WEBVTT - 40-Love

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<v Speaker 1>It's not with Jenny Garth and Tori Spelling. You guys,

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<v Speaker 1>welcome to another one. To an OMG, I just want

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<v Speaker 1>you to repeat what you just said, miss thing. What

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<v Speaker 1>that was for your ears only? Okay? Okay, So I

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<v Speaker 1>was just saying off the record to my two besties here,

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<v Speaker 1>but for all of you to hear as well, that

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<v Speaker 1>I was all about season four. I was like, oh

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<v Speaker 1>my god, I can't wait to the college years. You

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<v Speaker 1>can't wait to the college years. Granted we're not to

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<v Speaker 1>college yet, but after the second episode of season four,

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<v Speaker 1>I did say, I'm going on the record, I might

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<v Speaker 1>just stop watching the show. Now. What you can't Okay,

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<v Speaker 1>first of all, you can't for one episode. You can't.

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<v Speaker 1>You can't stop watching. I'm way to invest it. But

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<v Speaker 1>I felt like it you just were saying that I

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<v Speaker 1>got nervous, nervous. Okay, she's not. She's not leaving us. Everybody,

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<v Speaker 1>all right now, this is good. Amy is so mad

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<v Speaker 1>at me right now. You can see Amy face to

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<v Speaker 1>hear this because he loved this episode. I think I

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<v Speaker 1>love Season four. I don't, but I think, remember I

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<v Speaker 1>told you it's my favorite season. So I think once

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<v Speaker 1>we get into the group of college. I'm gonna be

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<v Speaker 1>really happy. Yes, I'm I have so much to be

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<v Speaker 1>talking about on this episode, so I want to just

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<v Speaker 1>jump right in. Okay. Season four episode to the Girl

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<v Speaker 1>from New York City, You Guys, aired September. Synopsis. Dylan

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<v Speaker 1>returned to France and good spirits, while Kelly is waiting

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<v Speaker 1>by the phone and feeling guilty about her date with Gaston.

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<v Speaker 1>Jill confides in Brandon before she returned to New York.

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<v Speaker 1>Brenda is more homesick than ever and leaves the dorm

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<v Speaker 1>on a stormy night. Directed by Jeffrey Melman, written by

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<v Speaker 1>Steve Wasserman and Jessica Klein. Uh wow, this episode had

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<v Speaker 1>like a lot going on. First of all, I felt

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<v Speaker 1>like super long. I thought, when is this going to end?

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<v Speaker 1>But there was because there was so much. No, no,

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<v Speaker 1>not in a bad way, because there was so much

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<v Speaker 1>in it. There were three for me, there were like

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<v Speaker 1>three storylines. And then there was Andrea h who just

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<v Speaker 1>showed up with that bed hard. Oh my god, you guys,

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<v Speaker 1>why does she look She looks thirty years old with

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<v Speaker 1>that hair. Do my gosh. I saw what you guys

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<v Speaker 1>told me last week. I disagree. I disagree you like it?

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<v Speaker 1>Last week she looked thirty two solid thirty two. Okay,

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<v Speaker 1>say science, science, but there were three Let's talk. Let's

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<v Speaker 1>can we do this for me because I get a

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<v Speaker 1>little flustered or confused when we go hoppity pop back

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<v Speaker 1>and forth. Would you like to play an the counter

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<v Speaker 1>while you tell us how to organize that? You know,

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<v Speaker 1>I like things to be organized, and this is really

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<v Speaker 1>stressful when oh good, I'm so bad. Okay, so let's

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<v Speaker 1>let's just start with one story and then go let's

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<v Speaker 1>talk all about it, and then we'll do the other one.

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<v Speaker 1>Let's start. Let's start with Brendan College, because that's what

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<v Speaker 1>the show opens on. First of all, I love seeing

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<v Speaker 1>rain on any in any form, even if it's on

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<v Speaker 1>my TV, because it never rains where we live. Fake. Yeah,

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<v Speaker 1>that looks that looks so real. Oh well, first of all,

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<v Speaker 1>she didn't actually film this in Wisconsin, so it really

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<v Speaker 1>looks like Minnesota, Wisconsin. What sorry, my friends went to

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<v Speaker 1>school in Wisconsin. I thought that was real. I thought

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<v Speaker 1>that was real, like the exterior shot of it, like

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<v Speaker 1>in front of the building anyway, who cares, But definitely

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<v Speaker 1>not the shot of her in the window like right,

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<v Speaker 1>doing her homework or whatever she was doing that wasn't

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<v Speaker 1>real right because it was like pitter patter, pitter patter.

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<v Speaker 1>But she poor thing. She looks miserable. Oh my god,

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<v Speaker 1>she looks cute though her hair looks damn good, real

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<v Speaker 1>good on Point season four. But she just really does

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<v Speaker 1>look sad. And it just for me is so weird

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<v Speaker 1>to see Brenda at college. For some reason, she seems

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<v Speaker 1>so much more mature than a college girl. So like,

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<v Speaker 1>I don't know if that's Shannon coming through more or

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<v Speaker 1>if it's Brenda. I don't know, but for me, it

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<v Speaker 1>was just hard to believe sad or sour puss. I

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<v Speaker 1>think her sadness is coming out as sour pussness. But

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<v Speaker 1>why is her college starting so much earlier than the

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<v Speaker 1>West Coast colleges? So that happened. There's a time change,

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<v Speaker 1>there's a time difference. Is that it? That's actually very

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<v Speaker 1>common ahead So like U c l A starts very

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<v Speaker 1>late and other schools start like some schools start late

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<v Speaker 1>September and some start early August. Good looks like the

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<v Speaker 1>College of High School. Okay, okay, got it. I don't

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<v Speaker 1>know what about Darla, I didn't know this was going

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<v Speaker 1>to happen Darla. It's so so what so what do

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<v Speaker 1>you think of Darla? Both of you. Darla is a

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<v Speaker 1>dirty bird, That's what I think. So when we Um

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<v Speaker 1>talked to Wendy Benson she was talking about I didn't

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<v Speaker 1>know what she was talking about, like, oh, well, my

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<v Speaker 1>character like had sex, and I was like, she think

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<v Speaker 1>you have a different show. But I didn't want to

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<v Speaker 1>be rude. Oh my god, you just hadn't gotten to

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<v Speaker 1>this episode yet. Who knew that was going to unfold

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<v Speaker 1>with so much Darla action. The red Tassel move is

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<v Speaker 1>more of what the boys do. Oh really in eighties

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<v Speaker 1>movies it was a sock the red castle they fill

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<v Speaker 1>up as well. What no, isn't that a thing? The

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<v Speaker 1>Red Tassel felt very little. That was like the female

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<v Speaker 1>version of the sock. I guess yeah, yeah. I mean,

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<v Speaker 1>everyone give their thoughts because Darla. I'm she I'm torn

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<v Speaker 1>on Darla. Is she a good friend or is she?

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<v Speaker 1>I think Darla is all about Darla, and and she

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<v Speaker 1>pops in and tries to be like, oh, your best

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<v Speaker 1>friend from a long time ago, but really she talked

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<v Speaker 1>about her later in the episode, So what kind of friend.

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<v Speaker 1>Is that because a real friend never ever ever talked

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<v Speaker 1>about somebody. Although she justified because Brenda is being a

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<v Speaker 1>sour puss and won't go out and won't do anything,

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<v Speaker 1>but she could have said, you guys, she's having a

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<v Speaker 1>hard time transitioning. This is really harder. She missed her family,

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<v Speaker 1>like she could have defended her in some way, but

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<v Speaker 1>and said, yeah, but I see what you mean. She

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<v Speaker 1>is kind of being hard to be around. Maybe deep

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<v Speaker 1>down she feels scorned Darla. Yeah, why because Brenda got out,

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<v Speaker 1>she's back and she like she's left her and like, yeah,

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<v Speaker 1>a new set of friends. And maybe she's just like

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<v Speaker 1>deep down resentful. Maybe I don't know, or maybe Darla

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<v Speaker 1>is just sick of it, Like I'm trying so hard

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<v Speaker 1>with this girl and she's not putting in any effort

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<v Speaker 1>to join us, and she's kind of being well lives Darla.

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<v Speaker 1>At that age, you're just like all about you, like

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<v Speaker 1>you're just you know, you know, think about other people.

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<v Speaker 1>I don't think so. Did she give the full college

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<v Speaker 1>try to Minnesota? No? No, no, she didn't even leave

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<v Speaker 1>her dorm room. I mean, hello, but you guys, oh MG,

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<v Speaker 1>moment that her boyfriend was named Dylan. I think they

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<v Speaker 1>planned that. Oh god, that guy's a cutie right, Oh

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<v Speaker 1>my god. The scene with Darla with the curlers. I

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<v Speaker 1>spent a good portion of that scene being like, they

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<v Speaker 1>never let us cut our hair. Mid episode? What wait

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<v Speaker 1>you mean her hair was cut? It looked like it

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<v Speaker 1>was cut. Well, I see, I'm watching on my phone,

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<v Speaker 1>and it was because it was curled. It like went.

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<v Speaker 1>She had two rollers in it. At the end she

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<v Speaker 1>took the hot rollers out and I was like, oh yeah,

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<v Speaker 1>it got real curly and then real curly. They're definitely

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<v Speaker 1>making her the preppy Darla in juxtaposition to Brenda, dark,

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<v Speaker 1>gloomy Brenda. She's like, there's a boy leaves her like

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<v Speaker 1>Oxford shirt on. So, since we're going through it storyline storyline, storyline,

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<v Speaker 1>do you think that Brenda is leaving school because Donna

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<v Speaker 1>told her Kelly and Dylan broke up. I think that's

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<v Speaker 1>just the cherry on top m like poop, Like she

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<v Speaker 1>hates there, She's miserable. Everybody hates her there now exact.

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<v Speaker 1>But you guys, what about while Brenda is at school.

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<v Speaker 1>I don't know why I'm so much more invested in

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<v Speaker 1>Jim and Cindy's storyline. Now, we talked about that last week.

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<v Speaker 1>But when when they're in her room, when Cindy is

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<v Speaker 1>in her room, first of all, loving her new little haircut,

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<v Speaker 1>and look, I'm not you aren't. I think she looks

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<v Speaker 1>so cute. You don't, I don't know. You backed me up.

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<v Speaker 1>I don't like you don't like it either, and it

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<v Speaker 1>ages her eyes like it's just cut. It's not appropriate.

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<v Speaker 1>Stop stops, it's appropriate. She looks like Cindy, like Walsh,

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<v Speaker 1>like a mom, like she should look. She shouldn't look

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<v Speaker 1>all vava voie all the time. She's from Minnesota, but

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<v Speaker 1>she was. Okay, So I want to know what both

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<v Speaker 1>your thoughts were to the bedroom scene. Okay, let's just

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<v Speaker 1>start with sadness I felt about for Cindy, about her

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<v Speaker 1>daughter not being there, and like that was really breaking

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<v Speaker 1>my heart because that's what it's like, you guys. You

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<v Speaker 1>go in the room and it's just empty, and it's

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<v Speaker 1>the worst is feeling. I know that other people out

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<v Speaker 1>there can understand who are in the same position, but

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<v Speaker 1>that was hard for me. Um. But I know what

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<v Speaker 1>you are talking about because you are a dirty bird too.

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<v Speaker 1>You're talking about when Jim and Cindy were like I

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<v Speaker 1>didn't know how to smell bound. I was like, my

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<v Speaker 1>eyes stop, make it stop. I love seeing Jim no

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<v Speaker 1>physical I do know, I do not. I love the

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<v Speaker 1>idea over it. No, no, no, no, not for it.

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<v Speaker 1>I like him in a non sexual way, like I

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<v Speaker 1>just appreciate him and all his hair in a different way.

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<v Speaker 1>I don't want to see him kissing, and then I

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<v Speaker 1>definitely don't want to see him falling like down in

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<v Speaker 1>the in the dit position on his daughter's bed. Nope,

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<v Speaker 1>who does that? And parents do that on their bed?

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<v Speaker 1>No they don't. I mean I haven't heaven an he

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<v Speaker 1>has anybody listening? No, no, I can't know too multiple

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<v Speaker 1>time I did that? Why does that? I literally was what.

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<v Speaker 1>I sat there, I shouted out, no, no, not on

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<v Speaker 1>Brenda's bed, like I was taking back to the TV

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<v Speaker 1>for the first time. Can you all please discuss for

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<v Speaker 1>a second, because there our age? So why are we

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<v Speaker 1>so ewed by it? I don't know. I think I

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<v Speaker 1>might be fewed by my own sexual things now because

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<v Speaker 1>like just put it in a whole different category. In

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<v Speaker 1>all fairness, she gets sewed out by any like one

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<v Speaker 1>kissing or touching or like I did. But this really

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<v Speaker 1>got me. This really got me. She didn't like it.

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<v Speaker 1>She's hard because I might be. That's not a word, Tory.

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<v Speaker 1>Do you think you guys are sexier now than you

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<v Speaker 1>were then? Or you fwed out to wait looking at

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<v Speaker 1>our former selves? Do we think our former selves or

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<v Speaker 1>suffers aren't sexy per se? Like I love this show,

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<v Speaker 1>but like you would think that we are old and

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<v Speaker 1>we would be like the but we're just grossed out

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<v Speaker 1>by it because it's I want to know where you stand, Tori,

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<v Speaker 1>because I don't feel like it's a good justification of

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<v Speaker 1>like people are age right now, they look like people

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<v Speaker 1>like in their sixties or seventies. You mean you mean

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<v Speaker 1>we don't look like that? Is that what you're saying? Yes,

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<v Speaker 1>I think we might from other people's take it back

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<v Speaker 1>right now, take it back like from like if you're young,

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<v Speaker 1>if you're thirty years younger than we are. Oh boy, yeah,

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<v Speaker 1>but okay, have you guys seen the trailer for the

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<v Speaker 1>Julia Roberts George Clooney movie. Yes, yes, I don't say

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<v Speaker 1>you obviously they're going to hook up George Clooney. I mean,

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<v Speaker 1>come on, everybody, wants them to hook up. Okay, so

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<v Speaker 1>is there an example of an old couple take the

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<v Speaker 1>old doubt? Is there an example of an our age

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<v Speaker 1>couple that play the parents that were not sewed by

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<v Speaker 1>thank you, no darn. See, if they're playing the parents,

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<v Speaker 1>you just automatically have to be like an EO mode.

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<v Speaker 1>But if there's no kids involved, you can appreciate them

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<v Speaker 1>at any age. Correct. I mean, have you guys not

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<v Speaker 1>seen that show sex Life their parents? What sea? No?

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<v Speaker 1>Wait what sex life? Sex life on Netflix? And now

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<v Speaker 1>do yourselves a favor. I don't like stuff like that.

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<v Speaker 1>I do like stuff like that. What is you need

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<v Speaker 1>to watch it? Stat? Like, wait, who's it? These hotties

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<v Speaker 1>I don't even know, like Sarah Shahidi and this other

0:13:50.040 --> 0:13:52.840
<v Speaker 1>dude that's so hot and a third dude that's super

0:13:52.840 --> 0:13:55.760
<v Speaker 1>hot and it's very dirty and they have a threesome.

0:13:56.520 --> 0:13:59.560
<v Speaker 1>Oh my god, a threesome that'd be like, you guys,

0:13:59.640 --> 0:14:03.040
<v Speaker 1>stop stop my ears. And there are eight so early

0:14:03.080 --> 0:14:08.840
<v Speaker 1>you guys, this is my feeling. Wait, so, Jenny, I

0:14:08.880 --> 0:14:12.200
<v Speaker 1>have a question, was you too? I don't know why

0:14:12.640 --> 0:14:15.839
<v Speaker 1>because this mom and dad, uh, Brenda must have been

0:14:15.840 --> 0:14:18.160
<v Speaker 1>really cold in that hallway I felt for her and

0:14:18.200 --> 0:14:21.280
<v Speaker 1>her little cold butt sitting on that linoleum in there,

0:14:21.800 --> 0:14:26.360
<v Speaker 1>weak girl. That was like lonely, it was. It was

0:14:26.440 --> 0:14:28.760
<v Speaker 1>and sad for her. Raise your hand though, if you

0:14:28.800 --> 0:14:33.760
<v Speaker 1>think she's being a sour pus. But but she misable.

0:14:34.280 --> 0:14:37.360
<v Speaker 1>But she's miserable. But you wan't go to the party.

0:14:37.520 --> 0:14:40.360
<v Speaker 1>She's not trying, she's not. You're there already, you might

0:14:40.400 --> 0:14:42.880
<v Speaker 1>as well try. You're right, that is annoying for the

0:14:42.920 --> 0:14:45.800
<v Speaker 1>other people around her. But they were talking so meanly

0:14:45.840 --> 0:14:48.680
<v Speaker 1>about her when they came in and she was supposed

0:14:48.680 --> 0:14:53.560
<v Speaker 1>to be sleeping. Remember, yeah, also, come on, people, people

0:14:53.600 --> 0:14:56.640
<v Speaker 1>wake up by the likes d come on there so

0:14:57.120 --> 0:14:59.640
<v Speaker 1>clueless and they stay in like a perfect road. Did

0:14:59.640 --> 0:15:02.760
<v Speaker 1>you see they came in her room and they all

0:15:02.800 --> 0:15:06.640
<v Speaker 1>stayed in their perfect I really wanted somebody to stand it.

0:15:07.680 --> 0:15:10.360
<v Speaker 1>Dylan said something real mean. I can't remember what it was,

0:15:10.400 --> 0:15:12.640
<v Speaker 1>but I think he low blowed it too, like he

0:15:12.720 --> 0:15:14.760
<v Speaker 1>was just I think he did too. I kind of

0:15:14.800 --> 0:15:16.480
<v Speaker 1>ignored it because I was like, who cares what he

0:15:16.480 --> 0:15:20.640
<v Speaker 1>has to say? And I did. I felt really bad

0:15:20.640 --> 0:15:22.280
<v Speaker 1>for Okay, that's all I have to talk about about

0:15:22.280 --> 0:15:37.720
<v Speaker 1>Brenda before we move on from her. Do you think

0:15:37.760 --> 0:15:40.520
<v Speaker 1>she should leave? What do you think she should know?

0:15:40.760 --> 0:15:43.680
<v Speaker 1>If you were her? No, she should It's that easy.

0:15:43.720 --> 0:15:46.360
<v Speaker 1>He's just like, yeah, you quit things, you don't you

0:15:46.400 --> 0:15:50.000
<v Speaker 1>don't even try. M I mean, I know that that

0:15:50.160 --> 0:15:52.040
<v Speaker 1>would be what I would want to do, but I

0:15:52.040 --> 0:15:55.520
<v Speaker 1>would hope that there would be somebody like encouraging me

0:15:55.600 --> 0:15:57.720
<v Speaker 1>to stick it out and give it a try. And

0:15:57.760 --> 0:16:01.320
<v Speaker 1>where's her mom? Why aren't they talking? Like right because

0:16:01.320 --> 0:16:05.720
<v Speaker 1>they're hump on her bed. Okay, thanks for wearing a circle.

0:16:06.400 --> 0:16:12.160
<v Speaker 1>Happy she's gone, because yeah, like, oh, that was the

0:16:12.240 --> 0:16:14.760
<v Speaker 1>last one to check off our list. I also think

0:16:14.800 --> 0:16:18.680
<v Speaker 1>when she called and Donna Tori's message came on and

0:16:18.680 --> 0:16:22.920
<v Speaker 1>it was like that amazing. I loved our outgoing message.

0:16:23.160 --> 0:16:26.440
<v Speaker 1>I think we should redo that, Oh my god, and

0:16:26.480 --> 0:16:28.760
<v Speaker 1>we should make it available people can like call and

0:16:28.840 --> 0:16:32.080
<v Speaker 1>leave messages for us. That's a great idea. I love

0:16:32.120 --> 0:16:35.920
<v Speaker 1>it because that was so cute. Yes, remember when you

0:16:36.120 --> 0:16:37.680
<v Speaker 1>when you did that with your room mate and you

0:16:37.760 --> 0:16:42.920
<v Speaker 1>had like a joint message. I know I'm doing this

0:16:42.960 --> 0:16:44.920
<v Speaker 1>on the fly, but why don't we record that message

0:16:44.960 --> 0:16:47.600
<v Speaker 1>to be people's outgoing message and raise money for Breast

0:16:47.600 --> 0:16:51.960
<v Speaker 1>Cancer Month. Let's do it. Let's do it everyone you

0:16:52.040 --> 0:16:57.880
<v Speaker 1>want us to do that, I'm not a credit for you. Sorry. Okay,

0:16:57.960 --> 0:17:00.560
<v Speaker 1>I'm thinking what we do is we it up as

0:17:00.600 --> 0:17:06.479
<v Speaker 1>a ringtone and then people can buy it for the ringtone. Okay,

0:17:06.840 --> 0:17:10.399
<v Speaker 1>just know where it'll have an update by the how

0:17:10.440 --> 0:17:13.520
<v Speaker 1>we're going to do it. It's gonna be fun, very good,

0:17:14.720 --> 0:17:16.760
<v Speaker 1>very good. But she's all writing it down. She's just

0:17:16.800 --> 0:17:24.040
<v Speaker 1>writing very good. Okay, let's jump into into the next story.

0:17:24.440 --> 0:17:26.679
<v Speaker 1>Um wait, wait, wait, wait, have we finished this? I

0:17:26.680 --> 0:17:33.639
<v Speaker 1>feel like I hope so, I hope so other than

0:17:33.720 --> 0:17:35.800
<v Speaker 1>the pay phone and I actually had to remember, like

0:17:35.880 --> 0:17:37.760
<v Speaker 1>was it a dime then or was it a twenty

0:17:37.800 --> 0:17:41.040
<v Speaker 1>cents already? Well would it be? Would it? Did it

0:17:41.119 --> 0:17:43.000
<v Speaker 1>go from dime to twenty or did it go from

0:17:43.040 --> 0:17:46.239
<v Speaker 1>dime to a quarter? Yeah? I think it went from

0:17:46.320 --> 0:17:49.159
<v Speaker 1>dime to two dimes? Do you think new people are

0:17:49.200 --> 0:17:52.040
<v Speaker 1>watching it, like young people and going, what are they

0:17:52.080 --> 0:17:56.080
<v Speaker 1>talking about? What? They don't even know what a dime

0:17:56.160 --> 0:18:01.080
<v Speaker 1>is anymore? We just lost the young demo one of

0:18:01.080 --> 0:18:06.960
<v Speaker 1>our audience. Bye. Also, ok, I guess you had to

0:18:07.000 --> 0:18:09.760
<v Speaker 1>use the payphone because dumb Darla was like doing it

0:18:10.119 --> 0:18:12.800
<v Speaker 1>and she couldn't use that The dorm room. She could

0:18:12.840 --> 0:18:16.879
<v Speaker 1>have sent a wire. Well, fairness, that's right. Let's call

0:18:16.960 --> 0:18:19.840
<v Speaker 1>back the last episode. What did you call it? It

0:18:20.000 --> 0:18:24.879
<v Speaker 1>was a wire, but he called it a god a telegram. Uh,

0:18:25.000 --> 0:18:26.720
<v Speaker 1>it was a telegram, but he said I got a

0:18:26.720 --> 0:18:31.280
<v Speaker 1>wire from dinner. He had a different word. Oh god,

0:18:31.720 --> 0:18:35.800
<v Speaker 1>I'll have to remember he used a different word. Anyway. Okay, Jenny,

0:18:35.840 --> 0:18:40.160
<v Speaker 1>I sorry, okay, episode up? Sorry? You know the other storyline?

0:18:40.200 --> 0:18:46.320
<v Speaker 1>What's it called? B storyline? Let's call it with Steve

0:18:46.480 --> 0:18:53.399
<v Speaker 1>and Brandon just tennis? For me? What is happening? Why

0:18:53.440 --> 0:18:58.280
<v Speaker 1>are they so compatible? I couldn't okay. First of all,

0:18:58.359 --> 0:19:01.120
<v Speaker 1>I was like rand in a k Jason is good

0:19:01.119 --> 0:19:03.960
<v Speaker 1>at every sport. He just is. I think said that too,

0:19:04.000 --> 0:19:06.920
<v Speaker 1>because they're both so athletic, they're really good at tastes. Also,

0:19:07.119 --> 0:19:09.080
<v Speaker 1>do you think he was like I love sports, like

0:19:09.160 --> 0:19:11.560
<v Speaker 1>always put me playing sports, like this is my thing.

0:19:11.640 --> 0:19:14.560
<v Speaker 1>Here's the sports I'm great at, like whatever. There would

0:19:14.560 --> 0:19:17.640
<v Speaker 1>be pickball today if you didn't modernized. Did you guys

0:19:17.680 --> 0:19:23.200
<v Speaker 1>notice that both Ian Steve Brandon Jason are lefties. That's

0:19:23.200 --> 0:19:26.320
<v Speaker 1>why they're also so good at tennis, because they're coming

0:19:26.359 --> 0:19:30.800
<v Speaker 1>at it from their lefties. You didn't notice. Nope, I'm

0:19:30.840 --> 0:19:32.800
<v Speaker 1>trying to re enact it in my mind right now.

0:19:33.680 --> 0:19:39.119
<v Speaker 1>What's that called golf? Goofball? No, I'm pretty sure it

0:19:39.240 --> 0:19:42.480
<v Speaker 1>was before the days of the Instagram reverse thing. I

0:19:42.520 --> 0:19:44.040
<v Speaker 1>know what, there's a name for it. I think you're

0:19:44.040 --> 0:19:50.240
<v Speaker 1>thinking of snowboarding. Goofy, goofy, goofy? Is that for all sports?

0:19:50.240 --> 0:19:53.919
<v Speaker 1>When you're a lefty, you're a goofy? Lefties always have

0:19:53.920 --> 0:19:58.680
<v Speaker 1>an advantage in sports? All right? Who knows? But I did.

0:19:58.720 --> 0:20:00.480
<v Speaker 1>I made that note too. I said, like, Wow, they're

0:20:00.520 --> 0:20:03.320
<v Speaker 1>so both very athletic. I love that about them. They

0:20:03.320 --> 0:20:06.600
<v Speaker 1>were obviously really really playing. But here's what I really wondered.

0:20:08.520 --> 0:20:12.359
<v Speaker 1>You said last week how much you were loving Jason's look,

0:20:12.520 --> 0:20:16.760
<v Speaker 1>and I it's just simple. It's the hair, it's the haircut.

0:20:16.880 --> 0:20:20.679
<v Speaker 1>It's a he looks like a different person with that

0:20:20.760 --> 0:20:25.040
<v Speaker 1>hair do. Someone messaged just that he was shooting Calendar Girl?

0:20:25.720 --> 0:20:29.119
<v Speaker 1>Was that Calendar Girls? That track? He had short hair,

0:20:29.600 --> 0:20:32.960
<v Speaker 1>the same hair do, yes, and that, and a lot

0:20:33.000 --> 0:20:36.159
<v Speaker 1>of like new like cockiness, like I'm so cool, a

0:20:36.200 --> 0:20:40.200
<v Speaker 1>lot of like I'm in my I've found my stride. Right,

0:20:40.320 --> 0:20:45.000
<v Speaker 1>he really had, though, as Jason Priestley or Brandon Walsh did.

0:20:45.080 --> 0:20:50.639
<v Speaker 1>He called Jill babe real quick, like they are so fast?

0:20:50.680 --> 0:20:53.480
<v Speaker 1>I don't hit it. What the heck? Why is this moving?

0:20:53.680 --> 0:20:56.040
<v Speaker 1>Why is the storyline even happening? First of all, because

0:20:56.080 --> 0:20:57.640
<v Speaker 1>they need to wrap it up because it's not going

0:20:57.680 --> 0:21:00.080
<v Speaker 1>to the next episode. Okay what I'm thinking. But I

0:21:00.119 --> 0:21:03.000
<v Speaker 1>just didn't understand why it moved so quickly and why,

0:21:03.160 --> 0:21:07.320
<v Speaker 1>Like Steve was like, broke, You've been with her for

0:21:07.400 --> 0:21:10.280
<v Speaker 1>a week. You haven't slept with her? Like what what

0:21:11.400 --> 0:21:13.399
<v Speaker 1>is it? Just? Am I old? Or is that like

0:21:13.880 --> 0:21:18.080
<v Speaker 1>super fun? Was totally crazy. It was ridiculous. Can you

0:21:18.080 --> 0:21:20.840
<v Speaker 1>do me a favor? You guys? Will you sleep with me?

0:21:22.600 --> 0:21:27.199
<v Speaker 1>The so gross, I know, but it was hard for

0:21:27.240 --> 0:21:31.960
<v Speaker 1>me to hate it because of her situation. So it

0:21:32.080 --> 0:21:37.399
<v Speaker 1>was like I want to say, you know, I wanted

0:21:37.440 --> 0:21:42.480
<v Speaker 1>to say it was very Had they not had her storyline,

0:21:43.160 --> 0:21:47.080
<v Speaker 1>it would have been so what is happening? I just

0:21:47.160 --> 0:21:49.840
<v Speaker 1>kept saying, when they're back to their like being competitive

0:21:49.880 --> 0:21:54.160
<v Speaker 1>and like battling each each other at everything for what

0:21:54.320 --> 0:21:56.640
<v Speaker 1>for a girl? Is that? What it is? The goal

0:21:56.800 --> 0:21:59.840
<v Speaker 1>is they're trying to impress Jill poor thee last first

0:21:59.840 --> 0:22:02.840
<v Speaker 1>of all, but second of all, is that how boy

0:22:03.400 --> 0:22:09.840
<v Speaker 1>bff's act? Like is that natural point? That's a great question,

0:22:10.520 --> 0:22:14.400
<v Speaker 1>Like if you have a boy, I don't know, are

0:22:14.440 --> 0:22:17.199
<v Speaker 1>you just always competitive with each other and always rasing

0:22:17.200 --> 0:22:21.399
<v Speaker 1>each other and always like punching each other? Like, is

0:22:21.400 --> 0:22:24.920
<v Speaker 1>that is not fantasy football? They love like, they love competing.

0:22:25.760 --> 0:22:30.040
<v Speaker 1>They even compete at like a fake game. I guess

0:22:30.080 --> 0:22:33.760
<v Speaker 1>there's all different relationships even if boy or girl doesn't matter.

0:22:33.800 --> 0:22:36.440
<v Speaker 1>But these two are just like, I don't know what's

0:22:36.440 --> 0:22:40.240
<v Speaker 1>happening with them because I love them together. They're hilarious together,

0:22:41.119 --> 0:22:43.440
<v Speaker 1>They're perfect for each other, and then they just keep

0:22:43.440 --> 0:22:45.679
<v Speaker 1>having these stupid, petty arguments and I don't get it.

0:22:45.760 --> 0:22:50.280
<v Speaker 1>Do you think Celestine Jill got overly agitated? Like I

0:22:50.359 --> 0:22:52.720
<v Speaker 1>was sort of like let them be. Yeah, I would

0:22:52.720 --> 0:22:56.119
<v Speaker 1>be irretated. I'd be like, dude, I'm your girlfriends are

0:22:56.200 --> 0:22:59.720
<v Speaker 1>right here. Can we not do this right now? Well again,

0:22:59.720 --> 0:23:06.359
<v Speaker 1>I of our time. That's what they now call a bromance. Also,

0:23:06.400 --> 0:23:09.919
<v Speaker 1>it's very convenient. What was it called West Beach Club? West?

0:23:10.240 --> 0:23:15.360
<v Speaker 1>This fake sign the tennis club? Is that what you're

0:23:15.359 --> 0:23:20.080
<v Speaker 1>talking about? Yeah? It was? Where was that? I need

0:23:20.119 --> 0:23:21.879
<v Speaker 1>to know? I want to go there? There's a pool

0:23:21.960 --> 0:23:24.639
<v Speaker 1>and a tennis court. It looks so fun. I don't know.

0:23:24.720 --> 0:23:26.840
<v Speaker 1>But they filmed all those scenes in one day, so

0:23:26.920 --> 0:23:31.040
<v Speaker 1>that was on budget. One location. Yep. I loved it.

0:23:31.119 --> 0:23:33.400
<v Speaker 1>I want to many questions. I think there might be

0:23:33.760 --> 0:23:38.159
<v Speaker 1>like over by um Hancock Park area. Oh, I was

0:23:38.160 --> 0:23:42.000
<v Speaker 1>gonna say, we want in Century City. I have no idea.

0:23:42.680 --> 0:23:45.760
<v Speaker 1>At first, I thought they took someone's mansion and just

0:23:45.840 --> 0:23:48.600
<v Speaker 1>put that giant sign up on their tennis court, because

0:23:48.840 --> 0:23:52.120
<v Speaker 1>I don't know how was that at my house? Seriously,

0:23:52.200 --> 0:23:54.080
<v Speaker 1>I don't know a lot of clubs where the pool

0:23:55.440 --> 0:23:57.359
<v Speaker 1>and I thought the same thing. I was like, wow,

0:23:57.400 --> 0:23:59.479
<v Speaker 1>they put the pool right by the tennis court. You're right,

0:23:59.520 --> 0:24:01.960
<v Speaker 1>I bet you that was a private home. Good call.

0:24:02.080 --> 0:24:05.640
<v Speaker 1>Then someone tell us when as I thought that, they

0:24:05.760 --> 0:24:07.760
<v Speaker 1>kind of zoomed out a little bit and I saw

0:24:07.880 --> 0:24:11.480
<v Speaker 1>more like stairs and maybe another port. So I was like, Okay,

0:24:11.560 --> 0:24:14.119
<v Speaker 1>am I wrong? I need to know where that was.

0:24:15.480 --> 0:24:19.479
<v Speaker 1>Then bravo to the background actors who had to act

0:24:20.440 --> 0:24:22.760
<v Speaker 1>during the fight, because if there was a fight that

0:24:22.800 --> 0:24:25.439
<v Speaker 1>close to you, you would look like what's going on?

0:24:25.920 --> 0:24:32.000
<v Speaker 1>And a couple of them did. I wonder if they

0:24:32.000 --> 0:24:33.960
<v Speaker 1>did or like they did the first take, and they

0:24:34.000 --> 0:24:37.359
<v Speaker 1>just kept like and then they were like, cut, Okay,

0:24:37.480 --> 0:24:42.119
<v Speaker 1>do you notice what's happening. So for the background actors,

0:24:42.200 --> 0:24:45.439
<v Speaker 1>while the director would give us notes on our acting

0:24:45.440 --> 0:24:48.120
<v Speaker 1>and what to do, the first a d would get

0:24:48.160 --> 0:24:50.639
<v Speaker 1>the direction from the director and then go tell is

0:24:50.680 --> 0:24:55.760
<v Speaker 1>that right jen? The background? Yeah? Second, it might be

0:24:55.800 --> 0:24:59.520
<v Speaker 1>a second second eighties in charge of background actors as

0:24:59.520 --> 0:25:03.320
<v Speaker 1>the protoco and so often in that environment it's super

0:25:03.400 --> 0:25:05.800
<v Speaker 1>rushed and that there's no time to tell them what

0:25:05.840 --> 0:25:07.240
<v Speaker 1>to do. They bring them in, they're like, okay, you

0:25:07.320 --> 0:25:09.359
<v Speaker 1>cross here, you go there, and then you're watching this

0:25:09.400 --> 0:25:11.560
<v Speaker 1>and then don't say anything and don't you can't say

0:25:11.560 --> 0:25:14.280
<v Speaker 1>anything up to mime and like it's so stressful. But

0:25:14.400 --> 0:25:17.120
<v Speaker 1>because of like industry rules, the director if they don't

0:25:17.119 --> 0:25:20.520
<v Speaker 1>have a speaking part, can't give them the direction. Really,

0:25:21.320 --> 0:25:22.720
<v Speaker 1>I don't think I made that up. I think there's

0:25:22.760 --> 0:25:28.840
<v Speaker 1>something like that outain there. Wow. Questions, What I have

0:25:28.880 --> 0:25:32.119
<v Speaker 1>a question? You go first? You go first? Why is

0:25:32.160 --> 0:25:37.840
<v Speaker 1>Brandon so sexually aggressive? But he's just he wants to

0:25:37.880 --> 0:25:41.920
<v Speaker 1>eat her head? He tries to eat her head. Why

0:25:42.040 --> 0:25:45.679
<v Speaker 1>when you kiss someone? Why? Why is it that his

0:25:45.760 --> 0:25:49.560
<v Speaker 1>mouth is open entirely like she's eating a question for

0:25:49.640 --> 0:25:54.439
<v Speaker 1>thirty two years. It just made me uncomfortable to watch

0:25:54.680 --> 0:25:58.880
<v Speaker 1>like like that, You're like another victim of T MJ.

0:25:59.080 --> 0:26:03.919
<v Speaker 1>Here we go. It didn't do me, but it was

0:26:04.119 --> 0:26:08.000
<v Speaker 1>very noticeable. And his big his hands, the way he's

0:26:08.040 --> 0:26:09.879
<v Speaker 1>like he just puts his hands on the back right

0:26:10.000 --> 0:26:14.040
<v Speaker 1>pushes her head in there like he's just it's very aggressive.

0:26:14.119 --> 0:26:18.560
<v Speaker 1>And with that haircut, I was not feeling it at all,

0:26:18.720 --> 0:26:21.840
<v Speaker 1>Like I didn't like it. While I do agree he

0:26:21.880 --> 0:26:26.160
<v Speaker 1>looks great, I didn't like the vibe that I'm getting

0:26:26.160 --> 0:26:29.359
<v Speaker 1>from Brandon right now. I love you're getting a Jason vibe.

0:26:30.160 --> 0:26:33.399
<v Speaker 1>Maybe I love the vibe. I love the vibe. It

0:26:33.640 --> 0:26:38.399
<v Speaker 1>is a giant I agree on that. I'm sure no

0:26:38.520 --> 0:26:42.000
<v Speaker 1>girl was ever mad though. Really I would like if

0:26:42.040 --> 0:26:45.879
<v Speaker 1>I was a guest starring and I came in and

0:26:45.920 --> 0:26:49.119
<v Speaker 1>that guy was super handy with me, which he's supposed

0:26:49.160 --> 0:26:52.560
<v Speaker 1>to be, but it's still there's still like it's just

0:26:52.720 --> 0:26:56.560
<v Speaker 1>too comfortable, too quick, like I don't I don't feel it,

0:26:56.600 --> 0:26:59.879
<v Speaker 1>and and if it looks like I don't know what

0:27:00.000 --> 0:27:02.000
<v Speaker 1>it looks like, but it doesn't make But they kissed

0:27:02.320 --> 0:27:06.119
<v Speaker 1>every five seconds, like every little point they like practically kissed.

0:27:06.359 --> 0:27:08.760
<v Speaker 1>There was lots of like little kisses, and then there

0:27:08.800 --> 0:27:12.600
<v Speaker 1>was a big makeup and then like a ass slap

0:27:12.600 --> 0:27:15.679
<v Speaker 1>and on the tennis court, which I would have been like,

0:27:16.760 --> 0:27:19.119
<v Speaker 1>I mean, it looked real, it looked great, but it

0:27:19.200 --> 0:27:23.280
<v Speaker 1>made Brandon look like like a five year old, like

0:27:24.040 --> 0:27:27.000
<v Speaker 1>he hey like a guy, like like he didn't feel

0:27:27.000 --> 0:27:31.159
<v Speaker 1>like Brandon anymore. They're just very confusing because it's like,

0:27:31.240 --> 0:27:35.480
<v Speaker 1>at the same time of having just met, they seem

0:27:35.560 --> 0:27:38.119
<v Speaker 1>like they've been dating for two years, but then she

0:27:38.200 --> 0:27:40.960
<v Speaker 1>wants to take it slow. Then he's saying, why don't

0:27:40.960 --> 0:27:44.359
<v Speaker 1>you transfer college for me? Like because I met you

0:27:44.400 --> 0:27:47.240
<v Speaker 1>three days ago. Like it's very it's just also weird.

0:27:48.840 --> 0:27:51.760
<v Speaker 1>And Brandon, he just seems old and I can't with

0:27:51.840 --> 0:27:53.800
<v Speaker 1>his kisses. That's all I have to say about it.

0:27:54.320 --> 0:27:58.879
<v Speaker 1>What about the tennis offenses? Really, I thought the girls

0:27:58.880 --> 0:28:03.960
<v Speaker 1>look thicky. I loved her as it was like nineties,

0:28:04.080 --> 0:28:08.159
<v Speaker 1>like that typical nineties print on that skirt. Loved it

0:28:09.640 --> 0:28:12.520
<v Speaker 1>and bold with the sports bra only like yeah, I

0:28:12.560 --> 0:28:14.600
<v Speaker 1>was going to say that that's different, like the tennis

0:28:14.600 --> 0:28:17.399
<v Speaker 1>skirt always, but it was just a sports bra, not

0:28:17.520 --> 0:28:22.879
<v Speaker 1>a strict club The West Beach yes, college, yes, true, true,

0:28:23.000 --> 0:28:25.960
<v Speaker 1>they have loose dress code. I didn't understand why Joe

0:28:26.040 --> 0:28:28.000
<v Speaker 1>was just standing there. I thought she was supposed to

0:28:28.000 --> 0:28:29.920
<v Speaker 1>be playing tennis. But like in the parts where she

0:28:30.000 --> 0:28:32.360
<v Speaker 1>got hit by the ball twice in her ow, literally

0:28:32.359 --> 0:28:34.439
<v Speaker 1>she's just standing there waiting for the ball to hit her, like,

0:28:34.600 --> 0:28:37.840
<v Speaker 1>move like you don't want to get hit, put your

0:28:37.920 --> 0:28:40.520
<v Speaker 1>racket up, do something. She was there's no c G I,

0:28:40.920 --> 0:28:46.040
<v Speaker 1>so somebody had to get hit. Basically he really didn't

0:28:46.120 --> 0:28:48.800
<v Speaker 1>had to hit it right at her, but when she

0:28:48.840 --> 0:28:51.640
<v Speaker 1>would have been more like, yeah, she just stood there

0:28:51.680 --> 0:28:56.160
<v Speaker 1>like I don't know its call phony. It wasn't Wimbledon,

0:28:56.280 --> 0:29:00.520
<v Speaker 1>but it was good tennis. Good tennis, okay, yeah, pretty good?

0:29:00.520 --> 0:29:03.520
<v Speaker 1>Pretty good? So do you not care for them together?

0:29:03.960 --> 0:29:06.640
<v Speaker 1>Both of you? Know? What are your thoughts? She looks

0:29:06.680 --> 0:29:10.000
<v Speaker 1>familiar there. She's great. Don't get me wrong. I think

0:29:10.040 --> 0:29:14.080
<v Speaker 1>she's beautiful. She does a wonderful job acting the role.

0:29:15.400 --> 0:29:19.600
<v Speaker 1>I don't like his energy with her, so that must

0:29:19.640 --> 0:29:22.240
<v Speaker 1>mean I don't like them together. I don't know. Maybe

0:29:22.240 --> 0:29:24.680
<v Speaker 1>it's just him I'm not liking right now, but now

0:29:24.800 --> 0:29:27.600
<v Speaker 1>I agree. I don't think there's chemistry. There's some it's

0:29:27.640 --> 0:29:31.720
<v Speaker 1>off it's very Yeah, I don't know, it's not forced

0:29:31.720 --> 0:29:35.520
<v Speaker 1>because it looks supernatural. No, I know, but forcing a

0:29:35.520 --> 0:29:37.840
<v Speaker 1>different way, and it's coming from him, Like I feel

0:29:37.840 --> 0:29:40.240
<v Speaker 1>like they're forcing it on me. They're not forcing it

0:29:40.280 --> 0:29:43.200
<v Speaker 1>with each other. They're forcing it on me, and I

0:29:43.280 --> 0:29:47.920
<v Speaker 1>don't like it. So I like it. I definitely I

0:29:47.960 --> 0:29:55.800
<v Speaker 1>like them. I thought he handled her confession very well.

0:29:57.720 --> 0:30:00.200
<v Speaker 1>Guy I did too, But there was part of it

0:30:00.280 --> 0:30:04.120
<v Speaker 1>was like, oh, you know, he's like inside, he's like, damn,

0:30:04.280 --> 0:30:08.120
<v Speaker 1>I'm not going to get lucky tonight. I gotta do

0:30:08.200 --> 0:30:10.000
<v Speaker 1>the right thing and put my arm around her and

0:30:10.040 --> 0:30:16.200
<v Speaker 1>just hold her. Yeah. That was a very nine O

0:30:16.320 --> 0:30:21.600
<v Speaker 1>two one oh is um to put something very heavy,

0:30:22.240 --> 0:30:30.160
<v Speaker 1>very heavy into a maybe four minute scene. Yeah, not

0:30:30.280 --> 0:30:34.560
<v Speaker 1>mad about it. Well done. He ended up handling it

0:30:34.600 --> 0:30:39.680
<v Speaker 1>the right way, the brand the Brandon way, but ahead

0:30:39.680 --> 0:30:43.120
<v Speaker 1>of its time, as N one oh always is right,

0:30:44.240 --> 0:30:49.920
<v Speaker 1>but for a fairly sort of jovial tennis situation. And

0:30:49.960 --> 0:30:56.920
<v Speaker 1>then woo yeah, but I don't know how it was.

0:30:57.080 --> 0:30:59.080
<v Speaker 1>I feel like we should talk about the next storyline

0:30:59.120 --> 0:31:02.880
<v Speaker 1>now that okay, yes, okay, now I'm getting excited. Let's

0:31:02.880 --> 0:31:09.240
<v Speaker 1>talk about the beach apartment when it came on and

0:31:09.240 --> 0:31:12.960
<v Speaker 1>they're moving the boxes. I was like, immediately transported into

0:31:13.000 --> 0:31:16.080
<v Speaker 1>that set and I had to stop the video and

0:31:16.440 --> 0:31:18.880
<v Speaker 1>the video Oh my god, I'm old. I just stopped

0:31:18.920 --> 0:31:22.600
<v Speaker 1>the TV with my clicker and on her brain. She

0:31:22.640 --> 0:31:24.760
<v Speaker 1>stopped the video in her brain. The minute I saw

0:31:24.800 --> 0:31:27.240
<v Speaker 1>that linoleum in the kitchen, I was like, oh my god,

0:31:27.360 --> 0:31:31.240
<v Speaker 1>I want to be in that apartment. The cow chairs,

0:31:31.520 --> 0:31:34.960
<v Speaker 1>the couchair, that ugly couch with the floral pillows. I

0:31:35.000 --> 0:31:38.640
<v Speaker 1>hated that miss it so much. That's so comfy, ugly?

0:31:39.080 --> 0:31:42.440
<v Speaker 1>How dare you? I didn't like it? What the decor

0:31:42.480 --> 0:31:45.520
<v Speaker 1>of that apartment, it's a good disgusting, but now it's

0:31:45.560 --> 0:31:49.320
<v Speaker 1>been great for then. Yea, the decor of that apartment

0:31:49.400 --> 0:31:55.440
<v Speaker 1>works perfectly in two. The cowchun chair, the comfy chair

0:31:55.480 --> 0:32:02.040
<v Speaker 1>with the different florals, very retro, like amazing that we're

0:32:02.040 --> 0:32:04.240
<v Speaker 1>gonna get you a chair like that, Amy. So if

0:32:04.240 --> 0:32:07.040
<v Speaker 1>we decided to do a makeover and redid your apartment

0:32:07.080 --> 0:32:09.040
<v Speaker 1>and did it like this, that's okay. I've been in

0:32:09.080 --> 0:32:11.440
<v Speaker 1>her apartment. I know it looks great and had she

0:32:11.520 --> 0:32:18.200
<v Speaker 1>has great decor. She's gonna show us something she's carrying

0:32:18.280 --> 0:32:22.960
<v Speaker 1>in a giant chair like covered in cow hide. She

0:32:23.080 --> 0:32:25.720
<v Speaker 1>just walked it and walked it out. That is that

0:32:25.840 --> 0:32:30.160
<v Speaker 1>was amazing. Okay, okay, okay. To the beach apartment, Well,

0:32:30.520 --> 0:32:33.400
<v Speaker 1>that was an oppressive That was an impressive play of

0:32:33.760 --> 0:32:36.400
<v Speaker 1>that shots down. You're right that chair was so heavy.

0:32:37.080 --> 0:32:40.320
<v Speaker 1>The cow hide now I know, I never knew. Wait.

0:32:40.360 --> 0:32:42.440
<v Speaker 1>I was like, why do I love I have two

0:32:42.480 --> 0:32:44.920
<v Speaker 1>of those? Why do I love this? That's why I

0:32:45.040 --> 0:32:49.160
<v Speaker 1>was ingrained in you. When that cow hide chair showed up,

0:32:49.760 --> 0:32:54.440
<v Speaker 1>everything came back to me immediately. I remembered the apartment

0:32:54.600 --> 0:33:00.520
<v Speaker 1>was decorated amazing without being too like a rated. It

0:33:00.600 --> 0:33:02.920
<v Speaker 1>was like, it's not young. It felt like they pieced

0:33:02.920 --> 0:33:05.400
<v Speaker 1>it together with things that they loved, which I appreciated.

0:33:05.440 --> 0:33:08.040
<v Speaker 1>It didn't look like, you know, Felice had given them

0:33:08.040 --> 0:33:12.720
<v Speaker 1>her hand me downs, all Felice police police, who shows

0:33:12.800 --> 0:33:15.080
<v Speaker 1>up at nothing for her daughter, but there and move

0:33:15.120 --> 0:33:18.200
<v Speaker 1>her in at three am or what was it one am?

0:33:18.400 --> 0:33:23.360
<v Speaker 1>Remember then? But she was also there before twice. Yeah.

0:33:24.080 --> 0:33:27.600
<v Speaker 1>She she says to David, it's a safe neighborhood. And

0:33:27.640 --> 0:33:30.360
<v Speaker 1>he's like, yeah, I'm thinking, are you kidding me? It's

0:33:30.400 --> 0:33:33.400
<v Speaker 1>not a safe neighborhood? Was it? Safe. That supposed to

0:33:33.440 --> 0:33:38.080
<v Speaker 1>be Malibu, though. Isn't Manhattan Beach right on the strands

0:33:38.160 --> 0:33:41.560
<v Speaker 1>safe too? Or is it not? Girl, there's nothing safe

0:33:41.560 --> 0:33:44.400
<v Speaker 1>around here anymore. I'm sorry but that that is not

0:33:44.440 --> 0:33:48.320
<v Speaker 1>a safe neighborhood anymore. I love that apartment so much.

0:33:49.160 --> 0:33:51.880
<v Speaker 1>It was good. I love seeing them like do stuff

0:33:51.880 --> 0:33:57.920
<v Speaker 1>in the apartment, like moving boxes and cleaning building stuff. Yeah,

0:33:58.080 --> 0:34:02.719
<v Speaker 1>you guys built that stereo system. Most relatable thing of

0:34:02.760 --> 0:34:06.080
<v Speaker 1>all talk because they're arguing about how to hook it

0:34:06.200 --> 0:34:09.480
<v Speaker 1>up and the ox, the ox score. You guys felt

0:34:09.520 --> 0:34:11.680
<v Speaker 1>like a real couple for me for the first time

0:34:11.840 --> 0:34:16.239
<v Speaker 1>with when David follows you into your room and and

0:34:16.360 --> 0:34:18.480
<v Speaker 1>he like starts he sits on your bed and starts

0:34:18.480 --> 0:34:22.080
<v Speaker 1>taking his shoes off, and you're like, um, hello, what

0:34:22.120 --> 0:34:25.800
<v Speaker 1>are you doing hey? When they were building the stereo,

0:34:26.000 --> 0:34:29.120
<v Speaker 1>do you think that will be in this century? We

0:34:29.200 --> 0:34:33.880
<v Speaker 1>only have a few years left. He had some funny lines.

0:34:34.080 --> 0:34:37.279
<v Speaker 1>So you said that, Donna said that to him, Yes,

0:34:38.080 --> 0:34:40.440
<v Speaker 1>And then he says later in the bed to get done.

0:34:40.520 --> 0:34:42.440
<v Speaker 1>You think that will be done in this century? That

0:34:42.440 --> 0:34:45.920
<v Speaker 1>will he says, was almost over in the nineties. Is

0:34:45.920 --> 0:34:51.400
<v Speaker 1>that crazy? I think it's an expression. No, literally it

0:34:51.480 --> 0:34:57.960
<v Speaker 1>was four three, I don't know. But then later David says,

0:34:58.080 --> 0:35:00.600
<v Speaker 1>what did I do in a previous life to deserved this?

0:35:03.719 --> 0:35:18.759
<v Speaker 1>He's referring to Donna. I also like that we've got

0:35:18.760 --> 0:35:22.440
<v Speaker 1>the sprinkling that there will be a sorority situation, and

0:35:22.480 --> 0:35:27.280
<v Speaker 1>there will be a fraternity situation, which I'm all about.

0:35:27.320 --> 0:35:32.680
<v Speaker 1>That's when it starts to get goot, I am all about. Yeah. Wait, wait,

0:35:32.760 --> 0:35:37.280
<v Speaker 1>what was the thing? Okay? When Kelly was in Donna's room,

0:35:37.360 --> 0:35:44.400
<v Speaker 1>um on the bed petting the stuffed cat, First of all,

0:35:44.400 --> 0:35:46.640
<v Speaker 1>I thought the cat was real for a second. Second

0:35:46.640 --> 0:35:48.600
<v Speaker 1>of all, my mom was watching the show with me,

0:35:48.640 --> 0:35:51.120
<v Speaker 1>and this was one She said two things during the episode.

0:35:51.120 --> 0:35:54.520
<v Speaker 1>This is one of them. Is that cat real? And

0:35:54.560 --> 0:35:56.120
<v Speaker 1>then I'll tell you later what she said it for

0:35:56.160 --> 0:36:01.759
<v Speaker 1>another part, but I realized that cat looks exactly like

0:36:01.800 --> 0:36:05.840
<v Speaker 1>the cat you gave me from my first wedding. You

0:36:06.480 --> 0:36:10.600
<v Speaker 1>for some who gives anybody a cat as a wedding present?

0:36:10.880 --> 0:36:14.799
<v Speaker 1>First of all, you do that looks like there's so

0:36:14.840 --> 0:36:17.600
<v Speaker 1>many layers to that story. Okay, this is crazy. I

0:36:17.640 --> 0:36:19.359
<v Speaker 1>was looking at that and I was like, the cass

0:36:19.400 --> 0:36:22.359
<v Speaker 1>name was Sunday, right, And so I was looking at

0:36:22.440 --> 0:36:24.640
<v Speaker 1>I was like, that looks just like Sunday that I

0:36:25.040 --> 0:36:27.200
<v Speaker 1>so it was hello, It was not first of all,

0:36:27.239 --> 0:36:30.640
<v Speaker 1>it was the first it was your wedding shower. So

0:36:30.760 --> 0:36:35.160
<v Speaker 1>even weirder. She had always talked about wanting a cat.

0:36:35.480 --> 0:36:37.480
<v Speaker 1>I know, but I I say that every day. I

0:36:37.560 --> 0:36:42.360
<v Speaker 1>love kitties or I love hats. No, this is so crazy.

0:36:42.400 --> 0:36:44.880
<v Speaker 1>I was so allergic to cats, and back then it

0:36:44.920 --> 0:36:47.480
<v Speaker 1>was before people did rescue work. Like I went to

0:36:47.560 --> 0:36:49.759
<v Speaker 1>the Beverly Center and went to the pet shop there

0:36:50.280 --> 0:36:53.480
<v Speaker 1>and I literally bought a cat and was so nervous

0:36:53.560 --> 0:36:55.600
<v Speaker 1>in my car and I had all this stuff and

0:36:55.800 --> 0:36:58.920
<v Speaker 1>went to I believe your wedding shower was at a

0:36:59.080 --> 0:37:05.640
<v Speaker 1>Chateau Marmont, Yes, okay, And I remember carrying it in, like,

0:37:05.680 --> 0:37:07.359
<v Speaker 1>am I going to get in trouble and bring it in?

0:37:08.080 --> 0:37:11.560
<v Speaker 1>The whole thing is weird. I'm allergic to cats present

0:37:11.640 --> 0:37:14.120
<v Speaker 1>for their friend. That's a cat for the wedding shower, like,

0:37:14.800 --> 0:37:16.600
<v Speaker 1>and remember after you were like, I don't know what

0:37:16.640 --> 0:37:18.640
<v Speaker 1>to do. There was a reason you maybe couldn't keep it,

0:37:18.680 --> 0:37:20.440
<v Speaker 1>but you weren't sure, did d I not like cat

0:37:21.680 --> 0:37:23.840
<v Speaker 1>and I had big dogs. I had big dogs in

0:37:23.840 --> 0:37:26.400
<v Speaker 1>the catch I remember this, the cat Pete and pood

0:37:26.640 --> 0:37:29.359
<v Speaker 1>on my bed, and every time that would happen, I'd

0:37:29.360 --> 0:37:33.560
<v Speaker 1>be like, Tory man killer, who does that? That's the

0:37:33.600 --> 0:37:35.480
<v Speaker 1>craziest thing. I would never do that to someone now,

0:37:35.520 --> 0:37:37.360
<v Speaker 1>But I was young and I was really excited to

0:37:37.360 --> 0:37:39.560
<v Speaker 1>get you something outside the box rather than just going

0:37:39.560 --> 0:37:42.160
<v Speaker 1>to your registrate. Was that a decision you made just

0:37:42.320 --> 0:37:44.799
<v Speaker 1>on your own? Like? Did you did anybody help you

0:37:44.840 --> 0:37:47.840
<v Speaker 1>with that decision? I clearly did. Did not ask anybody

0:37:47.840 --> 0:37:51.719
<v Speaker 1>about them because everyone would say, no, don't do that.

0:37:52.200 --> 0:37:57.600
<v Speaker 1>It's just surpriser with a cat I did. Where did

0:37:57.640 --> 0:38:01.520
<v Speaker 1>that cat go? But feel that for a long time,

0:38:01.560 --> 0:38:06.399
<v Speaker 1>Stuffy the Stuffy was the inspiration. Anyone have that Stuffy?

0:38:07.520 --> 0:38:11.320
<v Speaker 1>May I ask some questions? Can we please talk about

0:38:12.400 --> 0:38:16.560
<v Speaker 1>Saved by the Doorbell? Dylan his back. Let's talk about

0:38:16.560 --> 0:38:24.000
<v Speaker 1>the flashbacks to everybody talked to me. I loved the flashbacks.

0:38:24.840 --> 0:38:29.120
<v Speaker 1>I thought it was fun. Dylan just feels speaking of

0:38:29.239 --> 0:38:32.480
<v Speaker 1>Brandon feeling more mature list episode, Dylan feels more mature.

0:38:32.560 --> 0:38:36.440
<v Speaker 1>This episode feels more aloof more like dressing different, like

0:38:36.440 --> 0:38:39.360
<v Speaker 1>like aging up a little bit, like just manners and

0:38:40.680 --> 0:38:45.000
<v Speaker 1>totally totally everybody feels more. No, just Brenda, Dylan and

0:38:45.040 --> 0:38:48.959
<v Speaker 1>Brandon all feel more mature. There's that cover of Rolling

0:38:49.000 --> 0:38:55.160
<v Speaker 1>Stone Girl care. Yeah, that he didn't sleep with Brigitte?

0:38:55.480 --> 0:38:59.239
<v Speaker 1>What exactly? Hello? Who cares that he didn't sleep with her?

0:38:59.280 --> 0:39:03.880
<v Speaker 1>He still was So that was not appropriate? You so weird?

0:39:04.120 --> 0:39:05.839
<v Speaker 1>You don't have a fight with your girlfriend and then

0:39:05.880 --> 0:39:10.160
<v Speaker 1>she leaves and then you hook up with Noodle in

0:39:10.239 --> 0:39:14.439
<v Speaker 1>public or and like talking like oh I was furious,

0:39:14.719 --> 0:39:21.400
<v Speaker 1>me too curious. Then you then then the snow on

0:39:21.480 --> 0:39:25.920
<v Speaker 1>a date with Gaston Gaston. Of course he's named Gaston.

0:39:26.360 --> 0:39:28.399
<v Speaker 1>He was a total babe. Isn't that the guy from

0:39:28.400 --> 0:39:32.000
<v Speaker 1>Beauty and the Beast? Yes, yeah, which they name, not

0:39:32.239 --> 0:39:35.480
<v Speaker 1>the guy from which Donna calls out. Donna says that

0:39:37.760 --> 0:39:40.160
<v Speaker 1>does anyone know who Gastone was? Did he even have

0:39:40.200 --> 0:39:44.480
<v Speaker 1>a line or was he just a handsome face? I

0:39:44.520 --> 0:39:47.920
<v Speaker 1>don't remember. I was too busy looking at him handsome?

0:39:48.160 --> 0:39:51.239
<v Speaker 1>So what do you think? Okay, really, Jenny Tory, what

0:39:51.280 --> 0:39:54.640
<v Speaker 1>do you think of the behavior of Kelly and Dylan?

0:39:55.120 --> 0:39:57.760
<v Speaker 1>And then that they just make up in a split second.

0:39:58.640 --> 0:40:04.560
<v Speaker 1>It was really immature. And then I also kept my

0:40:04.920 --> 0:40:07.640
<v Speaker 1>finding myself thinking like, oh, they don't have a cell phone,

0:40:07.719 --> 0:40:10.360
<v Speaker 1>so they couldn't call each other, text each other or

0:40:10.400 --> 0:40:12.919
<v Speaker 1>the way we do know how to work everything out.

0:40:14.440 --> 0:40:17.920
<v Speaker 1>So she left and she thought, I'm gonna get back. No,

0:40:18.120 --> 0:40:19.960
<v Speaker 1>and she came back and she saw him with Brigitte.

0:40:20.080 --> 0:40:21.560
<v Speaker 1>Then she said, oh, I'm gonna get back to him

0:40:21.560 --> 0:40:24.399
<v Speaker 1>with gust Stone. But that was just a fake thing,

0:40:25.880 --> 0:40:29.799
<v Speaker 1>but Dylan thought it was real, right, and she let

0:40:29.840 --> 0:40:32.440
<v Speaker 1>him slap and then she slapped him. That slap was

0:40:32.480 --> 0:40:35.960
<v Speaker 1>intense and nailed it. That was a real slap, you guys.

0:40:36.320 --> 0:40:39.160
<v Speaker 1>I didn't I could tell because I do love Dylan

0:40:39.520 --> 0:40:42.520
<v Speaker 1>and I don't. This doesn't I don't know if this

0:40:42.600 --> 0:40:45.520
<v Speaker 1>is dylan Ish or not. It kind of is, even

0:40:45.520 --> 0:40:47.080
<v Speaker 1>though in my mind I want to say it isn't.

0:40:47.520 --> 0:40:49.560
<v Speaker 1>Where the hell have you been all night? And he

0:40:49.680 --> 0:40:54.600
<v Speaker 1>was like very aggressive about that. Yeah, I didn't like this, this,

0:40:54.600 --> 0:40:58.120
<v Speaker 1>this part, this part of him. I didn't like him

0:40:58.160 --> 0:41:01.520
<v Speaker 1>this whole episode. It was very un him and I

0:41:01.600 --> 0:41:07.320
<v Speaker 1>know that that went seeing him up during this time

0:41:07.320 --> 0:41:09.680
<v Speaker 1>in our lives, seeing him do that scene with that

0:41:09.760 --> 0:41:13.920
<v Speaker 1>actress whoever she was, lovely girl was so upsetting for

0:41:14.080 --> 0:41:17.600
<v Speaker 1>me to be put d be put in that position

0:41:17.640 --> 0:41:21.880
<v Speaker 1>of okay, just got past the whole triangulation with Brenda,

0:41:22.640 --> 0:41:25.919
<v Speaker 1>and now now they're bringing in another girl and doing

0:41:25.920 --> 0:41:28.799
<v Speaker 1>the same ff and thing that they always do to

0:41:29.000 --> 0:41:33.160
<v Speaker 1>mess with people's minds, like you know, you're not good enough.

0:41:33.200 --> 0:41:34.560
<v Speaker 1>I'm going to move on to say it had to

0:41:34.600 --> 0:41:39.400
<v Speaker 1>be confusing in some alternate world. I wonder if that

0:41:39.480 --> 0:41:41.640
<v Speaker 1>girl we found her, if she would like I wonder

0:41:41.680 --> 0:41:45.160
<v Speaker 1>how she felt, like if she felt uneased that day,

0:41:45.200 --> 0:41:48.279
<v Speaker 1>like do you think you were just like her? High?

0:41:48.520 --> 0:41:52.279
<v Speaker 1>But not sure she like like, yeah, the actress was

0:41:52.520 --> 0:41:55.080
<v Speaker 1>very to be on this show. I'm sure I couldn't

0:41:55.120 --> 0:41:59.239
<v Speaker 1>have been like my most gracious and warm self d

0:42:00.239 --> 0:42:04.000
<v Speaker 1>given that situation in the scene, because those emotions felt

0:42:04.080 --> 0:42:09.600
<v Speaker 1>very real and very like some what's the word like

0:42:09.600 --> 0:42:13.600
<v Speaker 1>like tangible, and that it made sense to me that

0:42:13.680 --> 0:42:16.040
<v Speaker 1>it came out in a physical action of a slap,

0:42:16.080 --> 0:42:18.239
<v Speaker 1>because that's how I really felt watching it, and that's

0:42:18.280 --> 0:42:20.920
<v Speaker 1>how I know I felt in that moment and just

0:42:20.960 --> 0:42:23.440
<v Speaker 1>playing in the scene. Even though it wasn't real, it

0:42:23.560 --> 0:42:28.480
<v Speaker 1>felt so real. What about the knock on the door.

0:42:28.600 --> 0:42:30.520
<v Speaker 1>So we go to Dylant wear Dylan's house and there's

0:42:30.560 --> 0:42:32.360
<v Speaker 1>the knock on the door. Who did you think was

0:42:32.400 --> 0:42:35.720
<v Speaker 1>at the door Kelly. I was like, oh, dang it,

0:42:36.360 --> 0:42:39.160
<v Speaker 1>why is she going to him? That's what I wanted

0:42:39.200 --> 0:42:42.080
<v Speaker 1>to know, because Donna said you should go crawling back

0:42:42.080 --> 0:42:45.480
<v Speaker 1>to him. Why would she say that? Well? And then

0:42:45.840 --> 0:42:51.000
<v Speaker 1>Kelly apologizes first, which I get that you did your

0:42:51.040 --> 0:42:54.520
<v Speaker 1>own part in it, but your reaction was to him

0:42:54.560 --> 0:42:59.239
<v Speaker 1>being a you know, wet blanket. And then you go

0:42:59.400 --> 0:43:03.880
<v Speaker 1>off to give each other space and he's canoodling. I

0:43:03.960 --> 0:43:06.839
<v Speaker 1>was an idiot. It was selfish and mean. And then

0:43:06.880 --> 0:43:08.960
<v Speaker 1>you kiss and then he says I didn't sleep with

0:43:08.960 --> 0:43:12.040
<v Speaker 1>her either, But I'm like, no, it felt very twisted,

0:43:12.200 --> 0:43:15.320
<v Speaker 1>very wrong. I felt like there was a major male

0:43:15.320 --> 0:43:18.840
<v Speaker 1>writing influence in that. Like I felt like that in

0:43:18.880 --> 0:43:21.600
<v Speaker 1>a few times in this episode there I found myself

0:43:21.640 --> 0:43:26.560
<v Speaker 1>wondering about the men writing the show mostly, and I

0:43:26.600 --> 0:43:29.680
<v Speaker 1>know that Jessica was there in such a huge force

0:43:29.960 --> 0:43:33.399
<v Speaker 1>in the room, but for me a couple of times

0:43:33.400 --> 0:43:36.440
<v Speaker 1>I was pulled out by the masculinity. That's sort of

0:43:36.640 --> 0:43:41.640
<v Speaker 1>male toxicity situation happening. And this is one of those

0:43:41.680 --> 0:43:45.160
<v Speaker 1>points where why would Kelly be the one to drive

0:43:45.640 --> 0:43:48.440
<v Speaker 1>to Dylan's house? Why would Yeah, he didn't know wherever

0:43:48.480 --> 0:43:50.239
<v Speaker 1>she lived. He didn't know her new phone number, but

0:43:50.280 --> 0:43:54.319
<v Speaker 1>he could find her. I mean, let's be honest, the

0:43:54.320 --> 0:43:58.000
<v Speaker 1>rest of the was the number for Brenda's dorm room.

0:43:58.120 --> 0:44:02.880
<v Speaker 1>So like, I agree with you, Jen so much, and

0:44:02.920 --> 0:44:05.400
<v Speaker 1>I'm glad you said it because I felt nervous to

0:44:05.400 --> 0:44:07.560
<v Speaker 1>say it because I was like, oh, man in trouble

0:44:07.600 --> 0:44:10.320
<v Speaker 1>for saying that. But there wasn't a big changing of

0:44:10.400 --> 0:44:14.600
<v Speaker 1>the guards um season four writing wise, um, and we

0:44:14.680 --> 0:44:17.479
<v Speaker 1>love everyone involved, obviously, but it did feel a little

0:44:17.520 --> 0:44:20.640
<v Speaker 1>more like masculine driven this episode and the writing and

0:44:20.719 --> 0:44:26.319
<v Speaker 1>just not how you know people girls speak and in relationships.

0:44:26.360 --> 0:44:29.000
<v Speaker 1>I don't know. I totally agree with you. But then

0:44:29.000 --> 0:44:32.520
<v Speaker 1>like the Kelly like relating stuff to Donna, I was like, well,

0:44:32.520 --> 0:44:35.360
<v Speaker 1>but that's her version, and we all have a different

0:44:35.360 --> 0:44:38.000
<v Speaker 1>perspective on how things played out, so I didn't know,

0:44:38.080 --> 0:44:42.040
<v Speaker 1>if you know, if we saw like Dylan's perspective on

0:44:42.080 --> 0:44:45.680
<v Speaker 1>that would have been different. Tori, Wow, that's a really

0:44:45.719 --> 0:44:48.000
<v Speaker 1>good point, because you really did feel that that was

0:44:48.320 --> 0:44:53.880
<v Speaker 1>Kelly's version, right, Oh, that's a great point. Yeah, I

0:44:53.920 --> 0:44:56.320
<v Speaker 1>don't know, but I was again, I was watching the

0:44:56.360 --> 0:45:00.200
<v Speaker 1>show with my mom last night, and I got real

0:45:00.360 --> 0:45:04.400
<v Speaker 1>uncomfy when uh, Killie, Kelly and Dylan were kissing. I

0:45:04.400 --> 0:45:06.960
<v Speaker 1>don't know it felt so I vote so uncomfortable watching

0:45:07.040 --> 0:45:10.719
<v Speaker 1>the Apartment to watching that with my mom. I was like,

0:45:11.360 --> 0:45:14.279
<v Speaker 1>let's fast forward it. I think she liked it, though.

0:45:15.520 --> 0:45:18.560
<v Speaker 1>Did she like Jim and Cindy looking up? I didn't

0:45:18.600 --> 0:45:21.959
<v Speaker 1>ask her? Or was she like you out? I didn't

0:45:22.000 --> 0:45:24.080
<v Speaker 1>ask her. I was so like in my own head

0:45:24.120 --> 0:45:29.200
<v Speaker 1>about that. But wait, you guys. At the end, when

0:45:29.400 --> 0:45:34.160
<v Speaker 1>um Brenda leaves school in the cab, it's in the

0:45:34.239 --> 0:45:39.360
<v Speaker 1>same mother loving cab that they use in every episode

0:45:39.880 --> 0:45:45.600
<v Speaker 1>from so I'm sweating right now. I'm so mad about it.

0:45:46.520 --> 0:45:50.160
<v Speaker 1>What are all to wait? Did all cabs bought that

0:45:50.239 --> 0:45:53.759
<v Speaker 1>one cab? Oh? That was definitely like sitting in the

0:45:53.840 --> 0:45:57.040
<v Speaker 1>back of our stages waiting for the cab scene. Yeah.

0:45:58.440 --> 0:46:01.680
<v Speaker 1>Oh so mad. When I saw that ub in the brain,

0:46:01.800 --> 0:46:06.400
<v Speaker 1>it was so dark and gloomy and what's going to happen?

0:46:06.600 --> 0:46:10.320
<v Speaker 1>Brenda is coming back? But but but Dylan and Kelly

0:46:10.480 --> 0:46:13.359
<v Speaker 1>are back together, but they're not really getting along that well.

0:46:13.480 --> 0:46:15.160
<v Speaker 1>Oh no, this is not going to be good to

0:46:15.160 --> 0:46:20.359
<v Speaker 1>you guys. And obviously, because Donna specifically calls David into

0:46:20.360 --> 0:46:24.919
<v Speaker 1>the kitchen to tell him. I told Brenda, like, obviously

0:46:25.080 --> 0:46:27.719
<v Speaker 1>that wasn't for nothing. Something's going to come of that.

0:46:28.960 --> 0:46:35.719
<v Speaker 1>Donna squeals a lot. She can't lie. Love good intentions,

0:46:35.760 --> 0:46:40.040
<v Speaker 1>but yeah, feel things before we give our rating. Okay,

0:46:40.400 --> 0:46:42.520
<v Speaker 1>al right, our rating. Oh shoot, I didn't do my car.

0:46:42.600 --> 0:46:43.960
<v Speaker 1>I don't have a car. I'm gonna do it right now.

0:46:44.640 --> 0:46:49.480
<v Speaker 1>The Zaken like dorm? He is Zaken? And why did

0:46:49.560 --> 0:46:52.960
<v Speaker 1>they zoom on? Do you know what? I like Brenda's dorm?

0:46:53.000 --> 0:46:57.920
<v Speaker 1>Clearly we saw multiple times z A K I N

0:46:58.400 --> 0:47:03.360
<v Speaker 1>Zaken must have been something of somebody that was interesting.

0:47:04.160 --> 0:47:09.000
<v Speaker 1>The spread of food at the Malibu but with you

0:47:09.360 --> 0:47:12.160
<v Speaker 1>with you on that, that was a that was a

0:47:12.200 --> 0:47:16.480
<v Speaker 1>good one. Why would these young people have all of

0:47:16.560 --> 0:47:20.560
<v Speaker 1>that food? And I feel like it was weighted? Yeah,

0:47:21.360 --> 0:47:26.200
<v Speaker 1>they didn't even need it. Andrea, we are learning, wants

0:47:26.239 --> 0:47:29.959
<v Speaker 1>to be a doctor injecting the orange. Yeah, I didn't

0:47:29.960 --> 0:47:32.839
<v Speaker 1>know she wanted to be a doctor. I didn't either.

0:47:32.960 --> 0:47:37.160
<v Speaker 1>And that seems a little off character of brand that

0:47:37.239 --> 0:47:39.480
<v Speaker 1>came out of nowhere? Wait is that going to lead

0:47:39.480 --> 0:47:41.360
<v Speaker 1>to something? But she didn't know. It wasn't because she

0:47:41.400 --> 0:47:43.200
<v Speaker 1>wanted to. I didn't think it was because she wanted

0:47:43.200 --> 0:47:44.560
<v Speaker 1>to be a doctor. I thought it was because she

0:47:44.680 --> 0:47:49.759
<v Speaker 1>has to give her grandma injections, insulin injections. Oh oh,

0:47:49.800 --> 0:47:53.600
<v Speaker 1>she's right, right, I didn't say Amy never gets those

0:47:53.640 --> 0:47:57.600
<v Speaker 1>facts wrong. Yeah, I know. That's why I'm I'm not sure.

0:47:58.800 --> 0:48:01.359
<v Speaker 1>Can I say my favorite line? Oh yeah, yeah, yeah,

0:48:01.440 --> 0:48:04.560
<v Speaker 1>say it. Say it. Let's stay on the side streets

0:48:04.640 --> 0:48:06.880
<v Speaker 1>before we get on the freeway. This is going a

0:48:06.920 --> 0:48:13.640
<v Speaker 1>little fast, says Brandon jen what's your favorite line? Uh?

0:48:14.000 --> 0:48:15.719
<v Speaker 1>I think it was when Dylan said, I mean when

0:48:15.840 --> 0:48:18.120
<v Speaker 1>when David said, what did I do in a previous

0:48:18.120 --> 0:48:21.959
<v Speaker 1>life to deserve this? That was it? A favorite line?

0:48:22.360 --> 0:48:27.880
<v Speaker 1>Jim and Cindy when just the whole that entire scene

0:48:28.160 --> 0:48:33.520
<v Speaker 1>of sort of when we're old and like all of it.

0:48:34.880 --> 0:48:38.520
<v Speaker 1>M m m okay, okay, time for rating me write

0:48:38.520 --> 0:48:42.640
<v Speaker 1>down quickly if you're writing, I got mine. Here's mine ready,

0:48:42.640 --> 0:48:48.000
<v Speaker 1>everybody hold him up ready, one tip, trick up. Three.

0:48:48.160 --> 0:48:54.799
<v Speaker 1>You gave it a three. I gave it a seven. Eight?

0:48:56.000 --> 0:49:01.680
<v Speaker 1>Who eight? That's very generous? Wow? Three? Wow? You well

0:49:01.680 --> 0:49:04.239
<v Speaker 1>we okay? Three is harsh, you guys. I'm sorry. It

0:49:04.320 --> 0:49:07.279
<v Speaker 1>was disjointed. There weren't like, there weren't the gang. They

0:49:07.280 --> 0:49:13.080
<v Speaker 1>weren't together, all right? You get fine? Maybe A four

0:49:13.120 --> 0:49:17.279
<v Speaker 1>and a half based on beach apartment only. Okay, I

0:49:17.320 --> 0:49:20.360
<v Speaker 1>really hope what goes up for you next week? We

0:49:20.440 --> 0:49:24.320
<v Speaker 1>have another episode next week, you guys, Season four, Episode three,

0:49:25.280 --> 0:49:29.160
<v Speaker 1>the Little Fish. Oh, I'm intrigued. So that's your homework.

0:49:29.280 --> 0:49:35.400
<v Speaker 1>Apparently it's about fish. Eve's George's what shout out to

0:49:35.440 --> 0:49:41.960
<v Speaker 1>Steve Jorge's gene shorts? Oh? Have those come back? Is

0:49:42.000 --> 0:49:44.080
<v Speaker 1>that a thing now? Because I know cargo bands are

0:49:44.120 --> 0:49:48.080
<v Speaker 1>back in? I thought you said shout out to Jeeve George.

0:49:48.200 --> 0:49:52.040
<v Speaker 1>I'm like, who the hell did he play? I love

0:49:52.120 --> 0:49:58.960
<v Speaker 1>Jeef Jorg's He's my favorite actor. You guys, love you,

0:49:59.280 --> 0:50:01.520
<v Speaker 1>Love you. M E.