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Speaker 1: What's up, everybody, and welcome to another great episode of

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Speaker 1: Bachelor Happy Hour. Becca. It is week seven. We are

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Speaker 1: just approaching rounding the corner for hometown. Things are getting serious.

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Speaker 1: We're I mean, we're filling all the emotions right now.

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Speaker 1: Everything where happy. I don't know if that's the emotion

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Speaker 1: that I'm feeling watching this season at this point, but frustrated, angry, confused, us.

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Speaker 1: I mean, there's just austed much when it comes to

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Speaker 1: this season. It's not quite the emotions I thought I

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Speaker 1: was gonna have. No I mean, in I feel like

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Speaker 1: you say week seven and I'm like, holy crap, how

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Speaker 1: are we already at week seven? But then I get

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Speaker 1: it because there's so much to just happen. It feels

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Speaker 1: like a marathon. Yeah, like we're just making this marathon

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Speaker 1: and we're at like mile twenty two, but like those

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Speaker 1: last miles are so hard to get to. It's um

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Speaker 1: a whirlwin and week by week I keep saying like,

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Speaker 1: oh I have to take breaks and step away again.

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Speaker 1: That's the same with this But now I feel like,

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Speaker 1: because we have less girls and more one on one dates,

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Speaker 1: starting to get a little bit more. I'm starting to

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Speaker 1: feel some hope at this point, well not for four right,

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Speaker 1: because four people get a hometown. I thought to myself,

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Speaker 1: this is the first time where we might not have

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Speaker 1: four hometowns because I'm trying to pick the four that

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Speaker 1: he would give them too. I mean, he does end

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Speaker 1: up giving four roses out, but I don't know how

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Speaker 1: I will say so heading to Peru, okay, speaking from experience,

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Speaker 1: because I was in Peru on The Bachelor, it is beautiful,

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Speaker 1: it is romantic. There's just so much there. It's so vibrant.

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Speaker 1: So if he's going to really like start to fall

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Speaker 1: for some of these girls, which we will get into,

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Speaker 1: this is just an amazing place to do. So. So

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Speaker 1: we have Hannah Ann, Kelly, Kelsey, Madison, Natasha, and Victoria

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Speaker 1: f left and I feel like he made a lot

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Speaker 1: of cuts the week before, like we went from ten

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Speaker 1: to six. But that's that was a big chunk. I

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Speaker 1: feel like I've never seen four girls go home in

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Speaker 1: the same week. Yeah, you know what, it's We've been

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Speaker 1: so distracted by the drama that I almost forget that

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Speaker 1: people are going home every week. It's like you popped

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Speaker 1: up and it was like, wow, now it's time to

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Speaker 1: make these hard decisions. Who is he going to send home?

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Speaker 1: I can't believe we're already here at this point where

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Speaker 1: we're cutting it down to the people who are getting hometowns.

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Speaker 1: I feel like I finally started to get this sense.

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Speaker 1: I mean, Peter has been trying to take this seriously

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Speaker 1: this entire time, but I finally get the sense of

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Speaker 1: urgency where he's like, holy crap, we have hometowns. I'm

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Speaker 1: meeting these families. Like that's a pivotal point in any season,

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Speaker 1: I think when you bring the family and friends and

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Speaker 1: they're involved. So I think he's starting to feel that

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Speaker 1: and he's starting to actually be like, Okay, yes, it's

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Speaker 1: been fun with some of these women, Like I've had

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Speaker 1: great chemistry with some of these women. There's of course

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Speaker 1: been the drama, but like, who can I actually see

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Speaker 1: a life with? Yeah, which I appreciate that we're finally

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Speaker 1: at this point because this is what we've been wanting, Peter,

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Speaker 1: So thank you. Yeah. So we've got Hannah Ann, Kelly, Kelsey, Madison, Natasha,

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Speaker 1: and Victoria f Is that it? That's it? Six six?

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Speaker 1: Is it really six six? Tun four? Yeah? Okay, okay, wow, okay,

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Speaker 1: all right, So we're in Peru, and I love how

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Speaker 1: this episode pops off because it kind of and I'm

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Speaker 1: piggybacking on what you were saying with what you're excited

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Speaker 1: to finally see from Peter. Peter sits down and tells

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Speaker 1: the women, Hey, I know there's been a lot that's

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Speaker 1: going on, so let me just kind of reset and

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Speaker 1: let you know what I want, what my intentions are,

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Speaker 1: and what I'm expecting from you. And it was kind

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Speaker 1: of like a wake up call, good and bad because

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Speaker 1: I feel like the girls, who kind of feel like

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Speaker 1: they're on the outside are like, hold on. He's saying

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Speaker 1: this is what he wants, and I haven't really had

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Speaker 1: a chance to show him who I am because I

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Speaker 1: haven't had that time with him. And I think up

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Speaker 1: until this point, it's of course been Peter getting to

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Speaker 1: know these girls and trying to figure out what he wants,

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Speaker 1: and the ball has been in his court. And now

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Speaker 1: I think by him coming to sup these girls and

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Speaker 1: have this this heart to heart with them, to say

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Speaker 1: the least, I think it really made them realize like, Okay,

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Speaker 1: this is a two way straight he has to say,

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Speaker 1: but I also do too, and so I like that

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Speaker 1: He's like if you're not all in, then then this

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Speaker 1: can't continue. So I think that was good for him.

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Speaker 1: As you said to reset U, we then see him,

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Speaker 1: you know, go with Madison on their very first one

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Speaker 1: on one, second one on one. Oh yeah, yeah, she

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Speaker 1: had the first. She did have the first. It's been

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Speaker 1: a while. It has been a while. She has been

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Speaker 1: kind of hidden. I will say, in a lot of

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Speaker 1: past weeks, I feel like we've had three seasons of

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Speaker 1: the Bachelor since Madison's day because its just too much

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Speaker 1: has gone on which and Madison has always been I

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Speaker 1: think a front runner, like you can definitely tell the connection.

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Speaker 1: She has this special bond with him because she met

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Speaker 1: his family. She went to his parents val renewal for

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Speaker 1: goodness sake. Um, this date, I watched it with Garrett

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Speaker 1: and he and so let me start with Garrett has

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Speaker 1: watched a little bit here and there, but he has

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Speaker 1: not set down and watched every episode with me. So

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Speaker 1: he caught this date and he goes, she's the one,

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Speaker 1: like game over, this is Madison, Like, he is so

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Speaker 1: into her. Even before the moment when Peter told her

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Speaker 1: whicheveryone he finally said it that he is falling for someone.

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Speaker 1: She didn't say it bad and she did not say

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Speaker 1: it back, which I think that's okay. I think I

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Speaker 1: kind of like that because I'm watching this well okay,

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Speaker 1: let me back up, so Garrett. Garrett's like, Okay, this

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Speaker 1: is done, like she's the one, Madison is the one

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Speaker 1: for him now when What's going through my mind when

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Speaker 1: I'm watching this is, oh, Lord, please don't say it

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Speaker 1: to multiple women, because this is really good to screw

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Speaker 1: with them. I mean, I dealt with it on our

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Speaker 1: season with him saying I love you to two people,

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Speaker 1: and we have seen it with other leads as well,

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Speaker 1: and I think that's a tricky situation. I personally chose

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Speaker 1: not to say that to the guy's face to face

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Speaker 1: because I didn't want to steer anyone on and give

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Speaker 1: them like all the hope in the world. But you

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Speaker 1: can tell he's feeling Madison. No, he's all in with Madison.

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Speaker 1: And I think, first of all, I love that Garrett

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Speaker 1: gave his opinion because I love to have the male

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Speaker 1: opinion because they see things differently than we do. And

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Speaker 1: so if a guy walks in and he says that,

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Speaker 1: it's kind of like whoa, whoa, whoa, but it's very

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Speaker 1: obvious that he's into Madison, which makes me feel like

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Speaker 1: something is going to happen. When I was watching and

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Speaker 1: I was like, they're giving us too much. He's we're

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Speaker 1: seeing him say he's falling in love with her. There's

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Speaker 1: clearly a connection. His interaction with her is totally different

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Speaker 1: from everyone else's. Something's going to happen, it's otherwise, it's

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Speaker 1: just like, let's just stop watching. Yeah, but I did

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Speaker 1: find it interesting she didn't say I'm falling in love

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Speaker 1: with you back I did say I'm falling in love

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Speaker 1: with multiple people. Because I didn't say I was in

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Speaker 1: love with multiple people, because I was just very much

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Speaker 1: so of if I'm feeling it, I'm gonna say it.

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Speaker 1: I want no regrets. I'm going to be present in

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Speaker 1: the moment with every single person. But we haven't seen

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Speaker 1: him say it to anybody else, and he doesn't even

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Speaker 1: look like he's even close to say falling in love

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Speaker 1: with anybody. He's just like, I enjoy spending time with

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Speaker 1: your girl, right, Oh, this is great. I have so

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Speaker 1: much fun with you. Yeah, this is the first time

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Speaker 1: we've And when we did sit down with him, he

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Speaker 1: did say like he did fall for multiple women. But

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Speaker 1: this is the first time we're hearing it from what's

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Speaker 1: what's the first hearing it from the horse's mouth, the

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Speaker 1: horse's mouth. Yeah, we're hearing it from the horse's mouth. Um.

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Speaker 1: I did appreciate their nighttime conversation because a lot of

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Speaker 1: people complain that we don't have serious they don't see

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Speaker 1: us have real life conversations on camera, and I feel

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Speaker 1: like that's an old narrative because you even saw religion

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Speaker 1: talked about on well one on my season we went

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Speaker 1: to church, and then on with Hannah season you saw

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Speaker 1: that with the Luke pe and now you're seeing it

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Speaker 1: again between Peter and Madison. So I actually think that's

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Speaker 1: refreshing because Bachelor Nation has said, you don't talk politics,

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Speaker 1: you don't talk religion, you don't talk about these real

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Speaker 1: life things. Well we do. You just don't see them

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Speaker 1: because they're not interesting, right. But it was interesting to

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Speaker 1: see Madison and Peter talk about religion. If if religion

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Speaker 1: is a huge part of Madison's life, as she said,

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Speaker 1: then it needs to be talked about and addressed. One

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Speaker 1: thousand percent. Were you shocked at how Peter responded? I

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Speaker 1: wasn't shocked. I will say I was trying to put

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Speaker 1: myself in Peter's position because I don't, you know, he

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Speaker 1: has mentioned before that he's Christian. I didn't really know.

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Speaker 1: I didn't even know that. And maybe maybe I think

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Speaker 1: he mentioned it when he was here. Maybe I was

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Speaker 1: just talking to him, like not recording, but I know

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Speaker 1: he had mentioned that, but that was the extent of it.

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Speaker 1: I didn't know how strong it was. And I think

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Speaker 1: I'm finally starting to see, like when Peter says he's

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Speaker 1: attracted to like a strong woman who like stands for

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Speaker 1: something like that's how she is, that like her faith,

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Speaker 1: it sounds like is a huge pillar of her life

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Speaker 1: and her family's life. And I think he gravitates towards

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Speaker 1: that because it's something positive, and I think he appreciated

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Speaker 1: appreciates that, and it's like, Okay, I have somebody who

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Speaker 1: can maybe like get me back into it or pull

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Speaker 1: me back in, and that can like build up my

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Speaker 1: strength in his faith a little bit. Um. You know,

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Speaker 1: it's tough because there's only so much you can show

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Speaker 1: in a short amount of time. And so we touched

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Speaker 1: on it with her. I would like to hear from

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Speaker 1: him a little bit more of like maybe what the

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Speaker 1: future would look like together. I think that I wasn't

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Speaker 1: shocked at what he said. I didn't know he was

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Speaker 1: a Christian. So when he said and he was kind

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Speaker 1: of hesitating, and I could I feel like I could

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Speaker 1: see that he was like, should I go there? Should

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Speaker 1: I not? And he went there? And I thought, okay.

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Speaker 1: But my fear is that there are levels to it,

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Speaker 1: which he said, I'm not where I'd like to be better.

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Speaker 1: And Madison seemed like she's already there, and she's already

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Speaker 1: comparing you to her father. It's one thing when you're

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Speaker 1: when you say, my father has these characteristics, and I

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Speaker 1: see the relationship he has with my mother, and I

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Speaker 1: want to emulate that. I want I want to marriage

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Speaker 1: where we do we communicate this way or whatever. But

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Speaker 1: the bar is set really high. She is expecting to

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Speaker 1: find mind a man who honors faith the exact same

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Speaker 1: way that her father does. And I think that could

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Speaker 1: be a little troubling because and I feel like I

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Speaker 1: can say this as a Christian. If if her father

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Speaker 1: is that strong in his beliefs, in his Christianity and

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Speaker 1: follows the Bible that way, then he has to have

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Speaker 1: a huge problem about the sex in the windmill four times.

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Speaker 1: Oh so no, that's all I kept thinking of when

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Speaker 1: you when you start talking about that, it's from how

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Speaker 1: she describes her, like the way she practices. She has

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Speaker 1: to have an issue with it as well. Peter has

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Speaker 1: said he's very sexual. How is this not a red

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Speaker 1: flag from Madison? Where how is Peter not seeing Oh

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Speaker 1: my gosh, I'm gonna her dad is at hometown, has

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Speaker 1: to mention the fact about the sex. There's no way

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Speaker 1: that that can't come up. And you know, I'm sure

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Speaker 1: for Peter, well we'll see you next week. You will

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Speaker 1: definitely have to cross that bridge, I think, And trying

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Speaker 1: to put myself in his position, I think it would

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Speaker 1: be you know, you always hear you don't want to

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Speaker 1: be in a relationship where you have to change someone.

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Speaker 1: You don't want to change someone. You want to love

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Speaker 1: them for who they are, and you want to hopefully

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Speaker 1: grow and adapt in new ways together. But to change someone,

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Speaker 1: That's where if I was Peter, I'd be like, well,

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Speaker 1: you know, I want to grow. I want to grow

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Speaker 1: in my faith and grow alongside her, But but can

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Speaker 1: I live up to that standard that she has now set,

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Speaker 1: that her father has provided. So I'm glad that they're

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Speaker 1: they're talking about it and opening up about it. I

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Speaker 1: think that there's probably many, many, many more conversations that

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Speaker 1: have to be had with that. So Rachel like going

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Speaker 1: into the whole windmill, Peter being a very sexual Oh man,

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Speaker 1: this is gonna you know, as we've seen in the previews,

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Speaker 1: they touch on Madison being a virgin, and that's something

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Speaker 1: that we haven't seen them talk about. I can only

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Speaker 1: imagine it's going to come up during Hometown and Beyond

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Speaker 1: because that's a huge, huge conversation to have. Obviously, we

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Speaker 1: saw Colton last season have to deal with it the

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Speaker 1: entire season. I'm actually glad you about Coulton because I don't.

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Speaker 1: I'm glad that she didn't lead with that and make

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Speaker 1: that her entire storyline. And and so we've gotten to

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Speaker 1: know Mattison in another way and now this is just

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Speaker 1: another element of her right. But what I do fear

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Speaker 1: for her is as women, it is in our nature

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Speaker 1: to feel that we can change someone like, oh we

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Speaker 1: make that excuse, Oh I can I can fix that.

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Speaker 1: This isn't something where it's like, you know, you leave

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Speaker 1: your shoes your house shoes out, or your socks on

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Speaker 1: the floor and I need to help you fix to

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Speaker 1: actually throw them away. I put him in the laundry. Gosh,

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Speaker 1: I can't talk you or you need to put them

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Speaker 1: in the laundry. This is Peter has said being sexual

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Speaker 1: is something that he wants in a relationship. It is

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Speaker 1: a way to get to know someone. It is an

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Speaker 1: element that he has to have in a relationship, right

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Speaker 1: and he has been extremely cool about that. So I

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Speaker 1: don't understand how. I don't know. I'm a little frustrated

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Speaker 1: for Peter in this because he has expressed this and

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Speaker 1: you're keeping it from him. And I totally understand you

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Speaker 1: why you don't want it to be a part of

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Speaker 1: your narrative. But these are things that you need to

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Speaker 1: talk about before you get to week eight, before you

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Speaker 1: get to hometowns. If you know how you've expressed that

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Speaker 1: Christianity is and faith is a huge part of your relationship.

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Speaker 1: How have you not? And Peter has expressed the sexuality

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Speaker 1: is a big part of his So how have you

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Speaker 1: not talked about the fact that you're a virgin? Right? Right? Well,

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Speaker 1: I will say so this week, Mettle, I feel the

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Speaker 1: same way, I knowing very vocal she she has her

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Speaker 1: opinions over here. People. If you can't hear her whining

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Speaker 1: right now, well I will say so when I was

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Speaker 1: about to red this was the same week that Colton

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Speaker 1: opened up to me and told me he was a virgin.

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Speaker 1: And granted, you know, yeah, it was right before hometowns.

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Speaker 1: It was the week before hometowns. Then why did we

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Speaker 1: talk about it? Oh, when he was the beast? When

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Speaker 1: he was Okay, yes, okay, I'm like, wow, we talk

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Speaker 1: about it, yes, but this was the way. But I

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Speaker 1: think the difference between both Peter and I is like, yes,

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Speaker 1: I think sex is an important thing. I think, like

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Speaker 1: I'm physical. Touch is one of my love languages. So

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Speaker 1: to me, it's very important. I was never as outspoken

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Speaker 1: or vocal or I guess people never like realized like

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Speaker 1: the except I mean Peter four times in a windmill.

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Speaker 1: That's like what his headline is, that's what we know

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Speaker 1: of him. So it was a little bit different. I

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Speaker 1: think now he kind of led, not lad with it,

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Speaker 1: but in a way it was at the forefront. And

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Speaker 1: so I definitely think it is, though a serious thing

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Speaker 1: that Madison has to feel comfortable enough talking about it,

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Speaker 1: Like you can't just stay like have two dates and

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Speaker 1: hope that that is enough. I think definitely if it

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Speaker 1: does get more serious as hometowns come along, like before

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Speaker 1: fantasy suits, of course it needs to be addressed. But

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Speaker 1: but and maybe that's the time, Like, you don't have

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Speaker 1: to go into the fantasy suits and have sex four time,

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Speaker 1: No you don't. I just it's gonna be an issue.

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Speaker 1: He's gonna have sex with more than one person in

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Speaker 1: the fantasy suite because he is sexual and he owns

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Speaker 1: that and that is him and maybe it's one of

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Speaker 1: the things that he can work on when he talks

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Speaker 1: about he wants to be better. Not that that's bad.

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Speaker 1: I'm just saying, you know, if you practice Christian faith,

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Speaker 1: it's no sex before marriage. This is just what's taught.

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Speaker 1: I just to me, it's something that should have been

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Speaker 1: brought up before because it's it's going to be an

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Speaker 1: issue in their relationship, and you know it's going to

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Speaker 1: be and you're holding onto it, and I just why

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Speaker 1: would you allow him to start saying I'm falling in

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Speaker 1: love with you and it go deeper and deeper knowing

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Speaker 1: that something he feels is crucial to a relationship. You're

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Speaker 1: not doing unless this is the first time that we're

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Speaker 1: going to see him get down on a knee and

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Speaker 1: then Chris Harrison's going to marry them at the end

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Speaker 1: of this unless that's going to happen, don't I don't

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Speaker 1: know at this point. I wouldn't be shocked. Let's be honest,

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Speaker 1: I don't know, but that, yeah, there's let's just keep

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Speaker 1: an eye on this Madison Peter relationship because I foresee

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Speaker 1: big time issues. I really do. Yeah, which I think

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Speaker 1: in regards to the show itself, I think it will

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Speaker 1: make for good TV because again, this is the first

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Speaker 1: and only girl to this point that he says I

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Speaker 1: am falling in love with you, and we know that

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Speaker 1: these things need to be talked about and addressed. So yeah,

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Speaker 1: there will be an elephant in the room until at

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Speaker 1: least next week. We'll see. Listen, we are all overbooked

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Speaker 1: and constantly running on empty. I mean I barely have

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Speaker 1: enough time to eat complete meals. I don't even think

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Speaker 1: I've had anything to eat today, let alone prepare a meal.

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Speaker 1: I don't like to cook. I don't want to prepare it.

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Speaker 1: I just want it to be as simple and as

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Speaker 1: Daily Harvest dot Com. So now let's jump to the

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Speaker 1: opposite end of the spectrum. Natasha Natasha. Natasha gets a

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Speaker 1: one on one and her card says, vomels ah explore.

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Speaker 1: Is that how you say? Well, Brian, it's not explore,

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Speaker 1: that's got to be explorer. That's where I'm gonna go

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Speaker 1: with where's the little astra over the eag which means

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Speaker 1: we go to explore? So he and Natasha is so excited.

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Speaker 1: She's my girl. I like Natasha. You know you can

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Speaker 1: tell early on their relationship is much more of a friendship.

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Speaker 1: Sure like you could tell very early like she was

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Speaker 1: not going to end up with him. But I really

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Speaker 1: liked Natasha. But do you think she knows? It's like

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Speaker 1: you have to know. Yes, she did. And then it's like,

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Speaker 1: how are you not in the house doing calculations at

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Speaker 1: this point? Okay, it's week seven. That means somebody, somebody's

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Speaker 1: getting one on one and is not getting a rose. Well,

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Speaker 1: he already gave it to Madison. It's me and these

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Speaker 1: other girls who've already had one on one. I mean,

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Speaker 1: kudos to her for enjoying the moment and getting lost

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Speaker 1: in it. I mean, you are in Peru, so you

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Speaker 1: might as well just take it. But she had to know.

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Speaker 1: She Natasha seems like she has a very good head

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Speaker 1: on her shoulders. She seems so intelligent, Like I think

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Speaker 1: she went in to that date kind of knowing it

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Speaker 1: wasn't going to go much further. Like I don't think

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Speaker 1: she deep down. I think had she been removed a

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Speaker 1: little bit, I think she probably would have said, I'm

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Speaker 1: not ready to in turn receive to my family. I

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Speaker 1: don't think they were at that level. But I think

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Speaker 1: she was just hopeful and like you said, she's improved,

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Speaker 1: soak it in. Yeah, it up. She was so excited.

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Speaker 1: I mean, and I think they enjoy their time with

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Speaker 1: each other. I think Peter does. I think, like you said,

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Speaker 1: it's a friendship. It's just there's just no it's blatonic.

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Speaker 1: There's no romantic element to it. And so yeah, as

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Speaker 1: soon as he tells her his feelings aren't as deep

400
00:19:37,320 --> 00:19:39,159
Speaker 1: for her as they offer the other women, You're like,

401
00:19:39,240 --> 00:19:42,960
Speaker 1: no shit, yeah, and sends her home, sad to see

402
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Speaker 1: my girl go. She was like the comic relief and logical.

403
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Speaker 1: She was fun. Yeah, she was black. There was no

404
00:19:53,160 --> 00:19:56,080
Speaker 1: other black people thing. I will say the thing I

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Speaker 1: think that I love most about Natasha. And I've said

406
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Speaker 1: this before. I think in one of our earth earlier podcasts,

407
00:20:01,680 --> 00:20:05,120
Speaker 1: she she says it like it is. She speaks her mind,

408
00:20:05,160 --> 00:20:07,000
Speaker 1: but she does it in such an eloquent way. I

409
00:20:07,040 --> 00:20:09,240
Speaker 1: think in the same age, so many people use filler

410
00:20:09,280 --> 00:20:12,640
Speaker 1: words like like and um, and I do that. I'm included.

411
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Speaker 1: I cannot say that I don't do because I do

412
00:20:15,600 --> 00:20:19,560
Speaker 1: it far too often. But she Oh, man, if I

413
00:20:19,560 --> 00:20:22,000
Speaker 1: could just speak as eloquently as she does, sense like

414
00:20:22,240 --> 00:20:25,240
Speaker 1: I need to take lessons from her, Natasha, can I

415
00:20:25,320 --> 00:20:28,280
Speaker 1: hire you? Natasha's great? We are sad to see you go.

416
00:20:28,520 --> 00:20:30,800
Speaker 1: That one We knew it was coming, but we didn't

417
00:20:30,800 --> 00:20:33,040
Speaker 1: want to see you walk away. So then we have

418
00:20:33,080 --> 00:20:36,159
Speaker 1: another one on one with Kelsey, who Kelsey taking us

419
00:20:36,160 --> 00:20:38,399
Speaker 1: all by surprise. She's come a long way since that

420
00:20:38,440 --> 00:20:41,840
Speaker 1: bottle of champagne. She really has no Before we get

421
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Speaker 1: into Kelsey's relationship with Peter, did anyone see the relationship

422
00:20:46,680 --> 00:20:50,080
Speaker 1: between her and hannah Ann coming? Because you see it

423
00:20:50,080 --> 00:20:53,320
Speaker 1: throughout this entire episode. They're always talking, they're always having

424
00:20:53,320 --> 00:20:55,720
Speaker 1: their girl chats. When hannah Ann comes home at the

425
00:20:55,840 --> 00:20:59,480
Speaker 1: very end, Kelsey runs straight into her arms, not Peter's, Like,

426
00:20:59,520 --> 00:21:01,880
Speaker 1: this is the friendship I did not see coming. Well,

427
00:21:01,920 --> 00:21:04,359
Speaker 1: I honestly didn't even notice that until you just said that.

428
00:21:04,520 --> 00:21:07,040
Speaker 1: So that's true. So it's it's nice that they could

429
00:21:07,040 --> 00:21:10,240
Speaker 1: come over or get over whatever differences they had, because

430
00:21:10,320 --> 00:21:12,879
Speaker 1: I never would have guessed the first two would be

431
00:21:12,880 --> 00:21:16,800
Speaker 1: friendly in the end. So let let Kelsey and hannah

432
00:21:16,760 --> 00:21:20,360
Speaker 1: An be a lesson to you all. Let bygones be bygones,

433
00:21:20,920 --> 00:21:26,320
Speaker 1: and unless it's necessary, I just want to see them

434
00:21:26,320 --> 00:21:29,840
Speaker 1: sitting together. Cheersey went the nice bottle of champagne. Yeah, yeah,

435
00:21:30,480 --> 00:21:33,880
Speaker 1: I'm sure we will. Women tell all ours, maybe they will.

436
00:21:33,920 --> 00:21:36,760
Speaker 1: I mean I have no far. Excuse me, I don't

437
00:21:36,800 --> 00:21:38,199
Speaker 1: know how far these girls are gonna make it. But

438
00:21:38,200 --> 00:21:40,719
Speaker 1: if they're both the women tell all, yes, they can

439
00:21:40,760 --> 00:21:43,520
Speaker 1: share a toast with each other. So Kelsey gets a card,

440
00:21:43,880 --> 00:21:46,399
Speaker 1: a day card that says love is a wild ride.

441
00:21:46,720 --> 00:21:50,200
Speaker 1: And I thoroughly enjoyed this date with them. It seemed

442
00:21:50,200 --> 00:21:55,240
Speaker 1: to relax, chill, fun, adventurous. So can you imagine Garrett,

443
00:21:55,320 --> 00:21:58,360
Speaker 1: you got Garrett, I got Brian. You're on these ATVs,

444
00:21:58,600 --> 00:22:01,880
Speaker 1: explore this country to gather, you're running up a hill,

445
00:22:02,240 --> 00:22:04,800
Speaker 1: you get lost, like they're like lost, and it's cute.

446
00:22:05,359 --> 00:22:07,639
Speaker 1: It just looked like in that moment when they ran

447
00:22:07,680 --> 00:22:10,320
Speaker 1: up the hill together and just lay there, it looked easy. Yeah,

448
00:22:10,320 --> 00:22:12,360
Speaker 1: and that's what a relationship should be. I mean it's

449
00:22:12,359 --> 00:22:15,439
Speaker 1: not I shouldn't say always, but you should have that

450
00:22:15,520 --> 00:22:17,760
Speaker 1: sense of ease and just comfort. And I felt that

451
00:22:17,840 --> 00:22:20,720
Speaker 1: watching them. Yeah. The only thing that was uncomfortable is

452
00:22:20,720 --> 00:22:23,080
Speaker 1: when she straddled him. She it was like a weird.

453
00:22:23,359 --> 00:22:26,240
Speaker 1: It was like a weird. It wasn't smooth. He was like, oh,

454
00:22:26,680 --> 00:22:28,760
Speaker 1: what are you doing here? But I don't think Peter

455
00:22:28,880 --> 00:22:31,200
Speaker 1: said smooth. Remember like all the awkward moments with him,

456
00:22:31,200 --> 00:22:32,840
Speaker 1: in Hannah, like when he hit his head on the

457
00:22:32,920 --> 00:22:36,160
Speaker 1: light on the pool table, Like there's like they're both

458
00:22:36,200 --> 00:22:38,359
Speaker 1: kind of like, well, I climb that on Hannah. I

459
00:22:38,359 --> 00:22:40,600
Speaker 1: thought Hannah messed up that he was ready to he

460
00:22:40,680 --> 00:22:43,040
Speaker 1: was ready to go. I think Peter smooth. But yeah,

461
00:22:43,160 --> 00:22:46,760
Speaker 1: it was very rigid when she climbed on top of him.

462
00:22:46,800 --> 00:22:50,040
Speaker 1: I didn't like it if anyone, no one can see.

463
00:22:50,080 --> 00:22:53,639
Speaker 1: But Rachel's doing this little the robot to get to

464
00:22:53,760 --> 00:22:57,119
Speaker 1: straddle him. Okay, I never know what to do with

465
00:22:57,160 --> 00:22:59,960
Speaker 1: my hands or body, so I get it. Kelsey, Kelsey,

466
00:23:00,200 --> 00:23:05,440
Speaker 1: get a girl. So Kelsey. I appreciated this date because

467
00:23:05,560 --> 00:23:08,200
Speaker 1: I we know she has a story. Will be learned

468
00:23:08,359 --> 00:23:10,960
Speaker 1: more of her story. Yes, And as soon as she

469
00:23:11,040 --> 00:23:13,760
Speaker 1: started talking, I knew she was getting a hometown, because

470
00:23:13,920 --> 00:23:17,399
Speaker 1: there has to be that one hometown that's gonna be juicy.

471
00:23:17,600 --> 00:23:19,800
Speaker 1: There's gonna be that one hometown. I mean, for me,

472
00:23:20,119 --> 00:23:22,520
Speaker 1: it was Dean, right, I mean, that's not why I

473
00:23:22,560 --> 00:23:26,040
Speaker 1: gave him. He really was my top four, but I

474
00:23:26,400 --> 00:23:28,920
Speaker 1: they also wanted to go home and see what was there, right,

475
00:23:29,160 --> 00:23:32,679
Speaker 1: And that's kind of how it is. De bark she

476
00:23:32,800 --> 00:23:36,879
Speaker 1: oh my gotta call it. It's okay, you know. But

477
00:23:36,960 --> 00:23:39,400
Speaker 1: I think with Kelsey, you know you had to see

478
00:23:39,400 --> 00:23:41,560
Speaker 1: it coming. It's like, this is this is a good story.

479
00:23:41,600 --> 00:23:44,040
Speaker 1: Will we see the dad? Will we not see? Well

480
00:23:44,040 --> 00:23:46,720
Speaker 1: the mom and the dad confront each other. Well, I

481
00:23:46,880 --> 00:23:49,720
Speaker 1: need I need all the details. It's like with Karne,

482
00:23:49,800 --> 00:23:53,800
Speaker 1: we had to meet Raquel, Yes you couldn't not. Yeah, so,

483
00:23:54,160 --> 00:23:57,000
Speaker 1: but I did appreciate her opening up. I thought we

484
00:23:57,040 --> 00:23:59,840
Speaker 1: saw a different side of her. Just to hear her

485
00:24:00,280 --> 00:24:02,760
Speaker 1: say she has this relationship or has this relationship with

486
00:24:02,760 --> 00:24:06,239
Speaker 1: her father and now she's seeking something different apart from

487
00:24:06,280 --> 00:24:08,879
Speaker 1: her mother and her sisters. I thought was very mature.

488
00:24:09,200 --> 00:24:10,800
Speaker 1: This is her own journey and she's got to do

489
00:24:10,840 --> 00:24:14,040
Speaker 1: it on her. Yeah. Yeah, and it's got to be

490
00:24:14,080 --> 00:24:19,880
Speaker 1: a scary thing first to I mean Bachelor World aside.

491
00:24:19,960 --> 00:24:23,320
Speaker 1: Just to have that sort of relationship, it's got to

492
00:24:23,359 --> 00:24:25,800
Speaker 1: be so difficult. It's got to be. And like you said,

493
00:24:25,880 --> 00:24:28,560
Speaker 1: good for her to say, I want to see what

494
00:24:28,640 --> 00:24:31,520
Speaker 1: kind of relationship I can have with my dad without

495
00:24:31,560 --> 00:24:35,199
Speaker 1: everyone else involved, with all all of their thoughts and opinions.

496
00:24:35,240 --> 00:24:38,080
Speaker 1: Like if that's what you need in your life, and

497
00:24:38,080 --> 00:24:40,320
Speaker 1: your dad is willing and open like one thousand percent,

498
00:24:40,840 --> 00:24:44,520
Speaker 1: that is I like comment her for that now bringing

499
00:24:44,560 --> 00:24:47,400
Speaker 1: the bachelor world where you first have to you don't

500
00:24:47,440 --> 00:24:49,720
Speaker 1: have to. But she first opens up about her parents'

501
00:24:49,720 --> 00:24:52,760
Speaker 1: relationship and the divorce and how difficult that was. That's

502
00:24:52,840 --> 00:24:56,159
Speaker 1: one level, But then you take it now to and

503
00:24:56,240 --> 00:24:58,760
Speaker 1: who even knew knows if Kelsey thought she was going

504
00:24:58,840 --> 00:25:00,800
Speaker 1: to be going to hometowns. I mean, I was kind

505
00:25:00,840 --> 00:25:02,399
Speaker 1: of surprised that she did make it this far, but

506
00:25:02,480 --> 00:25:05,040
Speaker 1: good for her. But now she's saying, Okay, you know,

507
00:25:05,600 --> 00:25:07,239
Speaker 1: my mom has been in my life, my sisters are

508
00:25:07,280 --> 00:25:09,920
Speaker 1: in my life, but now my dad has some sort

509
00:25:09,960 --> 00:25:13,480
Speaker 1: of part in my life. But like that has got

510
00:25:13,520 --> 00:25:15,840
Speaker 1: to be such a scary thing. And I'm thinking, like,

511
00:25:15,840 --> 00:25:18,200
Speaker 1: oh my gosh, Kelsey, when this airs, if your mom

512
00:25:18,240 --> 00:25:20,560
Speaker 1: watches this back, I hope this isn't the first time

513
00:25:20,600 --> 00:25:22,400
Speaker 1: she's finding out about this, because that is a lot

514
00:25:22,440 --> 00:25:25,320
Speaker 1: to take in for you and your family. But then

515
00:25:25,359 --> 00:25:28,000
Speaker 1: just the entire world to watch this back, and the

516
00:25:28,040 --> 00:25:31,520
Speaker 1: fact that she feels comfortable enough to do it with Peter,

517
00:25:31,640 --> 00:25:35,240
Speaker 1: I think is very telling. I think she really, I mean,

518
00:25:35,560 --> 00:25:38,200
Speaker 1: we're seeing him now form these deeper connections with these girls.

519
00:25:38,240 --> 00:25:43,400
Speaker 1: But she like, based upon their conversations, has the most

520
00:25:43,440 --> 00:25:45,400
Speaker 1: stepped with him, like, has opened up the most, has

521
00:25:45,400 --> 00:25:48,200
Speaker 1: the most layers, like and and you're kind of seeing

522
00:25:48,240 --> 00:25:51,000
Speaker 1: her walls slowly come down bit by bit, date by date,

523
00:25:51,359 --> 00:25:55,240
Speaker 1: conversation by conversation. So the fact that she feels so

524
00:25:56,000 --> 00:25:59,159
Speaker 1: open and comfortable to say these things to him, I

525
00:25:59,160 --> 00:26:02,440
Speaker 1: think it is very telling. Yeah, now you know, I'm

526
00:26:02,520 --> 00:26:06,400
Speaker 1: just speaking my opinion and what I see. I don't

527
00:26:06,400 --> 00:26:08,720
Speaker 1: think Kelsey's going to be the last one standing. I

528
00:26:08,760 --> 00:26:10,439
Speaker 1: don't think it's going to be those two at the end.

529
00:26:11,240 --> 00:26:13,480
Speaker 1: So I just hope that from here on out, regardless

530
00:26:13,480 --> 00:26:17,280
Speaker 1: of like anything that happens, it goes down. Like, Kelsey,

531
00:26:17,359 --> 00:26:19,439
Speaker 1: you are strong for just opening up and sharing that,

532
00:26:19,440 --> 00:26:22,560
Speaker 1: And I hope she can continue the relationship with her father. Yeah,

533
00:26:22,640 --> 00:26:26,080
Speaker 1: that's best for her without a thousand other voices chiming in.

534
00:26:26,160 --> 00:26:27,879
Speaker 1: I hope that at the end of this, like she

535
00:26:27,920 --> 00:26:31,320
Speaker 1: can still focus and grow that relationship. Well said, I

536
00:26:31,359 --> 00:26:36,560
Speaker 1: completely agree. So Kelsey gets a rose and stay tuned. Okay,

537
00:26:36,560 --> 00:26:38,439
Speaker 1: So then we get to three on one, which I hate.

538
00:26:39,000 --> 00:26:43,000
Speaker 1: I hate three Listen, you guys, you don't understand. Three

539
00:26:43,040 --> 00:26:47,040
Speaker 1: on ones are miserable for the lead. I know they're

540
00:26:47,080 --> 00:26:49,640
Speaker 1: miserable for the three people that are involved. But I'm

541
00:26:49,640 --> 00:26:53,199
Speaker 1: telling you behind the scenes, it is awful. I remember

542
00:26:53,200 --> 00:26:56,119
Speaker 1: my stomach was hurting on that day. Your eye was

543
00:26:56,160 --> 00:26:59,520
Speaker 1: on a boat with I don't think I was on

544
00:26:59,560 --> 00:27:03,240
Speaker 1: a who's on a vote with Adam, Matt and Eric

545
00:27:03,560 --> 00:27:06,399
Speaker 1: and the water was choppy, and I remember this is

546
00:27:06,440 --> 00:27:08,320
Speaker 1: telling of how this whole date was going to go.

547
00:27:08,480 --> 00:27:11,600
Speaker 1: It is heartbreaking. I had to send two home on

548
00:27:11,600 --> 00:27:14,360
Speaker 1: that date. So with Peter, he still has two roses left.

549
00:27:14,600 --> 00:27:16,479
Speaker 1: It's only one person's not gonna get it. I had

550
00:27:16,480 --> 00:27:18,280
Speaker 1: to send two people home, and I just want to say,

551
00:27:18,520 --> 00:27:22,680
Speaker 1: nobody likes the three on one, No, nobody, It's awful.

552
00:27:22,960 --> 00:27:26,720
Speaker 1: So you've got Kelly, got Hannah, Anne and Victoria f

553
00:27:28,640 --> 00:27:31,679
Speaker 1: what a like? Those three together really make up the

554
00:27:31,720 --> 00:27:36,320
Speaker 1: most random group, you think? So? I think. So you

555
00:27:36,440 --> 00:27:41,639
Speaker 1: got Kelly the lawyer who who know, as we have seen,

556
00:27:42,000 --> 00:27:46,040
Speaker 1: is very logical, like she she just she's she's kind

557
00:27:46,040 --> 00:27:48,880
Speaker 1: of not the wall flower, but she's just so much reserved,

558
00:27:48,960 --> 00:27:52,680
Speaker 1: more reserved because I think she just is on this

559
00:27:52,960 --> 00:27:56,360
Speaker 1: different level. Like she she's not that the other girls

560
00:27:56,400 --> 00:27:58,520
Speaker 1: aren't taking it seriously, but she just thinks like the

561
00:27:58,560 --> 00:28:00,680
Speaker 1: other girls are all I mean that she said it herself,

562
00:28:00,720 --> 00:28:03,359
Speaker 1: they're all babies. That's what her words people, not mine.

563
00:28:04,040 --> 00:28:07,000
Speaker 1: But and then you have Hannah Anne, who we're finally

564
00:28:07,040 --> 00:28:10,960
Speaker 1: just starting to kind of see open up a little bit,

565
00:28:11,000 --> 00:28:13,160
Speaker 1: if you can even say that. But you know, she's

566
00:28:13,200 --> 00:28:16,600
Speaker 1: been a strong contender since the beginning, who Peter is

567
00:28:16,680 --> 00:28:18,879
Speaker 1: very attracted to, you can tell. And then Victoria f

568
00:28:20,240 --> 00:28:25,200
Speaker 1: who well we'll get into that one. Okay. So Peter

569
00:28:26,640 --> 00:28:29,080
Speaker 1: takes these ladies out and he pulls who does he

570
00:28:29,119 --> 00:28:31,320
Speaker 1: pull first? Victoria? He pulls Hanna Ann because she gives

571
00:28:31,359 --> 00:28:34,280
Speaker 1: him the note. He pulls Hannah Anne. Okay, So if

572
00:28:34,320 --> 00:28:37,720
Speaker 1: you were listening last week, you know I was not

573
00:28:37,800 --> 00:28:41,120
Speaker 1: a fan of how Hannah Ann handled her conversation with Peter.

574
00:28:41,280 --> 00:28:43,880
Speaker 1: I felt like she didn't have any words. She didn't

575
00:28:43,880 --> 00:28:46,400
Speaker 1: say anything, and she cried because she thought she was

576
00:28:46,440 --> 00:28:50,680
Speaker 1: going home. So apparently maybe she does have an issue

577
00:28:50,760 --> 00:28:53,440
Speaker 1: finding her words and saying the right thing. So what

578
00:28:53,520 --> 00:28:56,400
Speaker 1: do we see her do? Write out a note? A

579
00:28:56,520 --> 00:29:00,320
Speaker 1: simple note? Well note all the reason and all the

580
00:29:00,360 --> 00:29:04,200
Speaker 1: reasons she what was? It was like reasons that she

581
00:29:04,320 --> 00:29:08,480
Speaker 1: likes somewhere that he shows he likes her. It was

582
00:29:08,520 --> 00:29:10,240
Speaker 1: like you like me, like when I have hot dog

583
00:29:10,280 --> 00:29:15,760
Speaker 1: on my face, and yeah, yeah, like when I'm hot

584
00:29:15,760 --> 00:29:18,360
Speaker 1: dog on my face. The way you make me feel

585
00:29:20,040 --> 00:29:22,320
Speaker 1: it really turns me on. You knocked me off on

586
00:29:22,400 --> 00:29:26,760
Speaker 1: my I was like, oh, that would actually be good.

587
00:29:27,800 --> 00:29:32,880
Speaker 1: He hey, I mean it was. It was cute and

588
00:29:32,920 --> 00:29:35,080
Speaker 1: that's it, and that's how I would describe Hannah Anne.

589
00:29:35,120 --> 00:29:38,880
Speaker 1: Her little note was cute. She's cute. I mean Parrow

590
00:29:38,920 --> 00:29:41,760
Speaker 1: with the Bachelor like theme music in the background and

591
00:29:42,000 --> 00:29:44,960
Speaker 1: adds to the element of it was cute and sweet. Yes,

592
00:29:45,160 --> 00:29:48,000
Speaker 1: it was a little girlish to use the words of Kelly,

593
00:29:48,160 --> 00:29:53,400
Speaker 1: but it obviously made an impression on Peter. Yeah, who

594
00:29:53,440 --> 00:29:56,560
Speaker 1: do we have? Who we have the next? Kelly? So well,

595
00:29:56,680 --> 00:29:59,640
Speaker 1: Kelly this entire time, I mean like it seems like

596
00:29:59,680 --> 00:30:01,720
Speaker 1: a brief she takes a nap when the other girls

597
00:30:01,720 --> 00:30:04,960
Speaker 1: are gone. Kelly, he was caught back. She had that

598
00:30:05,040 --> 00:30:07,760
Speaker 1: foot in the air, she was twirling it around. I'm

599
00:30:07,760 --> 00:30:10,000
Speaker 1: pretty sure I saw her blow her fingers and rub

600
00:30:10,000 --> 00:30:13,120
Speaker 1: her knuckles on her shirt like I got this, y'all. Well,

601
00:30:13,160 --> 00:30:15,680
Speaker 1: she really did think that, you know, she went in

602
00:30:15,800 --> 00:30:19,160
Speaker 1: thinking like, Okay, I'm an attorney. I'm so mature. We

603
00:30:19,240 --> 00:30:22,880
Speaker 1: have this history together to think that way. Do you

604
00:30:22,920 --> 00:30:28,480
Speaker 1: think she's wrong? No, I don't. Well, you know, I

605
00:30:28,520 --> 00:30:32,880
Speaker 1: will say, you can never get too confident in this

606
00:30:33,320 --> 00:30:35,440
Speaker 1: because you're always going to be thrown for some sort

607
00:30:35,440 --> 00:30:39,280
Speaker 1: of loop when you're part of the show. But I

608
00:30:39,320 --> 00:30:41,880
Speaker 1: will say, like, from what she's going off of, Peter

609
00:30:41,960 --> 00:30:45,280
Speaker 1: says he wants an independent, strong woman. He's looking for

610
00:30:45,360 --> 00:30:49,520
Speaker 1: all these things, and Kelly like checks those boxes. She

611
00:30:49,600 --> 00:30:53,080
Speaker 1: really does, like on paper. And she said this herself too,

612
00:30:53,120 --> 00:30:55,440
Speaker 1: like put it down on paper, like we aligned so well,

613
00:30:55,560 --> 00:30:58,200
Speaker 1: and so in her mind, I think, yes, drul blis

614
00:30:58,240 --> 00:31:00,400
Speaker 1: it because she's going off of what he's been seeing

615
00:31:00,440 --> 00:31:02,920
Speaker 1: the entire time. Yeah, you look around and say, who

616
00:31:02,960 --> 00:31:06,320
Speaker 1: doesn't belong here? And honestly it's Kelly. Kelly's not like

617
00:31:06,400 --> 00:31:08,920
Speaker 1: the other women that are left. So if I'm Kelly

618
00:31:08,960 --> 00:31:11,480
Speaker 1: and I'm thinking logically and I'm scanning the room, and

619
00:31:11,560 --> 00:31:14,320
Speaker 1: I'm listening to what Peter says what he wants in

620
00:31:14,320 --> 00:31:18,280
Speaker 1: a woman, as you said, Becca, she checks all those boxes.

621
00:31:18,480 --> 00:31:20,800
Speaker 1: So of course she's sitting back thinking I got this

622
00:31:20,840 --> 00:31:23,480
Speaker 1: because I don't have anything in common with these women

623
00:31:23,520 --> 00:31:25,640
Speaker 1: other than the fact that we're on this show. Together, right,

624
00:31:25,960 --> 00:31:30,440
Speaker 1: So I get her feeling a certain way, and little

625
00:31:30,480 --> 00:31:34,480
Speaker 1: does she know Peter does apparently doesn't want what he

626
00:31:34,520 --> 00:31:38,240
Speaker 1: says he wants, because none of they don't they have

627
00:31:38,280 --> 00:31:40,680
Speaker 1: some of those characteristics, but she seems to have all

628
00:31:40,720 --> 00:31:44,880
Speaker 1: the ones in what he says that he wants. Right, So,

629
00:31:45,520 --> 00:31:48,200
Speaker 1: and they're girls. Next, well, well I want to get

630
00:31:48,200 --> 00:31:51,560
Speaker 1: into the whole. I think what we start to see

631
00:31:52,200 --> 00:31:54,680
Speaker 1: is when she sits down with Peter, she keeps using

632
00:31:54,720 --> 00:31:56,600
Speaker 1: the word fun, and Peter's like, well, this can't just

633
00:31:56,680 --> 00:32:00,320
Speaker 1: be fun. And I think Kelly addresses the fact like

634
00:32:00,480 --> 00:32:02,920
Speaker 1: it doesn't always have to be a hurdle that you

635
00:32:02,960 --> 00:32:05,200
Speaker 1: have to get over, like a relationship can be serious,

636
00:32:05,200 --> 00:32:07,880
Speaker 1: but it can still be fun. And she's easy and easy,

637
00:32:07,920 --> 00:32:10,200
Speaker 1: and she's looking at like Kelly is very logical. She's

638
00:32:10,200 --> 00:32:12,320
Speaker 1: looking at it like, you know, we have these things.

639
00:32:12,320 --> 00:32:15,880
Speaker 1: It is fun, like we we haven't had many hardships

640
00:32:15,960 --> 00:32:17,880
Speaker 1: yet to get over because we just haven't been dulled

641
00:32:17,920 --> 00:32:21,200
Speaker 1: that hand. And I think the like I think the

642
00:32:21,280 --> 00:32:23,920
Speaker 1: disconnect with them is like Kelly doesn't want to say

643
00:32:23,920 --> 00:32:26,080
Speaker 1: the word fun as just like lighthearted. I think she's

644
00:32:26,120 --> 00:32:27,840
Speaker 1: using it as like we actually do have fun together

645
00:32:27,840 --> 00:32:29,760
Speaker 1: and I think Peter's like, but I want more than that, Like,

646
00:32:29,760 --> 00:32:33,880
Speaker 1: I want that the passion and that chemistry, and that's

647
00:32:33,920 --> 00:32:35,840
Speaker 1: the part that I think was lacking for them. I

648
00:32:35,840 --> 00:32:38,080
Speaker 1: can't remember if you said this to me during last

649
00:32:38,080 --> 00:32:40,400
Speaker 1: week's episode or if we were just talking off mike,

650
00:32:40,520 --> 00:32:46,120
Speaker 1: but you said something about guys confusing emotion as death. Yes,

651
00:32:46,520 --> 00:32:49,240
Speaker 1: and and and I'm paraphrasing what you said, but I

652
00:32:49,240 --> 00:32:52,240
Speaker 1: thought that that was really powerful because that is what

653
00:32:52,320 --> 00:32:55,680
Speaker 1: I think Peter is doing. Kelly is giving it to

654
00:32:55,720 --> 00:32:58,720
Speaker 1: you matter of fact, and she's not crying about it,

655
00:32:59,040 --> 00:33:01,680
Speaker 1: right or you know, running out of the room or

656
00:33:01,720 --> 00:33:04,120
Speaker 1: just giving you all this emotion, but she's telling you

657
00:33:04,120 --> 00:33:06,200
Speaker 1: what she's feeling is real. She's like, she said it,

658
00:33:06,320 --> 00:33:09,720
Speaker 1: I like you, and I don't need to shed a tear,

659
00:33:09,840 --> 00:33:12,400
Speaker 1: write a note, sing a song, run out of the

660
00:33:12,480 --> 00:33:15,760
Speaker 1: room to let you know that I like you. Period. Yeah.

661
00:33:16,160 --> 00:33:20,120
Speaker 1: And I think like you said, he's he's confusing emotion

662
00:33:20,480 --> 00:33:25,320
Speaker 1: for depth, right, yeah, totally. And I think in their case,

663
00:33:25,440 --> 00:33:30,160
Speaker 1: like they're just there's something missing. Like again, it's perfect

664
00:33:30,200 --> 00:33:33,920
Speaker 1: on paper, but is that the chemistry truly there? Is

665
00:33:33,960 --> 00:33:37,000
Speaker 1: that passion truly there? I think Peter Peter seems like

666
00:33:37,000 --> 00:33:40,080
Speaker 1: a hopeless romantic, like he needs the fireworks, and I

667
00:33:40,120 --> 00:33:43,760
Speaker 1: think he's getting everything else from Kelly except that. Yeah.

668
00:33:43,880 --> 00:33:50,160
Speaker 1: So so then we go in to your girl, Victoria F. Now,

669
00:33:50,400 --> 00:33:53,959
Speaker 1: I know listeners week after a week probably think that

670
00:33:54,000 --> 00:33:58,200
Speaker 1: I'm just ragging on Victoria F. And I just for

671
00:33:58,240 --> 00:34:01,320
Speaker 1: me personally, she don't know the girl. I'm just quin

672
00:34:01,400 --> 00:34:05,760
Speaker 1: off of what I'm seeing each week, doesn't know what

673
00:34:06,000 --> 00:34:10,879
Speaker 1: she wants. She's all over the place this conversation. I mean,

674
00:34:11,040 --> 00:34:13,560
Speaker 1: I think every time I see them together on their dates,

675
00:34:13,600 --> 00:34:17,799
Speaker 1: when they have the evening together and she gets all

676
00:34:17,840 --> 00:34:19,760
Speaker 1: worked up and walks away, Like I have an issue

677
00:34:19,760 --> 00:34:22,200
Speaker 1: with that because you're you're here to form a connection.

678
00:34:22,280 --> 00:34:24,279
Speaker 1: You can't do that if you keep walking away from

679
00:34:24,320 --> 00:34:29,480
Speaker 1: the lead of the show. But this conversation was probably

680
00:34:29,520 --> 00:34:33,000
Speaker 1: the most difficult for me to watch because well, she

681
00:34:33,080 --> 00:34:35,160
Speaker 1: everad admitted she went into it with an attitude. She

682
00:34:35,200 --> 00:34:38,520
Speaker 1: said before she saw him, I'm already in a bad mood,

683
00:34:38,200 --> 00:34:42,120
Speaker 1: she said it herself. So she goes into this already

684
00:34:42,160 --> 00:34:46,520
Speaker 1: on the wrong end, already upset and frustrated, and Peter

685
00:34:46,880 --> 00:34:48,799
Speaker 1: is just trying to have a conversation. I think Peter

686
00:34:48,880 --> 00:34:51,879
Speaker 1: handled it very well. I think he said, I just

687
00:34:51,920 --> 00:34:55,480
Speaker 1: want more, like I want to know, like you give

688
00:34:55,480 --> 00:34:58,759
Speaker 1: me the red flags. And she but she can't vocalize

689
00:34:58,760 --> 00:35:01,719
Speaker 1: and talk through this convers station and talk through his

690
00:35:01,840 --> 00:35:05,160
Speaker 1: questions and answer them. She just gets frustrated and she

691
00:35:05,239 --> 00:35:09,800
Speaker 1: like clams up and just says, like you. She tells

692
00:35:09,840 --> 00:35:12,279
Speaker 1: Peter that he's always in a mood, and I've never

693
00:35:12,320 --> 00:35:14,760
Speaker 1: seen Peter be in a mood with her once. Yeah,

694
00:35:14,800 --> 00:35:17,320
Speaker 1: I think he's questioned her, and I think he's asked

695
00:35:17,320 --> 00:35:21,439
Speaker 1: her some difficult questions and she takes it as you're

696
00:35:21,480 --> 00:35:23,399
Speaker 1: attacking me, and that's not the case. And I think

697
00:35:23,440 --> 00:35:27,520
Speaker 1: she doesn't like she can't comprehend a guy just trying

698
00:35:27,560 --> 00:35:32,680
Speaker 1: to have a deep conversation. Yeah, And I just like,

699
00:35:32,880 --> 00:35:37,279
Speaker 1: at this point, I'm trying to I'm trying to pick

700
00:35:37,320 --> 00:35:39,920
Speaker 1: apart every conversation because obviously I want to recap it

701
00:35:40,000 --> 00:35:42,680
Speaker 1: for everyone. But at this point, I'm trying to come

702
00:35:42,680 --> 00:35:47,680
Speaker 1: out at every angle and I don't understand, like what

703
00:35:47,960 --> 00:35:52,479
Speaker 1: is pulling him to her. I don't physical, I don't

704
00:35:52,480 --> 00:35:54,080
Speaker 1: know what it is. And I like, I really wish

705
00:35:54,120 --> 00:35:55,759
Speaker 1: we could have Peter here to ask him because at

706
00:35:55,760 --> 00:35:59,680
Speaker 1: this point, like every conversation seems like it drains the

707
00:36:00,080 --> 00:36:02,279
Speaker 1: both of them. It seems like it takes out so

708
00:36:02,400 --> 00:36:05,200
Speaker 1: much life, and they always leave. There's like always this

709
00:36:05,280 --> 00:36:08,520
Speaker 1: tension or this negativity hanging around them. It's never just

710
00:36:08,600 --> 00:36:12,160
Speaker 1: happy and care free and like the ease, like the

711
00:36:12,160 --> 00:36:13,600
Speaker 1: ease that you should have in a partner. I don't

712
00:36:13,640 --> 00:36:15,440
Speaker 1: see it. I feel like if Peter was here, he

713
00:36:15,440 --> 00:36:17,719
Speaker 1: would say, I just I just know she's a good

714
00:36:17,760 --> 00:36:20,319
Speaker 1: person and I can see that in her, and I

715
00:36:20,360 --> 00:36:23,000
Speaker 1: want to bring that out in her, and I do,

716
00:36:23,160 --> 00:36:25,520
Speaker 1: but you know what, we're going to hometowns to this point,

717
00:36:25,560 --> 00:36:29,000
Speaker 1: like save that talk for week four. At this point,

718
00:36:29,080 --> 00:36:32,840
Speaker 1: you need to say goodbye to Victoria and stop trying

719
00:36:32,840 --> 00:36:35,040
Speaker 1: to save her. That's how I do feel, more than

720
00:36:35,080 --> 00:36:38,719
Speaker 1: any of the other women. He has this savior complex

721
00:36:38,800 --> 00:36:41,520
Speaker 1: with Victoria. Yes, maybe he feels bad because of how

722
00:36:41,560 --> 00:36:43,560
Speaker 1: she was done with her ex coming on the show.

723
00:36:43,760 --> 00:36:47,960
Speaker 1: I don't know, but other than physical, that's what I

724
00:36:47,960 --> 00:36:50,640
Speaker 1: have to say that it is. But he looks so

725
00:36:50,760 --> 00:36:55,040
Speaker 1: defeated after every conversation with her. Yeah, And it's just

726
00:36:55,200 --> 00:36:58,200
Speaker 1: I don't I don't get it. She can call out

727
00:36:58,239 --> 00:37:01,120
Speaker 1: her issues too, She's like I'm I'm messing this up.

728
00:37:01,160 --> 00:37:03,600
Speaker 1: I'm ruining it. I'm like she sees what her problem is.

729
00:37:03,960 --> 00:37:06,840
Speaker 1: I just I don't get it. I don't get it.

730
00:37:06,840 --> 00:37:10,799
Speaker 1: When you've got Kelly, Hannah Ann and Victoria f and

731
00:37:10,880 --> 00:37:14,680
Speaker 1: you have two roses to give, how do you give

732
00:37:14,719 --> 00:37:17,920
Speaker 1: one of those to Victoria? Well, and the way he

733
00:37:17,960 --> 00:37:19,879
Speaker 1: gave it to her, I thought she was going home

734
00:37:19,880 --> 00:37:21,400
Speaker 1: at first. I thought he was walking her out to

735
00:37:21,440 --> 00:37:23,880
Speaker 1: the car, And in that moment, I'm like, okay, like

736
00:37:25,239 --> 00:37:29,400
Speaker 1: finally this cloud can left, hopefully, And then you know,

737
00:37:29,480 --> 00:37:33,320
Speaker 1: he pulls a fast one and he says, like I

738
00:37:33,680 --> 00:37:35,560
Speaker 1: want to keep your on, I want to meet your family.

739
00:37:35,680 --> 00:37:37,839
Speaker 1: Maybe it's his way because we've seen it so many

740
00:37:37,880 --> 00:37:40,319
Speaker 1: times with him, like a way to reassure her and

741
00:37:40,360 --> 00:37:42,080
Speaker 1: say like I'm not going to keep you here longer,

742
00:37:42,120 --> 00:37:43,400
Speaker 1: like I want to send you home first and give

743
00:37:43,440 --> 00:37:45,680
Speaker 1: you this row so you know you're good. I don't know,

744
00:37:45,719 --> 00:37:48,360
Speaker 1: but I just didn't. I didn't expect that one. I

745
00:37:48,400 --> 00:37:52,759
Speaker 1: really didn't. I just at this point, I just I like,

746
00:37:52,880 --> 00:37:54,600
Speaker 1: I want to see more from the show and more

747
00:37:54,600 --> 00:38:00,200
Speaker 1: of their conversation than just them arguing about like their

748
00:38:00,200 --> 00:38:02,600
Speaker 1: differences and like what she wants. I think at this point,

749
00:38:02,719 --> 00:38:04,520
Speaker 1: she's been very clear, like she doesn't quite know what

750
00:38:04,560 --> 00:38:09,600
Speaker 1: she wants, and she said, like I I I shell

751
00:38:09,719 --> 00:38:12,040
Speaker 1: up because I'm like, it's easier to just not have

752
00:38:12,120 --> 00:38:14,200
Speaker 1: you in the beginning. But it's like, is that the

753
00:38:14,239 --> 00:38:16,080
Speaker 1: case or do you are you really just not that

754
00:38:16,160 --> 00:38:18,360
Speaker 1: into Peter. That's what my take is, And so I

755
00:38:18,400 --> 00:38:20,200
Speaker 1: want to see something that proves me wrong. I would

756
00:38:20,200 --> 00:38:22,520
Speaker 1: love to be wrong in this regard. I just I

757
00:38:22,640 --> 00:38:28,000
Speaker 1: just I've done, I have done. Next week, I'm pressing

758
00:38:28,040 --> 00:38:31,080
Speaker 1: fast forward through her hometown except to watch Hunter Hays performed,

759
00:38:31,120 --> 00:38:33,400
Speaker 1: and then I'm fast forwarding it again. You can recap

760
00:38:33,680 --> 00:38:36,439
Speaker 1: her hometown day don't want to see. I don't care.

761
00:38:36,560 --> 00:38:40,000
Speaker 1: I'm over her. I'm exhausted. I don't need that negativity

762
00:38:40,040 --> 00:38:46,799
Speaker 1: in my life. So yeah, So he gives Victoria Ferros.

763
00:38:47,560 --> 00:38:51,640
Speaker 1: It's down to Hannah Ann and Kelly. Kelly's like these

764
00:38:51,640 --> 00:38:54,160
Speaker 1: women are baby. Kelly's going in at this point she is,

765
00:38:54,280 --> 00:38:56,799
Speaker 1: She's like their babies. Of course, Like he's gonna give

766
00:38:56,840 --> 00:38:58,640
Speaker 1: it to me. Let's hurry up, Chop, chop. I got

767
00:38:58,680 --> 00:39:01,000
Speaker 1: a hometown to get to. Where it back to Chicago.

768
00:39:01,360 --> 00:39:03,480
Speaker 1: You're gonna come to the law firm, Meet my brothers,

769
00:39:03,560 --> 00:39:05,680
Speaker 1: meet my dad. I'm gonna take you down the road,

770
00:39:05,760 --> 00:39:07,480
Speaker 1: like she's got it all planned out in her head,

771
00:39:08,000 --> 00:39:11,719
Speaker 1: and all of a sudden he gives it to Hannah Anne.

772
00:39:12,040 --> 00:39:15,520
Speaker 1: It was the note. It was the Kelly written a note,

773
00:39:15,560 --> 00:39:20,120
Speaker 1: a legal brief emotion of opening argument. He would have

774
00:39:20,239 --> 00:39:25,520
Speaker 1: given it to Kelly, anything, anything, anything, anything, And he

775
00:39:25,600 --> 00:39:28,960
Speaker 1: gives it to Hannah Anne, who I think she thought

776
00:39:29,000 --> 00:39:32,160
Speaker 1: she was going home too well from those tears. Yeah,

777
00:39:32,360 --> 00:39:35,759
Speaker 1: when when he walked Kelly out from those tears, like

778
00:39:35,880 --> 00:39:37,680
Speaker 1: at that point she just had to release it all,

779
00:39:37,719 --> 00:39:42,280
Speaker 1: like the real tears finally. Yeah, yeah, she she wailed.

780
00:39:43,040 --> 00:39:46,839
Speaker 1: She wailed out when he asked, Kelly's Kelly can still

781
00:39:46,920 --> 00:39:49,760
Speaker 1: definitely hear that too. That's got That's like the knife

782
00:39:49,760 --> 00:39:52,440
Speaker 1: in the back where Kelly's like cushing it. I'm not

783
00:39:52,560 --> 00:39:55,200
Speaker 1: getting a rose and hear this girl who is going

784
00:39:55,280 --> 00:39:59,040
Speaker 1: to hometowns and still gets to be with Peter is crying.

785
00:39:59,320 --> 00:40:02,240
Speaker 1: I love Yeah, we get Kelly on the show. Kelly,

786
00:40:02,800 --> 00:40:04,760
Speaker 1: I didn't get a rose. She set up, she pulled

787
00:40:04,840 --> 00:40:07,239
Speaker 1: up her jeans, walked out. She's like, I got I

788
00:40:07,320 --> 00:40:09,759
Speaker 1: got places to be, I gotta go and then in

789
00:40:09,840 --> 00:40:12,480
Speaker 1: her exit interview, I mean, I think very on par

790
00:40:12,560 --> 00:40:14,520
Speaker 1: with Kelly. You don't see a ton of that emotion.

791
00:40:14,600 --> 00:40:16,839
Speaker 1: You don't see the tears. She just is confused. She's like, well,

792
00:40:16,880 --> 00:40:21,600
Speaker 1: Peter's been saying he wants one thing and and he's

793
00:40:21,640 --> 00:40:23,600
Speaker 1: now trying to search for that with these other girls

794
00:40:23,600 --> 00:40:28,840
Speaker 1: who you know, she she just thinks they're immature, they're young. Um. Yeah,

795
00:40:28,920 --> 00:40:31,680
Speaker 1: So I will say I'm glad Kelly didn't cry because

796
00:40:31,680 --> 00:40:36,440
Speaker 1: you always see like these big crazy interview like exit interviews,

797
00:40:37,120 --> 00:40:40,120
Speaker 1: and of course, like people, you're not in the van alone.

798
00:40:40,200 --> 00:40:42,440
Speaker 1: You have the camera crew, you have a producer with

799
00:40:42,480 --> 00:40:44,799
Speaker 1: you talking you through these things. So you start to

800
00:40:44,840 --> 00:40:46,719
Speaker 1: feel these emotions because you're not just saying goodbye to

801
00:40:46,760 --> 00:40:49,239
Speaker 1: the lead. You're saying goodbye to the girls in the house.

802
00:40:49,239 --> 00:40:52,280
Speaker 1: You're saying goodbye to these producers who have become your friends.

803
00:40:52,280 --> 00:40:55,080
Speaker 1: Like that's where a lot of the emotion at times

804
00:40:55,120 --> 00:40:59,359
Speaker 1: comes from. But I'm happily Kelly to the end. She

805
00:40:59,400 --> 00:41:03,759
Speaker 1: has shown she's like very solid in her feelings and

806
00:41:03,800 --> 00:41:06,080
Speaker 1: what she thinks and what she believes and what she feels,

807
00:41:06,120 --> 00:41:08,160
Speaker 1: and she's not going to give you this like crazy

808
00:41:09,719 --> 00:41:11,840
Speaker 1: cry fust it. She doesn't feel it. She's just like,

809
00:41:11,880 --> 00:41:14,720
Speaker 1: I don't get it. Yeah, the end on Kelly Kelly

810
00:41:14,880 --> 00:41:17,200
Speaker 1: was like, Okay, I guess honestly, she probably was like,

811
00:41:17,200 --> 00:41:19,279
Speaker 1: you're not who I thought you were, and she can

812
00:41:19,360 --> 00:41:22,359
Speaker 1: probably rationalize that better and say, you know what, that's

813
00:41:22,360 --> 00:41:24,600
Speaker 1: not the man for me. On to the next one.

814
00:41:24,880 --> 00:41:29,120
Speaker 1: I like Kelly Kelly for Bachelorette at this point. Yeah,

815
00:41:29,160 --> 00:41:30,880
Speaker 1: if I'm going to pick a girl from the season

816
00:41:31,680 --> 00:41:34,799
Speaker 1: or Nasha Natasha, I don't even know if she goes

817
00:41:34,880 --> 00:41:36,480
Speaker 1: bout Tasha, I've been calling it. That's sorry. If you

818
00:41:36,480 --> 00:41:38,120
Speaker 1: don't go, I will say I think a lot of

819
00:41:38,160 --> 00:41:41,200
Speaker 1: the girls that went home early, had they stuck around longer,

820
00:41:41,200 --> 00:41:44,200
Speaker 1: if they would have been good contenders. Oh oh, which

821
00:41:44,239 --> 00:41:46,200
Speaker 1: reminds me this is I do want to say this

822
00:41:46,239 --> 00:41:52,080
Speaker 1: about Victoria f I think the other rational to rationalize

823
00:41:52,080 --> 00:41:55,880
Speaker 1: her behavior is that she's trying trying out for the Bachelorette.

824
00:41:56,560 --> 00:41:58,560
Speaker 1: That's the only thing. The other thing that I can

825
00:41:58,600 --> 00:42:00,759
Speaker 1: give her is that I'm trying to play crickets on

826
00:42:00,760 --> 00:42:04,719
Speaker 1: my phone. It's not saying that I want her. But

827
00:42:05,719 --> 00:42:07,480
Speaker 1: you know a lot of times people say the batch

828
00:42:07,719 --> 00:42:10,000
Speaker 1: who usually comes from the season as the bachelorette is

829
00:42:10,040 --> 00:42:12,799
Speaker 1: the person who you know is like, something's wrong with

830
00:42:12,840 --> 00:42:15,319
Speaker 1: me and how can I not get chosen? And I

831
00:42:15,400 --> 00:42:18,120
Speaker 1: just don't understand what my issue is. That's kind of

832
00:42:18,360 --> 00:42:21,719
Speaker 1: a narrative for some people and not not every bachelorette,

833
00:42:22,320 --> 00:42:24,160
Speaker 1: And so with her, it's just like that's what she

834
00:42:24,239 --> 00:42:27,160
Speaker 1: keeps saying. He's giving you. He's like, I love you,

835
00:42:27,440 --> 00:42:30,160
Speaker 1: I'm here's the ring in my pocket. And she's like,

836
00:42:30,320 --> 00:42:33,719
Speaker 1: she was like, what's just I just that's not what

837
00:42:33,760 --> 00:42:36,440
Speaker 1: I want. Okay, I want to be bachelorette. Like I'm

838
00:42:36,480 --> 00:42:38,319
Speaker 1: reading between the lives, That's not what I want. Peter.

839
00:42:38,520 --> 00:42:41,080
Speaker 1: The reason I can't tell you is because I'm trying

840
00:42:41,120 --> 00:42:43,799
Speaker 1: to be the next bachelor. So gold would this be

841
00:42:43,920 --> 00:42:46,799
Speaker 1: though a women Tell all because we always say it's

842
00:42:46,960 --> 00:42:51,279
Speaker 1: it's the Women's like interview for Paradise. Basically they're champ

843
00:42:51,280 --> 00:42:53,719
Speaker 1: seeing it on Paradise. Like, I just want somebody a

844
00:42:53,760 --> 00:42:56,359
Speaker 1: women tell to be like, look at a great run

845
00:42:56,360 --> 00:42:58,360
Speaker 1: on the season at a good time. It kind of

846
00:42:58,360 --> 00:43:00,120
Speaker 1: sucked because a lot of the drama, but like I

847
00:43:00,120 --> 00:43:02,000
Speaker 1: want to be about Charrette. I just want somebody to

848
00:43:02,000 --> 00:43:04,680
Speaker 1: stand up and say that maybe she will. Let's be honest,

849
00:43:04,719 --> 00:43:06,560
Speaker 1: she doesn't make it. You know, she goes a hometown.

850
00:43:06,680 --> 00:43:08,960
Speaker 1: She's not the one in the end, and I for

851
00:43:09,000 --> 00:43:11,920
Speaker 1: Peter's sake, for so he can not have a lifetime

852
00:43:11,960 --> 00:43:15,640
Speaker 1: of just dramatics. I hope it's not her. And now

853
00:43:15,800 --> 00:43:17,680
Speaker 1: we're going to move on to the cats and rats

854
00:43:17,719 --> 00:43:21,719
Speaker 1: of the week. There are some cats and some rats.

855
00:43:21,719 --> 00:43:27,680
Speaker 1: Oh right, you keep me young cats and rats. Let's see.

856
00:43:27,719 --> 00:43:30,680
Speaker 1: I have my hand to danny list of women in

857
00:43:30,719 --> 00:43:37,920
Speaker 1: front of me. Um. You know, okay, well, okay, I

858
00:43:38,480 --> 00:43:41,840
Speaker 1: hate to just continue to harp on the same person

859
00:43:41,920 --> 00:43:44,480
Speaker 1: over and over again. This is only going off of

860
00:43:44,600 --> 00:43:47,560
Speaker 1: what I am seen. I will have to say the

861
00:43:47,719 --> 00:43:53,960
Speaker 1: rat is Victoria f only because like she just keeps

862
00:43:54,000 --> 00:43:56,640
Speaker 1: calling Peter out for being in moods when he's not.

863
00:43:56,920 --> 00:43:59,840
Speaker 1: She just it's it's a real struggle to watch the

864
00:44:00,160 --> 00:44:05,600
Speaker 1: relationship right now. That's what I'm gonna lead with my

865
00:44:05,800 --> 00:44:15,799
Speaker 1: cat of the week. Oh man, well you know what,

866
00:44:15,960 --> 00:44:21,960
Speaker 1: I don't know. Okay, these three girls, Kelsey, Madison and Natasha.

867
00:44:22,520 --> 00:44:25,160
Speaker 1: I just really like Natasha and she went home and

868
00:44:25,560 --> 00:44:28,240
Speaker 1: I mean I just enjoyed her. I just really enjoyed

869
00:44:28,239 --> 00:44:30,279
Speaker 1: her as a person. That's just me selfishly giving out

870
00:44:30,280 --> 00:44:33,440
Speaker 1: a cat. But then I would say Kelsey, because again,

871
00:44:33,520 --> 00:44:35,440
Speaker 1: that story that she opened up with and spoke on

872
00:44:35,480 --> 00:44:38,680
Speaker 1: a little bit more had had to be so incredibly difficult,

873
00:44:38,760 --> 00:44:42,200
Speaker 1: and I applaud her for feeling comfortable enough to share

874
00:44:42,239 --> 00:44:44,840
Speaker 1: that with Peter and all of us, the entire world.

875
00:44:45,760 --> 00:44:47,960
Speaker 1: And I really do wish her the best in whatever

876
00:44:48,080 --> 00:44:50,839
Speaker 1: relationship she decides to move forward with and her father.

877
00:44:50,880 --> 00:44:53,879
Speaker 1: So I'm gonna give it to her. Oh that's very

878
00:44:53,880 --> 00:44:56,120
Speaker 1: well said. I mean, there are a lot of cats

879
00:44:56,160 --> 00:44:58,360
Speaker 1: this week. I thought Madison was great for being bold

880
00:44:58,440 --> 00:45:01,400
Speaker 1: enough to open up about her Sometimes that's difficult for

881
00:45:01,400 --> 00:45:06,640
Speaker 1: people to share. Kelly not well, Kelly, who was originally

882
00:45:06,719 --> 00:45:09,400
Speaker 1: going to go to because I just love me some Kelly.

883
00:45:09,880 --> 00:45:11,359
Speaker 1: Kelsey is what I meant to say, for the same

884
00:45:11,400 --> 00:45:13,959
Speaker 1: reason that you said. But I love Kelly Tasha because

885
00:45:14,000 --> 00:45:17,880
Speaker 1: that's my girl, Kelly. I loved Kelly in this episode.

886
00:45:17,920 --> 00:45:20,120
Speaker 1: I'm sad to see you go, and yes, I'm agree

887
00:45:20,120 --> 00:45:22,200
Speaker 1: with you. The rat is Victoria just because it's just

888
00:45:22,280 --> 00:45:25,160
Speaker 1: just exhausting. It's just I'm just exhausted with her. I

889
00:45:25,160 --> 00:45:27,799
Speaker 1: can only imagine what Peter's going through. So there you

890
00:45:27,840 --> 00:45:31,080
Speaker 1: have it, Cats and Rats of the Week, and stay

891
00:45:31,160 --> 00:45:34,680
Speaker 1: tuned Bachelor Happy our listeners, because coming up, we have

892
00:45:35,120 --> 00:45:40,520
Speaker 1: the wonderful Hunter Hayes. All right now calling in and

893
00:45:40,640 --> 00:45:45,200
Speaker 1: joining us on the show is mister Hunter Hayes. Hunter.

894
00:45:45,280 --> 00:45:46,600
Speaker 1: We were so happy to have you a part of

895
00:45:46,640 --> 00:45:49,040
Speaker 1: Bachelor Happy Hour. I'm so excited to be here and

896
00:45:49,120 --> 00:45:51,560
Speaker 1: joining you guys. Thanks for thanks for the time. How

897
00:45:51,560 --> 00:45:54,160
Speaker 1: are you, guys? Who are you doing. We're doing great.

898
00:45:54,200 --> 00:45:56,959
Speaker 1: We're so excited to have you here because very soon

899
00:45:57,120 --> 00:45:59,320
Speaker 1: we will be seeing more of you on our lovely

900
00:45:59,360 --> 00:46:01,719
Speaker 1: show and we can not wait for that. But we

901
00:46:01,760 --> 00:46:03,480
Speaker 1: really just want to get your side of things and

902
00:46:03,520 --> 00:46:07,800
Speaker 1: what was your overall experience performing on The Bachelor. Honestly,

903
00:46:07,840 --> 00:46:09,680
Speaker 1: it was a blast. I was I don't know why

904
00:46:09,719 --> 00:46:12,880
Speaker 1: I was expected. I guess just because normal TV tapings,

905
00:46:12,880 --> 00:46:16,080
Speaker 1: and I should just call it that because it didn't

906
00:46:16,080 --> 00:46:17,359
Speaker 1: feel like that at all. Like that's what we all

907
00:46:17,360 --> 00:46:20,040
Speaker 1: commented on, like we it was. It was such a

908
00:46:20,040 --> 00:46:23,200
Speaker 1: fun day, um and it was such a fun atmosphere,

909
00:46:23,239 --> 00:46:26,840
Speaker 1: Like the place was like open air, it was you know,

910
00:46:27,239 --> 00:46:31,040
Speaker 1: beautiful like venue. So it was it was honestly a blast.

911
00:46:31,040 --> 00:46:36,239
Speaker 1: It felt like vacation. And it was also, um it

912
00:46:36,280 --> 00:46:39,239
Speaker 1: was nice because it was my first time. I have

913
00:46:39,320 --> 00:46:42,680
Speaker 1: a new sort of form of my show that we're

914
00:46:42,800 --> 00:46:45,600
Speaker 1: taking on the road called the lab Um and it's

915
00:46:45,640 --> 00:46:49,560
Speaker 1: a lot of like technology meets like performance stuff. It's

916
00:46:49,600 --> 00:46:51,640
Speaker 1: it's a lot, but um, it was my first time

917
00:46:51,680 --> 00:46:54,920
Speaker 1: actually performing with that. Um So I thought I was

918
00:46:54,960 --> 00:46:57,520
Speaker 1: going to be really nervous about that particular element of it,

919
00:46:57,719 --> 00:46:59,560
Speaker 1: and then it's just the whole day was just so

920
00:46:59,600 --> 00:47:02,279
Speaker 1: much fun. So how many times did you have to

921
00:47:02,320 --> 00:47:09,200
Speaker 1: play the song? Yeah, that's the part no one. No

922
00:47:09,239 --> 00:47:11,600
Speaker 1: one realizes you have to replay it over and over

923
00:47:11,640 --> 00:47:13,520
Speaker 1: and when you when you watch it back on the show,

924
00:47:13,600 --> 00:47:15,520
Speaker 1: you you think it's just the one time and it's

925
00:47:15,520 --> 00:47:18,280
Speaker 1: so special and magical and by the end you're like, Okay,

926
00:47:18,320 --> 00:47:20,200
Speaker 1: this is the twelfth time we've played this with them

927
00:47:20,280 --> 00:47:23,640
Speaker 1: dancing in the crowd. Now. Yeah. Well, so we ended

928
00:47:23,719 --> 00:47:26,439
Speaker 1: up I ended up playing through it multiple times before, right,

929
00:47:26,800 --> 00:47:31,160
Speaker 1: because the moment was kind of everything, you know, Like

930
00:47:31,239 --> 00:47:35,680
Speaker 1: the moment that they kind of came in was the Yeah,

931
00:47:35,680 --> 00:47:37,600
Speaker 1: that's the whole thing that was That was a moment

932
00:47:37,680 --> 00:47:40,759
Speaker 1: that that was the most important part. So we ended

933
00:47:40,840 --> 00:47:43,560
Speaker 1: up actually playing the song through god what seven times

934
00:47:43,600 --> 00:47:46,720
Speaker 1: before that, So I got a lot of practicing. Yeah

935
00:47:46,800 --> 00:47:51,279
Speaker 1: you word with those vocal chords. No, yeah, I want

936
00:47:51,320 --> 00:47:54,880
Speaker 1: to know. And this is something that we've talked about before.

937
00:47:54,920 --> 00:47:57,840
Speaker 1: So Bachelor Nation as a whole, like our fan base

938
00:47:58,040 --> 00:48:02,319
Speaker 1: is amazing, Like they are so invested in the show itself,

939
00:48:02,760 --> 00:48:05,000
Speaker 1: and it's it's kind of like a sports team, Like

940
00:48:05,080 --> 00:48:07,160
Speaker 1: the love for the sports team is the love that

941
00:48:07,200 --> 00:48:10,600
Speaker 1: we feel like with Batchel Nation. So when you usually perform, like,

942
00:48:10,719 --> 00:48:15,040
Speaker 1: is this was this a new level of like fandom

943
00:48:15,120 --> 00:48:21,440
Speaker 1: for you? Yeah? Um, well it was. It was a

944
00:48:21,440 --> 00:48:25,479
Speaker 1: wild experience because like before I even opened my mouth,

945
00:48:25,560 --> 00:48:27,719
Speaker 1: we were sound checking, we were setting up, and you know,

946
00:48:27,719 --> 00:48:29,160
Speaker 1: the audience was in a different part of it in

947
00:48:29,280 --> 00:48:32,880
Speaker 1: you and I mean before we even made noise, um,

948
00:48:32,880 --> 00:48:35,200
Speaker 1: like we got a notification that somebody had tweeted that

949
00:48:35,239 --> 00:48:37,600
Speaker 1: we were there and setting up. So like I'm I

950
00:48:37,600 --> 00:48:40,000
Speaker 1: don't know that I'm used to that. Yeah, made it crazy.

951
00:48:41,200 --> 00:48:45,000
Speaker 1: They know everything before you do. Yeah, so massive respect,

952
00:48:45,600 --> 00:48:50,319
Speaker 1: massive amount of respect. Um. Yeah, that was that's that's new.

953
00:48:50,400 --> 00:48:52,080
Speaker 1: That's new for me. Now you understand why we call

954
00:48:52,160 --> 00:48:54,959
Speaker 1: them Bachelor Nation. I mean they are everywhere. You can't

955
00:48:54,960 --> 00:48:57,319
Speaker 1: you can't get away with doing something and they don't

956
00:48:57,360 --> 00:48:59,839
Speaker 1: find out. Yeah, I get it now, I get it.

957
00:49:00,120 --> 00:49:03,320
Speaker 1: So help us kind of find out what happened behind

958
00:49:03,360 --> 00:49:05,600
Speaker 1: the scenes when it comes to this episode. So it's

959
00:49:05,640 --> 00:49:08,120
Speaker 1: a hometown, which I don't know if you know this Hunter,

960
00:49:08,239 --> 00:49:09,799
Speaker 1: there's a big deal. So the fact that you got

961
00:49:09,840 --> 00:49:12,120
Speaker 1: to perform at a hometown is huge. So you saw

962
00:49:12,200 --> 00:49:15,480
Speaker 1: one of the final four girls. You are on the

963
00:49:15,600 --> 00:49:20,239
Speaker 1: date with Victoria F. You're in Virginia Beach. It's a hometown.

964
00:49:21,040 --> 00:49:22,480
Speaker 1: First of all, I have to ask you off the

965
00:49:22,520 --> 00:49:23,960
Speaker 1: top because I don't know if you know the history

966
00:49:24,000 --> 00:49:26,839
Speaker 1: of this season, but do you did you personally know

967
00:49:27,520 --> 00:49:33,399
Speaker 1: date or I don't know? Something else with Victoria F? No,

968
00:49:34,040 --> 00:49:39,920
Speaker 1: you did not. I know people are gonna want to know. No. No,

969
00:49:40,080 --> 00:49:45,360
Speaker 1: I honestly and didn't really know anything right going into it. Um,

970
00:49:45,400 --> 00:49:48,319
Speaker 1: because it's because it happened a hot minute ago, right,

971
00:49:48,400 --> 00:49:53,439
Speaker 1: So UM, I went in fline blind, which is you know, Yeah,

972
00:49:53,560 --> 00:49:56,879
Speaker 1: I was clueless, as you should be. That's that's how

973
00:49:56,880 --> 00:50:00,720
Speaker 1: it typically goes. Um. I want to know. So usually,

974
00:50:00,760 --> 00:50:03,800
Speaker 1: at least from experience, when we have musical guests performed

975
00:50:03,880 --> 00:50:06,880
Speaker 1: for us at the end, we can kind of go

976
00:50:06,960 --> 00:50:10,479
Speaker 1: backstage with you and chat and so were you able

977
00:50:10,520 --> 00:50:12,920
Speaker 1: to spend time with Peter and Victoria backstage after that?

978
00:50:14,000 --> 00:50:16,360
Speaker 1: You know, I thought I was kind of like hoping

979
00:50:16,360 --> 00:50:18,440
Speaker 1: to like get to know them a little bit, um,

980
00:50:18,560 --> 00:50:21,680
Speaker 1: But it all happened. It didn't happened fast, but it

981
00:50:21,920 --> 00:50:23,759
Speaker 1: felt like it flew by. I mean, I know that

982
00:50:23,760 --> 00:50:26,120
Speaker 1: we were on set, we were getting ready sound check,

983
00:50:26,160 --> 00:50:27,759
Speaker 1: and we you know, ran through the song several times

984
00:50:27,760 --> 00:50:30,560
Speaker 1: for hearst and kind of got some different camera singles

985
00:50:30,600 --> 00:50:32,239
Speaker 1: before they got there and stuff I got. We were

986
00:50:32,239 --> 00:50:34,080
Speaker 1: probably you know, were there for hours, but it honestly

987
00:50:34,080 --> 00:50:36,759
Speaker 1: felt like it went by and thirty seconds. Yeah, so

988
00:50:36,880 --> 00:50:39,600
Speaker 1: it really did go quick, and I didn't I got

989
00:50:39,600 --> 00:50:41,000
Speaker 1: to I got to get up. I wanted to you know,

990
00:50:41,400 --> 00:50:44,200
Speaker 1: I wanted to say thank you because, um, I was

991
00:50:44,560 --> 00:50:46,400
Speaker 1: pretty stoked that when he got on the stage, he

992
00:50:46,440 --> 00:50:50,600
Speaker 1: was he was singing My Fault front to back, and

993
00:50:50,640 --> 00:50:54,080
Speaker 1: I was like, okay, that's dope, I'm grateful. So I

994
00:50:54,160 --> 00:50:55,920
Speaker 1: got to go up and say hello, right, I shook

995
00:50:55,960 --> 00:50:58,319
Speaker 1: the hand, um talk to them a little bit. But

996
00:50:58,360 --> 00:51:01,239
Speaker 1: it was so quick. So what was their chemistry? Tell us?

997
00:51:01,320 --> 00:51:03,799
Speaker 1: Were they were they into each other, did you see

998
00:51:03,840 --> 00:51:06,560
Speaker 1: something like maybe the camera didn't catch were they touching?

999
00:51:06,719 --> 00:51:12,560
Speaker 1: I like, we need to know behind the scenes. Uh,

1000
00:51:12,560 --> 00:51:16,919
Speaker 1: well you'll see it. Um that was good. You're good

1001
00:51:17,920 --> 00:51:22,600
Speaker 1: they Um, you'll definitely yeah. But honestly, again being the

1002
00:51:22,600 --> 00:51:26,000
Speaker 1: guy who was flying totally blind, it felt like they'd

1003
00:51:26,040 --> 00:51:28,880
Speaker 1: known each other for years. It was really really almost

1004
00:51:29,239 --> 00:51:32,279
Speaker 1: almost weird for me because I do a little bit right,

1005
00:51:32,320 --> 00:51:36,000
Speaker 1: But um, yeah, it really felt like they'd known each

1006
00:51:36,000 --> 00:51:38,680
Speaker 1: other for a long time, and it was very like

1007
00:51:38,719 --> 00:51:42,160
Speaker 1: it didn't feel you know, forced or anything like that.

1008
00:51:42,360 --> 00:51:44,759
Speaker 1: I and I was I don't know why I was

1009
00:51:44,760 --> 00:51:47,799
Speaker 1: expecting it too, because I've never you know, I've never

1010
00:51:47,840 --> 00:51:49,160
Speaker 1: played on the show, so I don't know what it's like,

1011
00:51:49,480 --> 00:51:51,520
Speaker 1: and it didn't feel that way. So it was honestly,

1012
00:51:51,560 --> 00:51:53,359
Speaker 1: you kind of freak me out at first, But well,

1013
00:51:53,400 --> 00:51:55,640
Speaker 1: I like, I like hearing you say that, because I

1014
00:51:55,640 --> 00:51:58,080
Speaker 1: think the one of the main questions that we get

1015
00:51:58,600 --> 00:52:01,759
Speaker 1: as being contested on the show and then leads is

1016
00:52:01,760 --> 00:52:03,719
Speaker 1: is it is it real? People think it's fake, People

1017
00:52:03,760 --> 00:52:05,879
Speaker 1: don't think the emotions are really there. So it's it's

1018
00:52:05,880 --> 00:52:07,799
Speaker 1: always fun when we can bring in the third party

1019
00:52:07,840 --> 00:52:10,239
Speaker 1: who has experienced a part of it for themselves to

1020
00:52:10,239 --> 00:52:12,960
Speaker 1: be like dang, like yeah, they actually had this connection

1021
00:52:13,400 --> 00:52:16,040
Speaker 1: and and you see the emotion and the feeling behind

1022
00:52:16,200 --> 00:52:18,680
Speaker 1: the relationship as you know. Of course it's yes the

1023
00:52:18,719 --> 00:52:21,600
Speaker 1: TV show, but but it's it's there. I want to know,

1024
00:52:21,680 --> 00:52:27,960
Speaker 1: did anyone from the audience make a pass at you? Uh?

1025
00:52:28,560 --> 00:52:32,319
Speaker 1: Not that I know of? Oh nobody. Nobody threw their

1026
00:52:32,320 --> 00:52:38,279
Speaker 1: panties on the stage. No BRA's coming out show, you know,

1027
00:52:39,000 --> 00:52:44,080
Speaker 1: family friendly? Yeah no nothing. Nothing has that ever happened

1028
00:52:44,080 --> 00:52:47,600
Speaker 1: to you before? Okay, I can't lie. I might have

1029
00:52:47,600 --> 00:52:49,480
Speaker 1: happened a couple of times, but in the funding is

1030
00:52:49,480 --> 00:52:51,120
Speaker 1: like I tried to pay attention to because I don't

1031
00:52:51,120 --> 00:52:53,680
Speaker 1: want to draw attention, Like that's the that's for me,

1032
00:52:53,920 --> 00:52:56,839
Speaker 1: like being a very shy kind of dude, Like that's

1033
00:52:56,880 --> 00:52:59,000
Speaker 1: the most uncomfortable thing is when that happened, and I

1034
00:52:59,000 --> 00:53:00,759
Speaker 1: could tell, like the rest of the room is looking

1035
00:53:00,760 --> 00:53:03,520
Speaker 1: at that. Um yeah, how do you do with that?

1036
00:53:04,360 --> 00:53:06,680
Speaker 1: I don't. I don't pay attention to it. I ignore

1037
00:53:06,680 --> 00:53:11,200
Speaker 1: it completely. You just like leave the Lajaran stage. Well,

1038
00:53:11,239 --> 00:53:15,520
Speaker 1: I'm someone on my team has the wherewithal to walk

1039
00:53:15,520 --> 00:53:19,719
Speaker 1: on stage and subtly remove it before before before the

1040
00:53:19,719 --> 00:53:22,080
Speaker 1: pictures end up on Twitter. Actually, the last time, it's

1041
00:53:22,120 --> 00:53:24,279
Speaker 1: not like it's okay, it's not I've been, you know,

1042
00:53:24,360 --> 00:53:26,279
Speaker 1: playing shows for years. It's not like this happens all

1043
00:53:26,280 --> 00:53:28,759
Speaker 1: the time. It's happened like a couple of times, which

1044
00:53:28,800 --> 00:53:31,000
Speaker 1: is I think why I'm so scarred by it? Um,

1045
00:53:31,080 --> 00:53:34,160
Speaker 1: But it's uh, the last actually last time was I

1046
00:53:34,200 --> 00:53:37,040
Speaker 1: won't say, um, it was. Yeah. It was very uncomfortable

1047
00:53:37,080 --> 00:53:38,960
Speaker 1: and I didn't have like normally I have, like my

1048
00:53:39,000 --> 00:53:41,480
Speaker 1: guitar tech is is it right next to me? And

1049
00:53:41,680 --> 00:53:44,000
Speaker 1: like I He'll come and like help me with these

1050
00:53:44,080 --> 00:53:46,560
Speaker 1: kind of situations. And I didn't have anybody to come

1051
00:53:46,560 --> 00:53:51,040
Speaker 1: and help me in that situation. I was flying solo

1052
00:53:51,200 --> 00:53:53,799
Speaker 1: and man, it was it. It's just awkward. I don't

1053
00:53:53,800 --> 00:53:56,640
Speaker 1: know why it's so awkward for me. Well, Hunter, now

1054
00:53:56,640 --> 00:53:59,960
Speaker 1: that you're a believer and you've seen what this franchise,

1055
00:54:00,000 --> 00:54:03,040
Speaker 1: Eyes and the Love and the Journey is firsthand, Um,

1056
00:54:03,080 --> 00:54:07,439
Speaker 1: would you ever be the Bachelor? Interesting question, my heart,

1057
00:54:07,560 --> 00:54:10,080
Speaker 1: I'm too I don't know. I feel like I'm I'm

1058
00:54:10,120 --> 00:54:15,560
Speaker 1: too sensitive. You'd be perfect TV Gold. You can unless

1059
00:54:15,600 --> 00:54:18,719
Speaker 1: you can sing. You got a cute face, and you

1060
00:54:18,800 --> 00:54:20,360
Speaker 1: just have to deal with the drama. Yeah, if the

1061
00:54:20,440 --> 00:54:24,280
Speaker 1: sensitivity isn't enough, ladies. He's been nominated for five Grammy Awards,

1062
00:54:24,280 --> 00:54:26,920
Speaker 1: including Best New Artists, and won the CMA Artist Award

1063
00:54:27,200 --> 00:54:30,520
Speaker 1: for New Artists of the Year in twenty twelve. Sounds

1064
00:54:30,560 --> 00:54:36,399
Speaker 1: like a bachelor we've never had before. Just say, maybe

1065
00:54:36,440 --> 00:54:38,719
Speaker 1: he'll be seeing more of him. So, Hunter, you did

1066
00:54:38,760 --> 00:54:42,319
Speaker 1: mention Twitter? Um in hopes that nothing scandals ended up there?

1067
00:54:42,360 --> 00:54:44,160
Speaker 1: Where can we find you on social if anyone wants

1068
00:54:44,160 --> 00:54:48,320
Speaker 1: to follow along? Just me at Hunter Hay's Hunt e

1069
00:54:48,560 --> 00:54:54,600
Speaker 1: r h A y ef the Twitter Instagram. Um, yeah,

1070
00:54:54,880 --> 00:54:57,520
Speaker 1: I just got a new number. It's all over everything texting.

1071
00:54:57,680 --> 00:55:00,520
Speaker 1: Oh okay, Well, I will say after this come an episode.

1072
00:55:00,520 --> 00:55:05,200
Speaker 1: You'll probably have many new female followers for sure. For sure.

1073
00:55:05,320 --> 00:55:07,279
Speaker 1: And is there anything that you want to plug? Let

1074
00:55:07,400 --> 00:55:10,000
Speaker 1: us know what you have coming up? Some events, maybe

1075
00:55:10,040 --> 00:55:15,920
Speaker 1: someplace that people can throw their panties on the floor. Sorry, yeah,

1076
00:55:15,960 --> 00:55:19,239
Speaker 1: well we'll be so the kind of the performance, it's

1077
00:55:19,360 --> 00:55:22,120
Speaker 1: it's a it's a new thing. We tour. I love

1078
00:55:22,160 --> 00:55:25,400
Speaker 1: touring with my band and but in the off seasons

1079
00:55:25,440 --> 00:55:28,200
Speaker 1: we love I've still loved playing music. So we'll be

1080
00:55:28,239 --> 00:55:30,680
Speaker 1: taking that same kind of vibe where it's sort of

1081
00:55:30,719 --> 00:55:32,719
Speaker 1: the solo show. It's called The Lab. We'll be doing

1082
00:55:32,880 --> 00:55:34,320
Speaker 1: a few of those this year, and I'm really excited

1083
00:55:34,360 --> 00:55:36,840
Speaker 1: for people to see that the first time. Um. And

1084
00:55:37,600 --> 00:55:39,919
Speaker 1: we just put out an album in August the last

1085
00:55:39,960 --> 00:55:42,520
Speaker 1: year called Wild Blue Part One and it's part one

1086
00:55:42,520 --> 00:55:45,080
Speaker 1: of the three part series. And I feel like this

1087
00:55:45,200 --> 00:55:48,600
Speaker 1: is the most of me that I've ever had in

1088
00:55:48,640 --> 00:55:50,400
Speaker 1: an album for the world to sort of understand me,

1089
00:55:50,520 --> 00:55:52,920
Speaker 1: I make more sense when you hear the record. So, um,

1090
00:55:53,360 --> 00:55:56,240
Speaker 1: I'm excited for everybody to hear Wild Blue Part One. Yeah, awesome.

1091
00:55:56,280 --> 00:56:00,399
Speaker 1: Well we are excited too, can't wait. Yeah, I'm sure.

1092
00:56:00,560 --> 00:56:02,759
Speaker 1: Thanks for having me on. Yeah, no, thank you so

1093
00:56:02,880 --> 00:56:05,000
Speaker 1: much for being here. We look forward to everything that

1094
00:56:05,040 --> 00:56:07,200
Speaker 1: you have coming up. We look forward to seeing you

1095
00:56:07,280 --> 00:56:10,320
Speaker 1: again on the season, maybe in a new role. Idall know.

1096
00:56:11,080 --> 00:56:13,040
Speaker 1: So thank you. You are now friend of the show

1097
00:56:13,280 --> 00:56:15,160
Speaker 1: and we hope to have you back on a Bachelor

1098
00:56:15,160 --> 00:56:17,920
Speaker 1: Happy Hour again. Yeah. Oh I love it. I can't wait.

1099
00:56:18,080 --> 00:56:22,000
Speaker 1: All right, Thanks Tyler, take care you too. All right,

1100
00:56:22,040 --> 00:56:25,200
Speaker 1: you guys, thank you so much for tuning into another

1101
00:56:25,600 --> 00:56:28,040
Speaker 1: Bachelor Happy Hour episode. This was a good one. I

1102
00:56:28,080 --> 00:56:30,680
Speaker 1: felt like we went deep. We're good there. Was so

1103
00:56:30,760 --> 00:56:33,080
Speaker 1: much to discuss because this is the week where things

1104
00:56:33,120 --> 00:56:36,640
Speaker 1: get serious as you're taking Peter into your home. So

1105
00:56:36,719 --> 00:56:39,560
Speaker 1: I know next week is going to be even juicier.

1106
00:56:39,760 --> 00:56:41,759
Speaker 1: I can't wait. We hope you guys come back and

1107
00:56:41,800 --> 00:56:44,279
Speaker 1: you listen because we so much to talk about. Hometowns

1108
00:56:44,480 --> 00:56:46,439
Speaker 1: is going to be a good one, so make sure

1109
00:56:46,640 --> 00:56:48,720
Speaker 1: you come back next week and join us on Bachelor

1110
00:56:48,760 --> 00:56:51,719
Speaker 1: Happy Hour. Yes, of course, listeners, thank you so much,

1111
00:56:51,760 --> 00:56:53,480
Speaker 1: and we know we're not going to be the only

1112
00:56:53,520 --> 00:56:55,520
Speaker 1: ones who have something to say, which is why we

1113
00:56:55,560 --> 00:56:57,839
Speaker 1: love to hear from you, So don't forget. You can

1114
00:56:57,840 --> 00:57:00,239
Speaker 1: always email us at a happy hour at Bachelor nation

1115
00:57:00,320 --> 00:57:05,000
Speaker 1: dot com with all of your questions, comments, concerns, or praises. Yep,

1116
00:57:05,160 --> 00:57:08,120
Speaker 1: we'll take them. We'll take them all. We love constructive criticism.

1117
00:57:08,160 --> 00:57:11,680
Speaker 1: And don't forget to subscribe to our podcast, Bachelor Happy Hour. Now,

1118
00:57:11,719 --> 00:57:14,799
Speaker 1: if you're listening to this, you're probably already subscribed, but

1119
00:57:14,880 --> 00:57:16,800
Speaker 1: that doesn't mean that you can't affward it and pass

1120
00:57:16,880 --> 00:57:21,160
Speaker 1: it along, So tell everyone they can subscribe on Apple Podcasts, Spotify,

1121
00:57:21,360 --> 00:57:24,160
Speaker 1: or wherever you love to listen to podcasts. Batchel Nation

1122
00:57:24,240 --> 00:57:26,600
Speaker 1: dot com is also the place where you can get

1123
00:57:26,600 --> 00:57:30,240
Speaker 1: the latest and the greatest details about everything on this show,

1124
00:57:30,920 --> 00:57:33,720
Speaker 1: our show, anything that has to do with Bachel Nation.

1125
00:57:33,880 --> 00:57:36,920
Speaker 1: We are the first place to announce everything that's coming up,

1126
00:57:37,160 --> 00:57:39,440
Speaker 1: which is something we have yet to address on the show.

1127
00:57:39,520 --> 00:57:40,760
Speaker 1: Not that I want to end the show on a

1128
00:57:40,840 --> 00:57:43,680
Speaker 1: sour note, but we have not discussed the breakup of

1129
00:57:43,800 --> 00:57:46,480
Speaker 1: Joe and Kendall, who are friends of the show and

1130
00:57:46,520 --> 00:57:48,520
Speaker 1: that and the reason I thought of that is because

1131
00:57:48,520 --> 00:57:52,720
Speaker 1: that was announced on batchel nation dot com. So sad

1132
00:57:52,800 --> 00:57:54,880
Speaker 1: to hear about that. They were one of my favorite

1133
00:57:54,920 --> 00:57:58,440
Speaker 1: couples in Batchel Nation. I know you agree, Becca. I

1134
00:57:58,440 --> 00:58:02,960
Speaker 1: mean I just seeing them here in the studio and

1135
00:58:03,120 --> 00:58:05,680
Speaker 1: seeing their love. I remember I even said to Brian,

1136
00:58:05,760 --> 00:58:07,040
Speaker 1: I was like, Okay, we need to be a little

1137
00:58:07,080 --> 00:58:10,520
Speaker 1: bit more like day. Yeah. I mean I spent some

1138
00:58:10,600 --> 00:58:15,120
Speaker 1: time with them, and I'm shocked, and as I can imagine,

1139
00:58:15,160 --> 00:58:18,840
Speaker 1: all of Bachel Nation is too. I did reach out

1140
00:58:18,880 --> 00:58:21,560
Speaker 1: to Kendall and shot her some of my love. You know,

1141
00:58:21,600 --> 00:58:24,320
Speaker 1: we've all been through breakups. It's never easy, especially when

1142
00:58:24,320 --> 00:58:26,640
Speaker 1: you're in the public eye. So you know, please send

1143
00:58:26,680 --> 00:58:28,920
Speaker 1: them some love if you happen to cross paths with

1144
00:58:29,000 --> 00:58:31,080
Speaker 1: them or side into their DM some You know, we

1145
00:58:31,120 --> 00:58:33,439
Speaker 1: still love both of them and hopefully they can still

1146
00:58:33,480 --> 00:58:36,480
Speaker 1: be on good terms, but it's it's never easy. It's

1147
00:58:36,480 --> 00:58:39,800
Speaker 1: a sad day for rater Nation. Yeah, breakup. We wish

1148
00:58:39,880 --> 00:58:42,640
Speaker 1: them the best and they're both great to individuals, so

1149
00:58:42,680 --> 00:58:46,160
Speaker 1: I know they will find their happiness outside of each other. Yes,

1150
00:58:46,280 --> 00:58:48,600
Speaker 1: Unfortunately it just didn't work out for them. So just

1151
00:58:48,800 --> 00:58:51,920
Speaker 1: like information like that Joe and Kendall the breakup, it

1152
00:58:51,960 --> 00:58:53,760
Speaker 1: doesn't always have to be on a sad no. We

1153
00:58:53,800 --> 00:58:56,280
Speaker 1: have a lot of positive news like our Bachelor Happy

1154
00:58:56,320 --> 00:58:58,680
Speaker 1: our podcast as well, so you can find all that

1155
00:58:58,760 --> 00:59:01,960
Speaker 1: information and so much more on fastnation dot com. Thanks

1156
00:59:01,960 --> 00:59:03,520
Speaker 1: for listening, guys. Thanks guys,