WEBVTT - #437 - DaBoii

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<v Speaker 1>Or so the man. It's the boy Man. Check me

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<v Speaker 1>out boutleg Cam podcast.

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<v Speaker 2>Your Boutlet Cam podcast special guests in here. Just got

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<v Speaker 2>out of jail after sitting down for about a year

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<v Speaker 2>or so, but he is home the boys.

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<v Speaker 1>Yes, sir, appreciate you for having me.

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<v Speaker 2>You gained how many pounds in jail?

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<v Speaker 1>I gained fundy for real, went in the boy looking

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<v Speaker 1>like the man now, No appreciate it, yes, and no

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<v Speaker 1>reference to the Kendrick Yourphoria songs.

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<v Speaker 2>By the way, anyway, what does it feel like to

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<v Speaker 2>be home?

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<v Speaker 1>And obviously you know, yeah gonna Lie, I feel good

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<v Speaker 1>like I still feel like it's my first day out

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<v Speaker 1>for real, Lie.

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<v Speaker 2>I mean, what was the reason why you ended up

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<v Speaker 2>having to go sit down?

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<v Speaker 1>Probasic violation for high speed? And then they pulled me

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<v Speaker 1>over They found a little strap somewhere up in the

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<v Speaker 1>whip on the high speed?

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<v Speaker 2>Yeah, sh like criminal speed, like what you must have

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<v Speaker 2>been I was triple digits for so triple digiting, so

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<v Speaker 2>for so jesus, oh mamas, at least you didn't getting

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<v Speaker 2>caught bipping or something that'd have been crying like a

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<v Speaker 2>barrier goes to jail for bipping like Finally I know

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<v Speaker 2>who broke it into my fucking car.

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<v Speaker 1>Was the boy. Niggas don't get no time for that

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<v Speaker 1>shit through they don't, right.

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<v Speaker 2>That's why everyone does it because like they just get

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<v Speaker 2>like let go, or there's like.

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<v Speaker 1>They getting kicked right out oz in jail and hell

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<v Speaker 1>the niggas thats in there for bipping, they getting right out.

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<v Speaker 2>What the fuck?

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<v Speaker 1>Mamas?

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<v Speaker 2>So do you think that they're at least starting to

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<v Speaker 2>take the bipping because I feel like there's been this

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<v Speaker 2>like narrative about at least obviously the lated for people

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<v Speaker 2>who don't know, the Bay Area is not just one place.

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<v Speaker 2>It's different mayors and shit. But the mayor of San

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<v Speaker 2>Francisco made it very easy for people to bip and

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<v Speaker 2>keep it moving or going to the store and grab

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<v Speaker 2>up a bunch of shit. Yeah, take it to the

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<v Speaker 2>mission and sell it. Has it gotten like more? Is

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<v Speaker 2>it the same?

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<v Speaker 1>It's dinner the same for I ain't seen you know

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<v Speaker 1>up there they talk about a lot of shit on

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<v Speaker 1>the nose, but you feel me, A lot of shit

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<v Speaker 1>don't happen. You feel me?

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<v Speaker 2>Do you feel like the because the narrative of people

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<v Speaker 2>who a lot of people from the base is too,

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<v Speaker 2>but nationally is like San Francisco, which I know is

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<v Speaker 2>not all of the Bay, shots of Oakland, shots of

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<v Speaker 2>Hill shots, the whole area, but that like it's like

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<v Speaker 2>it's kind of cooked out there right now. Like a

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<v Speaker 2>lot of the nightlife is kind of gone, like just

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<v Speaker 2>a lot of just because of all the crime or

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<v Speaker 2>do you say, do you think that that's overstated?

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<v Speaker 1>Uh, I ain't got a lot of Uh the nightlife

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<v Speaker 1>kind of cool, but there ain't a lot of day

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<v Speaker 1>parties in the Beato cragging praise a lot of DJs.

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<v Speaker 2>They've always been crazy shots, army and ribs and all that.

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<v Speaker 2>There's always I feel like always the Bays always had

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<v Speaker 2>the best day.

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<v Speaker 1>Parties for sure. For so the dj is run the

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<v Speaker 1>day life for so dinner the night life too.

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<v Speaker 2>For Yeah, I mean like there's no like Lentier was

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<v Speaker 2>a Vlentier room providence, is there?

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<v Speaker 1>Yeah?

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<v Speaker 2>Shots to San Jose too, if you want to party

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<v Speaker 2>with some.

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<v Speaker 1>Lovely Asians, you know, Mama's San Jose. That should be

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<v Speaker 1>cracking out there too. Really the city though, San Francisco

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<v Speaker 1>and Ugland, that's where everybody's going.

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<v Speaker 2>Yeah, because you were like in and out Burger closed

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<v Speaker 2>in Oakland, yep, yep. And that's the first story they

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<v Speaker 2>ever closed, and they said it was just because of

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<v Speaker 2>the crime and like it's crazy out there. But I

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<v Speaker 2>feel like anytime I'm in the bay and I go often,

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<v Speaker 2>I don't ever feel it. I just know I don't

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<v Speaker 2>keep nothing in the car.

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<v Speaker 1>Better not keep nothing in the car. Roll your ship down,

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<v Speaker 1>Mama's keep that motherfucker down it. If you really don't

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<v Speaker 1>give a fuck, pop the trunk. You leave the trunk

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<v Speaker 1>open for so for so especially if you ain't got

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<v Speaker 1>nothing in it, They're gonna look in there. You feel

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<v Speaker 1>me see it's nothing in it. But are you good?

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<v Speaker 1>Other than that, you're gonna come to your whip broken

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<v Speaker 1>window for sure? Have you have you?

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<v Speaker 2>Have you been bipped yourself?

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<v Speaker 1>I think I got a bit one time ever in

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<v Speaker 1>my life?

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<v Speaker 2>Real did they take anything?

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<v Speaker 1>Yeah?

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<v Speaker 2>Anything of importance?

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<v Speaker 1>Yeah? Damn yeah, like what some some ship.

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<v Speaker 2>Something that you might have got violated for? Why don't

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<v Speaker 2>mister fab has been for a couple of times. I remember,

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<v Speaker 2>I think once they took his daughter's backpack with like

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<v Speaker 2>her like homework in it, and he was like, yo,

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<v Speaker 2>my keep on all the other ship.

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<v Speaker 1>I just need my daughter ship back. She's studying niggas

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<v Speaker 1>out of pocket for that. You know how that it

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<v Speaker 1>beat all like if that ship in a backpack zipped up.

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<v Speaker 1>You feel me they going for bags and ship and

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<v Speaker 1>there ain't taking that ship to They getting they shit

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<v Speaker 1>for sure? For sure?

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<v Speaker 2>Did you see Bernard just dropped the trailer. He's doing

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<v Speaker 2>a movie called Splash City. Have you heard of it?

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<v Speaker 1>It's it's about bipping.

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<v Speaker 2>It's about bipping. It's it's kind of the first Bay

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<v Speaker 2>Area crime movie.

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<v Speaker 1>I feel like that we've gotten damn near. I remember

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<v Speaker 1>that he was talking about doing that for a couple

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<v Speaker 1>of years. Though it's finally emotion now for so waiting

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<v Speaker 1>for that to come out for so that gotta watch that.

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<v Speaker 2>Yo. I've been to Vallejo a few times. You and

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<v Speaker 2>I were supposed to shoot up there. I think we

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<v Speaker 2>were at King's Market shout to the Crest, and then

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<v Speaker 2>we went back and we actually got a hotel across

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<v Speaker 2>the street from was it seven to eleven right there?

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<v Speaker 1>Yeah?

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<v Speaker 2>Was that Hampton? Yeah, we're sure we're staying at that

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<v Speaker 2>Hampton end right there, because we went out and try

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<v Speaker 2>with low Russell and everybody was tripping there like you're

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<v Speaker 2>staying in the crest, and I was like, what's the

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<v Speaker 2>big deal? Like, we walked over to the we got

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<v Speaker 2>we got some fucking mister so mac dre soda over there,

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<v Speaker 2>you know what I'm saying. But the time you and

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<v Speaker 2>I were supposed to shoot there, it was super active

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<v Speaker 2>over there. For people who don't kind of understand, like

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<v Speaker 2>Vallejo is like we hear about it all the time.

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<v Speaker 2>Obviously we know about the forty, obviously we know about

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<v Speaker 2>mac dre. It's but I think a lot of people

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<v Speaker 2>kind of associate Vallejo and San Francisco and Oakland all

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<v Speaker 2>be pretty much the same thing or very close to

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<v Speaker 2>each other. But like Vallejo is like a serious Yeah,

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<v Speaker 2>forty five minute drive away from if there's no traffic right.

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<v Speaker 1>Now, if there's no traffick thirty yeah, like thirty thirty.

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<v Speaker 2>To forty five an hour, you know. But it is

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<v Speaker 2>like a small town that is on the outskirts of

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<v Speaker 2>San Francisco and Oakland, right so you got to cross

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<v Speaker 2>a bridge, go over some water.

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<v Speaker 1>Yeah.

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<v Speaker 2>So, and it's known to be like a very violent place,

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<v Speaker 2>you know. I feel like recently l Russell has done

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<v Speaker 2>a really good job of just highlighting some of the

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<v Speaker 2>positive stuff out of there. But what was it like

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<v Speaker 2>for you growing up in that area.

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<v Speaker 1>I ain't gonna lie like it's really what you make

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<v Speaker 1>it for real, Like you could grow up in the

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<v Speaker 1>hood and you feel me. You don't even gotta You're

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<v Speaker 1>still gonna be around it. But like how affect your

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<v Speaker 1>life is how you move for real? You feel me

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<v Speaker 1>so with me, it was ain't I was really cool.

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<v Speaker 1>It was smooth for real, and it got a little older,

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<v Speaker 1>and you feel me. A lot of bushit start happening.

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<v Speaker 1>You feel me, and it's like once you sucked into

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<v Speaker 1>this street shit, it don't matter if you're not even

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<v Speaker 1>in the streets no more. You feel me. You forever

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<v Speaker 1>stuck in this shit. You feel me. Nigga could catch

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<v Speaker 1>you out of town somewhere. You feel me. He'll try

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<v Speaker 1>to get on you for some shit that happened years ago.

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<v Speaker 1>You feel me so crazy, just the life of nigga,

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<v Speaker 1>really regular shit for real.

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<v Speaker 2>It's crazy because that shit, like you said, like it

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<v Speaker 2>haunt you anywhere. You could be like somewhere out of

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<v Speaker 2>town with your guard down.

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<v Speaker 1>And we could be in can kN wrong. Niggas see

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<v Speaker 1>who you feel me. He got the upper hand on

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<v Speaker 1>you feel me, and it can happen.

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<v Speaker 2>It's funny while sent as that song, I got there

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<v Speaker 2>just trying to kill me for some shit that I forgot.

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<v Speaker 1>I did just a life, you know, Mamas, when you

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<v Speaker 1>live in fast, you feel me, You forget a lot

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<v Speaker 1>of shit. But at the end of the day, you

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<v Speaker 1>gotta stay, got to keep your head on the swivel

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<v Speaker 1>because this shit could come back and haunt you any day.

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<v Speaker 2>For sure.

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<v Speaker 1>I know you.

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<v Speaker 2>Uh, you're back to it, man. How active have you

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<v Speaker 2>been in the studio since you got because what would

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<v Speaker 2>you get out on twenty third, twenty.

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<v Speaker 1>Four or something like that. Knock got out on the fifteenth.

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<v Speaker 2>Of April, so it's been about a little under a month. Yeah,

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<v Speaker 2>have you been just working?

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<v Speaker 1>Nah? Really ain't been working for real. I really just

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<v Speaker 1>been at home with the family, joined the family and

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<v Speaker 1>trying to make up that time that you feel me,

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<v Speaker 1>the nigga can't get back type shit. You feel me?

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<v Speaker 2>For sure.

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<v Speaker 1>I've been in a studio like once or twice, like

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<v Speaker 1>really just listening to beasts, gathering beasts up and shit

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<v Speaker 1>for real. After this weekend though, I'm back on it

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<v Speaker 1>through for so full force on the ground, on full force.

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<v Speaker 1>But you feel me. I had to rebuild that bond

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<v Speaker 1>with my son and shit, the fan bam, all that

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<v Speaker 1>type of shit, just making that time.

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<v Speaker 2>Were you allowed? Like was your son able to come

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<v Speaker 2>and see you while you in jail?

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<v Speaker 1>He was able to come and see me. But I

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<v Speaker 1>ain't want him to come and see you.

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<v Speaker 2>Don't want them to remember you, like I had to

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<v Speaker 2>go to jail.

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<v Speaker 1>Yeah, it's the every time I was talking to him

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<v Speaker 1>on the phone, telling my mat work. You feel me,

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<v Speaker 1>that makes sense, telling my mat work.

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<v Speaker 2>I had a long time of work. How does he

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<v Speaker 2>he for now? Okay? So yeah, I mean he's for

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<v Speaker 2>so he kind of understands what's going on. You get

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<v Speaker 2>to kind of chat with.

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<v Speaker 1>Him and them at work. I just found out, like

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<v Speaker 1>right before I got out, that he knew what jail was.

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<v Speaker 1>I don't even know who knew what jail was. You

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<v Speaker 1>know what jail is though, because he'd be watching Paul

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<v Speaker 1>Patrol and ship. Yeah, Mama out, Mamas were on a

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<v Speaker 1>little video visit. He talking to his toys. He like,

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<v Speaker 1>you going to jail. I'm like what you say? He

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<v Speaker 1>like you going to jail? I'm like, you know what

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<v Speaker 1>jail is, you feel me?

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<v Speaker 2>That's your.

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<v Speaker 1>You know, mama. So I just been telling him I'm

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<v Speaker 1>at work type ship you feel me?

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<v Speaker 2>I want you know. Obviously you're forever kind of connected

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<v Speaker 2>with Kendrick, because I think Kendrick did a good job

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<v Speaker 2>of using that Black Panthers soundtrack to expose SBRB and

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<v Speaker 2>MAZI specifically to a bigger audience. You guys are obviously

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<v Speaker 2>already torn and anti was already an anthem, and you

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<v Speaker 2>guys already were selling out shows and ship. But what

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<v Speaker 2>was the initial communication between t D. Kendrick and you

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<v Speaker 2>guys to be on that soundtrack.

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<v Speaker 1>Like how it came together?

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<v Speaker 2>Type yeah, yeah, Like because obviously for people who don't know, man,

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<v Speaker 2>if you were that, I always say, like s ob Shoreline, Mafia, Draco, Like,

0:09:34.240 --> 0:09:36.200
<v Speaker 2>you guys influenced so much what's going on right now.

0:09:36.280 --> 0:09:38.000
<v Speaker 2>But for real, y'all were kind of before all like

0:09:38.160 --> 0:09:45.040
<v Speaker 2>before the before everybody. And I feel like Kendrick obviously

0:09:45.200 --> 0:09:47.839
<v Speaker 2>was very attentative to the movement you guys had going

0:09:47.880 --> 0:09:50.800
<v Speaker 2>on because it was hard to ignore, you know, And.

0:09:50.880 --> 0:09:52.600
<v Speaker 1>He really ain't even had to come and get us,

0:09:53.040 --> 0:09:55.200
<v Speaker 1>get anybody. He won't you feel Me, came and got

0:09:55.240 --> 0:09:57.040
<v Speaker 1>the young niggas from the bay, you know what I mean.

0:09:57.679 --> 0:10:01.920
<v Speaker 1>But now how it came about. J Rock had DM Slimmy.

0:10:02.360 --> 0:10:04.199
<v Speaker 1>He was like, Kendrick trying to get in with you.

0:10:04.280 --> 0:10:07.800
<v Speaker 1>You feel me? Slimmy asks my manager. He like, Nigga,

0:10:07.800 --> 0:10:10.319
<v Speaker 1>it's real, It's the real j Rock. He like, yeah, Nigga,

0:10:10.440 --> 0:10:12.120
<v Speaker 1>let's go fly out there. Let's go get it in.

0:10:12.720 --> 0:10:14.719
<v Speaker 1>We get the call you feel me, It's time to

0:10:14.760 --> 0:10:16.720
<v Speaker 1>go fly to La. Kendrick trying to get in the study.

0:10:16.760 --> 0:10:19.240
<v Speaker 1>We come out here, hey save you feel me? We

0:10:19.360 --> 0:10:22.760
<v Speaker 1>get in the studio. He playing the song we nod

0:10:22.800 --> 0:10:25.040
<v Speaker 1>in our head and shit, I see the looks on

0:10:25.160 --> 0:10:27.960
<v Speaker 1>everybody's face like we all kind of like we're like, ooh,

0:10:28.040 --> 0:10:29.640
<v Speaker 1>this is Kendrick Lamar, Like what do you want us

0:10:29.679 --> 0:10:31.440
<v Speaker 1>to talk about? Because you know how so when.

0:10:31.280 --> 0:10:35.040
<v Speaker 2>You get when you get there is the paramedic the

0:10:35.120 --> 0:10:37.360
<v Speaker 2>first like what is is it just the beat or

0:10:37.440 --> 0:10:38.800
<v Speaker 2>what's been worked on already?

0:10:39.400 --> 0:10:41.439
<v Speaker 1>It was the beat and then the little intro he

0:10:41.520 --> 0:10:45.280
<v Speaker 1>had on there, the yeah yeah that ship you feel Me?

0:10:45.760 --> 0:10:47.480
<v Speaker 1>We all nod in our head and ship, but I

0:10:47.559 --> 0:10:50.040
<v Speaker 1>see nobody's picking up the they Pinning and pad you

0:10:50.120 --> 0:10:52.439
<v Speaker 1>feel me? So I go over there and not ask him.

0:10:52.920 --> 0:10:55.040
<v Speaker 1>I'm like, big bro, like what you want us to

0:10:55.080 --> 0:10:58.080
<v Speaker 1>talk about? Like you feel me? What we on? He like, Man,

0:10:58.280 --> 0:11:00.920
<v Speaker 1>do y'all how you feel me? Yeah? I kind of

0:11:00.960 --> 0:11:03.000
<v Speaker 1>made a nigga happy. I'm like, you serious? Do us?

0:11:03.080 --> 0:11:06.280
<v Speaker 1>Like he's gonna be talking reckless on this motherfucker? He like, yeah,

0:11:06.400 --> 0:11:08.880
<v Speaker 1>do that shit. He's like, all right, niggas got in

0:11:09.040 --> 0:11:10.839
<v Speaker 1>you feel me? After every nigga verse, he was like,

0:11:10.920 --> 0:11:12.959
<v Speaker 1>he fucking with it. We really didn't think it was

0:11:12.960 --> 0:11:15.319
<v Speaker 1>gonna come out. He like asked Kendrick, anybody he won

0:11:15.400 --> 0:11:18.000
<v Speaker 1>on that song? You feel me? When that motherfucker really

0:11:18.080 --> 0:11:20.360
<v Speaker 1>came out, I'm in the studio at the time, my

0:11:20.480 --> 0:11:22.880
<v Speaker 1>phone blowing up, everybody calling me. I'm like, Yo, what's up?

0:11:22.880 --> 0:11:26.920
<v Speaker 1>What's happening here? Like nigga you black Panther soundtracked Kendrick

0:11:26.960 --> 0:11:29.240
<v Speaker 1>on the hook. He went on the hook at first,

0:11:29.280 --> 0:11:30.800
<v Speaker 1>you feel me? So once I heard in the studio,

0:11:30.920 --> 0:11:32.400
<v Speaker 1>niggas was jokes, I ain't gonna lie.

0:11:33.880 --> 0:11:36.400
<v Speaker 2>That's wild And it's funny too because I kind of

0:11:36.440 --> 0:11:41.520
<v Speaker 2>feel like he paid homage to a few. I feel

0:11:41.559 --> 0:11:44.320
<v Speaker 2>like you paid homage to your guys' flow, to Draco

0:11:44.400 --> 0:11:47.720
<v Speaker 2>a Bit and to Vada Vada's got the wop wop,

0:11:47.800 --> 0:11:50.280
<v Speaker 2>you know, the ship that's going crazy in La. So

0:11:50.400 --> 0:11:52.320
<v Speaker 2>I felt like, I feel like they not like us.

0:11:53.520 --> 0:11:55.600
<v Speaker 2>Was also a way for him to kind of pay

0:11:55.640 --> 0:11:58.199
<v Speaker 2>homage to like this whole generation of West Coast music.

0:11:58.240 --> 0:12:00.600
<v Speaker 2>It's been going crazy. He really was like you close

0:12:00.679 --> 0:12:01.560
<v Speaker 2>your eyes and you didn't know.

0:12:01.520 --> 0:12:03.800
<v Speaker 1>It was Kendrick, you know what I mean, mamas.

0:12:04.040 --> 0:12:07.080
<v Speaker 2>So I'm just hoping. Man I saw today had posted

0:12:07.120 --> 0:12:11.079
<v Speaker 2>something about Charla Mane. But Sandi helps we get like

0:12:11.120 --> 0:12:13.000
<v Speaker 2>a real West Coast Kendrick gobbin where he's wrapping over

0:12:13.120 --> 0:12:13.840
<v Speaker 2>like that kind of ship.

0:12:14.400 --> 0:12:16.680
<v Speaker 1>So I think it might happen, you know, mamas, because

0:12:16.920 --> 0:12:19.600
<v Speaker 1>him by him doing it like that, like they could

0:12:19.640 --> 0:12:23.679
<v Speaker 1>keep over for everybody everybody realistically, like because if he

0:12:23.760 --> 0:12:26.440
<v Speaker 1>everybody at the tone for the national sound now, you know, mamas,

0:12:26.600 --> 0:12:29.800
<v Speaker 1>because realistically everybody you feel me rapping with that type

0:12:29.800 --> 0:12:32.040
<v Speaker 1>of flow nowadays, you feel me, So everybody you make

0:12:32.120 --> 0:12:34.880
<v Speaker 1>that flow mainstream, that's gonna help everybody, you feel. Not

0:12:35.080 --> 0:12:37.120
<v Speaker 1>for sure, that's the big birth.

0:12:37.720 --> 0:12:40.040
<v Speaker 2>What do you think of the battle?

0:12:40.080 --> 0:12:44.079
<v Speaker 1>I guess it's crazy, right, you know, you know I

0:12:44.160 --> 0:12:45.320
<v Speaker 1>gotta be team Kendrick.

0:12:45.360 --> 0:12:50.679
<v Speaker 2>It's crazy. It's you know, It's like when I was

0:12:50.679 --> 0:12:52.640
<v Speaker 2>growing up there we had we had, uh you know

0:12:52.760 --> 0:12:56.120
<v Speaker 2>I was I was probably like seven or eight when no,

0:12:56.320 --> 0:12:58.360
<v Speaker 2>let's see ninety six. I was like nine years old

0:12:58.400 --> 0:12:59.480
<v Speaker 2>when the Biggie two box.

0:12:59.360 --> 0:12:59.959
<v Speaker 1>Ship was happening.

0:13:00.440 --> 0:13:02.360
<v Speaker 2>But I was very much alive and alert as a

0:13:02.440 --> 0:13:06.800
<v Speaker 2>hip hop fan when jay Z and notas happen. And

0:13:06.920 --> 0:13:09.880
<v Speaker 2>to me, this is like bigger than anything ever. This

0:13:10.000 --> 0:13:12.360
<v Speaker 2>ship big and they's dropping. This is back to back

0:13:12.440 --> 0:13:13.200
<v Speaker 2>to back to back.

0:13:13.280 --> 0:13:16.040
<v Speaker 1>You feel me. Every one trending not playing.

0:13:16.720 --> 0:13:21.280
<v Speaker 2>When when Kendrick said, you think the Bay is gonna

0:13:21.320 --> 0:13:24.720
<v Speaker 2>let you disrespect Pop, that showing is gonna be your

0:13:24.760 --> 0:13:27.160
<v Speaker 2>last stop? What do you think about that?

0:13:29.840 --> 0:13:32.120
<v Speaker 1>I don't get too much in it. I mean, I

0:13:32.520 --> 0:13:35.000
<v Speaker 1>don't know. I mean, realistically, Drake got a lot of

0:13:35.080 --> 0:13:35.959
<v Speaker 1>love like you feel me.

0:13:36.120 --> 0:13:38.240
<v Speaker 2>He's got a lot of love in the Bay mom,

0:13:38.280 --> 0:13:39.120
<v Speaker 2>in the model video, you.

0:13:39.200 --> 0:13:40.959
<v Speaker 1>Got a lot of love for real. I feel like

0:13:42.040 --> 0:13:45.559
<v Speaker 1>he motherfuckers, you feel me. All his fans is not

0:13:46.559 --> 0:13:48.599
<v Speaker 1>like gangsters and ship like you feel me. It's like

0:13:48.760 --> 0:13:50.200
<v Speaker 1>regular just regular people.

0:13:51.520 --> 0:13:53.360
<v Speaker 2>That's what I say about like you know, I noticed

0:13:53.360 --> 0:13:56.000
<v Speaker 2>about this whole situation is like with Drake, Like there's

0:13:56.080 --> 0:13:58.560
<v Speaker 2>so many fans of Drake where their only rapper they

0:13:58.640 --> 0:14:00.800
<v Speaker 2>listen to is him and everything else feeling this other

0:14:00.800 --> 0:14:02.280
<v Speaker 2>shit because he's like a pop artist too.

0:14:02.679 --> 0:14:04.800
<v Speaker 1>At the end of the day. All this controversy shit,

0:14:05.120 --> 0:14:08.080
<v Speaker 1>even if it's bad controversy nowadays, like it make niggas

0:14:08.160 --> 0:14:10.760
<v Speaker 1>go up, You feel me, Like niggas is getting exposed

0:14:10.800 --> 0:14:12.800
<v Speaker 1>on paperwork and they going up for that. You feel

0:14:13.040 --> 0:14:15.320
<v Speaker 1>so great? Is shit? Crazy? The world different right now?

0:14:15.400 --> 0:14:17.040
<v Speaker 2>It is wild too, because like you just said, like

0:14:17.120 --> 0:14:21.520
<v Speaker 2>it's like un like man, even if like we there's

0:14:21.840 --> 0:14:24.600
<v Speaker 2>guys out here still getting booked, still thriving, still doing

0:14:24.680 --> 0:14:31.280
<v Speaker 2>whatever they're doing, and they have been jaked exactly, and

0:14:31.400 --> 0:14:34.960
<v Speaker 2>it's like yo, like if this was like twenty ten,

0:14:35.120 --> 0:14:37.200
<v Speaker 2>Like I don't know, these guys can walk around like

0:14:37.280 --> 0:14:38.280
<v Speaker 2>it's just a different time.

0:14:38.680 --> 0:14:41.640
<v Speaker 1>The world different right now, like as a whole, Like

0:14:41.720 --> 0:14:44.600
<v Speaker 1>everybody not out here standing on they don't they don't

0:14:44.600 --> 0:14:46.600
<v Speaker 1>give a fuck about that shit. You feel me, right,

0:14:46.760 --> 0:14:49.080
<v Speaker 1>they're not standing on that type of business. Like really

0:14:49.160 --> 0:14:51.240
<v Speaker 1>niggas getting away with murder right now? I ain't gonna

0:14:51.280 --> 0:14:51.760
<v Speaker 1>lie you.

0:14:51.880 --> 0:14:55.400
<v Speaker 2>Have a great uh working relationship. I feel like with

0:14:55.520 --> 0:14:58.440
<v Speaker 2>certain guys from Detroit. Uh in Detroit, you know, I

0:14:58.520 --> 0:15:02.600
<v Speaker 2>feel like it's having their own renaissance the last couple

0:15:02.640 --> 0:15:06.400
<v Speaker 2>of years going crazy. Then also Shot to Flint, Shot

0:15:06.440 --> 0:15:08.320
<v Speaker 2>to Real, the Younger was a show and the RMC

0:15:08.480 --> 0:15:11.920
<v Speaker 2>mic and those guys. But uh, yeah, Detroit, it's going crazy.

0:15:12.120 --> 0:15:15.800
<v Speaker 2>Uh have you you know, I would love to hear like, uh,

0:15:17.720 --> 0:15:19.640
<v Speaker 2>somebody needs to like I don't know if it's Ghazi,

0:15:20.120 --> 0:15:22.880
<v Speaker 2>but it'd be hard if they put together Like back

0:15:22.920 --> 0:15:24.280
<v Speaker 2>in the day when I was growing up, there was

0:15:24.320 --> 0:15:27.440
<v Speaker 2>compilation albums. They need to do like a Detroit to

0:15:27.560 --> 0:15:31.560
<v Speaker 2>the Bay compilation where half of it is Detroit producers,

0:15:31.600 --> 0:15:33.920
<v Speaker 2>half of the Bay Area producers and it's just POSSI

0:15:34.000 --> 0:15:34.800
<v Speaker 2>cuts that Shiit would be.

0:15:34.800 --> 0:15:37.120
<v Speaker 1>Great now for so niggas do need to do that.

0:15:37.240 --> 0:15:39.040
<v Speaker 1>You feel me at the end of the day, Detroit,

0:15:39.080 --> 0:15:41.600
<v Speaker 1>you feel me to my cousins for so you feel me, Yeah,

0:15:41.760 --> 0:15:44.120
<v Speaker 1>we'd be on the same type of ship. Niggas need

0:15:44.200 --> 0:15:47.960
<v Speaker 1>to handle that for show. Yeah, we had a You've

0:15:48.000 --> 0:15:50.520
<v Speaker 1>worked with cash Kid, right, Yeah, that's my nigga. Yeah,

0:15:50.920 --> 0:15:53.800
<v Speaker 1>Cash Kids hard Bro. They go crazy for so he's

0:15:53.920 --> 0:15:59.240
<v Speaker 1>guessing his fucking bars are fucking sick. Yeah, I remember

0:15:59.320 --> 0:16:01.640
<v Speaker 1>he came here in free style. All his sports references

0:16:01.720 --> 0:16:05.480
<v Speaker 1>a me fucked up? What the fuck that nigga? He's

0:16:05.480 --> 0:16:07.600
<v Speaker 1>smart as fuck, he'd be saying some sholly like high

0:16:07.640 --> 0:16:10.120
<v Speaker 1>niggas come up with that, Like you be tripping for

0:16:10.200 --> 0:16:11.280
<v Speaker 1>So what has.

0:16:11.840 --> 0:16:13.680
<v Speaker 2>Getting locked up for you and being away from your

0:16:13.720 --> 0:16:16.560
<v Speaker 2>kid for the last year? So has it? Has it

0:16:16.680 --> 0:16:19.240
<v Speaker 2>changed any of the way you think? Any any any

0:16:19.720 --> 0:16:21.440
<v Speaker 2>like now that you're free, Like obviously you don't want

0:16:21.440 --> 0:16:23.440
<v Speaker 2>to go back, but like, are you changing up anything?

0:16:23.560 --> 0:16:25.160
<v Speaker 2>Like is your mentality changed at all?

0:16:25.400 --> 0:16:28.200
<v Speaker 1>Or my mentality change? For so I ain't gonna lie

0:16:28.280 --> 0:16:31.120
<v Speaker 1>it humbled or Nigga ain't gonna lie like Nigga really

0:16:31.240 --> 0:16:33.360
<v Speaker 1>trying to. Nigga really just gotta keep his head on

0:16:33.520 --> 0:16:36.760
<v Speaker 1>the swivel out here. You feel me like, I ain't

0:16:36.760 --> 0:16:38.880
<v Speaker 1>gonna lie. Like when I was out, I was dinner wasting,

0:16:38.960 --> 0:16:40.720
<v Speaker 1>I was wasting a little time like you feel me.

0:16:40.760 --> 0:16:42.520
<v Speaker 1>I could have been stepping harder than what I was,

0:16:42.720 --> 0:16:44.600
<v Speaker 1>but you were going you were going up there, Yeah,

0:16:44.640 --> 0:16:47.280
<v Speaker 1>but I could have been stepping way harder. You feel

0:16:47.360 --> 0:16:49.040
<v Speaker 1>me like that shit made me realize that, like I

0:16:49.120 --> 0:16:52.320
<v Speaker 1>gotta go full fledged with this ship. You feel me, You.

0:16:52.520 --> 0:16:54.520
<v Speaker 2>Feel like it would help you to like leave the

0:16:54.600 --> 0:16:56.720
<v Speaker 2>bay for a little bit, he said, would have helped me, Yeah,

0:16:56.760 --> 0:16:58.000
<v Speaker 2>to like get out the bay for like a year

0:16:58.040 --> 0:16:58.200
<v Speaker 2>or so.

0:16:58.360 --> 0:17:01.400
<v Speaker 1>Like I ain't gonna lie, I don't. I'll be thinking

0:17:01.400 --> 0:17:04.320
<v Speaker 1>about that shit sometime, like like just get out the way.

0:17:04.600 --> 0:17:06.880
<v Speaker 1>I don't know, it's just something about being in the backyard,

0:17:06.960 --> 0:17:09.320
<v Speaker 1>like I got access to everything I need. You feel

0:17:09.320 --> 0:17:11.399
<v Speaker 1>me like I don't want to go to Atlanta and

0:17:11.480 --> 0:17:14.639
<v Speaker 1>I'm trying to work out there and then like I

0:17:14.760 --> 0:17:17.119
<v Speaker 1>got hell at Lena producers pulling up on me and

0:17:17.240 --> 0:17:19.119
<v Speaker 1>like none of this shit my style. You feel me

0:17:19.280 --> 0:17:21.760
<v Speaker 1>like for soul Nigga gonna branch out and like work

0:17:21.800 --> 0:17:23.800
<v Speaker 1>with other artists, and you feel me like try with

0:17:23.920 --> 0:17:26.480
<v Speaker 1>different sounds, but like I need my man.

0:17:26.600 --> 0:17:28.560
<v Speaker 2>I just mean, like just for the sake of like

0:17:29.000 --> 0:17:31.920
<v Speaker 2>getting out the way of the bullshit and just focusing. Yeah,

0:17:32.000 --> 0:17:34.080
<v Speaker 2>because like you know, like Mazie did that where he

0:17:34.400 --> 0:17:36.040
<v Speaker 2>came to LA and I feel like it almost like

0:17:36.080 --> 0:17:41.959
<v Speaker 2>immediately changed his minium, you know, be a little bit

0:17:42.040 --> 0:17:43.720
<v Speaker 2>more like tuned into the music. And I have to

0:17:43.760 --> 0:17:45.480
<v Speaker 2>worry because when you're at home and you got whatever

0:17:45.520 --> 0:17:47.680
<v Speaker 2>issues you got at home, it's like you're always you

0:17:47.800 --> 0:17:50.359
<v Speaker 2>always gotta have that guard up. You can't really focus.

0:17:50.480 --> 0:17:52.960
<v Speaker 2>I feel like one hundred percent if you got street

0:17:52.960 --> 0:17:53.480
<v Speaker 2>shit going.

0:17:53.400 --> 0:17:56.639
<v Speaker 1>On, mamas. So once you've been in this shit for

0:17:56.760 --> 0:17:59.119
<v Speaker 1>so long, it's like you kind of become new to it.

0:17:59.240 --> 0:18:01.600
<v Speaker 1>I mean you've become come numb to it type shit.

0:18:01.680 --> 0:18:04.440
<v Speaker 1>You feel me like you don't even notice, Like being

0:18:04.520 --> 0:18:07.600
<v Speaker 1>on guard, just being on point is just regular. For

0:18:07.680 --> 0:18:09.560
<v Speaker 1>really feel me like, even if I moved to La,

0:18:09.600 --> 0:18:11.160
<v Speaker 1>I'm gonna be on gard, I'm gonna be on point.

0:18:11.920 --> 0:18:14.720
<v Speaker 1>Me me personally, I'd rather be on point in the

0:18:14.760 --> 0:18:17.000
<v Speaker 1>Bay because you feel me. I know niggas facings. You

0:18:17.080 --> 0:18:19.320
<v Speaker 1>feel me out here. You don't know, Yeah, I don't

0:18:19.359 --> 0:18:21.119
<v Speaker 1>know what's going on out here. You feel me, I

0:18:21.280 --> 0:18:23.560
<v Speaker 1>like I got a couple niggas out here. You feel me,

0:18:23.640 --> 0:18:26.560
<v Speaker 1>but you feel me, I gotta I got a whole

0:18:26.760 --> 0:18:28.639
<v Speaker 1>city behind me in the v You feel me like

0:18:28.680 --> 0:18:30.479
<v Speaker 1>I got niggas in Oakland. You feel me, I got

0:18:30.600 --> 0:18:32.720
<v Speaker 1>niggas in Enrichment. I got niggas in the city. You

0:18:32.840 --> 0:18:35.520
<v Speaker 1>feel me like nigga got pulled out there? You feel me?

0:18:35.600 --> 0:18:37.240
<v Speaker 1>I got love out here for show, but like on

0:18:37.320 --> 0:18:40.320
<v Speaker 1>some street shit, ain't. I ain't got no pull out here.

0:18:40.359 --> 0:18:41.800
<v Speaker 1>This ain't my backyard, you feel me?

0:18:42.280 --> 0:18:46.480
<v Speaker 2>Uh? Did you see recently? Well yesterday Shortland Mafi dropped

0:18:46.480 --> 0:18:46.880
<v Speaker 2>a new song.

0:18:47.119 --> 0:18:48.520
<v Speaker 1>Oh yeah, I was just on the phone with that

0:18:48.640 --> 0:18:52.720
<v Speaker 1>nigga Phoenix today for real Phoenix flexing o GZ shout

0:18:52.760 --> 0:18:53.640
<v Speaker 1>out to the whole storyline?

0:18:54.080 --> 0:18:57.760
<v Speaker 2>Could this spark Obviously one of you guys are incarcerated

0:18:57.840 --> 0:19:00.800
<v Speaker 2>for like twenty years for him, But could this spark

0:19:01.119 --> 0:19:05.159
<v Speaker 2>at least a song between the guys from SB of

0:19:05.359 --> 0:19:10.800
<v Speaker 2>one song and no comments? I saw the shortline thing.

0:19:10.880 --> 0:19:15.399
<v Speaker 2>I said, maybe this could lead two. And when you

0:19:15.480 --> 0:19:18.640
<v Speaker 2>say no comment to me, that means yes, that means

0:19:18.680 --> 0:19:21.480
<v Speaker 2>it's already happening. If you're gonna hit me with a

0:19:21.560 --> 0:19:24.680
<v Speaker 2>no comment to me, that that's that's it's already in

0:19:24.720 --> 0:19:26.320
<v Speaker 2>the It's already in the cooker. It's already in the

0:19:26.359 --> 0:19:29.680
<v Speaker 2>deep frier. So you guys are already working.

0:19:29.800 --> 0:19:32.840
<v Speaker 1>HUHN were not working? Are you sure? No?

0:19:33.320 --> 0:19:34.880
<v Speaker 2>Have you talked about Nah?

0:19:35.200 --> 0:19:37.920
<v Speaker 1>We ain't talked about it. No nothing. I really ain't

0:19:37.960 --> 0:19:40.040
<v Speaker 1>talked to brouh. I ain't talked to bro in yours.

0:19:40.440 --> 0:19:41.120
<v Speaker 1>I ain't gonna lie.

0:19:41.480 --> 0:19:45.479
<v Speaker 2>Well, I hope I'm wrong. I hope you're capping right now.

0:19:47.240 --> 0:19:48.920
<v Speaker 1>It would be a beautiful thing to see.

0:19:49.600 --> 0:19:52.560
<v Speaker 2>It would be well if in twenty twenty four we

0:19:52.680 --> 0:19:56.080
<v Speaker 2>got a Shoreline Mafia song and the s ob RB song.

0:19:57.080 --> 0:19:59.320
<v Speaker 2>You guys are the biggest probably what if out of

0:19:59.720 --> 0:20:01.640
<v Speaker 2>like West Coast hip hop in like years.

0:20:01.760 --> 0:20:04.280
<v Speaker 1>A big what It would be a beautiful thing to

0:20:04.359 --> 0:20:06.200
<v Speaker 1>see for so yeah, cool.

0:20:06.400 --> 0:20:07.960
<v Speaker 2>Well, and now that it's in the air, hopefully we

0:20:08.000 --> 0:20:10.040
<v Speaker 2>can revisit this conversation too and be like, look he.

0:20:10.119 --> 0:20:13.000
<v Speaker 1>Was lying hopefully one day never know.

0:20:14.160 --> 0:20:15.840
<v Speaker 2>All right, So obviously you said you ain't really been

0:20:15.880 --> 0:20:18.240
<v Speaker 2>working too much, but now you're back, your back focused

0:20:18.280 --> 0:20:21.120
<v Speaker 2>is putting out singles? Is it working on a project?

0:20:21.240 --> 0:20:22.879
<v Speaker 2>What is What's? And are you still with Empire?

0:20:23.240 --> 0:20:25.639
<v Speaker 1>Uh No, I'm not under Empire right now, but you

0:20:25.720 --> 0:20:27.840
<v Speaker 1>feel me in my boys for so like shot the

0:20:27.880 --> 0:20:31.600
<v Speaker 1>guys probably realistically like I'm probably gonna end up being

0:20:31.720 --> 0:20:37.160
<v Speaker 1>under Empired or for show Mama's But yeah, I'm really

0:20:37.240 --> 0:20:40.080
<v Speaker 1>on some uh right now, I think I'm gonna play

0:20:40.080 --> 0:20:41.520
<v Speaker 1>the I'm a fuck with the single.

0:20:41.320 --> 0:20:43.680
<v Speaker 2>Game, right now you throw out there shooting video.

0:20:43.760 --> 0:20:45.880
<v Speaker 1>Fuck with the single game before drop a tape tape

0:20:45.880 --> 0:20:47.760
<v Speaker 1>on the way for soon the Russell should do a tape,

0:20:48.080 --> 0:20:50.320
<v Speaker 1>yeah for show do it man, that'd be big for

0:20:50.400 --> 0:20:50.760
<v Speaker 1>the city.

0:20:51.240 --> 0:20:52.720
<v Speaker 2>Is it like kind of like seeing him kind of

0:20:52.800 --> 0:20:55.120
<v Speaker 2>like change, you know the way independent artists are able

0:20:55.160 --> 0:20:56.560
<v Speaker 2>to kind of think about how they do things.

0:20:56.600 --> 0:20:59.600
<v Speaker 1>Because he's it's crazy. It just showing taking from the

0:20:59.600 --> 0:21:03.160
<v Speaker 1>backyard front the backyard, tool making cheese out of his backyard.

0:21:03.200 --> 0:21:06.560
<v Speaker 1>That's shit crazy, like when you pushing all positivity, you

0:21:06.720 --> 0:21:09.480
<v Speaker 1>feel me and like you ain't got too much going

0:21:09.560 --> 0:21:11.720
<v Speaker 1>on in the streets like that, you can move like that,

0:21:11.880 --> 0:21:14.960
<v Speaker 1>like he's showing niggas like you feel me. Just be yourself.

0:21:15.040 --> 0:21:16.560
<v Speaker 1>You feel me, you ain't got too much going on

0:21:16.640 --> 0:21:18.560
<v Speaker 1>in the streets. I watch your back, you feel me.

0:21:18.600 --> 0:21:20.560
<v Speaker 1>Niggas need to be moving like this, you feel me.

0:21:21.119 --> 0:21:23.040
<v Speaker 1>I call the Russell all the time, call him baby.

0:21:23.200 --> 0:21:26.359
<v Speaker 1>I call him baby Jesus, Baby Jesus. That's baby Jesus.

0:21:26.440 --> 0:21:29.240
<v Speaker 1>For sure. He showing niggas the way me personally, I

0:21:29.280 --> 0:21:31.040
<v Speaker 1>can't do no shit like that. I ain't gonna lie.

0:21:31.880 --> 0:21:35.320
<v Speaker 1>I got too much going on. Well, one day man

0:21:35.640 --> 0:21:38.320
<v Speaker 1>one day for one day, one day for sure. New

0:21:38.440 --> 0:21:40.920
<v Speaker 1>music coming hopefully. We just put some shit into the

0:21:40.960 --> 0:21:44.840
<v Speaker 1>air that ends up come to Fruition, so go watch.

0:21:45.040 --> 0:21:47.520
<v Speaker 1>We just dropped the crazy freestyle over Not Like Us too,

0:21:47.600 --> 0:21:49.159
<v Speaker 1>so you could check that out on YouTube.

0:21:49.680 --> 0:21:51.240
<v Speaker 2>I appreciate you coming through, man. Look we got to

0:21:51.320 --> 0:21:53.399
<v Speaker 2>keep you free, bro, keep that weight on you.

0:21:53.720 --> 0:21:56.080
<v Speaker 1>Noah for so look good on you. I ain't even

0:21:56.160 --> 0:21:58.760
<v Speaker 1>spoke for real. Yeah, I've been on my sober shit.

0:21:58.800 --> 0:21:59.200
<v Speaker 1>You feel me?

0:21:59.359 --> 0:22:02.199
<v Speaker 2>Oh you ain't just again. Keep that Souper ship going, bro,

0:22:02.320 --> 0:22:04.360
<v Speaker 2>you can stay fund so yeah, I got it. There

0:22:04.400 --> 0:22:06.639
<v Speaker 2>it is man, the boy. Appreciate you, Brother, appreciate you.

0:22:07.760 --> 0:22:08.040
<v Speaker 2>Fire