WEBVTT - Round Four!

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<v Speaker 1>Hi Christy, Oh, hi Will, how are you? I'm doing

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<v Speaker 1>pretty good. You know. Last week was crazy with Cree Summer.

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<v Speaker 1>Last week was crazy with Cree Summer, and the whole

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<v Speaker 1>contest itself has just been so fun and so nuts,

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<v Speaker 1>and every week I'm more and more positive that we

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<v Speaker 1>are going to find somebody that's going to be able

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<v Speaker 1>to step into the booth day one and take a

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<v Speaker 1>job from one of us. Yeah, exactly, and put one

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<v Speaker 1>of us out of work, because what a self listening

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<v Speaker 1>for us to do. I'm a voice actor that's going

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<v Speaker 1>to take our jobs. No, it's no, it's incredible, and

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<v Speaker 1>it's just it's the contest itself is going so well

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<v Speaker 1>and moving right along. And so I was at a

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<v Speaker 1>convention this last weekend and so many people came up

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<v Speaker 1>to me and said that they're either entered the contest,

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<v Speaker 1>or are listening to the contest, or are following what's

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<v Speaker 1>going on with I hear voices. We just have fans everywhere,

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<v Speaker 1>and they're very loyal and it's really really cool. So yeah,

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<v Speaker 1>I'm super excited to hear all these people coming up

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<v Speaker 1>and kind of saying like, oh, I here's what I

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<v Speaker 1>did in my entry or here's man, here's what I

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<v Speaker 1>should have done. I was so expecting to do more.

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<v Speaker 1>I got a lot of that. I got a lot

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<v Speaker 1>of I didn't go full out. I should have gone

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<v Speaker 1>full out. Um. So there was a lot of feedback

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<v Speaker 1>though about the contest, and people are really liking it. Oh,

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<v Speaker 1>I'd love to hear that. You know, cons are a

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<v Speaker 1>big reason why the podcast even started. And I think

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<v Speaker 1>it was that excitement and that passion for the community

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<v Speaker 1>that really brought us together Will and I to be like,

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<v Speaker 1>what do we do to service these people? You know

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<v Speaker 1>on the days that there's tought of con happening. Um,

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<v Speaker 1>I don't know. That's really I can't wait for my

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<v Speaker 1>next con, you know, for us to be able to

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<v Speaker 1>chat with people about their you know, their auditions. And

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<v Speaker 1>I'm sure there were some people who were really bummed,

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<v Speaker 1>but um, you know, it's a competit it's competitive, but

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<v Speaker 1>this is a really competitive thing. So and last week

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<v Speaker 1>we were i mean until until like round three. Yeah,

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<v Speaker 1>we were on the fence. I mean they were, they

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<v Speaker 1>were going back and forth, duking it out. It was

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<v Speaker 1>so good. It was crazy, Like three week create a

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<v Speaker 1>run for her money, you know, with her first she's

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<v Speaker 1>not really on podcast much, Chel thinking like, you know,

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<v Speaker 1>she's just on TikTok now, and it's yeah, she did

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<v Speaker 1>a great job. But we're we're super excited. We have

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<v Speaker 1>two new guests coming in today. We are of course

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<v Speaker 1>talking about these super awesome contests to become the next

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<v Speaker 1>big voice actor. And once again, as we like to

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<v Speaker 1>every week, give shout out to everybody who just helped

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<v Speaker 1>make this possible for us. Of course, our friends over

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<v Speaker 1>at Prime Video, our friends at Critical Role. Go check

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<v Speaker 1>out season two of the Legend of Vox Machina as

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<v Speaker 1>you can stream that now. I again, I say this

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<v Speaker 1>every week, it's an amazing show, and I also say

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<v Speaker 1>every week that it's not just amazing because I'm on it,

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<v Speaker 1>but let's be honest, it makes it that much better.

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<v Speaker 1>And of course all of our friends at iHeart who

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<v Speaker 1>really helped to make this entire thing happen for us.

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<v Speaker 1>They've really been had our backs the entire time and said, yes,

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<v Speaker 1>let's go do your contest, and of course my awesome

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<v Speaker 1>agents at CESD, because that is one of the prizes,

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<v Speaker 1>is getting to sign with the wonderful people over at

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<v Speaker 1>yes D and winning the possibility of a career. I

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<v Speaker 1>always said not, it's not your big break, and then

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<v Speaker 1>Christy was like, it is your big breaks and break.

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<v Speaker 1>She was right. Of course, she's right. She's always right.

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<v Speaker 1>I have to Christie more and more. That is just like,

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<v Speaker 1>listen to Christie. It's just I can I get that

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<v Speaker 1>on a voicemail? Well, we're both recording, so you've got it.

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<v Speaker 1>That's high you reach Christy Carlson Romano. She's unable to

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<v Speaker 1>take your call right now, but leave a number she

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<v Speaker 1>gets back to you. By the way, Christie's always right.

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<v Speaker 1>I thought it was just juicy thank you. I will

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<v Speaker 1>be your new outgoing voice message. I hope that's okay.

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<v Speaker 1>It is. I'm excited about our guest. I was going

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<v Speaker 1>to say, we've got an awesome guest who was a

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<v Speaker 1>very close friend of mine and one of the best

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<v Speaker 1>in the biz. He is a voice like no other.

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<v Speaker 1>Is the only way to talk about this? Oh man,

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<v Speaker 1>not enough bows in smooth and that deep barre tone

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<v Speaker 1>with that amazing laugh talent to burn h he has

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<v Speaker 1>been well, tell Christy, can you walk us through just

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<v Speaker 1>a little bit of what he's done? Absolutely so our

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<v Speaker 1>guest today, Can I say the name first? Let's say,

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<v Speaker 1>let's say he's done first and then and then let's

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<v Speaker 1>do that. So he's best known as Gorilla Grod on

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<v Speaker 1>the CW Network drama The Flash. He's in Beast Wars,

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<v Speaker 1>Transformers as Depth Charge, He's Drags the Destroyer, and various

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<v Speaker 1>Marvel things. He shock waves as well. I said that wrong,

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<v Speaker 1>shock Wave and Transformers. You can tell us not a

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<v Speaker 1>Transformers fan, as a Transformer to do it. He's blitzwing

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<v Speaker 1>and bumble beeing. Were you and there? Now? My gosh. Yeah,

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<v Speaker 1>obviously he's known for his deep growling voice. But like

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<v Speaker 1>I mean, he's doing so many things, and he's in

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<v Speaker 1>Dungeons and Dragons, on her among Thieves, he's a voice

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<v Speaker 1>in that. He's obviously the voice of Grod in The

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<v Speaker 1>Final Flash a season and yeah, I mean he just

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<v Speaker 1>completed Transformers, Rise of the Beast. The man is booked

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<v Speaker 1>and busy. It's David sobelof, yes it is. Let's bring

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<v Speaker 1>in David. Hello, Hey, thank you so much for doing this,

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<v Speaker 1>my friend. You're welcome, thanks for asking. This is very

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<v Speaker 1>very cool. So we're going to give you a little

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<v Speaker 1>a little crash course on what's happening today. Yeah, I

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<v Speaker 1>listened to Rob Bolson's episode, did you so for the contest? Yes, okay, good.

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<v Speaker 1>So you are our guest judge for today, and you

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<v Speaker 1>are going to be helping us pick the character and

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<v Speaker 1>then giving notes as we bring in our guests. And

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<v Speaker 1>you know, the winner wins a career, they get to

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<v Speaker 1>sign with CESD and they're flown out to la and

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<v Speaker 1>that you worked that out with Paul. That's right, we're

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<v Speaker 1>CESD people. So uh yeah, they were very excited. So

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<v Speaker 1>it's it's totally cool, but we're really excited to have

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<v Speaker 1>you so excited. I haven't seen you in a long time. David.

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<v Speaker 1>The convention, I think, yeah, where was it in Atlanta

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<v Speaker 1>in twenty eighteen? I think? Yes? Wait, no, did we

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<v Speaker 1>go to Australia together? Did we? Oh? Maybe we did? Yeah,

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<v Speaker 1>maybe maybe I saw you over there. I was pregnant.

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<v Speaker 1>I think I was pregnant and I had a little

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<v Speaker 1>child running with round with me, which was which was

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<v Speaker 1>a lot but a fun cone. Is it true that

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<v Speaker 1>if you're pregnant in Australia you give birth going the

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<v Speaker 1>opposite direction anyway? No, if you give birth in Australia,

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<v Speaker 1>you just keep it in your in your pouch in

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<v Speaker 1>your little Joey pouch. People over there, well, I want

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<v Speaker 1>to thank you so much for joining us. Today. We

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<v Speaker 1>have two incredible contestants coming in. We're gonna have Mike

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<v Speaker 1>from Florida and Tatiana from California that are again we

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<v Speaker 1>got over four thousand entries for this contest and we

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<v Speaker 1>whittled it down very painstakingly to the top sixteen. And

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<v Speaker 1>this is round round number four. It's around four already

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<v Speaker 1>of the super awesome contest of picking the Elite eight.

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<v Speaker 1>So we're very very happy. We're going to be going

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<v Speaker 1>playing our game. Everybody out there who is just joining

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<v Speaker 1>us for the first time. The first game we play

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<v Speaker 1>for this round is a game called by the Numbers

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<v Speaker 1>and what are we going? What are we gonna be

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<v Speaker 1>doing is we have four different categories size, what are

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<v Speaker 1>you age? And a wacky attribute. And our guest judge today,

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<v Speaker 1>David Sobelov, will of course be picking random numbers. When

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<v Speaker 1>he picks the random numbers, that will generate the character

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<v Speaker 1>that will then be given to our guests. Now, the

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<v Speaker 1>guests have been given two lines of dialogue that they

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<v Speaker 1>actually have had a couple of days or a day,

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<v Speaker 1>a day and a half to kind of practice with,

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<v Speaker 1>and then they are given a surprise line at the

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<v Speaker 1>end that they have not had a chance to see

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<v Speaker 1>to see how they are on their feet with a

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<v Speaker 1>cold read. So, David, what we'd like to do is

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<v Speaker 1>we'll bring them in. We bring them in one at

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<v Speaker 1>a time, We talk about him a little bit, what

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<v Speaker 1>got him into the business, and then we jump into

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<v Speaker 1>our game. And when we do, we'll have them read

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<v Speaker 1>it once and then see if any of us have

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<v Speaker 1>any notes for them, they're read it again, and then

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<v Speaker 1>we'll do that until the very end when we pick

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<v Speaker 1>a winner together who will have then go on to

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<v Speaker 1>fame and riches in the wonderful world. The voice over,

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<v Speaker 1>so if everybody is ready, and does anybody have any questions?

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<v Speaker 1>All right, here we go. Can we please start? I

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<v Speaker 1>believe we just take people as they come, first come,

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<v Speaker 1>first serve. And the first person that jumped today was

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<v Speaker 1>Mike from Florida. Am I correct? Yeah? All right? Hi,

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<v Speaker 1>Hey Mike, how are you? I'm a real boy? Hi,

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<v Speaker 1>already right into it. I love to hear this go.

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<v Speaker 1>Let's go. I am Will and this is Christy and

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<v Speaker 1>our special guest today is the amazing David Sobolov, who's

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<v Speaker 1>going to be helping us pick who moves on to

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<v Speaker 1>the next round. Mike, I mean, this is such an

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<v Speaker 1>honor to be here. My goodness. Well, congratulations on making

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<v Speaker 1>it to the top sixteen. No matter what happens today,

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<v Speaker 1>this was a huge accomplishment. You should be really, really

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<v Speaker 1>proud of yourself. I am so I'm just happy to

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<v Speaker 1>be here that yeah. I mean, we're we're lucky to

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<v Speaker 1>have found you, you know, I mean, thank you for

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<v Speaker 1>giving us a great audition, and we're we're excited to

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<v Speaker 1>kind of throw some things your way today and see

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<v Speaker 1>how see how you react. I guess through the paces. Mike,

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<v Speaker 1>we're going to put you into paces now, just very briefly,

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<v Speaker 1>what led you to the world of vo What made

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<v Speaker 1>you want to be a voice over actor? Well, I

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<v Speaker 1>have been performing my entire life. I have been performing

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<v Speaker 1>since I was a little kid, and I've been acting

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<v Speaker 1>and singing and doing all that kind of stuff. But

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<v Speaker 1>I've always loved cartoons and things like that. I just

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<v Speaker 1>never quite knew how to get into it. In fact,

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<v Speaker 1>a lot of my friends are in the vo business

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<v Speaker 1>as well, and I just I don't know, man, I

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<v Speaker 1>just get really weirded out about asking like how do

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<v Speaker 1>I do that? You know, like so so yeah, I

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<v Speaker 1>it's something so you think you think the easier route

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<v Speaker 1>is just winning a national contest. That's what it's like,

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<v Speaker 1>you know, of all the routes that I should take,

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<v Speaker 1>I should should listen to vo podcast and cross my

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<v Speaker 1>fingers that there's a contest. I mean, you're not wrong

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<v Speaker 1>so wrong so far? And do you have your you

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<v Speaker 1>have your two lines? Sure do? All right, Mike, thank

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<v Speaker 1>you so much. We're gonna be getting back with you.

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<v Speaker 1>We're going to go meet your fellow contestant for the

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<v Speaker 1>day and we'll come back and start round one of

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<v Speaker 1>by the numbers. All right, thank you, thank you so much.

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<v Speaker 1>Well he jumped right into I gotta respect that definitely.

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<v Speaker 1>And we're now going to bring in contestant number two,

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<v Speaker 1>who is Tatiana from California with that name. Hello, Hi, good,

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<v Speaker 1>how are you. It's wonderful to be here. Thank you

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<v Speaker 1>so much for having thank you for coming, and congratulations

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<v Speaker 1>on making the top sixteen. Thank you very much. So

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<v Speaker 1>we were just saying, you know, kind of talking to

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<v Speaker 1>your fellow contestant and of figuring out, you know, making

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<v Speaker 1>sure that everybody has what they need to get started.

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<v Speaker 1>You have your lines and all that good kind of

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<v Speaker 1>stuff ready, Yes, and just very quickly, first of all,

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<v Speaker 1>I'm Will. That's Christy, and please meet David Sobelov, who

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<v Speaker 1>is going to be our guest judge for the day

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<v Speaker 1>and helping us decide who moves on. But what drew

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<v Speaker 1>you to the world of vo Why do you want

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<v Speaker 1>to be a voiceover actor? I've always really love storytelling,

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<v Speaker 1>and I love how voicing a character can really add

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<v Speaker 1>like a different dimension to it, and it can really

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<v Speaker 1>translate it well from between two people and really allow

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<v Speaker 1>a more true sharing of the emotions and everything that

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<v Speaker 1>you want to convey. And I just love how it feels.

0:11:32.800 --> 0:11:35.640
<v Speaker 1>I love how it makes other people feel. It's a

0:11:35.640 --> 0:11:38.439
<v Speaker 1>great answer. I couldn't beautifully improve on that answer in

0:11:38.480 --> 0:11:41.520
<v Speaker 1>any way, shape or form. That's wonderful. That's beautiful. So

0:11:41.600 --> 0:11:43.920
<v Speaker 1>thank you so much. We take the contestants in the

0:11:44.000 --> 0:11:46.079
<v Speaker 1>order that they arrived. So we're going to put you

0:11:46.120 --> 0:11:47.839
<v Speaker 1>in the waiting room right now and do round number

0:11:47.840 --> 0:11:50.000
<v Speaker 1>one of buy the numbers, and we will be back

0:11:50.000 --> 0:11:54.280
<v Speaker 1>to you very quickly. Sounds a bit thank you. Well,

0:11:54.280 --> 0:11:57.040
<v Speaker 1>that was exciting. They seem really they seem really great.

0:11:57.400 --> 0:12:00.600
<v Speaker 1>They're really good to go. They both just meet your reaction.

0:12:00.720 --> 0:12:05.200
<v Speaker 1>Nice pipes right off the bat and really good microphone setups.

0:12:05.200 --> 0:12:07.679
<v Speaker 1>What do you think, David, m that's so crucial. I

0:12:07.720 --> 0:12:10.480
<v Speaker 1>don't think people realize they're for starting out. You're being

0:12:10.520 --> 0:12:13.080
<v Speaker 1>auditioned for your booth and your sound as well as

0:12:13.120 --> 0:12:16.720
<v Speaker 1>your performance. Interest. Now we haven't heard that before, and

0:12:16.720 --> 0:12:19.000
<v Speaker 1>that's I haven't heard either, But that's true if you

0:12:19.080 --> 0:12:21.000
<v Speaker 1>got the right setup, and you're going to have a

0:12:21.080 --> 0:12:33.400
<v Speaker 1>leg up already. So that's uh yeah, all right, let

0:12:33.520 --> 0:12:38.520
<v Speaker 1>us start and bring in Mike from Florida. Here we go. Oh,

0:12:38.559 --> 0:12:41.319
<v Speaker 1>I'm excited. I am excited to get into this one.

0:12:41.320 --> 0:12:44.160
<v Speaker 1>All right, Mike. So, as you know, we're going to

0:12:44.200 --> 0:12:46.480
<v Speaker 1>be playing by the numbers. And by the numbers we

0:12:46.600 --> 0:12:51.280
<v Speaker 1>have four different categories, size, what are you age? And

0:12:51.360 --> 0:12:55.640
<v Speaker 1>a wacky attribute by our guest, David Sobolov. Picking the numbers,

0:12:55.760 --> 0:12:57.600
<v Speaker 1>he is going to create the character with which you

0:12:57.600 --> 0:12:59.960
<v Speaker 1>are going to be reading your first line of diet.

0:13:00.400 --> 0:13:02.680
<v Speaker 1>So David, if you would for me, sir, could you

0:13:02.720 --> 0:13:06.440
<v Speaker 1>please give me a number between one and six A four?

0:13:07.640 --> 0:13:09.960
<v Speaker 1>Could you give me a number between one and twelve

0:13:10.960 --> 0:13:14.920
<v Speaker 1>about ten, could you please give me number one to

0:13:15.080 --> 0:13:22.640
<v Speaker 1>seven three and finally a number one to eleven seven.

0:13:23.679 --> 0:13:26.520
<v Speaker 1>Christie got it. I'm getting better at this too because

0:13:26.520 --> 0:13:28.640
<v Speaker 1>of the way that we've listed it. You are going

0:13:28.679 --> 0:13:33.240
<v Speaker 1>to be like a small robot that's ten years old

0:13:33.320 --> 0:13:41.720
<v Speaker 1>who is hypothermic. A small ten year old hypothermic robot.

0:13:42.480 --> 0:13:45.360
<v Speaker 1>And if you can take line one please and at

0:13:45.440 --> 0:13:51.760
<v Speaker 1>your pleasure, can I get oh whoo whoop seriously, like

0:13:52.400 --> 0:14:01.880
<v Speaker 1>I need a whoop whoop immediately, like it's an emergence rubble. Oh,

0:14:02.840 --> 0:14:06.560
<v Speaker 1>that's pretty good. I like a little robot. And there, David,

0:14:06.600 --> 0:14:09.720
<v Speaker 1>you have any notes? Um? That ending was just a

0:14:09.800 --> 0:14:12.560
<v Speaker 1>huge for me. I really love that ending. UM aged

0:14:12.640 --> 0:14:15.079
<v Speaker 1>him up a little bit years old, right, he's a

0:14:15.120 --> 0:14:18.679
<v Speaker 1>little young for ten okay, you know, and maybe just

0:14:18.720 --> 0:14:20.680
<v Speaker 1>a little more energy and it's going to be great.

0:14:21.080 --> 0:14:24.160
<v Speaker 1>Don't lose that end of those? Yeah? Can I get

0:14:24.160 --> 0:14:27.680
<v Speaker 1>a little something like that? Something? Yeah? I mean, I

0:14:27.680 --> 0:14:30.880
<v Speaker 1>I groll, Christy, do you have any would you No? No? Absolutely?

0:14:30.920 --> 0:14:33.440
<v Speaker 1>I think that he I think David's right. I think um,

0:14:33.480 --> 0:14:35.480
<v Speaker 1>I think that sounded about eight, whereas I think with

0:14:35.600 --> 0:14:39.440
<v Speaker 1>ten um, I think it's a little more, a little

0:14:39.440 --> 0:14:41.920
<v Speaker 1>more grit a little more you know, a little more

0:14:41.920 --> 0:14:45.360
<v Speaker 1>of the grittiness to the prepubessence of it. So there's

0:14:45.720 --> 0:14:47.960
<v Speaker 1>just a little bit of that rawness to the voice.

0:14:47.960 --> 0:14:51.800
<v Speaker 1>And then I think we always try to interpret these

0:14:51.840 --> 0:14:57.920
<v Speaker 1>directions with our or what is it contestants, right, and

0:14:58.080 --> 0:14:59.840
<v Speaker 1>we want to make sure that you guys are nailing

0:15:00.120 --> 0:15:04.400
<v Speaker 1>every direction. So one of the directions is hypothermic. And

0:15:04.480 --> 0:15:08.120
<v Speaker 1>so while a robot probably can't feel the cold, I

0:15:08.160 --> 0:15:10.440
<v Speaker 1>think that it would, Like I love the way right

0:15:10.440 --> 0:15:13.200
<v Speaker 1>at the end you kind of you've failed, you know,

0:15:13.240 --> 0:15:16.120
<v Speaker 1>like you you shut down, but I didn't. I didn't.

0:15:16.160 --> 0:15:17.840
<v Speaker 1>I don't know if there's a way that maybe you

0:15:17.840 --> 0:15:21.600
<v Speaker 1>can play what do you think will with the hypothermic direction? Again,

0:15:21.640 --> 0:15:24.080
<v Speaker 1>it all depends on what you know, how you want.

0:15:24.120 --> 0:15:26.160
<v Speaker 1>It's the joy of an actor is your interpretation of

0:15:26.240 --> 0:15:29.520
<v Speaker 1>how you would play that cold. You know, does it

0:15:29.560 --> 0:15:31.520
<v Speaker 1>speed you up? Does it slow you down? Does it

0:15:31.600 --> 0:15:34.720
<v Speaker 1>make you stutter? Are you shivering as a robot is?

0:15:35.160 --> 0:15:37.600
<v Speaker 1>Does the metal get so cold that it's painful? I mean,

0:15:37.640 --> 0:15:40.240
<v Speaker 1>there's so many different ways to kind of take the

0:15:40.400 --> 0:15:44.120
<v Speaker 1>character that it's really dealer's choice. David. Maybe the software glitches,

0:15:44.200 --> 0:15:47.320
<v Speaker 1>you know, when you're cold, do you want to humanize

0:15:47.320 --> 0:15:49.120
<v Speaker 1>them more or make it more roboty? You know that's

0:15:49.120 --> 0:15:51.800
<v Speaker 1>another choice as well. Yeah, I love that. All right,

0:15:51.840 --> 0:15:54.600
<v Speaker 1>So there are your notes, Mike, So here we go.

0:15:54.640 --> 0:15:56.600
<v Speaker 1>If you could do it one more time at your pleasure,

0:15:59.000 --> 0:16:04.560
<v Speaker 1>can I get a whoop whoop? Seriously, I really need

0:16:04.600 --> 0:16:10.960
<v Speaker 1>a whoop whoop berber immediately, like it's an emergence. You're

0:16:11.240 --> 0:16:16.960
<v Speaker 1>read very nice. Thank you so much, sir, and we

0:16:16.960 --> 0:16:20.040
<v Speaker 1>will be coming back to you in a second. Thank you, guys. Thanks.

0:16:20.120 --> 0:16:24.000
<v Speaker 1>Why I like that? I thought he took the notes well, um,

0:16:24.520 --> 0:16:26.760
<v Speaker 1>you know, he aged it up, which is one of

0:16:26.800 --> 0:16:29.240
<v Speaker 1>the things that David suggested that he do. He added

0:16:29.320 --> 0:16:31.640
<v Speaker 1>more of kind of a glitch to it. I mean,

0:16:32.400 --> 0:16:34.600
<v Speaker 1>I think for taking notes he did he did pretty well.

0:16:34.640 --> 0:16:37.160
<v Speaker 1>What do you think One last thing I would have

0:16:37.160 --> 0:16:38.800
<v Speaker 1>said if he had another chance, was to make it

0:16:38.840 --> 0:16:41.040
<v Speaker 1>sort of happier and more fun because it is probably

0:16:41.080 --> 0:16:44.520
<v Speaker 1>from a comedic show. When I'm teaching, I'm talking to

0:16:44.520 --> 0:16:47.040
<v Speaker 1>people a lot about what what network things they are on,

0:16:47.200 --> 0:16:49.400
<v Speaker 1>if it's comedic or if it's serious. Um, you know,

0:16:49.400 --> 0:16:51.120
<v Speaker 1>if it's comedic. But you start to feel sorry for

0:16:51.160 --> 0:16:53.560
<v Speaker 1>it feel sad. Then they might be placed in the

0:16:53.600 --> 0:16:57.320
<v Speaker 1>wrong wrong way emotionally. Maybe you know. That's that's that's

0:16:57.360 --> 0:16:59.800
<v Speaker 1>something I remember they taught us in acting class way

0:16:59.800 --> 0:17:02.480
<v Speaker 1>back quin It was like reading a script. It has

0:17:02.520 --> 0:17:05.320
<v Speaker 1>a certain song to it that the writers kind of rite,

0:17:05.560 --> 0:17:08.760
<v Speaker 1>and so the cadence of it, it needs to feel appropriate.

0:17:09.200 --> 0:17:11.199
<v Speaker 1>And so yeah, if you sometimes you can read a

0:17:11.200 --> 0:17:13.800
<v Speaker 1>line like this and see that it's I don't know.

0:17:13.880 --> 0:17:16.720
<v Speaker 1>I also think I think we make bold choices as

0:17:16.760 --> 0:17:19.919
<v Speaker 1>actors because when you make the bold choices, when you

0:17:19.960 --> 0:17:24.400
<v Speaker 1>stand out, and in in this kind of a contest,

0:17:24.480 --> 0:17:27.080
<v Speaker 1>you want to stand out. So we could and I've

0:17:27.080 --> 0:17:29.120
<v Speaker 1>always encouraged people during this contest to have as much

0:17:29.119 --> 0:17:31.040
<v Speaker 1>fun as possible. But I know how nervous they are.

0:17:31.160 --> 0:17:33.160
<v Speaker 1>Oh yeah, it sounds you definitely feel I can feel

0:17:33.200 --> 0:17:36.400
<v Speaker 1>the nerves and feel there. That's all. By the way, David,

0:17:36.440 --> 0:17:37.960
<v Speaker 1>if you ever want to jump in and say, wait

0:17:37.960 --> 0:17:39.600
<v Speaker 1>a second, gay second, I want to hear one more

0:17:39.640 --> 0:17:41.800
<v Speaker 1>and here's how I'll do it. Please please feel free,

0:17:41.840 --> 0:17:45.400
<v Speaker 1>Please feel free, And then yeah, let's go. Let's bring

0:17:45.480 --> 0:17:50.639
<v Speaker 1>in our contestant number two. Here, it's bringing Tatiana. Hello, Tatiana,

0:17:50.680 --> 0:17:54.439
<v Speaker 1>how are you good? How are you? I am? Good? Things? Okay,

0:17:54.480 --> 0:17:57.200
<v Speaker 1>So here we go. You got line number one, yes

0:17:57.240 --> 0:18:00.600
<v Speaker 1>I do. Okay, So David, sobelove here is going to

0:18:00.680 --> 0:18:02.280
<v Speaker 1>pick some numbers for you were You're going to create

0:18:02.280 --> 0:18:04.600
<v Speaker 1>your character and it's going to be all on you.

0:18:04.720 --> 0:18:09.000
<v Speaker 1>So if you would, sir, number between one and six six,

0:18:09.680 --> 0:18:13.600
<v Speaker 1>and now a number between one and twelve four, and

0:18:13.720 --> 0:18:17.880
<v Speaker 1>now a number between one and seven six, and now

0:18:17.920 --> 0:18:22.040
<v Speaker 1>a number between one and eleven three. Christy, if you

0:18:22.040 --> 0:18:29.320
<v Speaker 1>would please, okay, you are a German sixty year old

0:18:31.040 --> 0:18:37.920
<v Speaker 1>microscopic racehorse. All right, honey, if you can do that,

0:18:39.280 --> 0:18:44.440
<v Speaker 1>you are a fan. I'm a fan of yours immediately. Wow,

0:18:45.160 --> 0:18:47.720
<v Speaker 1>I love that, and I'm sure that's exactly what you

0:18:47.760 --> 0:18:51.200
<v Speaker 1>were planning on being today when you've joined us. She's like, yes,

0:18:51.240 --> 0:18:55.480
<v Speaker 1>I have that one in the bag. Oh of course, yeah,

0:18:55.520 --> 0:19:04.480
<v Speaker 1>all right, German German sixty year old microscopic. I love that,

0:19:04.680 --> 0:19:12.520
<v Speaker 1>all right, Tatiana, Line one at your pleasure, colocas a whoop, whoop,

0:19:15.400 --> 0:19:20.240
<v Speaker 1>I fellow a little roop whoop. Ami. Look it's a remorg.

0:19:23.640 --> 0:19:27.399
<v Speaker 1>That was really good, Taia. That was David any notes

0:19:27.840 --> 0:19:30.479
<v Speaker 1>very horsey but when you're doing animation, even if it's

0:19:30.480 --> 0:19:32.920
<v Speaker 1>a crazy, wacky character, I have to understand every words

0:19:32.960 --> 0:19:37.440
<v Speaker 1>a little little clarity. Okay, I got the age from that.

0:19:37.560 --> 0:19:39.280
<v Speaker 1>I got that there was like a little bit of

0:19:39.280 --> 0:19:41.880
<v Speaker 1>like a little warble in the voice that lent itself

0:19:41.920 --> 0:19:44.240
<v Speaker 1>to being a horse, which I really really liked. But

0:19:44.320 --> 0:19:46.439
<v Speaker 1>I do agree like the way that that sounded was

0:19:46.440 --> 0:19:48.960
<v Speaker 1>more in the back of your throat. Um, what do

0:19:49.000 --> 0:19:51.320
<v Speaker 1>you think will um? Yeah? I agree. I think the

0:19:51.320 --> 0:19:52.679
<v Speaker 1>first thing, you want to make sure that, even if

0:19:52.680 --> 0:19:55.200
<v Speaker 1>it's crazy, you want to make sure that you understand

0:19:55.200 --> 0:19:58.359
<v Speaker 1>all the words um and the other thing. If I

0:19:58.400 --> 0:20:00.440
<v Speaker 1>were to give you a direction, I would say, if

0:20:00.440 --> 0:20:02.720
<v Speaker 1>you want to make it more German, it could be

0:20:04.080 --> 0:20:11.320
<v Speaker 1>more very matter of fact, you know that's it could

0:20:11.320 --> 0:20:13.679
<v Speaker 1>be a very kind of you know, staccato read if

0:20:13.720 --> 0:20:14.880
<v Speaker 1>you want it to go that way. But you pick

0:20:14.960 --> 0:20:16.680
<v Speaker 1>whatever you want. But again, at the end of the day,

0:20:16.720 --> 0:20:19.080
<v Speaker 1>make sure we can understand what you're saying. But got

0:20:19.119 --> 0:20:23.960
<v Speaker 1>the age right away, and got but she is also

0:20:24.200 --> 0:20:26.919
<v Speaker 1>I forgot completely that she was supposed to be Germany

0:20:27.240 --> 0:20:32.479
<v Speaker 1>and scopic, which which you know sometimes with the size

0:20:32.800 --> 0:20:34.680
<v Speaker 1>we can always play I'm sure David knows this. You

0:20:34.720 --> 0:20:37.160
<v Speaker 1>can play against type. Right. Do you ever get, David,

0:20:37.200 --> 0:20:39.639
<v Speaker 1>do you ever get cast as something very small and

0:20:40.960 --> 0:20:44.080
<v Speaker 1>not usually but you know, but what it usually happens

0:20:44.080 --> 0:20:45.679
<v Speaker 1>to be used. They'll get an incidental character in an

0:20:45.680 --> 0:20:47.879
<v Speaker 1>animated series and they just throw something weird at me

0:20:48.000 --> 0:20:50.280
<v Speaker 1>just to challenge me. So then I'll have to play

0:20:50.320 --> 0:20:53.760
<v Speaker 1>something small or different and I'll find some weird way

0:20:53.800 --> 0:20:56.360
<v Speaker 1>to do it for for a moment. But I can

0:20:56.400 --> 0:20:58.560
<v Speaker 1>attest to that having stood next to him doing Guardians

0:20:58.600 --> 0:21:01.040
<v Speaker 1>the Galaxy for as long as we did. Uh, there

0:21:01.119 --> 0:21:02.919
<v Speaker 1>was many a guard that all of us are like,

0:21:03.040 --> 0:21:06.800
<v Speaker 1>let's see what happens here. So Tatiana, if you can

0:21:06.840 --> 0:21:08.480
<v Speaker 1>give us, give it one more shot, and just think

0:21:08.480 --> 0:21:10.119
<v Speaker 1>about those some of the things we said, and remember

0:21:10.119 --> 0:21:12.240
<v Speaker 1>if you can really enunciate the words, but take it

0:21:12.240 --> 0:21:18.120
<v Speaker 1>away at your pleasure, it can. I give a whoop whoop,

0:21:19.920 --> 0:21:27.400
<v Speaker 1>sorrious loop, I really whoop whoop, immediately like it, somemermorg,

0:21:29.720 --> 0:21:34.280
<v Speaker 1>that's great, anybody else anything? I heard the German in

0:21:34.320 --> 0:21:36.560
<v Speaker 1>the front, and I so I know she can do it.

0:21:36.720 --> 0:21:39.880
<v Speaker 1>You know, Yeah, I would like to one where you're

0:21:39.920 --> 0:21:41.600
<v Speaker 1>not so worried about the age because I think the

0:21:41.640 --> 0:21:44.199
<v Speaker 1>age is causing you to change the voice so that

0:21:44.240 --> 0:21:46.600
<v Speaker 1>it isn't as clear as it could be. Let me

0:21:46.640 --> 0:21:48.040
<v Speaker 1>just here. I know this is kind of maybe against

0:21:48.080 --> 0:21:49.600
<v Speaker 1>the rules, but just don't worry about the age and

0:21:49.600 --> 0:21:51.080
<v Speaker 1>this just do one more for me, if you would,

0:21:51.119 --> 0:21:52.680
<v Speaker 1>without worrying about the age. I want to see what

0:21:52.760 --> 0:21:55.480
<v Speaker 1>happens and double down on the horse because it's very funny.

0:21:55.680 --> 0:22:03.959
<v Speaker 1>Got it, No worries? Go ahead, Can I get a whoop? Whoop? Seriously?

0:22:04.320 --> 0:22:12.040
<v Speaker 1>I really need a whoop whoop immediately, like it's an emergency. Perfect,

0:22:12.320 --> 0:22:14.080
<v Speaker 1>Thank you very much, and we'll be right back with you.

0:22:14.280 --> 0:22:19.639
<v Speaker 1>Thank you. See that's what I was waiting for. I

0:22:19.640 --> 0:22:21.080
<v Speaker 1>was waiting to hear like the can I get a

0:22:21.119 --> 0:22:26.480
<v Speaker 1>whoop whoop? I needhop immediately? Like her immediately? That was

0:22:26.600 --> 0:22:29.719
<v Speaker 1>very good. That was very Maybe I forget you know,

0:22:29.880 --> 0:22:33.080
<v Speaker 1>you are also a director of animation, so see I

0:22:33.160 --> 0:22:34.800
<v Speaker 1>was like, these are the things I would never know

0:22:34.920 --> 0:22:37.240
<v Speaker 1>to pull out of her. I would and if I

0:22:37.280 --> 0:22:39.320
<v Speaker 1>were directing her, I would give her one more direction

0:22:39.359 --> 0:22:41.400
<v Speaker 1>of you know, really double down on the German now.

0:22:41.600 --> 0:22:44.439
<v Speaker 1>And it sounded it could sound more elderly without it

0:22:44.520 --> 0:22:47.840
<v Speaker 1>being caught in the throat and could up in the

0:22:47.920 --> 0:22:50.240
<v Speaker 1>higher part of the throat and like, yeah, I thought

0:22:50.320 --> 0:22:53.800
<v Speaker 1>she had an easier time. And again, but the stuff

0:22:53.840 --> 0:22:58.680
<v Speaker 1>we're throwing at them is exceptionally diffic I mean crazy difficult. Um,

0:22:58.760 --> 0:23:02.119
<v Speaker 1>So it's um. You know, sometimes we're getting actors that

0:23:02.119 --> 0:23:05.040
<v Speaker 1>are concentrating more on their cadence. Sometimes we're getting the

0:23:05.040 --> 0:23:07.280
<v Speaker 1>actors that are concentrating more on the accent. Sometimes we're

0:23:07.280 --> 0:23:09.960
<v Speaker 1>getting more they concentrating on their age. But that's why

0:23:09.960 --> 0:23:11.919
<v Speaker 1>it's difficult, because we're trying to find somebody that can

0:23:11.920 --> 0:23:14.760
<v Speaker 1>pull it all together. So all right, cool, We'll let

0:23:14.880 --> 0:23:17.720
<v Speaker 1>us move on to challenge number two, line number two,

0:23:17.760 --> 0:23:21.719
<v Speaker 1>and we will go back now to contestant number one,

0:23:22.040 --> 0:23:25.640
<v Speaker 1>Mike from Florida. Mike, welcome back. We are moving on

0:23:25.680 --> 0:23:29.000
<v Speaker 1>to line number two, and David Sobelov once again stir

0:23:29.400 --> 0:23:33.159
<v Speaker 1>a number between one and six one, and now a

0:23:33.240 --> 0:23:36.480
<v Speaker 1>number between one and twelve eight, and now a number

0:23:36.520 --> 0:23:39.959
<v Speaker 1>between one and seven seven, and now a number between

0:23:39.960 --> 0:23:44.560
<v Speaker 1>one and eleven nine. Christy, if you would you are

0:23:44.680 --> 0:23:51.280
<v Speaker 1>a giant fish who's ninety five years old and shocked.

0:23:52.320 --> 0:23:55.919
<v Speaker 1>Giant ninety five year old fish who is shocked. That

0:23:56.359 --> 0:23:58.960
<v Speaker 1>is it? So Mike at your pleasure, line number two. Please,

0:24:00.800 --> 0:24:03.959
<v Speaker 1>people up with the jury. I think I have proven,

0:24:04.119 --> 0:24:07.280
<v Speaker 1>beyond the shadow of a doubt that my client is

0:24:07.400 --> 0:24:12.080
<v Speaker 1>guel creak, cel creak, cruelty. Oops. That's the opposite of

0:24:12.080 --> 0:24:15.000
<v Speaker 1>what I was supposed to do. Your honor, I quit

0:24:17.200 --> 0:24:20.960
<v Speaker 1>all right, David, any notes speak slower because he's giant.

0:24:21.000 --> 0:24:23.600
<v Speaker 1>That will give us a sense of being giant. Um,

0:24:23.920 --> 0:24:25.679
<v Speaker 1>And I'm going to get you to try something that

0:24:25.920 --> 0:24:28.040
<v Speaker 1>the other you may not be thinking of, because it's

0:24:28.040 --> 0:24:30.520
<v Speaker 1>not really even what shocked means maybe in this context,

0:24:30.560 --> 0:24:33.359
<v Speaker 1>but make shocked being that you're being shocked by an

0:24:33.359 --> 0:24:37.720
<v Speaker 1>electric Curtis. This is happening. Okay. Oh see, it's all

0:24:37.760 --> 0:24:42.960
<v Speaker 1>about choice as an actor. Christy anything, No, I don't.

0:24:43.080 --> 0:24:48.080
<v Speaker 1>I love those I just do what David says. That

0:24:48.160 --> 0:24:51.480
<v Speaker 1>is our new dw ds. Do what David says. That

0:24:51.600 --> 0:24:54.000
<v Speaker 1>is our new motto. Here on I hear voices. So

0:24:54.280 --> 0:24:57.200
<v Speaker 1>Mike with those notes in mine line number two again,

0:24:57.200 --> 0:25:03.760
<v Speaker 1>please sir, okay, people of the jury, I think I

0:25:03.880 --> 0:25:07.480
<v Speaker 1>have proven beyond the shadow of a doubt that my

0:25:07.600 --> 0:25:14.719
<v Speaker 1>client is guilty, guilty, guilty. Oops, that's the opposite of

0:25:14.840 --> 0:25:18.400
<v Speaker 1>what I was supposed to do your honor. I quit,

0:25:20.800 --> 0:25:22.919
<v Speaker 1>thank you very much. Anything else I want to give

0:25:23.000 --> 0:25:26.360
<v Speaker 1>him to do it one more time? You got it? Giant, slower,

0:25:26.880 --> 0:25:29.960
<v Speaker 1>deeper and shocked. Start for the very beginning of what

0:25:30.280 --> 0:25:33.919
<v Speaker 1>that note is like, make him completely full of electricity

0:25:33.920 --> 0:25:37.399
<v Speaker 1>and he's trying to talk through being shocked. Okay, and

0:25:37.520 --> 0:25:40.359
<v Speaker 1>have fun with it? Sure, okay, Yeah, you know we

0:25:40.440 --> 0:25:42.320
<v Speaker 1>all want you to do great. And whenever you're going

0:25:42.359 --> 0:25:45.520
<v Speaker 1>to a casting director, they want you to do great. Yeah,

0:25:45.560 --> 0:25:47.560
<v Speaker 1>they're looking for it, they're looking for you, they want

0:25:47.560 --> 0:25:50.399
<v Speaker 1>ever they want us to succeed. So yeah, to have

0:25:50.440 --> 0:25:52.160
<v Speaker 1>some fun with it, slow it down a little bit,

0:25:52.600 --> 0:25:56.360
<v Speaker 1>and remember your size. Okay, than give it one more try?

0:25:56.400 --> 0:26:02.240
<v Speaker 1>Go ahead, all right? People, Oh the churt, I think

0:26:02.280 --> 0:26:06.320
<v Speaker 1>I have proven, beyond the shadow of a doubt that

0:26:06.560 --> 0:26:15.000
<v Speaker 1>my client is guilty. Guilty, guilty. Whoops. That's the opposite

0:26:15.000 --> 0:26:20.280
<v Speaker 1>of what I was supposed to do. Your honor. I quit,

0:26:22.160 --> 0:26:26.400
<v Speaker 1>Thank you very much, appreciate it, Mike, thank you all right.

0:26:27.800 --> 0:26:30.200
<v Speaker 1>I yeah, I think he was having a little trouble

0:26:30.240 --> 0:26:34.240
<v Speaker 1>taking some of the direction that time. Um, and so well,

0:26:34.119 --> 0:26:36.439
<v Speaker 1>we're gonna have to see what what Tatiana does with

0:26:36.520 --> 0:26:38.400
<v Speaker 1>line too. This is close. This is a close one

0:26:38.800 --> 0:26:41.360
<v Speaker 1>because it's it's with something like this, it can come

0:26:41.359 --> 0:26:43.879
<v Speaker 1>down to the to the X factors, the intangibles, the

0:26:44.119 --> 0:26:47.720
<v Speaker 1>conversations in between the lines that we're having with them. Uh,

0:26:47.760 --> 0:26:49.359
<v Speaker 1>that will allow us to see where to go with this.

0:26:49.600 --> 0:26:51.359
<v Speaker 1>I want to see these guys tell the story better.

0:26:52.080 --> 0:26:55.040
<v Speaker 1>I okay, I feel that. I feel that. That's great.

0:26:55.080 --> 0:26:57.600
<v Speaker 1>I totally I totally understand that. And maybe we can

0:26:57.840 --> 0:26:59.840
<v Speaker 1>talk with both of them before we start with line

0:26:59.840 --> 0:27:02.720
<v Speaker 1>through three. Um, so let's see. Let's bring Tatiana in

0:27:02.800 --> 0:27:05.320
<v Speaker 1>and see what what Tatiana can do with line number two.

0:27:05.920 --> 0:27:09.000
<v Speaker 1>Welcome back, Tatiana, Thank you, thank you, and we are

0:27:09.040 --> 0:27:12.800
<v Speaker 1>going to be moving on to line number two. Sounds good,

0:27:13.000 --> 0:27:17.640
<v Speaker 1>mister Sobelov Please, sir, a number between one and six three,

0:27:17.720 --> 0:27:21.640
<v Speaker 1>and now a number between one and twelve six. What's

0:27:21.680 --> 0:27:24.560
<v Speaker 1>your six six six? Please? Gotch got it? And now

0:27:24.600 --> 0:27:28.359
<v Speaker 1>a number between one and seven one, and now a

0:27:28.480 --> 0:27:34.920
<v Speaker 1>number between one and eleven five. Okay, Wow, you are

0:27:34.960 --> 0:27:41.640
<v Speaker 1>a medium ground bug who is ancient and just one

0:27:41.880 --> 0:27:47.240
<v Speaker 1>the lottery. Tatiana is getting it today. All good through

0:27:47.240 --> 0:27:50.719
<v Speaker 1>the paces Tatiana attitude. That's a good attitude. So you

0:27:50.760 --> 0:27:54.879
<v Speaker 1>are ancient. That's your age. You're ancient, and you're a

0:27:55.000 --> 0:27:58.520
<v Speaker 1>ground bug. So what's that like a Rolie polyever kind

0:27:58.520 --> 0:28:02.680
<v Speaker 1>of bugs worm, whatever you want. You're a bug. You're

0:28:02.680 --> 0:28:05.840
<v Speaker 1>a bug on the ground that medize medium size. But

0:28:05.880 --> 0:28:10.119
<v Speaker 1>you just won the lottery. Okay, you found an apple

0:28:12.359 --> 0:28:20.920
<v Speaker 1>tatiana at your pleasure line number two, please pop roll of.

0:28:23.080 --> 0:28:33.640
<v Speaker 1>I have proven a shadow of a but orps. That's

0:28:33.640 --> 0:28:36.800
<v Speaker 1>an episode of when I was supposed to the latter

0:28:37.359 --> 0:28:42.880
<v Speaker 1>ACCRPT David any notes, I would say, there's a little

0:28:42.880 --> 0:28:45.560
<v Speaker 1>technical thing. Turn your game down a bit and turn

0:28:45.640 --> 0:28:47.840
<v Speaker 1>your put your head a little bit further to the

0:28:47.920 --> 0:28:49.880
<v Speaker 1>right of the MICROPHONNC. You're popping a lot of peas

0:28:50.560 --> 0:28:56.080
<v Speaker 1>technical things. Um again, clarity issues, so whatever is sort

0:28:56.120 --> 0:28:58.000
<v Speaker 1>of forcing it up into your nose, I would try

0:28:58.000 --> 0:29:00.880
<v Speaker 1>a different approach, just so we can understand. I think

0:29:00.880 --> 0:29:02.920
<v Speaker 1>it's your tongue. I think you're doing something with your

0:29:02.920 --> 0:29:04.840
<v Speaker 1>tongue in your mouth to kind of make a voice,

0:29:05.400 --> 0:29:09.440
<v Speaker 1>and sometimes that can garble the annunciation that you're going

0:29:09.520 --> 0:29:12.800
<v Speaker 1>to need. So yeah, if we can try it again,

0:29:13.680 --> 0:29:17.160
<v Speaker 1>Christy anything, I agree. I think that the tongue is

0:29:17.200 --> 0:29:20.200
<v Speaker 1>definitely inhibiting your natural voice, which we love. We love

0:29:20.280 --> 0:29:24.600
<v Speaker 1>your natural speaking voice, and so yeah, try to try

0:29:24.600 --> 0:29:26.840
<v Speaker 1>to not use the tongue this time to give us

0:29:26.880 --> 0:29:29.760
<v Speaker 1>different colors. Got it sounds good? And give it one

0:29:29.800 --> 0:29:36.480
<v Speaker 1>more time any time, please act your pleasure people of

0:29:36.600 --> 0:29:39.880
<v Speaker 1>the Jewy. I think I have proven me, on any

0:29:39.920 --> 0:29:47.400
<v Speaker 1>shadow of a doubt, that my client is guilty. Guilty, guilty. Oops,

0:29:48.200 --> 0:29:51.040
<v Speaker 1>that's the opposite of what I was supposed to do

0:29:51.080 --> 0:29:55.200
<v Speaker 1>your honor, I quit. Can you hear how much better

0:29:55.280 --> 0:29:58.520
<v Speaker 1>that was because we can understand it? And then why

0:29:58.720 --> 0:30:00.840
<v Speaker 1>for me? Now? Yeah, I felt like you were a

0:30:00.840 --> 0:30:04.920
<v Speaker 1>little bug. I loved it too. That was way better.

0:30:04.960 --> 0:30:08.400
<v Speaker 1>I think anytime you can just rely on your natural ability,

0:30:08.480 --> 0:30:13.400
<v Speaker 1>natural talent and your regular pipes. There are certain little

0:30:13.400 --> 0:30:16.200
<v Speaker 1>gimmicking things you can do with you know, holding your

0:30:16.360 --> 0:30:19.400
<v Speaker 1>your throat or doing something with your tongue, but you

0:30:19.480 --> 0:30:21.120
<v Speaker 1>usually don't see that too much in the booth. What

0:30:21.160 --> 0:30:22.720
<v Speaker 1>you really see in the booth is people that are

0:30:22.960 --> 0:30:25.120
<v Speaker 1>using kind of just the natural ability that they have.

0:30:25.200 --> 0:30:28.600
<v Speaker 1>And it was so much better the second time to Tiana,

0:30:28.640 --> 0:30:31.280
<v Speaker 1>when it was just your natural flow and voice and

0:30:31.320 --> 0:30:34.000
<v Speaker 1>you're able to concentrate on the acting. That's your that's

0:30:34.040 --> 0:30:36.720
<v Speaker 1>your butter zone right there. That sounded so much better,

0:30:36.880 --> 0:30:40.800
<v Speaker 1>so much better, Christy. I agree. I'm really proud of

0:30:40.800 --> 0:30:43.480
<v Speaker 1>you for making that adjustment. And um, you know, let's

0:30:43.640 --> 0:30:46.040
<v Speaker 1>let's see what we got for our next round. I

0:30:46.120 --> 0:30:48.760
<v Speaker 1>love that so much. And before you go where, David

0:30:48.960 --> 0:30:50.800
<v Speaker 1>mentioned something earlier that we'd like to say to you

0:30:50.840 --> 0:30:52.520
<v Speaker 1>that we are also then going to say to contesting

0:30:52.640 --> 0:30:54.520
<v Speaker 1>number one. What was the note you wanted to give

0:30:54.520 --> 0:30:56.320
<v Speaker 1>to both of them? David as, I think it's important

0:30:56.640 --> 0:31:01.240
<v Speaker 1>tell the story, stay in the moment, roach like I'm

0:31:01.320 --> 0:31:03.600
<v Speaker 1>expanding what I was saying. You treat it like an

0:31:03.600 --> 0:31:06.360
<v Speaker 1>on camera performance, so everything around you was happening. You're

0:31:06.360 --> 0:31:10.840
<v Speaker 1>talking to someone, you're listening and answering, and your humanity

0:31:10.880 --> 0:31:12.280
<v Speaker 1>will really come out. Then if you stay in the

0:31:12.320 --> 0:31:15.520
<v Speaker 1>moment and tell the story so perfect, we will see

0:31:15.560 --> 0:31:18.240
<v Speaker 1>you in a minute for round number three. Thank you,

0:31:18.320 --> 0:31:31.880
<v Speaker 1>thank you, thank you. All right, it's great that you're

0:31:31.880 --> 0:31:34.760
<v Speaker 1>giving you these notes. It's so helpful, David, it really is.

0:31:35.200 --> 0:31:37.200
<v Speaker 1>And let's bring Mike back and give him the same

0:31:37.200 --> 0:31:40.600
<v Speaker 1>one before we start. Hey Mike, Hey, Mike, how are

0:31:40.680 --> 0:31:45.959
<v Speaker 1>you Hey? I'm doing well. So we were talking beforehand

0:31:46.000 --> 0:31:49.040
<v Speaker 1>and David came up with a great note for both

0:31:49.040 --> 0:31:50.680
<v Speaker 1>of our contestants today and we just gave it to

0:31:50.760 --> 0:31:52.280
<v Speaker 1>other contestant, and I'd like him to give it to

0:31:52.280 --> 0:31:54.200
<v Speaker 1>you as well before we go into round three. David,

0:31:54.320 --> 0:31:57.560
<v Speaker 1>you got it. Concentrate on telling the story. Stay in

0:31:57.600 --> 0:31:59.840
<v Speaker 1>the moment. You don't know what happened. Well, you don't

0:31:59.840 --> 0:32:01.240
<v Speaker 1>know what's going to happen in the future. If I'm

0:32:01.240 --> 0:32:03.120
<v Speaker 1>talking to you like this now, you don't know how

0:32:03.120 --> 0:32:04.160
<v Speaker 1>long I'm going to talk to you. I don't know

0:32:04.200 --> 0:32:05.800
<v Speaker 1>how long I'm gonna talk to me to you. It's

0:32:05.840 --> 0:32:07.200
<v Speaker 1>just going to come out of me. And I have

0:32:07.240 --> 0:32:09.200
<v Speaker 1>an idea and I articulated and the words just come.

0:32:09.920 --> 0:32:11.560
<v Speaker 1>The character doesn't know he has lines so that they're

0:32:11.560 --> 0:32:14.000
<v Speaker 1>written out for him. He just exists in the moment.

0:32:14.040 --> 0:32:17.040
<v Speaker 1>So exist at the moment, tell the story and have fun.

0:32:18.080 --> 0:32:21.040
<v Speaker 1>Got it and it will come out more than Yeah.

0:32:21.160 --> 0:32:23.040
<v Speaker 1>We also get that nerves get the better of you

0:32:23.120 --> 0:32:25.320
<v Speaker 1>and you're in and out of a waiting room and

0:32:25.400 --> 0:32:27.640
<v Speaker 1>you kind of did. We totally understand. We get that.

0:32:27.680 --> 0:32:30.760
<v Speaker 1>But like we were saying before, we want you to succeed.

0:32:30.800 --> 0:32:33.320
<v Speaker 1>We really do. We're look, we love this every week

0:32:33.360 --> 0:32:36.320
<v Speaker 1>so we're just looking for somebody that wants to have

0:32:36.320 --> 0:32:38.600
<v Speaker 1>some fun, enjoy themselves and has the talent. So we

0:32:38.680 --> 0:32:41.239
<v Speaker 1>know the sixteen that we picked are very talented. We

0:32:41.320 --> 0:32:43.320
<v Speaker 1>just want to see what they can do. Now, so

0:32:43.960 --> 0:32:46.120
<v Speaker 1>we're going into round three where you know, you get

0:32:46.200 --> 0:32:48.440
<v Speaker 1>a line that you have not read yet to see

0:32:48.440 --> 0:32:50.400
<v Speaker 1>how you do with some cold readings, and so you'll

0:32:50.400 --> 0:32:52.320
<v Speaker 1>see it will be in your chat. Can you see it?

0:32:53.000 --> 0:32:55.120
<v Speaker 1>I can't see it all right, So while you take

0:32:55.120 --> 0:32:57.000
<v Speaker 1>a moment with that, we're going to have David pick

0:32:57.080 --> 0:33:00.280
<v Speaker 1>your character once again. David, a number between one and

0:33:00.320 --> 0:33:06.320
<v Speaker 1>six five, and now a number between one and twelve one,

0:33:07.000 --> 0:33:10.160
<v Speaker 1>and now a number between one and seven five, and

0:33:10.240 --> 0:33:15.440
<v Speaker 1>now a number between one and eleven two. Christie, So

0:33:15.480 --> 0:33:21.040
<v Speaker 1>it was five one five two correct? Correct? Okay, so

0:33:21.360 --> 0:33:28.720
<v Speaker 1>you are a tiny dog who's thirty years old and Scottish.

0:33:29.000 --> 0:33:38.160
<v Speaker 1>Oh that's a good one. Oh boy, Scottish, tiny dog. Okay. Um,

0:33:40.240 --> 0:33:47.240
<v Speaker 1>at this time, Robbo ke, I your seriously table more

0:33:47.800 --> 0:33:54.480
<v Speaker 1>but time person look up your phone, Cheels, How does

0:33:54.480 --> 0:34:00.360
<v Speaker 1>he even affect this number? David talked to someone on

0:34:00.400 --> 0:34:01.880
<v Speaker 1>the throne. How did you even get this number? Like

0:34:02.040 --> 0:34:04.080
<v Speaker 1>imagine the person there, I was saying before. It's an

0:34:04.120 --> 0:34:07.240
<v Speaker 1>on camera performance. It's like you're just acting the scene.

0:34:07.560 --> 0:34:10.160
<v Speaker 1>And I would drop the voiceprint and try again with

0:34:10.239 --> 0:34:15.799
<v Speaker 1>just your natural voice. Okay, remember and Scottish and Scottish,

0:34:15.920 --> 0:34:18.239
<v Speaker 1>So if you can do the Scottish accent, if not,

0:34:18.360 --> 0:34:20.799
<v Speaker 1>maybe just a lilt here or there. Some people can't

0:34:20.800 --> 0:34:24.799
<v Speaker 1>do accents. That's that's perfectly acceptable. There's an accent trick

0:34:25.400 --> 0:34:27.200
<v Speaker 1>if you think you can think of any phrase that

0:34:27.280 --> 0:34:30.520
<v Speaker 1>gets you into the accent. Frosted, lucky charms, their magic,

0:34:30.560 --> 0:34:33.520
<v Speaker 1>the delicious, you know something that just gives you a

0:34:33.600 --> 0:34:36.400
<v Speaker 1>hint of it. Yeah, did you see Braveheart? That's Irish

0:34:36.400 --> 0:34:40.640
<v Speaker 1>but not freedom. You know, when you hear it, you

0:34:40.880 --> 0:34:46.440
<v Speaker 1>think of one line from from back there you use

0:34:46.520 --> 0:34:51.799
<v Speaker 1>that perfect use that perfect a long accent. Yeah, and

0:34:51.840 --> 0:34:54.520
<v Speaker 1>I would keep it. I would keep it more in

0:34:54.520 --> 0:34:56.880
<v Speaker 1>your natural register than going up into kind of the

0:34:56.920 --> 0:34:59.880
<v Speaker 1>falsetto as well. Yeah. Yeah, and we love your voice.

0:35:00.440 --> 0:35:03.960
<v Speaker 1>We actually came against a similar thing with another contestant.

0:35:04.560 --> 0:35:08.440
<v Speaker 1>I won't say when or who, but it's like, we

0:35:08.600 --> 0:35:11.919
<v Speaker 1>love your voice the way that it sounds naturally. So

0:35:12.000 --> 0:35:16.400
<v Speaker 1>sometimes when we affect our voice, it actually does us

0:35:16.400 --> 0:35:19.279
<v Speaker 1>a disservice, and what did you say, David, You said

0:35:19.280 --> 0:35:23.080
<v Speaker 1>something similar. The one word that you just said, donkey

0:35:23.760 --> 0:35:26.920
<v Speaker 1>had so much more life and fun in it that

0:35:27.040 --> 0:35:29.719
<v Speaker 1>I've heard in the performance. Go into whatever mode that

0:35:29.800 --> 0:35:31.319
<v Speaker 1>was that made you say that, and jump right in

0:35:31.360 --> 0:35:36.200
<v Speaker 1>and go the second. The second you hopped on the feed,

0:35:36.719 --> 0:35:39.400
<v Speaker 1>the first thing you said was I'm a real boy,

0:35:39.520 --> 0:35:44.839
<v Speaker 1>and it was the most natural, excited moment that you've

0:35:44.840 --> 0:35:46.960
<v Speaker 1>had since you've been on here. And then you kind

0:35:46.960 --> 0:35:50.120
<v Speaker 1>of got into now, I need to act audition mode,

0:35:50.239 --> 0:35:52.719
<v Speaker 1>and we want you to go back to that original

0:35:53.520 --> 0:35:57.840
<v Speaker 1>jumping on, having fun, talking to your friends, doing funny

0:35:57.920 --> 0:36:01.240
<v Speaker 1>voices for them, making them laugh, that natural kind of sound.

0:36:01.640 --> 0:36:04.799
<v Speaker 1>Do that just with the words we're giving you and

0:36:05.080 --> 0:36:09.120
<v Speaker 1>see what happens there. Does that make sense? Yeah? All right,

0:36:09.239 --> 0:36:11.520
<v Speaker 1>So if you have to start by going by the way,

0:36:11.560 --> 0:36:15.359
<v Speaker 1>I have perfect example Johnny DiMaggio. Johnny DiMaggio is one

0:36:15.400 --> 0:36:17.200
<v Speaker 1>of the best voiceover actors out there, and we were

0:36:17.239 --> 0:36:19.600
<v Speaker 1>doing Kim Possible for years. He was doing so many

0:36:19.600 --> 0:36:21.719
<v Speaker 1>different roles that he always when he'd sit down in

0:36:21.760 --> 0:36:23.560
<v Speaker 1>the booth to start Kim Possible, he'd have to go

0:36:23.840 --> 0:36:27.120
<v Speaker 1>she go because by saying that one word, that one name,

0:36:27.280 --> 0:36:29.200
<v Speaker 1>he got right back into the character again and he

0:36:29.280 --> 0:36:30.920
<v Speaker 1>knew the voice he was going to do. So if

0:36:31.000 --> 0:36:33.239
<v Speaker 1>saying don't care before you do it is going to

0:36:33.320 --> 0:36:37.640
<v Speaker 1>get you into it. Feel free, all right, all right,

0:36:37.719 --> 0:36:44.880
<v Speaker 1>so at your pleasure, don't carry at the tone the

0:36:45.000 --> 0:36:50.240
<v Speaker 1>time will be Wait, are you seriously calling me time person?

0:36:51.400 --> 0:36:55.560
<v Speaker 1>Look at your phone? Jeez, how did you even get

0:36:55.560 --> 0:37:02.200
<v Speaker 1>this number? Definitely better David at the end, when you

0:37:02.280 --> 0:37:04.080
<v Speaker 1>knew that it was going to end and you stopped

0:37:04.080 --> 0:37:08.360
<v Speaker 1>trying as hard, it was the best. And when you said, donkey,

0:37:08.480 --> 0:37:09.799
<v Speaker 1>you know what I'd like you to do, just right now?

0:37:09.800 --> 0:37:12.359
<v Speaker 1>What are the first three words of this line that

0:37:12.400 --> 0:37:15.399
<v Speaker 1>you've been given at the at the tone the time

0:37:15.440 --> 0:37:18.400
<v Speaker 1>will be, So say donkey in the donkey voice, and

0:37:18.440 --> 0:37:21.800
<v Speaker 1>then with the same energy, just keep going, just particularly

0:37:21.840 --> 0:37:24.239
<v Speaker 1>the donkey. Just just the first few words there for me,

0:37:24.400 --> 0:37:28.760
<v Speaker 1>if you could, of course, don't okay at the tone

0:37:29.080 --> 0:37:32.879
<v Speaker 1>the time will be. See you've got the energy still

0:37:33.080 --> 0:37:36.520
<v Speaker 1>say it stays there? All right, Thank you so much.

0:37:36.520 --> 0:37:39.360
<v Speaker 1>Michae will be right back with thank you. You're welcome

0:37:40.200 --> 0:37:42.880
<v Speaker 1>so so far, and just to kind of get this

0:37:42.920 --> 0:37:46.280
<v Speaker 1>out there, I think I think she's the more natural

0:37:46.440 --> 0:37:50.399
<v Speaker 1>actor of the two so far. I also like how

0:37:50.560 --> 0:37:53.879
<v Speaker 1>sense she especially that last round, really took the note

0:37:54.320 --> 0:37:57.920
<v Speaker 1>she did and made a huge difference when when she

0:37:57.960 --> 0:37:59.719
<v Speaker 1>took the note. I think he was struggling a little

0:37:59.760 --> 0:38:04.000
<v Speaker 1>bit with kind of getting more into the acting side

0:38:04.000 --> 0:38:06.520
<v Speaker 1>of it. I think his nerves are getting the better

0:38:06.560 --> 0:38:08.680
<v Speaker 1>of him today. I don't disagree with you. I don't

0:38:08.680 --> 0:38:10.879
<v Speaker 1>disagree with you. And and that's one of the things

0:38:10.920 --> 0:38:12.279
<v Speaker 1>we have to deal with, is that the fact that

0:38:12.360 --> 0:38:14.560
<v Speaker 1>sometimes you're going to be getting lots of notes, and

0:38:14.680 --> 0:38:16.759
<v Speaker 1>especially you know, I mean, David, you know this better

0:38:16.800 --> 0:38:18.920
<v Speaker 1>than anybody. We'll be sitting in a booth and you'll

0:38:18.960 --> 0:38:20.799
<v Speaker 1>go in there and you'll have auditioned one way, and

0:38:20.840 --> 0:38:22.719
<v Speaker 1>you'll get in there and they'll go, no, the person

0:38:22.760 --> 0:38:24.840
<v Speaker 1>you're standing next to you, guys, now sound too similar.

0:38:24.920 --> 0:38:28.440
<v Speaker 1>So you need to change your entire character and you

0:38:28.600 --> 0:38:31.680
<v Speaker 1>gotta do it. So yes, so yeah, yeah, exactly, say

0:38:31.760 --> 0:38:35.400
<v Speaker 1>yes and figure it out. Uh So. So that's that's important,

0:38:35.440 --> 0:38:37.040
<v Speaker 1>to be able to think on your feet. So let's

0:38:37.040 --> 0:38:39.160
<v Speaker 1>go back to Tatiana and see what Tatiana can do

0:38:39.239 --> 0:38:42.319
<v Speaker 1>with line number three. Hey, Tatiana, how are you good.

0:38:42.400 --> 0:38:44.640
<v Speaker 1>How are you good? Thank you? So we are going

0:38:44.680 --> 0:38:46.480
<v Speaker 1>to line number three, which you know is the super

0:38:46.480 --> 0:38:49.480
<v Speaker 1>secret line that you have not yet. So can you

0:38:49.520 --> 0:38:52.440
<v Speaker 1>see have not yet have not gotten a secret line

0:38:52.440 --> 0:38:56.040
<v Speaker 1>in the super awes? Have you? Can you see it

0:38:56.080 --> 0:38:58.640
<v Speaker 1>there in your chat? Yes? I can? Okay, perfect, So

0:38:58.640 --> 0:39:01.600
<v Speaker 1>while you familiarize a little bit yourself at it's like

0:39:01.600 --> 0:39:03.239
<v Speaker 1>all of a sudden, the words of stuff, while you

0:39:03.320 --> 0:39:05.560
<v Speaker 1>familiarize yourself with the line a little bit. That's the

0:39:05.640 --> 0:39:07.680
<v Speaker 1>order they're supposed to go in for the language I'm speaking.

0:39:08.440 --> 0:39:10.719
<v Speaker 1>Why don't we have David pick a character for you?

0:39:10.840 --> 0:39:14.359
<v Speaker 1>David again for one last time. A number between one

0:39:14.360 --> 0:39:18.080
<v Speaker 1>and six two, and now a number between one and

0:39:18.160 --> 0:39:22.040
<v Speaker 1>twelve two, and now a number between one and eleven

0:39:22.360 --> 0:39:26.480
<v Speaker 1>four and now a number between one and what was

0:39:26.480 --> 0:39:31.240
<v Speaker 1>the last one? One? And no, that's it, that's eleven eleven. Sorry,

0:39:31.400 --> 0:39:34.240
<v Speaker 1>one to eleven. That's the last one I met. Thanks. Yikes,

0:39:34.280 --> 0:39:37.680
<v Speaker 1>So we are two two four two four. I confused myself.

0:39:37.719 --> 0:39:40.759
<v Speaker 1>There there we go. It's okay, it's a little two

0:39:40.840 --> 0:39:43.000
<v Speaker 1>two four to six. I got this, okay, you are

0:39:43.800 --> 0:39:48.680
<v Speaker 1>you are a big chat who's fifteen years old? And

0:39:49.600 --> 0:39:52.919
<v Speaker 1>the and the love of your life just left. Oh

0:39:52.960 --> 0:39:55.440
<v Speaker 1>I like this one for you, tats yata, Okay, I

0:39:55.520 --> 0:39:57.719
<v Speaker 1>do too, And remember as much as you can, keep

0:39:57.719 --> 0:40:02.040
<v Speaker 1>it in that natural register and just centrate, as David said, concentrate.

0:40:02.080 --> 0:40:05.279
<v Speaker 1>I'm telling the story at your pleasure. Yeah, you just

0:40:05.360 --> 0:40:07.239
<v Speaker 1>I mean, by the way, you have a story. You

0:40:07.520 --> 0:40:09.440
<v Speaker 1>the love of your life just left. So that's a

0:40:09.440 --> 0:40:13.040
<v Speaker 1>lot of meaning behind the line. But that's just that's

0:40:13.080 --> 0:40:15.040
<v Speaker 1>just my two cents one. Oh, I love it all.

0:40:16.719 --> 0:40:23.200
<v Speaker 1>Go ahead at the tone, the time will be Wait,

0:40:24.120 --> 0:40:29.160
<v Speaker 1>are you seriously calling the time person? Look at your phone? Geez,

0:40:29.600 --> 0:40:34.280
<v Speaker 1>how did you even get this number? That's great, David.

0:40:35.440 --> 0:40:37.600
<v Speaker 1>You want to take the note from the very beginning

0:40:37.600 --> 0:40:39.920
<v Speaker 1>of the speech, So the love of your life has

0:40:40.000 --> 0:40:41.960
<v Speaker 1>left you, not just at the end of the speech,

0:40:41.960 --> 0:40:44.520
<v Speaker 1>but at the beginning too. You do a teeny little

0:40:44.520 --> 0:40:46.960
<v Speaker 1>emotional preparation which you won't get too much into here,

0:40:47.200 --> 0:40:50.160
<v Speaker 1>but just take a moment to think of something in

0:40:50.200 --> 0:40:52.920
<v Speaker 1>your life. Never reveal this to anyone. It's private, something

0:40:52.920 --> 0:40:54.839
<v Speaker 1>in your life, someone in your life that you might

0:40:55.280 --> 0:40:58.160
<v Speaker 1>love so much if they went away you would feel sad.

0:40:58.920 --> 0:41:01.680
<v Speaker 1>So something that makes you ad and start that way

0:41:01.760 --> 0:41:04.080
<v Speaker 1>and play it all the way through. However, remember that

0:41:04.120 --> 0:41:07.120
<v Speaker 1>it's comedy and you want to kind of play the

0:41:07.160 --> 0:41:10.560
<v Speaker 1>real thing, but then maybe over exaggerated to make it funny.

0:41:10.640 --> 0:41:15.080
<v Speaker 1>Does that make sense? Yes? All right, Christy, do you

0:41:15.080 --> 0:41:18.800
<v Speaker 1>have anything I don't really? I love I love David's

0:41:18.800 --> 0:41:23.080
<v Speaker 1>directions in general. But yeah, don't be Yeah, don't be

0:41:23.120 --> 0:41:26.560
<v Speaker 1>afraid to just go make some big choices. Yeah, make

0:41:26.600 --> 0:41:28.839
<v Speaker 1>some bold choices. Absolutely. I think one of the things

0:41:28.920 --> 0:41:30.399
<v Speaker 1>you can do, if I was to give you a note,

0:41:30.400 --> 0:41:32.680
<v Speaker 1>I would say, if you wanted to find a place

0:41:32.719 --> 0:41:34.479
<v Speaker 1>in the speech at some point to do a quick

0:41:34.520 --> 0:41:38.359
<v Speaker 1>breakdown and then pull it back together to remember, wait,

0:41:38.360 --> 0:41:40.799
<v Speaker 1>this is my job. You could be you could find

0:41:40.920 --> 0:41:42.799
<v Speaker 1>you could find comedy where you didn't even think there

0:41:42.880 --> 0:41:45.360
<v Speaker 1>was any Okay, So if why don't you give it

0:41:45.360 --> 0:41:47.239
<v Speaker 1>a try? That's again, that is my opinion. That is

0:41:47.360 --> 0:41:49.520
<v Speaker 1>you do with is your performance. You do with it

0:41:49.560 --> 0:41:53.960
<v Speaker 1>as you wish, but at your pleasure, give it another try.

0:41:58.560 --> 0:42:04.239
<v Speaker 1>At the tone the time will be Wait, are you

0:42:04.280 --> 0:42:09.280
<v Speaker 1>seriously still calling the time person? Look at your phone? Jeez,

0:42:10.480 --> 0:42:17.239
<v Speaker 1>how do you even get this number? Good? Great? What

0:42:17.320 --> 0:42:19.480
<v Speaker 1>do you think, David? There is sadness all the way through?

0:42:19.520 --> 0:42:21.239
<v Speaker 1>I mean we're giving you so many notes and so

0:42:21.280 --> 0:42:27.320
<v Speaker 1>many levels. It's very many captured sad beautifully. I was

0:42:27.400 --> 0:42:30.160
<v Speaker 1>feeling for you. I was too. I could also see

0:42:30.200 --> 0:42:35.000
<v Speaker 1>an animated cat. I could also see fifteen years old. Yeah, absolutely,

0:42:35.040 --> 0:42:37.680
<v Speaker 1>I thought you took those notes. Great. So we'll be

0:42:37.680 --> 0:42:39.239
<v Speaker 1>back with you in a minute. Thank you so much,

0:42:39.440 --> 0:42:43.799
<v Speaker 1>so much. All right, let's talk about this great I'm

0:42:43.800 --> 0:42:45.440
<v Speaker 1>just gonna say, I think she's got the more, the

0:42:45.480 --> 0:42:48.480
<v Speaker 1>more potential between the two Um. I think she does.

0:42:48.560 --> 0:42:52.400
<v Speaker 1>We don't really totally know about Mike. It was nerves today,

0:42:52.440 --> 0:42:54.640
<v Speaker 1>but we saw what we saw and we have to

0:42:54.680 --> 0:42:56.200
<v Speaker 1>go on. It's touchy on all the way from me.

0:42:56.560 --> 0:43:00.640
<v Speaker 1>I don't disagree Christy, Yeah, I I do. I think

0:43:00.680 --> 0:43:03.319
<v Speaker 1>she has a lot of range. And and the other

0:43:03.320 --> 0:43:05.920
<v Speaker 1>thing too about the contest, right, it's not really about

0:43:05.960 --> 0:43:08.640
<v Speaker 1>whether or not they're good or not, or whether they

0:43:08.680 --> 0:43:12.800
<v Speaker 1>could grow to become really great, you know, voice artists.

0:43:12.840 --> 0:43:14.919
<v Speaker 1>I think it's more or less you know where they're

0:43:14.920 --> 0:43:17.040
<v Speaker 1>at right now today, Like David was just saying, and

0:43:17.080 --> 0:43:19.239
<v Speaker 1>this is what we saw, you know, I mean he

0:43:19.400 --> 0:43:21.560
<v Speaker 1>we already said he has the leg up um and

0:43:21.560 --> 0:43:23.200
<v Speaker 1>that you know, he has friends who are in this

0:43:23.320 --> 0:43:25.000
<v Speaker 1>and now he's had this experience and he has a

0:43:25.200 --> 0:43:28.759
<v Speaker 1>has a really decent mic setup for him to you know,

0:43:28.920 --> 0:43:32.080
<v Speaker 1>continue playing around um and if he wants it, you know,

0:43:32.160 --> 0:43:34.440
<v Speaker 1>he can, he can continue. But I'm not. I don't

0:43:34.480 --> 0:43:36.759
<v Speaker 1>want to say I hate this part, David to go

0:43:36.760 --> 0:43:40.520
<v Speaker 1>on and tell him again, avoiding it again. It's like

0:43:40.640 --> 0:43:43.480
<v Speaker 1>any of us as actors. It's what you do on

0:43:43.520 --> 0:43:45.680
<v Speaker 1>the day, and some days you're going to have off days,

0:43:45.719 --> 0:43:47.319
<v Speaker 1>and some days you're going to be nervous, and some

0:43:47.400 --> 0:43:49.279
<v Speaker 1>days you just it's just not going to be there.

0:43:49.440 --> 0:43:52.320
<v Speaker 1>He could wake up tomorrow and be like, oh, I

0:43:52.920 --> 0:43:55.000
<v Speaker 1>can't believe that was the day that I had, And

0:43:55.040 --> 0:43:58.480
<v Speaker 1>that's unfortunate that that's just the way it works sometimes. UM.

0:43:59.120 --> 0:44:01.680
<v Speaker 1>I'm imagining him front him in front of Lisa Schaeffer,

0:44:01.840 --> 0:44:05.480
<v Speaker 1>who was our director on Galaxy, and we love Lisa.

0:44:06.120 --> 0:44:08.160
<v Speaker 1>Lisa would not have time to teach him how to

0:44:08.160 --> 0:44:10.680
<v Speaker 1>act or to direct him in a way to bring

0:44:10.680 --> 0:44:13.160
<v Speaker 1>the performance out of him. She once results immediately, and

0:44:13.200 --> 0:44:15.719
<v Speaker 1>that's right. We have to see something right, and I

0:44:15.760 --> 0:44:17.960
<v Speaker 1>frankly saw from the beginning. This is the other thing

0:44:17.960 --> 0:44:23.040
<v Speaker 1>that we're trying to find from the beginning of the day,

0:44:23.360 --> 0:44:24.960
<v Speaker 1>let's call it the day to day to the end

0:44:25.000 --> 0:44:27.560
<v Speaker 1>of the day. I thought she took the direction better.

0:44:27.640 --> 0:44:30.959
<v Speaker 1>I thought she made the most adjustments. I really liked

0:44:31.000 --> 0:44:33.439
<v Speaker 1>that last read where she was sad the whole way through.

0:44:33.480 --> 0:44:36.400
<v Speaker 1>I thought the natural timbre of her voice was nice,

0:44:37.160 --> 0:44:39.120
<v Speaker 1>and I thought it kind of matched what we were

0:44:39.160 --> 0:44:41.840
<v Speaker 1>talking about. So I think the I think she clearly

0:44:41.840 --> 0:44:45.319
<v Speaker 1>won today. Okay, I agree, all right, So let's why

0:44:45.320 --> 0:44:47.840
<v Speaker 1>don't we bring in Mike first and do the horrible

0:44:47.880 --> 0:44:50.439
<v Speaker 1>part which we all hate. Yeah, it's not fun. Hey Mike,

0:44:50.440 --> 0:44:53.200
<v Speaker 1>how are you. I'm doing all right. How are you?

0:44:53.520 --> 0:44:55.680
<v Speaker 1>We're good. Thanks. We want to thank you so much

0:44:55.719 --> 0:44:59.120
<v Speaker 1>for joining us and congratulating you again on being making

0:44:59.120 --> 0:45:02.839
<v Speaker 1>the top sixteen. Thank you so much. We just think today,

0:45:02.920 --> 0:45:06.680
<v Speaker 1>unfortunately your your contestant, your fellow contestant did a little

0:45:06.719 --> 0:45:10.520
<v Speaker 1>bit better than you today with taking the some of

0:45:10.560 --> 0:45:14.680
<v Speaker 1>the notes. But that is not to say that you

0:45:14.719 --> 0:45:17.200
<v Speaker 1>should not continue on this journey because you made it

0:45:17.239 --> 0:45:18.960
<v Speaker 1>this far, and you made it this far for a reason,

0:45:20.239 --> 0:45:24.440
<v Speaker 1>So I would keep absolutely keep going. Does anybody, David Christie's,

0:45:24.440 --> 0:45:29.040
<v Speaker 1>anybody have anything to add. It's just practice, practice, practice,

0:45:29.200 --> 0:45:34.080
<v Speaker 1>and finding a coach that you can connect with who

0:45:34.080 --> 0:45:37.399
<v Speaker 1>can really make these performances sort of live in the moment.

0:45:37.680 --> 0:45:42.280
<v Speaker 1>As Meiser said, acting is living truthfully under given imaginary circumstances.

0:45:42.680 --> 0:45:46.600
<v Speaker 1>I would say, find your way toward imagining those imagure,

0:45:46.719 --> 0:45:49.880
<v Speaker 1>getting those imaginary circumstances more subtly in your head before

0:45:49.920 --> 0:45:53.600
<v Speaker 1>you jump into the performance. Okay, Yeah, I think getting

0:45:53.600 --> 0:45:57.920
<v Speaker 1>to know your instruments truly important and what you know,

0:45:58.080 --> 0:46:01.480
<v Speaker 1>what you can do, what you might have to interpret

0:46:01.560 --> 0:46:03.719
<v Speaker 1>so that you can pull it off. Kind of thing

0:46:04.160 --> 0:46:05.440
<v Speaker 1>like when we gave you when we gave you the

0:46:05.440 --> 0:46:08.600
<v Speaker 1>Scottish thing. I find that really interesting because you know, sometimes,

0:46:08.600 --> 0:46:10.520
<v Speaker 1>like he said, there's trigger words that can get you

0:46:10.800 --> 0:46:13.440
<v Speaker 1>to lock into something. And I think if you know

0:46:13.520 --> 0:46:17.520
<v Speaker 1>your instrument more and more with coaching, you really might

0:46:17.640 --> 0:46:21.640
<v Speaker 1>unlock so much potential in everything that we've heard from

0:46:21.680 --> 0:46:26.600
<v Speaker 1>before and moving forward. Yeah, okay, but thank you so

0:46:26.680 --> 0:46:28.959
<v Speaker 1>much for joining us, and really no joke, keep going.

0:46:29.000 --> 0:46:31.319
<v Speaker 1>We said to the top sixteen that we picked, we

0:46:31.360 --> 0:46:34.719
<v Speaker 1>really believe could all be signed. You just got to

0:46:35.000 --> 0:46:36.799
<v Speaker 1>you know, keep working at it and working at it,

0:46:36.840 --> 0:46:40.120
<v Speaker 1>and we think he got some serious potential. Well, thank

0:46:40.120 --> 0:46:42.520
<v Speaker 1>you so much. I mean it's first of all, it's

0:46:42.560 --> 0:46:44.360
<v Speaker 1>an honor to even be in the same room with

0:46:44.400 --> 0:46:47.719
<v Speaker 1>all three of you. And yeah, just this was a

0:46:47.760 --> 0:46:50.960
<v Speaker 1>win in it of itself, you know, at least. Yeah good.

0:46:51.120 --> 0:46:53.320
<v Speaker 1>I'm glad to see it that way. I'm so happy

0:46:53.360 --> 0:46:55.719
<v Speaker 1>to hear that. Thank you so much for joining us, Mike,

0:46:55.760 --> 0:46:57.879
<v Speaker 1>and good luck in the future, bricollect. Thank you so much,

0:46:58.280 --> 0:47:02.680
<v Speaker 1>thank you see yah. Well, now, ladies and gentlemen, the

0:47:02.680 --> 0:47:07.239
<v Speaker 1>winner of this round, drumroll please, is Tatiana from California.

0:47:07.320 --> 0:47:10.000
<v Speaker 1>But being us, we can't just tell her like that,

0:47:10.120 --> 0:47:13.000
<v Speaker 1>so we got a first make or squirm a little bit.

0:47:13.040 --> 0:47:17.960
<v Speaker 1>That's part of the fun. So let's bring in Tatiana. Hello, Hey, Tatiana,

0:47:18.000 --> 0:47:20.759
<v Speaker 1>how are you how? I'm good. We just want to

0:47:20.800 --> 0:47:23.560
<v Speaker 1>thank you so much for joining us and congratulating you

0:47:23.600 --> 0:47:26.000
<v Speaker 1>on getting to the top sixteen. We think you did really,

0:47:26.000 --> 0:47:30.520
<v Speaker 1>really well today. But unfortunately, um, you're gonna have to

0:47:30.600 --> 0:47:32.759
<v Speaker 1>join us again because you are moving on to the

0:47:32.800 --> 0:47:44.000
<v Speaker 1>next round of the contest. We had to make it fun.

0:47:44.040 --> 0:47:50.920
<v Speaker 1>Tatiana always makes the best of everything, huh. I'd like

0:47:50.960 --> 0:47:54.760
<v Speaker 1>to give you kind of an overall note moving forward. Absolutely, Um,

0:47:54.800 --> 0:47:57.360
<v Speaker 1>the more stuff you did in your natural register. The

0:47:57.400 --> 0:48:00.960
<v Speaker 1>better it was and the better it sounded. So I

0:48:01.000 --> 0:48:05.520
<v Speaker 1>think the more you can do in that range, because

0:48:05.560 --> 0:48:09.839
<v Speaker 1>again huge potential coming in and saying, hey, I can

0:48:09.880 --> 0:48:14.919
<v Speaker 1>do young young people voices. I can do teenage voices. Um,

0:48:15.000 --> 0:48:17.680
<v Speaker 1>they're all very natural, they all sound very wonderful like

0:48:17.760 --> 0:48:20.840
<v Speaker 1>that kind of stuff that's huge, the super charactery stuff.

0:48:20.840 --> 0:48:23.839
<v Speaker 1>Some people can't do it myself, including I can't. I

0:48:23.880 --> 0:48:27.759
<v Speaker 1>can't do fifty voices. I just am not that that actor. UM.

0:48:28.239 --> 0:48:31.640
<v Speaker 1>So I would concentrate more on doing those kind of

0:48:31.719 --> 0:48:35.520
<v Speaker 1>voices and working on the acting aspect of voice actor

0:48:36.080 --> 0:48:39.080
<v Speaker 1>um and uh and going from there so uh, you know,

0:48:39.200 --> 0:48:41.440
<v Speaker 1>improv things like that. Moving forward, I think you're going

0:48:41.480 --> 0:48:43.080
<v Speaker 1>to be very helpful for you, David. You have any

0:48:43.080 --> 0:48:46.279
<v Speaker 1>overall notes for touch down, just trust yourself. Um, You've

0:48:46.280 --> 0:48:49.960
<v Speaker 1>got a great personality and great instincts. Um, don't try

0:48:50.000 --> 0:48:52.000
<v Speaker 1>to say I have to do this voice so it'll

0:48:52.040 --> 0:48:54.239
<v Speaker 1>sound the way I wanted to sound. Just live in

0:48:54.280 --> 0:48:57.840
<v Speaker 1>the moment and act seeing play rather than a voice

0:48:57.960 --> 0:49:01.840
<v Speaker 1>the voices basing on the cake. Okay, Pat Tanny, you

0:49:01.840 --> 0:49:05.480
<v Speaker 1>did great. I think, like I even said to the

0:49:05.480 --> 0:49:07.759
<v Speaker 1>person that didn't make it, you know, getting to know

0:49:07.840 --> 0:49:11.640
<v Speaker 1>your your instrument, and especially as female, like what your

0:49:11.719 --> 0:49:15.279
<v Speaker 1>voice is able to do without affecting it Like that,

0:49:15.360 --> 0:49:17.920
<v Speaker 1>I think we're we're in love with your natural voice,

0:49:17.920 --> 0:49:21.200
<v Speaker 1>which I think is a competitive edge, um, just in

0:49:21.239 --> 0:49:24.160
<v Speaker 1>the just in the competition as a whole, because you're female.

0:49:24.200 --> 0:49:26.399
<v Speaker 1>We don't so far, we've only seen one or two

0:49:26.480 --> 0:49:29.000
<v Speaker 1>I think females and two. I think we're two and

0:49:29.040 --> 0:49:31.279
<v Speaker 1>two now think we're even. I think what we made

0:49:31.280 --> 0:49:33.440
<v Speaker 1>sure you know, it's like that. Actually it's just how

0:49:33.480 --> 0:49:35.160
<v Speaker 1>it ended up. But no, it just ended up that way.

0:49:35.200 --> 0:49:37.120
<v Speaker 1>We didn't try that. Ye remember that. I was like

0:49:37.160 --> 0:49:39.359
<v Speaker 1>wait wait, but it did end up that way. So

0:49:39.480 --> 0:49:42.280
<v Speaker 1>I just think though that like speaking as as a female,

0:49:42.680 --> 0:49:47.080
<v Speaker 1>it's like understanding what you can do more and and

0:49:47.160 --> 0:49:49.279
<v Speaker 1>maybe just testing yourself between now and the next time

0:49:49.320 --> 0:49:51.759
<v Speaker 1>we see you with you know, voices you might hear

0:49:51.760 --> 0:49:54.560
<v Speaker 1>in commercials and in radios and like, oh I can

0:49:54.640 --> 0:49:56.680
<v Speaker 1>do that, Oh I can do that, Like start to

0:49:56.719 --> 0:49:58.719
<v Speaker 1>really have conversations with yourself and just speak in these

0:49:58.719 --> 0:50:01.800
<v Speaker 1>different voices. So that and just with what we did today,

0:50:01.880 --> 0:50:03.960
<v Speaker 1>you know, we really threw a lot of different things,

0:50:03.960 --> 0:50:08.120
<v Speaker 1>different accents and ages, and sizes, so just experiment with that.

0:50:08.320 --> 0:50:12.080
<v Speaker 1>We'll see you soon. Sounds good. Congratulations and welcome to

0:50:12.160 --> 0:50:16.520
<v Speaker 1>the next round. Thank you so much, Thanks Tatiana. Stonderful day,

0:50:16.640 --> 0:50:21.759
<v Speaker 1>you too, You too? Ye Now that sweet is a

0:50:21.760 --> 0:50:25.239
<v Speaker 1>ton of fun. David, We cannot thank you more for

0:50:25.280 --> 0:50:27.600
<v Speaker 1>helping us out today and being with us and making

0:50:27.600 --> 0:50:30.640
<v Speaker 1>this just so much fun and having some just incredible

0:50:30.680 --> 0:50:34.320
<v Speaker 1>direction for the actor. Really like, oh my gosh, David,

0:50:34.400 --> 0:50:38.640
<v Speaker 1>I have no idea. I was like because I was

0:50:38.680 --> 0:50:41.319
<v Speaker 1>in love with him as a human being and you know,

0:50:41.360 --> 0:50:44.600
<v Speaker 1>a gorgeous person, and then like now all this, wow,

0:50:45.920 --> 0:50:48.319
<v Speaker 1>well I'm glad it could help. It was fun. This

0:50:48.400 --> 0:50:51.520
<v Speaker 1>is a blast. Now I know that as a voice

0:50:51.520 --> 0:50:53.520
<v Speaker 1>of our actor, you've got nine hundred things you're not

0:50:53.560 --> 0:50:56.440
<v Speaker 1>allowed to talk about. What can you talk about some

0:50:56.480 --> 0:50:59.040
<v Speaker 1>projects that you've got coming up and people can see you.

0:50:59.040 --> 0:51:01.680
<v Speaker 1>You will hear me the Dungeons and Dragons movie in

0:51:01.760 --> 0:51:04.640
<v Speaker 1>various creature voices. I had a lot of fun doing that. Cool.

0:51:04.640 --> 0:51:07.000
<v Speaker 1>So I have some great roles in the Transformers Rise

0:51:07.040 --> 0:51:11.080
<v Speaker 1>of the Beasts movie coming out in June. I'm playing,

0:51:12.280 --> 0:51:15.400
<v Speaker 1>well the one that isn't announced yet, but others that

0:51:15.440 --> 0:51:19.560
<v Speaker 1>are announced Rhinos and Battletrap, So that's gonna be super fun.

0:51:19.800 --> 0:51:22.279
<v Speaker 1>You'll hear me also as Kaido in One Piece the

0:51:22.280 --> 0:51:25.160
<v Speaker 1>anime and I'm going to buy first anime convention we've

0:51:25.239 --> 0:51:28.560
<v Speaker 1>con in Dallas in two weeks. It'll be fun that

0:51:28.800 --> 0:51:31.759
<v Speaker 1>you're by amazing. Yes, you're going to Texas to be

0:51:31.880 --> 0:51:35.080
<v Speaker 1>near Christy. And now what about what about social wise?

0:51:35.160 --> 0:51:37.360
<v Speaker 1>You are in social media? Can people follow you anywhere?

0:51:37.360 --> 0:51:39.440
<v Speaker 1>You're on Twitter? I saw you're on Twitter. Yes, just

0:51:39.520 --> 0:51:42.840
<v Speaker 1>on Twitter as at volobos my last name backwards or

0:51:42.880 --> 0:51:46.640
<v Speaker 1>my website sobelov dot com. That is wonderful. Thank you,

0:51:46.920 --> 0:51:49.759
<v Speaker 1>Thank you so much for joining us, David. You've made

0:51:49.800 --> 0:51:54.120
<v Speaker 1>this a wonderful round and helped Tatiana move on to

0:51:54.160 --> 0:51:56.239
<v Speaker 1>the Elite eight. We're getting there. We're halfway there. Now

0:51:56.239 --> 0:51:58.799
<v Speaker 1>we've got half of our Elite eight picked people. So

0:51:59.200 --> 0:52:03.440
<v Speaker 1>half of Sound one is already over. It goes by quick,

0:52:03.680 --> 0:52:06.560
<v Speaker 1>absolutely amazing. We want to thank everybody for joining us

0:52:06.600 --> 0:52:08.880
<v Speaker 1>again this week, for following the super awesome contest to

0:52:08.880 --> 0:52:12.040
<v Speaker 1>become the next big Voice actor. Of course again thanking

0:52:12.080 --> 0:52:15.440
<v Speaker 1>everybody over there at Prime Video, thanking everybody a critical

0:52:15.560 --> 0:52:18.520
<v Speaker 1>role the legend of Voxmachines Season two is available on

0:52:18.600 --> 0:52:20.799
<v Speaker 1>Prime Video. Go watch it. I'm awesome in it, just

0:52:20.840 --> 0:52:23.800
<v Speaker 1>saying that out loud. Also thanking all of our friends

0:52:23.800 --> 0:52:28.239
<v Speaker 1>over at CESD and of course iHeart for making all

0:52:28.280 --> 0:52:31.840
<v Speaker 1>of this happen. Thank you everybody so so much, and remember,

0:52:31.840 --> 0:52:33.040
<v Speaker 1>if you think you got what it takes to be

0:52:33.040 --> 0:52:35.040
<v Speaker 1>one of us, step up and put your voices where

0:52:35.080 --> 0:52:38.440
<v Speaker 1>your mouth is. Thanks everybody, Bye guys. I Hear Voices

0:52:38.520 --> 0:52:41.440
<v Speaker 1>is hosted by wilfordil and Christy Carlson Romano. Executive produced

0:52:41.440 --> 0:52:44.000
<v Speaker 1>by Will Furdlle Brendan Rooney, Amy Sugarman. Our executive in

0:52:44.080 --> 0:52:47.000
<v Speaker 1>Charger Production is Danielle Romo. Our producer is Lorraine Vera

0:52:47.040 --> 0:52:49.759
<v Speaker 1>Weez and our editor slash engineer is Brian Burton. And

0:52:50.000 --> 0:52:53.520
<v Speaker 1>that was my announcer voice. Some side effects of listening

0:52:53.520 --> 0:52:55.960
<v Speaker 1>to I Hear Voices are sore abs from hilarity, falling

0:52:55.960 --> 0:52:58.880
<v Speaker 1>down the Coco melon rabbit hole, sneezing due to mass nostalgia,

0:52:58.960 --> 0:53:01.760
<v Speaker 1>and hugs. I Hear Voices wherever you listen to podcasts,

0:53:01.760 --> 0:53:03.840
<v Speaker 1>so you don't miss any of the amazing voices, be

0:53:03.880 --> 0:53:06.040
<v Speaker 1>sure to follow us on Instagram and TikTok At I

0:53:06.120 --> 0:53:08.800
<v Speaker 1>Hear Voices podcast. You can also check us out on MySpace,

0:53:08.840 --> 0:53:12.200
<v Speaker 1>omeiegel Vine, LimeWire. Hey I'm a napster. Okay, well let's

0:53:12.200 --> 0:53:13.720
<v Speaker 1>teach you about the Internet, the who