Speaker 1: WA's up and welcome back to another episode of No
Speaker 1: Sealers Podcast with your hosts now fuck that with your
Speaker 1: loaw glasses Malone Peek. So this Oklahoma City, that's the
Speaker 1: only thing you got going on on that.
Speaker 2: That's all I got going on to dry autumn. Oh.
Speaker 2: On the other unrelated note to go back to a
Speaker 2: way earlier podcast, I tweaked my risk exposure model, and
Speaker 2: for the sports betting thing, I'm up one hundred I'm
Speaker 2: up one hundred and twenty five percent in one month.
Speaker 1: Peeps cracky. So this nigga peep man, he just goes
Speaker 1: around doing shit.
Speaker 3: With money, just like like a like a specific type
Speaker 3: of gambling or something.
Speaker 1: You need to anything.
Speaker 2: I'm chronically unemployed, so since like since I can't get
Speaker 2: a job, I gotta give my money little jobs for them.
Speaker 3: To do right right right. So you're like, oh, that
Speaker 3: can make some money right there. Let me throw something
Speaker 3: right there, Yeah, let me do that. That looks good.
Speaker 2: All I do. That's all I know how to do.
Speaker 4: That's funny if you're nice.
Speaker 2: If I had more money, actually get some whit accomplishment
Speaker 2: right right right when this is.
Speaker 1: What most white people do, like y'all, just like I
Speaker 1: know that shit. It'd be a lot of stereotypes about
Speaker 1: white people, and you know, the main ones that all
Speaker 1: white people have money. And I know that's not true,
Speaker 1: right because I know some pro white people. They just
Speaker 1: not from California. I don't know no poor white people
Speaker 1: from California.
Speaker 2: You gotta you gotta go over the hell. You gotta
Speaker 2: come down the grapevine for that.
Speaker 1: Even the ones I think that don't be having nothing.
Speaker 1: I used to have a joke with Head, I swear
Speaker 1: to God, I used to tell him all the time,
Speaker 1: like white people get to California in here it into
Speaker 1: one hundred thousand dollars to start life.
Speaker 2: So all true in a couple spots.
Speaker 3: So you're on the motherfuckers on the street, aint all
Speaker 3: the niggas.
Speaker 1: But it's different the white people that want to be Okay,
Speaker 1: let me not even have this conversation. White people are free, bro,
Speaker 1: Like they really live their life free. Like I'm telling you, man,
Speaker 1: me and Pete, Pete the money I'm about to make
Speaker 1: over the next twelve months. Me and Pete pretty much
Speaker 1: have it planned out. But sometimes it's scary because Pete
Speaker 1: probably don't even care about like if pete go back
Speaker 1: down to zero, that's nothing. You know, I'll figure it out.
Speaker 2: I've never had worth than half of one dollar. I
Speaker 2: have had a disposable dollars since I like twenty two
Speaker 2: years old. Two since twenty four, so it's twenty four.
Speaker 2: I've had disposable dollars. I was twenty four years old.
Speaker 1: This is what I always say, Like, do you really
Speaker 1: believe in racism? No, peak, do you believe in it.
Speaker 2: That it can happen? Yeah?
Speaker 1: I mean do you believe it exists today?
Speaker 2: Yeah? In pockets? Sure, I think as it's.
Speaker 1: And I'm not talking about I'm not talking about like
Speaker 1: that old southern white racism like hanging you know, black
Speaker 1: folks and shit. I mean like literally not giving like
Speaker 1: a couple of different things, right, black people playing ketchup
Speaker 1: right where they're behind and they're trying to catch up
Speaker 1: to everybody that's free and clear. Obviously, you know you're
Speaker 1: from a disenfranchised group compared to the regular white man. Right,
Speaker 1: even most Italians can go them. I think they're white
Speaker 1: till they come, you know what I mean? Because you're
Speaker 1: Italian is different, Like you're not an English white man.
Speaker 2: I'm not like heavily Italian. I find it's been for
Speaker 2: a long time. But like Italian people not being considered
Speaker 2: white as yeah, that's a stretch, George.
Speaker 1: I agree, because Italian people are white. I argue with
Speaker 1: the Italian people that tell me they wasn't white, you know,
Speaker 1: just to get a handout. I hrish people for a
Speaker 1: long time. I got treated pretty fucked up. But this
Speaker 1: is why I'm asking, right, I was thinking about a
Speaker 1: couple of things, right, and I had this argument with
Speaker 1: Charlot Magne. This has been an argument I've been having
Speaker 1: with Charlot Magne for four years, five years. I'm like, Yo,
Speaker 1: these niggas is lyning about how much money they got.
Speaker 1: He like, when you think Oprah's lining and you think
Speaker 1: Jay Line, I'm like, hell, yeah, they lying, you know
Speaker 1: what I mean? Are they lying like, oh I got
Speaker 1: this much money in my pocket? Though? Are they lying
Speaker 1: like I'm I'm I'm When they start talking about network, right,
Speaker 1: everybody the conversation is, huh.
Speaker 2: Everybody is lying about network because he can't really he
Speaker 2: don't believe me. It depends on it depends on the context.
Speaker 2: In the context of the net Worth conversation, they're telling
Speaker 2: the truth in the context of taking the net worth
Speaker 2: conversation and into straight liquidity, they're they're all lying because
Speaker 2: it's a fuse conversation because the sale of the thing
Speaker 2: devalues the thing to the point that no longer could
Speaker 2: be realized. That's the thing that's being represented as.
Speaker 1: But even further than that, though, Pete even further like
Speaker 1: if Oprah is worth three billion, she could never get it.
Speaker 1: She couldn't liquidate everything she got and get it.
Speaker 2: That's what I just said.
Speaker 1: But I'm saying I'll save it, not even digitally, like
Speaker 1: they can't do anything.
Speaker 2: And she could sell it on a buyer. People do that.
Speaker 2: It would have to be a singular acquisition, and it.
Speaker 1: Still wouldn't work. It wouldn't work because if people paid
Speaker 1: you what you worked, they couldn't profit off of your talent.
Speaker 1: You get what I'm saying, Like when somebody saying somebody's network,
Speaker 1: I'm thinking about what they're worth to everybody else.
Speaker 2: See, it's funny, that's an interesting point that you're making
Speaker 2: because I was just doing the same thing with a
Speaker 2: macro cash flow diet about the manipulation of value and
Speaker 2: wages in the country over the past quarter century. Nobody
Speaker 2: wants to pay anybody a wage upfront. So what we're
Speaker 2: seeing in the economy as a macro and a flow
Speaker 2: of capital is I don't want to pay you right
Speaker 2: now one hundred thousand dollars for what you're going to do.
Speaker 2: I want to pay you fifty thousand dollars. I'm gonna
Speaker 2: defer you into a four toh one K, and then
Speaker 2: we're gonna manipulate the economy in general through your black
Speaker 2: Rocks and whatever else to prop up the equity values
Speaker 2: in all the stocks that give you your four to one
Speaker 2: k's value, so that I can kick the can down
Speaker 2: the road on your compensation by essentially only in real
Speaker 2: time giving you a dollar ten. It's I give you
Speaker 2: your dollar, you get your additional ten. But in reality,
Speaker 2: by the time it's claimable, you're getting the two hundred
Speaker 2: dollars because we've manipulated the entire compensation package for a
Speaker 2: time distribution apparatus.
Speaker 1: No, I get what you're saying. So that's still all
Speaker 1: related to inflation steal.
Speaker 2: Inflation plays? Is that could happen about? Yeah, it's sucking
Speaker 2: a value out of other places.
Speaker 1: For sure, sure, sure included. So long story short, I
Speaker 1: was saying, if open is worth three billion, right, like,
Speaker 1: there's nothing she could sell. She could sell everything she
Speaker 1: ever had in her life and they wouldn't equal to
Speaker 1: three billion dollars. She wouldn't have three billion dollars, niggas.
Speaker 1: I'm talking about even before taxes.
Speaker 3: And why is that? As she said, I think she
Speaker 3: got that's not even though it's they say it's the
Speaker 3: network and don't it's not really worth what they say
Speaker 3: in the network is her existence is worth the.
Speaker 2: Well, look at what's this? Look at Stirling for example,
Speaker 2: right from the Clippers sale. His net worth was less
Speaker 2: on paper prior to the sale. Then it wasn't after
Speaker 2: the sale because some clown overpaid for the Clippers by
Speaker 2: like sevenfold. And if somebody wanted to buy Harpow or
Speaker 2: whatever the hell that thing it's called lock stock and barrel,
Speaker 2: they could buy it.
Speaker 1: Yeah, but I don't think that's I think I think
Speaker 1: most people with money underrate their network. I think I'm
Speaker 1: so trying to market wealth and success, they over they
Speaker 1: overinflate their network because they know most people are ignorant
Speaker 1: to what they work.
Speaker 2: Whatever they say, what your marketability is?
Speaker 3: Yeah the truth?
Speaker 4: Yeah, jay Z.
Speaker 1: Yeah, no silings, no sillings. G L Pete Pete spot
Speaker 1: got my brother Joey west side.
Speaker 2: You and like what jay Z says on a microphone
Speaker 2: and what jay Z's accountant rights to the I R
Speaker 2: s not gonna.
Speaker 1: Match even even minus the irs. It ain't real. That's
Speaker 1: that's no shade to you know. My one of my
Speaker 1: favorite rappers of all time is just we are in
Speaker 1: the business, you know, hip hop especially. It's funny because
Speaker 1: they call themselves disliking Donald Trump, but to me, they
Speaker 1: took every part of his business, his business style of
Speaker 1: what he does as a brand is what every last
Speaker 1: hip hop artist is running today. I mean they're selling success,
Speaker 1: they're selling will.
Speaker 2: So they look at the court case from today, you know,
Speaker 2: like at the court case in New York from today
Speaker 2: over this bullshit property appraisal. They're saying that he took
Speaker 2: a loan out against a property, he put it at
Speaker 2: value X. He'd got the money, he paid it back
Speaker 2: to the bank with interest. Nobody complained bank, nor him.
Speaker 2: Latitia James, the attorney the DA in New York, is
Speaker 2: hauling him into court saying that he committed fraud by
Speaker 2: putting a false appraisal value on an asset. It's the
Speaker 2: most bullshit claim I've ever seen in her a courtroom.
Speaker 1: But it made me think about some shit. And I've
Speaker 1: been looking at like Puff. Puff is in the media
Speaker 1: a lot, lady, right, obviously with all this Tupac shit
Speaker 1: going and people thinking that Keith d talking is what
Speaker 1: got you know, the arrest warrant for you know, the
Speaker 1: tragical murder Nevada, and it's not, I mean, some other
Speaker 1: evidence that people don't really know about. It will come
Speaker 1: out and everybody figure it out. But obviously, if people
Speaker 1: believe the story you know that Kify is saying publicly,
Speaker 1: they'll be talking about Puff getting arrest. So I've been
Speaker 1: seeing his name in the press, but I noticed through
Speaker 1: other stories that wasn't really what I wanted to talk about.
Speaker 1: Puff has been taking such a hard everybody's been punching
Speaker 1: on Puff, you know, socially, on different conversations of royalty
Speaker 1: publishing and masters. I would the first thing was the
Speaker 1: Locks and the Locks were talking about Puff having their
Speaker 1: publishing right for years.
Speaker 2: I hate what artists do. That shit ex post factor.
Speaker 1: I hate it exactly. Why do you hate it self?
Speaker 2: Chicken shit? You signed a contract you were thrilled to
Speaker 2: death today. You signed the contract, you got the money
Speaker 2: up front, you were short sighted, and then you spent
Speaker 2: all the money. And now you're bitching because of the
Speaker 2: contract that you signed. Bitch, ass shit I've ever fucking seen.
Speaker 1: Agreed, agreed, and he is irritating the ship out of me,
Speaker 1: like I was looking at Jada kissing. Obviously, I have
Speaker 1: a huge respect for the Locks, you know what I mean,
Speaker 1: great brothers, even great brothers to know. But I just
Speaker 1: was listening to him talk shit about puff. I was
Speaker 1: listening in the mace talk shit about this is crazy. Like,
Speaker 1: I know, he hit them boys with six figures to
Speaker 1: do these deals. He gambled on them. Six figures.
Speaker 2: Yeah, six figures in nineteen ninety five, six six figures today.
Speaker 1: But six figures with no records, yeah six figures without them.
Speaker 1: You know, they don't have a month, they don't have
Speaker 1: a hit ricord.
Speaker 3: Just because I believe that, y'all, I believe it could work.
Speaker 2: How hard is it to clear three hundred thousand dollars
Speaker 2: Independent with no help and walk off with.
Speaker 1: It shit off of records? Yes, ship back then you
Speaker 1: would need to sell probably Independent would probably need to
Speaker 1: sell five half.
Speaker 3: A million records.
Speaker 2: You have to have a big trunk.
Speaker 1: Yeah, half a million singles today it's life versually impossible,
Speaker 1: you know, I mean to do it just and to
Speaker 1: clear it. Yeah, you'd have to stream billions, right to
Speaker 1: get well, one million, one million is three thousand dollars,
Speaker 1: so one hundred million is three hundred thousand dollars. Hopefully
Speaker 1: it should be a little bit more. So what is
Speaker 1: gonna take to market a record to one hundred million streams?
Speaker 4: You said you got a couple of niggas doing that.
Speaker 1: Yeah, but they they're not independent. He said, You're gonna
Speaker 1: spend five get three dred thousand. You probably need shit,
Speaker 1: you probably need to do. You have to lie if
Speaker 1: you got your del but you're gonna have to spend
Speaker 1: to market three hundred thousand dollars worth the streams profit.
Speaker 1: You might have to spend half a million dollars, maybe
Speaker 1: even a million.
Speaker 4: Dollars just to make the three hundred.
Speaker 1: You're gonna make more, but he said, to clear three hunds. See,
Speaker 1: he used see the pee man with peace starts off
Speaker 1: or fighting. He gonna use specific words, and I would
Speaker 1: listen to every word.
Speaker 2: He asked, Well, like at the same time though, at
Speaker 2: that during their period with Bad Boy, those guys that
Speaker 2: they went out and did a huge nightclub event on
Speaker 2: New Year's in New York. They ain't got a big
Speaker 2: old sack of cash for showing up. That was their cash.
Speaker 2: They didn't have to kick that upstairs.
Speaker 1: That was theirs, right, Yeah, yeah, But it's not just that, right,
Speaker 1: It's like, let's say Mason and Locks, Well, let's take
Speaker 1: the Locks. The Lock situation is unique because the Locks
Speaker 1: didn't really make no records for Bad Boys. Let's say,
Speaker 1: let's say he gave the Locks three hundred thousand dollars
Speaker 1: in publishing. They didn't make three hundred thousand dollars of
Speaker 1: publishing when it was with Bad Boy, like he for sure,
Speaker 1: as far as the publisher side of that deal, for sure,
Speaker 1: they left that he didn't have He didn't recoup his money.
Speaker 3: Did he verse, So Benjamin's wasn't worth that.
Speaker 1: Eventually, it's six, it's six, it's six record's six people.
Speaker 1: I think how many people's on it's all about the
Speaker 1: Benson five or six people, Yes.
Speaker 2: But made it everybody else, everybody else Those just added
Speaker 2: value to them. They didn't add value to it.
Speaker 1: And six people, so it's five or six people, right,
Speaker 1: and then and it's funny because I just knew that
Speaker 1: right off the river.
Speaker 4: It's funny the locks, puff Cam and Biggie.
Speaker 1: And then you got this big sample. So let's say
Speaker 1: let's say this song is worth Let's say why they
Speaker 1: was on Bad Boy, that song was worth two million
Speaker 1: dollars of publisher which that would be a stretch. It's
Speaker 1: a lot of money for one song for publishing, you know,
Speaker 1: SA like that. Maybe I'm missing you songs could be
Speaker 1: worth that kind of money. But let's say that it's
Speaker 1: all about the mentioning this song is worth two to
Speaker 1: three million dollars in publishing roughly. That's that's somewhere close
Speaker 1: to what it could be worth in that time period. Right.
Speaker 1: The sample is probably eating up half of it, right,
Speaker 1: But that's also why you gotta hit record and then
Speaker 1: you gotta you gotta split it up amongst everybody else
Speaker 1: on the writer side, right, whoever is writing the chorus,
Speaker 1: because it all breaks down to small percentages. If it's
Speaker 1: six people on one song and the hook, and it's
Speaker 1: different people that write everything, it might break down to
Speaker 1: like eight eight and some change. Maybe eight in a
Speaker 1: quarter if it's six people, so it might be six
Speaker 1: to two third, So it might be like eight you know,
Speaker 1: you might get eight and three three three percent of something.
Speaker 1: You know what I'm saying, it ain't worth it. You
Speaker 1: know what I'm saying, it ain't worth it. So when
Speaker 1: they walk off from the label, right, they still in debt.
Speaker 1: They publish, it still ain't really recoup the money. So
Speaker 1: then they go to Rough Riders and they start making
Speaker 1: a shitload of money. Right, they start having more success, right,
Speaker 1: they on more records. Now he's probably breaking even you
Speaker 1: know what I'm saying, when they get to the rough
Speaker 1: Riders deal, well, into the Rough Riders deal, and then
Speaker 1: now after that he starts to make money on the investment.
Speaker 4: And years then't passed by at this point.
Speaker 1: Right, So listening to them complaining, it's like crazy. It's like, well,
Speaker 1: if a nigga frontire three hundred thousand dollars, you know
Speaker 1: what I'm saying, he's supposed to want to make money
Speaker 1: even if it's taking time. And just to listen to complaint,
Speaker 1: even Mace, like Mace, the way makes me sounding that
Speaker 1: shit be sounded crazy. Like I'm a huge Mace fan. Cuz,
Speaker 1: but the like Puff made that nigga out of nothing. Now,
Speaker 1: don't get me wrong, murder Mace with sound Dog. But
Speaker 1: it's like this nigga is the hottest nigga in the
Speaker 1: music business at the time, he got the heart, the
Speaker 1: his orders in the music business and big at the time,
Speaker 1: like he his first look to the world. Nigga. He's
Speaker 1: on a song with one twelve and Big Facts. That's
Speaker 1: like grandfather you. That's like grandfathering you into success.
Speaker 4: Like you just.
Speaker 1: Walk right into a fucking dynasty, right, I mean, you
Speaker 1: just walk right into a fortune. And it's like, don't
Speaker 1: get me wrong, Mace carried his part of the deal
Speaker 1: because I remember that verse the first day I heard it.
Speaker 1: So he shine or whatever he gave that nigga was
Speaker 1: a gamble. And for him to be talking crazy about
Speaker 1: a nigga that changed his life, I don't give a
Speaker 1: fuck what you think is going on these niggas is crazy.
Speaker 1: Matt Listen, mac Ten has done some shit that I
Speaker 1: don't like. Birdman has done some shit. I will never
Speaker 1: You'll never see me nowhere publicly talking about no nigga
Speaker 1: that changed my life. That alone, like Macey, life is
Speaker 1: che so that he's the millionaire because of that.
Speaker 3: That goes into a character thing, right, and maybe it's
Speaker 3: you know, it's something that it don't you think they
Speaker 3: did that based though ignorance.
Speaker 2: Well, he did have some things to say about Mace.
Speaker 1: What do I think it was going by? No, I
Speaker 1: don't think it's down by. I think they're being selfish. Okay,
Speaker 1: I don't think it's really so you.
Speaker 3: Feel like they being selfish and knowing, like y'all know,
Speaker 3: y'all's bullshit, but we.
Speaker 4: Still want that.
Speaker 2: It's like a fad everybody does. Ashanti did that shit
Speaker 2: I saw. I had a conversation with Malcolm Maze a
Speaker 2: while ago about and it wasn't like the guy I'm
Speaker 2: going to name as the example, but there was talk
Speaker 2: about how oh ice Cube only paid pigionship money to
Speaker 2: all the people when he did the Independent first Friday
Speaker 2: out of his own pocket and then it made so
Speaker 2: much fucking money. Yeah, but like Chris Tucker got paid
Speaker 2: pigionship money on Friday, but Friday got him the rush
Speaker 2: hour fucking deal. Friday got him twenty million dollars on
Speaker 2: the next deal, and nobody he didn't pay tribute to
Speaker 2: fucking Ice Cube, like it's Don Corleone, Yeah that was
Speaker 2: the deal.
Speaker 1: Yeah, which he should have. And it's like these are
Speaker 1: all people gambling their money their debt. Like if that
Speaker 1: movie doesn't work, that's Ice cubes career. That's not Mike,
Speaker 1: that's not Chris Tucker's career, that's Ice Cubes career.
Speaker 2: Chris back of the Deaf comedy Jam.
Speaker 1: And it's funny because I listened to all that shit,
Speaker 1: not just be tripping, right, I've seen this ship with
Speaker 1: Mark Curry. Mark Curley is dope, I mean as a pin,
Speaker 1: like he get busy, but for him to be talking
Speaker 1: shit because puff gave him back his publishing all. He
Speaker 1: gave it to me when it wasn't worth nothing. It's yours.
Speaker 1: So if it's not worthing nothing, it's only because you
Speaker 1: not worth nothing.
Speaker 3: That big ass record he own, it ain't worth nothing.
Speaker 3: What's nothing to these niggas.
Speaker 1: Man, these niggas that be acting crazy, man, what's worth nothing?
Speaker 1: I don't know if it's minds. I want it and
Speaker 1: I ain't got nothing to say about nobody who gave
Speaker 1: it back to me. If a nigga came and paid
Speaker 1: me five dollars back. I'm not finna argue with him.
Speaker 1: That's only five dollars. I won't be like, man, thank you,
Speaker 1: nigga can't give me my five dollars back. He'd have
Speaker 1: made money.
Speaker 3: So it don't worship you. Don't worship money like these
Speaker 3: niggas do either. Glasses like you, You're dealing with a
Speaker 3: different level of maturity and like you couldn't.
Speaker 1: Run it because money, man, really money just they don't
Speaker 1: do nothing. All they do is allow us to pay
Speaker 1: the bills and to live the way we want to live.
Speaker 1: And I'm not that desperate to live no way. I
Speaker 1: know that sounds crazy, but I've never been desperate. I
Speaker 1: just wanted the bare minimums in this life. I never
Speaker 1: felt like I need an entirely too much of anything.
Speaker 1: I never One of the biggest things is I don't
Speaker 1: look like We was just talking about it the other
Speaker 1: day with the Young Homie video and he was talking
Speaker 1: and I'm like, he was talking about how great his
Speaker 1: video was. I'm like, who are you competing with the
Speaker 1: niggas that I would be competing with at life itself?
Speaker 1: Like Martin Luther, King, Jesus, you know, Malcolm X. That's
Speaker 1: that be the niggas, I would be competing with.
Speaker 3: We We're going there.
Speaker 1: So I'm so far away from being the type of
Speaker 1: men that them three men were. You feel me like,
Speaker 1: it's not even close. So I could never feel what
Speaker 1: they feel because I wouldn't be competing to I'm not
Speaker 1: competing with nobody from one hundred and seventeenth Street. I'm
Speaker 1: not competing with nobody in hip hop. Every time I
Speaker 1: even set my mind to that. In twenty eleven or twelve,
Speaker 1: when we first started working on what would become that good,
Speaker 1: the only thing I thought about was problem and YG
Speaker 1: ran the club. I was like, Yo, I'm gonna give
Speaker 1: me a song in there. Fuck that they can't have
Speaker 1: all this space. And I set out at made a
Speaker 1: song that's as great as every song, right, you know
Speaker 1: what I mean? But if you not on the court
Speaker 1: trying to be like, if you ain't trying to make
Speaker 1: ain't no fun, what are you really trying to do? No?
Speaker 4: I feel that.
Speaker 3: I mean when I was in Mexico and they just
Speaker 3: kept playing on the top forty records and I was like, boy,
Speaker 3: I showed.
Speaker 4: What like my record to play.
Speaker 3: In this mix?
Speaker 1: I don't know how.
Speaker 3: Real like I wouldn't mind having a record to come
Speaker 3: on after hot Here, Hot Near, they going nowhere.
Speaker 1: No, it was crazy as I saw ibri O day,
Speaker 1: Cuz ibri Oday. This motherfucker is a complete proud.
Speaker 2: Yes, dang.
Speaker 1: She ain't wrote a half a word on the first album,
Speaker 1: barely a ninth of a word on the second album.
Speaker 1: We're talking about publishing and talking about puff made us
Speaker 1: song NDA, so we can't talk shit about it. Bitch,
Speaker 1: Who the fuck? What the fuck?
Speaker 2: Like y'all are.
Speaker 1: Put together things you don't even have a It's not
Speaker 1: like you're like this huge, fantastic artist. It's it's it's
Speaker 1: almost ashamed. I almost can't believe it, and I be
Speaker 1: I be feeling like how Pete just saying like, bitch
Speaker 1: ass ship. Yeah, like all these people getting these opportunities.
Speaker 4: If you ever want to.
Speaker 2: Watch Cadillac Records and all of a sudden act like
Speaker 2: they are in another time and place in history or
Speaker 2: some ship like that, you know what I mean.
Speaker 3: But it's the same case.
Speaker 1: But it's the same place.
Speaker 3: Dog.
Speaker 1: If you believe in your tech and you think you're
Speaker 1: telling spend your money improve it, spend your own money.
Speaker 1: If I just put out an album. I spend my
Speaker 1: own money. That's that's that's when you believe what you
Speaker 1: gotta do. Then once you start seeing nigga be stressed
Speaker 1: out trying to market this ship, how I'm gonna get content? All?
Speaker 1: It's so crazy shit going on, Like niggas have no
Speaker 1: idea because they want so I'm telling you it's weird.
Speaker 1: They want somebody else to spend all the money and
Speaker 1: then they get paid.
Speaker 3: All the money.
Speaker 1: Okay, you you invested five million dollars, the album made
Speaker 1: five million dollars. Okay, now give me one million dollars.
Speaker 3: And then you you know what they remind all the
Speaker 3: money to do the next one? Two?
Speaker 2: You know what they remind me of?
Speaker 1: Was there.
Speaker 2: Ex wives?
Speaker 1: Why are they reminding you of ex one with jogs?
Speaker 2: There we go because ex wives have the nerve to
Speaker 2: walk into a court and look at judge in the
Speaker 2: eye and say, I never had that had a job
Speaker 2: or that career of that money. But I've grown accustomed
Speaker 2: to that lifestyle and I deserve it forever.
Speaker 4: Hey, that's the crazy.
Speaker 3: That shit still be tripping me out, Like accustomed to
Speaker 3: this lifestyle would get unaccustomed, Like when you wasn't.
Speaker 2: That man made that lifestyle for you. But do you
Speaker 2: get accustomed to that? You got a custom to to
Speaker 2: him and he's gone.
Speaker 1: So let's say this. Do you not think a wife
Speaker 1: play important part in her in her husband's success, Like
Speaker 1: let's say if they have kids and the wife is
Speaker 1: dealing with the kids so you can go out and
Speaker 1: be the success story you want to be.
Speaker 3: Yeah, you still look out for them. No, you got
Speaker 3: to be my cred You ain't.
Speaker 2: Because a guy who's getting that kind of much money,
Speaker 2: I'm not going to have the kids till he's got
Speaker 2: the money. Most often what I'm saying, And she was
Speaker 2: gonna raise her kids wherever the fuck she found them.
Speaker 1: But they're his kids as well, and they have a family.
Speaker 2: And that's why there's tweet child support and alimony.
Speaker 1: But you don't believe in alimone?
Speaker 2: Mm?
Speaker 3: Not not really?
Speaker 2: No, I mean I think that alimony and what's the
Speaker 2: other thing that what's the rant that went on yesterday?
Speaker 2: Like the emotional the emotional damage people claim in civil
Speaker 2: court pain and suffering. That shit needs to have a
Speaker 2: hard ceiling, and that ceilings to be pretty close to
Speaker 2: the floor.
Speaker 1: Listen, you know what I always thought to myself when
Speaker 1: it comes to that, I think it should be like
Speaker 1: you should have to be married to somebody for five
Speaker 1: years first to get out of the money right, and
Speaker 1: then it should be two and a half percent every
Speaker 1: year twenty years. If you married to somebody for twenty years,
Speaker 1: then you deserve half of the shit. That makes more sense.
Speaker 1: If you and somebody for twenty years after the first
Speaker 1: five years, than you deserve half they shit. But you
Speaker 1: should be married to him for five years and every
Speaker 1: year after it's two and a half percent.
Speaker 3: But now they can literally it could be one year. Hey,
Speaker 3: you got that why you was with me? So that's my.
Speaker 4: And I was getting having problems the whole time.
Speaker 3: You was on your way to go get it.
Speaker 1: That's why you got to do your legal business the
Speaker 1: right win you made well, I think a lot of things.
Speaker 1: I also think a lot of times marriage is way
Speaker 1: before law. So I think a lot of times us
Speaker 1: marrying somebody legally to be involved that shit is a
Speaker 1: business deal. So you got to make the best deal possible,
Speaker 1: like peace. Sound like the rappers and the artists who
Speaker 1: like make a bad deal and then they get mad
Speaker 1: when they gotta pay the piper.
Speaker 2: No, no, no, because I have a policy. My policy states,
Speaker 2: whatever you spend on the ring, you gotta spend double
Speaker 2: on the attorney's fees drafting the prenupp.
Speaker 1: So you're gonna do the business.
Speaker 2: You're gonna do ten thousand dollars on the diamond. You
Speaker 2: could certainly do twenty thousand dollars on the law firm.
Speaker 1: Yeah.
Speaker 4: Man, that's funny, but I understand.
Speaker 1: So Meg mil is doing the album The Raw, and
Speaker 1: they were talking about it and he was saying how
Speaker 1: over the last ten years he made eleven million dollars
Speaker 1: on off of.
Speaker 3: Music only only that's a million dollars a year. Yeah,
Speaker 3: just off music.
Speaker 1: And he was showing how he got ribbed.
Speaker 3: Wait, so when you say just off music, that means
Speaker 3: like everything that coupled, like literally like music sales or
Speaker 3: like shows.
Speaker 1: No, no, no, I think he's talking about music, streaming,
Speaker 1: streaming and publishing. The Bruelty's in publishing.
Speaker 3: Oh damn man, eleven million dollars a year is cool.
Speaker 1: Yeah, but I think because he's been overseelling success that
Speaker 1: he feels like Okay. So his his initial argument was
Speaker 1: going bad made twenty four million dollars, and I think
Speaker 1: he said he made two and a half million.
Speaker 4: Dollars going Bad.
Speaker 1: That's a record, yeah, going bad as the record with
Speaker 1: him and Drake.
Speaker 4: Okay, okay, how much is made.
Speaker 1: Twenty four million? He said?
Speaker 3: Okay, and he.
Speaker 1: He made two and a half million dollars running.
Speaker 3: But in order for what we were just talking about
Speaker 3: that But it's ten percent, hey, bro, And so every
Speaker 3: there's Drake on the song with you for one video,
Speaker 3: all the shit that they didn't put into that to
Speaker 3: make it get that.
Speaker 4: Man, two and a.
Speaker 3: Half million dollars is a lot of money.
Speaker 1: Man, But I think I'm telling you people, my thing is,
Speaker 1: if that's the case, you don't need anybody.
Speaker 2: You're right.
Speaker 1: If somebody pays you what you're worth, how do they
Speaker 1: make money? If they pay you fifty percent of what
Speaker 1: you work, it's not even profitable.
Speaker 4: Because which your cond be priceless At this point, it's like, man, this.
Speaker 1: Is well not priceless. It could be worth zero.
Speaker 2: Like my question is twofold. Firstly, what percentage of people
Speaker 2: bull that the people like artists that get onto a
Speaker 2: label and have success because an apparatus around them forge
Speaker 2: them an awful lot of success, and then they leave
Speaker 2: and they go undependent that none of them ever, hardly
Speaker 2: ever recreate. You know what happened first, Secondly the the entity.
Speaker 2: If you thought you were worth more at the time,
Speaker 2: say no, no, no, no, I want ten. They'd say no,
Speaker 2: well does want another guy to give you? And give
Speaker 2: him to it and a half percent. Because we could
Speaker 2: put any Tom, Dick and Harry on this fucking record.
Speaker 2: They're gonna get.
Speaker 1: You get what you negotiate, right.
Speaker 3: Yeah, when you sign a job application, they actually they
Speaker 3: what's your desire?
Speaker 1: Sounding it a no nigga history was like one million
Speaker 1: dollars and.
Speaker 4: Dollars.
Speaker 1: Y know that Bigdonald's risk, Like, I need what do
Speaker 1: you call? What is that she called?
Speaker 2: What is that on there?
Speaker 1: I ain't having no job, I have a job. What
Speaker 1: do you say?
Speaker 4: Say?
Speaker 1: They say something about salary, like what's your what do
Speaker 1: you want your desire salary? What would you want desire salary?
Speaker 2: And that's my beef when I was talking about the
Speaker 2: like pain and suffering with like lawsuit stemming from work.
Speaker 2: All right, you worked at this place for two years
Speaker 2: for fifty thousand dollars a year, you got a hundred
Speaker 2: thousand dollars. You're a chick. Let's say some guy said
Speaker 2: you had a nice ass a few times. You're suing
Speaker 2: for a million dollars. You were there for two years
Speaker 2: that was worth one hundred thousand dollars that you got paid.
Speaker 2: You didn't like the two years, Okay, we'll give you
Speaker 2: another two years for your time and another one hundred thousand.
Speaker 2: I don't know why you feel like because some guys
Speaker 2: said you had a nice ass at work. Now all
Speaker 2: of a sudden, you get a whole lifespan's career worth
Speaker 2: of money for it.
Speaker 4: People just try to take you back of opportunity. They
Speaker 4: ain't high. It's like they're coming up with that salary and.
Speaker 2: Get that steal. Ain't down a little lord.
Speaker 3: Like they need a million dollars, have emotional stress stress
Speaker 3: one million dollars.
Speaker 1: He was like me. He was like, I don't want
Speaker 1: no plaques. I want some of the money. And I'm like, well,
Speaker 1: like right now him the rossman to put out out
Speaker 1: how much are you spending on the album? Like what
Speaker 1: are you? Are you gonna market down yourself? Like if
Speaker 1: you feel like you deserve all of the money or
Speaker 1: you worth for money, why not put out the record
Speaker 1: your set up and see exactly what you work that's
Speaker 1: my belief. Yeah, like every day, like I can't even
Speaker 1: I'm gonna tell you how stressful it is, bro, I
Speaker 1: can't even celebrate success. Like right now, people telling me, man,
Speaker 1: it's classic and legendary rappers talking about how great it is.
Speaker 1: I already see its influence and others legends, and I
Speaker 1: can't even really smile because I gotta be there. Yeah,
Speaker 1: I'm stressed out about what's going tomorrow. What am I
Speaker 1: gonna post on Instagram? But how am I gonna put
Speaker 1: a billboard up on Instagram? How am I gonna put
Speaker 1: a flyer up on Twitter? How am I gonna put
Speaker 1: up posters on tick on TikTok for me? How am
Speaker 1: I gonna market this every day for ninety days? How
Speaker 1: am I gonna stay in the public's eye. I gotta
Speaker 1: shoot this neggat video. But the video gotta be good
Speaker 1: because people gotta talk about.
Speaker 2: It, Like how videos don't shoot themselves? Are you're telling
Speaker 2: me yes?
Speaker 1: Or I could just go stand in front of the
Speaker 1: car and see if the work out for that.
Speaker 3: Man, you can do that ship right here and put
Speaker 3: it out right now.
Speaker 2: Video right now, you have you considered in front of
Speaker 2: a waffle house because that seems to be successful.
Speaker 1: Model, Hey, that might be a hard video. We should
Speaker 1: shoot a video cuz on like zoom and like have
Speaker 1: a couple of homits. They're putting their hands up, dances
Speaker 1: and some girls twerking, and they cut and edit the video. Yo,
Speaker 1: neig be getting all fucking.
Speaker 2: Video. I would have a line of girls twerking in
Speaker 2: front of the now closed down Stars, a West Coast classic,
Speaker 2: right there by the pizza joint. There you go, holding
Speaker 2: holding the handle, railing it tast one of them falls down.
Speaker 1: So so one thing I was shipping off of as
Speaker 1: well was so the Death Road thing with all of
Speaker 1: the pop conversations happening, everybody talking about how bad Death
Speaker 1: Road did business, And I think to myself, like they
Speaker 1: must not know they had no fucking idea that real
Speaker 1: credit because Snoop is coming out saying the truth stupid, Like, man,
Speaker 1: I don't the fuck with nobody say that Nigga treated
Speaker 1: me right. I was telling my homie, I'm.
Speaker 4: Like Croa always said that corrupt shout out.
Speaker 1: To corrupt corrupt always capital bean when he blew my
Speaker 1: mind that people was talking ship about Shug Shugar had
Speaker 1: these dudes on monthlies.
Speaker 2: They talked about shugar, They talked about cash money that
Speaker 2: people talk about pe up and down, they talked about puff.
Speaker 2: This is about just gruntle fucking ploys. Name a label
Speaker 2: that that doesn't have past artists complaining about their ship.
Speaker 2: They talked about about about what wasn't that earth Gotti?
Speaker 3: And then and look and I ain't never heard nobody
Speaker 3: talk about Clyde, baby face, Jimmy.
Speaker 1: Anybody talks about Dupre and them, He don't yeah, ow
Speaker 1: wow talking.
Speaker 2: Okay, it seems like slip of Slyde records down here
Speaker 2: in Miami, the only group didn't have no artists complain that.
Speaker 3: The slide had some ship too. I heard nobody saying
Speaker 3: nothing about you.
Speaker 1: So this is the crazy part right in tupac's handwritten contract,
Speaker 1: handwritten contract right, so Mini, they had to spend one
Speaker 1: point four million dollars just the post his been not
Speaker 1: to mention that whatever the client fee was, I don't
Speaker 1: care if the client is on retainer at death row.
Speaker 1: Excuse me, the attorney's on retainer at death row. That's
Speaker 1: what they pay. They had to spend a million, four
Speaker 1: million five to get me out of jit your ass
Speaker 1: mass Wholdack. Well, you know Innerscope paid for that, Yeah,
Speaker 1: but they paid for it with Shug backing it because
Speaker 1: if it doesn't work out or something happen, guess who
Speaker 1: motherfucker royalty that's coming out of death row, right, So
Speaker 1: should like So I'm looking at podal Poxdal was eighteen
Speaker 1: points and one point bumpet Golden platinum. He wanted a
Speaker 1: million dollars of events, and he wanted a monthly stiping
Speaker 1: up one hundred and twenty five thousand dollars. Also inside
Speaker 1: his hand written contract, he had a feature from Snoop
Speaker 1: Dogg number one and a produced beat from Doctor dre
Speaker 1: At number two. That was terms two. So I remember
Speaker 1: when niggas was talking shit with glasses, this, that and
Speaker 1: the third, and I'm telling them reason this nigga can
Speaker 1: of death rows because of Snoop. Snoop was the biggest
Speaker 1: light in hip hop at that time, and that's the
Speaker 1: light you want to be in if you want other
Speaker 1: everybody to see you.
Speaker 3: At that point, but later that they left it. They
Speaker 3: laid carp it out.
Speaker 1: Bro it's crazy, gave him all the best beats. Oh
Speaker 1: here here's California love. Here go some of this dog
Speaker 1: pam shit he go. They just gave him everything he
Speaker 1: took over, even though death Row was a well oil machine.
Speaker 1: But the point I'm seeing is he wanted one hundred
Speaker 1: plus thousand dollars in a monthly stipend. He hadn't sold
Speaker 1: one record before they released one record on Tupac. He
Speaker 1: had to be in debt somewhere near two million dollars
Speaker 1: three million dollars. The monthly stipend is a cold thing.
Speaker 1: Snoop was getting eighty two, one hundred thousand dollars monthly
Speaker 1: stip They just all getting that money. It will blew
Speaker 1: me away. Is when they start talking about the property.
Speaker 1: Is it shug man, haybro shum shit with the cars?
Speaker 1: It should man the houses and sugar man. If he's
Speaker 1: giving you a cash, huh.
Speaker 2: What's the cash and sugars? Name? After they got it?
Speaker 1: That's my point, not so they go get their own. Please.
Speaker 1: I think that's a great deal. Wait a minute, A
Speaker 1: million a year. You're gonna give me one hundred thousand
Speaker 1: dollars a fucking month? Hey, you're gonna pay for my
Speaker 1: Corey nows. I don't gotta pay for none of this shit.
Speaker 3: What was niggas doing with that money.
Speaker 2: Man, you know what a million a year? You know
Speaker 2: what takes to guarantee a million five a year in
Speaker 2: passive and tire steadily. It takes about forty million fucking dollars.
Speaker 1: Everybody will be telling me, oh, well, you know they
Speaker 1: made it. They didn't make ship. Somebody had to go
Speaker 1: in here and do this business and sign for this
Speaker 1: shit to happen. A fucking one hundred down the property
Speaker 1: and should me and the properties and should name. Somebody
Speaker 1: was telling me today, well, you know they looked at
Speaker 1: it like when Pee got snooped Pee, when got Sloop
Speaker 1: a house and put it in his name in a
Speaker 1: car and put it his name. He inherited the number
Speaker 1: one fucking rap artist in music at that time. I
Speaker 1: bet you he's gonna go buy him my house. Matt
Speaker 1: tim was like, I was gonna give him a million
Speaker 1: dollars cash.
Speaker 2: Snoop was naming his price. He could have signed with.
Speaker 2: He didn't even need to sign with a rapper. He
Speaker 2: could sign with any fucking money. He could have signed
Speaker 2: up Michael Jackson.
Speaker 1: They could have said, give me two million dollars. In
Speaker 1: nineteen ninety six, after what they call a flop. His
Speaker 1: flop sold two or three million albums. Yeah, he could
Speaker 1: let you know everybody in the building, which she said,
Speaker 1: buy me out the contract. And it's stupid. Know the
Speaker 1: snoop was young and raw, but I'm saying that's how
Speaker 1: valuable it was. So people talk about Pete bought in
Speaker 1: my house, not out the peak, because it's no shade
Speaker 1: to Pete. Pete did what you to do. Pe went
Speaker 1: bought in my house and puting this, I bet you
Speaker 1: he did. P might have gave Shug two three million dollars. Hoo,
Speaker 1: the fuck cares? His last flop just made thirty million dollars.
Speaker 1: You Finnah get it for three albums. His flop made
Speaker 1: thirty million dollars. His flop made certain million. Ye flop
Speaker 1: that's supposed to be dog Father is supposed to be
Speaker 1: a flop.
Speaker 3: I love that album.
Speaker 1: Shout out the pool, Shout out this dog because that
Speaker 1: album is his flop. They called it made thirty million dollars.
Speaker 1: Me and Pete could have spent every bit up to
Speaker 1: ten million dollars and would have been cool because he
Speaker 1: had it for three albums. Matter of fact, he might
Speaker 1: have even got four albums out of him all the
Speaker 1: features and shit and everything.
Speaker 2: Oh yeah, you tho you a no limit? You're doing
Speaker 2: some features? God damn you believe.
Speaker 1: Yeah, we hear every day. And I was telling him
Speaker 1: it was like, yeah, you know like P did. At
Speaker 1: that point him, I'm like, well, I asked all them
Speaker 1: other niggas that was signing no limit them one million
Speaker 1: other niggas, how many did he buy them? One million
Speaker 1: dollars is to put it in their n I bet
Speaker 1: you go see the difference then all those.
Speaker 3: Guys from.
Speaker 2: Every bet it was mad at pick.
Speaker 1: I swear that got a pee did it wrong and
Speaker 1: P did favorous and put niggas off. So that's a
Speaker 1: whole nother story. Danny Boy was talking about his masters.
Speaker 1: He was like, well, even telling Snoop cauld Sloop got death, bro,
Speaker 1: you know some situation with og Harry shout out to
Speaker 1: hereo what up?
Speaker 3: Big picked off?
Speaker 1: And Danny Boy was like on an interview, like why
Speaker 1: would you give me my masters?
Speaker 3: I just do?
Speaker 1: It's like, and why is it somebody wants you to
Speaker 1: give them something?
Speaker 3: Oh?
Speaker 1: I sang on it, But why you don't say, hey man,
Speaker 1: look this was I got. Why you don't go find
Speaker 1: somebody they gainsted it and make a deal with somebody
Speaker 1: to come spend some money with this nigga and get
Speaker 1: your shit. Why is it always it was cool when
Speaker 1: you got to check, but now that could check gone,
Speaker 1: it's a bad deal. I'm telling you, man and one
Speaker 1: to be straight until somebody win off of it. I
Speaker 1: can't imagine how many fucked up checks pub wrote publishing
Speaker 1: and unpublishing deals didn't work out. There's no way if
Speaker 1: he wrote five checks with the publishing deals workedouts, he
Speaker 1: wrote fifteen checks where they didn't.
Speaker 2: Work Where where are all the exposa is in Forbes
Speaker 2: magazine about people who developed an app and then some
Speaker 2: venture capitalists bought twenty five percent of it for a
Speaker 2: million dollars and then they ipo'ed and the adventure capital
Speaker 2: guy got ten billion and him like, you didn't even
Speaker 2: fucking do any third, and he went for a billion
Speaker 2: to ten billion of n made the fucking app. You
Speaker 2: were thrilled to death with your million bucks that day.
Speaker 2: Thrill to death.
Speaker 3: Yeah, I want to hear it.
Speaker 1: We need to hear the story. We need to have
Speaker 1: adventure capitalist tell the stories of all the investments that
Speaker 1: they made, and somebody just made two million dollars and
Speaker 1: then a venture capitalist just lost.
Speaker 2: That's ninety percent of them. I used to go to
Speaker 2: those DC conferences. Yeah a lot. They're they're great to
Speaker 2: go to. But ship learn a lot.
Speaker 3: Damn damn. You still ain't hit.
Speaker 4: But they don't quit.
Speaker 1: No, why would they?
Speaker 4: That's what I do.
Speaker 3: Yeah, that ship.
Speaker 1: Is crazy as hell with me. I just I'm gonna
Speaker 1: get it, Pete. I thought about it, and it's like
Speaker 1: consensual rip. You feel what I'm saying. Yeah, you can
Speaker 1: get the pussy, but if you get the pussy too much,
Speaker 1: I'm gonna tell everybody and cry. Rate.
Speaker 2: Yeah. It's almost like a hooker coming back to you
Speaker 2: with the child support a claim that's not the deal
Speaker 2: we had.
Speaker 1: Holy shit, would that work?
Speaker 2: I mean, anybody can paint anything on you if the
Speaker 2: blood test comes back about how well for you?
Speaker 4: If that work, that's kind of.
Speaker 1: Imagine a hooker coming back following the child support claim movie.
Speaker 3: I'm sure it happened. I believe it happened.
Speaker 2: Sure it happens, especially like like the high the high
Speaker 2: end hookers. You know they're trying to squeeze those ruppers off.
Speaker 3: I mean, you know they didn't they didn't murk the
Speaker 3: fuel before. They wanted to keep that one though. You know,
Speaker 3: they got a cool little cemetery.
Speaker 2: But you know that's that's that's like a raved onwn
Speaker 2: of an episode, y'all.
Speaker 4: I'm sure that. I'm pretty sure you can google it, nigga.
Speaker 4: It's a story out there.
Speaker 1: I've never heard that story of working with Drake.
Speaker 2: And that lady from starts from right.
Speaker 1: He got the baby with.
Speaker 2: Possibly mighta wasn't surprising.
Speaker 4: He wasn't trying to have a babywhere mm hmm.
Speaker 2: I mean he was hiding it, right, Because if you're
Speaker 2: like a high end hooker, you signed an n DA
Speaker 2: an NDA has its limitations. You're just not supposed to
Speaker 2: talk about him. Doesn't mean if I can't.
Speaker 1: Yeah, yeah, you gotta be a sick ass nigga and
Speaker 1: nothing to processit to me?
Speaker 3: Yeah I do, Yes, you do.
Speaker 4: But I'm sure it's a lot of sick niggas.
Speaker 2: But if it's negotiated in the deal, can imagine.
Speaker 4: Like, man, ain't no way she want my baby?
Speaker 2: So she this is what niggas do that she doesn't
Speaker 2: want to be out of work for nine months like that.
Speaker 2: She would never.
Speaker 1: Hold up bro oh processitute coming back filing child support.
Speaker 3: Nigga, that's funny as fuck.
Speaker 1: That's incredible.
Speaker 3: We need to put that in Fleetwood Brown. One of
Speaker 3: them can help me. Tripped out and he's got a
Speaker 3: prostitute pregnant.
Speaker 4: Yeah, this is a quick little scene.
Speaker 1: She ought to be a different dude, the bare back
Speaker 1: of prostitute.
Speaker 4: Yes you do, Yes, you probably do.
Speaker 1: And I'm thinking that's what's been happening.
Speaker 2: Oh for sure, I would be scared to death. You
Speaker 2: couldn't put a gun to.
Speaker 3: My head and beard a prostitute.
Speaker 2: Oh fig man, man, that's that. That's twenty one questions,
Speaker 2: the totally different questions than Jada's.
Speaker 1: Bruh, this is crazy. My mind is fucking blown. A
Speaker 1: prostitute coming back filing child support doubt?
Speaker 3: Oh my god.
Speaker 1: You know what is Some sick ass niggas in the
Speaker 1: South through some of the homids down there are sick.
Speaker 1: Shout out to all my brothers down there. But when
Speaker 1: I used to hang with some of them rappers, you.
Speaker 4: You seeing it like, okay, y'all different.
Speaker 1: Bro, I'll never get We was in the club and
Speaker 1: I with Briscoe. Shout out to Briscoe. Briscoe from Florida
Speaker 1: and Briscoe. We at the club in South Carolina or
Speaker 1: it was in one of them. It was like that,
Speaker 1: where's that that beach town?
Speaker 2: Like Myrtle Beach, South Carolina.
Speaker 1: Myrtle Beach, Yeah, Myrtle Beaches at North Carolina, South Carolina, Southolk.
Speaker 1: So we was in Myrtle Beach or was it one
Speaker 1: of them beaches And it was like a big day
Speaker 1: and we were tuning on them, burning on them, and
Speaker 1: we act that one for the show and they wrapping
Speaker 1: up the set and Bridge Goo was like, yeah, that
Speaker 1: you said we paying for pussy. I remember, just fame
Speaker 1: back into the bushes like that Homer Simpson. That Homer
Speaker 1: Simpson mean when he faded to the bushes.
Speaker 3: Yea, yeah, Like nigga know we not, don't we?
Speaker 1: They really were? They was damn yeah, man, that's how
Speaker 1: you the hottest nigga in the world and you're gonna
Speaker 1: pay a bitch for some pussy.
Speaker 2: They're buying their time back. Cashus came down here.
Speaker 1: Cash you can get all of the same things for
Speaker 1: free just being the nigga.
Speaker 2: You give him some money, and you know what, you've
Speaker 2: bought them out of the right.
Speaker 4: To talk like I don't want to talk, like I'm.
Speaker 1: Not trying to get trying to talk to them.
Speaker 3: No, one don't want to talk.
Speaker 1: Ain't nobody trying to talk to listen, So all the women, that's.
Speaker 4: Life and it's for sale. So okay, man, let's go
Speaker 4: get your man.
Speaker 2: And we were just.
Speaker 4: Cutting straight to the board, like get all that out
Speaker 4: the way. I don't think that's some funny ship to
Speaker 4: yell on the stage.
Speaker 1: He said that, and it's cash money. Niggas is the
Speaker 1: hottest nigga in the country. Waite's on the bird dropping
Speaker 1: cart three.
Speaker 4: What happened when he said that? Did they flop?
Speaker 1: I don't know because I backed up so far out
Speaker 1: the way I couldn't even see what the fuck happened.
Speaker 2: I was figger service came escort at an out for
Speaker 2: his own safety because of the absolute you know avalanche.
Speaker 4: It was gonna pay for it for you.
Speaker 1: That that happened. Somebody tried to buy. I was like, bro,
Speaker 1: I wouldn't ever give me. No. The girl told me,
Speaker 1: she's like, I ain't gonna blow the homie up because
Speaker 1: I don't know if you mean I gonna super Florida
Speaker 1: legend tried to behind me. Some pussy and I was like,
Speaker 1: I can't do it. The girl was like, yeah, you
Speaker 1: know you already paying me to paid you that I
Speaker 1: am the local you have. I am Joe Blow the
Speaker 1: nether Man. You should be paying me.
Speaker 3: Did you feel away simply you still felt like you
Speaker 3: was the trick?
Speaker 1: I don't know, man, I think La just raises so different.
Speaker 1: Even when Baby was trying to buy my publisher for
Speaker 1: a quarter million dollars, he would have lost, and I
Speaker 1: remember he was like, yeah, gee, I got a quarter
Speaker 1: million for your pub man, let's do it. And I'm like, yeah,
Speaker 1: you know in the back of my mom like I'm
Speaker 1: not you know, because you hear all these silly ass
Speaker 1: stories about biggest selling publishing. You don't nigga that I
Speaker 1: know will cognive understan standing of the math percentag. I
Speaker 1: remember I was like, man, bad you want to buy
Speaker 1: my posse to re court me? Like we ought to
Speaker 1: sell it that way. They always had to be invested.
Speaker 1: That nigga head was right. He ain't knew two or
Speaker 1: three things about the music business that early, but he
Speaker 1: was like that Shiit resonated in my mind because it
Speaker 1: made the most sense. I was like, this little Nigga,
Speaker 1: probably right, and I didn't sell it and now thee That's.
Speaker 2: What Williams said. The same thing. Was there that famous
Speaker 2: interview he did with that Wanda Lady of the Atlanta
Speaker 2: Radio deal. I used to listen to that on my way.
Speaker 2: That's who bank to go do stand up. That was
Speaker 2: that was what I prepped my mind to on the
Speaker 2: way to the show to get on stage. But he
Speaker 2: was saying, like, I own all my specials lock Stock
Speaker 2: and Barrel. I don't have any white business partners. That's
Speaker 2: why you don't see HBO the showtime promoting my stuff
Speaker 2: because they don't own any of it. True.
Speaker 1: And that's the exact same person and head said that
Speaker 1: ship before that. This is before that, and they was like, man,
Speaker 1: we should have sold it because they would have to
Speaker 1: push the records harder to get their money back. And
Speaker 1: that's what I'm saying. That's my point about some of
Speaker 1: these artists were talking about. They don't realize some of
Speaker 1: that ship probably wasn't gonna hit. If these people then
Speaker 1: spend that money to try to get their money back.
Speaker 2: Yeah, like most of them.
Speaker 1: It's make me more curry. That's crazy, more curry artists. No, no.
Speaker 1: Mark Curry was a rapper that was signing bad.
Speaker 4: He was on Bad Boys for Life. He was on
Speaker 4: Bad Boys for Life.
Speaker 1: Gotcha Barreon, bim bim bam bound Think Bawn bim Bawn
Speaker 1: Bound Bound bamm Bamn wasner though, Puff is cold cuz
Speaker 1: oh we don't go to jail, cause that'd be sad.
Speaker 1: What's up with it? G l a double dollar signed
Speaker 1: each side. That's right, glasses and alone and on motherfucking
Speaker 1: September twenty second, I'm dropping my new album, Cancel These Nuts.
Speaker 1: But for anybody that want to support right now, hop online,
Speaker 1: go to the cryptstore dot com. That's right, the crypt
Speaker 1: Store th h E c R I P S t
Speaker 1: O r E dot com and buy a physical copy
Speaker 1: right now autograph from me right now. You can have
Speaker 1: it ahead of time before it's on all streaming sites.
Speaker 1: So social support to the real was you know what
Speaker 1: I'm saying. Jump on the cryptstore dot com and buy
Speaker 1: my new album, Cancel These Nuts, buy it right now
Speaker 1: before it drops online. September twenty second. Yeah, the cryptstore
Speaker 1: dot com. But looking out for tuning into the Note
Speaker 1: Sellers podcast. Please do us a favorite, subscribe, rate, comment,
Speaker 1: and share, This episode is recorded right here on the
Speaker 1: West coast of the USA. You produced by my homeboy
Speaker 1: A King, for the Black Effect podcast network at now
Speaker 1: Hard Radio. Yes