WEBVTT - The History of Reparations

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<v Speaker 1>I Am America Alexander, and I'm Whitney Dow. Welcome to

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<v Speaker 1>Reparations The Big Payback, a production of Color Farm Media,

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<v Speaker 1>I Heart Radio, and The Black Effect Podcast Network. Whitney.

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<v Speaker 1>When we started this journey, we spoke of our own

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<v Speaker 1>origin stories and how remarkable it was that our very

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<v Speaker 1>different lives led us to arrive at the same place.

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<v Speaker 1>So I feel that we can't go any further until

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<v Speaker 1>we lay out the history of reparations. It's a big

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<v Speaker 1>world and we can't mention everything, but we can focus

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<v Speaker 1>on a few historic examples to give people an understanding

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<v Speaker 1>of how long this battle has been going on. It's

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<v Speaker 1>a really long and complicated story, and it has lots

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<v Speaker 1>of heroes and villains, but it's also a story that's

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<v Speaker 1>populated with people that we don't know, the people that

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<v Speaker 1>were fighting for reparations and obscurity. But right now, I

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<v Speaker 1>want to talk about a few people who I think

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<v Speaker 1>are really important to the movement. I'm thinking of Calli House,

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<v Speaker 1>who was born into slave ree and then mounted a

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<v Speaker 1>major push for pensions for the formerly enslaved in the

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<v Speaker 1>eighteen hundreds. Then there's Queen Mother Moore, who is a

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<v Speaker 1>major figure in the reparations movement in the middle of

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<v Speaker 1>the twentieth century. And Robin Ruth Simmons and Alderman from Evanston, Illinois.

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<v Speaker 1>He's making history today with the first tax fund reparations

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<v Speaker 1>program in US history. Oh it's awesome. I'm excited. But

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<v Speaker 1>the phrase history lesson is a snoozer. So let's make

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<v Speaker 1>this fun for ourselves. And here's where my film and

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<v Speaker 1>television background, You're welcome may be useful. Okay, how about this? Yeah, yeah, yeah, yeah.

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<v Speaker 1>Maybe we can do like an Uncle Remus sketch in

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<v Speaker 1>Song of the South, you know, only this time you

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<v Speaker 1>play Uncle Remus talking to the Blackbird explaining the history

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<v Speaker 1>of the reparations movement. Oh yeah, how's your Southern accent?

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<v Speaker 1>You want me to play the Uncle Remus of reparations?

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<v Speaker 1>Have you heard of cancel culture? Okay, all right, I

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<v Speaker 1>mean look, I mean, hey, I was you don't have

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<v Speaker 1>to play Uncle Remus. I was trying not to typecast.

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<v Speaker 1>You probably can't even hummaton, but look I got it.

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<v Speaker 1>Oh this is it. Have you ever seen Jurassic Park?

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<v Speaker 1>The first one I have? But now I'm really confused

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<v Speaker 1>Erica about where this thing is going. Listen. Okay, this

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<v Speaker 1>is awesome. Let's use this technique that they used to

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<v Speaker 1>teach the visiting scientists Jeff gold Bloom, Sam Neil and

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<v Speaker 1>Laura Dern how the Jurassic Park science team rebread those

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<v Speaker 1>big old dinosaurs from the DNA samples locked in amber fossils.

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<v Speaker 1>So you play the part of Richard Attenborough and he's

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<v Speaker 1>very charming, so you have to you know, you'll make do.

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<v Speaker 1>But okay, um and um, we'll get ah, I know,

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<v Speaker 1>creased summer to play the part of the know it

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<v Speaker 1>all reparations mosquito, creased summer. Okay, in that case, I'm in.

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<v Speaker 1>But God help me. Hello Whitney, or should I say

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<v Speaker 1>Professor Dow Hello reparations Mosquito, and please call me Whitney.

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<v Speaker 1>So today we're going to be learning about the history

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<v Speaker 1>of reparations. Indeed, I'm difficult, yet worthy conversation told within

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<v Speaker 1>the rich, painful tapestry of America's failure to acknowledge the

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<v Speaker 1>sin of slavery and the debt owed to its formerly

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<v Speaker 1>enslaved people and their descendants. Here. Wait, that was exhausting.

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<v Speaker 1>I quit. Oh no, you don't. Reparations Mosquito, no backing

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<v Speaker 1>out now. Talking about race in America can be exhausting,

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<v Speaker 1>But trying to get reparations, that's like shake up a

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<v Speaker 1>snow globe in Boston expecting it to bring in Cleveland. Sadly,

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<v Speaker 1>I'm sure they had made perfect sense to you, Whitney.

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<v Speaker 1>Let's get started. Everyone's a critic, I know, Okay, I'm

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<v Speaker 1>all yours. This is the cliff Notes version, right. Well,

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<v Speaker 1>we can't talk about reparations without identifying the need for

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<v Speaker 1>it in the first place, and that all comes down

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<v Speaker 1>to the sin of slavery. A complicated discussion that takes

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<v Speaker 1>more time than I got, so yes, please google that,

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<v Speaker 1>but suffice it to say, the profits and progress made

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<v Speaker 1>from the unpaid labor of slaves transformed America's economy and

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<v Speaker 1>made America the most powerful country in the world in

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<v Speaker 1>record time. Thank gad he didn't last. Soon came emancipation

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<v Speaker 1>and a bloody Civil War. Long story short, they lost,

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<v Speaker 1>we won, and a period of reconstruction began. Entered General

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<v Speaker 1>William to come to Sherman. Sherman meets with a group

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<v Speaker 1>of freedmen who asked Sherman to create a way they

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<v Speaker 1>could benefit from their own labor. Their request land In response,

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<v Speaker 1>General Sherman issues Special Field Order Number fifteen, four hundred

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<v Speaker 1>thousand acres would be given to the freedman for settlement

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<v Speaker 1>or to break it down for their acres and of you.

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<v Speaker 1>Hence the famous phrase was born. But that didn't last long.

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<v Speaker 1>President Link was assassinated and the new President, Andrew Johnson

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<v Speaker 1>vetoed the bill mean while the Southern Homestead Act of

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<v Speaker 1>eighteen sixty six was created. It gave black people six

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<v Speaker 1>months to buy land at low rates, but no one

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<v Speaker 1>could afford the land, so the program failed. There were

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<v Speaker 1>some bright spots. Callie House started the National ex Slave

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<v Speaker 1>Mutual Relief, Bounty and Tension Association, but the group was

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<v Speaker 1>investigated by the Department of Justice and Cally was introduced

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<v Speaker 1>to the newest legal form of slavery, jail. Marcus Garvey

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<v Speaker 1>believed all black people should return to their rightful homeland, Africa,

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<v Speaker 1>so he started the United Negro Improvement Association, but the

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<v Speaker 1>FEDS infiltrated at and he wound up in jail. Two

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<v Speaker 1>m yep. That whole lacking of black people for fighting

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<v Speaker 1>for injustice never fill out of vogue. See also segregation, lynching,

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<v Speaker 1>Jim Crow, but Whitney a lot has happened in between,

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<v Speaker 1>so let's fast forward to the nineteen sixties. I never

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<v Speaker 1>leave a man behind you. Good cool, Let's continue. Jim Foreman,

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<v Speaker 1>you know him. He made big headlines when he interrupted

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<v Speaker 1>the service at Riverside Church to demand five hundred millions

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<v Speaker 1>in reparations from predominantly white religious institutions for their role

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<v Speaker 1>in perpetuating slavery. Queen Mother Moore kept the pressure on

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<v Speaker 1>and petition the government for compensation for slavery, but reparations.

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<v Speaker 1>After this say we need and deserve federal restitution. In

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<v Speaker 1>ninety nine, Congressman John Conyers introduced a bill just to

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<v Speaker 1>study proposals for reparations for Black Americans, and he had

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<v Speaker 1>to reintroduce the bill each congressional term until he left

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<v Speaker 1>office in two thousand seventeen. The Bill family made a

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<v Speaker 1>decision two years later, thanks the Congresswoman Sheila Jackson Lee. Unfortunately,

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<v Speaker 1>it is still waiting for approval from the House Judiciary Committee.

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<v Speaker 1>So let me begin. America is a place and welcomes

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<v Speaker 1>the diversity of thought. We even welcome the diversity of

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<v Speaker 1>thought among the multicolored chocolate people that are African Americans.

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<v Speaker 1>Good luck, sister Sheila, who jee whiz Whitney. Reparations ain't easy. There,

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<v Speaker 1>I told you, wait a minute, I'm a guy. Reparations

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<v Speaker 1>has seen a huge wave of renewed interest over the years.

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<v Speaker 1>America Civil and racial unrest, mixed with a global pandemic

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<v Speaker 1>in twenty twenty made crystal clear the disparity, suffering, and

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<v Speaker 1>terrorism that continue to plague all communities of color, poor people,

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<v Speaker 1>and especially black people. And though George Floyd's murder was

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<v Speaker 1>a rallying call for action, the ugly, mostly white mob

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<v Speaker 1>of insurrection Is swarmed America's capital in January six, twenty one.

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<v Speaker 1>Oh sometime it seemed like we live in constant sorrow,

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<v Speaker 1>in a world without end. A man, Oh, I forgot

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<v Speaker 1>to tell you something, Okay, I think I know what's

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<v Speaker 1>coming here. In two thousand and ninet, four hundred years

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<v Speaker 1>after the first enslaved Africans arrived, something wonderful, something extraordinary

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<v Speaker 1>happened in Evanston. Against all odds, with a mostly white council,

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<v Speaker 1>Alderman Robin Ruth Simmons successfully passes America's first Referations's Bill,

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<v Speaker 1>which assesses a three percent tax on leal cannabis sales

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<v Speaker 1>to create a fund to make cash payments to qualified

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<v Speaker 1>black Evanstonians. That's amazing, right, I'll say. And I know

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<v Speaker 1>this revelation may have many black folks asking where in

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<v Speaker 1>the hell is Evanston. It's in Illinois, just in case

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<v Speaker 1>you're plotting a move. Well that's all, folks, bravo. This

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<v Speaker 1>is absolutely the best history lesson I've ever got from

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<v Speaker 1>a Mosquito. Thank you, You're welcome. Unfortunately, this is the

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<v Speaker 1>worst gig I ever had. Ain't got no sempor trailer

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<v Speaker 1>my makeup or that's no massus. This dude that used

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<v Speaker 1>to bring me what I need when I needed it,

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<v Speaker 1>quarantine blocking all my connects. But now you know more

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<v Speaker 1>than you did about the wonderful world of reporations. So

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<v Speaker 1>long Whitney hugs the Erica. Yess my girl, she's such

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<v Speaker 1>a cute pack. So long Creed, I mean, so long

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<v Speaker 1>reparations Mosquito. Wow, Erica. That didn't sting at all. Oh

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<v Speaker 1>that was freaking terrific. Oh, thank you, thank you Chris

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<v Speaker 1>Summer for lending her master voice to this piece. She's amazing.

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<v Speaker 1>Um A little jealous you two got to play, but

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<v Speaker 1>I think it's something cool to do later. To even

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<v Speaker 1>the score. Bill Whitney, you did a good job too.

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<v Speaker 1>I appreciate the props Erica. You know, so my first

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<v Speaker 1>conversation with Mosquito, but hopefully my last. But now you know,

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<v Speaker 1>I love the story of Kelly House, and I love

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<v Speaker 1>that we got a chance to talk to historian Mary

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<v Speaker 1>Francis Barry, who wrote the book on this. Amazing woman,

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<v Speaker 1>Mary Francis Barry. She's fantastic, she's smart, beautiful, in great shape.

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<v Speaker 1>She's eighty two. Okay, I want to be here. Cally

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<v Speaker 1>House was a black woman who had been a slave.

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<v Speaker 1>You know, her mother had been a slave, her father

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<v Speaker 1>had fought in the Union Army as a runaway slave.

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<v Speaker 1>And she was at church and she heard about some

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<v Speaker 1>white guy who had asked the federal government for pensions

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<v Speaker 1>for slaves on the brow ex slaves, he called them

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<v Speaker 1>on the grounds that the money would go into the

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<v Speaker 1>pockets of the white people on the plantations where they

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<v Speaker 1>were all still working, and that this was an indirect

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<v Speaker 1>way to help white Southerners after the Civil War, and

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<v Speaker 1>we can struction. But when she heard about it, she said, well,

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<v Speaker 1>I don't understand why we can't do this for ourselves.

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<v Speaker 1>Why can't we start some and ask the federal government

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<v Speaker 1>to give us some pensions that we use for ourselves,

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<v Speaker 1>After all, we were the ones who were slaves. And

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<v Speaker 1>so she went around organizing herself in churches, and she

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<v Speaker 1>would get people to if they couldn't write, somebody would

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<v Speaker 1>write down their name and put what plantation they were

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<v Speaker 1>on and so on, and they would put an x

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<v Speaker 1>bot and sent them off to Congress. And eventually it

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<v Speaker 1>grew and grew and grew, and she started traveling all

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<v Speaker 1>of the plays, collecting petitions, listening to people's stories and

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<v Speaker 1>all that, and the federal government got concerned. They decided

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<v Speaker 1>because letters were coming from white people saying, the Negroes

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<v Speaker 1>are meeting in churches and they come out saying and

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<v Speaker 1>talking about someday we're gonna get something, and we know

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<v Speaker 1>that I don't get anything, and we're scared of them.

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<v Speaker 1>So you need to do something about that woman who's

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<v Speaker 1>going around there stirn them up. And so they decided

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<v Speaker 1>to go after her. They said the fetes did that.

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<v Speaker 1>She had about three hundred thousand dudes paying members the

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<v Speaker 1>dues of cents a year, and she was laughed at

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<v Speaker 1>by middle class negroes because she was not very well educated.

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<v Speaker 1>She had only been like, you know, the sixth grade,

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<v Speaker 1>and the government decided that they would get after her

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<v Speaker 1>for using the mails to defraud. Some of you may

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<v Speaker 1>remember that that's what they did to market Garment later,

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<v Speaker 1>and they said that she was using the mails to

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<v Speaker 1>defraud because she was telling black people that she was

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<v Speaker 1>going to negros, that she was going to try to

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<v Speaker 1>get the federal government give them some money. And she

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<v Speaker 1>should know the federal government is never gonna give negroes

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<v Speaker 1>any money. That's the way they put it. So it

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<v Speaker 1>was fraud to be organizing people. And they ended up

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<v Speaker 1>prosecuting her, but all white jury in Tennessee, and they

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<v Speaker 1>put in prison for her trouble. After that, there were

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<v Speaker 1>branches who had There were black folks all the south.

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<v Speaker 1>One was in New York City. They were all out

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<v Speaker 1>in the black towns. And then there were people like

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<v Speaker 1>Queen Mother Bore who was in the New Orleans chapter,

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<v Speaker 1>all of whom became Garbagates. And so you can trace

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<v Speaker 1>the present day reparations movement within Cobra and the other

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<v Speaker 1>organizations all the way back to Callis House and her

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<v Speaker 1>ex lay pension movement. A remarkable woman. And I think

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<v Speaker 1>the people who say had their names on there at

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<v Speaker 1>a time when they were attacked, when they were under

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<v Speaker 1>attack and could be abused and everything else, their descendants

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<v Speaker 1>ought to get something Malcolm X talks about. If you

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<v Speaker 1>stick a knife in my back nine inches, pull it

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<v Speaker 1>out six inches, that's not progress. If you pull it

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<v Speaker 1>all the way out, that's not progress. The progress comes

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<v Speaker 1>from the healing the moon that the blow made. You're

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<v Speaker 1>talking about the loss so many hundreds of years of

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<v Speaker 1>human potential. How would reparations impact of progress on issues?

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<v Speaker 1>If we quality the reparations are the most direct way

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<v Speaker 1>to target money to ease the disparities and let black

0:16:11.400 --> 0:16:14.280
<v Speaker 1>people decide how to spend the money. But first the

0:16:14.320 --> 0:16:17.880
<v Speaker 1>country has to acknowledge the disparities, and if people refuse

0:16:18.040 --> 0:16:21.960
<v Speaker 1>to then that means that they're ignot acknowledging that slavery

0:16:22.040 --> 0:16:26.600
<v Speaker 1>was an institution that did not benefit slaves. Once you

0:16:26.680 --> 0:16:32.240
<v Speaker 1>accept what happened, then in fact, demanding reparations is easy.

0:16:32.520 --> 0:16:38.240
<v Speaker 1>We should go after local city councils, local mayors, local

0:16:38.320 --> 0:16:42.560
<v Speaker 1>government and organize the way Kelly House did, and better

0:16:42.840 --> 0:16:46.600
<v Speaker 1>because we have better communication now to organize and demand

0:16:46.720 --> 0:16:56.520
<v Speaker 1>that local communities pass measures to do this. The Cally

0:16:56.560 --> 0:17:00.200
<v Speaker 1>Howd story is really interesting because it's both inspiring and

0:17:00.360 --> 0:17:03.560
<v Speaker 1>completely depressing at the same time. You know, it's inspiring

0:17:03.600 --> 0:17:05.800
<v Speaker 1>what this woman managed to accomplish at the height of

0:17:05.840 --> 0:17:09.920
<v Speaker 1>the white terror and post reconstruction America, but it's really

0:17:09.920 --> 0:17:13.920
<v Speaker 1>depressing because she did this, build a incredible organization and

0:17:14.040 --> 0:17:16.800
<v Speaker 1>trying to get reparations for the formerly enslaved, and the

0:17:16.840 --> 0:17:19.880
<v Speaker 1>response of the government was to thrower in jail. Now,

0:17:19.880 --> 0:17:22.119
<v Speaker 1>I keep getting the feeling that white Americans feel that

0:17:22.160 --> 0:17:25.199
<v Speaker 1>if they just open this reparations doors just a crack,

0:17:25.640 --> 0:17:28.040
<v Speaker 1>they're not gonna be able to contain what comes flooding through.

0:17:29.359 --> 0:17:31.879
<v Speaker 1>So they keep barring the door, and the pressure just

0:17:31.960 --> 0:17:35.439
<v Speaker 1>keeps building and building. Yeah, it's funny that to me,

0:17:35.480 --> 0:17:37.840
<v Speaker 1>it's not a door, it's it already exists. They either

0:17:38.359 --> 0:17:41.320
<v Speaker 1>keep going and not talking about it, or they, you know,

0:17:41.440 --> 0:17:43.600
<v Speaker 1>look at it and they face it, because it's kind

0:17:43.600 --> 0:17:46.800
<v Speaker 1>of like an energy that's already out there. But whether

0:17:46.880 --> 0:17:49.240
<v Speaker 1>they realize it or not. You've been telling me about

0:17:49.440 --> 0:17:52.040
<v Speaker 1>CALLI House for a while, and I am a new fan. Look,

0:17:52.080 --> 0:17:54.919
<v Speaker 1>I'm a believer. Dr Barry, Thank you, thank you you

0:17:54.920 --> 0:17:57.639
<v Speaker 1>are river to your people. Thanks for educating us about

0:17:58.359 --> 0:18:01.159
<v Speaker 1>who in what really matters, you know. But Whitney, I

0:18:01.200 --> 0:18:03.880
<v Speaker 1>just realized that the pioneers were talking about today are

0:18:03.920 --> 0:18:07.600
<v Speaker 1>all black women, and they all, all of them paid

0:18:07.640 --> 0:18:09.960
<v Speaker 1>an emotional price for their work in the struggle. It's

0:18:10.000 --> 0:18:12.120
<v Speaker 1>kind of like the same thing today right Erica. There's

0:18:12.200 --> 0:18:14.639
<v Speaker 1>lots of strong black women leaders and they're taking a

0:18:14.680 --> 0:18:18.680
<v Speaker 1>lot of shots right now. Look at Stacy and Georgia. Yeah, Stacy,

0:18:18.720 --> 0:18:22.960
<v Speaker 1>Ayana ill han Omar, You've got Natasha Brown. I mean yeah,

0:18:22.960 --> 0:18:24.680
<v Speaker 1>I could go on and on and on. There's amazing

0:18:24.960 --> 0:18:27.800
<v Speaker 1>black women that have always been there doing their thing,

0:18:27.920 --> 0:18:30.200
<v Speaker 1>and it's time for them to get their flowers. Speaking

0:18:30.240 --> 0:18:32.320
<v Speaker 1>of which, I'm a bit competitive and I want to

0:18:32.359 --> 0:18:35.199
<v Speaker 1>do something cool like your Jurassic Park history mash up.

0:18:35.760 --> 0:18:38.320
<v Speaker 1>So I'm gonna use my black wizard skills. You didn't

0:18:38.320 --> 0:18:40.359
<v Speaker 1>know I had them to do something I know you

0:18:40.440 --> 0:18:43.240
<v Speaker 1>cannot do. I am an actor with access and so

0:18:44.240 --> 0:18:47.760
<v Speaker 1>you're you. But look I'm going to um, yeah, I'm

0:18:47.800 --> 0:18:49.640
<v Speaker 1>gonna do something cool. So what are we gonna get?

0:18:49.840 --> 0:18:53.600
<v Speaker 1>A song? Like a morality play? Maybe some a cappella. Nope,

0:18:54.160 --> 0:18:56.560
<v Speaker 1>I'm gonna go back in time. I'm going to talk

0:18:56.600 --> 0:19:00.840
<v Speaker 1>to a queen, a pioneer of reparations whose life story

0:19:00.920 --> 0:19:02.880
<v Speaker 1>led her to become a force of nature in the struggle.

0:19:02.920 --> 0:19:06.240
<v Speaker 1>I'm gonna talk to Queen Mother Moore. How are you

0:19:06.240 --> 0:19:07.840
<v Speaker 1>going to do that? I use a little bit of

0:19:07.840 --> 0:19:10.280
<v Speaker 1>magic to do it, and I believe if I listen, well,

0:19:10.359 --> 0:19:13.080
<v Speaker 1>I'll come back forever changed. So here, let's do this.

0:19:13.160 --> 0:19:23.000
<v Speaker 1>Let's adjust the volume a little bit, Mr Pop Okay,

0:19:23.119 --> 0:19:25.080
<v Speaker 1>I just know I needed to get on the right

0:19:25.119 --> 0:19:30.880
<v Speaker 1>frequency and always works in the movies. Oh gosh, you're here.

0:19:31.560 --> 0:19:34.919
<v Speaker 1>It worked. Oh you don't know how I but I

0:19:34.960 --> 0:19:38.480
<v Speaker 1>got to go through to kid here own. Okay, chill Erica,

0:19:38.640 --> 0:19:41.040
<v Speaker 1>you know she ain't got time for that. Welcome Queen Mother.

0:19:41.320 --> 0:19:44.080
<v Speaker 1>I'm glad that you're here. Thank you so much, and

0:19:44.400 --> 0:19:47.720
<v Speaker 1>thank you for blessing us with your story. Yes, no,

0:19:48.280 --> 0:19:50.440
<v Speaker 1>thank you, ma'am. You know where I come from, this

0:19:50.640 --> 0:19:54.480
<v Speaker 1>homeless of people to call themselves queen Charlemagne, the god Queen, Queen, Queen.

0:19:54.520 --> 0:19:56.960
<v Speaker 1>He calls me queen. But you know what, how did

0:19:57.000 --> 0:20:01.840
<v Speaker 1>you become the queen? Mother? Mea was restored upon me

0:20:02.000 --> 0:20:06.720
<v Speaker 1>by the African students. First of all, as a result

0:20:06.760 --> 0:20:11.359
<v Speaker 1>of my years of activities in this country. African students, well,

0:20:11.760 --> 0:20:14.960
<v Speaker 1>they gave it to me. And when I went to

0:20:15.080 --> 0:20:19.639
<v Speaker 1>Africa to dr and crew mass funeral, they chief heard

0:20:19.680 --> 0:20:22.919
<v Speaker 1>about me and he sent for me to come to

0:20:23.080 --> 0:20:26.919
<v Speaker 1>him and I went and he said, I'm going to

0:20:27.000 --> 0:20:31.480
<v Speaker 1>make you a fishery queen mother, queen mother of the Ashanti,

0:20:32.080 --> 0:20:36.119
<v Speaker 1>and he initiated me the queen mother. But I was

0:20:36.320 --> 0:20:43.040
<v Speaker 1>queen mother before I went to Africa. We know you

0:20:43.119 --> 0:20:46.960
<v Speaker 1>did amazing things in Harlem, but you're actually from the

0:20:47.000 --> 0:20:51.919
<v Speaker 1>South right. But yes, I was born in New Iberia, Louisiana,

0:20:52.280 --> 0:20:58.520
<v Speaker 1>seven ninety. I grew up in New Orleans, Louisiana. My

0:20:58.600 --> 0:21:03.480
<v Speaker 1>parents came from New all into Louisiana. My grandparents came

0:21:03.560 --> 0:21:08.720
<v Speaker 1>from New Iberia, Louisiana. My father worked for herself. My

0:21:08.840 --> 0:21:13.080
<v Speaker 1>mother was a housewife. I had two brothers and five sisters.

0:21:13.960 --> 0:21:17.119
<v Speaker 1>I was the sixth one in the family, Queen of

0:21:17.160 --> 0:21:20.120
<v Speaker 1>the more Where would you say that your story starts?

0:21:20.600 --> 0:21:24.359
<v Speaker 1>What was life like growing up for you? My mother

0:21:24.480 --> 0:21:29.960
<v Speaker 1>died when I was five years old, and after Papa died,

0:21:31.040 --> 0:21:34.760
<v Speaker 1>my brother sold the house that papa had left. And

0:21:35.040 --> 0:21:38.440
<v Speaker 1>mind your papa had told him that told me that

0:21:38.560 --> 0:21:41.320
<v Speaker 1>brother Henry would take care of us. Well. He took

0:21:41.359 --> 0:21:43.560
<v Speaker 1>care of us all right. The moment he came from

0:21:43.560 --> 0:21:46.280
<v Speaker 1>the funeral, he said we had to move, and I

0:21:46.320 --> 0:21:49.679
<v Speaker 1>had my little sisters. So I took a few of

0:21:50.160 --> 0:21:54.240
<v Speaker 1>Papa's moves to the auction and sold them and readed

0:21:54.320 --> 0:21:59.560
<v Speaker 1>an apartment. I left New Orleans during the war. I

0:22:00.080 --> 0:22:05.160
<v Speaker 1>left and went to Muscle Shoals m Muscial Souls well

0:22:05.280 --> 0:22:09.480
<v Speaker 1>Wreatha did a lot of recording there. Yes, really difficult

0:22:09.520 --> 0:22:11.800
<v Speaker 1>to listen to you tell your story, but you made

0:22:11.800 --> 0:22:14.240
<v Speaker 1>it through. Yes, So how did you get started with

0:22:14.280 --> 0:22:17.480
<v Speaker 1>your work? We talked a lot about origin stories. What

0:22:17.640 --> 0:22:22.200
<v Speaker 1>was the origin of your work? Within that cause? My

0:22:22.240 --> 0:22:28.040
<v Speaker 1>face encounter with the real struggle was with the Red Cross,

0:22:28.080 --> 0:22:32.879
<v Speaker 1>who discriminated against the black recruits. They gave the white

0:22:32.880 --> 0:22:37.320
<v Speaker 1>recruits coffee and doughnuts while they were mobilizing them, and

0:22:37.359 --> 0:22:40.240
<v Speaker 1>they didn't give anything to the black recruits. And I

0:22:40.359 --> 0:22:44.439
<v Speaker 1>mobilized the people around to make what we used to

0:22:44.480 --> 0:22:48.439
<v Speaker 1>call hook cakes and coffee and gave it to the

0:22:48.520 --> 0:22:53.040
<v Speaker 1>blacks who were congregated waiting to be shipped off. And

0:22:53.200 --> 0:22:57.440
<v Speaker 1>my sister and I we found a place where the

0:22:57.560 --> 0:23:00.119
<v Speaker 1>soldiers could come and we got an old phonic have

0:23:00.920 --> 0:23:04.399
<v Speaker 1>and a lot of scratch records. Well, it was a

0:23:04.440 --> 0:23:07.840
<v Speaker 1>place where the men could come in and play cards

0:23:07.960 --> 0:23:12.760
<v Speaker 1>or checkers or something. So we consider ourselves having to

0:23:12.840 --> 0:23:17.720
<v Speaker 1>face USO among black Oh wow, so you've been organizing

0:23:17.760 --> 0:23:20.520
<v Speaker 1>around the black community for a while, But how did

0:23:20.560 --> 0:23:23.280
<v Speaker 1>you get to the liberation movement like your work with

0:23:23.320 --> 0:23:27.679
<v Speaker 1>the great Marcus Garvey. Well, I was face brought in

0:23:27.840 --> 0:23:31.439
<v Speaker 1>turned Marcus Carvey movement by the fact that he I

0:23:31.560 --> 0:23:34.080
<v Speaker 1>understood that he was to come and speak to us

0:23:34.560 --> 0:23:38.600
<v Speaker 1>in Louisiana. And we went to the meeting and low

0:23:38.720 --> 0:23:42.919
<v Speaker 1>and behold, he didn't come, and we had the mayor

0:23:43.080 --> 0:23:45.840
<v Speaker 1>refused to allow him to come. So we were very

0:23:45.880 --> 0:23:51.640
<v Speaker 1>incensed about it and got a delegation to go see why.

0:23:52.200 --> 0:23:55.600
<v Speaker 1>Then it was guaranteed that Marcus Carvey would come. The

0:23:55.720 --> 0:24:00.960
<v Speaker 1>next night, the hall was packed with people. Everybody went

0:24:01.119 --> 0:24:06.879
<v Speaker 1>with ammunition, had guns. Everybody had guns, Black people with guns.

0:24:08.000 --> 0:24:14.240
<v Speaker 1>Blue Steve Smith and Western's German lugers. Really and uh,

0:24:14.400 --> 0:24:18.520
<v Speaker 1>I had two guns with me. Y'all showed up and

0:24:18.520 --> 0:24:23.320
<v Speaker 1>showed out, that's what's up. Amazing and ammunition, a bag

0:24:23.400 --> 0:24:28.159
<v Speaker 1>of ammunition. Everybody had what you call a suitcase today

0:24:28.200 --> 0:24:31.000
<v Speaker 1>because we was afraid the police would stop him from

0:24:31.040 --> 0:24:35.800
<v Speaker 1>coming again and we wanted to protect him. Wow, in

0:24:35.880 --> 0:24:39.679
<v Speaker 1>the night that he did come, what happened, thirty people

0:24:40.080 --> 0:24:45.000
<v Speaker 1>was in that hall. So when God came, reapplauded very much,

0:24:45.640 --> 0:24:48.560
<v Speaker 1>and he said, my friends, I wanted to apologize for

0:24:48.720 --> 0:24:52.320
<v Speaker 1>not speaking to you last night. But the reason I

0:24:52.359 --> 0:24:55.919
<v Speaker 1>didn't speak to you because the mayor permitted himself to

0:24:56.000 --> 0:24:59.119
<v Speaker 1>be used as a stooge by the police department to

0:24:59.200 --> 0:25:02.400
<v Speaker 1>prevent me for speaking to you. And when he said that,

0:25:02.480 --> 0:25:04.680
<v Speaker 1>the police jumped up and said, I'll run you in.

0:25:05.160 --> 0:25:08.840
<v Speaker 1>And when the police did that, everybody jumped up on

0:25:08.920 --> 0:25:12.560
<v Speaker 1>the benches we had benches then and took out their

0:25:12.560 --> 0:25:15.560
<v Speaker 1>guns straight up. The guns were straight up in the air.

0:25:15.800 --> 0:25:21.159
<v Speaker 1>Speak Gorvy set and Gorvy said, And as I was saying,

0:25:21.720 --> 0:25:25.359
<v Speaker 1>and he went and repeated itself, and the police filed

0:25:25.400 --> 0:25:28.960
<v Speaker 1>out of their like little puppy dolls. Every police been

0:25:29.080 --> 0:25:31.480
<v Speaker 1>filed out of the hall. And I can't forget that

0:25:31.680 --> 0:25:35.600
<v Speaker 1>speak Garvey speak. Oh I wish I was there. And

0:25:35.640 --> 0:25:40.440
<v Speaker 1>that was your first experience with Marcus Garvey. Amazing. Oh yes,

0:25:40.760 --> 0:25:43.879
<v Speaker 1>I'm still a life member the Garvey movements, like to

0:25:43.960 --> 0:25:50.080
<v Speaker 1>join the Garvey movement after that, How did this impact

0:25:50.119 --> 0:25:53.840
<v Speaker 1>your path as an activist? Well, after must have shown.

0:25:53.880 --> 0:25:56.200
<v Speaker 1>I went back to New Orleans and stayed there a

0:25:56.240 --> 0:26:01.159
<v Speaker 1>while until Marcus Garvey came on the sea in so

0:26:01.280 --> 0:26:05.200
<v Speaker 1>then we came to HALLM. Well, anyhow, HALLM was waste

0:26:05.240 --> 0:26:08.560
<v Speaker 1>than anything we had seen. They had for white only

0:26:08.640 --> 0:26:12.679
<v Speaker 1>signs and only apartment houses in Hallm for white only,

0:26:12.760 --> 0:26:16.639
<v Speaker 1>big signs outside, and we had to go upstairs in

0:26:16.720 --> 0:26:20.320
<v Speaker 1>the lowest theater like we did in the South. Same thing,

0:26:20.480 --> 0:26:23.480
<v Speaker 1>the white people sitting the bottom downstairs and we had

0:26:23.520 --> 0:26:28.040
<v Speaker 1>to go upstairs, and that kind of thing. So nobody

0:26:28.080 --> 0:26:31.520
<v Speaker 1>could work in HALLM. No black place. And while you

0:26:31.560 --> 0:26:34.520
<v Speaker 1>were in Harlem, you began working with Garvey's Universal Negro

0:26:34.600 --> 0:26:38.880
<v Speaker 1>Improvements Association and uh the African Communities League. Oh yes,

0:26:39.080 --> 0:26:42.639
<v Speaker 1>I had gone to his meetings and had was his

0:26:42.760 --> 0:26:46.520
<v Speaker 1>guest divino on the Black store line. He bought some

0:26:46.600 --> 0:26:51.760
<v Speaker 1>ships and they were very unsuccessful because they were sabotaged.

0:26:51.960 --> 0:26:54.800
<v Speaker 1>You know. What was his plan for the ships to

0:26:54.920 --> 0:26:59.560
<v Speaker 1>do export import from Africa, trade and so on. So

0:26:59.560 --> 0:27:03.560
<v Speaker 1>I was very impressed with that. So was Marcus Garvey

0:27:03.600 --> 0:27:08.680
<v Speaker 1>who helped push you to look towards Africa with your work. Yes, well,

0:27:08.720 --> 0:27:11.960
<v Speaker 1>it was to teach our people self esteem for one thing,

0:27:13.080 --> 0:27:20.119
<v Speaker 1>and our history and pride in our nation. And the

0:27:20.240 --> 0:27:25.520
<v Speaker 1>other thing was self sufficiency going into business and so on,

0:27:26.240 --> 0:27:29.600
<v Speaker 1>and to think in terms of the development of Africa,

0:27:29.760 --> 0:27:35.199
<v Speaker 1>to help free Africa from colonialism, that kind of thing. Okay,

0:27:35.240 --> 0:27:38.879
<v Speaker 1>So is that how you got into your reparations petition. Yes,

0:27:38.960 --> 0:27:44.080
<v Speaker 1>the petition called for us to go back to Africa.

0:27:44.320 --> 0:27:47.920
<v Speaker 1>So those who wanted to go back, and for those

0:27:47.960 --> 0:27:51.000
<v Speaker 1>who wanted to stay here, they had to be certain

0:27:51.080 --> 0:27:56.080
<v Speaker 1>indemnity given for the people who wanted to stay the

0:27:56.240 --> 0:27:59.840
<v Speaker 1>people who wanted to go. I was asking for two

0:28:00.080 --> 0:28:04.720
<v Speaker 1>hundred billion dollars for the injury that we have received

0:28:05.359 --> 0:28:09.880
<v Speaker 1>as a result of our enslaveman. Okay, two under billionaire.

0:28:10.400 --> 0:28:12.400
<v Speaker 1>That was a lot of money. Then in now, would

0:28:12.440 --> 0:28:16.280
<v Speaker 1>you say the petition was successful? I got very good response,

0:28:16.520 --> 0:28:20.520
<v Speaker 1>and he told me that we needed a member nation

0:28:20.760 --> 0:28:25.800
<v Speaker 1>to introduce the resolution since we were not officially remembers

0:28:25.840 --> 0:28:30.840
<v Speaker 1>of the You and I'm sorry, Queen mother more, I'm

0:28:30.880 --> 0:28:34.199
<v Speaker 1>having trouble here. I think we're losing our connection free

0:28:34.280 --> 0:28:37.840
<v Speaker 1>Mother More. Hello, you were talking about the members that

0:28:37.920 --> 0:28:42.560
<v Speaker 1>you needed someone to introduce the resolution. Oh, just one

0:28:42.640 --> 0:28:46.480
<v Speaker 1>that was getting good? I think, Oh I lost her.

0:28:47.120 --> 0:28:52.400
<v Speaker 1>M hm, that was amazing. Wow, what was it like

0:28:52.520 --> 0:28:54.520
<v Speaker 1>to talk to a legend? No, you know, I ain't

0:28:54.720 --> 0:28:57.000
<v Speaker 1>got the words. I mean, Queen Mother More. She's a

0:28:57.080 --> 0:29:00.320
<v Speaker 1>queen and you saw. I mean she suffered for her

0:29:00.320 --> 0:29:03.720
<v Speaker 1>struggle work, as she put it, but she was unstoppable.

0:29:03.760 --> 0:29:07.120
<v Speaker 1>She never quit and we have to celebrate her life.

0:29:07.120 --> 0:29:09.719
<v Speaker 1>And when I think about all the soft handed complainers

0:29:09.720 --> 0:29:12.640
<v Speaker 1>that we got, now me included, you know, battling racism

0:29:12.720 --> 0:29:17.680
<v Speaker 1>one well written witty post at the time. But look,

0:29:17.680 --> 0:29:19.640
<v Speaker 1>I just want to say this. I love black people.

0:29:19.720 --> 0:29:23.080
<v Speaker 1>I love you. We are unique on this planet. Why

0:29:23.080 --> 0:29:26.200
<v Speaker 1>did the universe choose of US African Americans to tell

0:29:26.240 --> 0:29:30.320
<v Speaker 1>this epic story? I mean to bear this poisonous thorny crown.

0:29:30.960 --> 0:29:34.560
<v Speaker 1>I'm inspired by Queen Mother Moore and I salute her,

0:29:34.640 --> 0:29:37.480
<v Speaker 1>and I will work harder and I think twice. I

0:29:37.520 --> 0:29:40.600
<v Speaker 1>will think twice before complaining about the lack of gluten

0:29:40.640 --> 0:29:44.240
<v Speaker 1>free treats at the craft service table. I'm changed, So Erica,

0:29:44.400 --> 0:29:47.080
<v Speaker 1>this history is amazing. You know, we've been talking about

0:29:47.120 --> 0:29:50.960
<v Speaker 1>Cally House now Queen Mother Moore. But it also pulls

0:29:51.000 --> 0:29:53.040
<v Speaker 1>up these other things for me as well, that there's

0:29:53.040 --> 0:29:54.880
<v Speaker 1>another side of the story, and that's the white side

0:29:54.880 --> 0:29:57.440
<v Speaker 1>of the story. The pressers in the story that we're

0:29:57.440 --> 0:29:59.880
<v Speaker 1>hearing the people that opposed Cally House, people and lock

0:30:00.000 --> 0:30:03.320
<v Speaker 1>are up the people that opposed Queen Mother Moore. It's

0:30:03.320 --> 0:30:06.680
<v Speaker 1>complicated when you think about your legacy and how you're

0:30:06.680 --> 0:30:09.200
<v Speaker 1>connected to these things. You know, I want to celebrate

0:30:09.320 --> 0:30:12.480
<v Speaker 1>people like Calli and Queen Mother more, but at the

0:30:12.520 --> 0:30:14.400
<v Speaker 1>same time, I have to figure out how do I

0:30:14.440 --> 0:30:18.920
<v Speaker 1>take ownership of the other side of the story. When

0:30:18.920 --> 0:30:21.640
<v Speaker 1>you think about history, there's history being made right now

0:30:21.840 --> 0:30:26.040
<v Speaker 1>in Ebste Illinois. Alderman Robin Ruth Simmons from the Fifth

0:30:26.040 --> 0:30:30.440
<v Speaker 1>Ward has just passed the first tax funded reparations bill

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<v Speaker 1>in US history. I live in a city that has

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<v Speaker 1>acknowledged our collective wrongdoing and we have acknowledged that we

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<v Speaker 1>want to do something radically different in passing it. So

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<v Speaker 1>that makes me hopeful. And the beauty of this reparation

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<v Speaker 1>goal is it's in line with my highest priorities in

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<v Speaker 1>my role as Alderman, I've known as reparation Robin and

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<v Speaker 1>rolls of parks. Now, so that's different. I feel incredibly

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<v Speaker 1>proud to lead in a community that allowed such radical

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<v Speaker 1>policy and uncomfortable conversation. People have been extremely nasty to me,

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<v Speaker 1>and I really, you know, feel bad for them that

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<v Speaker 1>whatever is happening in their life that is so miserable,

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<v Speaker 1>that they are in so much pain that they want

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<v Speaker 1>to share it and pass it all around. So I

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<v Speaker 1>feel sad for them, and I forgive them and hope

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<v Speaker 1>that they find some peace. So when that happens, even

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<v Speaker 1>you know, it's my faith that allows me to work

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<v Speaker 1>past the pain that I received and take that pain

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<v Speaker 1>and figure out how to turn it into some purpose.

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<v Speaker 1>I would love for more people to take ownership of

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<v Speaker 1>it and do the work. It's important. It's going to

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<v Speaker 1>have to happen. We have officially started our public subcommittee meetings.

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<v Speaker 1>You've established the timeline, and we have prioritized the initialmity

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<v Speaker 1>and we're gonna start with housing, you know, keeping our

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<v Speaker 1>black community. We have a declining population as serving a

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<v Speaker 1>very diverse community. Right of the population is black and

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<v Speaker 1>the rest of the community is not black, and they

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<v Speaker 1>don't understand as much. So at the same time as

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<v Speaker 1>I'm working on the policy, building relationships, finding resources, I

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<v Speaker 1>still have a huge piece of education. In the process

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<v Speaker 1>of this. I have been supporting the City of Chicago

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<v Speaker 1>and the State of Illinois on their initiatives, just being

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<v Speaker 1>an advocate, showing up to speak, sharing what was possible

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<v Speaker 1>in Evanston, and hopefully giving some inspiration to the leaders

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<v Speaker 1>at the state level and the city level. I'm also

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<v Speaker 1>in full support of HR forty and supporting anyone that

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<v Speaker 1>is looking to get that passed. The amount of support

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<v Speaker 1>that I have received from leaders and experts has really

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<v Speaker 1>given me confidence to tenue the second leg of the work.

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<v Speaker 1>We are likely to be the you know, not only

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<v Speaker 1>the first city, but also in the first state in bordering,

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<v Speaker 1>the first major city to have a local reparative policy,

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<v Speaker 1>a local reparation They're going to be more actions that require,

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<v Speaker 1>you know, a majority vote. But right now, in terms

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<v Speaker 1>of the direction, the thought, leadership, the intentions, I have

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<v Speaker 1>said it, and I will continue nurturing it, and I

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<v Speaker 1>will see it through. You Know, every time I hear

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<v Speaker 1>Robin I start, I think about something that's always kind

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<v Speaker 1>of in the back of my mind as a white person,

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<v Speaker 1>is that I look at this community, Evanston, Illinois, and

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<v Speaker 1>who's committed to give reparations to their black residents. But

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<v Speaker 1>the effort was really driven by this black woman who

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<v Speaker 1>put this whole program together and drove it to the

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<v Speaker 1>mostly white city council. And so I always wonder, if

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<v Speaker 1>we owe this, why aren't we take king the lead

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<v Speaker 1>on it more? But I think what's really interesting about Evanston,

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<v Speaker 1>and something that you and Iraq I've talked a lot about,

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<v Speaker 1>is that what does a world that has had reparations

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<v Speaker 1>pay it look like? And in Evsn, Illinois, in a

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<v Speaker 1>few months, we're going to start to see three black

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<v Speaker 1>women we never met locked together in their destinies. It's

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<v Speaker 1>one long epic put on like the Odyssey or the Mahabarata,

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<v Speaker 1>which I was in and did world tour the public

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<v Speaker 1>theater long ago. But I digress. Anyway, Whitney, let's think

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<v Speaker 1>about that world. But we need to give our history

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<v Speaker 1>lesson the rock and heroes finale it deserves because of

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<v Speaker 1>their work and others. One day we may finally get reparations,

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<v Speaker 1>and what would that be like? The narrative would get

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<v Speaker 1>flipped in a world where reparations exist in America for

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<v Speaker 1>the descendants of African slaves. The human potential lost in

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<v Speaker 1>the white capped, stormy seas, mixed with the blood and

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<v Speaker 1>pain of centuries, is slowly regained and reanimated in the

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<v Speaker 1>multi colored chocolate children who reclaim their destinies and God

0:35:30.719 --> 0:35:38.319
<v Speaker 1>given potential, and ironically, American democracy is saved and finally realized,

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<v Speaker 1>not by a caped, crusading billionaire bat or a greasy

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<v Speaker 1>haired alien with a red s s on his chest,

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<v Speaker 1>but by real life heroes of all colors, previously locked

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<v Speaker 1>into the villain roll, newly free to be the gods

0:35:55.239 --> 0:36:00.839
<v Speaker 1>and earths they were always meant to be. During Alexander

0:36:01.160 --> 0:36:05.759
<v Speaker 1>and Whitney dow as they battle for the soul of

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<v Speaker 1>America in the new action adventure Buckbuster Reparations, The Big

0:36:13.800 --> 0:36:24.279
<v Speaker 1>Payback next time on Reparations, the big payback, to paraphrase W. B.

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<v Speaker 1>Du Boise on the subject of the history of slavery,

0:36:27.880 --> 0:36:32.040
<v Speaker 1>of the exploitation and violence against African Americans in US history,

0:36:32.280 --> 0:36:36.839
<v Speaker 1>American people have been, as he put it, spoiled by sweets. Right,

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<v Speaker 1>so we have too often got a nice nationalist dessert

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<v Speaker 1>with a big old helping of American exceptionalism on top

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<v Speaker 1>and to a large extent, it's not true, and we're

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<v Speaker 1>not going to be able to face the future effectively,

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<v Speaker 1>I think, if we continue to insist that the history

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<v Speaker 1>of slavery and the history of land from Indigenous people

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<v Speaker 1>are not the central realities of the first quarter millennium

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<v Speaker 1>of our history. This podcast is produced by Eric Alexander,

0:37:12.760 --> 0:37:16.319
<v Speaker 1>Ben ar Noon and Whitney Dow. The executive producers are

0:37:16.400 --> 0:37:20.080
<v Speaker 1>Charlemagne the God and Dolly S. Bishop. The Supervising producer

0:37:20.120 --> 0:37:23.800
<v Speaker 1>is Nicole Childers, and the lead producer is Devin Mavock Robbins.

0:37:24.239 --> 0:37:27.440
<v Speaker 1>The producer writer is Sires Castle, and the Associate producer

0:37:27.560 --> 0:37:30.640
<v Speaker 1>is Kevin fan With additional research and writing support provided

0:37:30.680 --> 0:37:34.080
<v Speaker 1>by Nile Blast. Original music by d J D t

0:37:34.320 --> 0:37:38.040
<v Speaker 1>P The Queen Mothermore audio was courtesy of the Tammament

0:37:38.200 --> 0:37:48.200
<v Speaker 1>Library at New York University Reparations The Big Payback as

0:37:48.239 --> 0:37:51.120
<v Speaker 1>a production of Color Farm Media, I Heart Radio and

0:37:51.160 --> 0:37:55.320
<v Speaker 1>The Black Effect Podcast Network in association with Best Case Studios.

0:37:55.840 --> 0:37:58.440
<v Speaker 1>For more podcasts from I Heart Radio, visit the I

0:37:58.560 --> 0:38:01.880
<v Speaker 1>heart Radio app, Apple podcast, or wherever you listen to

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<v Speaker 1>your favorite shows.