1 00:00:00,240 --> 00:00:10,440 Speaker 1: It's not with Jenny Garth and Tori Spelling. You guys, 2 00:00:10,600 --> 00:00:14,120 Speaker 1: welcome to another one. To an OMG, I just want 3 00:00:14,160 --> 00:00:17,120 Speaker 1: you to repeat what you just said, miss thing. What 4 00:00:17,320 --> 00:00:21,160 Speaker 1: that was for your ears only? Okay? Okay, So I 5 00:00:21,200 --> 00:00:23,840 Speaker 1: was just saying off the record to my two besties here, 6 00:00:23,880 --> 00:00:26,520 Speaker 1: but for all of you to hear as well, that 7 00:00:26,960 --> 00:00:28,680 Speaker 1: I was all about season four. I was like, oh 8 00:00:28,680 --> 00:00:30,040 Speaker 1: my god, I can't wait to the college years. You 9 00:00:30,040 --> 00:00:31,680 Speaker 1: can't wait to the college years. Granted we're not to 10 00:00:31,800 --> 00:00:34,880 Speaker 1: college yet, but after the second episode of season four, 11 00:00:35,280 --> 00:00:37,520 Speaker 1: I did say, I'm going on the record, I might 12 00:00:37,680 --> 00:00:41,040 Speaker 1: just stop watching the show. Now. What you can't Okay, 13 00:00:41,080 --> 00:00:44,160 Speaker 1: first of all, you can't for one episode. You can't. 14 00:00:44,200 --> 00:00:46,600 Speaker 1: You can't stop watching. I'm way to invest it. But 15 00:00:46,640 --> 00:00:49,479 Speaker 1: I felt like it you just were saying that I 16 00:00:49,520 --> 00:00:52,519 Speaker 1: got nervous, nervous. Okay, she's not. She's not leaving us. Everybody, 17 00:00:52,520 --> 00:00:55,400 Speaker 1: all right now, this is good. Amy is so mad 18 00:00:55,440 --> 00:00:58,680 Speaker 1: at me right now. You can see Amy face to 19 00:00:58,680 --> 00:01:02,120 Speaker 1: hear this because he loved this episode. I think I 20 00:01:02,160 --> 00:01:05,640 Speaker 1: love Season four. I don't, but I think, remember I 21 00:01:05,640 --> 00:01:07,640 Speaker 1: told you it's my favorite season. So I think once 22 00:01:07,680 --> 00:01:10,000 Speaker 1: we get into the group of college. I'm gonna be 23 00:01:10,040 --> 00:01:13,640 Speaker 1: really happy. Yes, I'm I have so much to be 24 00:01:13,680 --> 00:01:15,200 Speaker 1: talking about on this episode, so I want to just 25 00:01:15,280 --> 00:01:17,880 Speaker 1: jump right in. Okay. Season four episode to the Girl 26 00:01:17,959 --> 00:01:23,920 Speaker 1: from New York City, You Guys, aired September. Synopsis. Dylan 27 00:01:23,959 --> 00:01:26,559 Speaker 1: returned to France and good spirits, while Kelly is waiting 28 00:01:26,600 --> 00:01:29,040 Speaker 1: by the phone and feeling guilty about her date with Gaston. 29 00:01:29,680 --> 00:01:31,960 Speaker 1: Jill confides in Brandon before she returned to New York. 30 00:01:31,959 --> 00:01:34,440 Speaker 1: Brenda is more homesick than ever and leaves the dorm 31 00:01:34,480 --> 00:01:39,360 Speaker 1: on a stormy night. Directed by Jeffrey Melman, written by 32 00:01:39,360 --> 00:01:44,679 Speaker 1: Steve Wasserman and Jessica Klein. Uh wow, this episode had 33 00:01:44,720 --> 00:01:46,520 Speaker 1: like a lot going on. First of all, I felt 34 00:01:46,600 --> 00:01:49,120 Speaker 1: like super long. I thought, when is this going to end? 35 00:01:49,160 --> 00:01:51,720 Speaker 1: But there was because there was so much. No, no, 36 00:01:51,920 --> 00:01:53,640 Speaker 1: not in a bad way, because there was so much 37 00:01:53,680 --> 00:01:56,520 Speaker 1: in it. There were three for me, there were like 38 00:01:56,640 --> 00:02:01,840 Speaker 1: three storylines. And then there was Andrea h who just 39 00:02:01,880 --> 00:02:04,680 Speaker 1: showed up with that bed hard. Oh my god, you guys, 40 00:02:04,680 --> 00:02:06,440 Speaker 1: why does she look She looks thirty years old with 41 00:02:06,480 --> 00:02:11,000 Speaker 1: that hair. Do my gosh. I saw what you guys 42 00:02:11,080 --> 00:02:14,200 Speaker 1: told me last week. I disagree. I disagree you like it? 43 00:02:14,960 --> 00:02:18,800 Speaker 1: Last week she looked thirty two solid thirty two. Okay, 44 00:02:19,000 --> 00:02:23,839 Speaker 1: say science, science, but there were three Let's talk. Let's 45 00:02:23,880 --> 00:02:25,400 Speaker 1: can we do this for me because I get a 46 00:02:25,400 --> 00:02:28,560 Speaker 1: little flustered or confused when we go hoppity pop back 47 00:02:28,639 --> 00:02:30,320 Speaker 1: and forth. Would you like to play an the counter 48 00:02:30,400 --> 00:02:32,800 Speaker 1: while you tell us how to organize that? You know, 49 00:02:32,919 --> 00:02:35,880 Speaker 1: I like things to be organized, and this is really 50 00:02:35,880 --> 00:02:42,720 Speaker 1: stressful when oh good, I'm so bad. Okay, so let's 51 00:02:42,800 --> 00:02:45,160 Speaker 1: let's just start with one story and then go let's 52 00:02:45,160 --> 00:02:46,760 Speaker 1: talk all about it, and then we'll do the other one. 53 00:02:47,000 --> 00:02:49,440 Speaker 1: Let's start. Let's start with Brendan College, because that's what 54 00:02:49,520 --> 00:02:54,200 Speaker 1: the show opens on. First of all, I love seeing 55 00:02:54,320 --> 00:02:57,520 Speaker 1: rain on any in any form, even if it's on 56 00:02:57,560 --> 00:03:02,440 Speaker 1: my TV, because it never rains where we live. Fake. Yeah, 57 00:03:02,480 --> 00:03:06,320 Speaker 1: that looks that looks so real. Oh well, first of all, 58 00:03:06,360 --> 00:03:09,280 Speaker 1: she didn't actually film this in Wisconsin, so it really 59 00:03:09,280 --> 00:03:13,840 Speaker 1: looks like Minnesota, Wisconsin. What sorry, my friends went to 60 00:03:13,840 --> 00:03:18,359 Speaker 1: school in Wisconsin. I thought that was real. I thought 61 00:03:18,400 --> 00:03:21,600 Speaker 1: that was real, like the exterior shot of it, like 62 00:03:21,720 --> 00:03:24,880 Speaker 1: in front of the building anyway, who cares, But definitely 63 00:03:24,880 --> 00:03:27,120 Speaker 1: not the shot of her in the window like right, 64 00:03:27,560 --> 00:03:29,600 Speaker 1: doing her homework or whatever she was doing that wasn't 65 00:03:29,600 --> 00:03:32,120 Speaker 1: real right because it was like pitter patter, pitter patter. 66 00:03:33,919 --> 00:03:38,040 Speaker 1: But she poor thing. She looks miserable. Oh my god, 67 00:03:38,880 --> 00:03:42,560 Speaker 1: she looks cute though her hair looks damn good, real 68 00:03:42,680 --> 00:03:47,000 Speaker 1: good on Point season four. But she just really does 69 00:03:47,120 --> 00:03:49,680 Speaker 1: look sad. And it just for me is so weird 70 00:03:49,720 --> 00:03:53,200 Speaker 1: to see Brenda at college. For some reason, she seems 71 00:03:53,280 --> 00:03:59,560 Speaker 1: so much more mature than a college girl. So like, 72 00:03:59,640 --> 00:04:04,920 Speaker 1: I don't know if that's Shannon coming through more or 73 00:04:04,960 --> 00:04:08,400 Speaker 1: if it's Brenda. I don't know, but for me, it 74 00:04:08,480 --> 00:04:14,960 Speaker 1: was just hard to believe sad or sour puss. I 75 00:04:15,000 --> 00:04:20,000 Speaker 1: think her sadness is coming out as sour pussness. But 76 00:04:20,920 --> 00:04:24,000 Speaker 1: why is her college starting so much earlier than the 77 00:04:24,040 --> 00:04:26,960 Speaker 1: West Coast colleges? So that happened. There's a time change, 78 00:04:27,000 --> 00:04:29,280 Speaker 1: there's a time difference. Is that it? That's actually very 79 00:04:29,279 --> 00:04:34,440 Speaker 1: common ahead So like U c l A starts very 80 00:04:34,520 --> 00:04:38,320 Speaker 1: late and other schools start like some schools start late 81 00:04:38,360 --> 00:04:42,160 Speaker 1: September and some start early August. Good looks like the 82 00:04:42,600 --> 00:04:46,000 Speaker 1: College of High School. Okay, okay, got it. I don't 83 00:04:46,000 --> 00:04:49,440 Speaker 1: know what about Darla, I didn't know this was going 84 00:04:49,480 --> 00:04:53,520 Speaker 1: to happen Darla. It's so so what so what do 85 00:04:53,560 --> 00:04:55,600 Speaker 1: you think of Darla? Both of you. Darla is a 86 00:04:55,640 --> 00:05:01,360 Speaker 1: dirty bird, That's what I think. So when we Um 87 00:05:01,480 --> 00:05:05,320 Speaker 1: talked to Wendy Benson she was talking about I didn't 88 00:05:05,360 --> 00:05:07,120 Speaker 1: know what she was talking about, like, oh, well, my 89 00:05:07,240 --> 00:05:10,280 Speaker 1: character like had sex, and I was like, she think 90 00:05:10,279 --> 00:05:11,720 Speaker 1: you have a different show. But I didn't want to 91 00:05:11,760 --> 00:05:13,960 Speaker 1: be rude. Oh my god, you just hadn't gotten to 92 00:05:14,000 --> 00:05:17,000 Speaker 1: this episode yet. Who knew that was going to unfold 93 00:05:17,160 --> 00:05:21,240 Speaker 1: with so much Darla action. The red Tassel move is 94 00:05:21,240 --> 00:05:27,400 Speaker 1: more of what the boys do. Oh really in eighties 95 00:05:27,480 --> 00:05:31,400 Speaker 1: movies it was a sock the red castle they fill 96 00:05:31,520 --> 00:05:35,680 Speaker 1: up as well. What no, isn't that a thing? The 97 00:05:35,720 --> 00:05:38,920 Speaker 1: Red Tassel felt very little. That was like the female 98 00:05:39,000 --> 00:05:45,240 Speaker 1: version of the sock. I guess yeah, yeah. I mean, 99 00:05:46,000 --> 00:05:50,520 Speaker 1: everyone give their thoughts because Darla. I'm she I'm torn 100 00:05:50,560 --> 00:05:52,800 Speaker 1: on Darla. Is she a good friend or is she? 101 00:05:53,640 --> 00:05:57,520 Speaker 1: I think Darla is all about Darla, and and she 102 00:05:57,600 --> 00:05:59,440 Speaker 1: pops in and tries to be like, oh, your best 103 00:05:59,440 --> 00:06:01,920 Speaker 1: friend from a long time ago, but really she talked 104 00:06:02,160 --> 00:06:05,600 Speaker 1: about her later in the episode, So what kind of friend. 105 00:06:05,640 --> 00:06:08,320 Speaker 1: Is that because a real friend never ever ever talked 106 00:06:08,520 --> 00:06:13,359 Speaker 1: about somebody. Although she justified because Brenda is being a 107 00:06:13,400 --> 00:06:16,000 Speaker 1: sour puss and won't go out and won't do anything, 108 00:06:16,520 --> 00:06:18,880 Speaker 1: but she could have said, you guys, she's having a 109 00:06:18,920 --> 00:06:21,640 Speaker 1: hard time transitioning. This is really harder. She missed her family, 110 00:06:21,720 --> 00:06:23,240 Speaker 1: like she could have defended her in some way, but 111 00:06:23,279 --> 00:06:25,200 Speaker 1: and said, yeah, but I see what you mean. She 112 00:06:25,360 --> 00:06:28,240 Speaker 1: is kind of being hard to be around. Maybe deep 113 00:06:28,279 --> 00:06:34,120 Speaker 1: down she feels scorned Darla. Yeah, why because Brenda got out, 114 00:06:35,320 --> 00:06:38,760 Speaker 1: she's back and she like she's left her and like, yeah, 115 00:06:38,880 --> 00:06:40,960 Speaker 1: a new set of friends. And maybe she's just like 116 00:06:41,040 --> 00:06:45,159 Speaker 1: deep down resentful. Maybe I don't know, or maybe Darla 117 00:06:45,240 --> 00:06:47,640 Speaker 1: is just sick of it, Like I'm trying so hard 118 00:06:47,680 --> 00:06:51,120 Speaker 1: with this girl and she's not putting in any effort 119 00:06:51,160 --> 00:06:55,680 Speaker 1: to join us, and she's kind of being well lives Darla. 120 00:06:56,279 --> 00:06:58,840 Speaker 1: At that age, you're just like all about you, like 121 00:06:58,920 --> 00:07:04,000 Speaker 1: you're just you know, you know, think about other people. 122 00:07:04,040 --> 00:07:09,480 Speaker 1: I don't think so. Did she give the full college 123 00:07:09,560 --> 00:07:14,000 Speaker 1: try to Minnesota? No? No, no, she didn't even leave 124 00:07:14,040 --> 00:07:16,840 Speaker 1: her dorm room. I mean, hello, but you guys, oh MG, 125 00:07:17,240 --> 00:07:21,640 Speaker 1: moment that her boyfriend was named Dylan. I think they 126 00:07:21,760 --> 00:07:31,960 Speaker 1: planned that. Oh god, that guy's a cutie right, Oh 127 00:07:32,000 --> 00:07:33,880 Speaker 1: my god. The scene with Darla with the curlers. I 128 00:07:33,920 --> 00:07:37,240 Speaker 1: spent a good portion of that scene being like, they 129 00:07:37,240 --> 00:07:40,679 Speaker 1: never let us cut our hair. Mid episode? What wait 130 00:07:40,720 --> 00:07:43,400 Speaker 1: you mean her hair was cut? It looked like it 131 00:07:43,480 --> 00:07:45,680 Speaker 1: was cut. Well, I see, I'm watching on my phone, 132 00:07:45,840 --> 00:07:47,800 Speaker 1: and it was because it was curled. It like went. 133 00:07:49,080 --> 00:07:50,920 Speaker 1: She had two rollers in it. At the end she 134 00:07:50,960 --> 00:07:54,160 Speaker 1: took the hot rollers out and I was like, oh yeah, 135 00:07:54,360 --> 00:07:58,000 Speaker 1: it got real curly and then real curly. They're definitely 136 00:07:58,080 --> 00:08:04,240 Speaker 1: making her the preppy Darla in juxtaposition to Brenda, dark, 137 00:08:04,680 --> 00:08:09,520 Speaker 1: gloomy Brenda. She's like, there's a boy leaves her like 138 00:08:10,080 --> 00:08:14,920 Speaker 1: Oxford shirt on. So, since we're going through it storyline storyline, storyline, 139 00:08:15,480 --> 00:08:19,600 Speaker 1: do you think that Brenda is leaving school because Donna 140 00:08:19,720 --> 00:08:23,600 Speaker 1: told her Kelly and Dylan broke up. I think that's 141 00:08:23,680 --> 00:08:27,640 Speaker 1: just the cherry on top m like poop, Like she 142 00:08:27,680 --> 00:08:34,880 Speaker 1: hates there, She's miserable. Everybody hates her there now exact. 143 00:08:36,679 --> 00:08:40,559 Speaker 1: But you guys, what about while Brenda is at school. 144 00:08:40,640 --> 00:08:42,360 Speaker 1: I don't know why I'm so much more invested in 145 00:08:42,440 --> 00:08:44,920 Speaker 1: Jim and Cindy's storyline. Now, we talked about that last week. 146 00:08:45,000 --> 00:08:48,120 Speaker 1: But when when they're in her room, when Cindy is 147 00:08:48,160 --> 00:08:51,000 Speaker 1: in her room, first of all, loving her new little haircut, 148 00:08:51,040 --> 00:08:53,800 Speaker 1: and look, I'm not you aren't. I think she looks 149 00:08:53,800 --> 00:08:58,839 Speaker 1: so cute. You don't, I don't know. You backed me up. 150 00:08:59,320 --> 00:09:01,640 Speaker 1: I don't like you don't like it either, and it 151 00:09:01,720 --> 00:09:06,840 Speaker 1: ages her eyes like it's just cut. It's not appropriate. 152 00:09:06,960 --> 00:09:12,439 Speaker 1: Stop stops, it's appropriate. She looks like Cindy, like Walsh, 153 00:09:12,480 --> 00:09:14,600 Speaker 1: like a mom, like she should look. She shouldn't look 154 00:09:14,600 --> 00:09:20,760 Speaker 1: all vava voie all the time. She's from Minnesota, but 155 00:09:21,080 --> 00:09:25,439 Speaker 1: she was. Okay, So I want to know what both 156 00:09:25,480 --> 00:09:28,840 Speaker 1: your thoughts were to the bedroom scene. Okay, let's just 157 00:09:28,880 --> 00:09:32,560 Speaker 1: start with sadness I felt about for Cindy, about her 158 00:09:32,600 --> 00:09:34,880 Speaker 1: daughter not being there, and like that was really breaking 159 00:09:34,920 --> 00:09:36,960 Speaker 1: my heart because that's what it's like, you guys. You 160 00:09:37,040 --> 00:09:39,920 Speaker 1: go in the room and it's just empty, and it's 161 00:09:39,960 --> 00:09:42,960 Speaker 1: the worst is feeling. I know that other people out 162 00:09:42,960 --> 00:09:45,480 Speaker 1: there can understand who are in the same position, but 163 00:09:45,559 --> 00:09:48,160 Speaker 1: that was hard for me. Um. But I know what 164 00:09:48,280 --> 00:09:52,000 Speaker 1: you are talking about because you are a dirty bird too. 165 00:09:53,080 --> 00:09:55,400 Speaker 1: You're talking about when Jim and Cindy were like I 166 00:09:59,640 --> 00:10:04,920 Speaker 1: didn't know how to smell bound. I was like, my 167 00:10:05,040 --> 00:10:09,160 Speaker 1: eyes stop, make it stop. I love seeing Jim no 168 00:10:09,320 --> 00:10:12,680 Speaker 1: physical I do know, I do not. I love the 169 00:10:12,720 --> 00:10:15,560 Speaker 1: idea over it. No, no, no, no, not for it. 170 00:10:15,920 --> 00:10:19,079 Speaker 1: I like him in a non sexual way, like I 171 00:10:19,160 --> 00:10:22,960 Speaker 1: just appreciate him and all his hair in a different way. 172 00:10:23,000 --> 00:10:25,640 Speaker 1: I don't want to see him kissing, and then I 173 00:10:25,720 --> 00:10:29,160 Speaker 1: definitely don't want to see him falling like down in 174 00:10:29,160 --> 00:10:32,360 Speaker 1: the in the dit position on his daughter's bed. Nope, 175 00:10:34,160 --> 00:10:37,800 Speaker 1: who does that? And parents do that on their bed? 176 00:10:38,080 --> 00:10:40,160 Speaker 1: No they don't. I mean I haven't heaven an he 177 00:10:40,280 --> 00:10:52,960 Speaker 1: has anybody listening? No, no, I can't know too multiple 178 00:10:53,160 --> 00:10:56,680 Speaker 1: time I did that? Why does that? I literally was what. 179 00:10:56,800 --> 00:11:00,080 Speaker 1: I sat there, I shouted out, no, no, not on 180 00:11:00,120 --> 00:11:02,880 Speaker 1: Brenda's bed, like I was taking back to the TV 181 00:11:03,000 --> 00:11:05,760 Speaker 1: for the first time. Can you all please discuss for 182 00:11:05,800 --> 00:11:09,160 Speaker 1: a second, because there our age? So why are we 183 00:11:09,520 --> 00:11:14,520 Speaker 1: so ewed by it? I don't know. I think I 184 00:11:14,600 --> 00:11:17,800 Speaker 1: might be fewed by my own sexual things now because 185 00:11:17,840 --> 00:11:22,160 Speaker 1: like just put it in a whole different category. In 186 00:11:22,200 --> 00:11:26,000 Speaker 1: all fairness, she gets sewed out by any like one 187 00:11:26,080 --> 00:11:28,360 Speaker 1: kissing or touching or like I did. But this really 188 00:11:28,400 --> 00:11:31,520 Speaker 1: got me. This really got me. She didn't like it. 189 00:11:33,480 --> 00:11:42,120 Speaker 1: She's hard because I might be. That's not a word, Tory. 190 00:11:42,520 --> 00:11:49,280 Speaker 1: Do you think you guys are sexier now than you 191 00:11:49,360 --> 00:11:54,160 Speaker 1: were then? Or you fwed out to wait looking at 192 00:11:54,160 --> 00:11:56,599 Speaker 1: our former selves? Do we think our former selves or 193 00:11:56,640 --> 00:12:00,720 Speaker 1: suffers aren't sexy per se? Like I love this show, 194 00:12:00,800 --> 00:12:03,720 Speaker 1: but like you would think that we are old and 195 00:12:03,720 --> 00:12:07,600 Speaker 1: we would be like the but we're just grossed out 196 00:12:07,640 --> 00:12:10,400 Speaker 1: by it because it's I want to know where you stand, Tori, 197 00:12:11,080 --> 00:12:15,240 Speaker 1: because I don't feel like it's a good justification of 198 00:12:15,280 --> 00:12:18,679 Speaker 1: like people are age right now, they look like people 199 00:12:18,720 --> 00:12:21,959 Speaker 1: like in their sixties or seventies. You mean you mean 200 00:12:21,960 --> 00:12:25,280 Speaker 1: we don't look like that? Is that what you're saying? Yes, 201 00:12:26,400 --> 00:12:30,079 Speaker 1: I think we might from other people's take it back 202 00:12:30,120 --> 00:12:32,559 Speaker 1: right now, take it back like from like if you're young, 203 00:12:32,800 --> 00:12:37,800 Speaker 1: if you're thirty years younger than we are. Oh boy, yeah, 204 00:12:37,840 --> 00:12:39,920 Speaker 1: but okay, have you guys seen the trailer for the 205 00:12:40,000 --> 00:12:43,560 Speaker 1: Julia Roberts George Clooney movie. Yes, yes, I don't say 206 00:12:43,600 --> 00:12:49,080 Speaker 1: you obviously they're going to hook up George Clooney. I mean, 207 00:12:49,160 --> 00:12:53,280 Speaker 1: come on, everybody, wants them to hook up. Okay, so 208 00:12:53,440 --> 00:12:57,280 Speaker 1: is there an example of an old couple take the 209 00:12:57,360 --> 00:13:01,600 Speaker 1: old doubt? Is there an example of an our age 210 00:13:01,679 --> 00:13:05,560 Speaker 1: couple that play the parents that were not sewed by 211 00:13:06,000 --> 00:13:10,800 Speaker 1: thank you, no darn. See, if they're playing the parents, 212 00:13:10,920 --> 00:13:13,440 Speaker 1: you just automatically have to be like an EO mode. 213 00:13:14,240 --> 00:13:17,160 Speaker 1: But if there's no kids involved, you can appreciate them 214 00:13:17,200 --> 00:13:21,160 Speaker 1: at any age. Correct. I mean, have you guys not 215 00:13:21,240 --> 00:13:29,360 Speaker 1: seen that show sex Life their parents? What sea? No? 216 00:13:29,520 --> 00:13:32,640 Speaker 1: Wait what sex life? Sex life on Netflix? And now 217 00:13:33,080 --> 00:13:35,959 Speaker 1: do yourselves a favor. I don't like stuff like that. 218 00:13:37,559 --> 00:13:41,440 Speaker 1: I do like stuff like that. What is you need 219 00:13:41,480 --> 00:13:46,640 Speaker 1: to watch it? Stat? Like, wait, who's it? These hotties 220 00:13:46,760 --> 00:13:49,920 Speaker 1: I don't even know, like Sarah Shahidi and this other 221 00:13:50,040 --> 00:13:52,840 Speaker 1: dude that's so hot and a third dude that's super 222 00:13:52,840 --> 00:13:55,760 Speaker 1: hot and it's very dirty and they have a threesome. 223 00:13:56,520 --> 00:13:59,560 Speaker 1: Oh my god, a threesome that'd be like, you guys, 224 00:13:59,640 --> 00:14:03,040 Speaker 1: stop stop my ears. And there are eight so early 225 00:14:03,080 --> 00:14:08,840 Speaker 1: you guys, this is my feeling. Wait, so, Jenny, I 226 00:14:08,880 --> 00:14:12,200 Speaker 1: have a question, was you too? I don't know why 227 00:14:12,640 --> 00:14:15,839 Speaker 1: because this mom and dad, uh, Brenda must have been 228 00:14:15,840 --> 00:14:18,160 Speaker 1: really cold in that hallway I felt for her and 229 00:14:18,200 --> 00:14:21,280 Speaker 1: her little cold butt sitting on that linoleum in there, 230 00:14:21,800 --> 00:14:26,360 Speaker 1: weak girl. That was like lonely, it was. It was 231 00:14:26,440 --> 00:14:28,760 Speaker 1: and sad for her. Raise your hand though, if you 232 00:14:28,800 --> 00:14:33,760 Speaker 1: think she's being a sour pus. But but she misable. 233 00:14:34,280 --> 00:14:37,360 Speaker 1: But she's miserable. But you wan't go to the party. 234 00:14:37,520 --> 00:14:40,360 Speaker 1: She's not trying, she's not. You're there already, you might 235 00:14:40,400 --> 00:14:42,880 Speaker 1: as well try. You're right, that is annoying for the 236 00:14:42,920 --> 00:14:45,800 Speaker 1: other people around her. But they were talking so meanly 237 00:14:45,840 --> 00:14:48,680 Speaker 1: about her when they came in and she was supposed 238 00:14:48,680 --> 00:14:53,560 Speaker 1: to be sleeping. Remember, yeah, also, come on, people, people 239 00:14:53,600 --> 00:14:56,640 Speaker 1: wake up by the likes d come on there so 240 00:14:57,120 --> 00:14:59,640 Speaker 1: clueless and they stay in like a perfect road. Did 241 00:14:59,640 --> 00:15:02,760 Speaker 1: you see they came in her room and they all 242 00:15:02,800 --> 00:15:06,640 Speaker 1: stayed in their perfect I really wanted somebody to stand it. 243 00:15:07,680 --> 00:15:10,360 Speaker 1: Dylan said something real mean. I can't remember what it was, 244 00:15:10,400 --> 00:15:12,640 Speaker 1: but I think he low blowed it too, like he 245 00:15:12,720 --> 00:15:14,760 Speaker 1: was just I think he did too. I kind of 246 00:15:14,800 --> 00:15:16,480 Speaker 1: ignored it because I was like, who cares what he 247 00:15:16,480 --> 00:15:20,640 Speaker 1: has to say? And I did. I felt really bad 248 00:15:20,640 --> 00:15:22,280 Speaker 1: for Okay, that's all I have to talk about about 249 00:15:22,280 --> 00:15:37,720 Speaker 1: Brenda before we move on from her. Do you think 250 00:15:37,760 --> 00:15:40,520 Speaker 1: she should leave? What do you think she should know? 251 00:15:40,760 --> 00:15:43,680 Speaker 1: If you were her? No, she should It's that easy. 252 00:15:43,720 --> 00:15:46,360 Speaker 1: He's just like, yeah, you quit things, you don't you 253 00:15:46,400 --> 00:15:50,000 Speaker 1: don't even try. M I mean, I know that that 254 00:15:50,160 --> 00:15:52,040 Speaker 1: would be what I would want to do, but I 255 00:15:52,040 --> 00:15:55,520 Speaker 1: would hope that there would be somebody like encouraging me 256 00:15:55,600 --> 00:15:57,720 Speaker 1: to stick it out and give it a try. And 257 00:15:57,760 --> 00:16:01,320 Speaker 1: where's her mom? Why aren't they talking? Like right because 258 00:16:01,320 --> 00:16:05,720 Speaker 1: they're hump on her bed. Okay, thanks for wearing a circle. 259 00:16:06,400 --> 00:16:12,160 Speaker 1: Happy she's gone, because yeah, like, oh, that was the 260 00:16:12,240 --> 00:16:14,760 Speaker 1: last one to check off our list. I also think 261 00:16:14,800 --> 00:16:18,680 Speaker 1: when she called and Donna Tori's message came on and 262 00:16:18,680 --> 00:16:22,920 Speaker 1: it was like that amazing. I loved our outgoing message. 263 00:16:23,160 --> 00:16:26,440 Speaker 1: I think we should redo that, Oh my god, and 264 00:16:26,480 --> 00:16:28,760 Speaker 1: we should make it available people can like call and 265 00:16:28,840 --> 00:16:32,080 Speaker 1: leave messages for us. That's a great idea. I love 266 00:16:32,120 --> 00:16:35,920 Speaker 1: it because that was so cute. Yes, remember when you 267 00:16:36,120 --> 00:16:37,680 Speaker 1: when you did that with your room mate and you 268 00:16:37,760 --> 00:16:42,920 Speaker 1: had like a joint message. I know I'm doing this 269 00:16:42,960 --> 00:16:44,920 Speaker 1: on the fly, but why don't we record that message 270 00:16:44,960 --> 00:16:47,600 Speaker 1: to be people's outgoing message and raise money for Breast 271 00:16:47,600 --> 00:16:51,960 Speaker 1: Cancer Month. Let's do it. Let's do it everyone you 272 00:16:52,040 --> 00:16:57,880 Speaker 1: want us to do that, I'm not a credit for you. Sorry. Okay, 273 00:16:57,960 --> 00:17:00,560 Speaker 1: I'm thinking what we do is we it up as 274 00:17:00,600 --> 00:17:06,479 Speaker 1: a ringtone and then people can buy it for the ringtone. Okay, 275 00:17:06,840 --> 00:17:10,399 Speaker 1: just know where it'll have an update by the how 276 00:17:10,440 --> 00:17:13,520 Speaker 1: we're going to do it. It's gonna be fun, very good, 277 00:17:14,720 --> 00:17:16,760 Speaker 1: very good. But she's all writing it down. She's just 278 00:17:16,800 --> 00:17:24,040 Speaker 1: writing very good. Okay, let's jump into into the next story. 279 00:17:24,440 --> 00:17:26,679 Speaker 1: Um wait, wait, wait, wait, have we finished this? I 280 00:17:26,680 --> 00:17:33,639 Speaker 1: feel like I hope so, I hope so other than 281 00:17:33,720 --> 00:17:35,800 Speaker 1: the pay phone and I actually had to remember, like 282 00:17:35,880 --> 00:17:37,760 Speaker 1: was it a dime then or was it a twenty 283 00:17:37,800 --> 00:17:41,040 Speaker 1: cents already? Well would it be? Would it? Did it 284 00:17:41,119 --> 00:17:43,000 Speaker 1: go from dime to twenty or did it go from 285 00:17:43,040 --> 00:17:46,239 Speaker 1: dime to a quarter? Yeah? I think it went from 286 00:17:46,320 --> 00:17:49,159 Speaker 1: dime to two dimes? Do you think new people are 287 00:17:49,200 --> 00:17:52,040 Speaker 1: watching it, like young people and going, what are they 288 00:17:52,080 --> 00:17:56,080 Speaker 1: talking about? What? They don't even know what a dime 289 00:17:56,160 --> 00:18:01,080 Speaker 1: is anymore? We just lost the young demo one of 290 00:18:01,080 --> 00:18:06,960 Speaker 1: our audience. Bye. Also, ok, I guess you had to 291 00:18:07,000 --> 00:18:09,760 Speaker 1: use the payphone because dumb Darla was like doing it 292 00:18:10,119 --> 00:18:12,800 Speaker 1: and she couldn't use that The dorm room. She could 293 00:18:12,840 --> 00:18:16,879 Speaker 1: have sent a wire. Well, fairness, that's right. Let's call 294 00:18:16,960 --> 00:18:19,840 Speaker 1: back the last episode. What did you call it? It 295 00:18:20,000 --> 00:18:24,879 Speaker 1: was a wire, but he called it a god a telegram. Uh, 296 00:18:25,000 --> 00:18:26,720 Speaker 1: it was a telegram, but he said I got a 297 00:18:26,720 --> 00:18:31,280 Speaker 1: wire from dinner. He had a different word. Oh god, 298 00:18:31,720 --> 00:18:35,800 Speaker 1: I'll have to remember he used a different word. Anyway. Okay, Jenny, 299 00:18:35,840 --> 00:18:40,160 Speaker 1: I sorry, okay, episode up? Sorry? You know the other storyline? 300 00:18:40,200 --> 00:18:46,320 Speaker 1: What's it called? B storyline? Let's call it with Steve 301 00:18:46,480 --> 00:18:53,399 Speaker 1: and Brandon just tennis? For me? What is happening? Why 302 00:18:53,440 --> 00:18:58,280 Speaker 1: are they so compatible? I couldn't okay. First of all, 303 00:18:58,359 --> 00:19:01,120 Speaker 1: I was like rand in a k Jason is good 304 00:19:01,119 --> 00:19:03,960 Speaker 1: at every sport. He just is. I think said that too, 305 00:19:04,000 --> 00:19:06,920 Speaker 1: because they're both so athletic, they're really good at tastes. Also, 306 00:19:07,119 --> 00:19:09,080 Speaker 1: do you think he was like I love sports, like 307 00:19:09,160 --> 00:19:11,560 Speaker 1: always put me playing sports, like this is my thing. 308 00:19:11,640 --> 00:19:14,560 Speaker 1: Here's the sports I'm great at, like whatever. There would 309 00:19:14,560 --> 00:19:17,640 Speaker 1: be pickball today if you didn't modernized. Did you guys 310 00:19:17,680 --> 00:19:23,200 Speaker 1: notice that both Ian Steve Brandon Jason are lefties. That's 311 00:19:23,200 --> 00:19:26,320 Speaker 1: why they're also so good at tennis, because they're coming 312 00:19:26,359 --> 00:19:30,800 Speaker 1: at it from their lefties. You didn't notice. Nope, I'm 313 00:19:30,840 --> 00:19:32,800 Speaker 1: trying to re enact it in my mind right now. 314 00:19:33,680 --> 00:19:39,119 Speaker 1: What's that called golf? Goofball? No, I'm pretty sure it 315 00:19:39,240 --> 00:19:42,480 Speaker 1: was before the days of the Instagram reverse thing. I 316 00:19:42,520 --> 00:19:44,040 Speaker 1: know what, there's a name for it. I think you're 317 00:19:44,040 --> 00:19:50,240 Speaker 1: thinking of snowboarding. Goofy, goofy, goofy? Is that for all sports? 318 00:19:50,240 --> 00:19:53,919 Speaker 1: When you're a lefty, you're a goofy? Lefties always have 319 00:19:53,920 --> 00:19:58,680 Speaker 1: an advantage in sports? All right? Who knows? But I did. 320 00:19:58,720 --> 00:20:00,480 Speaker 1: I made that note too. I said, like, Wow, they're 321 00:20:00,520 --> 00:20:03,320 Speaker 1: so both very athletic. I love that about them. They 322 00:20:03,320 --> 00:20:06,600 Speaker 1: were obviously really really playing. But here's what I really wondered. 323 00:20:08,520 --> 00:20:12,359 Speaker 1: You said last week how much you were loving Jason's look, 324 00:20:12,520 --> 00:20:16,760 Speaker 1: and I it's just simple. It's the hair, it's the haircut. 325 00:20:16,880 --> 00:20:20,679 Speaker 1: It's a he looks like a different person with that 326 00:20:20,760 --> 00:20:25,040 Speaker 1: hair do. Someone messaged just that he was shooting Calendar Girl? 327 00:20:25,720 --> 00:20:29,119 Speaker 1: Was that Calendar Girls? That track? He had short hair, 328 00:20:29,600 --> 00:20:32,960 Speaker 1: the same hair do, yes, and that, and a lot 329 00:20:33,000 --> 00:20:36,159 Speaker 1: of like new like cockiness, like I'm so cool, a 330 00:20:36,200 --> 00:20:40,200 Speaker 1: lot of like I'm in my I've found my stride. Right, 331 00:20:40,320 --> 00:20:45,000 Speaker 1: he really had, though, as Jason Priestley or Brandon Walsh did. 332 00:20:45,080 --> 00:20:50,639 Speaker 1: He called Jill babe real quick, like they are so fast? 333 00:20:50,680 --> 00:20:53,480 Speaker 1: I don't hit it. What the heck? Why is this moving? 334 00:20:53,680 --> 00:20:56,040 Speaker 1: Why is the storyline even happening? First of all, because 335 00:20:56,080 --> 00:20:57,640 Speaker 1: they need to wrap it up because it's not going 336 00:20:57,680 --> 00:21:00,080 Speaker 1: to the next episode. Okay what I'm thinking. But I 337 00:21:00,119 --> 00:21:03,000 Speaker 1: just didn't understand why it moved so quickly and why, 338 00:21:03,160 --> 00:21:07,320 Speaker 1: Like Steve was like, broke, You've been with her for 339 00:21:07,400 --> 00:21:10,280 Speaker 1: a week. You haven't slept with her? Like what what 340 00:21:11,400 --> 00:21:13,399 Speaker 1: is it? Just? Am I old? Or is that like 341 00:21:13,880 --> 00:21:18,080 Speaker 1: super fun? Was totally crazy. It was ridiculous. Can you 342 00:21:18,080 --> 00:21:20,840 Speaker 1: do me a favor? You guys? Will you sleep with me? 343 00:21:22,600 --> 00:21:27,199 Speaker 1: The so gross, I know, but it was hard for 344 00:21:27,240 --> 00:21:31,960 Speaker 1: me to hate it because of her situation. So it 345 00:21:32,080 --> 00:21:37,399 Speaker 1: was like I want to say, you know, I wanted 346 00:21:37,440 --> 00:21:42,480 Speaker 1: to say it was very Had they not had her storyline, 347 00:21:43,160 --> 00:21:47,080 Speaker 1: it would have been so what is happening? I just 348 00:21:47,160 --> 00:21:49,840 Speaker 1: kept saying, when they're back to their like being competitive 349 00:21:49,880 --> 00:21:54,160 Speaker 1: and like battling each each other at everything for what 350 00:21:54,320 --> 00:21:56,640 Speaker 1: for a girl? Is that? What it is? The goal 351 00:21:56,800 --> 00:21:59,840 Speaker 1: is they're trying to impress Jill poor thee last first 352 00:21:59,840 --> 00:22:02,840 Speaker 1: of all, but second of all, is that how boy 353 00:22:03,400 --> 00:22:09,840 Speaker 1: bff's act? Like is that natural point? That's a great question, 354 00:22:10,520 --> 00:22:14,400 Speaker 1: Like if you have a boy, I don't know, are 355 00:22:14,440 --> 00:22:17,199 Speaker 1: you just always competitive with each other and always rasing 356 00:22:17,200 --> 00:22:21,399 Speaker 1: each other and always like punching each other? Like, is 357 00:22:21,400 --> 00:22:24,920 Speaker 1: that is not fantasy football? They love like, they love competing. 358 00:22:25,760 --> 00:22:30,040 Speaker 1: They even compete at like a fake game. I guess 359 00:22:30,080 --> 00:22:33,760 Speaker 1: there's all different relationships even if boy or girl doesn't matter. 360 00:22:33,800 --> 00:22:36,440 Speaker 1: But these two are just like, I don't know what's 361 00:22:36,440 --> 00:22:40,240 Speaker 1: happening with them because I love them together. They're hilarious together, 362 00:22:41,119 --> 00:22:43,440 Speaker 1: They're perfect for each other, and then they just keep 363 00:22:43,440 --> 00:22:45,679 Speaker 1: having these stupid, petty arguments and I don't get it. 364 00:22:45,760 --> 00:22:50,280 Speaker 1: Do you think Celestine Jill got overly agitated? Like I 365 00:22:50,359 --> 00:22:52,720 Speaker 1: was sort of like let them be. Yeah, I would 366 00:22:52,720 --> 00:22:56,119 Speaker 1: be irretated. I'd be like, dude, I'm your girlfriends are 367 00:22:56,200 --> 00:22:59,720 Speaker 1: right here. Can we not do this right now? Well again, 368 00:22:59,720 --> 00:23:06,359 Speaker 1: I of our time. That's what they now call a bromance. Also, 369 00:23:06,400 --> 00:23:09,919 Speaker 1: it's very convenient. What was it called West Beach Club? West? 370 00:23:10,240 --> 00:23:15,360 Speaker 1: This fake sign the tennis club? Is that what you're 371 00:23:15,359 --> 00:23:20,080 Speaker 1: talking about? Yeah? It was? Where was that? I need 372 00:23:20,119 --> 00:23:21,879 Speaker 1: to know? I want to go there? There's a pool 373 00:23:21,960 --> 00:23:24,639 Speaker 1: and a tennis court. It looks so fun. I don't know. 374 00:23:24,720 --> 00:23:26,840 Speaker 1: But they filmed all those scenes in one day, so 375 00:23:26,920 --> 00:23:31,040 Speaker 1: that was on budget. One location. Yep. I loved it. 376 00:23:31,119 --> 00:23:33,400 Speaker 1: I want to many questions. I think there might be 377 00:23:33,760 --> 00:23:38,159 Speaker 1: like over by um Hancock Park area. Oh, I was 378 00:23:38,160 --> 00:23:42,000 Speaker 1: gonna say, we want in Century City. I have no idea. 379 00:23:42,680 --> 00:23:45,760 Speaker 1: At first, I thought they took someone's mansion and just 380 00:23:45,840 --> 00:23:48,600 Speaker 1: put that giant sign up on their tennis court, because 381 00:23:48,840 --> 00:23:52,120 Speaker 1: I don't know how was that at my house? Seriously, 382 00:23:52,200 --> 00:23:54,080 Speaker 1: I don't know a lot of clubs where the pool 383 00:23:55,440 --> 00:23:57,359 Speaker 1: and I thought the same thing. I was like, wow, 384 00:23:57,400 --> 00:23:59,479 Speaker 1: they put the pool right by the tennis court. You're right, 385 00:23:59,520 --> 00:24:01,960 Speaker 1: I bet you that was a private home. Good call. 386 00:24:02,080 --> 00:24:05,640 Speaker 1: Then someone tell us when as I thought that, they 387 00:24:05,760 --> 00:24:07,760 Speaker 1: kind of zoomed out a little bit and I saw 388 00:24:07,880 --> 00:24:11,480 Speaker 1: more like stairs and maybe another port. So I was like, Okay, 389 00:24:11,560 --> 00:24:14,119 Speaker 1: am I wrong? I need to know where that was. 390 00:24:15,480 --> 00:24:19,479 Speaker 1: Then bravo to the background actors who had to act 391 00:24:20,440 --> 00:24:22,760 Speaker 1: during the fight, because if there was a fight that 392 00:24:22,800 --> 00:24:25,439 Speaker 1: close to you, you would look like what's going on? 393 00:24:25,920 --> 00:24:32,000 Speaker 1: And a couple of them did. I wonder if they 394 00:24:32,000 --> 00:24:33,960 Speaker 1: did or like they did the first take, and they 395 00:24:34,000 --> 00:24:37,359 Speaker 1: just kept like and then they were like, cut, Okay, 396 00:24:37,480 --> 00:24:42,119 Speaker 1: do you notice what's happening. So for the background actors, 397 00:24:42,200 --> 00:24:45,439 Speaker 1: while the director would give us notes on our acting 398 00:24:45,440 --> 00:24:48,120 Speaker 1: and what to do, the first a d would get 399 00:24:48,160 --> 00:24:50,639 Speaker 1: the direction from the director and then go tell is 400 00:24:50,680 --> 00:24:55,760 Speaker 1: that right jen? The background? Yeah? Second, it might be 401 00:24:55,800 --> 00:24:59,520 Speaker 1: a second second eighties in charge of background actors as 402 00:24:59,520 --> 00:25:03,320 Speaker 1: the protoco and so often in that environment it's super 403 00:25:03,400 --> 00:25:05,800 Speaker 1: rushed and that there's no time to tell them what 404 00:25:05,840 --> 00:25:07,240 Speaker 1: to do. They bring them in, they're like, okay, you 405 00:25:07,320 --> 00:25:09,359 Speaker 1: cross here, you go there, and then you're watching this 406 00:25:09,400 --> 00:25:11,560 Speaker 1: and then don't say anything and don't you can't say 407 00:25:11,560 --> 00:25:14,280 Speaker 1: anything up to mime and like it's so stressful. But 408 00:25:14,400 --> 00:25:17,120 Speaker 1: because of like industry rules, the director if they don't 409 00:25:17,119 --> 00:25:20,520 Speaker 1: have a speaking part, can't give them the direction. Really, 410 00:25:21,320 --> 00:25:22,720 Speaker 1: I don't think I made that up. I think there's 411 00:25:22,760 --> 00:25:28,840 Speaker 1: something like that outain there. Wow. Questions, What I have 412 00:25:28,880 --> 00:25:32,119 Speaker 1: a question? You go first? You go first? Why is 413 00:25:32,160 --> 00:25:37,840 Speaker 1: Brandon so sexually aggressive? But he's just he wants to 414 00:25:37,880 --> 00:25:41,920 Speaker 1: eat her head? He tries to eat her head. Why 415 00:25:42,040 --> 00:25:45,679 Speaker 1: when you kiss someone? Why? Why is it that his 416 00:25:45,760 --> 00:25:49,560 Speaker 1: mouth is open entirely like she's eating a question for 417 00:25:49,640 --> 00:25:54,439 Speaker 1: thirty two years. It just made me uncomfortable to watch 418 00:25:54,680 --> 00:25:58,880 Speaker 1: like like that, You're like another victim of T MJ. 419 00:25:59,080 --> 00:26:03,919 Speaker 1: Here we go. It didn't do me, but it was 420 00:26:04,119 --> 00:26:08,000 Speaker 1: very noticeable. And his big his hands, the way he's 421 00:26:08,040 --> 00:26:09,879 Speaker 1: like he just puts his hands on the back right 422 00:26:10,000 --> 00:26:14,040 Speaker 1: pushes her head in there like he's just it's very aggressive. 423 00:26:14,119 --> 00:26:18,560 Speaker 1: And with that haircut, I was not feeling it at all, 424 00:26:18,720 --> 00:26:21,840 Speaker 1: Like I didn't like it. While I do agree he 425 00:26:21,880 --> 00:26:26,160 Speaker 1: looks great, I didn't like the vibe that I'm getting 426 00:26:26,160 --> 00:26:29,359 Speaker 1: from Brandon right now. I love you're getting a Jason vibe. 427 00:26:30,160 --> 00:26:33,399 Speaker 1: Maybe I love the vibe. I love the vibe. It 428 00:26:33,640 --> 00:26:38,399 Speaker 1: is a giant I agree on that. I'm sure no 429 00:26:38,520 --> 00:26:42,000 Speaker 1: girl was ever mad though. Really I would like if 430 00:26:42,040 --> 00:26:45,879 Speaker 1: I was a guest starring and I came in and 431 00:26:45,920 --> 00:26:49,119 Speaker 1: that guy was super handy with me, which he's supposed 432 00:26:49,160 --> 00:26:52,560 Speaker 1: to be, but it's still there's still like it's just 433 00:26:52,720 --> 00:26:56,560 Speaker 1: too comfortable, too quick, like I don't I don't feel it, 434 00:26:56,600 --> 00:26:59,879 Speaker 1: and and if it looks like I don't know what 435 00:27:00,000 --> 00:27:02,000 Speaker 1: it looks like, but it doesn't make But they kissed 436 00:27:02,320 --> 00:27:06,119 Speaker 1: every five seconds, like every little point they like practically kissed. 437 00:27:06,359 --> 00:27:08,760 Speaker 1: There was lots of like little kisses, and then there 438 00:27:08,800 --> 00:27:12,600 Speaker 1: was a big makeup and then like a ass slap 439 00:27:12,600 --> 00:27:15,679 Speaker 1: and on the tennis court, which I would have been like, 440 00:27:16,760 --> 00:27:19,119 Speaker 1: I mean, it looked real, it looked great, but it 441 00:27:19,200 --> 00:27:23,280 Speaker 1: made Brandon look like like a five year old, like 442 00:27:24,040 --> 00:27:27,000 Speaker 1: he hey like a guy, like like he didn't feel 443 00:27:27,000 --> 00:27:31,159 Speaker 1: like Brandon anymore. They're just very confusing because it's like, 444 00:27:31,240 --> 00:27:35,480 Speaker 1: at the same time of having just met, they seem 445 00:27:35,560 --> 00:27:38,119 Speaker 1: like they've been dating for two years, but then she 446 00:27:38,200 --> 00:27:40,960 Speaker 1: wants to take it slow. Then he's saying, why don't 447 00:27:40,960 --> 00:27:44,359 Speaker 1: you transfer college for me? Like because I met you 448 00:27:44,400 --> 00:27:47,240 Speaker 1: three days ago. Like it's very it's just also weird. 449 00:27:48,840 --> 00:27:51,760 Speaker 1: And Brandon, he just seems old and I can't with 450 00:27:51,840 --> 00:27:53,800 Speaker 1: his kisses. That's all I have to say about it. 451 00:27:54,320 --> 00:27:58,879 Speaker 1: What about the tennis offenses? Really, I thought the girls 452 00:27:58,880 --> 00:28:03,960 Speaker 1: look thicky. I loved her as it was like nineties, 453 00:28:04,080 --> 00:28:08,159 Speaker 1: like that typical nineties print on that skirt. Loved it 454 00:28:09,640 --> 00:28:12,520 Speaker 1: and bold with the sports bra only like yeah, I 455 00:28:12,560 --> 00:28:14,600 Speaker 1: was going to say that that's different, like the tennis 456 00:28:14,600 --> 00:28:17,399 Speaker 1: skirt always, but it was just a sports bra, not 457 00:28:17,520 --> 00:28:22,879 Speaker 1: a strict club The West Beach yes, college, yes, true, true, 458 00:28:23,000 --> 00:28:25,960 Speaker 1: they have loose dress code. I didn't understand why Joe 459 00:28:26,040 --> 00:28:28,000 Speaker 1: was just standing there. I thought she was supposed to 460 00:28:28,000 --> 00:28:29,920 Speaker 1: be playing tennis. But like in the parts where she 461 00:28:30,000 --> 00:28:32,360 Speaker 1: got hit by the ball twice in her ow, literally 462 00:28:32,359 --> 00:28:34,439 Speaker 1: she's just standing there waiting for the ball to hit her, like, 463 00:28:34,600 --> 00:28:37,840 Speaker 1: move like you don't want to get hit, put your 464 00:28:37,920 --> 00:28:40,520 Speaker 1: racket up, do something. She was there's no c G I, 465 00:28:40,920 --> 00:28:46,040 Speaker 1: so somebody had to get hit. Basically he really didn't 466 00:28:46,120 --> 00:28:48,800 Speaker 1: had to hit it right at her, but when she 467 00:28:48,840 --> 00:28:51,640 Speaker 1: would have been more like, yeah, she just stood there 468 00:28:51,680 --> 00:28:56,160 Speaker 1: like I don't know its call phony. It wasn't Wimbledon, 469 00:28:56,280 --> 00:29:00,520 Speaker 1: but it was good tennis. Good tennis, okay, yeah, pretty good? 470 00:29:00,520 --> 00:29:03,520 Speaker 1: Pretty good? So do you not care for them together? 471 00:29:03,960 --> 00:29:06,640 Speaker 1: Both of you? Know? What are your thoughts? She looks 472 00:29:06,680 --> 00:29:10,000 Speaker 1: familiar there. She's great. Don't get me wrong. I think 473 00:29:10,040 --> 00:29:14,080 Speaker 1: she's beautiful. She does a wonderful job acting the role. 474 00:29:15,400 --> 00:29:19,600 Speaker 1: I don't like his energy with her, so that must 475 00:29:19,640 --> 00:29:22,240 Speaker 1: mean I don't like them together. I don't know. Maybe 476 00:29:22,240 --> 00:29:24,680 Speaker 1: it's just him I'm not liking right now, but now 477 00:29:24,800 --> 00:29:27,600 Speaker 1: I agree. I don't think there's chemistry. There's some it's 478 00:29:27,640 --> 00:29:31,720 Speaker 1: off it's very Yeah, I don't know, it's not forced 479 00:29:31,720 --> 00:29:35,520 Speaker 1: because it looks supernatural. No, I know, but forcing a 480 00:29:35,520 --> 00:29:37,840 Speaker 1: different way, and it's coming from him, Like I feel 481 00:29:37,840 --> 00:29:40,240 Speaker 1: like they're forcing it on me. They're not forcing it 482 00:29:40,280 --> 00:29:43,200 Speaker 1: with each other. They're forcing it on me, and I 483 00:29:43,280 --> 00:29:47,920 Speaker 1: don't like it. So I like it. I definitely I 484 00:29:47,960 --> 00:29:55,800 Speaker 1: like them. I thought he handled her confession very well. 485 00:29:57,720 --> 00:30:00,200 Speaker 1: Guy I did too, But there was part of it 486 00:30:00,280 --> 00:30:04,120 Speaker 1: was like, oh, you know, he's like inside, he's like, damn, 487 00:30:04,280 --> 00:30:08,120 Speaker 1: I'm not going to get lucky tonight. I gotta do 488 00:30:08,200 --> 00:30:10,000 Speaker 1: the right thing and put my arm around her and 489 00:30:10,040 --> 00:30:16,200 Speaker 1: just hold her. Yeah. That was a very nine O 490 00:30:16,320 --> 00:30:21,600 Speaker 1: two one oh is um to put something very heavy, 491 00:30:22,240 --> 00:30:30,160 Speaker 1: very heavy into a maybe four minute scene. Yeah, not 492 00:30:30,280 --> 00:30:34,560 Speaker 1: mad about it. Well done. He ended up handling it 493 00:30:34,600 --> 00:30:39,680 Speaker 1: the right way, the brand the Brandon way, but ahead 494 00:30:39,680 --> 00:30:43,120 Speaker 1: of its time, as N one oh always is right, 495 00:30:44,240 --> 00:30:49,920 Speaker 1: but for a fairly sort of jovial tennis situation. And 496 00:30:49,960 --> 00:30:56,920 Speaker 1: then woo yeah, but I don't know how it was. 497 00:30:57,080 --> 00:30:59,080 Speaker 1: I feel like we should talk about the next storyline 498 00:30:59,120 --> 00:31:02,880 Speaker 1: now that okay, yes, okay, now I'm getting excited. Let's 499 00:31:02,880 --> 00:31:09,240 Speaker 1: talk about the beach apartment when it came on and 500 00:31:09,240 --> 00:31:12,960 Speaker 1: they're moving the boxes. I was like, immediately transported into 501 00:31:13,000 --> 00:31:16,080 Speaker 1: that set and I had to stop the video and 502 00:31:16,440 --> 00:31:18,880 Speaker 1: the video Oh my god, I'm old. I just stopped 503 00:31:18,920 --> 00:31:22,600 Speaker 1: the TV with my clicker and on her brain. She 504 00:31:22,640 --> 00:31:24,760 Speaker 1: stopped the video in her brain. The minute I saw 505 00:31:24,800 --> 00:31:27,240 Speaker 1: that linoleum in the kitchen, I was like, oh my god, 506 00:31:27,360 --> 00:31:31,240 Speaker 1: I want to be in that apartment. The cow chairs, 507 00:31:31,520 --> 00:31:34,960 Speaker 1: the couchair, that ugly couch with the floral pillows. I 508 00:31:35,000 --> 00:31:38,640 Speaker 1: hated that miss it so much. That's so comfy, ugly? 509 00:31:39,080 --> 00:31:42,440 Speaker 1: How dare you? I didn't like it? What the decor 510 00:31:42,480 --> 00:31:45,520 Speaker 1: of that apartment, it's a good disgusting, but now it's 511 00:31:45,560 --> 00:31:49,320 Speaker 1: been great for then. Yea, the decor of that apartment 512 00:31:49,400 --> 00:31:55,440 Speaker 1: works perfectly in two. The cowchun chair, the comfy chair 513 00:31:55,480 --> 00:32:02,040 Speaker 1: with the different florals, very retro, like amazing that we're 514 00:32:02,040 --> 00:32:04,240 Speaker 1: gonna get you a chair like that, Amy. So if 515 00:32:04,240 --> 00:32:07,040 Speaker 1: we decided to do a makeover and redid your apartment 516 00:32:07,080 --> 00:32:09,040 Speaker 1: and did it like this, that's okay. I've been in 517 00:32:09,080 --> 00:32:11,440 Speaker 1: her apartment. I know it looks great and had she 518 00:32:11,520 --> 00:32:18,200 Speaker 1: has great decor. She's gonna show us something she's carrying 519 00:32:18,280 --> 00:32:22,960 Speaker 1: in a giant chair like covered in cow hide. She 520 00:32:23,080 --> 00:32:25,720 Speaker 1: just walked it and walked it out. That is that 521 00:32:25,840 --> 00:32:30,160 Speaker 1: was amazing. Okay, okay, okay. To the beach apartment, Well, 522 00:32:30,520 --> 00:32:33,400 Speaker 1: that was an oppressive That was an impressive play of 523 00:32:33,760 --> 00:32:36,400 Speaker 1: that shots down. You're right that chair was so heavy. 524 00:32:37,080 --> 00:32:40,320 Speaker 1: The cow hide now I know, I never knew. Wait. 525 00:32:40,360 --> 00:32:42,440 Speaker 1: I was like, why do I love I have two 526 00:32:42,480 --> 00:32:44,920 Speaker 1: of those? Why do I love this? That's why I 527 00:32:45,040 --> 00:32:49,160 Speaker 1: was ingrained in you. When that cow hide chair showed up, 528 00:32:49,760 --> 00:32:54,440 Speaker 1: everything came back to me immediately. I remembered the apartment 529 00:32:54,600 --> 00:33:00,520 Speaker 1: was decorated amazing without being too like a rated. It 530 00:33:00,600 --> 00:33:02,920 Speaker 1: was like, it's not young. It felt like they pieced 531 00:33:02,920 --> 00:33:05,400 Speaker 1: it together with things that they loved, which I appreciated. 532 00:33:05,440 --> 00:33:08,040 Speaker 1: It didn't look like, you know, Felice had given them 533 00:33:08,040 --> 00:33:12,720 Speaker 1: her hand me downs, all Felice police police, who shows 534 00:33:12,800 --> 00:33:15,080 Speaker 1: up at nothing for her daughter, but there and move 535 00:33:15,120 --> 00:33:18,200 Speaker 1: her in at three am or what was it one am? 536 00:33:18,400 --> 00:33:23,360 Speaker 1: Remember then? But she was also there before twice. Yeah. 537 00:33:24,080 --> 00:33:27,600 Speaker 1: She she says to David, it's a safe neighborhood. And 538 00:33:27,640 --> 00:33:30,360 Speaker 1: he's like, yeah, I'm thinking, are you kidding me? It's 539 00:33:30,400 --> 00:33:33,400 Speaker 1: not a safe neighborhood? Was it? Safe. That supposed to 540 00:33:33,440 --> 00:33:38,080 Speaker 1: be Malibu, though. Isn't Manhattan Beach right on the strands 541 00:33:38,160 --> 00:33:41,560 Speaker 1: safe too? Or is it not? Girl, there's nothing safe 542 00:33:41,560 --> 00:33:44,400 Speaker 1: around here anymore. I'm sorry but that that is not 543 00:33:44,440 --> 00:33:48,320 Speaker 1: a safe neighborhood anymore. I love that apartment so much. 544 00:33:49,160 --> 00:33:51,880 Speaker 1: It was good. I love seeing them like do stuff 545 00:33:51,880 --> 00:33:57,920 Speaker 1: in the apartment, like moving boxes and cleaning building stuff. Yeah, 546 00:33:58,080 --> 00:34:02,719 Speaker 1: you guys built that stereo system. Most relatable thing of 547 00:34:02,760 --> 00:34:06,080 Speaker 1: all talk because they're arguing about how to hook it 548 00:34:06,200 --> 00:34:09,480 Speaker 1: up and the ox, the ox score. You guys felt 549 00:34:09,520 --> 00:34:11,680 Speaker 1: like a real couple for me for the first time 550 00:34:11,840 --> 00:34:16,239 Speaker 1: with when David follows you into your room and and 551 00:34:16,360 --> 00:34:18,480 Speaker 1: he like starts he sits on your bed and starts 552 00:34:18,480 --> 00:34:22,080 Speaker 1: taking his shoes off, and you're like, um, hello, what 553 00:34:22,120 --> 00:34:25,800 Speaker 1: are you doing hey? When they were building the stereo, 554 00:34:26,000 --> 00:34:29,120 Speaker 1: do you think that will be in this century? We 555 00:34:29,200 --> 00:34:33,880 Speaker 1: only have a few years left. He had some funny lines. 556 00:34:34,080 --> 00:34:37,279 Speaker 1: So you said that, Donna said that to him, Yes, 557 00:34:38,080 --> 00:34:40,440 Speaker 1: And then he says later in the bed to get done. 558 00:34:40,520 --> 00:34:42,440 Speaker 1: You think that will be done in this century? That 559 00:34:42,440 --> 00:34:45,920 Speaker 1: will he says, was almost over in the nineties. Is 560 00:34:45,920 --> 00:34:51,400 Speaker 1: that crazy? I think it's an expression. No, literally it 561 00:34:51,480 --> 00:34:57,960 Speaker 1: was four three, I don't know. But then later David says, 562 00:34:58,080 --> 00:35:00,600 Speaker 1: what did I do in a previous life to deserved this? 563 00:35:03,719 --> 00:35:18,759 Speaker 1: He's referring to Donna. I also like that we've got 564 00:35:18,760 --> 00:35:22,440 Speaker 1: the sprinkling that there will be a sorority situation, and 565 00:35:22,480 --> 00:35:27,280 Speaker 1: there will be a fraternity situation, which I'm all about. 566 00:35:27,320 --> 00:35:32,680 Speaker 1: That's when it starts to get goot, I am all about. Yeah. Wait, wait, 567 00:35:32,760 --> 00:35:37,280 Speaker 1: what was the thing? Okay? When Kelly was in Donna's room, 568 00:35:37,360 --> 00:35:44,400 Speaker 1: um on the bed petting the stuffed cat, First of all, 569 00:35:44,400 --> 00:35:46,640 Speaker 1: I thought the cat was real for a second. Second 570 00:35:46,640 --> 00:35:48,600 Speaker 1: of all, my mom was watching the show with me, 571 00:35:48,640 --> 00:35:51,120 Speaker 1: and this was one She said two things during the episode. 572 00:35:51,120 --> 00:35:54,520 Speaker 1: This is one of them. Is that cat real? And 573 00:35:54,560 --> 00:35:56,120 Speaker 1: then I'll tell you later what she said it for 574 00:35:56,160 --> 00:36:01,759 Speaker 1: another part, but I realized that cat looks exactly like 575 00:36:01,800 --> 00:36:05,840 Speaker 1: the cat you gave me from my first wedding. You 576 00:36:06,480 --> 00:36:10,600 Speaker 1: for some who gives anybody a cat as a wedding present? 577 00:36:10,880 --> 00:36:14,799 Speaker 1: First of all, you do that looks like there's so 578 00:36:14,840 --> 00:36:17,600 Speaker 1: many layers to that story. Okay, this is crazy. I 579 00:36:17,640 --> 00:36:19,359 Speaker 1: was looking at that and I was like, the cass 580 00:36:19,400 --> 00:36:22,359 Speaker 1: name was Sunday, right, And so I was looking at 581 00:36:22,440 --> 00:36:24,640 Speaker 1: I was like, that looks just like Sunday that I 582 00:36:25,040 --> 00:36:27,200 Speaker 1: so it was hello, It was not first of all, 583 00:36:27,239 --> 00:36:30,640 Speaker 1: it was the first it was your wedding shower. So 584 00:36:30,760 --> 00:36:35,160 Speaker 1: even weirder. She had always talked about wanting a cat. 585 00:36:35,480 --> 00:36:37,480 Speaker 1: I know, but I I say that every day. I 586 00:36:37,560 --> 00:36:42,360 Speaker 1: love kitties or I love hats. No, this is so crazy. 587 00:36:42,400 --> 00:36:44,880 Speaker 1: I was so allergic to cats, and back then it 588 00:36:44,920 --> 00:36:47,480 Speaker 1: was before people did rescue work. Like I went to 589 00:36:47,560 --> 00:36:49,759 Speaker 1: the Beverly Center and went to the pet shop there 590 00:36:50,280 --> 00:36:53,480 Speaker 1: and I literally bought a cat and was so nervous 591 00:36:53,560 --> 00:36:55,600 Speaker 1: in my car and I had all this stuff and 592 00:36:55,800 --> 00:36:58,920 Speaker 1: went to I believe your wedding shower was at a 593 00:36:59,080 --> 00:37:05,640 Speaker 1: Chateau Marmont, Yes, okay, And I remember carrying it in, like, 594 00:37:05,680 --> 00:37:07,359 Speaker 1: am I going to get in trouble and bring it in? 595 00:37:08,080 --> 00:37:11,560 Speaker 1: The whole thing is weird. I'm allergic to cats present 596 00:37:11,640 --> 00:37:14,120 Speaker 1: for their friend. That's a cat for the wedding shower, like, 597 00:37:14,800 --> 00:37:16,600 Speaker 1: and remember after you were like, I don't know what 598 00:37:16,640 --> 00:37:18,640 Speaker 1: to do. There was a reason you maybe couldn't keep it, 599 00:37:18,680 --> 00:37:20,440 Speaker 1: but you weren't sure, did d I not like cat 600 00:37:21,680 --> 00:37:23,840 Speaker 1: and I had big dogs. I had big dogs in 601 00:37:23,840 --> 00:37:26,400 Speaker 1: the catch I remember this, the cat Pete and pood 602 00:37:26,640 --> 00:37:29,359 Speaker 1: on my bed, and every time that would happen, I'd 603 00:37:29,360 --> 00:37:33,560 Speaker 1: be like, Tory man killer, who does that? That's the 604 00:37:33,600 --> 00:37:35,480 Speaker 1: craziest thing. I would never do that to someone now, 605 00:37:35,520 --> 00:37:37,360 Speaker 1: But I was young and I was really excited to 606 00:37:37,360 --> 00:37:39,560 Speaker 1: get you something outside the box rather than just going 607 00:37:39,560 --> 00:37:42,160 Speaker 1: to your registrate. Was that a decision you made just 608 00:37:42,320 --> 00:37:44,799 Speaker 1: on your own? Like? Did you did anybody help you 609 00:37:44,840 --> 00:37:47,840 Speaker 1: with that decision? I clearly did. Did not ask anybody 610 00:37:47,840 --> 00:37:51,719 Speaker 1: about them because everyone would say, no, don't do that. 611 00:37:52,200 --> 00:37:57,600 Speaker 1: It's just surpriser with a cat I did. Where did 612 00:37:57,640 --> 00:38:01,520 Speaker 1: that cat go? But feel that for a long time, 613 00:38:01,560 --> 00:38:06,399 Speaker 1: Stuffy the Stuffy was the inspiration. Anyone have that Stuffy? 614 00:38:07,520 --> 00:38:11,320 Speaker 1: May I ask some questions? Can we please talk about 615 00:38:12,400 --> 00:38:16,560 Speaker 1: Saved by the Doorbell? Dylan his back. Let's talk about 616 00:38:16,560 --> 00:38:24,000 Speaker 1: the flashbacks to everybody talked to me. I loved the flashbacks. 617 00:38:24,840 --> 00:38:29,120 Speaker 1: I thought it was fun. Dylan just feels speaking of 618 00:38:29,239 --> 00:38:32,480 Speaker 1: Brandon feeling more mature list episode, Dylan feels more mature. 619 00:38:32,560 --> 00:38:36,440 Speaker 1: This episode feels more aloof more like dressing different, like 620 00:38:36,440 --> 00:38:39,360 Speaker 1: like aging up a little bit, like just manners and 621 00:38:40,680 --> 00:38:45,000 Speaker 1: totally totally everybody feels more. No, just Brenda, Dylan and 622 00:38:45,040 --> 00:38:48,959 Speaker 1: Brandon all feel more mature. There's that cover of Rolling 623 00:38:49,000 --> 00:38:55,160 Speaker 1: Stone Girl care. Yeah, that he didn't sleep with Brigitte? 624 00:38:55,480 --> 00:38:59,239 Speaker 1: What exactly? Hello? Who cares that he didn't sleep with her? 625 00:38:59,280 --> 00:39:03,880 Speaker 1: He still was So that was not appropriate? You so weird? 626 00:39:04,120 --> 00:39:05,839 Speaker 1: You don't have a fight with your girlfriend and then 627 00:39:05,880 --> 00:39:10,160 Speaker 1: she leaves and then you hook up with Noodle in 628 00:39:10,239 --> 00:39:14,439 Speaker 1: public or and like talking like oh I was furious, 629 00:39:14,719 --> 00:39:21,400 Speaker 1: me too curious. Then you then then the snow on 630 00:39:21,480 --> 00:39:25,920 Speaker 1: a date with Gaston Gaston. Of course he's named Gaston. 631 00:39:26,360 --> 00:39:28,399 Speaker 1: He was a total babe. Isn't that the guy from 632 00:39:28,400 --> 00:39:32,000 Speaker 1: Beauty and the Beast? Yes, yeah, which they name, not 633 00:39:32,239 --> 00:39:35,480 Speaker 1: the guy from which Donna calls out. Donna says that 634 00:39:37,760 --> 00:39:40,160 Speaker 1: does anyone know who Gastone was? Did he even have 635 00:39:40,200 --> 00:39:44,480 Speaker 1: a line or was he just a handsome face? I 636 00:39:44,520 --> 00:39:47,920 Speaker 1: don't remember. I was too busy looking at him handsome? 637 00:39:48,160 --> 00:39:51,239 Speaker 1: So what do you think? Okay, really, Jenny Tory, what 638 00:39:51,280 --> 00:39:54,640 Speaker 1: do you think of the behavior of Kelly and Dylan? 639 00:39:55,120 --> 00:39:57,760 Speaker 1: And then that they just make up in a split second. 640 00:39:58,640 --> 00:40:04,560 Speaker 1: It was really immature. And then I also kept my 641 00:40:04,920 --> 00:40:07,640 Speaker 1: finding myself thinking like, oh, they don't have a cell phone, 642 00:40:07,719 --> 00:40:10,360 Speaker 1: so they couldn't call each other, text each other or 643 00:40:10,400 --> 00:40:12,919 Speaker 1: the way we do know how to work everything out. 644 00:40:14,440 --> 00:40:17,920 Speaker 1: So she left and she thought, I'm gonna get back. No, 645 00:40:18,120 --> 00:40:19,960 Speaker 1: and she came back and she saw him with Brigitte. 646 00:40:20,080 --> 00:40:21,560 Speaker 1: Then she said, oh, I'm gonna get back to him 647 00:40:21,560 --> 00:40:24,399 Speaker 1: with gust Stone. But that was just a fake thing, 648 00:40:25,880 --> 00:40:29,799 Speaker 1: but Dylan thought it was real, right, and she let 649 00:40:29,840 --> 00:40:32,440 Speaker 1: him slap and then she slapped him. That slap was 650 00:40:32,480 --> 00:40:35,960 Speaker 1: intense and nailed it. That was a real slap, you guys. 651 00:40:36,320 --> 00:40:39,160 Speaker 1: I didn't I could tell because I do love Dylan 652 00:40:39,520 --> 00:40:42,520 Speaker 1: and I don't. This doesn't I don't know if this 653 00:40:42,600 --> 00:40:45,520 Speaker 1: is dylan Ish or not. It kind of is, even 654 00:40:45,520 --> 00:40:47,080 Speaker 1: though in my mind I want to say it isn't. 655 00:40:47,520 --> 00:40:49,560 Speaker 1: Where the hell have you been all night? And he 656 00:40:49,680 --> 00:40:54,600 Speaker 1: was like very aggressive about that. Yeah, I didn't like this, this, 657 00:40:54,600 --> 00:40:58,120 Speaker 1: this part, this part of him. I didn't like him 658 00:40:58,160 --> 00:41:01,520 Speaker 1: this whole episode. It was very un him and I 659 00:41:01,600 --> 00:41:07,320 Speaker 1: know that that went seeing him up during this time 660 00:41:07,320 --> 00:41:09,680 Speaker 1: in our lives, seeing him do that scene with that 661 00:41:09,760 --> 00:41:13,920 Speaker 1: actress whoever she was, lovely girl was so upsetting for 662 00:41:14,080 --> 00:41:17,600 Speaker 1: me to be put d be put in that position 663 00:41:17,640 --> 00:41:21,880 Speaker 1: of okay, just got past the whole triangulation with Brenda, 664 00:41:22,640 --> 00:41:25,919 Speaker 1: and now now they're bringing in another girl and doing 665 00:41:25,920 --> 00:41:28,799 Speaker 1: the same ff and thing that they always do to 666 00:41:29,000 --> 00:41:33,160 Speaker 1: mess with people's minds, like you know, you're not good enough. 667 00:41:33,200 --> 00:41:34,560 Speaker 1: I'm going to move on to say it had to 668 00:41:34,600 --> 00:41:39,400 Speaker 1: be confusing in some alternate world. I wonder if that 669 00:41:39,480 --> 00:41:41,640 Speaker 1: girl we found her, if she would like I wonder 670 00:41:41,680 --> 00:41:45,160 Speaker 1: how she felt, like if she felt uneased that day, 671 00:41:45,200 --> 00:41:48,279 Speaker 1: like do you think you were just like her? High? 672 00:41:48,520 --> 00:41:52,279 Speaker 1: But not sure she like like, yeah, the actress was 673 00:41:52,520 --> 00:41:55,080 Speaker 1: very to be on this show. I'm sure I couldn't 674 00:41:55,120 --> 00:41:59,239 Speaker 1: have been like my most gracious and warm self d 675 00:42:00,239 --> 00:42:04,000 Speaker 1: given that situation in the scene, because those emotions felt 676 00:42:04,080 --> 00:42:09,600 Speaker 1: very real and very like some what's the word like 677 00:42:09,600 --> 00:42:13,600 Speaker 1: like tangible, and that it made sense to me that 678 00:42:13,680 --> 00:42:16,040 Speaker 1: it came out in a physical action of a slap, 679 00:42:16,080 --> 00:42:18,239 Speaker 1: because that's how I really felt watching it, and that's 680 00:42:18,280 --> 00:42:20,920 Speaker 1: how I know I felt in that moment and just 681 00:42:20,960 --> 00:42:23,440 Speaker 1: playing in the scene. Even though it wasn't real, it 682 00:42:23,560 --> 00:42:28,480 Speaker 1: felt so real. What about the knock on the door. 683 00:42:28,600 --> 00:42:30,520 Speaker 1: So we go to Dylant wear Dylan's house and there's 684 00:42:30,560 --> 00:42:32,360 Speaker 1: the knock on the door. Who did you think was 685 00:42:32,400 --> 00:42:35,720 Speaker 1: at the door Kelly. I was like, oh, dang it, 686 00:42:36,360 --> 00:42:39,160 Speaker 1: why is she going to him? That's what I wanted 687 00:42:39,200 --> 00:42:42,080 Speaker 1: to know, because Donna said you should go crawling back 688 00:42:42,080 --> 00:42:45,480 Speaker 1: to him. Why would she say that? Well? And then 689 00:42:45,840 --> 00:42:51,000 Speaker 1: Kelly apologizes first, which I get that you did your 690 00:42:51,040 --> 00:42:54,520 Speaker 1: own part in it, but your reaction was to him 691 00:42:54,560 --> 00:42:59,239 Speaker 1: being a you know, wet blanket. And then you go 692 00:42:59,400 --> 00:43:03,880 Speaker 1: off to give each other space and he's canoodling. I 693 00:43:03,960 --> 00:43:06,839 Speaker 1: was an idiot. It was selfish and mean. And then 694 00:43:06,880 --> 00:43:08,960 Speaker 1: you kiss and then he says I didn't sleep with 695 00:43:08,960 --> 00:43:12,040 Speaker 1: her either, But I'm like, no, it felt very twisted, 696 00:43:12,200 --> 00:43:15,320 Speaker 1: very wrong. I felt like there was a major male 697 00:43:15,320 --> 00:43:18,840 Speaker 1: writing influence in that. Like I felt like that in 698 00:43:18,880 --> 00:43:21,600 Speaker 1: a few times in this episode there I found myself 699 00:43:21,640 --> 00:43:26,560 Speaker 1: wondering about the men writing the show mostly, and I 700 00:43:26,600 --> 00:43:29,680 Speaker 1: know that Jessica was there in such a huge force 701 00:43:29,960 --> 00:43:33,399 Speaker 1: in the room, but for me a couple of times 702 00:43:33,400 --> 00:43:36,440 Speaker 1: I was pulled out by the masculinity. That's sort of 703 00:43:36,640 --> 00:43:41,640 Speaker 1: male toxicity situation happening. And this is one of those 704 00:43:41,680 --> 00:43:45,160 Speaker 1: points where why would Kelly be the one to drive 705 00:43:45,640 --> 00:43:48,440 Speaker 1: to Dylan's house? Why would Yeah, he didn't know wherever 706 00:43:48,480 --> 00:43:50,239 Speaker 1: she lived. He didn't know her new phone number, but 707 00:43:50,280 --> 00:43:54,319 Speaker 1: he could find her. I mean, let's be honest, the 708 00:43:54,320 --> 00:43:58,000 Speaker 1: rest of the was the number for Brenda's dorm room. 709 00:43:58,120 --> 00:44:02,880 Speaker 1: So like, I agree with you, Jen so much, and 710 00:44:02,920 --> 00:44:05,400 Speaker 1: I'm glad you said it because I felt nervous to 711 00:44:05,400 --> 00:44:07,560 Speaker 1: say it because I was like, oh, man in trouble 712 00:44:07,600 --> 00:44:10,320 Speaker 1: for saying that. But there wasn't a big changing of 713 00:44:10,400 --> 00:44:14,600 Speaker 1: the guards um season four writing wise, um, and we 714 00:44:14,680 --> 00:44:17,479 Speaker 1: love everyone involved, obviously, but it did feel a little 715 00:44:17,520 --> 00:44:20,640 Speaker 1: more like masculine driven this episode and the writing and 716 00:44:20,719 --> 00:44:26,319 Speaker 1: just not how you know people girls speak and in relationships. 717 00:44:26,360 --> 00:44:29,000 Speaker 1: I don't know. I totally agree with you. But then 718 00:44:29,000 --> 00:44:32,520 Speaker 1: like the Kelly like relating stuff to Donna, I was like, well, 719 00:44:32,520 --> 00:44:35,360 Speaker 1: but that's her version, and we all have a different 720 00:44:35,360 --> 00:44:38,000 Speaker 1: perspective on how things played out, so I didn't know, 721 00:44:38,080 --> 00:44:42,040 Speaker 1: if you know, if we saw like Dylan's perspective on 722 00:44:42,080 --> 00:44:45,680 Speaker 1: that would have been different. Tori, Wow, that's a really 723 00:44:45,719 --> 00:44:48,000 Speaker 1: good point, because you really did feel that that was 724 00:44:48,320 --> 00:44:53,880 Speaker 1: Kelly's version, right, Oh, that's a great point. Yeah, I 725 00:44:53,920 --> 00:44:56,320 Speaker 1: don't know, but I was again, I was watching the 726 00:44:56,360 --> 00:45:00,200 Speaker 1: show with my mom last night, and I got real 727 00:45:00,360 --> 00:45:04,400 Speaker 1: uncomfy when uh, Killie, Kelly and Dylan were kissing. I 728 00:45:04,400 --> 00:45:06,960 Speaker 1: don't know it felt so I vote so uncomfortable watching 729 00:45:07,040 --> 00:45:10,719 Speaker 1: the Apartment to watching that with my mom. I was like, 730 00:45:11,360 --> 00:45:14,279 Speaker 1: let's fast forward it. I think she liked it, though. 731 00:45:15,520 --> 00:45:18,560 Speaker 1: Did she like Jim and Cindy looking up? I didn't 732 00:45:18,600 --> 00:45:21,959 Speaker 1: ask her? Or was she like you out? I didn't 733 00:45:22,000 --> 00:45:24,080 Speaker 1: ask her. I was so like in my own head 734 00:45:24,120 --> 00:45:29,200 Speaker 1: about that. But wait, you guys. At the end, when 735 00:45:29,400 --> 00:45:34,160 Speaker 1: um Brenda leaves school in the cab, it's in the 736 00:45:34,239 --> 00:45:39,360 Speaker 1: same mother loving cab that they use in every episode 737 00:45:39,880 --> 00:45:45,600 Speaker 1: from so I'm sweating right now. I'm so mad about it. 738 00:45:46,520 --> 00:45:50,160 Speaker 1: What are all to wait? Did all cabs bought that 739 00:45:50,239 --> 00:45:53,759 Speaker 1: one cab? Oh? That was definitely like sitting in the 740 00:45:53,840 --> 00:45:57,040 Speaker 1: back of our stages waiting for the cab scene. Yeah. 741 00:45:58,440 --> 00:46:01,680 Speaker 1: Oh so mad. When I saw that ub in the brain, 742 00:46:01,800 --> 00:46:06,400 Speaker 1: it was so dark and gloomy and what's going to happen? 743 00:46:06,600 --> 00:46:10,320 Speaker 1: Brenda is coming back? But but but Dylan and Kelly 744 00:46:10,480 --> 00:46:13,359 Speaker 1: are back together, but they're not really getting along that well. 745 00:46:13,480 --> 00:46:15,160 Speaker 1: Oh no, this is not going to be good to 746 00:46:15,160 --> 00:46:20,359 Speaker 1: you guys. And obviously, because Donna specifically calls David into 747 00:46:20,360 --> 00:46:24,919 Speaker 1: the kitchen to tell him. I told Brenda, like, obviously 748 00:46:25,080 --> 00:46:27,719 Speaker 1: that wasn't for nothing. Something's going to come of that. 749 00:46:28,960 --> 00:46:35,719 Speaker 1: Donna squeals a lot. She can't lie. Love good intentions, 750 00:46:35,760 --> 00:46:40,040 Speaker 1: but yeah, feel things before we give our rating. Okay, 751 00:46:40,400 --> 00:46:42,520 Speaker 1: al right, our rating. Oh shoot, I didn't do my car. 752 00:46:42,600 --> 00:46:43,960 Speaker 1: I don't have a car. I'm gonna do it right now. 753 00:46:44,640 --> 00:46:49,480 Speaker 1: The Zaken like dorm? He is Zaken? And why did 754 00:46:49,560 --> 00:46:52,960 Speaker 1: they zoom on? Do you know what? I like Brenda's dorm? 755 00:46:53,000 --> 00:46:57,920 Speaker 1: Clearly we saw multiple times z A K I N 756 00:46:58,400 --> 00:47:03,360 Speaker 1: Zaken must have been something of somebody that was interesting. 757 00:47:04,160 --> 00:47:09,000 Speaker 1: The spread of food at the Malibu but with you 758 00:47:09,360 --> 00:47:12,160 Speaker 1: with you on that, that was a that was a 759 00:47:12,200 --> 00:47:16,480 Speaker 1: good one. Why would these young people have all of 760 00:47:16,560 --> 00:47:20,560 Speaker 1: that food? And I feel like it was weighted? Yeah, 761 00:47:21,360 --> 00:47:26,200 Speaker 1: they didn't even need it. Andrea, we are learning, wants 762 00:47:26,239 --> 00:47:29,959 Speaker 1: to be a doctor injecting the orange. Yeah, I didn't 763 00:47:29,960 --> 00:47:32,839 Speaker 1: know she wanted to be a doctor. I didn't either. 764 00:47:32,960 --> 00:47:37,160 Speaker 1: And that seems a little off character of brand that 765 00:47:37,239 --> 00:47:39,480 Speaker 1: came out of nowhere? Wait is that going to lead 766 00:47:39,480 --> 00:47:41,360 Speaker 1: to something? But she didn't know. It wasn't because she 767 00:47:41,400 --> 00:47:43,200 Speaker 1: wanted to. I didn't think it was because she wanted 768 00:47:43,200 --> 00:47:44,560 Speaker 1: to be a doctor. I thought it was because she 769 00:47:44,680 --> 00:47:49,759 Speaker 1: has to give her grandma injections, insulin injections. Oh oh, 770 00:47:49,800 --> 00:47:53,600 Speaker 1: she's right, right, I didn't say Amy never gets those 771 00:47:53,640 --> 00:47:57,600 Speaker 1: facts wrong. Yeah, I know. That's why I'm I'm not sure. 772 00:47:58,800 --> 00:48:01,359 Speaker 1: Can I say my favorite line? Oh yeah, yeah, yeah, 773 00:48:01,440 --> 00:48:04,560 Speaker 1: say it. Say it. Let's stay on the side streets 774 00:48:04,640 --> 00:48:06,880 Speaker 1: before we get on the freeway. This is going a 775 00:48:06,920 --> 00:48:13,640 Speaker 1: little fast, says Brandon jen what's your favorite line? Uh? 776 00:48:14,000 --> 00:48:15,719 Speaker 1: I think it was when Dylan said, I mean when 777 00:48:15,840 --> 00:48:18,120 Speaker 1: when David said, what did I do in a previous 778 00:48:18,120 --> 00:48:21,959 Speaker 1: life to deserve this? That was it? A favorite line? 779 00:48:22,360 --> 00:48:27,880 Speaker 1: Jim and Cindy when just the whole that entire scene 780 00:48:28,160 --> 00:48:33,520 Speaker 1: of sort of when we're old and like all of it. 781 00:48:34,880 --> 00:48:38,520 Speaker 1: M m m okay, okay, time for rating me write 782 00:48:38,520 --> 00:48:42,640 Speaker 1: down quickly if you're writing, I got mine. Here's mine ready, 783 00:48:42,640 --> 00:48:48,000 Speaker 1: everybody hold him up ready, one tip, trick up. Three. 784 00:48:48,160 --> 00:48:54,799 Speaker 1: You gave it a three. I gave it a seven. Eight? 785 00:48:56,000 --> 00:49:01,680 Speaker 1: Who eight? That's very generous? Wow? Three? Wow? You well 786 00:49:01,680 --> 00:49:04,239 Speaker 1: we okay? Three is harsh, you guys. I'm sorry. It 787 00:49:04,320 --> 00:49:07,279 Speaker 1: was disjointed. There weren't like, there weren't the gang. They 788 00:49:07,280 --> 00:49:13,080 Speaker 1: weren't together, all right? You get fine? Maybe A four 789 00:49:13,120 --> 00:49:17,279 Speaker 1: and a half based on beach apartment only. Okay, I 790 00:49:17,320 --> 00:49:20,360 Speaker 1: really hope what goes up for you next week? We 791 00:49:20,440 --> 00:49:24,320 Speaker 1: have another episode next week, you guys, Season four, Episode three, 792 00:49:25,280 --> 00:49:29,160 Speaker 1: the Little Fish. Oh, I'm intrigued. So that's your homework. 793 00:49:29,280 --> 00:49:35,400 Speaker 1: Apparently it's about fish. Eve's George's what shout out to 794 00:49:35,440 --> 00:49:41,960 Speaker 1: Steve Jorge's gene shorts? Oh? Have those come back? Is 795 00:49:42,000 --> 00:49:44,080 Speaker 1: that a thing now? Because I know cargo bands are 796 00:49:44,120 --> 00:49:48,080 Speaker 1: back in? I thought you said shout out to Jeeve George. 797 00:49:48,200 --> 00:49:52,040 Speaker 1: I'm like, who the hell did he play? I love 798 00:49:52,120 --> 00:49:58,960 Speaker 1: Jeef Jorg's He's my favorite actor. You guys, love you, 799 00:49:59,280 --> 00:50:01,520 Speaker 1: Love you. M E.