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Speaker 1: Okay, hey man, he's in my face on It don't

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Speaker 1: matter if you win by an inch or.

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Speaker 2: Mind women, I don't have friends.

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Speaker 3: Okay, friendly, room, room, and welcome to another edition of

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Speaker 3: Fast Friends, presented by the NBA.

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Speaker 2: That's game.

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Speaker 3: We're continuing our super popular summer podcast series of watching

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Speaker 3: and breaking down every film from the Fast and Furious franchise,

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Speaker 3: some of us for the first time on deck today

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Speaker 3: the seventh movie in the franchise, Furious seven.

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Speaker 2: I'm still j E. Skeets here with our FF expert

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Speaker 2: Trey Kirby.

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Speaker 3: Hey, hey, hey, we got our super producer, who some

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Speaker 3: fans are saying is all over the place with his

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Speaker 3: takes on Twitter.

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Speaker 2: JD.

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Speaker 1: Hello, Yes, I try to keep it. I'm trying to

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Speaker 1: judge each one based on its own merit, but it's

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Speaker 1: it's getting hard to do, and I I do realize

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Speaker 1: that I am swerving all over.

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Speaker 2: They throw the E break.

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Speaker 3: They are starting to blend together for me as well.

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Speaker 3: It's getting a little more complicated as to remembering did

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Speaker 3: that happen in five or was that in six? Hold on, no,

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Speaker 3: that was in seven. Yeah, it is in the Furious seventh.

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Speaker 3: That's right, because that is the movie We're gonna get

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Speaker 3: to today. If you are a true fast Friend and

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Speaker 3: you are enjoying this summer series, why not leave us

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Speaker 3: a five star rating and review on Apple Podcasts and

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Speaker 3: or subscribe to No Dunks on YouTube. That stuff really

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Speaker 3: helps us out in terms of rankings. Keep tweeting in

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Speaker 3: your thoughts at No dunk Sinc. We love the feedback,

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Speaker 3: especially when you're questioning JD swerve and left and right.

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Speaker 3: Keep tweeting at us at No dunk Sinc. And if

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Speaker 3: you have questions, you can email them in No Dunks

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Speaker 3: at the Athletic dot Com. Just put Fast Friends right

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Speaker 3: there in the subject header. Good to see our mantik

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Speaker 3: with another tank top on the black one.

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Speaker 2: Black tank top and skeets. You know I had to

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Speaker 2: bring out the necklace. This is a big movie for

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Speaker 2: being quite honest, the necklace. Maybe you should have been

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Speaker 2: third or fourth build for Fat seven.

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Speaker 3: I do think I think you're right, man, This damn necklace.

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Speaker 3: I was talking about it in six. Now it's still

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Speaker 3: here in seven. It's gonna be here forever. The movie

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Speaker 3: Furious seven. Now, guys, I did not watch the extended version,

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Speaker 3: did any of you? Sicko's fire up that because I

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Speaker 3: think there is Trays nodding along. Of course you did.

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Speaker 2: You well, you came up first on the surge and

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Speaker 2: the only difference was three minutes.

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Speaker 1: I was like, I don't know.

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Speaker 2: I don't know what the difference is. I don't know

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Speaker 2: what three minutes you missed. It's probably like twenty seconds

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Speaker 2: at the end of five different scenes or something. Right,

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Speaker 2: I don't think the map on that works out, but

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Speaker 2: you know what I'm saying. But the movie was just

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Speaker 2: as I remembered it, So I don't know what was

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Speaker 2: extend Okay, at akay, that's fine.

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Speaker 1: I think I read that it was their Rowsey let

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Speaker 1: fight is longer mmm, okay, possibly, But other than that, sure.

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Speaker 2: That's okay.

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Speaker 3: I could happily podcast about Furious seven with the extended

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Speaker 3: fight between Rousey and Michelle Rodriguez.

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Speaker 2: Okay.

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Speaker 3: This one was released in April twenty fifteen, budget one

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Speaker 3: hundred ninety million. Listen to this box office over one

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Speaker 3: point five billion. Oh that's a b billion worldwide, the

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Speaker 3: first film in the series to reach that billion market

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Speaker 3: and it did over one point five It's unbelievable.

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Speaker 2: The skinny Deckord Shaw who.

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Speaker 3: Don't worry he seeks revenge against dom Toretto and his

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Speaker 3: family for his comatose brother.

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Speaker 2: I thought it was a.

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Speaker 3: Hilarious IMDb like one liner Jesus little a little dark there,

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Speaker 3: but right to the point. Okay. It stars all of

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Speaker 3: the regulars. I'm not even gonna say their names, you

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Speaker 3: know them all, and Jason Statham, who is Decker Shaw.

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Speaker 3: We got Kurt Russell. Didn't know he was gonna be

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Speaker 3: in this. That was a pleasant surprise. I was like, man,

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Speaker 3: we should have had Mattio on this one. Doesn't he

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Speaker 3: have a great Kurt Russell story where he was in

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Speaker 3: an elevator with him once.

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Speaker 2: Yeah, exactly right. I was right when we moved here

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Speaker 2: and you know, going back and reading through the Wikipedia,

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Speaker 2: you know, production notes and that kind of stuff. He

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Speaker 2: was here to film Fast seven. That's I mean, time wise,

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Speaker 2: it works out perfectly. Skeets. Yeah, yeah, I didn't even

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Speaker 2: think of that part. So, man, oh, we should have

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Speaker 2: got Mattio back on the horn. That's okay.

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Speaker 3: Kurt Russell's in this and Jaimun Hansu as one of

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Speaker 3: the other evil guys in this movie. It's directed this

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Speaker 3: time not by Justin Lynn but by James Wan, he

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Speaker 3: takes over here for Furious seven. So we'll get into

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Speaker 3: the entire movie. We'll do our Fast parts, things we like,

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Speaker 3: Furious part things we hate. But Trey, what do you

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Speaker 3: remember about the first time you saw Furious seven? I

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Speaker 3: assume in theaters.

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Speaker 2: Oh, absolutely, skeets and just like the Fast and Furious

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Speaker 2: crew back in the States. Adding to the crew, I

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Speaker 2: saw this one with your wife Norah. It's incredible. On

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Speaker 2: the Saturday after the movie came out. We went to

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Speaker 2: a theater here in Atlanta Atlantic Station, and that's kind

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Speaker 2: of how I knew that Fast and Furious had taken

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Speaker 2: over the world. Nora made it a point to see

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Speaker 2: this in theaters on opening weekend, the ultimate co sign

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Speaker 2: of something being cool and in the zeitgeist. As you're saying,

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Speaker 2: skeets one point five billion box office. I mean, it's

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Speaker 2: not just Nora who was hopping in to see this

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Speaker 2: one in theaters. I messaged her earlier today to see

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Speaker 2: what she remembered, and she reminded me that when we

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Speaker 2: saw this, we were in those big luxury recliners. Oh nice, Yeah,

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Speaker 2: exactly right. We upgraded our seats. I think she said

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Speaker 2: we were basically horizontal for this, you know, watching up

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Speaker 2: at the screen the perfect thing. She remembered thing at

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Speaker 2: all of Hobbs's lines because the Rock is in full

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Speaker 2: wrestler promo mode in this movie. We both remembered the

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Speaker 2: cast flex off scene being super funny. Who can forget

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Speaker 2: cars don't fly? And another great part of going with

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Speaker 2: Nora is that I could not leave without an Instagram.

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Speaker 2: This is my representation of joining the Furious crew here. Yeah,

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Speaker 2: we're sitting at four hundred and one likes, so I'm

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Speaker 2: hoping we can get this over one thousand. Gotta go

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Speaker 2: back why the Ways on the old eyeg though.

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Speaker 3: I specifically remember Nora asking me, do you want to

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Speaker 3: come watch thiry seven.

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Speaker 2: I'm going with Trey. He's gotta go to watch.

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Speaker 3: It in theaters. I said I would go. She was

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Speaker 3: into it enough, and I'm like, no, I don't want

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Speaker 3: to go at all. I've never seen any of the

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Speaker 3: previous six movies. No desire to watch this. I'm sorry.

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Speaker 3: I knew, I'm sure about the Paul Walker death and

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Speaker 3: all that saddened by that, and I'm sure this was

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Speaker 3: gonna do big numbers, but I'm like, I don't want

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Speaker 3: to watch it. I definitely don't want to watch all

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Speaker 3: six before I go watch the seventh. Well, you know,

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Speaker 3: yolkes on me now look at me now watching these

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Speaker 3: years later, podcasting about them. But you know I did

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Speaker 3: did grab a corona for today?

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Speaker 2: JD? Yeah?

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Speaker 3: Yeah, in in Poll's on her And there's a lot

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Speaker 3: of corona talk in this one, So you know, cheers

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Speaker 3: to Paul and h and to Dom getting his corona

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Speaker 3: in this movie. I'll take a swig. But JD, did

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Speaker 3: you watch this one in theaters?

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Speaker 1: Do you again? I have not seen any of these

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Speaker 1: in the theater. I don't know why I keep asking

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Speaker 1: you that it's okay, it's okay. I watched this one

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Speaker 1: on a plane. I think I have no idea where

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Speaker 1: we were going. We were probably together because when I fly,

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Speaker 1: I'm usually with you guys through.

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Speaker 2: Yeah and summer league. Would that be? It could have been,

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Speaker 2: It could have been came out in spring? Does they

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Speaker 2: do they get it on that plane?

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Speaker 4: You know?

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Speaker 1: System by So maybe? Yeah, I remember I watching it.

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Speaker 1: It was like I was in and out, just sort

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Speaker 1: of like whatever, I shouldn't watch this on a plane,

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Speaker 1: but I'm going to missus. Doubt fire wasn't available, so

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Speaker 1: you know. Yeah, but I remember thinking, Okay, I guess

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Speaker 1: I don't know if I had seen I definitely had

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Speaker 1: not seen Fast six watching.

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Speaker 3: This the first time, okay, yeah, so you just something

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Speaker 3: just sort of whatever.

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Speaker 1: I guess, Yeah, I guess I should watch this in

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Speaker 1: you know, morbid curiosity really because Paul Walker the past

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Speaker 1: away and just you know, wondering how are they going

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Speaker 1: to handle that?

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Speaker 3: So yeah, let's let's just talk about that right now,

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Speaker 3: right off the jump here. So production was halted on

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Speaker 3: this on December one, twenty thirteen, when they're making this movie,

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Speaker 3: following the tragic death of Paul Walker, who was killed

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Speaker 3: on November thirtieth. I read that the director, James Wan

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Speaker 3: and Universal executives they held a conference call to determine

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Speaker 3: how to proceed with the action of this in a

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Speaker 3: manner respectful of his memory, because he was like halfway

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Speaker 3: through filming at the time of his death. For Furious seven,

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Speaker 3: there was some consideration, you know, maybe just scrap this

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Speaker 3: thing altogether. But of course they eventually resumed production, and

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Speaker 3: then they did a bunch of rewrites to address Walker's absence,

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Speaker 3: probably moving forward in this series, give his character a

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Speaker 3: proper send off. And then they had to get creative

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Speaker 3: TK sort of with making this movie with him only

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Speaker 3: being in half.

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Speaker 2: Of what they needed.

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Speaker 3: So they used some of his dialogue and footage from

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Speaker 3: previous Fast and Furious films. They used his brothers I

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Speaker 3: guess Caleb Walker and Cody Walker as like doubles and

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Speaker 3: voiceovers and like sort of stand ins for for Brian O'Connor.

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Speaker 3: They got creative with like computer graphics I think at times, right,

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Speaker 3: almost like generate putting his face oh yeah, maybe on

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Speaker 3: his brother's body and scenes and stuff like that.

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Speaker 2: So pretty wild.

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Speaker 3: Was that a big part, like back in twenty fifteen,

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Speaker 3: Like you know, like morbid curiosity is one way to

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Speaker 3: put it, You're right, JD. But like how are they

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Speaker 3: going to sort of do this with the untimely death?

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Speaker 3: Was that sort of going on?

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Speaker 2: TK? Oh? Absolutely, And that's why this is the biggest

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Speaker 2: movie in the series. Was because of the real life

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Speaker 2: circumstances surrounding and especially considering that Paul Walker died in

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Speaker 2: a car crash of all things. So yeah, I mean

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Speaker 2: people were certainly curious to check it out, and you know,

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Speaker 2: I guess we were. This was twenty fifteen, We were

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Speaker 2: fourteen years with Fast and Furious in our lives. And

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Speaker 2: you know, for a lot of people, I'm sure they

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Speaker 2: were like me, they started watching him in high school

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Speaker 2: and now you're an adult and you know, Paul Walker's

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Speaker 2: kind of in my same age cohort. So that's something

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Speaker 2: to check out. And there's definitely a curiosity to watching

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Speaker 2: this where you're trying to figure out which scenes are

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Speaker 2: Paul Walker and which scenes are something that they've stitched together,

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Speaker 2: or you know, is Jordana Brewster talking to really Paul

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Speaker 2: Walker just this is some back of some guy's head

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Speaker 2: who knows. So there's definitely a little bit of movie

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Speaker 2: magic trying to figure that out that I think drew

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Speaker 2: people in as well. But I mean, certainly the circumstances

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Speaker 2: of Paul Walker's death drove people to the movie theater. Yeah.

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Speaker 3: I was also watching it for the first time ever,

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Speaker 3: of course knowing that he's that he's dead, but like thinking,

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Speaker 3: are they going to kill him in this movie?

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Speaker 2: That's what I kept think.

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Speaker 3: I was like, that would be a little weird, but

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Speaker 3: maybe they do it. It is a movie about racing

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Speaker 3: cars and you know, jumping out of planes and cars

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Speaker 3: and off cliffs like it wouldn't be you know, that crazy,

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Speaker 3: especially with the whole he's a father angle and like

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Speaker 3: really drive it home and then don like maybe takes

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Speaker 3: over as the dad as it moves forward.

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Speaker 2: But of course they don't do that.

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Speaker 3: You know, we're jumping right to the end here, and

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Speaker 3: they did something much different, which I actually thought was

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Speaker 3: okay and was you know, dare I say touching. I'm

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Speaker 3: sure there must have been people crying in theaters like

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Speaker 3: with this, with the ending and how they did it

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Speaker 3: though it is they try and really lean into it

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Speaker 3: being uplifting for him.

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Speaker 2: Was that fair to say? J D?

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Speaker 1: Yeah, absolutely, I thought that. I thought the send off

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Speaker 1: was extremely tasteful, and I was crying or anything, but

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Speaker 1: it was a little bit, you know, got a little

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Speaker 1: very clemped, just the the the way they shot the

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Speaker 1: beach scene and how everybody was like you could tell

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Speaker 1: like he's already gone, like this has already been shot

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Speaker 1: and it's we're not watching the characters anymore, watching the

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Speaker 1: actors basically say goodbye to to Paul Walker and then

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Speaker 1: he drives off into the sunset and it was kind

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Speaker 1: of beautiful. Yeah, And I was shocked when I read

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Speaker 1: after watching this movie that Jordana Brewster none of her

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Speaker 1: scenes were with Paul Walker because she didn't she all

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Speaker 1: of her scenes were shot after because she wasn't available

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Speaker 1: for the principal photography. I guess so that they did

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Speaker 1: an incredible job. I have to say, like it was

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Speaker 1: I was looking for as you say, Ski, it's like

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Speaker 1: which which which scenes are are him and which aren't him?

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Speaker 1: And I you know, there were certain points where you

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Speaker 1: were like, okay, well I remember that shot from Fast

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Speaker 1: and Furious. He looks fourteen years younger there, you know.

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Speaker 1: But but for the most part, it was it was

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Speaker 1: seamless to me.

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Speaker 2: Yeah, yeah, I would agree with that.

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Speaker 3: There weren't many times where you're like, oh, that looks

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Speaker 3: weird or that doesn't make a lot of sense because

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Speaker 3: they really had to jam it in there from previous

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Speaker 3: footage or the voiceover work or the stunt doubles, like

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Speaker 3: you only because you knew that he had passed where

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Speaker 3: you're like, all right, something's a little off with this scene.

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Speaker 3: But overall, they handled it I think as really well

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Speaker 3: as you can. Yeah for going along with the movie

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Speaker 3: and TK, I don't know if you know the answer

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Speaker 3: to this, is it safe to assume if Paul Walker

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Speaker 3: never dies, like Paul Walker is still in Fast and

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Speaker 3: Than Furious, like like there was no plan for him

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Speaker 3: being a dad to Jack and then and then having

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Speaker 3: another baby. And I don't know if that was a

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Speaker 3: rewrite maybe even like he wasn't being like phased out.

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Speaker 2: I assume no, no, no, I think he was already

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Speaker 2: considering the idea of making an eighth Fast and Furious. Okay,

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Speaker 2: that's part of the reason that the next one happens

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Speaker 2: so quickly after this one. I think Vin says something,

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Speaker 2: you know, like doing promo for Fast seven. He's like,

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Speaker 2: Paul wanted to do Fast eight, and when your brother

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Speaker 2: says they want to do it, you have to do it.

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Speaker 2: Vin Diesel lives the real life Dominic Toretto. Paul Walker

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Speaker 2: is my family. And I think it's great the way

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Speaker 2: he sends him out on this, you know, like ultimately,

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Speaker 2: the way it goes down is that Vin or Vin

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Speaker 2: gives Brian the chance to have the life that Paul

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Speaker 2: Walker really doesn't have. And I think it's kind of

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Speaker 2: a I don't know, it's touching to me, right, It's

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Speaker 2: like Brian gets to go and live with his wife

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Speaker 2: and his family and just raise him and be a dad,

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Speaker 2: because that's probably what Paul Walker really wanted to do

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Speaker 2: with his life. And you know, Vin knows that. So

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Speaker 2: if it's not gonna happen in real life, Vin has

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Speaker 2: the power to make it possible in this movie. So yeah,

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Speaker 2: I would have to imagine that it was going to

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Speaker 2: be Dom and Brian through thick and thin as long

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Speaker 2: as they possibly could go, and plans had to change. Yeah, yep, Okay, Well,

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Speaker 2: let's get into the movie.

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Speaker 1: I hated it.

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Speaker 2: Zero stars wrestlun Ever.

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Speaker 3: Okay, After defeating Owen Shaw and securing amnesty for their

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Speaker 3: past crimes.

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Speaker 2: Going back to the last movie, Dom Toretto, Brian.

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Speaker 3: O'Connor, and the rest of the team have returned to

306
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Speaker 3: the US to.

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Speaker 2: Try and live normal lives.

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Speaker 3: So what's going on here with our two main characters

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Speaker 3: at least is we got Brian, you know, trying to

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Speaker 3: get accustomed to life as a father. We got this

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Speaker 3: this minivan scene where he's doesn't know how to open

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Speaker 3: the minivan doors. This guy knows everything about cars, everything,

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Speaker 3: can't find the open door button for the minivan door,

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Speaker 3: to the point the teacher has to reach him and

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Speaker 3: help him out. Okay, So you know he's not used

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Speaker 3: to this dad stuff, this dad life. He's not about it,

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Speaker 3: but that's what he's doing. And then meanwhile you got

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Speaker 3: Dom trying to help let sweaty Letty as we love

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Speaker 3: to call her, regain her memory because she still got

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Speaker 3: amnesia from from the last flick. Uh, and he's he's

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Speaker 3: trying to help her out. He takes her to Race Wars.

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Speaker 3: I couldn't believe Race Wars is back.

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Speaker 2: I was. I sort of got excited. I mean, it

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Speaker 2: was so long ago. At this point You're like.

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Speaker 3: Wow, my god, that's from I'm like, that's from the

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Speaker 3: first movie.

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Speaker 2: And then I'm like, is that Hector.

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Speaker 3: That's Hector that's at the first movie that she punches

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Speaker 3: when she like, she has a bit of a freak

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Speaker 3: out after she uh, she wins her race. Got a

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Speaker 3: little tip from Dom. She's racing. I couldn't tell who

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Speaker 3: was racing in sandals. Somebody was racing in sandals.

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Speaker 1: Sweat let Yeah.

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Speaker 3: I couldn't believe that sweaty letter things always sweaty. Yeah.

335
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Speaker 3: But she wins and like freaks out. She's had like

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00:16:50,280 --> 00:16:52,960
Speaker 3: these like it's triggering, right, being back at race Wars

337
00:16:53,000 --> 00:16:56,000
Speaker 3: and that's why she sort of punches Hector because everybody's

338
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Speaker 3: just congratulating.

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Speaker 2: Like let her breathe a little bit. But anyway, what

340
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Speaker 2: do you think of this art of this movie?

341
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Speaker 3: Jady will go to you first with with Brian getting

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Speaker 3: used to being a dad and then Dom really trying

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Speaker 3: to get Letty back into being Letty.

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Speaker 1: You know, yeah, I mean I think it was a good,

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Speaker 1: uh strategy for Dom to try to get you know,

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Speaker 1: take Letty to the familiar places, and I like you

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Speaker 1: where it was kind of pumped above Race Wars being

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Speaker 1: back you know.

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Speaker 2: Uh, they didn't change the name of it, which is unfortunate.

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Speaker 1: Yeah, but how are you going to fit that in?

351
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Speaker 1: You know, hey, it's Race Wars, Race Wars? What's that?

352
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Speaker 1: We created? Race Wars? Unfortunate name?

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Speaker 2: Unfortunately or yeah, but he should have been like, why

354
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Speaker 2: did we name it that? Yeah, why do we changed it?

355
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Speaker 2: We got the brand, we got the trademark. It's going

356
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Speaker 2: to cost a fortune to switch.

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Speaker 1: That, yeah, or they get there and it's just it's

358
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Speaker 1: basically like we're calling it Rumble in the Desert. What's that? Well,

359
00:17:55,680 --> 00:18:00,640
Speaker 1: it used to be called exactly, but you skipped over

360
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Speaker 1: the opening of the movie where we meet where we

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Speaker 1: meet Shah right where Uh.

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Speaker 3: Yeah, well, yeah, I was gonna I was gonna get

363
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Speaker 3: to it. Okay, it's sort of a mean, it's a

364
00:18:09,480 --> 00:18:11,359
Speaker 3: mean while thing, but you're right. It is actually got

365
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Speaker 3: first scene. It is the first scene. But but with this,

366
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Speaker 3: with our with our two main characters, you're fine with,

367
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Speaker 3: uh what Dom's trying to do with Letty and Brian

368
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Speaker 3: getting used to being a dead.

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Speaker 1: Yeah, I mean I thought it was a good idea

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Speaker 1: to get her in a familiar place. I mean, unfortunately

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Speaker 1: she got overwhelmed and punched poor Hector. I mean god,

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Speaker 1: but he could take a punch, and he had his

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Speaker 1: pretty good sphexcited like surprisingly, but hey, it's Letty. Sometimes

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Speaker 1: she goes off, you know, and punches your right in

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Speaker 1: the face. Uh. And for Brian, this is where I

376
00:18:41,560 --> 00:18:45,680
Speaker 1: already I'm angry, like, uh, come on, as you say, Skeets,

377
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Speaker 1: the guy knows everything about a car, like a come on,

378
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Speaker 1: you know, and by the way, you don't. I know

379
00:18:52,960 --> 00:18:56,280
Speaker 1: that everything changes when you have a child, but you

380
00:18:56,400 --> 00:19:01,320
Speaker 1: don't need a mini venue have several cars one yeah, yeah,

381
00:19:01,359 --> 00:19:04,119
Speaker 1: so you know you can put a car seat in

382
00:19:04,520 --> 00:19:08,280
Speaker 1: literally almost any car, right, So you know, but I

383
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Speaker 1: get it. It's like you're in it. You want to

384
00:19:11,320 --> 00:19:13,080
Speaker 1: show him as a dad. You want to show him

385
00:19:13,080 --> 00:19:17,080
Speaker 1: hating being the dad role because he misses the bullets.

386
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Speaker 1: I mean, okay, sure, but uh yeah, I mean I

387
00:19:22,680 --> 00:19:24,719
Speaker 1: get what they were doing, but it was still I

388
00:19:24,720 --> 00:19:28,359
Speaker 1: felt insulted. And I'm going to say this as well, Skates,

389
00:19:28,440 --> 00:19:30,320
Speaker 1: you said in the last movie that you were just

390
00:19:30,359 --> 00:19:32,480
Speaker 1: weren't feeling it, Like I think you had just got

391
00:19:32,520 --> 00:19:34,640
Speaker 1: back from traveling and you're just like whatever.

392
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Speaker 2: Man, it was a little tired.

393
00:19:35,760 --> 00:19:37,919
Speaker 1: That was me watching this. I had a headache. I

394
00:19:38,000 --> 00:19:41,600
Speaker 1: was just watching this going come on. I felt like

395
00:19:41,600 --> 00:19:43,600
Speaker 1: like I was having a fight with my boyfriend, my

396
00:19:43,640 --> 00:19:47,640
Speaker 1: new boyfriend the Fast and Furious franchise, and now just

397
00:19:47,680 --> 00:19:50,080
Speaker 1: being a dick to me. He's just like Trip, Like,

398
00:19:50,119 --> 00:19:53,040
Speaker 1: why are you talking to me like this? You know,

399
00:19:53,119 --> 00:19:56,520
Speaker 1: I'm I'm I'm not a dummy, you know what I mean? Like,

400
00:19:56,760 --> 00:20:00,439
Speaker 1: can you just talk to me like a normal human being?

401
00:20:00,520 --> 00:20:03,960
Speaker 1: Like why are you being so condescending and weird right now?

402
00:20:04,000 --> 00:20:06,480
Speaker 1: But and that's how I felt this entire movie.

403
00:20:06,640 --> 00:20:09,080
Speaker 3: Oh okay, uh oh, but you just want to let yeah,

404
00:20:09,160 --> 00:20:11,320
Speaker 3: let the record show you didn't go in with a

405
00:20:11,359 --> 00:20:15,400
Speaker 3: great mindset. Okay, exactly, Okay, fair enough, Trey, And again

406
00:20:15,440 --> 00:20:17,119
Speaker 3: we are going to get to the actual opening of

407
00:20:17,160 --> 00:20:19,960
Speaker 3: this movie with with Deckord Shaw seeing his brother, his

408
00:20:20,040 --> 00:20:23,600
Speaker 3: Comato's brother. As IOTB puts it, what do you think

409
00:20:23,640 --> 00:20:25,320
Speaker 3: though about our two main guyser.

410
00:20:25,400 --> 00:20:27,480
Speaker 2: Oh, I love it, of course, Kates. I'm on the

411
00:20:27,520 --> 00:20:31,480
Speaker 2: complete flip side for me, Fast seven or I guess

412
00:20:31,480 --> 00:20:34,640
Speaker 2: it's kind of technically known as Furious seven. Uh. There's

413
00:20:34,720 --> 00:20:38,159
Speaker 2: so much fan service, but it's almost like the producers

414
00:20:38,160 --> 00:20:40,560
Speaker 2: are kind of paying you off there, like you've watched

415
00:20:40,560 --> 00:20:43,119
Speaker 2: so many of these movies. We're gonna chalk full of

416
00:20:43,240 --> 00:20:46,000
Speaker 2: references from the first six of them, because this is

417
00:20:46,040 --> 00:20:48,280
Speaker 2: an end of an era here. So I was loving

418
00:20:48,359 --> 00:20:50,920
Speaker 2: going back to Race Wars. I let out a holy shit,

419
00:20:51,119 --> 00:20:54,840
Speaker 2: could not believe they were doing Race Wars again. Love

420
00:20:54,880 --> 00:20:58,919
Speaker 2: to see Letty's still undefeated on screen a Race Wars.

421
00:20:59,440 --> 00:21:02,800
Speaker 2: Maybe she's that's why she's there in the sandals. An

422
00:21:02,840 --> 00:21:05,800
Speaker 2: odd iggy Azalea came here. I thought, I was like, Oh,

423
00:21:05,840 --> 00:21:08,159
Speaker 2: I guess she was one of the biggest names in

424
00:21:08,200 --> 00:21:11,159
Speaker 2: the world in twenty fifteen. I did not remember that

425
00:21:11,240 --> 00:21:14,080
Speaker 2: they bring back Hector another little bit of fan service there.

426
00:21:14,080 --> 00:21:16,240
Speaker 2: I was totally for it. And then you get the

427
00:21:16,280 --> 00:21:19,760
Speaker 2: contrast with Brian. Dom is trying to get his old

428
00:21:19,840 --> 00:21:22,879
Speaker 2: life back with Letty. Meanwhile Brian and Meir trying to

429
00:21:22,920 --> 00:21:24,800
Speaker 2: move on to their new phase in life. But you

430
00:21:24,800 --> 00:21:27,080
Speaker 2: can tell Brian's having a hard time with it. He's

431
00:21:27,119 --> 00:21:31,360
Speaker 2: still got his black vans on. Yeah great dad, you yep,

432
00:21:31,480 --> 00:21:33,919
Speaker 2: you know Brian's back when he's got the black vans.

433
00:21:35,000 --> 00:21:37,120
Speaker 2: But you know he's doing what needs to be done.

434
00:21:37,160 --> 00:21:40,720
Speaker 2: And we're setting the stage honestly for the ending once

435
00:21:40,760 --> 00:21:42,520
Speaker 2: everything comes in, and you can tell that that was

436
00:21:42,560 --> 00:21:45,520
Speaker 2: like a huge part of the remake of this movie.

437
00:21:45,600 --> 00:21:50,120
Speaker 2: Is the family, the actual family storylines with Brian and Muir.

438
00:21:50,520 --> 00:21:54,960
Speaker 3: Yeah, if you're writing this the Brian character into this one,

439
00:21:55,080 --> 00:21:57,800
Speaker 3: you have two choices now that he's a dad. It's

440
00:21:57,840 --> 00:22:01,040
Speaker 3: like one he goes full on dad van, which they do,

441
00:22:01,240 --> 00:22:03,520
Speaker 3: and is like I don't know anything about this world

442
00:22:04,080 --> 00:22:06,480
Speaker 3: or and you've seen it in other movies. He's like

443
00:22:06,560 --> 00:22:09,560
Speaker 3: the cool dad that rips up there with Jack in

444
00:22:09,600 --> 00:22:13,320
Speaker 3: the Toyota Supra and the teacher is like, I don't

445
00:22:13,359 --> 00:22:16,320
Speaker 3: know about this dad, Like he's pretty cool and hot,

446
00:22:16,359 --> 00:22:20,480
Speaker 3: but that that car seats really jammed in the back right,

447
00:22:21,000 --> 00:22:23,120
Speaker 3: so you know they want the minivan.

448
00:22:23,440 --> 00:22:24,840
Speaker 2: Little weird he can't open the door.

449
00:22:25,080 --> 00:22:27,240
Speaker 3: I didn't understand that, but what it is, what it is.

450
00:22:27,280 --> 00:22:29,159
Speaker 3: And then Nora said she watched this again with me,

451
00:22:29,280 --> 00:22:32,200
Speaker 3: So in the end I ended up watching Furius seven

452
00:22:32,280 --> 00:22:33,080
Speaker 3: with my wife.

453
00:22:32,880 --> 00:22:35,320
Speaker 2: Which was a beautiful thing. Family.

454
00:22:35,520 --> 00:22:42,120
Speaker 3: She said, really, she said, Lenny has amnesia, but why

455
00:22:42,320 --> 00:22:43,919
Speaker 3: does she know how to drive still?

456
00:22:44,640 --> 00:22:44,720
Speaker 1: Like?

457
00:22:44,760 --> 00:22:47,560
Speaker 3: Why is she an incredible driver? Still undefeated driver. I'm like,

458
00:22:47,640 --> 00:22:50,200
Speaker 3: that's a pretty good point. I was like, I think

459
00:22:50,240 --> 00:22:52,840
Speaker 3: they're a little workaround to that.

460
00:22:52,960 --> 00:22:53,320
Speaker 2: Question.

461
00:22:53,520 --> 00:22:56,119
Speaker 3: Was Dom giving her a tip maybe, like if she

462
00:22:56,160 --> 00:22:58,359
Speaker 3: doesn't have amnesia, does Dom ever give her like that

463
00:22:58,560 --> 00:23:00,359
Speaker 3: keep it on her nine or whatever he tells her

464
00:23:00,440 --> 00:23:02,439
Speaker 3: to do with the rps. I don't even tells her,

465
00:23:02,480 --> 00:23:05,600
Speaker 3: but you nailed it? Yeah? Or did they try and

466
00:23:05,640 --> 00:23:07,400
Speaker 3: like slip out in there because they're like, we gotta

467
00:23:07,480 --> 00:23:09,439
Speaker 3: like he's got to help her a little bit because

468
00:23:09,480 --> 00:23:12,480
Speaker 3: she does have amnesia.

469
00:23:12,640 --> 00:23:16,760
Speaker 2: Question, is learning to drive a car like learning to

470
00:23:16,840 --> 00:23:20,360
Speaker 2: ride a bicycle? You can never forget even I don't know,

471
00:23:20,680 --> 00:23:23,840
Speaker 2: And I mean, at the very least Letty has been

472
00:23:23,920 --> 00:23:28,600
Speaker 2: serving as a driver for Owenshaw, right, like she was

473
00:23:28,680 --> 00:23:33,359
Speaker 2: driving Yeah, right, she was driving for Braga prior to that.

474
00:23:33,359 --> 00:23:35,040
Speaker 2: That doesn't answer the question of how she got those

475
00:23:35,080 --> 00:23:37,280
Speaker 2: driving skills back in the first place. But maybe it's

476
00:23:37,280 --> 00:23:40,320
Speaker 2: sort of I don't know her throughout this movie. Her

477
00:23:40,320 --> 00:23:42,600
Speaker 2: memories are coming flooding back. So maybe you put her

478
00:23:42,640 --> 00:23:45,480
Speaker 2: in a car, say, hey, you're the perfect girl. You

479
00:23:45,480 --> 00:23:47,600
Speaker 2: don't remember anything, but do you remember how to drive.

480
00:23:47,720 --> 00:23:50,560
Speaker 2: Let's see you grip that wheel, and maybe things start

481
00:23:50,600 --> 00:23:52,920
Speaker 2: flooding back and it's just muscle memory. Yeah, I think

482
00:23:52,920 --> 00:23:53,760
Speaker 2: you're probably right.

483
00:23:54,000 --> 00:23:55,720
Speaker 3: I will say about Race Wars too, I feel like

484
00:23:55,760 --> 00:23:59,879
Speaker 3: they have upgraded the actual race course. There is a

485
00:24:00,040 --> 00:24:03,159
Speaker 3: finish line now, like a checkered finish line that I

486
00:24:03,160 --> 00:24:05,320
Speaker 3: don't remember. In the first one, it was like they

487
00:24:05,320 --> 00:24:07,560
Speaker 3: didn't have the money. The team just didn't have the

488
00:24:07,600 --> 00:24:11,440
Speaker 3: funds to like really lean into the production of Race Wars.

489
00:24:11,440 --> 00:24:13,280
Speaker 3: I'm talking about domin Letty because we learned that they

490
00:24:13,320 --> 00:24:17,040
Speaker 3: invented it. So it's nice to see now that there's

491
00:24:17,440 --> 00:24:20,960
Speaker 3: a legit, you know, race ending there. They got the

492
00:24:21,000 --> 00:24:22,680
Speaker 3: checkered line there. I know who won it was Letty,

493
00:24:22,720 --> 00:24:24,639
Speaker 3: So I was good. I was happy about that. Okay,

494
00:24:25,080 --> 00:24:27,800
Speaker 3: so let's get to the real start of the movie.

495
00:24:27,960 --> 00:24:32,800
Speaker 3: I buried the lead Owen's older brother, Deckard, who is

496
00:24:32,880 --> 00:24:36,439
Speaker 3: Jason Statham. He breaks into a hospital where his comato's

497
00:24:36,480 --> 00:24:42,439
Speaker 3: brother Owen is being held, and he, you know, he

498
00:24:42,520 --> 00:24:45,280
Speaker 3: basically just is there to let us know to his brother,

499
00:24:45,520 --> 00:24:49,760
Speaker 3: like I'm seeking revenge, Like whoever did this to you?

500
00:24:50,640 --> 00:24:53,440
Speaker 2: They're done, they're dead. You know, he's a badass.

501
00:24:54,040 --> 00:24:56,879
Speaker 3: He's like even he's like a souped up version I

502
00:24:56,880 --> 00:24:59,200
Speaker 3: guess of his brother, who was a pretty damn good badass.

503
00:24:59,200 --> 00:25:00,680
Speaker 3: We were a fan of him in the last one

504
00:25:00,680 --> 00:25:04,240
Speaker 3: as a villain. And you know, his brother, Deckard here

505
00:25:04,359 --> 00:25:08,080
Speaker 3: is is even scarier, definitely scarier.

506
00:25:08,119 --> 00:25:10,919
Speaker 2: Tray. Yeah, And I think that that's exactly what this

507
00:25:11,000 --> 00:25:15,880
Speaker 2: scene is all about, right because in Fast six, once

508
00:25:15,920 --> 00:25:18,880
Speaker 2: they finally start getting ready to deal with Shaw, Brian's

509
00:25:18,920 --> 00:25:20,720
Speaker 2: got the line, we're not dealing with cops, We're not

510
00:25:20,760 --> 00:25:23,040
Speaker 2: dealing with drug dealers. That's how they have to set

511
00:25:23,040 --> 00:25:25,159
Speaker 2: the scene saying things are gonna get crazier here, and

512
00:25:25,200 --> 00:25:27,520
Speaker 2: they do no doubt about that. But this it's a

513
00:25:27,520 --> 00:25:30,800
Speaker 2: little bit of show don't tell, because It starts with

514
00:25:30,960 --> 00:25:33,639
Speaker 2: the cross necklace. We're seeing that cross necklace in the

515
00:25:33,680 --> 00:25:36,600
Speaker 2: first minute of this drink. Every time we say cross

516
00:25:36,640 --> 00:25:39,560
Speaker 2: necklace in this pot, I would like to know what

517
00:25:39,800 --> 00:25:43,560
Speaker 2: percentage of characters in the FASTI verse have touched that

518
00:25:43,680 --> 00:25:46,520
Speaker 2: cross necklace, because it's insane. It's like somebody has touched

519
00:25:47,119 --> 00:25:50,960
Speaker 2: Almost everybody has had this thing at some point, Like like,

520
00:25:51,040 --> 00:25:54,080
Speaker 2: it's very weird to even think that Owen Shaw gets

521
00:25:54,080 --> 00:25:56,520
Speaker 2: his hands on this necklace or deckerd Jaw gets his

522
00:25:56,560 --> 00:25:59,000
Speaker 2: hands on this necklace. But it starts with them, you know.

523
00:25:59,040 --> 00:26:01,840
Speaker 2: It feels like, oh, we're just getting deckerd being a

524
00:26:01,920 --> 00:26:04,919
Speaker 2: nice guy visiting his burned up brothers. Yeah, and then

525
00:26:04,960 --> 00:26:08,720
Speaker 2: it peels back and he leaves him a machine gun

526
00:26:09,000 --> 00:26:11,679
Speaker 2: just to rest with there, We've got the rest of

527
00:26:11,680 --> 00:26:14,080
Speaker 2: the hospital staff is actually watching this. And then it

528
00:26:14,160 --> 00:26:17,680
Speaker 2: pans out and oh, yeah, Jason Statham Deckard Shaw has

529
00:26:17,720 --> 00:26:22,000
Speaker 2: gone through an entire hospital worth of protection. Yeah for

530
00:26:22,200 --> 00:26:25,919
Speaker 2: Ohen just slaughtering people. The guy is the ultimate murder

531
00:26:26,040 --> 00:26:28,760
Speaker 2: machine in so the levels have been set from the

532
00:26:28,800 --> 00:26:30,840
Speaker 2: first five minutes in the movie, and it's not just

533
00:26:30,880 --> 00:26:33,399
Speaker 2: then telling us, hey, things are gonna get crazier You've

534
00:26:33,480 --> 00:26:37,080
Speaker 2: watched five minutes of this and you're like, whoa, like

535
00:26:37,680 --> 00:26:41,160
Speaker 2: as many gun deaths as we've seen in the entire

536
00:26:41,280 --> 00:26:44,680
Speaker 2: franchise up to this point, and it's been ninety seconds.

537
00:26:44,880 --> 00:26:48,480
Speaker 3: Yeah, he broke into this hospital or whatever. He just like, yeah,

538
00:26:48,800 --> 00:26:51,560
Speaker 3: ran through absolutely everybody that was trying to prevent him

539
00:26:51,560 --> 00:26:53,879
Speaker 3: from getting into the hospital to his brother, just to

540
00:26:53,920 --> 00:26:57,480
Speaker 3: tell his comatose brother, don't worry. I got you a

541
00:26:57,480 --> 00:27:01,720
Speaker 3: little bro. Yeah, and here's a gun too. Crazy Great,

542
00:27:01,800 --> 00:27:04,360
Speaker 3: that was a cool reveal, I will admit JD where

543
00:27:04,800 --> 00:27:06,760
Speaker 3: like Trey just said, you think he's just talking to

544
00:27:06,800 --> 00:27:09,000
Speaker 3: his brother in the hospital, and then it's like he's

545
00:27:09,000 --> 00:27:11,639
Speaker 3: actually just like ran through this entire thing and nearly

546
00:27:12,080 --> 00:27:12,800
Speaker 3: brought it down.

547
00:27:13,359 --> 00:27:18,719
Speaker 1: Yeah. And then I I admire James Wand's uh confidence

548
00:27:18,960 --> 00:27:23,800
Speaker 1: in uh in shooting that scene. Uh because we see

549
00:27:23,800 --> 00:27:27,199
Speaker 1: the staff cowering in the corner, but it's not in focus.

550
00:27:27,240 --> 00:27:31,040
Speaker 1: You're still focused on Jason Statham. And then uh, you know,

551
00:27:31,080 --> 00:27:35,000
Speaker 1: it reveals the the brother and the bed and stuff

552
00:27:35,080 --> 00:27:38,679
Speaker 1: and h and I was like, hot, damn, it's a

553
00:27:38,720 --> 00:27:39,560
Speaker 1: revenge film.

554
00:27:39,760 --> 00:27:40,800
Speaker 2: I love revenge.

555
00:27:40,880 --> 00:27:44,879
Speaker 1: Okay, Yeah, how are they gonna fuck this up? I

556
00:27:44,920 --> 00:27:49,600
Speaker 1: mean it's it's revenge is a dish best served cold.

557
00:27:49,640 --> 00:27:54,280
Speaker 1: It's it's simple, it's it's brilliant, and it's almost Shakespearean

558
00:27:54,320 --> 00:27:57,800
Speaker 1: at this point, let's do this. But you know, they

559
00:27:57,840 --> 00:28:00,600
Speaker 1: fucked it up. They definitely fucked this really up. And

560
00:28:00,640 --> 00:28:03,280
Speaker 1: then I watched it back and I'm like, why is

561
00:28:03,320 --> 00:28:06,199
Speaker 1: this why is this so familiar? With this scene of

562
00:28:06,280 --> 00:28:10,200
Speaker 1: watching him walk out of a trash hospital and uh,

563
00:28:10,240 --> 00:28:11,600
Speaker 1: oh yeah, I've seen it.

564
00:28:11,840 --> 00:28:14,159
Speaker 2: Oh yeah, for sure. I thought the exact same thing.

565
00:28:14,320 --> 00:28:17,400
Speaker 1: Like it's like it's almost like a tracking steady cam

566
00:28:17,480 --> 00:28:21,440
Speaker 1: of watching the villain leave a hospital totally trashed. And

567
00:28:21,560 --> 00:28:23,000
Speaker 1: uh yeah, so.

568
00:28:23,680 --> 00:28:26,520
Speaker 2: But was listening. You were showing us a photo of.

569
00:28:26,480 --> 00:28:29,160
Speaker 1: Yes, sorry, of the Dark Knight when the Joker leaves

570
00:28:29,200 --> 00:28:33,359
Speaker 1: the hospital. Uh. You know, which is a great scene.

571
00:28:33,400 --> 00:28:36,159
Speaker 1: It's a better scene and another example of when the

572
00:28:36,200 --> 00:28:38,800
Speaker 1: Fast and Furious movies have made me want to go

573
00:28:38,840 --> 00:28:40,640
Speaker 1: watch a different.

574
00:28:40,360 --> 00:28:43,040
Speaker 2: Movie, you know what I mean, They're really good at that.

575
00:28:44,280 --> 00:28:44,520
Speaker 1: Yeah.

576
00:28:44,760 --> 00:28:48,520
Speaker 3: So we then have o En soon after he breaks

577
00:28:48,560 --> 00:28:53,080
Speaker 3: into the DSS office in Los Angeles to extract profiles

578
00:28:53,080 --> 00:28:53,880
Speaker 3: of Dom's crew.

579
00:28:54,320 --> 00:28:54,560
Speaker 2: Uh.

580
00:28:54,640 --> 00:28:57,760
Speaker 3: And this is where we once again see Luke Hobbs

581
00:28:58,000 --> 00:29:03,200
Speaker 3: the Rock and Alena who's working for him. Though I

582
00:29:03,200 --> 00:29:06,160
Speaker 3: think she's moving on right, because he goes outside to

583
00:29:06,200 --> 00:29:09,040
Speaker 3: give her a letter of recommendation.

584
00:29:09,960 --> 00:29:11,680
Speaker 2: I was like talking to Nor's like, what is he

585
00:29:11,760 --> 00:29:12,400
Speaker 2: giving her? Like?

586
00:29:12,760 --> 00:29:15,600
Speaker 3: Is that implying that she's moving on? And Norra's convinced, Yeah,

587
00:29:15,600 --> 00:29:18,600
Speaker 3: she's she's done here. He's got another job. I don't

588
00:29:18,600 --> 00:29:21,560
Speaker 3: know she's going somewhere else. But when he goes back in,

589
00:29:21,720 --> 00:29:25,760
Speaker 3: that's when he comes upon Deckard, who's uh, you know,

590
00:29:25,840 --> 00:29:29,560
Speaker 3: sitting there in the shadows and just downloading these files

591
00:29:29,600 --> 00:29:33,240
Speaker 3: onto a USB key and he reveals his identity and

592
00:29:33,400 --> 00:29:36,080
Speaker 3: you know, he's a rogue Special Forces assassin and they

593
00:29:36,080 --> 00:29:40,320
Speaker 3: fight and he ends up escaping. Deckerd does because this

594
00:29:40,360 --> 00:29:44,800
Speaker 3: guy loves bombs way that is his lampon of choice.

595
00:29:44,840 --> 00:29:48,360
Speaker 3: This guy's got so many bombs and he detonates a

596
00:29:48,400 --> 00:29:52,200
Speaker 3: bomb and that is what severely injures Hobbes, takes him

597
00:29:52,240 --> 00:29:54,040
Speaker 3: out for most of this movie because he like you know,

598
00:29:54,080 --> 00:29:56,920
Speaker 3: does the heroic thing, sort of saves Alena jump out

599
00:29:56,920 --> 00:29:58,880
Speaker 3: the window. He smash out the window as this bomb

600
00:29:58,920 --> 00:30:02,560
Speaker 3: goes off. And don't you worry, where did he land?

601
00:30:03,160 --> 00:30:05,600
Speaker 3: Where the fuck did he land? Thank God, that.

602
00:30:05,480 --> 00:30:06,240
Speaker 2: Car was there.

603
00:30:07,520 --> 00:30:09,800
Speaker 3: Landing on a car is like basically landing on a

604
00:30:09,800 --> 00:30:15,040
Speaker 3: pillow or a bed. Though, you know, at least they

605
00:30:15,040 --> 00:30:17,360
Speaker 3: said he broke his arm and broke something else. I

606
00:30:17,400 --> 00:30:21,239
Speaker 3: forgot it else he broke, Yeah, so it put him

607
00:30:21,280 --> 00:30:25,080
Speaker 3: up in the hospital. But yeah, we get our first

608
00:30:25,680 --> 00:30:30,120
Speaker 3: very bond like fight here. I thought between between Hobbs

609
00:30:30,240 --> 00:30:32,280
Speaker 3: and Uh, we're just gonna call him Shaw probably from

610
00:30:32,280 --> 00:30:35,040
Speaker 3: now on. Sorry, Owen Shaw, your your Comato's man, It's

611
00:30:35,600 --> 00:30:39,040
Speaker 3: it's now Decorad Shaw. A lot of glass breaking, tray,

612
00:30:39,280 --> 00:30:41,960
Speaker 3: a lot of tables breaking. I think we pretty early

613
00:30:41,960 --> 00:30:44,880
Speaker 3: in this movie get the rock Bottom from the Rock,

614
00:30:44,920 --> 00:30:47,200
Speaker 3: which I was like, what as a wrestling fans like,

615
00:30:47,200 --> 00:30:49,360
Speaker 3: I couldn't believe it. I thought it was shot pretty

616
00:30:49,360 --> 00:30:51,080
Speaker 3: cool too, and Jad you can chime in on that,

617
00:30:51,120 --> 00:30:52,680
Speaker 3: but yeah, what what'd you think?

618
00:30:52,720 --> 00:30:56,160
Speaker 2: TK? Well? I love the first shot we get of Hobbs.

619
00:30:56,200 --> 00:31:00,200
Speaker 2: He's wearing the tiniest tank top you could possibly imagine,

620
00:31:00,640 --> 00:31:04,320
Speaker 2: dripping and sweat muscles jet out of his mind. The

621
00:31:04,360 --> 00:31:07,840
Speaker 2: guy looks humongous and basically Neves calls him out. He's like,

622
00:31:08,440 --> 00:31:11,080
Speaker 2: you're bored with this? These kind of arrest right, which

623
00:31:11,360 --> 00:31:14,560
Speaker 2: fair enough because his previous arrest, he's been going around

624
00:31:14,600 --> 00:31:18,360
Speaker 2: the world not caring about laws at all, like throwing

625
00:31:18,400 --> 00:31:22,560
Speaker 2: people onto cars and killing them with no impunity. The

626
00:31:22,600 --> 00:31:24,800
Speaker 2: guy's just going insane at this point. So now to

627
00:31:24,840 --> 00:31:27,120
Speaker 2: actually have to be doing stamps and stuff, of course

628
00:31:27,200 --> 00:31:29,719
Speaker 2: that's gonna be boring. But I do love that we

629
00:31:29,760 --> 00:31:32,960
Speaker 2: get a fight between The Rock and Jason Statham right away,

630
00:31:33,000 --> 00:31:35,440
Speaker 2: and I love that it's basically a fistfight between them

631
00:31:35,480 --> 00:31:38,160
Speaker 2: two because these guys are both great at fake fighting.

632
00:31:38,320 --> 00:31:40,960
Speaker 2: Like I think Jason Statham is a martial artist of

633
00:31:40,960 --> 00:31:44,640
Speaker 2: some sort, but I know he doesn't have like fight experience.

634
00:31:44,760 --> 00:31:48,320
Speaker 2: The guy's still an actor, whereas The Rock came up wrestling, right,

635
00:31:48,360 --> 00:31:50,600
Speaker 2: so they know how to put on a great show.

636
00:31:50,640 --> 00:31:53,960
Speaker 2: And you can tell. I love when Shaw basically it

637
00:31:54,000 --> 00:31:56,600
Speaker 2: seems like he's gonna lose, but he jumps up and

638
00:31:56,800 --> 00:32:00,360
Speaker 2: slams down the light fixture on top of his Then

639
00:32:00,360 --> 00:32:03,400
Speaker 2: he chucks that tech bomb that he's got. The Shaws

640
00:32:03,480 --> 00:32:06,120
Speaker 2: just great with tech. You know, Owen likes to turn

641
00:32:06,160 --> 00:32:09,040
Speaker 2: off the lights and I guess Deckard likes to light

642
00:32:09,080 --> 00:32:11,360
Speaker 2: them up. But I thought it was a great intro

643
00:32:11,560 --> 00:32:14,920
Speaker 2: to what Stathan's all about in these in this movie. Yeah,

644
00:32:14,960 --> 00:32:16,320
Speaker 2: and and in this fight JD.

645
00:32:16,880 --> 00:32:18,800
Speaker 3: We get what we see a couple times in this movie,

646
00:32:18,800 --> 00:32:20,320
Speaker 3: and I don't even know how to describe it. This

647
00:32:20,440 --> 00:32:23,880
Speaker 3: camera shot where in this one, I think it is

648
00:32:23,960 --> 00:32:28,360
Speaker 3: falling over a couch possibly and the camera like it

649
00:32:28,720 --> 00:32:32,080
Speaker 3: tracks with them somehow, like in circular motion. Again, I'm

650
00:32:32,080 --> 00:32:33,720
Speaker 3: not explaining it that well, maybe you can do a

651
00:32:33,720 --> 00:32:35,720
Speaker 3: better job. But now, wait, we see a couple of times.

652
00:32:35,760 --> 00:32:37,640
Speaker 3: I thought it was I thought it was bad ass.

653
00:32:37,680 --> 00:32:39,719
Speaker 3: I thought it looked awesome every single time he used it.

654
00:32:40,040 --> 00:32:42,760
Speaker 1: I love it because it it makes you feel It

655
00:32:43,200 --> 00:32:46,600
Speaker 1: just immerses you into the fight that much more and

656
00:32:46,600 --> 00:32:49,920
Speaker 1: and makes you disoriented as you would be if you

657
00:32:50,040 --> 00:32:53,840
Speaker 1: were flipped and ended up on a coffee table or whatever.

658
00:32:53,960 --> 00:32:56,760
Speaker 1: And and yeah, it happens a bunch of times in

659
00:32:56,800 --> 00:33:00,360
Speaker 1: this movie, and it's I loved it every single time happened.

660
00:33:00,400 --> 00:33:05,760
Speaker 1: It's it's so cool. I also loved backing up his stamp,

661
00:33:05,920 --> 00:33:11,000
Speaker 1: the captured good Chunk. That's the loudest thing in the movie, right,

662
00:33:11,160 --> 00:33:14,240
Speaker 1: like good Chunk. I mean it has to be. It's

663
00:33:14,280 --> 00:33:17,240
Speaker 1: the rock. And I also liked how you know for

664
00:33:17,400 --> 00:33:20,680
Speaker 1: a hothead Gung ho cowboy that Hobbs is.

665
00:33:21,400 --> 00:33:21,520
Speaker 2: Uh.

666
00:33:22,320 --> 00:33:24,600
Speaker 1: He was very patient with a guy just sitting on

667
00:33:24,640 --> 00:33:27,160
Speaker 1: his computer, Like there was a lot of a lot

668
00:33:27,160 --> 00:33:29,720
Speaker 1: of posturing back and forth, and just like you better

669
00:33:29,840 --> 00:33:31,240
Speaker 1: step away from that computer.

670
00:33:31,320 --> 00:33:35,920
Speaker 3: Their son was like, oh, man, the Rock. We've seen

671
00:33:35,960 --> 00:33:38,360
Speaker 3: him now for three movies. He started in Fast five

672
00:33:38,680 --> 00:33:41,520
Speaker 3: and then of course six, and now seven here Fiery seven.

673
00:33:42,480 --> 00:33:46,400
Speaker 3: He is just morphing more and more and more into

674
00:33:46,440 --> 00:33:48,840
Speaker 3: the actual wrestling character of the Rock. Like this is

675
00:33:49,360 --> 00:33:52,960
Speaker 3: if it was Dwayne Johnson or even the character Hobbes.

676
00:33:53,240 --> 00:33:55,760
Speaker 3: To me, it's completely gone. Like I almost don't even

677
00:33:55,800 --> 00:33:58,240
Speaker 3: want to call him Hobbs anymore. This is the Rock.

678
00:33:58,800 --> 00:34:01,160
Speaker 3: All these lines and we he saw like little glimpses

679
00:34:01,200 --> 00:34:03,000
Speaker 3: of it, and he would say some things. You're like, ooh,

680
00:34:03,000 --> 00:34:05,400
Speaker 3: that's a rock line, but like it feels like every

681
00:34:05,440 --> 00:34:08,640
Speaker 3: single line TK you know, JD. I know you hate wrestling,

682
00:34:08,640 --> 00:34:12,200
Speaker 3: but he is just doing a rock monologue. And then

683
00:34:12,239 --> 00:34:14,560
Speaker 3: even of course now doing his wrestling moves. This is

684
00:34:14,600 --> 00:34:15,520
Speaker 3: all who he is now.

685
00:34:16,239 --> 00:34:16,479
Speaker 1: Yeah.

686
00:34:16,600 --> 00:34:18,960
Speaker 2: The what Shaw says to him, I'm here for the

687
00:34:19,000 --> 00:34:21,759
Speaker 2: team that crippled my brother, and Hobbs responds, it wasn't

688
00:34:21,800 --> 00:34:24,560
Speaker 2: a team. It was one man and he's standing right

689
00:34:24,600 --> 00:34:27,240
Speaker 2: in front of you. The guy is just threatening smack

690
00:34:27,360 --> 00:34:29,640
Speaker 2: downs the entire time. It would not be out of place.

691
00:34:29,760 --> 00:34:34,560
Speaker 2: It feels like for Hobbs to call Shaw a JABBRONI like,

692
00:34:34,600 --> 00:34:36,360
Speaker 2: if you want to leap out out, I'd be like, okay,

693
00:34:36,560 --> 00:34:38,400
Speaker 2: fine with me. I guess you are the Rock at

694
00:34:38,440 --> 00:34:40,920
Speaker 2: this point, but why not lean into it?

695
00:34:40,960 --> 00:34:41,160
Speaker 1: You know?

696
00:34:41,400 --> 00:34:44,000
Speaker 2: And I think that, honestly, I think that that's kind

697
00:34:44,000 --> 00:34:47,319
Speaker 2: of what becomes the problem for Vin Diesel is that

698
00:34:47,400 --> 00:34:49,960
Speaker 2: as the Rock becomes more and more comfortable and more

699
00:34:49,960 --> 00:34:53,480
Speaker 2: and more embedded in this franchise, people love the Rock. Yeah,

700
00:34:53,520 --> 00:34:55,440
Speaker 2: I mean, the Rock is like the biggest star in

701
00:34:55,480 --> 00:34:58,080
Speaker 2: the world, and I don't think Vin was really anticipating that,

702
00:34:58,440 --> 00:35:00,560
Speaker 2: uh oh, he's going to become the biggest in this

703
00:35:00,680 --> 00:35:03,799
Speaker 2: movie too. That's a problem for me, But I love

704
00:35:03,880 --> 00:35:06,400
Speaker 2: seeing him lean into it. And you know, they do

705
00:35:06,440 --> 00:35:09,840
Speaker 2: a great job of taking advantage of just how massive

706
00:35:10,120 --> 00:35:12,719
Speaker 2: Dwayne Johnson is compared to everybody else. Even when he

707
00:35:12,800 --> 00:35:15,640
Speaker 2: lands on that car and Neves lands on top of him,

708
00:35:15,680 --> 00:35:19,200
Speaker 2: and he's basically just like a gigantic human body pillow. Yeah,

709
00:35:19,239 --> 00:35:21,319
Speaker 2: Like he looks as big as the car does yeah

710
00:35:21,400 --> 00:35:25,520
Speaker 2: at that point, so yeah, they you know, at this point,

711
00:35:25,680 --> 00:35:29,719
Speaker 2: Dom is a superhero, Hobbs is a superhero. Everybody else

712
00:35:29,800 --> 00:35:32,359
Speaker 2: is pulling off some superhero ish moves. But I think

713
00:35:32,400 --> 00:35:35,560
Speaker 2: those two have ascended to the top of the power

714
00:35:35,680 --> 00:35:39,640
Speaker 2: rankings from a literal power standpoint, because it doesn't seem

715
00:35:39,680 --> 00:35:42,200
Speaker 2: like anything bad can happen to them. I know that

716
00:35:42,239 --> 00:35:44,040
Speaker 2: Dom actually takes some hits in this one. He gets

717
00:35:44,080 --> 00:35:46,040
Speaker 2: staggered a couple of times, which is good to see,

718
00:35:46,040 --> 00:35:47,759
Speaker 2: but they feel invincible.

719
00:35:47,880 --> 00:35:50,960
Speaker 3: Oh my god, I do hope we're getting closer and

720
00:35:51,000 --> 00:35:53,759
Speaker 3: closer to to Hobbs ripping a big fart and then

721
00:35:53,800 --> 00:35:57,520
Speaker 3: drops like a smell with the rocket like that. I

722
00:35:57,560 --> 00:35:59,520
Speaker 3: hope we get that and eat or Hobbs and show

723
00:36:00,880 --> 00:36:02,600
Speaker 3: maybe in his own movie.

724
00:36:03,920 --> 00:36:04,839
Speaker 2: What do you think, JD.

725
00:36:05,080 --> 00:36:10,279
Speaker 3: I'll ask you first, as of Jason Statham as the

726
00:36:10,320 --> 00:36:12,759
Speaker 3: bad guy, as the main villain in this and how

727
00:36:12,800 --> 00:36:14,680
Speaker 3: he goes about it. I read that he only says

728
00:36:15,000 --> 00:36:19,239
Speaker 3: seventeen lines in the entire film real and most of

729
00:36:19,280 --> 00:36:21,399
Speaker 3: them are one liners, and a lot of them occur

730
00:36:21,719 --> 00:36:25,480
Speaker 3: pretty early in the movie. Apparently that's it. If that's true,

731
00:36:25,640 --> 00:36:27,160
Speaker 3: and even if that's not true, he doesn't say a

732
00:36:27,200 --> 00:36:30,000
Speaker 3: lot if you think about it, that's very few lines.

733
00:36:30,040 --> 00:36:33,879
Speaker 3: But you know that that sort of you know, you said,

734
00:36:33,880 --> 00:36:36,200
Speaker 3: I guess in the last one that you are a

735
00:36:36,239 --> 00:36:38,960
Speaker 3: fan of this British badass that.

736
00:36:39,000 --> 00:36:41,480
Speaker 2: Is sort of I guess, a silent assassin. So you

737
00:36:41,560 --> 00:36:42,480
Speaker 2: must have been loving this.

738
00:36:43,280 --> 00:36:46,600
Speaker 1: I loved it. Yeah, he's great, He's a badass. I

739
00:36:46,640 --> 00:36:51,600
Speaker 1: love the accent. I just love the swagger of British gangsters.

740
00:36:51,640 --> 00:36:54,640
Speaker 1: I don't know what it is. Maybe it's maybe I'm

741
00:36:54,840 --> 00:36:58,560
Speaker 1: from British gangsters in my family way back in the day.

742
00:36:58,640 --> 00:37:02,160
Speaker 1: Who knows, but got some peaky blind is in me.

743
00:37:02,840 --> 00:37:06,880
Speaker 1: But yeah, he's he's great. I loved him. And you know,

744
00:37:07,320 --> 00:37:11,520
Speaker 1: a great way to prove that you are a menacing

745
00:37:11,640 --> 00:37:15,200
Speaker 1: villain is by kicking the rocks ass, you know, which

746
00:37:15,560 --> 00:37:18,279
Speaker 1: he kind of does. I guess he holds his own.

747
00:37:18,480 --> 00:37:22,279
Speaker 1: He holds his own anyways against the rock, which good

748
00:37:22,360 --> 00:37:24,000
Speaker 1: for him. So yeah, I loved it.

749
00:37:24,360 --> 00:37:27,080
Speaker 3: Yeah, he's set himself up nicely for at least an

750
00:37:27,120 --> 00:37:33,480
Speaker 3: intercontinental championship at Summer Slam. He'll be on the card. Yeah,

751
00:37:33,640 --> 00:37:36,400
Speaker 3: And same question, Trey. You know Jason Statham as this

752
00:37:36,480 --> 00:37:37,880
Speaker 3: guy moving forward in this series.

753
00:37:38,120 --> 00:37:41,120
Speaker 2: You loving it? Oh, of course. I'm a Jason Statham fan,

754
00:37:41,360 --> 00:37:43,880
Speaker 2: starting with Snatch, I feel like was the first movie

755
00:37:43,880 --> 00:37:47,040
Speaker 2: that I saw him in, and he's been similar characters

756
00:37:47,040 --> 00:37:49,200
Speaker 2: all the way through. I think at one point Hobbs

757
00:37:49,320 --> 00:37:53,279
Speaker 2: describes him as a legitimate English badass, which that's just

758
00:37:53,320 --> 00:37:55,640
Speaker 2: what Jason Stathan seems like. And you can I mean

759
00:37:55,680 --> 00:37:58,080
Speaker 2: he made an impact because they gave this guy a

760
00:37:58,120 --> 00:38:01,680
Speaker 2: spin off basically right away, to the point where there

761
00:38:01,719 --> 00:38:04,360
Speaker 2: was another character named Shaw before him, and he's not

762
00:38:04,440 --> 00:38:07,040
Speaker 2: even the Shaw that's in the movie named after a Shaw.

763
00:38:07,160 --> 00:38:10,240
Speaker 2: So yeah, I can't believe he only said seventeen lines.

764
00:38:10,280 --> 00:38:12,839
Speaker 2: That's crazy to me because even in this scene where

765
00:38:12,880 --> 00:38:14,400
Speaker 2: him and Hobbs end up getting in a fight at

766
00:38:14,440 --> 00:38:19,600
Speaker 2: the DDS office DSS office, Yeah, DDS would be a

767
00:38:19,640 --> 00:38:22,800
Speaker 2: doctor of dental surgery, which that would actually be a

768
00:38:22,800 --> 00:38:25,920
Speaker 2: pretty funny role for the Hobbs. He's actually a dentist

769
00:38:25,960 --> 00:38:29,080
Speaker 2: this whole time, just fixing people's teeth anytime they go around.

770
00:38:29,960 --> 00:38:33,360
Speaker 2: But at the DSS office he probably has five or

771
00:38:33,400 --> 00:38:36,000
Speaker 2: so lines there when they're going back and forth kind

772
00:38:36,000 --> 00:38:38,120
Speaker 2: of posturing to each other. So the fact that he

773
00:38:38,200 --> 00:38:40,240
Speaker 2: maybe says another ten for the rest of the movie

774
00:38:40,560 --> 00:38:43,120
Speaker 2: and is still you know, a scary villain and keeps

775
00:38:43,120 --> 00:38:45,000
Speaker 2: showing up at the right places. Good stuff.

776
00:38:45,080 --> 00:38:47,720
Speaker 3: Yeah, but again it makes sense that, at least according

777
00:38:47,760 --> 00:38:49,319
Speaker 3: to this trivia that I have, that he says most

778
00:38:49,320 --> 00:38:50,640
Speaker 3: of them in the first half of the movie, because

779
00:38:50,640 --> 00:38:51,799
Speaker 3: if you think about near the end.

780
00:38:51,680 --> 00:38:53,439
Speaker 2: Of the movie, he does not say a lot.

781
00:38:53,520 --> 00:38:55,919
Speaker 3: I mean, I just remember him talking to the rock

782
00:38:55,960 --> 00:38:58,680
Speaker 3: when he's you know, in jail in the detention center

783
00:38:58,719 --> 00:39:00,480
Speaker 3: at the end, and I can't remember even much more,

784
00:39:00,480 --> 00:39:01,960
Speaker 3: maybe like a one or two lines there, of course

785
00:39:01,960 --> 00:39:04,640
Speaker 3: with Dom later on, but it's crazy. Okay, So back

786
00:39:04,680 --> 00:39:08,239
Speaker 3: to Dom for a sec Letty and him are after

787
00:39:08,280 --> 00:39:11,319
Speaker 3: the freak out at some point here they're at the

788
00:39:11,360 --> 00:39:16,680
Speaker 3: cemetery at her headstone because she's dead, remember, like what

789
00:39:17,040 --> 00:39:19,959
Speaker 3: he thought, and she's looking at that. They haven't taken

790
00:39:20,000 --> 00:39:22,520
Speaker 3: it down, though, Dom straight up wants to smash it.

791
00:39:22,880 --> 00:39:27,400
Speaker 2: I laughed, I laughed, guy's got a Sledgehammer's gonna smash

792
00:39:27,480 --> 00:39:31,040
Speaker 2: this graves though, I know, and you like, she's been

793
00:39:31,120 --> 00:39:33,560
Speaker 2: back for a bit, like you could have done it

794
00:39:34,040 --> 00:39:36,719
Speaker 2: with her not there, or at least like said you're

795
00:39:36,760 --> 00:39:38,520
Speaker 2: gonna do it, But she's freaking out, I get it,

796
00:39:38,560 --> 00:39:41,919
Speaker 2: and then she says goodbye, like she says, I guess JD.

797
00:39:42,080 --> 00:39:44,680
Speaker 3: I gotta go right, I got it. I'm messed up

798
00:39:44,800 --> 00:39:48,000
Speaker 3: right now in the head. I gotta go find myself.

799
00:39:48,040 --> 00:39:50,200
Speaker 3: And she pieces out so we don't see her for.

800
00:39:50,200 --> 00:39:50,640
Speaker 2: A little bit.

801
00:39:51,080 --> 00:39:55,239
Speaker 1: Yeah, and fair enough, she got overwhelmed with the memories

802
00:39:55,360 --> 00:39:59,200
Speaker 1: that that Dom was trying to trigger, and uh yeah,

803
00:39:59,239 --> 00:40:02,040
Speaker 1: so I would probably do the same, like I need

804
00:40:02,040 --> 00:40:04,239
Speaker 1: some space, I need to figure this out on my own.

805
00:40:04,320 --> 00:40:08,439
Speaker 1: So see you later. And you know, typical alpha male,

806
00:40:08,640 --> 00:40:12,920
Speaker 1: just trying to smash things to solve a problem. You're

807
00:40:12,960 --> 00:40:17,879
Speaker 1: not gonna solve anything here, don by smashing this beautiful headstone.

808
00:40:17,960 --> 00:40:21,080
Speaker 1: I mean, hold on to it. Just change the dates

809
00:40:21,120 --> 00:40:23,960
Speaker 1: down the road. It's great plot stone.

810
00:40:24,080 --> 00:40:24,920
Speaker 2: Yeah, exactly.

811
00:40:25,560 --> 00:40:29,719
Speaker 3: That's in actually, uh Oakland Cemetery here in Atlanta too,

812
00:40:29,960 --> 00:40:30,400
Speaker 3: Oh is it?

813
00:40:30,719 --> 00:40:30,919
Speaker 2: Yeah?

814
00:40:31,360 --> 00:40:34,000
Speaker 3: There's a when is that there's a scene where they

815
00:40:34,080 --> 00:40:37,600
Speaker 3: rip out of the cemetery. Yeah, I can't remember where

816
00:40:37,640 --> 00:40:39,799
Speaker 3: it is in the movie. I even said maybe I'm

817
00:40:39,800 --> 00:40:41,880
Speaker 3: pretty sure that's Oakland Cemetery to Nora, and she was

818
00:40:41,880 --> 00:40:44,680
Speaker 3: on the old phone going yep, you're right, YEA hold it, so.

819
00:40:44,920 --> 00:40:45,600
Speaker 2: I soon hold on.

820
00:40:45,640 --> 00:40:47,920
Speaker 3: I'm assuming the headstone is also there, but I guess

821
00:40:47,960 --> 00:40:48,720
Speaker 3: that could be Idy.

822
00:40:49,920 --> 00:40:52,680
Speaker 2: Destroyed it with a sledgehammer, doing what I should have

823
00:40:52,719 --> 00:40:55,200
Speaker 2: done a long time ago. I guess you put it

824
00:40:55,239 --> 00:40:57,279
Speaker 2: on your to do list. All right, Well, let he's back.

825
00:40:57,280 --> 00:41:01,520
Speaker 2: I'm gonna go destroy the headstone. Sorry, I gotta go

826
00:41:01,560 --> 00:41:02,200
Speaker 2: around the world.

827
00:41:02,320 --> 00:41:06,160
Speaker 3: Yeah, I gotta go to Race Wars first, our annual

828
00:41:06,239 --> 00:41:12,239
Speaker 3: visit there. So we also have Dom going to see

829
00:41:12,239 --> 00:41:17,319
Speaker 3: the Rock in the hospital where he's laid up. We

830
00:41:17,440 --> 00:41:20,680
Speaker 3: learned that the Rock has a child, Yes, has a child.

831
00:41:20,760 --> 00:41:23,160
Speaker 3: We didn't know that. Never see a wife, do we.

832
00:41:25,160 --> 00:41:27,319
Speaker 3: I don't even think we know if he is still

833
00:41:27,360 --> 00:41:30,399
Speaker 3: married or what happened to his wife. Maybe it's something

834
00:41:30,440 --> 00:41:30,719
Speaker 3: to come.

835
00:41:30,760 --> 00:41:31,200
Speaker 2: Who knows.

836
00:41:31,280 --> 00:41:34,920
Speaker 3: But there's an older girl that is his daughter, and

837
00:41:35,160 --> 00:41:38,600
Speaker 3: she gets in some quips on Dom, and basically we

838
00:41:38,600 --> 00:41:39,480
Speaker 3: get Hop saying or.

839
00:41:39,440 --> 00:41:42,000
Speaker 2: The Rock saying like, go ahead and get this guy

840
00:41:42,080 --> 00:41:42,560
Speaker 2: like he's.

841
00:41:42,440 --> 00:41:46,120
Speaker 3: Given him the Okay, let's go go take him down.

842
00:41:46,239 --> 00:41:48,920
Speaker 3: I'm not gonna stop you. I thought in this scene,

843
00:41:48,920 --> 00:41:50,400
Speaker 3: I just wanted to throw this in here. Now he's

844
00:41:50,400 --> 00:41:52,880
Speaker 3: gonna save it to the random notes. But uh, Dom

845
00:41:52,960 --> 00:41:55,120
Speaker 3: is looking so much like mister clean.

846
00:41:58,760 --> 00:41:59,920
Speaker 1: Is it a clean way?

847
00:42:00,560 --> 00:42:04,320
Speaker 3: He's got the clean white T shirt pretty tight and

848
00:42:04,520 --> 00:42:08,759
Speaker 3: walks into that sterile hospital and I was like, he's

849
00:42:08,760 --> 00:42:13,000
Speaker 3: done some work here, mister Clean's been here and I

850
00:42:13,040 --> 00:42:16,000
Speaker 3: and then now I can't stop thinking of that creepy

851
00:42:16,040 --> 00:42:18,360
Speaker 3: mister Clean commercial that made the rounds a couple of

852
00:42:18,400 --> 00:42:22,440
Speaker 3: years ago where he's like, he's like and he's shaking,

853
00:42:23,000 --> 00:42:25,640
Speaker 3: and it's like, imagine Vin Diesel doing that.

854
00:42:26,440 --> 00:42:29,720
Speaker 2: Yeah, that's not it should Has he ever hosted Saturday

855
00:42:29,760 --> 00:42:32,000
Speaker 2: Night Live? Because that would be a very funny character

856
00:42:32,080 --> 00:42:35,760
Speaker 2: for him. Yeah, y, I don't know if he's ever hosted.

857
00:42:36,200 --> 00:42:36,680
Speaker 2: Look into that.

858
00:42:36,760 --> 00:42:39,200
Speaker 1: So that's got to be a roast, like a Roman

859
00:42:39,320 --> 00:42:41,719
Speaker 1: roast in a future movie where it's like, you know

860
00:42:41,760 --> 00:42:44,279
Speaker 1: how he say, oh I smell I smell baby oil,

861
00:42:44,360 --> 00:42:47,719
Speaker 1: was like I smell something lemony and fresh.

862
00:42:47,760 --> 00:42:48,880
Speaker 2: It's dumb.

863
00:42:50,440 --> 00:42:54,600
Speaker 3: Or yeah, like somebody like he shoots somebody, blood spills

864
00:42:54,640 --> 00:42:56,799
Speaker 3: all over the floor and then Roman's like, hey can

865
00:42:56,880 --> 00:42:57,640
Speaker 3: you clean it up?

866
00:42:57,680 --> 00:43:04,319
Speaker 2: And you mop it up? It looks like cutton. Vin

867
00:43:04,360 --> 00:43:07,160
Speaker 2: Diesel grinded on them mop for five minutes. They can

868
00:43:07,239 --> 00:43:08,120
Speaker 2: make that the next short.

869
00:43:08,160 --> 00:43:12,239
Speaker 1: Actually, it must be in Vin Diesel's contract. He can't

870
00:43:12,280 --> 00:43:14,359
Speaker 1: be roasted, he can't be beaten in a fight, and

871
00:43:14,400 --> 00:43:15,800
Speaker 1: you can't make fun of him either.

872
00:43:16,160 --> 00:43:19,840
Speaker 3: They don't say ever really anything about him, dude, not

873
00:43:19,840 --> 00:43:23,760
Speaker 3: not not his team, at least that I can remember. Okay,

874
00:43:23,800 --> 00:43:28,120
Speaker 3: So yeah, we got the the okay from the Rock

875
00:43:28,200 --> 00:43:33,160
Speaker 3: to Dom, go do it. Soon later we got Dom

876
00:43:33,200 --> 00:43:36,120
Speaker 3: at the house. He is learning from his sister Mia

877
00:43:36,160 --> 00:43:40,040
Speaker 3: that she is pregnant again, and he's trying to convince

878
00:43:40,080 --> 00:43:43,200
Speaker 3: her to tell Brian you should probably tell you. You know,

879
00:43:43,280 --> 00:43:46,200
Speaker 3: he's not doing all that well for being honest with

880
00:43:46,200 --> 00:43:50,960
Speaker 3: with you know, being a dad with with Jack. He's

881
00:43:51,520 --> 00:43:54,320
Speaker 3: he's doing it. He's managing, but man, this is gonna

882
00:43:54,320 --> 00:43:56,040
Speaker 3: be a lot for him. You should probably tell him.

883
00:43:56,200 --> 00:43:59,360
Speaker 3: But soon after this or right there, Brian is there

884
00:43:59,719 --> 00:44:04,799
Speaker 3: with Jack actually with the minivan. A letter bomb that

885
00:44:04,880 --> 00:44:08,520
Speaker 3: is sent from Tokyo, which Dom thinks it's from Han.

886
00:44:09,000 --> 00:44:12,440
Speaker 2: What does he say it is again, he's trying to

887
00:44:12,480 --> 00:44:17,520
Speaker 2: convert me to a turbo charger. Oh is that what

888
00:44:17,560 --> 00:44:17,839
Speaker 2: he said?

889
00:44:17,880 --> 00:44:20,799
Speaker 3: Okay, he's saying he mailed me a turbo. It makes

890
00:44:20,840 --> 00:44:23,360
Speaker 3: it sell like Han is always sending him like just parts.

891
00:44:23,360 --> 00:44:27,919
Speaker 3: And it explodes because that this is where we get

892
00:44:27,960 --> 00:44:32,280
Speaker 3: the basically now the scene at the end of Faust

893
00:44:32,280 --> 00:44:38,520
Speaker 3: and Fury six, which is Deckershaw after killing Han, killing

894
00:44:38,600 --> 00:44:44,000
Speaker 3: in air quotes, taking out Han, calling Dom and telling him,

895
00:44:44,040 --> 00:44:45,799
Speaker 3: you know, getting him on the phone. I guess sort

896
00:44:45,800 --> 00:44:49,239
Speaker 3: of triggering this package is what he's doing here. But

897
00:44:50,440 --> 00:44:54,600
Speaker 3: good thinking from Brian. There slams the minivan door shut.

898
00:44:54,719 --> 00:44:58,320
Speaker 3: Got no problem closing this thing. He's got it closed,

899
00:44:58,360 --> 00:45:01,759
Speaker 3: no problem, just do it manually, and you know, save Jack.

900
00:45:01,800 --> 00:45:04,520
Speaker 3: But everybody, everybody gets like taken down. Nobody dies with

901
00:45:04,600 --> 00:45:08,000
Speaker 3: the house is absolutely destroyed.

902
00:45:08,080 --> 00:45:09,680
Speaker 2: Yeah, it is gone.

903
00:45:10,560 --> 00:45:13,120
Speaker 3: The garage is I guess still intact. With his chargery

904
00:45:13,200 --> 00:45:13,680
Speaker 3: it's fine.

905
00:45:13,760 --> 00:45:16,000
Speaker 2: Didn't touch it, but no debris or anything.

906
00:45:16,200 --> 00:45:20,279
Speaker 3: No, it's totally fine. But yeah, and also within this

907
00:45:20,440 --> 00:45:24,279
Speaker 3: we do get And I was so happy because I

908
00:45:24,280 --> 00:45:26,680
Speaker 3: think you said it in the last podcast we did

909
00:45:26,719 --> 00:45:28,799
Speaker 3: so the you know the sixth movie said something like

910
00:45:29,239 --> 00:45:33,000
Speaker 3: every little bread crumb, breadcrumb, every little like line early

911
00:45:33,040 --> 00:45:36,279
Speaker 3: in a movie, you know it's coming into play later on.

912
00:45:36,760 --> 00:45:40,600
Speaker 3: And so Jack throws a little toy car that you

913
00:45:40,600 --> 00:45:43,280
Speaker 3: know someone has given him, and Brian says, hey, cars

914
00:45:43,280 --> 00:45:47,240
Speaker 3: don't fly, And I got so pumped. I'm like, cars

915
00:45:47,280 --> 00:45:50,719
Speaker 3: are flying in this movie market done, can't wait. He'll

916
00:45:50,760 --> 00:45:55,120
Speaker 3: probably say it again he does. So I was so

917
00:45:55,160 --> 00:45:56,880
Speaker 3: excited all because of you. I don't know if I

918
00:45:56,880 --> 00:45:59,560
Speaker 3: would have really noticed that if we hadn't been podcasting

919
00:45:59,560 --> 00:46:02,319
Speaker 3: it and doing binge watch here. So, yeah, that's what happens, JD.

920
00:46:02,440 --> 00:46:04,799
Speaker 3: What to make of the explosion and the set up

921
00:46:04,800 --> 00:46:06,840
Speaker 3: there with the hay cars don't fly, I guess from Brian.

922
00:46:07,160 --> 00:46:10,719
Speaker 1: Yeah, I love I love the foreshadowing. Uh, the the

923
00:46:10,840 --> 00:46:15,759
Speaker 1: explosion great, and I'm just happy that we've caught up

924
00:46:15,800 --> 00:46:19,279
Speaker 1: with the present we have. We are now in the

925
00:46:19,320 --> 00:46:23,719
Speaker 1: present and moving forward. We don't we don't know what's

926
00:46:23,760 --> 00:46:26,560
Speaker 1: going to happen. It's like an empty road in front

927
00:46:26,600 --> 00:46:26,879
Speaker 1: of us.

928
00:46:26,880 --> 00:46:33,520
Speaker 2: So you know, uh, because they say an open road

929
00:46:33,600 --> 00:46:40,080
Speaker 2: helps you think. Yeah, I had never thought about that, JD.

930
00:46:40,200 --> 00:46:44,239
Speaker 3: We're actually now everything is all well, well, we're good,

931
00:46:44,239 --> 00:46:47,640
Speaker 3: well hold on, we're going to Tokyo here in a second, too, right,

932
00:46:47,880 --> 00:46:49,120
Speaker 3: and good old Sean is back.

933
00:46:49,200 --> 00:46:50,200
Speaker 2: But yes, the the.

934
00:46:50,160 --> 00:46:53,520
Speaker 3: Han part of it all, Yeah, it's all tied together now.

935
00:46:53,560 --> 00:46:56,799
Speaker 3: They've they've done it. They've pulled it off Trey successfully.

936
00:46:56,880 --> 00:46:59,960
Speaker 3: The timeline, the timeline has been unite.

937
00:47:01,280 --> 00:47:03,759
Speaker 2: So yeah, I thought it was great. I love the explosion.

938
00:47:03,840 --> 00:47:07,080
Speaker 2: I love the fact that you're seeing pretty early on

939
00:47:07,360 --> 00:47:11,319
Speaker 2: that Shaw can get to Dom pretty easily. You know,

940
00:47:11,440 --> 00:47:14,919
Speaker 2: he's known about he's known about the crew for our

941
00:47:15,200 --> 00:47:17,120
Speaker 2: twenty five minutes or so in this movie, and he's

942
00:47:17,120 --> 00:47:20,120
Speaker 2: gotten to Hobbs, he's gotten to Han, and he's gotten

943
00:47:20,120 --> 00:47:23,600
Speaker 2: to Dom in all different locations. So yeah, certainly Dom

944
00:47:23,680 --> 00:47:26,520
Speaker 2: has to be shaking in his boots, considering he just

945
00:47:26,520 --> 00:47:29,160
Speaker 2: got thirteen twenty seven back and now that thing is

946
00:47:29,239 --> 00:47:32,040
Speaker 2: just roasting in the sunshine. It is gone.

947
00:47:32,800 --> 00:47:36,240
Speaker 3: Dom is now going to travel to Tokyo to retrieve

948
00:47:36,280 --> 00:47:39,799
Speaker 3: Hans's body and then acquire the objects found at the

949
00:47:39,840 --> 00:47:41,600
Speaker 3: crash site from Hans's friend.

950
00:47:41,719 --> 00:47:41,919
Speaker 2: Oh.

951
00:47:41,960 --> 00:47:48,080
Speaker 3: There he is Sean Boswell, and he's looking even older.

952
00:47:48,440 --> 00:47:50,279
Speaker 2: Oh Sean is Oh my god.

953
00:47:50,400 --> 00:47:53,359
Speaker 3: This one was like, hey, cool that they have him

954
00:47:53,360 --> 00:47:58,120
Speaker 3: and that he's there. I mean, that's neat, but wow.

955
00:47:58,280 --> 00:48:00,400
Speaker 3: I was like, Sean, you were looking old old in

956
00:48:00,400 --> 00:48:04,200
Speaker 3: Tokyo drift. I mean, you're looking really really old here.

957
00:48:04,280 --> 00:48:04,480
Speaker 2: Now.

958
00:48:04,680 --> 00:48:08,160
Speaker 3: I think they used old footage with twink Oh and

959
00:48:09,080 --> 00:48:11,920
Speaker 3: what's her name? I can't remember her name, but anyway,

960
00:48:12,600 --> 00:48:15,920
Speaker 3: the love interest of Tokyo Drift, so that's old footage.

961
00:48:15,920 --> 00:48:18,440
Speaker 3: But Sean has to actually talk to Dom here, so

962
00:48:18,480 --> 00:48:20,880
Speaker 3: they have to like have a scene where he's still

963
00:48:20,920 --> 00:48:24,839
Speaker 3: looking as close as humanly possible. I guess to what

964
00:48:24,880 --> 00:48:27,080
Speaker 3: he looked like in the Tokyo Drift. In a weird way,

965
00:48:27,120 --> 00:48:29,759
Speaker 3: it worked out that he looked super old as a

966
00:48:29,800 --> 00:48:31,839
Speaker 3: seventeen year old in Tokyo Drift.

967
00:48:32,040 --> 00:48:33,800
Speaker 2: You know years ago that it's.

968
00:48:33,680 --> 00:48:37,000
Speaker 3: Like, well, and now he's just now well he's even older,

969
00:48:37,040 --> 00:48:40,120
Speaker 3: of course, but it makes well.

970
00:48:40,280 --> 00:48:42,800
Speaker 2: No, no, no, no, no.

971
00:48:41,680 --> 00:48:46,919
Speaker 1: No, he's still oh boy, man, Yeah, the idea that

972
00:48:46,920 --> 00:48:49,799
Speaker 1: that man is supposed to be seventeen years old when

973
00:48:49,840 --> 00:48:50,440
Speaker 1: he's talking.

974
00:48:51,200 --> 00:48:53,560
Speaker 3: I'm a little confused, Like, what did you say about

975
00:48:53,560 --> 00:48:56,200
Speaker 3: the movie? You made an Austin Powers reference?

976
00:48:56,239 --> 00:48:58,719
Speaker 1: Not right, don't think of it. Don't think about it.

977
00:48:58,960 --> 00:49:01,359
Speaker 1: Just don't think about it. But you know what I mean.

978
00:49:02,719 --> 00:49:06,600
Speaker 1: You know this movie made a billion and a half dollars.

979
00:49:06,840 --> 00:49:11,000
Speaker 1: You could, like, I've seen makeup and special effects make

980
00:49:11,120 --> 00:49:14,439
Speaker 1: somebody look younger. Come on, guys, you could have made

981
00:49:14,480 --> 00:49:17,840
Speaker 1: a like he gave him the same haircut. Great good.

982
00:49:18,000 --> 00:49:20,040
Speaker 1: I think he may have actually had his teeth fixed

983
00:49:20,080 --> 00:49:24,120
Speaker 1: in between what there was just obviously he was older,

984
00:49:24,160 --> 00:49:25,000
Speaker 1: Like how much older?

985
00:49:25,040 --> 00:49:25,160
Speaker 3: Is he?

986
00:49:25,280 --> 00:49:29,520
Speaker 1: Ten years older? Like, uh yeah, at least right it

987
00:49:29,640 --> 00:49:32,640
Speaker 1: was shot in twenty thirteen. My god, the poor guy.

988
00:49:32,800 --> 00:49:36,280
Speaker 2: That was two thousand and three was when Tokyo Drift released. Okay,

989
00:49:36,280 --> 00:49:40,120
Speaker 2: so's he's a decade older? Yeah before that? Wow, yeah,

990
00:49:40,200 --> 00:49:41,080
Speaker 2: we've all changed.

991
00:49:41,360 --> 00:49:43,799
Speaker 1: But you know what, don't think about it or you're

992
00:49:43,840 --> 00:49:44,759
Speaker 1: gonna go across side.

993
00:49:44,880 --> 00:49:48,680
Speaker 3: Yeah it's fine, but my god, take a swig. The

994
00:49:48,719 --> 00:49:52,360
Speaker 3: necklace is here, The necklace is here. Yeah, even Sean

995
00:49:52,440 --> 00:49:53,680
Speaker 3: gets a touch of the necklace here.

996
00:49:53,840 --> 00:49:55,200
Speaker 2: Yeah, crazy man.

997
00:49:55,239 --> 00:49:57,839
Speaker 4: Like Sean gets to touch the necklace and barely even

998
00:49:57,880 --> 00:50:00,960
Speaker 4: new Don they shared fifteen seconds of green Time together.

999
00:50:01,040 --> 00:50:03,880
Speaker 4: But when that Tokyo Drift song kicks in, I think

1000
00:50:03,880 --> 00:50:06,480
Speaker 4: it's a DJ Shadow song and they're showing like, you know,

1001
00:50:06,560 --> 00:50:09,480
Speaker 4: the walk through the parking garage.

1002
00:50:09,680 --> 00:50:11,520
Speaker 2: I was hyped. I was like, this is great, man,

1003
00:50:11,560 --> 00:50:15,840
Speaker 2: We're going back some hilarious lines between Dom and Sean.

1004
00:50:16,280 --> 00:50:19,800
Speaker 2: My favorite, of course, who said American muscle can't drift.

1005
00:50:20,680 --> 00:50:24,960
Speaker 2: Oh my goodness, Dom can't even lose a race off screen?

1006
00:50:25,280 --> 00:50:28,680
Speaker 2: Yeah no, right, Like it's pretty clear that Dom won

1007
00:50:28,719 --> 00:50:30,680
Speaker 2: this race. Han said, you were fast, but not that

1008
00:50:30,760 --> 00:50:36,480
Speaker 2: damn fast man. This guy's so country. But it just

1009
00:50:36,719 --> 00:50:38,799
Speaker 2: continues the theme of there's no way dom can lose

1010
00:50:38,840 --> 00:50:41,160
Speaker 2: it anything, even like a verbal sparring. That guy's not

1011
00:50:41,239 --> 00:50:44,600
Speaker 2: taking a loss here. And I also was just dying

1012
00:50:44,719 --> 00:50:48,359
Speaker 2: laughing at the personal effects found at the scene. For Han,

1013
00:50:48,440 --> 00:50:51,200
Speaker 2: it was just a picture of Giselle in a bag

1014
00:50:51,480 --> 00:50:53,680
Speaker 2: and across necklace. Yeah, okay, I'm.

1015
00:50:53,560 --> 00:50:57,600
Speaker 1: From a car that exploded. It was nothing but flames,

1016
00:50:57,600 --> 00:51:01,400
Speaker 1: but the photograph somehow survives.

1017
00:51:01,640 --> 00:51:05,160
Speaker 2: Look at this phone. Sean could have delivered that line

1018
00:51:05,280 --> 00:51:05,719
Speaker 2: really well.

1019
00:51:05,920 --> 00:51:10,279
Speaker 3: Yeah sort of country, uh, you know, very nickelback, Like, yeah,

1020
00:51:10,360 --> 00:51:12,680
Speaker 3: those are the two things he gets, you know, it

1021
00:51:12,760 --> 00:51:16,080
Speaker 3: ties it all together. I did think it was funny

1022
00:51:16,239 --> 00:51:20,200
Speaker 3: that we get Mia and Jack are at where are they?

1023
00:51:20,200 --> 00:51:25,880
Speaker 3: They're at Mando's fortress. They say, oh, yeah, who's Mando?

1024
00:51:27,120 --> 00:51:30,239
Speaker 2: That guy is somebody I think. I think Mando is

1025
00:51:30,840 --> 00:51:33,600
Speaker 2: some entertainer of some sort. I don't know who he is,

1026
00:51:33,680 --> 00:51:37,759
Speaker 2: but I guess it's just giving us a reason to

1027
00:51:37,800 --> 00:51:40,600
Speaker 2: know what's going on with Mia and Jack. And like,

1028
00:51:40,600 --> 00:51:43,200
Speaker 2: like you're saying, Mia didn't film any scenes with Brian.

1029
00:51:43,440 --> 00:51:47,880
Speaker 2: Basically so they're just like, here's where she's gonna be

1030
00:51:47,960 --> 00:51:49,960
Speaker 2: for the entire movie, so you sort of know, but

1031
00:51:50,440 --> 00:51:52,680
Speaker 2: they really kind of just gloss over and it's basically like, well,

1032
00:51:52,719 --> 00:51:54,799
Speaker 2: Dom set me up someplace, so I'll just be off

1033
00:51:54,800 --> 00:51:55,960
Speaker 2: screen for the entire movie.

1034
00:51:56,160 --> 00:51:59,759
Speaker 3: Yeah, I just met, Like Mando, isn't somebody that we've

1035
00:51:59,800 --> 00:52:00,480
Speaker 3: seen before?

1036
00:52:00,520 --> 00:52:01,560
Speaker 1: Though I don't think.

1037
00:52:01,640 --> 00:52:03,359
Speaker 3: Okay, Okay, that's the part where I was like, am

1038
00:52:03,360 --> 00:52:05,160
Speaker 3: I supposed to know who this guy is? Like, this

1039
00:52:05,200 --> 00:52:07,560
Speaker 3: guy's got a lot of money, and he's got a

1040
00:52:07,680 --> 00:52:09,400
Speaker 3: great place, and he's got a lot of security.

1041
00:52:09,560 --> 00:52:12,080
Speaker 2: Is what movie was this guy in? Again?

1042
00:52:12,080 --> 00:52:14,799
Speaker 3: That's where you start like losing track of some of

1043
00:52:14,800 --> 00:52:16,960
Speaker 3: these characters. Okay, you guys are telling me he's sort

1044
00:52:17,000 --> 00:52:20,400
Speaker 3: of new here. They just know him. Also, Dom says

1045
00:52:20,560 --> 00:52:22,359
Speaker 3: like when he's going to go to Tokyo to bring

1046
00:52:22,440 --> 00:52:24,920
Speaker 3: Han home, and then he tells Brian he'll see him

1047
00:52:24,920 --> 00:52:29,040
Speaker 3: into La in like two days. This guy moves quickly,

1048
00:52:29,120 --> 00:52:32,799
Speaker 3: man fast and furious on planes as well. This guy

1049
00:52:33,160 --> 00:52:37,360
Speaker 3: he must have nexus see. This guy never waits, never waits.

1050
00:52:37,360 --> 00:52:39,840
Speaker 3: Like that's a pretty long trip. I know you're in

1051
00:52:39,880 --> 00:52:42,799
Speaker 3: California to Japan. Okay, it's a little better than flying

1052
00:52:42,800 --> 00:52:44,200
Speaker 3: from the east coast here in the States.

1053
00:52:44,280 --> 00:52:46,640
Speaker 2: But still, man, it's not a short flight.

1054
00:52:47,280 --> 00:52:50,440
Speaker 3: This guy's darn back embraced and got some goods and

1055
00:52:50,480 --> 00:52:53,560
Speaker 3: got a body in and he's there and he's a

1056
00:52:53,719 --> 00:52:55,520
Speaker 3: no no delay with any of these flights.

1057
00:52:55,520 --> 00:52:56,640
Speaker 2: So that is great.

1058
00:52:56,640 --> 00:53:00,560
Speaker 3: Anything to add to to the Tokyo drift from any

1059
00:53:00,560 --> 00:53:03,400
Speaker 3: of you, gentlemen, No, okay, I think they covered it.

1060
00:53:03,480 --> 00:53:04,239
Speaker 2: Let's keep it going.

1061
00:53:04,280 --> 00:53:10,440
Speaker 3: Then we get a funeral, another funeral here Dom, we

1062
00:53:10,480 --> 00:53:12,720
Speaker 3: get Brian, we get Te, who's ludicrous.

1063
00:53:12,800 --> 00:53:15,960
Speaker 2: We get Roman, who is tyres. They are mourning.

1064
00:53:16,360 --> 00:53:19,719
Speaker 3: It's set in the Wikipedia right up. They're mourning Han

1065
00:53:20,760 --> 00:53:26,960
Speaker 3: and Gizelle. I'm like, well, the weren't They weren't. And

1066
00:53:27,560 --> 00:53:29,239
Speaker 3: the reason I bring that up is I wrote in

1067
00:53:29,280 --> 00:53:32,279
Speaker 3: my notes, like, man, they didn't. We didn't see much

1068
00:53:32,320 --> 00:53:36,279
Speaker 3: for Giselle going bye bye, like no love for Yeah.

1069
00:53:36,440 --> 00:53:40,160
Speaker 3: Even tes says at one point, I can't do no

1070
00:53:40,160 --> 00:53:42,080
Speaker 3: more funerals. I guess it's Roman says I can't do

1071
00:53:42,120 --> 00:53:46,239
Speaker 3: no more funerals, and Tesh says, first Han, now Hobbs is.

1072
00:53:46,280 --> 00:53:49,319
Speaker 2: Laid up of all people, Yes, they don't even mention her. Yeah,

1073
00:53:49,520 --> 00:53:51,719
Speaker 2: so I guess they didn't go back and check for

1074
00:53:51,760 --> 00:53:55,160
Speaker 2: her after she you know, uh saved hans life. We

1075
00:53:55,160 --> 00:53:57,480
Speaker 2: were talking about that during fast six, so like, go

1076
00:53:57,520 --> 00:53:59,319
Speaker 2: and check on her. She's just you know, I mean

1077
00:53:59,320 --> 00:54:01,440
Speaker 2: it could be anywhere from four to six miles up

1078
00:54:01,840 --> 00:54:04,439
Speaker 2: the old runway there, but they never go and look.

1079
00:54:04,560 --> 00:54:08,120
Speaker 2: But you know, Han kept her picture. So yeah, I

1080
00:54:08,160 --> 00:54:11,040
Speaker 2: guess she's being warned a little. They should have given

1081
00:54:11,080 --> 00:54:11,800
Speaker 2: her a funeral.

1082
00:54:11,840 --> 00:54:14,840
Speaker 1: I think, Yeah, well, but how much time had passed

1083
00:54:14,880 --> 00:54:19,560
Speaker 1: because all of Tokyo drifts happened. But after the plane crash, right,

1084
00:54:19,640 --> 00:54:23,359
Speaker 1: so I mean, what are we talking here? And the

1085
00:54:23,640 --> 00:54:26,640
Speaker 1: jack was how old? I guess he was born at

1086
00:54:26,680 --> 00:54:29,040
Speaker 1: the beginning of the last one, and now he seems

1087
00:54:29,080 --> 00:54:30,680
Speaker 1: to be what two or three?

1088
00:54:30,880 --> 00:54:31,080
Speaker 2: Three?

1089
00:54:31,840 --> 00:54:34,200
Speaker 1: I bet it's about a year later, right, Like, is

1090
00:54:34,239 --> 00:54:35,880
Speaker 1: that is that reasonable?

1091
00:54:36,520 --> 00:54:38,759
Speaker 3: I think what Trey is saying is right, throw in

1092
00:54:39,040 --> 00:54:41,880
Speaker 3: the very small line of I can't do any more funerals.

1093
00:54:42,040 --> 00:54:43,239
Speaker 2: Yeah, perfect, great.

1094
00:54:43,600 --> 00:54:48,879
Speaker 3: Yeah man, first Gazelle, now haunt just say that even

1095
00:54:49,120 --> 00:54:53,479
Speaker 3: don't worry about Hobbs. Hobbs isn't dead. You know, he's hurt,

1096
00:54:53,640 --> 00:54:57,319
Speaker 3: He's hurt, he's not dead. Yeah, just I just would

1097
00:54:57,360 --> 00:55:00,560
Speaker 3: have really liked Gazelle's line and name in there, name.

1098
00:55:00,480 --> 00:55:04,520
Speaker 2: Dropper, have some respect, Jesus. Yeah. Okay.

1099
00:55:04,560 --> 00:55:08,480
Speaker 3: So they're at the funeral and this is where uh

1100
00:55:09,160 --> 00:55:12,800
Speaker 3: Don like smells car. You know we've seen this before.

1101
00:55:13,160 --> 00:55:16,600
Speaker 3: Brian once smelled oil in Corona on Dom.

1102
00:55:16,400 --> 00:55:20,440
Speaker 2: At a funeral. Dom's like, I smell fast car. I

1103
00:55:20,480 --> 00:55:22,640
Speaker 2: smell it. Yeah, I smell a spell a British man.

1104
00:55:24,000 --> 00:55:27,480
Speaker 3: And he takes off and and he loses his jacket

1105
00:55:27,560 --> 00:55:30,080
Speaker 3: somewhere in getting into his car. I noticed that he

1106
00:55:30,160 --> 00:55:32,239
Speaker 3: had a nice jacket on at the actual funeral, But

1107
00:55:32,280 --> 00:55:35,240
Speaker 3: once he's in that vehicle, he's like, that's off, and

1108
00:55:35,320 --> 00:55:39,880
Speaker 3: he chases DECKERD to an underground tunnel.

1109
00:55:40,000 --> 00:55:40,280
Speaker 2: Again.

1110
00:55:40,360 --> 00:55:45,719
Speaker 3: I think that's the gulch here in that's very similar looking.

1111
00:55:45,760 --> 00:55:48,239
Speaker 3: I'm almost positive it is. There's there's that one part

1112
00:55:48,280 --> 00:55:50,600
Speaker 3: they go down. I'm like, that's the gulch. I've I've

1113
00:55:50,680 --> 00:55:53,280
Speaker 3: drank beers with Larry Luke down there before it Atlanta

1114
00:55:53,400 --> 00:55:56,239
Speaker 3: United game. I mean, awesome, But Larry Luke's in the

1115
00:55:57,600 --> 00:56:01,239
Speaker 3: having a drink. So they're they're here, They're they're not here,

1116
00:56:01,280 --> 00:56:04,279
Speaker 3: They're in l A and they get into their first

1117
00:56:04,280 --> 00:56:08,960
Speaker 3: fight here. Well, they smash their cars into each other,

1118
00:56:09,640 --> 00:56:13,919
Speaker 3: is what they do. And then they do they then fight. Yeah,

1119
00:56:13,960 --> 00:56:15,120
Speaker 3: there's some fighting going on.

1120
00:56:15,480 --> 00:56:20,319
Speaker 1: No, they're about to fight. He uh they crash their

1121
00:56:20,360 --> 00:56:24,480
Speaker 1: cars head on and then they both get out. Uh.

1122
00:56:25,360 --> 00:56:27,960
Speaker 1: Vin has a sledgehammer.

1123
00:56:27,600 --> 00:56:30,440
Speaker 2: Right, yeah, and he goes to the graveyard with it.

1124
00:56:30,840 --> 00:56:34,560
Speaker 1: Yeah, and he goes, hey, you reinforce your car. That's

1125
00:56:34,640 --> 00:56:38,840
Speaker 1: like weighting your gloves. It's like, what so this is

1126
00:56:38,880 --> 00:56:43,080
Speaker 1: a thing you do regularly, chicken and crash cars like

1127
00:56:43,120 --> 00:56:44,319
Speaker 1: this is this is a thing.

1128
00:56:45,000 --> 00:56:48,640
Speaker 3: And he's accusing him of cheating, yeah, to get chicken.

1129
00:56:49,680 --> 00:56:52,239
Speaker 1: And then he says, oh, you thought this was a

1130
00:56:52,280 --> 00:56:55,080
Speaker 1: street fight, and then he's he's about to shoot him,

1131
00:56:55,120 --> 00:56:56,520
Speaker 1: and then the repellers come in.

1132
00:56:56,960 --> 00:57:01,120
Speaker 3: Yes, okay, that's right, there is it's just to crash.

1133
00:57:01,920 --> 00:57:04,520
Speaker 3: Dom thinks it's a street fight. Decert says, you idiot,

1134
00:57:04,560 --> 00:57:08,560
Speaker 3: I'm about to shoot you in the head, mister. But yeah,

1135
00:57:08,880 --> 00:57:13,439
Speaker 3: this covert ops team arrives, opens fire, and we learn

1136
00:57:13,719 --> 00:57:16,720
Speaker 3: it's led by a man named mister Nobody. Who is

1137
00:57:17,560 --> 00:57:20,080
Speaker 3: who is Kurt Russell? Who comes to the rescue here, Trey,

1138
00:57:20,120 --> 00:57:22,520
Speaker 3: what do you think of the crash? And well, the

1139
00:57:22,560 --> 00:57:26,160
Speaker 3: first I guess real encounter between Deckord and dom Dom.

1140
00:57:26,240 --> 00:57:29,840
Speaker 2: Can't even lose a game of chicken, straight up, tied man,

1141
00:57:29,960 --> 00:57:33,400
Speaker 2: Come on, take a loss here sometime, buddy, make yourself

1142
00:57:33,440 --> 00:57:36,000
Speaker 2: look better on the come up. But I don't know.

1143
00:57:36,040 --> 00:57:38,560
Speaker 2: I mean, we've seen one game of chicken so far

1144
00:57:38,800 --> 00:57:40,720
Speaker 2: in this movie or in this series, and I think

1145
00:57:40,720 --> 00:57:44,080
Speaker 2: it was in Too Fast, Too Furious, right where I

1146
00:57:44,080 --> 00:57:46,360
Speaker 2: think it's Brian ends up pulling it against either Fabio

1147
00:57:46,560 --> 00:57:49,120
Speaker 2: or Phonsie, whichever of those two guys it is. But

1148
00:57:49,320 --> 00:57:52,560
Speaker 2: in that one, the villain flinched, and this one neither

1149
00:57:52,600 --> 00:57:54,080
Speaker 2: of them flinch, And I think that that's supposed to

1150
00:57:54,120 --> 00:57:56,440
Speaker 2: tell you something too. I liked it, and then it

1151
00:57:56,480 --> 00:58:00,080
Speaker 2: seems like, oh no, Don's really in trouble here. I

1152
00:58:00,080 --> 00:58:03,920
Speaker 2: know that Shaw is not playing by the same rules

1153
00:58:03,920 --> 00:58:05,960
Speaker 2: that they are. He's not trying to get in fights here.

1154
00:58:05,960 --> 00:58:07,400
Speaker 2: He's just gonna shoot you in the head and move

1155
00:58:07,440 --> 00:58:10,240
Speaker 2: on to the next thing. He's basically Jason Bourne. His

1156
00:58:10,320 --> 00:58:15,480
Speaker 2: government has abandoned him as an assassin. But oh, change up.

1157
00:58:15,640 --> 00:58:19,480
Speaker 2: There's another news star in this series here, mister nobody,

1158
00:58:19,560 --> 00:58:21,480
Speaker 2: Kurt Russell. I was happy to see him. He's a

1159
00:58:21,480 --> 00:58:24,800
Speaker 2: good old action hero, so I love when like a

1160
00:58:24,840 --> 00:58:27,600
Speaker 2: new movie will do that bring back somebody from the

1161
00:58:27,640 --> 00:58:30,200
Speaker 2: previous generation who was a big star in movie similar

1162
00:58:30,200 --> 00:58:32,240
Speaker 2: to this. So I was love and seeing it.

1163
00:58:32,720 --> 00:58:36,520
Speaker 3: I read somewhere that they wanted like Denzel Washington to

1164
00:58:36,680 --> 00:58:40,240
Speaker 3: play I assume mister Nobody. They wanted him, like in

1165
00:58:40,280 --> 00:58:44,080
Speaker 3: a smaller role in this movie, somewhat like a big big.

1166
00:58:44,000 --> 00:58:44,640
Speaker 2: Name like him.

1167
00:58:44,840 --> 00:58:46,480
Speaker 3: But I don't know why it didn't happen, maybe like

1168
00:58:46,520 --> 00:58:48,440
Speaker 3: filming reasons, or maybe just didn't want to do it.

1169
00:58:48,480 --> 00:58:50,440
Speaker 3: But yeah, Kurt Russell, I think he's I think he's

1170
00:58:50,440 --> 00:58:53,160
Speaker 3: pretty good. He's pretty believable as this mister Nobody. You're

1171
00:58:53,240 --> 00:58:57,280
Speaker 3: a little bit like, what the hell another guy, another

1172
00:58:57,320 --> 00:58:59,400
Speaker 3: guy with a bunch of money and all the tools,

1173
00:58:59,440 --> 00:59:02,120
Speaker 3: and like really wants this thing, and like you immediately think,

1174
00:59:02,160 --> 00:59:04,800
Speaker 3: which is a weird little twist, like he wants this

1175
00:59:05,360 --> 00:59:09,000
Speaker 3: God's eye, which which we'll get to and what we

1176
00:59:09,120 --> 00:59:12,880
Speaker 3: end up like tracking down. But he's like I'll help

1177
00:59:12,920 --> 00:59:15,080
Speaker 3: you then, and like I'm convinced the entire time like

1178
00:59:15,160 --> 00:59:17,280
Speaker 3: he's gonna turn on you. He doesn't care about you,

1179
00:59:17,400 --> 00:59:19,760
Speaker 3: dom like he's just using you to get what he wants.

1180
00:59:19,800 --> 00:59:23,360
Speaker 3: And then Nope, He's like, Okay, cool, here you go,

1181
00:59:23,720 --> 00:59:25,040
Speaker 3: let's use it now. And so I was like, okay,

1182
00:59:25,040 --> 00:59:27,440
Speaker 3: I didn't see that coming. At least, that wasn't a

1183
00:59:27,480 --> 00:59:31,600
Speaker 3: classic trope. But yeah, we we get him here and

1184
00:59:31,680 --> 00:59:35,960
Speaker 3: he's gonna he's gonna help them out, and we go

1185
00:59:36,080 --> 00:59:37,880
Speaker 3: to an air base, I guess, or something like that

1186
00:59:37,920 --> 00:59:39,360
Speaker 3: in Elsa Gundo, California.

1187
00:59:39,400 --> 00:59:40,920
Speaker 2: I think, yeah, I'll lose your wallet.

1188
00:59:41,040 --> 00:59:46,040
Speaker 1: Yeah, secret base somewhere. Yeah, I too was very happy

1189
00:59:46,040 --> 00:59:49,400
Speaker 1: to see Kurt Russell. I love Kurt Russell. He's perfect

1190
00:59:49,400 --> 00:59:52,040
Speaker 1: for this role. I was the same as U s Keets.

1191
00:59:52,200 --> 00:59:54,960
Speaker 1: I thought, oh, this guy's gonna double cross them. There's yeah,

1192
00:59:55,000 --> 00:59:57,560
Speaker 1: he's And that's a great thing about Kurt Russell is

1193
00:59:57,600 --> 01:00:01,400
Speaker 1: that he's got this smarmy charm to him. So it's like,

1194
01:00:01,520 --> 01:00:03,800
Speaker 1: is this guy for real or is he just pouring

1195
01:00:03,880 --> 01:00:06,640
Speaker 1: on the charm And you never really know, And that's good,

1196
01:00:06,720 --> 01:00:09,040
Speaker 1: Like that's a you're sort of always on your toes

1197
01:00:09,080 --> 01:00:12,960
Speaker 1: when mister Nobody's around me. He won't even tell you

1198
01:00:13,000 --> 01:00:15,320
Speaker 1: his real name. And then he takes you to this

1199
01:00:15,760 --> 01:00:20,400
Speaker 1: awesome hanger with all these gadgets and toys and and

1200
01:00:20,440 --> 01:00:24,080
Speaker 1: this is a it's a perfect sort of here's the

1201
01:00:24,120 --> 01:00:26,880
Speaker 1: guy that's gonna usher us into the new level, the

1202
01:00:27,040 --> 01:00:32,680
Speaker 1: secret New level achievement unlocked. We are in spy mode now.

1203
01:00:32,720 --> 01:00:38,760
Speaker 1: We have officially crossed over into the Avengers. James Bond like,

1204
01:00:39,000 --> 01:00:42,120
Speaker 1: there's no going back from this, and I'm I'm happy

1205
01:00:42,120 --> 01:00:44,400
Speaker 1: about it. This is where I want to be. This

1206
01:00:44,440 --> 01:00:47,000
Speaker 1: is my my wheelhouse, is my comfort zone. You know.

1207
01:00:47,240 --> 01:00:48,200
Speaker 1: I love this stuff.

1208
01:00:49,000 --> 01:00:52,720
Speaker 3: Yeah, the that necklace gets passed around more than the

1209
01:00:52,760 --> 01:00:54,760
Speaker 3: Infinity Gauntlet at the.

1210
01:00:54,800 --> 01:00:56,080
Speaker 2: End of endgame.

1211
01:00:56,720 --> 01:01:00,880
Speaker 3: One thing about DECKERD I just thought of two totally

1212
01:01:00,960 --> 01:01:04,120
Speaker 3: opposite from his brother Owen, whose code, if you remember,

1213
01:01:04,280 --> 01:01:04,920
Speaker 3: was precision.

1214
01:01:04,960 --> 01:01:08,000
Speaker 2: Precision. M h uh, that's not Decord.

1215
01:01:08,040 --> 01:01:12,000
Speaker 3: All he does is like throw bombs, not very precise,

1216
01:01:12,840 --> 01:01:16,600
Speaker 3: and will jam or ram his car into, uh, you know,

1217
01:01:16,640 --> 01:01:19,560
Speaker 3: another man's car like no problem. Like you know, I

1218
01:01:19,960 --> 01:01:21,600
Speaker 3: think what I'm getting at here is I can see

1219
01:01:21,640 --> 01:01:25,720
Speaker 3: now how little brother Owen lost lost lost the way

1220
01:01:25,760 --> 01:01:27,520
Speaker 3: a little bit with his code about precision. When he

1221
01:01:27,560 --> 01:01:29,960
Speaker 3: went crazy with the tank. Oh he is like, that's

1222
01:01:30,040 --> 01:01:32,600
Speaker 3: that's that's what my brother Decord would do. Just get

1223
01:01:32,600 --> 01:01:34,959
Speaker 3: this run all over people, because that's what he would

1224
01:01:34,960 --> 01:01:39,240
Speaker 3: do for sure. Okay, so mister Nobody says that he's

1225
01:01:39,280 --> 01:01:43,040
Speaker 3: gonna help Dom and the crew stop Decord if he

1226
01:01:43,040 --> 01:01:46,000
Speaker 3: helps him gets helps him get God's Eye, which is

1227
01:01:46,040 --> 01:01:48,800
Speaker 3: a computer program that uses digital devices to track down

1228
01:01:48,800 --> 01:01:53,040
Speaker 3: a person and save its creator, a hacker named Ramsey

1229
01:01:53,640 --> 01:01:59,320
Speaker 3: from this Nigerian terrorist terrorist named Mose Jaconde. So yeah,

1230
01:01:59,360 --> 01:02:02,200
Speaker 3: a little bit luck going sort of on here, mister

1231
01:02:02,240 --> 01:02:07,720
Speaker 3: Nobody gonna help them get deckerd if they get this

1232
01:02:07,840 --> 01:02:11,480
Speaker 3: God's Eye thing. But also you got to get the creator,

1233
01:02:11,520 --> 01:02:14,440
Speaker 3: this hacker named Ramsey from this other bad guy named

1234
01:02:14,880 --> 01:02:17,520
Speaker 3: JACONDI I think I have that right, correct.

1235
01:02:17,360 --> 01:02:18,120
Speaker 2: Right, So it goes.

1236
01:02:18,200 --> 01:02:21,400
Speaker 3: You know, it's gonna go get Ramsey, get God's Eye,

1237
01:02:21,480 --> 01:02:22,000
Speaker 3: get Shaw.

1238
01:02:22,400 --> 01:02:24,640
Speaker 2: That's the right the path of the movie.

1239
01:02:24,360 --> 01:02:27,280
Speaker 1: Here, and you can use you can use God's Eye

1240
01:02:27,440 --> 01:02:28,680
Speaker 1: to find Decker.

1241
01:02:29,080 --> 01:02:31,440
Speaker 2: And again we thought, we thought there was no way

1242
01:02:31,440 --> 01:02:32,640
Speaker 2: he was gonna let him use it.

1243
01:02:32,680 --> 01:02:37,320
Speaker 1: I thought, yeah. But also, if you want to find Decker,

1244
01:02:37,520 --> 01:02:41,440
Speaker 1: just fucking go outside. He's everywhere. He shows up, wherever

1245
01:02:41,480 --> 01:02:45,160
Speaker 1: they are. It is literally every scene exactly, he's hunting.

1246
01:02:45,200 --> 01:02:48,080
Speaker 1: You use yourself as bait and then you'll find him.

1247
01:02:48,120 --> 01:02:51,000
Speaker 1: So that this is the moment where this movie lost

1248
01:02:51,040 --> 01:02:54,600
Speaker 1: me like it was just like, okay, you're not even

1249
01:02:54,680 --> 01:02:59,320
Speaker 1: trying now, guys, honestly, like you know, even when mister

1250
01:02:59,400 --> 01:03:02,440
Speaker 1: Nobody went first meet him and he's like, oh, by

1251
01:03:02,440 --> 01:03:04,160
Speaker 1: the way, I can get you Decerd. Oh the guy

1252
01:03:04,200 --> 01:03:06,919
Speaker 1: that was just here, like literally, if we all run,

1253
01:03:06,960 --> 01:03:11,960
Speaker 1: we could probably catch him. You that's what you're offering me. Okay,

1254
01:03:12,040 --> 01:03:14,560
Speaker 1: I guess so, but you're also offering me a beer,

1255
01:03:14,600 --> 01:03:16,720
Speaker 1: so I guess I'll go with you.

1256
01:03:16,720 --> 01:03:19,600
Speaker 3: You did do your research, yes, yes, he wanted to

1257
01:03:19,600 --> 01:03:23,720
Speaker 3: give him a Belgian ale. Dom wasn't feeling it, so

1258
01:03:23,760 --> 01:03:25,480
Speaker 3: he bullowed that bucket of corona. I wish I had

1259
01:03:25,520 --> 01:03:26,880
Speaker 3: a bucket of corona in front here right now, I'm

1260
01:03:26,880 --> 01:03:33,520
Speaker 3: almost done by one here. Hey, mister Nobody, thanks, Yeah,

1261
01:03:33,600 --> 01:03:35,800
Speaker 3: I'm with you, JD. I. I gotta admit this is

1262
01:03:35,840 --> 01:03:40,560
Speaker 3: where in the movie, this this whole God's eye, and

1263
01:03:40,600 --> 01:03:43,600
Speaker 3: then the and the added layer of Ramsey and then

1264
01:03:43,640 --> 01:03:45,240
Speaker 3: another villain in Jaca.

1265
01:03:45,400 --> 01:03:46,520
Speaker 2: Ah.

1266
01:03:46,680 --> 01:03:48,760
Speaker 3: It got to be a I'm with you a little,

1267
01:03:48,800 --> 01:03:52,960
Speaker 3: a little much, just a little too convoluted. Trey, what

1268
01:03:53,000 --> 01:03:55,280
Speaker 3: did you what do you make of the this part

1269
01:03:55,280 --> 01:03:55,800
Speaker 3: of the movie.

1270
01:03:56,360 --> 01:03:59,400
Speaker 2: All I could think was that as mister Nobody is

1271
01:03:59,440 --> 01:04:02,720
Speaker 2: explaining how dangerous Gods Eye is, and he says something

1272
01:04:02,760 --> 01:04:05,360
Speaker 2: along the lines of if this gets into the wrong hands,

1273
01:04:05,360 --> 01:04:07,160
Speaker 2: this is the worst thing, you know. Like he's like,

1274
01:04:07,200 --> 01:04:09,760
Speaker 2: we can't let the wrong people have this, saying we

1275
01:04:09,840 --> 01:04:12,919
Speaker 2: can't let Shaw or Jaconde have this because it's gonna

1276
01:04:12,920 --> 01:04:17,000
Speaker 2: be mayhem for the entire world. But I also don't

1277
01:04:17,000 --> 01:04:19,160
Speaker 2: think Dom is the right guy to be in charge

1278
01:04:19,160 --> 01:04:21,720
Speaker 2: of God's Eye. I mean, we know him first and

1279
01:04:21,760 --> 01:04:24,400
Speaker 2: foremost as a thief. That's how he started. He has

1280
01:04:24,440 --> 01:04:29,360
Speaker 2: been traveling the globe, destroying every city he visits to,

1281
01:04:30,760 --> 01:04:35,120
Speaker 2: and mister Nobody's like, yeah, but if you're doing it

1282
01:04:35,160 --> 01:04:38,240
Speaker 2: for us, it's gonna be okay because we're gonna find

1283
01:04:38,280 --> 01:04:42,080
Speaker 2: this guy who's actually trying to find you the entire time.

1284
01:04:42,120 --> 01:04:45,480
Speaker 2: So I was a little unsure why. It definitely feels

1285
01:04:45,480 --> 01:04:47,479
Speaker 2: like they're trying to set up a twist for mister

1286
01:04:47,600 --> 01:04:52,560
Speaker 2: Nobody in this to somehow he's working with Shaw or

1287
01:04:52,600 --> 01:04:54,560
Speaker 2: he's working with Jaconde, And I mean, who knows, maybe

1288
01:04:54,560 --> 01:04:57,560
Speaker 2: that could have originally been the plot before things changed

1289
01:04:57,800 --> 01:05:00,960
Speaker 2: and they had to rewrite some stuff. But it was

1290
01:05:01,160 --> 01:05:04,280
Speaker 2: very weird to me that he would willingly turn over

1291
01:05:04,440 --> 01:05:10,640
Speaker 2: the greatest super weapon on Earth. Just for Dom to

1292
01:05:10,640 --> 01:05:13,400
Speaker 2: be able to settle score that was a little unbelievable.

1293
01:05:13,600 --> 01:05:17,200
Speaker 2: But I don't know, I love it how mister Nobody's like, yeah,

1294
01:05:17,600 --> 01:05:19,120
Speaker 2: I knew that's what you were going to say. I

1295
01:05:19,160 --> 01:05:21,160
Speaker 2: got your whole team here, and then they just start

1296
01:05:21,240 --> 01:05:24,880
Speaker 2: rolling up. This guy's done the research. And Dom needs

1297
01:05:24,880 --> 01:05:27,160
Speaker 2: a mister Nobody at this point because we've seen that

1298
01:05:27,320 --> 01:05:30,240
Speaker 2: they're going to be clearly outgunned compared to what Shaw

1299
01:05:30,280 --> 01:05:32,360
Speaker 2: has been able to do. He's already been a step

1300
01:05:32,400 --> 01:05:35,720
Speaker 2: ahead this entire time, and he's got way better tech,

1301
01:05:35,880 --> 01:05:38,760
Speaker 2: way better weapons. You need something to beef up the

1302
01:05:38,800 --> 01:05:41,640
Speaker 2: crew of the Fast and the Furious, so and we'll

1303
01:05:41,640 --> 01:05:43,280
Speaker 2: throw you at mister Nobody. Yeah.

1304
01:05:43,320 --> 01:05:47,120
Speaker 3: But even with all that said, mister Nobody is going

1305
01:05:47,200 --> 01:05:51,880
Speaker 3: to compliment Dom on his crew. Vin Diesel has to

1306
01:05:51,920 --> 01:05:55,760
Speaker 3: get you know, the accolades here, what a crew, and

1307
01:05:55,840 --> 01:05:57,240
Speaker 3: you know, look, I don't think we need to take

1308
01:05:57,280 --> 01:05:59,480
Speaker 3: long on this, Like every one of these last couple

1309
01:05:59,480 --> 01:06:02,840
Speaker 3: of movies, get the whole team back together in one room.

1310
01:06:02,920 --> 01:06:05,000
Speaker 2: Let's come up with the plan this time.

1311
01:06:05,120 --> 01:06:07,280
Speaker 3: The joke in this scene is Roman is gonna have

1312
01:06:07,320 --> 01:06:10,040
Speaker 3: the plan which will pay off, you know soon here

1313
01:06:10,080 --> 01:06:13,680
Speaker 3: as we start falling out of airplanes and cars. Yeah,

1314
01:06:13,960 --> 01:06:16,080
Speaker 3: there's not really a whole lot more to add, so

1315
01:06:16,320 --> 01:06:18,880
Speaker 3: I'll keep us moving here, except for I will.

1316
01:06:18,760 --> 01:06:21,640
Speaker 2: Say it's weird let to Letty is the last one

1317
01:06:21,680 --> 01:06:24,200
Speaker 2: to come and join with the crew. Of course, she

1318
01:06:24,320 --> 01:06:27,320
Speaker 2: notices the cross necklace and it gives her a flashback.

1319
01:06:27,680 --> 01:06:32,560
Speaker 2: They are all completely like dumbfounded that she would show up,

1320
01:06:32,840 --> 01:06:37,000
Speaker 2: and she says, Han was my family too. You were

1321
01:06:37,360 --> 01:06:40,000
Speaker 2: just leaving, dumb because this is too hard for you

1322
01:06:40,160 --> 01:06:42,680
Speaker 2: being involved with this, when clearly you should have memories.

1323
01:06:42,800 --> 01:06:45,360
Speaker 2: The whole time you've been saying, I ain't got no memories.

1324
01:06:45,440 --> 01:06:48,360
Speaker 2: So what is her draw to helping Han? I mean,

1325
01:06:48,400 --> 01:06:50,360
Speaker 2: I guess she's trying to stay bonded to the family

1326
01:06:50,400 --> 01:06:53,720
Speaker 2: of course. Yeah, but we just saw her saying I

1327
01:06:53,800 --> 01:06:56,280
Speaker 2: have basically no connection here and it's impossible for me

1328
01:06:56,320 --> 01:06:58,320
Speaker 2: to be around you people. That was strange to me.

1329
01:06:58,440 --> 01:07:00,640
Speaker 3: That was super strange. One hundred percent agree with that.

1330
01:07:01,520 --> 01:07:08,120
Speaker 3: So the plan is, guys, Dom, Brian, Letty, Roman and

1331
01:07:08,160 --> 01:07:14,320
Speaker 3: tej airdrop. They're off road modified cars over the mountains

1332
01:07:14,360 --> 01:07:19,040
Speaker 3: in Azerbaijan by jam excuse me to ambush ambush. I

1333
01:07:19,080 --> 01:07:24,120
Speaker 3: can't talk right, I've had one Corona ambush and Conde's

1334
01:07:24,240 --> 01:07:27,320
Speaker 3: convoy and rescue Ramsey.

1335
01:07:27,360 --> 01:07:28,720
Speaker 2: Okay, I could have just said it like this.

1336
01:07:29,000 --> 01:07:31,160
Speaker 3: They're gonna get in a big plane and they're gonna

1337
01:07:31,800 --> 01:07:33,280
Speaker 3: skydive in cars.

1338
01:07:33,840 --> 01:07:34,840
Speaker 2: Is what this scene is.

1339
01:07:35,640 --> 01:07:38,720
Speaker 3: And we got the whole hilarity with Roman not wanting

1340
01:07:38,760 --> 01:07:42,200
Speaker 3: to come out, so Tej has modified it so that

1341
01:07:42,280 --> 01:07:44,919
Speaker 3: he can just send him out of the car by

1342
01:07:45,120 --> 01:07:48,360
Speaker 3: opening his parachute and then he It was actually funny

1343
01:07:48,360 --> 01:07:51,000
Speaker 3: when his car is like just like they're already they're

1344
01:07:51,000 --> 01:07:54,480
Speaker 3: already on the case. They're already chasing the convoy and

1345
01:07:54,560 --> 01:07:57,160
Speaker 3: like he's just floating around in the background. I'll catch

1346
01:07:57,240 --> 01:08:00,200
Speaker 3: up with you guys later. One part of this I

1347
01:08:00,200 --> 01:08:02,200
Speaker 3: thought it looked cool. Apparently they actually did this, JD.

1348
01:08:02,280 --> 01:08:05,600
Speaker 3: It wasn't cgia that they were dropping cars out of

1349
01:08:05,640 --> 01:08:09,080
Speaker 3: a giant airplane and sort of parachuting them down.

1350
01:08:09,080 --> 01:08:09,440
Speaker 2: I don't know.

1351
01:08:09,640 --> 01:08:12,720
Speaker 3: I don't know where the realism turns into CGI, but

1352
01:08:13,600 --> 01:08:16,840
Speaker 3: pretty cool looking and I laughed so hard. There's a

1353
01:08:16,880 --> 01:08:20,879
Speaker 3: scene quickly in here where dom Dom thinks he's driving

1354
01:08:20,960 --> 01:08:23,000
Speaker 3: the car, yeah while skydiving.

1355
01:08:23,760 --> 01:08:28,560
Speaker 2: Yes, he's literally driving yeah, you're not driving it many

1356
01:08:31,360 --> 01:08:33,720
Speaker 2: some kind of crazy jump and you can see him

1357
01:08:33,720 --> 01:08:34,559
Speaker 2: like trying to.

1358
01:08:34,439 --> 01:08:35,519
Speaker 1: Steer in that area.

1359
01:08:36,040 --> 01:08:38,280
Speaker 2: I mean the wheels are probably turning a little bit,

1360
01:08:38,320 --> 01:08:42,240
Speaker 2: but like a rudder out there. You're not piloting a

1361
01:08:42,280 --> 01:08:45,400
Speaker 2: boat or something. But uh yeah, very funny anytime he's

1362
01:08:45,439 --> 01:08:48,760
Speaker 2: trying to drive. But I will say I love this

1363
01:08:48,800 --> 01:08:51,800
Speaker 2: scene where the cars are falling out of the airplane.

1364
01:08:51,920 --> 01:08:55,320
Speaker 2: This to me is like such a much more satisfying

1365
01:08:55,439 --> 01:08:59,559
Speaker 2: airplane related fast and Furious stunt, Like, Okay, they did

1366
01:08:59,600 --> 01:09:01,679
Speaker 2: the plane in Fast six, but the cars are still

1367
01:09:01,680 --> 01:09:03,120
Speaker 2: on the ground. I mean they're getting pulled up a

1368
01:09:03,120 --> 01:09:06,479
Speaker 2: little bit here and there, it's still basically taking place

1369
01:09:06,479 --> 01:09:08,640
Speaker 2: on the ground. When you think of an airplane, you

1370
01:09:08,640 --> 01:09:10,800
Speaker 2: don't think of it taxing on the runway. You think

1371
01:09:10,840 --> 01:09:12,600
Speaker 2: of it flying through the air. So this to me

1372
01:09:12,720 --> 01:09:15,599
Speaker 2: is the real fast and furious plane stunt, and it's

1373
01:09:15,640 --> 01:09:18,040
Speaker 2: super impressive. I think they said that they did the

1374
01:09:18,120 --> 01:09:22,080
Speaker 2: drops with these gigantic these gigantic parachutes, and the parachutes

1375
01:09:22,120 --> 01:09:24,240
Speaker 2: they use are actually pretty similar to the ones they

1376
01:09:24,280 --> 01:09:27,040
Speaker 2: describe where they're activated by GPS and stuff. And then

1377
01:09:27,080 --> 01:09:29,840
Speaker 2: they also had part of the scene was they would

1378
01:09:29,920 --> 01:09:32,800
Speaker 2: drop cars from like ten feet off the ground and

1379
01:09:32,880 --> 01:09:36,000
Speaker 2: the stunt driver had to like floor as they were landing,

1380
01:09:36,040 --> 01:09:37,960
Speaker 2: to be going forty miles an hour when they hit,

1381
01:09:38,120 --> 01:09:40,360
Speaker 2: and it just looks like they're hitting and going super hard.

1382
01:09:40,479 --> 01:09:42,519
Speaker 2: So to be able to pull this off with like

1383
01:09:42,600 --> 01:09:44,440
Speaker 2: practical effects, I think is incredible.

1384
01:09:45,840 --> 01:09:49,479
Speaker 3: I've skydived once before. One of the greatest things I've

1385
01:09:49,520 --> 01:09:51,559
Speaker 3: ever done in my life. And I'm sure I've said

1386
01:09:51,560 --> 01:09:55,320
Speaker 3: this on the podcast before, but the best part actually

1387
01:09:55,400 --> 01:09:58,280
Speaker 3: wasn't myself jumping out of the plane. It was when

1388
01:09:58,360 --> 01:10:01,320
Speaker 3: I was on the plane and my buddy. It was

1389
01:10:01,400 --> 01:10:03,599
Speaker 3: I was with my buddy Gritsch actually and my buddy Dub.

1390
01:10:04,320 --> 01:10:06,800
Speaker 3: They went before me because they wait, I don't know

1391
01:10:06,840 --> 01:10:08,320
Speaker 3: why they did it, but they said it was because

1392
01:10:08,320 --> 01:10:08,800
Speaker 3: they weighed more.

1393
01:10:08,840 --> 01:10:10,720
Speaker 2: I think it was just where we were on the plane.

1394
01:10:10,520 --> 01:10:13,800
Speaker 3: Maybe, But that was the most exciting part was when

1395
01:10:14,360 --> 01:10:16,800
Speaker 3: they went to the edge of the plane and the

1396
01:10:16,840 --> 01:10:19,479
Speaker 3: door is open, and of course like we've got like a.

1397
01:10:19,360 --> 01:10:20,800
Speaker 2: Professional like attached stour back.

1398
01:10:20,840 --> 01:10:24,360
Speaker 3: But it's like seeing your friend just like fall out

1399
01:10:24,360 --> 01:10:25,280
Speaker 3: of the airplane was.

1400
01:10:25,240 --> 01:10:27,439
Speaker 2: Like the crazier. It was in a weird way.

1401
01:10:27,439 --> 01:10:29,519
Speaker 3: It was a crazier rush than myself going to the

1402
01:10:29,520 --> 01:10:31,400
Speaker 3: air airplane and jumping out. It was just like and

1403
01:10:31,400 --> 01:10:32,960
Speaker 3: maybe it was because it was like before I had

1404
01:10:33,000 --> 01:10:35,160
Speaker 3: actually done it. It was surreal, so like this took me

1405
01:10:35,200 --> 01:10:37,840
Speaker 3: back to that, and like the cars like just zipping

1406
01:10:37,880 --> 01:10:40,320
Speaker 3: off the back of it looked looked pretty bad as

1407
01:10:40,400 --> 01:10:42,000
Speaker 3: when we get the little humor there with Roman. But

1408
01:10:42,000 --> 01:10:43,719
Speaker 3: what do you think JD of this scene?

1409
01:10:44,080 --> 01:10:47,080
Speaker 1: Yeah? I loved it as well. I was very surprised

1410
01:10:47,120 --> 01:10:50,840
Speaker 1: to see that it was mostly practical what they did,

1411
01:10:50,880 --> 01:10:55,000
Speaker 1: and I was scratching my head like why why would

1412
01:10:55,080 --> 01:10:58,480
Speaker 1: you do that? But then again it looked amazing, So yeah,

1413
01:10:58,560 --> 01:11:01,640
Speaker 1: kudos to them that this is where the Fast and

1414
01:11:01,680 --> 01:11:06,719
Speaker 1: Furious franchise in general shines with these kinds of mind

1415
01:11:06,760 --> 01:11:11,080
Speaker 1: blowing stunts and and I thought that it was really

1416
01:11:11,200 --> 01:11:15,439
Speaker 1: well done. And I loved this shot of Roman's car

1417
01:11:15,560 --> 01:11:18,920
Speaker 1: spinning around while they were all you know, landing and

1418
01:11:19,479 --> 01:11:22,280
Speaker 1: where they're supposed to be and and he's just off

1419
01:11:22,520 --> 01:11:25,960
Speaker 1: you know lands wherever he lands, and I laughed. I

1420
01:11:26,000 --> 01:11:30,000
Speaker 1: was enjoying myself again with my with my boyfriend for

1421
01:11:30,320 --> 01:11:32,240
Speaker 1: finally during this So.

1422
01:11:33,800 --> 01:11:37,120
Speaker 3: Well, this is just the precursor them falling out of plane.

1423
01:11:37,200 --> 01:11:41,000
Speaker 3: So this crazy, crazy scene here where so much happens

1424
01:11:41,040 --> 01:11:44,240
Speaker 3: because they're trying to save Ramsey from the bus, which

1425
01:11:44,840 --> 01:11:46,479
Speaker 3: Brian basically ends up doing.

1426
01:11:46,520 --> 01:11:48,240
Speaker 2: He has a you know, a fistfight on there. Again.

1427
01:11:48,280 --> 01:11:51,719
Speaker 3: We got that cool camera that flips because the bus

1428
01:11:51,800 --> 01:11:55,240
Speaker 3: ends up flipping. You know, Roman does show up. He

1429
01:11:55,360 --> 01:11:58,760
Speaker 3: saves dom by by flipping Shaw because yeah, Shaw's there.

1430
01:11:58,800 --> 01:12:03,080
Speaker 2: We don't need gods. I you called it JD. He's there. Uh.

1431
01:12:03,240 --> 01:12:06,320
Speaker 3: Brian ends up hanging off of that bus that flips,

1432
01:12:07,040 --> 01:12:09,320
Speaker 3: which is then hanging off the side of a cliff,

1433
01:12:10,280 --> 01:12:14,120
Speaker 3: and he like scurries his way up and runs up

1434
01:12:14,240 --> 01:12:18,799
Speaker 3: the bus while it's sliding off. He is not gonna

1435
01:12:18,800 --> 01:12:22,720
Speaker 3: make it, but Letty provides the uh let's call it

1436
01:12:22,760 --> 01:12:26,759
Speaker 3: a drift assist as she likes kids in there, puts

1437
01:12:26,760 --> 01:12:29,439
Speaker 3: her spoiler over the cliff and like he grabs onto

1438
01:12:29,479 --> 01:12:33,920
Speaker 3: that awesome uh you know, like we're not even done here,

1439
01:12:33,960 --> 01:12:38,400
Speaker 3: Like we have them going down the cliff. I guess

1440
01:12:38,400 --> 01:12:42,920
Speaker 3: that is dom with Ramsey right after they were surrounded

1441
01:12:43,000 --> 01:12:45,800
Speaker 3: by Jaconde. You know, he just like he does a

1442
01:12:45,960 --> 01:12:48,200
Speaker 3: he does a cool drift move. He does his burnout

1443
01:12:48,240 --> 01:12:50,400
Speaker 3: and kicks up all the dust, but he's completely surrounding

1444
01:12:50,400 --> 01:12:52,759
Speaker 3: he can't go anywhere, so he decides to just take.

1445
01:12:52,640 --> 01:12:53,240
Speaker 2: It off the cliff.

1446
01:12:53,360 --> 01:12:56,960
Speaker 3: I thought he had like a backup parachute. I was like, okay,

1447
01:12:57,000 --> 01:13:00,160
Speaker 3: that's that's pretty lame. But you know, when when you

1448
01:13:00,200 --> 01:13:01,960
Speaker 3: do jump out of a plane, you do have a

1449
01:13:02,000 --> 01:13:04,240
Speaker 3: backup parachute. So maybe they threw it on this car.

1450
01:13:04,280 --> 01:13:07,840
Speaker 3: But nope, Yeah, he just because the car has been

1451
01:13:07,840 --> 01:13:10,280
Speaker 3: modified to like withstand this. He tells her to put

1452
01:13:10,320 --> 01:13:12,080
Speaker 3: on a helmet he doesn't need when he's got a

1453
01:13:12,080 --> 01:13:16,320
Speaker 3: big old noggin. And I mean, like, I just went

1454
01:13:16,360 --> 01:13:19,240
Speaker 3: through everything there, so Trey is there. Specific from this

1455
01:13:19,479 --> 01:13:23,080
Speaker 3: insanely long scene from the start of them jumping out

1456
01:13:23,120 --> 01:13:26,400
Speaker 3: of the plane in their cars to I guess the

1457
01:13:26,520 --> 01:13:30,240
Speaker 3: ending when they you know, Brian survives in Dom and

1458
01:13:30,320 --> 01:13:32,120
Speaker 3: Ramsey survive, Like what was the crazy, I.

1459
01:13:32,080 --> 01:13:36,080
Speaker 2: Mean incredible scene starting with the plane or with the

1460
01:13:36,120 --> 01:13:38,400
Speaker 2: cars falling out of the plane. I think it's great

1461
01:13:38,439 --> 01:13:41,400
Speaker 2: to see Tej like finally driving in this. You know,

1462
01:13:41,560 --> 01:13:45,760
Speaker 2: Ludicrous is out in front leading the battering. Ram Dom

1463
01:13:45,800 --> 01:13:48,320
Speaker 2: at one point says it's not just about being fast,

1464
01:13:48,560 --> 01:13:50,760
Speaker 2: you gotta respect the furious and they're going with the

1465
01:13:50,800 --> 01:13:54,640
Speaker 2: furious here. I also like a little bit of subversion

1466
01:13:54,760 --> 01:14:00,040
Speaker 2: of expectations here because we've seen them chasing down a

1467
01:14:00,160 --> 01:14:03,400
Speaker 2: bus or a tanker or a semi like this so

1468
01:14:03,560 --> 01:14:05,720
Speaker 2: many times you think, Okay, they're gonna pull off some

1469
01:14:05,840 --> 01:14:08,720
Speaker 2: kind of thing. You know, Dom's telling Letty go hook

1470
01:14:08,840 --> 01:14:13,040
Speaker 2: up to this. Shoot your carpoons. Yeah we got carpoons,

1471
01:14:14,080 --> 01:14:15,599
Speaker 2: and you think this is gonna be smooth. They're gonna

1472
01:14:15,600 --> 01:14:17,960
Speaker 2: pull this off very easily. But oh no, the game

1473
01:14:18,040 --> 01:14:21,040
Speaker 2: is changed. Look at these massive machine guns they shoot

1474
01:14:21,080 --> 01:14:22,800
Speaker 2: out of the back of this. Not to mention, we've

1475
01:14:22,800 --> 01:14:24,880
Speaker 2: got a martial artist who's gonna fight you here. So

1476
01:14:25,040 --> 01:14:27,240
Speaker 2: I liked that part of it. And then I mean

1477
01:14:27,280 --> 01:14:30,120
Speaker 2: the Brian running up the side of the bus, jumping

1478
01:14:30,200 --> 01:14:34,679
Speaker 2: and getting saved with the drift spoiler incredible, the best

1479
01:14:34,720 --> 01:14:39,360
Speaker 2: Brian c stunt in the entire franchise, for sure, and

1480
01:14:39,400 --> 01:14:42,280
Speaker 2: I think it almost it definitely overshadows. But I think

1481
01:14:42,280 --> 01:14:45,880
Speaker 2: the chase full speed down the mountain when Dom and

1482
01:14:45,960 --> 01:14:48,040
Speaker 2: shar kind of like goes side by side and they're

1483
01:14:48,040 --> 01:14:50,160
Speaker 2: having to go through all the trees and you can tell,

1484
01:14:50,320 --> 01:14:53,160
Speaker 2: I mean, they're in the mountains, so it's obviously very steep.

1485
01:14:53,200 --> 01:14:56,320
Speaker 2: It feels even more high speed than usual. You don't

1486
01:14:56,360 --> 01:14:58,479
Speaker 2: actually know how Dom's gonna get out of it. Once

1487
01:14:58,479 --> 01:15:01,480
Speaker 2: he finally gets cornered on the edge, does the hilarious

1488
01:15:02,400 --> 01:15:05,240
Speaker 2: doughnuts for just a while, like I don't know, maybe

1489
01:15:05,280 --> 01:15:07,360
Speaker 2: if you're Daconde, let off a couple of shots. Then

1490
01:15:07,360 --> 01:15:09,439
Speaker 2: when he's just spinning in front of you, you know

1491
01:15:09,560 --> 01:15:13,960
Speaker 2: he's right there. Crazy to think that if Jason Statham

1492
01:15:14,080 --> 01:15:17,920
Speaker 2: only has seventeen lines, one of them is this scene

1493
01:15:17,960 --> 01:15:24,519
Speaker 2: where he's watching it and he says, interesting, they burned

1494
01:15:24,520 --> 01:15:28,280
Speaker 2: one of the lines on interesting down to sixteen. But

1495
01:15:28,720 --> 01:15:31,080
Speaker 2: I don't know Roman coming back the way Don gets

1496
01:15:31,080 --> 01:15:32,360
Speaker 2: out of it, the Brian jump.

1497
01:15:32,600 --> 01:15:36,280
Speaker 3: This is a great, great set piece. Yep, JD grade

1498
01:15:36,280 --> 01:15:37,439
Speaker 3: this set piece. You loving' it?

1499
01:15:37,680 --> 01:15:37,840
Speaker 2: Oh?

1500
01:15:37,880 --> 01:15:40,439
Speaker 1: I loved it? Yeah, I mean the only part of it. Well,

1501
01:15:40,479 --> 01:15:44,200
Speaker 1: there were two things I didn't like. One was we

1502
01:15:44,240 --> 01:15:47,840
Speaker 1: didn't need the drift assist. I don't think like he

1503
01:15:47,920 --> 01:15:50,800
Speaker 1: could have just grabbed a stick and I would have

1504
01:15:50,880 --> 01:15:54,000
Speaker 1: been just as satisfied. It actually took me out of

1505
01:15:54,040 --> 01:15:58,320
Speaker 1: it having this ridiculous move like as if she would

1506
01:15:58,320 --> 01:15:59,360
Speaker 1: be as if she could.

1507
01:15:59,160 --> 01:16:01,840
Speaker 3: Like track that he's not gonna make it out toning

1508
01:16:01,920 --> 01:16:03,840
Speaker 3: up a bus, yeah.

1509
01:16:03,439 --> 01:16:06,000
Speaker 1: Or even see that he's on the bus at all,

1510
01:16:06,120 --> 01:16:10,479
Speaker 1: like it's angled weirdly and she's in a car. But anyways, yeah,

1511
01:16:10,520 --> 01:16:12,840
Speaker 1: it's a fast and furious movie. You got to incorporate

1512
01:16:12,880 --> 01:16:15,559
Speaker 1: the Car's fine. I'm fine with it in the end.

1513
01:16:15,600 --> 01:16:18,920
Speaker 1: But I was sort of like, Okay, I got after

1514
01:16:19,000 --> 01:16:21,240
Speaker 1: a huge set piece like that, and then I and

1515
01:16:21,240 --> 01:16:23,400
Speaker 1: then I'm like going, oh, come on, you know, like

1516
01:16:24,160 --> 01:16:26,599
Speaker 1: if he had just grabbed onto the cliff and she

1517
01:16:26,600 --> 01:16:28,000
Speaker 1: could get out of the car and help him up

1518
01:16:28,000 --> 01:16:30,920
Speaker 1: and then ul right, man, then I'm good. And the

1519
01:16:31,000 --> 01:16:35,840
Speaker 1: other thing that I didn't love was like the all

1520
01:16:35,920 --> 01:16:38,160
Speaker 1: the posturing and all the hey, put your helmet on.

1521
01:16:38,240 --> 01:16:41,400
Speaker 1: This is going to be crazy, you know. And I

1522
01:16:41,439 --> 01:16:44,680
Speaker 1: thought exactly the same thing Skeet's he's got a parachute

1523
01:16:44,800 --> 01:16:47,559
Speaker 1: or maybe the fucking thing has wings, I don't know,

1524
01:16:48,320 --> 01:16:51,120
Speaker 1: But like that's a lot of confidence and a lot

1525
01:16:51,160 --> 01:16:55,599
Speaker 1: of like posturing and just being a badass when your

1526
01:16:55,640 --> 01:16:58,160
Speaker 1: plan is to drive your car off a cliff. I mean,

1527
01:16:58,200 --> 01:17:01,960
Speaker 1: it's just probably a stupid thing to do. You're probably

1528
01:17:01,960 --> 01:17:06,240
Speaker 1: better off just surrendering, really, But okay, but but this

1529
01:17:06,320 --> 01:17:09,720
Speaker 1: is what this was all this You got some cajones

1530
01:17:09,800 --> 01:17:13,000
Speaker 1: dom is all I'm saying, like, come on, like just

1531
01:17:13,160 --> 01:17:15,200
Speaker 1: uh maybe like, hey, I don't know if this is

1532
01:17:15,240 --> 01:17:17,720
Speaker 1: going to work, so put your helmet on and then

1533
01:17:17,800 --> 01:17:20,920
Speaker 1: drive off the cliff. Not not like I'm so certain

1534
01:17:21,000 --> 01:17:24,080
Speaker 1: this is going to we're getting away, So just strap

1535
01:17:24,120 --> 01:17:27,479
Speaker 1: in and be impressed by me. Drives off a cliff.

1536
01:17:27,560 --> 01:17:29,759
Speaker 1: I mean that was the plan.

1537
01:17:30,280 --> 01:17:33,280
Speaker 2: Yeah, yeah, we're improvisers. What can I say?

1538
01:17:33,439 --> 01:17:37,479
Speaker 3: Hey, it worked, and they do escape. They avoid obviously

1539
01:17:37,479 --> 01:17:41,639
Speaker 3: Decker Shaw, they avoid Jaconde. So now they've they've got Ramsey.

1540
01:17:41,680 --> 01:17:44,280
Speaker 3: That's a big piece here, and there's a scene here

1541
01:17:44,280 --> 01:17:48,599
Speaker 3: where like she she she first off she clocks all

1542
01:17:48,600 --> 01:17:52,720
Speaker 3: of them about like their their character and what they're about,

1543
01:17:53,680 --> 01:17:56,320
Speaker 3: but also lets them know, oh yeah, I've shipped the

1544
01:17:56,360 --> 01:17:58,840
Speaker 3: device to a friend in Abu Dhabi, so I don't

1545
01:17:58,840 --> 01:18:01,559
Speaker 3: even have the thing that you guys need or mister

1546
01:18:01,640 --> 01:18:04,280
Speaker 3: nobody I guess need. So that's gonna get us to

1547
01:18:04,320 --> 01:18:06,960
Speaker 3: Abu Dabi. Will get there in a second. But very

1548
01:18:06,960 --> 01:18:10,400
Speaker 3: important in this, uh you know, sitting down at the

1549
01:18:10,439 --> 01:18:12,200
Speaker 3: dock by the bay or whatever the hell they're sitting

1550
01:18:12,240 --> 01:18:16,040
Speaker 3: here this and I couldn't believe it because I brought

1551
01:18:16,040 --> 01:18:18,360
Speaker 3: it up in the last podcast where I was getting

1552
01:18:18,439 --> 01:18:21,799
Speaker 3: upset in wondering are Domb and Letty married?

1553
01:18:22,720 --> 01:18:24,760
Speaker 2: Going on here? All right, I'm bringing that up, and

1554
01:18:24,800 --> 01:18:28,280
Speaker 2: I'm all angry, why can't we know? We should know you? Now?

1555
01:18:28,400 --> 01:18:32,040
Speaker 2: Is there a ring or not in this seed? In

1556
01:18:32,080 --> 01:18:32,519
Speaker 2: this seed?

1557
01:18:32,640 --> 01:18:34,759
Speaker 3: I think I have it right when she's like saying

1558
01:18:34,800 --> 01:18:37,800
Speaker 3: all these things because she calls Dom mister alpha or

1559
01:18:37,800 --> 01:18:41,439
Speaker 3: Elfa and calls h Letty missus alpha, and somebody corrects

1560
01:18:41,439 --> 01:18:46,800
Speaker 3: her right and says they're not married. Yeah, And I

1561
01:18:46,880 --> 01:18:51,000
Speaker 3: was like, oh my god, I can't believe they addressed

1562
01:18:51,040 --> 01:18:51,920
Speaker 3: it in this.

1563
01:18:51,840 --> 01:18:55,559
Speaker 2: Way of all ways, I was like, all right, settles it.

1564
01:18:55,640 --> 01:18:56,120
Speaker 2: I'm good.

1565
01:18:56,400 --> 01:18:59,840
Speaker 4: Of course, later on in this movie, we're gonna learn

1566
01:18:59,840 --> 01:19:00,839
Speaker 4: that are married.

1567
01:19:01,920 --> 01:19:04,360
Speaker 2: There was a wedding, a small wedding. Everybody's wearing white,

1568
01:19:05,320 --> 01:19:06,440
Speaker 2: just like mister Cleanwood.

1569
01:19:06,520 --> 01:19:09,880
Speaker 1: And didn't I speculate that it was during Blast Bandeleros,

1570
01:19:09,880 --> 01:19:11,320
Speaker 1: which is when it happened, right.

1571
01:19:12,720 --> 01:19:16,360
Speaker 3: I was amazing, amazing, guys. I'm being completely honest with

1572
01:19:16,400 --> 01:19:17,640
Speaker 3: everybody watching and listening to this.

1573
01:19:17,840 --> 01:19:19,639
Speaker 2: I have never seen these movies.

1574
01:19:20,120 --> 01:19:22,760
Speaker 3: I haven't gone ahead of course, maybe I've seen like

1575
01:19:22,840 --> 01:19:24,960
Speaker 3: what Hans coming back? I thought he was dead, like

1576
01:19:25,200 --> 01:19:28,000
Speaker 3: the odd little like, oh I thought they were dead.

1577
01:19:28,000 --> 01:19:28,479
Speaker 2: They're back.

1578
01:19:28,960 --> 01:19:32,559
Speaker 3: But I don't know anything about these and this whole rant.

1579
01:19:32,560 --> 01:19:34,880
Speaker 3: I went on about the marriage and like, yeah, when

1580
01:19:34,920 --> 01:19:37,240
Speaker 3: were they married? We called it a wedding shoot when

1581
01:19:37,280 --> 01:19:42,880
Speaker 3: they were in Lost. It's incredible, it's incredible. I couldn't

1582
01:19:42,920 --> 01:19:45,000
Speaker 3: believe this world building that was happening here.

1583
01:19:45,160 --> 01:19:52,080
Speaker 2: But I still don't get why somebody said they're not married.

1584
01:19:52,040 --> 01:19:55,120
Speaker 1: Because nobody knew he got married in secret. That was

1585
01:19:55,320 --> 01:19:56,360
Speaker 1: the big reveal at.

1586
01:19:56,479 --> 01:19:59,760
Speaker 3: All right, right, all right, that's really weird for a

1587
01:19:59,800 --> 01:20:04,960
Speaker 3: guy that's always talking about family to keep that a secret,

1588
01:20:05,560 --> 01:20:06,120
Speaker 3: that he's.

1589
01:20:05,960 --> 01:20:07,400
Speaker 2: Married to this girl that he was.

1590
01:20:07,600 --> 01:20:10,719
Speaker 3: That's a weird decision from Dom and Lenny for that matter,

1591
01:20:10,800 --> 01:20:12,280
Speaker 3: before they kicked in.

1592
01:20:12,360 --> 01:20:15,599
Speaker 2: So, okay, tell somebody they love you. I was. I

1593
01:20:15,640 --> 01:20:17,280
Speaker 2: was so pumped. I was so pumped.

1594
01:20:17,920 --> 01:20:21,800
Speaker 3: Okay, anything from the doc scene where Ramsey is like,

1595
01:20:21,840 --> 01:20:25,200
Speaker 3: you know this brilliant you know, what do you even

1596
01:20:25,240 --> 01:20:25,599
Speaker 3: call her?

1597
01:20:25,720 --> 01:20:27,679
Speaker 2: Just what do you call her? A hacker?

1598
01:20:27,760 --> 01:20:27,960
Speaker 4: Right?

1599
01:20:28,080 --> 01:20:29,880
Speaker 3: Well, she's a hacker, but I mean in like that

1600
01:20:30,000 --> 01:20:33,599
Speaker 3: she can read read poker player.

1601
01:20:33,640 --> 01:20:38,000
Speaker 1: I guess absolutely. Okay, and of course there's that she's

1602
01:20:38,000 --> 01:20:41,559
Speaker 1: a girl, she's a hot girl, and she's a hacker.

1603
01:20:42,600 --> 01:20:45,759
Speaker 3: Okay, all right, Oh my god, well that that leads

1604
01:20:46,120 --> 01:20:49,360
Speaker 3: to Abu Dhabi. These guys are like their eyes are

1605
01:20:49,439 --> 01:20:51,759
Speaker 3: falling out of their head with her in the water

1606
01:20:53,160 --> 01:20:55,639
Speaker 3: right before they come up to that little cabana there,

1607
01:20:55,680 --> 01:21:00,360
Speaker 3: And yeah, it was strange, strange strangers.

1608
01:21:00,200 --> 01:21:03,800
Speaker 1: Like nice homage to James Bond though, Yeah, we're that

1609
01:21:03,880 --> 01:21:05,120
Speaker 1: shot many times.

1610
01:21:05,400 --> 01:21:09,000
Speaker 3: Yeah, is Ramsey in this for the long run? Like,

1611
01:21:09,080 --> 01:21:11,000
Speaker 3: is she uh part of the crew?

1612
01:21:11,280 --> 01:21:13,120
Speaker 2: She's back? Okay, all right? Nice?

1613
01:21:13,600 --> 01:21:17,080
Speaker 3: Okay, So that means she's gonna hook up with Roman

1614
01:21:17,200 --> 01:21:22,599
Speaker 3: or or maybe even tej no way, all right, anyway,

1615
01:21:22,760 --> 01:21:24,960
Speaker 3: I mean is pretty impressive in that fight. You know,

1616
01:21:26,560 --> 01:21:30,400
Speaker 3: T has like skyrocketed up my rankings, and he was

1617
01:21:30,439 --> 01:21:33,080
Speaker 3: already pretty high because he's like, you know, he knows

1618
01:21:33,080 --> 01:21:34,320
Speaker 3: his limitations.

1619
01:21:34,360 --> 01:21:36,720
Speaker 2: He's very smart with his money. He's a smart guy.

1620
01:21:36,720 --> 01:21:39,479
Speaker 2: He's probably the smartest of the bunch. Can still drive great,

1621
01:21:40,160 --> 01:21:40,840
Speaker 2: and now he learned.

1622
01:21:40,880 --> 01:21:42,960
Speaker 3: Yeah he's got some fighting skills to him, but I

1623
01:21:42,960 --> 01:21:44,760
Speaker 3: could have done without him also.

1624
01:21:44,520 --> 01:21:48,360
Speaker 1: Being like good, yeah, exact woman. That's why I don't

1625
01:21:48,360 --> 01:21:51,160
Speaker 1: think that she would ever go with. And it was

1626
01:21:51,200 --> 01:21:55,879
Speaker 1: a bit of a blown opportunity because you know, basically

1627
01:21:55,920 --> 01:21:58,719
Speaker 1: it's Michelle Rodriguez has to come and say, hey, knock

1628
01:21:58,760 --> 01:22:01,120
Speaker 1: it off, you know. But it would have been so

1629
01:22:01,200 --> 01:22:03,360
Speaker 1: much better if it had been Paul Walker or even

1630
01:22:03,479 --> 01:22:05,880
Speaker 1: Vin Diesel come out, come along and say, guys, what

1631
01:22:06,280 --> 01:22:09,360
Speaker 1: do you do like? She's not she's not an odd family.

1632
01:22:09,680 --> 01:22:12,320
Speaker 1: You know, she's part of the crew. Now take take

1633
01:22:12,360 --> 01:22:14,840
Speaker 1: it easy, you know that kind of thing. But oh wow,

1634
01:22:15,720 --> 01:22:17,320
Speaker 1: baby steps, baby steps.

1635
01:22:18,080 --> 01:22:21,720
Speaker 3: Yeah, we're drooling over Ramsey getting out of the We

1636
01:22:21,800 --> 01:22:23,760
Speaker 3: get a nice little scene I think in here too,

1637
01:22:24,760 --> 01:22:28,480
Speaker 3: flying to Abu Dhabi between Brian and Dom, right, Uh

1638
01:22:28,520 --> 01:22:29,240
Speaker 3: do I have that right?

1639
01:22:30,040 --> 01:22:34,360
Speaker 2: Yes? Yes, this was gonna be one of my favorite things,

1640
01:22:34,439 --> 01:22:38,200
Speaker 2: or maybe least favorite things. What Brian says to Dom

1641
01:22:38,240 --> 01:22:41,639
Speaker 2: when they're having their heart to heart on the plane. Hey, Dom,

1642
01:22:42,320 --> 01:22:49,240
Speaker 2: pretty wild on that mountain? Huh? That was pretty wild?

1643
01:22:49,320 --> 01:22:53,360
Speaker 3: Could that have been maybe that was mountain? Maybe they

1644
01:22:53,360 --> 01:22:56,000
Speaker 3: had to use a line from somewhere previous.

1645
01:22:56,560 --> 01:23:01,080
Speaker 2: Yeah, I mean maybe, but a bit of an under statement. Yeah,

1646
01:23:01,520 --> 01:23:04,599
Speaker 2: it just dropped out of a plane. Brian just ran

1647
01:23:04,720 --> 01:23:06,880
Speaker 2: up the side of a tumbling bus and got saved.

1648
01:23:06,880 --> 01:23:09,800
Speaker 2: By a drift assist. Pretty wild.

1649
01:23:09,840 --> 01:23:13,840
Speaker 3: That's just another Wednesday in like honestly, it's like it's

1650
01:23:13,920 --> 01:23:15,479
Speaker 3: nothing at this point of these guys.

1651
01:23:15,800 --> 01:23:18,599
Speaker 2: Okay, so they're in Abu Dhabi.

1652
01:23:18,760 --> 01:23:23,000
Speaker 3: They learn, you know, they got to go steal the

1653
01:23:23,080 --> 01:23:27,160
Speaker 3: flash drive containing the God's Eye chip from a billionaire

1654
01:23:27,800 --> 01:23:30,960
Speaker 3: which is hidden in a Lichen hypersport like in a

1655
01:23:31,080 --> 01:23:36,280
Speaker 3: vault in a penthouse. We we get this scene. I'll

1656
01:23:36,360 --> 01:23:38,120
Speaker 3: keep going here and we can go back a little bit.

1657
01:23:38,439 --> 01:23:43,120
Speaker 3: And then with God's Eye near telecommunications repeaters, Don Brian

1658
01:23:43,200 --> 01:23:47,439
Speaker 3: Nobody and his team tracked down and captured Decord, but

1659
01:23:47,560 --> 01:23:52,160
Speaker 3: they're ambushed by Jacande and his henchmen and forced to flee,

1660
01:23:52,920 --> 01:23:59,200
Speaker 3: while Jaikandi Jakondia obtains God's Eye as the injured mister

1661
01:23:59,240 --> 01:24:01,559
Speaker 3: Nobody calls from it. Attention, Okay, lot going on here.

1662
01:24:02,240 --> 01:24:06,280
Speaker 3: Start with the breaking scene up in the party where

1663
01:24:06,320 --> 01:24:09,760
Speaker 3: Roman does his work, his little comedy bit on the mic.

1664
01:24:10,600 --> 01:24:13,840
Speaker 3: And we have Brian and Dom breaking into this into

1665
01:24:13,880 --> 01:24:16,439
Speaker 3: this room with help of course from Ramsey and Tej

1666
01:24:17,040 --> 01:24:21,320
Speaker 3: and we get the flow more flying cars going from

1667
01:24:21,800 --> 01:24:25,640
Speaker 3: one tower to the next tower to the next tower. Unbelievable.

1668
01:24:25,680 --> 01:24:28,280
Speaker 3: We had a third tower in there, JD. Try and

1669
01:24:28,320 --> 01:24:29,040
Speaker 3: walk us through this.

1670
01:24:30,120 --> 01:24:33,360
Speaker 1: I mean, yeah, I mean you washed over a lot there.

1671
01:24:33,680 --> 01:24:36,880
Speaker 1: Ronda Rousey shows up there, and you know, a couple

1672
01:24:36,920 --> 01:24:40,479
Speaker 1: of this is this is back to me not liking

1673
01:24:40,520 --> 01:24:45,599
Speaker 1: this movie because it's just insulting my intelligence at this point.

1674
01:24:45,640 --> 01:24:50,120
Speaker 1: You know, again, what do you do with a state

1675
01:24:50,160 --> 01:24:52,960
Speaker 1: of the art weapon, the surveillance tool that's never been

1676
01:24:53,000 --> 01:24:55,679
Speaker 1: invented before. Why, of course you put it in your car,

1677
01:24:55,800 --> 01:24:58,559
Speaker 1: right like you install it into your car with all

1678
01:24:58,560 --> 01:25:03,160
Speaker 1: of your banking information in all of your other personal microchips.

1679
01:25:03,400 --> 01:25:07,080
Speaker 1: That's what you do. Where does this billionaire keep his

1680
01:25:07,560 --> 01:25:11,360
Speaker 1: car Why on the in the penthouse of course, right

1681
01:25:11,479 --> 01:25:13,960
Speaker 1: in his walk in closet. It seemed, i.

1682
01:25:13,920 --> 01:25:15,520
Speaker 2: Mean, like not even displayed.

1683
01:25:15,880 --> 01:25:19,639
Speaker 1: Yeah, it's just tucked away, three point four million dollar

1684
01:25:19,720 --> 01:25:23,479
Speaker 1: car whatever it's, whatever it is, you know. And then

1685
01:25:24,400 --> 01:25:27,000
Speaker 1: of course Vin Diesel has to lift the car for

1686
01:25:27,000 --> 01:25:30,559
Speaker 1: Brian to climb under it to get it. But oh,

1687
01:25:30,720 --> 01:25:33,439
Speaker 1: as it turns out, we could have the whole time,

1688
01:25:33,439 --> 01:25:35,120
Speaker 1: we could have just gotten in the car and then

1689
01:25:35,200 --> 01:25:38,720
Speaker 1: got gone through the console. But you know, why not

1690
01:25:38,840 --> 01:25:42,519
Speaker 1: put your your main character in danger and show off

1691
01:25:42,800 --> 01:25:47,160
Speaker 1: Vin Diesel's muscles. You know, and then fuck it, we're

1692
01:25:47,160 --> 01:25:50,599
Speaker 1: taking the car, you know, okay, great, and then there's

1693
01:25:50,600 --> 01:25:53,360
Speaker 1: the it's it's pretty cool and you know, it's a

1694
01:25:53,400 --> 01:25:58,880
Speaker 1: spectacular sequence with the car going the brakes fail inexplicably.

1695
01:25:59,880 --> 01:26:02,920
Speaker 1: I don't know what happened there, four million dollar car.

1696
01:26:03,040 --> 01:26:05,080
Speaker 2: Yeah, first time they've ever had to use the brakes

1697
01:26:05,120 --> 01:26:05,760
Speaker 2: and it don't work.

1698
01:26:06,320 --> 01:26:06,800
Speaker 1: That's right.

1699
01:26:07,040 --> 01:26:09,840
Speaker 2: I think it's snapped. When he ran over a Terra Cotta.

1700
01:26:09,560 --> 01:26:20,559
Speaker 1: Warrior, Ronda Rousei, I mean probably Ronda Rousei was awful.

1701
01:26:20,920 --> 01:26:24,320
Speaker 1: I thought like her acting was horrible. I didn't think

1702
01:26:24,320 --> 01:26:26,719
Speaker 1: the fight was all that interesting other than the fact

1703
01:26:26,720 --> 01:26:29,320
Speaker 1: that they were in gowns. Maybe like that was the

1704
01:26:29,360 --> 01:26:33,439
Speaker 1: only thing that really made it any different. The previous

1705
01:26:33,520 --> 01:26:37,960
Speaker 1: fight between Letty and uh Gina Carrono was so much better,

1706
01:26:38,040 --> 01:26:42,679
Speaker 1: like spectacular. This was just like, okay, all right, there's

1707
01:26:42,680 --> 01:26:47,240
Speaker 1: a fight happening. Roman Is brought in to use his

1708
01:26:47,400 --> 01:26:52,400
Speaker 1: mouth again, failing miserably, like completely, like all it is

1709
01:26:52,400 --> 01:26:54,240
Speaker 1: is just is his sail.

1710
01:26:54,080 --> 01:26:56,320
Speaker 2: On this one. He brought a lot of attention to himself.

1711
01:26:56,400 --> 01:26:59,680
Speaker 1: Okay, sure beginning, I know, but he it. But it

1712
01:26:59,720 --> 01:27:01,960
Speaker 1: would have been better if he had been funny and

1713
01:27:02,080 --> 01:27:05,320
Speaker 1: actually engaging. That would have been distracting that it was

1714
01:27:05,439 --> 01:27:09,920
Speaker 1: just pure cringe. It's like they got it. Listen fast

1715
01:27:09,960 --> 01:27:12,639
Speaker 1: and furious. I know you guys listen to social media

1716
01:27:12,640 --> 01:27:16,479
Speaker 1: and podcasts and stuff for ideas. Bring in a couple

1717
01:27:16,479 --> 01:27:20,439
Speaker 1: of writers, punch up the script. Guys like Roman, you

1718
01:27:20,560 --> 01:27:24,920
Speaker 1: have Tyresee is a huge talent. Use it, like make

1719
01:27:25,000 --> 01:27:28,680
Speaker 1: him funny, like he's just he's the comedy relief. But

1720
01:27:28,720 --> 01:27:31,320
Speaker 1: he's just not that funny. I don't think a lot

1721
01:27:31,360 --> 01:27:33,839
Speaker 1: of his lines, a lot of most of the dialogue

1722
01:27:33,840 --> 01:27:36,680
Speaker 1: in this movie, they just feel like placeholders. Like they

1723
01:27:36,680 --> 01:27:39,920
Speaker 1: can't even name mister Nobody. It's like a placeholder, and

1724
01:27:40,200 --> 01:27:41,800
Speaker 1: you know what, we'll come back to it. It will

1725
01:27:41,840 --> 01:27:45,439
Speaker 1: come up with something cool and mysterious and spy, like

1726
01:27:45,600 --> 01:27:47,519
Speaker 1: we'll just call him mister nobody for now, and then

1727
01:27:47,600 --> 01:27:50,080
Speaker 1: they just left it is mister nobody. It's just you

1728
01:27:50,120 --> 01:27:53,720
Speaker 1: know what I mean, Like it's just feels completely it's

1729
01:27:53,800 --> 01:27:56,120
Speaker 1: just so lazy to.

1730
01:27:56,160 --> 01:27:56,599
Speaker 2: Me, right.

1731
01:27:57,400 --> 01:28:00,680
Speaker 3: I did though with Roman at this point now, like

1732
01:28:00,760 --> 01:28:04,200
Speaker 3: they they almost can't have funny lines for him. I

1733
01:28:04,520 --> 01:28:08,000
Speaker 3: have to make every line this like cringe line. For

1734
01:28:08,200 --> 01:28:12,479
Speaker 3: even Teg on the radio, who's very easily distracted. I

1735
01:28:12,520 --> 01:28:15,599
Speaker 3: will say, like listening to Roman always going like yeah,

1736
01:28:15,720 --> 01:28:16,800
Speaker 3: oh no, say that.

1737
01:28:17,240 --> 01:28:17,960
Speaker 2: He just said that.

1738
01:28:18,040 --> 01:28:20,599
Speaker 3: He was like, uh, all right, focus man, like get

1739
01:28:20,600 --> 01:28:23,479
Speaker 3: to hacking, and don't you know, like get to turn

1740
01:28:23,520 --> 01:28:27,160
Speaker 3: it down a little bit at least? Uh yeah, but yeah,

1741
01:28:27,320 --> 01:28:28,800
Speaker 3: he I thought he did his part for at least

1742
01:28:28,840 --> 01:28:29,360
Speaker 3: the first part.

1743
01:28:31,240 --> 01:28:35,360
Speaker 2: He did distract him pretty upset, That's true. It was

1744
01:28:35,439 --> 01:28:38,160
Speaker 2: t pain, wasn't it. Yeah, have a line though, did

1745
01:28:38,240 --> 01:28:38,479
Speaker 2: he know?

1746
01:28:38,960 --> 01:28:41,640
Speaker 1: I think so? He must have had a line that

1747
01:28:41,720 --> 01:28:42,360
Speaker 1: got cut right?

1748
01:28:42,400 --> 01:28:42,599
Speaker 2: Yeah?

1749
01:28:43,280 --> 01:28:44,959
Speaker 1: Why would you put him exactly?

1750
01:28:46,320 --> 01:28:48,839
Speaker 3: Well, what do you think, Trey, Especially of the flying

1751
01:28:48,880 --> 01:28:51,479
Speaker 3: cars from tower to tower and getting out of there.

1752
01:28:51,760 --> 01:28:54,880
Speaker 2: I mean, it looks amazing. And if the reason that,

1753
01:28:55,600 --> 01:28:57,519
Speaker 2: if the whole reason that the car is going to

1754
01:28:57,560 --> 01:29:00,320
Speaker 2: be up there is literally just this guy's a billionaire, ye,

1755
01:29:00,479 --> 01:29:02,559
Speaker 2: then that's got to be the reason, because why else

1756
01:29:02,560 --> 01:29:05,719
Speaker 2: are we jumping from one hundred story building to another

1757
01:29:05,760 --> 01:29:08,680
Speaker 2: one hundred story building? And I also do think it's

1758
01:29:08,760 --> 01:29:11,400
Speaker 2: kind of a I don't know if it's a twist,

1759
01:29:11,439 --> 01:29:14,240
Speaker 2: but I don't know why. I wasn't expecting him to

1760
01:29:14,280 --> 01:29:17,000
Speaker 2: go to the third tower, you know, I'm like, Oh,

1761
01:29:17,000 --> 01:29:18,719
Speaker 2: they're just gonna land on the second one the first

1762
01:29:18,720 --> 01:29:21,800
Speaker 2: time I saw it. Clearly there's three towers there, so

1763
01:29:21,920 --> 01:29:25,320
Speaker 2: it makes sense, and they're lined up basically for the jump,

1764
01:29:25,760 --> 01:29:28,200
Speaker 2: and when you know, they finally make it to the

1765
01:29:28,240 --> 01:29:31,400
Speaker 2: third one and Brian's bashing on the console. He finally

1766
01:29:31,479 --> 01:29:33,400
Speaker 2: rips it out and they jump. I was sick to

1767
01:29:33,439 --> 01:29:35,519
Speaker 2: my stomach. That's one of those things, like any time

1768
01:29:35,560 --> 01:29:37,800
Speaker 2: I see a height in a movie, it just makes

1769
01:29:37,840 --> 01:29:39,680
Speaker 2: me feel sick to my stomach, and it it hit

1770
01:29:39,760 --> 01:29:42,240
Speaker 2: me for sure. I'm with you, JD. I was not

1771
01:29:42,360 --> 01:29:45,920
Speaker 2: impressed with the Ronda Rousey fight. It looked like ten

1772
01:29:46,000 --> 01:29:49,439
Speaker 2: times more choreographed to me than the Gina Chrono fight

1773
01:29:49,479 --> 01:29:53,120
Speaker 2: from the previous movie. Like, you know, Ronda's finishing move

1774
01:29:53,400 --> 01:29:55,120
Speaker 2: was an armbar for a long time, so it's like

1775
01:29:55,120 --> 01:29:57,599
Speaker 2: we got to put in all this technical stuff, whereas

1776
01:29:57,680 --> 01:30:00,560
Speaker 2: in Fast six they were just battling, like in the

1777
01:30:00,600 --> 01:30:02,800
Speaker 2: middle of a subway, fighting as hard as they possibly can.

1778
01:30:02,880 --> 01:30:05,559
Speaker 2: This one just looks, you know, a little bit like dancing,

1779
01:30:05,600 --> 01:30:08,000
Speaker 2: a little bit like fight dancing to me. But yeah,

1780
01:30:08,080 --> 01:30:11,519
Speaker 2: I don't know. Those moments flying in between the cars

1781
01:30:11,520 --> 01:30:14,439
Speaker 2: don't fly going in between all the towers. It looks

1782
01:30:14,720 --> 01:30:18,000
Speaker 2: so cool, and I mean, that's that's what I really

1783
01:30:18,080 --> 01:30:20,639
Speaker 2: like about this movie is that's clearly the high point

1784
01:30:20,800 --> 01:30:25,160
Speaker 2: of stunt work in this one. But unlike in Fast six,

1785
01:30:25,600 --> 01:30:28,200
Speaker 2: I don't feel like James Wand tries to one up

1786
01:30:28,240 --> 01:30:31,240
Speaker 2: this later on. You know, we get to this later,

1787
01:30:31,280 --> 01:30:34,680
Speaker 2: it's gonna be basically a shootout rather than you know,

1788
01:30:34,720 --> 01:30:37,280
Speaker 2: another crazy sort of stunt here. And I think that's

1789
01:30:37,320 --> 01:30:39,400
Speaker 2: the smart move. It's like, clearly you're not gonna be

1790
01:30:39,439 --> 01:30:41,439
Speaker 2: able to beat this in this movie, so let's find

1791
01:30:41,479 --> 01:30:42,559
Speaker 2: another way to go about it.

1792
01:30:42,600 --> 01:30:46,040
Speaker 3: Well, yeah, the theme of this movie is definitely hey

1793
01:30:46,160 --> 01:30:48,000
Speaker 3: Jack you Toddler, you're wrong.

1794
01:30:48,160 --> 01:30:50,760
Speaker 2: Actually, Bryant, you're wrong. Cars do fly?

1795
01:30:50,920 --> 01:30:53,080
Speaker 3: Because we got a lot of flying cars this one.

1796
01:30:53,120 --> 01:30:55,200
Speaker 3: You know, they're flying from building to building, falling out

1797
01:30:55,200 --> 01:30:58,799
Speaker 3: of an airplane, even Dom flying off a cliff. Dom's

1798
01:30:58,840 --> 01:31:01,599
Speaker 3: gonna also fly car up in the air and attach

1799
01:31:01,880 --> 01:31:04,640
Speaker 3: a bag, oh so conveniently to a helicopter. I mean,

1800
01:31:05,080 --> 01:31:07,559
Speaker 3: that's the theme of this one. It's like, nope, cars

1801
01:31:07,600 --> 01:31:10,280
Speaker 3: do fly. Watch us come up with as many ways

1802
01:31:10,320 --> 01:31:14,240
Speaker 3: as possible to show you. I was gonna ask just

1803
01:31:14,320 --> 01:31:15,800
Speaker 3: quickly here. I know we're running long, but We have

1804
01:31:15,800 --> 01:31:18,080
Speaker 3: too much fun with these Who is the best dressed

1805
01:31:18,080 --> 01:31:20,639
Speaker 3: because they had to get dressed for this party? Who

1806
01:31:20,800 --> 01:31:23,320
Speaker 3: was the best looking of the Fast and Furious crew?

1807
01:31:23,439 --> 01:31:24,200
Speaker 2: JD.

1808
01:31:25,000 --> 01:31:28,840
Speaker 1: You know, I'm a Brian man always looks sharp.

1809
01:31:29,160 --> 01:31:29,599
Speaker 2: Yeah.

1810
01:31:29,680 --> 01:31:31,000
Speaker 1: They all looked great, though.

1811
01:31:32,880 --> 01:31:35,600
Speaker 2: I mean Roman went with the white tucks. Yeah, he

1812
01:31:35,640 --> 01:31:38,519
Speaker 2: had a white tux. Ben was in black and white,

1813
01:31:38,600 --> 01:31:39,440
Speaker 2: kind of standard.

1814
01:31:39,760 --> 01:31:42,400
Speaker 1: Wear a tie though, Come on, man, go into a

1815
01:31:42,560 --> 01:31:44,960
Speaker 1: four you're in at where are they do buy?

1816
01:31:46,520 --> 01:31:46,920
Speaker 2: Yeah?

1817
01:31:47,000 --> 01:31:49,439
Speaker 1: Yeah, I put on a tie. Come on, you're going

1818
01:31:49,520 --> 01:31:51,000
Speaker 1: to a billionaire's party.

1819
01:31:51,160 --> 01:31:54,800
Speaker 2: Yeah, I agree, I agree. My favorite part of the

1820
01:31:54,880 --> 01:31:57,519
Speaker 2: crew getting dressed up is that when they show up

1821
01:31:57,800 --> 01:32:01,960
Speaker 2: to the Prince's party and they roll up in all

1822
01:32:01,960 --> 01:32:06,400
Speaker 2: their cars. Dom Rather than driving a classic nineteen seventies

1823
01:32:06,400 --> 01:32:09,560
Speaker 2: American muscle, he's driving the new Dodge Charger because it

1824
01:32:09,600 --> 01:32:12,280
Speaker 2: looks a little more sleek, a little more dressed up

1825
01:32:12,320 --> 01:32:15,840
Speaker 2: for this That to me was like his real concession

1826
01:32:15,920 --> 01:32:18,920
Speaker 2: to a luxury He's like, well, I guess I can't

1827
01:32:18,920 --> 01:32:23,439
Speaker 2: show up with a hemy solid block or whatever they're called.

1828
01:32:23,840 --> 01:32:25,960
Speaker 2: I better go with something a little bit more up

1829
01:32:25,960 --> 01:32:28,000
Speaker 2: to date in modern Yeah.

1830
01:32:28,360 --> 01:32:31,120
Speaker 1: Also, we get a shot of his feet when we're

1831
01:32:31,280 --> 01:32:34,080
Speaker 1: when he's in the car and he's still wearing like

1832
01:32:34,200 --> 01:32:37,920
Speaker 1: combat boosts. They're just patent leather. It's just like, come on,

1833
01:32:38,280 --> 01:32:40,200
Speaker 1: just put on a pair of dress shoes.

1834
01:32:42,320 --> 01:32:44,720
Speaker 2: Never. Never, absolutely not.

1835
01:32:46,680 --> 01:32:51,280
Speaker 3: So the team returns to La where Dom plans to

1836
01:32:51,439 --> 01:32:55,760
Speaker 3: single handedly fight Shaw alone, while Letty, Brian, tej and

1837
01:32:55,880 --> 01:33:00,920
Speaker 3: Roman resolved to protect Ramsey from Jaconde. Later on, Brian

1838
01:33:00,920 --> 01:33:03,400
Speaker 3: promises me that he will fully dedicate himself to their

1839
01:33:03,400 --> 01:33:07,880
Speaker 3: family after he defeats Deckard and Jaconde. So yeah, now

1840
01:33:07,920 --> 01:33:10,920
Speaker 3: the crew is hatching another plan, although it's this one's

1841
01:33:10,920 --> 01:33:16,000
Speaker 3: pretty quick. They're just sort of they're just like overlooking

1842
01:33:16,040 --> 01:33:18,479
Speaker 3: I think the city when they're like, okay, well, how

1843
01:33:18,520 --> 01:33:20,320
Speaker 3: are we gonna come up with this? And they're gonna

1844
01:33:20,720 --> 01:33:22,920
Speaker 3: they're basically gonna do what you said to do all along.

1845
01:33:23,000 --> 01:33:27,080
Speaker 3: JD like, let's just use use Ramsey in this case

1846
01:33:27,080 --> 01:33:30,080
Speaker 3: as bait. I mean, really, you're still using dam I mean,

1847
01:33:30,160 --> 01:33:33,120
Speaker 3: Decord wants you dead. He is seeking you out. You

1848
01:33:33,160 --> 01:33:36,120
Speaker 3: will find you, Yes, he will find you. And we

1849
01:33:36,200 --> 01:33:39,760
Speaker 3: get the Brian calling me a scene here and you know,

1850
01:33:39,800 --> 01:33:41,799
Speaker 3: if you don't hear from me in twenty four hours,

1851
01:33:41,800 --> 01:33:45,160
Speaker 3: he says, you know things of things have gone bad,

1852
01:33:45,200 --> 01:33:47,559
Speaker 3: but Mea tells Brian they're having a baby girl, and

1853
01:33:47,560 --> 01:33:51,360
Speaker 3: and and yeah we got a sandwich reverence.

1854
01:33:52,640 --> 01:33:54,479
Speaker 2: I can't believe they're doing this.

1855
01:33:54,680 --> 01:34:00,599
Speaker 3: It's like I am starting to realize why people love

1856
01:34:00,640 --> 01:34:03,000
Speaker 3: this franchise so much. Like, yeah, the stunts are cool,

1857
01:34:03,040 --> 01:34:05,880
Speaker 3: and you know, Rock shows up and Jason Statham shows up.

1858
01:34:05,880 --> 01:34:07,439
Speaker 2: I mean, those are badasses. That's cool.

1859
01:34:07,920 --> 01:34:10,840
Speaker 3: But it really is feels like this, like all these

1860
01:34:10,880 --> 01:34:13,040
Speaker 3: things we talked about in the first couple of movies

1861
01:34:13,320 --> 01:34:16,599
Speaker 3: are like that people thought were funny or whatever.

1862
01:34:18,080 --> 01:34:20,439
Speaker 2: They're just they're bringing them back because the fans love them.

1863
01:34:20,439 --> 01:34:22,360
Speaker 3: Like you know, if I like Trey, you were there

1864
01:34:22,360 --> 01:34:26,719
Speaker 3: in that theater, people must have like erupted or laughed

1865
01:34:26,760 --> 01:34:29,479
Speaker 3: at the very least like or oh my god, like

1866
01:34:29,560 --> 01:34:30,599
Speaker 3: hitting your friend next to.

1867
01:34:30,560 --> 01:34:32,760
Speaker 2: You, like tuna sandwich. He didn't say tuna, but he

1868
01:34:32,760 --> 01:34:36,360
Speaker 2: said the sandwich. That's amazing. It was such a bad sandwich.

1869
01:34:37,760 --> 01:34:40,759
Speaker 2: I know, I ate a lot of them. Yeah, I mean,

1870
01:34:41,240 --> 01:34:44,320
Speaker 2: there is so much fan service, specifically in this one,

1871
01:34:44,560 --> 01:34:47,599
Speaker 2: I think, But yeah, I don't know. They I would

1872
01:34:47,600 --> 01:34:53,040
Speaker 2: say they batted a thousand for me rewatching seven again

1873
01:34:53,520 --> 01:34:56,000
Speaker 2: last night, and this one was one of the funniest.

1874
01:34:56,120 --> 01:34:59,640
Speaker 2: The fact that they even thought to bring back sandwich

1875
01:34:59,720 --> 01:35:03,360
Speaker 2: talk was ludicrous to me. But I totally love that

1876
01:35:03,400 --> 01:35:08,719
Speaker 2: somebody recently shared with us something about, uh, like, what's

1877
01:35:08,800 --> 01:35:12,840
Speaker 2: Don Toretto's first line in the entire Fast and Furious franchise?

1878
01:35:12,880 --> 01:35:16,599
Speaker 2: And his first line is Dom says to Mia, what'd

1879
01:35:16,600 --> 01:35:22,080
Speaker 2: you put in that sandwich? This whole franchise is built

1880
01:35:22,120 --> 01:35:24,760
Speaker 2: on those tuna sandwiches, so they had to pay it

1881
01:35:24,800 --> 01:35:25,479
Speaker 2: off at the end.

1882
01:35:25,680 --> 01:35:30,000
Speaker 3: Oh god, It's truly remarkable, and again I see why

1883
01:35:30,040 --> 01:35:31,840
Speaker 3: people I see why people love it.

1884
01:35:32,200 --> 01:35:34,320
Speaker 2: Well. I mean, he goes from they go from talking

1885
01:35:34,360 --> 01:35:38,000
Speaker 2: about the sandwich to Dom going back to thirteen twenty seven, right,

1886
01:35:38,120 --> 01:35:40,360
Speaker 2: and then he gets into the charger and you're like,

1887
01:35:41,280 --> 01:35:43,040
Speaker 2: we're back, baby, here we go.

1888
01:35:43,760 --> 01:35:46,080
Speaker 3: That's right, so let's go to it. This is sort

1889
01:35:46,080 --> 01:35:51,519
Speaker 3: of really the big final scene. Jaconde pursues Brian and

1890
01:35:51,560 --> 01:35:54,400
Speaker 3: the rest of the team with a stealth helicopter and

1891
01:35:54,640 --> 01:35:58,519
Speaker 3: aerial drone. Again back to the flying theme, JD. We

1892
01:35:58,560 --> 01:36:02,959
Speaker 3: are taking this into the air while Ramsey is attempting

1893
01:36:03,000 --> 01:36:08,880
Speaker 3: to hack into God's Eye because they've got it. She's

1894
01:36:09,720 --> 01:36:10,400
Speaker 3: hacking into it.

1895
01:36:10,439 --> 01:36:12,760
Speaker 2: I think it's Tesha's plan too, or they sort of

1896
01:36:12,760 --> 01:36:14,880
Speaker 2: come up with it together. Yeah.

1897
01:36:14,920 --> 01:36:19,360
Speaker 3: Hobbes discovers the situation while he's watching a i think

1898
01:36:19,400 --> 01:36:24,919
Speaker 3: a football game on TV in the hospital and he leaves.

1899
01:36:25,360 --> 01:36:27,360
Speaker 3: He's like, they need help. This is where the cast

1900
01:36:27,400 --> 01:36:29,720
Speaker 3: breaks off. I'm sure that got a big pop in

1901
01:36:29,720 --> 01:36:32,599
Speaker 3: the theater as well. Nora said, you guys were dying

1902
01:36:32,680 --> 01:36:33,160
Speaker 3: at the time.

1903
01:36:33,600 --> 01:36:35,439
Speaker 2: Daddy's got to go to work. Yeah.

1904
01:36:35,479 --> 01:36:39,600
Speaker 3: He leaves, helps by destroying the drone with an ambulance,

1905
01:36:40,040 --> 01:36:44,760
Speaker 3: just times it perfectly, taking it off the top of

1906
01:36:44,800 --> 01:36:48,400
Speaker 3: a tunnel and taking it out. Brian is battling and

1907
01:36:48,439 --> 01:36:53,639
Speaker 3: then kills Jacande's henchman in a really cool fight. I thought,

1908
01:36:53,720 --> 01:36:57,639
Speaker 3: because he's got to get to another tower, another signal

1909
01:36:57,720 --> 01:37:00,559
Speaker 3: repeater tower. I mean this got convoy looted, but that's

1910
01:37:00,560 --> 01:37:02,400
Speaker 3: what he's doing. They have a great fight, though. He

1911
01:37:02,520 --> 01:37:06,519
Speaker 3: kills like that super martial artist by clipping them to

1912
01:37:06,600 --> 01:37:12,320
Speaker 3: the whatever. Yeah, yeah, to a cable attached to a heavool. Yeah,

1913
01:37:12,320 --> 01:37:14,760
Speaker 3: it gives it a kick and boom down goes that guy.

1914
01:37:14,800 --> 01:37:16,160
Speaker 3: But they also had they were that. That was the

1915
01:37:16,160 --> 01:37:19,200
Speaker 3: scene where they were like sliding down the stairs right

1916
01:37:19,240 --> 01:37:21,600
Speaker 3: on a on a door. That was pretty cool. That

1917
01:37:22,320 --> 01:37:25,320
Speaker 3: was a wicked fight seat, I thought, So that's going on,

1918
01:37:25,680 --> 01:37:29,080
Speaker 3: and Brian successfully because he kills this guy, allows Ramsey

1919
01:37:29,120 --> 01:37:32,280
Speaker 3: to regain control of God's Eye and then and then

1920
01:37:32,320 --> 01:37:37,200
Speaker 3: shut it down. So that is all going on. And

1921
01:37:37,360 --> 01:37:41,639
Speaker 3: meanwhile this is all spliced together. Dom and Deckard are

1922
01:37:41,720 --> 01:37:45,280
Speaker 3: going one on one in a brawl on top of

1923
01:37:45,320 --> 01:37:48,760
Speaker 3: a public parking garage. Now before they got to using

1924
01:37:48,800 --> 01:37:52,719
Speaker 3: weapons and doing its street fight style. Yeah, they smashed

1925
01:37:52,720 --> 01:37:59,160
Speaker 3: their cars into each other. Again, dom wisely, I will say, uh,

1926
01:37:59,560 --> 01:38:03,840
Speaker 3: does the old wheelie trick and puts his puts the

1927
01:38:04,080 --> 01:38:07,080
Speaker 3: you know, the top of his car through the windshield

1928
01:38:07,080 --> 01:38:07,800
Speaker 3: of Decord's car.

1929
01:38:08,000 --> 01:38:11,160
Speaker 2: How he doesn't kill him? I have no idea. But

1930
01:38:11,200 --> 01:38:11,679
Speaker 2: they're fine.

1931
01:38:11,720 --> 01:38:14,280
Speaker 3: They're both actually alive in the cars and like shooting

1932
01:38:14,280 --> 01:38:16,160
Speaker 3: at each other, like.

1933
01:38:16,160 --> 01:38:17,080
Speaker 2: Through the cars.

1934
01:38:17,280 --> 01:38:20,880
Speaker 3: So that happens. So they're fighting. They are a big

1935
01:38:20,920 --> 01:38:25,679
Speaker 3: fight scene between them. Jaconde intervenes and attacks them both

1936
01:38:25,760 --> 01:38:28,320
Speaker 3: because remember his drone got taken out, but he still

1937
01:38:28,360 --> 01:38:31,920
Speaker 3: has a helicopter and Dom this is amazing, I'm still

1938
01:38:31,920 --> 01:38:36,720
Speaker 3: going Dom uses the distraction to defeat Decard. Decord by

1939
01:38:36,760 --> 01:38:40,440
Speaker 3: causing part of the parking garage to collapse beneath him.

1940
01:38:40,920 --> 01:38:45,000
Speaker 2: Stop. Yeah, you couldn't do.

1941
01:38:45,040 --> 01:38:52,400
Speaker 3: That, loafers foot, I forgot, I was wearing those DOM

1942
01:38:52,439 --> 01:38:58,280
Speaker 3: attempts then to crash his charger into Jacande's helicopter. But

1943
01:38:58,400 --> 01:39:01,720
Speaker 3: really he's leaving a bag of grenade aids on the helicopter,

1944
01:39:02,400 --> 01:39:07,080
Speaker 3: which Hobbs shoots those grenades and that crashes it. That's

1945
01:39:07,080 --> 01:39:10,680
Speaker 3: a rubble on the garage and destroys, you know, the

1946
01:39:10,680 --> 01:39:15,400
Speaker 3: helicopter in Chikonde, and my god, Hobbs, you know, has

1947
01:39:15,439 --> 01:39:17,160
Speaker 3: fallen and we can get to that part.

1948
01:39:18,560 --> 01:39:20,040
Speaker 2: Holy crap, this is long.

1949
01:39:20,160 --> 01:39:21,960
Speaker 3: This is very long, and these are both going on

1950
01:39:22,000 --> 01:39:25,040
Speaker 3: sort of simultaneously, the whole chase and the hacking part

1951
01:39:25,560 --> 01:39:26,400
Speaker 3: with the drone.

1952
01:39:26,479 --> 01:39:30,439
Speaker 2: Really and then, like I said, the decord versus Dom.

1953
01:39:30,439 --> 01:39:38,320
Speaker 1: JD A lot to unpack it so much. Listen, I

1954
01:39:38,360 --> 01:39:43,360
Speaker 1: the hot the hot potato with Ramsey, I mean, you know,

1955
01:39:43,760 --> 01:39:46,559
Speaker 1: just passing her from car to car while she's trying

1956
01:39:46,600 --> 01:39:49,719
Speaker 1: to hack. I mean, I've never really hacked in anything before,

1957
01:39:49,840 --> 01:39:53,360
Speaker 1: but I don't know, like, I don't think it's possible.

1958
01:39:53,840 --> 01:39:54,960
Speaker 1: I just don't think it's.

1959
01:39:55,000 --> 01:39:58,760
Speaker 2: Why why Well on the system.

1960
01:39:58,760 --> 01:40:02,439
Speaker 1: I suppose, But you're code, right, like you, I've seen,

1961
01:40:02,479 --> 01:40:06,040
Speaker 1: mister robot, I've seen what's involved it. It takes time

1962
01:40:06,080 --> 01:40:10,160
Speaker 1: and twinkies and hours and like, you know, it's just

1963
01:40:10,960 --> 01:40:12,960
Speaker 1: but okay, fine, fine, you know whatever.

1964
01:40:13,000 --> 01:40:15,719
Speaker 2: I my dear JD. There's a lot of unbelievable stuff

1965
01:40:15,760 --> 01:40:17,960
Speaker 2: that happens in this last half hour, But to me,

1966
01:40:18,080 --> 01:40:21,760
Speaker 2: the most unbelievable thing is Ramsey getting the upload to

1967
01:40:21,880 --> 01:40:24,479
Speaker 2: ninety seven percent getting cut off and it just pauses

1968
01:40:24,479 --> 01:40:26,760
Speaker 2: there and then she's able to come back. She's like, oh,

1969
01:40:26,760 --> 01:40:29,000
Speaker 2: there's the three percent more. Yeah, right, I would think

1970
01:40:29,040 --> 01:40:30,760
Speaker 2: you would have to start all over if you're re

1971
01:40:30,960 --> 01:40:34,719
Speaker 2: establishing a connection, but I'm not an expert. Yeah. Yeah,

1972
01:40:34,760 --> 01:40:35,679
Speaker 2: these guys know their stuff.

1973
01:40:35,680 --> 01:40:40,040
Speaker 3: Because even the helicopter pilot or Jaconde is like, they're

1974
01:40:40,040 --> 01:40:42,760
Speaker 3: doing this because they got that one tower. Let's take

1975
01:40:42,760 --> 01:40:45,000
Speaker 3: out that one tower. Yeah, and they take it out

1976
01:40:45,040 --> 01:40:47,080
Speaker 3: and that's where it stops. And then they're like, oh, Brian,

1977
01:40:47,080 --> 01:40:48,439
Speaker 3: you got to get to another tower.

1978
01:40:48,520 --> 01:40:50,720
Speaker 1: So yeah. I mean the best part of all of

1979
01:40:50,760 --> 01:40:53,360
Speaker 1: this is the Rock is back in the movie, right,

1980
01:40:53,520 --> 01:40:57,320
Speaker 1: who's been sitting in a hospital this whole time, and

1981
01:40:57,600 --> 01:41:00,240
Speaker 1: h you know what a great scene of him just

1982
01:41:00,400 --> 01:41:03,880
Speaker 1: busting out of that cast like you know, I mean,

1983
01:41:03,920 --> 01:41:06,479
Speaker 1: if you've ever broken your arm before, you know that

1984
01:41:07,000 --> 01:41:11,120
Speaker 1: there's just not that's not a thing that happens, right, Like, Yeah,

1985
01:41:11,200 --> 01:41:14,400
Speaker 1: you should have had like a super skinny arm. That

1986
01:41:14,439 --> 01:41:17,280
Speaker 1: would have been hilarious. Actually yeah, if it was just

1987
01:41:17,360 --> 01:41:21,599
Speaker 1: completely skinny and atrophied and he only had one good arm,

1988
01:41:21,800 --> 01:41:23,800
Speaker 1: that would have been I would have enjoyed that. But

1989
01:41:24,680 --> 01:41:27,160
Speaker 1: you know, I was so happy to have the Rock

1990
01:41:27,240 --> 01:41:30,200
Speaker 1: back in this movie, even if it was, you know,

1991
01:41:30,320 --> 01:41:35,920
Speaker 1: again insulting my intelligence with the ambulance. And then can

1992
01:41:36,000 --> 01:41:38,799
Speaker 1: you just take a machine gun off of a drone

1993
01:41:38,880 --> 01:41:40,439
Speaker 1: like that? Is there a trigger?

1994
01:41:40,560 --> 01:41:41,519
Speaker 2: Like? Is that?

1995
01:41:41,800 --> 01:41:44,280
Speaker 1: I mean, if anybody could do it, the Rock could do.

1996
01:41:44,240 --> 01:41:44,479
Speaker 2: It, right.

1997
01:41:44,520 --> 01:41:49,000
Speaker 1: But still it's just like, okay, all right, fine, I.

1998
01:41:48,720 --> 01:41:53,679
Speaker 3: Suppose I hated the drone so much. Yeah, everything else fine,

1999
01:41:53,840 --> 01:41:54,840
Speaker 3: They have the helicopter.

2000
01:41:55,040 --> 01:41:56,280
Speaker 2: Cool, the drone.

2001
01:41:56,439 --> 01:42:01,200
Speaker 3: It's like, it's so silly that they're out run a drone.

2002
01:42:01,240 --> 01:42:04,840
Speaker 3: It's like so so dumb, and it becomes a little

2003
01:42:04,880 --> 01:42:05,679
Speaker 3: weird to track.

2004
01:42:05,760 --> 01:42:06,400
Speaker 2: I find too.

2005
01:42:06,560 --> 01:42:09,720
Speaker 3: And and then how he takes it out just perfectly,

2006
01:42:09,880 --> 01:42:14,160
Speaker 3: gemming an ambulance off the whatever could have done without

2007
01:42:14,160 --> 01:42:16,240
Speaker 3: the drone, But I liked most of the other stuff,

2008
01:42:16,280 --> 01:42:18,519
Speaker 3: but take that out, I'm a little more into it.

2009
01:42:18,560 --> 01:42:21,200
Speaker 3: But they obviously needed they needed like one weapon for

2010
01:42:21,240 --> 01:42:23,280
Speaker 3: that team and then another weapon that was then going

2011
01:42:23,360 --> 01:42:25,040
Speaker 3: to go after Dom and Decord.

2012
01:42:25,080 --> 01:42:27,040
Speaker 2: I guess at the end there, Trey. Yeah, And I

2013
01:42:27,080 --> 01:42:30,479
Speaker 2: think that you can tell that the production even feels

2014
01:42:30,520 --> 01:42:33,639
Speaker 2: like it's a little underwhelming the drone because they try

2015
01:42:33,680 --> 01:42:35,200
Speaker 2: and call it a spaceship and they're like, that's not

2016
01:42:35,280 --> 01:42:38,439
Speaker 2: a spaceship, it's a drone. Yeah, but you know what

2017
01:42:38,479 --> 01:42:41,599
Speaker 2: I'm saying, right, But it's basically like you're battling against

2018
01:42:41,600 --> 01:42:43,800
Speaker 2: a robot, so you're losing some steaks there, and I

2019
01:42:43,800 --> 01:42:46,080
Speaker 2: mean it is trying to chase you down, and we

2020
01:42:46,240 --> 01:42:49,759
Speaker 2: have been told that the God's Eye is incredibly incredibly dangerous,

2021
01:42:49,800 --> 01:42:52,040
Speaker 2: but you're also able to just like juke out of

2022
01:42:52,080 --> 01:42:53,960
Speaker 2: the way of it at the very last second, which

2023
01:42:54,000 --> 01:42:57,920
Speaker 2: is a little odd to me. So, yeah, the drone

2024
01:42:57,960 --> 01:43:00,760
Speaker 2: was the worst part of this because it's like there's

2025
01:43:00,800 --> 01:43:03,000
Speaker 2: almost no steaks. The steaks are just like, are they

2026
01:43:03,000 --> 01:43:07,880
Speaker 2: gonna get to Ramsey or and whoever's driving her? Not likely.

2027
01:43:08,040 --> 01:43:10,200
Speaker 2: We already know that, So now we just have to

2028
01:43:10,200 --> 01:43:12,960
Speaker 2: figure out how they're gonna take down a remote control car.

2029
01:43:13,360 --> 01:43:16,840
Speaker 2: Not quite as cool as you know, busting down an

2030
01:43:16,880 --> 01:43:18,519
Speaker 2: actual helicopter with other people in it.

2031
01:43:19,160 --> 01:43:22,200
Speaker 3: Yeah, and I'm gonna add a second part that in

2032
01:43:22,320 --> 01:43:25,479
Speaker 3: Like I hated the drone, but the ending where Dom

2033
01:43:25,680 --> 01:43:29,639
Speaker 3: drives his car up and attaches this bag of.

2034
01:43:29,600 --> 01:43:33,559
Speaker 1: Grenades, steering it midair towards.

2035
01:43:35,960 --> 01:43:37,320
Speaker 2: Did he take a quick.

2036
01:43:38,680 --> 01:43:42,160
Speaker 3: Did he throw the bag on place it on? Do

2037
01:43:42,240 --> 01:43:44,360
Speaker 3: we even really see that? We don't even see it too,

2038
01:43:44,760 --> 01:43:47,720
Speaker 3: only see his car just goes up by the helicopter.

2039
01:43:47,920 --> 01:43:51,400
Speaker 1: Yeah, we see him grab the grenades. We see him

2040
01:43:51,400 --> 01:43:54,400
Speaker 1: grab them, and then it cuts away. We're on the outside,

2041
01:43:54,600 --> 01:43:57,519
Speaker 1: and then it just sort of passes by and oops,

2042
01:43:57,560 --> 01:43:59,479
Speaker 1: there the grenades, so that I guess the conceit is

2043
01:43:59,520 --> 01:44:02,280
Speaker 1: either he host it maybe trying to get it into

2044
01:44:02,320 --> 01:44:06,040
Speaker 1: the chopper, but it just landed on the side and

2045
01:44:06,080 --> 01:44:07,519
Speaker 1: then rock.

2046
01:44:08,280 --> 01:44:08,679
Speaker 2: Yeah.

2047
01:44:08,680 --> 01:44:11,720
Speaker 3: Oh that was the crazy bard To me, I was like,

2048
01:44:11,800 --> 01:44:15,200
Speaker 3: oh my god, we couldn't even just like have Dom

2049
01:44:16,040 --> 01:44:20,000
Speaker 3: blow up the helicopter by somehow attaching this bag from

2050
01:44:20,040 --> 01:44:24,400
Speaker 3: his car that is airborne, but no, we got.

2051
01:44:24,200 --> 01:44:25,960
Speaker 2: To actually have the rock trigger it.

2052
01:44:26,040 --> 01:44:28,280
Speaker 3: I was like, yeah, I don't think we needed that assist,

2053
01:44:29,280 --> 01:44:31,840
Speaker 3: but like, why couldn't it Why couldn't his car with

2054
01:44:31,920 --> 01:44:34,760
Speaker 3: the grenades just all exploded at once? And then he

2055
01:44:34,840 --> 01:44:37,360
Speaker 3: still lands and he said, but yeah, the rock's a

2056
01:44:37,400 --> 01:44:40,240
Speaker 3: good shot, even with the you know, one sore arm.

2057
01:44:41,760 --> 01:44:44,040
Speaker 2: That was his good arm. He was shooting right handed,

2058
01:44:44,120 --> 01:44:44,639
Speaker 2: so that's good.

2059
01:44:44,960 --> 01:44:50,599
Speaker 3: Yeah, wild man wild Okay, So Brian and Hobbes they

2060
01:44:50,600 --> 01:44:53,760
Speaker 3: helped let him bring out Dom's unconscious body. This is

2061
01:44:53,800 --> 01:44:57,160
Speaker 3: where Dom looks like he takes like his first l

2062
01:44:57,200 --> 01:45:01,040
Speaker 3: like nobody's thinking he's dead, but.

2063
01:45:00,000 --> 01:45:04,439
Speaker 1: But he's well, Brian thought he was dead dead, is

2064
01:45:04,680 --> 01:45:08,040
Speaker 1: giving him CPR, right, presumably he doesn't have a pulse.

2065
01:45:08,880 --> 01:45:12,280
Speaker 3: Yeah, that's true, and he is. Brian is pissed with

2066
01:45:12,400 --> 01:45:17,000
Speaker 3: letty come on put air into him. Yeah, and she

2067
01:45:17,120 --> 01:45:19,559
Speaker 3: sort she gives up everybody in this franchise, gives up

2068
01:45:19,560 --> 01:45:27,000
Speaker 3: on people way too quick. But she cradles him dombs

2069
01:45:28,040 --> 01:45:33,280
Speaker 3: baby head, Giant baby Head, and and then while she's

2070
01:45:33,800 --> 01:45:40,519
Speaker 3: doing that, she fully regains her memories by remembering the wedding.

2071
01:45:40,560 --> 01:45:43,080
Speaker 2: I think I have that correct.

2072
01:45:42,960 --> 01:45:47,160
Speaker 1: Uh, well, she she says that everything is flooded back,

2073
01:45:47,200 --> 01:45:49,720
Speaker 1: but she doesn't say when that happened, right, like it

2074
01:45:49,760 --> 01:45:53,679
Speaker 1: could have happened before or does she say, I mean

2075
01:45:53,840 --> 01:45:57,599
Speaker 1: she said I remember, I remember that basically, and here

2076
01:45:57,680 --> 01:45:59,960
Speaker 1: are remember our vows that we said.

2077
01:46:00,080 --> 01:46:02,240
Speaker 2: Yes, yes, okay, okay, and that kind of thing.

2078
01:46:02,479 --> 01:46:05,599
Speaker 3: And so Dom has been faking it the entire time here.

2079
01:46:06,040 --> 01:46:09,400
Speaker 3: That's what I thought. He like like winking, like he's

2080
01:46:09,479 --> 01:46:12,559
Speaker 3: pretending to be dead. He's like, oh, she's gonna remember.

2081
01:46:12,600 --> 01:46:13,679
Speaker 3: I think this is gonna work.

2082
01:46:14,439 --> 01:46:17,400
Speaker 2: I think this will do it. Only his breath the

2083
01:46:17,439 --> 01:46:23,320
Speaker 2: whole time, just waiting say we were married, remember us

2084
01:46:23,320 --> 01:46:27,200
Speaker 2: in the white pants on the white tank top on.

2085
01:46:27,880 --> 01:46:29,960
Speaker 2: One of the biggest laughs of the movie though, for me,

2086
01:46:30,080 --> 01:46:36,240
Speaker 2: is when he finally wakes up. It's about time. He

2087
01:46:36,680 --> 01:46:39,360
Speaker 2: just he just came back from a coma. The guy

2088
01:46:39,600 --> 01:46:44,160
Speaker 2: was pronounced dead by one second ago, but he's back

2089
01:46:44,240 --> 01:46:46,600
Speaker 2: for a one liner. I love it. I thought that

2090
01:46:46,680 --> 01:46:50,360
Speaker 2: was hilarious. I just I don't know when did Michelle Rodriguez,

2091
01:46:50,400 --> 01:46:55,680
Speaker 2: when did Letty remember? There's who knows? Like why why?

2092
01:46:55,520 --> 01:46:55,640
Speaker 3: Why?

2093
01:46:55,760 --> 01:46:59,040
Speaker 2: I think Dom was faking. I think Dom is faking

2094
01:46:59,280 --> 01:47:00,719
Speaker 2: his death right here.

2095
01:47:01,040 --> 01:47:04,720
Speaker 3: To put her over the edge to the top. In

2096
01:47:04,800 --> 01:47:08,560
Speaker 3: the recollection, the triggering of memories of the wedding specifically

2097
01:47:08,560 --> 01:47:12,000
Speaker 3: and the love and the past and that as soon

2098
01:47:12,040 --> 01:47:13,320
Speaker 3: as she does, he's like.

2099
01:47:14,160 --> 01:47:17,519
Speaker 2: Got chat chab good. Wow, that's what I think.

2100
01:47:17,600 --> 01:47:22,320
Speaker 1: That is quite the theory, and maybe you're onto something there. Yeah,

2101
01:47:22,439 --> 01:47:24,360
Speaker 1: I thought it was just she was just trying to

2102
01:47:24,400 --> 01:47:27,479
Speaker 1: keep things consistent. Look, he's dead, all right, guys, he's dead.

2103
01:47:27,520 --> 01:47:29,600
Speaker 1: Stop trying to save him, because we don't do that

2104
01:47:29,680 --> 01:47:33,240
Speaker 1: in this franchise, except they did do it this one

2105
01:47:33,360 --> 01:47:38,120
Speaker 1: time when mister Nobody gets shot. Oh, Vin Diesel suddenly

2106
01:47:38,160 --> 01:47:42,320
Speaker 1: wants he's learned about direct pressure. He's actually putting his

2107
01:47:42,439 --> 01:47:46,360
Speaker 1: hands on mister Nobody, a guy he just met who

2108
01:47:46,439 --> 01:47:49,760
Speaker 1: won't even tell him his real name and is probably

2109
01:47:49,800 --> 01:47:52,599
Speaker 1: gonna double cross him at some point. Oh he wants

2110
01:47:52,640 --> 01:47:56,280
Speaker 1: to say that guy, but Vince, No, no direct pressure

2111
01:47:56,320 --> 01:47:57,719
Speaker 1: for Jesse.

2112
01:47:58,160 --> 01:48:01,040
Speaker 3: Sorry, gotta go, Vin, not a chance.

2113
01:48:02,760 --> 01:48:05,679
Speaker 2: We're not even gonna check. Definitely dead.

2114
01:48:06,400 --> 01:48:10,080
Speaker 3: Like, that's eighteen miles long this runway. She's at least

2115
01:48:10,120 --> 01:48:12,360
Speaker 3: halfway back. I don't have the gas.

2116
01:48:13,479 --> 01:48:17,080
Speaker 1: Should we get shot, Yeah, he's he's not that far back.

2117
01:48:17,120 --> 01:48:17,800
Speaker 1: He fell off.

2118
01:48:17,960 --> 01:48:21,439
Speaker 3: Just wow, Well that's my theory that he was faking

2119
01:48:21,479 --> 01:48:24,960
Speaker 3: in there, Like it's it's like, yeah, that final final

2120
01:48:25,000 --> 01:48:28,679
Speaker 3: push to get letty back to remembering the past, because

2121
01:48:28,800 --> 01:48:32,640
Speaker 3: right away he's awake and saying the line that that

2122
01:48:32,720 --> 01:48:34,879
Speaker 3: t K said, and so it's it truly is amazing.

2123
01:48:34,920 --> 01:48:37,360
Speaker 2: So was that part of y'all's wedding vows as well?

2124
01:48:37,520 --> 01:48:40,360
Speaker 2: It was in mine. If you die, I die. Yeah.

2125
01:48:40,800 --> 01:48:44,400
Speaker 2: They kissed the bride and then I took my necklace

2126
01:48:44,680 --> 01:48:50,519
Speaker 2: and placed it over Laura's head. So bonded forever.

2127
01:48:50,640 --> 01:48:52,559
Speaker 3: And so then they jumped in the car and she

2128
01:48:52,680 --> 01:48:55,160
Speaker 3: had her feet all over a mother driving and they went,

2129
01:48:55,880 --> 01:48:57,280
Speaker 3: you know, kayaking right.

2130
01:48:57,680 --> 01:49:01,360
Speaker 1: It must have been. Well, at least we found out

2131
01:49:01,400 --> 01:49:05,080
Speaker 1: the significance of the of the necklace, which we hadn't

2132
01:49:05,400 --> 01:49:06,800
Speaker 1: really known up until now.

2133
01:49:06,920 --> 01:49:11,720
Speaker 2: So well, okay, we knew the significance was gay.

2134
01:49:12,479 --> 01:49:14,639
Speaker 1: Yeah, but we didn't know it was the in lieu

2135
01:49:14,680 --> 01:49:17,200
Speaker 1: of a ring. Right, it has that much it It

2136
01:49:17,240 --> 01:49:19,400
Speaker 1: has a little more weight to it now that it's uh,

2137
01:49:20,040 --> 01:49:22,880
Speaker 1: you know, this thing that's been passed around sort of thing.

2138
01:49:23,280 --> 01:49:23,920
Speaker 2: That's a good point.

2139
01:49:24,960 --> 01:49:28,639
Speaker 3: I again, I said this already, the whole marriage angle

2140
01:49:29,600 --> 01:49:33,160
Speaker 3: so happy, especially after ranting on the last one about it.

2141
01:49:33,720 --> 01:49:36,800
Speaker 3: I was dumbfounded that we that we were being told

2142
01:49:36,800 --> 01:49:39,479
Speaker 3: they were married. I'm like, oh I know, okay, good,

2143
01:49:39,600 --> 01:49:43,320
Speaker 3: thank you have closed the book on that question.

2144
01:49:44,000 --> 01:49:47,320
Speaker 2: Then later we were actually seeing them married.

2145
01:49:47,560 --> 01:49:51,000
Speaker 1: It's such a slow burn on that secret. And what

2146
01:49:51,160 --> 01:49:54,680
Speaker 1: a soap opera twist, right, Like, yeah, the Fast and

2147
01:49:54,720 --> 01:49:57,120
Speaker 1: the Furious sounds like a soap opera. It's like The

2148
01:49:57,160 --> 01:50:00,439
Speaker 1: Young and the Rest, you know, or whatever. Another world.

2149
01:50:00,520 --> 01:50:03,640
Speaker 1: It's just it's it's just that part of it I

2150
01:50:03,720 --> 01:50:04,360
Speaker 1: do enjoy.

2151
01:50:05,000 --> 01:50:08,639
Speaker 3: Okay, Well, Deckard is taken into custody by Hobbs, locked

2152
01:50:08,640 --> 01:50:13,000
Speaker 3: away in a secret, high security CIA prison. Don't you worry,

2153
01:50:13,960 --> 01:50:16,679
Speaker 3: We're gonna get more Hobbes versus Shaw.

2154
01:50:17,400 --> 01:50:18,280
Speaker 2: You know he I.

2155
01:50:18,240 --> 01:50:22,040
Speaker 3: Mean, doesn't Shaw basically say like you think this is

2156
01:50:22,080 --> 01:50:22,680
Speaker 3: gonna hold me?

2157
01:50:23,280 --> 01:50:24,519
Speaker 2: Like you think this is enough?

2158
01:50:24,560 --> 01:50:26,960
Speaker 3: And then I think Hobbs I was like, well, if

2159
01:50:27,000 --> 01:50:29,000
Speaker 3: it isn't, I'll be there to kick your ass or

2160
01:50:29,280 --> 01:50:29,639
Speaker 3: the hell.

2161
01:50:29,600 --> 01:50:32,400
Speaker 2: The eight feet a concrete and steal you may get

2162
01:50:32,439 --> 01:50:34,280
Speaker 2: through that. I'll be waiting on the other side with

2163
01:50:34,320 --> 01:50:44,160
Speaker 2: the body bag. It's a way of man.

2164
01:50:44,640 --> 01:50:48,639
Speaker 3: We gotta see the Rock versus Shaw at Wrestle Media,

2165
01:50:48,840 --> 01:50:51,680
Speaker 3: like one of these times, just just lead into it.

2166
01:50:51,760 --> 01:50:54,719
Speaker 2: Vince, No, not that Vince, the other Vince. Vince McMahon.

2167
01:50:55,600 --> 01:50:58,599
Speaker 3: So yeah, we'll get to Hobbs and Shaw later. The

2168
01:50:58,600 --> 01:51:01,920
Speaker 3: rest of the team relaxes on a tropical beach, Brian

2169
01:51:02,000 --> 01:51:04,320
Speaker 3: and mea play with their son jack Well, Dom Letty, Roman,

2170
01:51:04,360 --> 01:51:06,920
Speaker 3: Tege and Ramsey look on. Yeah, Ramsey is I guess

2171
01:51:06,960 --> 01:51:10,040
Speaker 3: part of this squad now acknowledging how happy Brian is.

2172
01:51:10,120 --> 01:51:12,960
Speaker 2: You know, he's retired, he's with his family.

2173
01:51:13,840 --> 01:51:19,120
Speaker 3: Dom drives away, Brian catches up, and as Dom recalls

2174
01:51:19,160 --> 01:51:21,600
Speaker 3: his memories with Brian, we get the montage here of

2175
01:51:22,000 --> 01:51:24,760
Speaker 3: actually Paul Walker, of course playing Brian O'Connor throughout these

2176
01:51:24,800 --> 01:51:28,799
Speaker 3: movies throughout the franchise. The two bid each other farewell

2177
01:51:28,840 --> 01:51:33,840
Speaker 3: and they drive off in separate directions, which I'm I

2178
01:51:33,840 --> 01:51:37,360
Speaker 3: didn't check, but Jad, that's the opening scene from The.

2179
01:51:37,320 --> 01:51:42,920
Speaker 2: Shining, is it not? I think it might be the

2180
01:51:42,960 --> 01:51:43,760
Speaker 2: exact road.

2181
01:51:43,920 --> 01:51:44,400
Speaker 1: Wow.

2182
01:51:44,760 --> 01:51:48,280
Speaker 2: So does that mean Fast and the Furious is in

2183
01:51:48,320 --> 01:51:51,479
Speaker 2: The Shining somehow anyway? Easy? Yeah.

2184
01:51:51,479 --> 01:51:52,960
Speaker 3: So we sort of talked about this at the at

2185
01:51:52,960 --> 01:51:55,320
Speaker 3: the beginning of this podcast, which was almost two hours ago.

2186
01:51:55,400 --> 01:51:59,400
Speaker 3: But this, this this ending scene tray anything to add

2187
01:51:59,439 --> 01:52:01,880
Speaker 3: to to how they did it. We all seem to

2188
01:52:01,880 --> 01:52:03,519
Speaker 3: be fans of it at the beginning of this podcast.

2189
01:52:03,760 --> 01:52:05,759
Speaker 3: I can't imagine your opinion has changed.

2190
01:52:05,760 --> 01:52:09,880
Speaker 2: Hen I had actual goosebumps on my leg. I looked down.

2191
01:52:09,920 --> 01:52:11,920
Speaker 2: I was like, oh, I got chills. And I had

2192
01:52:11,920 --> 01:52:14,400
Speaker 2: seen it before and obviously we all know the story

2193
01:52:14,400 --> 01:52:17,880
Speaker 2: of what's happened off screen, and I don't know. It's

2194
01:52:17,920 --> 01:52:20,439
Speaker 2: like a combination of Wow, they did a great job

2195
01:52:20,479 --> 01:52:22,800
Speaker 2: of wrapping up this storyline for Brian. This is the

2196
01:52:22,800 --> 01:52:25,320
Speaker 2: perfect send off, Like, literally, you get to go and

2197
01:52:25,360 --> 01:52:27,479
Speaker 2: be with your family. You've told us for seven movies.

2198
01:52:27,960 --> 01:52:30,960
Speaker 2: Family is the most important thing. We're actually seeing somebody

2199
01:52:31,000 --> 01:52:34,360
Speaker 2: retire and also a sick feeling at the same time,

2200
01:52:34,400 --> 01:52:37,280
Speaker 2: right because you're like that did not happen in real life.

2201
01:52:38,080 --> 01:52:41,840
Speaker 2: But the whiz Khalifa kicks in and like, yeah, it's

2202
01:52:41,880 --> 01:52:44,439
Speaker 2: the perfect song. They went back and asked him to

2203
01:52:44,479 --> 01:52:47,519
Speaker 2: re record it or to record it for this and

2204
01:52:47,880 --> 01:52:49,920
Speaker 2: I don't know, it hits. It definitely does. I thought

2205
01:52:49,920 --> 01:52:52,200
Speaker 2: it was such an emotional moment and such a change

2206
01:52:52,880 --> 01:52:56,639
Speaker 2: for the franchise to end something on an emotional moment,

2207
01:52:56,680 --> 01:52:58,880
Speaker 2: because usually it's like here's the end of the heist,

2208
01:52:58,920 --> 01:53:01,720
Speaker 2: here's the end of the crazy stunts we pulled, here's

2209
01:53:01,760 --> 01:53:04,200
Speaker 2: how we ended up getting away and this is actually

2210
01:53:04,200 --> 01:53:06,639
Speaker 2: something that's you know, tugging at the heart strings, which

2211
01:53:06,640 --> 01:53:07,840
Speaker 2: we haven't seen yet thus far.

2212
01:53:08,120 --> 01:53:11,559
Speaker 3: I do have one question, Judy was dom dreaming of

2213
01:53:11,600 --> 01:53:15,559
Speaker 3: Brian pulling up in the car beside him because I

2214
01:53:15,600 --> 01:53:17,480
Speaker 3: found that weird if that was real.

2215
01:53:17,360 --> 01:53:18,320
Speaker 2: You know, quote unquote real.

2216
01:53:18,400 --> 01:53:21,360
Speaker 3: This is a movie right right, because he's with his family,

2217
01:53:21,439 --> 01:53:23,680
Speaker 3: he's there, they're at the beach, and Jack and me

2218
01:53:23,760 --> 01:53:25,559
Speaker 3: are not with him in the vehicle when he when

2219
01:53:25,560 --> 01:53:28,920
Speaker 3: he pulls up. So I was wondering with that because

2220
01:53:28,960 --> 01:53:32,800
Speaker 3: that's why, along with the montage of you know, the

2221
01:53:32,920 --> 01:53:36,880
Speaker 3: previous six films up to this point, of Paul Walker

2222
01:53:36,880 --> 01:53:37,800
Speaker 3: in it, I don't know.

2223
01:53:37,880 --> 01:53:38,679
Speaker 2: I think possible.

2224
01:53:39,520 --> 01:53:43,439
Speaker 1: Yeah, it was very ethereal, very dream like. I don't

2225
01:53:43,439 --> 01:53:46,960
Speaker 1: know if they were. Well, it's possible and probably even

2226
01:53:47,040 --> 01:53:50,080
Speaker 1: more fitting, I suppose, because he does leave. Why would

2227
01:53:50,160 --> 01:53:52,599
Speaker 1: Brian leave the beach? I guess, But yeah, who cares

2228
01:53:52,640 --> 01:53:54,880
Speaker 1: at that point? You know, it's that we're now just

2229
01:53:55,080 --> 01:53:57,439
Speaker 1: it's a tribute to Paul Walker. And as I said before,

2230
01:53:57,479 --> 01:54:00,800
Speaker 1: I thought it was very tasteful and and very well done.

2231
01:54:01,280 --> 01:54:03,000
Speaker 1: It was the best they could have done. I think

2232
01:54:03,120 --> 01:54:04,320
Speaker 1: under the circumstances.

2233
01:54:05,360 --> 01:54:08,479
Speaker 3: So that is the movie that is Furious seven. It

2234
01:54:08,600 --> 01:54:11,360
Speaker 3: was for Paul, it says right after it. There are

2235
01:54:11,400 --> 01:54:13,960
Speaker 3: no you know, mid credit scenes or end credit scenes

2236
01:54:14,320 --> 01:54:18,800
Speaker 3: with this one. We leave it there. The fast, my god,

2237
01:54:18,960 --> 01:54:22,160
Speaker 3: the fast part of this favorite scene, favorite car, favorite quote, Jada, you.

2238
01:54:22,120 --> 01:54:25,559
Speaker 1: Go first, Yeah, I mean, I I've gone over my

2239
01:54:25,640 --> 01:54:29,559
Speaker 1: favorite stuff. I think I loved. I loved the first

2240
01:54:29,640 --> 01:54:34,600
Speaker 1: fight between the Rock and Decker Shaw there. They definitely

2241
01:54:34,640 --> 01:54:37,520
Speaker 1: have chemistry when they're fighting, and I can't wait to

2242
01:54:37,520 --> 01:54:39,000
Speaker 1: see them in Hobbs and Shaw.

2243
01:54:40,520 --> 01:54:45,760
Speaker 2: You mean wrestle. I would go see that. I would

2244
01:54:45,760 --> 01:54:46,160
Speaker 2: see that.

2245
01:54:47,320 --> 01:54:50,280
Speaker 1: And you know, Trey mentioned you guys were talking about

2246
01:54:50,280 --> 01:54:53,640
Speaker 1: how the Rock is just becoming the Rock, and that's good.

2247
01:54:53,720 --> 01:54:56,480
Speaker 1: That's great. I love that. But the Rock is great.

2248
01:54:57,120 --> 01:55:02,680
Speaker 1: He's super charismatic and uh, and I'm looking forward. I'm

2249
01:55:02,720 --> 01:55:05,120
Speaker 1: hoping the Rock is in future Well he's obviously in

2250
01:55:05,200 --> 01:55:06,680
Speaker 1: Hobs and Chow, but I don't know if he's in

2251
01:55:06,720 --> 01:55:11,680
Speaker 1: the next one. But yeah, other favorite scenes, the car,

2252
01:55:11,840 --> 01:55:15,400
Speaker 1: the whole set piece of the uh, the the cars

2253
01:55:15,440 --> 01:55:18,120
Speaker 1: parachuting and that whole stuff that we talked about. It

2254
01:55:18,200 --> 01:55:21,000
Speaker 1: was it was great, and the practical effects and the

2255
01:55:21,040 --> 01:55:24,880
Speaker 1: stunts I enjoyed, and that's as far as I can.

2256
01:55:24,960 --> 01:55:27,480
Speaker 1: I like the tribute at the end again, I thought

2257
01:55:27,480 --> 01:55:30,720
Speaker 1: it was fitting, but I didn't like. I didn't like

2258
01:55:30,760 --> 01:55:32,840
Speaker 1: this movie. If I'm being honest.

2259
01:55:32,640 --> 01:55:35,120
Speaker 3: Okay, we know you don't have a favorite quote because

2260
01:55:35,120 --> 01:55:36,800
Speaker 3: he didn't like most of the lines are written in

2261
01:55:36,840 --> 01:55:41,160
Speaker 3: this but Trey scene car quote, this is the fast portion.

2262
01:55:41,200 --> 01:55:43,280
Speaker 2: What you got well. I do think the three big

2263
01:55:43,320 --> 01:55:45,480
Speaker 2: scenes are all bangers. Dropping the cars out of the

2264
01:55:45,480 --> 01:55:49,200
Speaker 2: plane awesome, You're admin the driving down the mountain, Brian

2265
01:55:49,320 --> 01:55:52,720
Speaker 2: running up the bus. I love the skyscraper jumping. That's

2266
01:55:52,760 --> 01:55:55,920
Speaker 2: a mount rushmore stunt for me. They nailed the ending

2267
01:55:55,960 --> 01:55:59,000
Speaker 2: with Brian things. I also like TJ getting to do

2268
01:55:59,080 --> 01:56:01,800
Speaker 2: more stuff, like he's just been kind of, you know,

2269
01:56:01,840 --> 01:56:04,560
Speaker 2: like stuck in a building for the majority of this

2270
01:56:04,680 --> 01:56:07,240
Speaker 2: franchise and we're almost led to believe this guy will

2271
01:56:07,240 --> 01:56:09,680
Speaker 2: not drive anymore, and suddenly he's leading the caravan. I

2272
01:56:09,680 --> 01:56:12,080
Speaker 2: thought that was great. His little fight scene is pretty funny.

2273
01:56:12,320 --> 01:56:16,000
Speaker 2: And I do love the scene when Dom meets Hobbes's

2274
01:56:16,160 --> 01:56:19,160
Speaker 2: daughter in the hospital. I think that's great and she

2275
01:56:19,440 --> 01:56:22,920
Speaker 2: says to Dom, my dad says he kicked your ass once,

2276
01:56:23,120 --> 01:56:25,720
Speaker 2: and Dom responds, your dad's on heavy pain meds. I

2277
01:56:25,720 --> 01:56:29,440
Speaker 2: can understand if his memory is a little hazy. Dom

2278
01:56:29,520 --> 01:56:32,960
Speaker 2: doesn't even lose an imaginary fight in this, But yeah,

2279
01:56:33,000 --> 01:56:35,360
Speaker 2: I thought that was great, a little way to humanize

2280
01:56:35,360 --> 01:56:38,240
Speaker 2: Hobbes and get some good jokes in between those two.

2281
01:56:38,360 --> 01:56:41,560
Speaker 2: So those are big time scenes for me. And then

2282
01:56:41,720 --> 01:56:45,480
Speaker 2: I honestly love how seth self referential. This is. They

2283
01:56:45,520 --> 01:56:49,920
Speaker 2: bring back race wars and Hector Letty undefeated on screen.

2284
01:56:50,000 --> 01:56:53,320
Speaker 2: We've got a Tokyo drift extended scene. We've got so

2285
01:56:53,560 --> 01:56:58,360
Speaker 2: many cross necklaces. We've got Corona versus Belgian Ale a

2286
01:56:58,520 --> 01:57:02,360
Speaker 2: running joke in this. At one point, Roman runs down

2287
01:57:02,400 --> 01:57:05,480
Speaker 2: his list of feats and even mentions we shot one

2288
01:57:05,480 --> 01:57:08,720
Speaker 2: of the largest airplanes ever out of the sky. There's

2289
01:57:08,760 --> 01:57:11,520
Speaker 2: a moment when Brian looks at the camera and says,

2290
01:57:12,120 --> 01:57:14,760
Speaker 2: just when you didn't think you could get any better, huh.

2291
01:57:15,000 --> 01:57:18,000
Speaker 2: I thought that was funny. At one point, Brian is

2292
01:57:18,000 --> 01:57:20,520
Speaker 2: being chased by a drone and he says, I'm going

2293
01:57:20,560 --> 01:57:23,800
Speaker 2: old school. He goes underneath the semi. We hadn't seen

2294
01:57:23,840 --> 01:57:26,440
Speaker 2: it for a while. Dom and Shaw they're racing in

2295
01:57:26,480 --> 01:57:30,200
Speaker 2: a parking garage that's basically Tokyo drift. Even the way

2296
01:57:30,280 --> 01:57:34,480
Speaker 2: that they switch out Ramsey at one point they switch

2297
01:57:34,480 --> 01:57:37,400
Speaker 2: her out in cars underneath a bridge. I'm like, that's

2298
01:57:37,400 --> 01:57:39,000
Speaker 2: how you did it in Fast five, That's how you

2299
01:57:39,080 --> 01:57:41,840
Speaker 2: switched the safe. Everything that we have seen in the

2300
01:57:41,880 --> 01:57:44,160
Speaker 2: first six movies, it feels like they found a way

2301
01:57:44,200 --> 01:57:47,800
Speaker 2: to touch on it. And considering that this is an

2302
01:57:47,880 --> 01:57:50,400
Speaker 2: end of an era for Fast and Furious, I'm like,

2303
01:57:51,280 --> 01:57:53,480
Speaker 2: the more the merrier at that point for me, put

2304
01:57:53,520 --> 01:57:56,240
Speaker 2: in all these meta references because we've put in the

2305
01:57:56,240 --> 01:57:58,240
Speaker 2: work to be able to watch this. Yeah, we watched

2306
01:57:58,280 --> 01:58:01,760
Speaker 2: Los Bandeleros. So when you're referring to something that happened

2307
01:58:01,760 --> 01:58:03,880
Speaker 2: in a twenty minute short that you probably shouldn't have

2308
01:58:03,880 --> 01:58:05,880
Speaker 2: put your eyes on, it makes me feel good that

2309
01:58:05,920 --> 01:58:08,560
Speaker 2: I actually did. It's a great point. Uh do do

2310
01:58:08,600 --> 01:58:11,960
Speaker 2: you have a favorite quote from the entire movie? Well,

2311
01:58:12,000 --> 01:58:14,400
Speaker 2: my favorite quote from the entire movie. The number one

2312
01:58:14,440 --> 01:58:16,960
Speaker 2: line for me is this time it ain't just about

2313
01:58:16,960 --> 01:58:21,640
Speaker 2: being fast, people forget about the furious. Yeah, yeah, that's good.

2314
01:58:22,040 --> 01:58:22,440
Speaker 2: I liked.

2315
01:58:23,440 --> 01:58:25,400
Speaker 3: I like when Dumb when they're trying to break out

2316
01:58:25,400 --> 01:58:27,160
Speaker 3: that well, they're trying to get the chip out of

2317
01:58:27,200 --> 01:58:31,080
Speaker 3: the uh you know, expensive car in the penthouse says

2318
01:58:31,120 --> 01:58:38,040
Speaker 3: nothing sadder than locking a beast in a cage, and

2319
01:58:38,080 --> 01:58:38,960
Speaker 3: then of course.

2320
01:58:38,760 --> 01:58:41,520
Speaker 2: The uh they unleash it. Yeah, it takes it f

2321
01:58:41,880 --> 01:58:42,880
Speaker 2: to unleash the beast.

2322
01:58:43,120 --> 01:58:46,400
Speaker 3: Oh man, that's incredible. Uh and uh yeah, a lot

2323
01:58:46,440 --> 01:58:48,040
Speaker 3: of the scenes you guys said are some of my

2324
01:58:48,080 --> 01:58:51,680
Speaker 3: favorites as well. Okay, so The Furious JD. You gotta

2325
01:58:51,720 --> 01:58:54,680
Speaker 3: pick one dumbest scene or or something else you really

2326
01:58:54,680 --> 01:58:55,800
Speaker 3: did hate about this movie.

2327
01:58:55,880 --> 01:58:58,520
Speaker 1: Yeah, I've already gone over it. But the dumbest scene

2328
01:58:58,520 --> 01:59:02,240
Speaker 1: to me is is it is the building. Everything that

2329
01:59:02,280 --> 01:59:08,360
Speaker 1: happens in that building is just other than the car

2330
01:59:08,520 --> 01:59:12,720
Speaker 1: going from building the building. It's just you could have

2331
01:59:13,040 --> 01:59:15,320
Speaker 1: been a little bit creative, like why not have the

2332
01:59:15,360 --> 01:59:18,880
Speaker 1: car in the garage, but then they somehow end up

2333
01:59:18,920 --> 01:59:20,960
Speaker 1: in the elevator and they're trapped and then they have

2334
01:59:21,040 --> 01:59:23,960
Speaker 1: to jump, you know what I mean, Like simple stuff

2335
01:59:24,000 --> 01:59:27,480
Speaker 1: that they could have just addressed, but they just didn't.

2336
01:59:27,520 --> 01:59:30,560
Speaker 1: Bother It's just I just felt like the whole thing

2337
01:59:30,720 --> 01:59:33,760
Speaker 1: was just so I don't know, I mean, I know

2338
01:59:33,840 --> 01:59:36,160
Speaker 1: that they had to rewrite stuff, but I feel like

2339
01:59:36,160 --> 01:59:38,360
Speaker 1: there wasn't much of a script there to begin with. Really,

2340
01:59:38,440 --> 01:59:42,160
Speaker 1: you know what I mean, like it's just but yeah,

2341
01:59:42,200 --> 01:59:46,120
Speaker 1: that part that scene, I was just I couldn't stop.

2342
01:59:46,120 --> 01:59:49,080
Speaker 3: But jad, I mean, we've learned they basically work backwards

2343
01:59:49,080 --> 01:59:52,160
Speaker 3: with these huge stunts. They're like, hey'd be pretty cool

2344
01:59:52,720 --> 01:59:55,360
Speaker 3: if a fast car flew from that building to that

2345
01:59:55,400 --> 01:59:58,480
Speaker 3: building to that Sure, Okay, well now how we got

2346
01:59:58,520 --> 01:59:59,040
Speaker 3: to get it there?

2347
01:59:59,080 --> 02:00:01,760
Speaker 2: And why are we doing Let's try and fill in

2348
02:00:01,800 --> 02:00:04,160
Speaker 2: the pieces right, But they done better?

2349
02:00:04,200 --> 02:00:07,880
Speaker 1: But yeah, yeah, they're like some thought could go into it.

2350
02:00:07,920 --> 02:00:12,000
Speaker 1: I mean, in this same movie, the same year Mission Impossible,

2351
02:00:12,040 --> 02:00:15,400
Speaker 1: you have Tom Cruise, I think on that exact same building.

2352
02:00:15,640 --> 02:00:19,040
Speaker 1: It might be you know, well, we want to have

2353
02:00:19,120 --> 02:00:21,760
Speaker 1: him on the outside of a building. It's all plausible

2354
02:00:21,840 --> 02:00:24,600
Speaker 1: how he gets there and why he's doing it. Why

2355
02:00:24,640 --> 02:00:28,560
Speaker 1: can't the Fast and Furious franchise put that much effort?

2356
02:00:28,560 --> 02:00:31,640
Speaker 1: I wish they put as much effort into creating the stunts,

2357
02:00:32,240 --> 02:00:34,440
Speaker 1: into the setup to the.

2358
02:00:34,400 --> 02:00:37,480
Speaker 3: Stunts, you know what I mean, Like I would make

2359
02:00:37,520 --> 02:00:40,360
Speaker 3: it more in terms that it doesn't matter exactly.

2360
02:00:40,480 --> 02:00:43,400
Speaker 1: I mean, I am I am Homer Simpson at MO

2361
02:00:43,640 --> 02:00:47,920
Speaker 1: saying you lost yourself a customer, but nobody don't listen

2362
02:00:47,960 --> 02:00:51,040
Speaker 1: to me, Yeah, exactly.

2363
02:00:52,320 --> 02:00:54,280
Speaker 3: What are the numbers looking like for Furious seven? All

2364
02:00:54,320 --> 02:00:55,400
Speaker 3: we've done one point five billion?

2365
02:00:55,440 --> 02:00:57,920
Speaker 2: Yeah, yeah, yeah, But what about that producer for that

2366
02:00:57,960 --> 02:01:01,160
Speaker 2: one NBA podcast that like, oh god, he does not

2367
02:01:01,280 --> 02:01:01,480
Speaker 2: like it.

2368
02:01:01,880 --> 02:01:04,800
Speaker 3: This is a failures, complete failure, shut the whole thing's right?

2369
02:01:04,840 --> 02:01:06,080
Speaker 2: Yeah, no, no, you're right, You're right.

2370
02:01:07,240 --> 02:01:12,360
Speaker 3: Okay, Trey dumbest scene or something you hated, Well.

2371
02:01:12,000 --> 02:01:14,000
Speaker 2: I'm with j D. I think you mentioned it in

2372
02:01:14,120 --> 02:01:16,720
Speaker 2: the last episode. Just you're not a big fan of

2373
02:01:16,800 --> 02:01:21,080
Speaker 2: amnesia storylines, and I'm with you. And this basically lasts

2374
02:01:21,080 --> 02:01:23,760
Speaker 2: for two movies Letty's, and then it pays off at

2375
02:01:23,800 --> 02:01:27,720
Speaker 2: the end where suddenly she has had this awakening and

2376
02:01:27,760 --> 02:01:32,000
Speaker 2: it brings Dom back to life. I did. I have

2377
02:01:32,040 --> 02:01:33,840
Speaker 2: a sick feeling to my stomach and a feeling of

2378
02:01:33,880 --> 02:01:36,240
Speaker 2: happiness for Dom and Letty to be reunited and find

2379
02:01:36,240 --> 02:01:38,840
Speaker 2: out they were married. Yes, one hundred percent I did,

2380
02:01:38,840 --> 02:01:41,360
Speaker 2: but also completely silly, so I can't say I totally

2381
02:01:41,400 --> 02:01:44,360
Speaker 2: hated it because it paid off for me, but a

2382
02:01:44,480 --> 02:01:47,680
Speaker 2: super silly way. For like the one time it seems

2383
02:01:47,680 --> 02:01:50,200
Speaker 2: like Don Toretto might have had something bad happen to him,

2384
02:01:50,600 --> 02:01:54,280
Speaker 2: for suddenly his wife to completely remember their past together,

2385
02:01:54,320 --> 02:01:59,040
Speaker 2: which brings him back to life. Super far fetched. Yeah,

2386
02:01:59,080 --> 02:02:01,200
Speaker 2: so yeah, that's a That's the tough part with an

2387
02:02:01,240 --> 02:02:05,000
Speaker 2: amniia storyline is eventually that person has to remember and

2388
02:02:05,040 --> 02:02:08,320
Speaker 2: then it's just like, Okay, you just remembered. Yeah, I

2389
02:02:08,360 --> 02:02:11,000
Speaker 2: wish you would have remembered like forty five minutes earlier.

2390
02:02:11,000 --> 02:02:12,600
Speaker 2: We might have been able to avoid all of this.

2391
02:02:13,160 --> 02:02:15,680
Speaker 2: I will say the single scene that I hated the

2392
02:02:15,720 --> 02:02:19,320
Speaker 2: most is when Dom is fighting Shaw on top of

2393
02:02:19,320 --> 02:02:22,000
Speaker 2: the parking garage and he does a Superman punch and

2394
02:02:22,040 --> 02:02:26,400
Speaker 2: his Superman punch just looks so weird. I'm like, he's like,

2395
02:02:26,520 --> 02:02:29,720
Speaker 2: it's like flailing air what he does, and like when

2396
02:02:29,760 --> 02:02:32,680
Speaker 2: Paul Walker did it, it looked cool. Ronda Rowsey obviously

2397
02:02:32,760 --> 02:02:36,040
Speaker 2: nails hers because she's a real fighter. I think Jason

2398
02:02:36,080 --> 02:02:38,600
Speaker 2: Statham gets it one in at some point, so to me,

2399
02:02:38,680 --> 02:02:41,360
Speaker 2: it was like Vin Diesel's like, hey, Superman punch looks awesome.

2400
02:02:41,360 --> 02:02:45,120
Speaker 2: I'm gonna try this and not quite the same. Yeah,

2401
02:02:45,200 --> 02:02:47,400
Speaker 2: stick to the head butts man, Yeah, he's all about

2402
02:02:47,440 --> 02:02:48,040
Speaker 2: the head butts.

2403
02:02:48,240 --> 02:02:52,000
Speaker 3: Yeah. I think my least favorite thing about this movie

2404
02:02:52,840 --> 02:02:55,120
Speaker 3: was the second villain, Jaconde.

2405
02:02:55,760 --> 02:02:57,200
Speaker 2: I I don't.

2406
02:02:57,840 --> 02:03:00,120
Speaker 3: I mean, look, he plays a part I get it

2407
02:03:00,960 --> 02:03:02,920
Speaker 3: to try and like foil their plans and this whole

2408
02:03:02,960 --> 02:03:06,320
Speaker 3: God's Eye thing. But for such a great actor that

2409
02:03:06,360 --> 02:03:09,920
Speaker 3: they have as this guy, like it could have been anybody, Yeah,

2410
02:03:09,960 --> 02:03:12,360
Speaker 3: playing this like you're totally wasting.

2411
02:03:13,160 --> 02:03:16,480
Speaker 2: I think, uh an actor like him that is playing Jaconde.

2412
02:03:16,520 --> 02:03:18,040
Speaker 2: So he must have like seven lines.

2413
02:03:18,160 --> 02:03:20,600
Speaker 3: Oh yeah, he maybe an a lot of them in

2414
02:03:20,600 --> 02:03:22,560
Speaker 3: the helicopter I think at the end too, or he's

2415
02:03:22,600 --> 02:03:23,960
Speaker 3: just like given directions and.

2416
02:03:23,880 --> 02:03:25,200
Speaker 2: Stuff like that.

2417
02:03:25,480 --> 02:03:28,520
Speaker 3: They actually had the helicopter pilot had a surprising about

2418
02:03:28,560 --> 02:03:29,480
Speaker 3: of line.

2419
02:03:29,640 --> 02:03:32,800
Speaker 2: Yeah, very important. Yeah, they're like a little back and.

2420
02:03:32,720 --> 02:03:34,960
Speaker 3: Forth those two and trying to figure out the drones

2421
02:03:35,000 --> 02:03:37,320
Speaker 3: and the towers and the helicopters and Gods Eye and

2422
02:03:37,360 --> 02:03:39,640
Speaker 3: all that. So I just didn't I just didn't like

2423
02:03:40,640 --> 02:03:42,800
Speaker 3: I like, I wanted Decker to be the man and

2424
02:03:42,880 --> 02:03:44,960
Speaker 3: at a certain point like he is, but like there's

2425
02:03:45,000 --> 02:03:48,440
Speaker 3: then this guy and like it's it got convoluted. Like

2426
02:03:48,480 --> 02:03:50,760
Speaker 3: I said, I didn't love the ending with Uh. I

2427
02:03:50,800 --> 02:03:53,120
Speaker 3: didn't love a lot of the ending actually with Drones.

2428
02:03:55,200 --> 02:03:58,360
Speaker 3: I'll even say I wasn't all that impressed with the

2429
02:03:58,400 --> 02:04:01,000
Speaker 3: fight between Decker and Dom and the end, like it

2430
02:04:01,160 --> 02:04:04,440
Speaker 3: wasn't that great, and we talked about the silly car

2431
02:04:04,480 --> 02:04:07,600
Speaker 3: flying and putting the grenades on. So just the ending,

2432
02:04:07,800 --> 02:04:10,800
Speaker 3: which I feel like is becoming a theme with what

2433
02:04:10,880 --> 02:04:12,920
Speaker 3: I dislike about a lot of these movies. It's like

2434
02:04:13,000 --> 02:04:15,840
Speaker 3: how they end up ending it. But whatever, Uh, it

2435
02:04:15,880 --> 02:04:17,680
Speaker 3: was just a little uh, a little too much with

2436
02:04:17,720 --> 02:04:20,360
Speaker 3: this secondary bad guy. I could have done without it. Yeah,

2437
02:04:21,720 --> 02:04:22,640
Speaker 3: let's let's rate this.

2438
02:04:22,720 --> 02:04:25,240
Speaker 2: I know we're over two hours here. Let's rate this movie.

2439
02:04:25,640 --> 02:04:27,840
Speaker 3: Throw it in our leaderboard rankings and stuff like that,

2440
02:04:27,920 --> 02:04:30,200
Speaker 3: and if you have any other random observations you want

2441
02:04:30,200 --> 02:04:31,080
Speaker 3: to throw in, havebout it.

2442
02:04:31,160 --> 02:04:37,600
Speaker 1: GD Yeah, I'm giving this a five point five basically

2443
02:04:37,760 --> 02:04:42,080
Speaker 1: for the tribute to Paul Walker to I would enjoyed.

2444
02:04:42,680 --> 02:04:45,520
Speaker 1: I did as a fan. I'm gonna call myself a

2445
02:04:45,560 --> 02:04:48,440
Speaker 1: fan of this franchise, wow, because you know, why not,

2446
02:04:49,120 --> 02:04:53,839
Speaker 1: we're watching all of them. I'm in Uh. I enjoyed

2447
02:04:54,480 --> 02:04:57,080
Speaker 1: all the fan service that I got. I enjoyed Kurt

2448
02:04:57,120 --> 02:05:00,280
Speaker 1: Russell being introduced. I wish they had actually given him

2449
02:04:59,840 --> 02:05:03,360
Speaker 1: in instead of a placeholder, but that's fine. I like

2450
02:05:03,440 --> 02:05:08,040
Speaker 1: his SMARMI charm. I didn't like that the rock wasn't

2451
02:05:08,080 --> 02:05:12,080
Speaker 1: in it, and I didn't like you know, I felt

2452
02:05:12,120 --> 02:05:14,840
Speaker 1: like a toddler. I felt like a toddler but was

2453
02:05:14,880 --> 02:05:17,480
Speaker 1: too but too old to be spoon fed, you.

2454
02:05:17,440 --> 02:05:17,960
Speaker 2: Know what I mean?

2455
02:05:18,120 --> 02:05:21,800
Speaker 1: Like, uh, the last movie, I was really enjoying being

2456
02:05:21,800 --> 02:05:25,040
Speaker 1: spoon fed. I bought into the Here it comes, here

2457
02:05:25,120 --> 02:05:27,800
Speaker 1: comes the train boom, and now I'm just like, can

2458
02:05:27,840 --> 02:05:30,120
Speaker 1: you fuck off with the train already? Like, I know

2459
02:05:30,200 --> 02:05:32,680
Speaker 1: it's pablem and I don't like it. I don't like

2460
02:05:33,320 --> 02:05:37,040
Speaker 1: which is serving me because it's it's preposterous. And I

2461
02:05:37,120 --> 02:05:41,360
Speaker 1: know that this is a preposterous franchise, but you know

2462
02:05:42,800 --> 02:05:47,280
Speaker 1: you can still inject some logic into certain things. I mean,

2463
02:05:48,360 --> 02:05:53,000
Speaker 1: you know you're insulting me. I feel insulted. So I'm

2464
02:05:53,040 --> 02:05:56,480
Speaker 1: madam my boyfriend So five point five. So my leaderboard.

2465
02:05:57,320 --> 02:06:00,080
Speaker 1: Number one is Fast six. Number two is Tokyo a

2466
02:06:00,200 --> 02:06:04,520
Speaker 1: drift Fast five, next Fast seven. So it's right in

2467
02:06:04,560 --> 02:06:08,280
Speaker 1: the middle above Fast one, and then fast four and

2468
02:06:08,320 --> 02:06:11,720
Speaker 1: then two fast too furious We'll live at the bottom forever.

2469
02:06:11,960 --> 02:06:14,160
Speaker 2: Okay, So you got this basically right in the.

2470
02:06:14,120 --> 02:06:16,680
Speaker 1: Middle, right smack dab in the middle.

2471
02:06:16,760 --> 02:06:20,720
Speaker 3: Yeah, okay, Well, Trey, where do you have furious seven

2472
02:06:20,760 --> 02:06:22,400
Speaker 3: on your leaderboard. Is it one of the best, one

2473
02:06:22,440 --> 02:06:24,680
Speaker 3: of the worst, or like JD somewhere in the middle.

2474
02:06:24,880 --> 02:06:27,800
Speaker 2: Well, JD, if you're upset with your boyfriend, I'm mister,

2475
02:06:27,920 --> 02:06:31,920
Speaker 2: steal your film because this is a ten to four. Me.

2476
02:06:33,360 --> 02:06:37,200
Speaker 2: Oh yeah, this is is challenging five for my favorite.

2477
02:06:37,640 --> 02:06:39,760
Speaker 2: I can't believe how much I liked it, rewatching it.

2478
02:06:39,840 --> 02:06:43,480
Speaker 2: I want my Fast and Furious to continually build so

2479
02:06:43,560 --> 02:06:45,480
Speaker 2: that the climax is at the end. And when I've

2480
02:06:45,520 --> 02:06:47,560
Speaker 2: been thinking back, you know, I don't know, we go

2481
02:06:47,600 --> 02:06:50,960
Speaker 2: and record these podcasts and then I start thinking, I'm like, man,

2482
02:06:51,720 --> 02:06:54,480
Speaker 2: I really gave Fast and Furious a six, Like I

2483
02:06:54,480 --> 02:06:57,320
Speaker 2: felt bad. I felt bad, like insulting Ben Diesel. I'm like, sorry, man,

2484
02:06:57,640 --> 02:06:59,160
Speaker 2: I've been with you for so long at this point,

2485
02:06:59,160 --> 02:07:01,480
Speaker 2: I'm giving you a six. But the same problem for

2486
02:07:01,560 --> 02:07:04,440
Speaker 2: Fast six and Fast four for me was that the

2487
02:07:04,560 --> 02:07:07,600
Speaker 2: last stunt was the worst stunt. And it's like you're building,

2488
02:07:07,640 --> 02:07:09,960
Speaker 2: building building, you know, if you would have asked me

2489
02:07:10,760 --> 02:07:13,640
Speaker 2: after the tank sequence in Fast six, like where are

2490
02:07:13,640 --> 02:07:15,880
Speaker 2: you at, I'm like, I'm easily at a nine at

2491
02:07:15,880 --> 02:07:19,600
Speaker 2: this point, but just a dud. And with the dark

2492
02:07:19,640 --> 02:07:22,720
Speaker 2: plane and the long runway. I just didn't love it,

2493
02:07:22,760 --> 02:07:25,080
Speaker 2: and it's similar in Fast four. It's like they do

2494
02:07:25,160 --> 02:07:28,120
Speaker 2: the mountain race and then the finale again is the

2495
02:07:28,160 --> 02:07:30,840
Speaker 2: mountain race now here. I do think that the last

2496
02:07:30,880 --> 02:07:34,720
Speaker 2: stunt is probably the least impressive compared to the skyscraper

2497
02:07:34,760 --> 02:07:39,160
Speaker 2: and compared to falling out of the plane. But James

2498
02:07:39,240 --> 02:07:41,520
Speaker 2: Wand's able to save it because they've got this incredible

2499
02:07:41,520 --> 02:07:44,560
Speaker 2: tribute to Paul Walker at the end, and it's like, wow, Okay,

2500
02:07:44,560 --> 02:07:46,920
Speaker 2: we're finally getting an emotional ending to a Fast and

2501
02:07:46,960 --> 02:07:49,320
Speaker 2: Furious movie. That was a big time change for me.

2502
02:07:49,480 --> 02:07:52,800
Speaker 2: So this is my third ten of the series. Puts

2503
02:07:52,840 --> 02:07:56,480
Speaker 2: this up as a top tier fast movie. I got five, one,

2504
02:07:56,720 --> 02:08:00,000
Speaker 2: and seven in the top tier and then the midfield

2505
02:08:00,160 --> 02:08:05,440
Speaker 2: four to three, six and number two pulling in last. Yeah, okay, okay.

2506
02:08:05,560 --> 02:08:08,360
Speaker 3: I will say when you were saying you dislike the ending,

2507
02:08:09,640 --> 02:08:12,200
Speaker 3: they run into a problem this franchise does because they

2508
02:08:12,200 --> 02:08:14,520
Speaker 3: want these characters to keep coming back, and that usually

2509
02:08:14,520 --> 02:08:18,280
Speaker 3: includes the bad guy who, I will be honest, Jason Statham,

2510
02:08:18,320 --> 02:08:21,360
Speaker 3: awesome decor Shaw. I want to see more of them,

2511
02:08:21,680 --> 02:08:25,640
Speaker 3: but it would have been a badass ending of them

2512
02:08:25,760 --> 02:08:30,720
Speaker 3: killing him with them redoing the chicken scene, but him

2513
02:08:30,760 --> 02:08:33,880
Speaker 3: doing the wheelie and putting his tire right through his head,

2514
02:08:34,600 --> 02:08:36,920
Speaker 3: that actually would have been badass ending like, and it's like,

2515
02:08:37,120 --> 02:08:39,600
Speaker 3: you know, don it's like a great callback to Dom

2516
02:08:39,600 --> 02:08:42,960
Speaker 3: doing wheelies, and it's like thinking outside the box a

2517
02:08:42,960 --> 02:08:45,120
Speaker 3: little bit, and you think they are just gonna smash again,

2518
02:08:45,160 --> 02:08:45,880
Speaker 3: like that would have been cool.

2519
02:08:45,880 --> 02:08:48,720
Speaker 2: But then you know, look, he's dead.

2520
02:08:48,760 --> 02:08:50,920
Speaker 3: Then if the tire goes through his head, the car

2521
02:08:50,960 --> 02:08:54,880
Speaker 3: goes through his head instead. Now he's just fallen down

2522
02:08:54,920 --> 02:08:57,840
Speaker 3: in this rubble and they literally just go and get him.

2523
02:08:57,880 --> 02:08:59,720
Speaker 3: That's a funny part of this too, Like this guy's

2524
02:08:59,760 --> 02:09:02,400
Speaker 3: like the bad ass of all bad asses, and oh

2525
02:09:02,440 --> 02:09:04,320
Speaker 3: we got him. He fell a lot of stories there

2526
02:09:04,360 --> 02:09:05,920
Speaker 3: under a lot of rocks, and we'll just pull him out,

2527
02:09:05,920 --> 02:09:07,360
Speaker 3: put him in a detention center, and then we'll have

2528
02:09:07,360 --> 02:09:07,960
Speaker 3: to fight him again.

2529
02:09:08,920 --> 02:09:09,879
Speaker 2: I like this movie.

2530
02:09:10,480 --> 02:09:12,560
Speaker 3: I think a big part of it is the four

2531
02:09:12,640 --> 02:09:15,280
Speaker 3: Paul and how they did it and how they handled it.

2532
02:09:15,280 --> 02:09:15,960
Speaker 2: It was touching.

2533
02:09:16,040 --> 02:09:18,560
Speaker 3: Yeah, I wasn't I wasn't crying by any means, but

2534
02:09:18,640 --> 02:09:20,920
Speaker 3: I was like, man, I've watched a lot of movies

2535
02:09:20,960 --> 02:09:23,120
Speaker 3: with this guy, and we had a lot of jokes

2536
02:09:23,160 --> 02:09:25,880
Speaker 3: about him, and he's been pretty entertaining throughout the whole thing,

2537
02:09:25,960 --> 02:09:28,040
Speaker 3: and it's tragic how he did die, but they did

2538
02:09:28,080 --> 02:09:32,240
Speaker 3: handle it well. Hate the ending like most of them,

2539
02:09:32,280 --> 02:09:35,800
Speaker 3: but high on it overall. I'm gonna give it an

2540
02:09:35,840 --> 02:09:39,040
Speaker 3: eight woo yeah, which for me and I don't have

2541
02:09:39,080 --> 02:09:41,320
Speaker 3: it because, like you guys, I forget to do this part.

2542
02:09:43,600 --> 02:09:45,320
Speaker 3: That's very high. That might be one of the best

2543
02:09:45,360 --> 02:09:48,320
Speaker 3: scores I've given, So it's it's in the upper tier

2544
02:09:49,000 --> 02:09:52,720
Speaker 3: for me. For Furious seven's pretty good. It's pretty good.

2545
02:09:53,840 --> 02:09:56,920
Speaker 3: I definitely liked it more than than six. I know,

2546
02:09:57,120 --> 02:10:00,240
Speaker 3: I know that, so hopefully the scores reflect that. Have

2547
02:10:00,280 --> 02:10:03,040
Speaker 3: to make sure. Okay, so let's wrap this up by

2548
02:10:03,160 --> 02:10:05,160
Speaker 3: looking ahead to the next one, because we're not done

2549
02:10:06,080 --> 02:10:10,200
Speaker 3: Trey uh uh. The eighth installment from this franchise is

2550
02:10:10,280 --> 02:10:11,120
Speaker 3: The Fate.

2551
02:10:11,160 --> 02:10:14,120
Speaker 2: Of the Furious. Uh. What do we need to know

2552
02:10:14,320 --> 02:10:17,800
Speaker 2: going into this one? Well, the question with any FNF

2553
02:10:18,000 --> 02:10:21,160
Speaker 2: movie is how can you top the previous one? And

2554
02:10:21,240 --> 02:10:25,560
Speaker 2: the answer is always more action and more stars. And

2555
02:10:25,640 --> 02:10:29,240
Speaker 2: we've on the action front. We've gone from cars to boats,

2556
02:10:29,280 --> 02:10:33,400
Speaker 2: to planes to helicopters, drones and cars flying through the

2557
02:10:33,440 --> 02:10:35,920
Speaker 2: air many different ways. But there are still a few

2558
02:10:36,200 --> 02:10:41,040
Speaker 2: more extreme modes of transport left to explore. They do

2559
02:10:41,200 --> 02:10:43,800
Speaker 2: that in Fate of the Furious. As for the stars,

2560
02:10:44,240 --> 02:10:47,280
Speaker 2: we've gone from just basically Vin Paul and Michelle Rodriguez

2561
02:10:47,680 --> 02:10:51,160
Speaker 2: to adding Tyres and Ludicrous and the Rock and Jason

2562
02:10:51,200 --> 02:10:54,240
Speaker 2: Statham and Kurt Russell skeets. You asked, do they just

2563
02:10:54,320 --> 02:10:58,040
Speaker 2: keep adding stars in this movie? Yeah, they do. And

2564
02:10:58,080 --> 02:11:01,160
Speaker 2: there's lots of major made your names who come into

2565
02:11:01,160 --> 02:11:04,240
Speaker 2: the Fast Verse in Fate of the Furious. But of

2566
02:11:04,400 --> 02:11:08,720
Speaker 2: course it's not just about new names. Some old names

2567
02:11:08,800 --> 02:11:09,840
Speaker 2: are back.

2568
02:11:09,840 --> 02:11:16,080
Speaker 3: As Oh well Buddy, yes, yeah, yeah, he'll be back,

2569
02:11:17,240 --> 02:11:17,600
Speaker 3: coming back.

2570
02:11:19,240 --> 02:11:24,520
Speaker 2: Funny name, Leo, Leo, yeah, Leo, and Santos they're back.

2571
02:11:24,720 --> 02:11:28,120
Speaker 2: As for the plot, well, you know Dom is all

2572
02:11:28,320 --> 02:11:32,240
Speaker 2: about family. Let's just say that is put to the

2573
02:11:32,280 --> 02:11:38,600
Speaker 2: test in Fast eight. Hmmm, somebody somebody turning on them

2574
02:11:38,680 --> 02:11:42,560
Speaker 2: or something here, Jen, somebody turning on him. Interesting you

2575
02:11:42,600 --> 02:11:46,800
Speaker 2: would say it that way. Oh, this is where this is.

2576
02:11:46,880 --> 02:11:49,840
Speaker 2: We gotta get a brother coming in here. I know,

2577
02:11:50,000 --> 02:11:51,880
Speaker 2: I know, I only know that.

2578
02:11:52,320 --> 02:11:56,760
Speaker 3: I only know this because I remember seeing something in

2579
02:11:56,840 --> 02:12:00,000
Speaker 3: doing research for one of the movies that we've done.

2580
02:12:00,000 --> 02:12:02,160
Speaker 3: And obviously where it said something like it was a

2581
02:12:02,160 --> 02:12:06,360
Speaker 3: goof maybe that dom he alluded to Mia being his

2582
02:12:06,440 --> 02:12:10,120
Speaker 3: only sibling, and then it said something like that's not true.

2583
02:12:10,480 --> 02:12:13,200
Speaker 2: Yeah, Mia says, I think it's in fast forward. Mea says,

2584
02:12:13,200 --> 02:12:15,400
Speaker 2: how do you say goodbye to your only brother? M

2585
02:12:16,680 --> 02:12:19,640
Speaker 2: But I mean, I don't think this is a spoiler.

2586
02:12:19,680 --> 02:12:22,120
Speaker 2: It's Fast nine that the that the mystery brother comes in.

2587
02:12:22,240 --> 02:12:24,880
Speaker 2: Oh oh, okay, Okay, there's a lot. There's a lot

2588
02:12:24,960 --> 02:12:28,760
Speaker 2: of family drama in Fate of the Furious as well.

2589
02:12:29,560 --> 02:12:33,960
Speaker 3: Okay, okay, Well, we'll be watching and we'll be podcasting

2590
02:12:34,000 --> 02:12:37,000
Speaker 3: about it, the Fate of the Furious, the eighth movie

2591
02:12:37,000 --> 02:12:38,680
Speaker 3: and the Fast and Furious franchise.

2592
02:12:38,880 --> 02:12:41,560
Speaker 2: Let us know what you thought of Furious seven, though, Uh.

2593
02:12:41,840 --> 02:12:43,400
Speaker 3: You can tweet at us at No Dunk Think you

2594
02:12:43,440 --> 02:12:46,240
Speaker 3: can email in No Dunk's at the Athletic dot com,

2595
02:12:46,240 --> 02:12:49,360
Speaker 3: put Fast Friends in the subject header, or hey, leave

2596
02:12:49,400 --> 02:12:53,600
Speaker 3: your comments below this YouTube video if you are subscribed

2597
02:12:53,640 --> 02:12:56,560
Speaker 3: and watching on YouTube A long woman, don't worry. This

2598
02:12:56,640 --> 02:12:58,400
Speaker 3: was the longest movie I think they've done so far,

2599
02:12:58,600 --> 02:13:01,800
Speaker 3: so it had only make sense here with Fast Friends. Guys,

2600
02:13:01,880 --> 02:13:16,320
Speaker 3: always a blast. We'll see you next week. Take care, alright, alright,

2601
02:13:16,520 --> 02:13:20,520
Speaker 3: sh