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Speaker 1: Or so the man. It's the boy Man. Check me

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Speaker 1: out boutleg Cam podcast.

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Speaker 2: Your Boutlet Cam podcast special guests in here. Just got

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Speaker 2: out of jail after sitting down for about a year

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Speaker 2: or so, but he is home the boys.

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Speaker 1: Yes, sir, appreciate you for having me.

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Speaker 2: You gained how many pounds in jail?

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Speaker 1: I gained fundy for real, went in the boy looking

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Speaker 1: like the man now, No appreciate it, yes, and no

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Speaker 1: reference to the Kendrick Yourphoria songs.

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Speaker 2: By the way, anyway, what does it feel like to

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Speaker 2: be home?

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Speaker 1: And obviously you know, yeah gonna Lie, I feel good

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Speaker 1: like I still feel like it's my first day out

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Speaker 1: for real, Lie.

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Speaker 2: I mean, what was the reason why you ended up

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Speaker 2: having to go sit down?

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Speaker 1: Probasic violation for high speed? And then they pulled me

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Speaker 1: over They found a little strap somewhere up in the

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Speaker 1: whip on the high speed?

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Speaker 2: Yeah, sh like criminal speed, like what you must have

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Speaker 2: been I was triple digits for so triple digiting, so

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Speaker 2: for so jesus, oh mamas, at least you didn't getting

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Speaker 2: caught bipping or something that'd have been crying like a

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Speaker 2: barrier goes to jail for bipping like Finally I know

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Speaker 2: who broke it into my fucking car.

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Speaker 1: Was the boy. Niggas don't get no time for that

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Speaker 1: shit through they don't, right.

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Speaker 2: That's why everyone does it because like they just get

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Speaker 2: like let go, or there's like.

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Speaker 1: They getting kicked right out oz in jail and hell

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Speaker 1: the niggas thats in there for bipping, they getting right out.

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Speaker 2: What the fuck?

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Speaker 1: Mamas?

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Speaker 2: So do you think that they're at least starting to

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Speaker 2: take the bipping because I feel like there's been this

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Speaker 2: like narrative about at least obviously the lated for people

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Speaker 2: who don't know, the Bay Area is not just one place.

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Speaker 2: It's different mayors and shit. But the mayor of San

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Speaker 2: Francisco made it very easy for people to bip and

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Speaker 2: keep it moving or going to the store and grab

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Speaker 2: up a bunch of shit. Yeah, take it to the

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Speaker 2: mission and sell it. Has it gotten like more? Is

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Speaker 2: it the same?

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Speaker 1: It's dinner the same for I ain't seen you know

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Speaker 1: up there they talk about a lot of shit on

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Speaker 1: the nose, but you feel me, A lot of shit

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Speaker 1: don't happen. You feel me?

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Speaker 2: Do you feel like the because the narrative of people

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Speaker 2: who a lot of people from the base is too,

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Speaker 2: but nationally is like San Francisco, which I know is

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Speaker 2: not all of the Bay, shots of Oakland, shots of

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Speaker 2: Hill shots, the whole area, but that like it's like

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Speaker 2: it's kind of cooked out there right now. Like a

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Speaker 2: lot of the nightlife is kind of gone, like just

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Speaker 2: a lot of just because of all the crime or

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Speaker 2: do you say, do you think that that's overstated?

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Speaker 1: Uh, I ain't got a lot of Uh the nightlife

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Speaker 1: kind of cool, but there ain't a lot of day

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Speaker 1: parties in the Beato cragging praise a lot of DJs.

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Speaker 2: They've always been crazy shots, army and ribs and all that.

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Speaker 2: There's always I feel like always the Bays always had

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Speaker 2: the best day.

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Speaker 1: Parties for sure. For so the dj is run the

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Speaker 1: day life for so dinner the night life too.

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Speaker 2: For Yeah, I mean like there's no like Lentier was

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Speaker 2: a Vlentier room providence, is there?

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Speaker 1: Yeah?

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Speaker 2: Shots to San Jose too, if you want to party

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Speaker 2: with some.

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Speaker 1: Lovely Asians, you know, Mama's San Jose. That should be

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Speaker 1: cracking out there too. Really the city though, San Francisco

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Speaker 1: and Ugland, that's where everybody's going.

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Speaker 2: Yeah, because you were like in and out Burger closed

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Speaker 2: in Oakland, yep, yep. And that's the first story they

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Speaker 2: ever closed, and they said it was just because of

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Speaker 2: the crime and like it's crazy out there. But I

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Speaker 2: feel like anytime I'm in the bay and I go often,

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Speaker 2: I don't ever feel it. I just know I don't

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Speaker 2: keep nothing in the car.

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Speaker 1: Better not keep nothing in the car. Roll your ship down,

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Speaker 1: Mama's keep that motherfucker down it. If you really don't

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Speaker 1: give a fuck, pop the trunk. You leave the trunk

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Speaker 1: open for so for so especially if you ain't got

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Speaker 1: nothing in it, They're gonna look in there. You feel

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Speaker 1: me see it's nothing in it. But are you good?

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Speaker 1: Other than that, you're gonna come to your whip broken

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Speaker 1: window for sure? Have you have you?

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Speaker 2: Have you been bipped yourself?

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Speaker 1: I think I got a bit one time ever in

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Speaker 1: my life?

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Speaker 2: Real did they take anything?

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Speaker 1: Yeah?

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Speaker 2: Anything of importance?

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Speaker 1: Yeah? Damn yeah, like what some some ship.

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Speaker 2: Something that you might have got violated for? Why don't

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Speaker 2: mister fab has been for a couple of times. I remember,

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Speaker 2: I think once they took his daughter's backpack with like

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Speaker 2: her like homework in it, and he was like, yo,

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Speaker 2: my keep on all the other ship.

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Speaker 1: I just need my daughter ship back. She's studying niggas

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Speaker 1: out of pocket for that. You know how that it

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Speaker 1: beat all like if that ship in a backpack zipped up.

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Speaker 1: You feel me they going for bags and ship and

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Speaker 1: there ain't taking that ship to They getting they shit

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Speaker 1: for sure? For sure?

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Speaker 2: Did you see Bernard just dropped the trailer. He's doing

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Speaker 2: a movie called Splash City. Have you heard of it?

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Speaker 1: It's it's about bipping.

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Speaker 2: It's about bipping. It's it's kind of the first Bay

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Speaker 2: Area crime movie.

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Speaker 1: I feel like that we've gotten damn near. I remember

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Speaker 1: that he was talking about doing that for a couple

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Speaker 1: of years. Though it's finally emotion now for so waiting

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Speaker 1: for that to come out for so that gotta watch that.

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Speaker 2: Yo. I've been to Vallejo a few times. You and

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Speaker 2: I were supposed to shoot up there. I think we

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Speaker 2: were at King's Market shout to the Crest, and then

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Speaker 2: we went back and we actually got a hotel across

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Speaker 2: the street from was it seven to eleven right there?

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Speaker 1: Yeah?

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Speaker 2: Was that Hampton? Yeah, we're sure we're staying at that

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Speaker 2: Hampton end right there, because we went out and try

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Speaker 2: with low Russell and everybody was tripping there like you're

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Speaker 2: staying in the crest, and I was like, what's the

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Speaker 2: big deal? Like, we walked over to the we got

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Speaker 2: we got some fucking mister so mac dre soda over there,

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Speaker 2: you know what I'm saying. But the time you and

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Speaker 2: I were supposed to shoot there, it was super active

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Speaker 2: over there. For people who don't kind of understand, like

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Speaker 2: Vallejo is like we hear about it all the time.

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Speaker 2: Obviously we know about the forty, obviously we know about

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Speaker 2: mac dre. It's but I think a lot of people

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Speaker 2: kind of associate Vallejo and San Francisco and Oakland all

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Speaker 2: be pretty much the same thing or very close to

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Speaker 2: each other. But like Vallejo is like a serious Yeah,

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Speaker 2: forty five minute drive away from if there's no traffic right.

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Speaker 1: Now, if there's no traffick thirty yeah, like thirty thirty.

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Speaker 2: To forty five an hour, you know. But it is

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Speaker 2: like a small town that is on the outskirts of

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Speaker 2: San Francisco and Oakland, right so you got to cross

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Speaker 2: a bridge, go over some water.

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Speaker 1: Yeah.

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Speaker 2: So, and it's known to be like a very violent place,

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Speaker 2: you know. I feel like recently l Russell has done

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Speaker 2: a really good job of just highlighting some of the

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Speaker 2: positive stuff out of there. But what was it like

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Speaker 2: for you growing up in that area.

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Speaker 1: I ain't gonna lie like it's really what you make

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Speaker 1: it for real, Like you could grow up in the

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Speaker 1: hood and you feel me. You don't even gotta You're

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Speaker 1: still gonna be around it. But like how affect your

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Speaker 1: life is how you move for real? You feel me

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Speaker 1: so with me, it was ain't I was really cool.

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Speaker 1: It was smooth for real, and it got a little older,

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Speaker 1: and you feel me. A lot of bushit start happening.

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Speaker 1: You feel me, and it's like once you sucked into

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Speaker 1: this street shit, it don't matter if you're not even

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Speaker 1: in the streets no more. You feel me. You forever

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Speaker 1: stuck in this shit. You feel me. Nigga could catch

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Speaker 1: you out of town somewhere. You feel me. He'll try

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Speaker 1: to get on you for some shit that happened years ago.

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Speaker 1: You feel me so crazy, just the life of nigga,

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Speaker 1: really regular shit for real.

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Speaker 2: It's crazy because that shit, like you said, like it

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Speaker 2: haunt you anywhere. You could be like somewhere out of

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Speaker 2: town with your guard down.

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Speaker 1: And we could be in can kN wrong. Niggas see

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Speaker 1: who you feel me. He got the upper hand on

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Speaker 1: you feel me, and it can happen.

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Speaker 2: It's funny while sent as that song, I got there

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Speaker 2: just trying to kill me for some shit that I forgot.

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Speaker 1: I did just a life, you know, Mamas, when you

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Speaker 1: live in fast, you feel me, You forget a lot

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Speaker 1: of shit. But at the end of the day, you

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Speaker 1: gotta stay, got to keep your head on the swivel

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Speaker 1: because this shit could come back and haunt you any day.

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Speaker 2: For sure.

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Speaker 1: I know you.

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Speaker 2: Uh, you're back to it, man. How active have you

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Speaker 2: been in the studio since you got because what would

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Speaker 2: you get out on twenty third, twenty.

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Speaker 1: Four or something like that. Knock got out on the fifteenth.

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Speaker 2: Of April, so it's been about a little under a month. Yeah,

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Speaker 2: have you been just working?

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Speaker 1: Nah? Really ain't been working for real. I really just

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Speaker 1: been at home with the family, joined the family and

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Speaker 1: trying to make up that time that you feel me,

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Speaker 1: the nigga can't get back type shit. You feel me?

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Speaker 2: For sure.

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Speaker 1: I've been in a studio like once or twice, like

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Speaker 1: really just listening to beasts, gathering beasts up and shit

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Speaker 1: for real. After this weekend though, I'm back on it

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Speaker 1: through for so full force on the ground, on full force.

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Speaker 1: But you feel me. I had to rebuild that bond

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Speaker 1: with my son and shit, the fan bam, all that

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Speaker 1: type of shit, just making that time.

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Speaker 2: Were you allowed? Like was your son able to come

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Speaker 2: and see you while you in jail?

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Speaker 1: He was able to come and see me. But I

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Speaker 1: ain't want him to come and see you.

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Speaker 2: Don't want them to remember you, like I had to

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Speaker 2: go to jail.

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Speaker 1: Yeah, it's the every time I was talking to him

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Speaker 1: on the phone, telling my mat work. You feel me,

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Speaker 1: that makes sense, telling my mat work.

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Speaker 2: I had a long time of work. How does he

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Speaker 2: he for now? Okay? So yeah, I mean he's for

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Speaker 2: so he kind of understands what's going on. You get

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Speaker 2: to kind of chat with.

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Speaker 1: Him and them at work. I just found out, like

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Speaker 1: right before I got out, that he knew what jail was.

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Speaker 1: I don't even know who knew what jail was. You

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Speaker 1: know what jail is though, because he'd be watching Paul

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Speaker 1: Patrol and ship. Yeah, Mama out, Mamas were on a

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Speaker 1: little video visit. He talking to his toys. He like,

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Speaker 1: you going to jail. I'm like what you say? He

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Speaker 1: like you going to jail? I'm like, you know what

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Speaker 1: jail is, you feel me?

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Speaker 2: That's your.

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Speaker 1: You know, mama. So I just been telling him I'm

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Speaker 1: at work type ship you feel me?

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Speaker 2: I want you know. Obviously you're forever kind of connected

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Speaker 2: with Kendrick, because I think Kendrick did a good job

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Speaker 2: of using that Black Panthers soundtrack to expose SBRB and

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Speaker 2: MAZI specifically to a bigger audience. You guys are obviously

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Speaker 2: already torn and anti was already an anthem, and you

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Speaker 2: guys already were selling out shows and ship. But what

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Speaker 2: was the initial communication between t D. Kendrick and you

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Speaker 2: guys to be on that soundtrack.

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Speaker 1: Like how it came together?

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Speaker 2: Type yeah, yeah, Like because obviously for people who don't know, man,

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Speaker 2: if you were that, I always say, like s ob Shoreline, Mafia, Draco, Like,

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Speaker 2: you guys influenced so much what's going on right now.

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Speaker 2: But for real, y'all were kind of before all like

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Speaker 2: before the before everybody. And I feel like Kendrick obviously

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Speaker 2: was very attentative to the movement you guys had going

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Speaker 2: on because it was hard to ignore, you know, And.

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Speaker 1: He really ain't even had to come and get us,

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Speaker 1: get anybody. He won't you feel Me, came and got

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Speaker 1: the young niggas from the bay, you know what I mean.

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Speaker 1: But now how it came about. J Rock had DM Slimmy.

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Speaker 1: He was like, Kendrick trying to get in with you.

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Speaker 1: You feel me? Slimmy asks my manager. He like, Nigga,

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Speaker 1: it's real, It's the real j Rock. He like, yeah, Nigga,

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Speaker 1: let's go fly out there. Let's go get it in.

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Speaker 1: We get the call you feel me, It's time to

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Speaker 1: go fly to La. Kendrick trying to get in the study.

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Speaker 1: We come out here, hey save you feel me? We

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Speaker 1: get in the studio. He playing the song we nod

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Speaker 1: in our head and shit, I see the looks on

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Speaker 1: everybody's face like we all kind of like we're like, ooh,

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Speaker 1: this is Kendrick Lamar, Like what do you want us

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Speaker 1: to talk about? Because you know how so when.

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Speaker 2: You get when you get there is the paramedic the

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Speaker 2: first like what is is it just the beat or

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Speaker 2: what's been worked on already?

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Speaker 1: It was the beat and then the little intro he

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Speaker 1: had on there, the yeah yeah that ship you feel Me?

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Speaker 1: We all nod in our head and ship, but I

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00:10:47,559 --> 00:10:50,040
Speaker 1: see nobody's picking up the they Pinning and pad you

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Speaker 1: feel me? So I go over there and not ask him.

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Speaker 1: I'm like, big bro, like what you want us to

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Speaker 1: talk about? Like you feel me? What we on? He like, Man,

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Speaker 1: do y'all how you feel me? Yeah? I kind of

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Speaker 1: made a nigga happy. I'm like, you serious? Do us?

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Speaker 1: Like he's gonna be talking reckless on this motherfucker? He like, yeah,

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Speaker 1: do that shit. He's like, all right, niggas got in

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Speaker 1: you feel me? After every nigga verse, he was like,

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Speaker 1: he fucking with it. We really didn't think it was

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Speaker 1: gonna come out. He like asked Kendrick, anybody he won

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Speaker 1: on that song? You feel me? When that motherfucker really

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Speaker 1: came out, I'm in the studio at the time, my

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Speaker 1: phone blowing up, everybody calling me. I'm like, Yo, what's up?

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Speaker 1: What's happening here? Like nigga you black Panther soundtracked Kendrick

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Speaker 1: on the hook. He went on the hook at first,

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Speaker 1: you feel me? So once I heard in the studio,

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Speaker 1: niggas was jokes, I ain't gonna lie.

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Speaker 2: That's wild And it's funny too because I kind of

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Speaker 2: feel like he paid homage to a few. I feel

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Speaker 2: like you paid homage to your guys' flow, to Draco

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Speaker 2: a Bit and to Vada Vada's got the wop wop,

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Speaker 2: you know, the ship that's going crazy in La. So

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Speaker 2: I felt like, I feel like they not like us.

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Speaker 2: Was also a way for him to kind of pay

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Speaker 2: homage to like this whole generation of West Coast music.

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Speaker 2: It's been going crazy. He really was like you close

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Speaker 2: your eyes and you didn't know.

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Speaker 1: It was Kendrick, you know what I mean, mamas.

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Speaker 2: So I'm just hoping. Man I saw today had posted

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Speaker 2: something about Charla Mane. But Sandi helps we get like

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Speaker 2: a real West Coast Kendrick gobbin where he's wrapping over

293
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Speaker 2: like that kind of ship.

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Speaker 1: So I think it might happen, you know, mamas, because

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Speaker 1: him by him doing it like that, like they could

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Speaker 1: keep over for everybody everybody realistically, like because if he

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Speaker 1: everybody at the tone for the national sound now, you know, mamas,

298
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Speaker 1: because realistically everybody you feel me rapping with that type

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Speaker 1: of flow nowadays, you feel me, So everybody you make

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Speaker 1: that flow mainstream, that's gonna help everybody, you feel. Not

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Speaker 1: for sure, that's the big birth.

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Speaker 2: What do you think of the battle?

303
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Speaker 1: I guess it's crazy, right, you know, you know I

304
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Speaker 1: gotta be team Kendrick.

305
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Speaker 2: It's crazy. It's you know, It's like when I was

306
00:12:50,679 --> 00:12:52,640
Speaker 2: growing up there we had we had, uh you know

307
00:12:52,760 --> 00:12:56,120
Speaker 2: I was I was probably like seven or eight when no,

308
00:12:56,320 --> 00:12:58,360
Speaker 2: let's see ninety six. I was like nine years old

309
00:12:58,400 --> 00:12:59,480
Speaker 2: when the Biggie two box.

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Speaker 1: Ship was happening.

311
00:13:00,440 --> 00:13:02,360
Speaker 2: But I was very much alive and alert as a

312
00:13:02,440 --> 00:13:06,800
Speaker 2: hip hop fan when jay Z and notas happen. And

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Speaker 2: to me, this is like bigger than anything ever. This

314
00:13:10,000 --> 00:13:12,360
Speaker 2: ship big and they's dropping. This is back to back

315
00:13:12,440 --> 00:13:13,200
Speaker 2: to back to back.

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Speaker 1: You feel me. Every one trending not playing.

317
00:13:16,720 --> 00:13:21,280
Speaker 2: When when Kendrick said, you think the Bay is gonna

318
00:13:21,320 --> 00:13:24,720
Speaker 2: let you disrespect Pop, that showing is gonna be your

319
00:13:24,760 --> 00:13:27,160
Speaker 2: last stop? What do you think about that?

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00:13:29,840 --> 00:13:32,120
Speaker 1: I don't get too much in it. I mean, I

321
00:13:32,520 --> 00:13:35,000
Speaker 1: don't know. I mean, realistically, Drake got a lot of

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Speaker 1: love like you feel me.

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Speaker 2: He's got a lot of love in the Bay mom,

324
00:13:38,280 --> 00:13:39,120
Speaker 2: in the model video, you.

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00:13:39,200 --> 00:13:40,959
Speaker 1: Got a lot of love for real. I feel like

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Speaker 1: he motherfuckers, you feel me. All his fans is not

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00:13:46,559 --> 00:13:48,599
Speaker 1: like gangsters and ship like you feel me. It's like

328
00:13:48,760 --> 00:13:50,200
Speaker 1: regular just regular people.

329
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Speaker 2: That's what I say about like you know, I noticed

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Speaker 2: about this whole situation is like with Drake, Like there's

331
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Speaker 2: so many fans of Drake where their only rapper they

332
00:13:58,640 --> 00:14:00,800
Speaker 2: listen to is him and everything else feeling this other

333
00:14:00,800 --> 00:14:02,280
Speaker 2: shit because he's like a pop artist too.

334
00:14:02,679 --> 00:14:04,800
Speaker 1: At the end of the day. All this controversy shit,

335
00:14:05,120 --> 00:14:08,080
Speaker 1: even if it's bad controversy nowadays, like it make niggas

336
00:14:08,160 --> 00:14:10,760
Speaker 1: go up, You feel me, Like niggas is getting exposed

337
00:14:10,800 --> 00:14:12,800
Speaker 1: on paperwork and they going up for that. You feel

338
00:14:13,040 --> 00:14:15,320
Speaker 1: so great? Is shit? Crazy? The world different right now?

339
00:14:15,400 --> 00:14:17,040
Speaker 2: It is wild too, because like you just said, like

340
00:14:17,120 --> 00:14:21,520
Speaker 2: it's like un like man, even if like we there's

341
00:14:21,840 --> 00:14:24,600
Speaker 2: guys out here still getting booked, still thriving, still doing

342
00:14:24,680 --> 00:14:31,280
Speaker 2: whatever they're doing, and they have been jaked exactly, and

343
00:14:31,400 --> 00:14:34,960
Speaker 2: it's like yo, like if this was like twenty ten,

344
00:14:35,120 --> 00:14:37,200
Speaker 2: Like I don't know, these guys can walk around like

345
00:14:37,280 --> 00:14:38,280
Speaker 2: it's just a different time.

346
00:14:38,680 --> 00:14:41,640
Speaker 1: The world different right now, like as a whole, Like

347
00:14:41,720 --> 00:14:44,600
Speaker 1: everybody not out here standing on they don't they don't

348
00:14:44,600 --> 00:14:46,600
Speaker 1: give a fuck about that shit. You feel me, right,

349
00:14:46,760 --> 00:14:49,080
Speaker 1: they're not standing on that type of business. Like really

350
00:14:49,160 --> 00:14:51,240
Speaker 1: niggas getting away with murder right now? I ain't gonna

351
00:14:51,280 --> 00:14:51,760
Speaker 1: lie you.

352
00:14:51,880 --> 00:14:55,400
Speaker 2: Have a great uh working relationship. I feel like with

353
00:14:55,520 --> 00:14:58,440
Speaker 2: certain guys from Detroit. Uh in Detroit, you know, I

354
00:14:58,520 --> 00:15:02,600
Speaker 2: feel like it's having their own renaissance the last couple

355
00:15:02,640 --> 00:15:06,400
Speaker 2: of years going crazy. Then also Shot to Flint, Shot

356
00:15:06,440 --> 00:15:08,320
Speaker 2: to Real, the Younger was a show and the RMC

357
00:15:08,480 --> 00:15:11,920
Speaker 2: mic and those guys. But uh, yeah, Detroit, it's going crazy.

358
00:15:12,120 --> 00:15:15,800
Speaker 2: Uh have you you know, I would love to hear like, uh,

359
00:15:17,720 --> 00:15:19,640
Speaker 2: somebody needs to like I don't know if it's Ghazi,

360
00:15:20,120 --> 00:15:22,880
Speaker 2: but it'd be hard if they put together Like back

361
00:15:22,920 --> 00:15:24,280
Speaker 2: in the day when I was growing up, there was

362
00:15:24,320 --> 00:15:27,440
Speaker 2: compilation albums. They need to do like a Detroit to

363
00:15:27,560 --> 00:15:31,560
Speaker 2: the Bay compilation where half of it is Detroit producers,

364
00:15:31,600 --> 00:15:33,920
Speaker 2: half of the Bay Area producers and it's just POSSI

365
00:15:34,000 --> 00:15:34,800
Speaker 2: cuts that Shiit would be.

366
00:15:34,800 --> 00:15:37,120
Speaker 1: Great now for so niggas do need to do that.

367
00:15:37,240 --> 00:15:39,040
Speaker 1: You feel me at the end of the day, Detroit,

368
00:15:39,080 --> 00:15:41,600
Speaker 1: you feel me to my cousins for so you feel me, Yeah,

369
00:15:41,760 --> 00:15:44,120
Speaker 1: we'd be on the same type of ship. Niggas need

370
00:15:44,200 --> 00:15:47,960
Speaker 1: to handle that for show. Yeah, we had a You've

371
00:15:48,000 --> 00:15:50,520
Speaker 1: worked with cash Kid, right, Yeah, that's my nigga. Yeah,

372
00:15:50,920 --> 00:15:53,800
Speaker 1: Cash Kids hard Bro. They go crazy for so he's

373
00:15:53,920 --> 00:15:59,240
Speaker 1: guessing his fucking bars are fucking sick. Yeah, I remember

374
00:15:59,320 --> 00:16:01,640
Speaker 1: he came here in free style. All his sports references

375
00:16:01,720 --> 00:16:05,480
Speaker 1: a me fucked up? What the fuck that nigga? He's

376
00:16:05,480 --> 00:16:07,600
Speaker 1: smart as fuck, he'd be saying some sholly like high

377
00:16:07,640 --> 00:16:10,120
Speaker 1: niggas come up with that, Like you be tripping for

378
00:16:10,200 --> 00:16:11,280
Speaker 1: So what has.

379
00:16:11,840 --> 00:16:13,680
Speaker 2: Getting locked up for you and being away from your

380
00:16:13,720 --> 00:16:16,560
Speaker 2: kid for the last year? So has it? Has it

381
00:16:16,680 --> 00:16:19,240
Speaker 2: changed any of the way you think? Any any any

382
00:16:19,720 --> 00:16:21,440
Speaker 2: like now that you're free, Like obviously you don't want

383
00:16:21,440 --> 00:16:23,440
Speaker 2: to go back, but like, are you changing up anything?

384
00:16:23,560 --> 00:16:25,160
Speaker 2: Like is your mentality changed at all?

385
00:16:25,400 --> 00:16:28,200
Speaker 1: Or my mentality change? For so I ain't gonna lie

386
00:16:28,280 --> 00:16:31,120
Speaker 1: it humbled or Nigga ain't gonna lie like Nigga really

387
00:16:31,240 --> 00:16:33,360
Speaker 1: trying to. Nigga really just gotta keep his head on

388
00:16:33,520 --> 00:16:36,760
Speaker 1: the swivel out here. You feel me like, I ain't

389
00:16:36,760 --> 00:16:38,880
Speaker 1: gonna lie. Like when I was out, I was dinner wasting,

390
00:16:38,960 --> 00:16:40,720
Speaker 1: I was wasting a little time like you feel me.

391
00:16:40,760 --> 00:16:42,520
Speaker 1: I could have been stepping harder than what I was,

392
00:16:42,720 --> 00:16:44,600
Speaker 1: but you were going you were going up there, Yeah,

393
00:16:44,640 --> 00:16:47,280
Speaker 1: but I could have been stepping way harder. You feel

394
00:16:47,360 --> 00:16:49,040
Speaker 1: me like that shit made me realize that, like I

395
00:16:49,120 --> 00:16:52,320
Speaker 1: gotta go full fledged with this ship. You feel me, You.

396
00:16:52,520 --> 00:16:54,520
Speaker 2: Feel like it would help you to like leave the

397
00:16:54,600 --> 00:16:56,720
Speaker 2: bay for a little bit, he said, would have helped me, Yeah,

398
00:16:56,760 --> 00:16:58,000
Speaker 2: to like get out the bay for like a year

399
00:16:58,040 --> 00:16:58,200
Speaker 2: or so.

400
00:16:58,360 --> 00:17:01,400
Speaker 1: Like I ain't gonna lie, I don't. I'll be thinking

401
00:17:01,400 --> 00:17:04,320
Speaker 1: about that shit sometime, like like just get out the way.

402
00:17:04,600 --> 00:17:06,880
Speaker 1: I don't know, it's just something about being in the backyard,

403
00:17:06,960 --> 00:17:09,320
Speaker 1: like I got access to everything I need. You feel

404
00:17:09,320 --> 00:17:11,399
Speaker 1: me like I don't want to go to Atlanta and

405
00:17:11,480 --> 00:17:14,639
Speaker 1: I'm trying to work out there and then like I

406
00:17:14,760 --> 00:17:17,119
Speaker 1: got hell at Lena producers pulling up on me and

407
00:17:17,240 --> 00:17:19,119
Speaker 1: like none of this shit my style. You feel me

408
00:17:19,280 --> 00:17:21,760
Speaker 1: like for soul Nigga gonna branch out and like work

409
00:17:21,800 --> 00:17:23,800
Speaker 1: with other artists, and you feel me like try with

410
00:17:23,920 --> 00:17:26,480
Speaker 1: different sounds, but like I need my man.

411
00:17:26,600 --> 00:17:28,560
Speaker 2: I just mean, like just for the sake of like

412
00:17:29,000 --> 00:17:31,920
Speaker 2: getting out the way of the bullshit and just focusing. Yeah,

413
00:17:32,000 --> 00:17:34,080
Speaker 2: because like you know, like Mazie did that where he

414
00:17:34,400 --> 00:17:36,040
Speaker 2: came to LA and I feel like it almost like

415
00:17:36,080 --> 00:17:41,959
Speaker 2: immediately changed his minium, you know, be a little bit

416
00:17:42,040 --> 00:17:43,720
Speaker 2: more like tuned into the music. And I have to

417
00:17:43,760 --> 00:17:45,480
Speaker 2: worry because when you're at home and you got whatever

418
00:17:45,520 --> 00:17:47,680
Speaker 2: issues you got at home, it's like you're always you

419
00:17:47,800 --> 00:17:50,359
Speaker 2: always gotta have that guard up. You can't really focus.

420
00:17:50,480 --> 00:17:52,960
Speaker 2: I feel like one hundred percent if you got street

421
00:17:52,960 --> 00:17:53,480
Speaker 2: shit going.

422
00:17:53,400 --> 00:17:56,639
Speaker 1: On, mamas. So once you've been in this shit for

423
00:17:56,760 --> 00:17:59,119
Speaker 1: so long, it's like you kind of become new to it.

424
00:17:59,240 --> 00:18:01,600
Speaker 1: I mean you've become come numb to it type shit.

425
00:18:01,680 --> 00:18:04,440
Speaker 1: You feel me like you don't even notice, Like being

426
00:18:04,520 --> 00:18:07,600
Speaker 1: on guard, just being on point is just regular. For

427
00:18:07,680 --> 00:18:09,560
Speaker 1: really feel me like, even if I moved to La,

428
00:18:09,600 --> 00:18:11,160
Speaker 1: I'm gonna be on gard, I'm gonna be on point.

429
00:18:11,920 --> 00:18:14,720
Speaker 1: Me me personally, I'd rather be on point in the

430
00:18:14,760 --> 00:18:17,000
Speaker 1: Bay because you feel me. I know niggas facings. You

431
00:18:17,080 --> 00:18:19,320
Speaker 1: feel me out here. You don't know, Yeah, I don't

432
00:18:19,359 --> 00:18:21,119
Speaker 1: know what's going on out here. You feel me, I

433
00:18:21,280 --> 00:18:23,560
Speaker 1: like I got a couple niggas out here. You feel me,

434
00:18:23,640 --> 00:18:26,560
Speaker 1: but you feel me, I gotta I got a whole

435
00:18:26,760 --> 00:18:28,639
Speaker 1: city behind me in the v You feel me like

436
00:18:28,680 --> 00:18:30,479
Speaker 1: I got niggas in Oakland. You feel me, I got

437
00:18:30,600 --> 00:18:32,720
Speaker 1: niggas in Enrichment. I got niggas in the city. You

438
00:18:32,840 --> 00:18:35,520
Speaker 1: feel me like nigga got pulled out there? You feel me?

439
00:18:35,600 --> 00:18:37,240
Speaker 1: I got love out here for show, but like on

440
00:18:37,320 --> 00:18:40,320
Speaker 1: some street shit, ain't. I ain't got no pull out here.

441
00:18:40,359 --> 00:18:41,800
Speaker 1: This ain't my backyard, you feel me?

442
00:18:42,280 --> 00:18:46,480
Speaker 2: Uh? Did you see recently? Well yesterday Shortland Mafi dropped

443
00:18:46,480 --> 00:18:46,880
Speaker 2: a new song.

444
00:18:47,119 --> 00:18:48,520
Speaker 1: Oh yeah, I was just on the phone with that

445
00:18:48,640 --> 00:18:52,720
Speaker 1: nigga Phoenix today for real Phoenix flexing o GZ shout

446
00:18:52,760 --> 00:18:53,640
Speaker 1: out to the whole storyline?

447
00:18:54,080 --> 00:18:57,760
Speaker 2: Could this spark Obviously one of you guys are incarcerated

448
00:18:57,840 --> 00:19:00,800
Speaker 2: for like twenty years for him, But could this spark

449
00:19:01,119 --> 00:19:05,159
Speaker 2: at least a song between the guys from SB of

450
00:19:05,359 --> 00:19:10,800
Speaker 2: one song and no comments? I saw the shortline thing.

451
00:19:10,880 --> 00:19:15,399
Speaker 2: I said, maybe this could lead two. And when you

452
00:19:15,480 --> 00:19:18,640
Speaker 2: say no comment to me, that means yes, that means

453
00:19:18,680 --> 00:19:21,480
Speaker 2: it's already happening. If you're gonna hit me with a

454
00:19:21,560 --> 00:19:24,680
Speaker 2: no comment to me, that that's that's it's already in

455
00:19:24,720 --> 00:19:26,320
Speaker 2: the It's already in the cooker. It's already in the

456
00:19:26,359 --> 00:19:29,680
Speaker 2: deep frier. So you guys are already working.

457
00:19:29,800 --> 00:19:32,840
Speaker 1: HUHN were not working? Are you sure? No?

458
00:19:33,320 --> 00:19:34,880
Speaker 2: Have you talked about Nah?

459
00:19:35,200 --> 00:19:37,920
Speaker 1: We ain't talked about it. No nothing. I really ain't

460
00:19:37,960 --> 00:19:40,040
Speaker 1: talked to brouh. I ain't talked to bro in yours.

461
00:19:40,440 --> 00:19:41,120
Speaker 1: I ain't gonna lie.

462
00:19:41,480 --> 00:19:45,479
Speaker 2: Well, I hope I'm wrong. I hope you're capping right now.

463
00:19:47,240 --> 00:19:48,920
Speaker 1: It would be a beautiful thing to see.

464
00:19:49,600 --> 00:19:52,560
Speaker 2: It would be well if in twenty twenty four we

465
00:19:52,680 --> 00:19:56,080
Speaker 2: got a Shoreline Mafia song and the s ob RB song.

466
00:19:57,080 --> 00:19:59,320
Speaker 2: You guys are the biggest probably what if out of

467
00:19:59,720 --> 00:20:01,640
Speaker 2: like West Coast hip hop in like years.

468
00:20:01,760 --> 00:20:04,280
Speaker 1: A big what It would be a beautiful thing to

469
00:20:04,359 --> 00:20:06,200
Speaker 1: see for so yeah, cool.

470
00:20:06,400 --> 00:20:07,960
Speaker 2: Well, and now that it's in the air, hopefully we

471
00:20:08,000 --> 00:20:10,040
Speaker 2: can revisit this conversation too and be like, look he.

472
00:20:10,119 --> 00:20:13,000
Speaker 1: Was lying hopefully one day never know.

473
00:20:14,160 --> 00:20:15,840
Speaker 2: All right, So obviously you said you ain't really been

474
00:20:15,880 --> 00:20:18,240
Speaker 2: working too much, but now you're back, your back focused

475
00:20:18,280 --> 00:20:21,120
Speaker 2: is putting out singles? Is it working on a project?

476
00:20:21,240 --> 00:20:22,879
Speaker 2: What is What's? And are you still with Empire?

477
00:20:23,240 --> 00:20:25,639
Speaker 1: Uh No, I'm not under Empire right now, but you

478
00:20:25,720 --> 00:20:27,840
Speaker 1: feel me in my boys for so like shot the

479
00:20:27,880 --> 00:20:31,600
Speaker 1: guys probably realistically like I'm probably gonna end up being

480
00:20:31,720 --> 00:20:37,160
Speaker 1: under Empired or for show Mama's But yeah, I'm really

481
00:20:37,240 --> 00:20:40,080
Speaker 1: on some uh right now, I think I'm gonna play

482
00:20:40,080 --> 00:20:41,520
Speaker 1: the I'm a fuck with the single.

483
00:20:41,320 --> 00:20:43,680
Speaker 2: Game, right now you throw out there shooting video.

484
00:20:43,760 --> 00:20:45,880
Speaker 1: Fuck with the single game before drop a tape tape

485
00:20:45,880 --> 00:20:47,760
Speaker 1: on the way for soon the Russell should do a tape,

486
00:20:48,080 --> 00:20:50,320
Speaker 1: yeah for show do it man, that'd be big for

487
00:20:50,400 --> 00:20:50,760
Speaker 1: the city.

488
00:20:51,240 --> 00:20:52,720
Speaker 2: Is it like kind of like seeing him kind of

489
00:20:52,800 --> 00:20:55,120
Speaker 2: like change, you know the way independent artists are able

490
00:20:55,160 --> 00:20:56,560
Speaker 2: to kind of think about how they do things.

491
00:20:56,600 --> 00:20:59,600
Speaker 1: Because he's it's crazy. It just showing taking from the

492
00:20:59,600 --> 00:21:03,160
Speaker 1: backyard front the backyard, tool making cheese out of his backyard.

493
00:21:03,200 --> 00:21:06,560
Speaker 1: That's shit crazy, like when you pushing all positivity, you

494
00:21:06,720 --> 00:21:09,480
Speaker 1: feel me and like you ain't got too much going

495
00:21:09,560 --> 00:21:11,720
Speaker 1: on in the streets like that, you can move like that,

496
00:21:11,880 --> 00:21:14,960
Speaker 1: like he's showing niggas like you feel me. Just be yourself.

497
00:21:15,040 --> 00:21:16,560
Speaker 1: You feel me, you ain't got too much going on

498
00:21:16,640 --> 00:21:18,560
Speaker 1: in the streets. I watch your back, you feel me.

499
00:21:18,600 --> 00:21:20,560
Speaker 1: Niggas need to be moving like this, you feel me.

500
00:21:21,119 --> 00:21:23,040
Speaker 1: I call the Russell all the time, call him baby.

501
00:21:23,200 --> 00:21:26,359
Speaker 1: I call him baby Jesus, Baby Jesus. That's baby Jesus.

502
00:21:26,440 --> 00:21:29,240
Speaker 1: For sure. He showing niggas the way me personally, I

503
00:21:29,280 --> 00:21:31,040
Speaker 1: can't do no shit like that. I ain't gonna lie.

504
00:21:31,880 --> 00:21:35,320
Speaker 1: I got too much going on. Well, one day man

505
00:21:35,640 --> 00:21:38,320
Speaker 1: one day for one day, one day for sure. New

506
00:21:38,440 --> 00:21:40,920
Speaker 1: music coming hopefully. We just put some shit into the

507
00:21:40,960 --> 00:21:44,840
Speaker 1: air that ends up come to Fruition, so go watch.

508
00:21:45,040 --> 00:21:47,520
Speaker 1: We just dropped the crazy freestyle over Not Like Us too,

509
00:21:47,600 --> 00:21:49,159
Speaker 1: so you could check that out on YouTube.

510
00:21:49,680 --> 00:21:51,240
Speaker 2: I appreciate you coming through, man. Look we got to

511
00:21:51,320 --> 00:21:53,399
Speaker 2: keep you free, bro, keep that weight on you.

512
00:21:53,720 --> 00:21:56,080
Speaker 1: Noah for so look good on you. I ain't even

513
00:21:56,160 --> 00:21:58,760
Speaker 1: spoke for real. Yeah, I've been on my sober shit.

514
00:21:58,800 --> 00:21:59,200
Speaker 1: You feel me?

515
00:21:59,359 --> 00:22:02,199
Speaker 2: Oh you ain't just again. Keep that Souper ship going, bro,

516
00:22:02,320 --> 00:22:04,360
Speaker 2: you can stay fund so yeah, I got it. There

517
00:22:04,400 --> 00:22:06,639
Speaker 2: it is man, the boy. Appreciate you, Brother, appreciate you.

518
00:22:07,760 --> 00:22:08,040
Speaker 2: Fire