WEBVTT - Ziggy Marley Reminisces About Jamaica and His Father

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<v Speaker 1>Pushkin. In the four decades since his death, Bob Marley

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<v Speaker 1>has become so iconic that it's hard to believe he

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<v Speaker 1>was ever a real person. Thankfully, in addition to the

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<v Speaker 1>wealth of music he left behind, there's also a trove

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<v Speaker 1>of photographs documenting his brief, impactful life. In twenty twenty,

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<v Speaker 1>to commemorate what would have been Bob's seventy fifth birthday,

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<v Speaker 1>Ziggy Marley curated a book of photographs of his dad

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<v Speaker 1>called Bob Marley Portrait of the Legend. Ziggy has of

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<v Speaker 1>course gone on to become a reggae icon in his

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<v Speaker 1>own right, and there's now an eight time Grammy winner,

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<v Speaker 1>a philanthropist, author, and keeper of his dad's legacy along

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<v Speaker 1>with the rest of the Marley family. Today we'll hear

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<v Speaker 1>Malcolm Goldwell and Ziggy talk about the turbulence and seventies

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<v Speaker 1>Jamaica by two opposing political parties. Ziggy recalls the night

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<v Speaker 1>gunman and ambushed the Marley house, shooting his mother and Bob,

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<v Speaker 1>both whom thankfully survived, and Ziggy answers the question we

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<v Speaker 1>all want to know, was it famously soccer obsessed Bob

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<v Speaker 1>Marley really any good on the field? This is broken

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<v Speaker 1>record liner notes for the digital Age. I'm justin Richmondon.

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<v Speaker 1>Here's Malcolm Gladwell and Ziggy Marley. This conversation was taped

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<v Speaker 1>live as part of the Live Talks Los Angeles series.

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<v Speaker 1>This book that you've done, with all of these photos

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<v Speaker 1>of your father, it had a kind of personal residence

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<v Speaker 1>for me because, as you may know, my mom as Jamaican,

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<v Speaker 1>and when I was growing up in the seventies, we

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<v Speaker 1>were good at Jamaica every year, every Christmas and all

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<v Speaker 1>these so many of these photos are from the Jamaica

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<v Speaker 1>that I remember as a kid. It's funny, It's like,

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<v Speaker 1>I mean, it's very personal for you, but in this

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<v Speaker 1>weird indirect way, HiT's personal for me too. You know

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<v Speaker 1>how when you look at the photo of Jamaica, you

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<v Speaker 1>can smell Jamaica. I could, I could smell I could

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<v Speaker 1>smell Jamaica again. It's just lovely, like took me back

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<v Speaker 1>to my childhood. What led you to want to do

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<v Speaker 1>this book? So over the years we've we've collected a

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<v Speaker 1>lot of photographs of Bob. I'm from different photographers and

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<v Speaker 1>stuff like that, and you know, usually I think the

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<v Speaker 1>photographs you see a Bob our iconic photographs, you know,

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<v Speaker 1>obviously the iconic images, and so for this we came

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<v Speaker 1>up on the same the fifth at birthday anniversary, and

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<v Speaker 1>I felt like, let's do some special for the seven fifth.

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<v Speaker 1>Let's take some of these photos we having our archives.

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<v Speaker 1>I'm put together a photo book. The family has them.

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<v Speaker 1>I've done one before, other people have done one. Then

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<v Speaker 1>I'm totally understand. Always when you're taught about you smell

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<v Speaker 1>Jamaica at the photo because doing the book like they

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<v Speaker 1>brought back to that time too, you know, when looking

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<v Speaker 1>at it, just it's like it's such a it's such

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<v Speaker 1>a real experience, a real thing that when I was

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<v Speaker 1>looking at the phot does it you know, everything else

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<v Speaker 1>kind of came back to me. Yeah. When you say,

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<v Speaker 1>I was just thinking logistically, you said, this is really

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<v Speaker 1>the family's book. There's so many of you. How on

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<v Speaker 1>earth did you guys? Did you guys coordinate picking all

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<v Speaker 1>of these photos? Did you have like a family council

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<v Speaker 1>where you're all sat down and went through them? No? No,

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<v Speaker 1>well I was given a task. I was given that

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<v Speaker 1>responsibility of going through the photos. That's all we do.

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<v Speaker 1>What kind of delegate responsibilities? Yeah, you know, everybody this

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<v Speaker 1>is your project. You have you have the family's approval

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<v Speaker 1>and blessing is your project. Go ahead and do it,

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<v Speaker 1>you know. Yeah, Well, tell me about your your memories

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<v Speaker 1>of your father. You so you're born in sixty eight,

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<v Speaker 1>so you when he dies, you're you're just a teenager.

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<v Speaker 1>Yeah it going on thirteen. Yeah, yeah, tell me tell

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<v Speaker 1>me a little bit about what you remember of your father.

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<v Speaker 1>Well everything, I mean, there's don't to forget really because

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<v Speaker 1>the limited experience we've had with him, you know, everything

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<v Speaker 1>was memorable and left her ever lasting impact on my psyche,

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<v Speaker 1>you know what I say. Everything. It was like going

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<v Speaker 1>to school, but a different type of school, you know.

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<v Speaker 1>Manna says like so growing up with Bob, I mean,

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<v Speaker 1>there was different elements. It was a fun side, happy side,

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<v Speaker 1>didn't player on the children. We would travel to the

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<v Speaker 1>countryside his hometown u every now and again. And it's

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<v Speaker 1>funny remember those days. They were no seat, bess, he

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<v Speaker 1>would have been a lap in the front seat or

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<v Speaker 1>seat that no, no, no, you're back. Yeah, I believe you.

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<v Speaker 1>I remember that. I'mbing started making the back of a

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<v Speaker 1>Volkswagen Beetle driven by my uncle. Yeah. Yeah, my mom

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<v Speaker 1>one of those two. She had one of those beatles too.

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<v Speaker 1>Yeah yeah, so um but I mean, and then there

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<v Speaker 1>was a serious side. It was what I saw was

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<v Speaker 1>another discipline. This money, a lot of work hard, this money,

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<v Speaker 1>a lot of discipline, this manner. He's from the countryside

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<v Speaker 1>and he's so rude rooted in his humility that for

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<v Speaker 1>him to come back to his home Toner, go back

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<v Speaker 1>to trench Stone in the ghetto, it was like, it's

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<v Speaker 1>just it's just Bob. This is just Bob. It's not

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<v Speaker 1>like Bob the Superstarabob or whatever, you know, It's just Bob.

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<v Speaker 1>So I mean lots of sucker, lots of football, sucker music,

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<v Speaker 1>sucker music. And the spiritual side of it was a

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<v Speaker 1>very powerful thing. And Babbabo's love having Bible, and he

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<v Speaker 1>would take me and my brother Stephen to these um

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<v Speaker 1>what you call him. It's like service, like you know

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<v Speaker 1>people go to church service, or people go to the

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<v Speaker 1>synical or the mosque. When we are these thing called

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<v Speaker 1>nia bingis and we would it would be like some

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<v Speaker 1>weird time at night. And it was such a mystical.

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<v Speaker 1>That's why I said it left such an impression on

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<v Speaker 1>me as a child, because it was such a ni

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<v Speaker 1>being was such a mystical thing, you know, smoke, fire, drums, singing, chanting,

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<v Speaker 1>and a whole spiritual vibe. So yeah, you know, we'll

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<v Speaker 1>go up that kind of environe where every memory really

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<v Speaker 1>is stuck with us, and the memory is stuck with

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<v Speaker 1>us more than just a memory. It stuck with us

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<v Speaker 1>as like I experience that as kind of mounded us

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<v Speaker 1>into who we are today. You know, who is are

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<v Speaker 1>really a heavy thing, you know, it's heavy. Yeah. The

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<v Speaker 1>other part of it that's fastened to me, as I

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<v Speaker 1>said earlier, was the Jamaica of that period, which is

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<v Speaker 1>Jamaica in the seventies. So many of these photos are

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<v Speaker 1>about Jamakaan the seventies and Jamaica the seventies is an

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<v Speaker 1>intense place. I mean, politics is manly in Siaga, and

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<v Speaker 1>there's violence, and there's gun cord and there's reggae, and

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<v Speaker 1>there's you know, Don Quarry winning gold medal. I mean,

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<v Speaker 1>it's just sort of like there's somber go, there's a kid.

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<v Speaker 1>It's just like so much was coming from rural Canada

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<v Speaker 1>where nothing happened, to a place where everything was happening. Talk.

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<v Speaker 1>Can you talk a little bit about that I mean

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<v Speaker 1>you're in the epicenter of this because your father was

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<v Speaker 1>at the was the kind of in the middle of

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<v Speaker 1>the of the Maelstrom. Yeah, there were certain minor posts

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<v Speaker 1>that I can like remember about the seventies, especially the

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<v Speaker 1>more um turbulent times politics. So we can't go back.

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<v Speaker 1>I remember, um, the night my appearance were a shot, right.

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<v Speaker 1>I remember before my mother left to go to rearses,

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<v Speaker 1>I were like, yo, moment tapent to earth. I wanted

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<v Speaker 1>to go. I wanted to go to resta and said no, one,

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<v Speaker 1>like you have school tomorrow. And I was like very

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<v Speaker 1>like angry that she didn't let me go to rearses.

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<v Speaker 1>And then, you know, looking back after you the shooter,

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<v Speaker 1>I think she probably it was a good decision, right.

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<v Speaker 1>So I remember that night. I remember she leaving and

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<v Speaker 1>we went to bed, right, But in the middle of

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<v Speaker 1>the night, some police came to the house and like

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<v Speaker 1>grabbed us up and like there's a lot of you know,

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<v Speaker 1>like kiosk and like let's go move through, let's go,

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<v Speaker 1>let's go get the kids and mout to the house

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<v Speaker 1>and they drove us to wherever we're going. We don't know.

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<v Speaker 1>I was just like this, I was like, what is

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<v Speaker 1>seventy seventy six, but you're about getting the assassination the

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<v Speaker 1>seventy six ye. So another more impactful experience I was

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<v Speaker 1>with my mom. Actually we're talking about the seventies and

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<v Speaker 1>what was going on there, the political upheaval and just

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<v Speaker 1>you know, the drama everything. So my so, my mother

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<v Speaker 1>pick us up from school. This was during the height

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<v Speaker 1>of the There was a big protest going on political

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<v Speaker 1>They were blocking the roads, fire burning, tires burning in

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<v Speaker 1>the streets. So my mom pick us up from school

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<v Speaker 1>in in the beetle, in the VW. She's driving us

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<v Speaker 1>home and we'll come up on a road back. Okay, okay,

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<v Speaker 1>I'll get home. We're not too far from home, but

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<v Speaker 1>we can't pass because these guys there, there's tires burning,

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<v Speaker 1>and these guys are like and I remember being in

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<v Speaker 1>the back seat. I'm watching my mother. She came over

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<v Speaker 1>to the car and she confronted these guys in a

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<v Speaker 1>very bridge brave. I mean it's brave what she did.

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<v Speaker 1>She like stand up, I say, yo, and I feel

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<v Speaker 1>you know what if I did? She cursed or chel

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<v Speaker 1>and she talked them down and they're kind of like

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<v Speaker 1>okay and kind of part of part of the road

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<v Speaker 1>back and we drove toe. So that's a that's another

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<v Speaker 1>memory that's like from from member that time and the

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<v Speaker 1>turbulent political situation. Those two my post is what I

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<v Speaker 1>go back to. But I mean there was good times too, man,

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<v Speaker 1>you know what I mean. I mean going back to

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<v Speaker 1>Change Stone playing football. You know, it was a very

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<v Speaker 1>double edged sword that period of time because it was

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<v Speaker 1>so good too divide the energy of the music. There's

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<v Speaker 1>so much life and there's so much revolutionary like change,

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<v Speaker 1>you know, Like it's the same time Bob and Claud

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<v Speaker 1>mass Up, who was a strong man or a strong

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<v Speaker 1>arm for the political function and booking Marshall, they came

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<v Speaker 1>together and we're starting for kind of this on the politics.

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<v Speaker 1>And I was there too. I met I met all

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<v Speaker 1>of these guys take life, and I knew who. I

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<v Speaker 1>knew what was happening um and and I kind of

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<v Speaker 1>but actually when I got later and I kind of

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<v Speaker 1>understand who these guys were because I just saw them

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<v Speaker 1>as guys as Bob's friends, and I know they were

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<v Speaker 1>meeting and talking and blah blah blah. But when I

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<v Speaker 1>grew up with area as these guys were some dangerous men.

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<v Speaker 1>They were just like some la. These guys were some

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<v Speaker 1>serious guys, you know. So that is yeah, that is

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<v Speaker 1>the world. That is the world, you know, marking at

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<v Speaker 1>the seventies. I remember, it's funny you talk about your

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<v Speaker 1>mother and that roadblock. My grandfather telling me that he'd

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<v Speaker 1>be driving down the road and they'd be a roadblock,

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<v Speaker 1>and he got really good at guessing whether it was

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<v Speaker 1>JLP or p NP, the two two parties. So he

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<v Speaker 1>take a look, he's take that's JLP. Wavers fished out

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<v Speaker 1>the window JLP. They're like waving through next BNP. But

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<v Speaker 1>you know, to your point, it's the world that bursts

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<v Speaker 1>this extraordinar amount of your father's music. I mean, it's

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<v Speaker 1>what gave his music such immediacy and urgency and power.

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<v Speaker 1>Did your father talk a lot about the cut of

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<v Speaker 1>the politics of Jamaica? Not, I mean not to me.

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<v Speaker 1>I mean I've I've overheard stuff and i've you know,

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<v Speaker 1>but never directed to us. Um. Yeah, I mean he's

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<v Speaker 1>spoken about it. Obviously, he's not a political person to say,

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<v Speaker 1>well him decide these politics are that political party or whatever.

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<v Speaker 1>I think he was a trait because his thing was Rastafari,

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<v Speaker 1>which is another thing. He says, need a P and

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<v Speaker 1>p r GP. It's like it's own thing. And what

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<v Speaker 1>was happening was that I love the mentioned cloud, the

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<v Speaker 1>master of Bocking, Marshal. These were the strong arms, they were,

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<v Speaker 1>These were the enforcers of the political party, the lead enforcers.

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<v Speaker 1>These guys was coming over at the Bob side. So

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<v Speaker 1>there was a whole other thing going on that the

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<v Speaker 1>political powers were losing their their muscle to this other

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<v Speaker 1>idea of rastafar Rai, and that a waso bubble was

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<v Speaker 1>really about really if it, I mean, if if he

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<v Speaker 1>was about politics, it was the political party of Rastafari,

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<v Speaker 1>which is the spiritual movement, you know, change, change how

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<v Speaker 1>things are. So I think that was his politics. Rastafari

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<v Speaker 1>was his politics. We could say, you know, yeah, I

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<v Speaker 1>was trying to think whether there's another musical artist who

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<v Speaker 1>has had the same kind of status in his or

0:12:14.156 --> 0:12:17.116
<v Speaker 1>her home country as your father did. I mean, I'm

0:12:17.156 --> 0:12:22.676
<v Speaker 1>remember that famous concert where the two political figures of

0:12:22.756 --> 0:12:26.716
<v Speaker 1>the day, Siaga and Manly didn't they shake hands on

0:12:26.956 --> 0:12:30.236
<v Speaker 1>stage at a at a Bob Marley concert, Yeah, the

0:12:30.276 --> 0:12:34.756
<v Speaker 1>One Love Peace concert. Yeah. I mean the analogy would

0:12:34.756 --> 0:12:38.556
<v Speaker 1>be as if Donald Trump and Joe Biden had kind

0:12:38.596 --> 0:12:41.796
<v Speaker 1>of hugged on stage at a Bruce Springsteen concert. Right,

0:12:41.836 --> 0:12:44.476
<v Speaker 1>that's the that's the clothes, I mean, but it doesn't

0:12:44.516 --> 0:12:46.876
<v Speaker 1>need that doesn't even capture it. I mean, this is

0:12:46.916 --> 0:12:49.196
<v Speaker 1>why I love the book so much, because it takes

0:12:49.276 --> 0:12:53.596
<v Speaker 1>us back to the time and the place. Yeah, there's

0:12:53.876 --> 0:12:57.116
<v Speaker 1>wonderful photos of the One Love concert with Siaga and

0:12:57.636 --> 0:13:01.196
<v Speaker 1>Michael Manley. Yeah, I remember that it was brother went

0:13:01.236 --> 0:13:03.556
<v Speaker 1>on stage because that's what we usually do. Like me,

0:13:03.636 --> 0:13:06.796
<v Speaker 1>I'm Stephen, Stephen, you would go on stage. We would

0:13:06.796 --> 0:13:09.036
<v Speaker 1>go on stage in that last time, which is usually

0:13:09.156 --> 0:13:13.156
<v Speaker 1>exdus those times was tough to the One of Peace concert.

0:13:13.596 --> 0:13:15.996
<v Speaker 1>So I remember, let me let me. I don't think

0:13:16.036 --> 0:13:18.316
<v Speaker 1>we're having the photos that appeared. But when Bob after

0:13:18.396 --> 0:13:21.116
<v Speaker 1>that assassination attempt, and Bob had come home for the

0:13:21.196 --> 0:13:23.756
<v Speaker 1>One of Peace concert, so we all went to the

0:13:23.836 --> 0:13:26.396
<v Speaker 1>airport and you know, there was totals of people at

0:13:26.436 --> 0:13:28.916
<v Speaker 1>the airport because no Bubo is coming back. And the

0:13:29.036 --> 0:13:33.076
<v Speaker 1>thing is that political strongmen for the parties, political parties

0:13:33.116 --> 0:13:36.196
<v Speaker 1>now we're on the CMPH as Bob, and so everyone

0:13:36.276 --> 0:13:40.556
<v Speaker 1>that supports these political parties now was supporting Bob and

0:13:40.836 --> 0:13:43.516
<v Speaker 1>and and these these guys who know have their own

0:13:43.596 --> 0:13:48.196
<v Speaker 1>ideas of peace and less political violence. So the airport

0:13:48.356 --> 0:13:50.836
<v Speaker 1>was full. And then I was there and I remember

0:13:51.236 --> 0:13:54.756
<v Speaker 1>the crowd and then pulled Bob and I'm there. I'm

0:13:54.836 --> 0:13:58.076
<v Speaker 1>outside now in this crowd, all mixed up with everybody.

0:13:58.396 --> 0:14:00.876
<v Speaker 1>And Bob get pulled into a car and I'm by

0:14:00.916 --> 0:14:05.196
<v Speaker 1>the window like this bub bub Why not he pulled

0:14:05.236 --> 0:14:08.996
<v Speaker 1>me through the window. Well, you knew you got left behind.

0:14:10.276 --> 0:14:11.876
<v Speaker 1>I got mixed up in a cart and it was

0:14:11.916 --> 0:14:14.036
<v Speaker 1>like there's could no and there was no one. I

0:14:14.116 --> 0:14:18.796
<v Speaker 1>had no nannier and no one body watching me. It's

0:14:18.876 --> 0:14:22.716
<v Speaker 1>important to remember in this moment in Jamaican history, it's

0:14:22.756 --> 0:14:25.636
<v Speaker 1>almost like the country is in a state of civil war.

0:14:26.276 --> 0:14:29.476
<v Speaker 1>There is violence everywhere. You know, the people are leaving

0:14:29.796 --> 0:14:32.316
<v Speaker 1>Jamaica in droves to come to the United States or

0:14:32.436 --> 0:14:35.516
<v Speaker 1>Canada to escape. It's a kind of a crazy period.

0:14:35.956 --> 0:14:38.356
<v Speaker 1>Well it's funny, not only as civil war is like

0:14:38.436 --> 0:14:40.716
<v Speaker 1>a geopolitical world going on too at the same time,

0:14:40.796 --> 0:14:44.516
<v Speaker 1>between the United States and Russia and Cuba. Because that

0:14:44.716 --> 0:14:47.876
<v Speaker 1>was the thing. That's why Edwards Siaga he was a buston.

0:14:47.956 --> 0:14:50.836
<v Speaker 1>He guarded from Boston University, and so there was the

0:14:50.916 --> 0:14:56.876
<v Speaker 1>geopolitical situation even elevated the stakes even more. Yeah and Bob,

0:14:57.156 --> 0:15:00.436
<v Speaker 1>I mean, Bob was in a serious position and nobody knew,

0:15:00.636 --> 0:15:03.556
<v Speaker 1>but he was in a serious position because of the

0:15:03.636 --> 0:15:09.356
<v Speaker 1>geopolitical element. Would would America allow a socialist government who

0:15:09.516 --> 0:15:13.076
<v Speaker 1>has tied with Cuba to have another which would then

0:15:13.436 --> 0:15:17.076
<v Speaker 1>mean Russia having a a more influenced in that region.

0:15:17.836 --> 0:15:20.116
<v Speaker 1>You know, America didn't want that. I would not allow that.

0:15:20.596 --> 0:15:22.836
<v Speaker 1>I know. There was this guy, this singer guy who

0:15:23.356 --> 0:15:25.876
<v Speaker 1>who people were drawn to and he was like she

0:15:25.996 --> 0:15:31.076
<v Speaker 1>had some political power too, because the political strong men

0:15:31.196 --> 0:15:33.596
<v Speaker 1>and their people were no drawn to this singer guy.

0:15:33.716 --> 0:15:36.196
<v Speaker 1>Who who's this singer guy? You know what I'm saying.

0:15:36.236 --> 0:15:40.156
<v Speaker 1>So the stakes are really high beyond what I think

0:15:41.036 --> 0:15:43.876
<v Speaker 1>we realized, or even Bob might have realized at the time,

0:15:44.276 --> 0:15:46.916
<v Speaker 1>our people around him. You know. We'll be back with

0:15:47.036 --> 0:15:54.316
<v Speaker 1>Malcolm Gladwell and Ziggy Marley after a break. We're back

0:15:54.356 --> 0:15:57.796
<v Speaker 1>with more from Ziggy Marley and Malcolm Gladwell. Can you

0:15:57.916 --> 0:16:00.516
<v Speaker 1>think of a musical figure who is an analogous to

0:16:00.596 --> 0:16:06.556
<v Speaker 1>your father? Yeah? I think more Fella Cut from Nigeria. Yeah,

0:16:07.036 --> 0:16:10.236
<v Speaker 1>and him he was. He was another one of my

0:16:10.436 --> 0:16:14.396
<v Speaker 1>I met him once, um chica, but he was he

0:16:14.556 --> 0:16:16.796
<v Speaker 1>was serious. He was really and I mean what he

0:16:16.876 --> 0:16:20.836
<v Speaker 1>didn't in Nigeria starting up against the government, the brutality

0:16:20.876 --> 0:16:24.316
<v Speaker 1>and the songs he wrote about that. Really he just

0:16:24.476 --> 0:16:27.276
<v Speaker 1>like my father had assassination and m I mean they

0:16:27.316 --> 0:16:29.756
<v Speaker 1>would read him and beat him and beat his mother

0:16:29.836 --> 0:16:33.116
<v Speaker 1>and you know type of things. So fella co would

0:16:33.116 --> 0:16:36.316
<v Speaker 1>be a good analogy to Bob, I think, yeah, yeah,

0:16:36.356 --> 0:16:38.396
<v Speaker 1>And there are a couple maybe a couple of South

0:16:38.436 --> 0:16:42.796
<v Speaker 1>African um maybe it would be a good analogy. But

0:16:43.476 --> 0:16:46.596
<v Speaker 1>when do you become aware that you want to make

0:16:46.676 --> 0:16:48.876
<v Speaker 1>your life in music? Is that something that comes to

0:16:48.916 --> 0:16:51.276
<v Speaker 1>you very young and looking at your father or afterwards

0:16:51.356 --> 0:16:53.996
<v Speaker 1>after his death? Now it come? It come before that.

0:16:54.116 --> 0:16:56.196
<v Speaker 1>I mean the first concert would play was a concert

0:16:56.316 --> 0:16:59.756
<v Speaker 1>that U Baba was on was the International Year of

0:16:59.796 --> 0:17:03.476
<v Speaker 1>the Children, what I hear? That was seventy nine. So

0:17:03.756 --> 0:17:05.436
<v Speaker 1>he and he wrote the first song that we have

0:17:05.516 --> 0:17:08.516
<v Speaker 1>a song. Yeah, So we was out of his music

0:17:08.596 --> 0:17:11.276
<v Speaker 1>and bab always call us to sing when he's writing it.

0:17:12.036 --> 0:17:14.676
<v Speaker 1>It comes sing we're playing, we want to go play,

0:17:14.876 --> 0:17:18.516
<v Speaker 1>telling us to come sing. You know. We started very

0:17:18.556 --> 0:17:22.756
<v Speaker 1>young with music. The thing I get from Barba musically speaking,

0:17:24.116 --> 0:17:28.276
<v Speaker 1>is a discipline and the focus and the seriousness in

0:17:28.396 --> 0:17:31.156
<v Speaker 1>which you approach the music, the respect that you gave

0:17:31.196 --> 0:17:33.076
<v Speaker 1>the music. So you have to put in the work

0:17:33.636 --> 0:17:35.716
<v Speaker 1>that shows you respect the music. It's not like it

0:17:35.836 --> 0:17:37.796
<v Speaker 1>does better and you know you have a sing the

0:17:37.876 --> 0:17:40.796
<v Speaker 1>right now, you have a practice, you know. So really

0:17:40.836 --> 0:17:43.076
<v Speaker 1>when we used to see that Rorstie and watch Bob

0:17:43.116 --> 0:17:46.396
<v Speaker 1>the Mirs, and I think for some reason I grew

0:17:46.476 --> 0:17:49.716
<v Speaker 1>up taking that ethic of hard work and and and

0:17:49.876 --> 0:17:52.316
<v Speaker 1>putting it into my own music of my life in general,

0:17:52.396 --> 0:17:55.036
<v Speaker 1>you know, without they exercise and or whatever. I think

0:17:55.396 --> 0:17:59.716
<v Speaker 1>seeing him just you know, grinding and like, well I'm

0:17:59.756 --> 0:18:03.076
<v Speaker 1>making it right. And the discipline, the discipline, you know

0:18:03.396 --> 0:18:07.076
<v Speaker 1>said the discipline is really a strung impact. I mean

0:18:07.196 --> 0:18:09.956
<v Speaker 1>is seeing that discipline as as growing up around that.

0:18:10.916 --> 0:18:12.556
<v Speaker 1>Can you talk a little bit about the way he

0:18:12.716 --> 0:18:15.276
<v Speaker 1>made music? I mean, was there was there a kind

0:18:15.316 --> 0:18:18.716
<v Speaker 1>of an approach that a particular approaching. Can you can

0:18:18.796 --> 0:18:20.916
<v Speaker 1>you give a lovess of an example of how he

0:18:20.996 --> 0:18:24.036
<v Speaker 1>worked and how he created? Well what I saw and

0:18:24.196 --> 0:18:28.436
<v Speaker 1>this was probably in Miami at his mother's house. Yeah,

0:18:28.836 --> 0:18:31.316
<v Speaker 1>but he always had his guitar around and a lot

0:18:31.396 --> 0:18:33.476
<v Speaker 1>of time it's mumbling, you don't it's not a song.

0:18:33.636 --> 0:18:38.196
<v Speaker 1>He does her ideas coming out, And for me, he

0:18:38.236 --> 0:18:40.716
<v Speaker 1>would always have fun with it. It doesn't like I

0:18:40.836 --> 0:18:43.916
<v Speaker 1>see us like writing and you know, it was always

0:18:43.956 --> 0:18:48.556
<v Speaker 1>like something very joyful in the process, was very joyful

0:18:48.596 --> 0:18:52.276
<v Speaker 1>and happy and people are own and laughing and you know,

0:18:52.436 --> 0:18:55.356
<v Speaker 1>did you getting the lyrics? Making fun? There's this one

0:18:55.796 --> 0:18:57.836
<v Speaker 1>another one thing he remember did release this one. It

0:18:57.956 --> 0:19:00.116
<v Speaker 1>was really this kind of like he did as a demo.

0:19:00.196 --> 0:19:02.356
<v Speaker 1>Really it's kind of like a really good time and

0:19:02.716 --> 0:19:05.676
<v Speaker 1>I remember him beating in Miami in his bedroom with

0:19:05.836 --> 0:19:08.756
<v Speaker 1>his Ovision guitar, and it was just having fun with

0:19:08.836 --> 0:19:11.876
<v Speaker 1>you in a real good time, you know, and people

0:19:12.036 --> 0:19:14.556
<v Speaker 1>you know, I'm a smoke split fun. It's just a

0:19:14.676 --> 0:19:16.516
<v Speaker 1>good energy, just a good vibe. You know. I'm that

0:19:16.636 --> 0:19:18.876
<v Speaker 1>says like And then I you never hear when the

0:19:18.916 --> 0:19:20.956
<v Speaker 1>sound compete. You only hear when it come on the record.

0:19:21.276 --> 0:19:23.436
<v Speaker 1>You hear pieces of with ideas of things, you know,

0:19:23.756 --> 0:19:26.196
<v Speaker 1>and then you hear a record, So you never I

0:19:26.276 --> 0:19:30.076
<v Speaker 1>never really him compete one song writing a song completely.

0:19:30.556 --> 0:19:32.316
<v Speaker 1>You know you're already here a little bit sent pieces

0:19:32.396 --> 0:19:37.916
<v Speaker 1>here and there. When your father became ill, was there

0:19:37.916 --> 0:19:40.956
<v Speaker 1>a sense of urgency with him? Did his work take

0:19:41.036 --> 0:19:44.716
<v Speaker 1>on him a new kind of seriousness? No, he was

0:19:44.756 --> 0:19:47.796
<v Speaker 1>always urgent from him. I mean he was urgent from

0:19:47.836 --> 0:19:50.716
<v Speaker 1>the get go, because there are a few examples of

0:19:51.156 --> 0:19:54.596
<v Speaker 1>that kind of energy of his urgency, of his work, ethic,

0:19:54.716 --> 0:19:57.956
<v Speaker 1>of his determination. So he was in the band Win

0:19:58.036 --> 0:20:00.156
<v Speaker 1>that with with Bonnie and Peter the Street guys. Right,

0:20:00.196 --> 0:20:04.156
<v Speaker 1>they were in his band and obviously have a world code.

0:20:04.356 --> 0:20:07.876
<v Speaker 1>Because occurring to what he said in an interview is

0:20:08.196 --> 0:20:10.716
<v Speaker 1>like and him said these words, he used my name,

0:20:10.996 --> 0:20:14.076
<v Speaker 1>he says, if if you would think when Ziggie wants

0:20:14.116 --> 0:20:16.676
<v Speaker 1>to go to school that he can say blah black.

0:20:16.996 --> 0:20:18.356
<v Speaker 1>He didn't want to work, He didn't want to do

0:20:18.476 --> 0:20:21.436
<v Speaker 1>this what you know, So he wants to work, you know,

0:20:21.516 --> 0:20:24.036
<v Speaker 1>he he wants to get things done. There was always

0:20:24.036 --> 0:20:26.956
<v Speaker 1>an urgency. There was never a lap time. There was

0:20:27.036 --> 0:20:29.836
<v Speaker 1>named a lap time. There was always music. There was

0:20:29.916 --> 0:20:32.716
<v Speaker 1>never and the like all right, let me take a vacation, No,

0:20:33.276 --> 0:20:35.036
<v Speaker 1>I let me go chill out. No, there's no. It

0:20:35.196 --> 0:20:38.156
<v Speaker 1>was like thirty six I mean how much year in

0:20:38.396 --> 0:20:41.676
<v Speaker 1>thirty six years of like pushing you know, pushing and

0:20:41.796 --> 0:20:45.516
<v Speaker 1>pushing and pushing it touring, never stopping, so that urgency

0:20:45.636 --> 0:20:49.276
<v Speaker 1>fee was always there. Of all of his music, what

0:20:49.396 --> 0:20:52.116
<v Speaker 1>are the songs that speak to you? Do most? The

0:20:52.236 --> 0:20:56.636
<v Speaker 1>song that gets minimost redemption song? Because I remember shout

0:20:56.716 --> 0:20:58.916
<v Speaker 1>haf Empass that was the album that was this album.

0:20:59.076 --> 0:21:04.876
<v Speaker 1>That song was was the emotional spear, the emotional arrow.

0:21:04.956 --> 0:21:06.596
<v Speaker 1>You know when you hear that song like that in

0:21:06.716 --> 0:21:09.156
<v Speaker 1>that time it so that memory of that song I

0:21:09.276 --> 0:21:12.356
<v Speaker 1>related to that time period and it was him and

0:21:12.436 --> 0:21:16.316
<v Speaker 1>his guitar. It's so it's so soulful and just the

0:21:16.476 --> 0:21:20.316
<v Speaker 1>final thing is just Himan guitar, and so that song

0:21:20.396 --> 0:21:23.596
<v Speaker 1>always kind of have an emotional impact on me. Yeah,

0:21:23.876 --> 0:21:26.876
<v Speaker 1>I wanted to know more about your childhood. There's a

0:21:26.956 --> 0:21:30.636
<v Speaker 1>lot of moving around. Your family went to London right

0:21:30.716 --> 0:21:33.396
<v Speaker 1>after the shooting, is that right? Yeah, but we we

0:21:33.756 --> 0:21:36.876
<v Speaker 1>never got to land on so all right, So chrenchedtwne

0:21:37.036 --> 0:21:39.596
<v Speaker 1>right changedtone where I was born in Chrenstone. We grew

0:21:39.636 --> 0:21:42.596
<v Speaker 1>up in a chrenchedtone look a bit and then moved

0:21:42.636 --> 0:21:45.756
<v Speaker 1>to Delaware where his modad moved I'd migrated to. So

0:21:45.836 --> 0:21:48.596
<v Speaker 1>we lived in Delaware, Willimanton and Delaware. I went to

0:21:48.636 --> 0:21:51.396
<v Speaker 1>school elementary school in Delaware for maybe a year or so.

0:21:52.036 --> 0:21:54.876
<v Speaker 1>Then we'll move back to Jamaica, but we'll move out

0:21:54.916 --> 0:21:58.076
<v Speaker 1>a chrenchedtone and moving to a place called Bulb, which

0:21:58.156 --> 0:22:00.756
<v Speaker 1>is a much better standard of living. It's like, you know,

0:22:01.356 --> 0:22:03.916
<v Speaker 1>not poor, but not rich. It's like the middle like

0:22:04.036 --> 0:22:06.396
<v Speaker 1>middle class or something like that in Jamaica at the time.

0:22:07.276 --> 0:22:10.596
<v Speaker 1>But it's funny. Within that middle class community where my

0:22:10.676 --> 0:22:12.636
<v Speaker 1>mother live, we would still with our grand aunt and

0:22:12.716 --> 0:22:14.316
<v Speaker 1>it was like we had to walk up the road

0:22:14.356 --> 0:22:16.756
<v Speaker 1>and up the hill and she was living in a

0:22:16.836 --> 0:22:20.516
<v Speaker 1>poor a poor class house with no water and no toilet,

0:22:20.996 --> 0:22:24.076
<v Speaker 1>no nothing. So right, we didn't that middle class thing.

0:22:24.116 --> 0:22:25.876
<v Speaker 1>There's right. If I went to my aunt, I was

0:22:25.916 --> 0:22:28.356
<v Speaker 1>I was like I was in another neighborhood. And so

0:22:28.476 --> 0:22:31.236
<v Speaker 1>we would stay with her a lot of times because

0:22:31.316 --> 0:22:33.276
<v Speaker 1>mommy and Daddy would go on tour and then we

0:22:33.356 --> 0:22:35.596
<v Speaker 1>would have to stay with grand and Auntie in that

0:22:35.836 --> 0:22:38.956
<v Speaker 1>hose there. And then after that we moved to an

0:22:39.036 --> 0:22:42.956
<v Speaker 1>upper middle class neighborhood now and then after after my

0:22:43.036 --> 0:22:45.476
<v Speaker 1>father passed up, when mother moved us into a more

0:22:45.596 --> 0:22:48.436
<v Speaker 1>upper class in the hills with a big hose and uh,

0:22:48.876 --> 0:22:52.636
<v Speaker 1>lots of rooms and stuff like that. So yeah, that

0:22:52.796 --> 0:22:56.036
<v Speaker 1>was a movement and we was fun as a child.

0:22:57.036 --> 0:22:59.756
<v Speaker 1>Everything was a great learning experience, you know, this life

0:23:00.196 --> 0:23:01.836
<v Speaker 1>with my family and my father and my mother and

0:23:02.036 --> 0:23:05.316
<v Speaker 1>what they were going through. I was also learning from.

0:23:05.316 --> 0:23:08.396
<v Speaker 1>At the same time, what's it like going back to

0:23:08.476 --> 0:23:12.236
<v Speaker 1>Jamaica now? Let down? I haven't been back in a

0:23:12.316 --> 0:23:14.396
<v Speaker 1>wire is still about going back when I went back

0:23:14.516 --> 0:23:16.516
<v Speaker 1>last time? Jamaica? I mean a lot, A lot has

0:23:16.636 --> 0:23:20.116
<v Speaker 1>changed another generation, A lot of the vibe has changed,

0:23:20.636 --> 0:23:22.596
<v Speaker 1>the oldlook has changed. You know. I'm I'm a lot

0:23:22.676 --> 0:23:28.476
<v Speaker 1>of more americanization of Jamaica. But the countryside is where

0:23:28.556 --> 0:23:32.356
<v Speaker 1>the magic still remains. You know. The city, the city's side,

0:23:32.476 --> 0:23:35.516
<v Speaker 1>I'm not so, I'm not. It's not a when we

0:23:35.636 --> 0:23:37.916
<v Speaker 1>when we were growing up in a city. It wasn't

0:23:37.956 --> 0:23:40.796
<v Speaker 1>like I met a big metropolitan turn city. It was

0:23:40.916 --> 0:23:42.836
<v Speaker 1>like a little town and it was still had that

0:23:43.156 --> 0:23:46.436
<v Speaker 1>vibe of like you're still in Jamaica, but no it

0:23:46.596 --> 0:23:49.596
<v Speaker 1>kind of city kind of get a little more hectic,

0:23:50.276 --> 0:23:53.116
<v Speaker 1>and so what the countryside is still weird. It's Jamaica

0:23:53.116 --> 0:23:56.036
<v Speaker 1>has a vibe to it. You don't really get anywhere

0:23:56.036 --> 0:24:00.116
<v Speaker 1>ees for me, you know, it's a very inspirational place. Um,

0:24:00.156 --> 0:24:03.636
<v Speaker 1>if you find the right spot, you know. Yeah, yeah, Fleming,

0:24:03.756 --> 0:24:06.796
<v Speaker 1>he wrote his ga bund stuff in Jamaica. Golden Eye,

0:24:07.636 --> 0:24:10.156
<v Speaker 1>Golden Eye is written in Jamaica. Well, and I new

0:24:10.196 --> 0:24:13.236
<v Speaker 1>pot Antonio. I think there's a there was a there

0:24:13.356 --> 0:24:16.156
<v Speaker 1>was a house he state at. Yes, that's right. Yeah, yeah,

0:24:16.436 --> 0:24:20.876
<v Speaker 1>so plenty inspiration. Yeah, it's easy to see why Jamaicans

0:24:20.916 --> 0:24:24.756
<v Speaker 1>have such an inflated sense of their own importance, because

0:24:24.836 --> 0:24:31.276
<v Speaker 1>the whole world comes running very very Yeah. We'll talk

0:24:31.276 --> 0:24:33.596
<v Speaker 1>about some of the photographs that mean the most to

0:24:33.596 --> 0:24:36.556
<v Speaker 1>you in this book. My first question was how many

0:24:36.556 --> 0:24:39.396
<v Speaker 1>of these photographs did you take, our other family members

0:24:39.476 --> 0:24:44.356
<v Speaker 1>take and how many of them are professional photographs? Well, um,

0:24:45.436 --> 0:24:48.276
<v Speaker 1>I didn't, We didn't take any. These aren't all photographs.

0:24:48.396 --> 0:24:51.796
<v Speaker 1>These are professional. There's there's this friend never who used

0:24:51.836 --> 0:24:53.836
<v Speaker 1>to do his lighting and designed his album, or don't

0:24:53.876 --> 0:24:56.556
<v Speaker 1>have some photos in there. But with the book, what

0:24:56.676 --> 0:24:59.036
<v Speaker 1>we what I try to do is um do a

0:24:59.116 --> 0:25:02.276
<v Speaker 1>balance of those type of professionals like iconic images and

0:25:02.396 --> 0:25:05.676
<v Speaker 1>with more like images of you know, just in real

0:25:05.836 --> 0:25:09.876
<v Speaker 1>life outside of the musician, outside of the stage, you know,

0:25:10.036 --> 0:25:13.316
<v Speaker 1>show some bad you know, show him beyond that and

0:25:14.636 --> 0:25:16.236
<v Speaker 1>as I said in the book, try and make people

0:25:16.596 --> 0:25:18.996
<v Speaker 1>even feel a deeper relationship too, because if you know

0:25:19.196 --> 0:25:22.116
<v Speaker 1>someone just as your eye can are as you as

0:25:22.156 --> 0:25:26.036
<v Speaker 1>a as a musician, I mean a singer, then that's

0:25:26.076 --> 0:25:27.556
<v Speaker 1>one we have known him. But if you can't get

0:25:27.796 --> 0:25:31.516
<v Speaker 1>a deeper understanding of his life during not seeing period

0:25:31.516 --> 0:25:34.396
<v Speaker 1>of time beyond that, then you can feel even more

0:25:34.476 --> 0:25:38.196
<v Speaker 1>connected to the person and that level. So that's what

0:25:38.356 --> 0:25:39.636
<v Speaker 1>I was trying to do with the book, you know,

0:25:39.756 --> 0:25:43.116
<v Speaker 1>but we never, unfortunate way at the time, we never

0:25:43.196 --> 0:25:45.556
<v Speaker 1>really do a letter. You know, we never have cameras

0:25:45.556 --> 0:25:47.876
<v Speaker 1>and we never have a camera. We never have a camera. Yeah,

0:25:48.156 --> 0:25:53.156
<v Speaker 1>you know, photographers have cameras. We don't have cameras. With

0:25:53.356 --> 0:25:57.596
<v Speaker 1>the process of going through all these photographs painful, what's

0:25:57.636 --> 0:25:59.996
<v Speaker 1>the brought back all kinds of memories, yah know, but

0:26:00.156 --> 0:26:03.396
<v Speaker 1>joyful not painful. I mean melan Calibo barbers are here.

0:26:04.076 --> 0:26:05.756
<v Speaker 1>And when you look at the photograph and say, oh,

0:26:05.796 --> 0:26:08.436
<v Speaker 1>what a young man, I'm fifty I'm fifty two, knows

0:26:08.436 --> 0:26:10.276
<v Speaker 1>so when I look at him, he's like, we get

0:26:10.316 --> 0:26:12.836
<v Speaker 1>this young guy, young kid, you know what I mean?

0:26:13.036 --> 0:26:15.036
<v Speaker 1>Why you know, it's so that is a sad thing.

0:26:15.636 --> 0:26:18.436
<v Speaker 1>But there's so much the joy overwear that. There's so

0:26:18.556 --> 0:26:23.036
<v Speaker 1>much joy. I'm just looking at him and seeing him

0:26:23.116 --> 0:26:25.956
<v Speaker 1>in that where where I know he was having a

0:26:25.996 --> 0:26:28.036
<v Speaker 1>good time while he was doing it too. You know,

0:26:28.116 --> 0:26:31.076
<v Speaker 1>he wasn't upstad he was having a good time. He enjoyed,

0:26:31.196 --> 0:26:33.676
<v Speaker 1>He enjoyed his experience, you know what I mean. I said,

0:26:33.716 --> 0:26:36.436
<v Speaker 1>So I feeling happier about that guy. I know he

0:26:36.556 --> 0:26:38.716
<v Speaker 1>was having a good time doing it. You know, there's

0:26:38.756 --> 0:26:40.876
<v Speaker 1>a fart we want to talk about the four Let's

0:26:40.876 --> 0:26:45.116
<v Speaker 1>go to the p ninety seven China ninety seven. If

0:26:45.156 --> 0:26:48.196
<v Speaker 1>you can't come from it seemed it seemed like at

0:26:48.236 --> 0:26:52.076
<v Speaker 1>his home, in his home in the countryside. Yes, so

0:26:52.316 --> 0:26:54.156
<v Speaker 1>this guy I used to we used to go to

0:26:54.236 --> 0:26:55.996
<v Speaker 1>the country to him. This is the same time we

0:26:56.116 --> 0:26:57.916
<v Speaker 1>used to go back with him and a chip and

0:26:58.076 --> 0:27:00.316
<v Speaker 1>this this is just a real barb. You know, I'm

0:27:00.316 --> 0:27:03.076
<v Speaker 1>gonna said, this is and these are the people, This

0:27:03.196 --> 0:27:05.676
<v Speaker 1>is where Bob come from. These are his people, this

0:27:05.836 --> 0:27:09.956
<v Speaker 1>is his roots. He was born on this land. And

0:27:10.516 --> 0:27:12.996
<v Speaker 1>I mean, you can't see the guys he's coming to.

0:27:13.316 --> 0:27:15.036
<v Speaker 1>He's either coming from the field. I go into the

0:27:15.076 --> 0:27:17.476
<v Speaker 1>field him have some properly yea my stuff in that

0:27:17.556 --> 0:27:21.436
<v Speaker 1>crocus bag you have there, and everybody. I mean, Bubba

0:27:21.516 --> 0:27:23.116
<v Speaker 1>is just one of the people. He was just one

0:27:23.196 --> 0:27:26.596
<v Speaker 1>of them. And as you can see, and he's talking,

0:27:26.716 --> 0:27:28.516
<v Speaker 1>he's eating a banner and I'm talking to some of

0:27:28.596 --> 0:27:30.676
<v Speaker 1>the kids them, you know, and some of them have

0:27:30.796 --> 0:27:34.156
<v Speaker 1>shoes and some do have shoes on and they're laughing

0:27:34.276 --> 0:27:39.476
<v Speaker 1>subab well, you know, in communication with people, of good

0:27:39.516 --> 0:27:42.876
<v Speaker 1>communications skill with people, and you know, yeah, and just

0:27:43.036 --> 0:27:45.836
<v Speaker 1>having fun. He was an entry in life. He's sitting

0:27:45.876 --> 0:27:47.716
<v Speaker 1>and he's sitting on the stairs here on the next

0:27:47.796 --> 0:27:51.916
<v Speaker 1>page over their pictures, is I mean he's so you

0:27:51.996 --> 0:27:55.436
<v Speaker 1>can just tell how relacs and at home he is. Yeah, yeah, yeah,

0:27:55.996 --> 0:27:58.116
<v Speaker 1>but at the time this photo is taking, he's at

0:27:58.116 --> 0:28:01.876
<v Speaker 1>the height of his fame. Yeah, man, after the assassination

0:28:02.036 --> 0:28:04.796
<v Speaker 1>at him. So this is yeah, he's at the height

0:28:04.956 --> 0:28:07.956
<v Speaker 1>right here. And this is as you see this, he's

0:28:08.036 --> 0:28:09.956
<v Speaker 1>leaning on the other page, leaning up on the v

0:28:10.156 --> 0:28:12.196
<v Speaker 1>W Van. This is so we had my mother had

0:28:12.236 --> 0:28:14.796
<v Speaker 1>a beat her and he he would drive this v

0:28:15.036 --> 0:28:17.836
<v Speaker 1>W van. I think those are the only two kinds

0:28:17.836 --> 0:28:21.276
<v Speaker 1>of cars they were in Jamaica in those years, Vans

0:28:21.356 --> 0:28:27.676
<v Speaker 1>and VW Beatles. So yeah, and yeah, some of these people.

0:28:27.876 --> 0:28:30.476
<v Speaker 1>Some of them his cousins too. There's a couple of

0:28:30.516 --> 0:28:32.996
<v Speaker 1>cousins in here. This is at the home and then

0:28:33.356 --> 0:28:37.036
<v Speaker 1>this is the last further from that series. I think, um,

0:28:37.116 --> 0:28:38.796
<v Speaker 1>if you go to the next bit, is him sitting

0:28:38.836 --> 0:28:42.876
<v Speaker 1>down still in sentence, but he's alone, his guitars on

0:28:42.956 --> 0:28:45.316
<v Speaker 1>the floor here on the ground right here, and he's

0:28:45.596 --> 0:28:48.836
<v Speaker 1>he's beer foot also right there. This fortune always like,

0:28:49.596 --> 0:28:52.796
<v Speaker 1>this is Bob. I think Bob was always like Alona,

0:28:52.916 --> 0:28:54.796
<v Speaker 1>and he always felt alone although he had so many

0:28:54.876 --> 0:28:58.156
<v Speaker 1>people around him. This is Bob. This is him, and

0:28:58.236 --> 0:29:01.316
<v Speaker 1>he's like, this is his meditation. This is him like

0:29:01.476 --> 0:29:03.596
<v Speaker 1>in his space, you know what I'm saying, alone and

0:29:03.876 --> 0:29:05.956
<v Speaker 1>us vibing. I felt like he felt like he was

0:29:05.996 --> 0:29:09.596
<v Speaker 1>always alone, um in somewhere, you know. This kind of

0:29:09.636 --> 0:29:13.116
<v Speaker 1>represent that lundiness in a way. We'll be back with

0:29:13.276 --> 0:29:18.036
<v Speaker 1>more from Ziggy Marley after this quick break. We're back

0:29:18.076 --> 0:29:21.276
<v Speaker 1>with the rest of Malcolm's conversation with Ziggy Marley. As

0:29:21.276 --> 0:29:24.116
<v Speaker 1>an added bonus, you'll hear the Live Talks Los Angeles

0:29:24.276 --> 0:29:27.396
<v Speaker 1>moderator take questions from the audience at the end of

0:29:27.476 --> 0:29:30.996
<v Speaker 1>Malcolm's interview. I love some of these group shots there's

0:29:31.356 --> 0:29:35.396
<v Speaker 1>there's on page fifty there's this fantastic group shot with

0:29:35.516 --> 0:29:39.596
<v Speaker 1>the band. Yes, all right, this fourth done was taken

0:29:39.756 --> 0:29:42.596
<v Speaker 1>in in England. I was here. I was there. Oh

0:29:42.676 --> 0:29:47.356
<v Speaker 1>really we were I underway to Zimbabwe. Are coming from Zimbabwe.

0:29:48.156 --> 0:29:50.996
<v Speaker 1>That's why the next quarter of me, if you look

0:29:51.036 --> 0:29:53.196
<v Speaker 1>at next quarter, this is England too. So this is

0:29:53.396 --> 0:29:56.996
<v Speaker 1>this is a time period. We're there, um right before Zimbabwe.

0:29:57.036 --> 0:29:59.636
<v Speaker 1>Are after Zimbabwe. We were in. Yeah. And I had

0:29:59.676 --> 0:30:02.396
<v Speaker 1>went on the trip with him, and you know, football

0:30:02.436 --> 0:30:06.276
<v Speaker 1>as he was. I had not realized the extent to

0:30:06.316 --> 0:30:09.556
<v Speaker 1>which she was a soccer First of all, I know

0:30:09.636 --> 0:30:11.556
<v Speaker 1>you're a son, but I want you to be honest.

0:30:11.836 --> 0:30:14.316
<v Speaker 1>How good was he? That was good. I mean I

0:30:14.356 --> 0:30:17.316
<v Speaker 1>remember he played against me when I was in um,

0:30:18.156 --> 0:30:20.196
<v Speaker 1>you know, sometimes an appearance versus I was on a

0:30:20.236 --> 0:30:23.836
<v Speaker 1>soccer team in elementary school and I remember he came.

0:30:24.076 --> 0:30:26.796
<v Speaker 1>There was appearance versus you know, students, and you know,

0:30:26.916 --> 0:30:29.076
<v Speaker 1>so he came and I was like, yeah, I'm marked

0:30:29.116 --> 0:30:33.756
<v Speaker 1>this guy. I'm marked. I have this guy. I'll take him. Um.

0:30:33.836 --> 0:30:36.636
<v Speaker 1>He was fast, which is good. Yeah, and he had

0:30:36.636 --> 0:30:39.276
<v Speaker 1>a good kick and you're a good player. He was

0:30:39.276 --> 0:30:42.396
<v Speaker 1>a good player, man, because he he id alized soccer player.

0:30:42.436 --> 0:30:44.436
<v Speaker 1>One of his good friends was Alan Skillicode, who was

0:30:44.476 --> 0:30:46.596
<v Speaker 1>like the top Jamaican player at the time, and they

0:30:46.676 --> 0:30:50.196
<v Speaker 1>were good friends. So I mean he kept fit, he

0:30:50.356 --> 0:30:54.356
<v Speaker 1>kept his workout. Was like a professional soccer player work card.

0:30:54.876 --> 0:30:57.476
<v Speaker 1>You know, I've dominas, you know, running on the sand

0:30:57.556 --> 0:30:59.796
<v Speaker 1>playing soccer like that was that was That was a

0:30:59.876 --> 0:31:03.156
<v Speaker 1>work called there's a soccer player work called basically, and

0:31:03.316 --> 0:31:05.476
<v Speaker 1>his friends, all of his friends were soccer players. I

0:31:05.556 --> 0:31:09.316
<v Speaker 1>could play soccer. Yeah, he was drawn towards you know,

0:31:09.396 --> 0:31:11.996
<v Speaker 1>people like that. You know, but Ziggy, to be a

0:31:12.316 --> 0:31:17.356
<v Speaker 1>fan of Jamaican soccer, is it exercising masochism. It's like

0:31:17.516 --> 0:31:19.716
<v Speaker 1>the I know that from my cousins. Nothing is more

0:31:19.796 --> 0:31:24.596
<v Speaker 1>painful than this team that just loses and loses and loses. No,

0:31:24.756 --> 0:31:26.476
<v Speaker 1>but the funny And we have some of the best

0:31:26.596 --> 0:31:29.996
<v Speaker 1>players in the world. But I don't know. I think

0:31:30.036 --> 0:31:32.276
<v Speaker 1>we had some great players and um, but we have

0:31:32.316 --> 0:31:35.076
<v Speaker 1>the best runner. You always have the best runners, the

0:31:35.076 --> 0:31:38.276
<v Speaker 1>fastest runner. That's all. But that's been true forever. Um.

0:31:38.476 --> 0:31:41.076
<v Speaker 1>I want to talk a little bit about your own music,

0:31:42.076 --> 0:31:45.916
<v Speaker 1>and you must have thought about you had this extraordinary

0:31:45.996 --> 0:31:49.436
<v Speaker 1>gift which is the gift of your father and his legacy,

0:31:49.756 --> 0:31:53.636
<v Speaker 1>but it also presents a challenge to kind of carve

0:31:53.676 --> 0:31:56.316
<v Speaker 1>out your own identity and that how have you approached that?

0:31:57.516 --> 0:31:59.276
<v Speaker 1>When I go back and look at my history, right,

0:31:59.316 --> 0:32:03.356
<v Speaker 1>our family history, so we have musicians and artists on

0:32:03.436 --> 0:32:05.836
<v Speaker 1>both sides of my family. A lot of people always

0:32:05.876 --> 0:32:08.156
<v Speaker 1>talk about my father and legas and my mother was

0:32:08.156 --> 0:32:12.076
<v Speaker 1>also key in um in everything. My mother was actually

0:32:12.116 --> 0:32:14.916
<v Speaker 1>a keen. Bob's success wet my mother, Bob wouldn't be

0:32:14.956 --> 0:32:17.956
<v Speaker 1>as successful. I wouldn't even have bod he has. She

0:32:18.196 --> 0:32:20.716
<v Speaker 1>was the one who reintroduced him or introduced him to

0:32:20.716 --> 0:32:24.036
<v Speaker 1>the Rassafara and culture, which had a big impact on

0:32:24.196 --> 0:32:28.756
<v Speaker 1>him mentally and spirituality. She's the one who when they

0:32:28.916 --> 0:32:30.756
<v Speaker 1>didn't have nothing, She's the one who gave him somewhere

0:32:30.796 --> 0:32:32.956
<v Speaker 1>to sleep, and she was the one who slept on

0:32:32.996 --> 0:32:35.716
<v Speaker 1>the floor with him in the studios, who sold records

0:32:35.876 --> 0:32:39.796
<v Speaker 1>with him on their heads, riding their bicycles through through

0:32:39.876 --> 0:32:42.636
<v Speaker 1>the streets. She was the one who got shut in

0:32:42.676 --> 0:32:44.916
<v Speaker 1>her head the same time he got shut in her hand,

0:32:44.916 --> 0:32:47.036
<v Speaker 1>and still showed up for the concert when other people

0:32:47.076 --> 0:32:49.116
<v Speaker 1>are like, no, we're not going. She still had a

0:32:49.156 --> 0:32:53.676
<v Speaker 1>bullet in her head. So her impact and his legacy

0:32:53.716 --> 0:32:56.516
<v Speaker 1>and where we are is I always remember that too,

0:32:57.076 --> 0:33:00.436
<v Speaker 1>you know, when I think about my um, what you

0:33:00.556 --> 0:33:03.916
<v Speaker 1>just asked me about, you know, making my own way

0:33:03.996 --> 0:33:06.836
<v Speaker 1>or whatever, I remember that what I have is that

0:33:06.956 --> 0:33:09.956
<v Speaker 1>just coming in from my father's, coming from my mother,

0:33:10.756 --> 0:33:14.796
<v Speaker 1>her grandfather, her father. My grandfather was a saxophone player.

0:33:15.356 --> 0:33:19.796
<v Speaker 1>My father, mother and his family were all church people, singers,

0:33:19.916 --> 0:33:23.596
<v Speaker 1>they're singing churches, and so the spirit there there's you know,

0:33:23.676 --> 0:33:27.396
<v Speaker 1>so it's both sides. And for me, yes, I understand

0:33:27.436 --> 0:33:31.196
<v Speaker 1>the question of my father and his wit or his

0:33:31.796 --> 0:33:33.836
<v Speaker 1>impact and what it would mean to someone like me

0:33:33.956 --> 0:33:39.236
<v Speaker 1>or a son of any person like Bob, and and

0:33:39.436 --> 0:33:41.996
<v Speaker 1>how we kind of who we who choose to be

0:33:42.076 --> 0:33:44.196
<v Speaker 1>in the same line of where kind of have to

0:33:44.316 --> 0:33:48.596
<v Speaker 1>overcome whatever that thing is. So for me never really

0:33:48.716 --> 0:33:52.156
<v Speaker 1>wasn't the forefront of my mind, and it wasn't the peripherals.

0:33:52.636 --> 0:33:54.436
<v Speaker 1>And I heard it. I heard him thing, and I

0:33:54.516 --> 0:33:56.876
<v Speaker 1>heard it, but I never paid much attention to it.

0:33:57.556 --> 0:34:02.116
<v Speaker 1>I started seeking a spiritual part when I was a teenager.

0:34:02.956 --> 0:34:07.356
<v Speaker 1>So my whole mentors see it was if I've being

0:34:07.956 --> 0:34:10.796
<v Speaker 1>that because I was looking and it's because of my father.

0:34:10.876 --> 0:34:15.636
<v Speaker 1>I was looking, you know, because I've his spirituality led

0:34:15.676 --> 0:34:20.476
<v Speaker 1>me into search for my spirituality. And so for me,

0:34:21.596 --> 0:34:24.716
<v Speaker 1>I was were past my ego of trying are thinking about?

0:34:24.796 --> 0:34:29.196
<v Speaker 1>Are putting that persure and myself to leave up to

0:34:29.276 --> 0:34:32.276
<v Speaker 1>the legacy, are to make my own name or make

0:34:32.316 --> 0:34:33.836
<v Speaker 1>my own way. I don't need to make my own way.

0:34:33.956 --> 0:34:36.396
<v Speaker 1>I just need to be myself. That will That will

0:34:36.476 --> 0:34:38.716
<v Speaker 1>sound all the problem that I would start, the problem

0:34:38.796 --> 0:34:41.836
<v Speaker 1>that people is asking a question about. I don't need

0:34:41.876 --> 0:34:43.996
<v Speaker 1>to like try to do it. I just need to

0:34:44.076 --> 0:34:47.276
<v Speaker 1>be true and then that that is what that is

0:34:47.316 --> 0:34:50.436
<v Speaker 1>all it really is. And I also need to accept

0:34:50.476 --> 0:34:53.796
<v Speaker 1>and I do accept that my father there's a part

0:34:53.836 --> 0:34:56.316
<v Speaker 1>of me. There's gonna be similarities, There's going to be

0:34:56.396 --> 0:34:59.516
<v Speaker 1>things that is like you know, it's like Bob, you

0:34:59.556 --> 0:35:01.796
<v Speaker 1>know what I mean. So we're not trying to this

0:35:03.356 --> 0:35:05.836
<v Speaker 1>um this stand to ourself from him in that way either.

0:35:05.956 --> 0:35:08.516
<v Speaker 1>So there's no that's child that doesn't exist because I

0:35:08.556 --> 0:35:10.956
<v Speaker 1>don't want to self from him because I am a

0:35:11.076 --> 0:35:13.876
<v Speaker 1>part of him. Anyway, you cannot do that. Yeah, that

0:35:13.956 --> 0:35:16.396
<v Speaker 1>sound car running away, you're running away, but you can't

0:35:16.476 --> 0:35:20.036
<v Speaker 1>run away from yourself. You don't mess. So that is

0:35:20.076 --> 0:35:22.236
<v Speaker 1>the way. That is howhy I really try. That is

0:35:22.276 --> 0:35:25.556
<v Speaker 1>howhy I when I analyzed it myself after being asked

0:35:25.596 --> 0:35:29.236
<v Speaker 1>that question, that is how I see myself. I've been

0:35:29.356 --> 0:35:34.396
<v Speaker 1>dealt with it in that way, you know. And yeah, yeah, no,

0:35:34.556 --> 0:35:37.516
<v Speaker 1>that's beautifully part. Yeah. Well, thank you, Ziggy. I think

0:35:37.556 --> 0:35:40.036
<v Speaker 1>we have some questions, ted is that right? But this

0:35:40.236 --> 0:35:42.036
<v Speaker 1>is like I said, the book. The book was so

0:35:43.036 --> 0:35:48.036
<v Speaker 1>lovely and took me back to so many kind of

0:35:49.116 --> 0:35:52.236
<v Speaker 1>wonderful memories of that era in Jamaica. And it's a

0:35:52.316 --> 0:35:54.516
<v Speaker 1>real thrill to talk to you about it me too,

0:35:54.716 --> 0:35:57.956
<v Speaker 1>same thing. All right, thank you, Malcolm. The first question,

0:35:58.476 --> 0:36:02.716
<v Speaker 1>Ziggy is have you been to Ethiopia and can you

0:36:02.836 --> 0:36:08.236
<v Speaker 1>say something about your connection and your father's connection to Ethiopia. Yeah,

0:36:08.236 --> 0:36:10.396
<v Speaker 1>we were in Ethiope our years back to celebrate I

0:36:10.436 --> 0:36:12.796
<v Speaker 1>think it was a sixth tieth one of those birthdays

0:36:12.836 --> 0:36:18.476
<v Speaker 1>are Bob. Because obviously Ethiopia and it's history. We found

0:36:18.516 --> 0:36:22.836
<v Speaker 1>a strong connection to true um, the Rastafari culture. It's

0:36:22.836 --> 0:36:29.556
<v Speaker 1>a deep story because and I've probably living in Jamaica

0:36:30.316 --> 0:36:33.676
<v Speaker 1>during the times of after independence, you know, where it's

0:36:33.676 --> 0:36:36.516
<v Speaker 1>a post slaveryhere or whatever. The Christian faith and the

0:36:36.596 --> 0:36:41.796
<v Speaker 1>filth that was forced upon us by the colonist was

0:36:41.916 --> 0:36:45.596
<v Speaker 1>something that a sector of you know, Jamaica and started

0:36:45.636 --> 0:36:47.676
<v Speaker 1>to turn against, like, you know, this is a slave

0:36:47.836 --> 0:36:51.236
<v Speaker 1>master thing. You know, why God, why Jesus is a

0:36:51.316 --> 0:36:54.156
<v Speaker 1>white guy with blue eyes and blah blah blah. Whereas, oh,

0:36:54.476 --> 0:36:59.196
<v Speaker 1>who do we identify with it? And so Marcus Gather

0:36:59.316 --> 0:37:02.236
<v Speaker 1>really started our whole conversation and this someone and said

0:37:02.316 --> 0:37:04.436
<v Speaker 1>some stuff. You know, when Marcus was black thing and

0:37:04.516 --> 0:37:07.556
<v Speaker 1>the black one and you know your black identity, that

0:37:07.716 --> 0:37:12.236
<v Speaker 1>was a strong inspiration. And then when Rastafari start using

0:37:12.276 --> 0:37:15.556
<v Speaker 1>the same Bible that was given to them by the colonists,

0:37:15.596 --> 0:37:18.036
<v Speaker 1>to know, interpret it in a way that put an

0:37:18.076 --> 0:37:23.516
<v Speaker 1>emphasis on this king in Ethiopia as the real as

0:37:23.556 --> 0:37:29.036
<v Speaker 1>the common of another christ like individual in that philosophy,

0:37:29.076 --> 0:37:32.636
<v Speaker 1>and that in that idea, a lot of people in

0:37:32.676 --> 0:37:36.756
<v Speaker 1>Jamaica found are really independence, a full break from the

0:37:36.796 --> 0:37:41.676
<v Speaker 1>colonialist not only the political independence, but the mental independence.

0:37:42.916 --> 0:37:45.236
<v Speaker 1>And that was a rise of the Rastafaria culture and

0:37:45.316 --> 0:37:48.836
<v Speaker 1>the connection with Ethiopa, with this king who within the

0:37:48.956 --> 0:37:53.396
<v Speaker 1>Bible is still represented because he is a lineage of

0:37:53.516 --> 0:37:57.516
<v Speaker 1>King Salomon and in the Bible say he will come

0:37:57.556 --> 0:38:00.036
<v Speaker 1>again with the name King of Kings, Lord of Lord,

0:38:00.116 --> 0:38:03.516
<v Speaker 1>Cankernana Tribal Judah. And this was the title that this manner,

0:38:03.676 --> 0:38:06.956
<v Speaker 1>this manner has And so that strong connection to Ethiopia

0:38:07.076 --> 0:38:10.716
<v Speaker 1>is far true that because Exodus, you know Barbad Alum

0:38:10.756 --> 0:38:14.316
<v Speaker 1>called Exodus, and Exodus obviously is a relation to the

0:38:14.636 --> 0:38:17.996
<v Speaker 1>struggraph is the israel people coming over to Egypt. And

0:38:18.116 --> 0:38:20.276
<v Speaker 1>so we had a strong connection with that whole thing,

0:38:20.836 --> 0:38:25.476
<v Speaker 1>with David and Salomon and um. So Rastafari come through

0:38:25.556 --> 0:38:28.556
<v Speaker 1>that connection with its last i as a descent that

0:38:28.636 --> 0:38:33.036
<v Speaker 1>of Salomon, and so Eupia was a big It was

0:38:33.116 --> 0:38:37.356
<v Speaker 1>like oh um, Jerusalem or Mecca or whatever, you know, Yeah,

0:38:37.396 --> 0:38:40.636
<v Speaker 1>that was it was like that for for Rastafari culture.

0:38:42.556 --> 0:38:47.236
<v Speaker 1>So your siblings have crafted their own music careers. Um,

0:38:47.476 --> 0:38:51.756
<v Speaker 1>the questioner asks, what is the relationship between your siblings

0:38:52.116 --> 0:38:55.276
<v Speaker 1>both musically and and how you relate to each other today?

0:38:56.756 --> 0:38:58.396
<v Speaker 1>So we grew up, all right, So we grew up.

0:38:58.556 --> 0:39:01.036
<v Speaker 1>Let's come back home. We grew no. Because it's very

0:39:01.036 --> 0:39:03.796
<v Speaker 1>important because all right, my father was married to my mother,

0:39:03.916 --> 0:39:07.516
<v Speaker 1>but he had children with a wedlock, right, because obviously

0:39:08.396 --> 0:39:11.876
<v Speaker 1>the wedlock is a colonial thing, and we don't deal

0:39:11.916 --> 0:39:14.756
<v Speaker 1>with colonial things, you know, we're free or whatever. So

0:39:15.236 --> 0:39:18.796
<v Speaker 1>that was my father's you know philosophy. After you learned things,

0:39:18.876 --> 0:39:22.316
<v Speaker 1>they need us free yourself anyway. But so we always

0:39:22.396 --> 0:39:24.596
<v Speaker 1>grew up, you know, when my father would take us

0:39:25.076 --> 0:39:28.276
<v Speaker 1>to visit, like I'm the oldest son, right, so he

0:39:28.316 --> 0:39:31.036
<v Speaker 1>would take me and sometime my brother Stephen, you know

0:39:31.196 --> 0:39:32.916
<v Speaker 1>there's a new there was a new baby or a

0:39:32.996 --> 0:39:35.836
<v Speaker 1>new you know, he would drive us to the host

0:39:35.876 --> 0:39:38.876
<v Speaker 1>where where my brother, my other brother was who was

0:39:39.236 --> 0:39:42.436
<v Speaker 1>not of my mother, and you know, he would visit

0:39:42.556 --> 0:39:44.796
<v Speaker 1>and we would meet, you know, came on here, I

0:39:44.876 --> 0:39:48.796
<v Speaker 1>meet Robbie or meet Roan or whoever it was. And

0:39:49.036 --> 0:39:52.676
<v Speaker 1>my mother, now, which is the most important part of this,

0:39:53.636 --> 0:39:56.156
<v Speaker 1>was always she was like the mother of all of them,

0:39:56.596 --> 0:39:59.036
<v Speaker 1>like she was a mother of the children who she

0:39:59.116 --> 0:40:02.516
<v Speaker 1>wasn't the mother of basically, so everybody would come to us,

0:40:02.836 --> 0:40:04.676
<v Speaker 1>and you know, my mother would be the one who

0:40:05.356 --> 0:40:07.756
<v Speaker 1>kind of take care of bob children, whether it was

0:40:07.876 --> 0:40:10.676
<v Speaker 1>his child or not. And she is the one whenever

0:40:10.916 --> 0:40:13.236
<v Speaker 1>she never taught us to like be like vindictive, our

0:40:13.316 --> 0:40:16.036
<v Speaker 1>head full, our reason full of my father, are of

0:40:16.196 --> 0:40:19.156
<v Speaker 1>the other children in no way we were just one family.

0:40:19.676 --> 0:40:22.596
<v Speaker 1>So that's how we that's the lesson we have learned. Nobody.

0:40:22.836 --> 0:40:25.196
<v Speaker 1>Nobody taught us that. Or you shouldn't like that guy

0:40:25.316 --> 0:40:28.316
<v Speaker 1>because he's not your mother's son. We never learned that.

0:40:28.916 --> 0:40:31.516
<v Speaker 1>So that's all we still are today. We get together

0:40:31.556 --> 0:40:33.196
<v Speaker 1>every now and again, but we have a such a

0:40:33.236 --> 0:40:37.396
<v Speaker 1>strong connection that we don't have that emotion, that deep

0:40:37.516 --> 0:40:41.356
<v Speaker 1>emotional sadness are like oh I missed my thing or

0:40:41.436 --> 0:40:43.316
<v Speaker 1>my brother or something like that. You know, we never

0:40:43.356 --> 0:40:44.676
<v Speaker 1>grew up that way. We'll go up a little bit

0:40:45.236 --> 0:40:47.156
<v Speaker 1>less emotional, I would say. So we don't have that

0:40:47.276 --> 0:40:50.756
<v Speaker 1>in us. But we do have a connection um and

0:40:50.876 --> 0:40:53.636
<v Speaker 1>a love for each other and I respect for each other.

0:40:54.036 --> 0:40:56.916
<v Speaker 1>We never fight each other whenever, you know, we'll understanding

0:40:56.916 --> 0:41:01.276
<v Speaker 1>each other and everybody understand each other. So that's how

0:41:01.316 --> 0:41:04.036
<v Speaker 1>we live. Musically, me and my brother Steve, and we

0:41:04.116 --> 0:41:06.476
<v Speaker 1>share out of music Demon. Steve is the one who

0:41:06.596 --> 0:41:10.716
<v Speaker 1>nurtured Demon. We nurtured each other music basically, each of us.

0:41:11.156 --> 0:41:14.556
<v Speaker 1>I hope Steve when he was young, Steve that his

0:41:14.756 --> 0:41:17.516
<v Speaker 1>younger brother, and we just keep nurturing each other. So

0:41:17.636 --> 0:41:20.996
<v Speaker 1>that's how it is. Final question has to do and

0:41:21.036 --> 0:41:24.876
<v Speaker 1>there are several people who ask questions about musical collaborations.

0:41:25.516 --> 0:41:27.756
<v Speaker 1>Is there anyone you would have liked to see your

0:41:27.796 --> 0:41:31.036
<v Speaker 1>father have collaborated with that he did not get to

0:41:31.356 --> 0:41:34.676
<v Speaker 1>And how do you feel about musical collaborations? Who would

0:41:34.676 --> 0:41:38.676
<v Speaker 1>you like to collaborate with? No? Musical collaborations are good

0:41:38.716 --> 0:41:43.276
<v Speaker 1>thing right? In some ways it is expanding each of

0:41:43.436 --> 0:41:48.196
<v Speaker 1>the artists reach to other audiences, which is good. It

0:41:48.436 --> 0:41:52.076
<v Speaker 1>is showing a true example of unification in a way

0:41:52.156 --> 0:41:54.636
<v Speaker 1>where it can be two different types of music blending

0:41:54.716 --> 0:41:59.356
<v Speaker 1>together to bring to make something new. I'm a very

0:41:59.436 --> 0:42:03.596
<v Speaker 1>shy person, so I don't like to ask people a thing.

0:42:03.636 --> 0:42:05.396
<v Speaker 1>I don't want to really like to ask people, you know,

0:42:05.476 --> 0:42:07.716
<v Speaker 1>like hey can you do this something? You know? So

0:42:07.796 --> 0:42:12.436
<v Speaker 1>I'm very shy like that. But for some reason this year, UM,

0:42:12.756 --> 0:42:15.396
<v Speaker 1>during the COVID thing, I've done the most collaborations I've

0:42:15.436 --> 0:42:19.796
<v Speaker 1>ever done in ten years, which is very strange. It's

0:42:19.836 --> 0:42:22.996
<v Speaker 1>a very interesting time for me, um and how those

0:42:23.036 --> 0:42:26.716
<v Speaker 1>come about. Where the first collaborations that I did last

0:42:26.796 --> 0:42:29.956
<v Speaker 1>year was from my kids album, and I think when

0:42:29.996 --> 0:42:32.796
<v Speaker 1>I the children music, I find it's a different a

0:42:32.836 --> 0:42:36.996
<v Speaker 1>different state of mind. When I do the other other music.

0:42:37.516 --> 0:42:42.596
<v Speaker 1>I don't know. Somehow I feel more um more comfortable

0:42:42.636 --> 0:42:45.756
<v Speaker 1>with asking somebody to do something for children music, and

0:42:46.836 --> 0:42:48.716
<v Speaker 1>it has something to do with that we have a

0:42:48.836 --> 0:42:52.116
<v Speaker 1>charitable element to it, um, and so I'm much more

0:42:52.156 --> 0:42:54.156
<v Speaker 1>comfortable doing that. So I did. I did a few

0:42:54.236 --> 0:42:59.516
<v Speaker 1>big collaborations with Um being harp Sheryl Cruel, Alanis Morris said,

0:42:59.596 --> 0:43:04.796
<v Speaker 1>Angelie Kidjo, Tommarella, Bust Rhymes. So my Kids album over

0:43:04.876 --> 0:43:07.916
<v Speaker 1>like a bag of collaboration, which we really enjoy doing.

0:43:07.956 --> 0:43:10.356
<v Speaker 1>And how I work collaboration is that we have a

0:43:10.396 --> 0:43:13.996
<v Speaker 1>favorite connection. It can just be like a corporate deal.

0:43:14.076 --> 0:43:19.076
<v Speaker 1>It can't be like, you know, just have a contractual relationship.

0:43:19.436 --> 0:43:22.116
<v Speaker 1>It has to be something real. And that is why

0:43:22.196 --> 0:43:24.836
<v Speaker 1>I haven't done a lot of collaboration. But all of

0:43:24.916 --> 0:43:27.516
<v Speaker 1>these artists that are on that album I've done for years.

0:43:27.556 --> 0:43:30.516
<v Speaker 1>We've done music together. You know, we talk and we

0:43:30.636 --> 0:43:33.516
<v Speaker 1>take or whatever. So that's how I like to do collaborations.

0:43:33.796 --> 0:43:37.276
<v Speaker 1>For Bob, I can't speak of late and that I do.

0:43:37.396 --> 0:43:40.076
<v Speaker 1>I don't want to speak later. And that Bob, you know,

0:43:40.156 --> 0:43:42.396
<v Speaker 1>he was in a collaborative band the way as he

0:43:42.476 --> 0:43:46.916
<v Speaker 1>collaborated Peter and Bonny and I know, Um, Stephen won

0:43:46.956 --> 0:43:49.836
<v Speaker 1>the Johnleman stage. I think the collaboration and there was

0:43:49.876 --> 0:43:52.316
<v Speaker 1>also what's his name came back sage what the beatle

0:43:52.476 --> 0:43:57.916
<v Speaker 1>dynam George Harrison. So I feel like, um Bob collaboration,

0:43:58.516 --> 0:44:01.596
<v Speaker 1>collaborational spirit was one where if he was on stage

0:44:01.636 --> 0:44:03.596
<v Speaker 1>and somebody wanted to come up, he would well come

0:44:03.636 --> 0:44:06.716
<v Speaker 1>them up. Collab. He's a he's a social person, come

0:44:06.756 --> 0:44:09.796
<v Speaker 1>on up and seeing. I don't nature about caught in. Um,

0:44:10.316 --> 0:44:12.916
<v Speaker 1>I don't know about that, and there's no way I

0:44:12.996 --> 0:44:14.596
<v Speaker 1>can't imagine it. I can't have a speak of it

0:44:14.756 --> 0:44:18.556
<v Speaker 1>on that. Well, thanks for joining us, Ziggy Marley, and

0:44:18.756 --> 0:44:22.196
<v Speaker 1>thank you Malcolm Gladwell for chatting with Ziggy. All right,

0:44:22.236 --> 0:44:25.316
<v Speaker 1>welcome times, Well take care, let see if guys. Thanks you, Zicky,

0:44:25.476 --> 0:44:31.356
<v Speaker 1>bye bye. Thanks to Ziggy Marley for sharing so many

0:44:31.436 --> 0:44:36.036
<v Speaker 1>fascinating details about his life with Bob. The book he currated,

0:44:36.396 --> 0:44:39.836
<v Speaker 1>Bob Marley Portrait of the Legend is available now and

0:44:39.956 --> 0:44:42.116
<v Speaker 1>to hear a playlist of our favorite Bob and Ziggy

0:44:42.156 --> 0:44:45.516
<v Speaker 1>Marley songs, check out the playlist we created at Broken

0:44:45.556 --> 0:44:49.076
<v Speaker 1>record podcast dot com. Be sure to subscribe to our

0:44:49.116 --> 0:44:52.556
<v Speaker 1>YouTube channel at YouTube dot com slash Broken Record Podcast,

0:44:52.956 --> 0:44:56.196
<v Speaker 1>where you can find extended cuts of new and old episodes.

0:44:56.836 --> 0:45:00.116
<v Speaker 1>You can follow us on Twitter at broken Record. Broken

0:45:00.156 --> 0:45:05.236
<v Speaker 1>Records produced Helpful Lea Rose, Jason Gambrel, Martin Gonzalez, Eric Sandler,

0:45:05.516 --> 0:45:08.836
<v Speaker 1>and Jennifer Sanchez, with engineer and help from Nick Chafee.

0:45:09.236 --> 0:45:12.756
<v Speaker 1>Our executive producer is miil Bell. Broken Record is a

0:45:12.796 --> 0:45:15.956
<v Speaker 1>production of Pushkin Industries and if you like the show,

0:45:16.076 --> 0:45:18.876
<v Speaker 1>please remember to share, rate, and review us on your podcast.

0:45:18.956 --> 0:45:21.556
<v Speaker 1>To app our theme music spect Kenny Beats, I'm justin

0:45:21.676 --> 0:45:22.596
<v Speaker 1>Richmond Peace