WEBVTT - Kosine

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<v Speaker 1>R and B Money. Well, take val we are the

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<v Speaker 1>authority on all things R and B. What's going on,

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<v Speaker 1>ladies and gentlemen, I am tanking, Valentine, and this is

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<v Speaker 1>the R and B Money podcast. Is the authority what

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<v Speaker 1>athority when they go to the high boy on all

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<v Speaker 1>things R and B in the building today to day.

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<v Speaker 1>This is a real family member. This is a real

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<v Speaker 1>little brother. Really taps in with the army, really taps

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<v Speaker 1>in with the R and B nuances. He's a finisher. Um,

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<v Speaker 1>he's a super producer, super super producer. Also in our teeth.

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<v Speaker 1>There are very few people that are who sensitive about

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<v Speaker 1>the sensitive about this ship. Ladies and gentlemen, our little

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<v Speaker 1>brother in the building, give it up a coat Signmano

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<v Speaker 1>Felsio sad Well you know the lord I see by

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<v Speaker 1>the Miami right that. Yeah, come R and B sexy five,

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<v Speaker 1>you know, sexy sexy bo bos All, blooding glass. Valentino. No, no, no, no, no, no,

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<v Speaker 1>I'm like okay, no, y'all, Niggs, come on back, real

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<v Speaker 1>is back on end Um. First of all, man, thank

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<v Speaker 1>you brother for pulling up. Man. This is a necessity. Um,

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<v Speaker 1>you know it wasn't a matter of if just a

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<v Speaker 1>matter of when we get the we get the bro hand.

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<v Speaker 1>What what I tried to do was to not be

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<v Speaker 1>too thirsty. Right as soon as I've seen it, it

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<v Speaker 1>was like it was like coast, calm down, gotta get

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<v Speaker 1>Jamie out the way, coast overwhere? So what you think

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<v Speaker 1>you're thinking next week? Like what you're thinking? Like, tell

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<v Speaker 1>me exactly the time the time front. Yeah, I had

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<v Speaker 1>had the real and back. Not be so thirsty. Let

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<v Speaker 1>it happen and shout out to my sister who you know.

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<v Speaker 1>She saw a couple of guests and it was like, Okay,

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<v Speaker 1>it's time now they he told you, they didn't got

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<v Speaker 1>She's telling me who he got? Eric been on there,

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<v Speaker 1>I've seen hit make on. It's time. It's time that

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<v Speaker 1>you called take yet and then sent me pages of

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<v Speaker 1>talking boards shout out tonight, my sister not. I rocked

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<v Speaker 1>with that. She told me down. She's a huge fan

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<v Speaker 1>of the podcast. Huge what's her favorite episode? I think

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<v Speaker 1>her favorite is Steve Mackie. You know what I'm saying.

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<v Speaker 1>I think she just loved the insight, you know what

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<v Speaker 1>I'm saying? And great, yeah, yeah, but with you brothers, man,

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<v Speaker 1>I gotta give your brothers y'all flowers to first because

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<v Speaker 1>being an l a transplant. You know what I'm saying,

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<v Speaker 1>It's all about choosing your friends wisely. And the divine

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<v Speaker 1>brotherhood council that has come from both of y'all down

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<v Speaker 1>through the years has been clutched, you know what I'm saying,

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<v Speaker 1>because historically I've been a wild cowboy, you know what

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<v Speaker 1>I'm saying, and sometimes sometimes unassuming, but a wild cowboy,

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<v Speaker 1>especially when I think about my brother Jay Man demand

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<v Speaker 1>didn't talk me off the ledge so many times. Man.

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<v Speaker 1>And then when I think about then Rique Dragon here,

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<v Speaker 1>when I wanted to get out there as an artist,

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<v Speaker 1>the encouragement to let it fly, let it fly, let

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<v Speaker 1>it fly, man, you know, wanted you to be the

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<v Speaker 1>dragon uninhibited. Man. They got a new show about you

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<v Speaker 1>now d House of Dragons too. May or may not

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<v Speaker 1>be a ghost writer on that show. You know what,

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<v Speaker 1>They got Black dragons bag real dragons again. But now

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<v Speaker 1>I just wanted to put that on record, and just

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<v Speaker 1>I said, I appreciate you brothers, man, because man, you know,

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<v Speaker 1>even y'all showing up to the wind, thank you singing man. Man.

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<v Speaker 1>I could go on all day, you know, yeah, I

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<v Speaker 1>know I get more than thing I was thinking about,

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<v Speaker 1>like trying to figure out some type of invoice for

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<v Speaker 1>for what I ended up having to do. You had

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<v Speaker 1>to wing it. We have some some technical difficulty. It

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<v Speaker 1>was technical difficult. People didn't show up, man, Like, So

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<v Speaker 1>where's the DJ? What DJ chords was missing? J that's

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<v Speaker 1>supposed to do? You think you can? You know what?

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<v Speaker 1>For my brother? I absolutely can. What's the going out song? Oh?

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<v Speaker 1>You don't have them? Alright? Cool? Give me the microphone again.

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<v Speaker 1>Do the thing. We'll figure it out. You know what

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<v Speaker 1>I'm saying. I had to usher the people into you

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<v Speaker 1>know that, did you usher? But then you gave him

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<v Speaker 1>a few bars walking in which was always played in Chicagoy.

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<v Speaker 1>You know what I'm saying, people walking back. I feel

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<v Speaker 1>like he gave Jeff a few months and snacks, snacks

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<v Speaker 1>and snacks. Don't nobody's singing snacks but me. You know

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<v Speaker 1>what I'm saying, yo. And it's so funny because listening

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<v Speaker 1>to my family prepared to come to l A for

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<v Speaker 1>the first time, right, it's a lot of Panamlians that

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<v Speaker 1>came to Los Angeles for the first time, and they like,

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<v Speaker 1>you know, we have to get ready to dress like

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<v Speaker 1>potato salad because this is our really celebrity wedding mardical.

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<v Speaker 1>We're coming and this is that really celebrity. We're ready.

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<v Speaker 1>So it's just like, guys, you gotta dress like oh yeah,

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<v Speaker 1>you know that's slay. That's Panamanian slang right there. Man,

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<v Speaker 1>what does that mean? I mean you fly if you

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<v Speaker 1>dress like salad? Oh man, you like, yeah salad. We

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<v Speaker 1>wouldn't come dressed like slid modicle. I'm like, okay, I'm

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<v Speaker 1>to use that. You know. I think I'm gonna let

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<v Speaker 1>your have I'm gonna let your guy man what you

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<v Speaker 1>have on. You know, I had to potato salad, you

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<v Speaker 1>know that I had with the freshly cut, hard boiled

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<v Speaker 1>eggs on top of a little little Papa Rika has said,

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<v Speaker 1>you see where you're gonna go. Wait, he'll turn into

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<v Speaker 1>a full song all right, man, um your family to us.

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<v Speaker 1>But that's not how we rock. Um. We want to

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<v Speaker 1>we want to dig into the beginning of of co sign.

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<v Speaker 1>We want to dig into the beginning of modicles, the

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<v Speaker 1>beginning of the modic, the beginning like where was the

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<v Speaker 1>day in time where you either made the decision that

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<v Speaker 1>this is what I want to do or somebody told you, hey,

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<v Speaker 1>this is what you should be doing. Mm hmm. And

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<v Speaker 1>and to add to that, to give you some more

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<v Speaker 1>talking talking space, what was your influence to even get

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<v Speaker 1>to the dang man? I gotta say the influence. Man,

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<v Speaker 1>I got made fun of for this, bro. I got

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<v Speaker 1>made fun of in high school for this man, I

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<v Speaker 1>mean know in college. Uh. Well, first, it's all credit

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<v Speaker 1>to my mom, the late bed a Lie Celestine Johnson.

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<v Speaker 1>You know what I'm saying, man, little salute man. We

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<v Speaker 1>definitely moms held it down for real. Um, single black mother,

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<v Speaker 1>west side of Chicago, Maywood, brav you to be specific. Um,

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<v Speaker 1>originally from Panama and my main't play no games. You

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<v Speaker 1>know what I'm not gonna do is lose my son

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<v Speaker 1>to gang violence. Um, I won't raise a disrespectful child.

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<v Speaker 1>And she just really instilled education and practice. Those were

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<v Speaker 1>like cornerstone. So so was she a musician? Wasn't a musician?

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<v Speaker 1>My grandfather used to sing solos in church, you know, pops,

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<v Speaker 1>he's originally from Jamaica. We call him uh and um.

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<v Speaker 1>But it was just like the way I can I

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<v Speaker 1>can protect my child is to always keep him busy.

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<v Speaker 1>So it was saxophone, it was piano, it was baseball, basketball,

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<v Speaker 1>it was gone too, right, which is Panamanian dance class

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<v Speaker 1>on the weekend, they have Panamanian class in Chicago. What

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<v Speaker 1>the name of the club was called? On my peck right?

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<v Speaker 1>And I used to be have to be in parades

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<v Speaker 1>like I used to be my mom, Mom, You're gonna

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<v Speaker 1>they're gonna beat me up there if I'm doing like

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<v Speaker 1>you was doing car involved in Chicago. What you hear

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<v Speaker 1>that music? Come on fifth the fifth there behind your

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<v Speaker 1>back on the Yeah, yeah, what what you wanna do?

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<v Speaker 1>They want to go? You want to go party? Right now?

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<v Speaker 1>It was a little club called the Fuego Fuego, I

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<v Speaker 1>know what that means. It's on fire, yeah, okay. And

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<v Speaker 1>I remember being at them parties, man, and it might

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<v Speaker 1>be like twelve one am and the kids section we'd

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<v Speaker 1>already did our dad, so that we're just on the side,

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<v Speaker 1>sleep tired, and it's just really your Southland going on.

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<v Speaker 1>You know what I'm saying that you see pants with

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<v Speaker 1>the sides opening me my, you know what I'm saying.

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<v Speaker 1>It just like yeah, bro, So she really was big

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<v Speaker 1>on the culture. You will know about your panaman your

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<v Speaker 1>roots um and be well rounded as well. In eighth grade,

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<v Speaker 1>I started playing the drums at church. I was the

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<v Speaker 1>third string drummer. You know what I'm saying. Happened so

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<v Speaker 1>so you got man like like sports. Yeah, absolutely, you

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<v Speaker 1>know what I'm saying, and really use the backup, backup

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<v Speaker 1>drummer like th quarterbacks. So you got the sanctuary choir,

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<v Speaker 1>the youth choir, and then when the kids quire come

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<v Speaker 1>up goes they'd be like, oh, all these blessings come

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<v Speaker 1>from God. It's either it's either it's either the junior

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<v Speaker 1>choir or before before the praising worship was a big

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<v Speaker 1>thing as it is right now. You know what I'm saying.

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<v Speaker 1>You would do like the beginning of service. You know

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<v Speaker 1>what I'm saying. That's what the third string guy was.

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<v Speaker 1>But one service started getting serious, then the guys off.

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<v Speaker 1>Everybody here, Okay, buddy, come on, buddy, come on now.

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<v Speaker 1>The best part was when the lead drummer uh and

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<v Speaker 1>the second drumming is And this only happened a few

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<v Speaker 1>times in the lead second they ain't there. Now baby,

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<v Speaker 1>you get play for the for the big choiring off

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<v Speaker 1>beating loud. You see the quiet director. Just I'm trying

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<v Speaker 1>to find it grade eighth grade. I'm thirteen thirteen this time,

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<v Speaker 1>and so yeah, I'm playing sacks, I'm playing drums and

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<v Speaker 1>playing keys. And then high school was like all of

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<v Speaker 1>them kind of coming together. I was I was rapping.

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<v Speaker 1>I was in an R and B group and we

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<v Speaker 1>had no lead singer. What y'all saying? Union? I think

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<v Speaker 1>the group probably only lasts about ninety days, okay, because

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<v Speaker 1>it was one guy that just every week was just

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<v Speaker 1>selling wolf tickets is what we call them. And it's like, yeah,

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<v Speaker 1>we're gonna be shooting a video. We gotta we gotta

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<v Speaker 1>auditions for the video. Girls coming. He was in the

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<v Speaker 1>group where he was the man in the group, and

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<v Speaker 1>oh but he was managing too though he was selling

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<v Speaker 1>y'all wolf tickets. Yeah, selling us the wolf tickets. None

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<v Speaker 1>of the things that he ever talked about ever came

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<v Speaker 1>in the group. What you're selling the wolf ticket? And

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<v Speaker 1>it was just just another nis just like everybody now

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<v Speaker 1>here in the group and kind of and kind of

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<v Speaker 1>is claiming lead singer. But I can't give him that

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<v Speaker 1>because you can't see none of us, none of us

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<v Speaker 1>get really, you know, I'm trying to be noticing. I'm

0:12:46.480 --> 0:12:49.439
<v Speaker 1>trying to be you know, Cosavante in the group. You

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<v Speaker 1>know what I'm saying, producer in the back, and so yeah,

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<v Speaker 1>that I was a disaster, but it was shots up.

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<v Speaker 1>All of this stuff was just getting shots up. I

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<v Speaker 1>went to a Catholic all boy high school, same school

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<v Speaker 1>at the Isaiah Thomas went to St. Joe's. Evan Turner

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<v Speaker 1>as well, and uh Man, I played in the Lassalian Instrumentalists.

0:13:09.679 --> 0:13:13.079
<v Speaker 1>I want the Louis B. Armstrong Jazz Award. So I

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<v Speaker 1>was cutting up man, I was playing at youth services,

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<v Speaker 1>starting to get a little little is all for you?

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<v Speaker 1>Just being a purist in terms of just being a

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<v Speaker 1>musician and just loving it and just doing I'm having

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<v Speaker 1>a good time. What I noticed was rapping. I wasn't

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<v Speaker 1>a huge fan of the attention because Chicago they will

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<v Speaker 1>fry you. The jokes that my friends have were so

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<v Speaker 1>lead though that getting on that stage and the spotlight

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<v Speaker 1>was a little hot. So it's like, how can I

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<v Speaker 1>be close to it but not all the way into producer?

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<v Speaker 1>And when I saw that, that made me just want

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<v Speaker 1>to just know all of the different aspects about music,

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<v Speaker 1>you know. And so so it was your mother, your

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<v Speaker 1>first investor because obviously, as being a producer was for

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<v Speaker 1>sure got to have equipment. My mama bought that PM

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<v Speaker 1>for keyboard PEV. Yeah, so for the keyboard. Uh, I

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<v Speaker 1>kind of just gotta just lead that off. How I

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<v Speaker 1>got my first keyboard. That ain't nobody being, uh, what

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<v Speaker 1>you want to tell us? You know what happened? You

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<v Speaker 1>know what I'm saying that you have to sell, you

0:14:20.640 --> 0:14:23.200
<v Speaker 1>have to sell something. I had to sell nothing, but

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<v Speaker 1>you know I just laid something down to get it.

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<v Speaker 1>I had to get a creative right to get that. Yamaham,

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<v Speaker 1>you had seven to Yeah, yeah your shirt, I see

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<v Speaker 1>your shirt. You did something? Yeah, did you get the

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<v Speaker 1>way to get I got the seven? I got to seven.

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<v Speaker 1>But it was crazy because I remember my mom being like, Michael,

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<v Speaker 1>how did you get that? And I had to tell

0:14:54.720 --> 0:14:57.200
<v Speaker 1>one of my homies to say that he bought it

0:14:57.280 --> 0:14:59.680
<v Speaker 1>from me. You know what I'm saying, like like my mama,

0:14:59.680 --> 0:15:02.080
<v Speaker 1>because I was like, I was one of the guys

0:15:02.120 --> 0:15:05.600
<v Speaker 1>in the group, was a producer, and so I told mom.

0:15:05.640 --> 0:15:07.680
<v Speaker 1>I was like, mom, he got a deal. And because

0:15:07.680 --> 0:15:09.560
<v Speaker 1>I've been spending that time in the studio with him,

0:15:09.560 --> 0:15:12.000
<v Speaker 1>he just got me my own keyboard. So she was like,

0:15:12.120 --> 0:15:15.240
<v Speaker 1>oh my, really, Michael, I have to I have to

0:15:15.240 --> 0:15:16.800
<v Speaker 1>at least it call him so I can say thank

0:15:16.840 --> 0:15:20.320
<v Speaker 1>you shot. So I had to finesse called him and

0:15:20.400 --> 0:15:23.320
<v Speaker 1>say hey, act like you got me. Yeah, Mom about

0:15:23.320 --> 0:15:27.000
<v Speaker 1>to call you can say thanks for the keyboard. This

0:15:27.160 --> 0:15:31.840
<v Speaker 1>is senior year of high school. Make seventeen, senior year

0:15:31.920 --> 0:15:33.960
<v Speaker 1>in high school? A little what did you do? Man?

0:15:34.240 --> 0:15:36.160
<v Speaker 1>I can't talk about it. I mean, the statue of

0:15:36.240 --> 0:15:39.760
<v Speaker 1>limitations is probably over. Probably over. Huh, you've grown out,

0:15:40.520 --> 0:15:42.840
<v Speaker 1>go to jail for something you did from high school

0:15:42.920 --> 0:15:45.600
<v Speaker 1>and high school. But but I but I gave back though.

0:15:46.000 --> 0:15:52.080
<v Speaker 1>This is what I did. I gave back to the organization, organization.

0:15:54.360 --> 0:15:56.880
<v Speaker 1>I get back to the organization that he took him for,

0:15:56.960 --> 0:16:04.440
<v Speaker 1>the boys and Girls club. He's stolen church. Church, there's

0:16:04.440 --> 0:16:10.640
<v Speaker 1>still the churches. Gave onout the church. But it was

0:16:11.000 --> 0:16:14.400
<v Speaker 1>it was it was something I'm not because it's funny

0:16:14.400 --> 0:16:15.960
<v Speaker 1>because I was talking to somebody and I was thinking

0:16:16.000 --> 0:16:17.440
<v Speaker 1>about that, like wait, how did that? And I was like,

0:16:17.560 --> 0:16:20.040
<v Speaker 1>oh my god, that was a one time in my

0:16:20.200 --> 0:16:23.480
<v Speaker 1>life where I got active. Oh my god, I had

0:16:23.520 --> 0:16:29.120
<v Speaker 1>to have it, had to. And and so I think

0:16:29.160 --> 0:16:33.160
<v Speaker 1>about how sometimes in the past I've been judging on

0:16:33.960 --> 0:16:37.280
<v Speaker 1>how people get to it, not really putting that mirror

0:16:37.360 --> 0:16:39.600
<v Speaker 1>on myself and really looking at my story through a

0:16:39.680 --> 0:16:43.080
<v Speaker 1>fine tooth comb, Like you have to do some hustling too, sir. Yeah.

0:16:43.280 --> 0:16:47.560
<v Speaker 1>And I was like, alright, cool, I gotta relax. H Um. Yes,

0:16:47.800 --> 0:16:53.680
<v Speaker 1>you kind of poked a hole in the kindom he's gonna.

0:16:54.200 --> 0:16:58.600
<v Speaker 1>He's gonna do that throughout throughout the whole, just for yourself.

0:16:59.000 --> 0:17:05.040
<v Speaker 1>This is before this, before he's gonna everybody. This is

0:17:05.119 --> 0:17:11.200
<v Speaker 1>before we started getting up, started getting moisted, it slippery.

0:17:12.560 --> 0:17:16.680
<v Speaker 1>But so you start making your first tracks that motif. Yeah.

0:17:17.119 --> 0:17:19.240
<v Speaker 1>And then I got an MPC two thousand right after

0:17:19.359 --> 0:17:20.920
<v Speaker 1>from a mentor of mine, got by the name of

0:17:20.960 --> 0:17:24.560
<v Speaker 1>the Sick One. Um. And it's funny too, because I

0:17:24.680 --> 0:17:26.320
<v Speaker 1>just knew he was gonna give it to me. It

0:17:26.440 --> 0:17:29.000
<v Speaker 1>got a four thousand, and I was just like, oh,

0:17:29.480 --> 0:17:31.359
<v Speaker 1>the two thouars of mine and he was like, not,

0:17:31.400 --> 0:17:35.240
<v Speaker 1>it's a thousand, and I was like, sir, please, He's

0:17:35.280 --> 0:17:37.800
<v Speaker 1>like nah. So that's when I started shouting to que

0:17:37.840 --> 0:17:40.399
<v Speaker 1>biller Man as a guy west side q billing Man.

0:17:40.440 --> 0:17:42.520
<v Speaker 1>He bought my first track. He bought three of them

0:17:42.520 --> 0:17:45.159
<v Speaker 1>for two hundred dollars, six hundred dollars. I think my

0:17:45.240 --> 0:17:47.440
<v Speaker 1>mama might have gave me the other Yeah, you know

0:17:47.440 --> 0:17:50.240
<v Speaker 1>what I'm saying. So three bats for two hundred dollars

0:17:50.280 --> 0:17:53.639
<v Speaker 1>to Q Builing and man the rest was hitting once

0:17:53.720 --> 0:17:56.320
<v Speaker 1>that MPC and that motif was together in that basement.

0:17:56.680 --> 0:17:58.840
<v Speaker 1>Oh we are so listen before we before you can

0:17:58.880 --> 0:18:03.119
<v Speaker 1>go any further, we have to take a shot. We're

0:18:03.160 --> 0:18:06.800
<v Speaker 1>gonna take a shot, and this shot is too. Not

0:18:07.080 --> 0:18:13.879
<v Speaker 1>disappointing the investors. Your mama, your mama, my daddy, this

0:18:14.000 --> 0:18:17.240
<v Speaker 1>is just my my listen, my o G. Bill Haney,

0:18:17.840 --> 0:18:21.200
<v Speaker 1>father of Devin Haney, world champion. This is his saying,

0:18:21.760 --> 0:18:25.880
<v Speaker 1>do not disappoint the investors. Straight up. This is why

0:18:25.920 --> 0:18:29.520
<v Speaker 1>we're This is why we're here. We did not disappoint

0:18:29.560 --> 0:18:32.760
<v Speaker 1>the investors. Your mama gave you that extra poe, man,

0:18:35.240 --> 0:18:39.560
<v Speaker 1>the extra poe like I used to drive my mama crazy. Yoh,

0:18:40.560 --> 0:18:43.600
<v Speaker 1>like I would be as an only child. I'll be

0:18:43.680 --> 0:18:46.600
<v Speaker 1>in my room. I remember one time I got out

0:18:46.640 --> 0:18:50.359
<v Speaker 1>the shower and I supposed to put my clothes on

0:18:50.440 --> 0:18:53.160
<v Speaker 1>and come outside to my family was in a living room.

0:18:53.640 --> 0:18:56.440
<v Speaker 1>But it was like, ain't nothing stopping me from going

0:18:56.480 --> 0:18:58.680
<v Speaker 1>to the NBA. And I had a little ram in

0:18:58.760 --> 0:19:02.600
<v Speaker 1>my room. Wait just you just talked about a whole

0:19:02.720 --> 0:19:07.520
<v Speaker 1>bunch of instruments and playing instruments and now you're jumping

0:19:07.560 --> 0:19:12.480
<v Speaker 1>out of hoop dreams while it was life. So I

0:19:12.560 --> 0:19:15.040
<v Speaker 1>was on my all start and they all started elementary

0:19:15.080 --> 0:19:19.480
<v Speaker 1>school and so so at that young age, I remember that.

0:19:19.560 --> 0:19:21.560
<v Speaker 1>I never forget that day. I came out the shower

0:19:21.680 --> 0:19:24.280
<v Speaker 1>and said, I'm going to leave through my tower off

0:19:24.920 --> 0:19:30.000
<v Speaker 1>and started training but ass necking in my room. Asshole

0:19:32.080 --> 0:19:36.160
<v Speaker 1>going to funk off. And my cousin walked in the room.

0:19:37.320 --> 0:19:47.680
<v Speaker 1>So like my cousin, I remember seeing her, like, yeah,

0:19:47.760 --> 0:19:52.199
<v Speaker 1>my cousin, Jazz cousin. Y yes, I remember seeing her

0:19:52.200 --> 0:19:54.000
<v Speaker 1>and I just instantly started tearing up because I knew

0:19:54.040 --> 0:19:57.760
<v Speaker 1>she was gonna tell and I saw. I was like no, no, no,

0:19:58.040 --> 0:20:05.760
<v Speaker 1>and she was like you you're playing basketball, but brow

0:20:06.400 --> 0:20:10.160
<v Speaker 1>Marcus and my family called me Marcus markets here playing

0:20:10.160 --> 0:20:19.720
<v Speaker 1>basketball next year. I'm oh, please, no to get so

0:20:19.880 --> 0:20:22.560
<v Speaker 1>distracted and then get engulf you know what I'm saying,

0:20:22.640 --> 0:20:27.840
<v Speaker 1>Get distracted and getting golf, man, that's worth in leon

0:20:27.960 --> 0:20:34.800
<v Speaker 1>and above the basketball without the ball bro the only child.

0:20:35.560 --> 0:20:40.040
<v Speaker 1>The only child life is so crazy because you're so lonely. Bro,

0:20:40.320 --> 0:20:44.360
<v Speaker 1>You're so lonely, You're so in your head, and it's

0:20:44.400 --> 0:20:48.000
<v Speaker 1>like you create this world of just like being by yourself,

0:20:48.160 --> 0:20:50.320
<v Speaker 1>you know what I'm saying. And you got your imaginary

0:20:50.440 --> 0:20:54.399
<v Speaker 1>friends and the reasoning, you know what I'm saying, work

0:20:54.880 --> 0:20:57.840
<v Speaker 1>Where your imaginary friends that you were whooping, were they

0:20:57.920 --> 0:21:14.680
<v Speaker 1>naked to they were work. And then so my mom

0:21:14.720 --> 0:21:17.520
<v Speaker 1>would hear me doing Goddos one in the room and

0:21:17.720 --> 0:21:20.680
<v Speaker 1>shut it down. And that's when practiced being because she's

0:21:20.680 --> 0:21:23.600
<v Speaker 1>just be like Monico, sit when the last time you

0:21:23.640 --> 0:21:25.800
<v Speaker 1>practice piano, you're not jumping around. And we lived in

0:21:25.800 --> 0:21:27.760
<v Speaker 1>an apartment, so you have people that would call the

0:21:27.840 --> 0:21:30.520
<v Speaker 1>police and do all kind of wild ship because they

0:21:30.600 --> 0:21:34.680
<v Speaker 1>heard and then you know, pick up piano or saxophone

0:21:35.800 --> 0:21:38.760
<v Speaker 1>the next you know, two three hours ago by and

0:21:38.840 --> 0:21:41.760
<v Speaker 1>I wouldn't even really think about it. And she was

0:21:41.800 --> 0:21:44.560
<v Speaker 1>a head nurse of a dialysis unit a Loyola hospital

0:21:45.760 --> 0:21:47.280
<v Speaker 1>and she would do her schedule. She always had to

0:21:47.320 --> 0:21:49.760
<v Speaker 1>do that weekly schedule, so that was a good time

0:21:49.840 --> 0:21:51.760
<v Speaker 1>for her to zone out and knock out the schedule

0:21:51.880 --> 0:21:55.880
<v Speaker 1>for everybody practicing, you know, what I'm saying. And then

0:21:56.040 --> 0:21:58.159
<v Speaker 1>the Disney movies came out, so I always had the

0:21:58.200 --> 0:22:01.760
<v Speaker 1>play alongs to all the movie. So Steve Mackie was

0:22:01.760 --> 0:22:03.800
<v Speaker 1>talking about doing the Disney movie. I was like, why

0:22:03.840 --> 0:22:05.359
<v Speaker 1>can't I relate? I don't want to have to be

0:22:05.400 --> 0:22:07.920
<v Speaker 1>able to relate to this. But I remember that I

0:22:08.040 --> 0:22:11.240
<v Speaker 1>had my horn like dee do dee do do do

0:22:13.600 --> 0:22:21.399
<v Speaker 1>do do? Just be like I said. That was the

0:22:21.480 --> 0:22:25.159
<v Speaker 1>early years and her favorite uh for one of her

0:22:25.200 --> 0:22:28.760
<v Speaker 1>favorite musicians was Kenny g So I'm in the in

0:22:28.840 --> 0:22:31.600
<v Speaker 1>the crib. That was my style. Black women love Kenny.

0:22:32.440 --> 0:22:37.399
<v Speaker 1>They love Kenny Ken, John b Yeah, what's the uh.

0:22:37.800 --> 0:22:43.280
<v Speaker 1>Michael Bolton and Michael bow Yes, and Michael Bolton love

0:22:43.320 --> 0:22:45.440
<v Speaker 1>at Michael bo So when I got to fam you

0:22:46.800 --> 0:22:52.280
<v Speaker 1>and there's sixties freshman Michael McDonald, don't leave you. We

0:22:52.400 --> 0:22:55.600
<v Speaker 1>will not leave out my movie. That's a very so

0:23:01.840 --> 0:23:13.680
<v Speaker 1>oh my god. He was cold. He was cold in

0:23:13.840 --> 0:23:18.920
<v Speaker 1>real life. Oh my god, Oh my goodness. So I

0:23:19.080 --> 0:23:21.600
<v Speaker 1>used to So I was in a program called Upward

0:23:21.640 --> 0:23:28.040
<v Speaker 1>Bound and that was the college prep local program at

0:23:28.080 --> 0:23:34.200
<v Speaker 1>the community college Triton College. That it was for the poor,

0:23:36.000 --> 0:23:41.680
<v Speaker 1>smart kids, right, and because my mama made too much

0:23:41.880 --> 0:23:45.000
<v Speaker 1>money for me to be in the program. I never

0:23:45.080 --> 0:23:47.520
<v Speaker 1>got stipends. They used to get stipends every week. But

0:23:47.680 --> 0:23:52.520
<v Speaker 1>my cousin, she was in the program, and she her people,

0:23:52.680 --> 0:23:54.800
<v Speaker 1>my uncle, they get put in a good word, threw

0:23:54.880 --> 0:23:56.520
<v Speaker 1>me in there. It's just like, you can be here,

0:23:56.600 --> 0:24:00.240
<v Speaker 1>but you can't get paid. Mama be cooking, yeah saying.

0:24:01.160 --> 0:24:04.359
<v Speaker 1>And we used to do college tours all around. So

0:24:04.480 --> 0:24:06.600
<v Speaker 1>I've seen Duke, and I really wanted to go to

0:24:06.720 --> 0:24:08.080
<v Speaker 1>Duke for a second till I got there and it

0:24:08.160 --> 0:24:11.280
<v Speaker 1>was like, oh, y'all tightened ass. I love a basketball team,

0:24:11.520 --> 0:24:13.280
<v Speaker 1>but y'all live tighten ask. But what I'm looking for

0:24:14.040 --> 0:24:17.280
<v Speaker 1>coming from St. Joe's, which is like Catholic all boy,

0:24:18.200 --> 0:24:20.320
<v Speaker 1>you know, turned up, I need it. I need to

0:24:20.359 --> 0:24:22.280
<v Speaker 1>be dipped in black again, you know what I'm saying.

0:24:22.320 --> 0:24:26.000
<v Speaker 1>I went to black from preschool to aid grade and

0:24:26.080 --> 0:24:29.480
<v Speaker 1>then my high school is pretty diverse. But then there's like,

0:24:29.520 --> 0:24:31.680
<v Speaker 1>I need black again, and so and I know, and

0:24:31.680 --> 0:24:33.840
<v Speaker 1>I knew I needed music too, and he's like, well,

0:24:33.880 --> 0:24:37.200
<v Speaker 1>you're talking about the best black band in the country.

0:24:37.280 --> 0:24:39.560
<v Speaker 1>You're talking about family. You are you sure that's the best?

0:24:41.280 --> 0:24:45.680
<v Speaker 1>A kick that off? Not because they don't want to smoke.

0:24:45.760 --> 0:24:47.639
<v Speaker 1>I'm just asking. No, I'm just I'm just asking. I mean,

0:24:47.720 --> 0:24:53.440
<v Speaker 1>because human juke pak No, I mean they're cute, They're cute,

0:24:54.200 --> 0:24:56.960
<v Speaker 1>you know what I'm saying. He was Sonic Boom or

0:24:57.000 --> 0:25:01.440
<v Speaker 1>something like that, right, and look their dancer girls pristine. Hey,

0:25:01.800 --> 0:25:04.639
<v Speaker 1>but when it comes to talk to sound talk to

0:25:05.040 --> 0:25:06.679
<v Speaker 1>you know what I'm saying, it's the Marching one hundred

0:25:07.600 --> 0:25:10.840
<v Speaker 1>and so y'all who they made the movie of course,

0:25:11.160 --> 0:25:13.040
<v Speaker 1>and our band would have been in the movie, but

0:25:13.200 --> 0:25:14.720
<v Speaker 1>they wrote in the script that we lose and we

0:25:14.760 --> 0:25:19.280
<v Speaker 1>don't lose. So fun that movie, you know what I'm saying. Yeah,

0:25:19.960 --> 0:25:22.840
<v Speaker 1>that drumline what not in real life, but that's how

0:25:22.840 --> 0:25:25.440
<v Speaker 1>our band director felt. You know what I'm saying, We

0:25:25.520 --> 0:25:29.440
<v Speaker 1>don't lose, we don't lose. Script, You're not going to

0:25:29.560 --> 0:25:33.639
<v Speaker 1>create that, no, you know, telling people that, no, no, no,

0:25:34.000 --> 0:25:37.359
<v Speaker 1>that's not the energy that you're gonna put out about us,

0:25:37.640 --> 0:25:39.480
<v Speaker 1>and that then they rewrote it and made it a tie,

0:25:39.600 --> 0:25:40.880
<v Speaker 1>and it was like, oh yeah, think it's a game,

0:25:42.760 --> 0:25:44.920
<v Speaker 1>and me being I'm like, god, I want to be

0:25:45.000 --> 0:25:48.840
<v Speaker 1>the movie so bad, like band director please, when I

0:25:48.880 --> 0:25:50.719
<v Speaker 1>was really so there were and there were a lot

0:25:50.760 --> 0:25:53.359
<v Speaker 1>of players from our band. That's a couple one offs

0:25:53.359 --> 0:25:55.440
<v Speaker 1>that they use, like the sticks. The actual nick cannon

0:25:55.520 --> 0:25:57.680
<v Speaker 1>Hands in the band was one of our drummers and

0:25:57.800 --> 0:26:00.680
<v Speaker 1>fans Hands was one of them, so they're still were

0:26:00.720 --> 0:26:02.880
<v Speaker 1>And then I think they ended up using Southwestern Cow

0:26:03.640 --> 0:26:06.040
<v Speaker 1>but their band director is from fam you you know

0:26:06.080 --> 0:26:09.080
<v Speaker 1>what I'm saying, saxophone player too, So yeah, it was

0:26:09.160 --> 0:26:11.720
<v Speaker 1>it was deep. It was really deep, and I really

0:26:11.880 --> 0:26:15.720
<v Speaker 1>was happening because you're talking about two one so band

0:26:15.840 --> 0:26:22.720
<v Speaker 1>is damn their gangs what and there's gangs inside of

0:26:22.760 --> 0:26:26.000
<v Speaker 1>every section too. Yeah, absolutely, absolutely, you know what I'm saying.

0:26:26.119 --> 0:26:29.720
<v Speaker 1>So of course you got the white T shirt on crab,

0:26:30.480 --> 0:26:33.480
<v Speaker 1>you know. And on top of being a crab, I

0:26:33.640 --> 0:26:37.000
<v Speaker 1>was the weakest link out of sixty freshman saxophone players.

0:26:37.960 --> 0:26:39.879
<v Speaker 1>And I'm just like, also, y'all didn't play football and

0:26:39.920 --> 0:26:43.840
<v Speaker 1>basketball and had girlfriends and just played instruments. Y'all just

0:26:43.960 --> 0:26:46.879
<v Speaker 1>really was about that. So that's where I learned about

0:26:47.040 --> 0:26:50.120
<v Speaker 1>even practicing, Like coach, you don't practice for I didn't

0:26:50.119 --> 0:26:52.919
<v Speaker 1>even I didn't even get a scholarship the first semester.

0:26:53.080 --> 0:26:56.080
<v Speaker 1>My scholarship didn't happen until the second semester, so I

0:26:56.320 --> 0:26:59.080
<v Speaker 1>really had to get my ship together. But it was

0:26:59.280 --> 0:27:02.560
<v Speaker 1>a cultural for me because I just was the man

0:27:02.640 --> 0:27:06.080
<v Speaker 1>at home. But then I get to fam and these

0:27:06.119 --> 0:27:14.280
<v Speaker 1>guys are playing fly to the Bumblebee? Where I at?

0:27:14.960 --> 0:27:21.919
<v Speaker 1>Where am I at? And I'm there's Nicki Minaje. Anaconda

0:27:22.000 --> 0:27:33.840
<v Speaker 1>does not happen without fan bum Yeah you're still poor,

0:27:34.040 --> 0:27:36.840
<v Speaker 1>but still we're still poor. But then I was a

0:27:36.960 --> 0:27:40.639
<v Speaker 1>that was a forward flash of how that happens. Because

0:27:40.680 --> 0:27:43.960
<v Speaker 1>I learned about arrangement, I learned about blend. You know

0:27:44.000 --> 0:27:48.480
<v Speaker 1>what I'm saying. I learned so much musicality just being there,

0:27:48.520 --> 0:27:51.000
<v Speaker 1>being in the jazz man beating a symphonic man. You

0:27:51.080 --> 0:27:53.280
<v Speaker 1>know what I'm saying. Having a teacher say, yeah, you're

0:27:53.280 --> 0:27:55.600
<v Speaker 1>playing saxophone, but I wanted to to hit me like

0:27:56.280 --> 0:27:59.159
<v Speaker 1>a French horn. Yeah, you know what I'm saying. So

0:27:59.480 --> 0:28:02.960
<v Speaker 1>that's a different mouthpiece as a different armiship is. It's

0:28:03.000 --> 0:28:06.680
<v Speaker 1>the real training. I'm taking class piano, taking voice, I'm

0:28:06.720 --> 0:28:10.720
<v Speaker 1>taking brass techniques. I was a music education major while

0:28:10.720 --> 0:28:13.119
<v Speaker 1>I was at FAN to force semesters of theory with

0:28:13.320 --> 0:28:16.280
<v Speaker 1>dr horn. So this is like damn the music rocket

0:28:16.320 --> 0:28:22.160
<v Speaker 1>science yea and it's the best shot ever. And after

0:28:22.280 --> 0:28:26.920
<v Speaker 1>my sophomore year, my mom gets diagnosed with cancer. After

0:28:27.000 --> 0:28:30.240
<v Speaker 1>my freshman year, my mom gets diagnosed with cancer. After

0:28:30.320 --> 0:28:33.320
<v Speaker 1>my sophomore year, my mom passed away from cancer. And

0:28:33.400 --> 0:28:37.200
<v Speaker 1>that's when I moved back to Chicago from Tallahassee. And

0:28:39.160 --> 0:28:42.280
<v Speaker 1>that was just such a crazy time because I never

0:28:42.320 --> 0:28:44.440
<v Speaker 1>really wanted to go to college like that. College wasn't

0:28:44.440 --> 0:28:46.560
<v Speaker 1>really my twist. I wanted to be a rock star,

0:28:47.600 --> 0:28:50.440
<v Speaker 1>go to the league, or definitely not school. But that

0:28:50.600 --> 0:28:55.280
<v Speaker 1>was my mom's first and last wish. She said, Marcos Monico.

0:28:56.000 --> 0:29:00.360
<v Speaker 1>My job as a parent, it's done when you graduate college, Monica.

0:29:01.240 --> 0:29:03.560
<v Speaker 1>And even though I won't be there with you in

0:29:03.720 --> 0:29:07.200
<v Speaker 1>the physical, Monica, please this on her deathbed. These are

0:29:07.320 --> 0:29:13.320
<v Speaker 1>last words. So I registered for Columbia College Chicago September nine,

0:29:14.360 --> 0:29:17.560
<v Speaker 1>and my mom passed away September ten, and I remember

0:29:17.640 --> 0:29:20.280
<v Speaker 1>reading her my schedule and that's how I know. She

0:29:20.440 --> 0:29:22.200
<v Speaker 1>was like, all right, cool, he's registered for school. He

0:29:22.240 --> 0:29:27.840
<v Speaker 1>going to school. I'm out. And three years later, I'm

0:29:27.880 --> 0:29:30.680
<v Speaker 1>in my uh my counselor's office, and I'm like, I

0:29:30.800 --> 0:29:33.160
<v Speaker 1>cannot believe I'm about to graduate. I can't believe it.

0:29:34.160 --> 0:29:36.240
<v Speaker 1>And she was like, yeah, and it's crazy with you

0:29:36.320 --> 0:29:43.840
<v Speaker 1>know this year being on Mother's Day. Wow. Three years later. Wow.

0:29:44.480 --> 0:29:47.080
<v Speaker 1>I walked out the office, walked to the President's office

0:29:47.240 --> 0:29:49.160
<v Speaker 1>for the first time in three years of being at Columbia.

0:29:50.120 --> 0:29:53.480
<v Speaker 1>See the lady there, I say, ma'am, um, hey speak

0:29:53.480 --> 0:29:55.600
<v Speaker 1>to the president. She said, the President's book through the summer.

0:29:56.080 --> 0:29:58.600
<v Speaker 1>I said, well, you're about to watch me sleep on

0:29:58.680 --> 0:30:00.480
<v Speaker 1>the floor in this office until I talk to him.

0:30:01.360 --> 0:30:04.160
<v Speaker 1>And she had a headset on hispanic lady. I remember

0:30:04.160 --> 0:30:07.040
<v Speaker 1>her taking her head set off, like, what you're not

0:30:07.080 --> 0:30:10.800
<v Speaker 1>gonna do is sleep in the office. How can I

0:30:10.880 --> 0:30:13.320
<v Speaker 1>help you? And I told her everything and she just

0:30:13.400 --> 0:30:19.640
<v Speaker 1>so happened to be a single mother. Hispanic over still

0:30:19.920 --> 0:30:21.440
<v Speaker 1>where I was coming from, and I said, I need

0:30:21.480 --> 0:30:24.240
<v Speaker 1>to speak. I need to say something in graduation. I

0:30:24.320 --> 0:30:28.120
<v Speaker 1>know I'm not the validatorian. She cried her eyes out,

0:30:29.040 --> 0:30:31.800
<v Speaker 1>asked me to leave, made some calls to this day,

0:30:31.840 --> 0:30:35.000
<v Speaker 1>I'm the only person to speak at Columbia College graduation

0:30:35.160 --> 0:30:38.800
<v Speaker 1>not be the validatorian. I dedicated that degree to my mama.

0:30:39.520 --> 0:30:41.920
<v Speaker 1>That was my first grammy. Come on, man, come on,

0:30:42.000 --> 0:30:44.520
<v Speaker 1>my first grammy. Oh he's still flossed into that's my

0:30:44.640 --> 0:30:47.480
<v Speaker 1>first Grammy. Yeah, yeah, yeah, yeah yeah. It's not a

0:30:47.520 --> 0:30:50.280
<v Speaker 1>floss that I never want to gramm me. I got

0:30:50.440 --> 0:30:57.040
<v Speaker 1>nine nominations. Oh you think no one? Yeah, I got

0:30:57.160 --> 0:31:00.280
<v Speaker 1>nine nominations. I got nine nominations and a win people,

0:31:00.480 --> 0:31:04.280
<v Speaker 1>Jennifer Hudson one. Therefore, I want you. Did you did

0:31:04.520 --> 0:31:06.400
<v Speaker 1>R and B album up the year? Sure? We got

0:31:06.520 --> 0:31:10.480
<v Speaker 1>damn grabbed. Then I'll show you the certificate. I could

0:31:10.480 --> 0:31:15.640
<v Speaker 1>show you my driver's license to hate on it was hating.

0:31:15.960 --> 0:31:18.000
<v Speaker 1>You got to change now though, they change the rule now,

0:31:18.120 --> 0:31:20.040
<v Speaker 1>So now R and B album can get if you are,

0:31:20.160 --> 0:31:21.880
<v Speaker 1>if you're a part of it, you can. That should

0:31:21.880 --> 0:31:25.560
<v Speaker 1>be retroactive. Should that should be retroactive? Make the call,

0:31:25.840 --> 0:31:29.000
<v Speaker 1>you know I am make the call. You can go

0:31:29.120 --> 0:31:30.719
<v Speaker 1>right there next to the R and B money thing.

0:31:31.640 --> 0:31:35.880
<v Speaker 1>Until then you don't respecting that's what you're doing. Cool,

0:31:36.080 --> 0:31:43.400
<v Speaker 1>Jake bro At least you should. That's crazy. I went

0:31:43.440 --> 0:31:47.280
<v Speaker 1>through college, I graduated, I dedicated that degree with my mama.

0:31:47.760 --> 0:31:50.200
<v Speaker 1>You know what I'm saying, Like now I'm making mix

0:31:50.240 --> 0:31:57.360
<v Speaker 1>tapes in the basement hood hood you and now you're

0:31:57.400 --> 0:32:00.200
<v Speaker 1>doing street music for paper bag money and teaching Look

0:32:00.240 --> 0:32:03.560
<v Speaker 1>and teach him to so the head of my department.

0:32:03.960 --> 0:32:06.840
<v Speaker 1>I brought him three contracts. One was to I think

0:32:07.720 --> 0:32:10.720
<v Speaker 1>red Zone read something might be like tricking them in

0:32:10.760 --> 0:32:14.560
<v Speaker 1>that line. The other one was Barry Hankerson. I forget

0:32:14.560 --> 0:32:15.920
<v Speaker 1>who the other one was, but I brought him all

0:32:15.960 --> 0:32:18.840
<v Speaker 1>three contracts. Right. I still had that basketball mentality, like

0:32:18.880 --> 0:32:21.040
<v Speaker 1>all right, tiping when you go to the NBA. And

0:32:21.120 --> 0:32:23.520
<v Speaker 1>he was like he kind of saw the thirst on

0:32:23.640 --> 0:32:25.480
<v Speaker 1>me a little bit and was like, coach, don't feel

0:32:25.520 --> 0:32:27.920
<v Speaker 1>like you gotta run to l A right away. If

0:32:27.960 --> 0:32:30.960
<v Speaker 1>you want to stay home and get your stuff together,

0:32:31.600 --> 0:32:34.920
<v Speaker 1>you know, get your house in order, you can do that,

0:32:35.160 --> 0:32:37.760
<v Speaker 1>you know, and and if you want, you can teach here.

0:32:38.600 --> 0:32:42.880
<v Speaker 1>I was like, teach what he said, I've never had

0:32:42.920 --> 0:32:46.520
<v Speaker 1>a student like you make up a class left out

0:32:46.560 --> 0:32:48.320
<v Speaker 1>his office because I was like, he might take that back.

0:32:48.440 --> 0:32:50.400
<v Speaker 1>He only think you know what he said, left out

0:32:50.480 --> 0:32:54.560
<v Speaker 1>the office. Took my favorite three syllabus from all five

0:32:54.640 --> 0:32:57.680
<v Speaker 1>years of college and wrote a curriculum called hip Hop

0:32:57.760 --> 0:33:01.520
<v Speaker 1>Beat Making and then Out of Tune at Columbia University

0:33:01.560 --> 0:33:05.360
<v Speaker 1>Columbia College, Chicago. So just lean away this. Jeremiah Kanye

0:33:06.240 --> 0:33:10.840
<v Speaker 1>is downtown and uh. He made a couple of edits

0:33:11.200 --> 0:33:13.200
<v Speaker 1>and they offered me another class, and you know, I

0:33:13.280 --> 0:33:15.840
<v Speaker 1>want you to teach my other class, Producing Recording Music three,

0:33:15.960 --> 0:33:19.560
<v Speaker 1>and I'm gonna teach four. So I taught two classes

0:33:19.600 --> 0:33:21.959
<v Speaker 1>hip Hop be making and Producing Recordings three for two

0:33:22.080 --> 0:33:29.640
<v Speaker 1>years and you're what. And I remember the first day

0:33:29.640 --> 0:33:33.520
<v Speaker 1>of class. It was at the Rhythm Cafe, is a

0:33:33.640 --> 0:33:37.280
<v Speaker 1>studio in Chicago where we had the class, and they

0:33:37.360 --> 0:33:39.480
<v Speaker 1>hadn't opened it up yet. So the students are there.

0:33:40.040 --> 0:33:41.800
<v Speaker 1>I'm there, but I'm dressed like how it was dressed

0:33:41.880 --> 0:33:44.520
<v Speaker 1>last semester. And they're like, man, where the fund the

0:33:44.600 --> 0:33:46.680
<v Speaker 1>teacher at man, how the fund this? They ain't open

0:33:46.760 --> 0:33:49.360
<v Speaker 1>up the building, blah blah blah, man this is and

0:33:49.440 --> 0:33:51.520
<v Speaker 1>they're just going crazy and I'm sitting there looking like

0:33:53.520 --> 0:33:56.080
<v Speaker 1>and then the guy comes opens the door and they

0:33:56.120 --> 0:33:57.680
<v Speaker 1>were like, oh, man, what's your name. I was like, yeah,

0:33:57.720 --> 0:33:59.520
<v Speaker 1>I'm the teacher, and y'all cuting my class. You're gonna

0:33:59.520 --> 0:34:03.040
<v Speaker 1>get a f you know what I'm saying. And it's

0:34:03.040 --> 0:34:04.560
<v Speaker 1>and it's normally on the first day because I don't

0:34:04.560 --> 0:34:08.360
<v Speaker 1>like y'all attitude. How we walked in on their gass

0:34:09.160 --> 0:34:10.719
<v Speaker 1>and every week I used to play all the beats

0:34:10.719 --> 0:34:12.399
<v Speaker 1>I made all week and just punch them in the nose.

0:34:12.719 --> 0:34:18.280
<v Speaker 1>They'd be like, Professor, you did this this week because

0:34:18.280 --> 0:34:22.560
<v Speaker 1>I was man, I was to You're not though, It's

0:34:22.560 --> 0:34:26.000
<v Speaker 1>not like you can teach your beat this week. You

0:34:27.920 --> 0:34:30.800
<v Speaker 1>want us to wrap over this. Not only is the

0:34:30.880 --> 0:34:35.400
<v Speaker 1>Beast not weak, but I'm inviting Damn. They're all the

0:34:35.520 --> 0:34:39.719
<v Speaker 1>guests from Kanye College dropout to because it's Chicago. He

0:34:39.800 --> 0:34:44.320
<v Speaker 1>comes GLC and Loupe Fiasca comes, uh Prolific, you know,

0:34:44.719 --> 0:34:48.759
<v Speaker 1>brin Fest. I'm bringing all of the guys to my

0:34:49.000 --> 0:34:51.120
<v Speaker 1>class and we had a mixtape at the end of

0:34:51.160 --> 0:34:55.000
<v Speaker 1>the semester, like it was. Mikey Rocks from the Cool

0:34:55.120 --> 0:34:57.719
<v Speaker 1>Kids was in my first class. So to this day,

0:34:57.840 --> 0:34:59.640
<v Speaker 1>mighty be like Professor co Sign, like a lot of

0:34:59.680 --> 0:35:02.080
<v Speaker 1>people know me as professor. No, no, he was a student.

0:35:02.160 --> 0:35:07.160
<v Speaker 1>He's my first student too, Professor Professor Cosign still to

0:35:07.280 --> 0:35:11.120
<v Speaker 1>this day, you know what I'm saying. So, yeah, I

0:35:11.200 --> 0:35:14.279
<v Speaker 1>think that that's where I really put together that. I

0:35:14.320 --> 0:35:15.960
<v Speaker 1>think that's where I got the formula. You know what

0:35:16.000 --> 0:35:18.719
<v Speaker 1>I'm saying, might have been you might be our first professor. Yeah,

0:35:18.840 --> 0:35:21.440
<v Speaker 1>we've had on the show bro right right, we've had

0:35:21.480 --> 0:35:27.360
<v Speaker 1>a sir. We had to serve personal sides. I'm a

0:35:27.440 --> 0:35:33.360
<v Speaker 1>doctor Church, so a doctor of music. Oh you got

0:35:33.440 --> 0:35:40.040
<v Speaker 1>the honorary doctor doctor Church from where harvest? Harvest? Okay,

0:35:41.200 --> 0:35:45.200
<v Speaker 1>Hey Dallas, I'm sipping one more time. I'm sitting one

0:35:45.239 --> 0:35:50.680
<v Speaker 1>more time to the well schooled church. It's just us

0:35:51.280 --> 0:35:57.879
<v Speaker 1>in the streets. Now, you know what, I feel safe

0:35:57.880 --> 0:36:07.360
<v Speaker 1>around you with me. You know you've been in the

0:36:07.400 --> 0:36:13.560
<v Speaker 1>streets with me. Man, that's crazy. So you're the professor

0:36:13.680 --> 0:36:18.800
<v Speaker 1>with the fire beats, completely tapped in, completely immersed in

0:36:18.880 --> 0:36:23.480
<v Speaker 1>the Chicago culture, music culture. M hmm. What does the break?

0:36:24.000 --> 0:36:27.760
<v Speaker 1>Where does the break happen? Because from everything you've just said,

0:36:28.000 --> 0:36:31.759
<v Speaker 1>like you're ready, You're ready for the big league, You're

0:36:31.760 --> 0:36:36.760
<v Speaker 1>ready for the NBA. When does someone recognize your potential?

0:36:37.040 --> 0:36:44.360
<v Speaker 1>And I'm moderating a panel at school, right, and so

0:36:44.520 --> 0:36:46.160
<v Speaker 1>we have guest speakers that come in and talk to

0:36:46.239 --> 0:36:48.319
<v Speaker 1>the students. One of those guest speakers was a guy

0:36:48.360 --> 0:36:50.239
<v Speaker 1>by the name of c l And he had a

0:36:50.480 --> 0:36:54.640
<v Speaker 1>DJ pool called Digi Wax Wax and so on the

0:36:54.760 --> 0:37:00.600
<v Speaker 1>panel he was talking that ship. I'm like afterward, I

0:37:00.640 --> 0:37:01.920
<v Speaker 1>went up to him, like, Yo, you were talking to

0:37:01.960 --> 0:37:04.320
<v Speaker 1>this ship man, how long are you in town? You're like,

0:37:04.400 --> 0:37:06.480
<v Speaker 1>I'm just here for the night man, and I'm like, well,

0:37:07.160 --> 0:37:09.200
<v Speaker 1>it's cool. I want to take you to the West Side.

0:37:09.280 --> 0:37:11.200
<v Speaker 1>Give you some Uncle Remus chicken. I don't know if

0:37:11.239 --> 0:37:13.600
<v Speaker 1>you had Uncle Remus, but that mouth sauce is crazy.

0:37:13.760 --> 0:37:15.800
<v Speaker 1>I know we know him for Heralds, but as a

0:37:15.880 --> 0:37:18.799
<v Speaker 1>West Side er Uncle Remus, you know what I'm saying.

0:37:18.920 --> 0:37:21.600
<v Speaker 1>And then my studio was on Sacramento. Drove h the

0:37:21.680 --> 0:37:25.120
<v Speaker 1>Uncle Remus drove him to the studio, played them some beats.

0:37:25.480 --> 0:37:27.239
<v Speaker 1>He said, all right, cool. So on that panel, I

0:37:27.320 --> 0:37:30.440
<v Speaker 1>know I said I got DIGIAX, but I'm actually partners

0:37:30.520 --> 0:37:34.040
<v Speaker 1>with MS. And he's coming off of this is why

0:37:34.080 --> 0:37:41.239
<v Speaker 1>I'm hot Global Smash smash, and we don't need the

0:37:41.360 --> 0:37:45.200
<v Speaker 1>big producers that the labels are introducing us to. We

0:37:45.360 --> 0:37:47.799
<v Speaker 1>need just something different. I'm not looking for the name.

0:37:47.920 --> 0:37:51.680
<v Speaker 1>I just want a different sound and Yo, Ship is different.

0:37:52.680 --> 0:37:55.399
<v Speaker 1>And so I'm gonna fly you to Atlanta to work

0:37:55.440 --> 0:37:58.239
<v Speaker 1>with MS. I'm like, oh, Ship, you know what I'm saying.

0:37:59.120 --> 0:38:02.240
<v Speaker 1>So the next day my homie comes to the studio

0:38:02.320 --> 0:38:05.880
<v Speaker 1>and say, you ain't the hottest producer in Chicago. Bro,

0:38:05.920 --> 0:38:08.840
<v Speaker 1>It's another nigger. That got you, and I said the

0:38:09.000 --> 0:38:11.960
<v Speaker 1>next day, next day, one of my homies, I said,

0:38:11.960 --> 0:38:14.520
<v Speaker 1>all right, okay, we'll play me to beat that says

0:38:14.600 --> 0:38:16.840
<v Speaker 1>that he's nicer than me. He played the beat in

0:38:16.920 --> 0:38:19.759
<v Speaker 1>the light bulb went off on my head. I said, Oh,

0:38:20.480 --> 0:38:22.160
<v Speaker 1>he liked the beat because it's a hook on it,

0:38:22.239 --> 0:38:23.560
<v Speaker 1>and I don't put hooks on my beat. I just

0:38:23.680 --> 0:38:27.360
<v Speaker 1>be making. I'm a beat maker. I said, look that

0:38:27.440 --> 0:38:29.480
<v Speaker 1>beat that you love. Put that on my on my

0:38:29.560 --> 0:38:32.680
<v Speaker 1>desktop in the studio, and tomorrow'm gonna come in here

0:38:32.719 --> 0:38:35.640
<v Speaker 1>and make that beat, daddy, okay, because you got me

0:38:35.719 --> 0:38:40.120
<v Speaker 1>fucked up. Came in the next day, made the beat, daddy,

0:38:40.520 --> 0:38:43.320
<v Speaker 1>but then set a hook on there. Move if you

0:38:43.440 --> 0:38:45.799
<v Speaker 1>want to, if you want to, if you want to move, move,

0:38:45.960 --> 0:38:50.120
<v Speaker 1>if you want to, just put something there. Sent that

0:38:50.280 --> 0:38:53.239
<v Speaker 1>to At least he jumped right on it. That's my

0:38:53.360 --> 0:38:57.279
<v Speaker 1>first goal. It's my first goal record. Wow, it's my

0:38:57.440 --> 0:39:02.200
<v Speaker 1>first competitive You don't don't come in here and tell

0:39:02.200 --> 0:39:06.000
<v Speaker 1>me I'm not the nicest in are you? Yeah? Are

0:39:06.000 --> 0:39:08.640
<v Speaker 1>you stupid? He dumb? He's stupid, He dumb. I was

0:39:08.760 --> 0:39:12.239
<v Speaker 1>so offended. Took a Jordan and that netflix. I took

0:39:12.239 --> 0:39:15.000
<v Speaker 1>the fence to that. I took offense to that, say

0:39:15.040 --> 0:39:18.359
<v Speaker 1>that bro and went crazy bro. And then I ended

0:39:18.440 --> 0:39:22.680
<v Speaker 1>up executive producing the album. I didn't know that. I

0:39:22.800 --> 0:39:26.040
<v Speaker 1>like seven records on there. Wow, I'm gonna tell you

0:39:26.080 --> 0:39:29.160
<v Speaker 1>how I do. I'm another past are shout out to

0:39:29.239 --> 0:39:31.960
<v Speaker 1>LaToya Lucky. I produced a song with LaToya and M's

0:39:32.000 --> 0:39:36.000
<v Speaker 1>called Love roller Coaster. Yeah, actually you didn't. Did you

0:39:36.080 --> 0:39:38.880
<v Speaker 1>did what you didn't? I didn't because I did her vocals.

0:39:42.440 --> 0:39:44.680
<v Speaker 1>And this is how I find out who the interns are,

0:39:45.400 --> 0:39:50.440
<v Speaker 1>because listen, LaToya, I love you. She wasn't going in

0:39:50.520 --> 0:39:53.319
<v Speaker 1>the studio with some new guys. She had never heard

0:39:53.360 --> 0:39:57.080
<v Speaker 1>of it. And this is when we're doing Regret and

0:39:57.880 --> 0:40:03.239
<v Speaker 1>ye good good to me. Yeah, this is the same

0:40:03.320 --> 0:40:06.640
<v Speaker 1>exact time. She's on Capitol at the Times as well,

0:40:07.280 --> 0:40:13.840
<v Speaker 1>and I remember was it was, and I remember he

0:40:13.920 --> 0:40:16.800
<v Speaker 1>came in there and he's like, Toya, we needs you

0:40:16.880 --> 0:40:19.440
<v Speaker 1>on this man's record and blah blah blah blah, and

0:40:19.680 --> 0:40:22.799
<v Speaker 1>I need you to go in with the producers who

0:40:22.840 --> 0:40:25.320
<v Speaker 1>did it. Their name is the interns. And she's like,

0:40:27.560 --> 0:40:31.919
<v Speaker 1>oh yeah, And I'm literally a fly on the wall,

0:40:32.080 --> 0:40:34.880
<v Speaker 1>like because we're doing we're doing her altum and she like,

0:40:36.719 --> 0:40:41.879
<v Speaker 1>I do JA do my vocals? I'm like, what, it's

0:40:41.920 --> 0:40:49.040
<v Speaker 1>not my song. I don't know that that. Yeah, you

0:40:49.120 --> 0:40:52.520
<v Speaker 1>didn't have to do it. You know tanks on tours.

0:40:53.200 --> 0:40:55.160
<v Speaker 1>You know what I mean tanking. We did our work

0:40:55.200 --> 0:40:57.920
<v Speaker 1>and tanks gone and I end up cutting the vocals.

0:40:58.160 --> 0:41:02.840
<v Speaker 1>That's crazy. So that's how I who Yeah, I credit

0:41:02.880 --> 0:41:07.000
<v Speaker 1>for that. Neither. You won't give me some that's you.

0:41:07.560 --> 0:41:09.040
<v Speaker 1>She should have gave you that out of her piece.

0:41:09.640 --> 0:41:10.960
<v Speaker 1>She should have gave you some pub out of her

0:41:12.200 --> 0:41:16.120
<v Speaker 1>She should have gave your fire something. Some things we

0:41:16.239 --> 0:41:19.279
<v Speaker 1>do for the coaching man. This is how I find

0:41:19.320 --> 0:41:22.920
<v Speaker 1>out who these guys are. Many and that was enough

0:41:23.000 --> 0:41:27.440
<v Speaker 1>pipeline to um do a publishing deal with only a

0:41:27.560 --> 0:41:34.360
<v Speaker 1>TV and Vincent Herbert has signed an artist from Chicago

0:41:34.440 --> 0:41:37.840
<v Speaker 1>by the name of Fieve. Him and Barry Hankerson. And

0:41:39.880 --> 0:41:42.480
<v Speaker 1>it's crazy, but I say Barry was like he was

0:41:42.560 --> 0:41:45.680
<v Speaker 1>the churches to come on, man, come on man, so

0:41:46.840 --> 0:41:59.560
<v Speaker 1>uh shouting, yeah, I got some man. Barry Haggison, he's

0:41:59.560 --> 0:42:03.359
<v Speaker 1>the first Ergin. I remember being in his office two

0:42:03.440 --> 0:42:08.520
<v Speaker 1>days after graduation and he said, so, I heard the

0:42:08.560 --> 0:42:11.960
<v Speaker 1>track stars wanted to sign you, but I don't understand.

0:42:12.000 --> 0:42:13.759
<v Speaker 1>Why would you want to sign to some niggas that

0:42:13.840 --> 0:42:16.600
<v Speaker 1>signed to me. Why woun't you just want to come home?

0:42:16.640 --> 0:42:22.040
<v Speaker 1>Why don't you just come home? I s all right,

0:42:23.200 --> 0:42:30.520
<v Speaker 1>what I'm saying, like wait what and no, no? This

0:42:30.600 --> 0:42:32.480
<v Speaker 1>after me him, So maybe I'm like twenty five now,

0:42:33.200 --> 0:42:36.600
<v Speaker 1>and uh I remember him playing, playing him some beats

0:42:37.640 --> 0:42:40.040
<v Speaker 1>and and some songs, and he was listening. He was like,

0:42:42.160 --> 0:42:45.719
<v Speaker 1>you're real talented, man, it's just you'll beat a little

0:42:45.760 --> 0:42:48.840
<v Speaker 1>light in the ass. And when I tell you about

0:42:49.160 --> 0:42:51.200
<v Speaker 1>one of my ribs cracked when he said, you know,

0:42:51.960 --> 0:42:56.120
<v Speaker 1>say like nothing like that. It beats a little light

0:42:56.160 --> 0:42:57.799
<v Speaker 1>in the ass. But don't worry. Don't worry. I'll get

0:42:57.840 --> 0:43:00.040
<v Speaker 1>you with him. I get you with him, man, and

0:43:00.040 --> 0:43:03.239
<v Speaker 1>then get that together. But that was the beginning of

0:43:03.360 --> 0:43:08.040
<v Speaker 1>me formulating the disrespectful away because you're not gonna tell

0:43:08.080 --> 0:43:09.840
<v Speaker 1>me my beast is light in the ass man, that

0:43:10.080 --> 0:43:12.040
<v Speaker 1>she used to haunt me. And heavy from now on,

0:43:12.800 --> 0:43:16.840
<v Speaker 1>Heavy from now on. I'm saying, yeah, you took everything personally,

0:43:18.000 --> 0:43:22.240
<v Speaker 1>it's looked like nass. He told me. I wasn't a producer.

0:43:23.800 --> 0:43:26.720
<v Speaker 1>So you're you're song right, You're you're a good songwriter.

0:43:26.840 --> 0:43:29.480
<v Speaker 1>You're an amazing vocalist, You're an amazing singer. You're a

0:43:29.520 --> 0:43:32.799
<v Speaker 1>good songwriter, but you're you're not a producer. So we're

0:43:32.840 --> 0:43:35.040
<v Speaker 1>gonna get this. Maybe I deserve produced the right way.

0:43:37.040 --> 0:43:40.400
<v Speaker 1>I just watched you at Love Records in full tank

0:43:40.880 --> 0:43:44.319
<v Speaker 1>tanky production mode. I don't know if you realized how

0:43:44.719 --> 0:43:47.439
<v Speaker 1>much you was in your bag last week. I wasn't

0:43:47.520 --> 0:43:50.920
<v Speaker 1>even Bro, that was until you said it, and then

0:43:50.960 --> 0:43:54.360
<v Speaker 1>Stacy called me. Stacy Barth called me and was like,

0:43:55.719 --> 0:43:57.480
<v Speaker 1>I mean like he said the same thing you said.

0:43:57.480 --> 0:44:02.200
<v Speaker 1>You were just quarterback is it's chaos. It was absolutely

0:44:02.480 --> 0:44:04.200
<v Speaker 1>you saw that there was a leader that needed to

0:44:04.280 --> 0:44:08.840
<v Speaker 1>be somebody need to lead. And how you lead that

0:44:08.960 --> 0:44:13.080
<v Speaker 1>set you got lucky day, you know what I'm saying, Camper, Camper,

0:44:13.600 --> 0:44:17.319
<v Speaker 1>Tim Kelly. It was it was a zoo in the room.

0:44:17.800 --> 0:44:21.160
<v Speaker 1>It was a zoo and I was like, Nana, I

0:44:21.200 --> 0:44:26.640
<v Speaker 1>gotta and the orchestration and then because people have so

0:44:26.800 --> 0:44:28.800
<v Speaker 1>much respect for you the way, everybody just kind of

0:44:28.880 --> 0:44:31.320
<v Speaker 1>fell in line. Bro. I just it was real general

0:44:31.400 --> 0:44:33.880
<v Speaker 1>ship though, and I grew as a producer. You hit

0:44:33.920 --> 0:44:35.880
<v Speaker 1>me the next day. I was like, uh, I agree,

0:44:35.920 --> 0:44:38.920
<v Speaker 1>I didn't because you and it your business in your

0:44:38.960 --> 0:44:42.080
<v Speaker 1>natural habits, set living life. But it's like Barry Hikerson

0:44:42.160 --> 0:44:44.920
<v Speaker 1>telling me I'm not a producer. That's crazy. I'll take

0:44:45.000 --> 0:44:51.359
<v Speaker 1>that personally. I wanted to beat Camping Yes you did,

0:44:51.680 --> 0:44:55.200
<v Speaker 1>Yes you did, and the song he told me that

0:44:55.520 --> 0:45:00.719
<v Speaker 1>wasn't good for production that production state. Yeah, and it

0:45:00.920 --> 0:45:05.560
<v Speaker 1>ended up being the song that was the foundation of

0:45:05.640 --> 0:45:09.960
<v Speaker 1>my career. Shout out listen, shout out to Bara Hankinson

0:45:10.040 --> 0:45:15.200
<v Speaker 1>for applying the pressure absolutely, applying the pressure absolutely because

0:45:15.239 --> 0:45:17.040
<v Speaker 1>if you don't have somebody, because all he's doing is

0:45:17.080 --> 0:45:19.200
<v Speaker 1>telling his truth, right, if you don't have somebody that

0:45:20.080 --> 0:45:22.520
<v Speaker 1>you know that. One of my favorite proverbs, iron Sharper

0:45:22.600 --> 0:45:25.440
<v Speaker 1>is iron. You know what I'm saying, You don't got somebody.

0:45:25.600 --> 0:45:27.520
<v Speaker 1>And that's why I feel like Jay is a cheat code.

0:45:28.040 --> 0:45:30.719
<v Speaker 1>You know what I'm saying for you, because Jake gonna

0:45:30.719 --> 0:45:33.480
<v Speaker 1>talk that ship and goddamn trying to tell you down

0:45:34.239 --> 0:45:38.480
<v Speaker 1>without I'm not without love, but the words would be like,

0:45:41.120 --> 0:45:44.400
<v Speaker 1>you gotta have tough skin, you you gotta be, you

0:45:44.480 --> 0:45:51.959
<v Speaker 1>gotta down, you gotta have tough alligator skin, you gotta

0:45:52.040 --> 0:45:58.360
<v Speaker 1>have Detroit gator skin to deal with. I love it.

0:45:58.719 --> 0:46:02.080
<v Speaker 1>I love it. It's perfect. But but I'm I'm a product.

0:46:02.239 --> 0:46:07.640
<v Speaker 1>You're a product. You're a product of tough teachings. Everything

0:46:07.800 --> 0:46:12.360
<v Speaker 1>was tough love for me. Nothing was nothing was cuddling

0:46:12.520 --> 0:46:16.000
<v Speaker 1>and coddling and and and oh this is because I

0:46:16.080 --> 0:46:30.279
<v Speaker 1>love none of that, straight up, none of it. The

0:46:30.400 --> 0:46:35.680
<v Speaker 1>Interns formed in college, right, so now I'm alone, you know,

0:46:35.880 --> 0:46:38.640
<v Speaker 1>to have a three bedroom home, to bathroom, a couple

0:46:38.640 --> 0:46:42.239
<v Speaker 1>of cards. My mom really set me up while she

0:46:42.400 --> 0:46:44.560
<v Speaker 1>was here, and even after she was here, my mom

0:46:44.719 --> 0:46:49.000
<v Speaker 1>set me up, bro and I paid off the house.

0:46:49.680 --> 0:46:52.040
<v Speaker 1>I paid for my tuition, and I put a studio

0:46:52.040 --> 0:46:55.520
<v Speaker 1>in my basement, and I changed my major to music

0:46:55.640 --> 0:46:59.239
<v Speaker 1>business with a concentration and production. And in this art

0:46:59.360 --> 0:47:04.759
<v Speaker 1>of entreprene newership class, I incorporated this company, the Interns,

0:47:05.280 --> 0:47:07.279
<v Speaker 1>because I met An A and R through a guy

0:47:07.320 --> 0:47:10.200
<v Speaker 1>by the name of Kevin Sean A and R in

0:47:10.280 --> 0:47:16.680
<v Speaker 1>the city name too to to Clark and shout my

0:47:16.800 --> 0:47:20.719
<v Speaker 1>brother man, because he was the one that was like,

0:47:21.040 --> 0:47:23.280
<v Speaker 1>n we don't We're not gonna sign to Barry Hankerson.

0:47:23.320 --> 0:47:25.560
<v Speaker 1>Now that's not the that's not the play. The play

0:47:25.760 --> 0:47:28.120
<v Speaker 1>is let's build it from scratch on our own, out

0:47:28.200 --> 0:47:31.120
<v Speaker 1>the mud. I've always had an idea for the interns,

0:47:31.320 --> 0:47:33.399
<v Speaker 1>and I just thought that name was perfect, especially being

0:47:33.440 --> 0:47:37.640
<v Speaker 1>in college, like hell yeah. And so I did a

0:47:37.680 --> 0:47:41.879
<v Speaker 1>business plan on that company in college when we said

0:47:41.880 --> 0:47:46.239
<v Speaker 1>we were going to produce, manage, and market, and so

0:47:46.400 --> 0:47:50.839
<v Speaker 1>too was the manager. I was the producer. And then

0:47:50.880 --> 0:47:53.680
<v Speaker 1>we shared the marketing. We should throw parties and ship

0:47:53.840 --> 0:47:59.279
<v Speaker 1>like that. In Chicago, we shared that together and after MS,

0:47:59.360 --> 0:48:01.200
<v Speaker 1>after we moved to l A, one of your l

0:48:01.280 --> 0:48:04.040
<v Speaker 1>A parties. I left early. I got about it there.

0:48:04.080 --> 0:48:08.040
<v Speaker 1>It's a good time Chicago. Niggas wild Bro, the niggas

0:48:08.080 --> 0:48:10.560
<v Speaker 1>wild Bro. It's a good time. First days, they do

0:48:10.680 --> 0:48:14.000
<v Speaker 1>that rain dance. They do the rain dance. Chill. I

0:48:14.120 --> 0:48:18.160
<v Speaker 1>think it's called like footworking. Yes, yeah, Footwork's telling footworking

0:48:18.200 --> 0:48:21.960
<v Speaker 1>the rain dance. She is a monster because it has

0:48:22.000 --> 0:48:27.560
<v Speaker 1>a rain see and you gotta and if you really footworking,

0:48:27.880 --> 0:48:30.680
<v Speaker 1>abody has to do this to you. This is when

0:48:30.719 --> 0:48:33.840
<v Speaker 1>you go hypermode when you're dancing and your foot working too.

0:48:35.239 --> 0:48:37.640
<v Speaker 1>Ski ski and you feel somebody do this, then you

0:48:37.680 --> 0:48:47.320
<v Speaker 1>go fast, get me, you got me? Old feel that

0:48:47.440 --> 0:48:51.759
<v Speaker 1>happens if body grab your shirt in the party. Oh man,

0:48:51.960 --> 0:48:55.279
<v Speaker 1>So y'all throwing parties y'all produces, and y'all managing some

0:48:55.320 --> 0:48:58.480
<v Speaker 1>people too, too, started managing feed that the artist I

0:48:58.560 --> 0:49:00.800
<v Speaker 1>was signed the bell, you know what I mean. And

0:49:04.000 --> 0:49:07.200
<v Speaker 1>we uh, we were doing sessions out here, like as

0:49:07.239 --> 0:49:08.919
<v Speaker 1>soon as we get this sony, they just started putting

0:49:08.960 --> 0:49:12.239
<v Speaker 1>us on the blind date. Y'all living in Chicago still, No,

0:49:12.400 --> 0:49:16.040
<v Speaker 1>we moved in uh oh nine, so after Him's happened,

0:49:16.640 --> 0:49:18.400
<v Speaker 1>I see it. We got about it there, moved to

0:49:18.440 --> 0:49:22.680
<v Speaker 1>Woodland Hills. Um. I moved family and my mama's house

0:49:22.760 --> 0:49:25.080
<v Speaker 1>so that I could just come home and kind of,

0:49:25.200 --> 0:49:29.080
<v Speaker 1>you know, go back and forth. And I remember one

0:49:29.080 --> 0:49:31.520
<v Speaker 1>of our first sessions, not our first session was with

0:49:31.600 --> 0:49:40.120
<v Speaker 1>the Jackie Boys too, yes, sir, and they was like

0:49:41.000 --> 0:49:42.680
<v Speaker 1>it was a session with us. They had to leave

0:49:42.719 --> 0:49:44.600
<v Speaker 1>early because they had to go work with Shaun Kingston

0:49:44.640 --> 0:49:46.279
<v Speaker 1>and it was burnt out there, like yo, even on

0:49:46.360 --> 0:49:50.560
<v Speaker 1>the Shaun Kinson album. I have no more ideas, Coach,

0:49:50.920 --> 0:49:55.480
<v Speaker 1>please come with us to this session. And I was like,

0:49:55.480 --> 0:49:56.960
<v Speaker 1>why y'all want me? You know what I'm saying. You

0:49:57.000 --> 0:49:59.080
<v Speaker 1>got Benny Blanco as the producer. You know what I'm saying,

0:49:59.080 --> 0:50:02.000
<v Speaker 1>I'm a producer, and no, you're a writer, coach, and

0:50:02.080 --> 0:50:04.120
<v Speaker 1>even if you don't feel like writing, at least just

0:50:04.239 --> 0:50:10.360
<v Speaker 1>come and talk have fun. So I go there, they

0:50:10.440 --> 0:50:13.920
<v Speaker 1>pull up the song and it's like it's almost like

0:50:13.960 --> 0:50:15.800
<v Speaker 1>a look. You know, Shaun Kingston kind of had like

0:50:15.840 --> 0:50:19.400
<v Speaker 1>a little Caribbean twang too. So I'm just making making

0:50:19.520 --> 0:50:24.319
<v Speaker 1>jokes like she's indecisive, luking my eyes. Girl, come up

0:50:24.360 --> 0:50:26.799
<v Speaker 1>with the closa. I'm like just like doing wild ship,

0:50:26.920 --> 0:50:31.600
<v Speaker 1>just cracking jokes that the jokes turned into Shaun Kingston

0:50:31.680 --> 0:50:36.839
<v Speaker 1>featuring Justin Bieber, Any Meeting shot any Meani might need

0:50:36.920 --> 0:50:43.239
<v Speaker 1>more love. Yo, that's my first co wrote it with

0:50:43.239 --> 0:50:50.280
<v Speaker 1>the Jackie Boards. It's my first multi platinum plaque. Wow,

0:50:52.840 --> 0:50:55.920
<v Speaker 1>just by the homies saying come and crack jokes, come

0:50:56.000 --> 0:50:58.600
<v Speaker 1>crack jokes with us nicking. The song is called any Meeting,

0:50:59.160 --> 0:51:00.680
<v Speaker 1>So I mean, I get it, I get it. It's

0:51:01.800 --> 0:51:10.279
<v Speaker 1>I said, she's in decisive. So I remember thinking that

0:51:10.480 --> 0:51:12.520
<v Speaker 1>I was supposed to be cool now, like on a

0:51:12.560 --> 0:51:15.839
<v Speaker 1>whole another level because I got MS, I got Justin

0:51:15.920 --> 0:51:19.000
<v Speaker 1>Bieber and a gold plack, got a platinum plaque. I

0:51:19.080 --> 0:51:23.160
<v Speaker 1>should be the nigga out here. I wasn't I know,

0:51:23.280 --> 0:51:26.879
<v Speaker 1>I've gotten you into the club. I was struggling. I'm

0:51:26.960 --> 0:51:31.200
<v Speaker 1>still struggling. Hurry up, so we're about to walk in

0:51:31.560 --> 0:51:34.960
<v Speaker 1>struggle okay, coach fixing the jacket and shirt and ship,

0:51:35.360 --> 0:51:38.319
<v Speaker 1>still trying to get across the street coast. Hurry up,

0:51:38.719 --> 0:51:42.239
<v Speaker 1>you're not gonna get in. Get in, coach. Once we're

0:51:42.320 --> 0:51:47.799
<v Speaker 1>in it, you're done. So like, it was like trying

0:51:47.840 --> 0:51:49.759
<v Speaker 1>to get over the hump of why don't you let

0:51:49.800 --> 0:51:51.880
<v Speaker 1>me in the club? Off my face? Car? Why is

0:51:51.920 --> 0:51:54.479
<v Speaker 1>it not? Why is this not enough? Because A hunting

0:51:54.560 --> 0:51:58.880
<v Speaker 1>niggas with the placement. Man, it's true. So at the

0:51:58.960 --> 0:52:02.279
<v Speaker 1>time my manner, it was Troy Carter and he had

0:52:02.360 --> 0:52:05.799
<v Speaker 1>Lady gott got signed. So I'm like, all right, that's

0:52:05.840 --> 0:52:07.839
<v Speaker 1>it man, I'm gonna get on this guy album. It's

0:52:07.840 --> 0:52:12.359
<v Speaker 1>a lay up. And I started making the beats right

0:52:12.880 --> 0:52:15.239
<v Speaker 1>all right? I do. I call him glow stick music.

0:52:15.440 --> 0:52:18.720
<v Speaker 1>There you can glow stick. I started. Yeah, I started

0:52:18.760 --> 0:52:21.839
<v Speaker 1>trying to because it's like floor, Yeah, your tank sets

0:52:21.880 --> 0:52:25.520
<v Speaker 1>for on the floor because you know he's a it's

0:52:25.560 --> 0:52:28.200
<v Speaker 1>gonna step about front. When you hear that, you think

0:52:28.280 --> 0:52:30.600
<v Speaker 1>Nix is coming out of nowhere. All right, it's time

0:52:30.640 --> 0:52:35.000
<v Speaker 1>for me trying to leave me on my birthday Vegas.

0:52:35.080 --> 0:52:37.320
<v Speaker 1>After our meeting. I took him. I took him. It

0:52:37.360 --> 0:52:39.000
<v Speaker 1>was a bunch of us we went. It was we

0:52:39.160 --> 0:52:41.640
<v Speaker 1>left at his house and went to this club and

0:52:41.760 --> 0:52:43.520
<v Speaker 1>it was fall on the floor and it was jumping

0:52:43.520 --> 0:52:46.799
<v Speaker 1>because it's New Years New Year's Path, and and they're

0:52:46.800 --> 0:52:49.200
<v Speaker 1>sitting there. I'm having the time of my life. First

0:52:49.200 --> 0:52:55.560
<v Speaker 1>of I'm a little hot, and these things sitting let's

0:52:55.560 --> 0:53:03.399
<v Speaker 1>go mad, go with me, come out? Why don't your party?

0:53:03.400 --> 0:53:05.759
<v Speaker 1>And Jay, it's good. I was sitting just like this,

0:53:06.239 --> 0:53:15.400
<v Speaker 1>just listen to So I never got a really gut guy.

0:53:15.400 --> 0:53:17.800
<v Speaker 1>I never got the studio with what I'm saying. I

0:53:17.880 --> 0:53:19.400
<v Speaker 1>never even got in the studio with lady. Did you

0:53:19.440 --> 0:53:22.439
<v Speaker 1>meet her? I met her? Big all the little cool

0:53:22.680 --> 0:53:30.240
<v Speaker 1>that don't do speak on and So Katie Welly, Katie Welly,

0:53:30.680 --> 0:53:33.240
<v Speaker 1>Katie shout out a couple of times on this podcast

0:53:33.400 --> 0:53:37.200
<v Speaker 1>because Katie Welly is the reason why I can't let

0:53:37.320 --> 0:53:40.960
<v Speaker 1>It show. Katie has something to do with kat let

0:53:41.000 --> 0:53:44.399
<v Speaker 1>it show because of the sample sample helping us get

0:53:44.440 --> 0:53:49.040
<v Speaker 1>to Kate Bush, Katie Welly, big John, Yeah, yeah, yeah, yeah,

0:53:49.760 --> 0:53:55.359
<v Speaker 1>we wanted a mad dash Katie Wow. Katie Welly had

0:53:56.400 --> 0:54:00.560
<v Speaker 1>one of the most uncomfortable conversations of her life because

0:54:00.600 --> 0:54:03.080
<v Speaker 1>I saw her struggling trying to tell me what she

0:54:03.120 --> 0:54:06.839
<v Speaker 1>wanted to tell me. She was like, CO signed. It's

0:54:08.200 --> 0:54:12.239
<v Speaker 1>when we signed you guys. We were hoping that we

0:54:12.280 --> 0:54:17.360
<v Speaker 1>would get some of that like Chicago ghetto bounce, like

0:54:17.560 --> 0:54:20.120
<v Speaker 1>the Boom, like the aid. Like. I was like, you

0:54:20.160 --> 0:54:22.799
<v Speaker 1>want some you want the ship ship huh, you want

0:54:22.960 --> 0:54:29.600
<v Speaker 1>the boom, Katie? She couldn't. It's tough when you gotta

0:54:29.640 --> 0:54:32.000
<v Speaker 1>make white people talk like that. This is snickering, but

0:54:32.160 --> 0:54:35.279
<v Speaker 1>she was. She was trying to it's your fault. I like,

0:54:35.280 --> 0:54:37.560
<v Speaker 1>given her what she signed you for. I wasn't. I

0:54:37.760 --> 0:54:40.480
<v Speaker 1>was not. I was not. She had our logo in

0:54:40.560 --> 0:54:44.560
<v Speaker 1>her office, and I was just She mentioned us in

0:54:44.760 --> 0:54:47.360
<v Speaker 1>her thirty for thirty under Billboard. That touched me. I

0:54:47.440 --> 0:54:49.000
<v Speaker 1>was like, Yo, we just met you. You don't had

0:54:49.040 --> 0:54:52.839
<v Speaker 1>to drop our name and Billboard. That was a big

0:54:52.960 --> 0:54:55.759
<v Speaker 1>look for us, for her to for her to drop

0:54:55.840 --> 0:54:58.600
<v Speaker 1>our drop our names in her article. And so she

0:54:58.760 --> 0:55:00.799
<v Speaker 1>was like just trying to expe ass like I want

0:55:00.840 --> 0:55:03.040
<v Speaker 1>the old you back. I don't want the Lady Gaga

0:55:03.200 --> 0:55:12.480
<v Speaker 1>chaser after broke that. Bro, that's when you can tell

0:55:12.520 --> 0:55:15.200
<v Speaker 1>the motherfucker, Like, stop chasing that lot of take it

0:55:15.360 --> 0:55:18.640
<v Speaker 1>right there, because a lot of times in this business,

0:55:19.360 --> 0:55:24.120
<v Speaker 1>we choose our business partnerships by who people work with

0:55:24.440 --> 0:55:27.840
<v Speaker 1>or for thinking they're gonna get us in those rooms

0:55:27.960 --> 0:55:30.960
<v Speaker 1>or put us in and it's like, that's not your path,

0:55:31.080 --> 0:55:35.640
<v Speaker 1>that's not even what you do. Why are you chasing like, man,

0:55:35.719 --> 0:55:41.160
<v Speaker 1>I've watched so many um you know, being politically correct

0:55:41.239 --> 0:55:48.920
<v Speaker 1>as I am never um urban artists, go get white management.

0:55:49.239 --> 0:55:54.000
<v Speaker 1>There you go the funk are you doing? Funk are

0:55:54.080 --> 0:55:57.520
<v Speaker 1>you doing? Get with the people who understand what you

0:55:57.719 --> 0:56:03.400
<v Speaker 1>do and be great, know where to take and be great. Relax, Relax.

0:56:03.719 --> 0:56:05.920
<v Speaker 1>You're not getting on those projects and you're not getting

0:56:05.920 --> 0:56:07.799
<v Speaker 1>in those rooms. And if you get in that room,

0:56:07.840 --> 0:56:09.680
<v Speaker 1>in that room, it's going to be what you call

0:56:09.760 --> 0:56:12.520
<v Speaker 1>it earlier, the photo op and other ship that's not

0:56:12.560 --> 0:56:15.240
<v Speaker 1>going to touch that does not touch your bank account.

0:56:15.440 --> 0:56:18.840
<v Speaker 1>Straight up. So man, big shout to Katie for this

0:56:19.000 --> 0:56:24.360
<v Speaker 1>conversation of like, yeah, after she says, get back to you.

0:56:25.480 --> 0:56:28.640
<v Speaker 1>One of my partners from Chicago dialer, Man, you know

0:56:28.640 --> 0:56:31.200
<v Speaker 1>what I'm saying. He worked with Dirk Oh TF you

0:56:31.239 --> 0:56:34.520
<v Speaker 1>know what I'm saying. He was He was a role

0:56:34.640 --> 0:56:39.520
<v Speaker 1>managing Big Sean and he introduced me to him and

0:56:39.680 --> 0:56:43.840
<v Speaker 1>I remember playing him some beats. And this is before

0:56:43.880 --> 0:56:46.279
<v Speaker 1>I started smoking weekly. I used to be allergic. That's

0:56:46.280 --> 0:56:49.359
<v Speaker 1>a whole another story. I want to touch that before

0:56:49.440 --> 0:56:56.080
<v Speaker 1>stay and you were allergic to it were past tense

0:56:57.239 --> 0:57:00.279
<v Speaker 1>that used to be allergic to weed, and way like,

0:57:00.320 --> 0:57:02.319
<v Speaker 1>what was your reaction? Like hitch, Like as soon as

0:57:02.360 --> 0:57:05.719
<v Speaker 1>I tap it, my whole face is Sweller in real life.

0:57:06.880 --> 0:57:09.480
<v Speaker 1>And so that was I remember in high school. I

0:57:09.480 --> 0:57:13.760
<v Speaker 1>gave it a try and my mama being like because

0:57:13.760 --> 0:57:15.879
<v Speaker 1>I wasn't allergic to anything, you know what I'm saying,

0:57:16.120 --> 0:57:17.960
<v Speaker 1>and my mama being like Medicael, and I was like, man,

0:57:18.000 --> 0:57:20.840
<v Speaker 1>I went to Long John Silva's. It was the fish

0:57:20.920 --> 0:57:23.800
<v Speaker 1>at Long John Silva's. You know what I'm saying. She's like, Minicael,

0:57:23.840 --> 0:57:25.200
<v Speaker 1>you have to stay away from that. I don't. I've

0:57:25.240 --> 0:57:30.360
<v Speaker 1>never taken you there. Why are you figured that? The

0:57:30.440 --> 0:57:34.560
<v Speaker 1>whole time? Mr Weed? And it wasn't until I broke

0:57:34.680 --> 0:57:38.880
<v Speaker 1>up with my first baby Mama that I was on

0:57:38.960 --> 0:57:42.080
<v Speaker 1>some real depression. And I also was working with James

0:57:42.120 --> 0:57:46.400
<v Speaker 1>Foller Roy a lot. So between the depression, between the

0:57:46.440 --> 0:57:49.800
<v Speaker 1>depression and the curiosity, and he's gonna make it look

0:57:49.840 --> 0:57:52.080
<v Speaker 1>fun too. I just stayed in the house and built

0:57:52.160 --> 0:57:55.480
<v Speaker 1>up a tolerance, like my face would be swollen, and

0:57:55.560 --> 0:57:58.800
<v Speaker 1>I just fought through it. I fought through it until

0:57:58.840 --> 0:58:03.000
<v Speaker 1>my body knew it's gonna to kill me. So my

0:58:03.080 --> 0:58:06.080
<v Speaker 1>body was like, all right, we got it. We got it.

0:58:06.240 --> 0:58:08.680
<v Speaker 1>Like the kid who eats dirt, really what that is.

0:58:11.240 --> 0:58:13.000
<v Speaker 1>It was a lot of ship happening to my body,

0:58:14.200 --> 0:58:15.720
<v Speaker 1>and I just was like, we can get through this.

0:58:18.640 --> 0:58:22.280
<v Speaker 1>Nigga conditioned himself to smoke weed. You can't get through this.

0:58:23.120 --> 0:58:28.560
<v Speaker 1>You like the Chronicles of Riddick. No, bro, you are wild, insane.

0:58:29.000 --> 0:58:30.800
<v Speaker 1>So you meet Big Sean. So I mean Big Sean.

0:58:30.880 --> 0:58:32.919
<v Speaker 1>He hit in the weed and he stopped and said,

0:58:33.120 --> 0:58:36.720
<v Speaker 1>am I high? Or are these beats really good? I

0:58:36.840 --> 0:58:38.840
<v Speaker 1>took offense to that, you know what I'm saying, like

0:58:38.960 --> 0:58:41.160
<v Speaker 1>because I don't even know what that even means, Like

0:58:41.320 --> 0:58:45.200
<v Speaker 1>you mean, are you hot? And I remember leaving, I

0:58:45.360 --> 0:58:49.600
<v Speaker 1>was with my homie, Aaron Michael Cox, alright, my my

0:58:49.800 --> 0:58:55.960
<v Speaker 1>younger brother, and dialer was like, yo, look man, calm down,

0:58:56.000 --> 0:58:58.280
<v Speaker 1>I'm gonna have him come by your studio. Came by

0:58:58.320 --> 0:59:02.480
<v Speaker 1>the studio and I was working on the track. The

0:59:02.560 --> 0:59:04.200
<v Speaker 1>first track that I was working on was a little

0:59:04.280 --> 0:59:06.400
<v Speaker 1>like light in the ass, like what Barry was saying.

0:59:07.480 --> 0:59:09.960
<v Speaker 1>And then um, he kind of stopped the session and

0:59:10.040 --> 0:59:11.560
<v Speaker 1>was like, all right, what hold on? If I got

0:59:11.680 --> 0:59:13.720
<v Speaker 1>to beat in my head though, I got an idea

0:59:13.720 --> 0:59:15.960
<v Speaker 1>in my mind, can you make something to something I have?

0:59:16.560 --> 0:59:19.840
<v Speaker 1>I'm like, yeah, go for it, like what you got

0:59:20.680 --> 0:59:26.560
<v Speaker 1>that man said ass ass ass ass ass ass as

0:59:26.840 --> 0:59:30.920
<v Speaker 1>as as as as as as as as as as

0:59:31.160 --> 0:59:36.920
<v Speaker 1>as as as stopped. I make that motherfucker Hammertime in

0:59:40.520 --> 0:59:48.280
<v Speaker 1>roll And in the moment I was like, yo, that

0:59:48.680 --> 0:59:53.400
<v Speaker 1>is I started clapping. I remember myself clapping like so poetic,

0:59:53.960 --> 0:59:56.360
<v Speaker 1>you know what I'm saying. I wanted the keyboard like

1:00:01.480 --> 1:00:04.600
<v Speaker 1>you know what I'm saying. Then I thought about him

1:00:04.640 --> 1:00:08.080
<v Speaker 1>saying make that motherfucking hammertime. I said, oh, let me

1:00:08.120 --> 1:00:14.800
<v Speaker 1>get that guy damn hammer download. Yeah, yeah, yeah. And

1:00:14.880 --> 1:00:18.920
<v Speaker 1>I remember in Hammertime when he said now broke it down, now,

1:00:19.680 --> 1:00:21.400
<v Speaker 1>didn't I remember that it was a time where the

1:00:21.520 --> 1:00:24.840
<v Speaker 1>record went somewhere else because he said now broke it down.

1:00:24.920 --> 1:00:27.880
<v Speaker 1>That so when we said make that motherfucker hammertons Barry

1:00:28.000 --> 1:00:30.560
<v Speaker 1>James Brown as I had to go to that piece

1:00:30.600 --> 1:00:32.160
<v Speaker 1>of the sample when he said break it down that

1:00:32.240 --> 1:00:37.200
<v Speaker 1>in its inn dropped that bitch right there, my eight

1:00:37.280 --> 1:00:42.800
<v Speaker 1>oh eight that said Mr Barry Hackerston, you don't know me, Katie, Katy,

1:00:42.880 --> 1:00:48.680
<v Speaker 1>this for you baby, And now man, we now we

1:00:48.920 --> 1:00:53.000
<v Speaker 1>now we double platinum. Now we're in the club finally

1:00:53.320 --> 1:00:56.160
<v Speaker 1>feeling what we want to feel in the club. I

1:00:56.240 --> 1:00:58.880
<v Speaker 1>felt felt like I made it with you. You had that.

1:00:58.960 --> 1:01:02.880
<v Speaker 1>I was like, hols, my young nigga did Dad would

1:01:02.920 --> 1:01:11.480
<v Speaker 1>come on? They got great? So yeah, that was that.

1:01:11.800 --> 1:01:14.880
<v Speaker 1>That gave me the feeling I was. I was, man,

1:01:14.960 --> 1:01:17.960
<v Speaker 1>I was looking for that feeling. And then Nicky jumped

1:01:17.960 --> 1:01:21.040
<v Speaker 1>on the remix and said, in the Islands of Wikiki,

1:01:25.920 --> 1:01:28.680
<v Speaker 1>it's like, oh, we're going again. We're going again more.

1:01:32.640 --> 1:01:37.280
<v Speaker 1>And this was like the beginning of the fucking the run, bro,

1:01:37.480 --> 1:01:41.120
<v Speaker 1>This was the beginning of like those guys got it,

1:01:41.480 --> 1:01:43.240
<v Speaker 1>you know what I'm saying, So give us a rundown

1:01:43.280 --> 1:01:45.640
<v Speaker 1>of that. And then with that, what that turns into

1:01:45.760 --> 1:01:47.640
<v Speaker 1>what the what the records that come after the like

1:01:47.920 --> 1:01:49.880
<v Speaker 1>how does how this plays out? When you get those

1:01:49.920 --> 1:01:53.960
<v Speaker 1>phone calls now that are like I need that because

1:01:54.360 --> 1:01:56.680
<v Speaker 1>that is a that's a very real thing in this industry.

1:01:57.720 --> 1:02:02.040
<v Speaker 1>They don't want variety, they want that. They want what's proven.

1:02:03.160 --> 1:02:09.520
<v Speaker 1>And you into found a space, this proven space for

1:02:09.600 --> 1:02:12.480
<v Speaker 1>the interns where y'all niggas cooked and made a lot

1:02:12.560 --> 1:02:14.959
<v Speaker 1>of money and had a lot of success. So after

1:02:15.120 --> 1:02:18.200
<v Speaker 1>ask give us yeah, I mean, that was it. It

1:02:18.320 --> 1:02:21.560
<v Speaker 1>was just like one. It was like all of the

1:02:21.680 --> 1:02:24.600
<v Speaker 1>political the fight that we was trying to get just

1:02:24.800 --> 1:02:29.280
<v Speaker 1>literally scooted to the side. Like it turned into I

1:02:29.320 --> 1:02:32.080
<v Speaker 1>didn't even care who I was working with. Every day,

1:02:32.120 --> 1:02:34.760
<v Speaker 1>I knew somebody popping was gonna be at the studio,

1:02:35.400 --> 1:02:37.480
<v Speaker 1>and I knew he was going to deliver. I looked

1:02:37.520 --> 1:02:42.240
<v Speaker 1>at my ask cap uh the other day and it's

1:02:42.280 --> 1:02:46.439
<v Speaker 1>three hundred seventeen joints in there. Three seven. My goal

1:02:47.560 --> 1:02:50.400
<v Speaker 1>is six hundred, So I'm halfway home, you know what

1:02:50.440 --> 1:02:53.800
<v Speaker 1>I'm saying. But a lot of the beef was in

1:02:53.960 --> 1:02:56.680
<v Speaker 1>this era. So after that, I remember having a meeting

1:02:56.720 --> 1:03:00.080
<v Speaker 1>wood Karen Quak, dropping off some beasts to Karen what

1:03:01.240 --> 1:03:04.840
<v Speaker 1>she gave those beats too. A good friend of hers

1:03:04.880 --> 1:03:08.840
<v Speaker 1>by the name of the Dream. The Dream was on

1:03:08.960 --> 1:03:13.800
<v Speaker 1>tour with Rihanna and going through beats wrote her a song.

1:03:14.440 --> 1:03:16.880
<v Speaker 1>The last song on her album. He wrote a song

1:03:17.000 --> 1:03:23.720
<v Speaker 1>called Kate Kate, Kate, Kate, Kate Kate, And I remember

1:03:23.720 --> 1:03:25.960
<v Speaker 1>when I made that bet because I originally made that

1:03:26.040 --> 1:03:29.120
<v Speaker 1>beat for Christina Aguilera and Eric Belinger wrote the song.

1:03:29.200 --> 1:03:33.960
<v Speaker 1>It's a song called Mary Go Around. And in typical

1:03:34.040 --> 1:03:36.600
<v Speaker 1>like industry fashion, you do a record that you love

1:03:36.920 --> 1:03:39.080
<v Speaker 1>and they don't pay for it. It never comes out.

1:03:39.880 --> 1:03:41.560
<v Speaker 1>And I'm just like, you know what, man, I'm about

1:03:41.600 --> 1:03:44.280
<v Speaker 1>to start moving these beats around. You won't pay me

1:03:44.400 --> 1:03:47.040
<v Speaker 1>for the beat. I'm giving it to somebody else. That

1:03:47.240 --> 1:03:53.840
<v Speaker 1>somebody else was Rehanna, and that's a good brod. I

1:03:54.040 --> 1:03:58.320
<v Speaker 1>remember when we first got the news that the song

1:03:58.480 --> 1:04:00.200
<v Speaker 1>was going on the album. They told he it was

1:04:00.200 --> 1:04:02.320
<v Speaker 1>an interlude, and me and to him, we got into

1:04:02.320 --> 1:04:07.200
<v Speaker 1>a fist fight because I was so mad that we

1:04:07.360 --> 1:04:10.360
<v Speaker 1>finally won the Rihanna Sweepsteaks and they were talking about

1:04:10.440 --> 1:04:13.360
<v Speaker 1>we weren't gonna get publishing because it was just the

1:04:13.440 --> 1:04:16.680
<v Speaker 1>interlude and you know, we will pay your feed but

1:04:17.480 --> 1:04:20.560
<v Speaker 1>and I'm just like, come on, man, like this is

1:04:20.680 --> 1:04:23.440
<v Speaker 1>this is one of these is it? Like? You know

1:04:23.480 --> 1:04:26.360
<v Speaker 1>what I'm saying this one? And I remember to being like,

1:04:27.480 --> 1:04:29.440
<v Speaker 1>but you gotta relax, man, this is the best on

1:04:29.600 --> 1:04:32.200
<v Speaker 1>the album. All this ship is gonna go like chill

1:04:32.400 --> 1:04:36.080
<v Speaker 1>like he knew, knew the whole time. He was like chilled.

1:04:36.120 --> 1:04:39.120
<v Speaker 1>I'm like the funk that man sick at it, you

1:04:39.160 --> 1:04:43.360
<v Speaker 1>know what? Full and he was he was like a

1:04:43.440 --> 1:04:45.720
<v Speaker 1>little trade with with dope. Boy. Guys, why are you

1:04:45.840 --> 1:04:47.960
<v Speaker 1>being in my head like that? Why are you just

1:04:48.080 --> 1:04:51.720
<v Speaker 1>getting say the joke before me? I'm trying to get

1:04:51.760 --> 1:04:54.120
<v Speaker 1>to the world. What are you talking about? Swing trying

1:04:54.120 --> 1:05:02.280
<v Speaker 1>to knock the air out? Because I was Coast so well, like, listen, guys,

1:05:02.760 --> 1:05:07.040
<v Speaker 1>Coast Coast is the nicest guy ever. He doesn't want

1:05:07.040 --> 1:05:09.560
<v Speaker 1>to fight, he doesn't want to do those things. So

1:05:09.720 --> 1:05:12.240
<v Speaker 1>to get him to that point, man to really make

1:05:12.320 --> 1:05:16.600
<v Speaker 1>it mad and and he's still gonna just punch the air.

1:05:18.920 --> 1:05:22.040
<v Speaker 1>That's it. So I'm swinging trying to knock the air out,

1:05:22.480 --> 1:05:24.960
<v Speaker 1>you know what I'm saying too, like trying to call

1:05:25.000 --> 1:05:29.120
<v Speaker 1>me down. And then like a few weeks later, I'm

1:05:29.160 --> 1:05:32.720
<v Speaker 1>in Greatstone and I hear the DJ say like we

1:05:32.840 --> 1:05:35.040
<v Speaker 1>got Rihanna in the building, blah blah blah BLAHM Like yo,

1:05:35.120 --> 1:05:38.400
<v Speaker 1>I'm on this lady album. She got me as an interlude.

1:05:38.640 --> 1:05:40.880
<v Speaker 1>I ain never even met this lady, and I saw

1:05:41.000 --> 1:05:45.280
<v Speaker 1>Chris and a coute. I'm just like Chris Man. I

1:05:45.440 --> 1:05:48.040
<v Speaker 1>just heard the DJ saying Rihanna was here. I produced

1:05:48.080 --> 1:05:50.760
<v Speaker 1>birthday cake and I never even met her. He's like, oh,

1:05:50.800 --> 1:05:54.800
<v Speaker 1>you ain't never met Rihanna. Come on, man walks me

1:05:54.960 --> 1:06:02.280
<v Speaker 1>over there to the section. Bro c we re. He says, Rihanna,

1:06:02.400 --> 1:06:05.000
<v Speaker 1>this is CoA signed from the interns. They did. They

1:06:05.040 --> 1:06:08.240
<v Speaker 1>did a birthday cake for you. She said, Oh my god,

1:06:08.320 --> 1:06:12.040
<v Speaker 1>you did? You did? I love that song? Dive into

1:06:12.160 --> 1:06:16.640
<v Speaker 1>my arms. I've seen the pictures flashing. I envisioned myself

1:06:16.680 --> 1:06:20.480
<v Speaker 1>on media take out as her new boyfriend. I knew

1:06:20.520 --> 1:06:24.200
<v Speaker 1>they was going right. Who was the mystery man with Rihanna?

1:06:25.320 --> 1:06:28.120
<v Speaker 1>So I'm I'm actually holding onto the hug a little

1:06:28.160 --> 1:06:31.480
<v Speaker 1>longer so that I can have this moment of her

1:06:31.520 --> 1:06:34.040
<v Speaker 1>new nigga. You know what, I'm saying that happy and

1:06:34.120 --> 1:06:39.480
<v Speaker 1>we're happy, and we're happy and we have this funny

1:06:39.520 --> 1:06:42.120
<v Speaker 1>because the media takeout article that I ended up getting

1:06:42.360 --> 1:06:45.720
<v Speaker 1>was with Angela Simmons and they named they put somebody

1:06:45.760 --> 1:06:47.960
<v Speaker 1>else name on top of man. They didn't put my name.

1:06:48.000 --> 1:06:50.960
<v Speaker 1>It was like a basketball player it was like Angela

1:06:51.040 --> 1:06:55.000
<v Speaker 1>was such a such she just like, guys, we're supposed

1:06:55.000 --> 1:06:57.240
<v Speaker 1>to do this for Rihanna man and actually used my name.

1:06:57.560 --> 1:07:00.760
<v Speaker 1>But anyway, she said, I have the idea. Though, I

1:07:00.840 --> 1:07:04.200
<v Speaker 1>have an idea. I think I'm gonna put Chris Brown

1:07:04.280 --> 1:07:06.600
<v Speaker 1>on the remix. So I want you to come by

1:07:07.040 --> 1:07:10.360
<v Speaker 1>because my fans are asking for the Rihanna Navy wants

1:07:10.440 --> 1:07:14.680
<v Speaker 1>the whole song. I'm just like Chris Brown on this,

1:07:15.920 --> 1:07:17.840
<v Speaker 1>y'all back to y'all going to get back together for this.

1:07:18.480 --> 1:07:22.600
<v Speaker 1>So I'm not your boyfriend. So I'm not your boyfriend.

1:07:22.640 --> 1:07:24.919
<v Speaker 1>But the people for me to take out any ship,

1:07:25.360 --> 1:07:29.080
<v Speaker 1>they don't write this up because I'm not. Because she

1:07:29.200 --> 1:07:34.400
<v Speaker 1>can get why and yeah, she called Chris and that

1:07:34.560 --> 1:07:36.800
<v Speaker 1>remix came out and went to number one. And when

1:07:36.800 --> 1:07:42.200
<v Speaker 1>I tell you, I had never got a performance check different.

1:07:42.680 --> 1:07:46.680
<v Speaker 1>It's different the performance when it's on radio, when the

1:07:46.760 --> 1:07:50.040
<v Speaker 1>song performs, when performed, every song does not perform. Every song.

1:07:50.080 --> 1:07:52.640
<v Speaker 1>Don't dance for you. Yeah, so don't dance for you

1:07:53.320 --> 1:07:56.919
<v Speaker 1>now watch this though. It's crazy because to this day,

1:07:57.600 --> 1:08:01.160
<v Speaker 1>that version of the song is not available in iTunes

1:08:01.240 --> 1:08:05.120
<v Speaker 1>or Spotify and it's never been sold. So I've had

1:08:05.200 --> 1:08:07.880
<v Speaker 1>this conversation with Dream a few times, like, bro, like,

1:08:08.880 --> 1:08:12.880
<v Speaker 1>how much money didn't we get because we never sold

1:08:12.960 --> 1:08:15.280
<v Speaker 1>it and people can't stream it. He was like, it

1:08:15.360 --> 1:08:18.720
<v Speaker 1>ain't nothing crazy, goes like four or six million? Nothing

1:08:18.760 --> 1:08:28.160
<v Speaker 1>crazy though, he's too rich, he's too rich. Understand because

1:08:28.200 --> 1:08:30.600
<v Speaker 1>he understand. He to understand where no, no, no, no,

1:08:30.680 --> 1:08:37.280
<v Speaker 1>he understand. He understands. It's I respected slapped you upside

1:08:37.320 --> 1:08:39.960
<v Speaker 1>your head. It's nothing crazy six million like you like

1:08:40.479 --> 1:08:44.160
<v Speaker 1>you're like, but then, yeah, there was a there was

1:08:44.200 --> 1:08:45.840
<v Speaker 1>a there was a different thing that that went along

1:08:45.880 --> 1:08:48.000
<v Speaker 1>with that record. So I get it. I get it,

1:08:48.320 --> 1:08:50.120
<v Speaker 1>But I will say that record couldn't come out. I

1:08:50.200 --> 1:08:53.519
<v Speaker 1>will say if at any point because this year is

1:08:53.600 --> 1:08:56.519
<v Speaker 1>the tenuere anniversary of talk that talk of that album

1:08:56.920 --> 1:09:01.439
<v Speaker 1>tenor anniversary this year two she ever puts that version

1:09:01.560 --> 1:09:04.960
<v Speaker 1>up in the streaming UM until my wife's packard ship

1:09:05.120 --> 1:09:07.720
<v Speaker 1>we moved them removing that day. It's out of here.

1:09:07.880 --> 1:09:16.040
<v Speaker 1>Sound the upgrade. Any point you want to put that

1:09:16.080 --> 1:09:22.960
<v Speaker 1>song up in streamings, streamings, streaming for the fans to

1:09:23.280 --> 1:09:27.200
<v Speaker 1>listen to. Chris Brown and Rihanna. My family greatly appreciated

1:09:28.280 --> 1:09:32.160
<v Speaker 1>the pilocios is I would love that. So, yes, that's

1:09:32.160 --> 1:09:37.760
<v Speaker 1>telve Is. I can't I can't believe I really did

1:09:37.800 --> 1:09:39.559
<v Speaker 1>get it into All my songs come from a fence.

1:09:39.920 --> 1:09:43.799
<v Speaker 1>So Anthony Sele comes to the studio. He was partners

1:09:43.800 --> 1:09:47.599
<v Speaker 1>with Troy Carter and managing no still manages Naza this day,

1:09:48.400 --> 1:09:50.400
<v Speaker 1>and he said he came by to just trying to

1:09:50.400 --> 1:09:51.680
<v Speaker 1>figure O, all right, what you know what's next for

1:09:51.720 --> 1:09:54.800
<v Speaker 1>the interns, Like what y'all what y'are working on? And

1:09:56.360 --> 1:09:58.960
<v Speaker 1>I'm like, bro, like you are manager, Bro, like though

1:09:59.000 --> 1:10:00.880
<v Speaker 1>something off the glass? You know what I'm saying? What

1:10:01.000 --> 1:10:03.519
<v Speaker 1>you got? He was like, it's crazy because I was

1:10:03.720 --> 1:10:06.640
<v Speaker 1>just about to call here boy and seeing him these

1:10:06.720 --> 1:10:10.200
<v Speaker 1>NAS vocals. Man, I'm just like looking at too, like,

1:10:10.840 --> 1:10:14.479
<v Speaker 1>who man is this? Bro? Who man is this? Because

1:10:14.520 --> 1:10:17.840
<v Speaker 1>he in our studios about to send somebody else. He's

1:10:17.880 --> 1:10:21.160
<v Speaker 1>our co manager. He boy, just he fresh off niggas

1:10:21.200 --> 1:10:28.880
<v Speaker 1>in Paris, signed to Kanye, my Chicago hero bro. And

1:10:29.000 --> 1:10:31.439
<v Speaker 1>so he was like, oh, you know what, my bad man,

1:10:31.439 --> 1:10:33.400
<v Speaker 1>I'm seeing that. I'm seeing the fouls coach I got.

1:10:33.520 --> 1:10:35.400
<v Speaker 1>But it's it's not that much though. It's just a

1:10:35.520 --> 1:10:42.200
<v Speaker 1>vocal from Nas, a baseline from Salam remy and sample

1:10:42.680 --> 1:10:45.960
<v Speaker 1>that heavy D. Gave us a late heavy D. Alright

1:10:46.000 --> 1:10:49.479
<v Speaker 1>pete and salute to the legend. Absolutely, so he gave

1:10:49.560 --> 1:10:52.559
<v Speaker 1>me that pro to a session with those three sounds

1:10:52.600 --> 1:10:55.640
<v Speaker 1>in there, and I remember talking to Fab about it, like, man,

1:10:55.720 --> 1:10:57.439
<v Speaker 1>you know what he said he was gonna do? And

1:10:57.520 --> 1:11:00.200
<v Speaker 1>she said, coach, but it's Nas though, right, and you

1:11:00.280 --> 1:11:06.800
<v Speaker 1>know your beats are kind of shiny. Mm hm. You've

1:11:06.840 --> 1:11:10.880
<v Speaker 1>been You've been offended twice the time and just on

1:11:10.960 --> 1:11:19.840
<v Speaker 1>one song, I said, mhm mm hmm. I went through

1:11:19.920 --> 1:11:26.000
<v Speaker 1>my hard drive to find the filthiest, dirtiest fun they

1:11:26.040 --> 1:11:30.720
<v Speaker 1>can put up. What give me the dirtiestre What is

1:11:30.720 --> 1:11:34.280
<v Speaker 1>the dirtiest snare that I owned? You can't that thing? Thing?

1:11:34.560 --> 1:11:39.280
<v Speaker 1>I'm going through the hard drive. And that's how NASA

1:11:39.360 --> 1:11:43.640
<v Speaker 1>don comes about. New York girls know my dude, not

1:11:44.160 --> 1:11:48.080
<v Speaker 1>another man if she doesn't give me that your beats

1:11:48.080 --> 1:11:49.960
<v Speaker 1>of shiny pep talk. And I remember sending the beat

1:11:50.000 --> 1:11:52.880
<v Speaker 1>to Anthony Sile and recording him the first time he

1:11:53.000 --> 1:11:57.920
<v Speaker 1>heard it and he was just like, shit, you know

1:11:57.960 --> 1:11:59.719
<v Speaker 1>what I mean that. I remember being in the studio

1:11:59.800 --> 1:12:03.599
<v Speaker 1>with Nas right like now we're building doing other records,

1:12:03.840 --> 1:12:06.439
<v Speaker 1>and I remember this man. I remember him being the

1:12:06.680 --> 1:12:11.040
<v Speaker 1>coolest man I have ever met. Yo, because I'm funny

1:12:11.120 --> 1:12:13.800
<v Speaker 1>bro and I'm cracking jokes and people are laughing, but

1:12:13.960 --> 1:12:21.000
<v Speaker 1>nos w and be like hilarious laughing. That's how he

1:12:21.120 --> 1:12:28.920
<v Speaker 1>laughed at me. He laughed cools, a little scratchy, little hilarious.

1:12:29.720 --> 1:12:36.840
<v Speaker 1>I'm just like, come back to the beach, Get back

1:12:36.880 --> 1:12:46.760
<v Speaker 1>to the beach. And then uh um Astrid was on

1:12:46.880 --> 1:12:49.800
<v Speaker 1>our management team, Astrid and she called and said, Nicky

1:12:49.840 --> 1:12:51.680
<v Speaker 1>want to I want to work with y'all. And we

1:12:51.760 --> 1:12:55.280
<v Speaker 1>got up with Nikki and Nicky was like, I need

1:12:55.439 --> 1:12:58.720
<v Speaker 1>a song that makes my dancers feel like how they

1:12:58.800 --> 1:13:01.800
<v Speaker 1>felt when ass came mouth, because I remember being on

1:13:01.920 --> 1:13:05.400
<v Speaker 1>tour and I remember just watching them going, I need

1:13:05.560 --> 1:13:07.600
<v Speaker 1>I need one of those, you know, I need my

1:13:07.680 --> 1:13:12.280
<v Speaker 1>own ass. I'm like, I got you, Nikki. And so

1:13:12.479 --> 1:13:17.280
<v Speaker 1>she had a verse in this sample idea um the

1:13:17.320 --> 1:13:20.880
<v Speaker 1>boom boom boom boom boom from Polo Polo down. And

1:13:20.960 --> 1:13:22.760
<v Speaker 1>so she was like, I have this idea that I like,

1:13:22.920 --> 1:13:25.120
<v Speaker 1>and I like it a lot. I know you can

1:13:25.200 --> 1:13:29.400
<v Speaker 1>make me love it. I was like, all right, So

1:13:29.520 --> 1:13:32.200
<v Speaker 1>we got in the room. The first thing we did

1:13:32.400 --> 1:13:34.519
<v Speaker 1>was listen to the whole so makes a lot of sample.

1:13:34.680 --> 1:13:36.439
<v Speaker 1>Just listen to the whole songs. Vibe to the song

1:13:36.520 --> 1:13:39.080
<v Speaker 1>for a second. When he got to that part where

1:13:39.080 --> 1:13:42.320
<v Speaker 1>he was like, my Ana Conda, don't won't none it,

1:13:43.120 --> 1:13:44.439
<v Speaker 1>she was like, that's how you need to start the

1:13:44.439 --> 1:13:46.559
<v Speaker 1>ship if you're gonna do. If I'm you and I'm

1:13:46.600 --> 1:13:49.400
<v Speaker 1>making it me, I'm starting with that. You say less

1:13:49.439 --> 1:13:53.080
<v Speaker 1>than me, You say less than me, You shut your

1:13:53.120 --> 1:13:55.880
<v Speaker 1>mouth while you talk to you my anda kind of

1:13:56.000 --> 1:13:59.400
<v Speaker 1>bom my and the kind of boom and that's what

1:13:59.479 --> 1:14:02.400
<v Speaker 1>I was saying, smart as bam, you thunk like the

1:14:02.640 --> 1:14:05.760
<v Speaker 1>arrangement of the that it was like an opportunity for

1:14:05.880 --> 1:14:10.360
<v Speaker 1>me to do this track and then pay homage and

1:14:10.479 --> 1:14:12.719
<v Speaker 1>then put the school bell usually to put the school

1:14:12.760 --> 1:14:14.840
<v Speaker 1>at the beginning. I'm putting the school bell every time

1:14:14.920 --> 1:14:17.719
<v Speaker 1>that break happens. I'm over at school bell this mother player.

1:14:18.920 --> 1:14:21.400
<v Speaker 1>So people know, you know what I'm saying that this

1:14:21.520 --> 1:14:23.040
<v Speaker 1>is me. You know what I mean Because even on

1:14:23.080 --> 1:14:25.760
<v Speaker 1>the NOAs the Dog song, I feel like Jason Josh

1:14:25.760 --> 1:14:27.600
<v Speaker 1>would turn my bill down in the mix and it

1:14:27.720 --> 1:14:29.960
<v Speaker 1>was like in the second verse area, it's like you

1:14:30.040 --> 1:14:33.960
<v Speaker 1>turned my bill down, So shout the Jason Joshua, because

1:14:34.040 --> 1:14:36.479
<v Speaker 1>that's and that's who makes the ask and the gang

1:14:36.520 --> 1:14:38.760
<v Speaker 1>of my records man, Jason Joshua got it. But he

1:14:38.800 --> 1:14:40.439
<v Speaker 1>turned your bell down. He turned my bill down on

1:14:40.520 --> 1:14:43.040
<v Speaker 1>the nods. I don't know why he did that. It

1:14:43.080 --> 1:14:49.240
<v Speaker 1>was too shiny. No, it's too shiny for the it happens.

1:14:49.920 --> 1:14:52.680
<v Speaker 1>Jason knows, he knows. He took the lead on it.

1:14:53.400 --> 1:14:55.080
<v Speaker 1>He'll take the lead to the league. He got me.

1:14:55.240 --> 1:14:57.639
<v Speaker 1>He took the lead on one of our songs, remember

1:14:57.720 --> 1:15:01.200
<v Speaker 1>keeping one hundred and And we walked in the studio

1:15:01.840 --> 1:15:04.960
<v Speaker 1>and he starts playing keep It one Hunting and I'm like,

1:15:05.320 --> 1:15:08.320
<v Speaker 1>as soon as it starts, I'm like, what I make

1:15:08.400 --> 1:15:11.479
<v Speaker 1>his face right and he says, wait for it, wait

1:15:11.560 --> 1:15:22.679
<v Speaker 1>on it, nigga, Oh my god, oh my doing started

1:15:22.760 --> 1:15:26.120
<v Speaker 1>over even that suspense for you. You know what, Jason's right.

1:15:26.280 --> 1:15:29.120
<v Speaker 1>He's gonna make sure you know that he's right. You're

1:15:29.120 --> 1:15:31.200
<v Speaker 1>gonna make sure you know a hundred times over. You

1:15:31.280 --> 1:15:33.320
<v Speaker 1>guys gotta funk with me. You funk with me and

1:15:33.400 --> 1:15:37.360
<v Speaker 1>funk with me only bro that ship. I was like,

1:15:37.640 --> 1:15:42.240
<v Speaker 1>you are amazing, Yeah, because Jason and Jason and hits

1:15:42.240 --> 1:15:44.360
<v Speaker 1>you with a little bit of like co production on

1:15:44.479 --> 1:15:47.160
<v Speaker 1>your mix. No, it's not like, it's not like, it's

1:15:47.200 --> 1:15:53.200
<v Speaker 1>not like Jason is definitely producing Nigga's record. Absolutely listen

1:15:53.240 --> 1:15:56.840
<v Speaker 1>when we send a Canada the show and Cana the

1:15:56.880 --> 1:15:58.559
<v Speaker 1>show is done. Like just do what you do. Get

1:15:58.600 --> 1:16:01.720
<v Speaker 1>a mix I got, can't let a show back with

1:16:01.840 --> 1:16:07.360
<v Speaker 1>a snare on the hook. I was like, did you

1:16:08.960 --> 1:16:17.840
<v Speaker 1>He said, absolutely needed it. I like it. I like it.

1:16:18.040 --> 1:16:19.960
<v Speaker 1>I like it a lot, like it a lot. Thanks me,

1:16:22.360 --> 1:16:26.479
<v Speaker 1>thank you, sir. You know, Jason called me before he

1:16:26.640 --> 1:16:28.439
<v Speaker 1>makes asks. It was like, what you want the basis

1:16:28.479 --> 1:16:29.800
<v Speaker 1>sound like? I was like, I want to sound like

1:16:29.800 --> 1:16:34.960
<v Speaker 1>a distorted bass guitar the rumble on that motherfucker that

1:16:35.040 --> 1:16:39.840
<v Speaker 1>he put on that bitch so um so. Yeah, we

1:16:39.920 --> 1:16:43.320
<v Speaker 1>started a conda off with that Maana. So that's how

1:16:43.360 --> 1:16:46.360
<v Speaker 1>he even got the name. It wasn't called anaconda, it

1:16:46.479 --> 1:16:49.000
<v Speaker 1>was called an kind of after you know what I'm saying.

1:16:49.160 --> 1:16:53.960
<v Speaker 1>The intro happened, and I just remember that song like

1:16:56.080 --> 1:16:59.400
<v Speaker 1>going to the Moon, like that was the most intentional

1:16:59.560 --> 1:17:04.320
<v Speaker 1>hit that I had had where it was just like, okay, nikky, this,

1:17:04.520 --> 1:17:07.120
<v Speaker 1>I know that I'm recognizing in the times that this

1:17:07.240 --> 1:17:08.559
<v Speaker 1>is about to be a lot of things are going

1:17:08.600 --> 1:17:11.719
<v Speaker 1>to be different after this. Brian had another proud moment

1:17:11.840 --> 1:17:18.759
<v Speaker 1>for you. We're in Seattle, Jamal Crawford's wedding tanks performing

1:17:19.920 --> 1:17:22.920
<v Speaker 1>and who's there? Who else is going to perform? Seattle's

1:17:22.920 --> 1:17:28.680
<v Speaker 1>own Sir mix a lot? And I'm like, Yo, my guys, right,

1:17:29.200 --> 1:17:32.320
<v Speaker 1>my guys did that? Man? He got a lot and

1:17:32.400 --> 1:17:36.960
<v Speaker 1>I had it for that m he took a lot

1:17:37.000 --> 1:17:40.280
<v Speaker 1>of that pub you start the song off with it,

1:17:40.439 --> 1:17:44.720
<v Speaker 1>you mean you know, yeah, yeah, yeah, yeah, but no.

1:17:44.840 --> 1:17:46.439
<v Speaker 1>It was a really proud moment being able to just

1:17:46.560 --> 1:17:49.040
<v Speaker 1>be like, man, miss my guys, that did that right,

1:17:49.080 --> 1:17:51.360
<v Speaker 1>and he he was like, man that I love it. Man.

1:17:51.880 --> 1:17:54.800
<v Speaker 1>I was a moment. Then next year we're nominated for

1:17:55.680 --> 1:17:59.200
<v Speaker 1>the Rap Song of the Year, bro, and you know,

1:18:00.280 --> 1:18:02.240
<v Speaker 1>to me, that's the coolest award and the rap song

1:18:02.320 --> 1:18:06.800
<v Speaker 1>of the year like ship Man. And I remember being

1:18:06.920 --> 1:18:09.519
<v Speaker 1>so hype and then like lying to myself saying, I

1:18:09.560 --> 1:18:11.840
<v Speaker 1>don't care about if we winner lose. I'm already a winner.

1:18:12.240 --> 1:18:14.200
<v Speaker 1>And then we lost. I wouldn't do a deep depression

1:18:14.240 --> 1:18:21.760
<v Speaker 1>to move back. We lost, I funked up the bag,

1:18:22.479 --> 1:18:24.360
<v Speaker 1>then went back to my auntie house. I just see

1:18:24.400 --> 1:18:27.519
<v Speaker 1>myself right now in the backyard. I'm in the backyard

1:18:27.600 --> 1:18:30.920
<v Speaker 1>crame because I know that as many times as people

1:18:30.960 --> 1:18:33.000
<v Speaker 1>have been like, your mother must be so proud, in

1:18:33.200 --> 1:18:38.040
<v Speaker 1>that moment, she was not proud the bag. I was

1:18:38.080 --> 1:18:42.000
<v Speaker 1>out here whiling, having way too much fun, indulging in

1:18:42.160 --> 1:18:44.720
<v Speaker 1>things that don't happen in my local neighborhood where I'm from,

1:18:45.640 --> 1:18:48.240
<v Speaker 1>and the Hollywood sauce had gotten to my bloodstream. But

1:18:48.360 --> 1:18:52.280
<v Speaker 1>I needed a real time out. You put yourself on

1:18:52.400 --> 1:18:57.360
<v Speaker 1>time No, I fought it, but when you definitely the

1:18:57.400 --> 1:19:00.240
<v Speaker 1>rent I'm asking, I'm just asking a few work. I

1:19:00.280 --> 1:19:03.840
<v Speaker 1>wasn't strong enough. Now, how did time out happen for you?

1:19:03.880 --> 1:19:05.320
<v Speaker 1>Because I can tell your time out happened for me.

1:19:05.720 --> 1:19:11.400
<v Speaker 1>Family members flew in town two just paid to put

1:19:11.479 --> 1:19:15.479
<v Speaker 1>my whole house and storage and they were just like,

1:19:16.360 --> 1:19:19.800
<v Speaker 1>come on, come on, buddy, for intervention, come on and look.

1:19:19.880 --> 1:19:24.200
<v Speaker 1>It was wild because what I didn't realize was people

1:19:24.240 --> 1:19:28.960
<v Speaker 1>didn't understand what I was going through. But I was

1:19:29.040 --> 1:19:32.840
<v Speaker 1>having a moment of not really all the way dealing

1:19:32.880 --> 1:19:36.560
<v Speaker 1>with moms. In the midst of all of this, I

1:19:36.640 --> 1:19:39.280
<v Speaker 1>had an artist that I got a pub deal at

1:19:39.360 --> 1:19:42.240
<v Speaker 1>Universal and was about to do his artists deal at Colombia.

1:19:42.600 --> 1:19:45.640
<v Speaker 1>They had just signed Adele, and Columbia was like, this

1:19:45.720 --> 1:19:48.360
<v Speaker 1>is our mail Adele. And then he passed away a

1:19:48.400 --> 1:19:50.880
<v Speaker 1>testicular cancer. A brother by the name of Aaron Michael Cox.

1:19:50.960 --> 1:19:56.599
<v Speaker 1>He was twenty two years old, extremely talented, extremely talented,

1:19:56.760 --> 1:19:59.200
<v Speaker 1>and it just it shook my world, you know what

1:19:59.280 --> 1:20:01.599
<v Speaker 1>I'm saying, Like it literally shook two blocks away from

1:20:03.200 --> 1:20:08.120
<v Speaker 1>like the studio. I'm like, wait what And and then

1:20:08.960 --> 1:20:11.720
<v Speaker 1>my son's mother and I, you know, we are broke up,

1:20:11.800 --> 1:20:14.880
<v Speaker 1>was like official. Our breakup was official. So I just

1:20:15.000 --> 1:20:17.840
<v Speaker 1>was in. I was in Shamble's brother. I was not

1:20:18.680 --> 1:20:21.760
<v Speaker 1>doing the self work, you know what I'm saying. And

1:20:24.320 --> 1:20:28.800
<v Speaker 1>I remember going home and I remember my family just

1:20:28.880 --> 1:20:33.960
<v Speaker 1>being so confused, like and I remember my cousin the

1:20:34.040 --> 1:20:35.880
<v Speaker 1>older sisters, and my cousin Jazz, that's the one that

1:20:35.960 --> 1:20:41.000
<v Speaker 1>seen me playing basketball. But her older sister drove me

1:20:41.439 --> 1:20:46.560
<v Speaker 1>to a rehab center and I was just like so

1:20:46.880 --> 1:20:48.880
<v Speaker 1>taken back, like wait, this is what y'all think I

1:20:49.040 --> 1:20:51.800
<v Speaker 1>need if you don't get me out of here, you

1:20:51.840 --> 1:20:54.000
<v Speaker 1>know what I'm saying, Like, And then I realized, like

1:20:54.479 --> 1:20:58.400
<v Speaker 1>that was how I realized that the energy were Damn,

1:20:58.520 --> 1:21:01.760
<v Speaker 1>this is motherfucker's think I'm full on strong outbout this

1:21:01.880 --> 1:21:07.280
<v Speaker 1>bit like oh ship. And I remember being home and

1:21:07.439 --> 1:21:11.040
<v Speaker 1>feeling so low, but the love that I was getting

1:21:11.080 --> 1:21:14.640
<v Speaker 1>at the crib was so rejuvenating but confusing at the

1:21:14.720 --> 1:21:17.840
<v Speaker 1>same time. So I could think of his one brother.

1:21:18.680 --> 1:21:21.400
<v Speaker 1>I used to be on the corner man, my next

1:21:21.439 --> 1:21:26.000
<v Speaker 1>door neighbor. His name is Toriano, and I remember growing

1:21:26.080 --> 1:21:28.400
<v Speaker 1>up for my mom everybody to be like, you stay

1:21:28.439 --> 1:21:31.240
<v Speaker 1>away from Toriano. You know you yang banging and I

1:21:31.280 --> 1:21:32.599
<v Speaker 1>don't want to see you on the corner with him.

1:21:33.720 --> 1:21:37.160
<v Speaker 1>And now with all the decorations, for the first time

1:21:37.240 --> 1:21:41.120
<v Speaker 1>in my life, I'm in Maywood on the corner with

1:21:41.240 --> 1:21:46.639
<v Speaker 1>Toriana hit the weed. I'm telling him about got there, Micki,

1:21:46.680 --> 1:21:55.160
<v Speaker 1>minajs Rihanna, And he telling me, Bro, when I was

1:21:55.280 --> 1:21:57.920
<v Speaker 1>locked up and you was doing your thing, do you

1:21:57.960 --> 1:22:00.040
<v Speaker 1>know they didn't believe that I knew you, man, And

1:22:00.080 --> 1:22:01.800
<v Speaker 1>I'm telling them, that's a little bro right there. Man,

1:22:01.800 --> 1:22:03.559
<v Speaker 1>I'm telling him, I'm like, man, y'all better get out

1:22:03.560 --> 1:22:05.800
<v Speaker 1>of here, and that's a little bro. And it was

1:22:05.880 --> 1:22:09.640
<v Speaker 1>just like, damn, they told me to stay away from

1:22:09.680 --> 1:22:11.280
<v Speaker 1>me my whole life and here I am with you,

1:22:12.200 --> 1:22:14.479
<v Speaker 1>and this is the love that you. I didn't I didn't,

1:22:14.640 --> 1:22:15.920
<v Speaker 1>I didn't know. I didn't even know. You know what

1:22:15.920 --> 1:22:17.559
<v Speaker 1>I'm saying. He had been locked up while the room

1:22:17.680 --> 1:22:20.800
<v Speaker 1>was happening, you know what I'm saying. But the rejuven

1:22:20.880 --> 1:22:27.000
<v Speaker 1>nation of Chicago love bro got me together that because

1:22:27.000 --> 1:22:30.040
<v Speaker 1>I turned effected to come from too. Were you live?

1:22:30.240 --> 1:22:33.920
<v Speaker 1>This guy, you know, in the sense off limits of

1:22:34.439 --> 1:22:36.680
<v Speaker 1>your entire life for the streets is watching as they say,

1:22:37.080 --> 1:22:39.760
<v Speaker 1>absolutely they are. And I'm sing there, I'm grown that

1:22:40.280 --> 1:22:41.960
<v Speaker 1>you know it can't Nobody telling me I can't and

1:22:42.040 --> 1:22:44.360
<v Speaker 1>now and I got the weed now And then he

1:22:44.479 --> 1:22:47.280
<v Speaker 1>goes still down. So I'm and my cousin was there,

1:22:47.320 --> 1:22:48.880
<v Speaker 1>and my cousin used to be cool. So we were

1:22:48.920 --> 1:22:51.640
<v Speaker 1>on the corner. Bro, I'm on the corner in May,

1:22:51.760 --> 1:22:56.679
<v Speaker 1>I'm on the corner. I know, on the coner because

1:22:56.720 --> 1:22:58.360
<v Speaker 1>me and this fool used to be on the phone. Well,

1:22:58.400 --> 1:23:00.600
<v Speaker 1>I mean you the reason why I ain't back, you

1:23:00.680 --> 1:23:02.680
<v Speaker 1>know what I'm saying. Like it was about it was

1:23:02.680 --> 1:23:05.639
<v Speaker 1>about a good nine month time out and I remember

1:23:05.880 --> 1:23:08.960
<v Speaker 1>Jay hit me like, man, what's something checking in? And

1:23:09.040 --> 1:23:13.479
<v Speaker 1>I remember trying to tell him that everything was amazing.

1:23:13.479 --> 1:23:16.519
<v Speaker 1>I was trying to paint Chicago to be the greatest

1:23:16.560 --> 1:23:19.400
<v Speaker 1>thing that ever happened. Yeah, you know, I'm downtown with

1:23:19.479 --> 1:23:22.680
<v Speaker 1>the sole Who membership at Columbia and you know they

1:23:22.680 --> 1:23:25.040
<v Speaker 1>won't be doing tear talk man. You know I bed.

1:23:25.880 --> 1:23:29.280
<v Speaker 1>He was like, hop's time to come back. What you

1:23:29.400 --> 1:23:31.559
<v Speaker 1>what you doing? Bro? Come back to l A. Man,

1:23:32.080 --> 1:23:35.240
<v Speaker 1>what are you doing? I was like, I'm coming. I

1:23:35.360 --> 1:23:38.400
<v Speaker 1>was saying, came back. It's a little deeper than that.

1:23:40.000 --> 1:23:49.360
<v Speaker 1>But I leave out because because our podcast is very real,

1:23:49.600 --> 1:23:54.920
<v Speaker 1>and our podcast is cautionary at times, and you know

1:23:55.160 --> 1:23:57.960
<v Speaker 1>in the information that we give and how we give it,

1:23:59.040 --> 1:24:01.559
<v Speaker 1>and you know you're my brother. I lave you to death.

1:24:02.880 --> 1:24:05.960
<v Speaker 1>I called you a loser ship. I left that part out,

1:24:07.280 --> 1:24:11.880
<v Speaker 1>but I had to. Yeah, I had to because you

1:24:12.040 --> 1:24:16.519
<v Speaker 1>had got into big fish in a small pond mode.

1:24:17.880 --> 1:24:21.400
<v Speaker 1>You went home with all your accolades, and he was

1:24:21.479 --> 1:24:24.280
<v Speaker 1>flossing into everybody on the corner and everybody at the

1:24:24.360 --> 1:24:27.560
<v Speaker 1>Soho House of Chicago about what you had done in

1:24:27.760 --> 1:24:29.920
<v Speaker 1>l A and how you you were in my I

1:24:30.040 --> 1:24:32.160
<v Speaker 1>this is my opinion of me. Looking at it, I'm like, oh,

1:24:32.280 --> 1:24:34.479
<v Speaker 1>he didn't win back home and not told him why

1:24:34.560 --> 1:24:37.040
<v Speaker 1>he at home. He didn't went back home and say,

1:24:37.120 --> 1:24:39.920
<v Speaker 1>you listen, the projectal Son is back and I'm cracking

1:24:39.960 --> 1:24:43.320
<v Speaker 1>and black when I definitely didn't tell people why he

1:24:43.439 --> 1:24:46.040
<v Speaker 1>was back right now, which I get it, I get it.

1:24:46.479 --> 1:24:49.960
<v Speaker 1>But the people who know and the people who are

1:24:50.080 --> 1:24:53.160
<v Speaker 1>there for those moments when two is getting your place

1:24:53.240 --> 1:24:55.479
<v Speaker 1>packed up and your family is trying to have an intervention,

1:24:55.520 --> 1:24:57.960
<v Speaker 1>and like, I was literally a part of all of

1:24:58.040 --> 1:25:02.040
<v Speaker 1>that for you, and and so when you've given me

1:25:02.200 --> 1:25:06.280
<v Speaker 1>the gloss over story about what was happening out there,

1:25:06.560 --> 1:25:10.320
<v Speaker 1>and and I'm like, nah, nigga, you're You're a loser.

1:25:11.320 --> 1:25:15.880
<v Speaker 1>You quit. Quit, you quit, because there's a thing like

1:25:15.960 --> 1:25:17.920
<v Speaker 1>I respect the guys who do it what they're from.

1:25:18.520 --> 1:25:21.000
<v Speaker 1>I respect y'all. If you can, if you can, if

1:25:21.040 --> 1:25:23.960
<v Speaker 1>you can accomplish the great things that you can accomplish

1:25:24.000 --> 1:25:27.920
<v Speaker 1>in major cities like New York and Los Angeles when

1:25:27.920 --> 1:25:31.360
<v Speaker 1>it comes to music business in Atlanta now obviously, um,

1:25:31.520 --> 1:25:35.680
<v Speaker 1>if you can accomplish those things and smaller cities and

1:25:35.920 --> 1:25:39.680
<v Speaker 1>in places that the music isn't um put on a

1:25:39.840 --> 1:25:43.000
<v Speaker 1>on a major scale every single day. Even though Chicago

1:25:43.080 --> 1:25:45.559
<v Speaker 1>has amazing talent, has amazing people that have come out

1:25:45.600 --> 1:25:49.040
<v Speaker 1>of Chicago and are still in Chicago. But for someone

1:25:49.120 --> 1:25:53.439
<v Speaker 1>who had went and came to Los Angeles and made

1:25:53.479 --> 1:25:58.559
<v Speaker 1>it for themselves to go back home and not on something.

1:25:58.560 --> 1:26:01.559
<v Speaker 1>I'm just going back home, and I'm I'm cracking. I'm

1:26:01.600 --> 1:26:05.000
<v Speaker 1>going back home because I got to. I'm like, na, bro,

1:26:05.120 --> 1:26:08.200
<v Speaker 1>you can't. You can't let them push you out. Now.

1:26:08.240 --> 1:26:10.800
<v Speaker 1>If you're gonna go back on your own and you're

1:26:10.840 --> 1:26:13.200
<v Speaker 1>gonna open up a school of music and you got

1:26:13.320 --> 1:26:15.679
<v Speaker 1>a label going and you got you signed an artist,

1:26:16.160 --> 1:26:20.000
<v Speaker 1>salute to you. But if you're going home right because

1:26:20.000 --> 1:26:27.439
<v Speaker 1>they took your basketball with your pockets, who you've lost?

1:26:28.520 --> 1:26:32.439
<v Speaker 1>And I hated having to have that conversation with you,

1:26:33.080 --> 1:26:35.120
<v Speaker 1>but I knew I couldn't get off the phone with

1:26:35.280 --> 1:26:38.960
<v Speaker 1>you that way. I knew I couldn't get off the

1:26:39.000 --> 1:26:44.080
<v Speaker 1>phone with you that way, and I had to, at

1:26:44.479 --> 1:26:47.040
<v Speaker 1>the very least at least tell you how I felt.

1:26:49.280 --> 1:27:01.280
<v Speaker 1>I had to offend you as you as you as

1:27:01.280 --> 1:27:02.759
<v Speaker 1>you know how we do an R and by fashion,

1:27:03.120 --> 1:27:04.679
<v Speaker 1>we have to get into your R and B mind.

1:27:05.600 --> 1:27:08.320
<v Speaker 1>You know you spoke a lot of musicianship and a

1:27:08.400 --> 1:27:12.120
<v Speaker 1>lot of creative genius um that is in you. You

1:27:12.200 --> 1:27:15.880
<v Speaker 1>know it's in your blood. Um, I need to know

1:27:16.920 --> 1:27:23.400
<v Speaker 1>your top five R and B artists, any era, of

1:27:23.479 --> 1:27:32.719
<v Speaker 1>all time, of all times. Michael Jackson, m Stevie, wonder Ship.

1:27:35.400 --> 1:27:37.519
<v Speaker 1>I'll be scared of the three. I don't be scared

1:27:37.520 --> 1:27:42.920
<v Speaker 1>of the three. Let's do it, Just do it, do it.

1:27:44.960 --> 1:27:52.160
<v Speaker 1>R Kelly Chaos. Uh, that's just as Chicago is just

1:27:52.240 --> 1:27:54.920
<v Speaker 1>so unfortunate. And that's a whole another you don't even

1:27:54.960 --> 1:27:59.920
<v Speaker 1>have to explain. Um, and ya got me on the spot,

1:28:00.560 --> 1:28:09.280
<v Speaker 1>like Stevie, roh, this is gonna be a curveball. I

1:28:09.400 --> 1:28:11.000
<v Speaker 1>might lose a lot of people here, but I gotta

1:28:11.040 --> 1:28:16.559
<v Speaker 1>just beat music. Sold job Bronna lose nobody, no one

1:28:16.720 --> 1:28:20.679
<v Speaker 1>that you didn't lose nobody in this room, cold bloody.

1:28:21.880 --> 1:28:24.120
<v Speaker 1>And I'm putting my brother to Tank number five. Let's go,

1:28:24.240 --> 1:28:27.479
<v Speaker 1>come on, come on, if it was a fifth, we

1:28:27.600 --> 1:28:32.760
<v Speaker 1>all beat close it down with my motherfucking brother, motherfucking right.

1:28:35.439 --> 1:28:37.880
<v Speaker 1>Let me tell you, Let me tell you that I

1:28:38.040 --> 1:28:45.600
<v Speaker 1>can't explain to you the like the the shock that

1:28:45.760 --> 1:28:49.200
<v Speaker 1>I feel with people when they're like thinking, you know

1:28:49.439 --> 1:28:53.160
<v Speaker 1>Tank in real life, that's a thing that's a thing

1:28:53.360 --> 1:28:57.520
<v Speaker 1>all in together in itself and that love and respect

1:28:58.280 --> 1:29:01.400
<v Speaker 1>that you have the true fans of R and B.

1:29:01.600 --> 1:29:06.439
<v Speaker 1>Bro blesses me, bro that blesses me dog. And it doesn't.

1:29:07.160 --> 1:29:09.880
<v Speaker 1>It doesn't allow me to take this for granted. You

1:29:09.920 --> 1:29:16.240
<v Speaker 1>know what I'm saying for real, Appreciate, appreciate Top five

1:29:17.479 --> 1:29:22.920
<v Speaker 1>R and B songs, all time songs. Now Donald Jones

1:29:22.960 --> 1:29:27.080
<v Speaker 1>where I want to be? Kick it off? Kick it off?

1:29:28.640 --> 1:29:33.680
<v Speaker 1>He left his bag? Oh my god. Tough message. You

1:29:33.680 --> 1:29:37.840
<v Speaker 1>don't have to message. This is a curveball, but I

1:29:37.920 --> 1:29:41.200
<v Speaker 1>gotta put it in here. Um when we're deep in

1:29:41.240 --> 1:29:47.200
<v Speaker 1>the crevices. This is um music, soul child, previous cats, right.

1:29:48.000 --> 1:29:49.639
<v Speaker 1>I know that's like a way what are you talking about?

1:29:49.680 --> 1:29:54.799
<v Speaker 1>But it's a good orientation song for relationships and reminding

1:29:54.880 --> 1:29:58.040
<v Speaker 1>people to love like you've never been hurt because people

1:29:58.080 --> 1:30:01.040
<v Speaker 1>bring a lot of baggage in the relationship music. So

1:30:01.240 --> 1:30:03.760
<v Speaker 1>chat on that song. First things, First, girl recognized who

1:30:03.840 --> 1:30:06.160
<v Speaker 1>is with you now? Second thing, you can't blame me

1:30:06.240 --> 1:30:09.840
<v Speaker 1>for how you were treated before I came, So it

1:30:10.000 --> 1:30:14.639
<v Speaker 1>really pushes towards that song was musically yeah, previous can't

1:30:14.720 --> 1:30:19.479
<v Speaker 1>love like you've never been heard UM songs and I'm

1:30:19.520 --> 1:30:24.160
<v Speaker 1>not I'm not gonna overthink. I'm gonna go Dave Hollister.

1:30:25.040 --> 1:30:28.760
<v Speaker 1>Seeing you reminds me of Wow, all the nights that

1:30:28.800 --> 1:30:36.640
<v Speaker 1>you still beating it up, man, get it. Yeah, come on,

1:30:36.760 --> 1:30:39.280
<v Speaker 1>then I'm gonna go to my O. G. C. T.

1:30:40.439 --> 1:30:45.599
<v Speaker 1>Carl Thomas. You have me on some Mike right now.

1:30:46.720 --> 1:30:48.600
<v Speaker 1>Shout out to the guy, the guy, and let me

1:30:48.600 --> 1:30:50.599
<v Speaker 1>tell you about my God. To tell you about Mike Cities.

1:30:50.920 --> 1:30:53.160
<v Speaker 1>Because when I was a when I was in college

1:30:53.200 --> 1:30:55.719
<v Speaker 1>at Columbia, they sent me out here for six weeks

1:30:55.760 --> 1:30:59.320
<v Speaker 1>in two thousand and five, four the semester in l

1:30:59.360 --> 1:31:02.720
<v Speaker 1>a program and one of my big homies out here.

1:31:02.960 --> 1:31:04.120
<v Speaker 1>It's like, y'all want to take you this show. I

1:31:04.120 --> 1:31:06.320
<v Speaker 1>want you want, I want you to introduce you to somebody.

1:31:06.439 --> 1:31:09.280
<v Speaker 1>It was damn there and make a wish kid. He

1:31:09.439 --> 1:31:12.559
<v Speaker 1>got a lot of moments, bro, They snuck him into

1:31:12.600 --> 1:31:19.519
<v Speaker 1>the program. He was supposed to being like man a

1:31:19.560 --> 1:31:22.400
<v Speaker 1>while too. It's got a while too, b because that

1:31:22.560 --> 1:31:26.880
<v Speaker 1>the same teach you that hired me the project, the

1:31:27.000 --> 1:31:29.840
<v Speaker 1>same teach that high I definitely get fired. But when

1:31:29.880 --> 1:31:33.240
<v Speaker 1>I first got there, he was so mean. Bro. This

1:31:33.400 --> 1:31:35.360
<v Speaker 1>man said, I don't know why they do this to me.

1:31:35.479 --> 1:31:38.200
<v Speaker 1>Every semester and put a hunted students in this class.

1:31:38.200 --> 1:31:41.840
<v Speaker 1>When I'm gonna fail eighty of you, and if I'm lucky,

1:31:43.080 --> 1:31:45.760
<v Speaker 1>two years from now, I'll be able to send one

1:31:45.840 --> 1:31:47.840
<v Speaker 1>of you to l A to represent the school. But

1:31:47.880 --> 1:31:50.280
<v Speaker 1>what I won't do is let anybody in here embarrass

1:31:50.320 --> 1:31:52.920
<v Speaker 1>the school. Two years later, I was the one Wow.

1:31:53.200 --> 1:31:55.000
<v Speaker 1>And so when I came out here and make a

1:31:55.040 --> 1:31:59.800
<v Speaker 1>Wish Coast Wow. When I came out here, they took

1:31:59.880 --> 1:32:04.360
<v Speaker 1>me a Mike City studio and this is when Jojo died.

1:32:04.680 --> 1:32:11.120
<v Speaker 1>Jojo was going and so I remember Mike planning about

1:32:12.640 --> 1:32:15.639
<v Speaker 1>five records in in a row that made me want

1:32:15.680 --> 1:32:20.479
<v Speaker 1>to stop producing. So I was like, oh never, Bean

1:32:20.520 --> 1:32:26.680
<v Speaker 1>looks good. Yeah, and looked. Then he played one that

1:32:26.840 --> 1:32:29.759
<v Speaker 1>was like kind of I and it was so encouraging.

1:32:35.720 --> 1:32:39.560
<v Speaker 1>You know what, everyone makes mistakes? How to do that?

1:32:40.000 --> 1:32:42.639
<v Speaker 1>I was like, I got I gotta be second dude. Wait,

1:32:42.720 --> 1:32:46.720
<v Speaker 1>so you're not perfect, so it's possible and it you

1:32:46.760 --> 1:32:48.400
<v Speaker 1>know what I'm saying, let me know, like the law

1:32:48.479 --> 1:32:51.240
<v Speaker 1>averages how to go. So anyway, so yeah, shout to

1:32:51.320 --> 1:32:54.439
<v Speaker 1>Mike City for real, for real? Four now, one more,

1:32:54.600 --> 1:33:02.200
<v Speaker 1>one more r and b mm hmm mmmm uh let's

1:33:02.200 --> 1:33:04.679
<v Speaker 1>suppose some to Joe to see in there. Take my money,

1:33:07.080 --> 1:33:18.160
<v Speaker 1>my house, not card for you. You can't have it all, babe,

1:33:19.960 --> 1:33:29.880
<v Speaker 1>because make it. Tell me, dude, this girl is worsting

1:33:30.040 --> 1:33:36.920
<v Speaker 1>toru what because I'm an addict WU and you know

1:33:37.640 --> 1:33:50.360
<v Speaker 1>that I can't leave you on you got me? Man?

1:33:50.880 --> 1:33:59.320
<v Speaker 1>My god? Yeah him him, my god, sex him. Okay, Okay,

1:33:59.320 --> 1:34:03.080
<v Speaker 1>I'm gonna do that's great. That was really good with

1:34:03.240 --> 1:34:17.680
<v Speaker 1>that one. Yeah. Yeah, oh my god. Who bro he

1:34:17.840 --> 1:34:23.640
<v Speaker 1>was a master. He was a master master producer. That's

1:34:23.680 --> 1:34:26.240
<v Speaker 1>why I start calling myself coach like he's my hero.

1:34:26.439 --> 1:34:31.679
<v Speaker 1>He's a man. He was a master for producer. Okay,

1:34:32.560 --> 1:34:35.320
<v Speaker 1>we're making a voltron, making an R and B votron

1:34:36.320 --> 1:34:42.519
<v Speaker 1>vocals style, performance, style and passion. Who you getting the

1:34:42.600 --> 1:34:51.200
<v Speaker 1>vocals from Mike Michael Jackson? And if Mike wasn't available

1:34:51.240 --> 1:34:55.120
<v Speaker 1>in Whitney, m you can't do that. But that's fine.

1:34:55.200 --> 1:35:01.479
<v Speaker 1>I'll let you do that. It's fine. Um style what

1:35:01.600 --> 1:35:04.560
<v Speaker 1>you want your artists to drip? Like? Who like a

1:35:04.600 --> 1:35:09.400
<v Speaker 1>fashion stamp? Yeah for sure? Yeah, what's the aesthetic? Throw

1:35:09.479 --> 1:35:12.360
<v Speaker 1>it on? Come on, man, Wh're gonna put it on April?

1:35:12.520 --> 1:35:16.920
<v Speaker 1>May you know what I mean? You know, you know

1:35:17.640 --> 1:35:23.519
<v Speaker 1>who's gonna put yeah, but who's so what are you

1:35:23.600 --> 1:35:28.160
<v Speaker 1>looking for? An artist? Artist? That's a style that you artists.

1:35:28.240 --> 1:35:30.960
<v Speaker 1>We shot out some stylis and you know who behind

1:35:31.040 --> 1:35:33.960
<v Speaker 1>the drip, but who's gonna put it on them? It's

1:35:34.160 --> 1:35:35.600
<v Speaker 1>I don't know if this is gonna work, but I

1:35:35.680 --> 1:35:41.000
<v Speaker 1>gotta throw it out there. Rick James, Oh, absolutely work.

1:35:41.160 --> 1:35:44.360
<v Speaker 1>You mean I tried to dress like Rick James wants

1:35:44.680 --> 1:35:46.640
<v Speaker 1>you gotta be Rick James, addressed like Brick James. This.

1:35:47.280 --> 1:35:50.280
<v Speaker 1>He was hurting for like a week, hurt he performed

1:35:50.360 --> 1:35:54.360
<v Speaker 1>what what show was that? What's that show called? He

1:35:54.520 --> 1:35:56.720
<v Speaker 1>perform this? Rick James? No, no, no, The brother was

1:35:56.800 --> 1:35:59.759
<v Speaker 1>hurt for like at least a couple of days performing

1:36:00.000 --> 1:36:01.840
<v Speaker 1>eels bro in the boot, in the in the high

1:36:01.880 --> 1:36:06.559
<v Speaker 1>boot tights, the whole nine. And it was only Rick

1:36:06.720 --> 1:36:11.559
<v Speaker 1>can do Rick? All right, you realize that's rock star ship. Yeah? OK,

1:36:11.760 --> 1:36:16.680
<v Speaker 1>I like that, Mike, Rick James, Jesus Christ. I see

1:36:16.680 --> 1:36:21.720
<v Speaker 1>where you're going. Not in the ro who you want

1:36:21.760 --> 1:36:25.479
<v Speaker 1>to get like on stage? Who do you want to

1:36:25.520 --> 1:36:32.240
<v Speaker 1>take that front? Performance style? Style? Performance style. The quick answer,

1:36:32.479 --> 1:36:35.040
<v Speaker 1>quick and dirty is going back to Mike again, because

1:36:35.680 --> 1:36:39.320
<v Speaker 1>from a performing standpoint. Yeah, but for the sake of

1:36:39.439 --> 1:36:44.920
<v Speaker 1>this and moving around Chris Brown voice like Michael Jackson,

1:36:45.960 --> 1:36:50.160
<v Speaker 1>close like Rick James perform like Chris Brown. That's all

1:36:50.200 --> 1:36:56.560
<v Speaker 1>over the place, because Yeah, I love it, backflip in

1:36:56.600 --> 1:37:00.439
<v Speaker 1>the bus with no problem with and with whose passion? Yeah,

1:37:00.640 --> 1:37:06.000
<v Speaker 1>who's passion? Whose hard passion? James Brown? Hey, this is

1:37:06.080 --> 1:37:10.639
<v Speaker 1>a killer James Brown. This is a killer is well

1:37:12.479 --> 1:37:16.599
<v Speaker 1>huh you know, yeah, all of that. I need that stink.

1:37:16.680 --> 1:37:22.160
<v Speaker 1>I need that holland ugly. I need to yeah him

1:37:22.240 --> 1:37:24.880
<v Speaker 1>as a music director, because that's like damn in my

1:37:25.000 --> 1:37:28.000
<v Speaker 1>new twists, right, like bringing my musicians in and really

1:37:28.040 --> 1:37:30.280
<v Speaker 1>getting into the live show. I feel like, you know,

1:37:30.360 --> 1:37:31.960
<v Speaker 1>being in the studio all this time, never being on

1:37:32.120 --> 1:37:34.120
<v Speaker 1>tour and never really getting a chance to like really

1:37:34.200 --> 1:37:37.559
<v Speaker 1>just share and get my musician bag. I'm studying James.

1:37:37.560 --> 1:37:39.880
<v Speaker 1>I'm about to do a whole case study on James

1:37:39.960 --> 1:37:42.599
<v Speaker 1>Brown and that performance in the band and the hits

1:37:42.880 --> 1:37:46.599
<v Speaker 1>and that musicality. I need that. He was the only one.

1:37:47.280 --> 1:37:51.200
<v Speaker 1>I need that. James was one of one, even musically,

1:37:51.400 --> 1:37:56.920
<v Speaker 1>he was one of one. Nobody's ever even thought to that,

1:37:57.080 --> 1:38:00.280
<v Speaker 1>Yeah he thought about it. You gotta leave all of

1:38:00.400 --> 1:38:03.960
<v Speaker 1>that alone. This man woke up one day and said

1:38:04.080 --> 1:38:11.280
<v Speaker 1>saying loud, I'm blocking, I'm proud like music. That the

1:38:11.400 --> 1:38:13.920
<v Speaker 1>thing about this music is just gonna outlive us. Bro,

1:38:15.160 --> 1:38:21.120
<v Speaker 1>that's the part that's gonna outlive us. So the responsibility

1:38:21.280 --> 1:38:23.479
<v Speaker 1>that we have to do what we need to do

1:38:23.680 --> 1:38:26.840
<v Speaker 1>during this very short period that we have this opportunity

1:38:27.240 --> 1:38:31.120
<v Speaker 1>to go ahead and and and tap into what legacy

1:38:31.240 --> 1:38:33.960
<v Speaker 1>is gonna look like for our family tree, Bro, talk

1:38:34.000 --> 1:38:41.600
<v Speaker 1>about it. It's a huge, huge responsibility. Bro, sot have

1:38:41.640 --> 1:38:46.120
<v Speaker 1>a little balance, you know. But that's I'm glad you

1:38:46.160 --> 1:38:49.559
<v Speaker 1>said that. Though I'm glad you said that, I'm super

1:38:49.600 --> 1:38:58.160
<v Speaker 1>glad you stop, because Yo, it's so funny. We had

1:38:58.200 --> 1:39:03.599
<v Speaker 1>the show last week. We had a show this week

1:39:03.720 --> 1:39:07.320
<v Speaker 1>last week, and I prayed before the show, and when

1:39:07.360 --> 1:39:09.679
<v Speaker 1>I was done praying with the musicians before the show,

1:39:12.439 --> 1:39:16.240
<v Speaker 1>feel smarter. As said, So you said you want people

1:39:16.280 --> 1:39:18.760
<v Speaker 1>to see and feel God after we play ass ass

1:39:18.800 --> 1:39:20.760
<v Speaker 1>ass And just like he mumbled back, because he was

1:39:20.840 --> 1:39:24.840
<v Speaker 1>like walking to the keyboard, I was like, come on,

1:39:25.320 --> 1:39:31.080
<v Speaker 1>come on, but but you're right. Look. I put out

1:39:31.120 --> 1:39:34.760
<v Speaker 1>my my debut EP as an artist last year called

1:39:34.760 --> 1:39:40.719
<v Speaker 1>Truth Serum and Hello World, Hello, world. But look King's

1:39:40.840 --> 1:39:45.000
<v Speaker 1>right featuring Interest Elbow. And when I when I was

1:39:45.360 --> 1:39:50.080
<v Speaker 1>approaching the artist album, I was thinking about Assid Kakekake

1:39:50.160 --> 1:39:53.760
<v Speaker 1>Cake and one Time for the Birthday Bitch and Little

1:39:53.760 --> 1:39:56.880
<v Speaker 1>Booties Matter and all the whole ratchet department. You actually

1:39:56.920 --> 1:40:01.320
<v Speaker 1>have records that are going to play forever, forever, One

1:40:01.360 --> 1:40:05.080
<v Speaker 1>time for the birthday and time for it dud Trap

1:40:05.160 --> 1:40:10.519
<v Speaker 1>back dude, Monster Production, And let me tell you something.

1:40:11.600 --> 1:40:14.680
<v Speaker 1>That song was done. Trap came to the studio and

1:40:14.800 --> 1:40:16.320
<v Speaker 1>was like, yeah, I got this song I did with

1:40:16.439 --> 1:40:19.200
<v Speaker 1>my homie. It's just could you could you put the

1:40:19.280 --> 1:40:22.400
<v Speaker 1>beat on steroids? Did you put the beat on steroids

1:40:22.439 --> 1:40:24.680
<v Speaker 1>for me? And he played the song for me and

1:40:24.760 --> 1:40:27.599
<v Speaker 1>I was like this, I did the same thing when

1:40:27.600 --> 1:40:29.920
<v Speaker 1>you played it for me. I was like, man, what man?

1:40:30.120 --> 1:40:33.559
<v Speaker 1>That man? It's your birthday again? One time to play

1:40:33.640 --> 1:40:36.880
<v Speaker 1>a birthday every single day, because two times for the

1:40:36.960 --> 1:40:39.679
<v Speaker 1>birthday didn't fuck it up. If it's your birthday, bitch,

1:40:40.640 --> 1:40:41.920
<v Speaker 1>I said, bro, do you have to file for that?

1:40:46.479 --> 1:40:51.120
<v Speaker 1>I could not work on that track fast enough. And

1:40:51.200 --> 1:40:55.160
<v Speaker 1>that man brought his first platinum record to Jacksonville. Man

1:40:55.200 --> 1:40:59.160
<v Speaker 1>shout out to track backum man, that's just person Platinum.

1:41:00.560 --> 1:41:02.519
<v Speaker 1>I know you've done enough good in these streets. Man,

1:41:02.560 --> 1:41:04.080
<v Speaker 1>It's it's gonna be all right. It's gonna be all right.

1:41:04.080 --> 1:41:06.000
<v Speaker 1>It's gonna gonna be all right. Yeah, yeah, yeah, yeah.

1:41:06.240 --> 1:41:09.360
<v Speaker 1>Your balance is good. But while we're you know, we're

1:41:09.400 --> 1:41:11.000
<v Speaker 1>here and we're talking about the goods you've done in

1:41:11.000 --> 1:41:15.040
<v Speaker 1>the streets, we also have this important segment of the show.

1:41:15.680 --> 1:41:18.040
<v Speaker 1>It's very important. It's card I ain't saying on names.

1:41:19.160 --> 1:41:20.880
<v Speaker 1>And for the people who have just tuned in for

1:41:20.920 --> 1:41:24.680
<v Speaker 1>the first time, it's a story that you tell us

1:41:24.880 --> 1:41:28.400
<v Speaker 1>that gonna be either funny, are fucked up. Are funny

1:41:28.479 --> 1:41:31.200
<v Speaker 1>and fucked up. The only rule to the game is

1:41:31.439 --> 1:41:35.200
<v Speaker 1>you can't say no names. Cool cool, This is co signs.

1:41:35.360 --> 1:41:37.880
<v Speaker 1>I ain't saying on name. I ain't saying names. Um,

1:41:39.600 --> 1:41:44.280
<v Speaker 1>back to the state where you are, moment um. You're

1:41:44.280 --> 1:41:50.680
<v Speaker 1>gonna put us in it where you are. So I

1:41:50.920 --> 1:41:55.760
<v Speaker 1>wrote and produced that record, but the inspiration behind that

1:41:55.920 --> 1:42:00.240
<v Speaker 1>record was me being in the studio, how having a

1:42:00.280 --> 1:42:06.280
<v Speaker 1>TV on and seeing a young tender. You know what

1:42:06.320 --> 1:42:10.760
<v Speaker 1>I'm saying that I used to I used to see,

1:42:10.800 --> 1:42:13.040
<v Speaker 1>we used to, we used to date. Now she's on

1:42:13.200 --> 1:42:16.479
<v Speaker 1>Jimmy Fallon and the first thing that I wanted to

1:42:16.560 --> 1:42:22.679
<v Speaker 1>do what's called her because she was with the fake congratulations, yeah,

1:42:22.680 --> 1:42:26.200
<v Speaker 1>because you live on another level. I was just I

1:42:26.360 --> 1:42:28.120
<v Speaker 1>was just you know, I just wanted to make sure

1:42:28.160 --> 1:42:33.240
<v Speaker 1>you knew. I always knew you was gonna make Jimmy fay.

1:42:33.840 --> 1:42:36.519
<v Speaker 1>And she used to smoke weed before I started smoking weed,

1:42:36.520 --> 1:42:41.560
<v Speaker 1>So I want to tell her, and you know, so

1:42:41.720 --> 1:42:45.439
<v Speaker 1>if I beat the allergy, so so if you want

1:42:45.439 --> 1:42:49.160
<v Speaker 1>to smoke together, you know, I'm here and I'm going

1:42:49.240 --> 1:42:54.280
<v Speaker 1>through all these emotions looking at her her glory, and

1:42:54.400 --> 1:42:58.599
<v Speaker 1>I said, nope, you know what, turning over a new leaf.

1:43:00.080 --> 1:43:02.920
<v Speaker 1>Stay where you are. And that's where that line just

1:43:03.040 --> 1:43:06.559
<v Speaker 1>keeps shining in my face, Like coach, it's certain. There's

1:43:06.600 --> 1:43:09.360
<v Speaker 1>certain moments that ain't no going back. It was a

1:43:09.439 --> 1:43:13.799
<v Speaker 1>moment in time I see shining baby, drive me crazy,

1:43:14.040 --> 1:43:19.120
<v Speaker 1>and it's but just keep shining baby, riding up on

1:43:19.240 --> 1:43:25.719
<v Speaker 1>some real player. I kept it. That was not pushing sand,

1:43:26.880 --> 1:43:36.840
<v Speaker 1>you push pushing. That's a great collaborative, you know what.

1:43:37.040 --> 1:43:39.240
<v Speaker 1>To a lot of the fellas out there, that's some

1:43:39.320 --> 1:43:42.920
<v Speaker 1>real grown man ship. You missed your beat, Yeah, you

1:43:43.040 --> 1:43:47.400
<v Speaker 1>just missed it. And after you stopped fucking with her.

1:43:48.120 --> 1:43:51.200
<v Speaker 1>She was able to. She glowed up. She glowed up.

1:43:51.240 --> 1:43:54.040
<v Speaker 1>She's to find it. Then you have to respect that

1:43:54.760 --> 1:43:58.400
<v Speaker 1>from afar because if you get too close, it might

1:43:58.479 --> 1:44:01.599
<v Speaker 1>do something to you too, especially if I'm a new nigger.

1:44:01.880 --> 1:44:08.560
<v Speaker 1>You bet not you know what bad not pushing. This

1:44:08.680 --> 1:44:12.960
<v Speaker 1>is part two of not saying no names. Right. So, uh,

1:44:13.320 --> 1:44:15.479
<v Speaker 1>there was a situation where I did get too close.

1:44:16.840 --> 1:44:21.760
<v Speaker 1>Of course you did. There's another situation. Another young lady

1:44:22.640 --> 1:44:25.080
<v Speaker 1>was now because my sister said that ship. She was like,

1:44:25.160 --> 1:44:28.960
<v Speaker 1>it's crazy. It just seemed like all women just glow

1:44:29.080 --> 1:44:31.200
<v Speaker 1>up once they stopped working with you. I was like,

1:44:31.439 --> 1:44:32.760
<v Speaker 1>you know how you you know how your sister just

1:44:33.720 --> 1:44:39.280
<v Speaker 1>get that offend, hurt, hurt. I couldn't even say that back.

1:44:40.080 --> 1:44:44.600
<v Speaker 1>There was no fight back from me. She laughs, crazy cursing.

1:44:44.680 --> 1:44:48.719
<v Speaker 1>So anyway, I see this young lady, she's in her glow,

1:44:49.880 --> 1:44:52.559
<v Speaker 1>and in my mind, I'm like, enough time has gone

1:44:52.680 --> 1:44:58.920
<v Speaker 1>past to where you know what I'm saying. And look,

1:44:58.960 --> 1:45:01.240
<v Speaker 1>And it wasn't even like I was trying to leave

1:45:01.280 --> 1:45:03.280
<v Speaker 1>her alone, coach. I just was gonna give her hug

1:45:03.360 --> 1:45:08.160
<v Speaker 1>and say congratulations. She pushed me because she punched you.

1:45:08.280 --> 1:45:10.759
<v Speaker 1>She pushed me. She pushed you at the Awards series.

1:45:11.000 --> 1:45:12.680
<v Speaker 1>Are you really try to go in for a hub?

1:45:12.760 --> 1:45:14.160
<v Speaker 1>You said, because you when you say it, don't go

1:45:14.280 --> 1:45:16.160
<v Speaker 1>too close. I was like, oh yeah, because because I

1:45:16.240 --> 1:45:18.960
<v Speaker 1>wanted to go out thinking about it. She gave you that,

1:45:19.520 --> 1:45:23.120
<v Speaker 1>and and so immediately I just started scanning the room

1:45:23.120 --> 1:45:32.200
<v Speaker 1>to see if anybody. So immediately it was like what

1:45:32.240 --> 1:45:38.760
<v Speaker 1>I'm saying, just walking, just walk. It's not sweet. It's

1:45:38.800 --> 1:45:46.920
<v Speaker 1>not sweet. And I'm still mad. Dress off. I'm saying it.

1:45:48.720 --> 1:45:54.759
<v Speaker 1>Stay where you are, stays you are you are, don't pressing, coach,

1:45:55.479 --> 1:45:59.599
<v Speaker 1>don't pressing, don't press in. Would she go up? Oh? Ship,

1:45:59.800 --> 1:46:02.120
<v Speaker 1>if he go up? Right? It is what it is.

1:46:04.439 --> 1:46:08.519
<v Speaker 1>Let it be. You understand what you're saying, because it's

1:46:08.600 --> 1:46:14.000
<v Speaker 1>it's it's probably better without you. Life, it's probably better

1:46:15.080 --> 1:46:20.880
<v Speaker 1>without you. Oh my god. Everybody ain't for everybody. Everybody

1:46:20.880 --> 1:46:23.639
<v Speaker 1>ain't for everybody. And some relationships are just for a season.

1:46:23.920 --> 1:46:26.160
<v Speaker 1>The season you get what you needed that you get,

1:46:26.200 --> 1:46:28.400
<v Speaker 1>you get your harvest of that season. They get the

1:46:28.479 --> 1:46:31.519
<v Speaker 1>harvest of that season. You take your you know, you

1:46:31.600 --> 1:46:33.320
<v Speaker 1>take your harvest and you go with it, keep it

1:46:33.479 --> 1:46:35.680
<v Speaker 1>and whoever whoever that's supposed to feed next, that's what

1:46:35.800 --> 1:46:46.160
<v Speaker 1>that is. Yeah, thank me for that. Yet somewhere enjoying

1:46:46.200 --> 1:46:49.679
<v Speaker 1>the goodness. Welcome. Make sure you make sure you're telling

1:46:49.760 --> 1:46:52.080
<v Speaker 1>them because if you find, if you find you a

1:46:52.120 --> 1:46:53.720
<v Speaker 1>good one man, they do some good things for you.

1:46:54.560 --> 1:46:57.479
<v Speaker 1>Those are new things, just like whoever taught you that.

1:46:58.280 --> 1:47:03.000
<v Speaker 1>Come on, thank you, Come on, come on, nan man.

1:47:03.320 --> 1:47:05.040
<v Speaker 1>You ain't gotta say it out loud. Just you seem

1:47:05.080 --> 1:47:15.639
<v Speaker 1>to see me in the club by this man. Because

1:47:15.640 --> 1:47:17.639
<v Speaker 1>you know what, though I can say this though honestly

1:47:19.600 --> 1:47:25.599
<v Speaker 1>in relationships, I can't handle the truth of your past.

1:47:26.040 --> 1:47:29.760
<v Speaker 1>So what that means is, let's just say hypothetically, you know,

1:47:31.120 --> 1:47:33.960
<v Speaker 1>I use use my wife as an example. Say we

1:47:34.080 --> 1:47:39.519
<v Speaker 1>go to dinner somewhere and there's a guy that she

1:47:39.680 --> 1:47:42.320
<v Speaker 1>used to do everything with. I want to know my

1:47:42.400 --> 1:47:45.080
<v Speaker 1>mario is, let me enjoy my steak, Let me enjoy,

1:47:45.640 --> 1:47:49.800
<v Speaker 1>Let me enjoy. If we're cracking jokes, let me and

1:47:49.920 --> 1:47:52.320
<v Speaker 1>let me go home and sleep and let me live

1:47:52.400 --> 1:48:02.080
<v Speaker 1>and die. And I don't because in past situations, think

1:48:02.120 --> 1:48:06.200
<v Speaker 1>about this situation, this young lady, and I can't. I

1:48:06.240 --> 1:48:08.679
<v Speaker 1>gotta be light on the details. But let's just say

1:48:09.960 --> 1:48:14.280
<v Speaker 1>once we was good and and in it we had

1:48:14.320 --> 1:48:20.160
<v Speaker 1>an honest conversation. We were in the park. We're in

1:48:20.240 --> 1:48:26.400
<v Speaker 1>the park, and I instantly had to boo boo when

1:48:26.439 --> 1:48:35.719
<v Speaker 1>I heard when she starts the truth, noticed right away

1:48:35.760 --> 1:48:37.200
<v Speaker 1>I was in the park lot in this because I

1:48:37.280 --> 1:48:39.760
<v Speaker 1>remember the parks of I couldn't just be like, I'm

1:48:39.800 --> 1:48:44.559
<v Speaker 1>going to bathroom. I remember being outside like wait, how

1:48:45.360 --> 1:48:47.680
<v Speaker 1>how old were you? And how old was he? And

1:48:47.800 --> 1:48:52.800
<v Speaker 1>you did what? And you were spending and all the details,

1:48:52.920 --> 1:48:57.360
<v Speaker 1>bro the details, and I can't you can't go back.

1:48:58.120 --> 1:49:01.439
<v Speaker 1>So a lot of brothers, y'all, these relationships with these ladies,

1:49:02.080 --> 1:49:05.160
<v Speaker 1>worrying about the wrong fucking things. You got to know.

1:49:05.280 --> 1:49:08.599
<v Speaker 1>It's just your turn now telling me. So I'm gonna

1:49:09.560 --> 1:49:15.519
<v Speaker 1>previous cats, pous cats. I just think that don't walk

1:49:15.640 --> 1:49:18.519
<v Speaker 1>me in Nowhere Blind. I want to be blind. I

1:49:18.880 --> 1:49:23.400
<v Speaker 1>want to but he with the lady. I want to,

1:49:23.760 --> 1:49:33.160
<v Speaker 1>like what the movie, Don't walk Me in Nowhere black,

1:49:33.479 --> 1:49:36.880
<v Speaker 1>because because the past doesn't doesn't bother me. Just don't

1:49:37.080 --> 1:49:41.559
<v Speaker 1>just don't let the past be be used against me. Yeah,

1:49:42.000 --> 1:49:43.560
<v Speaker 1>I'm gonna need to know why I nigger shook my

1:49:43.600 --> 1:49:47.880
<v Speaker 1>hand that way? Yeah? Period? Yeah, why do you keep

1:49:47.920 --> 1:49:52.240
<v Speaker 1>staying over here? That was a different kind of embrace. Yeah,

1:49:52.240 --> 1:49:56.360
<v Speaker 1>don't let trouble beat you up. Yeah yeah, I don't care,

1:49:56.600 --> 1:49:59.439
<v Speaker 1>but the's gonna change no dynamics. So let me get

1:49:59.560 --> 1:50:06.040
<v Speaker 1>this right. No Name, Part three three, first ever on

1:50:06.160 --> 1:50:12.200
<v Speaker 1>the Rybody podcast Keep going three names right Um talking

1:50:12.240 --> 1:50:17.680
<v Speaker 1>to uh this young lady about a situation that had

1:50:17.760 --> 1:50:22.120
<v Speaker 1>just occurred, right, and it had threw me off because

1:50:23.680 --> 1:50:27.080
<v Speaker 1>the handshake, the greeting, everything she's speaking of. Because I

1:50:27.160 --> 1:50:28.960
<v Speaker 1>was going to ask you for an example what you're

1:50:29.000 --> 1:50:31.320
<v Speaker 1>talking about, But now I realize what the example was.

1:50:33.920 --> 1:50:38.960
<v Speaker 1>So I'm telling her just like, yeah, you know, he was.

1:50:40.080 --> 1:50:42.880
<v Speaker 1>He was with his homies. They was laughing, and I

1:50:43.000 --> 1:50:47.080
<v Speaker 1>just didn't understand, Like that's crazy. I've been knowing him

1:50:47.120 --> 1:50:52.320
<v Speaker 1>for some time. And she goes, Marco's it only happened once,

1:50:57.360 --> 1:51:00.080
<v Speaker 1>And what I tell you, I'll tell you that is

1:51:00.160 --> 1:51:04.960
<v Speaker 1>the farthest thing from my mind. I'm venting about my

1:51:05.240 --> 1:51:09.000
<v Speaker 1>day in life. This is just my day marks It

1:51:09.080 --> 1:51:12.040
<v Speaker 1>only happened once, alright in it it's not like how

1:51:12.120 --> 1:51:17.639
<v Speaker 1>many you are. I was like, wait, wait, she told

1:51:17.640 --> 1:51:22.360
<v Speaker 1>herself like the niggle House and Dragon she told on herself. Wait,

1:51:22.840 --> 1:51:35.600
<v Speaker 1>I said, wait, you did what with hem? Yo. I

1:51:36.040 --> 1:51:49.920
<v Speaker 1>was boiling. Oh yo, yo, I had to get out

1:51:49.960 --> 1:51:55.439
<v Speaker 1>of here. Bro, I had to to get out of there. Man,

1:51:57.400 --> 1:52:09.320
<v Speaker 1>no more, no nation. It's three and I feel like,

1:52:09.760 --> 1:52:12.680
<v Speaker 1>did you keep telling these stories? I don't want you

1:52:12.760 --> 1:52:18.559
<v Speaker 1>to go back down. Yo, you're traumatized. God, man, it's

1:52:18.560 --> 1:52:25.519
<v Speaker 1>a great way. Oh my god, Oh my god. Bro. Listen,

1:52:25.720 --> 1:52:32.439
<v Speaker 1>um ship I don't know my name at this point.

1:52:34.720 --> 1:52:39.560
<v Speaker 1>Oh Ja Valentine and this and this has been the

1:52:39.680 --> 1:52:45.960
<v Speaker 1>Army Money podcast. This has been interesting. Um listen, listen,

1:52:46.080 --> 1:52:55.400
<v Speaker 1>man um for for lock. What is the blowback? Oh,

1:52:55.479 --> 1:52:57.519
<v Speaker 1>this is gonna be People will be trying to figure

1:52:57.520 --> 1:53:01.360
<v Speaker 1>out the characters. The only thing I can say at

1:53:01.400 --> 1:53:06.360
<v Speaker 1>the end of this, my brother, is that we love you.

1:53:08.280 --> 1:53:11.000
<v Speaker 1>You are really our famis and that's it. We love

1:53:11.040 --> 1:53:15.960
<v Speaker 1>you and we will always appreciate you. And you already

1:53:16.000 --> 1:53:19.599
<v Speaker 1>know the where I love I love you brothers more. There,

1:53:19.800 --> 1:53:22.760
<v Speaker 1>I love you brothers more. Thank you for having me. Man.

1:53:23.280 --> 1:53:38.000
<v Speaker 1>This has been R Money Money. R and B Money

1:53:38.160 --> 1:53:41.200
<v Speaker 1>is a production of the Black Effect podcast Network. For

1:53:41.280 --> 1:53:44.320
<v Speaker 1>more podcasts from I Heart Radio, visit the R heart

1:53:44.400 --> 1:53:47.400
<v Speaker 1>Radio app, Apple podcast, or wherever you're listening to your

1:53:47.400 --> 1:53:51.200
<v Speaker 1>favorite shows. Don't forget to subscribe to and rate our show,

1:53:51.720 --> 1:53:54.639
<v Speaker 1>and you can connect with us on social media via

1:53:54.920 --> 1:53:57.519
<v Speaker 1>at R and B Money podcast or at the Real

1:53:57.600 --> 1:53:59.320
<v Speaker 1>Tank or at J Valentine