1 00:00:02,120 --> 00:00:06,119 Speaker 1: Welcome back to another episode of I'm your guest, Coastal 2 00:00:06,240 --> 00:00:10,520 Speaker 1: Dread and for kp Bless Meet everybody, Jolly. First up, 3 00:00:10,840 --> 00:00:14,160 Speaker 1: James Teney. James, you stand it for a long time. 4 00:00:14,520 --> 00:00:16,119 Speaker 1: What was your first board and when did you get it? 5 00:00:17,120 --> 00:00:19,680 Speaker 1: I got Oh god, I don't know. I got it 6 00:00:19,680 --> 00:00:22,080 Speaker 1: when I was twenty one years old. I do know that, 7 00:00:22,120 --> 00:00:25,320 Speaker 1: so I started way later than other people. And I 8 00:00:25,440 --> 00:00:30,000 Speaker 1: only got it because my now wife, then just person 9 00:00:30,080 --> 00:00:32,639 Speaker 1: I knew, had a skateboard and I was like, I'm 10 00:00:32,640 --> 00:00:36,120 Speaker 1: gonna learn to skateboard, so she thinks I'm a skater boy, 11 00:00:36,360 --> 00:00:39,120 Speaker 1: and uh I did. I It was hard. I fell 12 00:00:39,159 --> 00:00:42,640 Speaker 1: into a cactus pretty early on in the skating and 13 00:00:42,760 --> 00:00:46,200 Speaker 1: that was probably the second most painful injury I had. 14 00:00:46,560 --> 00:00:48,559 Speaker 1: It's like one of those cactuses that I don't even 15 00:00:48,560 --> 00:00:50,839 Speaker 1: know if it's considered a cactus, but has huge spikes 16 00:00:50,880 --> 00:00:53,560 Speaker 1: that are just impaling, but otherwise chema looks like a 17 00:00:53,640 --> 00:00:56,800 Speaker 1: point setta, and I skated right into it, like the 18 00:00:56,800 --> 00:01:00,520 Speaker 1: first week I had like an ala vera. Maybe do 19 00:01:00,560 --> 00:01:03,880 Speaker 1: they have like long, black like stabbing spikes at the end, 20 00:01:04,880 --> 00:01:08,840 Speaker 1: Yeah they can't, then that might be it. Yeah, such 21 00:01:08,880 --> 00:01:11,720 Speaker 1: a skater boy, real, see you later, boy, And I 22 00:01:11,800 --> 00:01:14,480 Speaker 1: used to skate past you all the time. That was 23 00:01:14,520 --> 00:01:16,560 Speaker 1: me learning going over will Shire when you were at 24 00:01:16,600 --> 00:01:19,800 Speaker 1: Second Spin? Did those were the days? I tell you. 25 00:01:21,400 --> 00:01:26,640 Speaker 1: Next up is Jackie Gonzalez DRUTHI. Okay, Jackie, did you 26 00:01:26,640 --> 00:01:32,280 Speaker 1: collect anything unusual when you're young? You know? My dad 27 00:01:32,680 --> 00:01:37,760 Speaker 1: started a stamp collection for me and my sister and 28 00:01:38,040 --> 00:01:41,199 Speaker 1: it's a lot of Disney stamps and they're really cool 29 00:01:41,480 --> 00:01:44,959 Speaker 1: and we've you know, when we were little. He'd add 30 00:01:45,000 --> 00:01:47,039 Speaker 1: to them. But it's nothing that we We didn't go 31 00:01:47,080 --> 00:01:50,040 Speaker 1: to any conventions or shops or any We didn't even 32 00:01:50,120 --> 00:01:51,400 Speaker 1: pick them out, you know, we were just kind of 33 00:01:51,440 --> 00:01:55,360 Speaker 1: given them as gifts. We still have the binders and 34 00:01:55,400 --> 00:01:59,800 Speaker 1: I recently took them and I have them here, um 35 00:01:59,800 --> 00:02:05,120 Speaker 1: and they're so cool. Again. I haven't added to it, 36 00:02:05,160 --> 00:02:08,440 Speaker 1: but I like that I have them. I don't want 37 00:02:08,480 --> 00:02:10,640 Speaker 1: to sell them, even though I do have duplicate, like 38 00:02:10,680 --> 00:02:13,200 Speaker 1: I have two of everything because I have my sisters 39 00:02:13,320 --> 00:02:17,000 Speaker 1: and mine. But I am curious as to like how 40 00:02:17,120 --> 00:02:19,839 Speaker 1: much they are worth because some of them are cool. 41 00:02:19,880 --> 00:02:25,600 Speaker 1: Ship I have like like Zimbabwe stamps with like Lion King. 42 00:02:25,760 --> 00:02:27,760 Speaker 1: I have those two I know exactly what you're talking about. 43 00:02:28,720 --> 00:02:32,639 Speaker 1: These aren't like I love. I love to look at them. Yeah, 44 00:02:32,639 --> 00:02:34,239 Speaker 1: I gotta go find those because I definitely clicked to 45 00:02:34,280 --> 00:02:37,120 Speaker 1: those and I was little tapes, so pretty amazing stuff. 46 00:02:38,160 --> 00:02:42,720 Speaker 1: Next up, it's Chris Alvarado. Chris, what's the most extreme 47 00:02:42,760 --> 00:02:47,680 Speaker 1: activity you've done or would consider doing? Well? I was, Um, 48 00:02:48,760 --> 00:02:51,720 Speaker 1: I wasn't a skater boy, but I wasn't an aggressive 49 00:02:51,760 --> 00:02:59,000 Speaker 1: inline skater boy. That means rollerblading, but aggressively um, you know, 50 00:03:00,040 --> 00:03:04,040 Speaker 1: kicking people in the face, rails, grinding rails and stuff 51 00:03:04,080 --> 00:03:06,720 Speaker 1: that was pretty extreme, funk. I am not an athlete. 52 00:03:06,800 --> 00:03:09,040 Speaker 1: I am just not an athlete. And I would like 53 00:03:09,120 --> 00:03:11,720 Speaker 1: break my wrisk like every three months, and like I 54 00:03:11,800 --> 00:03:13,399 Speaker 1: got to a point where I would like come home 55 00:03:13,440 --> 00:03:15,720 Speaker 1: holding my arm and my dad would be like, no, 56 00:03:16,400 --> 00:03:18,639 Speaker 1: I'm not going, and I going to know what the 57 00:03:18,720 --> 00:03:21,720 Speaker 1: hell the way it needs to heal? Um. Yeah, I 58 00:03:21,720 --> 00:03:23,720 Speaker 1: have a lot of fear cole So I was never 59 00:03:23,840 --> 00:03:28,640 Speaker 1: like a and never like a like adrenaline junkie. You 60 00:03:28,680 --> 00:03:31,359 Speaker 1: know what I mean. I'm scared and I'm not strong, 61 00:03:31,560 --> 00:03:36,240 Speaker 1: So thank you very much, Forting, I hear you. Next up, 62 00:03:36,280 --> 00:03:40,240 Speaker 1: it's Craig Katkowski Craig, is there a book you bailed 63 00:03:40,280 --> 00:03:45,840 Speaker 1: on like halfway through reading it? Many many books? Um, 64 00:03:46,320 --> 00:03:48,560 Speaker 1: Catch twenty two I think is the one for me 65 00:03:48,720 --> 00:03:51,240 Speaker 1: that like is supposed to be a classic and there's 66 00:03:51,320 --> 00:03:55,880 Speaker 1: like seventy characters and they're all fucking guys in the army. 67 00:03:56,120 --> 00:04:00,400 Speaker 1: And it's also like, uh, it's like a smarter you know, 68 00:04:00,800 --> 00:04:05,040 Speaker 1: nineteen sixties satire. It's like, I get it. That's so 69 00:04:05,080 --> 00:04:07,680 Speaker 1: funny that you said that. Because Jenny's reading it for 70 00:04:07,720 --> 00:04:10,120 Speaker 1: a book club right now. Every single person is bailing 71 00:04:10,120 --> 00:04:13,120 Speaker 1: on it. They're like halfway through. I'm not even kidding you, 72 00:04:13,600 --> 00:04:15,920 Speaker 1: Like it's tonight that they're doing the thing. And Jenny's like, 73 00:04:15,920 --> 00:04:17,680 Speaker 1: I'm just gonna read the last fifty pages because I 74 00:04:17,720 --> 00:04:21,839 Speaker 1: can't do this anymore. Watch either the movie or the 75 00:04:21,880 --> 00:04:24,400 Speaker 1: mini series. I like the movie. Yes, there you go. 76 00:04:24,600 --> 00:04:30,719 Speaker 1: That's really funny. Last up, Joey Greer Joey rumors out. 77 00:04:30,880 --> 00:04:32,760 Speaker 1: We hear you've been asked to create a new Mario 78 00:04:32,839 --> 00:04:35,919 Speaker 1: Brothers game. What is it? Oh? This is I'm so 79 00:04:35,960 --> 00:04:37,760 Speaker 1: freaking excited. So this is actually like it's the first 80 00:04:37,800 --> 00:04:42,040 Speaker 1: Mario VR experience. It's great. I'm working with Steam VR 81 00:04:42,240 --> 00:04:44,599 Speaker 1: and Oculus and all that, and it's gonna be insane. 82 00:04:44,640 --> 00:04:47,880 Speaker 1: Remember that Mario Tennis was pr right, No, I don't 83 00:04:47,920 --> 00:04:54,560 Speaker 1: remember that. Yeah, I'm a virtual boy. Okay, but what's 84 00:04:54,560 --> 00:04:57,160 Speaker 1: your I'm sorry, I'm excited some but you're you're working 85 00:04:57,160 --> 00:05:03,320 Speaker 1: with Steam. Joey's all right, Steam like Mario. Yes they did, James, No, 86 00:05:03,400 --> 00:05:05,160 Speaker 1: it's a surprising. I get a lot of questions with 87 00:05:05,200 --> 00:05:08,320 Speaker 1: the guy not working on the project. All right. They 88 00:05:08,360 --> 00:05:12,440 Speaker 1: asked me, James, they asked me to do this. So 89 00:05:12,560 --> 00:05:16,560 Speaker 1: you you play Toad and there has been this viral outbreak, right, 90 00:05:16,600 --> 00:05:18,320 Speaker 1: this is something called crazy. You don't know what it is. 91 00:05:18,680 --> 00:05:21,280 Speaker 1: And you're centered in in Mario City and you're part 92 00:05:21,279 --> 00:05:23,400 Speaker 1: of the Mario City Police Force, and you have to 93 00:05:23,400 --> 00:05:26,200 Speaker 1: figure out what's going on, all right, and and like oh, 94 00:05:26,279 --> 00:05:29,520 Speaker 1: everyone in Mario City is turning to the zombies. Is 95 00:05:29,560 --> 00:05:32,719 Speaker 1: this crazy virus? And like what's going on? And there's 96 00:05:32,760 --> 00:05:37,560 Speaker 1: a Bowser Corporation. Bowser Corporation has created the J virus. 97 00:05:37,760 --> 00:05:39,800 Speaker 1: And the J virus is this thing that like you know, 98 00:05:39,800 --> 00:05:41,560 Speaker 1: once it goes into the air, once it braces and 99 00:05:41,600 --> 00:05:44,360 Speaker 1: you and Haley turned to a zombie. So you're told 100 00:05:44,360 --> 00:05:46,919 Speaker 1: you gotta run through Mario City and it's all VR 101 00:05:47,120 --> 00:05:51,279 Speaker 1: and you have to just murder every single Mario character. 102 00:05:51,360 --> 00:05:53,200 Speaker 1: It's so much fun. We're gonna like bring back so 103 00:05:53,240 --> 00:05:56,840 Speaker 1: many um characters that like you didn't even think of anymore, Like, oh, 104 00:05:57,080 --> 00:05:59,600 Speaker 1: they just had it for a second. But it's great. Yeah. 105 00:05:59,600 --> 00:06:02,119 Speaker 1: So the first one is going to take place, um 106 00:06:02,160 --> 00:06:05,720 Speaker 1: actually in this like Bowser's Castle, So it's out in 107 00:06:05,720 --> 00:06:07,320 Speaker 1: the middle of the forest. You have to go there 108 00:06:08,080 --> 00:06:09,600 Speaker 1: and there's gonna be this whole secret thing. And then 109 00:06:09,600 --> 00:06:11,559 Speaker 1: the second game is gonna take and that's our show. 110 00:06:11,640 --> 00:06:16,760 Speaker 1: Everybody's Alchemists. After next Hey, let's do a damn show, 111 00:06:16,800 --> 00:06:20,240 Speaker 1: shall it. All of our scene suggestions are gathered from listeners, emails, 112 00:06:20,320 --> 00:06:22,040 Speaker 1: or from our Patreon v i P s. To become 113 00:06:22,080 --> 00:06:24,680 Speaker 1: a Patreon supporter of the show and enjoy exclusive content 114 00:06:24,720 --> 00:06:27,320 Speaker 1: and other perks, just kind on over to patreon dot 115 00:06:27,360 --> 00:06:30,520 Speaker 1: com slash Alchemy this. If you'd like to submit a 116 00:06:30,520 --> 00:06:33,480 Speaker 1: scene suggestion via email, please write to the podcast that 117 00:06:33,520 --> 00:06:37,719 Speaker 1: our new email address Alchemy this email at gmail dot com. 118 00:06:37,839 --> 00:06:47,000 Speaker 1: That's like that. See one is from Patreon and v 119 00:06:47,080 --> 00:06:50,160 Speaker 1: I P. Cory Booth, who wrote Seen for you. My 120 00:06:50,240 --> 00:06:53,920 Speaker 1: old friend stuck in an elevator. That is all love 121 00:06:53,960 --> 00:06:58,640 Speaker 1: you all all the door. Oh no, don't don't stop 122 00:06:58,640 --> 00:07:01,400 Speaker 1: holding the tour pushed the close button. Push, he's he's running, 123 00:07:01,440 --> 00:07:03,359 Speaker 1: he's running. You don't know this guy, like I know 124 00:07:03,440 --> 00:07:06,800 Speaker 1: this guy. You don't want him in here. And he's 125 00:07:06,839 --> 00:07:12,760 Speaker 1: still he's still not getting here. He is well, what 126 00:07:12,800 --> 00:07:14,840 Speaker 1: he does is he moves his arms and legs really fast, 127 00:07:14,840 --> 00:07:17,040 Speaker 1: so it looks like he's running, but he's just walking. 128 00:07:17,680 --> 00:07:21,000 Speaker 1: He's doing like that Tom Cruise run. It's ridiculous. Close 129 00:07:21,080 --> 00:07:23,640 Speaker 1: the door. He is not getting any closing. I'm gonna 130 00:07:23,680 --> 00:07:27,040 Speaker 1: be late. I cannot be late again. I'm on my 131 00:07:27,200 --> 00:07:32,440 Speaker 1: this is my third right up. If I'm late, those 132 00:07:32,520 --> 00:07:35,200 Speaker 1: ritips are not cool. By the way, Like we're not 133 00:07:35,280 --> 00:07:43,200 Speaker 1: in school, yeah any school. We're not in school. We're professionals. Okay, 134 00:07:43,200 --> 00:07:45,200 Speaker 1: I'm gonna let it go. That's this guy's next getting 135 00:07:45,280 --> 00:07:48,680 Speaker 1: now he's close. Now he'll just be able to relatively close. 136 00:07:48,800 --> 00:07:52,960 Speaker 1: Like he's like jogging right in front of the elevator. 137 00:07:54,200 --> 00:07:58,800 Speaker 1: Come inside, please just get in here. Okay, we got it. 138 00:07:58,840 --> 00:08:08,200 Speaker 1: You're in. You're in. I forgot my wallet. Hold up, no, 139 00:08:08,280 --> 00:08:14,400 Speaker 1: I'm hitting the closed door. But nothing's happening. Uh, I'm sorry, Gail. 140 00:08:14,440 --> 00:08:16,520 Speaker 1: I don't know why the car is not coming. It's 141 00:08:16,520 --> 00:08:18,680 Speaker 1: been in the lobby for about twenty minutes. I keep 142 00:08:18,680 --> 00:08:20,440 Speaker 1: pressing the things. Should we just take the stairs down? 143 00:08:22,360 --> 00:08:27,560 Speaker 1: I'm not walking. I mean it's down, Gail, it's not 144 00:08:27,680 --> 00:08:30,200 Speaker 1: that far down. We could just go down and I'm 145 00:08:30,240 --> 00:08:34,240 Speaker 1: not walking. We'll continue to press it, but you know 146 00:08:34,320 --> 00:08:37,160 Speaker 1: we're anyway. Well, but like I was saying, I thought 147 00:08:37,200 --> 00:08:41,160 Speaker 1: tennis would be easy or a good time. I'm finding 148 00:08:41,160 --> 00:08:44,520 Speaker 1: it to be very difficult and not fun at all. Well, 149 00:08:44,559 --> 00:08:47,920 Speaker 1: you know, tennis, it's one of those sports that you 150 00:08:48,000 --> 00:08:49,960 Speaker 1: think you have a handle on and then it's just 151 00:08:50,000 --> 00:08:55,199 Speaker 1: way more difficult than we were pressed it. Let me 152 00:08:55,240 --> 00:08:59,760 Speaker 1: appreciate one more him. Where were we tennis? Oh? Yeah, 153 00:08:59,800 --> 00:09:03,160 Speaker 1: ten Sorry? Uh, I mean but you're you're a golf man. 154 00:09:03,679 --> 00:09:05,720 Speaker 1: I have a golf man. But that is a that 155 00:09:05,840 --> 00:09:11,760 Speaker 1: is a cruel sport. All the door. Jesus, this is crazy. 156 00:09:11,600 --> 00:09:15,160 Speaker 1: Why want this close? God, I'm going to be late again. 157 00:09:16,600 --> 00:09:20,800 Speaker 1: Uh really judges me when I'm late. You don't know. 158 00:09:20,840 --> 00:09:23,080 Speaker 1: They converted the stairs to slide, so of like we 159 00:09:23,120 --> 00:09:26,680 Speaker 1: can't go up now you can go down. Oh my god, 160 00:09:26,720 --> 00:09:28,880 Speaker 1: that sounds like so much fun, if only we could 161 00:09:28,880 --> 00:09:34,199 Speaker 1: get up all the Doorkay, you're in the elevator door. 162 00:09:36,640 --> 00:09:40,760 Speaker 1: And she walked out, you know, and I said, you know, 163 00:09:41,000 --> 00:09:43,560 Speaker 1: I know we're not in love anymore. How long have 164 00:09:43,720 --> 00:09:47,760 Speaker 1: you guys been waiting for the elevator? About thirty minutes? Now, 165 00:09:48,559 --> 00:09:51,840 Speaker 1: I mean, that's really unfortunate. Gal, I uh sure you 166 00:09:51,840 --> 00:09:53,920 Speaker 1: sure he wants to stick the slide down? I think 167 00:09:53,960 --> 00:09:55,800 Speaker 1: I don't think it will be too difficult for us. 168 00:09:57,600 --> 00:10:01,960 Speaker 1: It's gotta be coming any moment now, right you it think? Well, 169 00:10:02,000 --> 00:10:08,160 Speaker 1: the door, you're in here, You're in here, Nancy, I'm 170 00:10:08,240 --> 00:10:13,880 Speaker 1: so sorry I'm late, And what's up your hands and 171 00:10:14,000 --> 00:10:16,400 Speaker 1: elbows and like you're you're bleeding? Are you okay? Or 172 00:10:16,400 --> 00:10:18,839 Speaker 1: did you climb the stairs or the slide? Oh my god, 173 00:10:18,840 --> 00:10:23,800 Speaker 1: I can't. Yeah, it was um try. It was hard 174 00:10:23,840 --> 00:10:28,240 Speaker 1: to do um but I did it. And that shows commitment, 175 00:10:28,240 --> 00:10:30,560 Speaker 1: doesn't it. It shows my commitment to you, Peter, that 176 00:10:30,640 --> 00:10:33,400 Speaker 1: I would climb up a slide to get to our 177 00:10:34,280 --> 00:10:38,520 Speaker 1: counseling appointment. I'm here, I'm here for what I'm talking about. 178 00:10:38,559 --> 00:10:42,120 Speaker 1: This is what I'm talking about. Well, you only have 179 00:10:42,160 --> 00:10:44,120 Speaker 1: a little bit time left, so I don't know how 180 00:10:44,120 --> 00:10:47,000 Speaker 1: deep we're gonna be able to get to it. Um, 181 00:10:47,040 --> 00:10:51,280 Speaker 1: but um, I've asked Peter to not talk to me 182 00:10:51,320 --> 00:10:54,000 Speaker 1: this entire time, just had respect to you. So uh, 183 00:10:54,559 --> 00:10:56,960 Speaker 1: maybe you want to just get into what has happened 184 00:10:56,960 --> 00:10:59,440 Speaker 1: recently or what we talked about last time about not 185 00:10:59,559 --> 00:11:02,839 Speaker 1: able to by that bird because it was gonna be 186 00:11:03,280 --> 00:11:07,800 Speaker 1: a nuisance? Is that? Is that right? If I remember correctly, Yeah, 187 00:11:08,280 --> 00:11:10,360 Speaker 1: let's pick it up at the bird. She won't sleep 188 00:11:10,360 --> 00:11:15,920 Speaker 1: with me. And I was like, I have tried rebooting 189 00:11:15,960 --> 00:11:18,720 Speaker 1: the computer. I've tried it several times, but of course 190 00:11:18,760 --> 00:11:20,760 Speaker 1: you have. They kept wanting me to do that. I 191 00:11:20,840 --> 00:11:22,920 Speaker 1: was like, you know, I'm not an amateur. This isn't 192 00:11:22,960 --> 00:11:29,200 Speaker 1: my first day at a computer. That's good, right, And 193 00:11:29,240 --> 00:11:31,839 Speaker 1: they transferred me. They transferred me again. The first thing, 194 00:11:32,760 --> 00:11:35,480 Speaker 1: if we push the up button, we'll cutch it when 195 00:11:35,520 --> 00:11:38,000 Speaker 1: it's growing up, and then we'll just take it down afterwards. 196 00:11:39,400 --> 00:11:46,680 Speaker 1: I mean, sure yourself, help me up the slide. Okay, 197 00:11:46,760 --> 00:11:49,840 Speaker 1: we can't help you up the slide, all right? Coming 198 00:11:49,880 --> 00:11:59,120 Speaker 1: down off the somebody's coming down, Help me up the slide? 199 00:12:00,520 --> 00:12:04,719 Speaker 1: Where did he go? I hear his voice? You'll want 200 00:12:04,720 --> 00:12:08,719 Speaker 1: to use this rope. I can hear her. I can 201 00:12:08,760 --> 00:12:11,160 Speaker 1: hear her on her phone at night, so she says 202 00:12:11,200 --> 00:12:12,800 Speaker 1: good night, and I said good night, and then I 203 00:12:12,880 --> 00:12:15,320 Speaker 1: roll over, and then I can I can hear I 204 00:12:15,400 --> 00:12:18,319 Speaker 1: found a state up later I stay, I'm just I'm 205 00:12:18,360 --> 00:12:22,480 Speaker 1: on night. Go to sleep with me, me to be 206 00:12:22,559 --> 00:12:25,960 Speaker 1: asleep at the same time that we can be a union. 207 00:12:26,040 --> 00:12:30,000 Speaker 1: I thought we were a kid. The doctor has rescheduled. 208 00:12:30,040 --> 00:12:35,200 Speaker 1: You have next Thursday the same time, so thank you. Well, 209 00:12:36,600 --> 00:12:39,760 Speaker 1: Oh did Nancy leave in the middle of our session. No, 210 00:12:39,960 --> 00:12:41,600 Speaker 1: you've been out of your session for a while. You've 211 00:12:41,600 --> 00:12:43,199 Speaker 1: been down the lobby for a couple of minutes to 212 00:12:43,240 --> 00:12:45,920 Speaker 1: screaming age other, look and you please just sign out here. God, 213 00:12:45,960 --> 00:12:49,439 Speaker 1: we went into like a fugue state again. Hey, hey, 214 00:12:49,600 --> 00:12:52,360 Speaker 1: can I see something? Are you talking to me? I 215 00:12:52,480 --> 00:12:54,440 Speaker 1: enjoyed being in that state with you. Are you talking 216 00:12:54,480 --> 00:12:57,160 Speaker 1: to me? All right? I felt like we were really 217 00:12:57,280 --> 00:12:59,120 Speaker 1: we were we were one, We were a unit. We 218 00:12:59,160 --> 00:13:03,040 Speaker 1: didn't even know that we changed location. It wasn't Lasagna 219 00:13:03,120 --> 00:13:07,520 Speaker 1: and McAvoy, it was us. It was just us. It 220 00:13:07,640 --> 00:13:12,720 Speaker 1: was just Peter and Tina. Oh, I'm just a couple 221 00:13:12,720 --> 00:13:15,880 Speaker 1: of minutes late. Sorry, I'm I can catch up real quick. 222 00:13:16,120 --> 00:13:21,920 Speaker 1: I get the computer booted up. Okay, it's as if 223 00:13:21,920 --> 00:13:24,280 Speaker 1: I was here on time when I when I doubled 224 00:13:24,320 --> 00:13:28,040 Speaker 1: down my efforts at the beginning of my job. It's 225 00:13:28,040 --> 00:13:30,199 Speaker 1: like I wasn't late, you know. Oh, I guess it's 226 00:13:30,200 --> 00:13:35,079 Speaker 1: a quarter past. Yeah, you were late again. Yeah, but 227 00:13:35,080 --> 00:13:39,680 Speaker 1: it's just by I mean, I'm actually nothing, Hastes, we've talked. 228 00:13:41,240 --> 00:13:45,880 Speaker 1: Somebody's gonna get written up. Shut up, this is your 229 00:13:45,920 --> 00:13:49,560 Speaker 1: third infraction. I'm sorry, but we're gonna have to ask 230 00:13:49,600 --> 00:13:55,199 Speaker 1: you to leave. What right? Him? Up? Right? Get it? 231 00:13:55,360 --> 00:13:57,920 Speaker 1: I don't get another Right up, it's over. I'm done here. 232 00:13:59,679 --> 00:14:04,120 Speaker 1: Three right ups, equal, You're gone. You're way too happy 233 00:14:04,160 --> 00:14:09,319 Speaker 1: about this. I got kids. Well I think I love 234 00:14:09,360 --> 00:14:13,200 Speaker 1: you too, if I'm being honest, Well, are you trying 235 00:14:13,200 --> 00:14:18,360 Speaker 1: to me or oh no, sorry, I just have you 236 00:14:18,360 --> 00:14:24,680 Speaker 1: pressed the down button or the down button? I know 237 00:14:24,800 --> 00:14:26,400 Speaker 1: it's not. I've been wanting to tell you for a 238 00:14:26,400 --> 00:14:29,280 Speaker 1: long time, and especially at the time we spent here 239 00:14:29,440 --> 00:14:32,880 Speaker 1: right now, just delving so deep into each other's souls 240 00:14:32,960 --> 00:14:35,840 Speaker 1: that I just I feel like maybe this is a 241 00:14:35,880 --> 00:14:39,880 Speaker 1: connection we should explore. You're single now, you know she 242 00:14:40,040 --> 00:14:42,520 Speaker 1: left you and I've been a bachelor for a little while. 243 00:14:42,520 --> 00:14:45,840 Speaker 1: As you know, too long, if you long too long, 244 00:14:45,920 --> 00:14:49,000 Speaker 1: too long, you just want you know what really solidified 245 00:14:49,000 --> 00:14:52,360 Speaker 1: it for me? What was that you said? This isn't 246 00:14:52,400 --> 00:14:57,160 Speaker 1: my first day at a computer. It's just funny. I 247 00:14:57,240 --> 00:14:59,160 Speaker 1: need that in my life. Thanks go. You know, I 248 00:14:59,280 --> 00:15:02,000 Speaker 1: try to bring love to every situation. Has the elevator 249 00:15:02,040 --> 00:15:04,360 Speaker 1: been taking a long time or been here for at 250 00:15:04,440 --> 00:15:09,480 Speaker 1: least forty five minutes? Minutes? For me? Hell, this is uh, 251 00:15:09,560 --> 00:15:12,400 Speaker 1: this is Anton from We'll always have parrots. I get 252 00:15:12,440 --> 00:15:17,000 Speaker 1: the parrot you ordered. I think I'm great. Yes you can, 253 00:15:17,040 --> 00:15:20,720 Speaker 1: just you can bring it on inside. That's a big cage. 254 00:15:21,720 --> 00:15:25,400 Speaker 1: It's a big cage for a big parrot. Parrot, I 255 00:15:25,520 --> 00:15:31,280 Speaker 1: forget about it. So this parrot comes preloaded with some 256 00:15:31,280 --> 00:15:35,440 Speaker 1: some phrases. You got to teach some other phrases. But 257 00:15:35,760 --> 00:15:41,680 Speaker 1: to get about it, gorgeous. Stop my fucking dick. Whoa, 258 00:15:43,320 --> 00:15:48,480 Speaker 1: I'm sorry, that's a bit much. You're you said a 259 00:15:48,560 --> 00:15:51,880 Speaker 1: no kids, right, because you know we we have a 260 00:15:51,880 --> 00:15:53,640 Speaker 1: more family friendly parts. But I figured you know a 261 00:15:53,680 --> 00:15:55,560 Speaker 1: couple of adults. You know it's I'm gonna say anything 262 00:15:55,560 --> 00:15:57,400 Speaker 1: you haven't heard before. We are I'm gonna cut your 263 00:15:57,680 --> 00:16:02,200 Speaker 1: head off, piece of ship. Whoa. Um, just because we 264 00:16:02,280 --> 00:16:04,920 Speaker 1: don't have kids doesn't mean that we should get the 265 00:16:05,000 --> 00:16:09,960 Speaker 1: violent bird. And this golden macaw is as an animal. 266 00:16:10,120 --> 00:16:14,400 Speaker 1: But I'm the boss of the Calamari crime family. Yes, 267 00:16:14,720 --> 00:16:19,160 Speaker 1: so he isn't. But he was. He was a bird 268 00:16:19,320 --> 00:16:22,280 Speaker 1: at the Calamari Crime He was a part, he lived, 269 00:16:22,480 --> 00:16:26,440 Speaker 1: he was a pet of Ah. Yeah, oh my god, 270 00:16:26,720 --> 00:16:29,200 Speaker 1: Hoppy doesn't have any information that might put us in danger. 271 00:16:30,600 --> 00:16:34,360 Speaker 1: See what's this? All I know is you pre ordered this, Barrett, 272 00:16:34,400 --> 00:16:37,160 Speaker 1: I'm living in now. I need you to sign here. 273 00:16:37,320 --> 00:16:38,520 Speaker 1: Let me give you a tip. Let me give you 274 00:16:38,520 --> 00:16:44,440 Speaker 1: everybody in this room is fucking dead. What he how 275 00:16:44,440 --> 00:16:50,360 Speaker 1: to open this cage right there that hold a weapon? 276 00:16:50,560 --> 00:16:52,520 Speaker 1: You know, it's no threat. You know, it's just a 277 00:16:52,520 --> 00:16:54,280 Speaker 1: lot of talk. It's a lot of talk. I just 278 00:16:54,400 --> 00:16:57,240 Speaker 1: I just remember that news story from seven years ago 279 00:16:57,800 --> 00:17:02,400 Speaker 1: about that one um Russian guy who got his eyes 280 00:17:03,080 --> 00:17:05,600 Speaker 1: poked out, and they said that it looked as if 281 00:17:05,600 --> 00:17:08,000 Speaker 1: they were beaked out, and that he had claw scratches 282 00:17:08,040 --> 00:17:10,680 Speaker 1: all over the rest of his face in that Yeah, yeah, 283 00:17:10,720 --> 00:17:13,399 Speaker 1: that's a conspiracy theory. I don't pay attention to that. Stuff. 284 00:17:13,440 --> 00:17:17,800 Speaker 1: You know, I've been trying to kill your bitch. You can. 285 00:17:18,000 --> 00:17:24,840 Speaker 1: You can teach your mother phrases, you know. Okay, Oh, 286 00:17:25,119 --> 00:17:31,119 Speaker 1: it's um, it's open. I don't I don't want to 287 00:17:31,160 --> 00:17:32,920 Speaker 1: go down. I want to spend some of our time here. 288 00:17:32,920 --> 00:17:40,399 Speaker 1: I don't want to go down either. Don't get out 289 00:17:40,440 --> 00:17:44,800 Speaker 1: of the way. Oh, my fucking what is your deal? 290 00:17:45,480 --> 00:17:48,160 Speaker 1: My deal? My deal is for the last thirty years, 291 00:17:48,160 --> 00:17:50,760 Speaker 1: I've been working for someone I don't respect. I was 292 00:17:50,800 --> 00:17:53,800 Speaker 1: living with somebody who didn't love me. Okay, and this 293 00:17:53,880 --> 00:17:56,879 Speaker 1: morning you're looking at somebody who's bad at tennis but 294 00:17:57,040 --> 00:18:00,480 Speaker 1: finally good in love. That's my deal. Which your deal? 295 00:18:00,720 --> 00:18:03,240 Speaker 1: My deal is that some asshole just blocked me from 296 00:18:03,240 --> 00:18:10,400 Speaker 1: going home. All right, you man? You slides out of order? 297 00:18:12,440 --> 00:18:17,680 Speaker 1: Slide down? Yeah, well, I have a very sensitive backside. Okay, 298 00:18:17,720 --> 00:18:22,320 Speaker 1: what very sensitive backside? Jinks? You guys are that together? 299 00:18:24,000 --> 00:18:26,320 Speaker 1: The slide is indoors, it's not in the sun, it's 300 00:18:26,359 --> 00:18:38,760 Speaker 1: not hot. Just slide right, right, you thank his little bottom. 301 00:18:40,080 --> 00:18:45,000 Speaker 1: Little little bottom, we've gotten rid of corporate punishment. I'm 302 00:18:45,000 --> 00:18:48,200 Speaker 1: not allowed to do that, all right, No, I'll take 303 00:18:48,240 --> 00:18:51,160 Speaker 1: a spanking. Just don't fire me. You're not gonna assume me. Kyle, 304 00:18:51,200 --> 00:18:54,360 Speaker 1: you're fired. No, don't fire me. I'll take a spanking. 305 00:18:54,400 --> 00:18:57,000 Speaker 1: I don't, Kyle. I'm sorry. You've been late three times. 306 00:18:57,040 --> 00:19:05,800 Speaker 1: I'm sorry. You know the rules here. I'll take my part. Kyle, Um, 307 00:19:06,240 --> 00:19:08,280 Speaker 1: did you get rent or no? Did you go to 308 00:19:08,280 --> 00:19:14,800 Speaker 1: the bank today? Are no? No? I didn't. This fucking guy. 309 00:19:15,280 --> 00:19:20,800 Speaker 1: Oh god, they goddamn parrot got parrot? We gotta can 310 00:19:20,840 --> 00:19:24,160 Speaker 1: we please? Can we please bring this parrot to look 311 00:19:24,200 --> 00:19:28,120 Speaker 1: a shelter, Kyle, this sweetamily parrot. I lost my job. 312 00:19:28,880 --> 00:19:33,679 Speaker 1: I lost my job, but this is a giant parrot 313 00:19:33,720 --> 00:19:40,040 Speaker 1: we got. I agree a parrot. I agree. I kiss 314 00:19:40,080 --> 00:19:43,720 Speaker 1: your wife when you're gone. Why don't say things like this. 315 00:19:44,119 --> 00:19:48,320 Speaker 1: It's just gots preloaded, It's reloaded. We gotta give it up. 316 00:19:48,359 --> 00:19:51,760 Speaker 1: It's too big. It's a giant parrot a bus. You 317 00:19:51,920 --> 00:19:53,840 Speaker 1: sure you want me to get rid of these thirty 318 00:19:53,960 --> 00:19:57,119 Speaker 1: five parrots you keep in your office? Yeah? I do. 319 00:19:58,880 --> 00:20:02,119 Speaker 1: You're thirty five. You can't for these that they would 320 00:20:02,119 --> 00:20:05,200 Speaker 1: just little because what do you say? You saying I'm dumb? 321 00:20:05,200 --> 00:20:09,240 Speaker 1: I told you get rid of them, all right, Okay, 322 00:20:09,320 --> 00:20:12,040 Speaker 1: if you want, I know, uh, you know, I've got 323 00:20:12,040 --> 00:20:15,560 Speaker 1: a parent fence. I can take them to call them 324 00:20:15,880 --> 00:20:21,920 Speaker 1: crime phim. Hey baby, Um, we're net with the bird. 325 00:20:22,000 --> 00:20:25,280 Speaker 1: But still, and I'm gonna say, I feel close, I 326 00:20:25,320 --> 00:20:28,280 Speaker 1: feel connected. I feel Oh thank god. I thought you'd 327 00:20:28,280 --> 00:20:31,560 Speaker 1: be so weirded out when I started. You're wearing a 328 00:20:31,600 --> 00:20:39,760 Speaker 1: fucking wire when he started left kissing it. Getting close 329 00:20:40,000 --> 00:20:43,880 Speaker 1: to the bird. Yeah, getting close, That's what I said, 330 00:20:44,480 --> 00:20:47,200 Speaker 1: getting close to the bird. I'm just getting close to bird. No. 331 00:20:47,320 --> 00:20:53,480 Speaker 1: I think it's honestly, yeah, I think that's right. Ali 332 00:20:53,600 --> 00:20:56,960 Speaker 1: wants them cocaine. I don't think we need to go 333 00:20:57,000 --> 00:21:00,359 Speaker 1: back to therapy. Is that saying too much? I I 334 00:21:00,400 --> 00:21:03,080 Speaker 1: don't think that's saying too much. I think that's saying exactly. 335 00:21:04,440 --> 00:21:08,080 Speaker 1: It's saying exactly what's right. So I'll sleep on the 336 00:21:08,160 --> 00:21:10,639 Speaker 1: couch tonight so you can keep him like, make sure 337 00:21:10,720 --> 00:21:17,160 Speaker 1: he's like he gets those welcome you so much. Yeah. Um, 338 00:21:17,280 --> 00:21:20,000 Speaker 1: this is my first time at a meeting like this. Hi, 339 00:21:21,480 --> 00:21:29,280 Speaker 1: I'm Linda, Linda, and I've been in love with my 340 00:21:29,720 --> 00:21:39,199 Speaker 1: bird for weeks? What what? What kind of group do 341 00:21:39,200 --> 00:21:51,080 Speaker 1: you think this is? And C two is for listener markets? 342 00:21:51,160 --> 00:21:53,800 Speaker 1: You're out, so Kevin, you claimed at a poker game 343 00:21:53,800 --> 00:21:56,879 Speaker 1: in February that the movie Sliver wasn't a hit with 344 00:21:56,920 --> 00:21:59,560 Speaker 1: it's a hundred and thirty eight million dollar box office. 345 00:22:00,040 --> 00:22:01,440 Speaker 1: If I did a movie that earned that good in 346 00:22:02,480 --> 00:22:04,840 Speaker 1: I would call that a hit. Well, enough about you. 347 00:22:05,080 --> 00:22:08,480 Speaker 1: My scene to you is a man applying to become 348 00:22:08,520 --> 00:22:13,000 Speaker 1: a gold digger. Have fun. I know I will. Yeah, 349 00:22:13,480 --> 00:22:18,560 Speaker 1: how can I he help you? Well, I I was 350 00:22:18,560 --> 00:22:22,560 Speaker 1: wondering if you guys were hiring. Oh yeah, well, Horran, 351 00:22:22,920 --> 00:22:26,239 Speaker 1: what's your previous work experience? Well, he used to be 352 00:22:26,280 --> 00:22:32,320 Speaker 1: a millionaire, so I was really good with money. Um, 353 00:22:32,520 --> 00:22:34,280 Speaker 1: usually it was in bills, but I'm sure it was 354 00:22:34,320 --> 00:22:37,679 Speaker 1: backed with gold. And you know Fort Knox used to 355 00:22:37,680 --> 00:22:40,600 Speaker 1: be a millionaire. And you'll go with money and why 356 00:22:40,680 --> 00:22:44,240 Speaker 1: are you here? Well, I was I wanted to dig gold? 357 00:22:45,560 --> 00:22:47,679 Speaker 1: Or is this not a mine? Is this not a 358 00:22:47,720 --> 00:22:51,960 Speaker 1: mining facility? I'm just confused about what you used to 359 00:22:52,000 --> 00:22:55,879 Speaker 1: be a millionaire? And now you want my sad story. 360 00:22:56,000 --> 00:22:58,919 Speaker 1: I'm broke, Okay, I'm fucking broke. I used to be 361 00:22:58,960 --> 00:23:01,159 Speaker 1: a millionaire, so trust me, I know how to be 362 00:23:01,240 --> 00:23:08,680 Speaker 1: around gold. Oh I'm sorry to say your assets are gone. 363 00:23:08,800 --> 00:23:14,919 Speaker 1: They're frozen. It's the frozen or they're gone. Well there 364 00:23:15,520 --> 00:23:17,560 Speaker 1: they're gone, and well you had left was frozen. It 365 00:23:17,640 --> 00:23:23,800 Speaker 1: seems like Macaw Syndicate took it all. Uh, what are 366 00:23:23,800 --> 00:23:28,000 Speaker 1: the odds of the frozen stuff is gonna thought? I 367 00:23:28,040 --> 00:23:30,320 Speaker 1: don't I'm not sure. It's not looking good you. And 368 00:23:30,440 --> 00:23:32,680 Speaker 1: what I'm saying is you probably need to find a 369 00:23:32,840 --> 00:23:35,439 Speaker 1: better way to uh make some money at the moment, 370 00:23:35,520 --> 00:23:38,640 Speaker 1: or it's just it's not looking good. Everything's gonna be 371 00:23:38,680 --> 00:23:44,439 Speaker 1: taken away, definitely if you that'll be gone. Guy. Okay, 372 00:23:44,480 --> 00:23:48,000 Speaker 1: I'm just a representative for them because Okay, now they 373 00:23:48,000 --> 00:23:49,919 Speaker 1: can't speak in the way they that we do, but 374 00:23:49,960 --> 00:23:52,040 Speaker 1: of course they can repeat. So the things that I've 375 00:23:52,040 --> 00:23:54,560 Speaker 1: been told to repeat to you is if you don't 376 00:23:54,600 --> 00:23:57,439 Speaker 1: get the money for him, well they don't take your bones, 377 00:23:59,520 --> 00:24:02,480 Speaker 1: bones us in the money. No, you're human, bones are 378 00:24:02,480 --> 00:24:05,479 Speaker 1: gonna take your bones. Look, man, what you gotta do 379 00:24:05,520 --> 00:24:08,600 Speaker 1: is you gotta get yourself a lady, you know, someone 380 00:24:08,600 --> 00:24:10,359 Speaker 1: who can take care of you, take care of some 381 00:24:10,440 --> 00:24:12,359 Speaker 1: of your bills. Look at me and watch Hey dad, 382 00:24:15,080 --> 00:24:21,400 Speaker 1: I'm watching proof. She's watching her show. But she'll bind 383 00:24:21,400 --> 00:24:24,200 Speaker 1: me whatever I want. Like, what what do you think? 384 00:24:24,400 --> 00:24:27,080 Speaker 1: What do you think Brenda is gonna think? If I 385 00:24:28,400 --> 00:24:30,880 Speaker 1: it's getting lad think of it as a job. Don't 386 00:24:30,920 --> 00:24:34,920 Speaker 1: you need a job? Don't you need money? Uh huh? 387 00:24:35,440 --> 00:24:40,040 Speaker 1: So can I have a shard anay? Thank you? And 388 00:24:40,200 --> 00:24:47,639 Speaker 1: can I have um a mocktail of your surprise coming 389 00:24:47,760 --> 00:24:55,960 Speaker 1: right up? Thank you? What a freaking week? Okay, I 390 00:24:56,000 --> 00:25:00,800 Speaker 1: don't work, but if I couldn't have mad because the 391 00:25:00,880 --> 00:25:04,919 Speaker 1: week that I have being someone who doesn't work, it 392 00:25:04,920 --> 00:25:08,159 Speaker 1: feels like a lot of fucking work, you know, mm 393 00:25:08,280 --> 00:25:12,240 Speaker 1: hm hmm my h o way board. It's just it's 394 00:25:12,400 --> 00:25:17,160 Speaker 1: racking up the racking up the fees. They keep calling 395 00:25:17,200 --> 00:25:19,520 Speaker 1: me asking me to be the secretary of the meeting. 396 00:25:20,400 --> 00:25:22,480 Speaker 1: And you know I had that problem with my fingers. 397 00:25:23,200 --> 00:25:28,480 Speaker 1: I am waiting for somebody, So I'm sorry. Am I 398 00:25:28,560 --> 00:25:33,800 Speaker 1: disturbing you? No? Here's your wine and here's your pickles 399 00:25:33,840 --> 00:25:39,080 Speaker 1: fashioned it's pickle juice with a sugar cube. That's my favorite. Wonderful. 400 00:25:40,040 --> 00:25:42,680 Speaker 1: I knew a surprise. We've lift up my spirits after 401 00:25:42,760 --> 00:25:47,720 Speaker 1: such a hard week. My parent, my my parent, my 402 00:25:47,880 --> 00:25:51,119 Speaker 1: parrots from my freaking neighbors, my parent neighbors. So how 403 00:25:51,160 --> 00:25:53,200 Speaker 1: did it go? Okay? Alright, alright, I gotta I gotta 404 00:25:53,200 --> 00:25:54,760 Speaker 1: iron some things out with you. First of all, right, 405 00:25:54,760 --> 00:25:56,400 Speaker 1: I know you lost your ship. I know you're sucking 406 00:25:56,440 --> 00:26:00,320 Speaker 1: married Bob. I know you have been applying for jobs, right, 407 00:26:00,320 --> 00:26:03,199 Speaker 1: but I did tell pretty much a shoe in for 408 00:26:03,240 --> 00:26:08,000 Speaker 1: one of them. Okay, what what is it? Let's just 409 00:26:08,080 --> 00:26:13,480 Speaker 1: say I'm going to be a gold digger. Okay, but 410 00:26:13,520 --> 00:26:15,280 Speaker 1: I gotta clarify something with you, because I know you 411 00:26:15,320 --> 00:26:19,040 Speaker 1: take things literally. What do you mean by that? Well, 412 00:26:19,160 --> 00:26:23,280 Speaker 1: there's this prospect or the dude I set you up 413 00:26:23,320 --> 00:26:25,400 Speaker 1: with the date I set you up with the woman 414 00:26:28,440 --> 00:26:33,240 Speaker 1: I didn't go to date. I'm this is this is 415 00:26:33,280 --> 00:26:36,320 Speaker 1: a great spot. Oh my god, how are you? This 416 00:26:36,359 --> 00:26:39,840 Speaker 1: is so weird. How do you do? You know? Dev 417 00:26:39,880 --> 00:26:41,760 Speaker 1: and all that? That brought me over from the bar. 418 00:26:41,840 --> 00:26:43,880 Speaker 1: We were hanging out and she said to come over 419 00:26:43,880 --> 00:26:46,440 Speaker 1: because there's more drinks. Seriously, you know that you could 420 00:26:46,480 --> 00:26:50,000 Speaker 1: make a best friend in one night. Isn't that amazing? 421 00:26:51,040 --> 00:26:54,280 Speaker 1: We had so much in common. She was really locked 422 00:26:54,280 --> 00:26:57,919 Speaker 1: in at first, but then I started complaining about the 423 00:26:58,040 --> 00:27:00,720 Speaker 1: stick and parents next door. I just, oh my god, 424 00:27:00,760 --> 00:27:04,040 Speaker 1: I complete forgot about Yeah, well I had a stupid date, 425 00:27:04,160 --> 00:27:07,640 Speaker 1: stand me up, but this like debmated all the better. 426 00:27:07,800 --> 00:27:12,440 Speaker 1: Thank you so much. That women empowering women. Here's my resume. 427 00:27:12,720 --> 00:27:20,840 Speaker 1: I hope I get the job. She here good. I've 428 00:27:20,880 --> 00:27:25,240 Speaker 1: had several years experience with a donkey and I already 429 00:27:25,240 --> 00:27:29,159 Speaker 1: have long John's on it. And now it says she 430 00:27:29,359 --> 00:27:36,359 Speaker 1: that you were a former millionaire. Yes that was man. 431 00:27:36,480 --> 00:27:39,600 Speaker 1: You're you're good with gold, that right? Yes, yes, I'm 432 00:27:39,640 --> 00:27:42,520 Speaker 1: good at scrolling it away. I'm good at and holding 433 00:27:42,560 --> 00:27:45,840 Speaker 1: it up and let it glick in the sun. But 434 00:27:45,960 --> 00:27:50,760 Speaker 1: the former, what what happened? But what what happened to 435 00:27:50,800 --> 00:27:55,680 Speaker 1: the money that's mine? Sometimes he getting deep for the 436 00:27:55,760 --> 00:28:01,040 Speaker 1: exactic birds. I know that. All right, Well here's your 437 00:28:01,080 --> 00:28:08,520 Speaker 1: claim and here's your pick. I'll make you proud. Well, Dad, 438 00:28:08,560 --> 00:28:10,600 Speaker 1: maybe you when I should head home and let these 439 00:28:10,680 --> 00:28:14,600 Speaker 1: two get acquainted. Well, this is depth home. I don't know. Yeah, 440 00:28:14,800 --> 00:28:19,919 Speaker 1: and I really I mean to get home to the 441 00:28:19,960 --> 00:28:26,159 Speaker 1: bedroom home. Just shall we leave? No? You do stay relaxed, 442 00:28:26,320 --> 00:28:30,680 Speaker 1: right dead? Yeah that's what you gotta do. Yeah, Yes, 443 00:28:30,760 --> 00:28:32,440 Speaker 1: I don't know. I just met this guy. I don't know. 444 00:28:32,440 --> 00:28:35,360 Speaker 1: If you're saying you're in our home, you're in her home. Yeah. 445 00:28:35,359 --> 00:28:37,600 Speaker 1: I always assumed I was safe, but I think that 446 00:28:37,600 --> 00:28:42,960 Speaker 1: I wasn't safe. Various things a woman. Could hear that 447 00:28:43,000 --> 00:28:46,280 Speaker 1: makes me feel like it's the opposite. Can I just 448 00:28:46,400 --> 00:28:48,320 Speaker 1: ask one thing? You know what, I'm staying down here 449 00:28:48,320 --> 00:28:51,720 Speaker 1: with my thank you, thank you? How rich is she? 450 00:28:54,640 --> 00:28:57,080 Speaker 1: That is a very rude question to ask. Dude, this 451 00:28:57,160 --> 00:28:59,320 Speaker 1: is a very rude question asked that was that was 452 00:28:59,400 --> 00:29:02,040 Speaker 1: sick to hear. Oh, I'm sorry, but I was under 453 00:29:02,080 --> 00:29:04,240 Speaker 1: the impression that I was supposed to live off of 454 00:29:04,280 --> 00:29:10,200 Speaker 1: her money, my money, Francesca's money. Who are you? I 455 00:29:10,200 --> 00:29:13,640 Speaker 1: don't know what is it? Well? That sure is a 456 00:29:13,720 --> 00:29:18,440 Speaker 1: sad story. Uh. I'm not totally sure what the depth 457 00:29:18,520 --> 00:29:25,240 Speaker 1: subplot had to do with with your story. But anyway, 458 00:29:25,280 --> 00:29:27,840 Speaker 1: it's a lot of panning mostly well, you know, it's less. 459 00:29:28,000 --> 00:29:29,920 Speaker 1: It's kind of a misnomer. We don't dig so much. 460 00:29:29,920 --> 00:29:32,520 Speaker 1: We do a lot of panning. You see, I'm getting 461 00:29:32,520 --> 00:29:35,160 Speaker 1: a lot of pie write here. Which is it looks 462 00:29:35,200 --> 00:29:38,280 Speaker 1: like gold? It's it does look like gold, but it's 463 00:29:38,280 --> 00:29:42,160 Speaker 1: fool's gold. I'm taking some of that. It's not worthless. 464 00:29:42,280 --> 00:29:46,080 Speaker 1: It's worthless. Okay, And let me just see the gold, yep, 465 00:29:46,280 --> 00:29:47,920 Speaker 1: and they we'll be able to wait and giving this 466 00:29:48,840 --> 00:29:53,920 Speaker 1: here you go? Do you tell the birds are quite alright? 467 00:29:54,000 --> 00:29:59,040 Speaker 1: Let's just see here. Okay, that should pretty much. Are 468 00:29:59,040 --> 00:30:03,440 Speaker 1: you sucking with me? That's you pretty much square, even 469 00:30:03,480 --> 00:30:06,480 Speaker 1: the debt? I owe you? Are you fucking with me? 470 00:30:06,520 --> 00:30:08,040 Speaker 1: Did you come in here today say I'm gonna sunk 471 00:30:08,040 --> 00:30:11,680 Speaker 1: with me? Okay, you can have some more here. This 472 00:30:11,760 --> 00:30:16,320 Speaker 1: is every little bit of gold. I sneeze on you. 473 00:30:16,680 --> 00:30:19,280 Speaker 1: I sneeze on you, buddy, all right? Was right in 474 00:30:19,320 --> 00:30:21,840 Speaker 1: my face? Yeah, it was because of what you did 475 00:30:21,880 --> 00:30:24,880 Speaker 1: to me. You want to come here with this bullshit pie? Right? Huh? 476 00:30:28,320 --> 00:30:32,760 Speaker 1: You're fucking with me. The birds are gonna take your bones, buddy. 477 00:30:35,240 --> 00:30:43,400 Speaker 1: They think you're fucking bones. Buddy. I understood the dev storyline. 478 00:30:44,120 --> 00:30:47,320 Speaker 1: What did you talk to these birds separately? I waited 479 00:30:47,360 --> 00:30:51,320 Speaker 1: for a while for you, rough day. Huh. Here take 480 00:30:51,360 --> 00:30:54,120 Speaker 1: a swig out of this joke with three xtras on it? 481 00:30:55,720 --> 00:31:04,840 Speaker 1: All right? M oh, oh my god. That's the good stuff, 482 00:31:07,080 --> 00:31:11,360 Speaker 1: is it? Oh? It's it's just a river water. What 483 00:31:12,240 --> 00:31:17,880 Speaker 1: a little bit of pickle? Oh my god? The beans already, 484 00:31:18,040 --> 00:31:23,400 Speaker 1: the beans already already in. Isn't there going to be 485 00:31:23,480 --> 00:31:28,360 Speaker 1: something with the beans? It's not just beans, is it? 486 00:31:28,880 --> 00:31:33,000 Speaker 1: What do you need beans? I'm sorry, I just used 487 00:31:33,040 --> 00:31:35,080 Speaker 1: to have a lot of When I used to eat, 488 00:31:35,120 --> 00:31:37,840 Speaker 1: when I was a millionaire, we'd have a plate that 489 00:31:37,920 --> 00:31:44,800 Speaker 1: had beans, potatoes, a mead, a different vegetable, meat, different 490 00:31:45,720 --> 00:31:54,080 Speaker 1: it had on me. It was like a menagerie of food. 491 00:31:54,240 --> 00:32:01,640 Speaker 1: What's a vegetable? Vegetable? It's uh, well sometimes it's corn sometimes, 492 00:32:02,480 --> 00:32:07,760 Speaker 1: you know, but I guess beans of this be's good. 493 00:32:07,800 --> 00:32:10,960 Speaker 1: It's all you need. Son, I had some venice there once. 494 00:32:11,040 --> 00:32:13,360 Speaker 1: It was full of buckshot. Now we're like, I don't 495 00:32:13,360 --> 00:32:20,680 Speaker 1: want this ever again for me too, too. Holy sh it, man, 496 00:32:20,720 --> 00:32:23,840 Speaker 1: you look great? What is that a new suit? Versacchi? 497 00:32:24,280 --> 00:32:29,120 Speaker 1: Geez man, you are done well for yourself. Well, it's 498 00:32:29,120 --> 00:32:34,520 Speaker 1: a full suit. So what's that? It's I'm glad that 499 00:32:34,600 --> 00:32:36,920 Speaker 1: you see what you see, but it's a full suit. 500 00:32:37,000 --> 00:32:45,000 Speaker 1: It's not real VERSACCEI what I was being honest with you? 501 00:32:45,000 --> 00:32:48,280 Speaker 1: You thought it was real? Right? Yeah, but you know 502 00:32:48,840 --> 00:32:51,600 Speaker 1: table for two? Is that correct? No? I gotta get 503 00:32:51,640 --> 00:32:58,640 Speaker 1: I gotta get going. Okay, what are you still hated 504 00:32:58,680 --> 00:33:00,880 Speaker 1: with us or not? Well, it's depends on if he's 505 00:33:00,920 --> 00:33:06,200 Speaker 1: gonna stay because I can't pay for you can't pay, well, 506 00:33:06,240 --> 00:33:08,920 Speaker 1: then you can't either, young man, young man, are there 507 00:33:08,960 --> 00:33:16,880 Speaker 1: any uh, you know money money, money moneys, money maidens 508 00:33:16,880 --> 00:33:25,480 Speaker 1: at the bar tonight, money maidens. You know, yeah, you know, yeah, 509 00:33:25,960 --> 00:33:30,080 Speaker 1: I have three years prior experience. Now those three years 510 00:33:30,200 --> 00:33:33,560 Speaker 1: or twenty years ago, but I think I can enter 511 00:33:33,600 --> 00:33:36,959 Speaker 1: back into the job force. Uh as if it was 512 00:33:37,560 --> 00:33:40,760 Speaker 1: twenty years ago. Well, it's just here that you're a 513 00:33:40,920 --> 00:33:44,280 Speaker 1: current millionaire. Is that correct? I have a current millionaire 514 00:33:44,280 --> 00:33:48,200 Speaker 1: and I'm looking to be a money made Okay, well, 515 00:33:48,760 --> 00:33:52,160 Speaker 1: but I do have a significant other. Is that Is 516 00:33:52,160 --> 00:33:54,000 Speaker 1: that going to be a problem? How? I don't think so. 517 00:33:54,040 --> 00:33:56,360 Speaker 1: If you have more people to work to claim, the better. 518 00:33:56,520 --> 00:34:02,040 Speaker 1: So here's a claim ticket. Here's your pick. Uh. I 519 00:34:02,080 --> 00:34:04,080 Speaker 1: hope this helps you be a money made And I 520 00:34:04,760 --> 00:34:08,120 Speaker 1: don't know. I'm just here to give out gold digging claims. 521 00:34:09,400 --> 00:34:11,400 Speaker 1: I must be in the wrong. I gotta be in 522 00:34:11,480 --> 00:34:16,319 Speaker 1: the wrong office. Day I've had, I can't believe I'm 523 00:34:16,320 --> 00:34:19,040 Speaker 1: going to the wrong office and my first time attempting 524 00:34:19,080 --> 00:34:21,200 Speaker 1: to get a job. Can you imagine when I actually 525 00:34:21,239 --> 00:34:24,959 Speaker 1: have a job to complain about? Diember you can start 526 00:34:25,080 --> 00:34:28,560 Speaker 1: working here. Well, I'm trying to get back into the 527 00:34:28,600 --> 00:34:32,440 Speaker 1: workforce because I'm just I'm being driven mad, staying in 528 00:34:32,520 --> 00:34:37,400 Speaker 1: my apartment, listening to the damn neighbors birds. One of 529 00:34:37,440 --> 00:34:42,440 Speaker 1: them got a dog that's even louder. You know, I 530 00:34:42,480 --> 00:34:47,279 Speaker 1: like commercial breaks. I want to hear the jingles, so 531 00:34:47,400 --> 00:34:59,279 Speaker 1: it matters. One of those commercial breaks now threes from 532 00:34:59,320 --> 00:35:02,520 Speaker 1: listener Chris didn't tell it. He wrote just one this month, 533 00:35:02,520 --> 00:35:05,120 Speaker 1: as I am much too busy procrastinating my school work 534 00:35:05,160 --> 00:35:09,640 Speaker 1: to properly create scene suggestions right now. One. I've noticed 535 00:35:09,640 --> 00:35:11,920 Speaker 1: that comedians seem to get offended when people refer to 536 00:35:11,920 --> 00:35:14,680 Speaker 1: their work as skits for reasons that are not obvious 537 00:35:14,719 --> 00:35:18,279 Speaker 1: to non comedians. Did you guys do a scene that 538 00:35:18,320 --> 00:35:21,040 Speaker 1: explains for the to the rest of us about skits 539 00:35:21,280 --> 00:35:29,600 Speaker 1: and sketches and routines and acts and bits. Alright, campers, 540 00:35:29,760 --> 00:35:34,200 Speaker 1: who is ready to have the best summer ever? Maybe? Yeah? 541 00:35:35,280 --> 00:35:40,680 Speaker 1: Alright you too? How about the rest of you? I 542 00:35:40,719 --> 00:35:45,239 Speaker 1: mean ideally, Yeah, I mean I'm only eleven, so I've 543 00:35:45,239 --> 00:35:50,320 Speaker 1: only had ten summers. I don't remember most of them. Yeah, 544 00:35:50,760 --> 00:35:54,640 Speaker 1: this is gonna be the best camp Wanna Ghana is 545 00:35:55,640 --> 00:35:58,880 Speaker 1: the premier place to be in the summer. And you 546 00:35:58,960 --> 00:36:03,319 Speaker 1: know why what's going on? Because we've got so many 547 00:36:03,360 --> 00:36:09,400 Speaker 1: activities high ropes, course, low ropes, course, river rafting, horseback riding, skits. 548 00:36:09,920 --> 00:36:16,000 Speaker 1: We do skits. Oh wait a second, Um, I don't 549 00:36:16,000 --> 00:36:21,040 Speaker 1: do skits. What does that mean? Why? You know? Like 550 00:36:21,200 --> 00:36:23,480 Speaker 1: one of you will lay on the floor and the 551 00:36:23,520 --> 00:36:26,080 Speaker 1: other one will lay on their stomach, and then one 552 00:36:26,120 --> 00:36:32,160 Speaker 1: of you the legs and the other ones talking. It's fun. 553 00:36:33,000 --> 00:36:35,520 Speaker 1: I'm gonna be one of the legs, I kid, I 554 00:36:35,600 --> 00:36:39,040 Speaker 1: heard you. Uh, we're in a fan of skits. No, 555 00:36:39,480 --> 00:36:43,239 Speaker 1: I mean I'm in my sixth grade improv troup. Oh, 556 00:36:43,800 --> 00:36:46,239 Speaker 1: chicken wing for you buddy there? Yeah, you know, I 557 00:36:46,239 --> 00:36:49,920 Speaker 1: mean a couple of other cooks. Uh, we do sketches. 558 00:36:51,160 --> 00:36:55,520 Speaker 1: You do sketches. Chicken wing for you, buddy there? How 559 00:36:55,520 --> 00:36:57,880 Speaker 1: do I get in this group? I don't know. I 560 00:36:57,920 --> 00:36:59,960 Speaker 1: don't know if we're gonna have I mean, I've got 561 00:36:59,920 --> 00:37:03,319 Speaker 1: a writing packet. How do you do? Yeah, you know, 562 00:37:03,440 --> 00:37:08,120 Speaker 1: just in case. Uh, let me take a look at this. Okay, 563 00:37:08,160 --> 00:37:09,839 Speaker 1: I heard you got a kid who wants to join 564 00:37:09,920 --> 00:37:12,239 Speaker 1: up hunting this. Uh, dude, check it out. He got 565 00:37:12,320 --> 00:37:14,719 Speaker 1: himself an own riding back who all right, let me 566 00:37:14,800 --> 00:37:19,239 Speaker 1: taking a look at that too. Hey this heightens nicely. Yeah, 567 00:37:19,400 --> 00:37:22,720 Speaker 1: good bit. Well you can tell already on the first page, 568 00:37:23,400 --> 00:37:27,759 Speaker 1: you established a clear bit and then you progress it bit. 569 00:37:28,520 --> 00:37:30,640 Speaker 1: Because the way I see it is we'll do skits 570 00:37:30,800 --> 00:37:34,080 Speaker 1: together and that'll make us an act. What do you 571 00:37:34,120 --> 00:37:37,120 Speaker 1: think you'll be a leg? I'll be a leg. Yeah, 572 00:37:39,080 --> 00:37:44,560 Speaker 1: but we need like okay, guys, hey, hi, hi, anybody. Hi, 573 00:37:44,400 --> 00:37:48,000 Speaker 1: I'm John. I'll be the counselor here at squirrel Bunk. 574 00:37:48,280 --> 00:37:52,120 Speaker 1: Where's your shirt? Where's my shirt? Why don't you shut 575 00:37:52,160 --> 00:37:56,719 Speaker 1: the hell up? This is squirrel Bunk, all right, and 576 00:37:56,719 --> 00:37:58,719 Speaker 1: when we're here, we're in a different camp. Do you 577 00:37:58,760 --> 00:38:03,920 Speaker 1: understand that? Uh? Okay, okay, great, Now, I know everyone 578 00:38:03,960 --> 00:38:05,880 Speaker 1: got money from their parents with the vending machines. Let 579 00:38:05,920 --> 00:38:10,759 Speaker 1: me see it. Uh, let me see it. My name 580 00:38:10,800 --> 00:38:14,439 Speaker 1: is John, I run the squirrel Book. Let me see 581 00:38:14,480 --> 00:38:16,839 Speaker 1: the money. Well, we're in act. Just let you know. 582 00:38:17,560 --> 00:38:21,360 Speaker 1: Oh yeah, oh I love acts. Okay, what my favorite 583 00:38:21,360 --> 00:38:25,319 Speaker 1: act is when I get the fucking money. So give 584 00:38:25,360 --> 00:38:29,000 Speaker 1: me give me. Your feet are really dirty? Oh yeah 585 00:38:29,040 --> 00:38:31,640 Speaker 1: they are, maybe because I live in the woods. Give 586 00:38:31,640 --> 00:38:34,920 Speaker 1: me a goddamn wait, are you not an actual counselor? 587 00:38:36,640 --> 00:38:38,600 Speaker 1: Oh he's got my tenny pack. Now just leave it. 588 00:38:38,680 --> 00:38:40,080 Speaker 1: Let me go, let me go. We'll use this as 589 00:38:40,080 --> 00:38:43,120 Speaker 1: a material for our but that's what's all the money 590 00:38:43,160 --> 00:38:48,280 Speaker 1: for the whole is going to break up. No, no, no, no, no, 591 00:38:48,400 --> 00:38:50,640 Speaker 1: well well no, no no, please don't, please don't. I'm 592 00:38:50,680 --> 00:38:56,600 Speaker 1: gonna be late. I'm so sun No. Let me start 593 00:38:56,920 --> 00:39:01,279 Speaker 1: from the top, from the top, so sorry, that's what 594 00:39:01,320 --> 00:39:07,080 Speaker 1: I wanted. Sorry, don't repolicize, just go, just go. Okay. 595 00:39:07,200 --> 00:39:09,360 Speaker 1: Can I just say I do have some revisions on this. 596 00:39:09,480 --> 00:39:14,400 Speaker 1: Oh my god, oh my god, just do it, do it? Okay, 597 00:39:15,200 --> 00:39:19,719 Speaker 1: no problem. Um knock knock, knock, knock. I'm at your door, 598 00:39:21,560 --> 00:39:24,719 Speaker 1: not knock, not so tell me more. Here's some gum. 599 00:39:24,840 --> 00:39:30,520 Speaker 1: Don't chew it up? Oh no, threw up? Stops up? Raymond? 600 00:39:30,520 --> 00:39:34,440 Speaker 1: Can you get in there? Please? Can you help them? Raymond? Please? Um? Okay, 601 00:39:35,400 --> 00:39:38,759 Speaker 1: all right? Should we just take it from the top 602 00:39:40,920 --> 00:39:48,040 Speaker 1: we can, okay, professionals, I'm I'm an amateur. Uh Raymond 603 00:39:48,200 --> 00:39:50,800 Speaker 1: stop stop Raymond Lucas, can you get in there and 604 00:39:50,840 --> 00:39:53,400 Speaker 1: help Raymond? Please? No, no, no, How does an amateur 605 00:39:53,400 --> 00:39:56,400 Speaker 1: become a professional if they don't get to Raymond enough? 606 00:39:58,000 --> 00:39:59,840 Speaker 1: I got I got it, I got it, you know, guys, 607 00:40:00,000 --> 00:40:02,399 Speaker 1: I'm a pro with this. My brother did a bunch 608 00:40:02,440 --> 00:40:05,640 Speaker 1: of skits for Homecoming. He's the quarterback. He wears a 609 00:40:05,680 --> 00:40:09,960 Speaker 1: wig and goofs around and it's a riot, so I'll 610 00:40:10,000 --> 00:40:12,839 Speaker 1: be great in the skit. Okay, well, just as we know, 611 00:40:13,000 --> 00:40:15,320 Speaker 1: we're starting off with the song. This is a review 612 00:40:15,480 --> 00:40:17,520 Speaker 1: after all, so I just want to make sure we're 613 00:40:17,520 --> 00:40:23,799 Speaker 1: all in the same page. Please look us, help us out. Mhm. Knock, knock, 614 00:40:23,840 --> 00:40:30,800 Speaker 1: knock on your door. Knock, knock, knock, Please tell me more. Knock, knock, knock. 615 00:40:30,920 --> 00:40:33,719 Speaker 1: I had some gum used to stop something. What do 616 00:40:33,760 --> 00:40:35,719 Speaker 1: you do? You're just ogg Can you get in there 617 00:40:35,719 --> 00:40:37,960 Speaker 1: and help Lucas Blues? Can I just say, this doesn't 618 00:40:37,960 --> 00:40:40,440 Speaker 1: seem very fair. They're saying it's a review, but this 619 00:40:40,520 --> 00:40:43,080 Speaker 1: is the first time I've seen this material. It was 620 00:40:45,080 --> 00:40:50,719 Speaker 1: Please help him. Please. Alright, guys, get ready frogged and 621 00:40:50,920 --> 00:40:56,239 Speaker 1: coming in. Okay, here you go. Alright, alright, what's your 622 00:40:56,280 --> 00:41:03,359 Speaker 1: motivation here to make the audience laugh? No, no, that's 623 00:41:03,360 --> 00:41:06,880 Speaker 1: gonna be the result ideally. What's the motivation of your 624 00:41:06,960 --> 00:41:11,359 Speaker 1: character to have people like me? No? No, that's you, 625 00:41:11,600 --> 00:41:17,480 Speaker 1: that's you the character. Who are you playing myself? Okay, 626 00:41:17,520 --> 00:41:21,840 Speaker 1: all right, I haven't seen the script. Okay, wait, hold on, 627 00:41:21,920 --> 00:41:23,759 Speaker 1: are you playing yourself? Where are you playing someone that 628 00:41:23,800 --> 00:41:26,160 Speaker 1: has come to doing a skit? What are we talking 629 00:41:26,200 --> 00:41:28,880 Speaker 1: about here? I think I think Oggens trying to elevate 630 00:41:28,960 --> 00:41:34,480 Speaker 1: us to another level. Perhaps honestly, after hearing Ogden's coaching, 631 00:41:35,000 --> 00:41:37,480 Speaker 1: I think I could give it another shot. I feel 632 00:41:37,520 --> 00:41:42,800 Speaker 1: like it's elevated me. I don't know, guys, I was 633 00:41:42,880 --> 00:41:45,360 Speaker 1: just excited to take part in a big time goof, 634 00:41:45,920 --> 00:41:53,080 Speaker 1: you know, but have some fun. That's funny. Okay. I'm 635 00:41:53,080 --> 00:41:56,000 Speaker 1: looking at the script now and the formatting is all fucked. 636 00:41:56,320 --> 00:42:03,320 Speaker 1: What do you mean that was this done on final draft? Um? No, 637 00:42:03,760 --> 00:42:05,600 Speaker 1: I know I asked a question where I know the 638 00:42:05,600 --> 00:42:10,800 Speaker 1: answer It wasn't. All right. Everybody, welcome to a corn bunk. 639 00:42:10,960 --> 00:42:14,879 Speaker 1: If you ladies need anything, you gotta come to me, 640 00:42:15,040 --> 00:42:20,320 Speaker 1: all right, because that's how we are here in the wilderness. 641 00:42:20,320 --> 00:42:22,879 Speaker 1: We're wild and free. Who's gonna tell me to wear 642 00:42:22,920 --> 00:42:27,960 Speaker 1: a shirt? Not me? That's right, because I make the rules. 643 00:42:28,040 --> 00:42:32,640 Speaker 1: I'm in charge. I'm the counselor, and I'm here to 644 00:42:32,680 --> 00:42:36,840 Speaker 1: help you have fun. If anyone needs tampons or pads, 645 00:42:37,120 --> 00:42:41,399 Speaker 1: that's gonna be here in this trunk, right yep. Living 646 00:42:41,440 --> 00:42:44,239 Speaker 1: in the woods once you walk around for long enough, 647 00:42:44,320 --> 00:42:47,799 Speaker 1: you form callouses, and it's actually the most natural and 648 00:42:47,840 --> 00:42:50,920 Speaker 1: beautiful way to walk around life, because then I can 649 00:42:50,960 --> 00:42:54,120 Speaker 1: go anywhere and not have a problem. The shoes are 650 00:42:54,160 --> 00:42:59,200 Speaker 1: making my hometown. What is it made of glass? What 651 00:42:59,200 --> 00:43:02,040 Speaker 1: does that mean? It just means that if she showed 652 00:43:02,120 --> 00:43:04,960 Speaker 1: up with no shirt and dirty feet like that, she 653 00:43:04,960 --> 00:43:12,400 Speaker 1: wouldn't be allowed in the gas station. Right, Ogden, We're 654 00:43:12,440 --> 00:43:16,280 Speaker 1: gonna start you as a featured player this season. Okay, 655 00:43:16,480 --> 00:43:19,239 Speaker 1: you're gonna tail around Edie Bryant. She's gonna show you 656 00:43:19,280 --> 00:43:24,920 Speaker 1: how everything works here. All right, Okay, thanks, Lauren, no problem. 657 00:43:25,000 --> 00:43:27,280 Speaker 1: Let me know if you have any more questions. Okay, 658 00:43:27,320 --> 00:43:29,480 Speaker 1: I'll just be in my office. I'm available to you 659 00:43:29,520 --> 00:43:34,719 Speaker 1: if you need me. Okay, then, okay, thanks big guy. 660 00:43:35,280 --> 00:43:38,480 Speaker 1: You got it. Your writing packet was incredible. It was 661 00:43:39,120 --> 00:43:46,360 Speaker 1: incredible the way you heightened. Oh boy, right, so good? Okay, 662 00:43:46,760 --> 00:43:49,720 Speaker 1: I can't tell if the conversations over and O good buddy, 663 00:43:49,719 --> 00:43:53,680 Speaker 1: come here? How are you man? How are you? Uh? So? 664 00:43:53,800 --> 00:43:57,680 Speaker 1: I heard we got a phenomena leven year old Freako 665 00:43:57,880 --> 00:44:01,560 Speaker 1: coming into the big league. Yeah, I'm coming right off 666 00:44:01,560 --> 00:44:04,480 Speaker 1: of summer at camp. Wanna ghana? Yeah? So we heard. 667 00:44:04,560 --> 00:44:07,399 Speaker 1: And just so you know, uh, this this environment can 668 00:44:07,440 --> 00:44:09,520 Speaker 1: eat people a louve man, they're cann't really funk with 669 00:44:09,600 --> 00:44:11,600 Speaker 1: your head. So just you know, you're eleven years old, 670 00:44:11,640 --> 00:44:13,400 Speaker 1: You're still developing as a human being, so you know, 671 00:44:13,440 --> 00:44:17,839 Speaker 1: maybe this is the right fit for you. I've heard 672 00:44:17,840 --> 00:44:21,120 Speaker 1: about you guys coming in trying to intimidate the new kids, 673 00:44:21,600 --> 00:44:24,839 Speaker 1: and uh, I'm not gonna be intimidated. Okay, now you're not. 674 00:44:25,440 --> 00:44:27,319 Speaker 1: I've got five ideas. I'm gonna pitch the Chance of 675 00:44:27,320 --> 00:44:29,120 Speaker 1: the Rapper tomorrow and you're not gonna talk to anybody. 676 00:44:29,120 --> 00:44:33,440 Speaker 1: You've got these little ship I'm odd the writing staff. 677 00:44:34,520 --> 00:44:36,640 Speaker 1: How are you gonna write? If you pissed your pants? 678 00:44:38,680 --> 00:44:42,160 Speaker 1: What it looks like? I've just pissed his pants. You 679 00:44:42,320 --> 00:44:44,320 Speaker 1: just sprayed me with a spray gun on my crotch. 680 00:44:44,520 --> 00:44:49,160 Speaker 1: Oh the funk with me? Okay, not big time? And 681 00:44:50,160 --> 00:44:53,239 Speaker 1: how long have you been here? Hi? Didn't your mom 682 00:44:53,239 --> 00:44:55,680 Speaker 1: and dad Sweeter say Hi? It's Ogden on the phone 683 00:44:55,840 --> 00:44:59,759 Speaker 1: not saying hi to him? Okay, so how is it? 684 00:44:59,840 --> 00:45:05,160 Speaker 1: How thirty rock? Um? I don't know. I don't know 685 00:45:05,200 --> 00:45:07,759 Speaker 1: if I belong here? Oh, yes you do. You know 686 00:45:07,840 --> 00:45:11,960 Speaker 1: what I'll send you some cookies. That would help. So 687 00:45:12,000 --> 00:45:15,960 Speaker 1: tell me the names of your friends. Who's your best friend? UM? 688 00:45:15,960 --> 00:45:20,839 Speaker 1: Probably Keenan so far? Oh nice? Keenan sounds nice. Yeah, 689 00:45:20,880 --> 00:45:24,840 Speaker 1: he's been here for twenty years. Twenty years, Wow, babe, 690 00:45:24,880 --> 00:45:26,239 Speaker 1: one of the one of the writer has been there 691 00:45:26,280 --> 00:45:31,040 Speaker 1: for twenty years. Really do want to get on the phone. 692 00:45:31,320 --> 00:45:34,000 Speaker 1: He's not, he says. He says, no son of his 693 00:45:34,200 --> 00:45:38,719 Speaker 1: will make a living doing skits. They're not skits. They're 694 00:45:38,760 --> 00:45:42,279 Speaker 1: not skits. Put him on, Put him on, sweetheart. He says, 695 00:45:42,280 --> 00:45:48,360 Speaker 1: they're not skins. Okay, you're on speaker. I write scenes, father, 696 00:45:49,160 --> 00:45:55,600 Speaker 1: I write scenes, sketches. They're not skits. Okay, skits for camp. 697 00:45:55,960 --> 00:46:03,200 Speaker 1: I'm beyond camp. Now you just left amp Gowana. I 698 00:46:03,239 --> 00:46:06,239 Speaker 1: want to go. I don't know what you don't even 699 00:46:06,239 --> 00:46:09,600 Speaker 1: know the name of my camps. That's the show. It 700 00:46:09,680 --> 00:46:12,719 Speaker 1: will ship And what I saw was a bunch of skits. 701 00:46:13,239 --> 00:46:16,400 Speaker 1: And now you're thirty rock Well you used to sound confident, 702 00:46:16,400 --> 00:46:20,000 Speaker 1: Now you sound broken. Thanks for coming in. UM. I 703 00:46:20,080 --> 00:46:23,480 Speaker 1: read your latest sketch in UM. Although it has some 704 00:46:23,560 --> 00:46:27,359 Speaker 1: funny moments, the whole deb subplot really lost us. So 705 00:46:27,880 --> 00:46:30,719 Speaker 1: we're gonna send you back to camp. We need you 706 00:46:30,719 --> 00:46:34,080 Speaker 1: to get some more experience with skits. Uh, and then 707 00:46:34,120 --> 00:46:37,120 Speaker 1: you can come to Lord. Did you just call call 708 00:46:37,160 --> 00:46:41,480 Speaker 1: them skits for you, because right now you're at skit level. No. No, 709 00:46:41,640 --> 00:46:44,799 Speaker 1: I've moved beyond skits. I've moved beyond skits. I mean 710 00:46:44,840 --> 00:46:48,360 Speaker 1: that deb thing was slightly off game. But all right, campers, um, 711 00:46:48,480 --> 00:46:53,200 Speaker 1: you are now in the buffalo bunk makes some buffalo noises. Hey, 712 00:46:53,400 --> 00:46:58,920 Speaker 1: you don't counselors. We're all counselors in here. Okay, I excited. 713 00:46:59,400 --> 00:47:03,920 Speaker 1: I know. Look, here's why I called this this meeting. 714 00:47:04,840 --> 00:47:06,959 Speaker 1: You know, there's a lot of competition right now out there. 715 00:47:07,320 --> 00:47:09,000 Speaker 1: You know, all the kids are trying to write better 716 00:47:09,000 --> 00:47:11,080 Speaker 1: and better and funnier than the other kids, and the 717 00:47:11,160 --> 00:47:13,560 Speaker 1: songs and stuff. Why don't we go back to the 718 00:47:13,640 --> 00:47:15,480 Speaker 1: roots of it all. Why don't we go back to 719 00:47:15,560 --> 00:47:20,680 Speaker 1: the original idea generator. That machine hasn't been turned on 720 00:47:20,840 --> 00:47:25,359 Speaker 1: for years. I'm talking about the improv machine. Oh, put 721 00:47:25,360 --> 00:47:28,880 Speaker 1: the pencils down, put the final drift down. Put down. 722 00:47:29,280 --> 00:47:32,240 Speaker 1: Here's the thing. We're paying a lot of staff members 723 00:47:32,280 --> 00:47:34,640 Speaker 1: to be running a lot of different programs here. So 724 00:47:34,680 --> 00:47:38,520 Speaker 1: if we keep on just harping on the one. We're 725 00:47:38,560 --> 00:47:41,120 Speaker 1: paying for a bunch of horses for nothing. We're paying 726 00:47:41,160 --> 00:47:43,279 Speaker 1: for canoes for nothing. I mean these kids, some of 727 00:47:43,280 --> 00:47:45,960 Speaker 1: those horses have been stolen and apparently in I think 728 00:47:46,000 --> 00:47:48,719 Speaker 1: in the scrub Bunk kids got robbed. Do you understand 729 00:47:48,800 --> 00:47:52,080 Speaker 1: what this camp has turned into? This is the former 730 00:47:52,120 --> 00:47:55,560 Speaker 1: link for former league, for the generator for the future 731 00:47:55,560 --> 00:48:01,480 Speaker 1: generations of writers and performers. Here, you're correct, we need 732 00:48:01,520 --> 00:48:03,000 Speaker 1: to go back to ours. We need to go back 733 00:48:03,040 --> 00:48:07,040 Speaker 1: to improv I got a suggestion, how about um, a 734 00:48:07,120 --> 00:48:11,200 Speaker 1: man applies to become a gold digger. That's too convoluted. 735 00:48:11,320 --> 00:48:13,160 Speaker 1: I don't want to tell the whole story you about 736 00:48:13,160 --> 00:48:23,400 Speaker 1: just something the point of inspirations? Oh man, we did. 737 00:48:23,520 --> 00:48:29,360 Speaker 1: We changed comedy guys. The difference now right. That skit 738 00:48:29,560 --> 00:48:34,040 Speaker 1: was brought to see you by the following alchemists. Chris Alvarado. Yeah, 739 00:48:34,120 --> 00:48:36,160 Speaker 1: thank you for having me. Um. Check out my other 740 00:48:36,200 --> 00:48:38,480 Speaker 1: podcast to Comedy Figs, where we just you know, funk 741 00:48:38,520 --> 00:48:42,359 Speaker 1: around with ideas in comedy and performance. And I want 742 00:48:42,440 --> 00:48:44,279 Speaker 1: to say one more thing. Oh yeah, the way, if 743 00:48:44,320 --> 00:48:46,319 Speaker 1: you if you are in California, if you're in the 744 00:48:46,360 --> 00:48:49,560 Speaker 1: Los Angeles area, the West Side Comedy Theater is you 745 00:48:49,600 --> 00:48:52,920 Speaker 1: know coming back. We're doing shows again. We're doing live 746 00:48:53,360 --> 00:48:56,920 Speaker 1: in person shows. Um, must be vaccinated the mask. Of course, 747 00:48:56,920 --> 00:48:58,880 Speaker 1: we're trying to keep it as safe as possible. But 748 00:48:59,080 --> 00:49:02,160 Speaker 1: a lot of us here in this on this podcast today, 749 00:49:02,360 --> 00:49:05,160 Speaker 1: we'll be performing there soon. So you know, if you're 750 00:49:05,400 --> 00:49:07,719 Speaker 1: come check us out. Go to Westside Comedy dot com 751 00:49:07,800 --> 00:49:12,480 Speaker 1: for uh schedules. Yeah, definitely come back. Things are happening, 752 00:49:12,600 --> 00:49:17,240 Speaker 1: as they say, Craig Tkakowski. Hey, Sex Lives of College 753 00:49:17,280 --> 00:49:22,120 Speaker 1: Girls will premiere on HBO Max November. Uh, it's not 754 00:49:22,160 --> 00:49:26,319 Speaker 1: about me. I'm in two episodes. Um, I mean I am. 755 00:49:26,600 --> 00:49:28,839 Speaker 1: I am not a college student, nor a girl, nor 756 00:49:28,960 --> 00:49:33,560 Speaker 1: having sex. Uh. But my wife uh confirmed not that 757 00:49:33,640 --> 00:49:40,720 Speaker 1: that's not that's going on. My wife watched the trailer. 758 00:49:40,760 --> 00:49:42,680 Speaker 1: It confirmed at the show she would watch even if 759 00:49:42,680 --> 00:49:46,839 Speaker 1: I wasn't on it. Okay, that looks funny. It looks funny. 760 00:49:47,239 --> 00:50:21,520 Speaker 1: Jackie Gonzalez Dar Ruthie Wow, of course, James t everybody 761 00:50:21,560 --> 00:50:29,440 Speaker 1: on November six, thanks neither. Uh, well, the mean I 762 00:50:29,480 --> 00:50:32,759 Speaker 1: can't wait for Sketch Fest either. I'm so excited for 763 00:50:32,800 --> 00:50:37,080 Speaker 1: it on November six at Bruce City in El Segundo. 764 00:50:37,280 --> 00:50:39,799 Speaker 1: I'm gonna be doing stand up at eight pm, so 765 00:50:40,000 --> 00:50:44,520 Speaker 1: that might be enough time for this will air before that. 766 00:50:44,560 --> 00:50:46,680 Speaker 1: If you live in the l A area on November, 767 00:50:47,320 --> 00:50:54,480 Speaker 1: check out some stand up at Bruce City. Yeah, November 768 00:50:54,480 --> 00:50:56,719 Speaker 1: sixte James might have enough time to come up with 769 00:50:56,719 --> 00:50:59,680 Speaker 1: a set, so just run out there check it out. 770 00:51:00,360 --> 00:51:03,360 Speaker 1: I do want to end with a little song at 771 00:51:03,560 --> 00:51:09,799 Speaker 1: the s add your own lyrics to that, but that's 772 00:51:09,880 --> 00:51:12,160 Speaker 1: like they're really that's the foundation of the song. Solf 773 00:51:12,200 --> 00:51:16,480 Speaker 1: out with that great I'm at Cole Stratton at Stratton 774 00:51:16,520 --> 00:51:19,719 Speaker 1: Cole s sketch beest dot com or coming back in January. 775 00:51:20,480 --> 00:51:24,680 Speaker 1: Let's give it up for engineer, producer Doug Babe and 776 00:51:24,760 --> 00:51:29,880 Speaker 1: the fine folks at I Heart Media dot com. Please 777 00:51:29,960 --> 00:51:33,120 Speaker 1: write to us at Alchemy this email at gmail dot com. 778 00:51:33,160 --> 00:51:39,920 Speaker 1: That's dot com. Until next time.