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Speaker 1: Can you hear me?

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Speaker 2: Is your spiritual leader? Oh boy, I don't want to

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Speaker 2: record this on video. I look terrible.

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Speaker 1: We're not using the video. I just needed to see

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Speaker 1: you and I need to know if.

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Speaker 2: You're still recording it on video in a court of law,

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Speaker 2: so to speak.

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Speaker 1: Okay, so we'll only use this in the court of law.

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Speaker 1: We won't use this in the court of pod.

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Speaker 2: Wow, the court of pod. Yeah, that's a there's a

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Speaker 2: podcast that's our new spindd of pod podcast.

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Speaker 1: The court of pod.

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Speaker 2: People will complain, can't say cord of pod pod. You

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Speaker 2: can't say pod pod twice in a row. It's it's

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Speaker 2: it's bad marketing. And to them, I say, kiss my

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Speaker 2: ass in Macy's window. There's my loving what a great Yeah. Yeah,

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Speaker 2: because clearly Jamie Kennedy's the kind of stand up who

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Speaker 2: every time he gets on stage he says.

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Speaker 1: Whatever he wants.

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Speaker 2: Kissed my ass and Maze's window. What a strange day

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Speaker 2: to day is? Yes, just because you know, we put

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Speaker 2: out some promos for the Jamie Kennedy episode Yes and uh,

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Speaker 2: and Jamie told a story about his dad and I

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Speaker 2: kind of had fun with it, and that's kind of

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Speaker 2: going viral in my own mind, you know.

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Speaker 1: And so it's mind viral easy, you're saying, yeah, in

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Speaker 1: mind virals.

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Speaker 2: But that's what really inevitably, that's what goes viral, is

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Speaker 2: like the virality of the individual mind, you know what

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Speaker 2: I mean. That's one bad movie, Daddy, that's one bad movie. Great.

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Speaker 1: I'm glad we've got to the name of the podcast

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Speaker 1: that the listeners are hearing right now, just to make

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Speaker 1: sure that they hed click on the wrong link. Welcome

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Speaker 1: back to a one bad movie.

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Speaker 2: Welcome, I'm your I'm your fearless leader Steve.

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Speaker 1: Baldwin, which makes me the fearful follower of Steven or

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Speaker 1: fearless who knows the fear is online?

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Speaker 3: Yeah, yeah, we do not fear the comedy bro. Yes,

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Speaker 3: all right, So hey, just getting just kidd we're just

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Speaker 3: going today's episode. We got a guest who's seen it all,

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Speaker 3: as you mentioned, actor comedian in nineties icon Jamie Kennedy.

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Speaker 3: I'm sure our listener's known from Scream, Malbouy's Most Wanted

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Speaker 3: and even Bowfinger and a few other big movies that

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Speaker 3: he talks about and some movies that he was not in,

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Speaker 3: which we also dive into. I was very surprised by

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Speaker 3: that tidbit. Didn't know he was almost cast in that one.

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Speaker 3: But we'll let listeners.

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Speaker 2: Yeah, here's the coolest thing quickly. Yes, remember this interview. Brother,

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Speaker 2: I had never met Jamie Kennedy, that's right. I mean,

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Speaker 2: he's an extremely relevant nineties along with myself. That there's

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Speaker 2: some people from the nineties that were just so well known.

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Speaker 2: That's kind of the simplest way to put it. And

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Speaker 2: particularly if you were in certain titles, certain comedies things

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Speaker 2: like that. The number of people that comment, you know

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Speaker 2: about my mcguy for a little coming out from under

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Speaker 2: the Car and whatever that movie is it half big,

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Speaker 2: half back with Brewers, right. Yeah, So point being is

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Speaker 2: Jamie's like one of the kings of that, you know

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Speaker 2: what I mean, Like you see Jamie, you're like shin,

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Speaker 2: you know. But now it's dope because he's parlaying that

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Speaker 2: into his own podcast and you know, he's doing you know,

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Speaker 2: a lot of fun to any tours like anybody tours,

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Speaker 2: and he creates content and he does what he wants

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Speaker 2: to do, which is what it's hopefully what it's all about. Yes,

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Speaker 2: that's the.

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Speaker 4: Goal, right, And his one bad movie is absolutely let's

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Speaker 4: not say it. Now, I can say what it has

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Speaker 4: to do, and I can see what that has to

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Speaker 4: do with it is to do.

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Speaker 1: That may be too much of a teaser, but go

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Speaker 1: ahead to try. Yes, and has to do it, and

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Speaker 1: Sarah Connor's in it.

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Speaker 2: But this movie is too much. Damn it. You can't

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Speaker 2: see triangle and Sarah Conor no wild Wild that's hysterical.

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Speaker 1: If you're tempted to stop listening just to I, well,

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Speaker 1: this movie is no T too. Let's be clear. And

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Speaker 1: even though he's sharing the scream, this is Sarah Connor.

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Speaker 2: This is the matrix of T two. This is this is,

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Speaker 2: this is Jamie Kennedy. Dude, this is the experience. It continues,

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Speaker 2: ladies and gentlemen in twenty twenty five.

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Speaker 1: So should we start the pod?

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Speaker 2: Yeah, let's roll it, dude. Thank you and Jamie, we

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Speaker 2: love you. Bit keep keep keep keeping it kooky and funny,

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Speaker 2: Jamie Kennedy. Now on one dad.

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Speaker 5: Movie, send the static creating nose fadlicks.

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Speaker 6: It's so bad, it's good, This sun.

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Speaker 3: So bad.

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Speaker 5: It's one Bad MOVI.

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Speaker 2: Incredible one BM.

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Speaker 7: One that's all you need.

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Speaker 2: One bad movie podcast, Bunker one b m which one

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Speaker 2: Bad Movie Podcast Bunker Now is like an incubator of

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Speaker 2: like O G creativity. Bro Okay, we're trying to go

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Speaker 2: back to original creativity. I love it. Okay, we started

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Speaker 2: a ready man, I canna put my hat on. Hopefully

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Speaker 2: I don't look to goofy. Jamie Kennedy here on one

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Speaker 2: Bad Movie ladies and gentlemen. You're following Michael Mads.

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Speaker 7: Wow, that's not I'm very honored.

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Speaker 2: Like he's an old buddy. I called him. We had

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Speaker 2: this interview dude where he's like, well you Quentin you know,

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Speaker 2: and Harvey Weinstein like we were just sitting there going yeah,

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Speaker 2: just it was brilliant. Yeah, and now we're going to

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Speaker 2: do that today with you because you're brilliant.

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Speaker 7: Well hopefully thank you, and you're.

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Speaker 2: Jamie Kennedy kind of way. Now, let me tell you something.

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Speaker 2: I have to, like just ask a bunch of questions quick,

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Speaker 2: just because go for it. I love people a little

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Speaker 2: rascal of sorts. Have you've you've been like a comedy

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Speaker 2: rascal like your whole career you haven't. You were never

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Speaker 2: like an iron man and you never were you know

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Speaker 2: what I mean?

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Speaker 8: What's the biggest couple of movies the people saw the

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Speaker 8: biggest I mean, that's a that's a stupid random question.

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Speaker 6: No, no, but you're you of all people can ask

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Speaker 6: that because, like you know, I would say we're one percenters,

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Speaker 6: you know. In the nineties to two thousand, Yeah, I

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Speaker 6: was in autour Land, the best of the best. So

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Speaker 6: I was in you know, Romeo and Juliet, Enemy the

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Speaker 6: State three Kings, as good as it gets in Boogie Nights,

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Speaker 6: but couldn't do it. Got the role to have sex

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Speaker 6: with Heavy Graham and the Limo that hurts my soul

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Speaker 6: to this day, but it conflicted with as good as

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Speaker 6: it gets, and I begged to make it work. The

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Speaker 6: line producer but long story boring. Yeah, I know, Roller

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Speaker 6: with Burt Reynolds beating my ass. I lived on Highland

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Speaker 6: Boulevard by Highland, across from the Best Western and I

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Speaker 6: had gotten Romeo and Juliet came from Scream and then

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Speaker 6: I was like, I gotta get to do this Boogie

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Speaker 6: Knights and Nick. My managers just couldn't want the dates.

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Speaker 6: But I know, I was like, there was dreams but.

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Speaker 8: No, but it's cool that you were in like a

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Speaker 8: run of amazing films. Amazing I think I got to

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Speaker 8: be in that Bookie Night, I was amazing.

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Speaker 6: So so then those were like my acting acting acting acting,

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Speaker 6: and then like but I always people told me I

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Speaker 6: was funny and I did stand up.

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Speaker 7: And I just said to my I was like, I

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Speaker 7: started getting my own movies.

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Speaker 6: So the most to answer your question is Sccream right

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Speaker 6: by now is the biggest I've ever been. Yeah, it's massive, massive,

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Speaker 6: and a couple of years ago and Malabu too, Scream, Yeah,

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Speaker 6: twenty twenty two came out and it's it just it

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Speaker 6: just reinvigorated. It just literally gave it a blood infusion

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Speaker 6: of like, and it's and I wasn't in the movie,

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Speaker 6: but I was in the movie because there's like pictures

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Speaker 6: of me in it and we all did a voiceover.

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Speaker 6: The directors like call us all up and we did

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Speaker 6: it is a little easter eggs. So I would say,

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Speaker 6: now Scream is the biggest thing I've ever been a

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Speaker 6: part of. But Malibu sneakily comes up there, but it's

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Speaker 6: but dude, as good as it gets. I think one

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Speaker 6: Best Picture was up for it and it made three

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Speaker 6: hundred million. But it's a huge movie. I had a

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Speaker 6: couple scenes in it, but again, it doesn't stay within

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Speaker 6: the lexicon. Scream constantly is just you know what I

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Speaker 6: mean with memes, dude, because there's so many ghost faced

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Speaker 6: people wear it, they change the mask, so it's it's

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Speaker 6: it's kind of a living organism, if that makes sense.

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Speaker 2: Well, there's so much, there's so much of the content. Yeah,

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Speaker 2: it's circulating in the system so much. There's so many

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Speaker 2: you know, Walmart has a lunch box and you're seeing.

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Speaker 6: That image, not even that like Timu, you know, the

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Speaker 6: Chinese like site where you buy stuff. They have so

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Speaker 6: much knockoff merchandise. People come to these cons they go wild,

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Speaker 6: they dress up, they cross collateral, they put a one

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Speaker 6: character from one movie with ghost face.

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Speaker 2: It's a wild So you don't seem to mind to

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Speaker 2: be part of like a studio franchise, right, You're you're

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Speaker 2: comfortable with that, Okay, So here's my question. So if

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Speaker 2: you could tomorrow, if somebody said, oh, we're doing another

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Speaker 2: Scream franchise, but now you're the head guy because the

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Speaker 2: way we wrote it your so we're gonna offer you

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Speaker 2: three pictures and it's all scream and it's a lot

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Speaker 2: of money. If you could do that or with the

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Speaker 2: same amount of money, do your own stuff. What would

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Speaker 2: you do?

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Speaker 6: Well, bro, I'm a Gemini, so for me, I would

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Speaker 6: want to do both. I'm also people, right, and I'm.

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Speaker 2: Also just the way you threw that. Well, it is

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Speaker 2: what it is. I'm a taurust. I know what i'd do.

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Speaker 2: I can respect, you.

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Speaker 6: Know, a Marvel movie as much as I can respect

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Speaker 6: to Sean Baker movie.

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Speaker 7: You know, though there's two different that's a great statement, right,

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Speaker 7: and you know that too. It's like they both have

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Speaker 7: their their strengths, right right.

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Speaker 2: But I'm just trying to see bare bones at your age.

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Speaker 7: I won't say fifty three.

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Speaker 2: If you could have the be on a series at Netflix,

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Speaker 2: chilling or just grinding still, if you had the cash,

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Speaker 2: what would it be?

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Speaker 7: Wait, so I get to make my movie.

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Speaker 2: If you could be under contract to make work for hire, well,

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Speaker 2: produce your own stuff?

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Speaker 6: Enough, I always listen, I don't, I'll try. Is it

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Speaker 6: not an easy question to answer?

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Speaker 2: But that's what I'm asking.

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Speaker 6: But I mean it's I don't. I think it's not

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Speaker 6: black and white, but here I'll give you the benefits

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Speaker 6: of both.

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Speaker 2: Is that well? That answer is that.

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Speaker 7: I would always like to create my own stuff, my

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Speaker 7: own content.

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Speaker 6: I'd like to create my own vision, and I'd like

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Speaker 6: to own a piece of it, because you know, that's

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Speaker 6: the real thing of you owning your own IP.

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Speaker 7: But I do know the value of being on the

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Speaker 7: stranger things.

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Speaker 6: And it's also an amazing that's a that's like a

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Speaker 6: super win because it's it's a huge piece of what

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Speaker 6: we call studio property, but it's also amazing. So it's like, yes,

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Speaker 6: if it's the right thing, I would love to do that.

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Speaker 6: But if it's something that I'm dying to make and

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Speaker 6: it's my own, I would like.

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Speaker 2: To do that.

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Speaker 7: I much more would rather do my own I would

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Speaker 7: like to do my own thing.

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Speaker 2: It's very hard. I'll tell you this.

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Speaker 7: I don't have time to listen.

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Speaker 6: There's very few people I would listen to in this business,

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Speaker 6: from a producer to the directors I worked I mentioned

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Speaker 6: in the nineties. Those in a couple of other guys

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Speaker 6: are like the only ones that we could probably listen

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Speaker 6: to now one thousand percent. Yeah, like Coppola, you know,

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Speaker 6: Paul Thomas, Anderson Quinton, you know, there's a few a

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Speaker 6: Sean Baker, but a lot of people say they're directors.

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Speaker 2: I just come hard at directors.

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Speaker 7: It's like, stoplop.

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Speaker 6: I'm spoiled, I know, but it's like they overthinking, and

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Speaker 6: it's like it's like, don't overthink, tell me what you want,

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Speaker 6: just say it's simple. David ll Russell is the best

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Speaker 6: director because he was just like, do it like this.

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Speaker 6: He just talks to your emotions. That's what I love, right,

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Speaker 6: because we're animals, right, We're not you know, horn robots.

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Speaker 2: Yeah, you know. But what's funny to you is I

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Speaker 2: was thinking about I was looking at your stuff and

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Speaker 2: just just what the conversation could be talking with you,

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Speaker 2: and I realized, you know, at my age now doing

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Speaker 2: what I want to do, I really don't know what

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Speaker 2: I want to do. I want to make stuff that

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Speaker 2: makes me laugh. At my age. I got a granddaughter, like,

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Speaker 2: it's going to do stuff if I can, if it

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Speaker 2: puts food on the table, am I. But I also think,

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Speaker 2: just because of what you just said, right, I worked

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Speaker 2: on The Usual Suspects. I worked on Born on the

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Speaker 2: fourth of July. I worked on it, works on these movies,

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Speaker 2: Oliver Stone, Brian de Palma, Like, I meet kids today

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Speaker 2: and I'm like Brian de Palma and they're like Yeah,

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Speaker 2: it's a frozen food at the hell Whole Foods over there? Right?

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Speaker 7: Is he a TikToker?

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Speaker 2: Is he a.

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Speaker 7: He's I think I see his snaps.

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Speaker 2: Check this out. Now, I'm wondering, are you and I

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Speaker 2: just victims of a decade? Are you and I just

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Speaker 2: like that? No? Seriously, great, seriously, but here we are

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Speaker 2: these twenty five thirty years later going. It takes saying

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Speaker 2: to somebody, No, Flintstone's Viva Rock. No, that was John

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Speaker 2: Goodman Viva Rock Vegas. It was me and the other

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Speaker 2: It was the prequel.

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Speaker 6: Oh and you were burning Wait you were the first

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Speaker 6: You were in the first one Stones second one?

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Speaker 2: Okay, John Goodman, Rick Morana's one. Yes, and there was

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Speaker 2: a second.

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Speaker 7: One with me, that's right.

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Speaker 2: Rosie Yes. Rosie o'donald was in that one, and mine

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Speaker 2: was Jane Krakowski. Yes, and thirty Rock from the Sun.

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Speaker 2: What's your name?

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Speaker 7: That's Jane Kowski?

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Speaker 2: No, what's the girl from third Rock from the Sun.

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Speaker 2: I know my brain's gone to she played Wilma. Yeah,

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Speaker 2: anywhere is Mike coming? That was a joke, So go ahead.

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Speaker 2: Where I was he's at all? I was sick that

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Speaker 2: I think as a result of well, listen, I just

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Speaker 2: I'm just meeting you, and I think you gotta called

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Speaker 2: a spade a spade, so to speak. So you worked

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Speaker 2: within a fifteen year period on unbelieved Evopol projects and

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Speaker 2: me too, you worked on more cool.

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Speaker 7: No, dude, your resume is insane.

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Speaker 1: No.

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Speaker 7: Well, I'm very fortunate and you're very fortunate.

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Speaker 2: Amen. You're right, But my point is born in the

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Speaker 2: void July and come on, bru. But the point is

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Speaker 2: you just listed people you'd be comfortable to work with

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Speaker 2: now and it's from back then. Yes, but that's because

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Speaker 2: you're not because you're fed up in old school, because

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Speaker 2: those people were brilliant and who you are today says

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Speaker 2: to yourself, I don't get these people today.

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Speaker 7: Kind of well, I mean I'm starting to get a

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Speaker 7: little bit. There's two types of people.

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Speaker 6: There are people that really like me, and then there

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Speaker 6: are people who are like starting to Sam, get off

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Speaker 6: my lawn, guy, do you know what I mean? Mad

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Speaker 6: at a cloud? And I'm like, I'm fifty three, Like

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Speaker 6: if I diet, it's fine. So here's what's fascinating though.

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Speaker 6: What we're talking about is that, dude, it's about being

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Speaker 6: raised right, and what were you raised on. There was

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Speaker 6: no kid movies when I was growing up.

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Speaker 2: You know what I watched.

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Speaker 6: I watched Cuckoo's Nest over and over again because it

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Speaker 6: came on Cable.

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Speaker 2: If I start a church in the future, will you

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Speaker 2: please be an associate pastor.

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Speaker 7: I'll speak. I think I'm at the point where I

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Speaker 7: gotta start ranting Rich yes, hell pastor, kendidate Brimstone.

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Speaker 6: Look, here's the thing I'm with you like, it's about

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Speaker 6: I want to make my points clear because I have

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Speaker 6: the same brain as you. I know where you're at

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Speaker 6: is that it's about what you're raised on, meaning legacy.

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Speaker 6: I mean, dude, I was five, I had Jaws came out.

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Speaker 6: Jaws came out when I was five years old. My

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Speaker 6: sister took me Halloween came out when I was eight.

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Speaker 7: You know what I mean? These are today?

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Speaker 6: Put them up against movies today, absolutely right. And it's

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Speaker 6: like what we're part of and what you and I

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Speaker 6: are reacting to is legacy. What is your legacy?

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Speaker 7: Now? I'm just all about what have you done?

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Speaker 6: Because we live in a popcorn very disposable and that

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Speaker 6: philosophy can go across many avenues in terms of like

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Speaker 6: how we are as a society, from food to sex

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Speaker 6: to everything is entertainment. It's just quick, it's disposable. It

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Speaker 6: maybe it could make a big stink for a second,

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Speaker 6: but it goes away. But the things we're talking about

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Speaker 6: have really left an imprint. So I'm about I've been

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Speaker 6: fortunate to be part of things that have left an imprint.

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Speaker 6: And even the movies that are being made now, some

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Speaker 6: of them, the remakes, are connected to things that I.

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Speaker 2: Was in, right, So I love today. I like there's

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Speaker 2: a lot of amazing things, But the people don't.

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Speaker 6: They needs you, yes, but but they don't understand. Because

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Speaker 6: here's a term that I hate more than anything.

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Speaker 2: Bro.

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Speaker 7: I hate this term relevan. Oh you're not relevant or

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Speaker 7: that's not relevant. What is relevance?

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Speaker 6: I guess relevance is like making a movie that comes

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Speaker 6: out in two thousands of theaters and doing the rounds

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Speaker 6: with all the talk shows like we normally do, and

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Speaker 6: being in US weekly and stuff.

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Speaker 2: But every day.

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Speaker 6: And I love legacy media that is losing its own relevance.

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Speaker 6: So there could be there's people on parts of the

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Speaker 6: Internet that are so huge that aren't part of legacy

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Speaker 6: media that are huge relevant. So to me, I argue

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Speaker 6: with that word, and I also argue because people think

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Speaker 6: they're relevant, and they are, but all they're doing is

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Speaker 6: making noise. It doesn't mean they're good. Have you done

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Speaker 6: something that stands the testing, Jamie.

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Speaker 2: I was producing a small little thing a couple of

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Speaker 2: years ago, and I was, this is Jared here, who

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Speaker 2: kind of tells me what I can and can't do with,

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Speaker 2: you know, within the digital technical limitations of my hopes.

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Speaker 1: I don't because he doesn't let Yeah, and I was

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Speaker 1: working on.

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Speaker 2: This other thing and I'm talking to this guy who

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Speaker 2: was like the Jared in the equation. He's like, now

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Speaker 2: you can't do that, Now you can't. I'm talking to

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Speaker 2: this kind of like he just like he was so

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Speaker 2: locked into his format. And then he goes like this

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Speaker 2: Netflix won't take it, and I went, what does that mean?

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00:20:17,840 --> 00:20:21,879
Speaker 2: He went, We're shooting this in a way that's required listen,

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Speaker 2: not because Netflix has already bought it, but so that

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Speaker 2: if they do, it's already done. I'm like, I almost

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Speaker 2: puked when this guy said it, because he was so

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Speaker 2: already there into that freaking vapor trail of zombieism.

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Speaker 7: It was just weird, but.

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Speaker 2: Our legacy could be being honest about that. Yeah, And

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Speaker 2: I was talking to the next generation about like, don't

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Speaker 2: get caught up in how fast it's going. You know,

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Speaker 2: I'm meaning young people now, right, I was talking to

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Speaker 2: and he's a smart kid, but I would like just

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Speaker 2: tell a story. Yeah, man, I was there, and you know,

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Speaker 2: I was in the Triple Canopy foliage of Puquat, Thailand,

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Speaker 2: and you know there was Steve Burham, the cinematographer for

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Speaker 2: what's his name I mentioned earlier the movie I got

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Speaker 2: fired from Sean Penn and Michael, You're not fired on that? Yeah, yeah,

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Speaker 2: I got fired, but weren't you In the final movie

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Speaker 2: maybe a couple of shots. John c Riley replaced my role,

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Speaker 2: I swear.

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Speaker 7: I thought.

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Speaker 2: But it was perfect. It was perfect because I had

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Speaker 2: turned down a movie called Last Exit to Brooklyn, and

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Speaker 2: I went and did that and they fired me and

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Speaker 2: I got paid anyway, and then came back and still

383
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Speaker 2: did Last Exit to Brooklyn with like Sam Rockwell and

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Speaker 2: a bunch of really cool people. Uh and Stephen Lang.

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Speaker 2: We got called Steve, but that that's what he means. Yeah,

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Speaker 2: we're talking. We're talking about the old stuff. And I

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Speaker 2: think I'm just like, right, now, Jamie, I'm getting ready

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Speaker 2: to like stick to my guns, and I think the

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Speaker 2: money's gonna come like small And if I could just

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Speaker 2: make a couple of movies, writer, producer, director, like. I

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Speaker 2: loved your movie last year, what's it called the Vampire Thing.

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Speaker 7: Don't Suck? Which is a weird movie to make in

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Speaker 7: this town, but I got it.

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Speaker 2: I watched enough of it. It was funny.

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Speaker 7: How did you find it?

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Speaker 2: It's I'm down with the algorithm, brokay, I'm one with

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Speaker 2: the app. That's so cool.

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Speaker 6: And I usually wear the hat, but today the hat

399
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Speaker 6: didn't snap, so I didn't wear it.

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Speaker 2: Don't suck. Yeah, but the whole thing's hilarious, the double entendre,

401
00:22:38,720 --> 00:22:42,399
Speaker 2: all of that. But it was nice to see you

402
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Speaker 2: after all these years. I don't know what the budget was,

403
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Speaker 2: It doesn't matter. You put your name on written directed.

404
00:22:54,400 --> 00:22:57,760
Speaker 2: You were saying with that project, this is funny to me.

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Speaker 6: Oh can I comment on that? It's let me tell

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Speaker 6: you so long. I'm trying to give you the condensed

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Speaker 6: version because I know how to.

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Speaker 2: You can talk as long as you can stay daddy.

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Speaker 7: I love that is that. I was just an amazing comedian.

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Speaker 6: Rick de Leo wrote it, and he's a Boston head

411
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Speaker 6: who's been in La forever and he's he wrote.

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Speaker 7: He gives me the script about five years ago.

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Speaker 6: In the green room of the This is how we

414
00:23:31,480 --> 00:23:33,960
Speaker 6: were talking about how you love things of the Tropic

415
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Speaker 6: Cana and the Laugh Factory.

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Speaker 7: Okay, so look look how this all ties to other.

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Speaker 2: Right.

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00:23:40,960 --> 00:23:43,520
Speaker 6: The laugh Factory in the Tropic Canda was the last

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Speaker 6: room that Rodney Dangerfield was his room.

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Speaker 2: Oh wow.

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Speaker 7: So not only do you have a lot of Rodney stuff.

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Speaker 2: I know, but I watched the old like I go

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Speaker 2: on and watch him like when he's on Carson.

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Speaker 7: Yes, I know that favorite. I do too. So then

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Speaker 7: we have that, then you have all of the energy

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Speaker 7: of him.

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Speaker 1: Right.

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00:24:02,640 --> 00:24:05,800
Speaker 6: So and so Harry, the owner of the Factory Vegas,

429
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Speaker 6: would always encourage everyone that comes to the green room

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Speaker 6: on a Saturday night if you're headlining, is every comic

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Speaker 6: in town. So it would be thirty people and he'd

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Speaker 6: have something called Harry Oki everyone sing. Comedian Rick gives

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Speaker 6: me the script. Great, dude, send it to my email.

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Speaker 6: You know, I'm three chap leaves deep. I'm did my shows.

435
00:24:26,160 --> 00:24:28,440
Speaker 7: He texts me, did you read it?

436
00:24:28,760 --> 00:24:32,080
Speaker 6: Like eight months later, I'm like, yeah, bro, I read it,

437
00:24:32,640 --> 00:24:36,159
Speaker 6: blah blah blah. Just make me an offer, right and

438
00:24:36,280 --> 00:24:37,920
Speaker 6: then but I never read it because I don't have

439
00:24:38,040 --> 00:24:40,520
Speaker 6: time to read it for free. Like that's the thing,

440
00:24:40,720 --> 00:24:43,520
Speaker 6: like so many people like, read this, Okay, can I

441
00:24:43,600 --> 00:24:44,840
Speaker 6: have three hours of my life?

442
00:24:45,520 --> 00:24:46,840
Speaker 2: So I go.

443
00:24:48,440 --> 00:24:50,040
Speaker 7: He then makes me an offer.

444
00:24:50,920 --> 00:24:54,720
Speaker 6: It's twenty nineteen now, he says that movie I'm making,

445
00:24:54,920 --> 00:24:56,560
Speaker 6: I want you in, and he makes me a real

446
00:24:56,680 --> 00:25:00,080
Speaker 6: offer with real back end, to the point where I

447
00:25:00,160 --> 00:25:02,680
Speaker 6: really didn't have to negotiate good So I give it

448
00:25:02,760 --> 00:25:03,280
Speaker 6: to my lawyer.

449
00:25:03,280 --> 00:25:05,880
Speaker 7: I screwed my agents because they stink, and I said,

450
00:25:06,320 --> 00:25:06,800
Speaker 7: do do this.

451
00:25:07,119 --> 00:25:09,480
Speaker 6: He did a couple of little finagles and I said

452
00:25:09,520 --> 00:25:11,960
Speaker 6: this is fair and he said this is our budget,

453
00:25:12,000 --> 00:25:14,680
Speaker 6: which is about seven hundred and fifty thous and he said,

454
00:25:14,720 --> 00:25:15,720
Speaker 6: we're gonna shoot in Vegas.

455
00:25:16,440 --> 00:25:18,560
Speaker 7: Boom, he starts casting people. Boom, boom, boom.

456
00:25:18,680 --> 00:25:23,440
Speaker 6: All independent. We get a great director, Rajah. You know

457
00:25:23,560 --> 00:25:25,960
Speaker 6: my other buddy produced at Jay Davis. A lot of

458
00:25:26,080 --> 00:25:31,680
Speaker 6: us long story boring is we're about to go pandemic hits.

459
00:25:32,920 --> 00:25:35,600
Speaker 7: So then it's off for a year and a half.

460
00:25:36,880 --> 00:25:39,679
Speaker 6: And then the first thing that I really the summer

461
00:25:39,720 --> 00:25:44,560
Speaker 6: of twenty twenty one, I started clubs started having me,

462
00:25:44,680 --> 00:25:46,680
Speaker 6: but I would travel the country but only like do

463
00:25:46,800 --> 00:25:50,080
Speaker 6: outside shows and all this stuff. So then Vegas was

464
00:25:50,119 --> 00:25:53,000
Speaker 6: given all these different provisions and deals and all this stuff.

465
00:25:53,040 --> 00:25:56,080
Speaker 7: And so we ended up shooting the movie in the

466
00:25:56,280 --> 00:25:58,320
Speaker 7: fall of twenty twenty.

467
00:25:58,160 --> 00:26:00,840
Speaker 6: One in Vegas and had the run of Old Aladdin,

468
00:26:00,880 --> 00:26:02,920
Speaker 6: which is now the SLS for about a month.

469
00:26:04,160 --> 00:26:06,720
Speaker 2: And it was like, you know, we had to do

470
00:26:06,800 --> 00:26:08,679
Speaker 2: their COVID, but they were happy to have a production.

471
00:26:09,119 --> 00:26:10,520
Speaker 7: We were happy to have a hotel.

472
00:26:11,520 --> 00:26:14,280
Speaker 6: There was an amazing film cruise out there, and we

473
00:26:14,480 --> 00:26:16,639
Speaker 6: just did it for a month from there all the

474
00:26:16,680 --> 00:26:20,639
Speaker 6: way up to perumpt We took Nevada by storm, and uh,

475
00:26:20,920 --> 00:26:25,920
Speaker 6: it was completely independent, like literally money from people don't suck.

476
00:26:26,200 --> 00:26:32,359
Speaker 7: Yeah, it was literally a guy forgive me, Sam, so

477
00:26:32,520 --> 00:26:32,879
Speaker 7: forgive me.

478
00:26:33,119 --> 00:26:36,480
Speaker 2: It's my bad. But but they offered for you to

479
00:26:36,520 --> 00:26:37,359
Speaker 2: write and direct it.

480
00:26:37,560 --> 00:26:39,720
Speaker 6: No, they offered me to star in it, and I said,

481
00:26:39,880 --> 00:26:43,160
Speaker 6: I will star in it. If it shouldn't be good, don't.

482
00:26:43,240 --> 00:26:46,560
Speaker 6: It was literally called two pint minimum, and I'm like,

483
00:26:47,160 --> 00:26:50,679
Speaker 6: this is the cheesiest but it's a funny pun, right,

484
00:26:51,920 --> 00:26:53,320
Speaker 6: And I'm like, this.

485
00:26:53,520 --> 00:26:54,440
Speaker 7: Is so dumb.

486
00:26:54,920 --> 00:26:57,320
Speaker 6: And I read the first page and I'm like, what

487
00:26:57,720 --> 00:27:01,480
Speaker 6: what is this? After due, I'm not kidding you. Page

488
00:27:01,560 --> 00:27:05,520
Speaker 6: two on, I couldn't put it down. It was because

489
00:27:05,600 --> 00:27:09,760
Speaker 6: it's basically the movie's about a guy who just who

490
00:27:09,880 --> 00:27:13,560
Speaker 6: was a comedian who never made it, who's a lifer,

491
00:27:14,640 --> 00:27:20,159
Speaker 6: who discovers that is Opener is a vampire. Now on paper,

492
00:27:20,840 --> 00:27:24,760
Speaker 6: that sounds so dumb, right, but it's not, because there's

493
00:27:25,040 --> 00:27:29,920
Speaker 6: levels to it, and there's like it's it's so it

494
00:27:30,080 --> 00:27:31,760
Speaker 6: has to do with like what will you do to

495
00:27:31,880 --> 00:27:37,440
Speaker 6: make it? What are your marls? Hollywood is one vampiric

496
00:27:39,000 --> 00:27:41,520
Speaker 6: you know, if you want to go down the conspiracy realm,

497
00:27:42,040 --> 00:27:45,640
Speaker 6: the blood of the youth, feed the revive the old,

498
00:27:46,760 --> 00:27:51,640
Speaker 6: like how people suck off us vampirically for our town. Yeah,

499
00:27:51,640 --> 00:27:56,040
Speaker 6: I know, don't go any further for god sake. So

500
00:27:56,200 --> 00:27:58,960
Speaker 6: it's it's either was a level, but we played it

501
00:27:59,119 --> 00:28:03,800
Speaker 6: very real. We played it like Mammot with a crazy premise.

502
00:28:04,720 --> 00:28:06,920
Speaker 6: And that's why I said this is going to be good.

503
00:28:06,960 --> 00:28:13,120
Speaker 2: And we ran all around. I literally went back and forth.

504
00:28:13,200 --> 00:28:15,720
Speaker 2: There was like a thing, there was like a story

505
00:28:15,840 --> 00:28:18,680
Speaker 2: on it that had like multiple clips that was some

506
00:28:18,880 --> 00:28:20,639
Speaker 2: rite up on it, right, So you have the trailer

507
00:28:20,680 --> 00:28:22,760
Speaker 2: and the rest of it. So I watch as much

508
00:28:22,800 --> 00:28:26,200
Speaker 2: as I could, But I gotta just say this because

509
00:28:26,240 --> 00:28:29,640
Speaker 2: I'm more actor than funny guy. And at the same time,

510
00:28:29,720 --> 00:28:32,680
Speaker 2: I live every day for my granddaughter, you know, just

511
00:28:32,800 --> 00:28:35,159
Speaker 2: like my granddaughter's like the only person.

512
00:28:35,480 --> 00:28:38,400
Speaker 7: Wait, you live for your granddaughter? Your your other daughter's like,

513
00:28:38,680 --> 00:28:39,200
Speaker 7: what about me?

514
00:28:41,560 --> 00:28:43,720
Speaker 2: My daughter Eli, who is the mother of this child?

515
00:28:43,920 --> 00:28:47,320
Speaker 2: My granddaughter is iris. But but I just say that

516
00:28:47,400 --> 00:28:51,800
Speaker 2: because for you, it has to be real. For you,

517
00:28:51,920 --> 00:28:55,840
Speaker 2: it has to be that thing that tickles your funny bone.

518
00:28:55,880 --> 00:28:58,680
Speaker 2: It has to be the same passion vibration as the

519
00:28:58,920 --> 00:29:01,320
Speaker 2: stand up it has. You know, there's a connectivity to

520
00:29:01,440 --> 00:29:04,680
Speaker 2: you in your creativity. It has to connect to you.

521
00:29:05,880 --> 00:29:07,920
Speaker 2: So I'm the thing, you know what I mean? So now,

522
00:29:08,280 --> 00:29:11,880
Speaker 2: like what's real to me is like not grown ups, right?

523
00:29:12,360 --> 00:29:16,000
Speaker 2: You know? My granddaughter is like, she's so honest, she says,

524
00:29:16,040 --> 00:29:17,800
Speaker 2: this is so I try to I try to keep

525
00:29:17,920 --> 00:29:21,960
Speaker 2: my creative brain in a place of that innocence, I mean,

526
00:29:22,000 --> 00:29:25,000
Speaker 2: as best I can. And that comes from the old school,

527
00:29:25,080 --> 00:29:26,920
Speaker 2: That comes from the marls, that comes how were from

528
00:29:26,960 --> 00:29:29,760
Speaker 2: how we were raised, That comes from knowing now Hey man,

529
00:29:29,840 --> 00:29:32,680
Speaker 2: this phone's just frying my brain. Let me get off

530
00:29:32,720 --> 00:29:36,480
Speaker 2: it from whereas most people can't even figure that out. Dude, sketchy,

531
00:29:36,640 --> 00:29:38,560
Speaker 2: it's really weird. As you reach for your.

532
00:29:38,520 --> 00:29:42,520
Speaker 7: Phone, I push it away. Okay, you're right, I thought

533
00:29:42,520 --> 00:29:45,000
Speaker 7: you checked the message real demon spawn.

534
00:29:49,360 --> 00:29:51,960
Speaker 2: Again. It just gets back to I can't wait to

535
00:29:52,000 --> 00:29:54,120
Speaker 2: see the film just because it was nice to see

536
00:29:54,320 --> 00:30:00,320
Speaker 2: you with your acting. Thank you to being something I

537
00:30:00,400 --> 00:30:02,520
Speaker 2: was in biodome. I've done some you know kind of

538
00:30:03,000 --> 00:30:06,120
Speaker 2: you know, funky situational stuff that if you if you

539
00:30:06,200 --> 00:30:07,760
Speaker 2: understand what's funny and priming.

540
00:30:07,840 --> 00:30:11,240
Speaker 6: Now you've done the deepest of the deep and the

541
00:30:11,480 --> 00:30:16,120
Speaker 6: wild comedy of the wild. That's an amazing colleidoscope.

542
00:30:16,200 --> 00:30:18,560
Speaker 2: Yeah, I've I got a weird range and all that stuff,

543
00:30:18,600 --> 00:30:21,760
Speaker 2: which is what I really wanted my career. I did

544
00:30:21,840 --> 00:30:23,760
Speaker 2: Usual Suspects, and like all these dudes came up to

545
00:30:23,880 --> 00:30:26,440
Speaker 2: be like, so, what do you want to do now?

546
00:30:27,760 --> 00:30:28,840
Speaker 7: You want to be like Tom?

547
00:30:30,600 --> 00:30:33,040
Speaker 2: I was like, you know, in the psychology of it,

548
00:30:33,080 --> 00:30:36,000
Speaker 2: and I was like, yeah, I'd love to be like

549
00:30:36,080 --> 00:30:38,800
Speaker 2: a Tom Cruise, but what if he played Barney Rubble

550
00:30:39,000 --> 00:30:43,920
Speaker 2: And they were like no, no, no, Tom. Tom could

551
00:30:43,960 --> 00:30:47,480
Speaker 2: never play yeah, and then Tom does the freaking war

552
00:30:47,640 --> 00:30:51,479
Speaker 2: movie with the freaking cameo the less what's it called cameo?

553
00:30:53,360 --> 00:30:56,120
Speaker 2: Mm hmm, I could watch it.

554
00:30:57,880 --> 00:30:58,240
Speaker 9: Over.

555
00:30:59,400 --> 00:31:04,120
Speaker 2: It's it's it's beyond yeah. So that's the juxtaposition I

556
00:31:04,200 --> 00:31:07,720
Speaker 2: refer to. It was cool to watch in this little

557
00:31:07,800 --> 00:31:10,000
Speaker 2: movie you put your name to a certain way that

558
00:31:10,120 --> 00:31:11,760
Speaker 2: it was what it was, but then in the acting

559
00:31:11,840 --> 00:31:15,520
Speaker 2: you were like you're like, you're like whispering and keeping

560
00:31:15,560 --> 00:31:20,640
Speaker 2: it subtle, and like, cause you were performing a character

561
00:31:20,800 --> 00:31:24,240
Speaker 2: in a storyline that you were trying to make people understand.

562
00:31:24,880 --> 00:31:27,080
Speaker 2: If you if you will, if you come for this

563
00:31:27,400 --> 00:31:33,080
Speaker 2: full ride, it works. That's what I got out of

564
00:31:33,240 --> 00:31:36,600
Speaker 2: just a trailerg but not because because it was it's

565
00:31:36,800 --> 00:31:39,760
Speaker 2: cheesy and it's obvious and it's being hokey on purpose,

566
00:31:40,440 --> 00:31:43,360
Speaker 2: but the commitment of the performances are kind of fun

567
00:31:43,440 --> 00:31:46,440
Speaker 2: to watch. Well, thank you, that's what I did. That's

568
00:31:46,480 --> 00:31:47,480
Speaker 2: what that's what it is.

569
00:31:47,560 --> 00:31:49,880
Speaker 6: It's it's you know, a great director told me once

570
00:31:49,960 --> 00:31:53,520
Speaker 6: that it's like how to make something real is if

571
00:31:53,560 --> 00:31:56,800
Speaker 6: you make a big world, but you play it real,

572
00:31:57,640 --> 00:31:58,720
Speaker 6: then it grounds it.

573
00:31:59,200 --> 00:32:03,440
Speaker 2: And so that's what I Yeah, Like, that's why you

574
00:32:03,560 --> 00:32:06,880
Speaker 2: know you you watch.

575
00:32:06,720 --> 00:32:09,560
Speaker 6: Something and you love it because you're like, they're playing

576
00:32:09,600 --> 00:32:12,680
Speaker 6: it real, even if it's a wild premise. So you

577
00:32:12,760 --> 00:32:16,360
Speaker 6: know that that to me is everything grounded, even if

578
00:32:16,400 --> 00:32:18,680
Speaker 6: it's you know, psychotic world.

579
00:32:18,960 --> 00:32:23,080
Speaker 2: So you did that and it ended up becoming writer director.

580
00:32:23,440 --> 00:32:26,160
Speaker 6: No, I was producer and a star. I did not write,

581
00:32:26,160 --> 00:32:30,360
Speaker 6: but I improv some. But the dialog was so direct. No,

582
00:32:30,720 --> 00:32:32,680
Speaker 6: and then my other buddy directed it. But here's the

583
00:32:32,760 --> 00:32:34,640
Speaker 6: thing is, I wasn't going to do it unless I

584
00:32:34,800 --> 00:32:40,400
Speaker 6: literally had every say from like, ha, what Alman is

585
00:32:40,440 --> 00:32:41,560
Speaker 6: a craft service? Is?

586
00:32:41,720 --> 00:32:44,320
Speaker 7: I know what keeps people's energy to what to take is?

587
00:32:44,640 --> 00:32:47,040
Speaker 2: Do you think maybe because you're a little older, a

588
00:32:47,080 --> 00:32:51,200
Speaker 2: little wiser, that you were able to utilize your experience

589
00:32:51,320 --> 00:32:52,280
Speaker 2: to make it work for you?

590
00:32:54,200 --> 00:32:57,320
Speaker 6: Yeah, Like I think here's I'll give you a simple answer.

591
00:32:57,600 --> 00:33:01,920
Speaker 6: Is that ownership now product is different. There's a great

592
00:33:02,000 --> 00:33:05,400
Speaker 6: guy I had in a studio and he told me,

593
00:33:05,560 --> 00:33:08,720
Speaker 6: and this was crazy, bro, because you'll get this. He

594
00:33:08,960 --> 00:33:10,920
Speaker 6: worked on a movie I did, like one of my

595
00:33:11,000 --> 00:33:15,720
Speaker 6: first like independent comedies outside of the studio, and he said,

596
00:33:17,080 --> 00:33:19,440
Speaker 6: it's a different business. He can talk like this and

597
00:33:19,480 --> 00:33:22,800
Speaker 6: he goes, you're not gonna get rich off it, but

598
00:33:23,000 --> 00:33:23,760
Speaker 6: it's a living.

599
00:33:25,480 --> 00:33:27,120
Speaker 7: And what I love that he said it was he

600
00:33:27,320 --> 00:33:29,440
Speaker 7: was like, you know, you make two million a year,

601
00:33:30,120 --> 00:33:34,280
Speaker 7: You're fine. Yeah, And I was like, that's a great living,

602
00:33:34,360 --> 00:33:34,920
Speaker 7: you know what I mean.

603
00:33:35,000 --> 00:33:37,239
Speaker 6: But we came up in the time where you can

604
00:33:37,280 --> 00:33:42,000
Speaker 6: get twenty twenty five if you hit, but people had

605
00:33:42,080 --> 00:33:44,600
Speaker 6: their fangs in you, so you're only getting twelve. No,

606
00:33:44,760 --> 00:33:47,560
Speaker 6: But what I'm saying is now they would hide the numbers.

607
00:33:47,600 --> 00:33:50,400
Speaker 6: I own eleven percent of Malbou's Most Wanted. It made

608
00:33:50,480 --> 00:33:52,520
Speaker 6: eighty four million, it costs twelve million to make, and

609
00:33:52,520 --> 00:33:53,920
Speaker 6: they're still on the red hold on.

610
00:33:54,640 --> 00:33:56,600
Speaker 2: That's exactly what I was just gonna talk about. They're

611
00:33:56,640 --> 00:33:59,840
Speaker 2: in the red bro I've made one hundred movies. Yeah,

612
00:34:00,760 --> 00:34:03,080
Speaker 2: so this movie, I was like, I've never made more

613
00:34:03,200 --> 00:34:05,600
Speaker 2: than thirty five thousand a year in residuals.

614
00:34:06,000 --> 00:34:11,399
Speaker 6: Really, dude, I think I mean more. I've not every year,

615
00:34:11,520 --> 00:34:13,759
Speaker 6: but I've had some years I've made some Wow where

616
00:34:13,800 --> 00:34:16,560
Speaker 6: it went over that yeah wow.

617
00:34:16,880 --> 00:34:19,520
Speaker 2: Listen, by the way, that's Miguelliard and sitting back there

618
00:34:19,560 --> 00:34:21,320
Speaker 2: will probably telling me it's wrong. It goes up to like,

619
00:34:21,719 --> 00:34:23,680
Speaker 2: I'm sure you had an eighty thousand dollars a year.

620
00:34:23,880 --> 00:34:28,480
Speaker 2: Point is now I'm fifty seven year fifty three, and

621
00:34:28,520 --> 00:34:32,640
Speaker 2: we're figuring out if we produce stuff that where we

622
00:34:32,960 --> 00:34:38,000
Speaker 2: take the ownership pultic sign where we take the ownership

623
00:34:38,880 --> 00:34:41,600
Speaker 2: and things are moving around the room. Now, I like

624
00:34:41,680 --> 00:34:43,759
Speaker 2: that as we talk about this, but no, I just

625
00:34:43,880 --> 00:34:49,640
Speaker 2: mean now the platform has changed. Hollywood's changed totally. That

626
00:34:49,880 --> 00:34:53,880
Speaker 2: Jamie Kennedy could do a crowd funding and raise one

627
00:34:53,960 --> 00:34:56,120
Speaker 2: hundred grand and make something that makes ten million.

628
00:34:56,520 --> 00:35:00,320
Speaker 6: This movie was exactly right right and we all the

629
00:35:00,360 --> 00:35:04,000
Speaker 6: proper steps. This movie is one thousand percent independent. No

630
00:35:04,239 --> 00:35:07,399
Speaker 6: pullsh mg, I hate that. Well we have to get

631
00:35:07,480 --> 00:35:12,640
Speaker 6: a foreign Uh, it's free sale. That kills creativity. And

632
00:35:12,800 --> 00:35:15,920
Speaker 6: my buddy Mike Gadis who lives around the corner, who

633
00:35:16,040 --> 00:35:19,239
Speaker 6: directed the movie I did, called Heckler said, run the

634
00:35:19,719 --> 00:35:25,040
Speaker 6: numbers on Penguins member March of the Penguins. It made

635
00:35:25,120 --> 00:35:29,719
Speaker 6: seventy four million with Morgan Freeman and Penguins. You could

636
00:35:29,840 --> 00:35:34,680
Speaker 6: not what's all the model? What's the these guys that

637
00:35:34,880 --> 00:35:36,040
Speaker 6: are these business guys?

638
00:35:36,120 --> 00:35:38,799
Speaker 7: I get it. It's a risk, but I'm about low

639
00:35:38,920 --> 00:35:41,000
Speaker 7: rant high reward. I'm willing to.

640
00:35:41,000 --> 00:35:43,879
Speaker 6: Put my two cents in and make twenty twenty five

641
00:35:43,920 --> 00:35:46,960
Speaker 6: thousand whatever for a piece at the back end that

642
00:35:47,200 --> 00:35:50,080
Speaker 6: will live in perpetuity if it's done correctly. So this

643
00:35:50,320 --> 00:35:53,279
Speaker 6: movie was literally raised people from sandwiches, a guy on

644
00:35:53,360 --> 00:35:55,920
Speaker 6: a sandwich shop, a tech guy twenty five here, a

645
00:35:55,960 --> 00:35:58,440
Speaker 6: guy won a bunch of gyms fifty thousand. It literally

646
00:35:59,000 --> 00:36:05,160
Speaker 6: was coddled together, totally independent like Halloween was. And we

647
00:36:05,440 --> 00:36:07,520
Speaker 6: came out in ten theaters. We started in one, we

648
00:36:07,600 --> 00:36:10,719
Speaker 6: expanded to ten, it didn't do huge, and then we

649
00:36:10,800 --> 00:36:13,200
Speaker 6: went to the platforms. So the bottom line is we

650
00:36:13,440 --> 00:36:17,800
Speaker 6: gave it a good college try. It's trickling in platforms.

651
00:36:18,719 --> 00:36:19,960
Speaker 6: It's doing okay, you know what I mean.

652
00:36:20,040 --> 00:36:21,880
Speaker 7: It does people. A lot of people bought it on Prime.

653
00:36:22,440 --> 00:36:24,560
Speaker 6: We haven't put it to two B yet, where that's

654
00:36:24,719 --> 00:36:26,960
Speaker 6: you know, they give you a number and then it

655
00:36:27,040 --> 00:36:29,480
Speaker 6: comes back and you know, you rent it to them

656
00:36:29,520 --> 00:36:32,920
Speaker 6: for three years or whatever. So it's the new way, right.

657
00:36:33,840 --> 00:36:35,399
Speaker 6: You could say whatever you want about some of these

658
00:36:35,440 --> 00:36:39,400
Speaker 6: Apple movies. They're throwing a hundred million at them, and

659
00:36:39,480 --> 00:36:41,440
Speaker 6: they don't have to look at the numbers. They might

660
00:36:41,480 --> 00:36:44,520
Speaker 6: not be making the money anything like dude, Netflix will

661
00:36:44,520 --> 00:36:48,400
Speaker 6: put one hundred million in something and they'll share the numbers,

662
00:36:49,160 --> 00:36:52,200
Speaker 6: like do you know how much they spend on something

663
00:36:52,280 --> 00:36:55,840
Speaker 6: and if doesn't work, and then squid Games they acquired

664
00:36:55,880 --> 00:36:58,640
Speaker 6: for two million and it's twenty times.

665
00:36:58,719 --> 00:37:00,759
Speaker 7: So it's like the fact that they don't want to

666
00:37:00,800 --> 00:37:03,359
Speaker 7: share the numbers. There's a little bit of a shell game.

667
00:37:03,560 --> 00:37:06,160
Speaker 6: And I'll say that to them because I like them,

668
00:37:06,239 --> 00:37:10,520
Speaker 6: but they're also so particular now, and I said, my

669
00:37:10,840 --> 00:37:14,279
Speaker 6: argument is, you have the bandwidth to have anyone on

670
00:37:14,480 --> 00:37:18,640
Speaker 6: there that's a brand, so everyone knows you. You're part

671
00:37:18,760 --> 00:37:24,560
Speaker 6: of the lexicon. Everyone knows Polly, everyone knows Harlan Williams,

672
00:37:25,080 --> 00:37:30,000
Speaker 6: everyone knows me. And I think there's so many brands

673
00:37:30,040 --> 00:37:33,680
Speaker 6: that aren't nurtured or names that could be Even if

674
00:37:33,719 --> 00:37:36,960
Speaker 6: we all did together did a movie and for a

675
00:37:37,080 --> 00:37:39,360
Speaker 6: million bucks, the studios.

676
00:37:38,920 --> 00:37:39,440
Speaker 2: Would be like.

677
00:37:41,760 --> 00:37:44,799
Speaker 7: But the audience would be like, holy, you know every

678
00:37:44,840 --> 00:37:45,360
Speaker 7: one of us.

679
00:37:45,960 --> 00:37:48,879
Speaker 6: So and Netflix I got annoying because I hate when

680
00:37:48,880 --> 00:37:51,879
Speaker 6: these companies come in and they're so innovative and then

681
00:37:51,920 --> 00:37:55,480
Speaker 6: they hire the same dinosaur mindes and I'm like, you.

682
00:37:55,600 --> 00:37:57,240
Speaker 2: Just it's a vicious cycle.

683
00:37:57,480 --> 00:38:02,200
Speaker 7: Yeah, get the guys from Hollywood out, they get up.

684
00:38:02,840 --> 00:38:06,120
Speaker 6: So I'm beyond crazy, right, now like I don't even

685
00:38:06,200 --> 00:38:07,560
Speaker 6: care about really entertainment.

686
00:38:07,960 --> 00:38:10,960
Speaker 2: Ways, I wish I could say all that well to me,

687
00:38:11,239 --> 00:38:11,560
Speaker 2: we're in.

688
00:38:11,560 --> 00:38:13,320
Speaker 7: A crazy world right now, and I'm alm if you

689
00:38:13,360 --> 00:38:14,080
Speaker 7: want to go deeper.

690
00:38:14,520 --> 00:38:17,360
Speaker 6: I think entertainment is so escapism right now, and we

691
00:38:17,440 --> 00:38:18,839
Speaker 6: have a lot of crazy world.

692
00:38:18,960 --> 00:38:19,920
Speaker 7: But that's another podcast.

693
00:38:20,080 --> 00:38:24,319
Speaker 2: I think there's been about a five or eight year

694
00:38:24,440 --> 00:38:29,160
Speaker 2: period now of some transitioning. Ah, sir, there's some older

695
00:38:29,239 --> 00:38:32,120
Speaker 2: folks that were in the in the Hollywood games that

696
00:38:32,239 --> 00:38:36,759
Speaker 2: now we're retiring and uh passing on and you know,

697
00:38:37,200 --> 00:38:40,399
Speaker 2: just they won't be here anymore. Yes, So I think

698
00:38:40,719 --> 00:38:43,920
Speaker 2: once that household are you house cleaning occurs?

699
00:38:44,040 --> 00:38:44,719
Speaker 7: Are you talking about?

700
00:38:44,719 --> 00:38:47,839
Speaker 2: He cleaning was a code where at when I say

701
00:38:47,920 --> 00:38:59,960
Speaker 2: house cleaning when I'm not nt this regime change? Yeah? Okay, God?

702
00:39:00,239 --> 00:39:03,320
Speaker 2: Is that better? Do you want some shots too? I

703
00:39:03,400 --> 00:39:05,400
Speaker 2: can crack your back. No, I need that. I was

704
00:39:05,440 --> 00:39:07,799
Speaker 2: a wrestler. I bet I want to do right now.

705
00:39:07,960 --> 00:39:11,719
Speaker 7: Not right now, but okay, after the third act, so.

706
00:39:11,880 --> 00:39:16,799
Speaker 10: I could be very non invasive, slowly so old man

707
00:39:16,920 --> 00:39:22,200
Speaker 10: in the Being Gentle with Jamie Kennedy Weld today we

708
00:39:22,280 --> 00:39:30,440
Speaker 10: will be releasing noxious gases from his vetebra sorry, Okay,

709
00:39:30,600 --> 00:39:31,560
Speaker 10: I knew what I wanted you at.

710
00:39:31,600 --> 00:39:34,560
Speaker 1: Jared, what do you consider your one dad movie?

711
00:39:34,960 --> 00:39:37,279
Speaker 6: Well, the most popular one is Some of the Mask,

712
00:39:38,239 --> 00:39:43,560
Speaker 6: and it's not it's a real that's a real sensitive spot.

713
00:39:43,680 --> 00:39:48,880
Speaker 7: But I've dealt with it. It's been nineteen years. I

714
00:39:49,040 --> 00:39:50,399
Speaker 7: do talks about it on my pod.

715
00:39:50,440 --> 00:39:52,560
Speaker 6: I'm best friends and really best, really good friends with

716
00:39:52,640 --> 00:39:56,640
Speaker 6: the director and what we had and what we did

717
00:39:56,800 --> 00:40:00,839
Speaker 6: and then what studio, the Machinese of what happened within

718
00:40:00,880 --> 00:40:04,320
Speaker 6: the studio just really took the movie and changed it,

719
00:40:04,400 --> 00:40:06,920
Speaker 6: and it like my brain up for a long time.

720
00:40:07,040 --> 00:40:08,840
Speaker 1: Do you want to talk about another one or no?

721
00:40:08,960 --> 00:40:10,239
Speaker 2: I mean I mean, if your this is what.

722
00:40:10,320 --> 00:40:11,319
Speaker 7: It is, we can go there.

723
00:40:11,400 --> 00:40:11,680
Speaker 6: Why not?

724
00:40:11,920 --> 00:40:12,080
Speaker 7: Right?

725
00:40:12,560 --> 00:40:12,799
Speaker 6: You won?

726
00:40:12,920 --> 00:40:21,399
Speaker 2: Yeah? I mean we wanted to be fun. It's called

727
00:40:21,520 --> 00:40:26,680
Speaker 2: one bad movie, so that's what this is. If that's

728
00:40:26,760 --> 00:40:29,200
Speaker 2: his one bad movie? Is dude, like you know the

729
00:40:29,280 --> 00:40:31,080
Speaker 2: movie you made that just was a piece of crap

730
00:40:31,120 --> 00:40:32,120
Speaker 2: and you like think it's funny.

731
00:40:32,200 --> 00:40:34,920
Speaker 6: Well how about how about wait, something that I think

732
00:40:35,040 --> 00:40:37,080
Speaker 6: is bad? Or we want to keep a light on me.

733
00:40:37,120 --> 00:40:38,520
Speaker 6: Think if we want to think of a movie that

734
00:40:38,840 --> 00:40:43,240
Speaker 6: is bad, like was bad bad or like what people

735
00:40:43,360 --> 00:40:43,960
Speaker 6: said is bad?

736
00:40:44,120 --> 00:40:45,919
Speaker 7: Or they think it's bad, but you think is good.

737
00:40:46,040 --> 00:40:49,360
Speaker 2: What Samuel L. Jackson was in a picture called Snakes

738
00:40:49,400 --> 00:40:50,000
Speaker 2: on a Plane.

739
00:40:50,239 --> 00:40:51,760
Speaker 7: Yes, but that movie worked.

740
00:40:52,440 --> 00:40:52,920
Speaker 2: You liked it?

741
00:40:53,320 --> 00:40:53,880
Speaker 7: I liked it.

742
00:40:54,239 --> 00:40:55,640
Speaker 1: What do you consider a bad movie?

743
00:40:58,280 --> 00:41:00,840
Speaker 6: Why do I consider a bad movie? That's a good question. Hmmm,

744
00:41:01,800 --> 00:41:03,320
Speaker 6: I think a bad movie.

745
00:41:04,200 --> 00:41:06,239
Speaker 2: Is there a movie you've done in your filmography where

746
00:41:06,239 --> 00:41:09,080
Speaker 2: you looked at it later and went, I probably would

747
00:41:09,120 --> 00:41:12,120
Speaker 2: have done that one? I? Yes, which one that I

748
00:41:12,440 --> 00:41:13,960
Speaker 2: wouldn't have done? It wouldn't have done?

749
00:41:15,160 --> 00:41:17,480
Speaker 6: I mean, all right, here's a simple one. I did

750
00:41:17,520 --> 00:41:23,040
Speaker 6: a movie called Bermuda Tentacles. Bermuda what Bermuda tentacles?

751
00:41:24,239 --> 00:41:26,240
Speaker 2: So there's.

752
00:41:27,960 --> 00:41:31,120
Speaker 6: It's actually it's kind of like a documentary. Now if

753
00:41:31,160 --> 00:41:34,400
Speaker 6: you believe that aliens live in the ocean, that's a

754
00:41:34,440 --> 00:41:39,040
Speaker 6: good one. But here's the thing, So I will go

755
00:41:39,200 --> 00:41:39,800
Speaker 6: through the story.

756
00:41:39,840 --> 00:41:43,400
Speaker 2: If you like, you can passed the title Bermuda what

757
00:41:43,920 --> 00:41:48,440
Speaker 2: TLEs permuta tentacles? Theer muta tent Do you want to

758
00:41:48,480 --> 00:41:51,520
Speaker 2: hear mine? Yes, it's called sharks in Venice.

759
00:41:56,560 --> 00:41:58,760
Speaker 7: Wait a minute, Wait a minute.

760
00:41:58,840 --> 00:42:02,239
Speaker 6: They're probably made by this same company with it the

761
00:42:02,320 --> 00:42:08,240
Speaker 6: producer of Sharknado. I don't know if wait a minute, Venice,

762
00:42:08,560 --> 00:42:10,760
Speaker 6: La or Venice Italy, Italy.

763
00:42:12,280 --> 00:42:19,560
Speaker 2: No, they're Denal's bro. This is so funny. Shocks in Venice.

764
00:42:20,040 --> 00:42:21,360
Speaker 7: Wait a minute, where are you shooting?

765
00:42:21,480 --> 00:42:26,120
Speaker 2: Starring Stephen Baldwin and Vanessa Johansson. Do you know who

766
00:42:26,280 --> 00:42:30,080
Speaker 2: Vanessa Johansson is? No, she's got a sister who's an actress,

767
00:42:30,960 --> 00:42:35,839
Speaker 2: Scarlet swal dun dun dun dun dao.

768
00:42:36,960 --> 00:42:41,360
Speaker 7: You got the B side the chromeo is owned.

769
00:42:42,680 --> 00:42:47,000
Speaker 2: And she's fabulous. Yeah, and uh, I think she's much

770
00:42:47,400 --> 00:42:48,840
Speaker 2: more interesting than Scarlet.

771
00:42:49,000 --> 00:42:51,080
Speaker 7: Oh my god, dude, stop making enemies right now.

772
00:42:52,760 --> 00:42:53,000
Speaker 6: Tell you.

773
00:42:55,520 --> 00:42:58,359
Speaker 2: That's a great title. I'm just gonna start a company

774
00:42:58,440 --> 00:43:00,919
Speaker 2: that makes those movies. That's the smart Do you want money?

775
00:43:01,160 --> 00:43:03,040
Speaker 2: You and I should just come up with the dumbest

776
00:43:03,040 --> 00:43:07,520
Speaker 2: stuff we can come up with. Yah, we'd be rich.

777
00:43:11,160 --> 00:43:12,640
Speaker 1: Can I get the answer to what you consider a

778
00:43:12,680 --> 00:43:14,480
Speaker 1: bad movie? While he's bringing that up? What we deal

779
00:43:14,520 --> 00:43:15,360
Speaker 1: with technical issues?

780
00:43:16,520 --> 00:43:16,960
Speaker 2: What do I.

781
00:43:17,040 --> 00:43:24,439
Speaker 7: Consider a bad movie? I consider it's hard. I'm gonna

782
00:43:24,480 --> 00:43:25,520
Speaker 7: really be sweet.

783
00:43:26,920 --> 00:43:30,360
Speaker 6: Because I this is a really hard question for me

784
00:43:30,520 --> 00:43:35,520
Speaker 6: because and I hate when people who are creatives on

785
00:43:37,200 --> 00:43:41,520
Speaker 6: bad movies or who are actors and stuff, Because I

786
00:43:41,680 --> 00:43:43,600
Speaker 6: know how much work goes into it. You know what

787
00:43:43,640 --> 00:43:45,239
Speaker 6: I mean, you do, I know how much the pain

788
00:43:45,320 --> 00:43:47,640
Speaker 6: and you give a year of your life to something

789
00:43:48,400 --> 00:43:51,960
Speaker 6: and it just gets destroyed with the stroke of a pen.

790
00:43:52,600 --> 00:43:54,680
Speaker 7: So I guess a bad movie.

791
00:43:55,040 --> 00:43:58,800
Speaker 2: But on the opposite side of that is how Don't

792
00:43:58,920 --> 00:43:59,560
Speaker 2: Suck Came?

793
00:43:59,680 --> 00:43:59,840
Speaker 6: Do You?

794
00:44:00,160 --> 00:44:03,080
Speaker 2: Was a bad movie? So you fixed it? Well?

795
00:44:03,200 --> 00:44:06,439
Speaker 7: It was a I hated a title, and I thought

796
00:44:06,520 --> 00:44:07,879
Speaker 7: it was gonna be a bad movie.

797
00:44:08,200 --> 00:44:10,480
Speaker 2: But if you didn't touch it, it would have been.

798
00:44:12,280 --> 00:44:13,560
Speaker 2: I thought it was a great script.

799
00:44:14,040 --> 00:44:17,600
Speaker 6: But I definitely my point, Yeah, no, I thought that's

800
00:44:17,600 --> 00:44:21,080
Speaker 6: what we're saying, I elevate is bad movies. I mean, look,

801
00:44:21,320 --> 00:44:23,920
Speaker 6: here's the answer to your question. What's a bad movie.

802
00:44:24,480 --> 00:44:30,120
Speaker 6: Bad directing, sloppy filmmaking. Really, it's like not good storytelling,

803
00:44:30,280 --> 00:44:36,200
Speaker 6: bad stch slot shot selection, sounds, acting, all of it.

804
00:44:36,400 --> 00:44:40,399
Speaker 6: I mean, it's really cheesy, idea cheesy. You know that's

805
00:44:40,440 --> 00:44:42,520
Speaker 6: a bad But there are movies that are so bad

806
00:44:42,600 --> 00:44:45,480
Speaker 6: that they're good, Like you've Attack of the Killer Tomatoes

807
00:44:45,920 --> 00:44:47,959
Speaker 6: is a movie that made a mark on me because

808
00:44:47,960 --> 00:44:49,719
Speaker 6: I saw it as a young kid, and to this day,

809
00:44:49,840 --> 00:44:52,200
Speaker 6: people that know that movie know that movie.

810
00:44:52,320 --> 00:44:54,360
Speaker 7: So that's like a B movie.

811
00:44:54,400 --> 00:44:56,239
Speaker 2: You're never leaving this room.

812
00:44:56,400 --> 00:44:57,080
Speaker 7: Yeah, you know what I mean.

813
00:44:57,160 --> 00:44:59,959
Speaker 6: So it's like, I'm I'm actually, but dude, I'm also

814
00:45:00,080 --> 00:45:01,960
Speaker 6: in the deeper part of my life for check this out.

815
00:45:03,000 --> 00:45:03,839
Speaker 2: Bad is good.

816
00:45:04,400 --> 00:45:05,000
Speaker 7: Think about it.

817
00:45:05,280 --> 00:45:08,359
Speaker 6: There are people now that I don't want to name names,

818
00:45:08,400 --> 00:45:10,560
Speaker 6: but there are people out there doing things that they're

819
00:45:11,640 --> 00:45:18,480
Speaker 6: the taste makers think they're delusional, okay, but the people

820
00:45:18,560 --> 00:45:21,239
Speaker 6: that are doing them have a fan and they're doing it.

821
00:45:21,320 --> 00:45:22,719
Speaker 2: Let's just take that movie The Room.

822
00:45:23,400 --> 00:45:27,000
Speaker 6: I never saw it, but that became like hipster irony

823
00:45:27,200 --> 00:45:29,920
Speaker 6: post irony. All the hip kids were like, shit, it

824
00:45:30,040 --> 00:45:33,279
Speaker 6: was cool to on it to the point that they

825
00:45:33,360 --> 00:45:36,840
Speaker 6: made it a movie that got Oscar nominations about it.

826
00:45:37,040 --> 00:45:38,960
Speaker 7: So was it a bad movie?

827
00:45:39,000 --> 00:45:39,279
Speaker 2: I don't know.

828
00:45:39,320 --> 00:45:41,520
Speaker 6: I never saw it, but it was so bad it

829
00:45:41,600 --> 00:45:45,799
Speaker 6: attracted all the apparently good people in Hollywood. So it's fascinating, right,

830
00:45:46,000 --> 00:45:50,800
Speaker 6: So that I hate I mean, but there are bad movies,

831
00:45:50,880 --> 00:45:52,160
Speaker 6: of course, And I've done.

832
00:45:53,600 --> 00:45:56,280
Speaker 2: Point about a bad movie. Kennedy.

833
00:45:56,400 --> 00:45:59,000
Speaker 6: Here's what trugg me about this movie. Okay, and I

834
00:45:59,239 --> 00:46:01,640
Speaker 6: like the assylum them and they made Shark Nato. So

835
00:46:01,760 --> 00:46:04,120
Speaker 6: let me give you my three cents on please go

836
00:46:04,880 --> 00:46:07,759
Speaker 6: so And I love everybody involved with this movie. And

837
00:46:07,840 --> 00:46:09,319
Speaker 6: I love the director Nick what's up?

838
00:46:09,400 --> 00:46:09,560
Speaker 7: Nick?

839
00:46:09,600 --> 00:46:12,680
Speaker 6: And I love Esther who is the head one of

840
00:46:12,719 --> 00:46:15,839
Speaker 6: the head producers deep Beebies, I mean first eights so long,

841
00:46:16,040 --> 00:46:16,720
Speaker 6: and I love a Castle.

842
00:46:16,760 --> 00:46:17,520
Speaker 7: Here's what I'm saying.

843
00:46:18,200 --> 00:46:20,200
Speaker 6: Why that movie struck me as bad when I first

844
00:46:20,239 --> 00:46:24,520
Speaker 6: saw it is because they chinched on the special effects.

845
00:46:24,560 --> 00:46:25,239
Speaker 7: It pissed me off.

846
00:46:26,040 --> 00:46:26,920
Speaker 2: But here's what it is.

847
00:46:27,160 --> 00:46:29,120
Speaker 7: It's the company that made Shark Nato.

848
00:46:29,760 --> 00:46:32,360
Speaker 6: Shark Nato would be considered a bad movie that became

849
00:46:32,520 --> 00:46:36,120
Speaker 6: huge and made a mark on pop pop culture lexicon.

850
00:46:36,280 --> 00:46:38,760
Speaker 6: But that movie, to me is bad because they didn't

851
00:46:38,800 --> 00:46:41,120
Speaker 6: care enough about the special effects. But some people said

852
00:46:41,160 --> 00:46:42,520
Speaker 6: that's part of the cheesiness of it.

853
00:46:42,960 --> 00:46:43,719
Speaker 2: And it had my.

854
00:46:43,760 --> 00:46:47,320
Speaker 6: Buddy directed it, other people produced it. It was we

855
00:46:47,400 --> 00:46:49,560
Speaker 6: went down the San Pagro for a week. We shot

856
00:46:49,600 --> 00:46:51,640
Speaker 6: on his ship. I got to play a great role

857
00:46:52,000 --> 00:46:54,960
Speaker 6: and he put me in another dramatic role in Lifetime

858
00:46:55,120 --> 00:46:56,239
Speaker 6: called if.

859
00:46:56,160 --> 00:46:59,680
Speaker 2: They tomorrow they're making the sequels, I might do it.

860
00:47:00,040 --> 00:47:02,440
Speaker 6: I might do it because the world, the world's insane

861
00:47:02,520 --> 00:47:04,680
Speaker 6: right now and it doesn't matter. And you know what,

862
00:47:04,840 --> 00:47:05,600
Speaker 6: AI will.

863
00:47:05,480 --> 00:47:12,160
Speaker 2: Re edit it let's talk about bad movies.

864
00:47:12,440 --> 00:47:15,879
Speaker 6: If you look at any superhero movie now, the only

865
00:47:15,960 --> 00:47:17,480
Speaker 6: thing that makes them good, well not the only thing.

866
00:47:17,520 --> 00:47:18,279
Speaker 7: That's not right to say.

867
00:47:18,600 --> 00:47:21,920
Speaker 6: There's amazing stories and structures and stuff and characters, but

868
00:47:22,239 --> 00:47:25,680
Speaker 6: if they didn't have the effects. I mean, there's a

869
00:47:25,760 --> 00:47:29,320
Speaker 6: difference between them and Power Rangers or Power Rangers of

870
00:47:29,360 --> 00:47:31,320
Speaker 6: the nineties, some of these movies would look like that.

871
00:47:32,040 --> 00:47:35,000
Speaker 2: So it is about you can.

872
00:47:34,960 --> 00:47:38,680
Speaker 6: Make anything good or an amazing melodrama can be so

873
00:47:38,960 --> 00:47:40,040
Speaker 6: over the top bad.

874
00:47:40,120 --> 00:47:42,280
Speaker 2: You know what I'm saying. But I think it's important

875
00:47:42,320 --> 00:47:44,719
Speaker 2: that we stay on a theme right now in this conversation,

876
00:47:44,920 --> 00:47:47,640
Speaker 2: which is I was like, in the last two years,

877
00:47:47,719 --> 00:47:51,000
Speaker 2: bro in running numbers and raising money and trying to

878
00:47:51,040 --> 00:47:54,040
Speaker 2: create content. I talked to you, dude. I'm not even

879
00:47:54,040 --> 00:47:55,680
Speaker 2: gonna say who it is. It's a big banker, dude.

880
00:47:55,680 --> 00:47:59,440
Speaker 2: He owns a big animation company. It's the biggest animation

881
00:47:59,560 --> 00:48:03,719
Speaker 2: company outside of the studio system, owned independently. And I

882
00:48:03,800 --> 00:48:07,560
Speaker 2: was talking to this guy about making animation films. I said,

883
00:48:07,560 --> 00:48:10,880
Speaker 2: why do they have to cost like thirty million dollars minimum?

884
00:48:12,080 --> 00:48:13,680
Speaker 2: And he's like, well, it's not really thirty minutes really

885
00:48:13,760 --> 00:48:16,120
Speaker 2: like fifteen. He can't do anything less than fifteen. I'm going,

886
00:48:16,440 --> 00:48:19,480
Speaker 2: why why is it even fifteen?

887
00:48:19,560 --> 00:48:19,680
Speaker 4: Now?

888
00:48:19,800 --> 00:48:23,480
Speaker 2: You can? Right, So I'm talking to this guy, bro,

889
00:48:24,080 --> 00:48:27,200
Speaker 2: and then I say to him, well, I want to

890
00:48:27,320 --> 00:48:30,319
Speaker 2: kind of see if I can do this, right, I said,

891
00:48:30,400 --> 00:48:31,840
Speaker 2: I want to see if I can kind of bring

892
00:48:32,200 --> 00:48:35,680
Speaker 2: back a certain animated look. And if I did that,

893
00:48:35,760 --> 00:48:38,600
Speaker 2: would it be cheaper? And he went, of course, I

894
00:48:38,680 --> 00:48:42,000
Speaker 2: went oh. And then I went, and this is a

895
00:48:42,120 --> 00:48:45,960
Speaker 2: dude who only looks at the highest newest, highest, highest,

896
00:48:46,040 --> 00:48:47,960
Speaker 2: highest new. Now what's happening?

897
00:48:48,080 --> 00:48:48,239
Speaker 10: Now?

898
00:48:48,400 --> 00:48:52,759
Speaker 2: What the cutting edges in Japan? And you know? And

899
00:48:52,880 --> 00:48:56,040
Speaker 2: I said, because here's why, And I went, like a

900
00:48:56,360 --> 00:48:58,560
Speaker 2: freaky kind of Jedi mind trick, look what I did.

901
00:48:58,600 --> 00:49:01,560
Speaker 2: I went, Now, here's the the trailer for one hundred

902
00:49:01,560 --> 00:49:04,560
Speaker 2: and one Dalmatians, the original one hundred and one Dalmatians

903
00:49:04,600 --> 00:49:09,280
Speaker 2: and Disney right, and also you see that Matte painting,

904
00:49:10,000 --> 00:49:11,120
Speaker 2: you know, And all of a sudden, the music and

905
00:49:11,200 --> 00:49:15,959
Speaker 2: hey kid, the characters start talking and here's this dude

906
00:49:15,960 --> 00:49:21,120
Speaker 2: who's a pamp, big time digital freaking mac daddy and

907
00:49:21,239 --> 00:49:24,759
Speaker 2: he goes just like this and he's a little kid

908
00:49:24,880 --> 00:49:30,800
Speaker 2: again watching a thirty five forty year old version of

909
00:49:30,880 --> 00:49:34,319
Speaker 2: a trailer and when it was over, dude, I did

910
00:49:34,400 --> 00:49:37,399
Speaker 2: it on purpose to say to this guy, fun, right,

911
00:49:37,480 --> 00:49:39,680
Speaker 2: and he went, yeah, yeah, those old ones are fun.

912
00:49:39,719 --> 00:49:43,640
Speaker 2: I went, the old ones are fun? He went, like

913
00:49:43,760 --> 00:49:46,279
Speaker 2: a wise ass. I'm making him. Try to see what

914
00:49:46,400 --> 00:49:51,320
Speaker 2: I'm saying, which is, if you never saw animation before

915
00:49:51,360 --> 00:49:55,839
Speaker 2: and I showed you Pixar now or that, then you'd

916
00:49:55,880 --> 00:50:00,200
Speaker 2: probably like both. So now I want to know, can

917
00:50:00,280 --> 00:50:04,760
Speaker 2: I make a seven million dollar, nine million dollar seam

918
00:50:04,800 --> 00:50:09,360
Speaker 2: as pic Pixar story today but made in the old

919
00:50:09,600 --> 00:50:11,000
Speaker 2: kind of format.

920
00:50:11,080 --> 00:50:15,879
Speaker 7: But there's a way to do it for free. You're

921
00:50:15,880 --> 00:50:16,440
Speaker 7: familiar with.

922
00:50:16,520 --> 00:50:19,839
Speaker 2: AI, well, yeah, AI kind of creased me out.

923
00:50:20,560 --> 00:50:23,040
Speaker 7: It's you gotta make friends with it.

924
00:50:23,719 --> 00:50:27,040
Speaker 6: That's why I never smacked my toaster and never bunch

925
00:50:27,160 --> 00:50:29,279
Speaker 6: my refrigerator because that will rise up.

926
00:50:31,520 --> 00:50:34,640
Speaker 2: No, it's just a log, dude.

927
00:50:34,760 --> 00:50:39,600
Speaker 7: AI is you know what Sora is? What is Sora

928
00:50:39,840 --> 00:50:40,840
Speaker 7: is the death of what?

929
00:50:41,480 --> 00:50:43,640
Speaker 6: Okay, So you can basically go on your phone right

930
00:50:43,680 --> 00:50:48,280
Speaker 6: now with chats ETP and do something called prompts okay,

931
00:50:48,320 --> 00:50:50,080
Speaker 6: and that means the words that you use.

932
00:50:50,680 --> 00:50:52,040
Speaker 7: So they do it a prompt.

933
00:50:52,040 --> 00:50:56,320
Speaker 6: They did a test and it said, oh beautiful, Japanese

934
00:50:56,400 --> 00:51:01,160
Speaker 6: couple on an early spring morning, the cherry blossom are

935
00:51:01,239 --> 00:51:04,640
Speaker 6: I'm full Bloom, on their way to a coffee shop,

936
00:51:05,280 --> 00:51:12,280
Speaker 6: and within eighty seconds, a one minute scene was created

937
00:51:12,520 --> 00:51:17,440
Speaker 6: and it looks like it was shot by Disney, but

938
00:51:17,520 --> 00:51:18,440
Speaker 6: it's not animated.

939
00:51:18,760 --> 00:51:22,800
Speaker 7: It's real and it's insane.

940
00:51:23,880 --> 00:51:26,839
Speaker 6: You can talk about a song and within I did

941
00:51:26,920 --> 00:51:30,680
Speaker 6: it this week fifty seconds, they'll create a song for

942
00:51:30,719 --> 00:51:31,759
Speaker 6: you and it's good.

943
00:51:32,719 --> 00:51:36,560
Speaker 7: So I love what you're saying. And this will go

944
00:51:36,719 --> 00:51:38,480
Speaker 7: back to what Justine Bateman saying.

945
00:51:38,520 --> 00:51:43,280
Speaker 6: Who's speaking the Gospel of Humanity, where she says literally

946
00:51:43,800 --> 00:51:46,960
Speaker 6: people are going to say this has one organic made

947
00:51:47,239 --> 00:51:51,279
Speaker 6: human content because that is out there. So I love

948
00:51:51,400 --> 00:51:54,920
Speaker 6: what you're saying, But your said Justine, Justine Bateman is

949
00:51:55,239 --> 00:51:59,640
Speaker 6: has not really a matter of what I want it. Yeah,

950
00:51:59,680 --> 00:52:01,440
Speaker 6: she's a I want to talk to him because she

951
00:52:01,520 --> 00:52:03,960
Speaker 6: has such a great take on AI. But so in

952
00:52:04,040 --> 00:52:07,200
Speaker 6: my opinion, I love what you're saying, but it's insane

953
00:52:07,520 --> 00:52:10,440
Speaker 6: and if AI is freaking you out, it's gonna get

954
00:52:10,480 --> 00:52:11,600
Speaker 6: A is just.

955
00:52:11,600 --> 00:52:14,480
Speaker 2: Going to be aren't you religious? Are what aren't you

956
00:52:14,560 --> 00:52:18,759
Speaker 2: like religious? I'm born again Christian? Yeah, so you I'm

957
00:52:18,840 --> 00:52:21,080
Speaker 2: kind of rebelling right now, you're teaching me a good time.

958
00:52:21,280 --> 00:52:25,760
Speaker 7: Okay, because because AI, they say it's many things.

959
00:52:26,920 --> 00:52:32,200
Speaker 2: Well yeah, but but regardless of my biblical worldview. Well,

960
00:52:32,560 --> 00:52:38,320
Speaker 2: I have a digital worldview, right, I have a entertainment worldview.

961
00:52:38,360 --> 00:52:40,800
Speaker 7: But somebody says, some people say that AI is summoning

962
00:52:40,880 --> 00:52:41,280
Speaker 7: the demon.

963
00:52:41,320 --> 00:52:42,239
Speaker 2: Have you ever heard that term?

964
00:52:43,120 --> 00:52:44,960
Speaker 7: Yeah, so I would thought you would be like.

965
00:52:45,880 --> 00:52:48,320
Speaker 2: Well, no, because because because I read the end of

966
00:52:48,400 --> 00:52:53,239
Speaker 2: the Bible, and we win, So it doesn't matter. It

967
00:52:53,320 --> 00:52:59,880
Speaker 2: doesn't matter what happens with your AI doggie, we win. Sorry,

968
00:53:00,040 --> 00:53:02,719
Speaker 2: call him like I see him anyway, But like as

969
00:53:02,760 --> 00:53:04,480
Speaker 2: a as a born again Christian, I'm not supposed to

970
00:53:04,480 --> 00:53:07,960
Speaker 2: be wearing this hat. See if he's cannabis friendly. If

971
00:53:08,000 --> 00:53:12,959
Speaker 2: he's cannabis friendly, well it's not actually part of the earth.

972
00:53:13,440 --> 00:53:16,840
Speaker 2: Cannabis is the first plant ever to be discovered in

973
00:53:16,880 --> 00:53:21,879
Speaker 2: the ever to have a neurological receptor. Your brain has

974
00:53:21,960 --> 00:53:27,160
Speaker 2: an electrical receptor. Yeah, John mcgalliol is going to tell

975
00:53:27,160 --> 00:53:30,720
Speaker 2: me I'm wrong about that. But but but cannabis is interesting.

976
00:53:30,880 --> 00:53:33,920
Speaker 2: And you know, if you don't do what we did

977
00:53:34,000 --> 00:53:38,319
Speaker 2: when we were kids, then it can be very health beneficial. Yeah,

978
00:53:38,360 --> 00:53:41,280
Speaker 2: I agree, with you do I look fifty seventy you daddy,

979
00:53:42,680 --> 00:53:45,640
Speaker 2: don't answer that. Don't that was mean, dude.

980
00:53:45,680 --> 00:53:51,440
Speaker 9: You got amazing hair, bro good skin. You're fine, Okay,

981
00:53:51,840 --> 00:53:55,880
Speaker 9: So I want to digress, go back. Your philosophy is

982
00:53:56,000 --> 00:53:59,959
Speaker 9: really interesting you. I like your how you wax poet.

983
00:54:00,080 --> 00:54:04,960
Speaker 9: It's pretty cool. So you're in kind of a legacy season.

984
00:54:05,840 --> 00:54:07,200
Speaker 9: You're thinking about legacy.

985
00:54:09,239 --> 00:54:12,640
Speaker 2: So are you just gonna stay Lucy Goosey out in

986
00:54:12,840 --> 00:54:17,440
Speaker 2: Malibu with freaking Woody Harrelson and Chill or like just

987
00:54:17,680 --> 00:54:21,480
Speaker 2: whatever comes comes? Or do you think, like, knowing what

988
00:54:21,680 --> 00:54:23,160
Speaker 2: you know? Are you going to become like the first

989
00:54:23,200 --> 00:54:26,680
Speaker 2: guy to open an AI studio? And you know, I'm

990
00:54:27,080 --> 00:54:30,120
Speaker 2: being funny to make to prompt the question, which is,

991
00:54:30,920 --> 00:54:33,839
Speaker 2: you know, what do you see in the next fifteen years?

992
00:54:33,960 --> 00:54:37,600
Speaker 2: Just because because to be honest with people who don't

993
00:54:37,680 --> 00:54:39,920
Speaker 2: know you, who are going to watch this, you're your

994
00:54:39,960 --> 00:54:43,400
Speaker 2: bread and butter stand up comedian. You're still touring doing that,

995
00:54:43,840 --> 00:54:45,560
Speaker 2: and you could just do that as long as you

996
00:54:45,640 --> 00:54:50,920
Speaker 2: wanted and live nicely, hopefully and live nicely. Right, that's

997
00:54:50,960 --> 00:54:54,880
Speaker 2: a wonderful option, you know what I mean? So now

998
00:54:54,920 --> 00:54:59,719
Speaker 2: I want to know if you got writer's block as

999
00:54:59,760 --> 00:55:02,239
Speaker 2: a stand up and I wish that, I know, and

1000
00:55:02,320 --> 00:55:04,279
Speaker 2: I obviously you're never going to have that cause you're

1001
00:55:05,440 --> 00:55:08,759
Speaker 2: because you don't give me act you take you pretty far.

1002
00:55:11,320 --> 00:55:14,320
Speaker 2: But like what, like I said, could you see yourself

1003
00:55:14,560 --> 00:55:18,600
Speaker 2: like a you know, like a comedy Tyler Perry, You know,

1004
00:55:18,680 --> 00:55:21,360
Speaker 2: whether you've made so much and done so much you

1005
00:55:21,440 --> 00:55:25,080
Speaker 2: have your own studio in twenty years because it can happen.

1006
00:55:25,520 --> 00:55:28,320
Speaker 2: So what I mean is where do you see yourself

1007
00:55:28,360 --> 00:55:30,759
Speaker 2: but realistic, like if you can continue in this path

1008
00:55:30,800 --> 00:55:33,839
Speaker 2: of making little indie films that you like and pop

1009
00:55:34,000 --> 00:55:35,960
Speaker 2: in and out of the A list Hollywood crap when

1010
00:55:36,000 --> 00:55:38,520
Speaker 2: you wanted, would you stay there or would you rather

1011
00:55:39,719 --> 00:55:43,359
Speaker 2: you know, kind of lean more towards one or the other.

1012
00:55:44,560 --> 00:55:45,359
Speaker 7: Okay, that's a lot.

1013
00:55:45,640 --> 00:55:46,080
Speaker 2: There's a lot.

1014
00:55:46,080 --> 00:55:48,160
Speaker 7: I'm trying to give you this take your time dolist

1015
00:55:48,200 --> 00:55:48,719
Speaker 7: answer on that.

1016
00:55:48,760 --> 00:55:51,640
Speaker 2: You're in the OBM dungeon, OBM one BM.

1017
00:55:54,120 --> 00:55:57,040
Speaker 7: I think the fifteen year thing is too long, Like

1018
00:55:57,280 --> 00:55:58,480
Speaker 7: I literally think too.

1019
00:56:00,280 --> 00:56:00,400
Speaker 2: Well.

1020
00:56:00,440 --> 00:56:02,080
Speaker 6: I think to two to four years. I think our

1021
00:56:02,200 --> 00:56:05,120
Speaker 6: world is going to change so much just in the

1022
00:56:05,239 --> 00:56:08,880
Speaker 6: next two years. It's already happening from when chat GTP

1023
00:56:09,160 --> 00:56:13,200
Speaker 6: came out and it's on its fifth iteration, and it

1024
00:56:13,480 --> 00:56:15,600
Speaker 6: literally exponentially goes.

1025
00:56:16,440 --> 00:56:18,520
Speaker 7: Do you know like what I mean by that? Like

1026
00:56:20,000 --> 00:56:22,439
Speaker 7: you ever gamble, you play golf, you ever play golf?

1027
00:56:22,600 --> 00:56:25,879
Speaker 2: Speak to your mind. You're in the matrix of movies now, son.

1028
00:56:26,120 --> 00:56:28,840
Speaker 6: The speed of what it's happening is like if you

1029
00:56:28,920 --> 00:56:31,719
Speaker 6: and I were playing golf, and I'd say twenty five

1030
00:56:31,840 --> 00:56:32,399
Speaker 6: cents a hole.

1031
00:56:32,480 --> 00:56:33,480
Speaker 7: Every hole, we double it.

1032
00:56:34,239 --> 00:56:36,720
Speaker 6: So then the second hole is fifty cents, the third

1033
00:56:36,800 --> 00:56:40,240
Speaker 6: hole is a buck, the fourth hole is two bucks.

1034
00:56:40,280 --> 00:56:41,879
Speaker 6: By the time we get to the antienth hole, we're

1035
00:56:41,880 --> 00:56:45,520
Speaker 6: at like almost three thousand a hole. And that you're like,

1036
00:56:45,600 --> 00:56:48,080
Speaker 6: how do we get there from a quarter? That's what

1037
00:56:48,239 --> 00:56:53,160
Speaker 6: AI is, so in a nutshell, let me answer your question.

1038
00:56:53,280 --> 00:56:53,960
Speaker 2: Is a multi layer.

1039
00:56:55,640 --> 00:56:57,960
Speaker 7: I think that AI is the biggest thing.

1040
00:56:58,160 --> 00:56:58,719
Speaker 2: In our world.

1041
00:56:59,120 --> 00:57:01,560
Speaker 7: Okay, I think it's and affect our political stuff.

1042
00:57:01,920 --> 00:57:05,480
Speaker 6: I think it's going to affect our entertain It's every everything, everything,

1043
00:57:07,120 --> 00:57:07,800
Speaker 6: so stop it.

1044
00:57:08,320 --> 00:57:12,080
Speaker 2: So I I am in a wild time in my life.

1045
00:57:12,280 --> 00:57:15,040
Speaker 6: Like I sold my house, I made some money when

1046
00:57:15,040 --> 00:57:18,920
Speaker 6: the market was up great, I'm renting and I'm deciding

1047
00:57:18,960 --> 00:57:19,720
Speaker 6: where I'm gonna live.

1048
00:57:19,760 --> 00:57:21,520
Speaker 2: I've lived here for thirty five years.

1049
00:57:22,240 --> 00:57:23,520
Speaker 7: So this is my home.

1050
00:57:23,680 --> 00:57:27,440
Speaker 6: It's like my streets of like from like Lebree at

1051
00:57:28,440 --> 00:57:31,080
Speaker 6: Los Sienaga Fountain to Hollywood.

1052
00:57:31,120 --> 00:57:31,720
Speaker 2: That's my hood.

1053
00:57:32,040 --> 00:57:32,560
Speaker 7: Do you know what I mean?

1054
00:57:33,000 --> 00:57:35,640
Speaker 6: That I love it and it's changed so much, but

1055
00:57:35,720 --> 00:57:38,880
Speaker 6: I love that. You're it's my stomping ground, you know

1056
00:57:38,920 --> 00:57:40,720
Speaker 6: what I mean? So I can go to the clubs.

1057
00:57:40,760 --> 00:57:42,840
Speaker 7: I can do this. So let me answer many things.

1058
00:57:43,600 --> 00:57:45,400
Speaker 6: Live entertainment to me, I think is going to be

1059
00:57:45,440 --> 00:57:48,600
Speaker 6: bigger than ever because people crave it, and so stand

1060
00:57:48,680 --> 00:57:51,240
Speaker 6: up comedy I think will survive big. I think music

1061
00:57:51,280 --> 00:57:53,960
Speaker 6: will stand by big. And also live experiences. I don't

1062
00:57:53,960 --> 00:57:57,640
Speaker 6: know if you're familiar with the Van Go exhibit on

1063
00:57:58,000 --> 00:58:02,040
Speaker 6: across from the Cinera Adon. They took an old building

1064
00:58:02,080 --> 00:58:04,120
Speaker 6: and made an interactive ango exhibit and they charge a

1065
00:58:04,160 --> 00:58:06,040
Speaker 6: lot of money and tickets and it's amazing. So I

1066
00:58:06,120 --> 00:58:08,640
Speaker 6: think people want to go out and experiencing because as

1067
00:58:08,720 --> 00:58:12,880
Speaker 6: movies and entertainment changes. I am looking to buy a

1068
00:58:13,000 --> 00:58:18,120
Speaker 6: space right now in Hollywood to kind of make my own.

1069
00:58:18,560 --> 00:58:21,200
Speaker 6: So I want to have like all my memorabilia in it,

1070
00:58:21,800 --> 00:58:26,600
Speaker 6: a possible place to sleep, and then like also my studio.

1071
00:58:26,760 --> 00:58:29,160
Speaker 6: So that's in the process of but there's a part

1072
00:58:29,200 --> 00:58:30,880
Speaker 6: of me that also, I was just in Vegas for

1073
00:58:30,920 --> 00:58:33,640
Speaker 6: a whole week and Hollywood is moving so much there,

1074
00:58:33,800 --> 00:58:37,320
Speaker 6: but it's still not Hollywood. But I'm also looking so

1075
00:58:37,480 --> 00:58:40,880
Speaker 6: right now, I'm in the process of doing what you're saying.

1076
00:58:41,280 --> 00:58:43,720
Speaker 6: And the last three movies I did were literally people

1077
00:58:43,800 --> 00:58:46,960
Speaker 6: coming to me and going these type of deals that

1078
00:58:47,040 --> 00:58:51,120
Speaker 6: I did, and I I shot in Sreeport, Canada and

1079
00:58:51,280 --> 00:58:54,760
Speaker 6: New Orleans. So yes, yes on what you're saying, Yes,

1080
00:58:54,920 --> 00:58:57,960
Speaker 6: my own thing. Yes we're being disrupted, and yes if

1081
00:58:58,040 --> 00:59:00,560
Speaker 6: they as much as I could Apple and the A

1082
00:59:00,680 --> 00:59:03,840
Speaker 6: List stuff, I will like I had a nice part

1083
00:59:03,920 --> 00:59:06,360
Speaker 6: and add Astro that was my last big like oh yeah,

1084
00:59:06,520 --> 00:59:10,240
Speaker 6: and I got cut out but I really it was awesome,

1085
00:59:10,440 --> 00:59:12,960
Speaker 6: but I got caught out. I had four scenes with

1086
00:59:13,000 --> 00:59:15,880
Speaker 6: Brad Pitt, so like I literally need the tape, you

1087
00:59:15,920 --> 00:59:18,760
Speaker 6: know what I mean. But like that was a process

1088
00:59:18,880 --> 00:59:20,440
Speaker 6: to go through, and it was amazing to be a

1089
00:59:20,480 --> 00:59:22,480
Speaker 6: piece of you know what I'm saying right because the

1090
00:59:22,520 --> 00:59:26,040
Speaker 6: experience was still cool, Oh amazing, amazing director of Brad's amazing.

1091
00:59:26,120 --> 00:59:29,080
Speaker 6: But it's like it did it, you know, I got

1092
00:59:29,120 --> 00:59:31,680
Speaker 6: cut up. But what I'm saying is those are also

1093
00:59:31,800 --> 00:59:35,440
Speaker 6: good for us as we're making fifty thousand doing Harpies too.

1094
00:59:37,920 --> 00:59:39,760
Speaker 7: But what go ahead? Does that answer your question?

1095
00:59:39,960 --> 00:59:40,120
Speaker 2: Yes?

1096
00:59:40,760 --> 00:59:43,280
Speaker 6: But I just think the whole world's changing your focuses

1097
00:59:43,320 --> 00:59:45,880
Speaker 6: on entertainment. I mean, when's the last time you had

1098
00:59:45,920 --> 00:59:48,600
Speaker 6: your Do you have robot delivery food?

1099
00:59:48,680 --> 00:59:48,919
Speaker 7: People?

1100
00:59:48,960 --> 00:59:49,640
Speaker 2: Here? Do I have?

1101
00:59:49,720 --> 00:59:49,760
Speaker 1: What?

1102
00:59:50,400 --> 00:59:50,440
Speaker 7: So?

1103
00:59:50,560 --> 00:59:52,760
Speaker 6: Do you know where I live in Hollywood West Hollywood, Date,

1104
00:59:52,800 --> 00:59:54,280
Speaker 6: there's little robots that deliver food.

1105
00:59:54,320 --> 00:59:56,280
Speaker 2: No, where I live, they don't have robots. We have them.

1106
00:59:56,320 --> 00:59:58,800
Speaker 2: We already have that. So we're kind of into dope

1107
00:59:58,840 --> 01:00:00,360
Speaker 2: living Upsite York.

1108
01:00:00,800 --> 01:00:03,640
Speaker 6: Yeah, that's different, but it's good for you to see

1109
01:00:03,880 --> 01:00:08,280
Speaker 6: them little robots that you should go to Lebrea and Fountain,

1110
01:00:08,520 --> 01:00:11,040
Speaker 6: order Postmates and see what happens. I need you to

1111
01:00:11,160 --> 01:00:15,280
Speaker 6: walk the streets. I need you to walk the streets.

1112
01:00:17,760 --> 01:00:20,760
Speaker 2: Yeah, go for it. I have a question. I'm sorry,

1113
01:00:21,000 --> 01:00:30,320
Speaker 2: question question I didn't get. Is Mike coming? You're bad? Sore?

1114
01:00:30,480 --> 01:00:36,400
Speaker 5: Your one bad interview? So, so, uh, do you know

1115
01:00:36,560 --> 01:00:40,120
Speaker 5: Mark Wahlberg? Of course do you know him personally? I

1116
01:00:40,280 --> 01:00:42,160
Speaker 5: haven't seen him for a while, but I did. I

1117
01:00:42,280 --> 01:00:44,960
Speaker 5: did one movie with him, almost three So yeah.

1118
01:00:45,480 --> 01:00:49,440
Speaker 2: Your people should contact his people because I don't know

1119
01:00:49,480 --> 01:00:50,920
Speaker 2: if you heard he's building a movie.

1120
01:00:52,320 --> 01:00:56,400
Speaker 7: Yeah, he's all in, but he might like your idea

1121
01:00:56,640 --> 01:00:57,120
Speaker 7: for there.

1122
01:00:57,760 --> 01:00:59,640
Speaker 2: Yeah, they don't know everything they're going to put in

1123
01:00:59,680 --> 01:01:00,680
Speaker 2: it yet. They don't know.

1124
01:01:01,160 --> 01:01:03,040
Speaker 7: I would love to catch up with Mark I was there.

1125
01:01:03,360 --> 01:01:08,080
Speaker 2: That's a good if I were somebody like you thinking,

1126
01:01:08,360 --> 01:01:11,080
Speaker 2: could I build my own comedy space that on, you know,

1127
01:01:11,240 --> 01:01:13,240
Speaker 2: like me and a homage to me and then be

1128
01:01:13,440 --> 01:01:15,000
Speaker 2: somebody making ship there.

1129
01:01:15,760 --> 01:01:19,400
Speaker 6: Yeah, it's somebody might love that. I would like fund it. Yeah,

1130
01:01:19,600 --> 01:01:26,360
Speaker 6: I I should talk to him. Okay, you're back.

1131
01:01:26,880 --> 01:01:29,040
Speaker 7: Said're about your your John Hughes phase.

1132
01:01:29,400 --> 01:01:32,120
Speaker 2: Right, and you're a break from Jesus what I'm saying.

1133
01:01:32,680 --> 01:01:33,160
Speaker 7: He said that.

1134
01:01:37,320 --> 01:01:38,920
Speaker 2: I can't wait to have you on my podcast. Can

1135
01:01:38,960 --> 01:01:41,560
Speaker 2: I love you right now? I love you right now? Yes,

1136
01:01:41,760 --> 01:01:48,120
Speaker 2: because here's what you need to know. Jesus created a Yeah,

1137
01:01:49,320 --> 01:01:52,400
Speaker 2: pretty true about that. You want me to start preaching

1138
01:01:55,280 --> 01:02:00,240
Speaker 2: because you were woven and spun. Don't get me. See

1139
01:02:00,360 --> 01:02:03,840
Speaker 2: the Bible says my people perish for a lack of knowledge,

1140
01:02:05,480 --> 01:02:12,919
Speaker 2: and I'm done soon anyway. Uh now at fifty seven,

1141
01:02:14,560 --> 01:02:18,360
Speaker 2: on the precipice of perhaps biodome two, I don't know

1142
01:02:18,480 --> 01:02:22,040
Speaker 2: what's happening with it? I know Paul's kind of in

1143
01:02:22,160 --> 01:02:24,440
Speaker 2: the club of Hollywood. I'm not you know what I mean?

1144
01:02:24,640 --> 01:02:27,320
Speaker 7: Paul gets to have those That movie low key could

1145
01:02:27,360 --> 01:02:30,920
Speaker 7: be about the firmament, if you believe.

1146
01:02:30,800 --> 01:02:32,120
Speaker 2: Explain Jamie Kennedy.

1147
01:02:33,000 --> 01:02:40,280
Speaker 6: There's a bubble, Oh, the firm firmament flatter Oh as

1148
01:02:40,280 --> 01:02:40,920
Speaker 6: a whole other.

1149
01:02:41,320 --> 01:02:47,040
Speaker 2: Rabbit hole called Brackervoy. Dude, write it.

1150
01:02:47,240 --> 01:02:48,200
Speaker 7: It's fascinating.

1151
01:02:48,320 --> 01:02:48,640
Speaker 2: Write it.

1152
01:02:48,880 --> 01:02:50,440
Speaker 7: But that movie has deeper messages.

1153
01:02:50,480 --> 01:02:53,960
Speaker 2: And I think if listen, if you want my honest opinion,

1154
01:02:54,560 --> 01:02:57,040
Speaker 2: if we do Biodome two and like my ship goes

1155
01:02:57,080 --> 01:03:05,160
Speaker 2: off the edge of the earth, I'm perfectly happy. Get it. Okay,

1156
01:03:06,760 --> 01:03:09,160
Speaker 2: are we done? I think we're think you wrap it up?

1157
01:03:09,360 --> 01:03:10,040
Speaker 1: You just wrap it up?

1158
01:03:10,080 --> 01:03:11,560
Speaker 2: Now what do I do to wrap it up? Dude?

1159
01:03:11,760 --> 01:03:12,680
Speaker 1: I think you just did it?

1160
01:03:13,080 --> 01:03:17,720
Speaker 2: I did you know? Did I did? I just finish

1161
01:03:17,880 --> 01:03:20,800
Speaker 2: without knowing? Yes? Brother, thank you for coming.

1162
01:03:20,920 --> 01:03:22,480
Speaker 7: Dude, Thank you as an honor brother.

1163
01:03:22,520 --> 01:03:25,200
Speaker 2: You're super weird and funny.

1164
01:03:25,400 --> 01:03:28,840
Speaker 7: Really is it weird? I thought we were bonding, but like, I.

1165
01:03:28,880 --> 01:03:30,840
Speaker 2: Think you want to stay with me on the weird

1166
01:03:30,920 --> 01:03:36,760
Speaker 2: frequency because that is bonding. Okay, good, Sorry, I'm with you.

1167
01:03:37,440 --> 01:03:38,840
Speaker 2: I mean, how many guys you know they have like

1168
01:03:38,920 --> 01:03:44,640
Speaker 2: a camo kimono? That's cool? What's up? So it takes

1169
01:03:45,200 --> 01:03:48,200
Speaker 2: decades of being the youngest Baldwin to get to this point.

1170
01:03:49,720 --> 01:03:51,920
Speaker 7: That's cool. It is an interesting camo.

1171
01:03:53,040 --> 01:03:57,520
Speaker 2: It's a camo kimono. Bro, I only look stupid. Welcome

1172
01:03:57,600 --> 01:03:58,520
Speaker 2: to one bad movie?

1173
01:04:00,960 --> 01:04:03,200
Speaker 1: Are we done so about kicking it? Old school?

1174
01:04:03,520 --> 01:04:03,720
Speaker 2: Yes?

1175
01:04:04,240 --> 01:04:07,400
Speaker 1: Now we're done? Would you come back to talk about yes?

1176
01:04:07,520 --> 01:04:08,640
Speaker 7: Do you like that movie? You don't like that?

1177
01:04:08,720 --> 01:04:10,000
Speaker 2: Hey? When can I do your show?

1178
01:04:10,040 --> 01:04:13,919
Speaker 1: And it got me through a very crazy ecstasy role?

1179
01:04:14,320 --> 01:04:14,640
Speaker 2: Okay?

1180
01:04:16,000 --> 01:04:18,240
Speaker 1: Would I couldn't come down? So I was I just

1181
01:04:18,320 --> 01:04:19,200
Speaker 1: kept playing and playing.

1182
01:04:19,480 --> 01:04:21,840
Speaker 2: Wow, kicking it?

1183
01:04:21,920 --> 01:04:22,240
Speaker 3: I love?

1184
01:04:22,440 --> 01:04:26,240
Speaker 2: Did it? Make it? I'm gonna do this podcast, Jamie. Seriously,

1185
01:04:26,320 --> 01:04:29,800
Speaker 2: everyone focused, now focus. I'm going to tell people where

1186
01:04:29,800 --> 01:04:32,520
Speaker 2: they can find me. I just want you to find you.

1187
01:04:32,760 --> 01:04:35,800
Speaker 6: They can find me on Jamie Kennedy dot com Jamie

1188
01:04:35,840 --> 01:04:37,040
Speaker 6: wat Kennedy dot com.

1189
01:04:37,160 --> 01:04:38,280
Speaker 7: And that's where all my stuff is.

1190
01:04:38,640 --> 01:04:42,960
Speaker 2: Hey, can you explain what a podcast is? Because here's

1191
01:04:43,000 --> 01:04:46,120
Speaker 2: the thing. First, we at the cloud. Yea, he knows

1192
01:04:46,160 --> 01:04:48,800
Speaker 2: what that is. Now we have the algorithm. Nobody knows

1193
01:04:48,840 --> 01:04:51,880
Speaker 2: what that is. Now we have a podcast thing that

1194
01:04:52,080 --> 01:04:55,760
Speaker 2: everyone's doing. Can you explain what a podcast is.

1195
01:04:56,000 --> 01:04:59,000
Speaker 6: I think it's a way to express yourself and giving

1196
01:04:59,080 --> 01:05:03,720
Speaker 6: your ideas about topics and what is your conversation.

1197
01:05:03,960 --> 01:05:05,760
Speaker 2: What's the name of your podcast?

1198
01:05:05,840 --> 01:05:08,480
Speaker 6: Mine is called Hate to Break It to You, where

1199
01:05:08,560 --> 01:05:12,120
Speaker 6: we I have solo rants or I do people and

1200
01:05:12,280 --> 01:05:13,520
Speaker 6: we go down things.

1201
01:05:13,360 --> 01:05:15,479
Speaker 7: And kind of go through things that we thought work.

1202
01:05:15,560 --> 01:05:17,880
Speaker 6: We were Yeah, we had moments of hating to Break

1203
01:05:17,920 --> 01:05:20,760
Speaker 6: it to you, But like you know, you have a

1204
01:05:20,880 --> 01:05:23,800
Speaker 6: lot of Hollywood stuff. I could just hit five ideas

1205
01:05:23,880 --> 01:05:25,600
Speaker 6: with you and it could be a two hour podcast

1206
01:05:25,640 --> 01:05:26,440
Speaker 6: and you wouldn't even know it.

1207
01:05:27,560 --> 01:05:29,720
Speaker 7: We have to be Can I be weird? They have

1208
01:05:29,800 --> 01:05:30,440
Speaker 7: to be blunt?

1209
01:05:31,040 --> 01:05:31,480
Speaker 2: You know what I mean?

1210
01:05:31,520 --> 01:05:33,280
Speaker 7: Like you don't want me to No, That's what I

1211
01:05:33,360 --> 01:05:35,600
Speaker 7: love about you. You're blunt.

1212
01:05:35,880 --> 01:05:37,760
Speaker 2: No, I can't be blown. I could smoke a blunt.

1213
01:05:39,240 --> 01:05:40,960
Speaker 2: I can't be blunt. Different.

1214
01:05:41,040 --> 01:05:42,880
Speaker 6: I think you can if you're not worried about You're

1215
01:05:42,920 --> 01:05:48,840
Speaker 6: not worried about being canceled, right, because there's no canceling.

1216
01:05:50,000 --> 01:05:53,440
Speaker 7: We're all gonna be canceled. Dude.

1217
01:05:53,800 --> 01:05:59,080
Speaker 2: You can't be canceled in the season of AI, right,

1218
01:06:00,040 --> 01:06:04,040
Speaker 2: because like, whatever I do a, I'll fix it exactly.

1219
01:06:05,000 --> 01:06:09,520
Speaker 2: So canceled is now canceled because of AI? How choil

1220
01:06:09,640 --> 01:06:11,680
Speaker 2: is that that could be?

1221
01:06:12,720 --> 01:06:14,320
Speaker 7: You look worried right now, Well, I was like I

1222
01:06:14,360 --> 01:06:16,040
Speaker 7: was giving you a moment there. I was like, you're

1223
01:06:16,080 --> 01:06:21,480
Speaker 7: taking that in. Thank you for having me, buddy. I

1224
01:06:21,600 --> 01:06:22,240
Speaker 7: appreciate you.

1225
01:06:22,680 --> 01:06:25,560
Speaker 2: I think you get this podcast. One bad movie is

1226
01:06:26,120 --> 01:06:29,440
Speaker 2: the like the idea and what else have we talked about?

1227
01:06:29,560 --> 01:06:31,320
Speaker 10: We merely talking about movie.

1228
01:06:36,160 --> 01:06:43,040
Speaker 5: Rexam Guilty, badnessness, unders so bad, It's good.

1229
01:06:43,320 --> 01:06:44,920
Speaker 7: One bad Deal