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Speaker 1: Hi Christy, Oh, hi Will, how are you? I'm doing

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Speaker 1: pretty good. You know. Last week was crazy with Cree Summer.

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Speaker 1: Last week was crazy with Cree Summer, and the whole

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Speaker 1: contest itself has just been so fun and so nuts,

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Speaker 1: and every week I'm more and more positive that we

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Speaker 1: are going to find somebody that's going to be able

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Speaker 1: to step into the booth day one and take a

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Speaker 1: job from one of us. Yeah, exactly, and put one

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Speaker 1: of us out of work, because what a self listening

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Speaker 1: for us to do. I'm a voice actor that's going

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Speaker 1: to take our jobs. No, it's no, it's incredible, and

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Speaker 1: it's just it's the contest itself is going so well

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Speaker 1: and moving right along. And so I was at a

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Speaker 1: convention this last weekend and so many people came up

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Speaker 1: to me and said that they're either entered the contest,

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Speaker 1: or are listening to the contest, or are following what's

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Speaker 1: going on with I hear voices. We just have fans everywhere,

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Speaker 1: and they're very loyal and it's really really cool. So yeah,

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Speaker 1: I'm super excited to hear all these people coming up

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Speaker 1: and kind of saying like, oh, I here's what I

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Speaker 1: did in my entry or here's man, here's what I

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Speaker 1: should have done. I was so expecting to do more.

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Speaker 1: I got a lot of that. I got a lot

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Speaker 1: of I didn't go full out. I should have gone

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Speaker 1: full out. Um. So there was a lot of feedback

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Speaker 1: though about the contest, and people are really liking it. Oh,

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Speaker 1: I'd love to hear that. You know, cons are a

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Speaker 1: big reason why the podcast even started. And I think

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Speaker 1: it was that excitement and that passion for the community

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Speaker 1: that really brought us together Will and I to be like,

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Speaker 1: what do we do to service these people? You know

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Speaker 1: on the days that there's tought of con happening. Um,

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Speaker 1: I don't know. That's really I can't wait for my

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Speaker 1: next con, you know, for us to be able to

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Speaker 1: chat with people about their you know, their auditions. And

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Speaker 1: I'm sure there were some people who were really bummed,

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Speaker 1: but um, you know, it's a competit it's competitive, but

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Speaker 1: this is a really competitive thing. So and last week

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Speaker 1: we were i mean until until like round three. Yeah,

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Speaker 1: we were on the fence. I mean they were, they

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Speaker 1: were going back and forth, duking it out. It was

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Speaker 1: so good. It was crazy, Like three week create a

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Speaker 1: run for her money, you know, with her first she's

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Speaker 1: not really on podcast much, Chel thinking like, you know,

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Speaker 1: she's just on TikTok now, and it's yeah, she did

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Speaker 1: a great job. But we're we're super excited. We have

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Speaker 1: two new guests coming in today. We are of course

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Speaker 1: talking about these super awesome contests to become the next

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Speaker 1: big voice actor. And once again, as we like to

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Speaker 1: every week, give shout out to everybody who just helped

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Speaker 1: make this possible for us. Of course, our friends over

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Speaker 1: at Prime Video, our friends at Critical Role. Go check

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Speaker 1: out season two of the Legend of Vox Machina as

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Speaker 1: you can stream that now. I again, I say this

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Speaker 1: every week, it's an amazing show, and I also say

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Speaker 1: every week that it's not just amazing because I'm on it,

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Speaker 1: but let's be honest, it makes it that much better.

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Speaker 1: And of course all of our friends at iHeart who

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Speaker 1: really helped to make this entire thing happen for us.

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Speaker 1: They've really been had our backs the entire time and said, yes,

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Speaker 1: let's go do your contest, and of course my awesome

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Speaker 1: agents at CESD, because that is one of the prizes,

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Speaker 1: is getting to sign with the wonderful people over at

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Speaker 1: yes D and winning the possibility of a career. I

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Speaker 1: always said not, it's not your big break, and then

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Speaker 1: Christy was like, it is your big breaks and break.

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Speaker 1: She was right. Of course, she's right. She's always right.

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Speaker 1: I have to Christie more and more. That is just like,

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Speaker 1: listen to Christie. It's just I can I get that

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Speaker 1: on a voicemail? Well, we're both recording, so you've got it.

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Speaker 1: That's high you reach Christy Carlson Romano. She's unable to

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Speaker 1: take your call right now, but leave a number she

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Speaker 1: gets back to you. By the way, Christie's always right.

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Speaker 1: I thought it was just juicy thank you. I will

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Speaker 1: be your new outgoing voice message. I hope that's okay.

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Speaker 1: It is. I'm excited about our guest. I was going

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Speaker 1: to say, we've got an awesome guest who was a

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Speaker 1: very close friend of mine and one of the best

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Speaker 1: in the biz. He is a voice like no other.

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Speaker 1: Is the only way to talk about this? Oh man,

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Speaker 1: not enough bows in smooth and that deep barre tone

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Speaker 1: with that amazing laugh talent to burn h he has

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Speaker 1: been well, tell Christy, can you walk us through just

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Speaker 1: a little bit of what he's done? Absolutely so our

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Speaker 1: guest today, Can I say the name first? Let's say,

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Speaker 1: let's say he's done first and then and then let's

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Speaker 1: do that. So he's best known as Gorilla Grod on

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Speaker 1: the CW Network drama The Flash. He's in Beast Wars,

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Speaker 1: Transformers as Depth Charge, He's Drags the Destroyer, and various

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Speaker 1: Marvel things. He shock waves as well. I said that wrong,

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Speaker 1: shock Wave and Transformers. You can tell us not a

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Speaker 1: Transformers fan, as a Transformer to do it. He's blitzwing

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Speaker 1: and bumble beeing. Were you and there? Now? My gosh. Yeah,

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Speaker 1: obviously he's known for his deep growling voice. But like

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Speaker 1: I mean, he's doing so many things, and he's in

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Speaker 1: Dungeons and Dragons, on her among Thieves, he's a voice

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Speaker 1: in that. He's obviously the voice of Grod in The

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Speaker 1: Final Flash a season and yeah, I mean he just

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Speaker 1: completed Transformers, Rise of the Beast. The man is booked

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Speaker 1: and busy. It's David sobelof, yes it is. Let's bring

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Speaker 1: in David. Hello, Hey, thank you so much for doing this,

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Speaker 1: my friend. You're welcome, thanks for asking. This is very

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Speaker 1: very cool. So we're going to give you a little

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Speaker 1: a little crash course on what's happening today. Yeah, I

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Speaker 1: listened to Rob Bolson's episode, did you so for the contest? Yes, okay, good.

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Speaker 1: So you are our guest judge for today, and you

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Speaker 1: are going to be helping us pick the character and

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Speaker 1: then giving notes as we bring in our guests. And

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Speaker 1: you know, the winner wins a career, they get to

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Speaker 1: sign with CESD and they're flown out to la and

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Speaker 1: that you worked that out with Paul. That's right, we're

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Speaker 1: CESD people. So uh yeah, they were very excited. So

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Speaker 1: it's it's totally cool, but we're really excited to have

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Speaker 1: you so excited. I haven't seen you in a long time. David.

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Speaker 1: The convention, I think, yeah, where was it in Atlanta

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Speaker 1: in twenty eighteen? I think? Yes? Wait, no, did we

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Speaker 1: go to Australia together? Did we? Oh? Maybe we did? Yeah,

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Speaker 1: maybe maybe I saw you over there. I was pregnant.

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Speaker 1: I think I was pregnant and I had a little

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Speaker 1: child running with round with me, which was which was

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Speaker 1: a lot but a fun cone. Is it true that

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Speaker 1: if you're pregnant in Australia you give birth going the

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Speaker 1: opposite direction anyway? No, if you give birth in Australia,

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Speaker 1: you just keep it in your in your pouch in

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Speaker 1: your little Joey pouch. People over there, well, I want

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Speaker 1: to thank you so much for joining us. Today. We

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Speaker 1: have two incredible contestants coming in. We're gonna have Mike

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Speaker 1: from Florida and Tatiana from California that are again we

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Speaker 1: got over four thousand entries for this contest and we

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Speaker 1: whittled it down very painstakingly to the top sixteen. And

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Speaker 1: this is round round number four. It's around four already

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Speaker 1: of the super awesome contest of picking the Elite eight.

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Speaker 1: So we're very very happy. We're going to be going

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Speaker 1: playing our game. Everybody out there who is just joining

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Speaker 1: us for the first time. The first game we play

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Speaker 1: for this round is a game called by the Numbers

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Speaker 1: and what are we going? What are we gonna be

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Speaker 1: doing is we have four different categories size, what are

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Speaker 1: you age? And a wacky attribute. And our guest judge today,

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Speaker 1: David Sobelov, will of course be picking random numbers. When

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Speaker 1: he picks the random numbers, that will generate the character

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Speaker 1: that will then be given to our guests. Now, the

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Speaker 1: guests have been given two lines of dialogue that they

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Speaker 1: actually have had a couple of days or a day,

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Speaker 1: a day and a half to kind of practice with,

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Speaker 1: and then they are given a surprise line at the

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Speaker 1: end that they have not had a chance to see

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Speaker 1: to see how they are on their feet with a

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Speaker 1: cold read. So, David, what we'd like to do is

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Speaker 1: we'll bring them in. We bring them in one at

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Speaker 1: a time, We talk about him a little bit, what

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Speaker 1: got him into the business, and then we jump into

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Speaker 1: our game. And when we do, we'll have them read

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Speaker 1: it once and then see if any of us have

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Speaker 1: any notes for them, they're read it again, and then

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Speaker 1: we'll do that until the very end when we pick

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Speaker 1: a winner together who will have then go on to

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Speaker 1: fame and riches in the wonderful world. The voice over,

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Speaker 1: so if everybody is ready, and does anybody have any questions?

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Speaker 1: All right, here we go. Can we please start? I

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Speaker 1: believe we just take people as they come, first come,

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Speaker 1: first serve. And the first person that jumped today was

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Speaker 1: Mike from Florida. Am I correct? Yeah? All right? Hi,

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Speaker 1: Hey Mike, how are you? I'm a real boy? Hi,

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Speaker 1: already right into it. I love to hear this go.

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Speaker 1: Let's go. I am Will and this is Christy and

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Speaker 1: our special guest today is the amazing David Sobolov, who's

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Speaker 1: going to be helping us pick who moves on to

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Speaker 1: the next round. Mike, I mean, this is such an

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Speaker 1: honor to be here. My goodness. Well, congratulations on making

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Speaker 1: it to the top sixteen. No matter what happens today,

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Speaker 1: this was a huge accomplishment. You should be really, really

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Speaker 1: proud of yourself. I am so I'm just happy to

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Speaker 1: be here that yeah. I mean, we're we're lucky to

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Speaker 1: have found you, you know, I mean, thank you for

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Speaker 1: giving us a great audition, and we're we're excited to

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Speaker 1: kind of throw some things your way today and see

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Speaker 1: how see how you react. I guess through the paces. Mike,

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Speaker 1: we're going to put you into paces now, just very briefly,

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Speaker 1: what led you to the world of vo What made

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Speaker 1: you want to be a voice over actor? Well, I

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Speaker 1: have been performing my entire life. I have been performing

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Speaker 1: since I was a little kid, and I've been acting

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Speaker 1: and singing and doing all that kind of stuff. But

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Speaker 1: I've always loved cartoons and things like that. I just

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Speaker 1: never quite knew how to get into it. In fact,

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Speaker 1: a lot of my friends are in the vo business

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Speaker 1: as well, and I just I don't know, man, I

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Speaker 1: just get really weirded out about asking like how do

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Speaker 1: I do that? You know, like so so yeah, I

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Speaker 1: it's something so you think you think the easier route

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Speaker 1: is just winning a national contest. That's what it's like,

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Speaker 1: you know, of all the routes that I should take,

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Speaker 1: I should should listen to vo podcast and cross my

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Speaker 1: fingers that there's a contest. I mean, you're not wrong

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Speaker 1: so wrong so far? And do you have your you

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Speaker 1: have your two lines? Sure do? All right, Mike, thank

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Speaker 1: you so much. We're gonna be getting back with you.

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Speaker 1: We're going to go meet your fellow contestant for the

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Speaker 1: day and we'll come back and start round one of

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Speaker 1: by the numbers. All right, thank you, thank you so much.

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Speaker 1: Well he jumped right into I gotta respect that definitely.

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Speaker 1: And we're now going to bring in contestant number two,

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Speaker 1: who is Tatiana from California with that name. Hello, Hi, good,

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Speaker 1: how are you. It's wonderful to be here. Thank you

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Speaker 1: so much for having thank you for coming, and congratulations

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Speaker 1: on making the top sixteen. Thank you very much. So

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Speaker 1: we were just saying, you know, kind of talking to

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Speaker 1: your fellow contestant and of figuring out, you know, making

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Speaker 1: sure that everybody has what they need to get started.

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Speaker 1: You have your lines and all that good kind of

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Speaker 1: stuff ready, Yes, and just very quickly, first of all,

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Speaker 1: I'm Will. That's Christy, and please meet David Sobelov, who

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Speaker 1: is going to be our guest judge for the day

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Speaker 1: and helping us decide who moves on. But what drew

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Speaker 1: you to the world of vo Why do you want

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Speaker 1: to be a voiceover actor? I've always really love storytelling,

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Speaker 1: and I love how voicing a character can really add

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Speaker 1: like a different dimension to it, and it can really

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Speaker 1: translate it well from between two people and really allow

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Speaker 1: a more true sharing of the emotions and everything that

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Speaker 1: you want to convey. And I just love how it feels.

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Speaker 1: I love how it makes other people feel. It's a

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Speaker 1: great answer. I couldn't beautifully improve on that answer in

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Speaker 1: any way, shape or form. That's wonderful. That's beautiful. So

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Speaker 1: thank you so much. We take the contestants in the

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Speaker 1: order that they arrived. So we're going to put you

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Speaker 1: in the waiting room right now and do round number

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Speaker 1: one of buy the numbers, and we will be back

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Speaker 1: to you very quickly. Sounds a bit thank you. Well,

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Speaker 1: that was exciting. They seem really they seem really great.

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Speaker 1: They're really good to go. They both just meet your reaction.

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Speaker 1: Nice pipes right off the bat and really good microphone setups.

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Speaker 1: What do you think, David, m that's so crucial. I

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Speaker 1: don't think people realize they're for starting out. You're being

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Speaker 1: auditioned for your booth and your sound as well as

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Speaker 1: your performance. Interest. Now we haven't heard that before, and

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Speaker 1: that's I haven't heard either, But that's true if you

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Speaker 1: got the right setup, and you're going to have a

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Speaker 1: leg up already. So that's uh yeah, all right, let

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Speaker 1: us start and bring in Mike from Florida. Here we go. Oh,

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Speaker 1: I'm excited. I am excited to get into this one.

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Speaker 1: All right, Mike. So, as you know, we're going to

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Speaker 1: be playing by the numbers. And by the numbers we

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Speaker 1: have four different categories, size, what are you age? And

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Speaker 1: a wacky attribute by our guest, David Sobolov. Picking the numbers,

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Speaker 1: he is going to create the character with which you

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Speaker 1: are going to be reading your first line of diet.

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Speaker 1: So David, if you would for me, sir, could you

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Speaker 1: please give me a number between one and six A four?

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Speaker 1: Could you give me a number between one and twelve

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Speaker 1: about ten, could you please give me number one to

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Speaker 1: seven three and finally a number one to eleven seven.

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Speaker 1: Christie got it. I'm getting better at this too because

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Speaker 1: of the way that we've listed it. You are going

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Speaker 1: to be like a small robot that's ten years old

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Speaker 1: who is hypothermic. A small ten year old hypothermic robot.

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Speaker 1: And if you can take line one please and at

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Speaker 1: your pleasure, can I get oh whoo whoop seriously, like

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Speaker 1: I need a whoop whoop immediately, like it's an emergence rubble. Oh,

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Speaker 1: that's pretty good. I like a little robot. And there, David,

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Speaker 1: you have any notes? Um? That ending was just a

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Speaker 1: huge for me. I really love that ending. UM aged

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Speaker 1: him up a little bit years old, right, he's a

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Speaker 1: little young for ten okay, you know, and maybe just

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Speaker 1: a little more energy and it's going to be great.

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Speaker 1: Don't lose that end of those? Yeah? Can I get

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Speaker 1: a little something like that? Something? Yeah? I mean, I

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Speaker 1: I groll, Christy, do you have any would you No? No? Absolutely?

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Speaker 1: I think that he I think David's right. I think um,

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Speaker 1: I think that sounded about eight, whereas I think with

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Speaker 1: ten um, I think it's a little more, a little

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Speaker 1: more grit a little more you know, a little more

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Speaker 1: of the grittiness to the prepubessence of it. So there's

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Speaker 1: just a little bit of that rawness to the voice.

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Speaker 1: And then I think we always try to interpret these

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Speaker 1: directions with our or what is it contestants, right, and

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Speaker 1: we want to make sure that you guys are nailing

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Speaker 1: every direction. So one of the directions is hypothermic. And

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Speaker 1: so while a robot probably can't feel the cold, I

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Speaker 1: think that it would, Like I love the way right

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Speaker 1: at the end you kind of you've failed, you know,

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Speaker 1: like you you shut down, but I didn't. I didn't.

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Speaker 1: I don't know if there's a way that maybe you

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Speaker 1: can play what do you think will with the hypothermic direction? Again,

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Speaker 1: it all depends on what you know, how you want.

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Speaker 1: It's the joy of an actor is your interpretation of

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Speaker 1: how you would play that cold. You know, does it

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Speaker 1: speed you up? Does it slow you down? Does it

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Speaker 1: make you stutter? Are you shivering as a robot is?

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Speaker 1: Does the metal get so cold that it's painful? I mean,

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Speaker 1: there's so many different ways to kind of take the

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Speaker 1: character that it's really dealer's choice. David. Maybe the software glitches,

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Speaker 1: you know, when you're cold, do you want to humanize

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Speaker 1: them more or make it more roboty? You know that's

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Speaker 1: another choice as well. Yeah, I love that. All right,

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Speaker 1: So there are your notes, Mike, So here we go.

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Speaker 1: If you could do it one more time at your pleasure,

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Speaker 1: can I get a whoop whoop? Seriously, I really need

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Speaker 1: a whoop whoop berber immediately, like it's an emergence. You're

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Speaker 1: read very nice. Thank you so much, sir, and we

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Speaker 1: will be coming back to you in a second. Thank you, guys. Thanks.

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Speaker 1: Why I like that? I thought he took the notes well, um,

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Speaker 1: you know, he aged it up, which is one of

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Speaker 1: the things that David suggested that he do. He added

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Speaker 1: more of kind of a glitch to it. I mean,

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Speaker 1: I think for taking notes he did he did pretty well.

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Speaker 1: What do you think One last thing I would have

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Speaker 1: said if he had another chance, was to make it

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Speaker 1: sort of happier and more fun because it is probably

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Speaker 1: from a comedic show. When I'm teaching, I'm talking to

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Speaker 1: people a lot about what what network things they are on,

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Speaker 1: if it's comedic or if it's serious. Um, you know,

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Speaker 1: if it's comedic. But you start to feel sorry for

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Speaker 1: it feel sad. Then they might be placed in the

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Speaker 1: wrong wrong way emotionally. Maybe you know. That's that's that's

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Speaker 1: something I remember they taught us in acting class way

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Speaker 1: back quin It was like reading a script. It has

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Speaker 1: a certain song to it that the writers kind of rite,

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Speaker 1: and so the cadence of it, it needs to feel appropriate.

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Speaker 1: And so yeah, if you sometimes you can read a

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Speaker 1: line like this and see that it's I don't know.

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Speaker 1: I also think I think we make bold choices as

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Speaker 1: actors because when you make the bold choices, when you

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Speaker 1: stand out, and in in this kind of a contest,

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Speaker 1: you want to stand out. So we could and I've

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Speaker 1: always encouraged people during this contest to have as much

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Speaker 1: fun as possible. But I know how nervous they are.

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Speaker 1: Oh yeah, it sounds you definitely feel I can feel

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Speaker 1: the nerves and feel there. That's all. By the way, David,

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Speaker 1: if you ever want to jump in and say, wait

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Speaker 1: a second, gay second, I want to hear one more

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Speaker 1: and here's how I'll do it. Please please feel free,

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Speaker 1: Please feel free, And then yeah, let's go. Let's bring

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Speaker 1: in our contestant number two. Here, it's bringing Tatiana. Hello, Tatiana,

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Speaker 1: how are you good? How are you? I am? Good? Things? Okay,

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Speaker 1: So here we go. You got line number one, yes

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Speaker 1: I do. Okay, So David, sobelove here is going to

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Speaker 1: pick some numbers for you were You're going to create

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Speaker 1: your character and it's going to be all on you.

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Speaker 1: So if you would, sir, number between one and six six,

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Speaker 1: and now a number between one and twelve four, and

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Speaker 1: now a number between one and seven six, and now

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Speaker 1: a number between one and eleven three. Christy, if you

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Speaker 1: would please, okay, you are a German sixty year old

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Speaker 1: microscopic racehorse. All right, honey, if you can do that,

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Speaker 1: you are a fan. I'm a fan of yours immediately. Wow,

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Speaker 1: I love that, and I'm sure that's exactly what you

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Speaker 1: were planning on being today when you've joined us. She's like, yes,

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Speaker 1: I have that one in the bag. Oh of course, yeah,

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Speaker 1: all right, German German sixty year old microscopic. I love that,

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Speaker 1: all right, Tatiana, Line one at your pleasure, colocas a whoop, whoop,

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Speaker 1: I fellow a little roop whoop. Ami. Look it's a remorg.

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Speaker 1: That was really good, Taia. That was David any notes

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Speaker 1: very horsey but when you're doing animation, even if it's

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Speaker 1: a crazy, wacky character, I have to understand every words

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Speaker 1: a little little clarity. Okay, I got the age from that.

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Speaker 1: I got that there was like a little bit of

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Speaker 1: like a little warble in the voice that lent itself

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Speaker 1: to being a horse, which I really really liked. But

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Speaker 1: I do agree like the way that that sounded was

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Speaker 1: more in the back of your throat. Um, what do

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Speaker 1: you think will um? Yeah? I agree. I think the

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Speaker 1: first thing, you want to make sure that, even if

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Speaker 1: it's crazy, you want to make sure that you understand

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Speaker 1: all the words um and the other thing. If I

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Speaker 1: were to give you a direction, I would say, if

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Speaker 1: you want to make it more German, it could be

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Speaker 1: more very matter of fact, you know that's it could

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Speaker 1: be a very kind of you know, staccato read if

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Speaker 1: you want it to go that way. But you pick

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Speaker 1: whatever you want. But again, at the end of the day,

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Speaker 1: make sure we can understand what you're saying. But got

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Speaker 1: the age right away, and got but she is also

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Speaker 1: I forgot completely that she was supposed to be Germany

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Speaker 1: and scopic, which which you know sometimes with the size

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Speaker 1: we can always play I'm sure David knows this. You

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Speaker 1: can play against type. Right. Do you ever get, David,

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Speaker 1: do you ever get cast as something very small and

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Speaker 1: not usually but you know, but what it usually happens

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Speaker 1: to be used. They'll get an incidental character in an

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Speaker 1: animated series and they just throw something weird at me

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Speaker 1: just to challenge me. So then I'll have to play

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Speaker 1: something small or different and I'll find some weird way

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Speaker 1: to do it for for a moment. But I can

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Speaker 1: attest to that having stood next to him doing Guardians

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Speaker 1: the Galaxy for as long as we did. Uh, there

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Speaker 1: was many a guard that all of us are like,

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Speaker 1: let's see what happens here. So Tatiana, if you can

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Speaker 1: give us, give it one more shot, and just think

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Speaker 1: about those some of the things we said, and remember

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Speaker 1: if you can really enunciate the words, but take it

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Speaker 1: away at your pleasure, it can. I give a whoop whoop,

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Speaker 1: sorrious loop, I really whoop whoop, immediately like it, somemermorg,

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Speaker 1: that's great, anybody else anything? I heard the German in

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Speaker 1: the front, and I so I know she can do it.

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Speaker 1: You know, Yeah, I would like to one where you're

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Speaker 1: not so worried about the age because I think the

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Speaker 1: age is causing you to change the voice so that

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Speaker 1: it isn't as clear as it could be. Let me

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Speaker 1: just here. I know this is kind of maybe against

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Speaker 1: the rules, but just don't worry about the age and

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Speaker 1: this just do one more for me, if you would,

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Speaker 1: without worrying about the age. I want to see what

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Speaker 1: happens and double down on the horse because it's very funny.

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Speaker 1: Got it, No worries? Go ahead, Can I get a whoop? Whoop? Seriously?

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Speaker 1: I really need a whoop whoop immediately, like it's an emergency. Perfect,

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Speaker 1: Thank you very much, and we'll be right back with you.

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Speaker 1: Thank you. See that's what I was waiting for. I

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Speaker 1: was waiting to hear like the can I get a

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Speaker 1: whoop whoop? I needhop immediately? Like her immediately? That was

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Speaker 1: very good. That was very Maybe I forget you know,

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Speaker 1: you are also a director of animation, so see I

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Speaker 1: was like, these are the things I would never know

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Speaker 1: to pull out of her. I would and if I

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Speaker 1: were directing her, I would give her one more direction

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Speaker 1: of you know, really double down on the German now.

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Speaker 1: And it sounded it could sound more elderly without it

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Speaker 1: being caught in the throat and could up in the

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Speaker 1: higher part of the throat and like, yeah, I thought

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Speaker 1: she had an easier time. And again, but the stuff

422
00:22:53,840 --> 00:22:58,680
Speaker 1: we're throwing at them is exceptionally diffic I mean crazy difficult. Um,

423
00:22:58,760 --> 00:23:02,119
Speaker 1: So it's um. You know, sometimes we're getting actors that

424
00:23:02,119 --> 00:23:05,040
Speaker 1: are concentrating more on their cadence. Sometimes we're getting the

425
00:23:05,040 --> 00:23:07,280
Speaker 1: actors that are concentrating more on the accent. Sometimes we're

426
00:23:07,280 --> 00:23:09,960
Speaker 1: getting more they concentrating on their age. But that's why

427
00:23:09,960 --> 00:23:11,919
Speaker 1: it's difficult, because we're trying to find somebody that can

428
00:23:11,920 --> 00:23:14,760
Speaker 1: pull it all together. So all right, cool, We'll let

429
00:23:14,880 --> 00:23:17,720
Speaker 1: us move on to challenge number two, line number two,

430
00:23:17,760 --> 00:23:21,719
Speaker 1: and we will go back now to contestant number one,

431
00:23:22,040 --> 00:23:25,640
Speaker 1: Mike from Florida. Mike, welcome back. We are moving on

432
00:23:25,680 --> 00:23:29,000
Speaker 1: to line number two, and David Sobelov once again stir

433
00:23:29,400 --> 00:23:33,159
Speaker 1: a number between one and six one, and now a

434
00:23:33,240 --> 00:23:36,480
Speaker 1: number between one and twelve eight, and now a number

435
00:23:36,520 --> 00:23:39,959
Speaker 1: between one and seven seven, and now a number between

436
00:23:39,960 --> 00:23:44,560
Speaker 1: one and eleven nine. Christy, if you would you are

437
00:23:44,680 --> 00:23:51,280
Speaker 1: a giant fish who's ninety five years old and shocked.

438
00:23:52,320 --> 00:23:55,919
Speaker 1: Giant ninety five year old fish who is shocked. That

439
00:23:56,359 --> 00:23:58,960
Speaker 1: is it? So Mike at your pleasure, line number two. Please,

440
00:24:00,800 --> 00:24:03,959
Speaker 1: people up with the jury. I think I have proven,

441
00:24:04,119 --> 00:24:07,280
Speaker 1: beyond the shadow of a doubt that my client is

442
00:24:07,400 --> 00:24:12,080
Speaker 1: guel creak, cel creak, cruelty. Oops. That's the opposite of

443
00:24:12,080 --> 00:24:15,000
Speaker 1: what I was supposed to do. Your honor, I quit

444
00:24:17,200 --> 00:24:20,960
Speaker 1: all right, David, any notes speak slower because he's giant.

445
00:24:21,000 --> 00:24:23,600
Speaker 1: That will give us a sense of being giant. Um,

446
00:24:23,920 --> 00:24:25,679
Speaker 1: And I'm going to get you to try something that

447
00:24:25,920 --> 00:24:28,040
Speaker 1: the other you may not be thinking of, because it's

448
00:24:28,040 --> 00:24:30,520
Speaker 1: not really even what shocked means maybe in this context,

449
00:24:30,560 --> 00:24:33,359
Speaker 1: but make shocked being that you're being shocked by an

450
00:24:33,359 --> 00:24:37,720
Speaker 1: electric Curtis. This is happening. Okay. Oh see, it's all

451
00:24:37,760 --> 00:24:42,960
Speaker 1: about choice as an actor. Christy anything, No, I don't.

452
00:24:43,080 --> 00:24:48,080
Speaker 1: I love those I just do what David says. That

453
00:24:48,160 --> 00:24:51,480
Speaker 1: is our new dw ds. Do what David says. That

454
00:24:51,600 --> 00:24:54,000
Speaker 1: is our new motto. Here on I hear voices. So

455
00:24:54,280 --> 00:24:57,200
Speaker 1: Mike with those notes in mine line number two again,

456
00:24:57,200 --> 00:25:03,760
Speaker 1: please sir, okay, people of the jury, I think I

457
00:25:03,880 --> 00:25:07,480
Speaker 1: have proven beyond the shadow of a doubt that my

458
00:25:07,600 --> 00:25:14,719
Speaker 1: client is guilty, guilty, guilty. Oops, that's the opposite of

459
00:25:14,840 --> 00:25:18,400
Speaker 1: what I was supposed to do your honor. I quit,

460
00:25:20,800 --> 00:25:22,919
Speaker 1: thank you very much. Anything else I want to give

461
00:25:23,000 --> 00:25:26,360
Speaker 1: him to do it one more time? You got it? Giant, slower,

462
00:25:26,880 --> 00:25:29,960
Speaker 1: deeper and shocked. Start for the very beginning of what

463
00:25:30,280 --> 00:25:33,919
Speaker 1: that note is like, make him completely full of electricity

464
00:25:33,920 --> 00:25:37,399
Speaker 1: and he's trying to talk through being shocked. Okay, and

465
00:25:37,520 --> 00:25:40,359
Speaker 1: have fun with it? Sure, okay, Yeah, you know we

466
00:25:40,440 --> 00:25:42,320
Speaker 1: all want you to do great. And whenever you're going

467
00:25:42,359 --> 00:25:45,520
Speaker 1: to a casting director, they want you to do great. Yeah,

468
00:25:45,560 --> 00:25:47,560
Speaker 1: they're looking for it, they're looking for you, they want

469
00:25:47,560 --> 00:25:50,399
Speaker 1: ever they want us to succeed. So yeah, to have

470
00:25:50,440 --> 00:25:52,160
Speaker 1: some fun with it, slow it down a little bit,

471
00:25:52,600 --> 00:25:56,360
Speaker 1: and remember your size. Okay, than give it one more try?

472
00:25:56,400 --> 00:26:02,240
Speaker 1: Go ahead, all right? People, Oh the churt, I think

473
00:26:02,280 --> 00:26:06,320
Speaker 1: I have proven, beyond the shadow of a doubt that

474
00:26:06,560 --> 00:26:15,000
Speaker 1: my client is guilty. Guilty, guilty. Whoops. That's the opposite

475
00:26:15,000 --> 00:26:20,280
Speaker 1: of what I was supposed to do. Your honor. I quit,

476
00:26:22,160 --> 00:26:26,400
Speaker 1: Thank you very much, appreciate it, Mike, thank you all right.

477
00:26:27,800 --> 00:26:30,200
Speaker 1: I yeah, I think he was having a little trouble

478
00:26:30,240 --> 00:26:34,240
Speaker 1: taking some of the direction that time. Um, and so well,

479
00:26:34,119 --> 00:26:36,439
Speaker 1: we're gonna have to see what what Tatiana does with

480
00:26:36,520 --> 00:26:38,400
Speaker 1: line too. This is close. This is a close one

481
00:26:38,800 --> 00:26:41,360
Speaker 1: because it's it's with something like this, it can come

482
00:26:41,359 --> 00:26:43,879
Speaker 1: down to the to the X factors, the intangibles, the

483
00:26:44,119 --> 00:26:47,720
Speaker 1: conversations in between the lines that we're having with them. Uh,

484
00:26:47,760 --> 00:26:49,359
Speaker 1: that will allow us to see where to go with this.

485
00:26:49,600 --> 00:26:51,359
Speaker 1: I want to see these guys tell the story better.

486
00:26:52,080 --> 00:26:55,040
Speaker 1: I okay, I feel that. I feel that. That's great.

487
00:26:55,080 --> 00:26:57,600
Speaker 1: I totally I totally understand that. And maybe we can

488
00:26:57,840 --> 00:26:59,840
Speaker 1: talk with both of them before we start with line

489
00:26:59,840 --> 00:27:02,720
Speaker 1: through three. Um, so let's see. Let's bring Tatiana in

490
00:27:02,800 --> 00:27:05,320
Speaker 1: and see what what Tatiana can do with line number two.

491
00:27:05,920 --> 00:27:09,000
Speaker 1: Welcome back, Tatiana, Thank you, thank you, and we are

492
00:27:09,040 --> 00:27:12,800
Speaker 1: going to be moving on to line number two. Sounds good,

493
00:27:13,000 --> 00:27:17,640
Speaker 1: mister Sobelov Please, sir, a number between one and six three,

494
00:27:17,720 --> 00:27:21,640
Speaker 1: and now a number between one and twelve six. What's

495
00:27:21,680 --> 00:27:24,560
Speaker 1: your six six six? Please? Gotch got it? And now

496
00:27:24,600 --> 00:27:28,359
Speaker 1: a number between one and seven one, and now a

497
00:27:28,480 --> 00:27:34,920
Speaker 1: number between one and eleven five. Okay, Wow, you are

498
00:27:34,960 --> 00:27:41,640
Speaker 1: a medium ground bug who is ancient and just one

499
00:27:41,880 --> 00:27:47,240
Speaker 1: the lottery. Tatiana is getting it today. All good through

500
00:27:47,240 --> 00:27:50,719
Speaker 1: the paces Tatiana attitude. That's a good attitude. So you

501
00:27:50,760 --> 00:27:54,879
Speaker 1: are ancient. That's your age. You're ancient, and you're a

502
00:27:55,000 --> 00:27:58,520
Speaker 1: ground bug. So what's that like a Rolie polyever kind

503
00:27:58,520 --> 00:28:02,680
Speaker 1: of bugs worm, whatever you want. You're a bug. You're

504
00:28:02,680 --> 00:28:05,840
Speaker 1: a bug on the ground that medize medium size. But

505
00:28:05,880 --> 00:28:10,119
Speaker 1: you just won the lottery. Okay, you found an apple

506
00:28:12,359 --> 00:28:20,920
Speaker 1: tatiana at your pleasure line number two, please pop roll of.

507
00:28:23,080 --> 00:28:33,640
Speaker 1: I have proven a shadow of a but orps. That's

508
00:28:33,640 --> 00:28:36,800
Speaker 1: an episode of when I was supposed to the latter

509
00:28:37,359 --> 00:28:42,880
Speaker 1: ACCRPT David any notes, I would say, there's a little

510
00:28:42,880 --> 00:28:45,560
Speaker 1: technical thing. Turn your game down a bit and turn

511
00:28:45,640 --> 00:28:47,840
Speaker 1: your put your head a little bit further to the

512
00:28:47,920 --> 00:28:49,880
Speaker 1: right of the MICROPHONNC. You're popping a lot of peas

513
00:28:50,560 --> 00:28:56,080
Speaker 1: technical things. Um again, clarity issues, so whatever is sort

514
00:28:56,120 --> 00:28:58,000
Speaker 1: of forcing it up into your nose, I would try

515
00:28:58,000 --> 00:29:00,880
Speaker 1: a different approach, just so we can understand. I think

516
00:29:00,880 --> 00:29:02,920
Speaker 1: it's your tongue. I think you're doing something with your

517
00:29:02,920 --> 00:29:04,840
Speaker 1: tongue in your mouth to kind of make a voice,

518
00:29:05,400 --> 00:29:09,440
Speaker 1: and sometimes that can garble the annunciation that you're going

519
00:29:09,520 --> 00:29:12,800
Speaker 1: to need. So yeah, if we can try it again,

520
00:29:13,680 --> 00:29:17,160
Speaker 1: Christy anything, I agree. I think that the tongue is

521
00:29:17,200 --> 00:29:20,200
Speaker 1: definitely inhibiting your natural voice, which we love. We love

522
00:29:20,280 --> 00:29:24,600
Speaker 1: your natural speaking voice, and so yeah, try to try

523
00:29:24,600 --> 00:29:26,840
Speaker 1: to not use the tongue this time to give us

524
00:29:26,880 --> 00:29:29,760
Speaker 1: different colors. Got it sounds good? And give it one

525
00:29:29,800 --> 00:29:36,480
Speaker 1: more time any time, please act your pleasure people of

526
00:29:36,600 --> 00:29:39,880
Speaker 1: the Jewy. I think I have proven me, on any

527
00:29:39,920 --> 00:29:47,400
Speaker 1: shadow of a doubt, that my client is guilty. Guilty, guilty. Oops,

528
00:29:48,200 --> 00:29:51,040
Speaker 1: that's the opposite of what I was supposed to do

529
00:29:51,080 --> 00:29:55,200
Speaker 1: your honor, I quit. Can you hear how much better

530
00:29:55,280 --> 00:29:58,520
Speaker 1: that was because we can understand it? And then why

531
00:29:58,720 --> 00:30:00,840
Speaker 1: for me? Now? Yeah, I felt like you were a

532
00:30:00,840 --> 00:30:04,920
Speaker 1: little bug. I loved it too. That was way better.

533
00:30:04,960 --> 00:30:08,400
Speaker 1: I think anytime you can just rely on your natural ability,

534
00:30:08,480 --> 00:30:13,400
Speaker 1: natural talent and your regular pipes. There are certain little

535
00:30:13,400 --> 00:30:16,200
Speaker 1: gimmicking things you can do with you know, holding your

536
00:30:16,360 --> 00:30:19,400
Speaker 1: your throat or doing something with your tongue, but you

537
00:30:19,480 --> 00:30:21,120
Speaker 1: usually don't see that too much in the booth. What

538
00:30:21,160 --> 00:30:22,720
Speaker 1: you really see in the booth is people that are

539
00:30:22,960 --> 00:30:25,120
Speaker 1: using kind of just the natural ability that they have.

540
00:30:25,200 --> 00:30:28,600
Speaker 1: And it was so much better the second time to Tiana,

541
00:30:28,640 --> 00:30:31,280
Speaker 1: when it was just your natural flow and voice and

542
00:30:31,320 --> 00:30:34,000
Speaker 1: you're able to concentrate on the acting. That's your that's

543
00:30:34,040 --> 00:30:36,720
Speaker 1: your butter zone right there. That sounded so much better,

544
00:30:36,880 --> 00:30:40,800
Speaker 1: so much better, Christy. I agree. I'm really proud of

545
00:30:40,800 --> 00:30:43,480
Speaker 1: you for making that adjustment. And um, you know, let's

546
00:30:43,640 --> 00:30:46,040
Speaker 1: let's see what we got for our next round. I

547
00:30:46,120 --> 00:30:48,760
Speaker 1: love that so much. And before you go where, David

548
00:30:48,960 --> 00:30:50,800
Speaker 1: mentioned something earlier that we'd like to say to you

549
00:30:50,840 --> 00:30:52,520
Speaker 1: that we are also then going to say to contesting

550
00:30:52,640 --> 00:30:54,520
Speaker 1: number one. What was the note you wanted to give

551
00:30:54,520 --> 00:30:56,320
Speaker 1: to both of them? David as, I think it's important

552
00:30:56,640 --> 00:31:01,240
Speaker 1: tell the story, stay in the moment, roach like I'm

553
00:31:01,320 --> 00:31:03,600
Speaker 1: expanding what I was saying. You treat it like an

554
00:31:03,600 --> 00:31:06,360
Speaker 1: on camera performance, so everything around you was happening. You're

555
00:31:06,360 --> 00:31:10,840
Speaker 1: talking to someone, you're listening and answering, and your humanity

556
00:31:10,880 --> 00:31:12,280
Speaker 1: will really come out. Then if you stay in the

557
00:31:12,320 --> 00:31:15,520
Speaker 1: moment and tell the story so perfect, we will see

558
00:31:15,560 --> 00:31:18,240
Speaker 1: you in a minute for round number three. Thank you,

559
00:31:18,320 --> 00:31:31,880
Speaker 1: thank you, thank you. All right, it's great that you're

560
00:31:31,880 --> 00:31:34,760
Speaker 1: giving you these notes. It's so helpful, David, it really is.

561
00:31:35,200 --> 00:31:37,200
Speaker 1: And let's bring Mike back and give him the same

562
00:31:37,200 --> 00:31:40,600
Speaker 1: one before we start. Hey Mike, Hey, Mike, how are

563
00:31:40,680 --> 00:31:45,959
Speaker 1: you Hey? I'm doing well. So we were talking beforehand

564
00:31:46,000 --> 00:31:49,040
Speaker 1: and David came up with a great note for both

565
00:31:49,040 --> 00:31:50,680
Speaker 1: of our contestants today and we just gave it to

566
00:31:50,760 --> 00:31:52,280
Speaker 1: other contestant, and I'd like him to give it to

567
00:31:52,280 --> 00:31:54,200
Speaker 1: you as well before we go into round three. David,

568
00:31:54,320 --> 00:31:57,560
Speaker 1: you got it. Concentrate on telling the story. Stay in

569
00:31:57,600 --> 00:31:59,840
Speaker 1: the moment. You don't know what happened. Well, you don't

570
00:31:59,840 --> 00:32:01,240
Speaker 1: know what's going to happen in the future. If I'm

571
00:32:01,240 --> 00:32:03,120
Speaker 1: talking to you like this now, you don't know how

572
00:32:03,120 --> 00:32:04,160
Speaker 1: long I'm going to talk to you. I don't know

573
00:32:04,200 --> 00:32:05,800
Speaker 1: how long I'm gonna talk to me to you. It's

574
00:32:05,840 --> 00:32:07,200
Speaker 1: just going to come out of me. And I have

575
00:32:07,240 --> 00:32:09,200
Speaker 1: an idea and I articulated and the words just come.

576
00:32:09,920 --> 00:32:11,560
Speaker 1: The character doesn't know he has lines so that they're

577
00:32:11,560 --> 00:32:14,000
Speaker 1: written out for him. He just exists in the moment.

578
00:32:14,040 --> 00:32:17,040
Speaker 1: So exist at the moment, tell the story and have fun.

579
00:32:18,080 --> 00:32:21,040
Speaker 1: Got it and it will come out more than Yeah.

580
00:32:21,160 --> 00:32:23,040
Speaker 1: We also get that nerves get the better of you

581
00:32:23,120 --> 00:32:25,320
Speaker 1: and you're in and out of a waiting room and

582
00:32:25,400 --> 00:32:27,640
Speaker 1: you kind of did. We totally understand. We get that.

583
00:32:27,680 --> 00:32:30,760
Speaker 1: But like we were saying before, we want you to succeed.

584
00:32:30,800 --> 00:32:33,320
Speaker 1: We really do. We're look, we love this every week

585
00:32:33,360 --> 00:32:36,320
Speaker 1: so we're just looking for somebody that wants to have

586
00:32:36,320 --> 00:32:38,600
Speaker 1: some fun, enjoy themselves and has the talent. So we

587
00:32:38,680 --> 00:32:41,239
Speaker 1: know the sixteen that we picked are very talented. We

588
00:32:41,320 --> 00:32:43,320
Speaker 1: just want to see what they can do. Now, so

589
00:32:43,960 --> 00:32:46,120
Speaker 1: we're going into round three where you know, you get

590
00:32:46,200 --> 00:32:48,440
Speaker 1: a line that you have not read yet to see

591
00:32:48,440 --> 00:32:50,400
Speaker 1: how you do with some cold readings, and so you'll

592
00:32:50,400 --> 00:32:52,320
Speaker 1: see it will be in your chat. Can you see it?

593
00:32:53,000 --> 00:32:55,120
Speaker 1: I can't see it all right, So while you take

594
00:32:55,120 --> 00:32:57,000
Speaker 1: a moment with that, we're going to have David pick

595
00:32:57,080 --> 00:33:00,280
Speaker 1: your character once again. David, a number between one and

596
00:33:00,320 --> 00:33:06,320
Speaker 1: six five, and now a number between one and twelve one,

597
00:33:07,000 --> 00:33:10,160
Speaker 1: and now a number between one and seven five, and

598
00:33:10,240 --> 00:33:15,440
Speaker 1: now a number between one and eleven two. Christie, So

599
00:33:15,480 --> 00:33:21,040
Speaker 1: it was five one five two correct? Correct? Okay, so

600
00:33:21,360 --> 00:33:28,720
Speaker 1: you are a tiny dog who's thirty years old and Scottish.

601
00:33:29,000 --> 00:33:38,160
Speaker 1: Oh that's a good one. Oh boy, Scottish, tiny dog. Okay. Um,

602
00:33:40,240 --> 00:33:47,240
Speaker 1: at this time, Robbo ke, I your seriously table more

603
00:33:47,800 --> 00:33:54,480
Speaker 1: but time person look up your phone, Cheels, How does

604
00:33:54,480 --> 00:34:00,360
Speaker 1: he even affect this number? David talked to someone on

605
00:34:00,400 --> 00:34:01,880
Speaker 1: the throne. How did you even get this number? Like

606
00:34:02,040 --> 00:34:04,080
Speaker 1: imagine the person there, I was saying before. It's an

607
00:34:04,120 --> 00:34:07,240
Speaker 1: on camera performance. It's like you're just acting the scene.

608
00:34:07,560 --> 00:34:10,160
Speaker 1: And I would drop the voiceprint and try again with

609
00:34:10,239 --> 00:34:15,799
Speaker 1: just your natural voice. Okay, remember and Scottish and Scottish,

610
00:34:15,920 --> 00:34:18,239
Speaker 1: So if you can do the Scottish accent, if not,

611
00:34:18,360 --> 00:34:20,799
Speaker 1: maybe just a lilt here or there. Some people can't

612
00:34:20,800 --> 00:34:24,799
Speaker 1: do accents. That's that's perfectly acceptable. There's an accent trick

613
00:34:25,400 --> 00:34:27,200
Speaker 1: if you think you can think of any phrase that

614
00:34:27,280 --> 00:34:30,520
Speaker 1: gets you into the accent. Frosted, lucky charms, their magic,

615
00:34:30,560 --> 00:34:33,520
Speaker 1: the delicious, you know something that just gives you a

616
00:34:33,600 --> 00:34:36,400
Speaker 1: hint of it. Yeah, did you see Braveheart? That's Irish

617
00:34:36,400 --> 00:34:40,640
Speaker 1: but not freedom. You know, when you hear it, you

618
00:34:40,880 --> 00:34:46,440
Speaker 1: think of one line from from back there you use

619
00:34:46,520 --> 00:34:51,799
Speaker 1: that perfect use that perfect a long accent. Yeah, and

620
00:34:51,840 --> 00:34:54,520
Speaker 1: I would keep it. I would keep it more in

621
00:34:54,520 --> 00:34:56,880
Speaker 1: your natural register than going up into kind of the

622
00:34:56,920 --> 00:34:59,880
Speaker 1: falsetto as well. Yeah. Yeah, and we love your voice.

623
00:35:00,440 --> 00:35:03,960
Speaker 1: We actually came against a similar thing with another contestant.

624
00:35:04,560 --> 00:35:08,440
Speaker 1: I won't say when or who, but it's like, we

625
00:35:08,600 --> 00:35:11,919
Speaker 1: love your voice the way that it sounds naturally. So

626
00:35:12,000 --> 00:35:16,400
Speaker 1: sometimes when we affect our voice, it actually does us

627
00:35:16,400 --> 00:35:19,279
Speaker 1: a disservice, and what did you say, David, You said

628
00:35:19,280 --> 00:35:23,080
Speaker 1: something similar. The one word that you just said, donkey

629
00:35:23,760 --> 00:35:26,920
Speaker 1: had so much more life and fun in it that

630
00:35:27,040 --> 00:35:29,719
Speaker 1: I've heard in the performance. Go into whatever mode that

631
00:35:29,800 --> 00:35:31,319
Speaker 1: was that made you say that, and jump right in

632
00:35:31,360 --> 00:35:36,200
Speaker 1: and go the second. The second you hopped on the feed,

633
00:35:36,719 --> 00:35:39,400
Speaker 1: the first thing you said was I'm a real boy,

634
00:35:39,520 --> 00:35:44,839
Speaker 1: and it was the most natural, excited moment that you've

635
00:35:44,840 --> 00:35:46,960
Speaker 1: had since you've been on here. And then you kind

636
00:35:46,960 --> 00:35:50,120
Speaker 1: of got into now, I need to act audition mode,

637
00:35:50,239 --> 00:35:52,719
Speaker 1: and we want you to go back to that original

638
00:35:53,520 --> 00:35:57,840
Speaker 1: jumping on, having fun, talking to your friends, doing funny

639
00:35:57,920 --> 00:36:01,240
Speaker 1: voices for them, making them laugh, that natural kind of sound.

640
00:36:01,640 --> 00:36:04,799
Speaker 1: Do that just with the words we're giving you and

641
00:36:05,080 --> 00:36:09,120
Speaker 1: see what happens there. Does that make sense? Yeah? All right,

642
00:36:09,239 --> 00:36:11,520
Speaker 1: So if you have to start by going by the way,

643
00:36:11,560 --> 00:36:15,359
Speaker 1: I have perfect example Johnny DiMaggio. Johnny DiMaggio is one

644
00:36:15,400 --> 00:36:17,200
Speaker 1: of the best voiceover actors out there, and we were

645
00:36:17,239 --> 00:36:19,600
Speaker 1: doing Kim Possible for years. He was doing so many

646
00:36:19,600 --> 00:36:21,719
Speaker 1: different roles that he always when he'd sit down in

647
00:36:21,760 --> 00:36:23,560
Speaker 1: the booth to start Kim Possible, he'd have to go

648
00:36:23,840 --> 00:36:27,120
Speaker 1: she go because by saying that one word, that one name,

649
00:36:27,280 --> 00:36:29,200
Speaker 1: he got right back into the character again and he

650
00:36:29,280 --> 00:36:30,920
Speaker 1: knew the voice he was going to do. So if

651
00:36:31,000 --> 00:36:33,239
Speaker 1: saying don't care before you do it is going to

652
00:36:33,320 --> 00:36:37,640
Speaker 1: get you into it. Feel free, all right, all right,

653
00:36:37,719 --> 00:36:44,880
Speaker 1: so at your pleasure, don't carry at the tone the

654
00:36:45,000 --> 00:36:50,240
Speaker 1: time will be Wait, are you seriously calling me time person?

655
00:36:51,400 --> 00:36:55,560
Speaker 1: Look at your phone? Jeez, how did you even get

656
00:36:55,560 --> 00:37:02,200
Speaker 1: this number? Definitely better David at the end, when you

657
00:37:02,280 --> 00:37:04,080
Speaker 1: knew that it was going to end and you stopped

658
00:37:04,080 --> 00:37:08,360
Speaker 1: trying as hard, it was the best. And when you said, donkey,

659
00:37:08,480 --> 00:37:09,799
Speaker 1: you know what I'd like you to do, just right now?

660
00:37:09,800 --> 00:37:12,359
Speaker 1: What are the first three words of this line that

661
00:37:12,400 --> 00:37:15,399
Speaker 1: you've been given at the at the tone the time

662
00:37:15,440 --> 00:37:18,400
Speaker 1: will be, So say donkey in the donkey voice, and

663
00:37:18,440 --> 00:37:21,800
Speaker 1: then with the same energy, just keep going, just particularly

664
00:37:21,840 --> 00:37:24,239
Speaker 1: the donkey. Just just the first few words there for me,

665
00:37:24,400 --> 00:37:28,760
Speaker 1: if you could, of course, don't okay at the tone

666
00:37:29,080 --> 00:37:32,879
Speaker 1: the time will be. See you've got the energy still

667
00:37:33,080 --> 00:37:36,520
Speaker 1: say it stays there? All right, Thank you so much.

668
00:37:36,520 --> 00:37:39,360
Speaker 1: Michae will be right back with thank you. You're welcome

669
00:37:40,200 --> 00:37:42,880
Speaker 1: so so far, and just to kind of get this

670
00:37:42,920 --> 00:37:46,280
Speaker 1: out there, I think I think she's the more natural

671
00:37:46,440 --> 00:37:50,399
Speaker 1: actor of the two so far. I also like how

672
00:37:50,560 --> 00:37:53,879
Speaker 1: sense she especially that last round, really took the note

673
00:37:54,320 --> 00:37:57,920
Speaker 1: she did and made a huge difference when when she

674
00:37:57,960 --> 00:37:59,719
Speaker 1: took the note. I think he was struggling a little

675
00:37:59,760 --> 00:38:04,000
Speaker 1: bit with kind of getting more into the acting side

676
00:38:04,000 --> 00:38:06,520
Speaker 1: of it. I think his nerves are getting the better

677
00:38:06,560 --> 00:38:08,680
Speaker 1: of him today. I don't disagree with you. I don't

678
00:38:08,680 --> 00:38:10,879
Speaker 1: disagree with you. And and that's one of the things

679
00:38:10,920 --> 00:38:12,279
Speaker 1: we have to deal with, is that the fact that

680
00:38:12,360 --> 00:38:14,560
Speaker 1: sometimes you're going to be getting lots of notes, and

681
00:38:14,680 --> 00:38:16,759
Speaker 1: especially you know, I mean, David, you know this better

682
00:38:16,800 --> 00:38:18,920
Speaker 1: than anybody. We'll be sitting in a booth and you'll

683
00:38:18,960 --> 00:38:20,799
Speaker 1: go in there and you'll have auditioned one way, and

684
00:38:20,840 --> 00:38:22,719
Speaker 1: you'll get in there and they'll go, no, the person

685
00:38:22,760 --> 00:38:24,840
Speaker 1: you're standing next to you, guys, now sound too similar.

686
00:38:24,920 --> 00:38:28,440
Speaker 1: So you need to change your entire character and you

687
00:38:28,600 --> 00:38:31,680
Speaker 1: gotta do it. So yes, so yeah, yeah, exactly, say

688
00:38:31,760 --> 00:38:35,400
Speaker 1: yes and figure it out. Uh So. So that's that's important,

689
00:38:35,440 --> 00:38:37,040
Speaker 1: to be able to think on your feet. So let's

690
00:38:37,040 --> 00:38:39,160
Speaker 1: go back to Tatiana and see what Tatiana can do

691
00:38:39,239 --> 00:38:42,319
Speaker 1: with line number three. Hey, Tatiana, how are you good.

692
00:38:42,400 --> 00:38:44,640
Speaker 1: How are you good? Thank you? So we are going

693
00:38:44,680 --> 00:38:46,480
Speaker 1: to line number three, which you know is the super

694
00:38:46,480 --> 00:38:49,480
Speaker 1: secret line that you have not yet. So can you

695
00:38:49,520 --> 00:38:52,440
Speaker 1: see have not yet have not gotten a secret line

696
00:38:52,440 --> 00:38:56,040
Speaker 1: in the super awes? Have you? Can you see it

697
00:38:56,080 --> 00:38:58,640
Speaker 1: there in your chat? Yes? I can? Okay, perfect, So

698
00:38:58,640 --> 00:39:01,600
Speaker 1: while you familiarize a little bit yourself at it's like

699
00:39:01,600 --> 00:39:03,239
Speaker 1: all of a sudden, the words of stuff, while you

700
00:39:03,320 --> 00:39:05,560
Speaker 1: familiarize yourself with the line a little bit. That's the

701
00:39:05,640 --> 00:39:07,680
Speaker 1: order they're supposed to go in for the language I'm speaking.

702
00:39:08,440 --> 00:39:10,719
Speaker 1: Why don't we have David pick a character for you?

703
00:39:10,840 --> 00:39:14,359
Speaker 1: David again for one last time. A number between one

704
00:39:14,360 --> 00:39:18,080
Speaker 1: and six two, and now a number between one and

705
00:39:18,160 --> 00:39:22,040
Speaker 1: twelve two, and now a number between one and eleven

706
00:39:22,360 --> 00:39:26,480
Speaker 1: four and now a number between one and what was

707
00:39:26,480 --> 00:39:31,240
Speaker 1: the last one? One? And no, that's it, that's eleven eleven. Sorry,

708
00:39:31,400 --> 00:39:34,240
Speaker 1: one to eleven. That's the last one I met. Thanks. Yikes,

709
00:39:34,280 --> 00:39:37,680
Speaker 1: So we are two two four two four. I confused myself.

710
00:39:37,719 --> 00:39:40,759
Speaker 1: There there we go. It's okay, it's a little two

711
00:39:40,840 --> 00:39:43,000
Speaker 1: two four to six. I got this, okay, you are

712
00:39:43,800 --> 00:39:48,680
Speaker 1: you are a big chat who's fifteen years old? And

713
00:39:49,600 --> 00:39:52,919
Speaker 1: the and the love of your life just left. Oh

714
00:39:52,960 --> 00:39:55,440
Speaker 1: I like this one for you, tats yata, Okay, I

715
00:39:55,520 --> 00:39:57,719
Speaker 1: do too, And remember as much as you can, keep

716
00:39:57,719 --> 00:40:02,040
Speaker 1: it in that natural register and just centrate, as David said, concentrate.

717
00:40:02,080 --> 00:40:05,279
Speaker 1: I'm telling the story at your pleasure. Yeah, you just

718
00:40:05,360 --> 00:40:07,239
Speaker 1: I mean, by the way, you have a story. You

719
00:40:07,520 --> 00:40:09,440
Speaker 1: the love of your life just left. So that's a

720
00:40:09,440 --> 00:40:13,040
Speaker 1: lot of meaning behind the line. But that's just that's

721
00:40:13,080 --> 00:40:15,040
Speaker 1: just my two cents one. Oh, I love it all.

722
00:40:16,719 --> 00:40:23,200
Speaker 1: Go ahead at the tone, the time will be Wait,

723
00:40:24,120 --> 00:40:29,160
Speaker 1: are you seriously calling the time person? Look at your phone? Geez,

724
00:40:29,600 --> 00:40:34,280
Speaker 1: how did you even get this number? That's great, David.

725
00:40:35,440 --> 00:40:37,600
Speaker 1: You want to take the note from the very beginning

726
00:40:37,600 --> 00:40:39,920
Speaker 1: of the speech, So the love of your life has

727
00:40:40,000 --> 00:40:41,960
Speaker 1: left you, not just at the end of the speech,

728
00:40:41,960 --> 00:40:44,520
Speaker 1: but at the beginning too. You do a teeny little

729
00:40:44,520 --> 00:40:46,960
Speaker 1: emotional preparation which you won't get too much into here,

730
00:40:47,200 --> 00:40:50,160
Speaker 1: but just take a moment to think of something in

731
00:40:50,200 --> 00:40:52,920
Speaker 1: your life. Never reveal this to anyone. It's private, something

732
00:40:52,920 --> 00:40:54,839
Speaker 1: in your life, someone in your life that you might

733
00:40:55,280 --> 00:40:58,160
Speaker 1: love so much if they went away you would feel sad.

734
00:40:58,920 --> 00:41:01,680
Speaker 1: So something that makes you ad and start that way

735
00:41:01,760 --> 00:41:04,080
Speaker 1: and play it all the way through. However, remember that

736
00:41:04,120 --> 00:41:07,120
Speaker 1: it's comedy and you want to kind of play the

737
00:41:07,160 --> 00:41:10,560
Speaker 1: real thing, but then maybe over exaggerated to make it funny.

738
00:41:10,640 --> 00:41:15,080
Speaker 1: Does that make sense? Yes? All right, Christy, do you

739
00:41:15,080 --> 00:41:18,800
Speaker 1: have anything I don't really? I love I love David's

740
00:41:18,800 --> 00:41:23,080
Speaker 1: directions in general. But yeah, don't be Yeah, don't be

741
00:41:23,120 --> 00:41:26,560
Speaker 1: afraid to just go make some big choices. Yeah, make

742
00:41:26,600 --> 00:41:28,839
Speaker 1: some bold choices. Absolutely. I think one of the things

743
00:41:28,920 --> 00:41:30,399
Speaker 1: you can do, if I was to give you a note,

744
00:41:30,400 --> 00:41:32,680
Speaker 1: I would say, if you wanted to find a place

745
00:41:32,719 --> 00:41:34,479
Speaker 1: in the speech at some point to do a quick

746
00:41:34,520 --> 00:41:38,359
Speaker 1: breakdown and then pull it back together to remember, wait,

747
00:41:38,360 --> 00:41:40,799
Speaker 1: this is my job. You could be you could find

748
00:41:40,920 --> 00:41:42,799
Speaker 1: you could find comedy where you didn't even think there

749
00:41:42,880 --> 00:41:45,360
Speaker 1: was any Okay, So if why don't you give it

750
00:41:45,360 --> 00:41:47,239
Speaker 1: a try? That's again, that is my opinion. That is

751
00:41:47,360 --> 00:41:49,520
Speaker 1: you do with is your performance. You do with it

752
00:41:49,560 --> 00:41:53,960
Speaker 1: as you wish, but at your pleasure, give it another try.

753
00:41:58,560 --> 00:42:04,239
Speaker 1: At the tone the time will be Wait, are you

754
00:42:04,280 --> 00:42:09,280
Speaker 1: seriously still calling the time person? Look at your phone? Jeez,

755
00:42:10,480 --> 00:42:17,239
Speaker 1: how do you even get this number? Good? Great? What

756
00:42:17,320 --> 00:42:19,480
Speaker 1: do you think, David? There is sadness all the way through?

757
00:42:19,520 --> 00:42:21,239
Speaker 1: I mean we're giving you so many notes and so

758
00:42:21,280 --> 00:42:27,320
Speaker 1: many levels. It's very many captured sad beautifully. I was

759
00:42:27,400 --> 00:42:30,160
Speaker 1: feeling for you. I was too. I could also see

760
00:42:30,200 --> 00:42:35,000
Speaker 1: an animated cat. I could also see fifteen years old. Yeah, absolutely,

761
00:42:35,040 --> 00:42:37,680
Speaker 1: I thought you took those notes. Great. So we'll be

762
00:42:37,680 --> 00:42:39,239
Speaker 1: back with you in a minute. Thank you so much,

763
00:42:39,440 --> 00:42:43,799
Speaker 1: so much. All right, let's talk about this great I'm

764
00:42:43,800 --> 00:42:45,440
Speaker 1: just gonna say, I think she's got the more, the

765
00:42:45,480 --> 00:42:48,480
Speaker 1: more potential between the two Um. I think she does.

766
00:42:48,560 --> 00:42:52,400
Speaker 1: We don't really totally know about Mike. It was nerves today,

767
00:42:52,440 --> 00:42:54,640
Speaker 1: but we saw what we saw and we have to

768
00:42:54,680 --> 00:42:56,200
Speaker 1: go on. It's touchy on all the way from me.

769
00:42:56,560 --> 00:43:00,640
Speaker 1: I don't disagree Christy, Yeah, I I do. I think

770
00:43:00,680 --> 00:43:03,319
Speaker 1: she has a lot of range. And and the other

771
00:43:03,320 --> 00:43:05,920
Speaker 1: thing too about the contest, right, it's not really about

772
00:43:05,960 --> 00:43:08,640
Speaker 1: whether or not they're good or not, or whether they

773
00:43:08,680 --> 00:43:12,800
Speaker 1: could grow to become really great, you know, voice artists.

774
00:43:12,840 --> 00:43:14,919
Speaker 1: I think it's more or less you know where they're

775
00:43:14,920 --> 00:43:17,040
Speaker 1: at right now today, Like David was just saying, and

776
00:43:17,080 --> 00:43:19,239
Speaker 1: this is what we saw, you know, I mean he

777
00:43:19,400 --> 00:43:21,560
Speaker 1: we already said he has the leg up um and

778
00:43:21,560 --> 00:43:23,200
Speaker 1: that you know, he has friends who are in this

779
00:43:23,320 --> 00:43:25,000
Speaker 1: and now he's had this experience and he has a

780
00:43:25,200 --> 00:43:28,759
Speaker 1: has a really decent mic setup for him to you know,

781
00:43:28,920 --> 00:43:32,080
Speaker 1: continue playing around um and if he wants it, you know,

782
00:43:32,160 --> 00:43:34,440
Speaker 1: he can, he can continue. But I'm not. I don't

783
00:43:34,480 --> 00:43:36,759
Speaker 1: want to say I hate this part, David to go

784
00:43:36,760 --> 00:43:40,520
Speaker 1: on and tell him again, avoiding it again. It's like

785
00:43:40,640 --> 00:43:43,480
Speaker 1: any of us as actors. It's what you do on

786
00:43:43,520 --> 00:43:45,680
Speaker 1: the day, and some days you're going to have off days,

787
00:43:45,719 --> 00:43:47,319
Speaker 1: and some days you're going to be nervous, and some

788
00:43:47,400 --> 00:43:49,279
Speaker 1: days you just it's just not going to be there.

789
00:43:49,440 --> 00:43:52,320
Speaker 1: He could wake up tomorrow and be like, oh, I

790
00:43:52,920 --> 00:43:55,000
Speaker 1: can't believe that was the day that I had, And

791
00:43:55,040 --> 00:43:58,480
Speaker 1: that's unfortunate that that's just the way it works sometimes. UM.

792
00:43:59,120 --> 00:44:01,680
Speaker 1: I'm imagining him front him in front of Lisa Schaeffer,

793
00:44:01,840 --> 00:44:05,480
Speaker 1: who was our director on Galaxy, and we love Lisa.

794
00:44:06,120 --> 00:44:08,160
Speaker 1: Lisa would not have time to teach him how to

795
00:44:08,160 --> 00:44:10,680
Speaker 1: act or to direct him in a way to bring

796
00:44:10,680 --> 00:44:13,160
Speaker 1: the performance out of him. She once results immediately, and

797
00:44:13,200 --> 00:44:15,719
Speaker 1: that's right. We have to see something right, and I

798
00:44:15,760 --> 00:44:17,960
Speaker 1: frankly saw from the beginning. This is the other thing

799
00:44:17,960 --> 00:44:23,040
Speaker 1: that we're trying to find from the beginning of the day,

800
00:44:23,360 --> 00:44:24,960
Speaker 1: let's call it the day to day to the end

801
00:44:25,000 --> 00:44:27,560
Speaker 1: of the day. I thought she took the direction better.

802
00:44:27,640 --> 00:44:30,959
Speaker 1: I thought she made the most adjustments. I really liked

803
00:44:31,000 --> 00:44:33,439
Speaker 1: that last read where she was sad the whole way through.

804
00:44:33,480 --> 00:44:36,400
Speaker 1: I thought the natural timbre of her voice was nice,

805
00:44:37,160 --> 00:44:39,120
Speaker 1: and I thought it kind of matched what we were

806
00:44:39,160 --> 00:44:41,840
Speaker 1: talking about. So I think the I think she clearly

807
00:44:41,840 --> 00:44:45,319
Speaker 1: won today. Okay, I agree, all right, So let's why

808
00:44:45,320 --> 00:44:47,840
Speaker 1: don't we bring in Mike first and do the horrible

809
00:44:47,880 --> 00:44:50,439
Speaker 1: part which we all hate. Yeah, it's not fun. Hey Mike,

810
00:44:50,440 --> 00:44:53,200
Speaker 1: how are you. I'm doing all right. How are you?

811
00:44:53,520 --> 00:44:55,680
Speaker 1: We're good. Thanks. We want to thank you so much

812
00:44:55,719 --> 00:44:59,120
Speaker 1: for joining us and congratulating you again on being making

813
00:44:59,120 --> 00:45:02,839
Speaker 1: the top sixteen. Thank you so much. We just think today,

814
00:45:02,920 --> 00:45:06,680
Speaker 1: unfortunately your your contestant, your fellow contestant did a little

815
00:45:06,719 --> 00:45:10,520
Speaker 1: bit better than you today with taking the some of

816
00:45:10,560 --> 00:45:14,680
Speaker 1: the notes. But that is not to say that you

817
00:45:14,719 --> 00:45:17,200
Speaker 1: should not continue on this journey because you made it

818
00:45:17,239 --> 00:45:18,960
Speaker 1: this far, and you made it this far for a reason,

819
00:45:20,239 --> 00:45:24,440
Speaker 1: So I would keep absolutely keep going. Does anybody, David Christie's,

820
00:45:24,440 --> 00:45:29,040
Speaker 1: anybody have anything to add. It's just practice, practice, practice,

821
00:45:29,200 --> 00:45:34,080
Speaker 1: and finding a coach that you can connect with who

822
00:45:34,080 --> 00:45:37,399
Speaker 1: can really make these performances sort of live in the moment.

823
00:45:37,680 --> 00:45:42,280
Speaker 1: As Meiser said, acting is living truthfully under given imaginary circumstances.

824
00:45:42,680 --> 00:45:46,600
Speaker 1: I would say, find your way toward imagining those imagure,

825
00:45:46,719 --> 00:45:49,880
Speaker 1: getting those imaginary circumstances more subtly in your head before

826
00:45:49,920 --> 00:45:53,600
Speaker 1: you jump into the performance. Okay, Yeah, I think getting

827
00:45:53,600 --> 00:45:57,920
Speaker 1: to know your instruments truly important and what you know,

828
00:45:58,080 --> 00:46:01,480
Speaker 1: what you can do, what you might have to interpret

829
00:46:01,560 --> 00:46:03,719
Speaker 1: so that you can pull it off. Kind of thing

830
00:46:04,160 --> 00:46:05,440
Speaker 1: like when we gave you when we gave you the

831
00:46:05,440 --> 00:46:08,600
Speaker 1: Scottish thing. I find that really interesting because you know, sometimes,

832
00:46:08,600 --> 00:46:10,520
Speaker 1: like he said, there's trigger words that can get you

833
00:46:10,800 --> 00:46:13,440
Speaker 1: to lock into something. And I think if you know

834
00:46:13,520 --> 00:46:17,520
Speaker 1: your instrument more and more with coaching, you really might

835
00:46:17,640 --> 00:46:21,640
Speaker 1: unlock so much potential in everything that we've heard from

836
00:46:21,680 --> 00:46:26,600
Speaker 1: before and moving forward. Yeah, okay, but thank you so

837
00:46:26,680 --> 00:46:28,959
Speaker 1: much for joining us, and really no joke, keep going.

838
00:46:29,000 --> 00:46:31,319
Speaker 1: We said to the top sixteen that we picked, we

839
00:46:31,360 --> 00:46:34,719
Speaker 1: really believe could all be signed. You just got to

840
00:46:35,000 --> 00:46:36,799
Speaker 1: you know, keep working at it and working at it,

841
00:46:36,840 --> 00:46:40,120
Speaker 1: and we think he got some serious potential. Well, thank

842
00:46:40,120 --> 00:46:42,520
Speaker 1: you so much. I mean it's first of all, it's

843
00:46:42,560 --> 00:46:44,360
Speaker 1: an honor to even be in the same room with

844
00:46:44,400 --> 00:46:47,719
Speaker 1: all three of you. And yeah, just this was a

845
00:46:47,760 --> 00:46:50,960
Speaker 1: win in it of itself, you know, at least. Yeah good.

846
00:46:51,120 --> 00:46:53,320
Speaker 1: I'm glad to see it that way. I'm so happy

847
00:46:53,360 --> 00:46:55,719
Speaker 1: to hear that. Thank you so much for joining us, Mike,

848
00:46:55,760 --> 00:46:57,879
Speaker 1: and good luck in the future, bricollect. Thank you so much,

849
00:46:58,280 --> 00:47:02,680
Speaker 1: thank you see yah. Well, now, ladies and gentlemen, the

850
00:47:02,680 --> 00:47:07,239
Speaker 1: winner of this round, drumroll please, is Tatiana from California.

851
00:47:07,320 --> 00:47:10,000
Speaker 1: But being us, we can't just tell her like that,

852
00:47:10,120 --> 00:47:13,000
Speaker 1: so we got a first make or squirm a little bit.

853
00:47:13,040 --> 00:47:17,960
Speaker 1: That's part of the fun. So let's bring in Tatiana. Hello, Hey, Tatiana,

854
00:47:18,000 --> 00:47:20,759
Speaker 1: how are you how? I'm good. We just want to

855
00:47:20,800 --> 00:47:23,560
Speaker 1: thank you so much for joining us and congratulating you

856
00:47:23,600 --> 00:47:26,000
Speaker 1: on getting to the top sixteen. We think you did really,

857
00:47:26,000 --> 00:47:30,520
Speaker 1: really well today. But unfortunately, um, you're gonna have to

858
00:47:30,600 --> 00:47:32,759
Speaker 1: join us again because you are moving on to the

859
00:47:32,800 --> 00:47:44,000
Speaker 1: next round of the contest. We had to make it fun.

860
00:47:44,040 --> 00:47:50,920
Speaker 1: Tatiana always makes the best of everything, huh. I'd like

861
00:47:50,960 --> 00:47:54,760
Speaker 1: to give you kind of an overall note moving forward. Absolutely, Um,

862
00:47:54,800 --> 00:47:57,360
Speaker 1: the more stuff you did in your natural register. The

863
00:47:57,400 --> 00:48:00,960
Speaker 1: better it was and the better it sounded. So I

864
00:48:01,000 --> 00:48:05,520
Speaker 1: think the more you can do in that range, because

865
00:48:05,560 --> 00:48:09,839
Speaker 1: again huge potential coming in and saying, hey, I can

866
00:48:09,880 --> 00:48:14,919
Speaker 1: do young young people voices. I can do teenage voices. Um,

867
00:48:15,000 --> 00:48:17,680
Speaker 1: they're all very natural, they all sound very wonderful like

868
00:48:17,760 --> 00:48:20,840
Speaker 1: that kind of stuff that's huge, the super charactery stuff.

869
00:48:20,840 --> 00:48:23,839
Speaker 1: Some people can't do it myself, including I can't. I

870
00:48:23,880 --> 00:48:27,759
Speaker 1: can't do fifty voices. I just am not that that actor. UM.

871
00:48:28,239 --> 00:48:31,640
Speaker 1: So I would concentrate more on doing those kind of

872
00:48:31,719 --> 00:48:35,520
Speaker 1: voices and working on the acting aspect of voice actor

873
00:48:36,080 --> 00:48:39,080
Speaker 1: um and uh and going from there so uh, you know,

874
00:48:39,200 --> 00:48:41,440
Speaker 1: improv things like that. Moving forward, I think you're going

875
00:48:41,480 --> 00:48:43,080
Speaker 1: to be very helpful for you, David. You have any

876
00:48:43,080 --> 00:48:46,279
Speaker 1: overall notes for touch down, just trust yourself. Um, You've

877
00:48:46,280 --> 00:48:49,960
Speaker 1: got a great personality and great instincts. Um, don't try

878
00:48:50,000 --> 00:48:52,000
Speaker 1: to say I have to do this voice so it'll

879
00:48:52,040 --> 00:48:54,239
Speaker 1: sound the way I wanted to sound. Just live in

880
00:48:54,280 --> 00:48:57,840
Speaker 1: the moment and act seeing play rather than a voice

881
00:48:57,960 --> 00:49:01,840
Speaker 1: the voices basing on the cake. Okay, Pat Tanny, you

882
00:49:01,840 --> 00:49:05,480
Speaker 1: did great. I think, like I even said to the

883
00:49:05,480 --> 00:49:07,759
Speaker 1: person that didn't make it, you know, getting to know

884
00:49:07,840 --> 00:49:11,640
Speaker 1: your your instrument, and especially as female, like what your

885
00:49:11,719 --> 00:49:15,279
Speaker 1: voice is able to do without affecting it Like that,

886
00:49:15,360 --> 00:49:17,920
Speaker 1: I think we're we're in love with your natural voice,

887
00:49:17,920 --> 00:49:21,200
Speaker 1: which I think is a competitive edge, um, just in

888
00:49:21,239 --> 00:49:24,160
Speaker 1: the just in the competition as a whole, because you're female.

889
00:49:24,200 --> 00:49:26,399
Speaker 1: We don't so far, we've only seen one or two

890
00:49:26,480 --> 00:49:29,000
Speaker 1: I think females and two. I think we're two and

891
00:49:29,040 --> 00:49:31,279
Speaker 1: two now think we're even. I think what we made

892
00:49:31,280 --> 00:49:33,440
Speaker 1: sure you know, it's like that. Actually it's just how

893
00:49:33,480 --> 00:49:35,160
Speaker 1: it ended up. But no, it just ended up that way.

894
00:49:35,200 --> 00:49:37,120
Speaker 1: We didn't try that. Ye remember that. I was like

895
00:49:37,160 --> 00:49:39,359
Speaker 1: wait wait, but it did end up that way. So

896
00:49:39,480 --> 00:49:42,280
Speaker 1: I just think though that like speaking as as a female,

897
00:49:42,680 --> 00:49:47,080
Speaker 1: it's like understanding what you can do more and and

898
00:49:47,160 --> 00:49:49,279
Speaker 1: maybe just testing yourself between now and the next time

899
00:49:49,320 --> 00:49:51,759
Speaker 1: we see you with you know, voices you might hear

900
00:49:51,760 --> 00:49:54,560
Speaker 1: in commercials and in radios and like, oh I can

901
00:49:54,640 --> 00:49:56,680
Speaker 1: do that, Oh I can do that, Like start to

902
00:49:56,719 --> 00:49:58,719
Speaker 1: really have conversations with yourself and just speak in these

903
00:49:58,719 --> 00:50:01,800
Speaker 1: different voices. So that and just with what we did today,

904
00:50:01,880 --> 00:50:03,960
Speaker 1: you know, we really threw a lot of different things,

905
00:50:03,960 --> 00:50:08,120
Speaker 1: different accents and ages, and sizes, so just experiment with that.

906
00:50:08,320 --> 00:50:12,080
Speaker 1: We'll see you soon. Sounds good. Congratulations and welcome to

907
00:50:12,160 --> 00:50:16,520
Speaker 1: the next round. Thank you so much, Thanks Tatiana. Stonderful day,

908
00:50:16,640 --> 00:50:21,759
Speaker 1: you too, You too? Ye Now that sweet is a

909
00:50:21,760 --> 00:50:25,239
Speaker 1: ton of fun. David, We cannot thank you more for

910
00:50:25,280 --> 00:50:27,600
Speaker 1: helping us out today and being with us and making

911
00:50:27,600 --> 00:50:30,640
Speaker 1: this just so much fun and having some just incredible

912
00:50:30,680 --> 00:50:34,320
Speaker 1: direction for the actor. Really like, oh my gosh, David,

913
00:50:34,400 --> 00:50:38,640
Speaker 1: I have no idea. I was like because I was

914
00:50:38,680 --> 00:50:41,319
Speaker 1: in love with him as a human being and you know,

915
00:50:41,360 --> 00:50:44,600
Speaker 1: a gorgeous person, and then like now all this, wow,

916
00:50:45,920 --> 00:50:48,319
Speaker 1: well I'm glad it could help. It was fun. This

917
00:50:48,400 --> 00:50:51,520
Speaker 1: is a blast. Now I know that as a voice

918
00:50:51,520 --> 00:50:53,520
Speaker 1: of our actor, you've got nine hundred things you're not

919
00:50:53,560 --> 00:50:56,440
Speaker 1: allowed to talk about. What can you talk about some

920
00:50:56,480 --> 00:50:59,040
Speaker 1: projects that you've got coming up and people can see you.

921
00:50:59,040 --> 00:51:01,680
Speaker 1: You will hear me the Dungeons and Dragons movie in

922
00:51:01,760 --> 00:51:04,640
Speaker 1: various creature voices. I had a lot of fun doing that. Cool.

923
00:51:04,640 --> 00:51:07,000
Speaker 1: So I have some great roles in the Transformers Rise

924
00:51:07,040 --> 00:51:11,080
Speaker 1: of the Beasts movie coming out in June. I'm playing,

925
00:51:12,280 --> 00:51:15,400
Speaker 1: well the one that isn't announced yet, but others that

926
00:51:15,440 --> 00:51:19,560
Speaker 1: are announced Rhinos and Battletrap, So that's gonna be super fun.

927
00:51:19,800 --> 00:51:22,279
Speaker 1: You'll hear me also as Kaido in One Piece the

928
00:51:22,280 --> 00:51:25,160
Speaker 1: anime and I'm going to buy first anime convention we've

929
00:51:25,239 --> 00:51:28,560
Speaker 1: con in Dallas in two weeks. It'll be fun that

930
00:51:28,800 --> 00:51:31,759
Speaker 1: you're by amazing. Yes, you're going to Texas to be

931
00:51:31,880 --> 00:51:35,080
Speaker 1: near Christy. And now what about what about social wise?

932
00:51:35,160 --> 00:51:37,360
Speaker 1: You are in social media? Can people follow you anywhere?

933
00:51:37,360 --> 00:51:39,440
Speaker 1: You're on Twitter? I saw you're on Twitter. Yes, just

934
00:51:39,520 --> 00:51:42,840
Speaker 1: on Twitter as at volobos my last name backwards or

935
00:51:42,880 --> 00:51:46,640
Speaker 1: my website sobelov dot com. That is wonderful. Thank you,

936
00:51:46,920 --> 00:51:49,759
Speaker 1: Thank you so much for joining us, David. You've made

937
00:51:49,800 --> 00:51:54,120
Speaker 1: this a wonderful round and helped Tatiana move on to

938
00:51:54,160 --> 00:51:56,239
Speaker 1: the Elite eight. We're getting there. We're halfway there. Now

939
00:51:56,239 --> 00:51:58,799
Speaker 1: we've got half of our Elite eight picked people. So

940
00:51:59,200 --> 00:52:03,440
Speaker 1: half of Sound one is already over. It goes by quick,

941
00:52:03,680 --> 00:52:06,560
Speaker 1: absolutely amazing. We want to thank everybody for joining us

942
00:52:06,600 --> 00:52:08,880
Speaker 1: again this week, for following the super awesome contest to

943
00:52:08,880 --> 00:52:12,040
Speaker 1: become the next big Voice actor. Of course again thanking

944
00:52:12,080 --> 00:52:15,440
Speaker 1: everybody over there at Prime Video, thanking everybody a critical

945
00:52:15,560 --> 00:52:18,520
Speaker 1: role the legend of Voxmachines Season two is available on

946
00:52:18,600 --> 00:52:20,799
Speaker 1: Prime Video. Go watch it. I'm awesome in it, just

947
00:52:20,840 --> 00:52:23,800
Speaker 1: saying that out loud. Also thanking all of our friends

948
00:52:23,800 --> 00:52:28,239
Speaker 1: over at CESD and of course iHeart for making all

949
00:52:28,280 --> 00:52:31,840
Speaker 1: of this happen. Thank you everybody so so much, and remember,

950
00:52:31,840 --> 00:52:33,040
Speaker 1: if you think you got what it takes to be

951
00:52:33,040 --> 00:52:35,040
Speaker 1: one of us, step up and put your voices where

952
00:52:35,080 --> 00:52:38,440
Speaker 1: your mouth is. Thanks everybody, Bye guys. I Hear Voices

953
00:52:38,520 --> 00:52:41,440
Speaker 1: is hosted by wilfordil and Christy Carlson Romano. Executive produced

954
00:52:41,440 --> 00:52:44,000
Speaker 1: by Will Furdlle Brendan Rooney, Amy Sugarman. Our executive in

955
00:52:44,080 --> 00:52:47,000
Speaker 1: Charger Production is Danielle Romo. Our producer is Lorraine Vera

956
00:52:47,040 --> 00:52:49,759
Speaker 1: Weez and our editor slash engineer is Brian Burton. And

957
00:52:50,000 --> 00:52:53,520
Speaker 1: that was my announcer voice. Some side effects of listening

958
00:52:53,520 --> 00:52:55,960
Speaker 1: to I Hear Voices are sore abs from hilarity, falling

959
00:52:55,960 --> 00:52:58,880
Speaker 1: down the Coco melon rabbit hole, sneezing due to mass nostalgia,

960
00:52:58,960 --> 00:53:01,760
Speaker 1: and hugs. I Hear Voices wherever you listen to podcasts,

961
00:53:01,760 --> 00:53:03,840
Speaker 1: so you don't miss any of the amazing voices, be

962
00:53:03,880 --> 00:53:06,040
Speaker 1: sure to follow us on Instagram and TikTok At I

963
00:53:06,120 --> 00:53:08,800
Speaker 1: Hear Voices podcast. You can also check us out on MySpace,

964
00:53:08,840 --> 00:53:12,200
Speaker 1: omeiegel Vine, LimeWire. Hey I'm a napster. Okay, well let's

965
00:53:12,200 --> 00:53:13,720
Speaker 1: teach you about the Internet, the who