WEBVTT - One on One: Kerry Butler

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<v Speaker 1>I Am all In.

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<v Speaker 2>That's just you. I Am all In with Scott Patterson

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<v Speaker 2>an iHeartRadio podcast.

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<v Speaker 3>Everybody Scott Patterson, I Am all In Podcast one eleven productions, iHeartRadio,

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<v Speaker 3>iHeart Media, iHeart Podcast. One on one interview with the

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<v Speaker 3>one and only Carrie Butler. Here's a Gilmore Girls fact.

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<v Speaker 3>Carrie portrayed therapist Claudia in two episodes and a year

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<v Speaker 3>in the Live Spring and Summer. Let me tell you

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<v Speaker 3>a little something about Carrie very impressive resume. Carrie is

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<v Speaker 3>an actress and a singer, known primarily for her work

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<v Speaker 3>in theater. She is best known for originating the roles

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<v Speaker 3>of Barber Maitland and Beetlejuice the musical, Penny Pingleton in Hairspray,

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<v Speaker 3>Various roles and Mean Girls the musical goal Cleo and

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<v Speaker 3>Kira and Xanadu, the latter of which earned her a

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<v Speaker 3>Tony Award nomination for Best Performance by a Leading Actress

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<v Speaker 3>in a Musical. She has also appeared in TV shows

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<v Speaker 3>One Life to Live, The MINDI Project, Law and Order,

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<v Speaker 3>S For You, The Marvelous Missus masl and her most

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<v Speaker 3>recent role, Ryan Murphy's FX series American Sports Story. Aaron

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<v Speaker 3>Hernandez Kerrie, welcome, very excited to get to.

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<v Speaker 1>Talk to you.

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<v Speaker 3>We enjoyed your performance. Had no idea until this morning

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<v Speaker 3>that you were such a decorated and accomplished musical theater artist.

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<v Speaker 3>So let's take it from the beginning, because this was

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<v Speaker 3>nine years after the series. The original series, it airs

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<v Speaker 3>before you auditioned for the role of Claudia. When tell

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<v Speaker 3>us about that audition process and how you got the audition?

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<v Speaker 2>So it's a very funny story. I am a humongous

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<v Speaker 2>Gilmore Girls fan, like I'll obsessed with it. So when

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<v Speaker 2>I was doing Xanadu on Broadway, I heard that Amy

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<v Speaker 2>and Sherman Paldino was doing a sitcom in Brooklyn, and

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<v Speaker 2>I started I never read the book The Secret or anything,

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<v Speaker 2>but I started manifesting meeting Amy because I'm like, this

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<v Speaker 2>is my my dream would be to like work with

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<v Speaker 2>her because I was obsessed with Gilmore Girls. So one

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<v Speaker 2>day my agent says to me, so, you know, I'm sorry,

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<v Speaker 2>but there's this producer that wants to meet you. She's

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<v Speaker 2>seen the show nine times, she's a big fan. Would

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<v Speaker 2>you mind meeting her afterwards? And I was like, oh,

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<v Speaker 2>of course, yeah, and I was like, yeah, who is it?

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<v Speaker 2>And they were like Amy Shearman.

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<v Speaker 1>Palladino, Oho, what wow?

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<v Speaker 2>I met her, We became friends, and she knew what

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<v Speaker 2>a psycho fan I was, and she actually said, I'm

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<v Speaker 2>going to write a part for you on the show.

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<v Speaker 1>Is that right? She said that to you? What did

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<v Speaker 1>that feel like? Eh?

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<v Speaker 2>I mean just the whole thing was dream. I got

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<v Speaker 2>to go on that little park, I got to walk

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<v Speaker 2>to this gazebo, and I was also on with Sutton Foster,

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<v Speaker 2>who's another huge Carolyn also Amy loves her, so the

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<v Speaker 2>two of us were there together and fangirling the whole time,

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<v Speaker 2>just at the set and everyone we were so excited.

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<v Speaker 2>I was definitely pinching myself when she called me and said,

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<v Speaker 2>can you work it out in your schedule? Because I

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<v Speaker 2>think I was. I think I was in a show

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<v Speaker 2>at the time. And she even worked my shooting like

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<v Speaker 2>on Mondays my day off.

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<v Speaker 1>Right, right, Wow, that's terrific. So tell us about the

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<v Speaker 1>first day on set. What was it like? I mean,

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<v Speaker 1>I remember who did you meet? Who do you remember meeting?

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<v Speaker 1>And what was it like? Yeah?

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<v Speaker 2>I remember just going on this set and seeing all

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<v Speaker 2>Miss Patty's dance studio, all those places and just dying

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<v Speaker 2>and I took pictures everywhere, and then I got to

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<v Speaker 2>meet Lauren, who was amazing. And I think all of

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<v Speaker 2>my scenes were pretty much with Lauren.

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<v Speaker 1>Uh, I don't Kelly.

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<v Speaker 2>Yes, yes, yes, yes, But I didn't have any other

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<v Speaker 2>scenes besides the ones in the Oh no, no, I

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<v Speaker 2>had the fun scene where I actually sang, so she

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<v Speaker 2>would even put singing into the show. On fact, Dan

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<v Speaker 2>wrote the song that I sang in the show.

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<v Speaker 1>That was a terrific show, that was so funny.

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<v Speaker 3>That was actually my favorite parts so far the Netflix

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<v Speaker 3>episode is that that musical, The Stars Hollow Musical, was

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<v Speaker 3>the most brilliantly written, the most the funniest thing I

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<v Speaker 3>have seen on that show in.

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<v Speaker 1>A long time. And I thought Sutton killed it. I

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<v Speaker 1>thought she just killed it.

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<v Speaker 3>Yeah, really tremendous fun And I bet you Dan had

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<v Speaker 3>a blast writing it too, because the lyrics were hysterical.

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<v Speaker 2>Yeah. He ended up giving me a copy of it.

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<v Speaker 3>Oh really yeah, Wow, that's that's very special. So you're

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<v Speaker 3>sitting across from the two of them, we're talking about

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<v Speaker 3>Kelly Bishop and Lauren Graham, and you're just going back

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<v Speaker 3>and forth with a Quick Dial.

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<v Speaker 1>Did it make you nervous at all?

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<v Speaker 3>Now, coming from a musical theater background, I always found

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<v Speaker 3>those actors to be really mindful of hitting their cues,

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<v Speaker 3>and they just seem to be have a heightened awareness

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<v Speaker 3>when they're on an acting set, you know, knowing the

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<v Speaker 3>real basic nuts and bolts of what it is to

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<v Speaker 3>you know, timing, comedic timing, and it's like, you guys

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<v Speaker 3>are really on it. Did you find it difficult to

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<v Speaker 3>fit in or with the pace of the show because

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<v Speaker 3>it didn't seem like it at all.

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<v Speaker 4>No.

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<v Speaker 2>I felt it difficult to not laugh at the two

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<v Speaker 2>of them because they were so funny. Those scenes were

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<v Speaker 2>so funny, and to just act like I was annoyed

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<v Speaker 2>with them.

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<v Speaker 1>And right, right, right, what? So what? What are your

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<v Speaker 1>fondest memories of filming that?

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<v Speaker 2>I think? Honestly, it was watching the two of them together.

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<v Speaker 2>I mean, they are just such masters at that that

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<v Speaker 2>writing and the comedy and and and also there were

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<v Speaker 2>really heartfelt moments, like Lauren uh had this amazing monologue

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<v Speaker 2>that was, you know, very heartfelt, and so I just

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<v Speaker 2>felt like I was watching two masters at work. You know.

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<v Speaker 3>Do you have a favorite episode in the Netflix episodes.

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<v Speaker 1>Did you watch all of them?

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<v Speaker 4>Oh?

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<v Speaker 2>Of course, of course I watched all of them, but

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<v Speaker 2>I would say, you know, the first the first section

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<v Speaker 2>before I was on is More my favorite. Like I

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<v Speaker 2>loved when when Rory was little and all the going

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<v Speaker 2>to the prep school, all that stuff from the very

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<v Speaker 2>very beginning was was my favorite.

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<v Speaker 1>Mm hmmm, So again I think we we touched.

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<v Speaker 3>What was your reaction when you finally saw Stars Hollow

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<v Speaker 3>the musical?

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<v Speaker 2>I thought it was hilarious and really well done, and

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<v Speaker 2>I was just so excited to be a part of it.

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<v Speaker 2>And the funny thing is, I'm sure you know this

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<v Speaker 2>that Gilmore Girls has this incredible life now with all tweens,

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<v Speaker 2>and I have a thirteen year old, so now I'm

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<v Speaker 2>suddenly the cool mom again because all of her friends

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<v Speaker 2>are like, I saw your mom on guilm Girls. Yeah,

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<v Speaker 2>and my daughter has Gilmore Girls pajamas, and it's like

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<v Speaker 2>I always dreamed that I would get to watch the

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<v Speaker 2>Gilmore Girls with my daughter. The only thing is she

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<v Speaker 2>doesn't want to watch with me.

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<v Speaker 3>She watches friends.

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<v Speaker 1>No.

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<v Speaker 2>Yeah, it's disappointing.

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<v Speaker 4>Oh my god, we do.

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<v Speaker 2>But whenever fall comes around, I feel like it's time again,

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<v Speaker 2>we have to start watching Gilmore Girls again now.

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<v Speaker 1>So you've never watched the show with your daughter ever.

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<v Speaker 2>I forced her to watch with me a few times.

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<v Speaker 2>She loves it.

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<v Speaker 1>I told her.

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<v Speaker 2>She was very excited that I was doing this podcast

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<v Speaker 2>with you today, as I was. But she doesn't want

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<v Speaker 2>to watch with me for some reason.

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<v Speaker 1>So just as she gets together with her friends and

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<v Speaker 1>they just watch.

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<v Speaker 2>It, or they're watching it at the same time, and

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<v Speaker 2>you know, like texting each other, you know about it.

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<v Speaker 1>What is it about this show?

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<v Speaker 3>You know? You know going through these episodes, you know,

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<v Speaker 3>because I never saw it, and that was the premise

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<v Speaker 3>of the podcast. That's what I pitched. I just never

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<v Speaker 3>like watching myself. I didn't want to watch the show. Yea, yeah,

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<v Speaker 3>you know, I think most actors are like that, and and.

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<v Speaker 1>So I never really saw it. I saw the I

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<v Speaker 1>saw Winter at the.

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<v Speaker 3>Premiere because I was forced to sit there with a

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<v Speaker 3>captive audience. But that's the only thing I ever saw.

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<v Speaker 3>I saw the pilot episode, which I liked, but I

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<v Speaker 3>never saw any of the other one hundred and fifty

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<v Speaker 3>two episodes. And I never saw the three other Netflix episodes.

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<v Speaker 3>So that's basis of the podcast. And finding out how

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<v Speaker 3>darn funny this thing is.

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<v Speaker 1>I never I look.

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<v Speaker 3>I was in all the table reads, I was in

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<v Speaker 3>a lot of the scenes. I know it's funny. I

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<v Speaker 3>know it's high quality. You know it's sophisticated comedy. These

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<v Speaker 3>are very very witty people, Amy and Dan very well read,

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<v Speaker 3>various studie people, and this humor is really sophisticated, and

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<v Speaker 3>it's coming at you. Not only is it coming at

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<v Speaker 3>you fast and furious, but it's coming at you in

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<v Speaker 3>groups of ten great lines.

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<v Speaker 1>I mean, it speeds by so fast.

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<v Speaker 3>And this is the reason why people continue to rewatch it.

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<v Speaker 3>It's a lot of things, but I think the primary

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<v Speaker 3>reason is the level of humor. You get the level

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<v Speaker 3>of great jokes, the unexpected one liners, And it doesn't

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<v Speaker 3>matter how many times you've seen it. You can't remember

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<v Speaker 3>all of the singers, and it's always a surprise, so

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<v Speaker 3>it always seems fresh. Do you find that as well

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<v Speaker 3>when you're watching these episodes?

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<v Speaker 2>One nd percent? And even when I watched it, you know,

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<v Speaker 2>the first time, I thought, oh, they must be theater writers,

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<v Speaker 2>because they would have very obscure theater references in there.

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<v Speaker 2>So yes, I always thought it was hilarious. But also

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<v Speaker 2>I just there's just it's like comfort food. It's so

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<v Speaker 2>loving and refreshing to see that relationship between a mother

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<v Speaker 2>and a daughter. To see you know, her love affair

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<v Speaker 2>with your character, it was just so sweet and beautiful.

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<v Speaker 1>Yeah.

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<v Speaker 3>I have to tell you the experience of this now,

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<v Speaker 3>the way that it continues to grow and capture younger

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<v Speaker 3>and younger audiences. Every generation is discovering this show. I

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<v Speaker 3>just how can you envision twenty five years ago that

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<v Speaker 3>something would be have such staying power and that it

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<v Speaker 3>would continue to grow in popularity. I mean, it's it's

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<v Speaker 3>absolutely bizarre. It's a real phenomenon in the industry.

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<v Speaker 1>It really really is.

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<v Speaker 2>It's timeless the show because it's well written.

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<v Speaker 1>It's timeless, right, It's going to stand up forever. Yes,

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<v Speaker 1>because of the quality of the writing.

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<v Speaker 3>Yeah, I agree. I mean these two really really accomplished

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<v Speaker 3>something special. There's a there's a there's a sort of

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<v Speaker 3>an honorary Emmy in.

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<v Speaker 1>Store for these two, I guess. I mean I think

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<v Speaker 1>there has to be.

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<v Speaker 2>I would be so upset every Emmy season, like, how

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<v Speaker 2>is everyone not getting Amy in this show? I mean,

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<v Speaker 2>even because the acting quality was just phenomenal, you know,

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<v Speaker 2>I don't.

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<v Speaker 3>I think the critics didn't know what to make of it.

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<v Speaker 3>I think they didn't know what to make of it.

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<v Speaker 3>I think, is this a drama? Is it a comedy?

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<v Speaker 3>We know it's funny, it's dramatic, it's a drama, but

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<v Speaker 3>I just never understood it myself.

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<v Speaker 1>And to have a show of it's actually.

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<v Speaker 3>Kind of a unique category to be in because there's

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<v Speaker 3>plenty of great actors and great performances, great productions that

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<v Speaker 3>never got nominated for anything. I mean, if you go

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<v Speaker 3>through the list, it's like, wait a minute, how but

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<v Speaker 3>she don't even get nominated for what this guy or

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<v Speaker 3>Meryl Street or whomever, or Kate Blanchette and everything she does.

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<v Speaker 3>You know, it's amazing how often great things in this

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<v Speaker 3>business are completely overlooked. So you gotta wonder what's going

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<v Speaker 3>on behind the scenes. You know, it's like who's carrying

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<v Speaker 3>the brain's what's happening?

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<v Speaker 1>Now? Do you know Sutton Foster? Did you know?

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<v Speaker 3>Do you know her from your brother? So it's a

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<v Speaker 3>small community of people, right, and so you know her.

0:12:43.360 --> 0:12:46.680
<v Speaker 2>Sutton actually understudied me in Lee Miss when she was

0:12:46.679 --> 0:12:47.560
<v Speaker 2>like eighteen years old.

0:12:48.240 --> 0:12:50.760
<v Speaker 1>Is that right. So she was kind of a phenom

0:12:50.880 --> 0:12:52.080
<v Speaker 1>coming out of high school.

0:12:52.880 --> 0:12:55.640
<v Speaker 2>Yes, yes, yeah, she didn't go to she went straight

0:12:55.679 --> 0:12:56.200
<v Speaker 2>to Broadway.

0:12:56.400 --> 0:12:58.800
<v Speaker 1>Yeah, are you kidding me? From high school?

0:12:59.080 --> 0:12:59.320
<v Speaker 2>Yep?

0:12:59.679 --> 0:13:00.680
<v Speaker 4>What elite?

0:13:00.720 --> 0:13:02.960
<v Speaker 1>Where? Now? Where is she from? Is she from the Northeast?

0:13:03.080 --> 0:13:05.720
<v Speaker 2>Her brother is Hunter Foster and I had already or

0:13:05.800 --> 0:13:07.960
<v Speaker 2>I did a show with her brother too. I did

0:13:08.000 --> 0:13:09.720
<v Speaker 2>Little Hearts with mm hm.

0:13:10.480 --> 0:13:11.360
<v Speaker 1>Oh my goodness.

0:13:11.400 --> 0:13:13.040
<v Speaker 3>So it's in the blood. It's in the blood in

0:13:13.080 --> 0:13:14.040
<v Speaker 3>that Foster family.

0:13:14.440 --> 0:13:19.319
<v Speaker 2>Yeah. Yeah, wow, what a talent. And she was also

0:13:19.360 --> 0:13:21.360
<v Speaker 2>a huge fan of the Gilmore Girls. So both of

0:13:21.440 --> 0:13:22.360
<v Speaker 2>us were like.

0:13:23.920 --> 0:13:27.880
<v Speaker 3>There, now isn't Amy doing something with Sutton now on Broadways?

0:13:27.880 --> 0:13:30.000
<v Speaker 1>That she writing in a musical.

0:13:30.320 --> 0:13:35.040
<v Speaker 2>The Mattress Once Upon a Mattress. I think that's what

0:13:35.040 --> 0:13:38.040
<v Speaker 2>it's called. Yeah, yeah, it's a limit okay? And Amy

0:13:38.120 --> 0:13:41.040
<v Speaker 2>wrote it and Sotton's in its the star.

0:13:41.920 --> 0:13:43.959
<v Speaker 1>Yeah all right.

0:13:44.040 --> 0:13:49.120
<v Speaker 3>So so after the episode you filmed for Amy for

0:13:49.120 --> 0:13:52.600
<v Speaker 3>Gilmore Girls their revival, she brought you in for a

0:13:52.679 --> 0:13:57.679
<v Speaker 3>role in mysell and the Marvelous Missus myself. Uh, what

0:13:57.760 --> 0:13:59.760
<v Speaker 3>was the role? What was it like working with her again?

0:14:00.400 --> 0:14:04.120
<v Speaker 2>Well? This time I feel like last time she didn't

0:14:04.559 --> 0:14:06.240
<v Speaker 2>direct the show or this time, you know, it was

0:14:06.360 --> 0:14:11.600
<v Speaker 2>just there's so much going on in our episode was

0:14:12.640 --> 0:14:15.600
<v Speaker 2>one day where they were just shooting this scene with

0:14:15.640 --> 0:14:18.160
<v Speaker 2>a million different things going on, a huge restaurant, tons

0:14:18.160 --> 0:14:21.840
<v Speaker 2>of extras, and so it was really exciting to see

0:14:21.840 --> 0:14:25.040
<v Speaker 2>her in her element as the director and just how

0:14:25.040 --> 0:14:30.720
<v Speaker 2>everybody loved her and just getting everything, putting all the

0:14:30.720 --> 0:14:34.120
<v Speaker 2>pieces together, getting everything done. So that was exciting. And

0:14:34.160 --> 0:14:38.160
<v Speaker 2>we've stayed friends all of this time, so she's always

0:14:38.200 --> 0:14:39.080
<v Speaker 2>looking for parts for me.

0:14:39.760 --> 0:14:42.160
<v Speaker 3>Oh that's great. So you see her, you go to

0:14:42.240 --> 0:14:45.480
<v Speaker 3>lunch for her. Do you live do you live in

0:14:45.520 --> 0:14:45.960
<v Speaker 3>the city.

0:14:46.280 --> 0:14:48.680
<v Speaker 2>Yeah, well I moved out to New Jersey, but I

0:14:48.680 --> 0:14:49.800
<v Speaker 2>did live in the city forever.

0:14:51.160 --> 0:14:56.880
<v Speaker 3>That's yeah, that's great. All right, So let's talk about

0:14:56.920 --> 0:15:01.400
<v Speaker 3>this Aaron Hernandez thing which took over the headlines for

0:15:01.440 --> 0:15:08.000
<v Speaker 3>a while. So you've done plenty of drama and now

0:15:08.040 --> 0:15:11.240
<v Speaker 3>with your episodes just mirroring the in the Ryan Murphy

0:15:11.280 --> 0:15:15.320
<v Speaker 3>American Sports story. Aaron Hernanz, which do you prefer working

0:15:15.360 --> 0:15:16.480
<v Speaker 3>on musicals or drama?

0:15:18.320 --> 0:15:25.200
<v Speaker 2>I think I prefer musicals. I mean, it's great to

0:15:25.280 --> 0:15:31.040
<v Speaker 2>stretch that muscle, and obviously it's fun to be on TV.

0:15:31.400 --> 0:15:34.120
<v Speaker 2>But like I'm doing. I created this show with my

0:15:34.200 --> 0:15:37.520
<v Speaker 2>friends girl. Now we're going we just did it in

0:15:37.680 --> 0:15:40.240
<v Speaker 2>la like two days ago, and we're going to have

0:15:40.280 --> 0:15:44.000
<v Speaker 2>an off Broadway run. And it's just there's just something

0:15:44.040 --> 0:15:46.720
<v Speaker 2>so magical about being in front of the audience and

0:15:46.840 --> 0:15:50.800
<v Speaker 2>hearing the act right there, like having the palm of

0:15:50.800 --> 0:15:54.960
<v Speaker 2>your hand. And this show I do with my friends,

0:15:55.360 --> 0:15:57.760
<v Speaker 2>which is even more fun, and we created it. So

0:15:57.800 --> 0:16:00.920
<v Speaker 2>it's just there's just noing like live theater.

0:16:01.120 --> 0:16:03.200
<v Speaker 1>You know, there is nothing.

0:16:02.960 --> 0:16:06.720
<v Speaker 3>More vital than live theater when it's done well, I agree, nothing,

0:16:07.000 --> 0:16:09.800
<v Speaker 3>nothing comes close to it. So you're saying, is you

0:16:10.200 --> 0:16:13.880
<v Speaker 3>prefer the live theater experience that you're used to to

0:16:13.920 --> 0:16:21.360
<v Speaker 3>portraying characters in a psycho sports, murder, documentary styles serious

0:16:21.440 --> 0:16:24.720
<v Speaker 3>limited series, you would prefer to be on stage with

0:16:24.760 --> 0:16:27.000
<v Speaker 3>your friends, singing and dancing, magazine laugh.

0:16:27.480 --> 0:16:30.600
<v Speaker 2>Go exactly exactly. If you choose, like what I'm going

0:16:30.640 --> 0:16:33.880
<v Speaker 2>to put out into the world, especially now, I think

0:16:33.920 --> 0:16:38.400
<v Speaker 2>I choose joy and maybe laugh and bringing people together.

0:16:38.880 --> 0:16:41.080
<v Speaker 2>Not that there is a place for the other.

0:16:41.880 --> 0:16:44.840
<v Speaker 3>There's always going to be a place in people's hearts

0:16:44.840 --> 0:16:46.520
<v Speaker 3>for psycho sports murders, dramas.

0:16:46.560 --> 0:16:54.200
<v Speaker 1>There's absolutely an audience, and by golly, I'll be tuning

0:16:54.240 --> 0:16:58.680
<v Speaker 1>in just to catch your performance. I'm curious to see

0:16:58.680 --> 0:17:00.160
<v Speaker 1>what you did. What did you do in that? What

0:17:00.200 --> 0:17:00.800
<v Speaker 1>did you do in that?

0:17:01.720 --> 0:17:08.040
<v Speaker 2>I played Urban Meyer's wife. Oh okay, yeah, so old person.

0:17:08.359 --> 0:17:12.720
<v Speaker 2>And who played Urban Meyer Tony Yasbeck, who is also

0:17:12.960 --> 0:17:16.199
<v Speaker 2>a huge Broadway star, big, big dancer, and this was

0:17:16.240 --> 0:17:18.080
<v Speaker 2>his kind of big break for TV.

0:17:18.160 --> 0:17:21.919
<v Speaker 3>And he's, oh, that's you, guys. You go, there's something

0:17:21.960 --> 0:17:26.920
<v Speaker 3>about you too. That said to Ryan Murphy, I gotta

0:17:26.960 --> 0:17:29.679
<v Speaker 3>bring him in for the sports psycho murder thing, you know,

0:17:30.480 --> 0:17:31.320
<v Speaker 3>gotta have them.

0:17:31.480 --> 0:17:33.560
<v Speaker 2>Well, this one, this one I did have to audition for.

0:17:34.760 --> 0:17:37.439
<v Speaker 2>I didn't get it just because I'm friends.

0:17:37.480 --> 0:17:39.919
<v Speaker 1>Now, you didn't.

0:17:38.920 --> 0:17:40.280
<v Speaker 4>You had to.

0:17:40.440 --> 0:17:41.600
<v Speaker 1>You had to earn that. Wow.

0:17:41.760 --> 0:17:43.840
<v Speaker 3>Well, not saying you wouldn't earn if you got the offer,

0:17:43.880 --> 0:17:48.200
<v Speaker 3>but that's amazing. Okay, so extensive theater work.

0:17:48.280 --> 0:17:49.560
<v Speaker 2>Most TV stuff I auditioned for.

0:17:49.840 --> 0:17:54.919
<v Speaker 1>Yeah, TV's tough is tough. It's a tough crowd. Okay.

0:17:54.960 --> 0:17:59.600
<v Speaker 3>And you now teach a class called Breaking into Broadway

0:18:00.000 --> 0:18:02.760
<v Speaker 3>and it's a digital course for musical theater performers. What

0:18:02.960 --> 0:18:05.440
<v Speaker 3>is your number one advice for someone wanting to make

0:18:05.480 --> 0:18:10.240
<v Speaker 3>it on Broadway. Let's say, at my age, I came

0:18:10.280 --> 0:18:13.399
<v Speaker 3>to you and said, listen, I'm sixty six. Now I've

0:18:13.400 --> 0:18:15.920
<v Speaker 3>never been on Broadway. I'd like to try it.

0:18:16.480 --> 0:18:16.600
<v Speaker 4>Oh.

0:18:16.600 --> 0:18:22.080
<v Speaker 3>As a matter of fact, I was considered for the

0:18:22.160 --> 0:18:25.520
<v Speaker 3>lead role in Chicago, the New York production of Chicago.

0:18:26.160 --> 0:18:29.080
<v Speaker 1>Sure that couldn't well.

0:18:28.960 --> 0:18:33.159
<v Speaker 2>For now, you broadly be lucky to have you so,

0:18:33.560 --> 0:18:37.560
<v Speaker 2>but sim you so you hadn't had this amazing career.

0:18:38.680 --> 0:18:42.040
<v Speaker 2>Then I would say, find the thing that makes you special,

0:18:42.119 --> 0:18:45.960
<v Speaker 2>like find your special sauce. You do that nobody else

0:18:46.000 --> 0:18:47.680
<v Speaker 2>can do. And like I could say, for you, it's

0:18:47.680 --> 0:18:50.080
<v Speaker 2>that kind of like dark comedy.

0:18:49.560 --> 0:18:51.760
<v Speaker 1>You know, like oh, I was going to say skiing,

0:18:52.080 --> 0:18:53.919
<v Speaker 1>So I was.

0:18:53.920 --> 0:18:55.520
<v Speaker 2>Gonna say, I'm grumpy but lovable.

0:18:59.480 --> 0:19:02.000
<v Speaker 1>Okay, people lovable, right, And then.

0:19:02.160 --> 0:19:04.880
<v Speaker 2>Like you know, just go into your auditions with that

0:19:05.160 --> 0:19:07.800
<v Speaker 2>and lead with that, and the parts will come to

0:19:07.840 --> 0:19:10.080
<v Speaker 2>you that you have.

0:19:11.520 --> 0:19:14.320
<v Speaker 3>Hopefully Amy and Dan will write me a Broadway musical

0:19:14.800 --> 0:19:15.679
<v Speaker 3>and I can start it.

0:19:15.920 --> 0:19:17.679
<v Speaker 2>Get out there. You got to do the secret like

0:19:17.720 --> 0:19:22.359
<v Speaker 2>I did. Yeah, it's gonna happen all right.

0:19:22.280 --> 0:19:23.639
<v Speaker 1>But you you have to do it with me.

0:19:23.920 --> 0:19:27.720
<v Speaker 2>Okay, I need you there, you guess I'm gonna like

0:19:27.720 --> 0:19:30.160
<v Speaker 2>text Amy, guess what, Amy?

0:19:33.040 --> 0:19:35.919
<v Speaker 3>Yeah, the old guy wants to do Broadway music. Yeah,

0:19:35.960 --> 0:19:38.000
<v Speaker 3>that'll give her a real thrill.

0:19:39.240 --> 0:19:42.040
<v Speaker 2>We'll have a most fun ever, like you would love

0:19:42.200 --> 0:19:45.320
<v Speaker 2>doing all. All people who come over are like, oh,

0:19:45.359 --> 0:19:46.800
<v Speaker 2>it's just crazy fun.

0:19:47.240 --> 0:19:47.400
<v Speaker 1>Yeah.

0:19:47.400 --> 0:19:49.440
<v Speaker 3>I no, no, I wanted to do Chicago. We just

0:19:49.440 --> 0:19:51.240
<v Speaker 3>couldn't work it out in the schedule. But I really

0:19:51.280 --> 0:19:55.800
<v Speaker 3>it was like, Wow, what an opportunity, you know, And

0:19:55.840 --> 0:20:00.200
<v Speaker 3>I'm sure with all the rehearsal and all the professionals surroun,

0:20:00.480 --> 0:20:03.240
<v Speaker 3>they're not gonna let you fail, right, They're going to

0:20:03.280 --> 0:20:05.199
<v Speaker 3>make sure that you're going to give a performance.

0:20:05.560 --> 0:20:08.000
<v Speaker 2>You probably wouldn't get that much parsal, have I I

0:20:09.080 --> 0:20:10.320
<v Speaker 2>because you probably.

0:20:10.040 --> 0:20:11.360
<v Speaker 1>How much rehearsal do you think you get?

0:20:11.600 --> 0:20:15.880
<v Speaker 2>I think maybe maybe two weeks or maybe three weeks,

0:20:15.920 --> 0:20:17.080
<v Speaker 2>that's what That's what I would guess.

0:20:17.400 --> 0:20:19.119
<v Speaker 1>So what do you think the most challenging part is?

0:20:19.160 --> 0:20:21.200
<v Speaker 3>It is like getting the voice in shape, right, getting

0:20:21.640 --> 0:20:23.879
<v Speaker 3>getting your voice in shape and getting it used to

0:20:23.920 --> 0:20:26.600
<v Speaker 3>really belting out these songs, right, yeah, I.

0:20:26.600 --> 0:20:28.840
<v Speaker 2>Guess, or doing the dance moves, or just the stamina

0:20:28.880 --> 0:20:30.560
<v Speaker 2>of doing like the eight shows a week.

0:20:31.119 --> 0:20:33.680
<v Speaker 1>Oh my, goodness, what am I doing?

0:20:34.240 --> 0:20:35.000
<v Speaker 2>You can do it?

0:20:35.080 --> 0:20:37.399
<v Speaker 1>I believe you think I can do it.

0:20:37.720 --> 0:20:38.080
<v Speaker 2>I do.

0:20:48.440 --> 0:20:51.679
<v Speaker 3>We're gonna play a little game called rapid fire, and

0:20:51.720 --> 0:20:54.200
<v Speaker 3>there's there's no pressure.

0:20:53.960 --> 0:20:55.760
<v Speaker 1>To answer these questions quickly.

0:20:56.480 --> 0:20:58.480
<v Speaker 3>It's really I don't know why they call it rapid fire,

0:20:59.040 --> 0:21:00.639
<v Speaker 3>but I just want to take the pressure.

0:21:00.680 --> 0:21:01.760
<v Speaker 1>How do you like your coffee?

0:21:02.000 --> 0:21:06.639
<v Speaker 2>Oh? I actually don't drink coffee, So that's how you

0:21:06.720 --> 0:21:07.320
<v Speaker 2>like your coffee?

0:21:07.359 --> 0:21:11.200
<v Speaker 1>With no coffee? You like an empty cup? Or tea?

0:21:11.800 --> 0:21:12.680
<v Speaker 2>Tea? I'll take tea.

0:21:13.400 --> 0:21:16.480
<v Speaker 1>We've got Are you team Logan, Team Jess or team Dean?

0:21:18.400 --> 0:21:26.080
<v Speaker 2>Oh? Gosh, Oh that's a hard one. I'm gonna I'm

0:21:26.080 --> 0:21:27.600
<v Speaker 2>gonna say teen Dean Dean.

0:21:27.800 --> 0:21:28.560
<v Speaker 1>Okay, I.

0:21:30.359 --> 0:21:32.880
<v Speaker 2>Love them all. I loved all them.

0:21:33.400 --> 0:21:35.879
<v Speaker 1>Who's your favorite Gilmore Girls couple? Luke and Laura? Are

0:21:35.920 --> 0:21:36.919
<v Speaker 1>Emily and Richard?

0:21:41.760 --> 0:21:42.440
<v Speaker 2>Luke and Laura?

0:21:42.600 --> 0:21:46.840
<v Speaker 1>I of course that's but Emily and Richard great couple.

0:21:48.840 --> 0:21:53.120
<v Speaker 1>That's a funny question, as if.

0:21:52.960 --> 0:21:57.119
<v Speaker 3>Right, I mean, come on, would you rather work with

0:21:57.240 --> 0:21:59.879
<v Speaker 3>Michelle or Kirk Kirk?

0:22:00.440 --> 0:22:02.919
<v Speaker 1>Kirk Kirk, the zany Kirk?

0:22:03.200 --> 0:22:03.600
<v Speaker 2>Yeah?

0:22:03.680 --> 0:22:07.520
<v Speaker 1>Yeah? What would you order? Gary?

0:22:07.600 --> 0:22:11.080
<v Speaker 3>What would you order if you happen to find yourself

0:22:11.119 --> 0:22:14.720
<v Speaker 3>one day, one glorious morning in Luke's Diner.

0:22:15.400 --> 0:22:21.200
<v Speaker 2>Mmmm, well, this is tough because the burgers are the staple. Right,

0:22:22.200 --> 0:22:27.159
<v Speaker 2>I'm vegetarian. Do you think Luke's Diner like has moved

0:22:27.200 --> 0:22:28.920
<v Speaker 2>into vegetarian burgers.

0:22:30.200 --> 0:22:32.880
<v Speaker 3>I believe that Caesar could whip one up for you.

0:22:34.680 --> 0:22:36.359
<v Speaker 2>That's what I think. That's what I have to go for.

0:22:36.440 --> 0:22:38.159
<v Speaker 2>Then I have to get in the price.

0:22:38.640 --> 0:22:43.000
<v Speaker 1>You got it? You got it? Uh? Who would you

0:22:43.080 --> 0:22:46.040
<v Speaker 1>rather hang out with Paris or Lane?

0:22:46.800 --> 0:22:53.320
<v Speaker 2>Lane?

0:22:54.240 --> 0:22:54.480
<v Speaker 4>Yeah?

0:22:54.560 --> 0:22:55.040
<v Speaker 1>I don't know.

0:22:55.119 --> 0:22:58.240
<v Speaker 3>How can you imagine hanging out with Paris? That's that

0:22:58.280 --> 0:23:03.240
<v Speaker 3>would be like? Whoa Harvard or Yale? Or would you

0:23:03.280 --> 0:23:06.000
<v Speaker 3>drop out live in the poolhouse? Actually, I don't like

0:23:06.080 --> 0:23:07.760
<v Speaker 3>that part of the question. Just Harvard or Yale?

0:23:10.480 --> 0:23:10.880
<v Speaker 2>Harvard?

0:23:12.040 --> 0:23:14.239
<v Speaker 1>Okay? Why isn't isn't that?

0:23:14.640 --> 0:23:16.520
<v Speaker 2>Did Worry go to Harvard or did she go to Yale?

0:23:16.720 --> 0:23:17.560
<v Speaker 1>She went to Yale.

0:23:18.200 --> 0:23:22.040
<v Speaker 3>She always dreamed of going to Harvard. But Richard is

0:23:22.160 --> 0:23:24.119
<v Speaker 3>you know it would make her a legacy because Richard

0:23:24.160 --> 0:23:26.240
<v Speaker 3>loved went to Harvard, I mean to Yale.

0:23:26.280 --> 0:23:31.760
<v Speaker 2>Sorry, Oh I really don't have a reason.

0:23:31.480 --> 0:23:36.119
<v Speaker 1>Why Just Harvard? Right? Okay? Just because you like you

0:23:36.280 --> 0:23:38.000
<v Speaker 1>like the way it looks on a sweatshirt. I got you.

0:23:38.080 --> 0:23:40.879
<v Speaker 2>Both in Boston, so that was like, that would have

0:23:40.920 --> 0:23:41.840
<v Speaker 2>been my main thing.

0:23:42.119 --> 0:23:46.320
<v Speaker 3>But right, okay, would you rather attend a da AR

0:23:46.400 --> 0:23:49.920
<v Speaker 3>event with Emily or a town meeting with Taylor?

0:23:50.920 --> 0:23:57.720
<v Speaker 1>That's a very easy easy. That's the wrong answer.

0:23:58.000 --> 0:24:01.120
<v Speaker 3>Why because you have to sit in that tent all

0:24:01.200 --> 0:24:02.800
<v Speaker 3>day in one hundred and twenty degrees.

0:24:02.960 --> 0:24:05.560
<v Speaker 2>You know, at least they're interesting. Oh but when you

0:24:05.560 --> 0:24:12.680
<v Speaker 2>film it.

0:24:09.520 --> 0:24:12.720
<v Speaker 4>That's so interesting when you're shooting it.

0:24:13.200 --> 0:24:14.120
<v Speaker 1>No, no, it's all good.

0:24:14.160 --> 0:24:16.240
<v Speaker 3>It's all good. Only one hundred and thirty degrees in there,

0:24:16.280 --> 0:24:18.879
<v Speaker 3>so big, and you're wearing winter clothes and hats and

0:24:18.880 --> 0:24:19.600
<v Speaker 3>all that kind of stuff.

0:24:19.840 --> 0:24:23.119
<v Speaker 1>It's not a problem. It's not a problem.

0:24:23.840 --> 0:24:27.160
<v Speaker 2>Then I have like fans and stuff. Were you all?

0:24:27.160 --> 0:24:27.639
<v Speaker 1>Of course?

0:24:27.720 --> 0:24:30.159
<v Speaker 3>I want to lose ten pounds today.

0:24:30.119 --> 0:24:32.320
<v Speaker 1>Not a problem. You know what they do? You know

0:24:32.359 --> 0:24:34.320
<v Speaker 1>they have those big yellow tubes.

0:24:34.880 --> 0:24:39.840
<v Speaker 3>Oh, pump in the ac. Sometimes it would work, sometimes

0:24:39.840 --> 0:24:43.720
<v Speaker 3>it wouldn't. But you know, hey, at least you were there, right,

0:24:44.840 --> 0:24:48.119
<v Speaker 3>at least you were in Gilmore Girls. So I'll just

0:24:48.359 --> 0:24:51.720
<v Speaker 3>shut up Gilmourger's character.

0:24:51.480 --> 0:24:57.520
<v Speaker 1>That you would want as a roommate moral I duh, duh,

0:24:57.640 --> 0:25:02.760
<v Speaker 1>I mean who my best friend there? You go right?

0:25:03.200 --> 0:25:04.840
<v Speaker 2>Yeah, that is.

0:25:05.000 --> 0:25:10.040
<v Speaker 1>See that's her show. It's her show, Something in your life.

0:25:10.119 --> 0:25:11.520
<v Speaker 1>You are all in.

0:25:11.880 --> 0:25:14.639
<v Speaker 2>On my dog.

0:25:17.040 --> 0:25:19.640
<v Speaker 1>Your dog? What kind of a dog do you have?

0:25:20.920 --> 0:25:23.760
<v Speaker 2>I have a mutt and I actually got him. There's

0:25:23.760 --> 0:25:28.920
<v Speaker 2>this event called Broadway Barks that Bernard Peter started and

0:25:30.320 --> 0:25:33.280
<v Speaker 2>we tricked my husband into going there because I had

0:25:33.280 --> 0:25:36.400
<v Speaker 2>to like perform there, and we fell in love with

0:25:36.480 --> 0:25:40.240
<v Speaker 2>my dog. And I am one of those crazy people

0:25:40.320 --> 0:25:43.480
<v Speaker 2>now who just like sends pictures all the time and

0:25:43.720 --> 0:25:46.199
<v Speaker 2>just right my dog when I go away.

0:25:47.800 --> 0:25:50.080
<v Speaker 1>Yeah, I want to get my son a dog. He

0:25:50.119 --> 0:25:51.639
<v Speaker 1>really wants a dog, and I want to get him

0:25:51.640 --> 0:25:53.320
<v Speaker 1>a dog. I want to surprise. I want a dog.

0:25:53.800 --> 0:25:54.320
<v Speaker 2>So fun.

0:25:54.400 --> 0:26:01.240
<v Speaker 3>Yeah, it's been a pleasure. Carrie Harry Butler. Ladies and

0:26:01.280 --> 0:26:06.400
<v Speaker 3>gentlemen check her out in the Gilmore Girls the Year

0:26:06.400 --> 0:26:12.159
<v Speaker 3>in Life episode as Claudia the Therapist. And you also

0:26:12.320 --> 0:26:14.720
<v Speaker 3>did get a chance to do a scene outside the

0:26:14.720 --> 0:26:17.679
<v Speaker 3>therapist office by the gazebo when you were auditioning for

0:26:17.720 --> 0:26:20.159
<v Speaker 3>the Musical Stars Hall of the Music and you were

0:26:20.280 --> 0:26:20.880
<v Speaker 3>very excited.

0:26:21.160 --> 0:26:24.560
<v Speaker 2>And now that now that you know me, you can

0:26:24.600 --> 0:26:30.840
<v Speaker 2>see that's right now, I recognize it. I was really

0:26:30.880 --> 0:26:32.560
<v Speaker 2>acting as the therapist.

0:26:33.359 --> 0:26:36.520
<v Speaker 1>No, absolutely, and great job, by the way, great job.

0:26:36.560 --> 0:26:39.160
<v Speaker 3>But you definitely, you know, the real you came out

0:26:39.280 --> 0:26:43.800
<v Speaker 3>in the older scene. But it's been a pleasure getting

0:26:43.880 --> 0:26:46.640
<v Speaker 3>to know you a little bit, and good luck with everything.

0:26:46.680 --> 0:26:49.080
<v Speaker 1>And I hope to one day meet you and to

0:26:49.119 --> 0:26:51.119
<v Speaker 1>see you on Broadway. I would love we're.

0:26:51.000 --> 0:26:52.960
<v Speaker 2>Gonna be on Broadway together.

0:26:55.520 --> 0:26:58.480
<v Speaker 1>It let's do it. You be, you be roxy Heart,

0:26:58.480 --> 0:27:02.159
<v Speaker 1>I'll be uh, what's his what's his name? Doctor Detroit? No,

0:27:02.200 --> 0:27:06.560
<v Speaker 1>it's not doctor. What's the guy's name? That's why to

0:27:06.560 --> 0:27:07.760
<v Speaker 1>get the part, I couldn't. I couldn't.

0:27:07.800 --> 0:27:10.480
<v Speaker 2>Billy billy, billy, right right right.

0:27:10.440 --> 0:27:14.280
<v Speaker 1>All right, anyway, all right, all the best. It was

0:27:14.320 --> 0:27:14.800
<v Speaker 1>a pleasure.

0:27:15.280 --> 0:27:19.600
<v Speaker 3>Thanks so much, and good luck with everything, and best

0:27:19.640 --> 0:27:21.960
<v Speaker 3>your daughter and your dog and your husband and everybody.

0:27:21.960 --> 0:27:51.120
<v Speaker 4>Take care, okay, thanks all right, bye

0:27:53.400 --> 0:27:56.880
<v Speaker 3>Everybody, and also again, follow us on Instagram at I

0:27:56.960 --> 0:28:01.040
<v Speaker 3>Am all In podcast and email us at Gilmore at

0:28:01.200 --> 0:28:12.880
<v Speaker 3>iHeartRadio dot com.