WEBVTT -  The Questlove Supreme Reunion Finale Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. All right,

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<v Speaker 1>so is everyone ready? Let's go, all right, people, let's work.

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<v Speaker 2>That's going to be loud.

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<v Speaker 1>No, yeah, that's loud.

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<v Speaker 3>Listen.

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<v Speaker 4>Suprema su su Suprema Roll Call, Suprema Shu Suprema roll Call,

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<v Speaker 4>Suprema Suprema Roll Call, Suprema s Suprema.

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<v Speaker 5>Rollmen this formIn this yeah with Bliss Bliss.

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<v Speaker 1>Yeah, all the qre lists.

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<v Speaker 6>Yeah, oh yeah, greatest hits.

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<v Speaker 1>Waiting for this.

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<v Speaker 3>Oh my god, world perfect that mama ooh man, all

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<v Speaker 3>the joys.

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<v Speaker 1>Yes, sir, yes, sir. Don't forget this one. You fly

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<v Speaker 1>cogurable one. That's right, coble, I mean no place child.

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<v Speaker 3>A listen.

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<v Speaker 5>Not to forget the all time classic.

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<v Speaker 1>It was a different time, It was a different Subreva

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<v Speaker 1>Breema roll breama Suprema roll Call. My name is Fante. Yeah,

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<v Speaker 1>I have achieved it. Yeah, last episode of quls Yeah, man,

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<v Speaker 1>I can't believe it.

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<v Speaker 4>Roll Supremo, Suprema, Roll Call, Supremo, Supremo, Role Call.

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<v Speaker 7>My name is Sugar.

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<v Speaker 8>Yeah, the end is near. Yeah, not just this podcast, yeah,

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<v Speaker 8>my whole career.

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<v Speaker 4>Suprema Roll Call, Supremo shut Suprema.

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<v Speaker 7>Roll call paid bill, Yeah, my bed is made. Yeah,

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<v Speaker 7>thanks for having me.

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<v Speaker 9>Yeah.

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<v Speaker 7>On Black History Decade.

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<v Speaker 9>Roma subpremo, roll call, Supremo, supremo roll call. It's like him, yeah,

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<v Speaker 9>and it's just us. Yeah, going to write something. Yeah,

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<v Speaker 9>I'm just gonna.

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<v Speaker 8>Roll Suprema.

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<v Speaker 4>Prima role prima suprema rollm up.

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<v Speaker 1>We haven't heard that. We we've not heard that. In

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<v Speaker 1>a minute, ladies and gentlemen, this is quest Love Supreme.

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<v Speaker 5>My name is Questlove, the de facto host of the show,

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<v Speaker 5>the namesake of the show. And uh, you know, we

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<v Speaker 5>are here to celebrate. I do not want this to

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<v Speaker 5>be a mournful episode, absolutely not no. But why he's

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<v Speaker 5>like ready to let it.

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<v Speaker 10>Don't blame me.

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<v Speaker 11>I mean it is an ind of era.

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<v Speaker 9>So we are celebrating and it may get emotional because

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<v Speaker 9>it's been a long journey.

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<v Speaker 5>We're allowed to be emotional. Let's let emotionals, all right.

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<v Speaker 5>So last night at dinner, I admit it that I've

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<v Speaker 5>to watch one Q on YouTube. So I don't know

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<v Speaker 5>if the scale has tipped to this being a podcast

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<v Speaker 5>to this being a YouTube show.

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<v Speaker 1>I don't know if we have more listeners or more viewers.

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<v Speaker 11>So, oh that's a good question.

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<v Speaker 1>Listeners. Okay, got it.

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<v Speaker 5>Older audience radio still believe in radio. Yes, so our listenership.

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<v Speaker 5>You know, we've kind of have a quasi even though

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<v Speaker 5>we started twenty sixteen, we've done ten seasons of Quest

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<v Speaker 5>Love Supreme and you know, so in my mind it

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<v Speaker 5>feels like ten years.

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<v Speaker 1>Yeah, mine as well. Tell round off exactly.

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<v Speaker 5>So to be fully transparent with you loyal listeners out there,

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<v Speaker 5>this is sort of officially the last episode of Questlove Supreme.

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<v Speaker 1>Is so hard, right, listen, it's a celebration.

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<v Speaker 9>You know what I mean, we are doing it's like

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<v Speaker 9>a TV show because you know, I was telling somebody earlier,

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<v Speaker 9>I was like, in radio you don't get to say goodbye.

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<v Speaker 11>That's in TV where you do a finale.

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<v Speaker 1>Flatter about that.

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<v Speaker 5>So when a person's doing their last episode of a

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<v Speaker 5>show or whatever, in radio, they don't let you say goodbye,

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<v Speaker 5>give you flowers.

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<v Speaker 9>Or anything unless you're leaving. But it's very rare that

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<v Speaker 9>a person is like leaving and gets to say goodbye.

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<v Speaker 9>It's because you got fired.

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<v Speaker 5>Softer radio leaves on their own, will most don't.

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<v Speaker 11>I'm gonna say most don't.

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<v Speaker 9>Maybe I think shoot, Tom Joyner might be the one

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<v Speaker 9>that walked away when you think about it, you know,

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<v Speaker 9>all right, well I we're starting.

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<v Speaker 5>Still working, we're officially yeah, but I doubt he's Remember

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<v Speaker 5>it used to be controversial, right right, Yeah, it's not,

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<v Speaker 5>and now it's like politically on our side of the fence,

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<v Speaker 5>which is something I never thought.

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<v Speaker 11>Man, what have Wow, Joe Rogan happened to exactly.

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<v Speaker 1>All right, Joe Rogan sort of became a new howardz Wow. Okay,

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<v Speaker 1>I didn't up that.

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<v Speaker 5>Yeah, So to let our listeners know, I guess maybe

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<v Speaker 5>it's we end the way we started, which is technically

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<v Speaker 5>I guess Episode two with Bill Sherman with guests. Guest

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<v Speaker 5>Bill Sermons, you're right, yeah, oh that's right. It was

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<v Speaker 5>because Maya was too right. We just reversed it and

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<v Speaker 5>gave you your coach. You're like Charlie Brown, thank you,

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<v Speaker 5>not even the star of your own Halloween special.

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<v Speaker 1>Track, look at you?

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<v Speaker 10>Since then, a few more grays.

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<v Speaker 5>Yeah, A lot has happened in these last air quote

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<v Speaker 5>ten years, man, listen, like the amount of children and

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<v Speaker 5>spouses and comings and goings and us as a unit.

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<v Speaker 5>A lot has happened. I guess unpaid Bill, I will

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<v Speaker 5>start with you fuck do it? What was your first

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<v Speaker 5>musical memory?

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<v Speaker 1>I love it?

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<v Speaker 5>Oh, okay, because we never get to answer these questions. Yeah,

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<v Speaker 5>so what's your first musical memory?

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<v Speaker 7>On people being on the show for this long, I

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<v Speaker 7>feel like everybody's like I grew up in the church,

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<v Speaker 7>and I did not grow up in any at all.

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<v Speaker 7>And both my parents are doctors, which I've said before,

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<v Speaker 7>and neither of them listened to much music. But what

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<v Speaker 7>they did listen to. My dad was like a smooth

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<v Speaker 7>jazz guy, and my mom listened to like Yo Yo

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<v Speaker 7>ma and Mandy Patinkin.

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<v Speaker 1>Artists. Yeah.

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<v Speaker 7>Montoya is like a wait time.

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<v Speaker 1>Yeah walked on us. Yeah, he was a recording artist.

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<v Speaker 1>He is a recording arts.

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<v Speaker 7>He's like a big yeah, like he was in all

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<v Speaker 7>of Sondheim's musicals and stuff. He's like a yeah, I

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<v Speaker 7>did not And he's the you know, the famous.

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<v Speaker 1>Wait did you get to say this to him when

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<v Speaker 1>he bursted in?

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<v Speaker 7>Well, I've known him for a while, so yes, I have. Okay, yeah,

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<v Speaker 7>I mean it's not like that anyway. So so my

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<v Speaker 7>dad listened to a lot of smooth jazz and CD

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<v Speaker 7>one On one point, nine, which is no longer that station,

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<v Speaker 7>but it was and so New York. Yeah, and being

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<v Speaker 7>in his car and him it would always the car

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<v Speaker 7>would turn on and it was always be that. And

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<v Speaker 7>then I later went on to like sort of try

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<v Speaker 7>to hip him to some music, but he would always

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<v Speaker 7>sort of put the dial back to sadly ceint Well

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<v Speaker 7>depends on who you ask, but anyway, CD one on

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<v Speaker 7>CD one point was CD. Yeah, in the days of CDs,

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<v Speaker 7>remember that, I thought you meant S E E D

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<v Speaker 7>Y like questionable CD. I mean in retrospect, might have

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<v Speaker 7>been CD no it Yeah, that was the station.

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<v Speaker 1>So it was like the local yacht rock station. Yeah.

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<v Speaker 7>It was mostly just like smooth jazz, like like Samborn

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<v Speaker 7>and Richard Elliott and uh, I don't like George Benson,

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<v Speaker 7>that smooth jazz worthy like the Yellow Jackets that kind

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<v Speaker 7>of ship.

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<v Speaker 9>Yeah, no idea that that was the hot the good

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<v Speaker 9>days of smooth jazz like in present day is like

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<v Speaker 9>born butaxophone.

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<v Speaker 1>Player plays all right, what's the first record you ever

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<v Speaker 1>purchased with your own money?

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<v Speaker 8>Uh?

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<v Speaker 7>Fuck? I think it was like Dexter Gordon something something,

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<v Speaker 7>live something, because I was a saxophone player growing up right.

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<v Speaker 7>We We learned this really late in my evolution. I

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<v Speaker 7>played the saxophone growing up, was big jazz head, and

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<v Speaker 7>I think the first thing I actually bought was a

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<v Speaker 7>record because I used to put them on my walls.

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<v Speaker 7>Was Dexter Gordon Live at the whatever the hell it was?

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<v Speaker 1>As I loved him.

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<v Speaker 5>He did a movie with didn't Yes, I think Clint

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<v Speaker 5>East would produced it, not directed it.

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<v Speaker 7>But I think you're right.

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<v Speaker 1>I do know what you're called Around After Midnight or

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<v Speaker 1>everything like that. Okay? Was he acting in it or

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<v Speaker 1>do you?

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<v Speaker 8>I don't know, so I wasn't autobiotical. Well you're the

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<v Speaker 8>jazz about Round Midnight, Round Midnight. It's about Dexter Gordon and.

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<v Speaker 5>He was starting in his own I don't know if

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<v Speaker 5>he was. I think he was in it because that's

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<v Speaker 5>how I first heard of out him.

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<v Speaker 8>The soundtrack is kind of more legendary than the movie.

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<v Speaker 8>Herbie Hancock did that soundtrack.

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<v Speaker 5>Right, Okay, So I remember on the Grammys when I

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<v Speaker 5>first heard of Bobby McFerrin doing that. He's saying, uh, yeah,

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<v Speaker 5>it was Bobby McFerrin and Herbie Hancock doing because I

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<v Speaker 5>was wondering, why is this guy just singing.

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<v Speaker 1>I was like, is he going to sing words? He's

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<v Speaker 1>just gonna Okay, So then what is the first concert

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<v Speaker 1>you attended?

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<v Speaker 7>Oh, James Taylor Tilla Center. I fell asleep. I was

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<v Speaker 7>really young, and my dad took me and he also

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<v Speaker 7>fell asleep, and we both sort of fell I was

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<v Speaker 7>I was like, I don't know.

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<v Speaker 1>But I've been that's a very soothing it was.

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<v Speaker 7>Yes, it felt like a warm bath.

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<v Speaker 8>Another QLs guest, James Tallen.

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<v Speaker 1>Yeah, that was the surprising guest for me.

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<v Speaker 5>Why didn't realize the amount of pain and depression he

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<v Speaker 5>like his music was the polar opposite of what his

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<v Speaker 5>life was into.

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<v Speaker 1>And so that is one episode that.

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<v Speaker 5>Shot me because I thought he was as sunny and

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<v Speaker 5>happy as his music was, and here he is telling

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<v Speaker 5>us about.

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<v Speaker 8>Like, yeah, he should have been a comedian. He's so depressing.

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<v Speaker 7>Yeah, exactly.

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<v Speaker 11>Based on Chris rock conversation.

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<v Speaker 7>And my other favorite person growing up was Dave Matthews,

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<v Speaker 7>who we also interviewed on the show and who my

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<v Speaker 7>heroes my whole life. Because there was a saxphone player

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<v Speaker 7>in the band, I thought.

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<v Speaker 1>That was so cool.

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<v Speaker 7>Dave played saxophone in the no But Dave had a

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<v Speaker 7>band with a saxophone player in it.

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<v Speaker 1>Leroy, Oh, okay, that's.

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<v Speaker 9>What you mean.

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<v Speaker 5>Okay, so you were you were in of college age

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<v Speaker 5>when Dave Matthews was and the Roots taking.

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<v Speaker 1>The Roots Dave Matthews and the Roots at college is.

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<v Speaker 7>And I don't know if we've ever talked about this,

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<v Speaker 7>but my senior year of college, the band that played

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<v Speaker 7>my senior year concert was the Roots, and.

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<v Speaker 9>This is at.

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<v Speaker 1>University.

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<v Speaker 7>Yeah, they rolled, they drove above us onto this giant field.

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<v Speaker 7>They all walked out.

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<v Speaker 5>Did they apologize to you guys that you weren't getting

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<v Speaker 5>Ray Kwan and ghost Face but you're getting the Roots instead.

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<v Speaker 7>No, but there is a classic story that most Deaf

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<v Speaker 7>played at like our our cafeteria and like there was

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<v Speaker 7>so many white kids that he like, played for like

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<v Speaker 7>ten minutes and then got mad and left. That's a

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<v Speaker 7>true story.

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<v Speaker 1>Really, Yeah, he was shocked.

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<v Speaker 5>It wasn't most I'm sorry it was That's who was

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<v Speaker 5>That sounds right? That sounds yeah, Sorry, I fucked up.

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<v Speaker 5>No question, Okay, all right, this is on the spot.

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<v Speaker 5>What's the last album that you enjoyed from start to finish?

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<v Speaker 5>I know, do you know of one album that you

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<v Speaker 5>listened to from start to finish.

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<v Speaker 7>Whence the last time anyone made an album that you

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<v Speaker 7>did listen to from start to Dope? I mean, my

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<v Speaker 7>kids are into DOCI. That record is great, and I

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<v Speaker 7>did listen to the whole thing.

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<v Speaker 5>That's true. There you go, Okay, that record's great. We'll

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<v Speaker 5>take DOCI. Who are your top three guests on the show.

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<v Speaker 7>I was just thinking about this. I loved Lenny Kravitz

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<v Speaker 7>because he smelled really gold.

0:12:53.520 --> 0:12:56.720
<v Speaker 5>Yes, and he sat right next to me, and Lenny

0:12:57.280 --> 0:13:02.600
<v Speaker 5>brought a few guests out in his chest, no someone else's,

0:13:02.880 --> 0:13:03.280
<v Speaker 5>but you.

0:13:03.360 --> 0:13:07.800
<v Speaker 1>Know they were I love Yeah.

0:13:07.800 --> 0:13:09.480
<v Speaker 2>The girls came out from Yeah, the girls came out.

0:13:10.440 --> 0:13:13.959
<v Speaker 7>Girls are always kind of out anyway. And I was

0:13:13.960 --> 0:13:15.520
<v Speaker 7>just actually was looking at this this paper. I was,

0:13:15.840 --> 0:13:17.679
<v Speaker 7>I love what we did Scarface in Nashville.

0:13:19.559 --> 0:13:19.880
<v Speaker 1>Awesome.

0:13:20.920 --> 0:13:23.760
<v Speaker 7>Brad was super fun and awesome that day. And then

0:13:24.240 --> 0:13:26.360
<v Speaker 7>who what I'm thinking of? I like Jack White. I

0:13:26.400 --> 0:13:30.920
<v Speaker 7>thought he was great. That was super fun. And that

0:13:31.040 --> 0:13:34.920
<v Speaker 7>was three and my fair one, the yet unreleased Dave

0:13:34.920 --> 0:13:38.079
<v Speaker 7>Sappelle episode. Because in that talk about it, which was

0:13:38.160 --> 0:13:40.680
<v Speaker 7>which was a wild night, but the best part about

0:13:40.720 --> 0:13:43.319
<v Speaker 7>that night, D'Angelo came and showed up to the recording

0:13:43.480 --> 0:13:45.240
<v Speaker 7>and he sat down next to me and he introduced

0:13:45.280 --> 0:13:46.480
<v Speaker 7>himself to me, and I thought that was like the

0:13:46.520 --> 0:13:47.840
<v Speaker 7>funniest fucking thing I've ever liked.

0:13:48.360 --> 0:13:52.440
<v Speaker 1>All the people like and I was like, Hi, It's more.

0:13:53.960 --> 0:13:57.199
<v Speaker 7>That he also smelled good. So anyway, there you go.

0:13:57.720 --> 0:14:01.079
<v Speaker 5>What would be an underrated episode in your opinion? I

0:14:01.360 --> 0:14:05.120
<v Speaker 5>think we would collectively agree that Jimmy Jam's episode was

0:14:05.520 --> 0:14:12.120
<v Speaker 5>the quintessential QLs episode. But what's a I almost feel

0:14:12.200 --> 0:14:14.040
<v Speaker 5>that we don't give much respect for the baby face.

0:14:15.920 --> 0:14:18.280
<v Speaker 11>To me, that was that was my That was literally

0:14:18.360 --> 0:14:20.520
<v Speaker 11>what I was thinking, the baby face.

0:14:20.560 --> 0:14:21.040
<v Speaker 1>That was crazy.

0:14:22.440 --> 0:14:23.680
<v Speaker 11>We were tight and it was sweaty.

0:14:23.800 --> 0:14:25.480
<v Speaker 1>It was like exactly.

0:14:26.120 --> 0:14:27.960
<v Speaker 7>I also think like the ones that we did early

0:14:28.040 --> 0:14:30.280
<v Speaker 7>on in the in your in the rehearsal room, the

0:14:30.360 --> 0:14:33.800
<v Speaker 7>Roots rehearsal room was always like an interesting sould my

0:14:33.920 --> 0:14:35.480
<v Speaker 7>Roudeolph because.

0:14:38.000 --> 0:14:38.720
<v Speaker 1>That's what it was like.

0:14:38.880 --> 0:14:40.520
<v Speaker 7>If you think it's tightened here, it was like real

0:14:40.600 --> 0:14:44.200
<v Speaker 7>tight turntable chick fun turntable, chickens mel band.

0:14:44.280 --> 0:14:52.080
<v Speaker 1>It was great. So like, what is your first musical

0:14:52.160 --> 0:14:53.000
<v Speaker 1>memory in life?

0:14:53.240 --> 0:14:54.400
<v Speaker 9>Damn I should have been I know I should have

0:14:54.400 --> 0:14:57.000
<v Speaker 9>been ready for this first music memory in life, just

0:14:57.600 --> 0:15:00.720
<v Speaker 9>dancing in my living room, listening to my parents records

0:15:00.880 --> 0:15:05.720
<v Speaker 9>to Brenda Russell and Angelo Bouphil and Teddy Pendergrass.

0:15:05.720 --> 0:15:06.320
<v Speaker 11>When I was little.

0:15:06.440 --> 0:15:09.640
<v Speaker 1>That was it for me. Okay, do you remember the

0:15:09.920 --> 0:15:12.400
<v Speaker 1>very first record that you purchased with your own money?

0:15:12.640 --> 0:15:13.040
<v Speaker 11>I think so.

0:15:13.200 --> 0:15:15.960
<v Speaker 9>I think that was in Japan on spring break I

0:15:16.040 --> 0:15:22.880
<v Speaker 9>brought ironically, I bought Mony Love, Alyssa Milano and the

0:15:23.000 --> 0:15:26.560
<v Speaker 9>New Jack City soundtrack had an album, Yes, she did.

0:15:26.640 --> 0:15:29.000
<v Speaker 10>I was a very big fan of Alyssa Milano.

0:15:30.040 --> 0:15:39.680
<v Speaker 2>No judgment, Wait, wait time random Eliza had an album.

0:15:39.720 --> 0:15:39.880
<v Speaker 3>I did.

0:15:40.040 --> 0:15:41.440
<v Speaker 1>I didn't know that she did. She did.

0:15:42.080 --> 0:15:44.080
<v Speaker 11>She was a big star to some of us, especially

0:15:44.080 --> 0:15:44.680
<v Speaker 11>if you, you know.

0:15:45.400 --> 0:15:48.480
<v Speaker 1>Grew up Washington. How okay, how was the album? Though?

0:15:48.640 --> 0:15:50.320
<v Speaker 11>I don't remember so great?

0:15:50.600 --> 0:15:50.760
<v Speaker 10>Right?

0:15:51.160 --> 0:15:55.880
<v Speaker 11>But that New Jack City album though, that bangs okay.

0:15:56.720 --> 0:16:01.680
<v Speaker 1>Wow, I think that's an episode. And you bought it

0:16:01.760 --> 0:16:02.280
<v Speaker 1>in Japan?

0:16:02.440 --> 0:16:02.640
<v Speaker 9>Yeah?

0:16:03.200 --> 0:16:04.000
<v Speaker 7>Why were you in Japan?

0:16:04.200 --> 0:16:06.920
<v Speaker 9>Because my mother was a flight attendant for forty three

0:16:07.000 --> 0:16:09.840
<v Speaker 9>years and she started the She's one of the people,

0:16:09.880 --> 0:16:12.680
<v Speaker 9>the flight attendants that started the Japan flights, the United

0:16:13.000 --> 0:16:15.760
<v Speaker 9>to Tokyo to Narita flights. So one year she was

0:16:15.880 --> 0:16:17.880
<v Speaker 9>like she met a friend there and she was like,

0:16:17.920 --> 0:16:19.480
<v Speaker 9>you're gonna go stay there for spring break with my

0:16:19.520 --> 0:16:20.160
<v Speaker 9>friend and her son.

0:16:20.280 --> 0:16:20.960
<v Speaker 11>And that's what I did.

0:16:21.600 --> 0:16:24.600
<v Speaker 1>Wow, I was twelve. Okay, do you remember the very

0:16:24.680 --> 0:16:25.960
<v Speaker 1>first concert you attended?

0:16:26.600 --> 0:16:28.160
<v Speaker 9>I think I remember the one that I cared about

0:16:28.160 --> 0:16:30.200
<v Speaker 9>because as a kid, I was always taking the concerts

0:16:30.560 --> 0:16:33.760
<v Speaker 9>because especially because my cousin played drums for Stevie Wonder.

0:16:33.840 --> 0:16:35.400
<v Speaker 11>But the one that I remember was Bad.

0:16:36.000 --> 0:16:38.320
<v Speaker 1>Wow, you got to see the Bad Tour? Yeah, man,

0:16:38.680 --> 0:16:40.240
<v Speaker 1>that didn't even come to Philadelphia.

0:16:40.240 --> 0:16:41.360
<v Speaker 8>I was still angry at that.

0:16:42.600 --> 0:16:45.120
<v Speaker 11>You saw it in New York or in Maryland at

0:16:45.120 --> 0:16:45.840
<v Speaker 11>the Capital Center.

0:16:46.200 --> 0:16:48.360
<v Speaker 1>That's right, you're not a Philadelphia.

0:16:49.480 --> 0:16:52.880
<v Speaker 7>She came to Maryland and not Philadelphia. Feels like a death.

0:16:53.640 --> 0:16:55.680
<v Speaker 10>Well, no, no, I didn't come to Philly. That's weird.

0:16:56.240 --> 0:16:58.720
<v Speaker 5>Oh no, it's weird. It could have been local promotions,

0:16:58.840 --> 0:17:02.000
<v Speaker 5>you know. I meant now, of course, like Live Nation,

0:17:02.280 --> 0:17:06.280
<v Speaker 5>like everything is nationalized. But back in the eighties things

0:17:06.320 --> 0:17:11.640
<v Speaker 5>were regional. But Philly was always getting the shortened the stick.

0:17:11.720 --> 0:17:16.000
<v Speaker 5>I have a sound check. So Prince does the Purple

0:17:16.119 --> 0:17:20.680
<v Speaker 5>Ringe Show Thanksgiving of eighty four in Philly, and there's

0:17:20.720 --> 0:17:23.639
<v Speaker 5>a moment when he's sound checking, we's like I hate Philly.

0:17:26.640 --> 0:17:30.000
<v Speaker 5>So it was like all the other sound checks he's

0:17:30.040 --> 0:17:31.879
<v Speaker 5>like happy to be alive whatever, and here it's just

0:17:32.000 --> 0:17:36.760
<v Speaker 5>like I hate Philly on the PA system. So yeah,

0:17:36.960 --> 0:17:38.480
<v Speaker 5>thanks Prince. I appreciate that.

0:17:40.000 --> 0:17:43.320
<v Speaker 1>What is the last album or you already said doughchy,

0:17:43.400 --> 0:17:44.560
<v Speaker 1>But yeah.

0:17:44.720 --> 0:17:46.919
<v Speaker 11>I'm kind of I'm in. I'm all in on her

0:17:47.040 --> 0:17:50.280
<v Speaker 11>her you know what, her multiple listens like you multiple listens.

0:17:50.320 --> 0:17:51.760
<v Speaker 9>But also you know who y'all got me into, and

0:17:51.800 --> 0:17:54.600
<v Speaker 9>I'm glad I did when I did was Salt because now,

0:17:54.720 --> 0:17:58.359
<v Speaker 9>of course everybody is going to see Cleo wherever she

0:17:58.600 --> 0:18:01.240
<v Speaker 9>appears in whatever city. So yeah, I've been listening to

0:18:01.320 --> 0:18:01.879
<v Speaker 9>them a lot too.

0:18:02.160 --> 0:18:04.720
<v Speaker 1>Okay, who are your top three guests on this show?

0:18:05.160 --> 0:18:10.639
<v Speaker 11>I'm gonna say, oh, you mean shows like good Good Conversations.

0:18:10.840 --> 0:18:12.440
<v Speaker 1>Your your three favorite.

0:18:13.000 --> 0:18:15.280
<v Speaker 9>I'm gonna do a random one because she's my favorite

0:18:15.320 --> 0:18:17.480
<v Speaker 9>because I feel like there was more to talk about

0:18:17.480 --> 0:18:19.360
<v Speaker 9>and I always she stays in my head, and that's

0:18:19.400 --> 0:18:19.960
<v Speaker 9>Heather Hunter.

0:18:21.119 --> 0:18:22.479
<v Speaker 11>Heather Hunter was one of my favorites.

0:18:22.800 --> 0:18:23.320
<v Speaker 8>I really so.

0:18:23.400 --> 0:18:27.480
<v Speaker 7>Pissed that I missed that one. So many questions. I

0:18:27.560 --> 0:18:30.640
<v Speaker 7>was about to go all in full eye contact giving

0:18:30.680 --> 0:18:32.040
<v Speaker 7>all the heather, please did it.

0:18:32.119 --> 0:18:34.200
<v Speaker 9>There's a part two to that conversation. I always felt

0:18:34.200 --> 0:18:37.040
<v Speaker 9>like just me and her, we But that's the whole thing. Solange,

0:18:37.760 --> 0:18:42.280
<v Speaker 9>Solange salone, Salon Salange, especially off the hills of that

0:18:43.119 --> 0:18:47.960
<v Speaker 9>Saturday Night Live, that Bill Murray is knit and I don't,

0:18:48.600 --> 0:18:53.720
<v Speaker 9>oh shit, Quincy Jones man sitting on his couch talk

0:18:53.800 --> 0:18:57.359
<v Speaker 9>about talk about I mean, it was uncomfortable at times

0:18:57.359 --> 0:18:59.920
<v Speaker 9>because you know, he did talk about my toes.

0:18:59.720 --> 0:19:04.200
<v Speaker 1>A lot, and he also talked about your astrological sign.

0:19:04.440 --> 0:19:06.080
<v Speaker 7>Yeah, whatever you want to call it.

0:19:06.200 --> 0:19:08.160
<v Speaker 1>And I'm on the corner like I'm an aquarium too.

0:19:12.200 --> 0:19:13.719
<v Speaker 11>Even in the video I got him, he like them

0:19:13.720 --> 0:19:16.919
<v Speaker 11>to to I'm like, Lord, those toes.

0:19:16.720 --> 0:19:22.960
<v Speaker 1>Man, because he always.

0:19:24.320 --> 0:19:28.840
<v Speaker 5>He always sounded to me like someone imitating Sammy Davis Jr.

0:19:30.040 --> 0:19:33.040
<v Speaker 5>Always with the cough drop in his mouth, like always

0:19:34.080 --> 0:19:35.359
<v Speaker 5>sort of a cough dropping thing.

0:19:35.480 --> 0:19:37.840
<v Speaker 1>But yes, legendary man.

0:19:38.680 --> 0:19:39.520
<v Speaker 11>Yeah, I think we should.

0:19:39.960 --> 0:19:42.080
<v Speaker 9>It's a hard thing to just narrow it down to

0:19:42.280 --> 0:19:44.600
<v Speaker 9>to three, but I understand that's what we gotta do.

0:19:44.720 --> 0:19:47.080
<v Speaker 9>But I'm looking at all these pictures, all these moments,

0:19:47.119 --> 0:19:47.480
<v Speaker 9>and I'm like.

0:19:49.040 --> 0:19:52.480
<v Speaker 1>Do we physically have that? Quincy Jones episode.

0:19:53.160 --> 0:19:54.960
<v Speaker 11>We Steve.

0:19:57.000 --> 0:19:59.639
<v Speaker 10>Okay, but we do know somebody has it though.

0:19:59.760 --> 0:20:02.800
<v Speaker 1>Right on we all we got episodes being held hostage.

0:20:03.200 --> 0:20:05.160
<v Speaker 10>We got a few episodes hostage.

0:20:05.800 --> 0:20:07.840
<v Speaker 8>That episode went straight to the Tone Museum.

0:20:09.280 --> 0:20:10.680
<v Speaker 10>Why is held hostage?

0:20:11.280 --> 0:20:11.440
<v Speaker 9>Now?

0:20:11.640 --> 0:20:12.560
<v Speaker 10>Rogers, where are you at?

0:20:12.920 --> 0:20:13.160
<v Speaker 9>Hell?

0:20:13.320 --> 0:20:13.800
<v Speaker 11>Hostage?

0:20:14.840 --> 0:20:17.800
<v Speaker 1>We did interview. It was just one so short that

0:20:18.440 --> 0:20:19.640
<v Speaker 1>it stopped that reference.

0:20:19.359 --> 0:20:20.800
<v Speaker 11>To light and it was one more. I can't remember

0:20:20.840 --> 0:20:21.520
<v Speaker 11>the other one that was hell.

0:20:22.480 --> 0:20:25.840
<v Speaker 1>Yeah, yeah, because we had uh, Macio wasn't there. It

0:20:25.960 --> 0:20:29.000
<v Speaker 1>was just poss and Dave we did. It was right

0:20:29.040 --> 0:20:33.440
<v Speaker 1>after anonymous. Nobody had dropped right, uh, David pass.

0:20:34.440 --> 0:20:36.440
<v Speaker 9>I was also like to throw in a mention, the

0:20:36.480 --> 0:20:38.360
<v Speaker 9>honorable mention, because nobody has done this and it needs

0:20:38.400 --> 0:20:40.320
<v Speaker 9>to be mentioned, the rever fucking loution.

0:20:40.800 --> 0:20:43.600
<v Speaker 10>What we did with the revolution and for what.

0:20:45.400 --> 0:20:50.560
<v Speaker 1>Watching you d that was magic. That was crazy. But

0:20:50.600 --> 0:20:52.520
<v Speaker 1>when they sang sometimes it's now in April, I had

0:20:52.520 --> 0:20:53.159
<v Speaker 1>to walk outside.

0:20:54.960 --> 0:20:58.439
<v Speaker 11>Yeah that that was Maya Rudolph at that.

0:20:58.520 --> 0:21:02.040
<v Speaker 1>Event was my room, yeah, my yeah, my room office

0:21:02.040 --> 0:21:04.080
<v Speaker 1>there and I remember, yeah, they did sometimes the snows

0:21:04.119 --> 0:21:07.840
<v Speaker 1>in April. Crazy enough. I wasn't really like that wasn't

0:21:07.840 --> 0:21:09.760
<v Speaker 1>the one that got me, like, I was watching that

0:21:09.840 --> 0:21:12.879
<v Speaker 1>cool when you played come Home. I don't know what

0:21:13.040 --> 0:21:16.760
<v Speaker 1>it is about this song that is a sleeper prints song. Yeah,

0:21:16.960 --> 0:21:19.680
<v Speaker 1>no one man, you played that one. And that was

0:21:19.720 --> 0:21:22.280
<v Speaker 1>around the time too. That was literally like days after

0:21:22.359 --> 0:21:26.840
<v Speaker 1>my dad had died. And so that that that night

0:21:26.920 --> 0:21:29.879
<v Speaker 1>of revolution, that was just the I never I never

0:21:29.920 --> 0:21:32.159
<v Speaker 1>forget that because it was right when I needed it,

0:21:32.280 --> 0:21:34.560
<v Speaker 1>because like, my daddy just died, and uh, that's boss

0:21:34.600 --> 0:21:36.240
<v Speaker 1>Bill was still here and he was having.

0:21:36.160 --> 0:21:38.679
<v Speaker 9>Like the time, he was having enjoyment that we had

0:21:38.720 --> 0:21:40.399
<v Speaker 9>never experienced in our lives.

0:21:40.520 --> 0:21:45.000
<v Speaker 1>I've never seen in my life, right, brother Bossville man.

0:21:45.119 --> 0:21:47.760
<v Speaker 1>But uh but yeah, so but nah, revolution that was

0:21:47.840 --> 0:21:51.119
<v Speaker 1>that was epic ship. That was dope conference room actually,

0:21:51.480 --> 0:21:52.320
<v Speaker 1>now you say it.

0:21:52.560 --> 0:21:58.840
<v Speaker 5>We also interviewed probably our most eye opening Prince interview

0:21:59.760 --> 0:22:03.560
<v Speaker 5>we never got the air, which was Robbie his assistant.

0:22:04.200 --> 0:22:06.159
<v Speaker 11>All right, we didn't air it.

0:22:06.680 --> 0:22:08.880
<v Speaker 5>If there was such a thing as t back then,

0:22:09.880 --> 0:22:12.520
<v Speaker 5>that would have been the episode. I mean Robbie basically

0:22:13.400 --> 0:22:16.760
<v Speaker 5>spoke of being Princess Valet his jerome from like eighty

0:22:16.840 --> 0:22:22.119
<v Speaker 5>three to bringing up pianos on cranes into his suite.

0:22:24.040 --> 0:22:27.640
<v Speaker 5>I think he even spoke one time where a kind

0:22:27.680 --> 0:22:30.600
<v Speaker 5>of had a shoving match over something and he was

0:22:30.680 --> 0:22:34.400
<v Speaker 5>real with it. All I know was that the higher

0:22:34.520 --> 0:22:37.720
<v Speaker 5>upset Pandora, whoever was a Scott shout out to Scott Hello,

0:22:39.760 --> 0:22:44.680
<v Speaker 5>But I forgot that Robbie Prince's valet also got interviewed,

0:22:44.760 --> 0:22:48.720
<v Speaker 5>and we never focused on that one. So Sugar, Steve,

0:22:49.680 --> 0:22:52.119
<v Speaker 5>what is your first musical memory?

0:22:53.080 --> 0:22:56.480
<v Speaker 8>First musical memory, I mean there's a lot of AM

0:22:56.720 --> 0:23:00.440
<v Speaker 8>radio things I could say, and early Taper quarders. I

0:23:00.520 --> 0:23:04.240
<v Speaker 8>had things like that with my sister singing. But my

0:23:04.400 --> 0:23:06.320
<v Speaker 8>mom had an acoustic guitar in the house and she

0:23:06.520 --> 0:23:10.200
<v Speaker 8>was playing John Denver songs. That's I think sort of

0:23:10.560 --> 0:23:12.119
<v Speaker 8>my first actual musical memory.

0:23:12.240 --> 0:23:15.000
<v Speaker 1>Your mom plays guitar. No, no, she was just faking it,

0:23:15.119 --> 0:23:15.320
<v Speaker 1>but I.

0:23:16.119 --> 0:23:19.639
<v Speaker 8>Didn't know any better at the time. She's incredible.

0:23:21.920 --> 0:23:25.920
<v Speaker 5>I should know based on Steve in our thread chat

0:23:26.320 --> 0:23:28.400
<v Speaker 5>posted a photo of him.

0:23:29.680 --> 0:23:34.119
<v Speaker 1>How many bass Cities, Yeah, that's a lot.

0:23:34.200 --> 0:23:35.480
<v Speaker 8>How many Princes albums you own?

0:23:36.480 --> 0:23:39.200
<v Speaker 5>Yeah, but I don't own multiple, Like, yes you do,

0:23:41.119 --> 0:23:43.240
<v Speaker 5>We've seen them DJ though I'm allowed to have.

0:23:45.160 --> 0:23:48.440
<v Speaker 8>Oh well, I mean you have like I'm a WONDERAMA

0:23:49.200 --> 0:23:53.000
<v Speaker 8>generation person, you know, as some of us are here.

0:23:53.280 --> 0:23:56.080
<v Speaker 1>So every bas City Roller album you see, you just copy.

0:23:55.840 --> 0:23:58.960
<v Speaker 8>It of that specific one. Yeah, that first American one

0:23:59.000 --> 0:24:00.440
<v Speaker 8>with Saturday on it.

0:24:00.560 --> 0:24:02.840
<v Speaker 1>It's kind of very specific.

0:24:02.960 --> 0:24:05.000
<v Speaker 8>Yeah, it's really just that one album that I'm obsessed with.

0:24:05.320 --> 0:24:07.119
<v Speaker 11>You can I ask, what's the bas City song that

0:24:07.160 --> 0:24:07.840
<v Speaker 11>I would really know?

0:24:11.800 --> 0:24:13.040
<v Speaker 8>Saturday Night that's the only one.

0:24:13.760 --> 0:24:16.320
<v Speaker 1>Yeah. But they were just they were the one direction

0:24:16.440 --> 0:24:17.120
<v Speaker 1>of the seventh Yeah.

0:24:17.160 --> 0:24:20.720
<v Speaker 8>Yeah, and they were. And that's kind that's kind of

0:24:20.760 --> 0:24:23.679
<v Speaker 8>my first concert to not the basically Rollers, but Bob McCallister.

0:24:24.119 --> 0:24:26.040
<v Speaker 8>He would go around and do like these little, you know,

0:24:26.359 --> 0:24:30.119
<v Speaker 8>concerts for kids. So he was the justine of the

0:24:30.240 --> 0:24:33.520
<v Speaker 8>instinct of No. Bob mcalster was the host of Wonderama.

0:24:33.560 --> 0:24:35.320
<v Speaker 8>He was like an old Oh, he was like the

0:24:35.680 --> 0:24:36.760
<v Speaker 8>best soul trained guy.

0:24:37.280 --> 0:24:42.800
<v Speaker 5>So Basity Rollers were the Shalomar of One Durama. Yes,

0:24:43.400 --> 0:24:46.240
<v Speaker 5>Salamar manufactured from Soul trained.

0:24:46.359 --> 0:24:46.800
<v Speaker 1>Well, I don't.

0:24:46.880 --> 0:24:50.119
<v Speaker 8>They weren't manufactured for by One Durama, but yeah, they

0:24:50.119 --> 0:24:52.960
<v Speaker 8>were kind of the okay, yeah, all right, kind of

0:24:52.960 --> 0:24:54.320
<v Speaker 8>the symbol almost at that.

0:24:54.359 --> 0:24:57.840
<v Speaker 5>Time network did One Dama come on, I know the logo,

0:24:58.040 --> 0:24:59.879
<v Speaker 5>but I just think it's slider wheels.

0:25:00.359 --> 0:25:04.119
<v Speaker 8>No, that's the abs. It's not PBS. I don't know.

0:25:04.359 --> 0:25:06.400
<v Speaker 1>You only remember kids are people too, but I don't.

0:25:06.520 --> 0:25:09.840
<v Speaker 8>Yeah, well that's fine. Calis tour the country just singing

0:25:09.920 --> 0:25:12.800
<v Speaker 8>that song over and over again everywhere. But my first

0:25:12.880 --> 0:25:17.679
<v Speaker 8>real concert was Billy Joel the Garden eighty four, you know, tour.

0:25:18.040 --> 0:25:21.320
<v Speaker 1>In his prime jone Okay, uptown. You know I picked.

0:25:22.000 --> 0:25:23.200
<v Speaker 1>I was complaining to you all night.

0:25:23.720 --> 0:25:28.040
<v Speaker 5>I chose the one Billy Joel show in which he

0:25:28.200 --> 0:25:29.960
<v Speaker 5>decided not to do any hits.

0:25:30.080 --> 0:25:31.800
<v Speaker 1>Oh my god. It was his birthday.

0:25:32.240 --> 0:25:35.000
<v Speaker 5>You know, he had the residency at master Square Garden,

0:25:35.640 --> 0:25:39.320
<v Speaker 5>and so he was like for his birthday, I'm gonna

0:25:39.359 --> 0:25:42.119
<v Speaker 5>gift you the fans all the B sides and the

0:25:42.200 --> 0:25:46.160
<v Speaker 5>deep cuts, and literally, I mean everyone's losing their minds

0:25:46.160 --> 0:25:47.000
<v Speaker 5>because he's like, you know.

0:25:47.040 --> 0:25:49.360
<v Speaker 1>It's like, oh my god, open with the erotic city,

0:25:49.520 --> 0:25:50.040
<v Speaker 1>like I mean.

0:25:50.040 --> 0:25:54.159
<v Speaker 5>Like he's doing like the deep stuff, and you know,

0:25:54.280 --> 0:25:59.199
<v Speaker 5>I just sat there like waiting for starting something. Actually

0:25:59.800 --> 0:26:01.520
<v Speaker 5>that it was the one time he did. We didn't

0:26:01.560 --> 0:26:03.520
<v Speaker 5>start the fire. And everyone's laughing.

0:26:03.960 --> 0:26:09.879
<v Speaker 1>Because I guess the worst song ever. Yeah, really they

0:26:09.920 --> 0:26:11.320
<v Speaker 1>don't rock with that song. I had to do a

0:26:11.400 --> 0:26:13.920
<v Speaker 1>report on that song in like fifth grade, So yeah,

0:26:14.000 --> 0:26:14.399
<v Speaker 1>why is it?

0:26:14.720 --> 0:26:14.840
<v Speaker 4>Oh?

0:26:14.960 --> 0:26:17.360
<v Speaker 1>Yeah, all the historical references in it. I's just had

0:26:17.440 --> 0:26:19.720
<v Speaker 1>to Yeah, we had to find out like what it

0:26:19.960 --> 0:26:20.719
<v Speaker 1>was and look it up.

0:26:20.880 --> 0:26:23.320
<v Speaker 5>Like if a song gets too big, where like your

0:26:23.359 --> 0:26:26.560
<v Speaker 5>science teacher knows the song or your pastor your church

0:26:26.680 --> 0:26:30.960
<v Speaker 5>knows it, then that's when the backlins, like everyone had thrillers.

0:26:31.000 --> 0:26:33.119
<v Speaker 8>So then it's not a song, it's a list of

0:26:33.240 --> 0:26:39.760
<v Speaker 8>fucking names. But you don't think that it's rather rather shitty? Yes,

0:26:39.840 --> 0:26:44.199
<v Speaker 8>I do, I really feel get me started.

0:26:44.359 --> 0:26:47.920
<v Speaker 5>No, No, because this is a question that I will

0:26:47.960 --> 0:26:51.000
<v Speaker 5>get to later, which is basically, how have your music

0:26:51.040 --> 0:26:54.960
<v Speaker 5>tastes changed from twenty fifteen to now in twenty twenty five,

0:26:56.000 --> 0:27:01.200
<v Speaker 5>I will say that my instant dismissal of pop music

0:27:01.560 --> 0:27:05.000
<v Speaker 5>has definitely changed in the last ten years, where I

0:27:05.119 --> 0:27:07.520
<v Speaker 5>will be the one that meant that, Yeah, I'm quick

0:27:07.600 --> 0:27:11.120
<v Speaker 5>to dismiss something that I think a common person would

0:27:11.280 --> 0:27:13.400
<v Speaker 5>like because I think that we choose our music based

0:27:13.480 --> 0:27:16.960
<v Speaker 5>on likenobbery. Yeah, like they like that, Well I'm better

0:27:17.000 --> 0:27:20.159
<v Speaker 5>than them, so I'm gonna pick the obscure band. But

0:27:20.720 --> 0:27:23.080
<v Speaker 5>once I realized that it's hard as hell to write

0:27:23.119 --> 0:27:27.680
<v Speaker 5>a good pop song, listen. Then yeah, I respect the game.

0:27:28.760 --> 0:27:30.639
<v Speaker 5>Actually I learned it at and Juliet.

0:27:30.880 --> 0:27:33.720
<v Speaker 1>Good place to learn, Aelia.

0:27:34.080 --> 0:27:47.440
<v Speaker 8>But for you, here's the melody that that that that that's.

0:27:42.800 --> 0:27:48.800
<v Speaker 11>That's easy, it's oh my god, it ain't uptown.

0:27:49.920 --> 0:27:52.080
<v Speaker 5>And then the next song he did was in the

0:27:52.160 --> 0:27:56.200
<v Speaker 5>Middle of the Night, which right, which is fun fact,

0:27:56.840 --> 0:28:02.040
<v Speaker 5>my first month working at Rough Records, Joe Niccolo produced it.

0:28:02.600 --> 0:28:06.840
<v Speaker 5>I think the backstory is and that's I'm sorry, Joe Nicolo.

0:28:07.040 --> 0:28:12.560
<v Speaker 5>I apologize. If there's one besides Arthur Baker, another luminary

0:28:12.640 --> 0:28:15.359
<v Speaker 5>that has been always in my dms, like when am

0:28:15.359 --> 0:28:16.720
<v Speaker 5>I going to get my turn to tell my story?

0:28:16.760 --> 0:28:19.440
<v Speaker 11>Espectly after we had Chris, I know he liked Yeah.

0:28:19.440 --> 0:28:21.240
<v Speaker 1>Yeah, he definitely wanted to get on the show.

0:28:21.520 --> 0:28:27.240
<v Speaker 5>Sorry, apologies, but I guess Joe Nicolo would add a

0:28:27.280 --> 0:28:31.680
<v Speaker 5>lot of break beats under his rock stuff, which kind

0:28:31.720 --> 0:28:34.760
<v Speaker 5>of ninety one ninety two really wasn't a thing. So

0:28:35.359 --> 0:28:38.960
<v Speaker 5>him looping the funkadelic good old music drum break in

0:28:39.080 --> 0:28:43.960
<v Speaker 5>that song kind of you know dog was for hip hop? Yeah,

0:28:44.240 --> 0:28:46.880
<v Speaker 5>or you know, I guess for those that are wondering

0:28:46.960 --> 0:28:50.360
<v Speaker 5>in nineteen ninety two, how do I avoid the unsung

0:28:50.720 --> 0:28:51.720
<v Speaker 5>and then hip hop.

0:28:51.600 --> 0:28:54.920
<v Speaker 1>Came alright, syndrome embrace it.

0:28:55.240 --> 0:28:56.960
<v Speaker 5>Yeah, it's like, oh, what can I do? Okay, I'll

0:28:56.960 --> 0:28:59.000
<v Speaker 5>put a break beat in anyway. So I got to

0:28:59.120 --> 0:29:02.160
<v Speaker 5>see at least the first day of him looping met

0:29:02.240 --> 0:29:05.200
<v Speaker 5>in the drum machine for Billy Joel, I didn't get

0:29:05.240 --> 0:29:06.000
<v Speaker 5>to see Billy Joel.

0:29:06.040 --> 0:29:09.680
<v Speaker 1>But so, who are your top three guests on the show.

0:29:10.000 --> 0:29:12.240
<v Speaker 8>Oh, I'd have to look at the list to really

0:29:12.600 --> 0:29:13.440
<v Speaker 8>answer this question.

0:29:15.920 --> 0:29:17.680
<v Speaker 1>I am I'm going to okay.

0:29:17.920 --> 0:29:21.160
<v Speaker 10>One non jazz se do one non jazz person.

0:29:21.640 --> 0:29:23.440
<v Speaker 1>Well, he didn't do any we didn't do it mention

0:29:23.560 --> 0:29:24.440
<v Speaker 1>any jazz artists.

0:29:24.560 --> 0:29:25.440
<v Speaker 11>Yeah, he hasn't yet.

0:29:26.120 --> 0:29:29.920
<v Speaker 8>I mean for obvious reasons. Costello, you know, that's a

0:29:29.960 --> 0:29:32.840
<v Speaker 8>classic episode, the one on one or I'm glad you

0:29:32.920 --> 0:29:34.160
<v Speaker 8>won one with Costello.

0:29:35.000 --> 0:29:36.840
<v Speaker 9>What's so funny because your one on one is one

0:29:36.880 --> 0:29:38.080
<v Speaker 9>of your classes episodes.

0:29:38.360 --> 0:29:40.880
<v Speaker 8>Well, it was epic and it wasn't harder, and it

0:29:41.040 --> 0:29:43.600
<v Speaker 8>was like, you know, once in a lifetime for a

0:29:43.680 --> 0:29:44.400
<v Speaker 8>Costello fan.

0:29:44.520 --> 0:29:47.880
<v Speaker 5>They definitely appreciated you asking the questions that no journalist

0:29:47.960 --> 0:29:48.680
<v Speaker 5>has ever asked.

0:29:49.120 --> 0:29:50.200
<v Speaker 8>Yeah, it was it was.

0:29:50.600 --> 0:29:51.440
<v Speaker 1>That was a classic one.

0:29:51.600 --> 0:29:54.400
<v Speaker 8>And my Nick Low one, my one on one with

0:29:54.520 --> 0:29:58.000
<v Speaker 8>Nick Low was pretty special as well. It was and

0:29:58.360 --> 0:30:02.200
<v Speaker 8>the ones we did an electric Lady roy Ers, you know,

0:30:02.280 --> 0:30:04.760
<v Speaker 8>because he had recorded so many records there and I

0:30:04.800 --> 0:30:08.760
<v Speaker 8>thought that was super special and Herbalpert I liked all.

0:30:08.960 --> 0:30:12.960
<v Speaker 1>That was a great electrically. Yes, all right, Tigola, Yes, sir,

0:30:13.200 --> 0:30:15.120
<v Speaker 1>Your first musical.

0:30:14.920 --> 0:30:19.120
<v Speaker 8>Memory, her first musical memory and the first record I

0:30:19.200 --> 0:30:20.200
<v Speaker 8>bought with my own money.

0:30:20.640 --> 0:30:25.400
<v Speaker 1>Sorry, first memory, I guess I would say this was

0:30:25.760 --> 0:30:28.920
<v Speaker 1>in my grandmother's house. My mother just always played music,

0:30:29.120 --> 0:30:33.880
<v Speaker 1>and uh, she had a copy of Thankful by Nalie Cole,

0:30:34.760 --> 0:30:37.920
<v Speaker 1>which is like wow, yeah, so it's yeah, so yeah,

0:30:37.920 --> 0:30:42.040
<v Speaker 1>this is the one look my man. So she had

0:30:42.120 --> 0:30:44.960
<v Speaker 1>that and yeah, that record is just like a direct

0:30:45.080 --> 0:30:47.320
<v Speaker 1>portal to my childhood. Like I just remember like picking

0:30:47.360 --> 0:30:49.520
<v Speaker 1>it up and like the texture of it. It feels

0:30:49.560 --> 0:30:52.000
<v Speaker 1>like a painting. It's not like a regular joint. Even

0:30:52.080 --> 0:30:55.040
<v Speaker 1>the album cover felt yeah exactly. You feel like textures

0:30:55.120 --> 0:30:56.600
<v Speaker 1>kind of ridges in it. Yeah, it was like a

0:30:57.000 --> 0:30:59.320
<v Speaker 1>painting of her. And I just remember that and just

0:30:59.480 --> 0:31:02.480
<v Speaker 1>seeing the red label on Capitol just spin around around.

0:31:02.960 --> 0:31:05.560
<v Speaker 1>So my mother would always just play that record. She

0:31:05.640 --> 0:31:08.440
<v Speaker 1>would also play for some reason, I don't know, why

0:31:08.640 --> 0:31:11.120
<v Speaker 1>she loved this song so much, but Love Jones by

0:31:11.200 --> 0:31:13.240
<v Speaker 1>Johnny Guitar Watson. We had a forty five of that

0:31:13.920 --> 0:31:17.240
<v Speaker 1>real Yeah, okay, so we would be, you know, cleaning

0:31:17.320 --> 0:31:21.400
<v Speaker 1>up on Saturday mornings and just playing music, and that

0:31:21.680 --> 0:31:23.120
<v Speaker 1>was you know, that was the kind of stuff we

0:31:23.200 --> 0:31:23.520
<v Speaker 1>listened to.

0:31:24.120 --> 0:31:28.719
<v Speaker 5>I gotta say I will double down on the Thankful album.

0:31:29.680 --> 0:31:35.480
<v Speaker 5>If there's ever a fuzzy memory I have of my childhood,

0:31:35.920 --> 0:31:37.840
<v Speaker 5>it's I think my dad picked me up on a

0:31:37.920 --> 0:31:40.800
<v Speaker 5>snow day, and back when snow days were special, when

0:31:40.840 --> 0:31:43.880
<v Speaker 5>the teachers are like, okay, kids, you're going home early today,

0:31:43.920 --> 0:31:46.560
<v Speaker 5>and it was like, you know, especially if it's like

0:31:46.800 --> 0:31:48.840
<v Speaker 5>ten thirty, like you get home out a whole day,

0:31:49.000 --> 0:31:51.200
<v Speaker 5>right when price is writ and cartoons come on or whatever.

0:31:52.040 --> 0:31:57.400
<v Speaker 5>And yeah, so driving home in a snowstorm listening La

0:31:57.480 --> 0:32:00.600
<v Speaker 5>Costa is more or less like a tropical sound record, huh.

0:32:01.080 --> 0:32:06.000
<v Speaker 5>But for me, it's a winter like whatever you think of,

0:32:06.200 --> 0:32:09.360
<v Speaker 5>like a good Christmas or like the winter thing. That's

0:32:09.440 --> 0:32:11.280
<v Speaker 5>that's what you associate with it every time I hear

0:32:11.360 --> 0:32:13.600
<v Speaker 5>that song. If I want to think of my dad

0:32:13.640 --> 0:32:17.600
<v Speaker 5>in a nice way, it's just us driving home, sharing

0:32:17.640 --> 0:32:21.600
<v Speaker 5>a stale cheese Danish listening to La Costa on the

0:32:21.920 --> 0:32:25.000
<v Speaker 5>eight track track, Oh man. And the thing is because

0:32:25.040 --> 0:32:26.959
<v Speaker 5>I was born in the early seventies and really familiar

0:32:26.960 --> 0:32:29.960
<v Speaker 5>with eight tracks, occasionally the song would have to feed

0:32:31.280 --> 0:32:35.200
<v Speaker 5>oh yeah, and then come back and and always on

0:32:35.320 --> 0:32:38.840
<v Speaker 5>that bridge it would fade out.

0:32:39.520 --> 0:32:48.440
<v Speaker 1>So even to this day, yeah, yeah, that's my favorite

0:32:48.520 --> 0:32:51.640
<v Speaker 1>Natical album. That's probably my favorite Natal Call song without questioning.

0:32:51.920 --> 0:32:56.120
<v Speaker 5>They gave Natalie Cole a summer special, like a one

0:32:56.160 --> 0:32:59.960
<v Speaker 5>off variety show with Earth Wind and Fire as her guests,

0:33:00.280 --> 0:33:03.960
<v Speaker 5>but she does and her collaborator that wrote that, another

0:33:04.040 --> 0:33:06.760
<v Speaker 5>young lady that wrote that song, like, yeah, if you

0:33:06.840 --> 0:33:09.600
<v Speaker 5>look at them on YouTube, look at Natalie called La

0:33:09.680 --> 0:33:12.880
<v Speaker 5>Costa live on her nineteen seventy seven special.

0:33:13.080 --> 0:33:16.080
<v Speaker 1>Oh wow, that shit kicks out. Okay, I didn't know

0:33:16.160 --> 0:33:18.040
<v Speaker 1>she ever did it live. Yeah, that record, I mean,

0:33:18.080 --> 0:33:19.959
<v Speaker 1>it was never like a single and then I think,

0:33:20.080 --> 0:33:22.400
<v Speaker 1>but that was just always just a record that just

0:33:22.400 --> 0:33:25.320
<v Speaker 1>spoke to me and just takes me directly by to childhood. Yeah.

0:33:25.360 --> 0:33:27.760
<v Speaker 1>So those are probably my earliest musical memories, just my

0:33:27.840 --> 0:33:31.200
<v Speaker 1>mother playing records, going to my aunt's house and playing records.

0:33:31.600 --> 0:33:35.160
<v Speaker 1>My aunt she had Mam Belinda. She had a turntable

0:33:35.440 --> 0:33:37.840
<v Speaker 1>and she just had like all her records in her

0:33:38.000 --> 0:33:40.240
<v Speaker 1>like her apartment and stuff. And so whenever, you know,

0:33:40.520 --> 0:33:43.640
<v Speaker 1>you have spade night or whatever, she would let me

0:33:43.760 --> 0:33:47.600
<v Speaker 1>DJ the parties. And so this is how I That

0:33:47.720 --> 0:33:49.880
<v Speaker 1>was how I learned records. Usually, that was how I

0:33:49.960 --> 0:33:52.560
<v Speaker 1>learned music, like just seeing Okay, okay, I see the

0:33:52.600 --> 0:33:55.440
<v Speaker 1>guy's name on the cover, but the guy in the parentheses,

0:33:55.840 --> 0:33:58.880
<v Speaker 1>that's who wrote the song and he gets paid even

0:33:58.920 --> 0:34:02.560
<v Speaker 1>when the guy on the cover. So I want to

0:34:02.600 --> 0:34:05.960
<v Speaker 1>be that guy. Like that was my I want to

0:34:06.000 --> 0:34:07.760
<v Speaker 1>be the guy in the parenthesis, you know what I mean.

0:34:08.239 --> 0:34:10.680
<v Speaker 1>So I was probably like, you know, probably like seven

0:34:10.840 --> 0:34:12.840
<v Speaker 1>you know, seven eight, you know what I'm saying. But

0:34:12.920 --> 0:34:15.759
<v Speaker 1>I would just play. I learned like how if you

0:34:15.920 --> 0:34:17.919
<v Speaker 1>don't know a record, like just kind of my rule

0:34:17.960 --> 0:34:20.120
<v Speaker 1>of thumb. If it's a record you don't know, your

0:34:20.200 --> 0:34:22.360
<v Speaker 1>best bet is either the first song on side A

0:34:22.640 --> 0:34:25.319
<v Speaker 1>or the first song on side B, because that's that's

0:34:25.360 --> 0:34:29.000
<v Speaker 1>the strong offering. That's that's the best one. So so

0:34:29.160 --> 0:34:32.000
<v Speaker 1>ill you know Strawberry Letter twenty three right on time,

0:34:32.200 --> 0:34:34.840
<v Speaker 1>right exactly, you know, you know. So yeah, So that

0:34:34.960 --> 0:34:37.160
<v Speaker 1>was kind of how I learned just records and playing

0:34:37.480 --> 0:34:39.560
<v Speaker 1>and learning how to read the crowd. So like I

0:34:39.640 --> 0:34:43.799
<v Speaker 1>knew if I played something and everybody as long as

0:34:43.960 --> 0:34:46.360
<v Speaker 1>they're talking, like as long as everybody is talking and

0:34:46.480 --> 0:34:48.600
<v Speaker 1>having a good time, I'm playing something, then it's cool.

0:34:49.120 --> 0:34:51.399
<v Speaker 1>If you play something and they may look at it, yeah,

0:34:51.440 --> 0:34:54.000
<v Speaker 1>they get quiet, they look or whatever, and it's like,

0:34:54.040 --> 0:34:58.520
<v Speaker 1>all right, you dropped some bullshit. So I like hostile

0:34:58.640 --> 0:35:02.080
<v Speaker 1>environment exactly like seven eighty. You know, it's all around

0:35:02.160 --> 0:35:04.360
<v Speaker 1>that time. But I would always just play kind of

0:35:04.400 --> 0:35:07.239
<v Speaker 1>those records and that was yeah, that was it.

0:35:07.560 --> 0:35:10.800
<v Speaker 5>Now, it's weird that you made that observation at seven

0:35:11.000 --> 0:35:16.920
<v Speaker 5>because mine was the exact opposite, because of my father

0:35:17.160 --> 0:35:18.760
<v Speaker 5>always been shopping records.

0:35:18.800 --> 0:35:19.000
<v Speaker 3>Yeah.

0:35:19.040 --> 0:35:22.560
<v Speaker 1>Yeah, the process is always he would go to a

0:35:22.640 --> 0:35:23.440
<v Speaker 1>record store.

0:35:23.360 --> 0:35:25.000
<v Speaker 5>And the guy behind the count's like, all right, you

0:35:25.080 --> 0:35:27.040
<v Speaker 5>need this that he when he saw my dad, he'd

0:35:27.080 --> 0:35:29.279
<v Speaker 5>already knew all right, mister Lee, hear your records. And

0:35:29.360 --> 0:35:31.240
<v Speaker 5>he would just gather all a bunch of forty fives

0:35:31.320 --> 0:35:33.160
<v Speaker 5>or whatever, get a bunch of records and give it

0:35:33.200 --> 0:35:36.439
<v Speaker 5>to my dad. The bill comes to three hundred bucks,

0:35:36.680 --> 0:35:40.200
<v Speaker 5>but you know it's nineteen seventy year three thousand dollars right,

0:35:40.600 --> 0:35:43.799
<v Speaker 5>So literally I'm carrying I'm carrying the box of forty fives.

0:35:43.840 --> 0:35:46.880
<v Speaker 5>He's carrying the LPs. We would go to rehearsal, and

0:35:47.040 --> 0:35:51.040
<v Speaker 5>of course my dad's band would rummage through what they want. Okay,

0:35:51.120 --> 0:35:52.880
<v Speaker 5>we'll take Ohio players, We'll take no, no, no no.

0:35:53.640 --> 0:35:58.279
<v Speaker 5>So I would get to own the records, not show

0:35:58.400 --> 0:36:02.640
<v Speaker 5>left those left behind. And it's usually the flops. Okay,

0:36:03.400 --> 0:36:05.840
<v Speaker 5>but because I'm six and seven, I don't know anything.

0:36:05.880 --> 0:36:06.600
<v Speaker 1>I know it's a flop.

0:36:07.000 --> 0:36:09.320
<v Speaker 5>So I will say the first ten years of my

0:36:09.440 --> 0:36:12.200
<v Speaker 5>life was loving nothing but the flops.

0:36:14.040 --> 0:36:15.440
<v Speaker 1>But I can see but that I can see as

0:36:15.440 --> 0:36:18.840
<v Speaker 1>a DJ, that becomes kind of a superpower because you

0:36:19.080 --> 0:36:20.880
<v Speaker 1>know you're looking where no one else is. Like, you

0:36:20.920 --> 0:36:23.839
<v Speaker 1>can still find stuff on them records that like someone

0:36:23.880 --> 0:36:24.760
<v Speaker 1>else would overlook.

0:36:24.840 --> 0:36:29.480
<v Speaker 5>But to this day it makes me not like I

0:36:29.719 --> 0:36:33.400
<v Speaker 5>never liked the hit single, which I mean again, I

0:36:33.440 --> 0:36:37.600
<v Speaker 5>feel like Stevie Wonder is more defined by pastimes. I mean,

0:36:37.640 --> 0:36:41.080
<v Speaker 5>that doesn't count because Coolio sampled it. But that wasn't

0:36:41.080 --> 0:36:44.640
<v Speaker 5>a single, right, fun fact, I think I mentioned this before.

0:36:44.719 --> 0:36:47.000
<v Speaker 5>Do you know that isn't she Lovely was not a

0:36:47.120 --> 0:36:50.000
<v Speaker 5>single because Radio just I mean DJs thoughts, DJ's were

0:36:50.040 --> 0:36:52.320
<v Speaker 5>allowed to play whatever they wanted to and you know

0:36:52.600 --> 0:36:55.960
<v Speaker 5>that sort of thing. So yeah, like for me, it

0:36:56.080 --> 0:37:00.320
<v Speaker 5>was always the filler and the flop song that tracked

0:37:00.440 --> 0:37:03.440
<v Speaker 5>me and whatever I had Steve send Joeman as a kid,

0:37:03.560 --> 0:37:05.440
<v Speaker 5>like if it was love roller Coaster, I didn't like that.

0:37:05.719 --> 0:37:09.120
<v Speaker 5>But you know, if it was fop fop, that was

0:37:09.200 --> 0:37:12.320
<v Speaker 5>my ship, right exactly, that was my ship. When was

0:37:12.320 --> 0:37:13.480
<v Speaker 5>the first concert you ever went to?

0:37:13.760 --> 0:37:18.200
<v Speaker 1>First concert I ever went to? It was the fresh Fest.

0:37:18.400 --> 0:37:23.000
<v Speaker 1>This would have been nineteen eighty five six something like that.

0:37:23.440 --> 0:37:27.080
<v Speaker 1>This is Greensboro Coliseum, shit, And this was my uncle Brod.

0:37:27.200 --> 0:37:30.440
<v Speaker 1>He took me. It was Fat Boys, Run DMC Houdini,

0:37:31.360 --> 0:37:34.040
<v Speaker 1>and yeah, that was the first time I really saw.

0:37:34.080 --> 0:37:37.360
<v Speaker 1>I just remember seeing Run DMC and I remember seeing

0:37:38.200 --> 0:37:40.759
<v Speaker 1>you know one that night. I feel like the Fat

0:37:40.800 --> 0:37:43.040
<v Speaker 1>Boys might have won. The Fat Boys they went off.

0:37:43.080 --> 0:37:44.719
<v Speaker 1>I remember that. I actually my uncle actually brought me

0:37:44.760 --> 0:37:47.680
<v Speaker 1>a fat Boy's sweatshirt that night. Yeah, I mean he

0:37:47.760 --> 0:37:50.080
<v Speaker 1>did it on the low. I still have it. I

0:37:50.160 --> 0:37:51.680
<v Speaker 1>don't have it. I wish I would have kept it, man,

0:37:51.719 --> 0:37:53.719
<v Speaker 1>but nah, I don't have it. He took me out

0:37:53.760 --> 0:37:56.080
<v Speaker 1>one night. It was him and me, and he had

0:37:56.239 --> 0:37:58.600
<v Speaker 1>this girl he was seeing and her kids, you know

0:37:58.640 --> 0:38:01.080
<v Speaker 1>what I mean. And so we all went and so afterwards,

0:38:01.160 --> 0:38:03.040
<v Speaker 1>like he dropped him off and then we went in

0:38:03.120 --> 0:38:04.440
<v Speaker 1>the car and he was like, look, I got you this,

0:38:04.560 --> 0:38:05.800
<v Speaker 1>and he got me a sweatshirt.

0:38:05.800 --> 0:38:05.960
<v Speaker 8>You know.

0:38:06.000 --> 0:38:09.160
<v Speaker 1>He couldn't afford to buy everyone. He couldn't flex. He

0:38:09.160 --> 0:38:11.839
<v Speaker 1>couldn't flex. So I was like, I appreciate it. But yeah,

0:38:11.880 --> 0:38:13.960
<v Speaker 1>that was my first show and I just remember seeing

0:38:14.040 --> 0:38:17.240
<v Speaker 1>that and that was definitely the line in the sand

0:38:17.280 --> 0:38:20.240
<v Speaker 1>of like, Okay, Luther and Patty is my mama's music,

0:38:20.760 --> 0:38:22.799
<v Speaker 1>but this is my music, you know what I'm saying.

0:38:22.800 --> 0:38:24.160
<v Speaker 1>I guess I maybe this was like I was in

0:38:24.239 --> 0:38:26.600
<v Speaker 1>first grade, so I might have been yeah, around the

0:38:26.640 --> 0:38:28.840
<v Speaker 1>same time, like seven six seven something like that.

0:38:29.040 --> 0:38:32.360
<v Speaker 5>Yeah, man, like I I know, I want to know

0:38:32.400 --> 0:38:34.920
<v Speaker 5>what that feels like, the witness hip hop at a

0:38:35.040 --> 0:38:35.640
<v Speaker 5>young age.

0:38:36.320 --> 0:38:38.040
<v Speaker 1>Yeah, yeah, you know it was nine.

0:38:38.120 --> 0:38:42.000
<v Speaker 5>I still feel like I'm the elder Statesman when Rappers

0:38:42.120 --> 0:38:42.680
<v Speaker 5>Light came out.

0:38:42.920 --> 0:38:46.680
<v Speaker 1>But for you, you're like, nah, I was I warn't

0:38:46.719 --> 0:38:50.680
<v Speaker 1>in it? Yeah yeah, yeah, it was yeah, one seventy eight,

0:38:51.239 --> 0:38:54.120
<v Speaker 1>but you're one one right exactly. Yeah, bro so nah, man,

0:38:54.200 --> 0:38:56.040
<v Speaker 1>that was my first concert, and that was the first

0:38:56.080 --> 0:38:58.560
<v Speaker 1>time I saw like I was like, yeah, I want

0:38:58.600 --> 0:39:00.920
<v Speaker 1>to I didn't know even like wanting to do this,

0:39:01.120 --> 0:39:03.160
<v Speaker 1>like what that meant. But it was just something in

0:39:03.200 --> 0:39:05.520
<v Speaker 1>the music that spoke to me, and I was just like, Yeah,

0:39:05.600 --> 0:39:07.279
<v Speaker 1>this is me, this is this is my side of

0:39:07.280 --> 0:39:10.560
<v Speaker 1>the street. Gotcha all right? So what's the last album

0:39:10.760 --> 0:39:13.120
<v Speaker 1>you enjoyed from start to finish? Man?

0:39:13.239 --> 0:39:13.439
<v Speaker 8>Last?

0:39:13.480 --> 0:39:16.200
<v Speaker 1>I mind joy from start to finish. Actually just been

0:39:16.960 --> 0:39:19.080
<v Speaker 1>I just been back on my vinyl shit. Man, I

0:39:19.120 --> 0:39:22.239
<v Speaker 1>think the last record I bought, I just think of

0:39:22.360 --> 0:39:25.560
<v Speaker 1>off the top swing out Sister is Better to Travel.

0:39:26.120 --> 0:39:28.000
<v Speaker 1>That's why you're doing that on your ig. I just

0:39:28.960 --> 0:39:30.800
<v Speaker 1>in the crib. I just been in the crib playing records.

0:39:30.800 --> 0:39:31.959
<v Speaker 1>I'm just like, all right, this is what I'm listening

0:39:32.000 --> 0:39:33.760
<v Speaker 1>to now, and I just throw it up and it's.

0:39:33.640 --> 0:39:38.160
<v Speaker 5>Harder to skip or whatever. If it's on vinyl, you

0:39:38.200 --> 0:39:39.560
<v Speaker 5>gotta let it go to it.

0:39:39.680 --> 0:39:41.880
<v Speaker 9>You also got like a whole thing Fante. You was like,

0:39:42.200 --> 0:39:44.640
<v Speaker 9>because if it's new to me, it's new. That's what

0:39:44.719 --> 0:39:45.680
<v Speaker 9>he said to me last week.

0:39:45.880 --> 0:39:48.520
<v Speaker 1>Yeah new to me new, Yeah it's not you know. Now.

0:39:48.640 --> 0:39:50.080
<v Speaker 1>The one thing I will say was good about just

0:39:50.160 --> 0:39:52.520
<v Speaker 1>the Internet and kind of everything streaming. All that is

0:39:52.600 --> 0:39:56.120
<v Speaker 1>that it really erased. There's no such thing anymore as

0:39:56.200 --> 0:39:58.080
<v Speaker 1>new music or old music. It's just stuff you know

0:39:58.200 --> 0:40:01.439
<v Speaker 1>and stuff you don't. So if it's a that came

0:40:01.480 --> 0:40:03.359
<v Speaker 1>out in seventy two, or it's a song that came

0:40:03.400 --> 0:40:05.359
<v Speaker 1>out yesterday, if I'm hearing it for the first time,

0:40:05.800 --> 0:40:07.359
<v Speaker 1>that's a new song to me, you know what I mean.

0:40:07.560 --> 0:40:09.239
<v Speaker 1>So that was one of the ones that Swing Got

0:40:09.320 --> 0:40:12.160
<v Speaker 1>Sister record. I knew breakout right and I knew like Surrender,

0:40:12.239 --> 0:40:13.920
<v Speaker 1>but I'd never heard the whole album. Can we now

0:40:14.000 --> 0:40:16.399
<v Speaker 1>say that Twilight World is the best song that shot

0:40:16.480 --> 0:40:20.839
<v Speaker 1>they never got to re Let's talk about it, yo, man.

0:40:21.000 --> 0:40:23.080
<v Speaker 1>Yeah that yeah, that record. Yeah, if you see it

0:40:23.160 --> 0:40:26.319
<v Speaker 1>out anywhere, Like, if you like Twilight World, Swing got.

0:40:26.360 --> 0:40:28.920
<v Speaker 1>So this is the first album day first up. It's

0:40:28.920 --> 0:40:31.120
<v Speaker 1>better than Travels. Yeah, their first album. That joint is

0:40:31.160 --> 0:40:32.319
<v Speaker 1>fire in the end.

0:40:32.760 --> 0:40:35.080
<v Speaker 5>Yeah, I will say, Yeah, if you had a shot

0:40:35.160 --> 0:40:39.000
<v Speaker 5>a Junes and couldn't wait for an entire four years

0:40:39.040 --> 0:40:41.640
<v Speaker 5>for her to get the next record rerenning, that's how

0:40:41.719 --> 0:40:44.320
<v Speaker 5>I let Swing out Sister in my life. Actually, Twilight

0:40:44.360 --> 0:40:46.160
<v Speaker 5>World's another one, like when I want to think of

0:40:46.360 --> 0:40:50.560
<v Speaker 5>like high school, tenth grade or whatever, like you know,

0:40:50.719 --> 0:40:53.400
<v Speaker 5>you calling a joint up or whatever, like this is

0:40:53.560 --> 0:40:55.080
<v Speaker 5>like your audition in Twilight World.

0:40:55.760 --> 0:40:56.560
<v Speaker 1>Do you not know this song?

0:40:59.000 --> 0:41:04.320
<v Speaker 7>Oh yeah, okay, that whole.

0:41:04.239 --> 0:41:06.800
<v Speaker 1>Record is yes. See, I think that's the last. I

0:41:06.840 --> 0:41:08.719
<v Speaker 1>think that's one of the ones I caught, just in

0:41:08.840 --> 0:41:11.440
<v Speaker 1>terms of fulling, because mostly I mostly caught twelve inches

0:41:11.440 --> 0:41:14.360
<v Speaker 1>for the most part, but I do have like Ye

0:41:14.360 --> 0:41:17.719
<v Speaker 1>had swing Out Sister. That album is crazy. Trying to

0:41:17.719 --> 0:41:21.640
<v Speaker 1>think of some other ones. God, I just just think

0:41:21.680 --> 0:41:25.080
<v Speaker 1>of like full length records that I was up on. Yo.

0:41:25.239 --> 0:41:28.360
<v Speaker 1>There's a record Manolo but Drinking. You probably know this

0:41:28.480 --> 0:41:30.560
<v Speaker 1>with Steve. I'm sure Manolao but Drina. He's like a

0:41:31.239 --> 0:41:33.319
<v Speaker 1>percussions guy. Used to be a weather report. He had

0:41:33.360 --> 0:41:36.320
<v Speaker 1>a record that came out on A and M in

0:41:38.160 --> 0:41:41.560
<v Speaker 1>eighty I want to say eighty one. It's just called Manolo.

0:41:42.280 --> 0:41:44.920
<v Speaker 1>That shit is crazy, like the first it's produced by

0:41:45.360 --> 0:41:49.280
<v Speaker 1>herb album produced it and Noah, yeah, it's just called Manola.

0:41:49.360 --> 0:41:51.839
<v Speaker 1>It's not on streaming, it's just yeah.

0:41:51.920 --> 0:41:54.840
<v Speaker 11>I was just saying, okay, so it's not Spanish in

0:41:54.880 --> 0:41:55.800
<v Speaker 11>any type of way.

0:41:55.800 --> 0:41:57.839
<v Speaker 1>No, it's not. I mean it's you know, Latin jazz,

0:41:57.880 --> 0:42:00.279
<v Speaker 1>you know what. But the first the first side is

0:42:00.360 --> 0:42:02.400
<v Speaker 1>like crazy, and then the second side he kind of

0:42:02.760 --> 0:42:05.239
<v Speaker 1>you know what, the Saturday is fucking fire. But uh,

0:42:05.440 --> 0:42:07.719
<v Speaker 1>that was just another musical discovery I found. I was like, oh,

0:42:07.800 --> 0:42:10.759
<v Speaker 1>this shit is crazy. All right, who are your top

0:42:10.880 --> 0:42:12.320
<v Speaker 1>three guests?

0:42:13.320 --> 0:42:13.480
<v Speaker 8>Man?

0:42:13.760 --> 0:42:20.160
<v Speaker 1>Top three guests? Man, I gotta say, oh man, this

0:42:20.239 --> 0:42:20.560
<v Speaker 1>is god.

0:42:20.640 --> 0:42:21.120
<v Speaker 8>This is tough.

0:42:21.480 --> 0:42:23.800
<v Speaker 1>No matter how I think about, it's tough. Man. I

0:42:23.960 --> 0:42:28.840
<v Speaker 1>want to say I really enjoyed the Dungeon Family episode,

0:42:28.960 --> 0:42:33.520
<v Speaker 1>Like you know, we got Rico, you know, God rest

0:42:33.560 --> 0:42:33.879
<v Speaker 1>his soul.

0:42:33.960 --> 0:42:34.120
<v Speaker 8>You know.

0:42:34.280 --> 0:42:37.040
<v Speaker 1>Man, that was just because I mean that music was

0:42:37.200 --> 0:42:39.120
<v Speaker 1>just you know, their music, and I think I got

0:42:39.160 --> 0:42:41.200
<v Speaker 1>to give them flowers. I'm like, by y'all, music really

0:42:41.239 --> 0:42:43.000
<v Speaker 1>got me through some shit, you know what I mean.

0:42:43.160 --> 0:42:45.720
<v Speaker 1>And just you know, coming from the South and seeing

0:42:46.160 --> 0:42:49.200
<v Speaker 1>Dungeon Family just that collective what they were doing, you

0:42:49.280 --> 0:42:51.000
<v Speaker 1>know what I mean. And you know that just opened

0:42:51.040 --> 0:42:53.640
<v Speaker 1>up a whole new world for us. So definitely Dungeon fam.

0:42:53.920 --> 0:42:59.840
<v Speaker 1>I will say, oh my god, man, yo, llll COOLJ

0:43:00.480 --> 0:43:04.120
<v Speaker 1>like LLL I was in he was in rare form.

0:43:06.760 --> 0:43:08.000
<v Speaker 1>I'm done playing Detective Peak.

0:43:11.239 --> 0:43:11.520
<v Speaker 9>That was.

0:43:11.680 --> 0:43:14.600
<v Speaker 1>That was and uh, man, let me see for my

0:43:14.800 --> 0:43:18.359
<v Speaker 1>last one. Three I will probably go yeah, man, I'll

0:43:18.400 --> 0:43:21.279
<v Speaker 1>go with uh, I go with the Porner sisters. I

0:43:21.400 --> 0:43:24.520
<v Speaker 1>go with the sisters. I never that was my first

0:43:24.560 --> 0:43:27.280
<v Speaker 1>time seeing them, and crazy enough, like I had actually

0:43:27.400 --> 0:43:30.279
<v Speaker 1>heard for the like for the first time. I bought

0:43:30.440 --> 0:43:32.399
<v Speaker 1>that record, the one the Porters of the Self type

0:43:32.400 --> 0:43:34.400
<v Speaker 1>their debut, because I never heard the whole I mean,

0:43:34.400 --> 0:43:36.560
<v Speaker 1>I knew can Can, but I never heard the whole album.

0:43:37.080 --> 0:43:40.200
<v Speaker 1>And stylistically the album is kind of all over the place,

0:43:40.640 --> 0:43:44.600
<v Speaker 1>but vocally they are singing the fun oh my God.

0:43:45.239 --> 0:43:52.640
<v Speaker 5>Their versual album, their version of River Yeah verse Man

0:43:52.760 --> 0:43:54.040
<v Speaker 5>covered Lambert Hendrickson.

0:43:55.000 --> 0:43:55.160
<v Speaker 4>Yah.

0:43:55.200 --> 0:43:57.680
<v Speaker 1>That ship is a vocal master class. So I was

0:43:57.719 --> 0:44:00.319
<v Speaker 1>really thankful that we got a chance to meet them

0:44:00.440 --> 0:44:03.000
<v Speaker 1>a Bondie porn and roof corner and uh and just

0:44:03.040 --> 0:44:05.200
<v Speaker 1>give them their flowers. That was an amazing episode. Yep,

0:44:05.360 --> 0:44:05.719
<v Speaker 1>it was.

0:44:11.600 --> 0:44:18.000
<v Speaker 5>What is like our underrated episodes Faith, I will say

0:44:18.040 --> 0:44:22.360
<v Speaker 5>that's a disappointing episode if we will collectively say that

0:44:23.560 --> 0:44:29.000
<v Speaker 5>maybe Faith's episode lacked, and I'm almost certain it's because

0:44:30.160 --> 0:44:30.960
<v Speaker 5>she knew too much.

0:44:34.520 --> 0:44:36.799
<v Speaker 8>We also five hour episodes back then.

0:44:36.920 --> 0:44:39.919
<v Speaker 1>That was too right. That was a lot to ask.

0:44:40.200 --> 0:44:41.880
<v Speaker 1>So what did you order for lunch at?

0:44:42.680 --> 0:44:42.919
<v Speaker 5>Yeah?

0:44:43.680 --> 0:44:45.720
<v Speaker 11>But her and the old girl that directed Detroit.

0:44:45.800 --> 0:44:51.080
<v Speaker 1>I was like, that was kind of Catherine. Yeah, underrated man,

0:44:51.200 --> 0:44:54.520
<v Speaker 1>I thought uh Leroy Burgess episode. I was really glad

0:44:54.560 --> 0:44:56.320
<v Speaker 1>we got him. That was kind of underrated for me.

0:44:56.480 --> 0:45:00.440
<v Speaker 1>He was like just really just an unsung architect of

0:45:00.960 --> 0:45:03.600
<v Speaker 1>you know, black music in you know, in the late

0:45:03.680 --> 0:45:07.640
<v Speaker 1>seventies post disco period. And yeah, that was Yeah, he

0:45:07.880 --> 0:45:09.560
<v Speaker 1>was That was one of my top I thought we

0:45:09.600 --> 0:45:10.319
<v Speaker 1>were underrated on.

0:45:10.920 --> 0:45:13.440
<v Speaker 9>I'm a shout out George Faison just because it might

0:45:13.520 --> 0:45:15.759
<v Speaker 9>not be appreciated in this moment, but that's going to

0:45:15.800 --> 0:45:18.080
<v Speaker 9>be a part of a historical story. There's not a

0:45:18.160 --> 0:45:21.520
<v Speaker 9>lot of black dance oral history.

0:45:22.120 --> 0:45:26.719
<v Speaker 5>I gotta say his part of what is now will

0:45:26.840 --> 0:45:30.719
<v Speaker 5>eventually be the Earth Wind and Fire documentary. He was

0:45:30.920 --> 0:45:35.640
<v Speaker 5>very clear and concise and and he's a major part

0:45:35.680 --> 0:45:39.680
<v Speaker 5>of that story. Like and seeing Jesus Christ, like his

0:45:40.360 --> 0:45:43.680
<v Speaker 5>all the footage on him and his prime Yeah, him

0:45:43.760 --> 0:45:46.000
<v Speaker 5>given instructions and all that stuff. Like there's a lot

0:45:46.080 --> 0:45:48.840
<v Speaker 5>of dance rehearsals and the way that instructs.

0:45:48.880 --> 0:45:52.200
<v Speaker 1>So that's awesome. Yeah, I have all like an absolute

0:45:52.239 --> 0:45:54.399
<v Speaker 1>respect for for for for his work.

0:45:55.600 --> 0:45:56.439
<v Speaker 8>I love q Tip.

0:45:58.480 --> 0:46:01.000
<v Speaker 7>He was so into me music as much as we were.

0:46:01.239 --> 0:46:02.840
<v Speaker 1>I thought that was so he got us hyped.

0:46:03.000 --> 0:46:04.120
<v Speaker 7>Yeah, and he was like it was like we were

0:46:04.160 --> 0:46:04.920
<v Speaker 7>at his bar mitzvah.

0:46:05.120 --> 0:46:11.680
<v Speaker 5>And finally and finally the internet got to see what

0:46:11.840 --> 0:46:14.600
<v Speaker 5>the what the crook Clinton sample was so and it

0:46:14.800 --> 0:46:16.560
<v Speaker 5>was on It wasn't.

0:46:16.840 --> 0:46:19.200
<v Speaker 9>Okay, yeah, yes it was on the can't just say

0:46:19.239 --> 0:46:22.480
<v Speaker 9>those recordings that we did at what was we were

0:46:22.480 --> 0:46:23.480
<v Speaker 9>we at Central?

0:46:23.600 --> 0:46:24.160
<v Speaker 1>No anything?

0:46:24.160 --> 0:46:26.360
<v Speaker 10>I'm about to say, l A, we were at.

0:46:29.520 --> 0:46:35.239
<v Speaker 1>Those Garrett say Garrett Shaka, Yeah we weren't. She wasn't

0:46:35.239 --> 0:46:39.479
<v Speaker 1>at that studio, but Russian that was a different.

0:46:39.800 --> 0:46:42.600
<v Speaker 11>That was different I was talking about, is right, Dion.

0:46:42.520 --> 0:46:45.000
<v Speaker 7>Colet U, Danton.

0:46:47.800 --> 0:46:50.920
<v Speaker 1>Shout out to uh old boy just saved it down.

0:46:51.360 --> 0:46:56.680
<v Speaker 1>They purchased. I will also say that for me, we.

0:46:56.719 --> 0:46:59.440
<v Speaker 11>Got to ask all those questions but to well, I'm

0:46:59.440 --> 0:46:59.960
<v Speaker 11>not gonna.

0:46:59.760 --> 0:47:02.680
<v Speaker 5>Saying every Okay, so you know my first musical memory

0:47:02.960 --> 0:47:05.160
<v Speaker 5>is well, we all found out that I had a

0:47:05.200 --> 0:47:11.160
<v Speaker 5>fear of music modulations because I've gotten a second degree

0:47:11.280 --> 0:47:14.680
<v Speaker 5>burn on my leg running in the house and slipped

0:47:14.719 --> 0:47:19.239
<v Speaker 5>on the radiator. Wow, right when Curtis Mayfield changes the

0:47:19.320 --> 0:47:23.520
<v Speaker 5>key and Freddy's dead to the higher key, right souls,

0:47:23.800 --> 0:47:27.000
<v Speaker 5>which probably also a subconscious Sorry.

0:47:29.239 --> 0:47:31.279
<v Speaker 1>It's all right. I didn't know you had a fear

0:47:31.280 --> 0:47:31.799
<v Speaker 1>about yo.

0:47:31.880 --> 0:47:34.400
<v Speaker 5>If you have a modulations, yeah, I have just a

0:47:34.480 --> 0:47:38.799
<v Speaker 5>song for you, with the exception of Golden Lady, Are

0:47:38.840 --> 0:47:39.840
<v Speaker 5>you up human Nature?

0:47:39.880 --> 0:47:40.200
<v Speaker 9>You up?

0:47:40.239 --> 0:47:44.120
<v Speaker 1>On ish? Don't stop? It's don't stop. It's a t K.

0:47:44.239 --> 0:47:48.000
<v Speaker 1>It's on TK disco. It's a disco record. No, don't stop.

0:47:48.360 --> 0:47:51.680
<v Speaker 1>That song modulates like eighty times at the end. It's

0:47:51.760 --> 0:47:53.840
<v Speaker 1>like a long disco joint and it just keeps going up.

0:47:53.880 --> 0:47:57.120
<v Speaker 1>It's is hilarious, it's not. It's not so people modulate

0:47:57.280 --> 0:48:00.880
<v Speaker 1>for like of uh, like sweeping.

0:48:01.320 --> 0:48:04.040
<v Speaker 7>What's the Michael Jackson man, I mean like that one

0:48:04.440 --> 0:48:06.320
<v Speaker 7>on every four every eight minutes.

0:48:06.760 --> 0:48:07.120
<v Speaker 9>What's on.

0:48:08.719 --> 0:48:09.160
<v Speaker 7>Marry Me?

0:48:09.400 --> 0:48:12.080
<v Speaker 1>Like will be there?

0:48:12.160 --> 0:48:12.359
<v Speaker 2>Yeah?

0:48:13.560 --> 0:48:17.200
<v Speaker 1>Okay, but that song is so lyon King Doubt it

0:48:17.280 --> 0:48:18.640
<v Speaker 1>doesn't feel scary to me.

0:48:19.320 --> 0:48:24.080
<v Speaker 5>So here's the like sensory overload modulations. The thing is

0:48:24.239 --> 0:48:27.919
<v Speaker 5>is that now this came out when I was well one.

0:48:28.680 --> 0:48:32.759
<v Speaker 5>This burning accident happened when I was three, So this

0:48:33.400 --> 0:48:37.279
<v Speaker 5>sort of ties into him being on soul train. And

0:48:37.400 --> 0:48:41.200
<v Speaker 5>this probably also explains my soul training obsession because all

0:48:41.239 --> 0:48:44.640
<v Speaker 5>I remember was seeing him perform. Like again, I'm on

0:48:45.000 --> 0:48:48.040
<v Speaker 5>my back. They're trying to whatever butter my leg or something.

0:48:49.160 --> 0:48:51.920
<v Speaker 1>How did you burn yourself? Like what was believe? Did

0:48:52.400 --> 0:48:54.120
<v Speaker 1>I know? And you shouldn't be that. Yeah, we used

0:48:54.120 --> 0:49:03.840
<v Speaker 1>to do that to help you. So I guess it

0:49:03.920 --> 0:49:05.759
<v Speaker 1>was a black No, that was yeah, we you but

0:49:05.840 --> 0:49:07.520
<v Speaker 1>if I burned the hand he put butter on you.

0:49:08.840 --> 0:49:12.239
<v Speaker 5>Yeah, according to my sister, Uh, I just got off

0:49:12.280 --> 0:49:15.719
<v Speaker 5>the bathtub drying me off, and I was running and

0:49:15.960 --> 0:49:19.320
<v Speaker 5>we were staying in Compton because my parents were recording.

0:49:20.040 --> 0:49:23.200
<v Speaker 5>We leave the congress ally record. So my grandmother lived

0:49:23.200 --> 0:49:28.520
<v Speaker 5>in Compton, and I ran past the front door of

0:49:28.600 --> 0:49:31.319
<v Speaker 5>my grandmother's house and I guess there's a slippery kind

0:49:31.400 --> 0:49:33.880
<v Speaker 5>of rug. She didn't have a vest of you, so

0:49:34.080 --> 0:49:36.480
<v Speaker 5>kind of like a slippery rug thing. I slipped on

0:49:36.520 --> 0:49:37.440
<v Speaker 5>the rug and I guess I.

0:49:37.640 --> 0:49:40.800
<v Speaker 1>Landed and my tire right leg.

0:49:42.120 --> 0:49:44.440
<v Speaker 5>Just hit the radiator and the radiator was on at

0:49:44.520 --> 0:49:49.520
<v Speaker 5>least a trillion light and blood was out and everything.

0:49:49.520 --> 0:49:50.360
<v Speaker 1>And I'm screaming.

0:49:50.719 --> 0:49:55.000
<v Speaker 5>They're putting oil all over my leg and all I

0:49:55.080 --> 0:49:58.560
<v Speaker 5>can hear just like CTSD shit totals.

0:49:58.920 --> 0:50:11.600
<v Speaker 1>But literally when this part happens, Okay, can it creepy

0:50:11.680 --> 0:50:12.480
<v Speaker 1>out like that?

0:50:13.000 --> 0:50:13.400
<v Speaker 4>Is like the.

0:50:17.960 --> 0:50:22.200
<v Speaker 6>Sound like the subway scene in the ring is like, yeah,

0:50:22.680 --> 0:50:23.560
<v Speaker 6>don't don't do that.

0:50:24.960 --> 0:50:31.320
<v Speaker 1>See see when you hear that is a yeah memory,

0:50:31.400 --> 0:50:35.239
<v Speaker 1>it's a trigger, right, it's a trigger memory. So yeah,

0:50:35.360 --> 0:50:39.920
<v Speaker 1>literally that's kind of why. Another another one is.

0:50:40.680 --> 0:50:42.160
<v Speaker 11>We can't be asking a mirror all these questions. You

0:50:42.280 --> 0:50:44.359
<v Speaker 11>know that right wing finish well.

0:50:44.280 --> 0:50:45.600
<v Speaker 1>You already know it's the two episodes.

0:50:46.200 --> 0:50:54.080
<v Speaker 11>Yeah, yeah, at least wait, uh, that's a different one.

0:50:54.520 --> 0:50:54.600
<v Speaker 9>Now.

0:50:54.840 --> 0:50:58.759
<v Speaker 5>This is where I finally worked with Bill Summons, and

0:50:59.440 --> 0:51:04.400
<v Speaker 5>he basically got small bottles and just basically wow.

0:51:05.000 --> 0:51:07.480
<v Speaker 1>So that's how he would He would do that, all right,

0:51:07.600 --> 0:51:10.000
<v Speaker 1>in this particular case, probably.

0:51:10.760 --> 0:51:11.920
<v Speaker 7>When we filmed a commercial.

0:51:17.280 --> 0:51:21.440
<v Speaker 5>Michelle, Okay, So first of all, Aretha Franklin's I'm in low,

0:51:21.560 --> 0:51:21.960
<v Speaker 5>we're still on.

0:51:22.040 --> 0:51:22.920
<v Speaker 11>His first question.

0:51:23.600 --> 0:51:27.080
<v Speaker 5>Starts very spooky to me, So we're gonna go right

0:51:27.120 --> 0:51:39.200
<v Speaker 5>into the middle. So even though this is modulated to

0:51:39.280 --> 0:51:43.040
<v Speaker 5>another key, the way that rf Marden would.

0:51:42.880 --> 0:51:47.480
<v Speaker 1>Add extra reverb on her voice, this too would scare

0:51:47.520 --> 0:51:48.040
<v Speaker 1>the ship of me.

0:51:49.960 --> 0:51:50.279
<v Speaker 7>Right here.

0:51:57.640 --> 0:52:01.360
<v Speaker 1>So I feel like she's been pushed off a mountains where.

0:52:02.880 --> 0:52:05.160
<v Speaker 9>Spare Remember when we could use music back in the

0:52:05.200 --> 0:52:06.600
<v Speaker 9>Pandora days, like we could actually do it.

0:52:07.200 --> 0:52:10.000
<v Speaker 5>I don't understand how I heard is the most powerful

0:52:10.160 --> 0:52:12.319
<v Speaker 5>radio conglomerate in the world use music?

0:52:12.360 --> 0:52:12.640
<v Speaker 1>All right?

0:52:12.719 --> 0:52:14.960
<v Speaker 8>It's about your whole that's the most famous.

0:52:15.600 --> 0:52:17.840
<v Speaker 1>Oh dude. Yeah, also a great episode.

0:52:18.200 --> 0:52:21.200
<v Speaker 7>You ever want to scare this guy? Remember when hold

0:52:21.239 --> 0:52:22.800
<v Speaker 7>we just had like one lamp in the background.

0:52:22.920 --> 0:52:24.800
<v Speaker 8>No, no, I'm talking about I'm not talking about interviewing,

0:52:25.280 --> 0:52:28.320
<v Speaker 8>talking about the song that we broke the we did.

0:52:28.239 --> 0:52:29.960
<v Speaker 1>We break up?

0:52:33.239 --> 0:52:36.040
<v Speaker 5>Probably the song that scared the Jesus album the most.

0:52:36.560 --> 0:52:39.080
<v Speaker 5>This is the number one modulation.

0:52:39.640 --> 0:52:40.239
<v Speaker 7>What was the question?

0:52:40.440 --> 0:52:40.560
<v Speaker 9>Now?

0:52:40.600 --> 0:52:44.960
<v Speaker 8>The number one modulation scarce the number number one question.

0:52:45.960 --> 0:52:48.200
<v Speaker 1>There's one the monsters. There is when the monsters on

0:52:48.239 --> 0:52:57.680
<v Speaker 1>the bed and then alight on then war and then

0:52:59.000 --> 0:53:04.560
<v Speaker 1>moment like literally and then and he two is also

0:53:04.680 --> 0:53:08.439
<v Speaker 1>falling off the mountain side. Yeah.

0:53:13.840 --> 0:53:17.960
<v Speaker 7>Yeah, if you take anything from this ten year experience,

0:53:18.280 --> 0:53:20.000
<v Speaker 7>your brain works differently. There you go.

0:53:20.800 --> 0:53:24.800
<v Speaker 5>Yeah, So I will say that my first musical memory is,

0:53:25.280 --> 0:53:27.520
<v Speaker 5>without a doubt, songs that scared me.

0:53:29.200 --> 0:53:33.120
<v Speaker 1>Tied with record covers that scared me so or why

0:53:33.200 --> 0:53:34.200
<v Speaker 1>can't we be friends?

0:53:34.400 --> 0:53:34.640
<v Speaker 4>Yeah?

0:53:35.000 --> 0:53:39.160
<v Speaker 1>Yeah, uh same on the world by the main ingredient.

0:53:39.440 --> 0:53:43.640
<v Speaker 5>And yes, even I still maintain that Stevie Wonder is

0:53:43.760 --> 0:53:46.080
<v Speaker 5>drowning in donuts and your songs in.

0:53:46.120 --> 0:53:48.480
<v Speaker 1>The Key of Life. It looks like the thing of

0:53:48.520 --> 0:53:54.359
<v Speaker 1>them cookies. Wait, okay, now I'm seeing the key thing

0:53:54.480 --> 0:53:57.800
<v Speaker 1>of those like Danish cookies, the ones that used to

0:53:57.840 --> 0:53:59.759
<v Speaker 1>be in the Blue Teams, thing of the cover of

0:54:00.040 --> 0:54:00.799
<v Speaker 1>what's a short brand.

0:54:01.560 --> 0:54:04.160
<v Speaker 5>You're Stevie Wonder in nineteen seventy six, and I'm the

0:54:04.280 --> 0:54:07.840
<v Speaker 5>art director of Motown. No, I'm the art director of Motown.

0:54:08.239 --> 0:54:08.800
<v Speaker 7>You're Stevie.

0:54:09.280 --> 0:54:13.479
<v Speaker 1>Yeah, now I'm Stevie Wonder. You're the art director of Motown. Okay,

0:54:13.560 --> 0:54:19.759
<v Speaker 1>I can described to me the cover of songs in

0:54:19.880 --> 0:54:22.920
<v Speaker 1>kid Life. All right, Stevie, we're gonna have you in

0:54:23.000 --> 0:54:26.120
<v Speaker 1>the in the center, but it's gonna be like a

0:54:26.200 --> 0:54:29.759
<v Speaker 1>brown cover. Well use that brown. It's so it's like

0:54:29.800 --> 0:54:33.440
<v Speaker 1>an earth tonge color. Uh uh nah, No, songs here

0:54:33.480 --> 0:54:35.480
<v Speaker 1>Life was like a brownish kind of thing. The all

0:54:35.520 --> 0:54:41.759
<v Speaker 1>of them was well that was okay, yeah, alright, alright,

0:54:41.800 --> 0:54:43.080
<v Speaker 1>so Stevie, all right, So you're gonna be in the

0:54:43.120 --> 0:54:46.640
<v Speaker 1>middle and it's gonna have like these ridges around you

0:54:47.840 --> 0:54:50.239
<v Speaker 1>that Okay, I'm gonna feel this cookie. You feel the

0:54:50.320 --> 0:54:54.279
<v Speaker 1>ridges on the you know what I mean, Like it's

0:54:54.320 --> 0:54:56.239
<v Speaker 1>gonna be that I cat Stevie touched the cookie. Yeah,

0:54:56.239 --> 0:54:57.920
<v Speaker 1>that's about the best I could do for Stevie.

0:54:58.040 --> 0:54:58.440
<v Speaker 9>You know what I mean?

0:54:58.640 --> 0:55:01.319
<v Speaker 1>It's man dark like nah?

0:55:01.440 --> 0:55:02.280
<v Speaker 7>What was his response?

0:55:03.160 --> 0:55:12.160
<v Speaker 5>I literally, yeah, I would routinely take the records I

0:55:12.280 --> 0:55:16.879
<v Speaker 5>didn't like and hide them in the basement and subsequently

0:55:16.960 --> 0:55:20.279
<v Speaker 5>get in trouble when my dad can't find where's my

0:55:20.360 --> 0:55:22.720
<v Speaker 5>war record? And then I gotta go in the basement

0:55:22.840 --> 0:55:26.360
<v Speaker 5>and like I would bury that ship under like so

0:55:26.760 --> 0:55:27.640
<v Speaker 5>we're big faces.

0:55:27.760 --> 0:55:31.560
<v Speaker 1>Was that a scary thing like Lewis Solongo? Yes, that

0:55:31.760 --> 0:55:34.000
<v Speaker 1>was meaning on that but yes, that that would have

0:55:34.040 --> 0:55:34.880
<v Speaker 1>been Herbie Handcock.

0:55:35.280 --> 0:55:37.320
<v Speaker 11>Davis had ones too.

0:55:37.440 --> 0:55:37.759
<v Speaker 1>All right.

0:55:37.880 --> 0:55:40.480
<v Speaker 5>Marty Clairwick who did the Bitches Brew cover in the

0:55:40.560 --> 0:55:44.200
<v Speaker 5>Herbie Handcoff His scariest one is Buddy Miles's record where

0:55:44.239 --> 0:55:47.520
<v Speaker 5>Buddy Miles is turned into a mountain, like he looks

0:55:47.520 --> 0:55:51.680
<v Speaker 5>like jab of the Hut the Job of the Hut,

0:55:52.239 --> 0:55:56.000
<v Speaker 5>and it's that too, also was in the Scary pile.

0:55:56.200 --> 0:56:00.600
<v Speaker 5>So yeah, that's that's my childhood. And what was the

0:56:00.680 --> 0:56:01.560
<v Speaker 5>first record you bought?

0:56:01.600 --> 0:56:07.080
<v Speaker 1>With you on bridge? All right? So the on just

0:56:07.080 --> 0:56:08.319
<v Speaker 1>like a one more answer, all right?

0:56:08.800 --> 0:56:10.560
<v Speaker 7>Right, No, here's the thing.

0:56:10.800 --> 0:56:14.160
<v Speaker 1>There's the thing. Here's someone purchased a record for me.

0:56:14.880 --> 0:56:16.920
<v Speaker 5>Now, when I do interviews, of course I will just

0:56:17.000 --> 0:56:19.480
<v Speaker 5>do the safe answer, which is, yeah, you know I

0:56:19.560 --> 0:56:20.920
<v Speaker 5>got a Jackson five record, right.

0:56:21.440 --> 0:56:25.760
<v Speaker 1>But the truth is that my first forty five ever.

0:56:26.080 --> 0:56:32.640
<v Speaker 5>Was Neil Sidaka's Bad Blood because I judge Records. My

0:56:32.760 --> 0:56:40.600
<v Speaker 5>favorite logo was Elton John's label, the Rocket MCA Rocket Company.

0:56:41.840 --> 0:56:43.560
<v Speaker 5>It's like green and it's like a happy train on

0:56:43.680 --> 0:56:45.960
<v Speaker 5>it or whatever. Maybe I like trained soul train. I

0:56:45.960 --> 0:56:49.719
<v Speaker 5>don't know, but I like the way the logo looked.

0:56:49.840 --> 0:56:54.360
<v Speaker 5>So I purchased Neil Sidaka and Elton John Bad Blood

0:56:54.680 --> 0:56:58.840
<v Speaker 5>also Rufus's Dance with Me on forty five because ABC

0:56:59.040 --> 0:57:02.840
<v Speaker 5>Records had a dope logo. I did not like Capitol

0:57:02.880 --> 0:57:06.920
<v Speaker 5>Records logo, which is why I never gave it an

0:57:06.920 --> 0:57:09.320
<v Speaker 5>adult had to put it on if it was on

0:57:09.480 --> 0:57:11.080
<v Speaker 5>Capital Tavars.

0:57:10.800 --> 0:57:14.240
<v Speaker 1>I have the whole the Beach Boys, the Beatles, whatever

0:57:14.440 --> 0:57:16.560
<v Speaker 1>I did, I didn't like it.

0:57:17.120 --> 0:57:19.040
<v Speaker 5>That's why I didn't That's why I recognized half the

0:57:19.080 --> 0:57:21.800
<v Speaker 5>samples on Tribe Records because I didn't listen to canniball

0:57:21.840 --> 0:57:23.640
<v Speaker 5>Adelie because he had a boring logo.

0:57:23.760 --> 0:57:25.400
<v Speaker 1>I didn't like any Capitol Records.

0:57:26.600 --> 0:57:29.520
<v Speaker 9>Yeah, I'm looking at some old footage. Can I change

0:57:29.560 --> 0:57:31.360
<v Speaker 9>my answers to our favorite show? Because like, dang, we

0:57:31.480 --> 0:57:32.240
<v Speaker 9>had Bizz.

0:57:33.520 --> 0:57:37.120
<v Speaker 10>Sleeper Summer and Stephen Hill.

0:57:38.480 --> 0:57:41.760
<v Speaker 5>The Stephen Hill episode That's that night, Oh God that

0:57:42.160 --> 0:57:46.560
<v Speaker 5>which also that this episode is also being done man

0:57:46.720 --> 0:57:48.560
<v Speaker 5>and the worst timeline.

0:57:48.560 --> 0:57:50.840
<v Speaker 7>Wait final question once the last album you listened all

0:57:50.840 --> 0:57:51.200
<v Speaker 7>the way through?

0:57:55.040 --> 0:57:58.480
<v Speaker 1>So I mean the thing is is that No, I

0:57:58.520 --> 0:58:01.040
<v Speaker 1>will say that Salt is a group that I won't

0:58:01.080 --> 0:58:01.440
<v Speaker 1>turn off.

0:58:01.640 --> 0:58:06.240
<v Speaker 5>Is always on constant rotation because it's a very comforting sounding.

0:58:07.680 --> 0:58:10.880
<v Speaker 5>But really like actively listening, I would probably say, like

0:58:11.240 --> 0:58:15.720
<v Speaker 5>maybe Doughnuts, you know what, I take that back. I

0:58:15.840 --> 0:58:20.080
<v Speaker 5>actually liked the album after Seated at the Table when

0:58:20.120 --> 0:58:21.920
<v Speaker 5>I Get Home when I think it was when I

0:58:21.960 --> 0:58:29.280
<v Speaker 5>Get Home Solange's album After. Yeah, like I would actively

0:58:29.360 --> 0:58:32.120
<v Speaker 5>listen to that and like it. I will say for

0:58:32.240 --> 0:58:36.880
<v Speaker 5>our episodes though, probably the two episodes that made me

0:58:37.520 --> 0:58:44.200
<v Speaker 5>cry is speaking of Knowles Matthew Knowles's episode that was

0:58:44.240 --> 0:58:48.200
<v Speaker 5>a tear jerker for me, and the Ben Veren episode,

0:58:48.320 --> 0:58:54.000
<v Speaker 5>Come on you the Ben the Ben Veren episode that

0:58:54.200 --> 0:58:57.240
<v Speaker 5>to me, I didn't know that he had that much history.

0:58:57.520 --> 0:58:59.439
<v Speaker 9>And shout out to one of our listeners who wrote

0:58:59.440 --> 0:59:01.160
<v Speaker 9>in a review that I didn't know if there was

0:59:01.200 --> 0:59:04.360
<v Speaker 9>an issue with Roots and Alex Haley and plagiarism.

0:59:04.400 --> 0:59:07.040
<v Speaker 11>I was like, oh yeah, okay, I forgot I forgot

0:59:07.080 --> 0:59:07.360
<v Speaker 11>about that.

0:59:08.080 --> 0:59:11.200
<v Speaker 1>Yeah that was the thing. Oh yeah, like coming to

0:59:11.280 --> 0:59:13.800
<v Speaker 1>America asque sort of like he paid the money. Yeah, yeah,

0:59:13.840 --> 0:59:17.760
<v Speaker 1>yeah he had to. Yeah, oh yeah, yeah, did not

0:59:17.960 --> 0:59:18.160
<v Speaker 1>know that.

0:59:23.960 --> 0:59:26.800
<v Speaker 5>For those that don't know the history of the show,

0:59:27.160 --> 0:59:29.600
<v Speaker 5>A big part of the inspiration of the show was

0:59:29.720 --> 0:59:36.439
<v Speaker 5>my fandom of the Gordon Gartreil podcast or Gordon Gartrail Radio,

0:59:36.760 --> 0:59:39.440
<v Speaker 5>which I guess at the time was the word podcast

0:59:39.600 --> 0:59:41.280
<v Speaker 5>even a thing it was.

0:59:41.720 --> 0:59:44.640
<v Speaker 1>But I didn't really know what it was. I mean,

0:59:44.680 --> 0:59:47.840
<v Speaker 1>we you know, it wasn't what it is now. But yeah,

0:59:47.960 --> 0:59:49.840
<v Speaker 1>this was back in man, this had to be two

0:59:49.960 --> 0:59:54.360
<v Speaker 1>thousand and eight nine something like that, so about a

0:59:54.440 --> 0:59:57.760
<v Speaker 1>year after the iPhone is invented. Yeah yeah, in terms

0:59:57.800 --> 1:00:01.800
<v Speaker 1>of so yeah, brainchild man out DJ Branchild that was like,

1:00:01.960 --> 1:00:04.520
<v Speaker 1>you know, me and him go back to the boards.

1:00:05.000 --> 1:00:07.280
<v Speaker 1>He was one of the first people to bootleg Little Brother,

1:00:08.640 --> 1:00:11.480
<v Speaker 1>you know what I'm saying, and kind of spread it around,

1:00:11.600 --> 1:00:15.440
<v Speaker 1>and so he dj the release party for my for

1:00:15.600 --> 1:00:19.080
<v Speaker 1>We when me and Nick put out Authenticity, like like

1:00:19.280 --> 1:00:20.720
<v Speaker 1>me and Bill like we you know, we've been in

1:00:20.800 --> 1:00:23.400
<v Speaker 1>each other's cribs, like that's my dude, And so I

1:00:23.520 --> 1:00:24.600
<v Speaker 1>just hit him one day and he's one of my

1:00:24.640 --> 1:00:26.480
<v Speaker 1>favorite DJs. Me and him would just be on the

1:00:27.080 --> 1:00:30.000
<v Speaker 1>internet like all night on AIM, like sending each other shit.

1:00:30.560 --> 1:00:32.320
<v Speaker 1>And so one day I hit him, I say, yo, man,

1:00:32.320 --> 1:00:34.760
<v Speaker 1>you want to do a podcast? And he was just

1:00:34.880 --> 1:00:38.080
<v Speaker 1>like yeah, okay. And we didn't know what we were doing.

1:00:38.720 --> 1:00:41.600
<v Speaker 1>I just knew, you know, how'd y'all record it? And

1:00:41.720 --> 1:00:43.960
<v Speaker 1>you're in sheeparate states. So the way we did it

1:00:44.360 --> 1:00:48.280
<v Speaker 1>was back then. Bill would put the records together like

1:00:48.320 --> 1:00:50.760
<v Speaker 1>I'm like, look, man, you select the music. I'll just

1:00:50.880 --> 1:00:53.480
<v Speaker 1>do my segments just talking shit for you know, fifteen

1:00:53.520 --> 1:00:55.720
<v Speaker 1>minutes whatever, and then we'll just go back and forth

1:00:56.080 --> 1:00:58.040
<v Speaker 1>and then at the end, I'll pick a song, you know,

1:00:58.320 --> 1:01:00.360
<v Speaker 1>and he's like, all right, cool. So he would do

1:01:00.440 --> 1:01:03.800
<v Speaker 1>his mixes at the crib and then I would do

1:01:04.240 --> 1:01:07.400
<v Speaker 1>my recording my vocal parts at my crib and I

1:01:07.520 --> 1:01:09.560
<v Speaker 1>just email it to him and so then he would

1:01:09.640 --> 1:01:12.280
<v Speaker 1>put the show together and then we just put it

1:01:12.400 --> 1:01:14.760
<v Speaker 1>up and uh. It was the thing that we just

1:01:14.800 --> 1:01:17.400
<v Speaker 1>started doing because this is never at the same time. Nah.

1:01:17.480 --> 1:01:18.640
<v Speaker 1>It was a straightforward the same.

1:01:19.120 --> 1:01:23.120
<v Speaker 7>Wow, Okay, if I can instant message to you, why

1:01:23.120 --> 1:01:25.600
<v Speaker 7>would I would I show up and.

1:01:28.200 --> 1:01:29.640
<v Speaker 1>Know each other? You know, who are you?

1:01:30.200 --> 1:01:30.600
<v Speaker 4>Yeah? Man?

1:01:30.720 --> 1:01:32.640
<v Speaker 1>So that was how we started. And it was just

1:01:32.720 --> 1:01:34.760
<v Speaker 1>something that I would just do, you know, we just

1:01:34.840 --> 1:01:36.880
<v Speaker 1>do for fun. It was just a way to share

1:01:37.040 --> 1:01:39.480
<v Speaker 1>music that we listened to and you know kind of

1:01:39.520 --> 1:01:41.880
<v Speaker 1>give you know, talk pop culture, talk, you know, politics

1:01:41.960 --> 1:01:43.960
<v Speaker 1>or whatever, just you know, kind of talk ship. But

1:01:44.440 --> 1:01:47.440
<v Speaker 1>that was how we started. And you know, we didn't know.

1:01:47.600 --> 1:01:49.720
<v Speaker 1>It wasn't until like I started going out and doing

1:01:49.760 --> 1:01:52.120
<v Speaker 1>shows and stuff and people would be like, yo, so

1:01:52.200 --> 1:01:54.520
<v Speaker 1>when is going and Gaunt Trail coming back. I was like, yeah,

1:01:54.560 --> 1:01:56.760
<v Speaker 1>y'all listening to that ship. They're like, yeah, that ship

1:01:56.800 --> 1:01:59.560
<v Speaker 1>helps me get through my workday. So we did that

1:02:00.160 --> 1:02:02.520
<v Speaker 1>maybe a couple of years, maybe like you know, two

1:02:02.640 --> 1:02:04.640
<v Speaker 1>three years something like that. If I'm mistaken.

1:02:04.640 --> 1:02:06.440
<v Speaker 5>If I'm not mistaken, the episode is like on the

1:02:06.640 --> 1:02:08.680
<v Speaker 5>archives or at least on YouTube or.

1:02:08.880 --> 1:02:14.120
<v Speaker 1>Nah, it's pre all of that them episodes is ship man.

1:02:14.160 --> 1:02:17.080
<v Speaker 1>I think I think Bill may got him still, but yeah.

1:02:17.480 --> 1:02:20.000
<v Speaker 11>The holder of episode is he got him.

1:02:20.040 --> 1:02:23.760
<v Speaker 1>But I mean, but yeah, but like yeah, so we

1:02:24.160 --> 1:02:26.560
<v Speaker 1>we did that. But that was kind of how it started.

1:02:26.600 --> 1:02:29.600
<v Speaker 1>And so after a couple of years, I think, you know, Bill,

1:02:29.760 --> 1:02:31.520
<v Speaker 1>I think he just, you know, he just didn't want

1:02:31.520 --> 1:02:33.160
<v Speaker 1>to do that. He was kind of his relationship with

1:02:33.240 --> 1:02:36.840
<v Speaker 1>DJing was changing at that time. And so a couple

1:02:36.840 --> 1:02:39.240
<v Speaker 1>of years later, you know what I mean. So goes

1:02:39.320 --> 1:02:42.920
<v Speaker 1>the story. I get a call from shan Ji. He

1:02:43.120 --> 1:02:46.880
<v Speaker 1>was like, he's like, yo, man, so Emir is doing

1:02:46.920 --> 1:02:50.479
<v Speaker 1>this radio show, and he said, you know, I want

1:02:51.160 --> 1:02:55.760
<v Speaker 1>you to be the Robin to his Batman, he said,

1:02:55.800 --> 1:02:58.120
<v Speaker 1>but on the low, I kind of want you to

1:02:58.200 --> 1:02:58.960
<v Speaker 1>be the Batman.

1:03:06.760 --> 1:03:07.080
<v Speaker 7>Let's just.

1:03:09.120 --> 1:03:09.479
<v Speaker 2>I said.

1:03:11.360 --> 1:03:13.640
<v Speaker 1>I said, okay, man, whatever, you know what I mean,

1:03:13.880 --> 1:03:15.800
<v Speaker 1>and had no idea what it was going to be.

1:03:16.440 --> 1:03:18.360
<v Speaker 1>I was on a plane within a couple of weeks,

1:03:18.760 --> 1:03:21.160
<v Speaker 1>and the week that I got this show, this was

1:03:21.240 --> 1:03:24.920
<v Speaker 1>the same week that I was working on the Breaks

1:03:24.920 --> 1:03:27.840
<v Speaker 1>with Dan Charnas and DJ Premiere. I was doing music

1:03:27.920 --> 1:03:32.240
<v Speaker 1>for that. Shout out to the breaks, yeah, man, shouts

1:03:32.240 --> 1:03:35.320
<v Speaker 1>the Dan and Premiere that whole family there was also

1:03:35.400 --> 1:03:37.840
<v Speaker 1>with me and my wife. We were in the process

1:03:38.000 --> 1:03:41.960
<v Speaker 1>of getting ready to buy our house, so we were

1:03:42.080 --> 1:03:44.840
<v Speaker 1>in the middle of that. And that was also, like

1:03:44.920 --> 1:03:47.880
<v Speaker 1>I mentioned earlier, my dad and my granddad died in

1:03:48.000 --> 1:03:50.760
<v Speaker 1>the same week. So it was like all of this

1:03:50.960 --> 1:03:54.840
<v Speaker 1>was happening. And then Shanji calls and so I'm like, okay, yeah, cool.

1:03:55.280 --> 1:03:56.640
<v Speaker 1>So I had no idea what it was going to be,

1:03:57.040 --> 1:04:00.200
<v Speaker 1>you know, getting on planes, flying back and forth from

1:04:00.240 --> 1:04:02.840
<v Speaker 1>here to North Carolina every you know other you know,

1:04:03.080 --> 1:04:06.280
<v Speaker 1>a couple of weeks or whatever, and that was the

1:04:06.360 --> 1:04:09.760
<v Speaker 1>start of it. Man, and Bill was as it was.

1:04:09.920 --> 1:04:12.640
<v Speaker 1>Shanji told me, he said, y'all were trying to find

1:04:12.680 --> 1:04:16.440
<v Speaker 1>a host of cause for the show. And Bill was like, well,

1:04:16.480 --> 1:04:20.560
<v Speaker 1>what about Fante and shan Gee? What for me is

1:04:20.600 --> 1:04:23.040
<v Speaker 1>that you? Was like, oh, Man, me and Fan a

1:04:23.120 --> 1:04:26.920
<v Speaker 1>gonna be arguing all the time, and sean Ge was like,

1:04:27.360 --> 1:04:30.160
<v Speaker 1>that's exactly why we like, that's why we need to

1:04:30.200 --> 1:04:33.200
<v Speaker 1>get it, you know. And so that was how I

1:04:33.960 --> 1:04:35.960
<v Speaker 1>ended up here. So I just kind of jumped head

1:04:36.000 --> 1:04:37.760
<v Speaker 1>first inn and was like, all right, fuck it, I

1:04:37.760 --> 1:04:39.600
<v Speaker 1>don't know what this is gonna be, but let's just

1:04:39.680 --> 1:04:41.640
<v Speaker 1>make it dope. And so I just always tried to

1:04:41.720 --> 1:04:43.760
<v Speaker 1>make you know, the theme songs or whatever. I was

1:04:43.800 --> 1:04:45.919
<v Speaker 1>always wanted to make sure that you know, our ship

1:04:46.040 --> 1:04:48.760
<v Speaker 1>was always fresh and that we always you know, it

1:04:48.840 --> 1:04:50.480
<v Speaker 1>was kind of at the forefront and just you know,

1:04:50.520 --> 1:04:52.000
<v Speaker 1>it was a fun show to listen to. So that

1:04:52.120 --> 1:04:52.680
<v Speaker 1>was my start.

1:04:53.080 --> 1:04:57.920
<v Speaker 5>So I don't think that our listeners know the the

1:04:58.440 --> 1:05:00.920
<v Speaker 5>double role that you play on the show. Uh, in

1:05:01.040 --> 1:05:03.640
<v Speaker 5>addition to being co host of it, but you're also

1:05:04.280 --> 1:05:07.600
<v Speaker 5>part of the organizing team and you specifically have to

1:05:07.800 --> 1:05:11.440
<v Speaker 5>like reach out to the wishless artists and whatnot.

1:05:11.520 --> 1:05:12.680
<v Speaker 11>They call those producers.

1:05:13.680 --> 1:05:17.880
<v Speaker 1>Yes, you're you're a producer of the Showya.

1:05:17.280 --> 1:05:19.200
<v Speaker 11>Thank you? Oh my god. I never say that sentence

1:05:19.240 --> 1:05:21.280
<v Speaker 11>before any who.

1:05:22.720 --> 1:05:26.280
<v Speaker 5>Tell me what's under the hood, like how the sausages

1:05:26.360 --> 1:05:30.000
<v Speaker 5>made experiences? Like what were our close Pano cigar guests?

1:05:31.320 --> 1:05:33.840
<v Speaker 5>Are you allowed to say which artist was the hardest

1:05:33.880 --> 1:05:35.880
<v Speaker 5>to organize to hardest?

1:05:35.960 --> 1:05:38.840
<v Speaker 9>I mean, it's funny, I would ask, I wondered, Britney,

1:05:38.880 --> 1:05:42.480
<v Speaker 9>do you think Mariah is that Mariah hardest.

1:05:42.800 --> 1:05:44.000
<v Speaker 11>Would you say that Britney?

1:05:44.840 --> 1:05:48.160
<v Speaker 1>Okay, Okay, So Mariah had tech issues on camera, but.

1:05:48.160 --> 1:05:50.360
<v Speaker 10>I will say the artist that we got so close

1:05:50.400 --> 1:05:52.919
<v Speaker 10>to was on camera. No, she was in the dark.

1:05:53.440 --> 1:05:58.320
<v Speaker 11>She was on camera, remember she was on zoom.

1:05:58.360 --> 1:05:59.960
<v Speaker 1>But were in her bedroom or something?

1:06:00.160 --> 1:06:02.360
<v Speaker 11>Yes, and I spend yes.

1:06:02.600 --> 1:06:02.760
<v Speaker 1>Yes.

1:06:04.480 --> 1:06:06.760
<v Speaker 9>But the one that we got so close to that

1:06:06.920 --> 1:06:09.320
<v Speaker 9>me and Fante definitely flew to New York to record

1:06:09.400 --> 1:06:11.040
<v Speaker 9>that never happened was Mary J.

1:06:11.200 --> 1:06:11.600
<v Speaker 11>Blige.

1:06:12.560 --> 1:06:13.000
<v Speaker 1>That's right.

1:06:13.080 --> 1:06:14.840
<v Speaker 10>We did have marriage, had Mary J.

1:06:14.960 --> 1:06:15.360
<v Speaker 11>Blige.

1:06:15.440 --> 1:06:17.440
<v Speaker 9>And then on the couple of hours before we were

1:06:17.480 --> 1:06:19.680
<v Speaker 9>to arrive at the studio, they changed their mind or

1:06:19.800 --> 1:06:22.920
<v Speaker 9>something happened. What had happened was the greatest chase that

1:06:23.000 --> 1:06:26.280
<v Speaker 9>we have still been doing is probably Queen Latifah, although

1:06:26.600 --> 1:06:28.640
<v Speaker 9>I booked her because I don't remember, but I booked

1:06:28.680 --> 1:06:30.840
<v Speaker 9>on your your series on A and E got her

1:06:30.840 --> 1:06:32.640
<v Speaker 9>booked for that, but couldn't get her to come around

1:06:32.640 --> 1:06:33.440
<v Speaker 9>the Quest Love Supreme.

1:06:33.960 --> 1:06:34.440
<v Speaker 1>That's all right.

1:06:35.040 --> 1:06:37.440
<v Speaker 9>Oh, and then the biggest blunder, and I'm going to

1:06:37.480 --> 1:06:40.919
<v Speaker 9>say my biggest blunder ever on this show. Oh my god, y'all,

1:06:42.280 --> 1:06:43.040
<v Speaker 9>I apologize.

1:06:43.120 --> 1:06:43.680
<v Speaker 1>What episode?

1:06:44.400 --> 1:06:47.280
<v Speaker 11>There was an episode and it was a Patti LaBelle episode.

1:06:47.320 --> 1:06:53.520
<v Speaker 9>Oh we have all that there was a zoom issue

1:06:53.760 --> 1:06:57.400
<v Speaker 9>and I thought we was morning and show and we

1:06:57.560 --> 1:06:59.000
<v Speaker 9>only got like fifteen minutes.

1:07:00.160 --> 1:07:02.360
<v Speaker 11>When I tell y'all, it was so good, it was

1:07:02.440 --> 1:07:03.400
<v Speaker 11>such a good episode.

1:07:03.840 --> 1:07:06.720
<v Speaker 8>It was so good. Damn it was so good.

1:07:07.560 --> 1:07:15.840
<v Speaker 1>Who was there? A nightmare organizing person? An assistant h

1:07:17.640 --> 1:07:18.280
<v Speaker 1>what had happened?

1:07:18.320 --> 1:07:20.520
<v Speaker 9>Was? Well, I mean, well we had I mean, I

1:07:20.560 --> 1:07:22.680
<v Speaker 9>don't want to say nightmare on their side, but you know,

1:07:23.360 --> 1:07:25.680
<v Speaker 9>I think that I can't remember the Will Smith debacle.

1:07:25.720 --> 1:07:28.800
<v Speaker 11>That wasn't his fault, right, that was and that was.

1:07:28.840 --> 1:07:30.720
<v Speaker 1>Before y'all woke me up in the morning.

1:07:31.320 --> 1:07:33.160
<v Speaker 11>You got a new person you off of.

1:07:33.200 --> 1:07:34.920
<v Speaker 1>That facetimed right?

1:07:35.120 --> 1:07:35.640
<v Speaker 9>That was.

1:07:38.840 --> 1:07:42.120
<v Speaker 1>How a lot of life has happened on this show.

1:07:42.200 --> 1:07:44.480
<v Speaker 7>Y oh, let's talk about man.

1:07:45.080 --> 1:07:47.920
<v Speaker 5>Yeah, all I remember was I was asleep in my

1:07:48.040 --> 1:07:51.600
<v Speaker 5>slumber and then Will Smith facetimed me. I was like,

1:07:51.640 --> 1:07:55.720
<v Speaker 5>why is he facetiming me? Then I rushed to put

1:07:55.760 --> 1:07:58.320
<v Speaker 5>my you know, my clothes on or whatever, and like

1:07:58.560 --> 1:08:01.520
<v Speaker 5>it was, and then I saw that I missed.

1:08:01.320 --> 1:08:05.600
<v Speaker 9>The Also one of our best, one of our best conversations,

1:08:05.600 --> 1:08:08.080
<v Speaker 9>because that was postbook before everything else.

1:08:08.120 --> 1:08:12.320
<v Speaker 11>Happened, Yes, and we really like got into it.

1:08:12.640 --> 1:08:14.480
<v Speaker 1>That was good. That was a great episode.

1:08:14.560 --> 1:08:18.320
<v Speaker 11>But I can't remember somebody who was like really hard, difficult,

1:08:19.840 --> 1:08:20.120
<v Speaker 11>you know.

1:08:21.800 --> 1:08:26.760
<v Speaker 1>Just us, just you and your schedule. Yeah, all right,

1:08:27.080 --> 1:08:28.439
<v Speaker 1>I will say Steve.

1:08:29.240 --> 1:08:32.040
<v Speaker 5>So for me, I think and you mentioned it, you

1:08:32.120 --> 1:08:35.840
<v Speaker 5>know the fact that your early childhood was full of

1:08:35.960 --> 1:08:41.599
<v Speaker 5>memories doing like you know, fake radio shows or whatever

1:08:41.680 --> 1:08:43.519
<v Speaker 5>when you're a kid, and I've heard some of these things,

1:08:43.960 --> 1:08:45.880
<v Speaker 5>which was really like, yo, man, when we do do

1:08:46.040 --> 1:08:48.760
<v Speaker 5>like a fake radio show, That to me was like

1:08:48.920 --> 1:08:51.680
<v Speaker 5>the beginning impetus of you said like why don't you

1:08:51.720 --> 1:08:52.960
<v Speaker 5>do a podcast or something like that?

1:08:53.600 --> 1:08:56.479
<v Speaker 1>So for you, who's the most overwhelming guest?

1:08:56.640 --> 1:09:00.639
<v Speaker 5>Like your love for Elvis Costello is well known these circles,

1:09:00.680 --> 1:09:03.760
<v Speaker 5>but I almost feel now that you're genuinely friends with him,

1:09:04.520 --> 1:09:08.000
<v Speaker 5>so you know, it's I don't think it's a thing

1:09:08.080 --> 1:09:10.960
<v Speaker 5>where it's like before you see him, you're like, holy shit,

1:09:11.000 --> 1:09:13.840
<v Speaker 5>I'm talking to Elvis Costella Like you guys are actually

1:09:13.960 --> 1:09:16.679
<v Speaker 5>legit friends now, correct, I mean after producing this record

1:09:16.760 --> 1:09:17.439
<v Speaker 5>and all that stuff.

1:09:17.800 --> 1:09:19.280
<v Speaker 8>Yeah, I'd say so okay.

1:09:19.560 --> 1:09:23.040
<v Speaker 5>But for you, like, is there a bucketless guess that

1:09:24.320 --> 1:09:26.840
<v Speaker 5>you wish we could have gotten yeah, Billy Joel.

1:09:27.120 --> 1:09:28.040
<v Speaker 1>Yeah, and.

1:09:30.880 --> 1:09:33.200
<v Speaker 11>Lewis Lewis.

1:09:33.400 --> 1:09:34.400
<v Speaker 1>We got Hue Lewis.

1:09:35.720 --> 1:09:36.040
<v Speaker 7>All right.

1:09:36.200 --> 1:09:40.000
<v Speaker 5>So but as far as like your bucket list interviews, like,

1:09:40.320 --> 1:09:43.920
<v Speaker 5>have you fulfilled the majority of them at least?

1:09:44.720 --> 1:09:47.240
<v Speaker 8>Oh, certainly a lot more than I ever thought I

1:09:47.760 --> 1:09:48.840
<v Speaker 8>would be a part of.

1:09:49.360 --> 1:09:51.960
<v Speaker 1>Also, you have an offspring of the show, like you

1:09:52.240 --> 1:09:53.360
<v Speaker 1>started the Sugar Network.

1:09:53.400 --> 1:10:00.120
<v Speaker 8>Sugar Network shout out to the Sugar Network. Yeah, well

1:10:00.200 --> 1:10:01.360
<v Speaker 8>it was sort of just.

1:10:01.640 --> 1:10:05.560
<v Speaker 5>You know, you explain how this started, because well I

1:10:05.640 --> 1:10:08.080
<v Speaker 5>got the you were like pre d nice with using

1:10:08.520 --> 1:10:12.400
<v Speaker 5>Instagram live stories as a radio show.

1:10:12.520 --> 1:10:14.800
<v Speaker 1>You would play complete records and not get caught off

1:10:14.920 --> 1:10:15.960
<v Speaker 1>or any of those things.

1:10:16.240 --> 1:10:19.559
<v Speaker 8>Yeah, yeah, so it was it was really a whole

1:10:19.560 --> 1:10:23.320
<v Speaker 8>bunch of QLs fans that were watching our lives. At

1:10:23.320 --> 1:10:25.560
<v Speaker 8>first we were doing them from thirty Rock while we

1:10:25.640 --> 1:10:28.479
<v Speaker 8>were mixing whatever, we'd start doing live stories. And then

1:10:29.000 --> 1:10:31.760
<v Speaker 8>once the once the live stories start to include the

1:10:32.400 --> 1:10:35.519
<v Speaker 8>ability to bring a guest on, it was kind of

1:10:35.960 --> 1:10:37.640
<v Speaker 8>the rest of it kind of wrote itself. It was like,

1:10:38.840 --> 1:10:40.960
<v Speaker 8>we all have our own fucking TV shows now if

1:10:41.000 --> 1:10:43.320
<v Speaker 8>we want, you know, our own talk shows. So I

1:10:43.439 --> 1:10:46.040
<v Speaker 8>just turned mine into you know, a semi real one

1:10:46.760 --> 1:10:50.040
<v Speaker 8>and it went on for kind of marriage the timeline

1:10:50.080 --> 1:10:54.120
<v Speaker 8>of this podcast. But it's sort of fizzled out after

1:10:54.400 --> 1:10:56.400
<v Speaker 8>season six or seven.

1:10:57.439 --> 1:11:01.799
<v Speaker 1>So what constitutes a season? How many episodes in the season.

1:11:02.520 --> 1:11:05.559
<v Speaker 8>It wasn't like that, but thousands and thousands.

1:11:06.120 --> 1:11:10.760
<v Speaker 5>No, the Sugar Network was always on. I always see

1:11:11.160 --> 1:11:14.240
<v Speaker 5>you keep did you keep the archives? Like after you record,

1:11:14.280 --> 1:11:15.160
<v Speaker 5>would you save them all?

1:11:15.600 --> 1:11:18.280
<v Speaker 8>Well, they get saved anyway, I think in your in

1:11:18.360 --> 1:11:20.680
<v Speaker 8>your archive, whether you whether you delete them or not.

1:11:20.840 --> 1:11:23.960
<v Speaker 8>But it was kind of the you know, just on

1:11:24.040 --> 1:11:26.600
<v Speaker 8>a side project to this where it was where we

1:11:26.640 --> 1:11:29.760
<v Speaker 8>would interview the not famous people, the people of the fans,

1:11:29.840 --> 1:11:32.160
<v Speaker 8>you know, the people that were just watching this show

1:11:32.400 --> 1:11:33.280
<v Speaker 8>or whatever I was.

1:11:33.320 --> 1:11:36.799
<v Speaker 5>Doing on the Sugar Network that you know in addition

1:11:36.920 --> 1:11:42.479
<v Speaker 5>to that site. Fans are collective, Yeah, fan bases and whatnot.

1:11:42.600 --> 1:11:44.160
<v Speaker 10>We all got to appear on the Sugar.

1:11:46.200 --> 1:11:46.400
<v Speaker 1>Yeah.

1:11:46.479 --> 1:11:48.320
<v Speaker 8>It was It was fun. But you know, it seems

1:11:48.360 --> 1:11:51.599
<v Speaker 8>like Instagram Live Stories seems like it's kind of fizzled out,

1:11:51.720 --> 1:11:53.599
<v Speaker 8>Like not a lot of people doing lives anymore.

1:11:53.600 --> 1:11:55.960
<v Speaker 1>It seems like, well it's hard to also play music.

1:11:56.439 --> 1:11:56.640
<v Speaker 8>You know.

1:11:56.680 --> 1:12:00.000
<v Speaker 5>I didn't even realize that now there's technology on Zoo

1:12:00.240 --> 1:12:02.760
<v Speaker 5>that doesn't even allow me to like play a song

1:12:02.840 --> 1:12:04.080
<v Speaker 5>for someone when I'm on a zoom.

1:12:04.160 --> 1:12:05.000
<v Speaker 11>Say what now, Like the.

1:12:05.040 --> 1:12:07.360
<v Speaker 5>Song goes like this, and you play it and when

1:12:07.400 --> 1:12:09.720
<v Speaker 5>you share a screen, well no, if you want to

1:12:09.760 --> 1:12:13.320
<v Speaker 5>play music on your zoom just from the background, yeah

1:12:13.520 --> 1:12:17.120
<v Speaker 5>wow music, yeah, is forbidden. They even want to stop

1:12:17.200 --> 1:12:20.000
<v Speaker 5>it that way, Like in terms of broadcasting. We'll close

1:12:20.040 --> 1:12:22.200
<v Speaker 5>this episode was just asking you. What I was trying

1:12:22.240 --> 1:12:24.519
<v Speaker 5>to lead to was I would like to believe that

1:12:25.640 --> 1:12:28.840
<v Speaker 5>the Sugar Network also led to another dream of yours,

1:12:28.880 --> 1:12:32.800
<v Speaker 5>which is starting a label. And it started out as

1:12:32.840 --> 1:12:37.280
<v Speaker 5>a vanity label, but now you have a legit jazz label.

1:12:37.479 --> 1:12:40.960
<v Speaker 8>Like Yeah, the timeline of the label JMI very much

1:12:41.080 --> 1:12:44.240
<v Speaker 8>mirrors the same timeline as this basically started around the

1:12:44.280 --> 1:12:48.720
<v Speaker 8>same time and the Sugar Networks started slightly after that,

1:12:48.960 --> 1:12:52.599
<v Speaker 8>I think. But well, yeah, it's been eight or nine years.

1:12:52.640 --> 1:12:56.559
<v Speaker 8>We've got twenty five records released, a good amount when

1:12:56.600 --> 1:12:59.000
<v Speaker 8>you're all analog and things take a while and cost

1:12:59.080 --> 1:13:02.959
<v Speaker 8>a lot. So very proud of that and definitely inspired

1:13:03.560 --> 1:13:04.880
<v Speaker 8>by it all, y'all.

1:13:05.040 --> 1:13:08.800
<v Speaker 1>And the records sound awesome. They sound awesome. That's the goal.

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<v Speaker 8>Thank you.

1:13:11.960 --> 1:13:14.280
<v Speaker 5>All right, so y'all, yes, we're going to do a

1:13:14.479 --> 1:13:17.960
<v Speaker 5>part two her haye to you know, ended so abruptly.

1:13:18.160 --> 1:13:19.840
<v Speaker 11>We got to do a tease. All right, coming up,

1:13:20.520 --> 1:13:21.519
<v Speaker 11>we're doing it too, all.

1:13:21.479 --> 1:13:24.320
<v Speaker 8>Right, do they come up bathroom break.

1:13:24.960 --> 1:13:26.880
<v Speaker 1>We're gonna answer fan questions in part two?

1:13:27.000 --> 1:13:29.200
<v Speaker 11>Yes, okay, looking forward to that.

1:13:29.640 --> 1:13:33.559
<v Speaker 1>Yes, wait, that was the big lead up. I'm sure.

1:13:34.720 --> 1:13:38.479
<v Speaker 5>All right anyway, or and be half of fun Tickelo

1:13:38.720 --> 1:13:41.800
<v Speaker 5>and on paid Bill and Laya and Sugar Steve. This

1:13:41.960 --> 1:13:45.400
<v Speaker 5>is Questo and uh we will see you for the

1:13:45.840 --> 1:13:50.280
<v Speaker 5>official part two of the final quest Love Supreme episode.

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<v Speaker 10>Well, we'll all get naked. Yes, yeah, I mean give

1:13:53.560 --> 1:13:54.320
<v Speaker 10>something to look forward to.

1:13:55.600 --> 1:14:02.280
<v Speaker 1>They want to see you. Questlove Supreme is a production

1:14:02.479 --> 1:14:12.320
<v Speaker 1>of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app,

1:14:12.600 --> 1:14:15.599
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.