1 00:00:00,760 --> 00:00:03,720 Speaker 1: I Am all In. 2 00:00:08,200 --> 00:00:19,000 Speaker 2: That's just you. I Am all In with Scott Patterson 3 00:00:19,239 --> 00:00:21,080 Speaker 2: an iHeartRadio podcast. 4 00:00:20,760 --> 00:00:24,640 Speaker 3: Everybody Scott Patterson, I Am all In Podcast one eleven productions, iHeartRadio, 5 00:00:24,680 --> 00:00:28,639 Speaker 3: iHeart Media, iHeart Podcast. One on one interview with the 6 00:00:28,680 --> 00:00:32,920 Speaker 3: one and only Carrie Butler. Here's a Gilmore Girls fact. 7 00:00:33,360 --> 00:00:36,839 Speaker 3: Carrie portrayed therapist Claudia in two episodes and a year 8 00:00:36,840 --> 00:00:39,519 Speaker 3: in the Live Spring and Summer. Let me tell you 9 00:00:39,560 --> 00:00:43,960 Speaker 3: a little something about Carrie very impressive resume. Carrie is 10 00:00:43,960 --> 00:00:46,520 Speaker 3: an actress and a singer, known primarily for her work 11 00:00:46,600 --> 00:00:50,360 Speaker 3: in theater. She is best known for originating the roles 12 00:00:50,360 --> 00:00:57,200 Speaker 3: of Barber Maitland and Beetlejuice the musical, Penny Pingleton in Hairspray, 13 00:00:57,280 --> 00:01:01,120 Speaker 3: Various roles and Mean Girls the musical goal Cleo and 14 00:01:01,200 --> 00:01:05,200 Speaker 3: Kira and Xanadu, the latter of which earned her a 15 00:01:05,319 --> 00:01:08,679 Speaker 3: Tony Award nomination for Best Performance by a Leading Actress 16 00:01:08,760 --> 00:01:13,120 Speaker 3: in a Musical. She has also appeared in TV shows 17 00:01:13,120 --> 00:01:15,400 Speaker 3: One Life to Live, The MINDI Project, Law and Order, 18 00:01:15,440 --> 00:01:18,959 Speaker 3: S For You, The Marvelous Missus masl and her most 19 00:01:19,000 --> 00:01:25,440 Speaker 3: recent role, Ryan Murphy's FX series American Sports Story. Aaron 20 00:01:25,680 --> 00:01:30,160 Speaker 3: Hernandez Kerrie, welcome, very excited to get to. 21 00:01:30,040 --> 00:01:30,520 Speaker 1: Talk to you. 22 00:01:30,600 --> 00:01:35,679 Speaker 3: We enjoyed your performance. Had no idea until this morning 23 00:01:35,760 --> 00:01:41,679 Speaker 3: that you were such a decorated and accomplished musical theater artist. 24 00:01:43,240 --> 00:01:45,840 Speaker 3: So let's take it from the beginning, because this was 25 00:01:45,920 --> 00:01:50,400 Speaker 3: nine years after the series. The original series, it airs 26 00:01:50,400 --> 00:01:53,320 Speaker 3: before you auditioned for the role of Claudia. When tell 27 00:01:53,400 --> 00:01:56,120 Speaker 3: us about that audition process and how you got the audition? 28 00:01:56,960 --> 00:02:00,000 Speaker 2: So it's a very funny story. I am a humongous 29 00:02:00,040 --> 00:02:03,840 Speaker 2: Gilmore Girls fan, like I'll obsessed with it. So when 30 00:02:04,760 --> 00:02:08,120 Speaker 2: I was doing Xanadu on Broadway, I heard that Amy 31 00:02:08,120 --> 00:02:12,760 Speaker 2: and Sherman Paldino was doing a sitcom in Brooklyn, and 32 00:02:12,880 --> 00:02:15,480 Speaker 2: I started I never read the book The Secret or anything, 33 00:02:15,600 --> 00:02:19,639 Speaker 2: but I started manifesting meeting Amy because I'm like, this 34 00:02:19,720 --> 00:02:22,400 Speaker 2: is my my dream would be to like work with 35 00:02:22,440 --> 00:02:25,840 Speaker 2: her because I was obsessed with Gilmore Girls. So one 36 00:02:25,960 --> 00:02:28,799 Speaker 2: day my agent says to me, so, you know, I'm sorry, 37 00:02:28,800 --> 00:02:31,000 Speaker 2: but there's this producer that wants to meet you. She's 38 00:02:31,000 --> 00:02:34,120 Speaker 2: seen the show nine times, she's a big fan. Would 39 00:02:34,120 --> 00:02:36,959 Speaker 2: you mind meeting her afterwards? And I was like, oh, 40 00:02:37,040 --> 00:02:39,440 Speaker 2: of course, yeah, and I was like, yeah, who is it? 41 00:02:39,440 --> 00:02:40,640 Speaker 2: And they were like Amy Shearman. 42 00:02:40,400 --> 00:02:44,720 Speaker 1: Palladino, Oho, what wow? 43 00:02:45,200 --> 00:02:49,640 Speaker 2: I met her, We became friends, and she knew what 44 00:02:49,760 --> 00:02:53,160 Speaker 2: a psycho fan I was, and she actually said, I'm 45 00:02:53,200 --> 00:02:54,880 Speaker 2: going to write a part for you on the show. 46 00:02:56,160 --> 00:03:00,560 Speaker 1: Is that right? She said that to you? What did 47 00:03:00,639 --> 00:03:02,280 Speaker 1: that feel like? Eh? 48 00:03:02,320 --> 00:03:04,760 Speaker 2: I mean just the whole thing was dream. I got 49 00:03:04,800 --> 00:03:07,040 Speaker 2: to go on that little park, I got to walk 50 00:03:07,080 --> 00:03:12,359 Speaker 2: to this gazebo, and I was also on with Sutton Foster, 51 00:03:12,400 --> 00:03:16,520 Speaker 2: who's another huge Carolyn also Amy loves her, so the 52 00:03:16,520 --> 00:03:19,640 Speaker 2: two of us were there together and fangirling the whole time, 53 00:03:19,760 --> 00:03:23,280 Speaker 2: just at the set and everyone we were so excited. 54 00:03:24,880 --> 00:03:28,360 Speaker 2: I was definitely pinching myself when she called me and said, 55 00:03:28,800 --> 00:03:30,519 Speaker 2: can you work it out in your schedule? Because I 56 00:03:30,560 --> 00:03:32,280 Speaker 2: think I was. I think I was in a show 57 00:03:32,280 --> 00:03:35,360 Speaker 2: at the time. And she even worked my shooting like 58 00:03:35,400 --> 00:03:37,160 Speaker 2: on Mondays my day off. 59 00:03:37,480 --> 00:03:40,800 Speaker 1: Right, right, Wow, that's terrific. So tell us about the 60 00:03:40,840 --> 00:03:43,560 Speaker 1: first day on set. What was it like? I mean, 61 00:03:43,600 --> 00:03:46,120 Speaker 1: I remember who did you meet? Who do you remember meeting? 62 00:03:46,200 --> 00:03:47,520 Speaker 1: And what was it like? Yeah? 63 00:03:47,560 --> 00:03:50,720 Speaker 2: I remember just going on this set and seeing all 64 00:03:50,960 --> 00:03:55,800 Speaker 2: Miss Patty's dance studio, all those places and just dying 65 00:03:56,520 --> 00:04:01,000 Speaker 2: and I took pictures everywhere, and then I got to 66 00:04:01,040 --> 00:04:06,360 Speaker 2: meet Lauren, who was amazing. And I think all of 67 00:04:06,400 --> 00:04:12,720 Speaker 2: my scenes were pretty much with Lauren. 68 00:04:13,640 --> 00:04:15,000 Speaker 1: Uh, I don't Kelly. 69 00:04:15,960 --> 00:04:19,640 Speaker 2: Yes, yes, yes, yes, But I didn't have any other 70 00:04:19,640 --> 00:04:22,080 Speaker 2: scenes besides the ones in the Oh no, no, I 71 00:04:22,120 --> 00:04:24,800 Speaker 2: had the fun scene where I actually sang, so she 72 00:04:24,800 --> 00:04:30,440 Speaker 2: would even put singing into the show. On fact, Dan 73 00:04:30,560 --> 00:04:32,560 Speaker 2: wrote the song that I sang in the show. 74 00:04:33,120 --> 00:04:35,720 Speaker 1: That was a terrific show, that was so funny. 75 00:04:35,960 --> 00:04:38,800 Speaker 3: That was actually my favorite parts so far the Netflix 76 00:04:38,800 --> 00:04:42,599 Speaker 3: episode is that that musical, The Stars Hollow Musical, was 77 00:04:42,640 --> 00:04:46,080 Speaker 3: the most brilliantly written, the most the funniest thing I 78 00:04:46,120 --> 00:04:47,520 Speaker 3: have seen on that show in. 79 00:04:47,440 --> 00:04:50,680 Speaker 1: A long time. And I thought Sutton killed it. I 80 00:04:50,720 --> 00:04:52,080 Speaker 1: thought she just killed it. 81 00:04:52,440 --> 00:04:56,400 Speaker 3: Yeah, really tremendous fun And I bet you Dan had 82 00:04:56,400 --> 00:04:59,920 Speaker 3: a blast writing it too, because the lyrics were hysterical. 83 00:05:00,400 --> 00:05:03,600 Speaker 2: Yeah. He ended up giving me a copy of it. 84 00:05:04,160 --> 00:05:09,160 Speaker 3: Oh really yeah, Wow, that's that's very special. So you're 85 00:05:09,200 --> 00:05:11,039 Speaker 3: sitting across from the two of them, we're talking about 86 00:05:11,080 --> 00:05:14,200 Speaker 3: Kelly Bishop and Lauren Graham, and you're just going back 87 00:05:14,240 --> 00:05:15,520 Speaker 3: and forth with a Quick Dial. 88 00:05:15,640 --> 00:05:17,680 Speaker 1: Did it make you nervous at all? 89 00:05:17,960 --> 00:05:22,400 Speaker 3: Now, coming from a musical theater background, I always found 90 00:05:22,400 --> 00:05:26,400 Speaker 3: those actors to be really mindful of hitting their cues, 91 00:05:26,560 --> 00:05:29,920 Speaker 3: and they just seem to be have a heightened awareness 92 00:05:31,080 --> 00:05:34,520 Speaker 3: when they're on an acting set, you know, knowing the 93 00:05:34,560 --> 00:05:36,760 Speaker 3: real basic nuts and bolts of what it is to 94 00:05:37,520 --> 00:05:40,400 Speaker 3: you know, timing, comedic timing, and it's like, you guys 95 00:05:40,400 --> 00:05:43,279 Speaker 3: are really on it. Did you find it difficult to 96 00:05:43,320 --> 00:05:45,440 Speaker 3: fit in or with the pace of the show because 97 00:05:45,440 --> 00:05:46,640 Speaker 3: it didn't seem like it at all. 98 00:05:47,360 --> 00:05:47,520 Speaker 4: No. 99 00:05:47,600 --> 00:05:49,360 Speaker 2: I felt it difficult to not laugh at the two 100 00:05:49,400 --> 00:05:53,240 Speaker 2: of them because they were so funny. Those scenes were 101 00:05:53,360 --> 00:05:56,400 Speaker 2: so funny, and to just act like I was annoyed 102 00:05:56,440 --> 00:05:57,040 Speaker 2: with them. 103 00:05:56,920 --> 00:06:00,839 Speaker 1: And right, right, right, what? So what? What are your 104 00:06:00,880 --> 00:06:02,599 Speaker 1: fondest memories of filming that? 105 00:06:04,560 --> 00:06:08,200 Speaker 2: I think? Honestly, it was watching the two of them together. 106 00:06:08,360 --> 00:06:12,400 Speaker 2: I mean, they are just such masters at that that 107 00:06:12,480 --> 00:06:15,960 Speaker 2: writing and the comedy and and and also there were 108 00:06:16,000 --> 00:06:21,919 Speaker 2: really heartfelt moments, like Lauren uh had this amazing monologue 109 00:06:22,560 --> 00:06:27,000 Speaker 2: that was, you know, very heartfelt, and so I just 110 00:06:27,080 --> 00:06:30,599 Speaker 2: felt like I was watching two masters at work. You know. 111 00:06:33,160 --> 00:06:36,320 Speaker 3: Do you have a favorite episode in the Netflix episodes. 112 00:06:36,640 --> 00:06:37,719 Speaker 1: Did you watch all of them? 113 00:06:38,360 --> 00:06:38,520 Speaker 4: Oh? 114 00:06:38,560 --> 00:06:42,839 Speaker 2: Of course, of course I watched all of them, but 115 00:06:42,880 --> 00:06:45,680 Speaker 2: I would say, you know, the first the first section 116 00:06:45,760 --> 00:06:48,160 Speaker 2: before I was on is More my favorite. Like I 117 00:06:48,200 --> 00:06:51,320 Speaker 2: loved when when Rory was little and all the going 118 00:06:51,360 --> 00:06:53,320 Speaker 2: to the prep school, all that stuff from the very 119 00:06:53,400 --> 00:06:55,520 Speaker 2: very beginning was was my favorite. 120 00:06:55,920 --> 00:07:00,000 Speaker 1: Mm hmmm, So again I think we we touched. 121 00:07:00,560 --> 00:07:04,599 Speaker 3: What was your reaction when you finally saw Stars Hollow 122 00:07:04,640 --> 00:07:05,200 Speaker 3: the musical? 123 00:07:06,680 --> 00:07:10,920 Speaker 2: I thought it was hilarious and really well done, and 124 00:07:11,000 --> 00:07:12,760 Speaker 2: I was just so excited to be a part of it. 125 00:07:13,160 --> 00:07:16,080 Speaker 2: And the funny thing is, I'm sure you know this 126 00:07:16,160 --> 00:07:20,920 Speaker 2: that Gilmore Girls has this incredible life now with all tweens, 127 00:07:20,960 --> 00:07:23,240 Speaker 2: and I have a thirteen year old, so now I'm 128 00:07:23,240 --> 00:07:26,360 Speaker 2: suddenly the cool mom again because all of her friends 129 00:07:26,400 --> 00:07:30,960 Speaker 2: are like, I saw your mom on guilm Girls. Yeah, 130 00:07:31,000 --> 00:07:34,680 Speaker 2: and my daughter has Gilmore Girls pajamas, and it's like 131 00:07:34,760 --> 00:07:37,080 Speaker 2: I always dreamed that I would get to watch the 132 00:07:37,080 --> 00:07:39,080 Speaker 2: Gilmore Girls with my daughter. The only thing is she 133 00:07:39,080 --> 00:07:40,080 Speaker 2: doesn't want to watch with me. 134 00:07:40,440 --> 00:07:41,640 Speaker 3: She watches friends. 135 00:07:45,320 --> 00:07:45,400 Speaker 1: No. 136 00:07:46,480 --> 00:07:47,600 Speaker 2: Yeah, it's disappointing. 137 00:07:48,320 --> 00:07:49,200 Speaker 4: Oh my god, we do. 138 00:07:49,360 --> 00:07:52,160 Speaker 2: But whenever fall comes around, I feel like it's time again, 139 00:07:52,200 --> 00:07:54,080 Speaker 2: we have to start watching Gilmore Girls again now. 140 00:07:54,680 --> 00:07:57,559 Speaker 1: So you've never watched the show with your daughter ever. 141 00:07:58,200 --> 00:08:00,720 Speaker 2: I forced her to watch with me a few times. 142 00:08:00,840 --> 00:08:01,600 Speaker 2: She loves it. 143 00:08:01,880 --> 00:08:02,320 Speaker 1: I told her. 144 00:08:02,480 --> 00:08:04,520 Speaker 2: She was very excited that I was doing this podcast 145 00:08:04,520 --> 00:08:07,920 Speaker 2: with you today, as I was. But she doesn't want 146 00:08:07,960 --> 00:08:09,320 Speaker 2: to watch with me for some reason. 147 00:08:09,960 --> 00:08:11,760 Speaker 1: So just as she gets together with her friends and 148 00:08:11,760 --> 00:08:13,120 Speaker 1: they just watch. 149 00:08:12,880 --> 00:08:14,640 Speaker 2: It, or they're watching it at the same time, and 150 00:08:14,680 --> 00:08:16,600 Speaker 2: you know, like texting each other, you know about it. 151 00:08:18,280 --> 00:08:19,600 Speaker 1: What is it about this show? 152 00:08:20,320 --> 00:08:23,240 Speaker 3: You know? You know going through these episodes, you know, 153 00:08:23,320 --> 00:08:25,600 Speaker 3: because I never saw it, and that was the premise 154 00:08:25,600 --> 00:08:28,679 Speaker 3: of the podcast. That's what I pitched. I just never 155 00:08:29,520 --> 00:08:32,720 Speaker 3: like watching myself. I didn't want to watch the show. Yea, yeah, 156 00:08:33,240 --> 00:08:37,000 Speaker 3: you know, I think most actors are like that, and and. 157 00:08:36,840 --> 00:08:40,200 Speaker 1: So I never really saw it. I saw the I 158 00:08:40,240 --> 00:08:41,600 Speaker 1: saw Winter at the. 159 00:08:41,520 --> 00:08:43,960 Speaker 3: Premiere because I was forced to sit there with a 160 00:08:43,960 --> 00:08:47,640 Speaker 3: captive audience. But that's the only thing I ever saw. 161 00:08:47,720 --> 00:08:51,960 Speaker 3: I saw the pilot episode, which I liked, but I 162 00:08:52,000 --> 00:08:53,839 Speaker 3: never saw any of the other one hundred and fifty 163 00:08:53,880 --> 00:08:57,440 Speaker 3: two episodes. And I never saw the three other Netflix episodes. 164 00:08:57,480 --> 00:09:01,440 Speaker 3: So that's basis of the podcast. And finding out how 165 00:09:02,040 --> 00:09:03,560 Speaker 3: darn funny this thing is. 166 00:09:04,440 --> 00:09:05,800 Speaker 1: I never I look. 167 00:09:05,840 --> 00:09:07,520 Speaker 3: I was in all the table reads, I was in 168 00:09:07,640 --> 00:09:10,000 Speaker 3: a lot of the scenes. I know it's funny. I 169 00:09:10,040 --> 00:09:13,839 Speaker 3: know it's high quality. You know it's sophisticated comedy. These 170 00:09:13,880 --> 00:09:18,960 Speaker 3: are very very witty people, Amy and Dan very well read, 171 00:09:19,120 --> 00:09:23,320 Speaker 3: various studie people, and this humor is really sophisticated, and 172 00:09:23,360 --> 00:09:25,800 Speaker 3: it's coming at you. Not only is it coming at 173 00:09:25,840 --> 00:09:28,439 Speaker 3: you fast and furious, but it's coming at you in 174 00:09:28,480 --> 00:09:30,440 Speaker 3: groups of ten great lines. 175 00:09:30,760 --> 00:09:32,960 Speaker 1: I mean, it speeds by so fast. 176 00:09:33,000 --> 00:09:36,320 Speaker 3: And this is the reason why people continue to rewatch it. 177 00:09:36,320 --> 00:09:38,599 Speaker 3: It's a lot of things, but I think the primary 178 00:09:38,720 --> 00:09:42,440 Speaker 3: reason is the level of humor. You get the level 179 00:09:42,559 --> 00:09:46,559 Speaker 3: of great jokes, the unexpected one liners, And it doesn't 180 00:09:46,600 --> 00:09:49,560 Speaker 3: matter how many times you've seen it. You can't remember 181 00:09:49,640 --> 00:09:52,000 Speaker 3: all of the singers, and it's always a surprise, so 182 00:09:52,040 --> 00:09:55,040 Speaker 3: it always seems fresh. Do you find that as well 183 00:09:55,040 --> 00:09:56,559 Speaker 3: when you're watching these episodes? 184 00:09:56,960 --> 00:09:59,160 Speaker 2: One nd percent? And even when I watched it, you know, 185 00:09:59,160 --> 00:10:01,920 Speaker 2: the first time, I thought, oh, they must be theater writers, 186 00:10:01,920 --> 00:10:06,520 Speaker 2: because they would have very obscure theater references in there. 187 00:10:07,480 --> 00:10:10,320 Speaker 2: So yes, I always thought it was hilarious. But also 188 00:10:11,120 --> 00:10:15,000 Speaker 2: I just there's just it's like comfort food. It's so 189 00:10:16,000 --> 00:10:21,160 Speaker 2: loving and refreshing to see that relationship between a mother 190 00:10:21,240 --> 00:10:25,680 Speaker 2: and a daughter. To see you know, her love affair 191 00:10:25,800 --> 00:10:30,720 Speaker 2: with your character, it was just so sweet and beautiful. 192 00:10:31,480 --> 00:10:31,880 Speaker 1: Yeah. 193 00:10:32,240 --> 00:10:35,520 Speaker 3: I have to tell you the experience of this now, 194 00:10:36,120 --> 00:10:39,920 Speaker 3: the way that it continues to grow and capture younger 195 00:10:39,960 --> 00:10:45,800 Speaker 3: and younger audiences. Every generation is discovering this show. I 196 00:10:46,000 --> 00:10:49,840 Speaker 3: just how can you envision twenty five years ago that 197 00:10:50,400 --> 00:10:53,800 Speaker 3: something would be have such staying power and that it 198 00:10:53,840 --> 00:10:56,720 Speaker 3: would continue to grow in popularity. I mean, it's it's 199 00:10:56,800 --> 00:11:00,000 Speaker 3: absolutely bizarre. It's a real phenomenon in the industry. 200 00:11:00,160 --> 00:11:01,080 Speaker 1: It really really is. 201 00:11:01,520 --> 00:11:04,680 Speaker 2: It's timeless the show because it's well written. 202 00:11:04,840 --> 00:11:09,199 Speaker 1: It's timeless, right, It's going to stand up forever. Yes, 203 00:11:09,280 --> 00:11:10,680 Speaker 1: because of the quality of the writing. 204 00:11:10,800 --> 00:11:14,120 Speaker 3: Yeah, I agree. I mean these two really really accomplished 205 00:11:14,120 --> 00:11:17,880 Speaker 3: something special. There's a there's a there's a sort of 206 00:11:17,920 --> 00:11:20,000 Speaker 3: an honorary Emmy in. 207 00:11:20,040 --> 00:11:22,600 Speaker 1: Store for these two, I guess. I mean I think 208 00:11:22,600 --> 00:11:23,360 Speaker 1: there has to be. 209 00:11:23,840 --> 00:11:27,199 Speaker 2: I would be so upset every Emmy season, like, how 210 00:11:27,640 --> 00:11:30,360 Speaker 2: is everyone not getting Amy in this show? I mean, 211 00:11:30,440 --> 00:11:35,400 Speaker 2: even because the acting quality was just phenomenal, you know, 212 00:11:35,600 --> 00:11:35,960 Speaker 2: I don't. 213 00:11:36,280 --> 00:11:39,320 Speaker 3: I think the critics didn't know what to make of it. 214 00:11:41,240 --> 00:11:42,600 Speaker 3: I think they didn't know what to make of it. 215 00:11:42,679 --> 00:11:45,000 Speaker 3: I think, is this a drama? Is it a comedy? 216 00:11:45,040 --> 00:11:48,520 Speaker 3: We know it's funny, it's dramatic, it's a drama, but 217 00:11:49,800 --> 00:11:51,960 Speaker 3: I just never understood it myself. 218 00:11:52,080 --> 00:11:57,120 Speaker 1: And to have a show of it's actually. 219 00:11:56,880 --> 00:11:59,240 Speaker 3: Kind of a unique category to be in because there's 220 00:11:59,280 --> 00:12:02,240 Speaker 3: plenty of great actors and great performances, great productions that 221 00:12:02,360 --> 00:12:04,280 Speaker 3: never got nominated for anything. I mean, if you go 222 00:12:04,320 --> 00:12:05,839 Speaker 3: through the list, it's like, wait a minute, how but 223 00:12:06,000 --> 00:12:09,000 Speaker 3: she don't even get nominated for what this guy or 224 00:12:09,080 --> 00:12:12,920 Speaker 3: Meryl Street or whomever, or Kate Blanchette and everything she does. 225 00:12:14,280 --> 00:12:18,320 Speaker 3: You know, it's amazing how often great things in this 226 00:12:18,360 --> 00:12:22,120 Speaker 3: business are completely overlooked. So you gotta wonder what's going 227 00:12:22,160 --> 00:12:25,640 Speaker 3: on behind the scenes. You know, it's like who's carrying 228 00:12:25,640 --> 00:12:27,079 Speaker 3: the brain's what's happening? 229 00:12:36,240 --> 00:12:38,520 Speaker 1: Now? Do you know Sutton Foster? Did you know? 230 00:12:38,600 --> 00:12:40,040 Speaker 3: Do you know her from your brother? So it's a 231 00:12:40,080 --> 00:12:42,640 Speaker 3: small community of people, right, and so you know her. 232 00:12:43,360 --> 00:12:46,680 Speaker 2: Sutton actually understudied me in Lee Miss when she was 233 00:12:46,679 --> 00:12:47,560 Speaker 2: like eighteen years old. 234 00:12:48,240 --> 00:12:50,760 Speaker 1: Is that right. So she was kind of a phenom 235 00:12:50,880 --> 00:12:52,080 Speaker 1: coming out of high school. 236 00:12:52,880 --> 00:12:55,640 Speaker 2: Yes, yes, yeah, she didn't go to she went straight 237 00:12:55,679 --> 00:12:56,200 Speaker 2: to Broadway. 238 00:12:56,400 --> 00:12:58,800 Speaker 1: Yeah, are you kidding me? From high school? 239 00:12:59,080 --> 00:12:59,320 Speaker 2: Yep? 240 00:12:59,679 --> 00:13:00,680 Speaker 4: What elite? 241 00:13:00,720 --> 00:13:02,960 Speaker 1: Where? Now? Where is she from? Is she from the Northeast? 242 00:13:03,080 --> 00:13:05,720 Speaker 2: Her brother is Hunter Foster and I had already or 243 00:13:05,800 --> 00:13:07,960 Speaker 2: I did a show with her brother too. I did 244 00:13:08,000 --> 00:13:09,720 Speaker 2: Little Hearts with mm hm. 245 00:13:10,480 --> 00:13:11,360 Speaker 1: Oh my goodness. 246 00:13:11,400 --> 00:13:13,040 Speaker 3: So it's in the blood. It's in the blood in 247 00:13:13,080 --> 00:13:14,040 Speaker 3: that Foster family. 248 00:13:14,440 --> 00:13:19,319 Speaker 2: Yeah. Yeah, wow, what a talent. And she was also 249 00:13:19,360 --> 00:13:21,360 Speaker 2: a huge fan of the Gilmore Girls. So both of 250 00:13:21,440 --> 00:13:22,360 Speaker 2: us were like. 251 00:13:23,920 --> 00:13:27,880 Speaker 3: There, now isn't Amy doing something with Sutton now on Broadways? 252 00:13:27,880 --> 00:13:30,000 Speaker 1: That she writing in a musical. 253 00:13:30,320 --> 00:13:35,040 Speaker 2: The Mattress Once Upon a Mattress. I think that's what 254 00:13:35,040 --> 00:13:38,040 Speaker 2: it's called. Yeah, yeah, it's a limit okay? And Amy 255 00:13:38,120 --> 00:13:41,040 Speaker 2: wrote it and Sotton's in its the star. 256 00:13:41,920 --> 00:13:43,959 Speaker 1: Yeah all right. 257 00:13:44,040 --> 00:13:49,120 Speaker 3: So so after the episode you filmed for Amy for 258 00:13:49,120 --> 00:13:52,600 Speaker 3: Gilmore Girls their revival, she brought you in for a 259 00:13:52,679 --> 00:13:57,679 Speaker 3: role in mysell and the Marvelous Missus myself. Uh, what 260 00:13:57,760 --> 00:13:59,760 Speaker 3: was the role? What was it like working with her again? 261 00:14:00,400 --> 00:14:04,120 Speaker 2: Well? This time I feel like last time she didn't 262 00:14:04,559 --> 00:14:06,240 Speaker 2: direct the show or this time, you know, it was 263 00:14:06,360 --> 00:14:11,600 Speaker 2: just there's so much going on in our episode was 264 00:14:12,640 --> 00:14:15,600 Speaker 2: one day where they were just shooting this scene with 265 00:14:15,640 --> 00:14:18,160 Speaker 2: a million different things going on, a huge restaurant, tons 266 00:14:18,160 --> 00:14:21,840 Speaker 2: of extras, and so it was really exciting to see 267 00:14:21,840 --> 00:14:25,040 Speaker 2: her in her element as the director and just how 268 00:14:25,040 --> 00:14:30,720 Speaker 2: everybody loved her and just getting everything, putting all the 269 00:14:30,720 --> 00:14:34,120 Speaker 2: pieces together, getting everything done. So that was exciting. And 270 00:14:34,160 --> 00:14:38,160 Speaker 2: we've stayed friends all of this time, so she's always 271 00:14:38,200 --> 00:14:39,080 Speaker 2: looking for parts for me. 272 00:14:39,760 --> 00:14:42,160 Speaker 3: Oh that's great. So you see her, you go to 273 00:14:42,240 --> 00:14:45,480 Speaker 3: lunch for her. Do you live do you live in 274 00:14:45,520 --> 00:14:45,960 Speaker 3: the city. 275 00:14:46,280 --> 00:14:48,680 Speaker 2: Yeah, well I moved out to New Jersey, but I 276 00:14:48,680 --> 00:14:49,800 Speaker 2: did live in the city forever. 277 00:14:51,160 --> 00:14:56,880 Speaker 3: That's yeah, that's great. All right, So let's talk about 278 00:14:56,920 --> 00:15:01,400 Speaker 3: this Aaron Hernandez thing which took over the headlines for 279 00:15:01,440 --> 00:15:08,000 Speaker 3: a while. So you've done plenty of drama and now 280 00:15:08,040 --> 00:15:11,240 Speaker 3: with your episodes just mirroring the in the Ryan Murphy 281 00:15:11,280 --> 00:15:15,320 Speaker 3: American Sports story. Aaron Hernanz, which do you prefer working 282 00:15:15,360 --> 00:15:16,480 Speaker 3: on musicals or drama? 283 00:15:18,320 --> 00:15:25,200 Speaker 2: I think I prefer musicals. I mean, it's great to 284 00:15:25,280 --> 00:15:31,040 Speaker 2: stretch that muscle, and obviously it's fun to be on TV. 285 00:15:31,400 --> 00:15:34,120 Speaker 2: But like I'm doing. I created this show with my 286 00:15:34,200 --> 00:15:37,520 Speaker 2: friends girl. Now we're going we just did it in 287 00:15:37,680 --> 00:15:40,240 Speaker 2: la like two days ago, and we're going to have 288 00:15:40,280 --> 00:15:44,000 Speaker 2: an off Broadway run. And it's just there's just something 289 00:15:44,040 --> 00:15:46,720 Speaker 2: so magical about being in front of the audience and 290 00:15:46,840 --> 00:15:50,800 Speaker 2: hearing the act right there, like having the palm of 291 00:15:50,800 --> 00:15:54,960 Speaker 2: your hand. And this show I do with my friends, 292 00:15:55,360 --> 00:15:57,760 Speaker 2: which is even more fun, and we created it. So 293 00:15:57,800 --> 00:16:00,920 Speaker 2: it's just there's just noing like live theater. 294 00:16:01,120 --> 00:16:03,200 Speaker 1: You know, there is nothing. 295 00:16:02,960 --> 00:16:06,720 Speaker 3: More vital than live theater when it's done well, I agree, nothing, 296 00:16:07,000 --> 00:16:09,800 Speaker 3: nothing comes close to it. So you're saying, is you 297 00:16:10,200 --> 00:16:13,880 Speaker 3: prefer the live theater experience that you're used to to 298 00:16:13,920 --> 00:16:21,360 Speaker 3: portraying characters in a psycho sports, murder, documentary styles serious 299 00:16:21,440 --> 00:16:24,720 Speaker 3: limited series, you would prefer to be on stage with 300 00:16:24,760 --> 00:16:27,000 Speaker 3: your friends, singing and dancing, magazine laugh. 301 00:16:27,480 --> 00:16:30,600 Speaker 2: Go exactly exactly. If you choose, like what I'm going 302 00:16:30,640 --> 00:16:33,880 Speaker 2: to put out into the world, especially now, I think 303 00:16:33,920 --> 00:16:38,400 Speaker 2: I choose joy and maybe laugh and bringing people together. 304 00:16:38,880 --> 00:16:41,080 Speaker 2: Not that there is a place for the other. 305 00:16:41,880 --> 00:16:44,840 Speaker 3: There's always going to be a place in people's hearts 306 00:16:44,840 --> 00:16:46,520 Speaker 3: for psycho sports murders, dramas. 307 00:16:46,560 --> 00:16:54,200 Speaker 1: There's absolutely an audience, and by golly, I'll be tuning 308 00:16:54,240 --> 00:16:58,680 Speaker 1: in just to catch your performance. I'm curious to see 309 00:16:58,680 --> 00:17:00,160 Speaker 1: what you did. What did you do in that? What 310 00:17:00,200 --> 00:17:00,800 Speaker 1: did you do in that? 311 00:17:01,720 --> 00:17:08,040 Speaker 2: I played Urban Meyer's wife. Oh okay, yeah, so old person. 312 00:17:08,359 --> 00:17:12,720 Speaker 2: And who played Urban Meyer Tony Yasbeck, who is also 313 00:17:12,960 --> 00:17:16,199 Speaker 2: a huge Broadway star, big, big dancer, and this was 314 00:17:16,240 --> 00:17:18,080 Speaker 2: his kind of big break for TV. 315 00:17:18,160 --> 00:17:21,919 Speaker 3: And he's, oh, that's you, guys. You go, there's something 316 00:17:21,960 --> 00:17:26,920 Speaker 3: about you too. That said to Ryan Murphy, I gotta 317 00:17:26,960 --> 00:17:29,679 Speaker 3: bring him in for the sports psycho murder thing, you know, 318 00:17:30,480 --> 00:17:31,320 Speaker 3: gotta have them. 319 00:17:31,480 --> 00:17:33,560 Speaker 2: Well, this one, this one I did have to audition for. 320 00:17:34,760 --> 00:17:37,439 Speaker 2: I didn't get it just because I'm friends. 321 00:17:37,480 --> 00:17:39,919 Speaker 1: Now, you didn't. 322 00:17:38,920 --> 00:17:40,280 Speaker 4: You had to. 323 00:17:40,440 --> 00:17:41,600 Speaker 1: You had to earn that. Wow. 324 00:17:41,760 --> 00:17:43,840 Speaker 3: Well, not saying you wouldn't earn if you got the offer, 325 00:17:43,880 --> 00:17:48,200 Speaker 3: but that's amazing. Okay, so extensive theater work. 326 00:17:48,280 --> 00:17:49,560 Speaker 2: Most TV stuff I auditioned for. 327 00:17:49,840 --> 00:17:54,919 Speaker 1: Yeah, TV's tough is tough. It's a tough crowd. Okay. 328 00:17:54,960 --> 00:17:59,600 Speaker 3: And you now teach a class called Breaking into Broadway 329 00:18:00,000 --> 00:18:02,760 Speaker 3: and it's a digital course for musical theater performers. What 330 00:18:02,960 --> 00:18:05,440 Speaker 3: is your number one advice for someone wanting to make 331 00:18:05,480 --> 00:18:10,240 Speaker 3: it on Broadway. Let's say, at my age, I came 332 00:18:10,280 --> 00:18:13,399 Speaker 3: to you and said, listen, I'm sixty six. Now I've 333 00:18:13,400 --> 00:18:15,920 Speaker 3: never been on Broadway. I'd like to try it. 334 00:18:16,480 --> 00:18:16,600 Speaker 4: Oh. 335 00:18:16,600 --> 00:18:22,080 Speaker 3: As a matter of fact, I was considered for the 336 00:18:22,160 --> 00:18:25,520 Speaker 3: lead role in Chicago, the New York production of Chicago. 337 00:18:26,160 --> 00:18:29,080 Speaker 1: Sure that couldn't well. 338 00:18:28,960 --> 00:18:33,159 Speaker 2: For now, you broadly be lucky to have you so, 339 00:18:33,560 --> 00:18:37,560 Speaker 2: but sim you so you hadn't had this amazing career. 340 00:18:38,680 --> 00:18:42,040 Speaker 2: Then I would say, find the thing that makes you special, 341 00:18:42,119 --> 00:18:45,960 Speaker 2: like find your special sauce. You do that nobody else 342 00:18:46,000 --> 00:18:47,680 Speaker 2: can do. And like I could say, for you, it's 343 00:18:47,680 --> 00:18:50,080 Speaker 2: that kind of like dark comedy. 344 00:18:49,560 --> 00:18:51,760 Speaker 1: You know, like oh, I was going to say skiing, 345 00:18:52,080 --> 00:18:53,919 Speaker 1: So I was. 346 00:18:53,920 --> 00:18:55,520 Speaker 2: Gonna say, I'm grumpy but lovable. 347 00:18:59,480 --> 00:19:02,000 Speaker 1: Okay, people lovable, right, And then. 348 00:19:02,160 --> 00:19:04,880 Speaker 2: Like you know, just go into your auditions with that 349 00:19:05,160 --> 00:19:07,800 Speaker 2: and lead with that, and the parts will come to 350 00:19:07,840 --> 00:19:10,080 Speaker 2: you that you have. 351 00:19:11,520 --> 00:19:14,320 Speaker 3: Hopefully Amy and Dan will write me a Broadway musical 352 00:19:14,800 --> 00:19:15,679 Speaker 3: and I can start it. 353 00:19:15,920 --> 00:19:17,679 Speaker 2: Get out there. You got to do the secret like 354 00:19:17,720 --> 00:19:22,359 Speaker 2: I did. Yeah, it's gonna happen all right. 355 00:19:22,280 --> 00:19:23,639 Speaker 1: But you you have to do it with me. 356 00:19:23,920 --> 00:19:27,720 Speaker 2: Okay, I need you there, you guess I'm gonna like 357 00:19:27,720 --> 00:19:30,160 Speaker 2: text Amy, guess what, Amy? 358 00:19:33,040 --> 00:19:35,919 Speaker 3: Yeah, the old guy wants to do Broadway music. Yeah, 359 00:19:35,960 --> 00:19:38,000 Speaker 3: that'll give her a real thrill. 360 00:19:39,240 --> 00:19:42,040 Speaker 2: We'll have a most fun ever, like you would love 361 00:19:42,200 --> 00:19:45,320 Speaker 2: doing all. All people who come over are like, oh, 362 00:19:45,359 --> 00:19:46,800 Speaker 2: it's just crazy fun. 363 00:19:47,240 --> 00:19:47,400 Speaker 1: Yeah. 364 00:19:47,400 --> 00:19:49,440 Speaker 3: I no, no, I wanted to do Chicago. We just 365 00:19:49,440 --> 00:19:51,240 Speaker 3: couldn't work it out in the schedule. But I really 366 00:19:51,280 --> 00:19:55,800 Speaker 3: it was like, Wow, what an opportunity, you know, And 367 00:19:55,840 --> 00:20:00,200 Speaker 3: I'm sure with all the rehearsal and all the professionals surroun, 368 00:20:00,480 --> 00:20:03,240 Speaker 3: they're not gonna let you fail, right, They're going to 369 00:20:03,280 --> 00:20:05,199 Speaker 3: make sure that you're going to give a performance. 370 00:20:05,560 --> 00:20:08,000 Speaker 2: You probably wouldn't get that much parsal, have I I 371 00:20:09,080 --> 00:20:10,320 Speaker 2: because you probably. 372 00:20:10,040 --> 00:20:11,360 Speaker 1: How much rehearsal do you think you get? 373 00:20:11,600 --> 00:20:15,880 Speaker 2: I think maybe maybe two weeks or maybe three weeks, 374 00:20:15,920 --> 00:20:17,080 Speaker 2: that's what That's what I would guess. 375 00:20:17,400 --> 00:20:19,119 Speaker 1: So what do you think the most challenging part is? 376 00:20:19,160 --> 00:20:21,200 Speaker 3: It is like getting the voice in shape, right, getting 377 00:20:21,640 --> 00:20:23,879 Speaker 3: getting your voice in shape and getting it used to 378 00:20:23,920 --> 00:20:26,600 Speaker 3: really belting out these songs, right, yeah, I. 379 00:20:26,600 --> 00:20:28,840 Speaker 2: Guess, or doing the dance moves, or just the stamina 380 00:20:28,880 --> 00:20:30,560 Speaker 2: of doing like the eight shows a week. 381 00:20:31,119 --> 00:20:33,680 Speaker 1: Oh my, goodness, what am I doing? 382 00:20:34,240 --> 00:20:35,000 Speaker 2: You can do it? 383 00:20:35,080 --> 00:20:37,399 Speaker 1: I believe you think I can do it. 384 00:20:37,720 --> 00:20:38,080 Speaker 2: I do. 385 00:20:48,440 --> 00:20:51,679 Speaker 3: We're gonna play a little game called rapid fire, and 386 00:20:51,720 --> 00:20:54,200 Speaker 3: there's there's no pressure. 387 00:20:53,960 --> 00:20:55,760 Speaker 1: To answer these questions quickly. 388 00:20:56,480 --> 00:20:58,480 Speaker 3: It's really I don't know why they call it rapid fire, 389 00:20:59,040 --> 00:21:00,639 Speaker 3: but I just want to take the pressure. 390 00:21:00,680 --> 00:21:01,760 Speaker 1: How do you like your coffee? 391 00:21:02,000 --> 00:21:06,639 Speaker 2: Oh? I actually don't drink coffee, So that's how you 392 00:21:06,720 --> 00:21:07,320 Speaker 2: like your coffee? 393 00:21:07,359 --> 00:21:11,200 Speaker 1: With no coffee? You like an empty cup? Or tea? 394 00:21:11,800 --> 00:21:12,680 Speaker 2: Tea? I'll take tea. 395 00:21:13,400 --> 00:21:16,480 Speaker 1: We've got Are you team Logan, Team Jess or team Dean? 396 00:21:18,400 --> 00:21:26,080 Speaker 2: Oh? Gosh, Oh that's a hard one. I'm gonna I'm 397 00:21:26,080 --> 00:21:27,600 Speaker 2: gonna say teen Dean Dean. 398 00:21:27,800 --> 00:21:28,560 Speaker 1: Okay, I. 399 00:21:30,359 --> 00:21:32,880 Speaker 2: Love them all. I loved all them. 400 00:21:33,400 --> 00:21:35,879 Speaker 1: Who's your favorite Gilmore Girls couple? Luke and Laura? Are 401 00:21:35,920 --> 00:21:36,919 Speaker 1: Emily and Richard? 402 00:21:41,760 --> 00:21:42,440 Speaker 2: Luke and Laura? 403 00:21:42,600 --> 00:21:46,840 Speaker 1: I of course that's but Emily and Richard great couple. 404 00:21:48,840 --> 00:21:53,120 Speaker 1: That's a funny question, as if. 405 00:21:52,960 --> 00:21:57,119 Speaker 3: Right, I mean, come on, would you rather work with 406 00:21:57,240 --> 00:21:59,879 Speaker 3: Michelle or Kirk Kirk? 407 00:22:00,440 --> 00:22:02,919 Speaker 1: Kirk Kirk, the zany Kirk? 408 00:22:03,200 --> 00:22:03,600 Speaker 2: Yeah? 409 00:22:03,680 --> 00:22:07,520 Speaker 1: Yeah? What would you order? Gary? 410 00:22:07,600 --> 00:22:11,080 Speaker 3: What would you order if you happen to find yourself 411 00:22:11,119 --> 00:22:14,720 Speaker 3: one day, one glorious morning in Luke's Diner. 412 00:22:15,400 --> 00:22:21,200 Speaker 2: Mmmm, well, this is tough because the burgers are the staple. Right, 413 00:22:22,200 --> 00:22:27,159 Speaker 2: I'm vegetarian. Do you think Luke's Diner like has moved 414 00:22:27,200 --> 00:22:28,920 Speaker 2: into vegetarian burgers. 415 00:22:30,200 --> 00:22:32,880 Speaker 3: I believe that Caesar could whip one up for you. 416 00:22:34,680 --> 00:22:36,359 Speaker 2: That's what I think. That's what I have to go for. 417 00:22:36,440 --> 00:22:38,159 Speaker 2: Then I have to get in the price. 418 00:22:38,640 --> 00:22:43,000 Speaker 1: You got it? You got it? Uh? Who would you 419 00:22:43,080 --> 00:22:46,040 Speaker 1: rather hang out with Paris or Lane? 420 00:22:46,800 --> 00:22:53,320 Speaker 2: Lane? 421 00:22:54,240 --> 00:22:54,480 Speaker 4: Yeah? 422 00:22:54,560 --> 00:22:55,040 Speaker 1: I don't know. 423 00:22:55,119 --> 00:22:58,240 Speaker 3: How can you imagine hanging out with Paris? That's that 424 00:22:58,280 --> 00:23:03,240 Speaker 3: would be like? Whoa Harvard or Yale? Or would you 425 00:23:03,280 --> 00:23:06,000 Speaker 3: drop out live in the poolhouse? Actually, I don't like 426 00:23:06,080 --> 00:23:07,760 Speaker 3: that part of the question. Just Harvard or Yale? 427 00:23:10,480 --> 00:23:10,880 Speaker 2: Harvard? 428 00:23:12,040 --> 00:23:14,239 Speaker 1: Okay? Why isn't isn't that? 429 00:23:14,640 --> 00:23:16,520 Speaker 2: Did Worry go to Harvard or did she go to Yale? 430 00:23:16,720 --> 00:23:17,560 Speaker 1: She went to Yale. 431 00:23:18,200 --> 00:23:22,040 Speaker 3: She always dreamed of going to Harvard. But Richard is 432 00:23:22,160 --> 00:23:24,119 Speaker 3: you know it would make her a legacy because Richard 433 00:23:24,160 --> 00:23:26,240 Speaker 3: loved went to Harvard, I mean to Yale. 434 00:23:26,280 --> 00:23:31,760 Speaker 2: Sorry, Oh I really don't have a reason. 435 00:23:31,480 --> 00:23:36,119 Speaker 1: Why Just Harvard? Right? Okay? Just because you like you 436 00:23:36,280 --> 00:23:38,000 Speaker 1: like the way it looks on a sweatshirt. I got you. 437 00:23:38,080 --> 00:23:40,879 Speaker 2: Both in Boston, so that was like, that would have 438 00:23:40,920 --> 00:23:41,840 Speaker 2: been my main thing. 439 00:23:42,119 --> 00:23:46,320 Speaker 3: But right, okay, would you rather attend a da AR 440 00:23:46,400 --> 00:23:49,920 Speaker 3: event with Emily or a town meeting with Taylor? 441 00:23:50,920 --> 00:23:57,720 Speaker 1: That's a very easy easy. That's the wrong answer. 442 00:23:58,000 --> 00:24:01,120 Speaker 3: Why because you have to sit in that tent all 443 00:24:01,200 --> 00:24:02,800 Speaker 3: day in one hundred and twenty degrees. 444 00:24:02,960 --> 00:24:05,560 Speaker 2: You know, at least they're interesting. Oh but when you 445 00:24:05,560 --> 00:24:12,680 Speaker 2: film it. 446 00:24:09,520 --> 00:24:12,720 Speaker 4: That's so interesting when you're shooting it. 447 00:24:13,200 --> 00:24:14,120 Speaker 1: No, no, it's all good. 448 00:24:14,160 --> 00:24:16,240 Speaker 3: It's all good. Only one hundred and thirty degrees in there, 449 00:24:16,280 --> 00:24:18,879 Speaker 3: so big, and you're wearing winter clothes and hats and 450 00:24:18,880 --> 00:24:19,600 Speaker 3: all that kind of stuff. 451 00:24:19,840 --> 00:24:23,119 Speaker 1: It's not a problem. It's not a problem. 452 00:24:23,840 --> 00:24:27,160 Speaker 2: Then I have like fans and stuff. Were you all? 453 00:24:27,160 --> 00:24:27,639 Speaker 1: Of course? 454 00:24:27,720 --> 00:24:30,159 Speaker 3: I want to lose ten pounds today. 455 00:24:30,119 --> 00:24:32,320 Speaker 1: Not a problem. You know what they do? You know 456 00:24:32,359 --> 00:24:34,320 Speaker 1: they have those big yellow tubes. 457 00:24:34,880 --> 00:24:39,840 Speaker 3: Oh, pump in the ac. Sometimes it would work, sometimes 458 00:24:39,840 --> 00:24:43,720 Speaker 3: it wouldn't. But you know, hey, at least you were there, right, 459 00:24:44,840 --> 00:24:48,119 Speaker 3: at least you were in Gilmore Girls. So I'll just 460 00:24:48,359 --> 00:24:51,720 Speaker 3: shut up Gilmourger's character. 461 00:24:51,480 --> 00:24:57,520 Speaker 1: That you would want as a roommate moral I duh, duh, 462 00:24:57,640 --> 00:25:02,760 Speaker 1: I mean who my best friend there? You go right? 463 00:25:03,200 --> 00:25:04,840 Speaker 2: Yeah, that is. 464 00:25:05,000 --> 00:25:10,040 Speaker 1: See that's her show. It's her show, Something in your life. 465 00:25:10,119 --> 00:25:11,520 Speaker 1: You are all in. 466 00:25:11,880 --> 00:25:14,639 Speaker 2: On my dog. 467 00:25:17,040 --> 00:25:19,640 Speaker 1: Your dog? What kind of a dog do you have? 468 00:25:20,920 --> 00:25:23,760 Speaker 2: I have a mutt and I actually got him. There's 469 00:25:23,760 --> 00:25:28,920 Speaker 2: this event called Broadway Barks that Bernard Peter started and 470 00:25:30,320 --> 00:25:33,280 Speaker 2: we tricked my husband into going there because I had 471 00:25:33,280 --> 00:25:36,400 Speaker 2: to like perform there, and we fell in love with 472 00:25:36,480 --> 00:25:40,240 Speaker 2: my dog. And I am one of those crazy people 473 00:25:40,320 --> 00:25:43,480 Speaker 2: now who just like sends pictures all the time and 474 00:25:43,720 --> 00:25:46,199 Speaker 2: just right my dog when I go away. 475 00:25:47,800 --> 00:25:50,080 Speaker 1: Yeah, I want to get my son a dog. He 476 00:25:50,119 --> 00:25:51,639 Speaker 1: really wants a dog, and I want to get him 477 00:25:51,640 --> 00:25:53,320 Speaker 1: a dog. I want to surprise. I want a dog. 478 00:25:53,800 --> 00:25:54,320 Speaker 2: So fun. 479 00:25:54,400 --> 00:26:01,240 Speaker 3: Yeah, it's been a pleasure. Carrie Harry Butler. Ladies and 480 00:26:01,280 --> 00:26:06,400 Speaker 3: gentlemen check her out in the Gilmore Girls the Year 481 00:26:06,400 --> 00:26:12,159 Speaker 3: in Life episode as Claudia the Therapist. And you also 482 00:26:12,320 --> 00:26:14,720 Speaker 3: did get a chance to do a scene outside the 483 00:26:14,720 --> 00:26:17,679 Speaker 3: therapist office by the gazebo when you were auditioning for 484 00:26:17,720 --> 00:26:20,159 Speaker 3: the Musical Stars Hall of the Music and you were 485 00:26:20,280 --> 00:26:20,880 Speaker 3: very excited. 486 00:26:21,160 --> 00:26:24,560 Speaker 2: And now that now that you know me, you can 487 00:26:24,600 --> 00:26:30,840 Speaker 2: see that's right now, I recognize it. I was really 488 00:26:30,880 --> 00:26:32,560 Speaker 2: acting as the therapist. 489 00:26:33,359 --> 00:26:36,520 Speaker 1: No, absolutely, and great job, by the way, great job. 490 00:26:36,560 --> 00:26:39,160 Speaker 3: But you definitely, you know, the real you came out 491 00:26:39,280 --> 00:26:43,800 Speaker 3: in the older scene. But it's been a pleasure getting 492 00:26:43,880 --> 00:26:46,640 Speaker 3: to know you a little bit, and good luck with everything. 493 00:26:46,680 --> 00:26:49,080 Speaker 1: And I hope to one day meet you and to 494 00:26:49,119 --> 00:26:51,119 Speaker 1: see you on Broadway. I would love we're. 495 00:26:51,000 --> 00:26:52,960 Speaker 2: Gonna be on Broadway together. 496 00:26:55,520 --> 00:26:58,480 Speaker 1: It let's do it. You be, you be roxy Heart, 497 00:26:58,480 --> 00:27:02,159 Speaker 1: I'll be uh, what's his what's his name? Doctor Detroit? No, 498 00:27:02,200 --> 00:27:06,560 Speaker 1: it's not doctor. What's the guy's name? That's why to 499 00:27:06,560 --> 00:27:07,760 Speaker 1: get the part, I couldn't. I couldn't. 500 00:27:07,800 --> 00:27:10,480 Speaker 2: Billy billy, billy, right right right. 501 00:27:10,440 --> 00:27:14,280 Speaker 1: All right, anyway, all right, all the best. It was 502 00:27:14,320 --> 00:27:14,800 Speaker 1: a pleasure. 503 00:27:15,280 --> 00:27:19,600 Speaker 3: Thanks so much, and good luck with everything, and best 504 00:27:19,640 --> 00:27:21,960 Speaker 3: your daughter and your dog and your husband and everybody. 505 00:27:21,960 --> 00:27:51,120 Speaker 4: Take care, okay, thanks all right, bye 506 00:27:53,400 --> 00:27:56,880 Speaker 3: Everybody, and also again, follow us on Instagram at I 507 00:27:56,960 --> 00:28:01,040 Speaker 3: Am all In podcast and email us at Gilmore at 508 00:28:01,200 --> 00:28:12,880 Speaker 3: iHeartRadio dot com.