Speaker 1>definitely have to cross that bridge, I think, And trying

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<v Speaker 1>to put myself in his position, I think it would

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<v Speaker 1>be you know, you always hear you don't want to

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<v Speaker 1>be in a relationship where you have to change someone.

0:11:12.480 --> 0:11:14.160
<v Speaker 1>You don't want to change someone. You want to love

0:11:14.200 --> 0:11:16.200
<v Speaker 1>them for who they are, and you want to hopefully

0:11:16.240 --> 0:11:19.320
<v Speaker 1>grow and adapt in new ways together. But to change someone,

0:11:20.320 --> 0:11:22.000
<v Speaker 1>That's where if I was Peter, I'd be like, well,

0:11:22.360 --> 0:11:24.480
<v Speaker 1>you know, I want to grow. I want to grow

0:11:24.480 --> 0:11:28.280
<v Speaker 1>in my faith and grow alongside her, But but can

0:11:28.320 --> 0:11:30.480
<v Speaker 1>I live up to that standard that she has now set,

0:11:30.600 --> 0:11:34.480
<v Speaker 1>that her father has provided. So I'm glad that they're

0:11:34.679 --> 0:11:37.480
<v Speaker 1>they're talking about it and opening up about it. I

0:11:37.520 --> 0:11:40.480
<v Speaker 1>think that there's probably many, many, many more conversations that

0:11:40.559 --> 0:11:42.959
<v Speaker 1>have to be had with that. So Rachel like going

0:11:43.040 --> 0:11:47.720
<v Speaker 1>into the whole windmill, Peter being a very sexual Oh man,

0:11:49.520 --> 0:11:51.800
<v Speaker 1>this is gonna you know, as we've seen in the previews,

0:11:51.880 --> 0:11:55.800
<v Speaker 1>they touch on Madison being a virgin, and that's something

0:11:55.800 --> 0:11:57.760
<v Speaker 1>that we haven't seen them talk about. I can only

0:11:57.800 --> 0:12:00.720
<v Speaker 1>imagine it's going to come up during Hometown and Beyond

0:12:00.800 --> 0:12:04.200
<v Speaker 1>because that's a huge, huge conversation to have. Obviously, we

0:12:04.240 --> 0:12:06.960
<v Speaker 1>saw Colton last season have to deal with it the

0:12:07.240 --> 0:12:10.280
<v Speaker 1>entire season. I'm actually glad you about Coulton because I don't.

0:12:10.520 --> 0:12:12.679
<v Speaker 1>I'm glad that she didn't lead with that and make

0:12:12.720 --> 0:12:16.000
<v Speaker 1>that her entire storyline. And and so we've gotten to

0:12:16.080 --> 0:12:18.320
<v Speaker 1>know Mattison in another way and now this is just

0:12:18.360 --> 0:12:20.920
<v Speaker 1>another element of her right. But what I do fear

0:12:20.960 --> 0:12:23.160
<v Speaker 1>for her is as women, it is in our nature

0:12:23.200 --> 0:12:26.440
<v Speaker 1>to feel that we can change someone like, oh we

0:12:26.520 --> 0:12:28.760
<v Speaker 1>make that excuse, Oh I can I can fix that.

0:12:28.760 --> 0:12:32.200
<v Speaker 1>This isn't something where it's like, you know, you leave

0:12:32.240 --> 0:12:34.640
<v Speaker 1>your shoes your house shoes out, or your socks on

0:12:34.679 --> 0:12:37.920
<v Speaker 1>the floor and I need to help you fix to

0:12:37.960 --> 0:12:42.000
<v Speaker 1>actually throw them away. I put him in the laundry. Gosh,

0:12:42.040 --> 0:12:43.800
<v Speaker 1>I can't talk you or you need to put them

0:12:43.800 --> 0:12:48.119
<v Speaker 1>in the laundry. This is Peter has said being sexual

0:12:49.000 --> 0:12:52.040
<v Speaker 1>is something that he wants in a relationship. It is

0:12:52.040 --> 0:12:55.160
<v Speaker 1>a way to get to know someone. It is an

0:12:55.200 --> 0:12:58.560
<v Speaker 1>element that he has to have in a relationship, right

0:12:58.640 --> 0:13:02.319
<v Speaker 1>and he has been extremely cool about that. So I

0:13:02.360 --> 0:13:06.559
<v Speaker 1>don't understand how. I don't know. I'm a little frustrated

0:13:06.559 --> 0:13:09.120
<v Speaker 1>for Peter in this because he has expressed this and

0:13:09.120 --> 0:13:12.000
<v Speaker 1>you're keeping it from him. And I totally understand you

0:13:12.320 --> 0:13:13.440
<v Speaker 1>why you don't want it to be a part of

0:13:13.440 --> 0:13:15.600
<v Speaker 1>your narrative. But these are things that you need to

0:13:15.600 --> 0:13:17.800
<v Speaker 1>talk about before you get to week eight, before you

0:13:17.840 --> 0:13:20.600
<v Speaker 1>get to hometowns. If you know how you've expressed that

0:13:20.720 --> 0:13:23.480
<v Speaker 1>Christianity is and faith is a huge part of your relationship.

0:13:23.800 --> 0:13:26.800
<v Speaker 1>How have you not? And Peter has expressed the sexuality

0:13:26.920 --> 0:13:28.560
<v Speaker 1>is a big part of his So how have you

0:13:28.640 --> 0:13:31.640
<v Speaker 1>not talked about the fact that you're a virgin? Right? Right? Well,

0:13:31.720 --> 0:13:36.200
<v Speaker 1>I will say so this week, Mettle, I feel the

0:13:36.240 --> 0:13:39.440
<v Speaker 1>same way, I knowing very vocal she she has her

0:13:39.440 --> 0:13:41.880
<v Speaker 1>opinions over here. People. If you can't hear her whining

0:13:42.000 --> 0:13:44.120
<v Speaker 1>right now, well I will say so when I was

0:13:44.120 --> 0:13:47.320
<v Speaker 1>about to red this was the same week that Colton

0:13:47.480 --> 0:13:49.400
<v Speaker 1>opened up to me and told me he was a virgin.

0:13:50.040 --> 0:13:53.960
<v Speaker 1>And granted, you know, yeah, it was right before hometowns.

0:13:54.040 --> 0:13:56.280
<v Speaker 1>It was the week before hometowns. Then why did we

0:13:56.320 --> 0:13:58.280
<v Speaker 1>talk about it? Oh, when he was the beast? When

0:13:58.360 --> 0:14:02.199
<v Speaker 1>he was Okay, yes, okay, I'm like, wow, we talk

0:14:02.280 --> 0:14:04.520
<v Speaker 1>about it, yes, but this was the way. But I

0:14:04.559 --> 0:14:09.240
<v Speaker 1>think the difference between both Peter and I is like, yes,

0:14:09.320 --> 0:14:11.440
<v Speaker 1>I think sex is an important thing. I think, like

0:14:11.520 --> 0:14:13.679
<v Speaker 1>I'm physical. Touch is one of my love languages. So

0:14:13.720 --> 0:14:16.920
<v Speaker 1>to me, it's very important. I was never as outspoken

0:14:17.000 --> 0:14:19.400
<v Speaker 1>or vocal or I guess people never like realized like

0:14:19.960 --> 0:14:22.120
<v Speaker 1>the except I mean Peter four times in a windmill.

0:14:22.160 --> 0:14:24.040
<v Speaker 1>That's like what his headline is, that's what we know

0:14:24.160 --> 0:14:26.120
<v Speaker 1>of him. So it was a little bit different. I

0:14:26.120 --> 0:14:28.640
<v Speaker 1>think now he kind of led, not lad with it,

0:14:28.680 --> 0:14:31.160
<v Speaker 1>but in a way it was at the forefront. And

0:14:31.240 --> 0:14:35.600
<v Speaker 1>so I definitely think it is, though a serious thing

0:14:35.680 --> 0:14:38.400
<v Speaker 1>that Madison has to feel comfortable enough talking about it,

0:14:38.480 --> 0:14:41.080
<v Speaker 1>Like you can't just stay like have two dates and

0:14:41.160 --> 0:14:43.520
<v Speaker 1>hope that that is enough. I think definitely if it

0:14:43.560 --> 0:14:46.240
<v Speaker 1>does get more serious as hometowns come along, like before

0:14:46.320 --> 0:14:49.880
<v Speaker 1>fantasy suits, of course it needs to be addressed. But

0:14:49.880 --> 0:14:52.360
<v Speaker 1>but and maybe that's the time, Like, you don't have

0:14:52.480 --> 0:14:54.760
<v Speaker 1>to go into the fantasy suits and have sex four time,

0:14:54.960 --> 0:14:58.120
<v Speaker 1>No you don't. I just it's gonna be an issue.

0:14:58.160 --> 0:14:59.840
<v Speaker 1>He's gonna have sex with more than one person in

0:14:59.880 --> 0:15:02.000
<v Speaker 1>the fantasy suite because he is sexual and he owns

0:15:02.040 --> 0:15:04.320
<v Speaker 1>that and that is him and maybe it's one of

0:15:04.360 --> 0:15:05.800
<v Speaker 1>the things that he can work on when he talks

0:15:05.840 --> 0:15:07.880
<v Speaker 1>about he wants to be better. Not that that's bad.

0:15:07.880 --> 0:15:11.480
<v Speaker 1>I'm just saying, you know, if you practice Christian faith,

0:15:11.600 --> 0:15:13.840
<v Speaker 1>it's no sex before marriage. This is just what's taught.

0:15:14.400 --> 0:15:18.200
<v Speaker 1>I just to me, it's something that should have been

0:15:18.200 --> 0:15:21.960
<v Speaker 1>brought up before because it's it's going to be an

0:15:21.960 --> 0:15:25.240
<v Speaker 1>issue in their relationship, and you know it's going to

0:15:25.280 --> 0:15:27.200
<v Speaker 1>be and you're holding onto it, and I just why

0:15:27.240 --> 0:15:29.800
<v Speaker 1>would you allow him to start saying I'm falling in

0:15:29.800 --> 0:15:32.360
<v Speaker 1>love with you and it go deeper and deeper knowing

0:15:32.440 --> 0:15:35.880
<v Speaker 1>that something he feels is crucial to a relationship. You're

0:15:35.880 --> 0:15:38.320
<v Speaker 1>not doing unless this is the first time that we're

0:15:38.320 --> 0:15:40.680
<v Speaker 1>going to see him get down on a knee and

0:15:40.720 --> 0:15:42.760
<v Speaker 1>then Chris Harrison's going to marry them at the end

0:15:42.760 --> 0:15:45.400
<v Speaker 1>of this unless that's going to happen, don't I don't

0:15:45.440 --> 0:15:47.800
<v Speaker 1>know at this point. I wouldn't be shocked. Let's be honest,

0:15:48.120 --> 0:15:51.920
<v Speaker 1>I don't know, but that, yeah, there's let's just keep

0:15:51.920 --> 0:15:55.800
<v Speaker 1>an eye on this Madison Peter relationship because I foresee

0:15:56.080 --> 0:15:59.240
<v Speaker 1>big time issues. I really do. Yeah, which I think

0:16:00.040 --> 0:16:02.960
<v Speaker 1>in regards to the show itself, I think it will

0:16:03.000 --> 0:16:05.880
<v Speaker 1>make for good TV because again, this is the first

0:16:05.920 --> 0:16:07.800
<v Speaker 1>and only girl to this point that he says I

0:16:07.840 --> 0:16:10.120
<v Speaker 1>am falling in love with you, and we know that

0:16:10.120 --> 0:16:13.200
<v Speaker 1>these things need to be talked about and addressed. So yeah,

0:16:13.240 --> 0:16:15.080
<v Speaker 1>there will be an elephant in the room until at

0:16:15.120 --> 0:16:19.680
<v Speaker 1>least next week. We'll see. Listen, we are all overbooked

0:16:19.680 --> 0:16:22.280
<v Speaker 1>and constantly running on empty. I mean I barely have

0:16:22.400 --> 0:16:24.440
<v Speaker 1>enough time to eat complete meals. I don't even think

0:16:24.440 --> 0:16:27.600
<v Speaker 1>I've had anything to eat today, let alone prepare a meal.

0:16:27.680 --> 0:16:29.880
<v Speaker 1>I don't like to cook. I don't want to prepare it.

0:16:30.160 --> 0:16:31.840
<v Speaker 1>I just want it to be as simple and as

0:16:31.880 --> 0:16:34.920
<v Speaker 1>tasty as possible. So there aren't many things or many

0:16:34.960 --> 0:16:36.760
<v Speaker 1>places they can get that for you. That's why I

0:16:36.800 --> 0:16:39.440
<v Speaker 1>love daily harvests, because being busy doesn't mean that you

0:16:39.520 --> 0:16:41.400
<v Speaker 1>have to eat take out. You can just do it

0:16:41.440 --> 0:16:43.240
<v Speaker 1>through daily Harvest. So let me tell you guys about it.

0:16:43.400 --> 0:16:45.920
<v Speaker 1>They make it easy to eat more fruits and vegetables,

0:16:45.920 --> 0:16:48.600
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0:16:48.680 --> 0:16:51.640
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0:16:51.640 --> 0:16:53.640
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0:16:53.640 --> 0:16:57.160
<v Speaker 1>than sixty five different options like smoothies, soups, harvest bowls,

0:16:57.160 --> 0:16:59.880
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0:17:00.040 --> 0:17:03.920
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0:17:03.960 --> 0:17:06.960
<v Speaker 1>and papaya. Now for me personally, I love the strawberry

0:17:07.000 --> 0:17:09.800
<v Speaker 1>and peach. It's the perfect flavors for me. It's simple,

0:17:09.920 --> 0:17:12.360
<v Speaker 1>it's fruity, it's tasty. It's just how I like it.

0:17:12.560 --> 0:17:14.919
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0:17:14.920 --> 0:17:16.919
<v Speaker 1>can just add your favored milk, or if you're not

0:17:16.960 --> 0:17:19.040
<v Speaker 1>a milk drinker like myself, you can do water. You

0:17:19.080 --> 0:17:20.879
<v Speaker 1>can do juice. You can pretty much spice it up

0:17:20.880 --> 0:17:22.399
<v Speaker 1>however you like, and you blend it up in a

0:17:22.440 --> 0:17:24.119
<v Speaker 1>smoothie or heat it up in a harvest bowl and

0:17:24.160 --> 0:17:27.360
<v Speaker 1>you can top it with some avocado or a fried egg.

0:17:27.440 --> 0:17:29.560
<v Speaker 1>My mouth is watering as I'm saying this to you

0:17:29.560 --> 0:17:32.000
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0:17:32.000 --> 0:17:33.879
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0:17:33.960 --> 0:17:36.600
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0:17:36.600 --> 0:17:39.280
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0:17:39.280 --> 0:17:41.960
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0:17:42.359 --> 0:17:45.000
<v Speaker 1>One more time for the people in the back. That's

0:17:45.080 --> 0:17:48.960
<v Speaker 1>Daily Harvest dot Com. So now let's jump to the

0:17:49.560 --> 0:17:53.320
<v Speaker 1>opposite end of the spectrum. Natasha Natasha. Natasha gets a

0:17:53.359 --> 0:17:58.040
<v Speaker 1>one on one and her card says, vomels ah explore.

0:17:58.520 --> 0:18:02.440
<v Speaker 1>Is that how you say? Well, Brian, it's not explore,

0:18:03.080 --> 0:18:04.920
<v Speaker 1>that's got to be explorer. That's where I'm gonna go

0:18:04.960 --> 0:18:08.040
<v Speaker 1>with where's the little astra over the eag which means

0:18:08.320 --> 0:18:12.840
<v Speaker 1>we go to explore? So he and Natasha is so excited.

0:18:12.960 --> 0:18:17.480
<v Speaker 1>She's my girl. I like Natasha. You know you can

0:18:17.520 --> 0:18:21.680
<v Speaker 1>tell early on their relationship is much more of a friendship.

0:18:22.080 --> 0:18:26.439
<v Speaker 1>Sure like you could tell very early like she was

0:18:26.480 --> 0:18:29.280
<v Speaker 1>not going to end up with him. But I really

0:18:29.320 --> 0:18:32.280
<v Speaker 1>liked Natasha. But do you think she knows? It's like

0:18:32.640 --> 0:18:35.800
<v Speaker 1>you have to know. Yes, she did. And then it's like,

0:18:35.840 --> 0:18:37.679
<v Speaker 1>how are you not in the house doing calculations at

0:18:37.680 --> 0:18:41.320
<v Speaker 1>this point? Okay, it's week seven. That means somebody, somebody's

0:18:41.359 --> 0:18:43.840
<v Speaker 1>getting one on one and is not getting a rose. Well,

0:18:43.880 --> 0:18:45.960
<v Speaker 1>he already gave it to Madison. It's me and these

0:18:46.000 --> 0:18:48.680
<v Speaker 1>other girls who've already had one on one. I mean,

0:18:48.920 --> 0:18:51.480
<v Speaker 1>kudos to her for enjoying the moment and getting lost

0:18:51.520 --> 0:18:53.960
<v Speaker 1>in it. I mean, you are in Peru, so you

0:18:54.040 --> 0:18:57.760
<v Speaker 1>might as well just take it. But she had to know.

0:18:57.960 --> 0:19:01.160
<v Speaker 1>She Natasha seems like she has a very good head

0:19:01.160 --> 0:19:05.480
<v Speaker 1>on her shoulders. She seems so intelligent, Like I think

0:19:05.520 --> 0:19:08.920
<v Speaker 1>she went in to that date kind of knowing it

0:19:08.960 --> 0:19:11.040
<v Speaker 1>wasn't going to go much further. Like I don't think

0:19:11.080 --> 0:19:13.679
<v Speaker 1>she deep down. I think had she been removed a

0:19:13.680 --> 0:19:15.520
<v Speaker 1>little bit, I think she probably would have said, I'm

0:19:15.560 --> 0:19:17.240
<v Speaker 1>not ready to in turn receive to my family. I

0:19:17.280 --> 0:19:19.600
<v Speaker 1>don't think they were at that level. But I think

0:19:19.600 --> 0:19:22.000
<v Speaker 1>she was just hopeful and like you said, she's improved,

0:19:22.280 --> 0:19:25.280
<v Speaker 1>soak it in. Yeah, it up. She was so excited.

0:19:25.320 --> 0:19:27.199
<v Speaker 1>I mean, and I think they enjoy their time with

0:19:27.240 --> 0:19:29.120
<v Speaker 1>each other. I think Peter does. I think, like you said,

0:19:29.119 --> 0:19:31.720
<v Speaker 1>it's a friendship. It's just there's just no it's blatonic.

0:19:31.760 --> 0:19:35.120
<v Speaker 1>There's no romantic element to it. And so yeah, as

0:19:35.119 --> 0:19:37.280
<v Speaker 1>soon as he tells her his feelings aren't as deep

0:19:37.320 --> 0:19:39.159
<v Speaker 1>for her as they offer the other women, You're like,

0:19:39.240 --> 0:19:42.960
<v Speaker 1>no shit, yeah, and sends her home, sad to see

0:19:43.000 --> 0:19:48.760
<v Speaker 1>my girl go. She was like the comic relief and logical.

0:19:49.400 --> 0:19:53.000
<v Speaker 1>She was fun. Yeah, she was black. There was no

0:19:53.160 --> 0:19:56.080
<v Speaker 1>other black people thing. I will say the thing I

0:19:56.119 --> 0:19:58.280
<v Speaker 1>think that I love most about Natasha. And I've said

0:19:58.320 --> 0:20:01.040
<v Speaker 1>this before. I think in one of our earth earlier podcasts,

0:20:01.680 --> 0:20:05.120
<v Speaker 1>she she says it like it is. She speaks her mind,

0:20:05.160 --> 0:20:07.000
<v Speaker 1>but she does it in such an eloquent way. I

0:20:07.040 --> 0:20:09.240
<v Speaker 1>think in the same age, so many people use filler

0:20:09.280 --> 0:20:12.640
<v Speaker 1>words like like and um, and I do that. I'm included.

0:20:13.080 --> 0:20:15.560
<v Speaker 1>I cannot say that I don't do because I do

0:20:15.600 --> 0:20:19.560
<v Speaker 1>it far too often. But she Oh, man, if I

0:20:19.560 --> 0:20:22.000
<v Speaker 1>could just speak as eloquently as she does, sense like

0:20:22.240 --> 0:20:25.240
<v Speaker 1>I need to take lessons from her, Natasha, can I

0:20:25.320 --> 0:20:28.280
<v Speaker 1>hire you? Natasha's great? We are sad to see you go.

0:20:28.520 --> 0:20:30.800
<v Speaker 1>That one We knew it was coming, but we didn't

0:20:30.800 --> 0:20:33.040
<v Speaker 1>want to see you walk away. So then we have

0:20:33.080 --> 0:20:36.159
<v Speaker 1>another one on one with Kelsey, who Kelsey taking us

0:20:36.160 --> 0:20:38.399
<v Speaker 1>all by surprise. She's come a long way since that

0:20:38.440 --> 0:20:41.840
<v Speaker 1>bottle of champagne. She really has no Before we get

0:20:41.880 --> 0:20:46.679
<v Speaker 1>into Kelsey's relationship with Peter, did anyone see the relationship

0:20:46.680 --> 0:20:50.080
<v Speaker 1>between her and hannah Ann coming? Because you see it

0:20:50.080 --> 0:20:53.320
<v Speaker 1>throughout this entire episode. They're always talking, they're always having

0:20:53.320 --> 0:20:55.720
<v Speaker 1>their girl chats. When hannah Ann comes home at the

0:20:55.840 --> 0:20:59.480
<v Speaker 1>very end, Kelsey runs straight into her arms, not Peter's, Like,

0:20:59.520 --> 0:21:01.880
<v Speaker 1>this is the friendship I did not see coming. Well,

0:21:01.920 --> 0:21:04.359
<v Speaker 1>I honestly didn't even notice that until you just said that.

0:21:04.520 --> 0:21:07.040
<v Speaker 1>So that's true. So it's it's nice that they could

0:21:07.040 --> 0:21:10.240
<v Speaker 1>come over or get over whatever differences they had, because

0:21:10.320 --> 0:21:12.879
<v Speaker 1>I never would have guessed the first two would be

0:21:12.880 --> 0:21:16.800
<v Speaker 1>friendly in the end. So let let Kelsey and hannah

0:21:16.760 --> 0:21:20.360
<v Speaker 1>An be a lesson to you all. Let bygones be bygones,

0:21:20.920 --> 0:21:26.320
<v Speaker 1>and unless it's necessary, I just want to see them

0:21:26.320 --> 0:21:29.840
<v Speaker 1>sitting together. Cheersey went the nice bottle of champagne. Yeah, yeah,

0:21:30.480 --> 0:21:33.880
<v Speaker 1>I'm sure we will. Women tell all ours, maybe they will.

0:21:33.920 --> 0:21:36.760
<v Speaker 1>I mean I have no far. Excuse me, I don't

0:21:36.800 --> 0:21:38.199
<v Speaker 1>know how far these girls are gonna make it. But

0:21:38.200 --> 0:21:40.719
<v Speaker 1>if they're both the women tell all, yes, they can

0:21:40.760 --> 0:21:43.520
<v Speaker 1>share a toast with each other. So Kelsey gets a card,

0:21:43.880 --> 0:21:46.399
<v Speaker 1>a day card that says love is a wild ride.

0:21:46.720 --> 0:21:50.200
<v Speaker 1>And I thoroughly enjoyed this date with them. It seemed

0:21:50.200 --> 0:21:55.240
<v Speaker 1>to relax, chill, fun, adventurous. So can you imagine Garrett,

0:21:55.320 --> 0:21:58.360
<v Speaker 1>you got Garrett, I got Brian. You're on these ATVs,

0:21:58.600 --> 0:22:01.880
<v Speaker 1>explore this country to gather, you're running up a hill,

0:22:02.240 --> 0:22:04.800
<v Speaker 1>you get lost, like they're like lost, and it's cute.

0:22:05.359 --> 0:22:07.639
<v Speaker 1>It just looked like in that moment when they ran

0:22:07.680 --> 0:22:10.320
<v Speaker 1>up the hill together and just lay there, it looked easy. Yeah,

0:22:10.320 --> 0:22:12.360
<v Speaker 1>and that's what a relationship should be. I mean it's

0:22:12.359 --> 0:22:15.439
<v Speaker 1>not I shouldn't say always, but you should have that

0:22:15.520 --> 0:22:17.760
<v Speaker 1>sense of ease and just comfort. And I felt that

0:22:17.840 --> 0:22:20.720
<v Speaker 1>watching them. Yeah. The only thing that was uncomfortable is

0:22:20.720 --> 0:22:23.080
<v Speaker 1>when she straddled him. She it was like a weird.

0:22:23.359 --> 0:22:26.240
<v Speaker 1>It was like a weird. It wasn't smooth. He was like, oh,

0:22:26.680 --> 0:22:28.760
<v Speaker 1>what are you doing here? But I don't think Peter

0:22:28.880 --> 0:22:31.200
<v Speaker 1>said smooth. Remember like all the awkward moments with him,

0:22:31.200 --> 0:22:32.840
<v Speaker 1>in Hannah, like when he hit his head on the

0:22:32.920 --> 0:22:36.160
<v Speaker 1>light on the pool table, Like there's like they're both

0:22:36.200 --> 0:22:38.359
<v Speaker 1>kind of like, well, I climb that on Hannah. I

0:22:38.359 --> 0:22:40.600
<v Speaker 1>thought Hannah messed up that he was ready to he

0:22:40.680 --> 0:22:43.040
<v Speaker 1>was ready to go. I think Peter smooth. But yeah,

0:22:43.160 --> 0:22:46.760
<v Speaker 1>it was very rigid when she climbed on top of him.

0:22:46.800 --> 0:22:50.040
<v Speaker 1>I didn't like it if anyone, no one can see.

0:22:50.080 --> 0:22:53.639
<v Speaker 1>But Rachel's doing this little the robot to get to

0:22:53.760 --> 0:22:57.119
<v Speaker 1>straddle him. Okay, I never know what to do with

0:22:57.160 --> 0:22:59.960
<v Speaker 1>my hands or body, so I get it. Kelsey, Kelsey,

0:23:00.200 --> 0:23:05.440
<v Speaker 1>get a girl. So Kelsey. I appreciated this date because

0:23:05.560 --> 0:23:08.200
<v Speaker 1>I we know she has a story. Will be learned

0:23:08.359 --> 0:23:10.960
<v Speaker 1>more of her story. Yes, And as soon as she

0:23:11.040 --> 0:23:13.760
<v Speaker 1>started talking, I knew she was getting a hometown, because

0:23:13.920 --> 0:23:17.399
<v Speaker 1>there has to be that one hometown that's gonna be juicy.

0:23:17.600 --> 0:23:19.800
<v Speaker 1>There's gonna be that one hometown. I mean, for me,

0:23:20.119 --> 0:23:22.520
<v Speaker 1>it was Dean, right, I mean, that's not why I

0:23:22.560 --> 0:23:26.040
<v Speaker 1>gave him. He really was my top four, but I

0:23:26.400 --> 0:23:28.920
<v Speaker 1>they also wanted to go home and see what was there, right,

0:23:29.160 --> 0:23:32.679
<v Speaker 1>And that's kind of how it is. De bark she

0:23:32.800 --> 0:23:36.879
<v Speaker 1>oh my gotta call it. It's okay, you know. But

0:23:36.960 --> 0:23:39.400
<v Speaker 1>I think with Kelsey, you know you had to see

0:23:39.400 --> 0:23:41.560
<v Speaker 1>it coming. It's like, this is this is a good story.

0:23:41.600 --> 0:23:44.040
<v Speaker 1>Will we see the dad? Will we not see? Well

0:23:44.040 --> 0:23:46.720
<v Speaker 1>the mom and the dad confront each other. Well, I

0:23:46.880 --> 0:23:49.720
<v Speaker 1>need I need all the details. It's like with Karne,

0:23:49.800 --> 0:23:53.800
<v Speaker 1>we had to meet Raquel, Yes you couldn't not. Yeah, so,

0:23:54.160 --> 0:23:57.000
<v Speaker 1>but I did appreciate her opening up. I thought we

0:23:57.040 --> 0:23:59.840
<v Speaker 1>saw a different side of her. Just to hear her

0:24:00.280 --> 0:24:02.760
<v Speaker 1>say she has this relationship or has this relationship with

0:24:02.760 --> 0:24:06.239
<v Speaker 1>her father and now she's seeking something different apart from

0:24:06.280 --> 0:24:08.879
<v Speaker 1>her mother and her sisters. I thought was very mature.

0:24:09.200 --> 0:24:10.800
<v Speaker 1>This is her own journey and she's got to do

0:24:10.840 --> 0:24:14.040
<v Speaker 1>it on her. Yeah. Yeah, and it's got to be

0:24:14.080 --> 0:24:19.880
<v Speaker 1>a scary thing first to I mean Bachelor World aside.

0:24:19.960 --> 0:24:23.320
<v Speaker 1>Just to have that sort of relationship, it's got to

0:24:23.359 --> 0:24:25.800
<v Speaker 1>be so difficult. It's got to be. And like you said,

0:24:25.880 --> 0:24:28.560
<v Speaker 1>good for her to say, I want to see what

0:24:28.640 --> 0:24:31.520
<v Speaker 1>kind of relationship I can have with my dad without

0:24:31.560 --> 0:24:35.199
<v Speaker 1>everyone else involved, with all all of their thoughts and opinions.

0:24:35.240 --> 0:24:38.080
<v Speaker 1>Like if that's what you need in your life, and

0:24:38.080 --> 0:24:40.320
<v Speaker 1>your dad is willing and open like one thousand percent,

0:24:40.840 --> 0:24:44.520
<v Speaker 1>that is I like comment her for that now bringing

0:24:44.560 --> 0:24:47.400
<v Speaker 1>the bachelor world where you first have to you don't

0:24:47.440 --> 0:24:49.720
<v Speaker 1>have to. But she first opens up about her parents'

0:24:49.720 --> 0:24:52.760
<v Speaker 1>relationship and the divorce and how difficult that was. That's

0:24:52.840 --> 0:24:56.159
<v Speaker 1>one level, But then you take it now to and

0:24:56.240 --> 0:24:58.760
<v Speaker 1>who even knew knows if Kelsey thought she was going

0:24:58.840 --> 0:25:00.800
<v Speaker 1>to be going to hometowns. I mean, I was kind

0:25:00.840 --> 0:25:02.399
<v Speaker 1>of surprised that she did make it this far, but

0:25:02.480 --> 0:25:05.040
<v Speaker 1>good for her. But now she's saying, Okay, you know,

0:25:05.600 --> 0:25:07.239
<v Speaker 1>my mom has been in my life, my sisters are

0:25:07.280 --> 0:25:09.920
<v Speaker 1>in my life, but now my dad has some sort

0:25:09.960 --> 0:25:13.480
<v Speaker 1>of part in my life. But like that has got

0:25:13.520 --> 0:25:15.840
<v Speaker 1>to be such a scary thing. And I'm thinking, like,

0:25:15.840 --> 0:25:18.200
<v Speaker 1>oh my gosh, Kelsey, when this airs, if your mom

0:25:18.240 --> 0:25:20.560
<v Speaker 1>watches this back, I hope this isn't the first time

0:25:20.600 --> 0:25:22.400
<v Speaker 1>she's finding out about this, because that is a lot

0:25:22.440 --> 0:25:25.320
<v Speaker 1>to take in for you and your family. But then

0:25:25.359 --> 0:25:28.000
<v Speaker 1>just the entire world to watch this back, and the

0:25:28.040 --> 0:25:31.520
<v Speaker 1>fact that she feels comfortable enough to do it with Peter,

0:25:31.640 --> 0:25:35.240
<v Speaker 1>I think is very telling. I think she really, I mean,

0:25:35.560 --> 0:25:38.200
<v Speaker 1>we're seeing him now form these deeper connections with these girls.

0:25:38.240 --> 0:25:43.400
<v Speaker 1>But she like, based upon their conversations, has the most

0:25:43.440 --> 0:25:45.400
<v Speaker 1>stepped with him, like, has opened up the most, has

0:25:45.400 --> 0:25:48.200
<v Speaker 1>the most layers, like and and you're kind of seeing

0:25:48.240 --> 0:25:51.000
<v Speaker 1>her walls slowly come down bit by bit, date by date,

0:25:51.359 --> 0:25:55.240
<v Speaker 1>conversation by conversation. So the fact that she feels so

0:25:56.000 --> 0:25:59.159
<v Speaker 1>open and comfortable to say these things to him, I

0:25:59.160 --> 0:26:02.440
<v Speaker 1>think it is very telling. Yeah, now you know, I'm

0:26:02.520 --> 0:26:06.400
<v Speaker 1>just speaking my opinion and what I see. I don't

0:26:06.400 --> 0:26:08.720
<v Speaker 1>think Kelsey's going to be the last one standing. I

0:26:08.760 --> 0:26:10.439
<v Speaker 1>don't think it's going to be those two at the end.

0:26:11.240 --> 0:26:13.480
<v Speaker 1>So I just hope that from here on out, regardless

0:26:13.480 --> 0:26:17.280
<v Speaker 1>of like anything that happens, it goes down. Like, Kelsey,

0:26:17.359 --> 0:26:19.439
<v Speaker 1>you are strong for just opening up and sharing that,

0:26:19.440 --> 0:26:22.560
<v Speaker 1>And I hope she can continue the relationship with her father. Yeah,

0:26:22.640 --> 0:26:26.080
<v Speaker 1>that's best for her without a thousand other voices chiming in.

0:26:26.160 --> 0:26:27.879
<v Speaker 1>I hope that at the end of this, like she

0:26:27.920 --> 0:26:31.320
<v Speaker 1>can still focus and grow that relationship. Well said, I

0:26:31.359 --> 0:26:36.560
<v Speaker 1>completely agree. So Kelsey gets a rose and stay tuned. Okay,

0:26:36.560 --> 0:26:38.439
<v Speaker 1>So then we get to three on one, which I hate.

0:26:39.000 --> 0:26:43.000
<v Speaker 1>I hate three Listen, you guys, you don't understand. Three

0:26:43.040 --> 0:26:47.040
<v Speaker 1>on ones are miserable for the lead. I know they're

0:26:47.080 --> 0:26:49.640
<v Speaker 1>miserable for the three people that are involved. But I'm

0:26:49.640 --> 0:26:53.199
<v Speaker 1>telling you behind the scenes, it is awful. I remember

0:26:53.200 --> 0:26:56.119
<v Speaker 1>my stomach was hurting on that day. Your eye was

0:26:56.160 --> 0:26:59.520
<v Speaker 1>on a boat with I don't think I was on

0:26:59.560 --> 0:27:03.240
<v Speaker 1>a who's on a vote with Adam, Matt and Eric

0:27:03.560 --> 0:27:06.399
<v Speaker 1>and the water was choppy, and I remember this is

0:27:06.440 --> 0:27:08.320
<v Speaker 1>telling of how this whole date was going to go.

0:27:08.480 --> 0:27:11.600
<v Speaker 1>It is heartbreaking. I had to send two home on

0:27:11.600 --> 0:27:14.360
<v Speaker 1>that date. So with Peter, he still has two roses left.

0:27:14.600 --> 0:27:16.479
<v Speaker 1>It's only one person's not gonna get it. I had

0:27:16.480 --> 0:27:18.280
<v Speaker 1>to send two people home, and I just want to say,

0:27:18.520 --> 0:27:22.680
<v Speaker 1>nobody likes the three on one, No, nobody, It's awful.

0:27:22.960 --> 0:27:26.720
<v Speaker 1>So you've got Kelly, got Hannah, Anne and Victoria f

0:27:28.640 --> 0:27:31.679
<v Speaker 1>what a like? Those three together really make up the

0:27:31.720 --> 0:27:36.320
<v Speaker 1>most random group, you think? So? I think. So you

0:27:36.440 --> 0:27:41.639
<v Speaker 1>got Kelly the lawyer who who know, as we have seen,

0:27:42.000 --> 0:27:46.040
<v Speaker 1>is very logical, like she she just she's she's kind

0:27:46.040 --> 0:27:48.880
<v Speaker 1>of not the wall flower, but she's just so much reserved,

0:27:48.960 --> 0:27:52.680
<v Speaker 1>more reserved because I think she just is on this

0:27:52.960 --> 0:27:56.360
<v Speaker 1>different level. Like she she's not that the other girls

0:27:56.400 --> 0:27:58.520
<v Speaker 1>aren't taking it seriously, but she just thinks like the

0:27:58.560 --> 0:28:00.680
<v Speaker 1>other girls are all I mean that she said it herself,

0:28:00.720 --> 0:28:03.359
<v Speaker 1>they're all babies. That's what her words people, not mine.

0:28:04.040 --> 0:28:07.000
<v Speaker 1>But and then you have Hannah Anne, who we're finally

0:28:07.040 --> 0:28:10.960
<v Speaker 1>just starting to kind of see open up a little bit,

0:28:11.000 --> 0:28:13.160
<v Speaker 1>if you can even say that. But you know, she's

0:28:13.200 --> 0:28:16.600
<v Speaker 1>been a strong contender since the beginning, who Peter is

0:28:16.680 --> 0:28:18.879
<v Speaker 1>very attracted to, you can tell. And then Victoria f

0:28:20.240 --> 0:28:25.200
<v Speaker 1>who well we'll get into that one. Okay. So Peter

0:28:26.640 --> 0:28:29.080
<v Speaker 1>takes these ladies out and he pulls who does he

0:28:29.119 --> 0:28:31.320
<v Speaker 1>pull first? Victoria? He pulls Hanna Ann because she gives

0:28:31.359 --> 0:28:34.280
<v Speaker 1>him the note. He pulls Hannah Anne. Okay, So if

0:28:34.320 --> 0:28:37.720
<v Speaker 1>you were listening last week, you know I was not

0:28:37.800 --> 0:28:41.120
<v Speaker 1>a fan of how Hannah Ann handled her conversation with Peter.

0:28:41.280 --> 0:28:43.880
<v Speaker 1>I felt like she didn't have any words. She didn't

0:28:43.880 --> 0:28:46.400
<v Speaker 1>say anything, and she cried because she thought she was

0:28:46.440 --> 0:28:50.680
<v Speaker 1>going home. So apparently maybe she does have an issue

0:28:50.760 --> 0:28:53.440
<v Speaker 1>finding her words and saying the right thing. So what

0:28:53.520 --> 0:28:56.400
<v Speaker 1>do we see her do? Write out a note? A

0:28:56.520 --> 0:29:00.320
<v Speaker 1>simple note? Well note all the reason and all the

0:29:00.360 --> 0:29:04.200
<v Speaker 1>reasons she what was? It was like reasons that she

0:29:04.320 --> 0:29:08.480
<v Speaker 1>likes somewhere that he shows he likes her. It was

0:29:08.520 --> 0:29:10.240
<v Speaker 1>like you like me, like when I have hot dog

0:29:10.280 --> 0:29:15.760
<v Speaker 1>on my face, and yeah, yeah, like when I'm hot

0:29:15.760 --> 0:29:18.360
<v Speaker 1>dog on my face. The way you make me feel

0:29:20.040 --> 0:29:22.320
<v Speaker 1>it really turns me on. You knocked me off on

0:29:22.400 --> 0:29:26.760
<v Speaker 1>my I was like, oh, that would actually be good.

0:29:27.800 --> 0:29:32.880
<v Speaker 1>He hey, I mean it was. It was cute and

0:29:32.920 --> 0:29:35.080
<v Speaker 1>that's it, and that's how I would describe Hannah Anne.

0:29:35.120 --> 0:29:38.880
<v Speaker 1>Her little note was cute. She's cute. I mean Parrow

0:29:38.920 --> 0:29:41.760
<v Speaker 1>with the Bachelor like theme music in the background and

0:29:42.000 --> 0:29:44.960
<v Speaker 1>adds to the element of it was cute and sweet. Yes,

0:29:45.160 --> 0:29:48.000
<v Speaker 1>it was a little girlish to use the words of Kelly,

0:29:48.160 --> 0:29:53.400
<v Speaker 1>but it obviously made an impression on Peter. Yeah, who

0:29:53.440 --> 0:29:56.560
<v Speaker 1>do we have? Who we have the next? Kelly? So well,

0:29:56.680 --> 0:29:59.640
<v Speaker 1>Kelly this entire time, I mean like it seems like

0:29:59.680 --> 0:30:01.720
<v Speaker 1>a brief she takes a nap when the other girls

0:30:01.720 --> 0:30:04.960
<v Speaker 1>are gone. Kelly, he was caught back. She had that

0:30:05.040 --> 0:30:07.760
<v Speaker 1>foot in the air, she was twirling it around. I'm

0:30:07.760 --> 0:30:10.000
<v Speaker 1>pretty sure I saw her blow her fingers and rub

0:30:10.000 --> 0:30:13.120
<v Speaker 1>her knuckles on her shirt like I got this, y'all. Well,

0:30:13.160 --> 0:30:15.680
<v Speaker 1>she really did think that, you know, she went in

0:30:15.800 --> 0:30:19.160
<v Speaker 1>thinking like, Okay, I'm an attorney. I'm so mature. We

0:30:19.240 --> 0:30:22.880
<v Speaker 1>have this history together to think that way. Do you

0:30:22.920 --> 0:30:28.480
<v Speaker 1>think she's wrong? No, I don't. Well, you know, I

0:30:28.520 --> 0:30:32.880
<v Speaker 1>will say, you can never get too confident in this

0:30:33.320 --> 0:30:35.440
<v Speaker 1>because you're always going to be thrown for some sort

0:30:35.440 --> 0:30:39.280
<v Speaker 1>of loop when you're part of the show. But I

0:30:39.320 --> 0:30:41.880
<v Speaker 1>will say, like, from what she's going off of, Peter

0:30:41.960 --> 0:30:45.280
<v Speaker 1>says he wants an independent, strong woman. He's looking for

0:30:45.360 --> 0:30:49.520
<v Speaker 1>all these things, and Kelly like checks those boxes. She

0:30:49.600 --> 0:30:53.080
<v Speaker 1>really does, like on paper. And she said this herself too,

0:30:53.120 --> 0:30:55.440
<v Speaker 1>like put it down on paper, like we aligned so well,

0:30:55.560 --> 0:30:58.200
<v Speaker 1>and so in her mind, I think, yes, drul blis

0:30:58.240 --> 0:31:00.400
<v Speaker 1>it because she's going off of what he's been seeing

0:31:00.440 --> 0:31:02.920
<v Speaker 1>the entire time. Yeah, you look around and say, who

0:31:02.960 --> 0:31:06.320
<v Speaker 1>doesn't belong here? And honestly it's Kelly. Kelly's not like

0:31:06.400 --> 0:31:08.920
<v Speaker 1>the other women that are left. So if I'm Kelly

0:31:08.960 --> 0:31:11.480
<v Speaker 1>and I'm thinking logically and I'm scanning the room, and

0:31:11.560 --> 0:31:14.320
<v Speaker 1>I'm listening to what Peter says what he wants in

0:31:14.320 --> 0:31:18.280
<v Speaker 1>a woman, as you said, Becca, she checks all those boxes.

0:31:18.480 --> 0:31:20.800
<v Speaker 1>So of course she's sitting back thinking I got this

0:31:20.840 --> 0:31:23.480
<v Speaker 1>because I don't have anything in common with these women

0:31:23.520 --> 0:31:25.640
<v Speaker 1>other than the fact that we're on this show. Together, right,

0:31:25.960 --> 0:31:30.440
<v Speaker 1>So I get her feeling a certain way, and little

0:31:30.480 --> 0:31:34.480
<v Speaker 1>does she know Peter does apparently doesn't want what he

0:31:34.520 --> 0:31:38.240
<v Speaker 1>says he wants, because none of they don't they have

0:31:38.280 --> 0:31:40.680
<v Speaker 1>some of those characteristics, but she seems to have all

0:31:40.720 --> 0:31:44.880
<v Speaker 1>the ones in what he says that he wants. Right, So,

0:31:45.520 --> 0:31:48.200
<v Speaker 1>and they're girls. Next, well, well I want to get

0:31:48.200 --> 0:31:51.560
<v Speaker 1>into the whole. I think what we start to see

0:31:52.200 --> 0:31:54.680
<v Speaker 1>is when she sits down with Peter, she keeps using

0:31:54.720 --> 0:31:56.600
<v Speaker 1>the word fun, and Peter's like, well, this can't just

0:31:56.680 --> 0:32:00.320
<v Speaker 1>be fun. And I think Kelly addresses the fact like

0:32:00.480 --> 0:32:02.920
<v Speaker 1>it doesn't always have to be a hurdle that you

0:32:02.960 --> 0:32:05.200
<v Speaker 1>have to get over, like a relationship can be serious,

0:32:05.200 --> 0:32:07.880
<v Speaker 1>but it can still be fun. And she's easy and easy,

0:32:07.920 --> 0:32:10.200
<v Speaker 1>and she's looking at like Kelly is very logical. She's

0:32:10.200 --> 0:32:12.320
<v Speaker 1>looking at it like, you know, we have these things.

0:32:12.320 --> 0:32:15.880
<v Speaker 1>It is fun, like we we haven't had many hardships

0:32:15.960 --> 0:32:17.880
<v Speaker 1>yet to get over because we just haven't been dulled

0:32:17.920 --> 0:32:21.200
<v Speaker 1>that hand. And I think the like I think the

0:32:21.280 --> 0:32:23.920
<v Speaker 1>disconnect with them is like Kelly doesn't want to say

0:32:23.920 --> 0:32:26.080
<v Speaker 1>the word fun as just like lighthearted. I think she's

0:32:26.120 --> 0:32:27.840
<v Speaker 1>using it as like we actually do have fun together

0:32:27.840 --> 0:32:29.760
<v Speaker 1>and I think Peter's like, but I want more than that, Like,

0:32:29.760 --> 0:32:33.880
<v Speaker 1>I want that the passion and that chemistry, and that's

0:32:33.920 --> 0:32:35.840
<v Speaker 1>the part that I think was lacking for them. I

0:32:35.840 --> 0:32:38.080
<v Speaker 1>can't remember if you said this to me during last

0:32:38.080 --> 0:32:40.400
<v Speaker 1>week's episode or if we were just talking off mike,

0:32:40.520 --> 0:32:46.120
<v Speaker 1>but you said something about guys confusing emotion as death. Yes,

0:32:46.520 --> 0:32:49.240
<v Speaker 1>and and and I'm paraphrasing what you said, but I

0:32:49.240 --> 0:32:52.240
<v Speaker 1>thought that that was really powerful because that is what

0:32:52.320 --> 0:32:55.680
<v Speaker 1>I think Peter is doing. Kelly is giving it to

0:32:55.720 --> 0:32:58.720
<v Speaker 1>you matter of fact, and she's not crying about it,

0:32:59.040 --> 0:33:01.680
<v Speaker 1>right or you know, running out of the room or

0:33:01.720 --> 0:33:04.120
<v Speaker 1>just giving you all this emotion, but she's telling you

0:33:04.120 --> 0:33:06.200
<v Speaker 1>what she's feeling is real. She's like, she said it,

0:33:06.320 --> 0:33:09.720
<v Speaker 1>I like you, and I don't need to shed a tear,

0:33:09.840 --> 0:33:12.400
<v Speaker 1>write a note, sing a song, run out of the

0:33:12.480 --> 0:33:15.760
<v Speaker 1>room to let you know that I like you. Period. Yeah.

0:33:16.160 --> 0:33:20.120
<v Speaker 1>And I think like you said, he's he's confusing emotion

0:33:20.480 --> 0:33:25.320
<v Speaker 1>for depth, right, yeah, totally. And I think in their case,

0:33:25.440 --> 0:33:30.160
<v Speaker 1>like they're just there's something missing. Like again, it's perfect

0:33:30.200 --> 0:33:33.920
<v Speaker 1>on paper, but is that the chemistry truly there? Is

0:33:33.960 --> 0:33:37.000
<v Speaker 1>that passion truly there? I think Peter Peter seems like

0:33:37.000 --> 0:33:40.080
<v Speaker 1>a hopeless romantic, like he needs the fireworks, and I

0:33:40.120 --> 0:33:43.760
<v Speaker 1>think he's getting everything else from Kelly except that. Yeah.

0:33:43.880 --> 0:33:50.160
<v Speaker 1>So so then we go in to your girl, Victoria F. Now,

0:33:50.400 --> 0:33:53.959
<v Speaker 1>I know listeners week after a week probably think that

0:33:54.000 --> 0:33:58.200
<v Speaker 1>I'm just ragging on Victoria F. And I just for

0:33:58.240 --> 0:34:01.320
<v Speaker 1>me personally, she don't know the girl. I'm just quin

0:34:01.400 --> 0:34:05.760
<v Speaker 1>off of what I'm seeing each week, doesn't know what

0:34:06.000 --> 0:34:10.879
<v Speaker 1>she wants. She's all over the place this conversation. I mean,

0:34:11.040 --> 0:34:13.560
<v Speaker 1>I think every time I see them together on their dates,

0:34:13.600 --> 0:34:17.799
<v Speaker 1>when they have the evening together and she gets all

0:34:17.840 --> 0:34:19.760
<v Speaker 1>worked up and walks away, Like I have an issue

0:34:19.760 --> 0:34:22.200
<v Speaker 1>with that because you're you're here to form a connection.

0:34:22.280 --> 0:34:24.279
<v Speaker 1>You can't do that if you keep walking away from

0:34:24.320 --> 0:34:29.480
<v Speaker 1>the lead of the show. But this conversation was probably

0:34:29.520 --> 0:34:33.000
<v Speaker 1>the most difficult for me to watch because well, she

0:34:33.080 --> 0:34:35.160
<v Speaker 1>everad admitted she went into it with an attitude. She

0:34:35.200 --> 0:34:38.520
<v Speaker 1>said before she saw him, I'm already in a bad mood,

0:34:38.200 --> 0:34:42.120
<v Speaker 1>she said it herself. So she goes into this already

0:34:42.160 --> 0:34:46.520
<v Speaker 1>on the wrong end, already upset and frustrated, and Peter

0:34:46.880 --> 0:34:48.799
<v Speaker 1>is just trying to have a conversation. I think Peter

0:34:48.880 --> 0:34:51.879
<v Speaker 1>handled it very well. I think he said, I just

0:34:51.920 --> 0:34:55.480
<v Speaker 1>want more, like I want to know, like you give

0:34:55.480 --> 0:34:58.759
<v Speaker 1>me the red flags. And she but she can't vocalize

0:34:58.760 --> 0:35:01.719
<v Speaker 1>and talk through this convers station and talk through his

0:35:01.840 --> 0:35:05.160
<v Speaker 1>questions and answer them. She just gets frustrated and she

0:35:05.239 --> 0:35:09.800
<v Speaker 1>like clams up and just says, like you. She tells

0:35:09.840 --> 0:35:12.279
<v Speaker 1>Peter that he's always in a mood, and I've never

0:35:12.320 --> 0:35:14.760
<v Speaker 1>seen Peter be in a mood with her once. Yeah,

0:35:14.800 --> 0:35:17.320
<v Speaker 1>I think he's questioned her, and I think he's asked

0:35:17.320 --> 0:35:21.439
<v Speaker 1>her some difficult questions and she takes it as you're

0:35:21.480 --> 0:35:23.399
<v Speaker 1>attacking me, and that's not the case. And I think

0:35:23.440 --> 0:35:27.520
<v Speaker 1>she doesn't like she can't comprehend a guy just trying

0:35:27.560 --> 0:35:32.680
<v Speaker 1>to have a deep conversation. Yeah, And I just like,

0:35:32.880 --> 0:35:37.279
<v Speaker 1>at this point, I'm trying to I'm trying to pick

0:35:37.320 --> 0:35:39.920
<v Speaker 1>apart every conversation because obviously I want to recap it

0:35:40.000 --> 0:35:42.680
<v Speaker 1>for everyone. But at this point, I'm trying to come

0:35:42.680 --> 0:35:47.680
<v Speaker 1>out at every angle and I don't understand, like what

0:35:47.960 --> 0:35:52.479
<v Speaker 1>is pulling him to her. I don't physical, I don't

0:35:52.480 --> 0:35:54.080
<v Speaker 1>know what it is. And I like, I really wish

0:35:54.120 --> 0:35:55.759
<v Speaker 1>we could have Peter here to ask him because at

0:35:55.760 --> 0:35:59.680
<v Speaker 1>this point, like every conversation seems like it drains the

0:36:00.080 --> 0:36:02.279
<v Speaker 1>both of them. It seems like it takes out so

0:36:02.400 --> 0:36:05.200
<v Speaker 1>much life, and they always leave. There's like always this

0:36:05.280 --> 0:36:08.520
<v Speaker 1>tension or this negativity hanging around them. It's never just

0:36:08.600 --> 0:36:12.160
<v Speaker 1>happy and care free and like the ease, like the

0:36:12.160 --> 0:36:13.600
<v Speaker 1>ease that you should have in a partner. I don't

0:36:13.640 --> 0:36:15.440
<v Speaker 1>see it. I feel like if Peter was here, he

0:36:15.440 --> 0:36:17.719
<v Speaker 1>would say, I just I just know she's a good

0:36:17.760 --> 0:36:20.319
<v Speaker 1>person and I can see that in her, and I

0:36:20.360 --> 0:36:23.000
<v Speaker 1>want to bring that out in her, and I do,

0:36:23.160 --> 0:36:25.520
<v Speaker 1>but you know what, we're going to hometowns to this point,

0:36:25.560 --> 0:36:29.000
<v Speaker 1>like save that talk for week four. At this point,

0:36:29.080 --> 0:36:32.840
<v Speaker 1>you need to say goodbye to Victoria and stop trying

0:36:32.840 --> 0:36:35.040
<v Speaker 1>to save her. That's how I do feel, more than

0:36:35.080 --> 0:36:38.719
<v Speaker 1>any of the other women. He has this savior complex

0:36:38.800 --> 0:36:41.520
<v Speaker 1>with Victoria. Yes, maybe he feels bad because of how

0:36:41.560 --> 0:36:43.560
<v Speaker 1>she was done with her ex coming on the show.

0:36:43.760 --> 0:36:47.960
<v Speaker 1>I don't know, but other than physical, that's what I

0:36:47.960 --> 0:36:50.640
<v Speaker 1>have to say that it is. But he looks so

0:36:50.760 --> 0:36:55.040
<v Speaker 1>defeated after every conversation with her. Yeah, And it's just

0:36:55.200 --> 0:36:58.200
<v Speaker 1>I don't I don't get it. She can call out

0:36:58.239 --> 0:37:01.120
<v Speaker 1>her issues too, She's like I'm I'm messing this up.

0:37:01.160 --> 0:37:03.600
<v Speaker 1>I'm ruining it. I'm like she sees what her problem is.

0:37:03.960 --> 0:37:06.840
<v Speaker 1>I just I don't get it. I don't get it.

0:37:06.840 --> 0:37:10.799
<v Speaker 1>When you've got Kelly, Hannah Ann and Victoria f and

0:37:10.880 --> 0:37:14.680
<v Speaker 1>you have two roses to give, how do you give

0:37:14.719 --> 0:37:17.920
<v Speaker 1>one of those to Victoria? Well, and the way he

0:37:17.960 --> 0:37:19.879
<v Speaker 1>gave it to her, I thought she was going home

0:37:19.880 --> 0:37:21.400
<v Speaker 1>at first. I thought he was walking her out to

0:37:21.440 --> 0:37:23.880
<v Speaker 1>the car, And in that moment, I'm like, okay, like

0:37:25.239 --> 0:37:29.400
<v Speaker 1>finally this cloud can left, hopefully, And then you know,

0:37:29.480 --> 0:37:33.320
<v Speaker 1>he pulls a fast one and he says, like I

0:37:33.680 --> 0:37:35.560
<v Speaker 1>want to keep your on, I want to meet your family.

0:37:35.680 --> 0:37:37.839
<v Speaker 1>Maybe it's his way because we've seen it so many

0:37:37.880 --> 0:37:40.319
<v Speaker 1>times with him, like a way to reassure her and

0:37:40.360 --> 0:37:42.080
<v Speaker 1>say like I'm not going to keep you here longer,

0:37:42.120 --> 0:37:43.400
<v Speaker 1>like I want to send you home first and give

0:37:43.440 --> 0:37:45.680
<v Speaker 1>you this row so you know you're good. I don't know,

0:37:45.719 --> 0:37:48.360
<v Speaker 1>but I just didn't. I didn't expect that one. I

0:37:48.400 --> 0:37:52.759
<v Speaker 1>really didn't. I just at this point, I just I like,

0:37:52.880 --> 0:37:54.600
<v Speaker 1>I want to see more from the show and more

0:37:54.600 --> 0:38:00.200
<v Speaker 1>of their conversation than just them arguing about like their

0:38:00.200 --> 0:38:02.600
<v Speaker 1>differences and like what she wants. I think at this point,

0:38:02.719 --> 0:38:04.520
<v Speaker 1>she's been very clear, like she doesn't quite know what

0:38:04.560 --> 0:38:09.600
<v Speaker 1>she wants, and she said, like I I I shell

0:38:09.719 --> 0:38:12.040
<v Speaker 1>up because I'm like, it's easier to just not have

0:38:12.120 --> 0:38:14.200
<v Speaker 1>you in the beginning. But it's like, is that the

0:38:14.239 --> 0:38:16.080
<v Speaker 1>case or do you are you really just not that

0:38:16.160 --> 0:38:18.360
<v Speaker 1>into Peter. That's what my take is, And so I

0:38:18.400 --> 0:38:20.200
<v Speaker 1>want to see something that proves me wrong. I would

0:38:20.200 --> 0:38:22.520
<v Speaker 1>love to be wrong in this regard. I just I

0:38:22.640 --> 0:38:28.000
<v Speaker 1>just I've done, I have done. Next week, I'm pressing

0:38:28.040 --> 0:38:31.080
<v Speaker 1>fast forward through her hometown except to watch Hunter Hays performed,

0:38:31.120 --> 0:38:33.400
<v Speaker 1>and then I'm fast forwarding it again. You can recap

0:38:33.680 --> 0:38:36.439
<v Speaker 1>her hometown day don't want to see. I don't care.

0:38:36.560 --> 0:38:40.000
<v Speaker 1>I'm over her. I'm exhausted. I don't need that negativity

0:38:40.040 --> 0:38:46.799
<v Speaker 1>in my life. So yeah, So he gives Victoria Ferros.

0:38:47.560 --> 0:38:51.640
<v Speaker 1>It's down to Hannah Ann and Kelly. Kelly's like these

0:38:51.640 --> 0:38:54.160
<v Speaker 1>women are baby. Kelly's going in at this point she is,

0:38:54.280 --> 0:38:56.799
<v Speaker 1>She's like their babies. Of course, Like he's gonna give

0:38:56.840 --> 0:38:58.640
<v Speaker 1>it to me. Let's hurry up, Chop, chop. I got

0:38:58.680 --> 0:39:01.000
<v Speaker 1>a hometown to get to. Where it back to Chicago.

0:39:01.360 --> 0:39:03.480
<v Speaker 1>You're gonna come to the law firm, Meet my brothers,

0:39:03.560 --> 0:39:05.680
<v Speaker 1>meet my dad. I'm gonna take you down the road,

0:39:05.760 --> 0:39:07.480
<v Speaker 1>like she's got it all planned out in her head,

0:39:08.000 --> 0:39:11.719
<v Speaker 1>and all of a sudden he gives it to Hannah Anne.

0:39:12.040 --> 0:39:15.520
<v Speaker 1>It was the note. It was the Kelly written a note,

0:39:15.560 --> 0:39:20.120
<v Speaker 1>a legal brief emotion of opening argument. He would have

0:39:20.239 --> 0:39:25.520
<v Speaker 1>given it to Kelly, anything, anything, anything, anything, And he

0:39:25.600 --> 0:39:28.960
<v Speaker 1>gives it to Hannah Anne, who I think she thought

0:39:29.000 --> 0:39:32.160
<v Speaker 1>she was going home too well from those tears. Yeah,

0:39:32.360 --> 0:39:35.759
<v Speaker 1>when when he walked Kelly out from those tears, like

0:39:35.880 --> 0:39:37.680
<v Speaker 1>at that point she just had to release it all,

0:39:37.719 --> 0:39:42.280
<v Speaker 1>like the real tears finally. Yeah, yeah, she she wailed.

0:39:43.040 --> 0:39:46.839
<v Speaker 1>She wailed out when he asked, Kelly's Kelly can still

0:39:46.920 --> 0:39:49.760
<v Speaker 1>definitely hear that too. That's got That's like the knife

0:39:49.760 --> 0:39:52.440
<v Speaker 1>in the back where Kelly's like cushing it. I'm not

0:39:52.560 --> 0:39:55.200
<v Speaker 1>getting a rose and hear this girl who is going

0:39:55.280 --> 0:39:59.040
<v Speaker 1>to hometowns and still gets to be with Peter is crying.

0:39:59.320 --> 0:40:02.240
<v Speaker 1>I love Yeah, we get Kelly on the show. Kelly,

0:40:02.800 --> 0:40:04.760
<v Speaker 1>I didn't get a rose. She set up, she pulled

0:40:04.840 --> 0:40:07.239
<v Speaker 1>up her jeans, walked out. She's like, I got I

0:40:07.320 --> 0:40:09.759
<v Speaker 1>got places to be, I gotta go and then in

0:40:09.840 --> 0:40:12.480
<v Speaker 1>her exit interview, I mean, I think very on par

0:40:12.560 --> 0:40:14.520
<v Speaker 1>with Kelly. You don't see a ton of that emotion.

0:40:14.600 --> 0:40:16.839
<v Speaker 1>You don't see the tears. She just is confused. She's like, well,

0:40:16.880 --> 0:40:21.600
<v Speaker 1>Peter's been saying he wants one thing and and he's

0:40:21.640 --> 0:40:23.600
<v Speaker 1>now trying to search for that with these other girls

0:40:23.600 --> 0:40:28.840
<v Speaker 1>who you know, she she just thinks they're immature, they're young. Um. Yeah,

0:40:28.920 --> 0:40:31.680
<v Speaker 1>So I will say I'm glad Kelly didn't cry because

0:40:31.680 --> 0:40:36.440
<v Speaker 1>you always see like these big crazy interview like exit interviews,

0:40:37.120 --> 0:40:40.120
<v Speaker 1>and of course, like people, you're not in the van alone.

0:40:40.200 --> 0:40:42.440
<v Speaker 1>You have the camera crew, you have a producer with

0:40:42.480 --> 0:40:44.799
<v Speaker 1>you talking you through these things. So you start to

0:40:44.840 --> 0:40:46.719
<v Speaker 1>feel these emotions because you're not just saying goodbye to

0:40:46.760 --> 0:40:49.239
<v Speaker 1>the lead. You're saying goodbye to the girls in the house.

0:40:49.239 --> 0:40:52.280
<v Speaker 1>You're saying goodbye to these producers who have become your friends.

0:40:52.280 --> 0:40:55.080
<v Speaker 1>Like that's where a lot of the emotion at times

0:40:55.120 --> 0:40:59.359
<v Speaker 1>comes from. But I'm happily Kelly to the end. She

0:40:59.400 --> 0:41:03.759
<v Speaker 1>has shown she's like very solid in her feelings and

0:41:03.800 --> 0:41:06.080
<v Speaker 1>what she thinks and what she believes and what she feels,

0:41:06.120 --> 0:41:08.160
<v Speaker 1>and she's not going to give you this like crazy

0:41:09.719 --> 0:41:11.840
<v Speaker 1>cry fust it. She doesn't feel it. She's just like,

0:41:11.880 --> 0:41:14.720
<v Speaker 1>I don't get it. Yeah, the end on Kelly Kelly

0:41:14.880 --> 0:41:17.200
<v Speaker 1>was like, Okay, I guess honestly, she probably was like,

0:41:17.200 --> 0:41:19.279
<v Speaker 1>you're not who I thought you were, and she can

0:41:19.360 --> 0:41:22.359
<v Speaker 1>probably rationalize that better and say, you know what, that's

0:41:22.360 --> 0:41:24.600
<v Speaker 1>not the man for me. On to the next one.

0:41:24.880 --> 0:41:29.120
<v Speaker 1>I like Kelly Kelly for Bachelorette at this point. Yeah,

0:41:29.160 --> 0:41:30.880
<v Speaker 1>if I'm going to pick a girl from the season

0:41:31.680 --> 0:41:34.799
<v Speaker 1>or Nasha Natasha, I don't even know if she goes

0:41:34.880 --> 0:41:36.480
<v Speaker 1>bout Tasha, I've been calling it. That's sorry. If you

0:41:36.480 --> 0:41:38.120
<v Speaker 1>don't go, I will say I think a lot of

0:41:38.160 --> 0:41:41.200
<v Speaker 1>the girls that went home early, had they stuck around longer,

0:41:41.200 --> 0:41:44.200
<v Speaker 1>if they would have been good contenders. Oh oh, which

0:41:44.239 --> 0:41:46.200
<v Speaker 1>reminds me this is I do want to say this

0:41:46.239 --> 0:41:52.080
<v Speaker 1>about Victoria f I think the other rational to rationalize

0:41:52.080 --> 0:41:55.880
<v Speaker 1>her behavior is that she's trying trying out for the Bachelorette.

0:41:56.560 --> 0:41:58.560
<v Speaker 1>That's the only thing. The other thing that I can

0:41:58.600 --> 0:42:00.759
<v Speaker 1>give her is that I'm trying to play crickets on

0:42:00.760 --> 0:42:04.719
<v Speaker 1>my phone. It's not saying that I want her. But

0:42:05.719 --> 0:42:07.480
<v Speaker 1>you know a lot of times people say the batch

0:42:07.719 --> 0:42:10.000
<v Speaker 1>who usually comes from the season as the bachelorette is

0:42:10.040 --> 0:42:12.799
<v Speaker 1>the person who you know is like, something's wrong with

0:42:12.840 --> 0:42:15.319
<v Speaker 1>me and how can I not get chosen? And I

0:42:15.400 --> 0:42:18.120
<v Speaker 1>just don't understand what my issue is. That's kind of

0:42:18.360 --> 0:42:21.719
<v Speaker 1>a narrative for some people and not not every bachelorette,

0:42:22.320 --> 0:42:24.160
<v Speaker 1>And so with her, it's just like that's what she

0:42:24.239 --> 0:42:27.160
<v Speaker 1>keeps saying. He's giving you. He's like, I love you,

0:42:27.440 --> 0:42:30.160
<v Speaker 1>I'm here's the ring in my pocket. And she's like,

0:42:30.320 --> 0:42:33.719
<v Speaker 1>she was like, what's just I just that's not what

0:42:33.760 --> 0:42:36.440
<v Speaker 1>I want. Okay, I want to be bachelorette. Like I'm

0:42:36.480 --> 0:42:38.319
<v Speaker 1>reading between the lives, That's not what I want. Peter.

0:42:38.520 --> 0:42:41.080
<v Speaker 1>The reason I can't tell you is because I'm trying

0:42:41.120 --> 0:42:43.799
<v Speaker 1>to be the next bachelor. So gold would this be

0:42:43.920 --> 0:42:46.799
<v Speaker 1>though a women Tell all because we always say it's

0:42:46.960 --> 0:42:51.279
<v Speaker 1>it's the Women's like interview for Paradise. Basically they're champ

0:42:51.280 --> 0:42:53.719
<v Speaker 1>seeing it on Paradise. Like, I just want somebody a

0:42:53.760 --> 0:42:56.359
<v Speaker 1>women tell to be like, look at a great run

0:42:56.360 --> 0:42:58.360
<v Speaker 1>on the season at a good time. It kind of

0:42:58.360 --> 0:43:00.120
<v Speaker 1>sucked because a lot of the drama, but like I

0:43:00.120 --> 0:43:02.000
<v Speaker 1>want to be about Charrette. I just want somebody to

0:43:02.000 --> 0:43:04.680
<v Speaker 1>stand up and say that maybe she will. Let's be honest,

0:43:04.719 --> 0:43:06.560
<v Speaker 1>she doesn't make it. You know, she goes a hometown.

0:43:06.680 --> 0:43:08.960
<v Speaker 1>She's not the one in the end, and I for

0:43:09.000 --> 0:43:11.920
<v Speaker 1>Peter's sake, for so he can not have a lifetime

0:43:11.960 --> 0:43:15.640
<v Speaker 1>of just dramatics. I hope it's not her. And now

0:43:15.800 --> 0:43:17.680
<v Speaker 1>we're going to move on to the cats and rats

0:43:17.719 --> 0:43:21.719
<v Speaker 1>of the week. There are some cats and some rats.

0:43:21.719 --> 0:43:27.680
<v Speaker 1>Oh right, you keep me young cats and rats. Let's see.

0:43:27.719 --> 0:43:30.680
<v Speaker 1>I have my hand to danny list of women in

0:43:30.719 --> 0:43:37.920
<v Speaker 1>front of me. Um. You know, okay, well, okay, I

0:43:38.480 --> 0:43:41.840
<v Speaker 1>hate to just continue to harp on the same person

0:43:41.920 --> 0:43:44.480
<v Speaker 1>over and over again. This is only going off of

0:43:44.600 --> 0:43:47.560
<v Speaker 1>what I am seen. I will have to say the

0:43:47.719 --> 0:43:53.960
<v Speaker 1>rat is Victoria f only because like she just keeps

0:43:54.000 --> 0:43:56.640
<v Speaker 1>calling Peter out for being in moods when he's not.

0:43:56.920 --> 0:43:59.840
<v Speaker 1>She just it's it's a real struggle to watch the

0:44:00.160 --> 0:44:05.600
<v Speaker 1>relationship right now. That's what I'm gonna lead with my

0:44:05.800 --> 0:44:15.799
<v Speaker 1>cat of the week. Oh man, well you know what,

0:44:15.960 --> 0:44:21.960
<v Speaker 1>I don't know. Okay, these three girls, Kelsey, Madison and Natasha.

0:44:22.520 --> 0:44:25.160
<v Speaker 1>I just really like Natasha and she went home and

0:44:25.560 --> 0:44:28.240
<v Speaker 1>I mean I just enjoyed her. I just really enjoyed

0:44:28.239 --> 0:44:30.279
<v Speaker 1>her as a person. That's just me selfishly giving out

0:44:30.280 --> 0:44:33.440
<v Speaker 1>a cat. But then I would say Kelsey, because again,

0:44:33.520 --> 0:44:35.440
<v Speaker 1>that story that she opened up with and spoke on

0:44:35.480 --> 0:44:38.680
<v Speaker 1>a little bit more had had to be so incredibly difficult,

0:44:38.760 --> 0:44:42.200
<v Speaker 1>and I applaud her for feeling comfortable enough to share

0:44:42.239 --> 0:44:44.840
<v Speaker 1>that with Peter and all of us, the entire world.

0:44:45.760 --> 0:44:47.960
<v Speaker 1>And I really do wish her the best in whatever

0:44:48.080 --> 0:44:50.839
<v Speaker 1>relationship she decides to move forward with and her father.

0:44:50.880 --> 0:44:53.879
<v Speaker 1>So I'm gonna give it to her. Oh that's very

0:44:53.880 --> 0:44:56.120
<v Speaker 1>well said. I mean, there are a lot of cats

0:44:56.160 --> 0:44:58.360
<v Speaker 1>this week. I thought Madison was great for being bold

0:44:58.440 --> 0:45:01.400
<v Speaker 1>enough to open up about her Sometimes that's difficult for

0:45:01.400 --> 0:45:06.640
<v Speaker 1>people to share. Kelly not well, Kelly, who was originally

0:45:06.719 --> 0:45:09.400
<v Speaker 1>going to go to because I just love me some Kelly.

0:45:09.880 --> 0:45:11.359
<v Speaker 1>Kelsey is what I meant to say, for the same

0:45:11.400 --> 0:45:13.959
<v Speaker 1>reason that you said. But I love Kelly Tasha because

0:45:14.000 --> 0:45:17.880
<v Speaker 1>that's my girl, Kelly. I loved Kelly in this episode.

0:45:17.920 --> 0:45:20.120
<v Speaker 1>I'm sad to see you go, and yes, I'm agree

0:45:20.120 --> 0:45:22.200
<v Speaker 1>with you. The rat is Victoria just because it's just

0:45:22.280 --> 0:45:25.160
<v Speaker 1>just exhausting. It's just I'm just exhausted with her. I

0:45:25.160 --> 0:45:27.799
<v Speaker 1>can only imagine what Peter's going through. So there you

0:45:27.840 --> 0:45:31.080
<v Speaker 1>have it, Cats and Rats of the Week, and stay

0:45:31.160 --> 0:45:34.680
<v Speaker 1>tuned Bachelor Happy our listeners, because coming up, we have

0:45:35.120 --> 0:45:40.520
<v Speaker 1>the wonderful Hunter Hayes. All right now calling in and

0:45:40.640 --> 0:45:45.200
<v Speaker 1>joining us on the show is mister Hunter Hayes. Hunter.

0:45:45.280 --> 0:45:46.600
<v Speaker 1>We were so happy to have you a part of

0:45:46.640 --> 0:45:49.040
<v Speaker 1>Bachelor Happy Hour. I'm so excited to be here and

0:45:49.120 --> 0:45:51.560
<v Speaker 1>joining you guys. Thanks for thanks for the time. How

0:45:51.560 --> 0:45:54.160
<v Speaker 1>are you, guys? Who are you doing. We're doing great.

0:45:54.200 --> 0:45:56.959
<v Speaker 1>We're so excited to have you here because very soon

0:45:57.120 --> 0:45:59.320
<v Speaker 1>we will be seeing more of you on our lovely

0:45:59.360 --> 0:46:01.719
<v Speaker 1>show and we can not wait for that. But we

0:46:01.760 --> 0:46:03.480
<v Speaker 1>really just want to get your side of things and

0:46:03.520 --> 0:46:07.800
<v Speaker 1>what was your overall experience performing on The Bachelor. Honestly,

0:46:07.840 --> 0:46:09.680
<v Speaker 1>it was a blast. I was I don't know why

0:46:09.719 --> 0:46:12.880
<v Speaker 1>I was expected. I guess just because normal TV tapings,

0:46:12.880 --> 0:46:16.080
<v Speaker 1>and I should just call it that because it didn't

0:46:16.080 --> 0:46:17.359
<v Speaker 1>feel like that at all. Like that's what we all

0:46:17.360 --> 0:46:20.040
<v Speaker 1>commented on, like we it was. It was such a

0:46:20.040 --> 0:46:23.200
<v Speaker 1>fun day, um and it was such a fun atmosphere,

0:46:23.239 --> 0:46:26.840
<v Speaker 1>Like the place was like open air, it was you know,

0:46:27.239 --> 0:46:31.040
<v Speaker 1>beautiful like venue. So it was it was honestly a blast.

0:46:31.040 --> 0:46:36.239
<v Speaker 1>It felt like vacation. And it was also, um it

0:46:36.280 --> 0:46:39.239
<v Speaker 1>was nice because it was my first time. I have

0:46:39.320 --> 0:46:42.680
<v Speaker 1>a new sort of form of my show that we're

0:46:42.800 --> 0:46:45.600
<v Speaker 1>taking on the road called the lab Um and it's

0:46:45.640 --> 0:46:49.560
<v Speaker 1>a lot of like technology meets like performance stuff. It's

0:46:49.600 --> 0:46:51.640
<v Speaker 1>it's a lot, but um, it was my first time

0:46:51.680 --> 0:46:54.920
<v Speaker 1>actually performing with that. Um So I thought I was

0:46:54.960 --> 0:46:57.520
<v Speaker 1>going to be really nervous about that particular element of it,

0:46:57.719 --> 0:46:59.560
<v Speaker 1>and then it's just the whole day was just so

0:46:59.600 --> 0:47:02.279
<v Speaker 1>much fun. So how many times did you have to

0:47:02.320 --> 0:47:09.200
<v Speaker 1>play the song? Yeah, that's the part no one. No

0:47:09.239 --> 0:47:11.600
<v Speaker 1>one realizes you have to replay it over and over

0:47:11.640 --> 0:47:13.520
<v Speaker 1>and when you when you watch it back on the show,

0:47:13.600 --> 0:47:15.520
<v Speaker 1>you you think it's just the one time and it's

0:47:15.520 --> 0:47:18.280
<v Speaker 1>so special and magical and by the end you're like, Okay,

0:47:18.320 --> 0:47:20.200
<v Speaker 1>this is the twelfth time we've played this with them

0:47:20.280 --> 0:47:23.640
<v Speaker 1>dancing in the crowd. Now. Yeah. Well, so we ended

0:47:23.719 --> 0:47:26.439
<v Speaker 1>up I ended up playing through it multiple times before, right,

0:47:26.800 --> 0:47:31.160
<v Speaker 1>because the moment was kind of everything, you know, Like

0:47:31.239 --> 0:47:35.680
<v Speaker 1>the moment that they kind of came in was the Yeah,

0:47:35.680 --> 0:47:37.600
<v Speaker 1>that's the whole thing that was That was a moment

0:47:37.680 --> 0:47:40.759
<v Speaker 1>that that was the most important part. So we ended

0:47:40.840 --> 0:47:43.560
<v Speaker 1>up actually playing the song through god what seven times

0:47:43.600 --> 0:47:46.720
<v Speaker 1>before that, So I got a lot of practicing. Yeah

0:47:46.800 --> 0:47:51.279
<v Speaker 1>you word with those vocal chords. No, yeah, I want

0:47:51.320 --> 0:47:54.880
<v Speaker 1>to know. And this is something that we've talked about before.

0:47:54.920 --> 0:47:57.840
<v Speaker 1>So Bachelor Nation as a whole, like our fan base

0:47:58.040 --> 0:48:02.319
<v Speaker 1>is amazing, Like they are so invested in the show itself,

0:48:02.760 --> 0:48:05.000
<v Speaker 1>and it's it's kind of like a sports team, Like

0:48:05.080 --> 0:48:07.160
<v Speaker 1>the love for the sports team is the love that

0:48:07.200 --> 0:48:10.600
<v Speaker 1>we feel like with Batchel Nation. So when you usually perform, like,

0:48:10.719 --> 0:48:15.040
<v Speaker 1>is this was this a new level of like fandom

0:48:15.120 --> 0:48:21.440
<v Speaker 1>for you? Yeah? Um, well it was. It was a

0:48:21.440 --> 0:48:25.479
<v Speaker 1>wild experience because like before I even opened my mouth,

0:48:25.560 --> 0:48:27.719
<v Speaker 1>we were sound checking, we were setting up, and you know,

0:48:27.719 --> 0:48:29.160
<v Speaker 1>the audience was in a different part of it in

0:48:29.280 --> 0:48:32.880
<v Speaker 1>you and I mean before we even made noise, um,

0:48:32.880 --> 0:48:35.200
<v Speaker 1>like we got a notification that somebody had tweeted that

0:48:35.239 --> 0:48:37.600
<v Speaker 1>we were there and setting up. So like I'm I

0:48:37.600 --> 0:48:40.000
<v Speaker 1>don't know that I'm used to that. Yeah, made it crazy.

0:48:41.200 --> 0:48:45.000
<v Speaker 1>They know everything before you do. Yeah, so massive respect,

0:48:45.600 --> 0:48:50.319
<v Speaker 1>massive amount of respect. Um. Yeah, that was that's that's new.

0:48:50.400 --> 0:48:52.080
<v Speaker 1>That's new for me. Now you understand why we call

0:48:52.160 --> 0:48:54.959
<v Speaker 1>them Bachelor Nation. I mean they are everywhere. You can't

0:48:54.960 --> 0:48:57.319
<v Speaker 1>you can't get away with doing something and they don't

0:48:57.360 --> 0:48:59.839
<v Speaker 1>find out. Yeah, I get it now, I get it.

0:49:00.120 --> 0:49:03.320
<v Speaker 1>So help us kind of find out what happened behind

0:49:03.360 --> 0:49:05.600
<v Speaker 1>the scenes when it comes to this episode. So it's

0:49:05.640 --> 0:49:08.120
<v Speaker 1>a hometown, which I don't know if you know this Hunter,

0:49:08.239 --> 0:49:09.799
<v Speaker 1>there's a big deal. So the fact that you got

0:49:09.840 --> 0:49:12.120
<v Speaker 1>to perform at a hometown is huge. So you saw

0:49:12.200 --> 0:49:15.480
<v Speaker 1>one of the final four girls. You are on the

0:49:15.600 --> 0:49:20.239
<v Speaker 1>date with Victoria F. You're in Virginia Beach. It's a hometown.

0:49:21.040 --> 0:49:22.480
<v Speaker 1>First of all, I have to ask you off the

0:49:22.520 --> 0:49:23.960
<v Speaker 1>top because I don't know if you know the history

0:49:24.000 --> 0:49:26.839
<v Speaker 1>of this season, but do you did you personally know

0:49:27.520 --> 0:49:33.399
<v Speaker 1>date or I don't know? Something else with Victoria F? No,

0:49:34.040 --> 0:49:39.920
<v Speaker 1>you did not. I know people are gonna want to know. No. No,

0:49:40.080 --> 0:49:45.360
<v Speaker 1>I honestly and didn't really know anything right going into it. Um,

0:49:45.400 --> 0:49:48.319
<v Speaker 1>because it's because it happened a hot minute ago, right,

0:49:48.400 --> 0:49:53.439
<v Speaker 1>So UM, I went in fline blind, which is you know, Yeah,

0:49:53.560 --> 0:49:56.879
<v Speaker 1>I was clueless, as you should be. That's that's how

0:49:56.880 --> 0:50:00.720
<v Speaker 1>it typically goes. Um. I want to know. So usually,

0:50:00.760 --> 0:50:03.800
<v Speaker 1>at least from experience, when we have musical guests performed

0:50:03.880 --> 0:50:06.880
<v Speaker 1>for us at the end, we can kind of go

0:50:06.960 --> 0:50:10.479
<v Speaker 1>backstage with you and chat and so were you able

0:50:10.520 --> 0:50:12.920
<v Speaker 1>to spend time with Peter and Victoria backstage after that?

0:50:14.000 --> 0:50:16.360
<v Speaker 1>You know, I thought I was kind of like hoping

0:50:16.360 --> 0:50:18.440
<v Speaker 1>to like get to know them a little bit, um,

0:50:18.560 --> 0:50:21.680
<v Speaker 1>But it all happened. It didn't happened fast, but it

0:50:21.920 --> 0:50:23.759
<v Speaker 1>felt like it flew by. I mean, I know that

0:50:23.760 --> 0:50:26.120
<v Speaker 1>we were on set, we were getting ready sound check,

0:50:26.160 --> 0:50:27.759
<v Speaker 1>and we you know, ran through the song several times

0:50:27.760 --> 0:50:30.560
<v Speaker 1>for hearst and kind of got some different camera singles

0:50:30.600 --> 0:50:32.239
<v Speaker 1>before they got there and stuff I got. We were

0:50:32.239 --> 0:50:34.080
<v Speaker 1>probably you know, were there for hours, but it honestly

0:50:34.080 --> 0:50:36.759
<v Speaker 1>felt like it went by and thirty seconds. Yeah, so

0:50:36.880 --> 0:50:39.600
<v Speaker 1>it really did go quick, and I didn't I got

0:50:39.600 --> 0:50:41.000
<v Speaker 1>to I got to get up. I wanted to you know,

0:50:41.400 --> 0:50:44.200
<v Speaker 1>I wanted to say thank you because, um, I was

0:50:44.560 --> 0:50:46.400
<v Speaker 1>pretty stoked that when he got on the stage, he

0:50:46.440 --> 0:50:50.600
<v Speaker 1>was he was singing My Fault front to back, and

0:50:50.640 --> 0:50:54.080
<v Speaker 1>I was like, okay, that's dope, I'm grateful. So I

0:50:54.160 --> 0:50:55.920
<v Speaker 1>got to go up and say hello, right, I shook

0:50:55.960 --> 0:50:58.319
<v Speaker 1>the hand, um talk to them a little bit. But

0:50:58.360 --> 0:51:01.239
<v Speaker 1>it was so quick. So what was their chemistry? Tell us?

0:51:01.320 --> 0:51:03.799
<v Speaker 1>Were they were they into each other, did you see

0:51:03.840 --> 0:51:06.560
<v Speaker 1>something like maybe the camera didn't catch were they touching?

0:51:06.719 --> 0:51:12.560
<v Speaker 1>I like, we need to know behind the scenes. Uh,

0:51:12.560 --> 0:51:16.919
<v Speaker 1>well you'll see it. Um that was good. You're good

0:51:17.920 --> 0:51:22.600
<v Speaker 1>they Um, you'll definitely yeah. But honestly, again being the

0:51:22.600 --> 0:51:26.000
<v Speaker 1>guy who was flying totally blind, it felt like they'd

0:51:26.040 --> 0:51:28.880
<v Speaker 1>known each other for years. It was really really almost

0:51:29.239 --> 0:51:32.279
<v Speaker 1>almost weird for me because I do a little bit right,

0:51:32.320 --> 0:51:36.000
<v Speaker 1>But um, yeah, it really felt like they'd known each

0:51:36.000 --> 0:51:38.680
<v Speaker 1>other for a long time, and it was very like

0:51:38.719 --> 0:51:42.160
<v Speaker 1>it didn't feel you know, forced or anything like that.

0:51:42.360 --> 0:51:44.759
<v Speaker 1>I and I was I don't know why I was

0:51:44.760 --> 0:51:47.799
<v Speaker 1>expecting it too, because I've never you know, I've never

0:51:47.840 --> 0:51:49.160
<v Speaker 1>played on the show, so I don't know what it's like,

0:51:49.480 --> 0:51:51.520
<v Speaker 1>and it didn't feel that way. So it was honestly,

0:51:51.560 --> 0:51:53.359
<v Speaker 1>you kind of freak me out at first, But well,

0:51:53.400 --> 0:51:55.640
<v Speaker 1>I like, I like hearing you say that, because I

0:51:55.640 --> 0:51:58.080
<v Speaker 1>think the one of the main questions that we get

0:51:58.600 --> 0:52:01.759
<v Speaker 1>as being contested on the show and then leads is

0:52:01.760 --> 0:52:03.719
<v Speaker 1>is it is it real? People think it's fake, People

0:52:03.760 --> 0:52:05.879
<v Speaker 1>don't think the emotions are really there. So it's it's

0:52:05.880 --> 0:52:07.799
<v Speaker 1>always fun when we can bring in the third party

0:52:07.840 --> 0:52:10.239
<v Speaker 1>who has experienced a part of it for themselves to

0:52:10.239 --> 0:52:12.960
<v Speaker 1>be like dang, like yeah, they actually had this connection

0:52:13.400 --> 0:52:16.040
<v Speaker 1>and and you see the emotion and the feeling behind

0:52:16.200 --> 0:52:18.680
<v Speaker 1>the relationship as you know. Of course it's yes the

0:52:18.719 --> 0:52:21.600
<v Speaker 1>TV show, but but it's it's there. I want to know,

0:52:21.680 --> 0:52:27.960
<v Speaker 1>did anyone from the audience make a pass at you? Uh?

0:52:28.560 --> 0:52:32.319
<v Speaker 1>Not that I know of? Oh nobody. Nobody threw their

0:52:32.320 --> 0:52:38.279
<v Speaker 1>panties on the stage. No BRA's coming out show, you know,

0:52:39.000 --> 0:52:44.080
<v Speaker 1>family friendly? Yeah no nothing. Nothing has that ever happened

0:52:44.080 --> 0:52:47.600
<v Speaker 1>to you before? Okay, I can't lie. I might have

0:52:47.600 --> 0:52:49.480
<v Speaker 1>happened a couple of times, but in the funding is

0:52:49.480 --> 0:52:51.120
<v Speaker 1>like I tried to pay attention to because I don't

0:52:51.120 --> 0:52:53.680
<v Speaker 1>want to draw attention, Like that's the that's for me,

0:52:53.920 --> 0:52:56.839
<v Speaker 1>like being a very shy kind of dude, Like that's

0:52:56.880 --> 0:52:59.000
<v Speaker 1>the most uncomfortable thing is when that happened, and I

0:52:59.000 --> 0:53:00.759
<v Speaker 1>could tell, like the rest of the room is looking

0:53:00.760 --> 0:53:03.520
<v Speaker 1>at that. Um yeah, how do you do with that?

0:53:04.360 --> 0:53:06.680
<v Speaker 1>I don't. I don't pay attention to it. I ignore

0:53:06.680 --> 0:53:11.200
<v Speaker 1>it completely. You just like leave the Lajaran stage. Well,

0:53:11.239 --> 0:53:15.520
<v Speaker 1>I'm someone on my team has the wherewithal to walk

0:53:15.520 --> 0:53:19.719
<v Speaker 1>on stage and subtly remove it before before before the

0:53:19.719 --> 0:53:22.080
<v Speaker 1>pictures end up on Twitter. Actually, the last time, it's

0:53:22.120 --> 0:53:24.279
<v Speaker 1>not like it's okay, it's not I've been, you know,

0:53:24.360 --> 0:53:26.279
<v Speaker 1>playing shows for years. It's not like this happens all

0:53:26.280 --> 0:53:28.759
<v Speaker 1>the time. It's happened like a couple of times, which

0:53:28.800 --> 0:53:31.000
<v Speaker 1>is I think why I'm so scarred by it? Um,

0:53:31.080 --> 0:53:34.160
<v Speaker 1>But it's uh, the last actually last time was I

0:53:34.200 --> 0:53:37.040
<v Speaker 1>won't say, um, it was. Yeah. It was very uncomfortable

0:53:37.080 --> 0:53:38.960
<v Speaker 1>and I didn't have like normally I have, like my

0:53:39.000 --> 0:53:41.480
<v Speaker 1>guitar tech is is it right next to me? And

0:53:41.680 --> 0:53:44.000
<v Speaker 1>like I He'll come and like help me with these

0:53:44.080 --> 0:53:46.560
<v Speaker 1>kind of situations. And I didn't have anybody to come

0:53:46.560 --> 0:53:51.040
<v Speaker 1>and help me in that situation. I was flying solo

0:53:51.200 --> 0:53:53.799
<v Speaker 1>and man, it was it. It's just awkward. I don't

0:53:53.800 --> 0:53:56.640
<v Speaker 1>know why it's so awkward for me. Well, Hunter, now

0:53:56.640 --> 0:53:59.960
<v Speaker 1>that you're a believer and you've seen what this franchise,

0:54:00.000 --> 0:54:03.040
<v Speaker 1>Eyes and the Love and the Journey is firsthand, Um,

0:54:03.080 --> 0:54:07.439
<v Speaker 1>would you ever be the Bachelor? Interesting question, my heart,

0:54:07.560 --> 0:54:10.080
<v Speaker 1>I'm too I don't know. I feel like I'm I'm

0:54:10.120 --> 0:54:15.560
<v Speaker 1>too sensitive. You'd be perfect TV Gold. You can unless

0:54:15.600 --> 0:54:18.719
<v Speaker 1>you can sing. You got a cute face, and you

0:54:18.800 --> 0:54:20.360
<v Speaker 1>just have to deal with the drama. Yeah, if the

0:54:20.440 --> 0:54:24.280
<v Speaker 1>sensitivity isn't enough, ladies. He's been nominated for five Grammy Awards,

0:54:24.280 --> 0:54:26.920
<v Speaker 1>including Best New Artists, and won the CMA Artist Award

0:54:27.200 --> 0:54:30.520
<v Speaker 1>for New Artists of the Year in twenty twelve. Sounds

0:54:30.560 --> 0:54:36.399
<v Speaker 1>like a bachelor we've never had before. Just say, maybe

0:54:36.440 --> 0:54:38.719
<v Speaker 1>he'll be seeing more of him. So, Hunter, you did

0:54:38.760 --> 0:54:42.319
<v Speaker 1>mention Twitter? Um in hopes that nothing scandals ended up there?

0:54:42.360 --> 0:54:44.160
<v Speaker 1>Where can we find you on social if anyone wants

0:54:44.160 --> 0:54:48.320
<v Speaker 1>to follow along? Just me at Hunter Hay's Hunt e

0:54:48.560 --> 0:54:54.600
<v Speaker 1>r h A y ef the Twitter Instagram. Um, yeah,

0:54:54.880 --> 0:54:57.520
<v Speaker 1>I just got a new number. It's all over everything texting.

0:54:57.680 --> 0:55:00.520
<v Speaker 1>Oh okay, Well, I will say after this come an episode.

0:55:00.520 --> 0:55:05.200
<v Speaker 1>You'll probably have many new female followers for sure. For sure.

0:55:05.320 --> 0:55:07.279
<v Speaker 1>And is there anything that you want to plug? Let

0:55:07.400 --> 0:55:10.000
<v Speaker 1>us know what you have coming up? Some events, maybe

0:55:10.040 --> 0:55:15.920
<v Speaker 1>someplace that people can throw their panties on the floor. Sorry, yeah,

0:55:15.960 --> 0:55:19.239
<v Speaker 1>well we'll be so the kind of the performance, it's

0:55:19.360 --> 0:55:22.120
<v Speaker 1>it's a it's a new thing. We tour. I love

0:55:22.160 --> 0:55:25.400
<v Speaker 1>touring with my band and but in the off seasons

0:55:25.440 --> 0:55:28.200
<v Speaker 1>we love I've still loved playing music. So we'll be

0:55:28.239 --> 0:55:30.680
<v Speaker 1>taking that same kind of vibe where it's sort of

0:55:30.719 --> 0:55:32.719
<v Speaker 1>the solo show. It's called The Lab. We'll be doing

0:55:32.880 --> 0:55:34.320
<v Speaker 1>a few of those this year, and I'm really excited

0:55:34.360 --> 0:55:36.840
<v Speaker 1>for people to see that the first time. Um. And

0:55:37.600 --> 0:55:39.919
<v Speaker 1>we just put out an album in August the last

0:55:39.960 --> 0:55:42.520
<v Speaker 1>year called Wild Blue Part One and it's part one

0:55:42.520 --> 0:55:45.080
<v Speaker 1>of the three part series. And I feel like this

0:55:45.200 --> 0:55:48.600
<v Speaker 1>is the most of me that I've ever had in

0:55:48.640 --> 0:55:50.400
<v Speaker 1>an album for the world to sort of understand me,

0:55:50.520 --> 0:55:52.920
<v Speaker 1>I make more sense when you hear the record. So, um,

0:55:53.360 --> 0:55:56.240
<v Speaker 1>I'm excited for everybody to hear Wild Blue Part One. Yeah, awesome.

0:55:56.280 --> 0:56:00.399
<v Speaker 1>Well we are excited too, can't wait. Yeah, I'm sure.

0:56:00.560 --> 0:56:02.759
<v Speaker 1>Thanks for having me on. Yeah, no, thank you so

0:56:02.880 --> 0:56:05.000
<v Speaker 1>much for being here. We look forward to everything that

0:56:05.040 --> 0:56:07.200
<v Speaker 1>you have coming up. We look forward to seeing you

0:56:07.280 --> 0:56:10.320
<v Speaker 1>again on the season, maybe in a new role. Idall know.

0:56:11.080 --> 0:56:13.040
<v Speaker 1>So thank you. You are now friend of the show

0:56:13.280 --> 0:56:15.160
<v Speaker 1>and we hope to have you back on a Bachelor

0:56:15.160 --> 0:56:17.920
<v Speaker 1>Happy Hour again. Yeah. Oh I love it. I can't wait.

0:56:18.080 --> 0:56:22.000
<v Speaker 1>All right, Thanks Tyler, take care you too. All right,

0:56:22.040 --> 0:56:25.200
<v Speaker 1>you guys, thank you so much for tuning into another

0:56:25.600 --> 0:56:28.040
<v Speaker 1>Bachelor Happy Hour episode. This was a good one. I

0:56:28.080 --> 0:56:30.680
<v Speaker 1>felt like we went deep. We're good there. Was so

0:56:30.760 --> 0:56:33.080
<v Speaker 1>much to discuss because this is the week where things

0:56:33.120 --> 0:56:36.640
<v Speaker 1>get serious as you're taking Peter into your home. So

0:56:36.719 --> 0:56:39.560
<v Speaker 1>I know next week is going to be even juicier.

0:56:39.760 --> 0:56:41.759
<v Speaker 1>I can't wait. We hope you guys come back and

0:56:41.800 --> 0:56:44.279
<v Speaker 1>you listen because we so much to talk about. Hometowns

0:56:44.480 --> 0:56:46.439
<v Speaker 1>is going to be a good one, so make sure

0:56:46.640 --> 0:56:48.720
<v Speaker 1>you come back next week and join us on Bachelor

0:56:48.760 --> 0:56:51.719
<v Speaker 1>Happy Hour. Yes, of course, listeners, thank you so much,

0:56:51.760 --> 0:56:53.480
<v Speaker 1>and we know we're not going to be the only

0:56:53.520 --> 0:56:55.520
<v Speaker 1>ones who have something to say, which is why we

0:56:55.560 --> 0:56:57.839
<v Speaker 1>love to hear from you, So don't forget. You can

0:56:57.840 --> 0:57:00.239
<v Speaker 1>always email us at a happy hour at Bachelor nation

0:57:00.320 --> 0:57:05.000
<v Speaker 1>dot com with all of your questions, comments, concerns, or praises. Yep,

0:57:05.160 --> 0:57:08.120
<v Speaker 1>we'll take them. We'll take them all. We love constructive criticism.

0:57:08.160 --> 0:57:11.680
<v Speaker 1>And don't forget to subscribe to our podcast, Bachelor Happy Hour. Now,

0:57:11.719 --> 0:57:14.799
<v Speaker 1>if you're listening to this, you're probably already subscribed, but

0:57:14.880 --> 0:57:16.800
<v Speaker 1>that doesn't mean that you can't affward it and pass

0:57:16.880 --> 0:57:21.160
<v Speaker 1>it along, So tell everyone they can subscribe on Apple Podcasts, Spotify,

0:57:21.360 --> 0:57:24.160
<v Speaker 1>or wherever you love to listen to podcasts. Batchel Nation

0:57:24.240 --> 0:57:26.600
<v Speaker 1>dot com is also the place where you can get

0:57:26.600 --> 0:57:30.240
<v Speaker 1>the latest and the greatest details about everything on this show,

0:57:30.920 --> 0:57:33.720
<v Speaker 1>our show, anything that has to do with Bachel Nation.

0:57:33.880 --> 0:57:36.920
<v Speaker 1>We are the first place to announce everything that's coming up,

0:57:37.160 --> 0:57:39.440
<v Speaker 1>which is something we have yet to address on the show.

0:57:39.520 --> 0:57:40.760
<v Speaker 1>Not that I want to end the show on a

0:57:40.840 --> 0:57:43.680
<v Speaker 1>sour note, but we have not discussed the breakup of

0:57:43.800 --> 0:57:46.480
<v Speaker 1>Joe and Kendall, who are friends of the show and

0:57:46.520 --> 0:57:48.520
<v Speaker 1>that and the reason I thought of that is because

0:57:48.520 --> 0:57:52.720
<v Speaker 1>that was announced on batchel nation dot com. So sad

0:57:52.800 --> 0:57:54.880
<v Speaker 1>to hear about that. They were one of my favorite

0:57:54.920 --> 0:57:58.440
<v Speaker 1>couples in Batchel Nation. I know you agree, Becca. I

0:57:58.440 --> 0:58:02.960
<v Speaker 1>mean I just seeing them here in the studio and

0:58:03.120 --> 0:58:05.680
<v Speaker 1>seeing their love. I remember I even said to Brian,

0:58:05.760 --> 0:58:07.040
<v Speaker 1>I was like, Okay, we need to be a little

0:58:07.080 --> 0:58:10.520
<v Speaker 1>bit more like day. Yeah. I mean I spent some

0:58:10.600 --> 0:58:15.120
<v Speaker 1>time with them, and I'm shocked, and as I can imagine,

0:58:15.160 --> 0:58:18.840
<v Speaker 1>all of Bachel Nation is too. I did reach out

0:58:18.880 --> 0:58:21.560
<v Speaker 1>to Kendall and shot her some of my love. You know,

0:58:21.600 --> 0:58:24.320
<v Speaker 1>we've all been through breakups. It's never easy, especially when

0:58:24.320 --> 0:58:26.640
<v Speaker 1>you're in the public eye. So you know, please send

0:58:26.680 --> 0:58:28.920
<v Speaker 1>them some love if you happen to cross paths with

0:58:29.000 --> 0:58:31.080
<v Speaker 1>them or side into their DM some You know, we

0:58:31.120 --> 0:58:33.439
<v Speaker 1>still love both of them and hopefully they can still

0:58:33.480 --> 0:58:36.480
<v Speaker 1>be on good terms, but it's it's never easy. It's

0:58:36.480 --> 0:58:39.800
<v Speaker 1>a sad day for rater Nation. Yeah, breakup. We wish

0:58:39.880 --> 0:58:42.640
<v Speaker 1>them the best and they're both great to individuals, so

0:58:42.680 --> 0:58:46.160
<v Speaker 1>I know they will find their happiness outside of each other. Yes,

0:58:46.280 --> 0:58:48.600
<v Speaker 1>Unfortunately it just didn't work out for them. So just

0:58:48.800 --> 0:58:51.920
<v Speaker 1>like information like that Joe and Kendall the breakup, it

0:58:51.960 --> 0:58:53.760
<v Speaker 1>doesn't always have to be on a sad no. We

0:58:53.800 --> 0:58:56.280
<v Speaker 1>have a lot of positive news like our Bachelor Happy

0:58:56.320 --> 0:58:58.680
<v Speaker 1>our podcast as well, so you can find all that

0:58:58.760 --> 0:59:01.960
<v Speaker 1>information and so much more on fastnation dot com. Thanks

0:59:01.960 --> 0:59:03.520
<v Speaker 1>for listening, guys. Thanks guys,