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Speaker 1: Quest Love Supreme is a production of iHeartRadio. All right,

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Speaker 1: so is everyone ready? Let's go, all right, people, let's work.

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Speaker 2: That's going to be loud.

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Speaker 1: No, yeah, that's loud.

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Speaker 3: Listen.

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Speaker 4: Suprema su su Suprema Roll Call, Suprema Shu Suprema roll Call,

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Speaker 4: Suprema Suprema Roll Call, Suprema s Suprema.

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Speaker 5: Rollmen this formIn this yeah with Bliss Bliss.

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Speaker 1: Yeah, all the qre lists.

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Speaker 6: Yeah, oh yeah, greatest hits.

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Speaker 1: Waiting for this.

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Speaker 3: Oh my god, world perfect that mama ooh man, all

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Speaker 3: the joys.

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Speaker 1: Yes, sir, yes, sir. Don't forget this one. You fly

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Speaker 1: cogurable one. That's right, coble, I mean no place child.

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Speaker 3: A listen.

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Speaker 5: Not to forget the all time classic.

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Speaker 1: It was a different time, It was a different Subreva

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Speaker 1: Breema roll breama Suprema roll Call. My name is Fante. Yeah,

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Speaker 1: I have achieved it. Yeah, last episode of quls Yeah, man,

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Speaker 1: I can't believe it.

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Speaker 4: Roll Supremo, Suprema, Roll Call, Supremo, Supremo, Role Call.

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Speaker 7: My name is Sugar.

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Speaker 8: Yeah, the end is near. Yeah, not just this podcast, yeah,

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Speaker 8: my whole career.

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Speaker 4: Suprema Roll Call, Supremo shut Suprema.

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Speaker 7: Roll call paid bill, Yeah, my bed is made. Yeah,

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Speaker 7: thanks for having me.

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Speaker 9: Yeah.

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Speaker 7: On Black History Decade.

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Speaker 9: Roma subpremo, roll call, Supremo, supremo roll call. It's like him, yeah,

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Speaker 9: and it's just us. Yeah, going to write something. Yeah,

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Speaker 9: I'm just gonna.

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Speaker 8: Roll Suprema.

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Speaker 4: Prima role prima suprema rollm up.

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Speaker 1: We haven't heard that. We we've not heard that. In

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Speaker 1: a minute, ladies and gentlemen, this is quest Love Supreme.

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Speaker 5: My name is Questlove, the de facto host of the show,

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Speaker 5: the namesake of the show. And uh, you know, we

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Speaker 5: are here to celebrate. I do not want this to

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Speaker 5: be a mournful episode, absolutely not no. But why he's

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Speaker 5: like ready to let it.

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Speaker 10: Don't blame me.

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Speaker 11: I mean it is an ind of era.

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Speaker 9: So we are celebrating and it may get emotional because

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Speaker 9: it's been a long journey.

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Speaker 5: We're allowed to be emotional. Let's let emotionals, all right.

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Speaker 5: So last night at dinner, I admit it that I've

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Speaker 5: to watch one Q on YouTube. So I don't know

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Speaker 5: if the scale has tipped to this being a podcast

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Speaker 5: to this being a YouTube show.

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Speaker 1: I don't know if we have more listeners or more viewers.

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Speaker 11: So, oh that's a good question.

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Speaker 1: Listeners. Okay, got it.

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Speaker 5: Older audience radio still believe in radio. Yes, so our listenership.

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Speaker 5: You know, we've kind of have a quasi even though

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Speaker 5: we started twenty sixteen, we've done ten seasons of Quest

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Speaker 5: Love Supreme and you know, so in my mind it

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Speaker 5: feels like ten years.

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Speaker 1: Yeah, mine as well. Tell round off exactly.

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Speaker 5: So to be fully transparent with you loyal listeners out there,

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Speaker 5: this is sort of officially the last episode of Questlove Supreme.

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Speaker 1: Is so hard, right, listen, it's a celebration.

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Speaker 9: You know what I mean, we are doing it's like

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Speaker 9: a TV show because you know, I was telling somebody earlier,

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Speaker 9: I was like, in radio you don't get to say goodbye.

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Speaker 11: That's in TV where you do a finale.

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Speaker 1: Flatter about that.

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Speaker 5: So when a person's doing their last episode of a

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Speaker 5: show or whatever, in radio, they don't let you say goodbye,

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Speaker 5: give you flowers.

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Speaker 9: Or anything unless you're leaving. But it's very rare that

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Speaker 9: a person is like leaving and gets to say goodbye.

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Speaker 9: It's because you got fired.

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Speaker 5: Softer radio leaves on their own, will most don't.

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Speaker 11: I'm gonna say most don't.

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Speaker 9: Maybe I think shoot, Tom Joyner might be the one

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Speaker 9: that walked away when you think about it, you know,

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Speaker 9: all right, well I we're starting.

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Speaker 5: Still working, we're officially yeah, but I doubt he's Remember

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Speaker 5: it used to be controversial, right right, Yeah, it's not,

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Speaker 5: and now it's like politically on our side of the fence,

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Speaker 5: which is something I never thought.

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Speaker 11: Man, what have Wow, Joe Rogan happened to exactly.

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Speaker 1: All right, Joe Rogan sort of became a new howardz Wow. Okay,

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Speaker 1: I didn't up that.

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Speaker 5: Yeah, So to let our listeners know, I guess maybe

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Speaker 5: it's we end the way we started, which is technically

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Speaker 5: I guess Episode two with Bill Sherman with guests. Guest

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Speaker 5: Bill Sermons, you're right, yeah, oh that's right. It was

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Speaker 5: because Maya was too right. We just reversed it and

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Speaker 5: gave you your coach. You're like Charlie Brown, thank you,

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Speaker 5: not even the star of your own Halloween special.

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Speaker 1: Track, look at you?

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Speaker 10: Since then, a few more grays.

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Speaker 5: Yeah, A lot has happened in these last air quote

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Speaker 5: ten years, man, listen, like the amount of children and

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Speaker 5: spouses and comings and goings and us as a unit.

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Speaker 5: A lot has happened. I guess unpaid Bill, I will

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Speaker 5: start with you fuck do it? What was your first

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Speaker 5: musical memory?

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Speaker 1: I love it?

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Speaker 5: Oh, okay, because we never get to answer these questions. Yeah,

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Speaker 5: so what's your first musical memory?

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Speaker 7: On people being on the show for this long, I

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Speaker 7: feel like everybody's like I grew up in the church,

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Speaker 7: and I did not grow up in any at all.

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Speaker 7: And both my parents are doctors, which I've said before,

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Speaker 7: and neither of them listened to much music. But what

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Speaker 7: they did listen to. My dad was like a smooth

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Speaker 7: jazz guy, and my mom listened to like Yo Yo

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Speaker 7: ma and Mandy Patinkin.

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Speaker 1: Artists. Yeah.

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Speaker 7: Montoya is like a wait time.

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Speaker 1: Yeah walked on us. Yeah, he was a recording artist.

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Speaker 1: He is a recording arts.

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Speaker 7: He's like a big yeah, like he was in all

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Speaker 7: of Sondheim's musicals and stuff. He's like a yeah, I

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Speaker 7: did not And he's the you know, the famous.

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Speaker 1: Wait did you get to say this to him when

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Speaker 1: he bursted in?

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Speaker 7: Well, I've known him for a while, so yes, I have. Okay, yeah,

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Speaker 7: I mean it's not like that anyway. So so my

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Speaker 7: dad listened to a lot of smooth jazz and CD

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Speaker 7: one On one point, nine, which is no longer that station,

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Speaker 7: but it was and so New York. Yeah, and being

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Speaker 7: in his car and him it would always the car

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Speaker 7: would turn on and it was always be that. And

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Speaker 7: then I later went on to like sort of try

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Speaker 7: to hip him to some music, but he would always

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Speaker 7: sort of put the dial back to sadly ceint Well

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Speaker 7: depends on who you ask, but anyway, CD one on

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Speaker 7: CD one point was CD. Yeah, in the days of CDs,

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Speaker 7: remember that, I thought you meant S E E D

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Speaker 7: Y like questionable CD. I mean in retrospect, might have

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Speaker 7: been CD no it Yeah, that was the station.

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Speaker 1: So it was like the local yacht rock station. Yeah.

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Speaker 7: It was mostly just like smooth jazz, like like Samborn

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Speaker 7: and Richard Elliott and uh, I don't like George Benson,

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Speaker 7: that smooth jazz worthy like the Yellow Jackets that kind

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Speaker 7: of ship.

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Speaker 9: Yeah, no idea that that was the hot the good

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Speaker 9: days of smooth jazz like in present day is like

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Speaker 9: born butaxophone.

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Speaker 1: Player plays all right, what's the first record you ever

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Speaker 1: purchased with your own money?

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Speaker 8: Uh?

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Speaker 7: Fuck? I think it was like Dexter Gordon something something,

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Speaker 7: live something, because I was a saxophone player growing up right.

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Speaker 7: We We learned this really late in my evolution. I

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Speaker 7: played the saxophone growing up, was big jazz head, and

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Speaker 7: I think the first thing I actually bought was a

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Speaker 7: record because I used to put them on my walls.

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Speaker 7: Was Dexter Gordon Live at the whatever the hell it was?

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Speaker 1: As I loved him.

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Speaker 5: He did a movie with didn't Yes, I think Clint

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Speaker 5: East would produced it, not directed it.

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Speaker 7: But I think you're right.

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Speaker 1: I do know what you're called Around After Midnight or

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Speaker 1: everything like that. Okay? Was he acting in it or

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Speaker 1: do you?

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Speaker 8: I don't know, so I wasn't autobiotical. Well you're the

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Speaker 8: jazz about Round Midnight, Round Midnight. It's about Dexter Gordon and.

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Speaker 5: He was starting in his own I don't know if

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Speaker 5: he was. I think he was in it because that's

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Speaker 5: how I first heard of out him.

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Speaker 8: The soundtrack is kind of more legendary than the movie.

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Speaker 8: Herbie Hancock did that soundtrack.

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Speaker 5: Right, Okay, So I remember on the Grammys when I

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Speaker 5: first heard of Bobby McFerrin doing that. He's saying, uh, yeah,

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Speaker 5: it was Bobby McFerrin and Herbie Hancock doing because I

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Speaker 5: was wondering, why is this guy just singing.

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Speaker 1: I was like, is he going to sing words? He's

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Speaker 1: just gonna Okay, So then what is the first concert

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Speaker 1: you attended?

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Speaker 7: Oh, James Taylor Tilla Center. I fell asleep. I was

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Speaker 7: really young, and my dad took me and he also

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Speaker 7: fell asleep, and we both sort of fell I was

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Speaker 7: I was like, I don't know.

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Speaker 1: But I've been that's a very soothing it was.

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Speaker 7: Yes, it felt like a warm bath.

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Speaker 8: Another QLs guest, James Tallen.

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Speaker 1: Yeah, that was the surprising guest for me.

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Speaker 5: Why didn't realize the amount of pain and depression he

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Speaker 5: like his music was the polar opposite of what his

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Speaker 5: life was into.

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Speaker 1: And so that is one episode that.

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Speaker 5: Shot me because I thought he was as sunny and

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Speaker 5: happy as his music was, and here he is telling

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Speaker 5: us about.

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Speaker 8: Like, yeah, he should have been a comedian. He's so depressing.

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Speaker 7: Yeah, exactly.

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Speaker 11: Based on Chris rock conversation.

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Speaker 7: And my other favorite person growing up was Dave Matthews,

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Speaker 7: who we also interviewed on the show and who my

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Speaker 7: heroes my whole life. Because there was a saxphone player

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Speaker 7: in the band, I thought.

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Speaker 1: That was so cool.

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Speaker 7: Dave played saxophone in the no But Dave had a

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Speaker 7: band with a saxophone player in it.

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Speaker 1: Leroy, Oh, okay, that's.

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Speaker 9: What you mean.

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Speaker 5: Okay, so you were you were in of college age

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Speaker 5: when Dave Matthews was and the Roots taking.

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Speaker 1: The Roots Dave Matthews and the Roots at college is.

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Speaker 7: And I don't know if we've ever talked about this,

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Speaker 7: but my senior year of college, the band that played

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Speaker 7: my senior year concert was the Roots, and.

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Speaker 9: This is at.

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Speaker 1: University.

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Speaker 7: Yeah, they rolled, they drove above us onto this giant field.

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Speaker 7: They all walked out.

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Speaker 5: Did they apologize to you guys that you weren't getting

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Speaker 5: Ray Kwan and ghost Face but you're getting the Roots instead.

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Speaker 7: No, but there is a classic story that most Deaf

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Speaker 7: played at like our our cafeteria and like there was

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Speaker 7: so many white kids that he like, played for like

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Speaker 7: ten minutes and then got mad and left. That's a

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Speaker 7: true story.

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Speaker 1: Really, Yeah, he was shocked.

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Speaker 5: It wasn't most I'm sorry it was That's who was

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Speaker 5: That sounds right? That sounds yeah, Sorry, I fucked up.

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Speaker 5: No question, Okay, all right, this is on the spot.

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Speaker 5: What's the last album that you enjoyed from start to finish?

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Speaker 5: I know, do you know of one album that you

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Speaker 5: listened to from start to finish.

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Speaker 7: Whence the last time anyone made an album that you

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Speaker 7: did listen to from start to Dope? I mean, my

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Speaker 7: kids are into DOCI. That record is great, and I

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Speaker 7: did listen to the whole thing.

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Speaker 5: That's true. There you go, Okay, that record's great. We'll

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Speaker 5: take DOCI. Who are your top three guests on the show.

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Speaker 7: I was just thinking about this. I loved Lenny Kravitz

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Speaker 7: because he smelled really gold.

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Speaker 5: Yes, and he sat right next to me, and Lenny

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Speaker 5: brought a few guests out in his chest, no someone else's,

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Speaker 5: but you.

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Speaker 1: Know they were I love Yeah.

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Speaker 2: The girls came out from Yeah, the girls came out.

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Speaker 7: Girls are always kind of out anyway. And I was

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Speaker 7: just actually was looking at this this paper. I was,

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Speaker 7: I love what we did Scarface in Nashville.

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Speaker 1: Awesome.

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Speaker 7: Brad was super fun and awesome that day. And then

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Speaker 7: who what I'm thinking of? I like Jack White. I

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Speaker 7: thought he was great. That was super fun. And that

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Speaker 7: was three and my fair one, the yet unreleased Dave

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Speaker 7: Sappelle episode. Because in that talk about it, which was

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Speaker 7: which was a wild night, but the best part about

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Speaker 7: that night, D'Angelo came and showed up to the recording

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Speaker 7: and he sat down next to me and he introduced

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Speaker 7: himself to me, and I thought that was like the

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Speaker 7: funniest fucking thing I've ever liked.

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Speaker 1: All the people like and I was like, Hi, It's more.

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Speaker 7: That he also smelled good. So anyway, there you go.

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Speaker 5: What would be an underrated episode in your opinion? I

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Speaker 5: think we would collectively agree that Jimmy Jam's episode was

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Speaker 5: the quintessential QLs episode. But what's a I almost feel

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Speaker 5: that we don't give much respect for the baby face.

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Speaker 11: To me, that was that was my That was literally

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Speaker 11: what I was thinking, the baby face.

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Speaker 1: That was crazy.

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Speaker 11: We were tight and it was sweaty.

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Speaker 1: It was like exactly.

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Speaker 7: I also think like the ones that we did early

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Speaker 7: on in the in your in the rehearsal room, the

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Speaker 7: Roots rehearsal room was always like an interesting sould my

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Speaker 7: Roudeolph because.

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Speaker 1: That's what it was like.

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Speaker 7: If you think it's tightened here, it was like real

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Speaker 7: tight turntable chick fun turntable, chickens mel band.

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Speaker 1: It was great. So like, what is your first musical

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Speaker 1: memory in life?

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Speaker 9: Damn I should have been I know I should have

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Speaker 9: been ready for this first music memory in life, just

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Speaker 9: dancing in my living room, listening to my parents records

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Speaker 9: to Brenda Russell and Angelo Bouphil and Teddy Pendergrass.

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Speaker 11: When I was little.

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Speaker 1: That was it for me. Okay, do you remember the

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Speaker 1: very first record that you purchased with your own money?

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Speaker 11: I think so.

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Speaker 9: I think that was in Japan on spring break I

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Speaker 9: brought ironically, I bought Mony Love, Alyssa Milano and the

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Speaker 9: New Jack City soundtrack had an album, Yes, she did.

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Speaker 10: I was a very big fan of Alyssa Milano.

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Speaker 2: No judgment, Wait, wait time random Eliza had an album.

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Speaker 3: I did.

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Speaker 1: I didn't know that she did. She did.

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Speaker 11: She was a big star to some of us, especially

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Speaker 11: if you, you know.

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Speaker 1: Grew up Washington. How okay, how was the album? Though?

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Speaker 11: I don't remember so great?

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Speaker 10: Right?

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Speaker 11: But that New Jack City album though, that bangs okay.

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Speaker 1: Wow, I think that's an episode. And you bought it

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Speaker 1: in Japan?

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Speaker 9: Yeah?

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Speaker 7: Why were you in Japan?

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Speaker 9: Because my mother was a flight attendant for forty three

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Speaker 9: years and she started the She's one of the people,

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Speaker 9: the flight attendants that started the Japan flights, the United

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Speaker 9: to Tokyo to Narita flights. So one year she was

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Speaker 9: like she met a friend there and she was like,

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Speaker 9: you're gonna go stay there for spring break with my

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Speaker 9: friend and her son.

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Speaker 11: And that's what I did.

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Speaker 1: Wow, I was twelve. Okay, do you remember the very

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Speaker 1: first concert you attended?

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Speaker 9: I think I remember the one that I cared about

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Speaker 9: because as a kid, I was always taking the concerts

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Speaker 9: because especially because my cousin played drums for Stevie Wonder.

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Speaker 11: But the one that I remember was Bad.

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Speaker 1: Wow, you got to see the Bad Tour? Yeah, man,

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Speaker 1: that didn't even come to Philadelphia.

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Speaker 8: I was still angry at that.

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Speaker 11: You saw it in New York or in Maryland at

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Speaker 11: the Capital Center.

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Speaker 1: That's right, you're not a Philadelphia.

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Speaker 7: She came to Maryland and not Philadelphia. Feels like a death.

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Speaker 10: Well, no, no, I didn't come to Philly. That's weird.

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Speaker 5: Oh no, it's weird. It could have been local promotions,

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Speaker 5: you know. I meant now, of course, like Live Nation,

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Speaker 5: like everything is nationalized. But back in the eighties things

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Speaker 5: were regional. But Philly was always getting the shortened the stick.

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Speaker 5: I have a sound check. So Prince does the Purple

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Speaker 5: Ringe Show Thanksgiving of eighty four in Philly, and there's

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Speaker 5: a moment when he's sound checking, we's like I hate Philly.

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Speaker 5: So it was like all the other sound checks he's

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Speaker 5: like happy to be alive whatever, and here it's just

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Speaker 5: like I hate Philly on the PA system. So yeah,

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Speaker 5: thanks Prince. I appreciate that.

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Speaker 1: What is the last album or you already said doughchy,

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Speaker 1: But yeah.

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Speaker 11: I'm kind of I'm in. I'm all in on her

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Speaker 11: her you know what, her multiple listens like you multiple listens.

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Speaker 9: But also you know who y'all got me into, and

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Speaker 9: I'm glad I did when I did was Salt because now,

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Speaker 9: of course everybody is going to see Cleo wherever she

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Speaker 9: appears in whatever city. So yeah, I've been listening to

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Speaker 9: them a lot too.

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Speaker 1: Okay, who are your top three guests on this show?

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Speaker 11: I'm gonna say, oh, you mean shows like good Good Conversations.

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Speaker 1: Your your three favorite.

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Speaker 9: I'm gonna do a random one because she's my favorite

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Speaker 9: because I feel like there was more to talk about

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Speaker 9: and I always she stays in my head, and that's

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Speaker 9: Heather Hunter.

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Speaker 11: Heather Hunter was one of my favorites.

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Speaker 8: I really so.

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Speaker 7: Pissed that I missed that one. So many questions. I

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Speaker 7: was about to go all in full eye contact giving

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Speaker 7: all the heather, please did it.

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Speaker 9: There's a part two to that conversation. I always felt

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Speaker 9: like just me and her, we But that's the whole thing. Solange,

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Speaker 9: Solange salone, Salon Salange, especially off the hills of that

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Speaker 9: Saturday Night Live, that Bill Murray is knit and I don't,

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Speaker 9: oh shit, Quincy Jones man sitting on his couch talk

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Speaker 9: about talk about I mean, it was uncomfortable at times

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Speaker 9: because you know, he did talk about my toes.

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Speaker 1: A lot, and he also talked about your astrological sign.

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Speaker 7: Yeah, whatever you want to call it.

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Speaker 1: And I'm on the corner like I'm an aquarium too.

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Speaker 11: Even in the video I got him, he like them

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Speaker 11: to to I'm like, Lord, those toes.

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Speaker 1: Man, because he always.

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Speaker 5: He always sounded to me like someone imitating Sammy Davis Jr.

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Speaker 5: Always with the cough drop in his mouth, like always

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Speaker 5: sort of a cough dropping thing.

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Speaker 1: But yes, legendary man.

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Speaker 11: Yeah, I think we should.

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Speaker 9: It's a hard thing to just narrow it down to

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Speaker 9: to three, but I understand that's what we gotta do.

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Speaker 9: But I'm looking at all these pictures, all these moments,

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Speaker 9: and I'm like.

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Speaker 1: Do we physically have that? Quincy Jones episode.

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Speaker 11: We Steve.

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Speaker 10: Okay, but we do know somebody has it though.

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Speaker 1: Right on we all we got episodes being held hostage.

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Speaker 10: We got a few episodes hostage.

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Speaker 8: That episode went straight to the Tone Museum.

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Speaker 10: Why is held hostage?

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Speaker 9: Now?

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Speaker 10: Rogers, where are you at?

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Speaker 9: Hell?

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Speaker 11: Hostage?

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Speaker 1: We did interview. It was just one so short that

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Speaker 1: it stopped that reference.

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Speaker 11: To light and it was one more. I can't remember

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Speaker 11: the other one that was hell.

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Speaker 1: Yeah, yeah, because we had uh, Macio wasn't there. It

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Speaker 1: was just poss and Dave we did. It was right

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Speaker 1: after anonymous. Nobody had dropped right, uh, David pass.

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Speaker 9: I was also like to throw in a mention, the

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Speaker 9: honorable mention, because nobody has done this and it needs

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Speaker 9: to be mentioned, the rever fucking loution.

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Speaker 10: What we did with the revolution and for what.

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Speaker 1: Watching you d that was magic. That was crazy. But

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Speaker 1: when they sang sometimes it's now in April, I had

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Speaker 1: to walk outside.

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Speaker 11: Yeah that that was Maya Rudolph at that.

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Speaker 1: Event was my room, yeah, my yeah, my room office

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Speaker 1: there and I remember, yeah, they did sometimes the snows

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Speaker 1: in April. Crazy enough. I wasn't really like that wasn't

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Speaker 1: the one that got me, like, I was watching that

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Speaker 1: cool when you played come Home. I don't know what

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Speaker 1: it is about this song that is a sleeper prints song. Yeah,

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Speaker 1: no one man, you played that one. And that was

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Speaker 1: around the time too. That was literally like days after

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Speaker 1: my dad had died. And so that that that night

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Speaker 1: of revolution, that was just the I never I never

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Speaker 1: forget that because it was right when I needed it,

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Speaker 1: because like, my daddy just died, and uh, that's boss

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Speaker 1: Bill was still here and he was having.

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Speaker 9: Like the time, he was having enjoyment that we had

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Speaker 9: never experienced in our lives.

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Speaker 1: I've never seen in my life, right, brother Bossville man.

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Speaker 1: But uh but yeah, so but nah, revolution that was

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Speaker 1: that was epic ship. That was dope conference room actually,

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Speaker 1: now you say it.

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Speaker 5: We also interviewed probably our most eye opening Prince interview

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Speaker 5: we never got the air, which was Robbie his assistant.

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Speaker 11: All right, we didn't air it.

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Speaker 5: If there was such a thing as t back then,

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Speaker 5: that would have been the episode. I mean Robbie basically

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Speaker 5: spoke of being Princess Valet his jerome from like eighty

426
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Speaker 5: three to bringing up pianos on cranes into his suite.

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Speaker 5: I think he even spoke one time where a kind

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Speaker 5: of had a shoving match over something and he was

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Speaker 5: real with it. All I know was that the higher

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Speaker 5: upset Pandora, whoever was a Scott shout out to Scott Hello,

431
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Speaker 5: But I forgot that Robbie Prince's valet also got interviewed,

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Speaker 5: and we never focused on that one. So Sugar, Steve,

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Speaker 5: what is your first musical memory?

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Speaker 8: First musical memory, I mean there's a lot of AM

435
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Speaker 8: radio things I could say, and early Taper quarders. I

436
00:23:00,520 --> 00:23:04,240
Speaker 8: had things like that with my sister singing. But my

437
00:23:04,400 --> 00:23:06,320
Speaker 8: mom had an acoustic guitar in the house and she

438
00:23:06,520 --> 00:23:10,200
Speaker 8: was playing John Denver songs. That's I think sort of

439
00:23:10,560 --> 00:23:12,119
Speaker 8: my first actual musical memory.

440
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Speaker 1: Your mom plays guitar. No, no, she was just faking it,

441
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Speaker 1: but I.

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Speaker 8: Didn't know any better at the time. She's incredible.

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Speaker 5: I should know based on Steve in our thread chat

444
00:23:26,320 --> 00:23:28,400
Speaker 5: posted a photo of him.

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Speaker 1: How many bass Cities, Yeah, that's a lot.

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Speaker 8: How many Princes albums you own?

447
00:23:36,480 --> 00:23:39,200
Speaker 5: Yeah, but I don't own multiple, Like, yes you do,

448
00:23:41,119 --> 00:23:43,240
Speaker 5: We've seen them DJ though I'm allowed to have.

449
00:23:45,160 --> 00:23:48,440
Speaker 8: Oh well, I mean you have like I'm a WONDERAMA

450
00:23:49,200 --> 00:23:53,000
Speaker 8: generation person, you know, as some of us are here.

451
00:23:53,280 --> 00:23:56,080
Speaker 1: So every bas City Roller album you see, you just copy.

452
00:23:55,840 --> 00:23:58,960
Speaker 8: It of that specific one. Yeah, that first American one

453
00:23:59,000 --> 00:24:00,440
Speaker 8: with Saturday on it.

454
00:24:00,560 --> 00:24:02,840
Speaker 1: It's kind of very specific.

455
00:24:02,960 --> 00:24:05,000
Speaker 8: Yeah, it's really just that one album that I'm obsessed with.

456
00:24:05,320 --> 00:24:07,119
Speaker 11: You can I ask, what's the bas City song that

457
00:24:07,160 --> 00:24:07,840
Speaker 11: I would really know?

458
00:24:11,800 --> 00:24:13,040
Speaker 8: Saturday Night that's the only one.

459
00:24:13,760 --> 00:24:16,320
Speaker 1: Yeah. But they were just they were the one direction

460
00:24:16,440 --> 00:24:17,120
Speaker 1: of the seventh Yeah.

461
00:24:17,160 --> 00:24:20,720
Speaker 8: Yeah, and they were. And that's kind that's kind of

462
00:24:20,760 --> 00:24:23,679
Speaker 8: my first concert to not the basically Rollers, but Bob McCallister.

463
00:24:24,119 --> 00:24:26,040
Speaker 8: He would go around and do like these little, you know,

464
00:24:26,359 --> 00:24:30,119
Speaker 8: concerts for kids. So he was the justine of the

465
00:24:30,240 --> 00:24:33,520
Speaker 8: instinct of No. Bob mcalster was the host of Wonderama.

466
00:24:33,560 --> 00:24:35,320
Speaker 8: He was like an old Oh, he was like the

467
00:24:35,680 --> 00:24:36,760
Speaker 8: best soul trained guy.

468
00:24:37,280 --> 00:24:42,800
Speaker 5: So Basity Rollers were the Shalomar of One Durama. Yes,

469
00:24:43,400 --> 00:24:46,240
Speaker 5: Salamar manufactured from Soul trained.

470
00:24:46,359 --> 00:24:46,800
Speaker 1: Well, I don't.

471
00:24:46,880 --> 00:24:50,119
Speaker 8: They weren't manufactured for by One Durama, but yeah, they

472
00:24:50,119 --> 00:24:52,960
Speaker 8: were kind of the okay, yeah, all right, kind of

473
00:24:52,960 --> 00:24:54,320
Speaker 8: the symbol almost at that.

474
00:24:54,359 --> 00:24:57,840
Speaker 5: Time network did One Dama come on, I know the logo,

475
00:24:58,040 --> 00:24:59,879
Speaker 5: but I just think it's slider wheels.

476
00:25:00,359 --> 00:25:04,119
Speaker 8: No, that's the abs. It's not PBS. I don't know.

477
00:25:04,359 --> 00:25:06,400
Speaker 1: You only remember kids are people too, but I don't.

478
00:25:06,520 --> 00:25:09,840
Speaker 8: Yeah, well that's fine. Calis tour the country just singing

479
00:25:09,920 --> 00:25:12,800
Speaker 8: that song over and over again everywhere. But my first

480
00:25:12,880 --> 00:25:17,679
Speaker 8: real concert was Billy Joel the Garden eighty four, you know, tour.

481
00:25:18,040 --> 00:25:21,320
Speaker 1: In his prime jone Okay, uptown. You know I picked.

482
00:25:22,000 --> 00:25:23,200
Speaker 1: I was complaining to you all night.

483
00:25:23,720 --> 00:25:28,040
Speaker 5: I chose the one Billy Joel show in which he

484
00:25:28,200 --> 00:25:29,960
Speaker 5: decided not to do any hits.

485
00:25:30,080 --> 00:25:31,800
Speaker 1: Oh my god. It was his birthday.

486
00:25:32,240 --> 00:25:35,000
Speaker 5: You know, he had the residency at master Square Garden,

487
00:25:35,640 --> 00:25:39,320
Speaker 5: and so he was like for his birthday, I'm gonna

488
00:25:39,359 --> 00:25:42,119
Speaker 5: gift you the fans all the B sides and the

489
00:25:42,200 --> 00:25:46,160
Speaker 5: deep cuts, and literally, I mean everyone's losing their minds

490
00:25:46,160 --> 00:25:47,000
Speaker 5: because he's like, you know.

491
00:25:47,040 --> 00:25:49,360
Speaker 1: It's like, oh my god, open with the erotic city,

492
00:25:49,520 --> 00:25:50,040
Speaker 1: like I mean.

493
00:25:50,040 --> 00:25:54,159
Speaker 5: Like he's doing like the deep stuff, and you know,

494
00:25:54,280 --> 00:25:59,199
Speaker 5: I just sat there like waiting for starting something. Actually

495
00:25:59,800 --> 00:26:01,520
Speaker 5: that it was the one time he did. We didn't

496
00:26:01,560 --> 00:26:03,520
Speaker 5: start the fire. And everyone's laughing.

497
00:26:03,960 --> 00:26:09,879
Speaker 1: Because I guess the worst song ever. Yeah, really they

498
00:26:09,920 --> 00:26:11,320
Speaker 1: don't rock with that song. I had to do a

499
00:26:11,400 --> 00:26:13,920
Speaker 1: report on that song in like fifth grade, So yeah,

500
00:26:14,000 --> 00:26:14,399
Speaker 1: why is it?

501
00:26:14,720 --> 00:26:14,840
Speaker 4: Oh?

502
00:26:14,960 --> 00:26:17,360
Speaker 1: Yeah, all the historical references in it. I's just had

503
00:26:17,440 --> 00:26:19,720
Speaker 1: to Yeah, we had to find out like what it

504
00:26:19,960 --> 00:26:20,719
Speaker 1: was and look it up.

505
00:26:20,880 --> 00:26:23,320
Speaker 5: Like if a song gets too big, where like your

506
00:26:23,359 --> 00:26:26,560
Speaker 5: science teacher knows the song or your pastor your church

507
00:26:26,680 --> 00:26:30,960
Speaker 5: knows it, then that's when the backlins, like everyone had thrillers.

508
00:26:31,000 --> 00:26:33,119
Speaker 8: So then it's not a song, it's a list of

509
00:26:33,240 --> 00:26:39,760
Speaker 8: fucking names. But you don't think that it's rather rather shitty? Yes,

510
00:26:39,840 --> 00:26:44,199
Speaker 8: I do, I really feel get me started.

511
00:26:44,359 --> 00:26:47,920
Speaker 5: No, No, because this is a question that I will

512
00:26:47,960 --> 00:26:51,000
Speaker 5: get to later, which is basically, how have your music

513
00:26:51,040 --> 00:26:54,960
Speaker 5: tastes changed from twenty fifteen to now in twenty twenty five,

514
00:26:56,000 --> 00:27:01,200
Speaker 5: I will say that my instant dismissal of pop music

515
00:27:01,560 --> 00:27:05,000
Speaker 5: has definitely changed in the last ten years, where I

516
00:27:05,119 --> 00:27:07,520
Speaker 5: will be the one that meant that, Yeah, I'm quick

517
00:27:07,600 --> 00:27:11,120
Speaker 5: to dismiss something that I think a common person would

518
00:27:11,280 --> 00:27:13,400
Speaker 5: like because I think that we choose our music based

519
00:27:13,480 --> 00:27:16,960
Speaker 5: on likenobbery. Yeah, like they like that, Well I'm better

520
00:27:17,000 --> 00:27:20,159
Speaker 5: than them, so I'm gonna pick the obscure band. But

521
00:27:20,720 --> 00:27:23,080
Speaker 5: once I realized that it's hard as hell to write

522
00:27:23,119 --> 00:27:27,680
Speaker 5: a good pop song, listen. Then yeah, I respect the game.

523
00:27:28,760 --> 00:27:30,639
Speaker 5: Actually I learned it at and Juliet.

524
00:27:30,880 --> 00:27:33,720
Speaker 1: Good place to learn, Aelia.

525
00:27:34,080 --> 00:27:47,440
Speaker 8: But for you, here's the melody that that that that that's.

526
00:27:42,800 --> 00:27:48,800
Speaker 11: That's easy, it's oh my god, it ain't uptown.

527
00:27:49,920 --> 00:27:52,080
Speaker 5: And then the next song he did was in the

528
00:27:52,160 --> 00:27:56,200
Speaker 5: Middle of the Night, which right, which is fun fact,

529
00:27:56,840 --> 00:28:02,040
Speaker 5: my first month working at Rough Records, Joe Niccolo produced it.

530
00:28:02,600 --> 00:28:06,840
Speaker 5: I think the backstory is and that's I'm sorry, Joe Nicolo.

531
00:28:07,040 --> 00:28:12,560
Speaker 5: I apologize. If there's one besides Arthur Baker, another luminary

532
00:28:12,640 --> 00:28:15,359
Speaker 5: that has been always in my dms, like when am

533
00:28:15,359 --> 00:28:16,720
Speaker 5: I going to get my turn to tell my story?

534
00:28:16,760 --> 00:28:19,440
Speaker 11: Espectly after we had Chris, I know he liked Yeah.

535
00:28:19,440 --> 00:28:21,240
Speaker 1: Yeah, he definitely wanted to get on the show.

536
00:28:21,520 --> 00:28:27,240
Speaker 5: Sorry, apologies, but I guess Joe Nicolo would add a

537
00:28:27,280 --> 00:28:31,680
Speaker 5: lot of break beats under his rock stuff, which kind

538
00:28:31,720 --> 00:28:34,760
Speaker 5: of ninety one ninety two really wasn't a thing. So

539
00:28:35,359 --> 00:28:38,960
Speaker 5: him looping the funkadelic good old music drum break in

540
00:28:39,080 --> 00:28:43,960
Speaker 5: that song kind of you know dog was for hip hop? Yeah,

541
00:28:44,240 --> 00:28:46,880
Speaker 5: or you know, I guess for those that are wondering

542
00:28:46,960 --> 00:28:50,360
Speaker 5: in nineteen ninety two, how do I avoid the unsung

543
00:28:50,720 --> 00:28:51,720
Speaker 5: and then hip hop.

544
00:28:51,600 --> 00:28:54,920
Speaker 1: Came alright, syndrome embrace it.

545
00:28:55,240 --> 00:28:56,960
Speaker 5: Yeah, it's like, oh, what can I do? Okay, I'll

546
00:28:56,960 --> 00:28:59,000
Speaker 5: put a break beat in anyway. So I got to

547
00:28:59,120 --> 00:29:02,160
Speaker 5: see at least the first day of him looping met

548
00:29:02,240 --> 00:29:05,200
Speaker 5: in the drum machine for Billy Joel, I didn't get

549
00:29:05,240 --> 00:29:06,000
Speaker 5: to see Billy Joel.

550
00:29:06,040 --> 00:29:09,680
Speaker 1: But so, who are your top three guests on the show.

551
00:29:10,000 --> 00:29:12,240
Speaker 8: Oh, I'd have to look at the list to really

552
00:29:12,600 --> 00:29:13,440
Speaker 8: answer this question.

553
00:29:15,920 --> 00:29:17,680
Speaker 1: I am I'm going to okay.

554
00:29:17,920 --> 00:29:21,160
Speaker 10: One non jazz se do one non jazz person.

555
00:29:21,640 --> 00:29:23,440
Speaker 1: Well, he didn't do any we didn't do it mention

556
00:29:23,560 --> 00:29:24,440
Speaker 1: any jazz artists.

557
00:29:24,560 --> 00:29:25,440
Speaker 11: Yeah, he hasn't yet.

558
00:29:26,120 --> 00:29:29,920
Speaker 8: I mean for obvious reasons. Costello, you know, that's a

559
00:29:29,960 --> 00:29:32,840
Speaker 8: classic episode, the one on one or I'm glad you

560
00:29:32,920 --> 00:29:34,160
Speaker 8: won one with Costello.

561
00:29:35,000 --> 00:29:36,840
Speaker 9: What's so funny because your one on one is one

562
00:29:36,880 --> 00:29:38,080
Speaker 9: of your classes episodes.

563
00:29:38,360 --> 00:29:40,880
Speaker 8: Well, it was epic and it wasn't harder, and it

564
00:29:41,040 --> 00:29:43,600
Speaker 8: was like, you know, once in a lifetime for a

565
00:29:43,680 --> 00:29:44,400
Speaker 8: Costello fan.

566
00:29:44,520 --> 00:29:47,880
Speaker 5: They definitely appreciated you asking the questions that no journalist

567
00:29:47,960 --> 00:29:48,680
Speaker 5: has ever asked.

568
00:29:49,120 --> 00:29:50,200
Speaker 8: Yeah, it was it was.

569
00:29:50,600 --> 00:29:51,440
Speaker 1: That was a classic one.

570
00:29:51,600 --> 00:29:54,400
Speaker 8: And my Nick Low one, my one on one with

571
00:29:54,520 --> 00:29:58,000
Speaker 8: Nick Low was pretty special as well. It was and

572
00:29:58,360 --> 00:30:02,200
Speaker 8: the ones we did an electric Lady roy Ers, you know,

573
00:30:02,280 --> 00:30:04,760
Speaker 8: because he had recorded so many records there and I

574
00:30:04,800 --> 00:30:08,760
Speaker 8: thought that was super special and Herbalpert I liked all.

575
00:30:08,960 --> 00:30:12,960
Speaker 1: That was a great electrically. Yes, all right, Tigola, Yes, sir,

576
00:30:13,200 --> 00:30:15,120
Speaker 1: Your first musical.

577
00:30:14,920 --> 00:30:19,120
Speaker 8: Memory, her first musical memory and the first record I

578
00:30:19,200 --> 00:30:20,200
Speaker 8: bought with my own money.

579
00:30:20,640 --> 00:30:25,400
Speaker 1: Sorry, first memory, I guess I would say this was

580
00:30:25,760 --> 00:30:28,920
Speaker 1: in my grandmother's house. My mother just always played music,

581
00:30:29,120 --> 00:30:33,880
Speaker 1: and uh, she had a copy of Thankful by Nalie Cole,

582
00:30:34,760 --> 00:30:37,920
Speaker 1: which is like wow, yeah, so it's yeah, so yeah,

583
00:30:37,920 --> 00:30:42,040
Speaker 1: this is the one look my man. So she had

584
00:30:42,120 --> 00:30:44,960
Speaker 1: that and yeah, that record is just like a direct

585
00:30:45,080 --> 00:30:47,320
Speaker 1: portal to my childhood. Like I just remember like picking

586
00:30:47,360 --> 00:30:49,520
Speaker 1: it up and like the texture of it. It feels

587
00:30:49,560 --> 00:30:52,000
Speaker 1: like a painting. It's not like a regular joint. Even

588
00:30:52,080 --> 00:30:55,040
Speaker 1: the album cover felt yeah exactly. You feel like textures

589
00:30:55,120 --> 00:30:56,600
Speaker 1: kind of ridges in it. Yeah, it was like a

590
00:30:57,000 --> 00:30:59,320
Speaker 1: painting of her. And I just remember that and just

591
00:30:59,480 --> 00:31:02,480
Speaker 1: seeing the red label on Capitol just spin around around.

592
00:31:02,960 --> 00:31:05,560
Speaker 1: So my mother would always just play that record. She

593
00:31:05,640 --> 00:31:08,440
Speaker 1: would also play for some reason, I don't know, why

594
00:31:08,640 --> 00:31:11,120
Speaker 1: she loved this song so much, but Love Jones by

595
00:31:11,200 --> 00:31:13,240
Speaker 1: Johnny Guitar Watson. We had a forty five of that

596
00:31:13,920 --> 00:31:17,240
Speaker 1: real Yeah, okay, so we would be, you know, cleaning

597
00:31:17,320 --> 00:31:21,400
Speaker 1: up on Saturday mornings and just playing music, and that

598
00:31:21,680 --> 00:31:23,120
Speaker 1: was you know, that was the kind of stuff we

599
00:31:23,200 --> 00:31:23,520
Speaker 1: listened to.

600
00:31:24,120 --> 00:31:28,719
Speaker 5: I gotta say I will double down on the Thankful album.

601
00:31:29,680 --> 00:31:35,480
Speaker 5: If there's ever a fuzzy memory I have of my childhood,

602
00:31:35,920 --> 00:31:37,840
Speaker 5: it's I think my dad picked me up on a

603
00:31:37,920 --> 00:31:40,800
Speaker 5: snow day, and back when snow days were special, when

604
00:31:40,840 --> 00:31:43,880
Speaker 5: the teachers are like, okay, kids, you're going home early today,

605
00:31:43,920 --> 00:31:46,560
Speaker 5: and it was like, you know, especially if it's like

606
00:31:46,800 --> 00:31:48,840
Speaker 5: ten thirty, like you get home out a whole day,

607
00:31:49,000 --> 00:31:51,200
Speaker 5: right when price is writ and cartoons come on or whatever.

608
00:31:52,040 --> 00:31:57,400
Speaker 5: And yeah, so driving home in a snowstorm listening La

609
00:31:57,480 --> 00:32:00,600
Speaker 5: Costa is more or less like a tropical sound record, huh.

610
00:32:01,080 --> 00:32:06,000
Speaker 5: But for me, it's a winter like whatever you think of,

611
00:32:06,200 --> 00:32:09,360
Speaker 5: like a good Christmas or like the winter thing. That's

612
00:32:09,440 --> 00:32:11,280
Speaker 5: that's what you associate with it every time I hear

613
00:32:11,360 --> 00:32:13,600
Speaker 5: that song. If I want to think of my dad

614
00:32:13,640 --> 00:32:17,600
Speaker 5: in a nice way, it's just us driving home, sharing

615
00:32:17,640 --> 00:32:21,600
Speaker 5: a stale cheese Danish listening to La Costa on the

616
00:32:21,920 --> 00:32:25,000
Speaker 5: eight track track, Oh man. And the thing is because

617
00:32:25,040 --> 00:32:26,959
Speaker 5: I was born in the early seventies and really familiar

618
00:32:26,960 --> 00:32:29,960
Speaker 5: with eight tracks, occasionally the song would have to feed

619
00:32:31,280 --> 00:32:35,200
Speaker 5: oh yeah, and then come back and and always on

620
00:32:35,320 --> 00:32:38,840
Speaker 5: that bridge it would fade out.

621
00:32:39,520 --> 00:32:48,440
Speaker 1: So even to this day, yeah, yeah, that's my favorite

622
00:32:48,520 --> 00:32:51,640
Speaker 1: Natical album. That's probably my favorite Natal Call song without questioning.

623
00:32:51,920 --> 00:32:56,120
Speaker 5: They gave Natalie Cole a summer special, like a one

624
00:32:56,160 --> 00:32:59,960
Speaker 5: off variety show with Earth Wind and Fire as her guests,

625
00:33:00,280 --> 00:33:03,960
Speaker 5: but she does and her collaborator that wrote that, another

626
00:33:04,040 --> 00:33:06,760
Speaker 5: young lady that wrote that song, like, yeah, if you

627
00:33:06,840 --> 00:33:09,600
Speaker 5: look at them on YouTube, look at Natalie called La

628
00:33:09,680 --> 00:33:12,880
Speaker 5: Costa live on her nineteen seventy seven special.

629
00:33:13,080 --> 00:33:16,080
Speaker 1: Oh wow, that shit kicks out. Okay, I didn't know

630
00:33:16,160 --> 00:33:18,040
Speaker 1: she ever did it live. Yeah, that record, I mean,

631
00:33:18,080 --> 00:33:19,959
Speaker 1: it was never like a single and then I think,

632
00:33:20,080 --> 00:33:22,400
Speaker 1: but that was just always just a record that just

633
00:33:22,400 --> 00:33:25,320
Speaker 1: spoke to me and just takes me directly by to childhood. Yeah.

634
00:33:25,360 --> 00:33:27,760
Speaker 1: So those are probably my earliest musical memories, just my

635
00:33:27,840 --> 00:33:31,200
Speaker 1: mother playing records, going to my aunt's house and playing records.

636
00:33:31,600 --> 00:33:35,160
Speaker 1: My aunt she had Mam Belinda. She had a turntable

637
00:33:35,440 --> 00:33:37,840
Speaker 1: and she just had like all her records in her

638
00:33:38,000 --> 00:33:40,240
Speaker 1: like her apartment and stuff. And so whenever, you know,

639
00:33:40,520 --> 00:33:43,640
Speaker 1: you have spade night or whatever, she would let me

640
00:33:43,760 --> 00:33:47,600
Speaker 1: DJ the parties. And so this is how I That

641
00:33:47,720 --> 00:33:49,880
Speaker 1: was how I learned records. Usually, that was how I

642
00:33:49,960 --> 00:33:52,560
Speaker 1: learned music, like just seeing Okay, okay, I see the

643
00:33:52,600 --> 00:33:55,440
Speaker 1: guy's name on the cover, but the guy in the parentheses,

644
00:33:55,840 --> 00:33:58,880
Speaker 1: that's who wrote the song and he gets paid even

645
00:33:58,920 --> 00:34:02,560
Speaker 1: when the guy on the cover. So I want to

646
00:34:02,600 --> 00:34:05,960
Speaker 1: be that guy. Like that was my I want to

647
00:34:06,000 --> 00:34:07,760
Speaker 1: be the guy in the parenthesis, you know what I mean.

648
00:34:08,239 --> 00:34:10,680
Speaker 1: So I was probably like, you know, probably like seven

649
00:34:10,840 --> 00:34:12,840
Speaker 1: you know, seven eight, you know what I'm saying. But

650
00:34:12,920 --> 00:34:15,759
Speaker 1: I would just play. I learned like how if you

651
00:34:15,920 --> 00:34:17,919
Speaker 1: don't know a record, like just kind of my rule

652
00:34:17,960 --> 00:34:20,120
Speaker 1: of thumb. If it's a record you don't know, your

653
00:34:20,200 --> 00:34:22,360
Speaker 1: best bet is either the first song on side A

654
00:34:22,640 --> 00:34:25,319
Speaker 1: or the first song on side B, because that's that's

655
00:34:25,360 --> 00:34:29,000
Speaker 1: the strong offering. That's that's the best one. So so

656
00:34:29,160 --> 00:34:32,000
Speaker 1: ill you know Strawberry Letter twenty three right on time,

657
00:34:32,200 --> 00:34:34,840
Speaker 1: right exactly, you know, you know. So yeah, So that

658
00:34:34,960 --> 00:34:37,160
Speaker 1: was kind of how I learned just records and playing

659
00:34:37,480 --> 00:34:39,560
Speaker 1: and learning how to read the crowd. So like I

660
00:34:39,640 --> 00:34:43,799
Speaker 1: knew if I played something and everybody as long as

661
00:34:43,960 --> 00:34:46,360
Speaker 1: they're talking, like as long as everybody is talking and

662
00:34:46,480 --> 00:34:48,600
Speaker 1: having a good time, I'm playing something, then it's cool.

663
00:34:49,120 --> 00:34:51,399
Speaker 1: If you play something and they may look at it, yeah,

664
00:34:51,440 --> 00:34:54,000
Speaker 1: they get quiet, they look or whatever, and it's like,

665
00:34:54,040 --> 00:34:58,520
Speaker 1: all right, you dropped some bullshit. So I like hostile

666
00:34:58,640 --> 00:35:02,080
Speaker 1: environment exactly like seven eighty. You know, it's all around

667
00:35:02,160 --> 00:35:04,360
Speaker 1: that time. But I would always just play kind of

668
00:35:04,400 --> 00:35:07,239
Speaker 1: those records and that was yeah, that was it.

669
00:35:07,560 --> 00:35:10,800
Speaker 5: Now, it's weird that you made that observation at seven

670
00:35:11,000 --> 00:35:16,920
Speaker 5: because mine was the exact opposite, because of my father

671
00:35:17,160 --> 00:35:18,760
Speaker 5: always been shopping records.

672
00:35:18,800 --> 00:35:19,000
Speaker 3: Yeah.

673
00:35:19,040 --> 00:35:22,560
Speaker 1: Yeah, the process is always he would go to a

674
00:35:22,640 --> 00:35:23,440
Speaker 1: record store.

675
00:35:23,360 --> 00:35:25,000
Speaker 5: And the guy behind the count's like, all right, you

676
00:35:25,080 --> 00:35:27,040
Speaker 5: need this that he when he saw my dad, he'd

677
00:35:27,080 --> 00:35:29,279
Speaker 5: already knew all right, mister Lee, hear your records. And

678
00:35:29,360 --> 00:35:31,240
Speaker 5: he would just gather all a bunch of forty fives

679
00:35:31,320 --> 00:35:33,160
Speaker 5: or whatever, get a bunch of records and give it

680
00:35:33,200 --> 00:35:36,439
Speaker 5: to my dad. The bill comes to three hundred bucks,

681
00:35:36,680 --> 00:35:40,200
Speaker 5: but you know it's nineteen seventy year three thousand dollars right,

682
00:35:40,600 --> 00:35:43,799
Speaker 5: So literally I'm carrying I'm carrying the box of forty fives.

683
00:35:43,840 --> 00:35:46,880
Speaker 5: He's carrying the LPs. We would go to rehearsal, and

684
00:35:47,040 --> 00:35:51,040
Speaker 5: of course my dad's band would rummage through what they want. Okay,

685
00:35:51,120 --> 00:35:52,880
Speaker 5: we'll take Ohio players, We'll take no, no, no no.

686
00:35:53,640 --> 00:35:58,279
Speaker 5: So I would get to own the records, not show

687
00:35:58,400 --> 00:36:02,640
Speaker 5: left those left behind. And it's usually the flops. Okay,

688
00:36:03,400 --> 00:36:05,840
Speaker 5: but because I'm six and seven, I don't know anything.

689
00:36:05,880 --> 00:36:06,600
Speaker 1: I know it's a flop.

690
00:36:07,000 --> 00:36:09,320
Speaker 5: So I will say the first ten years of my

691
00:36:09,440 --> 00:36:12,200
Speaker 5: life was loving nothing but the flops.

692
00:36:14,040 --> 00:36:15,440
Speaker 1: But I can see but that I can see as

693
00:36:15,440 --> 00:36:18,840
Speaker 1: a DJ, that becomes kind of a superpower because you

694
00:36:19,080 --> 00:36:20,880
Speaker 1: know you're looking where no one else is. Like, you

695
00:36:20,920 --> 00:36:23,839
Speaker 1: can still find stuff on them records that like someone

696
00:36:23,880 --> 00:36:24,760
Speaker 1: else would overlook.

697
00:36:24,840 --> 00:36:29,480
Speaker 5: But to this day it makes me not like I

698
00:36:29,719 --> 00:36:33,400
Speaker 5: never liked the hit single, which I mean again, I

699
00:36:33,440 --> 00:36:37,600
Speaker 5: feel like Stevie Wonder is more defined by pastimes. I mean,

700
00:36:37,640 --> 00:36:41,080
Speaker 5: that doesn't count because Coolio sampled it. But that wasn't

701
00:36:41,080 --> 00:36:44,640
Speaker 5: a single, right, fun fact, I think I mentioned this before.

702
00:36:44,719 --> 00:36:47,000
Speaker 5: Do you know that isn't she Lovely was not a

703
00:36:47,120 --> 00:36:50,000
Speaker 5: single because Radio just I mean DJs thoughts, DJ's were

704
00:36:50,040 --> 00:36:52,320
Speaker 5: allowed to play whatever they wanted to and you know

705
00:36:52,600 --> 00:36:55,960
Speaker 5: that sort of thing. So yeah, like for me, it

706
00:36:56,080 --> 00:37:00,320
Speaker 5: was always the filler and the flop song that tracked

707
00:37:00,440 --> 00:37:03,440
Speaker 5: me and whatever I had Steve send Joeman as a kid,

708
00:37:03,560 --> 00:37:05,440
Speaker 5: like if it was love roller Coaster, I didn't like that.

709
00:37:05,719 --> 00:37:09,120
Speaker 5: But you know, if it was fop fop, that was

710
00:37:09,200 --> 00:37:12,320
Speaker 5: my ship, right exactly, that was my ship. When was

711
00:37:12,320 --> 00:37:13,480
Speaker 5: the first concert you ever went to?

712
00:37:13,760 --> 00:37:18,200
Speaker 1: First concert I ever went to? It was the fresh Fest.

713
00:37:18,400 --> 00:37:23,000
Speaker 1: This would have been nineteen eighty five six something like that.

714
00:37:23,440 --> 00:37:27,080
Speaker 1: This is Greensboro Coliseum, shit, And this was my uncle Brod.

715
00:37:27,200 --> 00:37:30,440
Speaker 1: He took me. It was Fat Boys, Run DMC Houdini,

716
00:37:31,360 --> 00:37:34,040
Speaker 1: and yeah, that was the first time I really saw.

717
00:37:34,080 --> 00:37:37,360
Speaker 1: I just remember seeing Run DMC and I remember seeing

718
00:37:38,200 --> 00:37:40,759
Speaker 1: you know one that night. I feel like the Fat

719
00:37:40,800 --> 00:37:43,040
Speaker 1: Boys might have won. The Fat Boys they went off.

720
00:37:43,080 --> 00:37:44,719
Speaker 1: I remember that. I actually my uncle actually brought me

721
00:37:44,760 --> 00:37:47,680
Speaker 1: a fat Boy's sweatshirt that night. Yeah, I mean he

722
00:37:47,760 --> 00:37:50,080
Speaker 1: did it on the low. I still have it. I

723
00:37:50,160 --> 00:37:51,680
Speaker 1: don't have it. I wish I would have kept it, man,

724
00:37:51,719 --> 00:37:53,719
Speaker 1: but nah, I don't have it. He took me out

725
00:37:53,760 --> 00:37:56,080
Speaker 1: one night. It was him and me, and he had

726
00:37:56,239 --> 00:37:58,600
Speaker 1: this girl he was seeing and her kids, you know

727
00:37:58,640 --> 00:38:01,080
Speaker 1: what I mean. And so we all went and so afterwards,

728
00:38:01,160 --> 00:38:03,040
Speaker 1: like he dropped him off and then we went in

729
00:38:03,120 --> 00:38:04,440
Speaker 1: the car and he was like, look, I got you this,

730
00:38:04,560 --> 00:38:05,800
Speaker 1: and he got me a sweatshirt.

731
00:38:05,800 --> 00:38:05,960
Speaker 8: You know.

732
00:38:06,000 --> 00:38:09,160
Speaker 1: He couldn't afford to buy everyone. He couldn't flex. He

733
00:38:09,160 --> 00:38:11,839
Speaker 1: couldn't flex. So I was like, I appreciate it. But yeah,

734
00:38:11,880 --> 00:38:13,960
Speaker 1: that was my first show and I just remember seeing

735
00:38:14,040 --> 00:38:17,240
Speaker 1: that and that was definitely the line in the sand

736
00:38:17,280 --> 00:38:20,240
Speaker 1: of like, Okay, Luther and Patty is my mama's music,

737
00:38:20,760 --> 00:38:22,799
Speaker 1: but this is my music, you know what I'm saying.

738
00:38:22,800 --> 00:38:24,160
Speaker 1: I guess I maybe this was like I was in

739
00:38:24,239 --> 00:38:26,600
Speaker 1: first grade, so I might have been yeah, around the

740
00:38:26,640 --> 00:38:28,840
Speaker 1: same time, like seven six seven something like that.

741
00:38:29,040 --> 00:38:32,360
Speaker 5: Yeah, man, like I I know, I want to know

742
00:38:32,400 --> 00:38:34,920
Speaker 5: what that feels like, the witness hip hop at a

743
00:38:35,040 --> 00:38:35,640
Speaker 5: young age.

744
00:38:36,320 --> 00:38:38,040
Speaker 1: Yeah, yeah, you know it was nine.

745
00:38:38,120 --> 00:38:42,000
Speaker 5: I still feel like I'm the elder Statesman when Rappers

746
00:38:42,120 --> 00:38:42,680
Speaker 5: Light came out.

747
00:38:42,920 --> 00:38:46,680
Speaker 1: But for you, you're like, nah, I was I warn't

748
00:38:46,719 --> 00:38:50,680
Speaker 1: in it? Yeah yeah, yeah, it was yeah, one seventy eight,

749
00:38:51,239 --> 00:38:54,120
Speaker 1: but you're one one right exactly. Yeah, bro so nah, man,

750
00:38:54,200 --> 00:38:56,040
Speaker 1: that was my first concert, and that was the first

751
00:38:56,080 --> 00:38:58,560
Speaker 1: time I saw like I was like, yeah, I want

752
00:38:58,600 --> 00:39:00,920
Speaker 1: to I didn't know even like wanting to do this,

753
00:39:01,120 --> 00:39:03,160
Speaker 1: like what that meant. But it was just something in

754
00:39:03,200 --> 00:39:05,520
Speaker 1: the music that spoke to me, and I was just like, Yeah,

755
00:39:05,600 --> 00:39:07,279
Speaker 1: this is me, this is this is my side of

756
00:39:07,280 --> 00:39:10,560
Speaker 1: the street. Gotcha all right? So what's the last album

757
00:39:10,760 --> 00:39:13,120
Speaker 1: you enjoyed from start to finish? Man?

758
00:39:13,239 --> 00:39:13,439
Speaker 8: Last?

759
00:39:13,480 --> 00:39:16,200
Speaker 1: I mind joy from start to finish. Actually just been

760
00:39:16,960 --> 00:39:19,080
Speaker 1: I just been back on my vinyl shit. Man, I

761
00:39:19,120 --> 00:39:22,239
Speaker 1: think the last record I bought, I just think of

762
00:39:22,360 --> 00:39:25,560
Speaker 1: off the top swing out Sister is Better to Travel.

763
00:39:26,120 --> 00:39:28,000
Speaker 1: That's why you're doing that on your ig. I just

764
00:39:28,960 --> 00:39:30,800
Speaker 1: in the crib. I just been in the crib playing records.

765
00:39:30,800 --> 00:39:31,959
Speaker 1: I'm just like, all right, this is what I'm listening

766
00:39:32,000 --> 00:39:33,760
Speaker 1: to now, and I just throw it up and it's.

767
00:39:33,640 --> 00:39:38,160
Speaker 5: Harder to skip or whatever. If it's on vinyl, you

768
00:39:38,200 --> 00:39:39,560
Speaker 5: gotta let it go to it.

769
00:39:39,680 --> 00:39:41,880
Speaker 9: You also got like a whole thing Fante. You was like,

770
00:39:42,200 --> 00:39:44,640
Speaker 9: because if it's new to me, it's new. That's what

771
00:39:44,719 --> 00:39:45,680
Speaker 9: he said to me last week.

772
00:39:45,880 --> 00:39:48,520
Speaker 1: Yeah new to me new, Yeah it's not you know. Now.

773
00:39:48,640 --> 00:39:50,080
Speaker 1: The one thing I will say was good about just

774
00:39:50,160 --> 00:39:52,520
Speaker 1: the Internet and kind of everything streaming. All that is

775
00:39:52,600 --> 00:39:56,120
Speaker 1: that it really erased. There's no such thing anymore as

776
00:39:56,200 --> 00:39:58,080
Speaker 1: new music or old music. It's just stuff you know

777
00:39:58,200 --> 00:40:01,439
Speaker 1: and stuff you don't. So if it's a that came

778
00:40:01,480 --> 00:40:03,359
Speaker 1: out in seventy two, or it's a song that came

779
00:40:03,400 --> 00:40:05,359
Speaker 1: out yesterday, if I'm hearing it for the first time,

780
00:40:05,800 --> 00:40:07,359
Speaker 1: that's a new song to me, you know what I mean.

781
00:40:07,560 --> 00:40:09,239
Speaker 1: So that was one of the ones that Swing Got

782
00:40:09,320 --> 00:40:12,160
Speaker 1: Sister record. I knew breakout right and I knew like Surrender,

783
00:40:12,239 --> 00:40:13,920
Speaker 1: but I'd never heard the whole album. Can we now

784
00:40:14,000 --> 00:40:16,399
Speaker 1: say that Twilight World is the best song that shot

785
00:40:16,480 --> 00:40:20,839
Speaker 1: they never got to re Let's talk about it, yo, man.

786
00:40:21,000 --> 00:40:23,080
Speaker 1: Yeah that yeah, that record. Yeah, if you see it

787
00:40:23,160 --> 00:40:26,319
Speaker 1: out anywhere, Like, if you like Twilight World, Swing got.

788
00:40:26,360 --> 00:40:28,920
Speaker 1: So this is the first album day first up. It's

789
00:40:28,920 --> 00:40:31,120
Speaker 1: better than Travels. Yeah, their first album. That joint is

790
00:40:31,160 --> 00:40:32,319
Speaker 1: fire in the end.

791
00:40:32,760 --> 00:40:35,080
Speaker 5: Yeah, I will say, Yeah, if you had a shot

792
00:40:35,160 --> 00:40:39,000
Speaker 5: a Junes and couldn't wait for an entire four years

793
00:40:39,040 --> 00:40:41,640
Speaker 5: for her to get the next record rerenning, that's how

794
00:40:41,719 --> 00:40:44,320
Speaker 5: I let Swing out Sister in my life. Actually, Twilight

795
00:40:44,360 --> 00:40:46,160
Speaker 5: World's another one, like when I want to think of

796
00:40:46,360 --> 00:40:50,560
Speaker 5: like high school, tenth grade or whatever, like you know,

797
00:40:50,719 --> 00:40:53,400
Speaker 5: you calling a joint up or whatever, like this is

798
00:40:53,560 --> 00:40:55,080
Speaker 5: like your audition in Twilight World.

799
00:40:55,760 --> 00:40:56,560
Speaker 1: Do you not know this song?

800
00:40:59,000 --> 00:41:04,320
Speaker 7: Oh yeah, okay, that whole.

801
00:41:04,239 --> 00:41:06,800
Speaker 1: Record is yes. See, I think that's the last. I

802
00:41:06,840 --> 00:41:08,719
Speaker 1: think that's one of the ones I caught, just in

803
00:41:08,840 --> 00:41:11,440
Speaker 1: terms of fulling, because mostly I mostly caught twelve inches

804
00:41:11,440 --> 00:41:14,360
Speaker 1: for the most part, but I do have like Ye

805
00:41:14,360 --> 00:41:17,719
Speaker 1: had swing Out Sister. That album is crazy. Trying to

806
00:41:17,719 --> 00:41:21,640
Speaker 1: think of some other ones. God, I just just think

807
00:41:21,680 --> 00:41:25,080
Speaker 1: of like full length records that I was up on. Yo.

808
00:41:25,239 --> 00:41:28,360
Speaker 1: There's a record Manolo but Drinking. You probably know this

809
00:41:28,480 --> 00:41:30,560
Speaker 1: with Steve. I'm sure Manolao but Drina. He's like a

810
00:41:31,239 --> 00:41:33,319
Speaker 1: percussions guy. Used to be a weather report. He had

811
00:41:33,360 --> 00:41:36,320
Speaker 1: a record that came out on A and M in

812
00:41:38,160 --> 00:41:41,560
Speaker 1: eighty I want to say eighty one. It's just called Manolo.

813
00:41:42,280 --> 00:41:44,920
Speaker 1: That shit is crazy, like the first it's produced by

814
00:41:45,360 --> 00:41:49,280
Speaker 1: herb album produced it and Noah, yeah, it's just called Manola.

815
00:41:49,360 --> 00:41:51,839
Speaker 1: It's not on streaming, it's just yeah.

816
00:41:51,920 --> 00:41:54,840
Speaker 11: I was just saying, okay, so it's not Spanish in

817
00:41:54,880 --> 00:41:55,800
Speaker 11: any type of way.

818
00:41:55,800 --> 00:41:57,839
Speaker 1: No, it's not. I mean it's you know, Latin jazz,

819
00:41:57,880 --> 00:42:00,279
Speaker 1: you know what. But the first the first side is

820
00:42:00,360 --> 00:42:02,400
Speaker 1: like crazy, and then the second side he kind of

821
00:42:02,760 --> 00:42:05,239
Speaker 1: you know what, the Saturday is fucking fire. But uh,

822
00:42:05,440 --> 00:42:07,719
Speaker 1: that was just another musical discovery I found. I was like, oh,

823
00:42:07,800 --> 00:42:10,759
Speaker 1: this shit is crazy. All right, who are your top

824
00:42:10,880 --> 00:42:12,320
Speaker 1: three guests?

825
00:42:13,320 --> 00:42:13,480
Speaker 8: Man?

826
00:42:13,760 --> 00:42:20,160
Speaker 1: Top three guests? Man, I gotta say, oh man, this

827
00:42:20,239 --> 00:42:20,560
Speaker 1: is god.

828
00:42:20,640 --> 00:42:21,120
Speaker 8: This is tough.

829
00:42:21,480 --> 00:42:23,800
Speaker 1: No matter how I think about, it's tough. Man. I

830
00:42:23,960 --> 00:42:28,840
Speaker 1: want to say I really enjoyed the Dungeon Family episode,

831
00:42:28,960 --> 00:42:33,520
Speaker 1: Like you know, we got Rico, you know, God rest

832
00:42:33,560 --> 00:42:33,879
Speaker 1: his soul.

833
00:42:33,960 --> 00:42:34,120
Speaker 8: You know.

834
00:42:34,280 --> 00:42:37,040
Speaker 1: Man, that was just because I mean that music was

835
00:42:37,200 --> 00:42:39,120
Speaker 1: just you know, their music, and I think I got

836
00:42:39,160 --> 00:42:41,200
Speaker 1: to give them flowers. I'm like, by y'all, music really

837
00:42:41,239 --> 00:42:43,000
Speaker 1: got me through some shit, you know what I mean.

838
00:42:43,160 --> 00:42:45,720
Speaker 1: And just you know, coming from the South and seeing

839
00:42:46,160 --> 00:42:49,200
Speaker 1: Dungeon Family just that collective what they were doing, you

840
00:42:49,280 --> 00:42:51,000
Speaker 1: know what I mean. And you know that just opened

841
00:42:51,040 --> 00:42:53,640
Speaker 1: up a whole new world for us. So definitely Dungeon fam.

842
00:42:53,920 --> 00:42:59,840
Speaker 1: I will say, oh my god, man, yo, llll COOLJ

843
00:43:00,480 --> 00:43:04,120
Speaker 1: like LLL I was in he was in rare form.

844
00:43:06,760 --> 00:43:08,000
Speaker 1: I'm done playing Detective Peak.

845
00:43:11,239 --> 00:43:11,520
Speaker 9: That was.

846
00:43:11,680 --> 00:43:14,600
Speaker 1: That was and uh, man, let me see for my

847
00:43:14,800 --> 00:43:18,359
Speaker 1: last one. Three I will probably go yeah, man, I'll

848
00:43:18,400 --> 00:43:21,279
Speaker 1: go with uh, I go with the Porner sisters. I

849
00:43:21,400 --> 00:43:24,520
Speaker 1: go with the sisters. I never that was my first

850
00:43:24,560 --> 00:43:27,280
Speaker 1: time seeing them, and crazy enough, like I had actually

851
00:43:27,400 --> 00:43:30,279
Speaker 1: heard for the like for the first time. I bought

852
00:43:30,440 --> 00:43:32,399
Speaker 1: that record, the one the Porters of the Self type

853
00:43:32,400 --> 00:43:34,400
Speaker 1: their debut, because I never heard the whole I mean,

854
00:43:34,400 --> 00:43:36,560
Speaker 1: I knew can Can, but I never heard the whole album.

855
00:43:37,080 --> 00:43:40,200
Speaker 1: And stylistically the album is kind of all over the place,

856
00:43:40,640 --> 00:43:44,600
Speaker 1: but vocally they are singing the fun oh my God.

857
00:43:45,239 --> 00:43:52,640
Speaker 5: Their versual album, their version of River Yeah verse Man

858
00:43:52,760 --> 00:43:54,040
Speaker 5: covered Lambert Hendrickson.

859
00:43:55,000 --> 00:43:55,160
Speaker 4: Yah.

860
00:43:55,200 --> 00:43:57,680
Speaker 1: That ship is a vocal master class. So I was

861
00:43:57,719 --> 00:44:00,319
Speaker 1: really thankful that we got a chance to meet them

862
00:44:00,440 --> 00:44:03,000
Speaker 1: a Bondie porn and roof corner and uh and just

863
00:44:03,040 --> 00:44:05,200
Speaker 1: give them their flowers. That was an amazing episode. Yep,

864
00:44:05,360 --> 00:44:05,719
Speaker 1: it was.

865
00:44:11,600 --> 00:44:18,000
Speaker 5: What is like our underrated episodes Faith, I will say

866
00:44:18,040 --> 00:44:22,360
Speaker 5: that's a disappointing episode if we will collectively say that

867
00:44:23,560 --> 00:44:29,000
Speaker 5: maybe Faith's episode lacked, and I'm almost certain it's because

868
00:44:30,160 --> 00:44:30,960
Speaker 5: she knew too much.

869
00:44:34,520 --> 00:44:36,799
Speaker 8: We also five hour episodes back then.

870
00:44:36,920 --> 00:44:39,919
Speaker 1: That was too right. That was a lot to ask.

871
00:44:40,200 --> 00:44:41,880
Speaker 1: So what did you order for lunch at?

872
00:44:42,680 --> 00:44:42,919
Speaker 5: Yeah?

873
00:44:43,680 --> 00:44:45,720
Speaker 11: But her and the old girl that directed Detroit.

874
00:44:45,800 --> 00:44:51,080
Speaker 1: I was like, that was kind of Catherine. Yeah, underrated man,

875
00:44:51,200 --> 00:44:54,520
Speaker 1: I thought uh Leroy Burgess episode. I was really glad

876
00:44:54,560 --> 00:44:56,320
Speaker 1: we got him. That was kind of underrated for me.

877
00:44:56,480 --> 00:45:00,440
Speaker 1: He was like just really just an unsung architect of

878
00:45:00,960 --> 00:45:03,600
Speaker 1: you know, black music in you know, in the late

879
00:45:03,680 --> 00:45:07,640
Speaker 1: seventies post disco period. And yeah, that was Yeah, he

880
00:45:07,880 --> 00:45:09,560
Speaker 1: was That was one of my top I thought we

881
00:45:09,600 --> 00:45:10,319
Speaker 1: were underrated on.

882
00:45:10,920 --> 00:45:13,440
Speaker 9: I'm a shout out George Faison just because it might

883
00:45:13,520 --> 00:45:15,759
Speaker 9: not be appreciated in this moment, but that's going to

884
00:45:15,800 --> 00:45:18,080
Speaker 9: be a part of a historical story. There's not a

885
00:45:18,160 --> 00:45:21,520
Speaker 9: lot of black dance oral history.

886
00:45:22,120 --> 00:45:26,719
Speaker 5: I gotta say his part of what is now will

887
00:45:26,840 --> 00:45:30,719
Speaker 5: eventually be the Earth Wind and Fire documentary. He was

888
00:45:30,920 --> 00:45:35,640
Speaker 5: very clear and concise and and he's a major part

889
00:45:35,680 --> 00:45:39,680
Speaker 5: of that story. Like and seeing Jesus Christ, like his

890
00:45:40,360 --> 00:45:43,680
Speaker 5: all the footage on him and his prime Yeah, him

891
00:45:43,760 --> 00:45:46,000
Speaker 5: given instructions and all that stuff. Like there's a lot

892
00:45:46,080 --> 00:45:48,840
Speaker 5: of dance rehearsals and the way that instructs.

893
00:45:48,880 --> 00:45:52,200
Speaker 1: So that's awesome. Yeah, I have all like an absolute

894
00:45:52,239 --> 00:45:54,399
Speaker 1: respect for for for for his work.

895
00:45:55,600 --> 00:45:56,439
Speaker 8: I love q Tip.

896
00:45:58,480 --> 00:46:01,000
Speaker 7: He was so into me music as much as we were.

897
00:46:01,239 --> 00:46:02,840
Speaker 1: I thought that was so he got us hyped.

898
00:46:03,000 --> 00:46:04,120
Speaker 7: Yeah, and he was like it was like we were

899
00:46:04,160 --> 00:46:04,920
Speaker 7: at his bar mitzvah.

900
00:46:05,120 --> 00:46:11,680
Speaker 5: And finally and finally the internet got to see what

901
00:46:11,840 --> 00:46:14,600
Speaker 5: the what the crook Clinton sample was so and it

902
00:46:14,800 --> 00:46:16,560
Speaker 5: was on It wasn't.

903
00:46:16,840 --> 00:46:19,200
Speaker 9: Okay, yeah, yes it was on the can't just say

904
00:46:19,239 --> 00:46:22,480
Speaker 9: those recordings that we did at what was we were

905
00:46:22,480 --> 00:46:23,480
Speaker 9: we at Central?

906
00:46:23,600 --> 00:46:24,160
Speaker 1: No anything?

907
00:46:24,160 --> 00:46:26,360
Speaker 10: I'm about to say, l A, we were at.

908
00:46:29,520 --> 00:46:35,239
Speaker 1: Those Garrett say Garrett Shaka, Yeah we weren't. She wasn't

909
00:46:35,239 --> 00:46:39,479
Speaker 1: at that studio, but Russian that was a different.

910
00:46:39,800 --> 00:46:42,600
Speaker 11: That was different I was talking about, is right, Dion.

911
00:46:42,520 --> 00:46:45,000
Speaker 7: Colet U, Danton.

912
00:46:47,800 --> 00:46:50,920
Speaker 1: Shout out to uh old boy just saved it down.

913
00:46:51,360 --> 00:46:56,680
Speaker 1: They purchased. I will also say that for me, we.

914
00:46:56,719 --> 00:46:59,440
Speaker 11: Got to ask all those questions but to well, I'm

915
00:46:59,440 --> 00:46:59,960
Speaker 11: not gonna.

916
00:46:59,760 --> 00:47:02,680
Speaker 5: Saying every Okay, so you know my first musical memory

917
00:47:02,960 --> 00:47:05,160
Speaker 5: is well, we all found out that I had a

918
00:47:05,200 --> 00:47:11,160
Speaker 5: fear of music modulations because I've gotten a second degree

919
00:47:11,280 --> 00:47:14,680
Speaker 5: burn on my leg running in the house and slipped

920
00:47:14,719 --> 00:47:19,239
Speaker 5: on the radiator. Wow, right when Curtis Mayfield changes the

921
00:47:19,320 --> 00:47:23,520
Speaker 5: key and Freddy's dead to the higher key, right souls,

922
00:47:23,800 --> 00:47:27,000
Speaker 5: which probably also a subconscious Sorry.

923
00:47:29,239 --> 00:47:31,279
Speaker 1: It's all right. I didn't know you had a fear

924
00:47:31,280 --> 00:47:31,799
Speaker 1: about yo.

925
00:47:31,880 --> 00:47:34,400
Speaker 5: If you have a modulations, yeah, I have just a

926
00:47:34,480 --> 00:47:38,799
Speaker 5: song for you, with the exception of Golden Lady, Are

927
00:47:38,840 --> 00:47:39,840
Speaker 5: you up human Nature?

928
00:47:39,880 --> 00:47:40,200
Speaker 9: You up?

929
00:47:40,239 --> 00:47:44,120
Speaker 1: On ish? Don't stop? It's don't stop. It's a t K.

930
00:47:44,239 --> 00:47:48,000
Speaker 1: It's on TK disco. It's a disco record. No, don't stop.

931
00:47:48,360 --> 00:47:51,680
Speaker 1: That song modulates like eighty times at the end. It's

932
00:47:51,760 --> 00:47:53,840
Speaker 1: like a long disco joint and it just keeps going up.

933
00:47:53,880 --> 00:47:57,120
Speaker 1: It's is hilarious, it's not. It's not so people modulate

934
00:47:57,280 --> 00:48:00,880
Speaker 1: for like of uh, like sweeping.

935
00:48:01,320 --> 00:48:04,040
Speaker 7: What's the Michael Jackson man, I mean like that one

936
00:48:04,440 --> 00:48:06,320
Speaker 7: on every four every eight minutes.

937
00:48:06,760 --> 00:48:07,120
Speaker 9: What's on.

938
00:48:08,719 --> 00:48:09,160
Speaker 7: Marry Me?

939
00:48:09,400 --> 00:48:12,080
Speaker 1: Like will be there?

940
00:48:12,160 --> 00:48:12,359
Speaker 2: Yeah?

941
00:48:13,560 --> 00:48:17,200
Speaker 1: Okay, but that song is so lyon King Doubt it

942
00:48:17,280 --> 00:48:18,640
Speaker 1: doesn't feel scary to me.

943
00:48:19,320 --> 00:48:24,080
Speaker 5: So here's the like sensory overload modulations. The thing is

944
00:48:24,239 --> 00:48:27,919
Speaker 5: is that now this came out when I was well one.

945
00:48:28,680 --> 00:48:32,759
Speaker 5: This burning accident happened when I was three, So this

946
00:48:33,400 --> 00:48:37,279
Speaker 5: sort of ties into him being on soul train. And

947
00:48:37,400 --> 00:48:41,200
Speaker 5: this probably also explains my soul training obsession because all

948
00:48:41,239 --> 00:48:44,640
Speaker 5: I remember was seeing him perform. Like again, I'm on

949
00:48:45,000 --> 00:48:48,040
Speaker 5: my back. They're trying to whatever butter my leg or something.

950
00:48:49,160 --> 00:48:51,920
Speaker 1: How did you burn yourself? Like what was believe? Did

951
00:48:52,400 --> 00:48:54,120
Speaker 1: I know? And you shouldn't be that. Yeah, we used

952
00:48:54,120 --> 00:49:03,840
Speaker 1: to do that to help you. So I guess it

953
00:49:03,920 --> 00:49:05,759
Speaker 1: was a black No, that was yeah, we you but

954
00:49:05,840 --> 00:49:07,520
Speaker 1: if I burned the hand he put butter on you.

955
00:49:08,840 --> 00:49:12,239
Speaker 5: Yeah, according to my sister, Uh, I just got off

956
00:49:12,280 --> 00:49:15,719
Speaker 5: the bathtub drying me off, and I was running and

957
00:49:15,960 --> 00:49:19,320
Speaker 5: we were staying in Compton because my parents were recording.

958
00:49:20,040 --> 00:49:23,200
Speaker 5: We leave the congress ally record. So my grandmother lived

959
00:49:23,200 --> 00:49:28,520
Speaker 5: in Compton, and I ran past the front door of

960
00:49:28,600 --> 00:49:31,319
Speaker 5: my grandmother's house and I guess there's a slippery kind

961
00:49:31,400 --> 00:49:33,880
Speaker 5: of rug. She didn't have a vest of you, so

962
00:49:34,080 --> 00:49:36,480
Speaker 5: kind of like a slippery rug thing. I slipped on

963
00:49:36,520 --> 00:49:37,440
Speaker 5: the rug and I guess I.

964
00:49:37,640 --> 00:49:40,800
Speaker 1: Landed and my tire right leg.

965
00:49:42,120 --> 00:49:44,440
Speaker 5: Just hit the radiator and the radiator was on at

966
00:49:44,520 --> 00:49:49,520
Speaker 5: least a trillion light and blood was out and everything.

967
00:49:49,520 --> 00:49:50,360
Speaker 1: And I'm screaming.

968
00:49:50,719 --> 00:49:55,000
Speaker 5: They're putting oil all over my leg and all I

969
00:49:55,080 --> 00:49:58,560
Speaker 5: can hear just like CTSD shit totals.

970
00:49:58,920 --> 00:50:11,600
Speaker 1: But literally when this part happens, Okay, can it creepy

971
00:50:11,680 --> 00:50:12,480
Speaker 1: out like that?

972
00:50:13,000 --> 00:50:13,400
Speaker 4: Is like the.

973
00:50:17,960 --> 00:50:22,200
Speaker 6: Sound like the subway scene in the ring is like, yeah,

974
00:50:22,680 --> 00:50:23,560
Speaker 6: don't don't do that.

975
00:50:24,960 --> 00:50:31,320
Speaker 1: See see when you hear that is a yeah memory,

976
00:50:31,400 --> 00:50:35,239
Speaker 1: it's a trigger, right, it's a trigger memory. So yeah,

977
00:50:35,360 --> 00:50:39,920
Speaker 1: literally that's kind of why. Another another one is.

978
00:50:40,680 --> 00:50:42,160
Speaker 11: We can't be asking a mirror all these questions. You

979
00:50:42,280 --> 00:50:44,359
Speaker 11: know that right wing finish well.

980
00:50:44,280 --> 00:50:45,600
Speaker 1: You already know it's the two episodes.

981
00:50:46,200 --> 00:50:54,080
Speaker 11: Yeah, yeah, at least wait, uh, that's a different one.

982
00:50:54,520 --> 00:50:54,600
Speaker 9: Now.

983
00:50:54,840 --> 00:50:58,759
Speaker 5: This is where I finally worked with Bill Summons, and

984
00:50:59,440 --> 00:51:04,400
Speaker 5: he basically got small bottles and just basically wow.

985
00:51:05,000 --> 00:51:07,480
Speaker 1: So that's how he would He would do that, all right,

986
00:51:07,600 --> 00:51:10,000
Speaker 1: in this particular case, probably.

987
00:51:10,760 --> 00:51:11,920
Speaker 7: When we filmed a commercial.

988
00:51:17,280 --> 00:51:21,440
Speaker 5: Michelle, Okay, So first of all, Aretha Franklin's I'm in low,

989
00:51:21,560 --> 00:51:21,960
Speaker 5: we're still on.

990
00:51:22,040 --> 00:51:22,920
Speaker 11: His first question.

991
00:51:23,600 --> 00:51:27,080
Speaker 5: Starts very spooky to me, So we're gonna go right

992
00:51:27,120 --> 00:51:39,200
Speaker 5: into the middle. So even though this is modulated to

993
00:51:39,280 --> 00:51:43,040
Speaker 5: another key, the way that rf Marden would.

994
00:51:42,880 --> 00:51:47,480
Speaker 1: Add extra reverb on her voice, this too would scare

995
00:51:47,520 --> 00:51:48,040
Speaker 1: the ship of me.

996
00:51:49,960 --> 00:51:50,279
Speaker 7: Right here.

997
00:51:57,640 --> 00:52:01,360
Speaker 1: So I feel like she's been pushed off a mountains where.

998
00:52:02,880 --> 00:52:05,160
Speaker 9: Spare Remember when we could use music back in the

999
00:52:05,200 --> 00:52:06,600
Speaker 9: Pandora days, like we could actually do it.

1000
00:52:07,200 --> 00:52:10,000
Speaker 5: I don't understand how I heard is the most powerful

1001
00:52:10,160 --> 00:52:12,319
Speaker 5: radio conglomerate in the world use music?

1002
00:52:12,360 --> 00:52:12,640
Speaker 1: All right?

1003
00:52:12,719 --> 00:52:14,960
Speaker 8: It's about your whole that's the most famous.

1004
00:52:15,600 --> 00:52:17,840
Speaker 1: Oh dude. Yeah, also a great episode.

1005
00:52:18,200 --> 00:52:21,200
Speaker 7: You ever want to scare this guy? Remember when hold

1006
00:52:21,239 --> 00:52:22,800
Speaker 7: we just had like one lamp in the background.

1007
00:52:22,920 --> 00:52:24,800
Speaker 8: No, no, I'm talking about I'm not talking about interviewing,

1008
00:52:25,280 --> 00:52:28,320
Speaker 8: talking about the song that we broke the we did.

1009
00:52:28,239 --> 00:52:29,960
Speaker 1: We break up?

1010
00:52:33,239 --> 00:52:36,040
Speaker 5: Probably the song that scared the Jesus album the most.

1011
00:52:36,560 --> 00:52:39,080
Speaker 5: This is the number one modulation.

1012
00:52:39,640 --> 00:52:40,239
Speaker 7: What was the question?

1013
00:52:40,440 --> 00:52:40,560
Speaker 9: Now?

1014
00:52:40,600 --> 00:52:44,960
Speaker 8: The number one modulation scarce the number number one question.

1015
00:52:45,960 --> 00:52:48,200
Speaker 1: There's one the monsters. There is when the monsters on

1016
00:52:48,239 --> 00:52:57,680
Speaker 1: the bed and then alight on then war and then

1017
00:52:59,000 --> 00:53:04,560
Speaker 1: moment like literally and then and he two is also

1018
00:53:04,680 --> 00:53:08,439
Speaker 1: falling off the mountain side. Yeah.

1019
00:53:13,840 --> 00:53:17,960
Speaker 7: Yeah, if you take anything from this ten year experience,

1020
00:53:18,280 --> 00:53:20,000
Speaker 7: your brain works differently. There you go.

1021
00:53:20,800 --> 00:53:24,800
Speaker 5: Yeah, So I will say that my first musical memory is,

1022
00:53:25,280 --> 00:53:27,520
Speaker 5: without a doubt, songs that scared me.

1023
00:53:29,200 --> 00:53:33,120
Speaker 1: Tied with record covers that scared me so or why

1024
00:53:33,200 --> 00:53:34,200
Speaker 1: can't we be friends?

1025
00:53:34,400 --> 00:53:34,640
Speaker 4: Yeah?

1026
00:53:35,000 --> 00:53:39,160
Speaker 1: Yeah, uh same on the world by the main ingredient.

1027
00:53:39,440 --> 00:53:43,640
Speaker 5: And yes, even I still maintain that Stevie Wonder is

1028
00:53:43,760 --> 00:53:46,080
Speaker 5: drowning in donuts and your songs in.

1029
00:53:46,120 --> 00:53:48,480
Speaker 1: The Key of Life. It looks like the thing of

1030
00:53:48,520 --> 00:53:54,359
Speaker 1: them cookies. Wait, okay, now I'm seeing the key thing

1031
00:53:54,480 --> 00:53:57,800
Speaker 1: of those like Danish cookies, the ones that used to

1032
00:53:57,840 --> 00:53:59,759
Speaker 1: be in the Blue Teams, thing of the cover of

1033
00:54:00,040 --> 00:54:00,799
Speaker 1: what's a short brand.

1034
00:54:01,560 --> 00:54:04,160
Speaker 5: You're Stevie Wonder in nineteen seventy six, and I'm the

1035
00:54:04,280 --> 00:54:07,840
Speaker 5: art director of Motown. No, I'm the art director of Motown.

1036
00:54:08,239 --> 00:54:08,800
Speaker 7: You're Stevie.

1037
00:54:09,280 --> 00:54:13,479
Speaker 1: Yeah, now I'm Stevie Wonder. You're the art director of Motown. Okay,

1038
00:54:13,560 --> 00:54:19,759
Speaker 1: I can described to me the cover of songs in

1039
00:54:19,880 --> 00:54:22,920
Speaker 1: kid Life. All right, Stevie, we're gonna have you in

1040
00:54:23,000 --> 00:54:26,120
Speaker 1: the in the center, but it's gonna be like a

1041
00:54:26,200 --> 00:54:29,759
Speaker 1: brown cover. Well use that brown. It's so it's like

1042
00:54:29,800 --> 00:54:33,440
Speaker 1: an earth tonge color. Uh uh nah, No, songs here

1043
00:54:33,480 --> 00:54:35,480
Speaker 1: Life was like a brownish kind of thing. The all

1044
00:54:35,520 --> 00:54:41,759
Speaker 1: of them was well that was okay, yeah, alright, alright,

1045
00:54:41,800 --> 00:54:43,080
Speaker 1: so Stevie, all right, So you're gonna be in the

1046
00:54:43,120 --> 00:54:46,640
Speaker 1: middle and it's gonna have like these ridges around you

1047
00:54:47,840 --> 00:54:50,239
Speaker 1: that Okay, I'm gonna feel this cookie. You feel the

1048
00:54:50,320 --> 00:54:54,279
Speaker 1: ridges on the you know what I mean, Like it's

1049
00:54:54,320 --> 00:54:56,239
Speaker 1: gonna be that I cat Stevie touched the cookie. Yeah,

1050
00:54:56,239 --> 00:54:57,920
Speaker 1: that's about the best I could do for Stevie.

1051
00:54:58,040 --> 00:54:58,440
Speaker 9: You know what I mean?

1052
00:54:58,640 --> 00:55:01,319
Speaker 1: It's man dark like nah?

1053
00:55:01,440 --> 00:55:02,280
Speaker 7: What was his response?

1054
00:55:03,160 --> 00:55:12,160
Speaker 5: I literally, yeah, I would routinely take the records I

1055
00:55:12,280 --> 00:55:16,879
Speaker 5: didn't like and hide them in the basement and subsequently

1056
00:55:16,960 --> 00:55:20,279
Speaker 5: get in trouble when my dad can't find where's my

1057
00:55:20,360 --> 00:55:22,720
Speaker 5: war record? And then I gotta go in the basement

1058
00:55:22,840 --> 00:55:26,360
Speaker 5: and like I would bury that ship under like so

1059
00:55:26,760 --> 00:55:27,640
Speaker 5: we're big faces.

1060
00:55:27,760 --> 00:55:31,560
Speaker 1: Was that a scary thing like Lewis Solongo? Yes, that

1061
00:55:31,760 --> 00:55:34,000
Speaker 1: was meaning on that but yes, that that would have

1062
00:55:34,040 --> 00:55:34,880
Speaker 1: been Herbie Handcock.

1063
00:55:35,280 --> 00:55:37,320
Speaker 11: Davis had ones too.

1064
00:55:37,440 --> 00:55:37,759
Speaker 1: All right.

1065
00:55:37,880 --> 00:55:40,480
Speaker 5: Marty Clairwick who did the Bitches Brew cover in the

1066
00:55:40,560 --> 00:55:44,200
Speaker 5: Herbie Handcoff His scariest one is Buddy Miles's record where

1067
00:55:44,239 --> 00:55:47,520
Speaker 5: Buddy Miles is turned into a mountain, like he looks

1068
00:55:47,520 --> 00:55:51,680
Speaker 5: like jab of the Hut the Job of the Hut,

1069
00:55:52,239 --> 00:55:56,000
Speaker 5: and it's that too, also was in the Scary pile.

1070
00:55:56,200 --> 00:56:00,600
Speaker 5: So yeah, that's that's my childhood. And what was the

1071
00:56:00,680 --> 00:56:01,560
Speaker 5: first record you bought?

1072
00:56:01,600 --> 00:56:07,080
Speaker 1: With you on bridge? All right? So the on just

1073
00:56:07,080 --> 00:56:08,319
Speaker 1: like a one more answer, all right?

1074
00:56:08,800 --> 00:56:10,560
Speaker 7: Right, No, here's the thing.

1075
00:56:10,800 --> 00:56:14,160
Speaker 1: There's the thing. Here's someone purchased a record for me.

1076
00:56:14,880 --> 00:56:16,920
Speaker 5: Now, when I do interviews, of course I will just

1077
00:56:17,000 --> 00:56:19,480
Speaker 5: do the safe answer, which is, yeah, you know I

1078
00:56:19,560 --> 00:56:20,920
Speaker 5: got a Jackson five record, right.

1079
00:56:21,440 --> 00:56:25,760
Speaker 1: But the truth is that my first forty five ever.

1080
00:56:26,080 --> 00:56:32,640
Speaker 5: Was Neil Sidaka's Bad Blood because I judge Records. My

1081
00:56:32,760 --> 00:56:40,600
Speaker 5: favorite logo was Elton John's label, the Rocket MCA Rocket Company.

1082
00:56:41,840 --> 00:56:43,560
Speaker 5: It's like green and it's like a happy train on

1083
00:56:43,680 --> 00:56:45,960
Speaker 5: it or whatever. Maybe I like trained soul train. I

1084
00:56:45,960 --> 00:56:49,719
Speaker 5: don't know, but I like the way the logo looked.

1085
00:56:49,840 --> 00:56:54,360
Speaker 5: So I purchased Neil Sidaka and Elton John Bad Blood

1086
00:56:54,680 --> 00:56:58,840
Speaker 5: also Rufus's Dance with Me on forty five because ABC

1087
00:56:59,040 --> 00:57:02,840
Speaker 5: Records had a dope logo. I did not like Capitol

1088
00:57:02,880 --> 00:57:06,920
Speaker 5: Records logo, which is why I never gave it an

1089
00:57:06,920 --> 00:57:09,320
Speaker 5: adult had to put it on if it was on

1090
00:57:09,480 --> 00:57:11,080
Speaker 5: Capital Tavars.

1091
00:57:10,800 --> 00:57:14,240
Speaker 1: I have the whole the Beach Boys, the Beatles, whatever

1092
00:57:14,440 --> 00:57:16,560
Speaker 1: I did, I didn't like it.

1093
00:57:17,120 --> 00:57:19,040
Speaker 5: That's why I didn't That's why I recognized half the

1094
00:57:19,080 --> 00:57:21,800
Speaker 5: samples on Tribe Records because I didn't listen to canniball

1095
00:57:21,840 --> 00:57:23,640
Speaker 5: Adelie because he had a boring logo.

1096
00:57:23,760 --> 00:57:25,400
Speaker 1: I didn't like any Capitol Records.

1097
00:57:26,600 --> 00:57:29,520
Speaker 9: Yeah, I'm looking at some old footage. Can I change

1098
00:57:29,560 --> 00:57:31,360
Speaker 9: my answers to our favorite show? Because like, dang, we

1099
00:57:31,480 --> 00:57:32,240
Speaker 9: had Bizz.

1100
00:57:33,520 --> 00:57:37,120
Speaker 10: Sleeper Summer and Stephen Hill.

1101
00:57:38,480 --> 00:57:41,760
Speaker 5: The Stephen Hill episode That's that night, Oh God that

1102
00:57:42,160 --> 00:57:46,560
Speaker 5: which also that this episode is also being done man

1103
00:57:46,720 --> 00:57:48,560
Speaker 5: and the worst timeline.

1104
00:57:48,560 --> 00:57:50,840
Speaker 7: Wait final question once the last album you listened all

1105
00:57:50,840 --> 00:57:51,200
Speaker 7: the way through?

1106
00:57:55,040 --> 00:57:58,480
Speaker 1: So I mean the thing is is that No, I

1107
00:57:58,520 --> 00:58:01,040
Speaker 1: will say that Salt is a group that I won't

1108
00:58:01,080 --> 00:58:01,440
Speaker 1: turn off.

1109
00:58:01,640 --> 00:58:06,240
Speaker 5: Is always on constant rotation because it's a very comforting sounding.

1110
00:58:07,680 --> 00:58:10,880
Speaker 5: But really like actively listening, I would probably say, like

1111
00:58:11,240 --> 00:58:15,720
Speaker 5: maybe Doughnuts, you know what, I take that back. I

1112
00:58:15,840 --> 00:58:20,080
Speaker 5: actually liked the album after Seated at the Table when

1113
00:58:20,120 --> 00:58:21,920
Speaker 5: I Get Home when I think it was when I

1114
00:58:21,960 --> 00:58:29,280
Speaker 5: Get Home Solange's album After. Yeah, like I would actively

1115
00:58:29,360 --> 00:58:32,120
Speaker 5: listen to that and like it. I will say for

1116
00:58:32,240 --> 00:58:36,880
Speaker 5: our episodes though, probably the two episodes that made me

1117
00:58:37,520 --> 00:58:44,200
Speaker 5: cry is speaking of Knowles Matthew Knowles's episode that was

1118
00:58:44,240 --> 00:58:48,200
Speaker 5: a tear jerker for me, and the Ben Veren episode,

1119
00:58:48,320 --> 00:58:54,000
Speaker 5: Come on you the Ben the Ben Veren episode that

1120
00:58:54,200 --> 00:58:57,240
Speaker 5: to me, I didn't know that he had that much history.

1121
00:58:57,520 --> 00:58:59,439
Speaker 9: And shout out to one of our listeners who wrote

1122
00:58:59,440 --> 00:59:01,160
Speaker 9: in a review that I didn't know if there was

1123
00:59:01,200 --> 00:59:04,360
Speaker 9: an issue with Roots and Alex Haley and plagiarism.

1124
00:59:04,400 --> 00:59:07,040
Speaker 11: I was like, oh yeah, okay, I forgot I forgot

1125
00:59:07,080 --> 00:59:07,360
Speaker 11: about that.

1126
00:59:08,080 --> 00:59:11,200
Speaker 1: Yeah that was the thing. Oh yeah, like coming to

1127
00:59:11,280 --> 00:59:13,800
Speaker 1: America asque sort of like he paid the money. Yeah, yeah,

1128
00:59:13,840 --> 00:59:17,760
Speaker 1: yeah he had to. Yeah, oh yeah, yeah, did not

1129
00:59:17,960 --> 00:59:18,160
Speaker 1: know that.

1130
00:59:23,960 --> 00:59:26,800
Speaker 5: For those that don't know the history of the show,

1131
00:59:27,160 --> 00:59:29,600
Speaker 5: A big part of the inspiration of the show was

1132
00:59:29,720 --> 00:59:36,439
Speaker 5: my fandom of the Gordon Gartreil podcast or Gordon Gartrail Radio,

1133
00:59:36,760 --> 00:59:39,440
Speaker 5: which I guess at the time was the word podcast

1134
00:59:39,600 --> 00:59:41,280
Speaker 5: even a thing it was.

1135
00:59:41,720 --> 00:59:44,640
Speaker 1: But I didn't really know what it was. I mean,

1136
00:59:44,680 --> 00:59:47,840
Speaker 1: we you know, it wasn't what it is now. But yeah,

1137
00:59:47,960 --> 00:59:49,840
Speaker 1: this was back in man, this had to be two

1138
00:59:49,960 --> 00:59:54,360
Speaker 1: thousand and eight nine something like that, so about a

1139
00:59:54,440 --> 00:59:57,760
Speaker 1: year after the iPhone is invented. Yeah yeah, in terms

1140
00:59:57,800 --> 01:00:01,800
Speaker 1: of so yeah, brainchild man out DJ Branchild that was like,

1141
01:00:01,960 --> 01:00:04,520
Speaker 1: you know, me and him go back to the boards.

1142
01:00:05,000 --> 01:00:07,280
Speaker 1: He was one of the first people to bootleg Little Brother,

1143
01:00:08,640 --> 01:00:11,480
Speaker 1: you know what I'm saying, and kind of spread it around,

1144
01:00:11,600 --> 01:00:15,440
Speaker 1: and so he dj the release party for my for

1145
01:00:15,600 --> 01:00:19,080
Speaker 1: We when me and Nick put out Authenticity, like like

1146
01:00:19,280 --> 01:00:20,720
Speaker 1: me and Bill like we you know, we've been in

1147
01:00:20,800 --> 01:00:23,400
Speaker 1: each other's cribs, like that's my dude, And so I

1148
01:00:23,520 --> 01:00:24,600
Speaker 1: just hit him one day and he's one of my

1149
01:00:24,640 --> 01:00:26,480
Speaker 1: favorite DJs. Me and him would just be on the

1150
01:00:27,080 --> 01:00:30,000
Speaker 1: internet like all night on AIM, like sending each other shit.

1151
01:00:30,560 --> 01:00:32,320
Speaker 1: And so one day I hit him, I say, yo, man,

1152
01:00:32,320 --> 01:00:34,760
Speaker 1: you want to do a podcast? And he was just

1153
01:00:34,880 --> 01:00:38,080
Speaker 1: like yeah, okay. And we didn't know what we were doing.

1154
01:00:38,720 --> 01:00:41,600
Speaker 1: I just knew, you know, how'd y'all record it? And

1155
01:00:41,720 --> 01:00:43,960
Speaker 1: you're in sheeparate states. So the way we did it

1156
01:00:44,360 --> 01:00:48,280
Speaker 1: was back then. Bill would put the records together like

1157
01:00:48,320 --> 01:00:50,760
Speaker 1: I'm like, look, man, you select the music. I'll just

1158
01:00:50,880 --> 01:00:53,480
Speaker 1: do my segments just talking shit for you know, fifteen

1159
01:00:53,520 --> 01:00:55,720
Speaker 1: minutes whatever, and then we'll just go back and forth

1160
01:00:56,080 --> 01:00:58,040
Speaker 1: and then at the end, I'll pick a song, you know,

1161
01:00:58,320 --> 01:01:00,360
Speaker 1: and he's like, all right, cool. So he would do

1162
01:01:00,440 --> 01:01:03,800
Speaker 1: his mixes at the crib and then I would do

1163
01:01:04,240 --> 01:01:07,400
Speaker 1: my recording my vocal parts at my crib and I

1164
01:01:07,520 --> 01:01:09,560
Speaker 1: just email it to him and so then he would

1165
01:01:09,640 --> 01:01:12,280
Speaker 1: put the show together and then we just put it

1166
01:01:12,400 --> 01:01:14,760
Speaker 1: up and uh. It was the thing that we just

1167
01:01:14,800 --> 01:01:17,400
Speaker 1: started doing because this is never at the same time. Nah.

1168
01:01:17,480 --> 01:01:18,640
Speaker 1: It was a straightforward the same.

1169
01:01:19,120 --> 01:01:23,120
Speaker 7: Wow, Okay, if I can instant message to you, why

1170
01:01:23,120 --> 01:01:25,600
Speaker 7: would I would I show up and.

1171
01:01:28,200 --> 01:01:29,640
Speaker 1: Know each other? You know, who are you?

1172
01:01:30,200 --> 01:01:30,600
Speaker 4: Yeah? Man?

1173
01:01:30,720 --> 01:01:32,640
Speaker 1: So that was how we started. And it was just

1174
01:01:32,720 --> 01:01:34,760
Speaker 1: something that I would just do, you know, we just

1175
01:01:34,840 --> 01:01:36,880
Speaker 1: do for fun. It was just a way to share

1176
01:01:37,040 --> 01:01:39,480
Speaker 1: music that we listened to and you know kind of

1177
01:01:39,520 --> 01:01:41,880
Speaker 1: give you know, talk pop culture, talk, you know, politics

1178
01:01:41,960 --> 01:01:43,960
Speaker 1: or whatever, just you know, kind of talk ship. But

1179
01:01:44,440 --> 01:01:47,440
Speaker 1: that was how we started. And you know, we didn't know.

1180
01:01:47,600 --> 01:01:49,720
Speaker 1: It wasn't until like I started going out and doing

1181
01:01:49,760 --> 01:01:52,120
Speaker 1: shows and stuff and people would be like, yo, so

1182
01:01:52,200 --> 01:01:54,520
Speaker 1: when is going and Gaunt Trail coming back. I was like, yeah,

1183
01:01:54,560 --> 01:01:56,760
Speaker 1: y'all listening to that ship. They're like, yeah, that ship

1184
01:01:56,800 --> 01:01:59,560
Speaker 1: helps me get through my workday. So we did that

1185
01:02:00,160 --> 01:02:02,520
Speaker 1: maybe a couple of years, maybe like you know, two

1186
01:02:02,640 --> 01:02:04,640
Speaker 1: three years something like that. If I'm mistaken.

1187
01:02:04,640 --> 01:02:06,440
Speaker 5: If I'm not mistaken, the episode is like on the

1188
01:02:06,640 --> 01:02:08,680
Speaker 5: archives or at least on YouTube or.

1189
01:02:08,880 --> 01:02:14,120
Speaker 1: Nah, it's pre all of that them episodes is ship man.

1190
01:02:14,160 --> 01:02:17,080
Speaker 1: I think I think Bill may got him still, but yeah.

1191
01:02:17,480 --> 01:02:20,000
Speaker 11: The holder of episode is he got him.

1192
01:02:20,040 --> 01:02:23,760
Speaker 1: But I mean, but yeah, but like yeah, so we

1193
01:02:24,160 --> 01:02:26,560
Speaker 1: we did that. But that was kind of how it started.

1194
01:02:26,600 --> 01:02:29,600
Speaker 1: And so after a couple of years, I think, you know, Bill,

1195
01:02:29,760 --> 01:02:31,520
Speaker 1: I think he just, you know, he just didn't want

1196
01:02:31,520 --> 01:02:33,160
Speaker 1: to do that. He was kind of his relationship with

1197
01:02:33,240 --> 01:02:36,840
Speaker 1: DJing was changing at that time. And so a couple

1198
01:02:36,840 --> 01:02:39,240
Speaker 1: of years later, you know what I mean. So goes

1199
01:02:39,320 --> 01:02:42,920
Speaker 1: the story. I get a call from shan Ji. He

1200
01:02:43,120 --> 01:02:46,880
Speaker 1: was like, he's like, yo, man, so Emir is doing

1201
01:02:46,920 --> 01:02:50,479
Speaker 1: this radio show, and he said, you know, I want

1202
01:02:51,160 --> 01:02:55,760
Speaker 1: you to be the Robin to his Batman, he said,

1203
01:02:55,800 --> 01:02:58,120
Speaker 1: but on the low, I kind of want you to

1204
01:02:58,200 --> 01:02:58,960
Speaker 1: be the Batman.

1205
01:03:06,760 --> 01:03:07,080
Speaker 7: Let's just.

1206
01:03:09,120 --> 01:03:09,479
Speaker 2: I said.

1207
01:03:11,360 --> 01:03:13,640
Speaker 1: I said, okay, man, whatever, you know what I mean,

1208
01:03:13,880 --> 01:03:15,800
Speaker 1: and had no idea what it was going to be.

1209
01:03:16,440 --> 01:03:18,360
Speaker 1: I was on a plane within a couple of weeks,

1210
01:03:18,760 --> 01:03:21,160
Speaker 1: and the week that I got this show, this was

1211
01:03:21,240 --> 01:03:24,920
Speaker 1: the same week that I was working on the Breaks

1212
01:03:24,920 --> 01:03:27,840
Speaker 1: with Dan Charnas and DJ Premiere. I was doing music

1213
01:03:27,920 --> 01:03:32,240
Speaker 1: for that. Shout out to the breaks, yeah, man, shouts

1214
01:03:32,240 --> 01:03:35,320
Speaker 1: the Dan and Premiere that whole family there was also

1215
01:03:35,400 --> 01:03:37,840
Speaker 1: with me and my wife. We were in the process

1216
01:03:38,000 --> 01:03:41,960
Speaker 1: of getting ready to buy our house, so we were

1217
01:03:42,080 --> 01:03:44,840
Speaker 1: in the middle of that. And that was also, like

1218
01:03:44,920 --> 01:03:47,880
Speaker 1: I mentioned earlier, my dad and my granddad died in

1219
01:03:48,000 --> 01:03:50,760
Speaker 1: the same week. So it was like all of this

1220
01:03:50,960 --> 01:03:54,840
Speaker 1: was happening. And then Shanji calls and so I'm like, okay, yeah, cool.

1221
01:03:55,280 --> 01:03:56,640
Speaker 1: So I had no idea what it was going to be,

1222
01:03:57,040 --> 01:04:00,200
Speaker 1: you know, getting on planes, flying back and forth from

1223
01:04:00,240 --> 01:04:02,840
Speaker 1: here to North Carolina every you know other you know,

1224
01:04:03,080 --> 01:04:06,280
Speaker 1: a couple of weeks or whatever, and that was the

1225
01:04:06,360 --> 01:04:09,760
Speaker 1: start of it. Man, and Bill was as it was.

1226
01:04:09,920 --> 01:04:12,640
Speaker 1: Shanji told me, he said, y'all were trying to find

1227
01:04:12,680 --> 01:04:16,440
Speaker 1: a host of cause for the show. And Bill was like, well,

1228
01:04:16,480 --> 01:04:20,560
Speaker 1: what about Fante and shan Gee? What for me is

1229
01:04:20,600 --> 01:04:23,040
Speaker 1: that you? Was like, oh, Man, me and Fan a

1230
01:04:23,120 --> 01:04:26,920
Speaker 1: gonna be arguing all the time, and sean Ge was like,

1231
01:04:27,360 --> 01:04:30,160
Speaker 1: that's exactly why we like, that's why we need to

1232
01:04:30,200 --> 01:04:33,200
Speaker 1: get it, you know. And so that was how I

1233
01:04:33,960 --> 01:04:35,960
Speaker 1: ended up here. So I just kind of jumped head

1234
01:04:36,000 --> 01:04:37,760
Speaker 1: first inn and was like, all right, fuck it, I

1235
01:04:37,760 --> 01:04:39,600
Speaker 1: don't know what this is gonna be, but let's just

1236
01:04:39,680 --> 01:04:41,640
Speaker 1: make it dope. And so I just always tried to

1237
01:04:41,720 --> 01:04:43,760
Speaker 1: make you know, the theme songs or whatever. I was

1238
01:04:43,800 --> 01:04:45,919
Speaker 1: always wanted to make sure that you know, our ship

1239
01:04:46,040 --> 01:04:48,760
Speaker 1: was always fresh and that we always you know, it

1240
01:04:48,840 --> 01:04:50,480
Speaker 1: was kind of at the forefront and just you know,

1241
01:04:50,520 --> 01:04:52,000
Speaker 1: it was a fun show to listen to. So that

1242
01:04:52,120 --> 01:04:52,680
Speaker 1: was my start.

1243
01:04:53,080 --> 01:04:57,920
Speaker 5: So I don't think that our listeners know the the

1244
01:04:58,440 --> 01:05:00,920
Speaker 5: double role that you play on the show. Uh, in

1245
01:05:01,040 --> 01:05:03,640
Speaker 5: addition to being co host of it, but you're also

1246
01:05:04,280 --> 01:05:07,600
Speaker 5: part of the organizing team and you specifically have to

1247
01:05:07,800 --> 01:05:11,440
Speaker 5: like reach out to the wishless artists and whatnot.

1248
01:05:11,520 --> 01:05:12,680
Speaker 11: They call those producers.

1249
01:05:13,680 --> 01:05:17,880
Speaker 1: Yes, you're you're a producer of the Showya.

1250
01:05:17,280 --> 01:05:19,200
Speaker 11: Thank you? Oh my god. I never say that sentence

1251
01:05:19,240 --> 01:05:21,280
Speaker 11: before any who.

1252
01:05:22,720 --> 01:05:26,280
Speaker 5: Tell me what's under the hood, like how the sausages

1253
01:05:26,360 --> 01:05:30,000
Speaker 5: made experiences? Like what were our close Pano cigar guests?

1254
01:05:31,320 --> 01:05:33,840
Speaker 5: Are you allowed to say which artist was the hardest

1255
01:05:33,880 --> 01:05:35,880
Speaker 5: to organize to hardest?

1256
01:05:35,960 --> 01:05:38,840
Speaker 9: I mean, it's funny, I would ask, I wondered, Britney,

1257
01:05:38,880 --> 01:05:42,480
Speaker 9: do you think Mariah is that Mariah hardest.

1258
01:05:42,800 --> 01:05:44,000
Speaker 11: Would you say that Britney?

1259
01:05:44,840 --> 01:05:48,160
Speaker 1: Okay, Okay, So Mariah had tech issues on camera, but.

1260
01:05:48,160 --> 01:05:50,360
Speaker 10: I will say the artist that we got so close

1261
01:05:50,400 --> 01:05:52,919
Speaker 10: to was on camera. No, she was in the dark.

1262
01:05:53,440 --> 01:05:58,320
Speaker 11: She was on camera, remember she was on zoom.

1263
01:05:58,360 --> 01:05:59,960
Speaker 1: But were in her bedroom or something?

1264
01:06:00,160 --> 01:06:02,360
Speaker 11: Yes, and I spend yes.

1265
01:06:02,600 --> 01:06:02,760
Speaker 1: Yes.

1266
01:06:04,480 --> 01:06:06,760
Speaker 9: But the one that we got so close to that

1267
01:06:06,920 --> 01:06:09,320
Speaker 9: me and Fante definitely flew to New York to record

1268
01:06:09,400 --> 01:06:11,040
Speaker 9: that never happened was Mary J.

1269
01:06:11,200 --> 01:06:11,600
Speaker 11: Blige.

1270
01:06:12,560 --> 01:06:13,000
Speaker 1: That's right.

1271
01:06:13,080 --> 01:06:14,840
Speaker 10: We did have marriage, had Mary J.

1272
01:06:14,960 --> 01:06:15,360
Speaker 11: Blige.

1273
01:06:15,440 --> 01:06:17,440
Speaker 9: And then on the couple of hours before we were

1274
01:06:17,480 --> 01:06:19,680
Speaker 9: to arrive at the studio, they changed their mind or

1275
01:06:19,800 --> 01:06:22,920
Speaker 9: something happened. What had happened was the greatest chase that

1276
01:06:23,000 --> 01:06:26,280
Speaker 9: we have still been doing is probably Queen Latifah, although

1277
01:06:26,600 --> 01:06:28,640
Speaker 9: I booked her because I don't remember, but I booked

1278
01:06:28,680 --> 01:06:30,840
Speaker 9: on your your series on A and E got her

1279
01:06:30,840 --> 01:06:32,640
Speaker 9: booked for that, but couldn't get her to come around

1280
01:06:32,640 --> 01:06:33,440
Speaker 9: the Quest Love Supreme.

1281
01:06:33,960 --> 01:06:34,440
Speaker 1: That's all right.

1282
01:06:35,040 --> 01:06:37,440
Speaker 9: Oh, and then the biggest blunder, and I'm going to

1283
01:06:37,480 --> 01:06:40,919
Speaker 9: say my biggest blunder ever on this show. Oh my god, y'all,

1284
01:06:42,280 --> 01:06:43,040
Speaker 9: I apologize.

1285
01:06:43,120 --> 01:06:43,680
Speaker 1: What episode?

1286
01:06:44,400 --> 01:06:47,280
Speaker 11: There was an episode and it was a Patti LaBelle episode.

1287
01:06:47,320 --> 01:06:53,520
Speaker 9: Oh we have all that there was a zoom issue

1288
01:06:53,760 --> 01:06:57,400
Speaker 9: and I thought we was morning and show and we

1289
01:06:57,560 --> 01:06:59,000
Speaker 9: only got like fifteen minutes.

1290
01:07:00,160 --> 01:07:02,360
Speaker 11: When I tell y'all, it was so good, it was

1291
01:07:02,440 --> 01:07:03,400
Speaker 11: such a good episode.

1292
01:07:03,840 --> 01:07:06,720
Speaker 8: It was so good. Damn it was so good.

1293
01:07:07,560 --> 01:07:15,840
Speaker 1: Who was there? A nightmare organizing person? An assistant h

1294
01:07:17,640 --> 01:07:18,280
Speaker 1: what had happened?

1295
01:07:18,320 --> 01:07:20,520
Speaker 9: Was? Well, I mean, well we had I mean, I

1296
01:07:20,560 --> 01:07:22,680
Speaker 9: don't want to say nightmare on their side, but you know,

1297
01:07:23,360 --> 01:07:25,680
Speaker 9: I think that I can't remember the Will Smith debacle.

1298
01:07:25,720 --> 01:07:28,800
Speaker 11: That wasn't his fault, right, that was and that was.

1299
01:07:28,840 --> 01:07:30,720
Speaker 1: Before y'all woke me up in the morning.

1300
01:07:31,320 --> 01:07:33,160
Speaker 11: You got a new person you off of.

1301
01:07:33,200 --> 01:07:34,920
Speaker 1: That facetimed right?

1302
01:07:35,120 --> 01:07:35,640
Speaker 9: That was.

1303
01:07:38,840 --> 01:07:42,120
Speaker 1: How a lot of life has happened on this show.

1304
01:07:42,200 --> 01:07:44,480
Speaker 7: Y oh, let's talk about man.

1305
01:07:45,080 --> 01:07:47,920
Speaker 5: Yeah, all I remember was I was asleep in my

1306
01:07:48,040 --> 01:07:51,600
Speaker 5: slumber and then Will Smith facetimed me. I was like,

1307
01:07:51,640 --> 01:07:55,720
Speaker 5: why is he facetiming me? Then I rushed to put

1308
01:07:55,760 --> 01:07:58,320
Speaker 5: my you know, my clothes on or whatever, and like

1309
01:07:58,560 --> 01:08:01,520
Speaker 5: it was, and then I saw that I missed.

1310
01:08:01,320 --> 01:08:05,600
Speaker 9: The Also one of our best, one of our best conversations,

1311
01:08:05,600 --> 01:08:08,080
Speaker 9: because that was postbook before everything else.

1312
01:08:08,120 --> 01:08:12,320
Speaker 11: Happened, Yes, and we really like got into it.

1313
01:08:12,640 --> 01:08:14,480
Speaker 1: That was good. That was a great episode.

1314
01:08:14,560 --> 01:08:18,320
Speaker 11: But I can't remember somebody who was like really hard, difficult,

1315
01:08:19,840 --> 01:08:20,120
Speaker 11: you know.

1316
01:08:21,800 --> 01:08:26,760
Speaker 1: Just us, just you and your schedule. Yeah, all right,

1317
01:08:27,080 --> 01:08:28,439
Speaker 1: I will say Steve.

1318
01:08:29,240 --> 01:08:32,040
Speaker 5: So for me, I think and you mentioned it, you

1319
01:08:32,120 --> 01:08:35,840
Speaker 5: know the fact that your early childhood was full of

1320
01:08:35,960 --> 01:08:41,599
Speaker 5: memories doing like you know, fake radio shows or whatever

1321
01:08:41,680 --> 01:08:43,519
Speaker 5: when you're a kid, and I've heard some of these things,

1322
01:08:43,960 --> 01:08:45,880
Speaker 5: which was really like, yo, man, when we do do

1323
01:08:46,040 --> 01:08:48,760
Speaker 5: like a fake radio show, That to me was like

1324
01:08:48,920 --> 01:08:51,680
Speaker 5: the beginning impetus of you said like why don't you

1325
01:08:51,720 --> 01:08:52,960
Speaker 5: do a podcast or something like that?

1326
01:08:53,600 --> 01:08:56,479
Speaker 1: So for you, who's the most overwhelming guest?

1327
01:08:56,640 --> 01:09:00,639
Speaker 5: Like your love for Elvis Costello is well known these circles,

1328
01:09:00,680 --> 01:09:03,760
Speaker 5: but I almost feel now that you're genuinely friends with him,

1329
01:09:04,520 --> 01:09:08,000
Speaker 5: so you know, it's I don't think it's a thing

1330
01:09:08,080 --> 01:09:10,960
Speaker 5: where it's like before you see him, you're like, holy shit,

1331
01:09:11,000 --> 01:09:13,840
Speaker 5: I'm talking to Elvis Costella Like you guys are actually

1332
01:09:13,960 --> 01:09:16,679
Speaker 5: legit friends now, correct, I mean after producing this record

1333
01:09:16,760 --> 01:09:17,439
Speaker 5: and all that stuff.

1334
01:09:17,800 --> 01:09:19,280
Speaker 8: Yeah, I'd say so okay.

1335
01:09:19,560 --> 01:09:23,040
Speaker 5: But for you, like, is there a bucketless guess that

1336
01:09:24,320 --> 01:09:26,840
Speaker 5: you wish we could have gotten yeah, Billy Joel.

1337
01:09:27,120 --> 01:09:28,040
Speaker 1: Yeah, and.

1338
01:09:30,880 --> 01:09:33,200
Speaker 11: Lewis Lewis.

1339
01:09:33,400 --> 01:09:34,400
Speaker 1: We got Hue Lewis.

1340
01:09:35,720 --> 01:09:36,040
Speaker 7: All right.

1341
01:09:36,200 --> 01:09:40,000
Speaker 5: So but as far as like your bucket list interviews, like,

1342
01:09:40,320 --> 01:09:43,920
Speaker 5: have you fulfilled the majority of them at least?

1343
01:09:44,720 --> 01:09:47,240
Speaker 8: Oh, certainly a lot more than I ever thought I

1344
01:09:47,760 --> 01:09:48,840
Speaker 8: would be a part of.

1345
01:09:49,360 --> 01:09:51,960
Speaker 1: Also, you have an offspring of the show, like you

1346
01:09:52,240 --> 01:09:53,360
Speaker 1: started the Sugar Network.

1347
01:09:53,400 --> 01:10:00,120
Speaker 8: Sugar Network shout out to the Sugar Network. Yeah, well

1348
01:10:00,200 --> 01:10:01,360
Speaker 8: it was sort of just.

1349
01:10:01,640 --> 01:10:05,560
Speaker 5: You know, you explain how this started, because well I

1350
01:10:05,640 --> 01:10:08,080
Speaker 5: got the you were like pre d nice with using

1351
01:10:08,520 --> 01:10:12,400
Speaker 5: Instagram live stories as a radio show.

1352
01:10:12,520 --> 01:10:14,800
Speaker 1: You would play complete records and not get caught off

1353
01:10:14,920 --> 01:10:15,960
Speaker 1: or any of those things.

1354
01:10:16,240 --> 01:10:19,559
Speaker 8: Yeah, yeah, so it was it was really a whole

1355
01:10:19,560 --> 01:10:23,320
Speaker 8: bunch of QLs fans that were watching our lives. At

1356
01:10:23,320 --> 01:10:25,560
Speaker 8: first we were doing them from thirty Rock while we

1357
01:10:25,640 --> 01:10:28,479
Speaker 8: were mixing whatever, we'd start doing live stories. And then

1358
01:10:29,000 --> 01:10:31,760
Speaker 8: once the once the live stories start to include the

1359
01:10:32,400 --> 01:10:35,519
Speaker 8: ability to bring a guest on, it was kind of

1360
01:10:35,960 --> 01:10:37,640
Speaker 8: the rest of it kind of wrote itself. It was like,

1361
01:10:38,840 --> 01:10:40,960
Speaker 8: we all have our own fucking TV shows now if

1362
01:10:41,000 --> 01:10:43,320
Speaker 8: we want, you know, our own talk shows. So I

1363
01:10:43,439 --> 01:10:46,040
Speaker 8: just turned mine into you know, a semi real one

1364
01:10:46,760 --> 01:10:50,040
Speaker 8: and it went on for kind of marriage the timeline

1365
01:10:50,080 --> 01:10:54,120
Speaker 8: of this podcast. But it's sort of fizzled out after

1366
01:10:54,400 --> 01:10:56,400
Speaker 8: season six or seven.

1367
01:10:57,439 --> 01:11:01,799
Speaker 1: So what constitutes a season? How many episodes in the season.

1368
01:11:02,520 --> 01:11:05,559
Speaker 8: It wasn't like that, but thousands and thousands.

1369
01:11:06,120 --> 01:11:10,760
Speaker 5: No, the Sugar Network was always on. I always see

1370
01:11:11,160 --> 01:11:14,240
Speaker 5: you keep did you keep the archives? Like after you record,

1371
01:11:14,280 --> 01:11:15,160
Speaker 5: would you save them all?

1372
01:11:15,600 --> 01:11:18,280
Speaker 8: Well, they get saved anyway, I think in your in

1373
01:11:18,360 --> 01:11:20,680
Speaker 8: your archive, whether you whether you delete them or not.

1374
01:11:20,840 --> 01:11:23,960
Speaker 8: But it was kind of the you know, just on

1375
01:11:24,040 --> 01:11:26,600
Speaker 8: a side project to this where it was where we

1376
01:11:26,640 --> 01:11:29,760
Speaker 8: would interview the not famous people, the people of the fans,

1377
01:11:29,840 --> 01:11:32,160
Speaker 8: you know, the people that were just watching this show

1378
01:11:32,400 --> 01:11:33,280
Speaker 8: or whatever I was.

1379
01:11:33,320 --> 01:11:36,799
Speaker 5: Doing on the Sugar Network that you know in addition

1380
01:11:36,920 --> 01:11:42,479
Speaker 5: to that site. Fans are collective, Yeah, fan bases and whatnot.

1381
01:11:42,600 --> 01:11:44,160
Speaker 10: We all got to appear on the Sugar.

1382
01:11:46,200 --> 01:11:46,400
Speaker 1: Yeah.

1383
01:11:46,479 --> 01:11:48,320
Speaker 8: It was It was fun. But you know, it seems

1384
01:11:48,360 --> 01:11:51,599
Speaker 8: like Instagram Live Stories seems like it's kind of fizzled out,

1385
01:11:51,720 --> 01:11:53,599
Speaker 8: Like not a lot of people doing lives anymore.

1386
01:11:53,600 --> 01:11:55,960
Speaker 1: It seems like, well it's hard to also play music.

1387
01:11:56,439 --> 01:11:56,640
Speaker 8: You know.

1388
01:11:56,680 --> 01:12:00,000
Speaker 5: I didn't even realize that now there's technology on Zoo

1389
01:12:00,240 --> 01:12:02,760
Speaker 5: that doesn't even allow me to like play a song

1390
01:12:02,840 --> 01:12:04,080
Speaker 5: for someone when I'm on a zoom.

1391
01:12:04,160 --> 01:12:05,000
Speaker 11: Say what now, Like the.

1392
01:12:05,040 --> 01:12:07,360
Speaker 5: Song goes like this, and you play it and when

1393
01:12:07,400 --> 01:12:09,720
Speaker 5: you share a screen, well no, if you want to

1394
01:12:09,760 --> 01:12:13,320
Speaker 5: play music on your zoom just from the background, yeah

1395
01:12:13,520 --> 01:12:17,120
Speaker 5: wow music, yeah, is forbidden. They even want to stop

1396
01:12:17,200 --> 01:12:20,000
Speaker 5: it that way, Like in terms of broadcasting. We'll close

1397
01:12:20,040 --> 01:12:22,200
Speaker 5: this episode was just asking you. What I was trying

1398
01:12:22,240 --> 01:12:24,519
Speaker 5: to lead to was I would like to believe that

1399
01:12:25,640 --> 01:12:28,840
Speaker 5: the Sugar Network also led to another dream of yours,

1400
01:12:28,880 --> 01:12:32,800
Speaker 5: which is starting a label. And it started out as

1401
01:12:32,840 --> 01:12:37,280
Speaker 5: a vanity label, but now you have a legit jazz label.

1402
01:12:37,479 --> 01:12:40,960
Speaker 8: Like Yeah, the timeline of the label JMI very much

1403
01:12:41,080 --> 01:12:44,240
Speaker 8: mirrors the same timeline as this basically started around the

1404
01:12:44,280 --> 01:12:48,720
Speaker 8: same time and the Sugar Networks started slightly after that,

1405
01:12:48,960 --> 01:12:52,599
Speaker 8: I think. But well, yeah, it's been eight or nine years.

1406
01:12:52,640 --> 01:12:56,559
Speaker 8: We've got twenty five records released, a good amount when

1407
01:12:56,600 --> 01:12:59,000
Speaker 8: you're all analog and things take a while and cost

1408
01:12:59,080 --> 01:13:02,959
Speaker 8: a lot. So very proud of that and definitely inspired

1409
01:13:03,560 --> 01:13:04,880
Speaker 8: by it all, y'all.

1410
01:13:05,040 --> 01:13:08,800
Speaker 1: And the records sound awesome. They sound awesome. That's the goal.

1411
01:13:09,439 --> 01:13:09,760
Speaker 8: Thank you.

1412
01:13:11,960 --> 01:13:14,280
Speaker 5: All right, so y'all, yes, we're going to do a

1413
01:13:14,479 --> 01:13:17,960
Speaker 5: part two her haye to you know, ended so abruptly.

1414
01:13:18,160 --> 01:13:19,840
Speaker 11: We got to do a tease. All right, coming up,

1415
01:13:20,520 --> 01:13:21,519
Speaker 11: we're doing it too, all.

1416
01:13:21,479 --> 01:13:24,320
Speaker 8: Right, do they come up bathroom break.

1417
01:13:24,960 --> 01:13:26,880
Speaker 1: We're gonna answer fan questions in part two?

1418
01:13:27,000 --> 01:13:29,200
Speaker 11: Yes, okay, looking forward to that.

1419
01:13:29,640 --> 01:13:33,559
Speaker 1: Yes, wait, that was the big lead up. I'm sure.

1420
01:13:34,720 --> 01:13:38,479
Speaker 5: All right anyway, or and be half of fun Tickelo

1421
01:13:38,720 --> 01:13:41,800
Speaker 5: and on paid Bill and Laya and Sugar Steve. This

1422
01:13:41,960 --> 01:13:45,400
Speaker 5: is Questo and uh we will see you for the

1423
01:13:45,840 --> 01:13:50,280
Speaker 5: official part two of the final quest Love Supreme episode.

1424
01:13:50,320 --> 01:13:53,400
Speaker 10: Well, we'll all get naked. Yes, yeah, I mean give

1425
01:13:53,560 --> 01:13:54,320
Speaker 10: something to look forward to.

1426
01:13:55,600 --> 01:14:02,280
Speaker 1: They want to see you. Questlove Supreme is a production

1427
01:14:02,479 --> 01:14:12,320
Speaker 1: of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app,

1428
01:14:12,600 --> 01:14:15,599
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.