WEBVTT - Put Nipples Back On Barbies (feat. Trixie Mattel)

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<v Speaker 1>Madonna. I know you listen to every episode of this

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<v Speaker 1>podcast and you heard it from Trix and Mattel. She

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<v Speaker 1>wants like a virgin Barbie.

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<v Speaker 2>No, you know, if she does it, she's gonna push

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<v Speaker 2>through like a ray of light Barbie, and we're gonna

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<v Speaker 2>get blue jeans and like like a Hotten shirt. Kabala Barbie.

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<v Speaker 1>I want that.

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<v Speaker 2>She's sheen am me, no me, not my name? Yo

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<v Speaker 2>yo yo? What is your childhood trauma? I have coo.

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<v Speaker 2>You know what's going down the floor like.

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<v Speaker 1>Round Welcome to Like a Virgin, the show where we

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<v Speaker 1>give yesterday's pop culture today's takes. I am Ra's Damu

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<v Speaker 1>and I am fran to Rota Virgins. You know you

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<v Speaker 1>will have heard our patch from Fire Island in our

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<v Speaker 1>episode last week. Also, if you're a patron patroon dot

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<v Speaker 1>com slash like a Virgin, you will have heard our

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<v Speaker 1>annual Fire Island episode. But our vacation is over. It's

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<v Speaker 1>back to real life. I had a great time. I

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<v Speaker 1>think you did as well. Fran Oh for sure.

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<v Speaker 3>I mean I still feel like my body is like

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<v Speaker 3>catching up with all the things that I put it through.

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<v Speaker 2>During that week.

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<v Speaker 3>Like honestly, vacation can be like I'm not going to

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<v Speaker 3>say exhausting, but like it's definitely like your body is

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<v Speaker 3>operating at a different level, taking in a different number

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<v Speaker 3>of drugs.

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<v Speaker 2>Yeah, I and in the sun all day.

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<v Speaker 1>Yeah, that was really the thing that got me the day.

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<v Speaker 1>The day we got back, I needed just a reset

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<v Speaker 1>day and I did like an intense body cleanse, skincare, routine,

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<v Speaker 1>hair washing, and like afterwards, laying on my couch, I

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<v Speaker 1>just felt fried, like both both physically because I got

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<v Speaker 1>a lot of sun and mentally like even though literally

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<v Speaker 1>all we were doing was laying around and relaxing, I

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<v Speaker 1>needed a day to sort of get back to I

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<v Speaker 1>needed to bring me to life, as Amy Lee said

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<v Speaker 1>on the emin Essence debut album. And then the next

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<v Speaker 1>day was my birthday. Yes that's right, Virgins, I am

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<v Speaker 1>now thirty five years old.

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<v Speaker 3>Yes, and you celebrated by going to the place that

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<v Speaker 3>Carrie Bradshaw went to on her exact thirty fifth birthday,

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<v Speaker 3>which was a very mediocre Italian restaurant.

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<v Speaker 1>It was really it was actually bad, Like my entree

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<v Speaker 1>was bad. My entree was bad because I didn't realize

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<v Speaker 1>I thought that I was ordering a pasta that had

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<v Speaker 1>spinach in it, and instead what I ordered was a

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<v Speaker 1>pasta that substituted spinach for noodles. No, it was fine.

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<v Speaker 1>It was not about the food. It was about the vibes,

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<v Speaker 1>and it was not about the food. No. But it

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<v Speaker 1>was a very lovely birthday dinner. And actually this was

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<v Speaker 1>one of the best birthdays I've had in years, I

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<v Speaker 1>think mostly mostly because I approached it very much as

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<v Speaker 1>just another day. I worked during the day, I went

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<v Speaker 1>to the gym, I did very ordinary things. I went

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<v Speaker 1>to a bookstore and ran into a lovely virgin who

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<v Speaker 1>gave me a great discount and picked up a bunch

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<v Speaker 1>of new books. And then I had a wonderful meal

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<v Speaker 1>with my nearest and dearest, wearing I have to say,

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<v Speaker 1>a pretty sickening outfit. There was a great day.

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<v Speaker 3>We love that your outfit was incredible. Yeah, it was

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<v Speaker 3>cordial and it was simple, and that's exactly what you

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<v Speaker 3>need out of a birthday gathering. I feel like, you know, yeah,

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<v Speaker 3>the food, the food you we said, was like kind

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<v Speaker 3>of it was olive garden territory SERTs I thought were phenomenal.

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<v Speaker 1>The desserts were great. I love a tartufo. I hadn't

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<v Speaker 1>had forever. It was so good, and I think everyone

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<v Speaker 1>else I think I don't think anyone else had had

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<v Speaker 1>tartufo at that table, so it did gag them a bit.

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<v Speaker 1>For anyone who wants to know, we went to Il Cantonore,

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<v Speaker 1>which is if you remember the season four episode of

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<v Speaker 1>Sex and the City, The Agony and the Ecstasy. It's

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<v Speaker 1>the restaurant where Carry goes for her birthday dinner and

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<v Speaker 1>none of her friends show up and she has to

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<v Speaker 1>pay for her own birthday cake. The woman with the

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<v Speaker 1>birthday cake is here and she needs a bebate and

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<v Speaker 1>my friends did show up and it was lovely. We

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<v Speaker 1>had a great time and I also had sex that

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<v Speaker 1>night when I got home, and it was fabulous birthday.

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<v Speaker 1>It was really a perfect birthday. Was it was it with? Well?

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<v Speaker 2>Was it with Recurring the World?

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<v Speaker 1>If that's all we're going to say, that's all we're

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<v Speaker 1>going to say. The rest is for the Patreon divas. No,

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<v Speaker 1>the rest is for not people who listen to this podcast. Sorry,

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<v Speaker 1>but you know what we will talk about is the

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<v Speaker 1>fact that no is the fact that Taylor Swift released

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<v Speaker 1>Speak Now Taylor's version I am a little over the

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<v Speaker 1>Taylor's versions, I have to say, and I really felt

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<v Speaker 1>the fatigue with this one because I think I mean

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<v Speaker 1>a I didn't listen to it for basically a whole

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<v Speaker 1>week because we were not featuring it on Fire Island. No,

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<v Speaker 1>not to the.

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<v Speaker 3>Vibe we tried and then switched to just contemporary tailor

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<v Speaker 3>and Taylor's.

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<v Speaker 1>It just I think we've lost the plot in a way,

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<v Speaker 1>which is that the actual point of these albums is

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<v Speaker 1>to literally re record the existing music in such a

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<v Speaker 1>way that it replaces the old Scooter's versions. And yes,

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<v Speaker 1>we get the new tracks and everything, and you know,

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<v Speaker 1>some of the ones on this album are good, but

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<v Speaker 1>it just sounds so much like the original that I'm like,

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<v Speaker 1>what is the point?

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<v Speaker 3>And the bonus tracks, which like Hayley Williams and fallow

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<v Speaker 3>Way are amazing features to have on the bonus tracks, Sorry,

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<v Speaker 3>didn't really do it for me. I think the only

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<v Speaker 3>song that I will return to is I See You,

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<v Speaker 3>which was on the original or no, is that a

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<v Speaker 3>bonus track?

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<v Speaker 1>But that's the bonus track? Yeah? I thought that she

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<v Speaker 1>made the music video the stupidest music video ever for.

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<v Speaker 2>I loved that bonus track. I thought it was.

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<v Speaker 3>It's a good song, yeah, but no, I don't know.

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<v Speaker 3>I godspeed to everyone going to the Eras tour. Peyton

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<v Speaker 3>just went like seems like she actually I feel like

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<v Speaker 3>everyone we know was like at the Denver show for Eras,

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<v Speaker 3>Rose is still looking for tickets though, no, I'm You're like,

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<v Speaker 3>I'm not anymore.

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<v Speaker 1>I'm not. I'm seeing Beyonce next week. I'm good, love, enjoy.

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<v Speaker 1>I only have one big summer concert in me, and

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<v Speaker 1>that is the one I have been listening to speak

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<v Speaker 1>now Taylor's version, but I could just as easily listen

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<v Speaker 1>to Scooter's version and like be fine.

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<v Speaker 3>I mean, yeah, I have I feel like I'm all

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<v Speaker 3>listened out, like I have so much music.

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<v Speaker 1>It's just this shtick is getting old.

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<v Speaker 3>Yeah, and I don't want to listen to Reputation Taylor's version,

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<v Speaker 3>like that's gonna be bizarre? No, no, no, no. What

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<v Speaker 3>if she did all acoustic, Like how is she going

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<v Speaker 3>to do?

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<v Speaker 2>That would be fab That would fab if like ras like, yeah,

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<v Speaker 2>an acoustic version of a reputation would be fabulous because

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<v Speaker 2>it would be different instead of just being a copy

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<v Speaker 2>paste of the music.

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<v Speaker 3>I have a question y as a as someone who's

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<v Speaker 3>a little more of a tailor scholar than I am.

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<v Speaker 3>I feel like she said maybe in her documentary that

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<v Speaker 3>reputation was kind of like an era that she regrets

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<v Speaker 3>a little bit. Is that she said something like that before.

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<v Speaker 3>I feel like she's talked about how it was like

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<v Speaker 3>a really dark time and how she felt like reputation

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<v Speaker 3>was in reaction to or retaliation against something instead of

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<v Speaker 3>like actual art.

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<v Speaker 1>I mean it was a reaction to the way she

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<v Speaker 1>was talked about post you know, like being quote unquote

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<v Speaker 1>exposed by Kim Kardashian and like the Kanye West of

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<v Speaker 1>it all. I don't know if she's ever said anything

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<v Speaker 1>about regretting it. I certainly don't regret it. Reputation is

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<v Speaker 1>one of my favorite Taylor albums.

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<v Speaker 3>Yeah, yeah, it's not. It's at the bottom of my list.

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<v Speaker 3>So but I, you know, whatever Taylor's version is gonna

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<v Speaker 3>look like, I'm here for it.

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<v Speaker 1>Speaking of Taylor and tunes, a lot of Taylor's music

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<v Speaker 1>was featured in the trailer for the second season of

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<v Speaker 1>The Summer I turned pretty Actually, Ryan when the trailer

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<v Speaker 1>dropped thought it was a short film that she had

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<v Speaker 1>made because he had no context for the show. The

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<v Speaker 1>first three episodes dropped on Amazon on Friday, and I

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<v Speaker 1>watched them all this weekend. And you know, I famously

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<v Speaker 1>don't love YA because I don't believe teenagers are real people.

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<v Speaker 1>But this is very compelling YA soap opera and there

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<v Speaker 1>is a lot of Taylor shot music featured in it.

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<v Speaker 1>So if you're looking for a very like no thoughts

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<v Speaker 1>had empty summer show to watch, that is a perfect one.

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<v Speaker 2>I'm not going to watch it, but it does sound

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<v Speaker 2>is it kind of?

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<v Speaker 1>I was talking to the Virgins, I know, I.

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<v Speaker 3>Was just saying, for the record, is it like a

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<v Speaker 3>kind of to all the boys I've loved before?

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<v Speaker 1>Coded? It's yeah, Well it's written. The book that it's

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<v Speaker 1>based onst written by Jenny Hahn, who wrote to All

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<v Speaker 1>the Boys. It's love Triangle, a girlye who is in

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<v Speaker 1>uh like, caught between two brothers. Brother. Yes, there's also

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<v Speaker 1>they're dealing with grief because the brother's mom died. It's yeah,

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<v Speaker 1>it's it's very good. Okay, Okay.

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<v Speaker 3>You know what I finished this weekend, which I don't

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<v Speaker 3>think you finished, was the other two?

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<v Speaker 1>Did you did you finish that? No? I watched two

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<v Speaker 1>and a half seasons of it in the span of

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<v Speaker 1>a week, and then got that midway through season three

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<v Speaker 1>and was like, no, I don't want to watch this anymore.

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<v Speaker 1>It's bad.

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<v Speaker 3>The I will agree that a lot of the latter

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<v Speaker 3>half of season three is as you put it, ass

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<v Speaker 3>and I felt it, and I felt like the finale,

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<v Speaker 3>especially was a whole lot of assery, Like, I, so

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<v Speaker 3>how does it end? I'm not I skim skipped through

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<v Speaker 3>a lot of it. The show, especially in its finale,

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<v Speaker 3>decided to completely change genres and become a drama, a

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<v Speaker 3>like thoughtful, emotional, like personal journey drama about the moralistic

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<v Speaker 3>arc of these two characters and how they can reconcile

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<v Speaker 3>their misery and become like, I don't know, like people again,

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<v Speaker 3>and they get there. The redemptions are the redemption arcs

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<v Speaker 3>are really lovely, like they work fine, but the way

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<v Speaker 3>it's shot is totally completely different, And I feel like

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<v Speaker 3>the showrunner was maybe trying to do something that was

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<v Speaker 3>like profound and brilliant, but the way that the main

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<v Speaker 3>gay guy was portrayed and all of the internal struggle

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<v Speaker 3>that he went through about which was like obsessing over fame,

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<v Speaker 3>like getting overly involved with like the industry and like

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<v Speaker 3>and like you know, excommunicating all of his friends and

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<v Speaker 3>loved ones as a product of that. It feels like

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<v Speaker 3>something that the showrunner actually went through, and it felt

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<v Speaker 3>so transparently, something that the writer needed to just get

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<v Speaker 3>off of his chest to a degree that felt like Bros.

0:11:52.640 --> 0:11:54.920
<v Speaker 3>Coded Like it was like that scene in Bros. Where

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<v Speaker 3>Billy Eigner has that long monologue to the to the

0:11:58.080 --> 0:12:00.960
<v Speaker 3>his like kind of boo on the beach, talking about

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<v Speaker 3>like how people don't understand him, and I was like,

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<v Speaker 3>that's like lovely, but also like this is we know,

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<v Speaker 3>this is you.

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<v Speaker 1>That's such a That's not the ending I would expect

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<v Speaker 1>have expected the show to have. I actually feel like

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<v Speaker 1>it would be much truer to the show and the

0:12:16.600 --> 0:12:20.520
<v Speaker 1>characters to not redeem them and to instead maybe give

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<v Speaker 1>them some kind of come upance. Yeah for being horrible people.

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<v Speaker 3>Yeah yeah, I mean they definitely got punished for their actions,

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<v Speaker 3>which is nice. But no, I don't know. The show

0:12:34.679 --> 0:12:37.200
<v Speaker 3>is so like if Virgins ever wanted to watch it.

0:12:37.520 --> 0:12:40.720
<v Speaker 3>The first two seasons are amazing, some of the second

0:12:40.720 --> 0:12:43.439
<v Speaker 3>season is not great, and there are some episodes of

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<v Speaker 3>the third season that are so genius, so laugh out

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<v Speaker 3>loud funny, so much insider baseball like stuff that is

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<v Speaker 3>like relevant to like queer people, especially like gay people

0:12:54.840 --> 0:12:58.800
<v Speaker 3>that exist in media and consume gay media. Oh so

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<v Speaker 3>fucking funny.

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<v Speaker 1>And well you loved you loved that Aid's Play episode.

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<v Speaker 1>Which I did not. I did not think was that.

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<v Speaker 3>There was a spoof of The Inheritance that was fucking hilarious.

0:13:08.920 --> 0:13:11.920
<v Speaker 3>I thought, featuring Lucas Gage. I also thought the muliu

0:13:13.280 --> 0:13:15.240
<v Speaker 3>A bit was so funny.

0:13:15.320 --> 0:13:17.680
<v Speaker 1>Well, I did like that Simulio talked about eating Molly

0:13:17.720 --> 0:13:21.520
<v Speaker 1>shan It's pussy a lot. But other than that, I'm

0:13:21.520 --> 0:13:23.320
<v Speaker 1>never going to watch the rest of the other two

0:13:24.160 --> 0:13:27.120
<v Speaker 1>because I'm too busy reading gay monster porn.

0:13:28.080 --> 0:13:29.840
<v Speaker 2>Okay say more please.

0:13:31.320 --> 0:13:35.920
<v Speaker 1>So I have been book Corner. This is Roses Book Corner,

0:13:35.960 --> 0:13:39.680
<v Speaker 1>which actually if you want to hear if you want

0:13:39.679 --> 0:13:46.000
<v Speaker 1>to hear me talk at length about books, you can

0:13:46.080 --> 0:13:49.480
<v Speaker 1>go on Patreon, Patreon dot com, slash like a Virgin

0:13:50.040 --> 0:13:53.120
<v Speaker 1>and that is the official home of Roses Book Corner.

0:13:53.480 --> 0:13:57.800
<v Speaker 1>But I have been reading a lot recently. I read

0:13:57.800 --> 0:14:00.600
<v Speaker 1>four books while we were on vacation. I'm on fire

0:14:00.760 --> 0:14:05.360
<v Speaker 1>right now and I've been reading a lot of lit thick,

0:14:06.080 --> 0:14:14.679
<v Speaker 1>so I needed a mindless you know, palette cleanser. And

0:14:14.720 --> 0:14:18.040
<v Speaker 1>as as virgins will know, I love a codpiece ripper,

0:14:18.080 --> 0:14:23.440
<v Speaker 1>which is our terminology for gay historical romance. What I

0:14:23.480 --> 0:14:30.240
<v Speaker 1>never have ventured into is gay is gay monster fucking

0:14:30.240 --> 0:14:36.400
<v Speaker 1>book tentacle ripper. Tentacle ripper maybe like eggsack ripper.

0:14:36.360 --> 0:14:37.840
<v Speaker 2>Not eggsac.

0:14:39.160 --> 0:14:42.840
<v Speaker 1>I have yet to encounter of sexy eggsac in these books,

0:14:42.880 --> 0:14:46.960
<v Speaker 1>but it could happen. So, based off of a TikTok recommendation,

0:14:47.680 --> 0:14:51.000
<v Speaker 1>I downloaded onto my kindle a book called Soul Eater

0:14:51.760 --> 0:14:55.200
<v Speaker 1>by an author named Lily Maine, and it is set

0:14:55.240 --> 0:14:59.120
<v Speaker 1>in a post apocalyptic America that is overrun by monsters

0:14:59.240 --> 0:15:02.160
<v Speaker 1>and the main care is a soldier at a military

0:15:02.200 --> 0:15:05.240
<v Speaker 1>base who studies monsters and they bring in like this

0:15:05.440 --> 0:15:10.600
<v Speaker 1>scary monster named Win, the soul Eater, who is like

0:15:10.800 --> 0:15:14.520
<v Speaker 1>in He's like super tall, his like grayskin and has

0:15:14.560 --> 0:15:16.680
<v Speaker 1>a hood so you can't see his face with there's

0:15:16.760 --> 0:15:20.000
<v Speaker 1>horns sticking out of it. And the monster like takes

0:15:20.000 --> 0:15:21.920
<v Speaker 1>a liking to him, and they end up escaping the

0:15:21.960 --> 0:15:27.080
<v Speaker 1>facility and they start fucking and fall in love and

0:15:27.440 --> 0:15:30.480
<v Speaker 1>he loves not to make it all about his genitals,

0:15:31.080 --> 0:15:33.920
<v Speaker 1>but but it's about his let's talk about his genitals.

0:15:34.240 --> 0:15:41.520
<v Speaker 1>So he has a slit where a penis would be. Oh,

0:15:41.760 --> 0:15:45.960
<v Speaker 1>and then when he gets aroused, a penis comes out

0:15:46.000 --> 0:15:49.080
<v Speaker 1>of the sort just like a shape of water. And

0:15:49.240 --> 0:15:53.080
<v Speaker 1>when and they're they're flip fucking. So when the when

0:15:53.080 --> 0:15:56.160
<v Speaker 1>the soldier wants to fuck him, he fucks the slit

0:15:56.400 --> 0:16:01.000
<v Speaker 1>like under the penis, so that basically like the penises

0:16:01.200 --> 0:16:05.640
<v Speaker 1>are like together in the whole. And this is great.

0:16:06.160 --> 0:16:09.920
<v Speaker 1>It honestly is like really hot and fun and actually

0:16:09.960 --> 0:16:15.280
<v Speaker 1>like a good story, like with well drawn characters.

0:16:15.360 --> 0:16:16.880
<v Speaker 2>I support you. I support this.

0:16:17.200 --> 0:16:21.520
<v Speaker 1>I started reading this the first book last yesterday evening

0:16:21.560 --> 0:16:24.440
<v Speaker 1>around like five pm, and finished it this morning, and

0:16:24.480 --> 0:16:28.080
<v Speaker 1>then immediately started the second one. And there's I believe

0:16:28.360 --> 0:16:32.160
<v Speaker 1>seven in the series. So this is my new journey,

0:16:32.320 --> 0:16:38.800
<v Speaker 1>is reading a month porn. It is soul eater, soul sucker,

0:16:39.680 --> 0:16:44.160
<v Speaker 1>so there is definitely a lot of sucking going.

0:16:43.960 --> 0:16:46.840
<v Speaker 2>On into it. Slash you should write one of those,

0:16:46.880 --> 0:16:48.280
<v Speaker 2>slash you should adapt.

0:16:48.440 --> 0:16:52.080
<v Speaker 1>I'm thinking about it. I'm thinking I need to maybe

0:16:52.120 --> 0:16:56.400
<v Speaker 1>start writing some porn. I actually am feeling very creatively

0:16:56.560 --> 0:17:00.680
<v Speaker 1>repped up right now from everything I've been reading, I read.

0:17:00.680 --> 0:17:02.800
<v Speaker 1>As I said, I read a bunch of books on vacation,

0:17:03.480 --> 0:17:06.960
<v Speaker 1>and maybe, like I'll go more in depth into them

0:17:07.280 --> 0:17:09.720
<v Speaker 1>on the Patreon at some point, but just to like

0:17:10.240 --> 0:17:13.560
<v Speaker 1>quickly talk about them. My favorite book that I read

0:17:13.560 --> 0:17:16.440
<v Speaker 1>while we were on vacation is Vladimir by Julia May Jonas,

0:17:16.480 --> 0:17:20.840
<v Speaker 1>which is about a professor at a liberal arts college

0:17:20.840 --> 0:17:23.800
<v Speaker 1>in upstate New York whose husband has been accused by

0:17:23.840 --> 0:17:27.359
<v Speaker 1>several women of sexual misconduct, and as that's happening, a

0:17:27.359 --> 0:17:30.760
<v Speaker 1>young professor comes to the school and she becomes totally

0:17:30.760 --> 0:17:35.719
<v Speaker 1>obsessed with him. It's a really sharp and incredibly written

0:17:35.760 --> 0:17:41.280
<v Speaker 1>takedown of like me too culture and wokeness and academia,

0:17:41.440 --> 0:17:43.119
<v Speaker 1>and it's like one of my favorite things that I've

0:17:43.160 --> 0:17:46.199
<v Speaker 1>read in such a long time. The voice is just

0:17:46.240 --> 0:17:49.400
<v Speaker 1>so perfect. I also read We Could Be So Good

0:17:49.440 --> 0:17:52.760
<v Speaker 1>by Kat Sebastian, which is a codpiece ripper about two

0:17:53.119 --> 0:17:55.800
<v Speaker 1>newspaper reporters in nineteen fifties New York City who fall

0:17:55.880 --> 0:17:58.000
<v Speaker 1>in love. I thought it was very sweet and I

0:17:58.080 --> 0:18:00.960
<v Speaker 1>really like to see their love story. And then I

0:18:01.000 --> 0:18:03.439
<v Speaker 1>read The Guest by Emma Kline, which is sort of

0:18:03.480 --> 0:18:06.000
<v Speaker 1>the like hot Girl book of the Summer. It's got

0:18:06.040 --> 0:18:08.399
<v Speaker 1>a very like saturated cover.

0:18:08.920 --> 0:18:11.840
<v Speaker 2>We know what the cover looks like. And it's about

0:18:11.840 --> 0:18:12.520
<v Speaker 2>a sex.

0:18:12.320 --> 0:18:19.160
<v Speaker 1>Worker who is dating this man and staying with him

0:18:19.200 --> 0:18:21.720
<v Speaker 1>in his beach house and like probably the hamp Dens,

0:18:22.119 --> 0:18:24.119
<v Speaker 1>and he kicks her out, and so she has to

0:18:24.160 --> 0:18:28.600
<v Speaker 1>spend a couple of days just sort of going around

0:18:28.920 --> 0:18:32.359
<v Speaker 1>trying to like glom onto any man she can find.

0:18:32.440 --> 0:18:36.200
<v Speaker 1>And it's it's a really great character study. She makes

0:18:36.320 --> 0:18:39.760
<v Speaker 1>like bad decision after bad decision, and it's like you're

0:18:39.800 --> 0:18:42.560
<v Speaker 1>just like reading it screaming at her. And it's really

0:18:42.600 --> 0:18:45.240
<v Speaker 1>well done up until the ending, which was one of

0:18:45.280 --> 0:18:48.720
<v Speaker 1>the most disappointing endings of a book I read in

0:18:48.760 --> 0:18:51.520
<v Speaker 1>a very long time. It really needed like another chapter

0:18:51.760 --> 0:18:55.119
<v Speaker 1>or an epilogue or something. It was just so disappointing.

0:18:55.160 --> 0:18:57.719
<v Speaker 1>It was like it just like crashed off a cliff.

0:18:59.400 --> 0:19:01.679
<v Speaker 1>And then the fourth book I read was like a

0:19:01.720 --> 0:19:03.919
<v Speaker 1>codpiece of report that is not worth talking about. It

0:19:03.960 --> 0:19:09.680
<v Speaker 1>was aggressively fine. But I am going to Florida this

0:19:09.760 --> 0:19:11.800
<v Speaker 1>week to visit my family, so I'm sure I'll be

0:19:11.840 --> 0:19:15.560
<v Speaker 1>doing a lot of reading while i'm there, and you know,

0:19:15.600 --> 0:19:19.199
<v Speaker 1>stay tuned if you want more recommendations. Well, we have

0:19:19.240 --> 0:19:22.800
<v Speaker 1>a very exciting episode today. This is a long time coming,

0:19:22.840 --> 0:19:25.320
<v Speaker 1>both in terms of the fact that this movie has

0:19:25.359 --> 0:19:28.000
<v Speaker 1>been promoted forever. Barbie the Doll has existed for a

0:19:28.119 --> 0:19:30.720
<v Speaker 1>very long time, and we recorded this episode months ago.

0:19:31.280 --> 0:19:34.480
<v Speaker 1>But we have Trixy Mattel on the podcast today talking

0:19:34.600 --> 0:19:39.520
<v Speaker 1>all things Barbie. Yes, and we have to say, just

0:19:39.560 --> 0:19:42.720
<v Speaker 1>because we are who we are, we are in support

0:19:42.840 --> 0:19:43.879
<v Speaker 1>with this strike.

0:19:44.880 --> 0:19:47.320
<v Speaker 2>Okay, SAG hello is striking.

0:19:47.359 --> 0:19:48.040
<v Speaker 1>This is huge.

0:19:48.080 --> 0:19:50.280
<v Speaker 3>All of the videos we're seeing a fran dresser are amazing,

0:19:50.320 --> 0:19:53.240
<v Speaker 3>even though she's kind of an anti vaxxer, but she's amazing.

0:19:53.440 --> 0:19:56.720
<v Speaker 3>And this is not promotion for the movie Barbie. This

0:19:56.880 --> 0:20:01.000
<v Speaker 3>is a historicization of Barbie as an idyl and icon.

0:20:01.280 --> 0:20:06.080
<v Speaker 1>Ok Yes. And we will probably behind the scenes be

0:20:06.320 --> 0:20:09.359
<v Speaker 1>figuring out how we are going to approach talking about

0:20:10.040 --> 0:20:15.000
<v Speaker 1>new media in the wake of SAG and the W

0:20:15.119 --> 0:20:19.280
<v Speaker 1>A G A both being on strike. So this is evolving.

0:20:19.560 --> 0:20:22.960
<v Speaker 1>We're still figuring it out. But no scabs on this podcast.

0:20:23.119 --> 0:20:25.159
<v Speaker 1>No scabs, no thank you.

0:20:26.800 --> 0:20:29.320
<v Speaker 3>This is a tricksy is a long time coming as

0:20:29.320 --> 0:20:33.000
<v Speaker 3>a guest, iconic iconic, So let's let's do it.

0:20:33.040 --> 0:20:35.359
<v Speaker 1>This episode is about and for the dolls.

0:20:35.880 --> 0:21:04.480
<v Speaker 2>That's right, pre Barbie movie, pre social media, pre like

0:21:05.119 --> 0:21:07.919
<v Speaker 2>I don't know, Jeremy Scott's boardby collection, pre all that stuff.

0:21:08.000 --> 0:21:10.480
<v Speaker 2>I just I wanted to I wanted my zippers to

0:21:10.520 --> 0:21:12.280
<v Speaker 2>be this big compared to my body, you know what

0:21:12.320 --> 0:21:15.560
<v Speaker 2>I mean, even proportionally. I wanted to be a tiny

0:21:15.600 --> 0:21:19.480
<v Speaker 2>plastic thing. And I think it was like a maybe mentally,

0:21:19.520 --> 0:21:22.600
<v Speaker 2>it was like an escape route from the human experience.

0:21:22.640 --> 0:21:24.720
<v Speaker 2>It's like what if I also just had no thoughts,

0:21:25.119 --> 0:21:26.919
<v Speaker 2>you know, like what if I also had.

0:21:26.880 --> 0:21:28.240
<v Speaker 1>What if my head was squishy too?

0:21:28.880 --> 0:21:31.560
<v Speaker 2>Yeah, I was squish my head. What if my knees

0:21:32.240 --> 0:21:36.159
<v Speaker 2>you know, snapped? And then when I started like I

0:21:36.200 --> 0:21:38.639
<v Speaker 2>guess I got the cart before the horse, and like

0:21:38.640 --> 0:21:40.600
<v Speaker 2>in my later twenties, I started being like, well, I

0:21:40.640 --> 0:21:44.159
<v Speaker 2>take all this inspiration from America's favorite fashion doll, but

0:21:44.240 --> 0:21:46.679
<v Speaker 2>what do I really know about it? And then for

0:21:46.800 --> 0:21:49.800
<v Speaker 2>like a good year, I pretty much read every nonfiction

0:21:50.840 --> 0:21:54.320
<v Speaker 2>book about Mattel and Barbie that is in existence, everything

0:21:54.359 --> 0:21:57.920
<v Speaker 2>from the biography and autobiography of Ruth Handler to studies

0:21:57.920 --> 0:22:01.680
<v Speaker 2>about child development to the history of Barbie. And I'm

0:22:01.680 --> 0:22:03.840
<v Speaker 2>probably mentally ill and so when I get focused on

0:22:03.880 --> 0:22:07.920
<v Speaker 2>something I really like, hit record and learn everything about

0:22:07.920 --> 0:22:11.840
<v Speaker 2>it very quickly. And so now I just like, I mean,

0:22:12.000 --> 0:22:13.840
<v Speaker 2>I really know everything about Barbie. I think I know

0:22:13.920 --> 0:22:15.760
<v Speaker 2>everything there is to know. So what do you want

0:22:15.800 --> 0:22:17.480
<v Speaker 2>to know? That's why we brought you on.

0:22:17.640 --> 0:22:21.040
<v Speaker 1>Now we're going to test your knowledge. No, we're not

0:22:21.119 --> 0:22:25.919
<v Speaker 1>here to getcha, but I am really interested to get

0:22:25.960 --> 0:22:31.080
<v Speaker 1>maybe like, why do you think Barbie was so groundbreaking

0:22:31.119 --> 0:22:33.800
<v Speaker 1>as a toy and why has she endured the way

0:22:33.840 --> 0:22:34.640
<v Speaker 1>she has.

0:22:35.520 --> 0:22:39.080
<v Speaker 2>Well, there's a few reasons. Right, number one first of

0:22:39.080 --> 0:22:41.760
<v Speaker 2>its kind. Right until Barbie came along in nineteen fifty nine,

0:22:41.760 --> 0:22:44.480
<v Speaker 2>little girls were encouraged to pretend to be moms. That's it.

0:22:44.560 --> 0:22:47.120
<v Speaker 2>All dolls were babies. So that's like the number one.

0:22:47.119 --> 0:22:49.719
<v Speaker 2>This is the first toy that had women imagining they

0:22:49.720 --> 0:22:53.120
<v Speaker 2>could be nurses or flight attendants or doctors or like anything.

0:22:53.680 --> 0:22:55.520
<v Speaker 2>Not to mention you have to imagine in nineteen fifty

0:22:55.560 --> 0:22:58.560
<v Speaker 2>nine a toy to have breasts and no husband and

0:22:58.600 --> 0:23:00.840
<v Speaker 2>have her own apartment and be a mo which means

0:23:00.840 --> 0:23:05.400
<v Speaker 2>she has her own income. Extremely scandalous, Like it's basically

0:23:05.480 --> 0:23:09.199
<v Speaker 2>a porn toy for children at the time. Yeah, but

0:23:10.960 --> 0:23:14.439
<v Speaker 2>this was at a time where a woman's second biggest

0:23:14.480 --> 0:23:17.480
<v Speaker 2>fear is that her daughter's going to be like overdeveloped

0:23:17.520 --> 0:23:21.720
<v Speaker 2>and slutty and like too independent. Her number one fear

0:23:21.760 --> 0:23:24.479
<v Speaker 2>is that she's going to be ungroomed and unmarriable because

0:23:24.520 --> 0:23:27.400
<v Speaker 2>a husband was a meal ticket. So even women who

0:23:27.400 --> 0:23:28.960
<v Speaker 2>are a little conservative is like, well, if I get

0:23:29.000 --> 0:23:31.360
<v Speaker 2>my daughter this doll, maybe she'll become interested in styling

0:23:31.359 --> 0:23:34.600
<v Speaker 2>her hair and dressing herself. Like it was a way

0:23:34.680 --> 0:23:38.119
<v Speaker 2>for women to communicate like, hey, I want you to

0:23:38.160 --> 0:23:41.440
<v Speaker 2>be comfortable in your life, and if you want that,

0:23:41.800 --> 0:23:44.080
<v Speaker 2>this is the template. Like this will get you fed,

0:23:44.200 --> 0:23:46.600
<v Speaker 2>this will get you a house. Like that was sort

0:23:46.640 --> 0:23:50.760
<v Speaker 2>of the communication there under the surface. And so that's

0:23:50.800 --> 0:23:53.600
<v Speaker 2>the number one reason I think that that that's turned

0:23:53.640 --> 0:23:57.919
<v Speaker 2>into now every adult has a Barbie memory, and you

0:23:57.960 --> 0:23:59.840
<v Speaker 2>want your children to have the experience you had. So

0:23:59.840 --> 0:24:01.399
<v Speaker 2>now it's like a rite of passage where it's like

0:24:01.480 --> 0:24:03.400
<v Speaker 2>she's old enough for a barbie, let's get her a barbie.

0:24:03.440 --> 0:24:07.040
<v Speaker 2>I mean, you give your kid the tool to imagine

0:24:07.080 --> 0:24:10.520
<v Speaker 2>anything happening to them. Because originally, I mean the doll

0:24:10.560 --> 0:24:13.440
<v Speaker 2>was invented when Ruth Handler would see her daughter using

0:24:13.440 --> 0:24:16.359
<v Speaker 2>paper dolls to play out like adult scenarios. She was like, well,

0:24:16.359 --> 0:24:20.400
<v Speaker 2>why doesn't this exist in the three dimensional The other

0:24:20.440 --> 0:24:23.800
<v Speaker 2>reason it's so popular is because, I hate to say it,

0:24:23.840 --> 0:24:26.200
<v Speaker 2>the good and bad press that comes out every five

0:24:26.320 --> 0:24:28.640
<v Speaker 2>or ten years. You know, this year we're gonna get

0:24:28.640 --> 0:24:31.360
<v Speaker 2>obsessed with Barbie's body not being big enough, and this

0:24:31.480 --> 0:24:35.159
<v Speaker 2>year we're gonna barbiecore is gonna get big again. So

0:24:35.200 --> 0:24:37.120
<v Speaker 2>it's going to go through runways for like a year.

0:24:37.320 --> 0:24:40.880
<v Speaker 2>Like every few years, it pops researches again in fashion,

0:24:41.320 --> 0:24:43.880
<v Speaker 2>or there's a movie about it, or an SNL skit

0:24:44.080 --> 0:24:47.439
<v Speaker 2>or just it's such a common link. I mean, the

0:24:47.440 --> 0:24:50.359
<v Speaker 2>average little girl in the United States owns eleven dolls.

0:24:50.359 --> 0:24:54.800
<v Speaker 2>Eleven Barbies. Wow, yeah, an average jealous So the numbers

0:24:55.160 --> 0:24:59.040
<v Speaker 2>like everybody has a Barbie story. And the flip side

0:24:59.040 --> 0:25:01.520
<v Speaker 2>of that is, let's say every woman has a little

0:25:01.560 --> 0:25:04.520
<v Speaker 2>bit of body stuff, right, things about their body they

0:25:04.560 --> 0:25:08.119
<v Speaker 2>struggle with. If everyone owned a doll. I'm not saying

0:25:08.160 --> 0:25:10.720
<v Speaker 2>it's fair, but it becomes the common thread that I

0:25:10.720 --> 0:25:13.840
<v Speaker 2>think becomes a scapegoat for a lot of conversations about

0:25:13.960 --> 0:25:17.159
<v Speaker 2>the culture as a whole. I don't like my body,

0:25:17.240 --> 0:25:19.000
<v Speaker 2>I don't either did you have a Barbie? Me too?

0:25:19.160 --> 0:25:21.960
<v Speaker 2>It must like I think that's a little too reductive.

0:25:22.840 --> 0:25:27.159
<v Speaker 2>Body things and stuff like that is more than just

0:25:27.240 --> 0:25:31.160
<v Speaker 2>some toy you had. It's commercials, it's movies, it's you know, everything.

0:25:31.840 --> 0:25:36.240
<v Speaker 1>So that coverage girl has eleven dolls? How many dolls

0:25:36.840 --> 0:25:37.320
<v Speaker 1>do you have?

0:25:37.480 --> 0:25:41.040
<v Speaker 2>That's what I was gonna have. I'm about probably like

0:25:41.080 --> 0:25:44.359
<v Speaker 2>six hundred little girls. Now more than that, like probably

0:25:44.400 --> 0:25:47.000
<v Speaker 2>six thousand little girls, which means not if but when I.

0:25:47.000 --> 0:25:50.040
<v Speaker 3>You're every woman, Wait, is it six hundred or is

0:25:50.040 --> 0:25:51.080
<v Speaker 3>it six thousand a half?

0:25:52.400 --> 0:25:52.480
<v Speaker 1>No?

0:25:52.560 --> 0:25:54.919
<v Speaker 2>I probably have. I mean, if we're being honest, I

0:25:55.000 --> 0:25:58.640
<v Speaker 2>probably have. We're talking the body, like how many plastic

0:25:58.720 --> 0:26:00.600
<v Speaker 2>dolls do I have? Because then there's clothes, which is

0:26:00.640 --> 0:26:06.000
<v Speaker 2>a whole other thing. Yeah, it's not even quantifiable. Oh wow,

0:26:06.200 --> 0:26:08.480
<v Speaker 2>So they're not They're not like in short or anything

0:26:08.600 --> 0:26:11.199
<v Speaker 2>or like, is it like like a filing system. Are

0:26:11.200 --> 0:26:12.720
<v Speaker 2>they all in a safe yeah? Are they invent?

0:26:12.760 --> 0:26:13.040
<v Speaker 1>Are there?

0:26:13.080 --> 0:26:16.160
<v Speaker 2>Is there an archive in our inventory? Or they're kind

0:26:16.160 --> 0:26:18.800
<v Speaker 2>of spread out? Like at the motel and the reception,

0:26:18.960 --> 0:26:22.000
<v Speaker 2>we have maybe three two or three dozen of my

0:26:22.000 --> 0:26:24.280
<v Speaker 2>my real vintage collection. So if you go in there,

0:26:24.320 --> 0:26:26.480
<v Speaker 2>some of those dolls are like they amn near on

0:26:26.480 --> 0:26:29.119
<v Speaker 2>a thousand dollars, don't steal them. And then at my

0:26:29.240 --> 0:26:32.080
<v Speaker 2>condo where I keep at my like uh drag studio,

0:26:32.920 --> 0:26:35.160
<v Speaker 2>that's where I have like most of my vintage ones.

0:26:35.160 --> 0:26:37.000
<v Speaker 2>That's where I have I have a number one Barbie

0:26:37.119 --> 0:26:41.080
<v Speaker 2>deep in the closet, buried because that's a very valuable piece.

0:26:41.400 --> 0:26:45.720
<v Speaker 2>Mind sent signed by Ruth Handler. Two. So I have

0:26:45.800 --> 0:26:48.200
<v Speaker 2>a lot, and I'm always looking. I mean, I've stopped,

0:26:48.280 --> 0:26:50.199
<v Speaker 2>I've started narrowing. So now I'm in the middle of

0:26:50.200 --> 0:26:52.159
<v Speaker 2>getting rid of my nineties because most of what I

0:26:52.200 --> 0:26:56.239
<v Speaker 2>collect is like sixties mad Barbie. So I'm getting rid

0:26:56.280 --> 0:26:58.200
<v Speaker 2>of a lot of my nineties Barbie right now because

0:26:58.240 --> 0:27:00.680
<v Speaker 2>I just I need to thin the herd. All collectors

0:27:00.680 --> 0:27:00.879
<v Speaker 2>do this.

0:27:01.000 --> 0:27:03.320
<v Speaker 1>It's like her Flop in the nineties.

0:27:04.440 --> 0:27:07.240
<v Speaker 2>No Barbie in the nineties, I believe is honestly the

0:27:07.280 --> 0:27:13.680
<v Speaker 2>Golden era, because we're talking like tan, orange skin, blue eyeshadow,

0:27:13.720 --> 0:27:17.000
<v Speaker 2>this big white hair, and every look is like ice skates,

0:27:17.160 --> 0:27:21.679
<v Speaker 2>roller skates, ice cream glitter. It's nuts because for a

0:27:21.720 --> 0:27:29.040
<v Speaker 2>good like mid two thousands to twenty fifteen, it was,

0:27:29.080 --> 0:27:32.040
<v Speaker 2>in my opinion, the least interesting time Barbie was in

0:27:32.119 --> 0:27:34.760
<v Speaker 2>jeans and T shirts, you know, like.

0:27:35.240 --> 0:27:37.000
<v Speaker 1>Ooh, normcore Barbie.

0:27:37.320 --> 0:27:40.280
<v Speaker 2>Kind of like, I mean, there's important things they do now,

0:27:40.320 --> 0:27:42.119
<v Speaker 2>like career of the Year Barbie. It will be this

0:27:42.240 --> 0:27:46.040
<v Speaker 2>year she's a robot technician. This year she's running for president,

0:27:46.480 --> 0:27:46.840
<v Speaker 2>and like.

0:27:46.840 --> 0:27:47.879
<v Speaker 1>That year podcaster.

0:27:48.920 --> 0:27:52.000
<v Speaker 2>Maybe she's a podcaster. One year she was like a

0:27:52.119 --> 0:27:54.920
<v Speaker 2>music producer, so she had like a little keyboard in

0:27:54.920 --> 0:27:59.000
<v Speaker 2>a computer and headphones. But I of course like the

0:27:59.040 --> 0:28:01.840
<v Speaker 2>heightened versions. So like when Barbie a few years ago

0:28:01.920 --> 0:28:04.920
<v Speaker 2>started doing the extra dolls, It's like, that's fierce when

0:28:04.920 --> 0:28:08.520
<v Speaker 2>they're in like fur coats and pumps, and because Barbie

0:28:08.600 --> 0:28:12.200
<v Speaker 2>used to be so aspirational and theatrical, and I feel

0:28:12.200 --> 0:28:15.560
<v Speaker 2>that for a while it was getting really joggers and

0:28:15.600 --> 0:28:20.360
<v Speaker 2>T shirt as a collector. It wasn't only the collector

0:28:20.400 --> 0:28:23.160
<v Speaker 2>dolls were cool. But want I like a world where

0:28:23.200 --> 0:28:25.400
<v Speaker 2>I can walk through Target and see dolls that I want,

0:28:25.560 --> 0:28:28.080
<v Speaker 2>you know, I want those to be cool too. Yeah,

0:28:28.119 --> 0:28:30.720
<v Speaker 2>it's hard. I mean the dolls are made from plastic,

0:28:30.760 --> 0:28:34.520
<v Speaker 2>and plastics made from oil and natural oils are all

0:28:34.560 --> 0:28:36.600
<v Speaker 2>loose going up in price, and when you have like

0:28:37.080 --> 0:28:39.880
<v Speaker 2>I'm sure Walmart or whatever is like we'll buy this

0:28:39.960 --> 0:28:41.840
<v Speaker 2>meny dolls from you, matel but they have to be

0:28:42.040 --> 0:28:45.120
<v Speaker 2>under ten dollars to beat this price point. Then it

0:28:45.160 --> 0:28:48.200
<v Speaker 2>makes the toy company and the not the decorators, the designers,

0:28:48.240 --> 0:28:51.000
<v Speaker 2>and the toy company like they're limited because they have

0:28:51.040 --> 0:28:55.960
<v Speaker 2>to make a doll that's accessible. They can't spend all

0:28:56.000 --> 0:28:58.000
<v Speaker 2>the money because then it's gonna be one hundred fifty dollars.

0:28:58.160 --> 0:29:04.240
<v Speaker 2>Like I am fine with that, but yeah, you're like whatever.

0:29:04.320 --> 0:29:07.520
<v Speaker 1>Yeah, but a little like Mary Sue shopping a target

0:29:07.600 --> 0:29:10.320
<v Speaker 1>in you know, like Kansas City.

0:29:10.440 --> 0:29:11.920
<v Speaker 2>Yeah, like it's have you ever been in like a

0:29:11.960 --> 0:29:14.840
<v Speaker 2>CBS and they have like an eight dollar doll where

0:29:14.840 --> 0:29:17.200
<v Speaker 2>she's just in this from suit. They still have to

0:29:17.240 --> 0:29:21.120
<v Speaker 2>have an impulse purchase level doll. Yeah. For the kid

0:29:21.120 --> 0:29:22.840
<v Speaker 2>who's like nagging at the store, is like can I

0:29:22.920 --> 0:29:23.440
<v Speaker 2>just have one?

0:29:24.000 --> 0:29:26.680
<v Speaker 1>Well, the ones that I got to get, Like when

0:29:26.680 --> 0:29:29.080
<v Speaker 1>I was a kid and like wasn't allowed to have dolls.

0:29:29.360 --> 0:29:31.960
<v Speaker 1>It was like when I had a couple dollars and

0:29:32.000 --> 0:29:34.720
<v Speaker 1>I was like didn't have supervision. That's when I was

0:29:34.720 --> 0:29:38.400
<v Speaker 1>able to like buy the you know, Walgreens Aisle Barbie

0:29:38.840 --> 0:29:43.080
<v Speaker 1>and then hiding that I kept in my closet that

0:29:43.160 --> 0:29:45.240
<v Speaker 1>my parents didn't know about and would play with them

0:29:45.240 --> 0:29:45.840
<v Speaker 1>in secret.

0:29:46.760 --> 0:29:50.000
<v Speaker 2>Right, Oh wow, that was that's your doll origin story?

0:29:50.120 --> 0:29:52.320
<v Speaker 1>Was that is my doll origin story. It's like covered

0:29:52.360 --> 0:29:55.400
<v Speaker 1>in shame because of like you know, like the you

0:29:55.440 --> 0:29:58.040
<v Speaker 1>know whatever it was saying about like my gender, like

0:29:58.120 --> 0:30:00.720
<v Speaker 1>my queerness or whatever. You know, it was very, very shameful.

0:30:01.040 --> 0:30:03.040
<v Speaker 1>I knew that I was not allowed to have them

0:30:03.040 --> 0:30:06.520
<v Speaker 1>because I already did too many girly things, and you know,

0:30:06.720 --> 0:30:09.200
<v Speaker 1>like I think my mom kind of looked the other way,

0:30:09.800 --> 0:30:11.960
<v Speaker 1>but I knew that it was wrong. And now I

0:30:12.040 --> 0:30:14.320
<v Speaker 1>look back on it and like, of course I wanted

0:30:14.320 --> 0:30:17.640
<v Speaker 1>to play with dolls. Hello, Like why is it? Why

0:30:17.680 --> 0:30:18.520
<v Speaker 1>was it so shameful?

0:30:18.560 --> 0:30:21.560
<v Speaker 2>But it really was, honestly, Well, it's not a two

0:30:21.560 --> 0:30:23.480
<v Speaker 2>way street either, Like if your daughter wants to talk

0:30:23.480 --> 0:30:25.240
<v Speaker 2>a truck, no one cares, But if your someone wants

0:30:25.240 --> 0:30:26.400
<v Speaker 2>a barbie, it's an issue.

0:30:26.680 --> 0:30:27.960
<v Speaker 1>Yes, say that.

0:30:28.080 --> 0:30:30.080
<v Speaker 3>I'm so glad earlier that you brought up the kind

0:30:30.120 --> 0:30:33.120
<v Speaker 3>of like the boy girl toys and McDonald's, because that

0:30:33.240 --> 0:30:35.760
<v Speaker 3>was such like a moment in the culture, like like

0:30:35.880 --> 0:30:38.920
<v Speaker 3>and and the kind of fascism required for me to

0:30:38.960 --> 0:30:41.240
<v Speaker 3>get a NASCAR toy as a child, like.

0:30:41.400 --> 0:30:44.680
<v Speaker 2>I don't want that fucking Nascar toy, Like, how dare

0:30:44.880 --> 0:30:46.120
<v Speaker 2>that was so rude?

0:30:46.240 --> 0:30:50.920
<v Speaker 3>I was like that it was it was violence, honestly almost.

0:30:51.880 --> 0:30:54.840
<v Speaker 2>There was something almost more aspirational for me too about

0:30:54.880 --> 0:30:57.960
<v Speaker 2>like the McDonald's Happy Meal Barbies, because a lot of

0:30:57.960 --> 0:31:01.280
<v Speaker 2>times the hair was plastic and sculpted, so it was like,

0:31:02.160 --> 0:31:04.760
<v Speaker 2>she's almost like a religious totem. She's like a little

0:31:04.840 --> 0:31:07.280
<v Speaker 2>statue of the perfect woman. And I mean, as a kid,

0:31:07.360 --> 0:31:11.600
<v Speaker 2>I really was just worshiping the dolls. I mean before

0:31:11.640 --> 0:31:15.800
<v Speaker 2>I understood, before I understood that she was sort of

0:31:16.960 --> 0:31:19.880
<v Speaker 2>at that point in the nineties, Barbie was almost doing drag.

0:31:19.960 --> 0:31:24.000
<v Speaker 2>She was parodying femininity on such a high level. I mean,

0:31:24.600 --> 0:31:28.960
<v Speaker 2>miss Yvonne Barbie peg Bundy. There was this pocket of

0:31:29.000 --> 0:31:33.160
<v Speaker 2>like women doing drag that was like I think probably

0:31:33.200 --> 0:31:37.000
<v Speaker 2>a response to women's movements like in the nineties, like

0:31:37.080 --> 0:31:40.000
<v Speaker 2>shaved heads and tape over the titties. And there was

0:31:40.040 --> 0:31:43.400
<v Speaker 2>this beginning conversation about what we expected women and like

0:31:43.440 --> 0:31:46.120
<v Speaker 2>me and me from Drew Carrey, it's like, when we

0:31:46.320 --> 0:31:48.880
<v Speaker 2>show what women are supposed to be like, and we

0:31:48.960 --> 0:31:51.480
<v Speaker 2>pushed that a little bit. We show how stupid it

0:31:51.600 --> 0:31:53.960
<v Speaker 2>is to expect women to do anything or be any

0:31:53.960 --> 0:31:56.920
<v Speaker 2>type of way. You know, That's something I'm always wanting

0:31:56.920 --> 0:31:59.200
<v Speaker 2>to explore with Tricksy, especially in the beginning, was like,

0:32:00.080 --> 0:32:02.040
<v Speaker 2>if my waist is this big, and my titties are huge,

0:32:02.040 --> 0:32:04.160
<v Speaker 2>and my hairs and all this is if you look

0:32:04.200 --> 0:32:06.760
<v Speaker 2>at me and see a woman, I think that's actually

0:32:06.880 --> 0:32:10.120
<v Speaker 2>very illuminating that, like I read, doesn't do I look

0:32:10.160 --> 0:32:12.640
<v Speaker 2>like your mother or your sister? No, So like it's

0:32:12.960 --> 0:32:16.080
<v Speaker 2>interesting that you see women when I look fucking crazy.

0:32:16.400 --> 0:32:19.160
<v Speaker 1>I'm sure you look like someone's mother or sister.

0:32:19.400 --> 0:32:20.880
<v Speaker 2>And I will I will say, like when I got

0:32:20.880 --> 0:32:23.120
<v Speaker 2>out of Texas, They're like, your hair reminds me my mom.

0:32:23.160 --> 0:32:49.880
<v Speaker 2>I'm like, can I see it? And I have to

0:32:49.880 --> 0:32:53.880
<v Speaker 2>say so, I actually watched her unboxing of your number one,

0:32:54.080 --> 0:32:56.920
<v Speaker 2>of your number one Barbie, the original was it nineteen

0:32:56.920 --> 0:33:00.800
<v Speaker 2>sixty five Barbie just off the Fountain nineteen fifty nine?

0:33:00.880 --> 0:33:01.160
<v Speaker 1>Thank you.

0:33:01.840 --> 0:33:05.560
<v Speaker 3>I have to say that the original Barbie, her mug

0:33:05.760 --> 0:33:10.240
<v Speaker 3>was pretty cunty, like she had like like thin brows

0:33:10.360 --> 0:33:12.640
<v Speaker 3>and a side eye, and she had like, you know,

0:33:12.840 --> 0:33:14.960
<v Speaker 3>like thick eyeliner leg She.

0:33:14.880 --> 0:33:17.840
<v Speaker 1>Looked kind of her face is giving a little like she's.

0:33:17.680 --> 0:33:20.000
<v Speaker 2>Like you sure, and I'll say she's she's a little

0:33:20.320 --> 0:33:24.280
<v Speaker 2>severe looking for a child's toy, I will say. And

0:33:24.320 --> 0:33:26.440
<v Speaker 2>that's part of why, you know, in nineteen fifty eight,

0:33:26.480 --> 0:33:29.480
<v Speaker 2>when the handlers were showing Barbie toys used to be

0:33:29.480 --> 0:33:31.959
<v Speaker 2>purchased this way. There would be a toy convention at

0:33:32.000 --> 0:33:35.720
<v Speaker 2>let's say the Radison San Diego, and all the toy

0:33:35.760 --> 0:33:38.240
<v Speaker 2>store owners in the country would fly to town and they

0:33:38.280 --> 0:33:40.920
<v Speaker 2>would go hotel room to hotel room, and they would

0:33:40.960 --> 0:33:44.200
<v Speaker 2>get pitched new toys by little toy developers. And that's

0:33:44.240 --> 0:33:47.160
<v Speaker 2>how toy stores would stock shelves. They would try to

0:33:47.200 --> 0:33:49.360
<v Speaker 2>predict what's going to be big or like, this isn't

0:33:49.360 --> 0:33:52.480
<v Speaker 2>out yet. And Barbie was a brand new thing, and

0:33:53.240 --> 0:33:55.000
<v Speaker 2>you have to imagine they thought this is gonna be

0:33:55.040 --> 0:33:58.400
<v Speaker 2>a major hit, and they barely did numbers. I mean,

0:33:59.040 --> 0:34:02.840
<v Speaker 2>everybody was mortified and grossed out by this doll when

0:34:02.880 --> 0:34:05.000
<v Speaker 2>it was shown at the nineteen fifty eight toy fair.

0:34:05.800 --> 0:34:09.000
<v Speaker 2>So then the first run of Barbie, which is that

0:34:09.080 --> 0:34:11.799
<v Speaker 2>number one with like the really cunty face and she

0:34:11.960 --> 0:34:16.680
<v Speaker 2>looks not even nice, she looks severe. That run of

0:34:16.719 --> 0:34:20.000
<v Speaker 2>those was under three hundred thousand pieces like maybe two

0:34:19.600 --> 0:34:25.440
<v Speaker 2>h and fifty because it was never Nobody thought it

0:34:25.480 --> 0:34:27.239
<v Speaker 2>was going to be a hit except the people making it.

0:34:28.120 --> 0:34:30.280
<v Speaker 2>And if you don't know this too, this is crazy.

0:34:30.560 --> 0:34:32.799
<v Speaker 2>Mattel was one of the first companies to realize you

0:34:32.840 --> 0:34:36.160
<v Speaker 2>don't have to sell to the child. You have to

0:34:36.200 --> 0:34:38.920
<v Speaker 2>sell to the parent, because that's ultimately who buys the product.

0:34:39.800 --> 0:34:43.239
<v Speaker 2>So Mattel was the first company, basically one of the

0:34:43.239 --> 0:34:47.040
<v Speaker 2>first companies to put commercials for toys during the children's

0:34:47.080 --> 0:34:52.719
<v Speaker 2>cartoon hours. Nobody had thought to do that. Like if

0:34:52.760 --> 0:34:54.640
<v Speaker 2>you sell it to the child, the child will sell

0:34:54.680 --> 0:34:57.120
<v Speaker 2>it to the parent. Basically that's how you get a

0:34:57.160 --> 0:35:01.920
<v Speaker 2>toy sold. And so that's part of those commercials is

0:35:02.120 --> 0:35:05.080
<v Speaker 2>like popping up during cartoon breaks. Is what made it

0:35:05.120 --> 0:35:07.239
<v Speaker 2>go from like a toy at a convention that no

0:35:07.280 --> 0:35:10.920
<v Speaker 2>one cared about to like basically Ferbie in the nineties,

0:35:11.080 --> 0:35:15.399
<v Speaker 2>like clamoring to a sensation. Yeah, and I mean only

0:35:15.400 --> 0:35:17.200
<v Speaker 2>a few toys have broken through like that if you

0:35:17.239 --> 0:35:20.520
<v Speaker 2>think of like easy Bake oven or there's only a

0:35:20.520 --> 0:35:25.880
<v Speaker 2>few toys that have had a complete whirlwind in Mattel.

0:35:26.400 --> 0:35:30.239
<v Speaker 2>Mattel in the first three years went from nobody to

0:35:30.360 --> 0:35:33.360
<v Speaker 2>the I think that the number one toy company in

0:35:33.400 --> 0:35:36.680
<v Speaker 2>the world in like three years. But she was initially

0:35:36.719 --> 0:35:39.280
<v Speaker 2>a flop, which is kind of great, a total flop,

0:35:39.560 --> 0:35:42.279
<v Speaker 2>like less than a flop. People being like you're joking right,

0:35:42.480 --> 0:35:46.160
<v Speaker 2>Like this all has nipples. This is disgusting. This, this

0:35:46.239 --> 0:35:50.760
<v Speaker 2>is just sickles. Maybe the og Ones had at least,

0:35:50.800 --> 0:35:53.719
<v Speaker 2>like I think the original prototype had nipples and they

0:35:53.800 --> 0:35:55.440
<v Speaker 2>removed them before they went to shelf.

0:35:55.719 --> 0:35:58.799
<v Speaker 1>Oh, I imagine they were hard nipples and not sort

0:35:58.800 --> 0:36:00.640
<v Speaker 1>of like a rubbery song like deep.

0:36:00.480 --> 0:36:05.439
<v Speaker 2>Brown and like this big around. Yeah, dinner plates.

0:36:05.160 --> 0:36:08.480
<v Speaker 1>Put nipples back on barbies. I'll say.

0:36:08.640 --> 0:36:11.600
<v Speaker 2>If you watch the documentary Tiny Shoulders on Hulu, it

0:36:11.640 --> 0:36:15.239
<v Speaker 2>opens with like a reenactment of that. I think it

0:36:15.280 --> 0:36:19.000
<v Speaker 2>was Ryan who owns the patent on Barbie, who he

0:36:19.040 --> 0:36:21.120
<v Speaker 2>did own the patent on Barbie. He basically picked up

0:36:21.160 --> 0:36:22.840
<v Speaker 2>the doll, took a nail file and shaved off the

0:36:22.920 --> 0:36:24.799
<v Speaker 2>nipples and was like, no, it's perfect, and that's kind

0:36:24.840 --> 0:36:26.319
<v Speaker 2>of like the lore of how they did it.

0:36:26.880 --> 0:36:29.040
<v Speaker 1>No, which they still are.

0:36:29.280 --> 0:36:30.920
<v Speaker 2>People are still hung up on nipples.

0:36:31.000 --> 0:36:34.480
<v Speaker 1>So oh yeah, I mean you get my nipples sanded off.

0:36:34.480 --> 0:36:36.160
<v Speaker 1>This weekend, I did not have a good time.

0:36:36.640 --> 0:36:40.000
<v Speaker 2>I know, now are all the girls just standing off

0:36:40.040 --> 0:36:44.080
<v Speaker 2>their nipples? It's the culture there are.

0:36:44.120 --> 0:36:47.840
<v Speaker 3>I want to know, what which of the barbies do

0:36:47.920 --> 0:36:50.640
<v Speaker 3>you know within your knowledge that were like controversial or

0:36:50.719 --> 0:36:54.719
<v Speaker 3>like recalled or like created hubbub I know, like one

0:36:54.760 --> 0:36:57.319
<v Speaker 3>of the things that I was thinking of was like

0:36:57.840 --> 0:36:59.760
<v Speaker 3>kind of I want to say, like in the aughts,

0:36:59.760 --> 0:37:02.960
<v Speaker 3>there was a pregnant barbie that was recalled because she

0:37:03.000 --> 0:37:05.800
<v Speaker 3>didn't have a wedding ring. That was like a huge

0:37:05.800 --> 0:37:08.640
<v Speaker 3>thing and it was like I can't get pregnant out

0:37:08.680 --> 0:37:10.760
<v Speaker 3>of wedlock or whatever, and they were all recalled.

0:37:11.400 --> 0:37:14.000
<v Speaker 2>Are there any other like controversial barbie stories like that?

0:37:14.920 --> 0:37:17.439
<v Speaker 2>There's a lot, And I want to say, I don't

0:37:17.440 --> 0:37:19.279
<v Speaker 2>work for Mattel, but I will descend them until the

0:37:19.320 --> 0:37:23.040
<v Speaker 2>day I die. This is a doll that's been out

0:37:23.080 --> 0:37:24.880
<v Speaker 2>for seventy years. So if you're going to judge the

0:37:24.920 --> 0:37:27.160
<v Speaker 2>dolls of sixty years ago by the standards of today,

0:37:27.160 --> 0:37:30.880
<v Speaker 2>you're always disappointed. Okay, Like, but you know when they

0:37:30.960 --> 0:37:33.560
<v Speaker 2>did slumber Party, there was a slumber party barbie that

0:37:33.600 --> 0:37:35.880
<v Speaker 2>came with a scale and a diet book and the

0:37:35.920 --> 0:37:39.200
<v Speaker 2>inside or the back of it said donate that hasn't

0:37:39.239 --> 0:37:41.239
<v Speaker 2>aged well. I don't think it was an issue at

0:37:41.239 --> 0:37:44.080
<v Speaker 2>the time, but it was, you know, as not age

0:37:44.160 --> 0:37:44.480
<v Speaker 2>at the time.

0:37:44.520 --> 0:37:45.880
<v Speaker 1>They were like, oh my god, thanks for reminding me

0:37:45.960 --> 0:37:48.440
<v Speaker 1>not to eat well.

0:37:48.480 --> 0:37:50.160
<v Speaker 2>I wear a lot of vintage clothes, and I mean

0:37:50.160 --> 0:37:53.280
<v Speaker 2>when I shot vintage, I'm like, we're women seventy pounds

0:37:53.320 --> 0:37:55.880
<v Speaker 2>and I'm like, I think they were like, clothes are

0:37:56.000 --> 0:37:58.880
<v Speaker 2>this big, nonstretched, fabrics waste.

0:37:59.040 --> 0:38:01.760
<v Speaker 1>It's like when you go to like a medieval museum

0:38:01.920 --> 0:38:05.400
<v Speaker 1>and all the doors are like this tall, and you're like,

0:38:05.520 --> 0:38:07.560
<v Speaker 1>totally people were extremely short.

0:38:08.120 --> 0:38:12.000
<v Speaker 2>They were, and then you know, there's there's so many

0:38:12.080 --> 0:38:14.680
<v Speaker 2>I mean, there was a doll called teen Talk Barbie

0:38:14.760 --> 0:38:16.320
<v Speaker 2>where if you pushed a button on her back, she

0:38:16.360 --> 0:38:19.080
<v Speaker 2>said phrases. It was in the eighties or the early nineties.

0:38:19.239 --> 0:38:21.239
<v Speaker 2>One of the phrases she said was math is hard,

0:38:21.320 --> 0:38:24.120
<v Speaker 2>and that was controversial for a female toy to be said,

0:38:24.200 --> 0:38:29.080
<v Speaker 2>like women can't do math, but yes, math is math

0:38:29.800 --> 0:38:32.360
<v Speaker 2>famously hard. That's what I'm saying. I'm like the apologist,

0:38:32.440 --> 0:38:34.319
<v Speaker 2>So don't ever expect me to get mad, because I'm like,

0:38:35.680 --> 0:38:37.959
<v Speaker 2>you know, there's things that are a little more transparently,

0:38:38.040 --> 0:38:41.680
<v Speaker 2>like an oversight like there was an Oreo Barbie, that

0:38:42.480 --> 0:38:44.720
<v Speaker 2>there there was an Orio Barbie. She came as black

0:38:44.800 --> 0:38:47.280
<v Speaker 2>or white, and like a black Barbie called Orio Barbie.

0:38:47.960 --> 0:38:52.560
<v Speaker 2>I would you know, No, I'm sure they didn't love

0:38:52.680 --> 0:38:56.520
<v Speaker 2>that that happened. And then earing Magic Ken, they said

0:38:56.520 --> 0:38:58.359
<v Speaker 2>he was gay. It depends if you want to say

0:38:58.360 --> 0:38:59.360
<v Speaker 2>that's controversy or not.

0:39:00.200 --> 0:39:03.080
<v Speaker 3>He would so I own an earring Magic Ken and

0:39:03.080 --> 0:39:05.040
<v Speaker 3>he was I actually have it on my desk.

0:39:05.360 --> 0:39:08.239
<v Speaker 2>I was he looks. I mean, I don't think he's gay.

0:39:08.320 --> 0:39:10.640
<v Speaker 2>I think he's a response to Vanilla Ice, who was

0:39:10.680 --> 0:39:13.439
<v Speaker 2>so big at the time. Well it looks like Ice,

0:39:13.680 --> 0:39:16.120
<v Speaker 2>so well I okay, So the story that I read

0:39:16.120 --> 0:39:17.920
<v Speaker 2>online and I don't know if this is like I

0:39:18.200 --> 0:39:19.880
<v Speaker 2>only read like, you know, one article about it.

0:39:19.920 --> 0:39:22.759
<v Speaker 3>But like that they they were trying to like, you know,

0:39:22.880 --> 0:39:25.200
<v Speaker 3>rebrand Ken. They didn't know if they should sell Ken

0:39:25.239 --> 0:39:27.360
<v Speaker 3>dolls anymore, if they should find a new doll that

0:39:27.480 --> 0:39:30.400
<v Speaker 3>wasn't named Ken or whatever. And they surveyed teen girls

0:39:30.800 --> 0:39:33.200
<v Speaker 3>about what they wanted in a Ken doll, and then

0:39:33.320 --> 0:39:36.359
<v Speaker 3>and teen girls and like you know, young girls were like,

0:39:36.640 --> 0:39:38.560
<v Speaker 3>this is what I want, and they like you know,

0:39:38.760 --> 0:39:41.640
<v Speaker 3>gave a bunch of recommendations. Yes, they gave a bunch

0:39:41.680 --> 0:39:43.960
<v Speaker 3>of recommendations on the styling. And so for the virgins

0:39:43.960 --> 0:39:46.759
<v Speaker 3>who can't see, this is a this is a you

0:39:46.800 --> 0:39:50.240
<v Speaker 3>know what do we got like platinum highlight kind of blowout?

0:39:50.280 --> 0:39:52.480
<v Speaker 2>We got a notch? Is that a notch? And as

0:39:52.480 --> 0:39:55.600
<v Speaker 2>I wrote, now ear rings. But also like also, this

0:39:55.680 --> 0:39:59.480
<v Speaker 2>is exactly how Vanila I is dressed exactly top.

0:39:59.239 --> 0:40:02.520
<v Speaker 1>And motemnr on his inner lip that says come pig.

0:40:04.200 --> 0:40:07.640
<v Speaker 1>He's holding a bottle of rush.

0:40:07.680 --> 0:40:10.320
<v Speaker 3>This is but this is like a blue pleathar vest,

0:40:11.400 --> 0:40:15.520
<v Speaker 3>a lavender messher and a literal cock ring around his neck,

0:40:15.680 --> 0:40:18.680
<v Speaker 3>Like what is going on like this? I'm not surprised

0:40:19.080 --> 0:40:22.279
<v Speaker 3>girls voted for this because like I mean tricksy and

0:40:22.480 --> 0:40:24.520
<v Speaker 3>I'm sure you know this better than anyone that like,

0:40:24.680 --> 0:40:29.120
<v Speaker 3>the main market for drag and like lots of queer

0:40:29.120 --> 0:40:31.240
<v Speaker 3>culture is teenage girls.

0:40:31.760 --> 0:40:35.840
<v Speaker 2>Oh, gay men don't even like me. I'm the audience

0:40:35.880 --> 0:40:40.720
<v Speaker 2>is thirteen year old sister girls cis gender women periods.

0:40:43.520 --> 0:40:47.360
<v Speaker 2>That's what's interesting with all this like discourse about drag

0:40:47.400 --> 0:40:50.600
<v Speaker 2>being appropriate for kids. I'm somebody who accidentally has the

0:40:50.840 --> 0:40:54.400
<v Speaker 2>maybe the youngest audience. But I have never said I

0:40:54.560 --> 0:40:57.240
<v Speaker 2>liked kids or pulled punches when it comes to saying

0:40:57.280 --> 0:40:58.560
<v Speaker 2>disgusting and horrible things.

0:40:59.040 --> 0:41:01.680
<v Speaker 1>So I'm just talk about you how you don't like

0:41:01.800 --> 0:41:04.719
<v Speaker 1>children one hundred percent.

0:41:04.800 --> 0:41:06.719
<v Speaker 2>And I mean when I get on stage, I talk

0:41:06.800 --> 0:41:11.279
<v Speaker 2>about like rimming my dad. So I've never I've It's

0:41:11.320 --> 0:41:13.360
<v Speaker 2>not a bait and switch where I've pretended to be

0:41:13.480 --> 0:41:16.600
<v Speaker 2>kid friendly. Now I've always said I'm not kid friendly.

0:41:16.800 --> 0:41:18.000
<v Speaker 2>But then they come to the show. So what am

0:41:18.000 --> 0:41:20.759
<v Speaker 2>I supposed to do? You know, I'm not going to

0:41:20.840 --> 0:41:23.399
<v Speaker 2>kick them out because when I was thirteen, I felt

0:41:23.440 --> 0:41:25.080
<v Speaker 2>like an adult and I wanted to watch adult shit.

0:41:25.239 --> 0:41:26.480
<v Speaker 2>So whatever.

0:41:27.480 --> 0:41:30.960
<v Speaker 1>There's also and they have disposable money for merch exactly.

0:41:31.040 --> 0:41:32.640
<v Speaker 2>Hello, you know, hard just to eat gay guys to

0:41:32.680 --> 0:41:35.839
<v Speaker 2>do anything. Well, what if something better comes along? Like okay, fine,

0:41:35.840 --> 0:41:38.400
<v Speaker 2>don't come you know, But I mean, ask any working

0:41:38.480 --> 0:41:40.640
<v Speaker 2>drive queen if they make more money at a brunch

0:41:40.719 --> 0:41:43.000
<v Speaker 2>with a bunch of gay guys or a bunch of bachelorettes,

0:41:43.040 --> 0:41:44.960
<v Speaker 2>ask them who they make more money with, and they'll

0:41:45.000 --> 0:41:49.520
<v Speaker 2>play the truth. You know. I recently DJed like I

0:41:49.560 --> 0:41:51.879
<v Speaker 2>recently picked up a little DJ gig in Australia, and

0:41:52.000 --> 0:41:54.040
<v Speaker 2>sometimes I like to pick up DJ gigs under the

0:41:54.120 --> 0:41:56.680
<v Speaker 2>radar and not telling you when I'm going because I

0:41:56.800 --> 0:41:59.839
<v Speaker 2>just want to play for fun and not like have

0:41:59.880 --> 0:42:02.239
<v Speaker 2>to be tricksy in a way, you know. And I

0:42:02.280 --> 0:42:05.080
<v Speaker 2>picked up a DJ gig at the Steamworks in Perth

0:42:06.080 --> 0:42:11.000
<v Speaker 2>and I just went out of drag DJ at Steamworks

0:42:11.000 --> 0:42:13.839
<v Speaker 2>Perth and a few people recognized me and said hi.

0:42:13.880 --> 0:42:17.000
<v Speaker 2>But all in all, it was like so refreshing to

0:42:17.120 --> 0:42:21.439
<v Speaker 2>be ignored by gay guys again and drag like, because

0:42:21.480 --> 0:42:23.799
<v Speaker 2>that was my experience for the first like ten years

0:42:23.840 --> 0:42:26.720
<v Speaker 2>in drag was just like gay guys barely paying attention

0:42:26.800 --> 0:42:29.920
<v Speaker 2>to me. And now it's mostly not gay guys and

0:42:29.960 --> 0:42:32.279
<v Speaker 2>they're very much paying attention to me, which I love,

0:42:32.360 --> 0:42:34.800
<v Speaker 2>of course, But it was like it was a reality

0:42:34.920 --> 0:42:37.279
<v Speaker 2>check to just play for gay guys ignoring me again.

0:42:37.280 --> 0:42:39.720
<v Speaker 2>I was like, how this makes me appreciate the audience

0:42:39.760 --> 0:42:42.799
<v Speaker 2>I have because these guys at Steamworks could don't care

0:42:42.800 --> 0:42:44.560
<v Speaker 2>if I'm dead or alive, and what songs I play

0:42:44.600 --> 0:42:46.160
<v Speaker 2>do not matter, So.

0:42:46.680 --> 0:42:48.839
<v Speaker 1>I've never been as long as there's a rhythm for

0:42:48.880 --> 0:42:49.759
<v Speaker 1>them to you know.

0:42:50.239 --> 0:42:52.080
<v Speaker 2>Oh, and I was playing all my nasty music that

0:42:52.080 --> 0:42:54.239
<v Speaker 2>really wouldn't fly at like a dance club. But I

0:42:54.280 --> 0:42:59.280
<v Speaker 2>was playing like you know, gross, like spoken wordy, nasty, nasty.

0:43:00.080 --> 0:43:00.319
<v Speaker 1>Wait.

0:43:00.400 --> 0:43:04.680
<v Speaker 2>I have never been to a Steamworks branch. Did they regularly?

0:43:04.760 --> 0:43:07.200
<v Speaker 2>I didn't know they have DJ sets at Steamworks that's

0:43:07.200 --> 0:43:10.560
<v Speaker 2>a thing. I've never been to one either until this one.

0:43:10.800 --> 0:43:13.759
<v Speaker 2>And it was it was like it's like a it's

0:43:13.800 --> 0:43:16.200
<v Speaker 2>a steam it's a sauna. What is a Steamworks for

0:43:16.200 --> 0:43:20.120
<v Speaker 2>the virgins? It's just like it's I mean, I'm not

0:43:20.200 --> 0:43:22.960
<v Speaker 2>the expert. This was my first time at one. It

0:43:23.120 --> 0:43:26.400
<v Speaker 2>seemed like a bathhouse. Basically, it's a little private rooms

0:43:26.640 --> 0:43:29.200
<v Speaker 2>with a spa and a steam shower and a gym,

0:43:29.360 --> 0:43:30.920
<v Speaker 2>and it had a little The one in Perth had

0:43:30.920 --> 0:43:34.680
<v Speaker 2>a little mini nightclub basically had a room with a

0:43:34.719 --> 0:43:37.440
<v Speaker 2>bar and a little dance floor and a DJ booth

0:43:37.480 --> 0:43:39.960
<v Speaker 2>and it was a nice DJ booth. It was it

0:43:40.120 --> 0:43:43.240
<v Speaker 2>was like four CDJs, like really nice, brand new equipment.

0:43:43.280 --> 0:43:46.600
<v Speaker 2>I was like, I was like, this is really nice.

0:43:46.640 --> 0:43:48.120
<v Speaker 2>And I was like I've played at other bars in

0:43:48.160 --> 0:43:51.319
<v Speaker 2>Perth and they don't have as nice of equipment as

0:43:51.360 --> 0:43:53.120
<v Speaker 2>the DJ equipment at Steamers.

0:43:53.800 --> 0:43:57.040
<v Speaker 1>All right, like yeah, we're getting scrills in next week,

0:43:57.560 --> 0:43:57.920
<v Speaker 1>I know.

0:43:58.280 --> 0:44:00.640
<v Speaker 2>But it was just it's it's if you ever like

0:44:00.760 --> 0:44:02.800
<v Speaker 2>are out and you think it's me behind, if you

0:44:02.840 --> 0:44:04.920
<v Speaker 2>see like a ball guy DJing, it probably is me.

0:44:04.960 --> 0:44:06.800
<v Speaker 2>And I just didn't advertise it because I just wanted

0:44:06.840 --> 0:44:10.279
<v Speaker 2>to just be invisible. But I love that. I mean,

0:44:10.320 --> 0:44:11.640
<v Speaker 2>you you a legend.

0:44:11.719 --> 0:44:15.480
<v Speaker 3>Kind of like doing a incognito set at steam Marks

0:44:15.600 --> 0:44:17.480
<v Speaker 3>is kind of reminding me of like when Bette Midler

0:44:17.640 --> 0:44:19.680
<v Speaker 3>used to do when she was like the kind of

0:44:19.760 --> 0:44:21.880
<v Speaker 3>singer for bat gay bath houses in New York and

0:44:21.920 --> 0:44:22.560
<v Speaker 3>stuff like that.

0:44:23.520 --> 0:44:24.799
<v Speaker 2>Oh yeah, and I was like the only one there

0:44:24.840 --> 0:44:27.200
<v Speaker 2>with clothes on. Yeah, it was like I had a

0:44:27.239 --> 0:44:29.560
<v Speaker 2>T shirt on, and I was like vastly overdressed. Like

0:44:30.000 --> 0:44:32.840
<v Speaker 2>also's naked people were on the dance floor naked, just

0:44:32.960 --> 0:44:35.279
<v Speaker 2>naked dancing, and I was like, all right, work, that's

0:44:35.320 --> 0:44:35.840
<v Speaker 2>so fun.

0:44:35.880 --> 0:44:37.920
<v Speaker 1>I also was like I can't swing you.

0:44:38.560 --> 0:44:40.279
<v Speaker 2>I can't take pictures with any of you because right

0:44:40.280 --> 0:44:42.920
<v Speaker 2>now in the States they literally google drag queens and

0:44:42.960 --> 0:44:44.680
<v Speaker 2>pull a picture and it's usually mine and they put

0:44:44.719 --> 0:44:46.279
<v Speaker 2>on the news and call me a pedophile. So like,

0:44:46.400 --> 0:44:49.400
<v Speaker 2>I can't take any pictures here. Like then again, at

0:44:49.440 --> 0:44:54.040
<v Speaker 2>a at a bar place like that, pictures are prohibited anyway, so, right, Rose,

0:44:54.080 --> 0:44:55.640
<v Speaker 2>have you ever been to a steamworks?

0:44:56.440 --> 0:44:59.040
<v Speaker 1>Not a steam works, but I've been to many bath

0:44:59.080 --> 0:45:00.560
<v Speaker 1>houses many, she's.

0:45:00.360 --> 0:45:02.640
<v Speaker 2>Any bath house, water in the kitchen and get naked.

0:45:02.880 --> 0:45:04.440
<v Speaker 2>I'm just I'm just imagine.

0:45:04.719 --> 0:45:08.000
<v Speaker 3>I'm just imagining just like on a dance floor naked

0:45:08.000 --> 0:45:10.920
<v Speaker 3>that I feel like logistically that could be dangerous.

0:45:10.920 --> 0:45:13.239
<v Speaker 1>Well, I mean to be fair, when I've been at

0:45:13.239 --> 0:45:15.640
<v Speaker 1>a bath house, I certainly haven't been on the dance floor.

0:45:15.640 --> 0:45:17.520
<v Speaker 1>I've been doing the other things that you do at

0:45:17.520 --> 0:45:18.400
<v Speaker 1>a bath house, right.

0:45:18.280 --> 0:45:20.279
<v Speaker 2>Other things that you do at a bath house. Like

0:45:20.680 --> 0:45:24.080
<v Speaker 2>I like the idea that somebody has like a steamworks

0:45:24.080 --> 0:45:26.920
<v Speaker 2>membership and uses it, like it's the fucking why they

0:45:26.960 --> 0:45:28.800
<v Speaker 2>go there to actually use a treadmill and shower and

0:45:28.880 --> 0:45:29.480
<v Speaker 2>leave mm hmm.

0:45:30.080 --> 0:45:31.839
<v Speaker 1>And they're just sort of like they're like they're like

0:45:31.880 --> 0:45:34.400
<v Speaker 1>on the elliptical and there's like someone getting railed in

0:45:34.440 --> 0:45:37.319
<v Speaker 1>the background, and they're just like listening to like our

0:45:37.360 --> 0:45:39.040
<v Speaker 1>podcast while they work out.

0:45:40.640 --> 0:45:44.600
<v Speaker 2>Yeah, they're listening to like NPR, Yeah fresh Air.

0:45:45.360 --> 0:45:49.760
<v Speaker 3>Yeah, that is kind of my my gym in Brooklyn

0:45:49.920 --> 0:45:51.640
<v Speaker 3>and on a gym that I will not name, like

0:45:51.760 --> 0:45:54.440
<v Speaker 3>I joined when it like in an in an earlier

0:45:54.480 --> 0:45:56.480
<v Speaker 3>stage when it's it's not as crowded as it it

0:45:56.520 --> 0:45:59.200
<v Speaker 3>wasn't as crowded as it is now. And like I

0:45:59.239 --> 0:46:00.640
<v Speaker 3>signed up and I was like, oh, this is a

0:46:00.680 --> 0:46:04.759
<v Speaker 3>family gym for like local Brooklyn people and like you know,

0:46:04.880 --> 0:46:08.040
<v Speaker 3>their dads or whatever, and and you know, I've been there.

0:46:08.200 --> 0:46:09.200
<v Speaker 3>I've been there for a while now.

0:46:09.200 --> 0:46:10.839
<v Speaker 2>And like after like a month or two, I was like, Oh,

0:46:10.880 --> 0:46:15.040
<v Speaker 2>everyone here is fucking Like everyone here is looking and

0:46:15.080 --> 0:46:17.839
<v Speaker 2>fucking and this is a gay gym. And the way

0:46:17.840 --> 0:46:21.360
<v Speaker 2>you're describing is kind of my gym because like the

0:46:21.960 --> 0:46:24.960
<v Speaker 2>actual like cis hat like Brooklyn dads are just like

0:46:24.960 --> 0:46:27.080
<v Speaker 2>like you know, in the steam room, like don't mind me,

0:46:27.200 --> 0:46:29.000
<v Speaker 2>I'm just getting my steam in. I know you guys

0:46:29.080 --> 0:46:30.759
<v Speaker 2>got to do your business, but like I'm just a

0:46:30.840 --> 0:46:34.000
<v Speaker 2>dad or whatever. It's I love the it's really as

0:46:34.040 --> 0:46:36.799
<v Speaker 2>a coexist moment. Well that was the other thing I

0:46:36.840 --> 0:46:39.319
<v Speaker 2>was DJing somewhere. We're to be honest, most people there

0:46:39.400 --> 0:46:43.680
<v Speaker 2>were trying to keep a low profile, and most like

0:46:43.800 --> 0:46:45.560
<v Speaker 2>straight guys and stuff, they don't know who I am,

0:46:45.640 --> 0:46:47.560
<v Speaker 2>and if they figure out, they're not gonna telling why.

0:46:47.360 --> 0:47:09.160
<v Speaker 1>Way, so right exactly secret safe with me. Tricksy I

0:47:09.320 --> 0:47:12.799
<v Speaker 1>do really want to know, because you know, we are,

0:47:13.120 --> 0:47:15.239
<v Speaker 1>as we've said, like we're kind of in the year

0:47:15.440 --> 0:47:18.280
<v Speaker 1>of Barbie right now, or like one of the year's Barbie,

0:47:18.400 --> 0:47:21.520
<v Speaker 1>because Greta Garway's Barbie film is coming out this summer.

0:47:22.920 --> 0:47:25.320
<v Speaker 1>What are you, like, are you excited? What do you

0:47:25.520 --> 0:47:28.719
<v Speaker 1>want from it? Like, do you or do you have

0:47:28.880 --> 0:47:32.080
<v Speaker 1>any suspicions now that we've got a couple of trailers

0:47:32.120 --> 0:47:35.640
<v Speaker 1>out about what it could be about, like what's I

0:47:35.719 --> 0:47:36.280
<v Speaker 1>haven't even.

0:47:36.160 --> 0:47:41.800
<v Speaker 2>Watched the trailer because it feels like I don't know.

0:47:41.880 --> 0:47:46.600
<v Speaker 2>I want to go and blind. And I also, you

0:47:46.680 --> 0:47:51.279
<v Speaker 2>have to understand, anytime anything Barbie adjacent ever happens, my

0:47:51.360 --> 0:47:55.320
<v Speaker 2>phone blows up. And so I also am like already early,

0:47:56.320 --> 0:47:59.520
<v Speaker 2>like inundated about it, Like you're hearing about this movie

0:48:00.239 --> 0:48:03.239
<v Speaker 2>constantly for over a year. So it was like by

0:48:03.320 --> 0:48:05.120
<v Speaker 2>the time the trailers out and everything's reacting to it.

0:48:05.160 --> 0:48:07.440
<v Speaker 2>I also, this is so crazy and this is my

0:48:07.480 --> 0:48:11.239
<v Speaker 2>own damage. I also feel like, great, now everyone's a bandwagoner,

0:48:11.280 --> 0:48:11.400
<v Speaker 2>do you.

0:48:11.400 --> 0:48:11.879
<v Speaker 1>Know what I mean?

0:48:12.000 --> 0:48:15.279
<v Speaker 2>I like it as somebody who can name the year

0:48:15.440 --> 0:48:17.480
<v Speaker 2>in the name of every outfit in that trailer, I'm

0:48:17.520 --> 0:48:19.480
<v Speaker 2>sure I'm like, oh, did you like it? Did you

0:48:19.560 --> 0:48:19.960
<v Speaker 2>like that movie?

0:48:19.960 --> 0:48:22.120
<v Speaker 1>You're gonna be sitting theater like you're all a bunch

0:48:22.200 --> 0:48:24.040
<v Speaker 1>of fakes, Get out of here. Yeah.

0:48:24.360 --> 0:48:28.120
<v Speaker 2>But I also I love the Sims, for example, and

0:48:28.239 --> 0:48:30.680
<v Speaker 2>I hate when people who love the Sims do nothing

0:48:30.719 --> 0:48:33.080
<v Speaker 2>but shit on the Sims. The same way I hate

0:48:33.080 --> 0:48:36.560
<v Speaker 2>when people like I love drag Race, but there's too

0:48:36.680 --> 0:48:38.959
<v Speaker 2>much of it, there's too much. Like I hate people

0:48:39.120 --> 0:48:44.480
<v Speaker 2>complaining about the wealth of something they like, like as

0:48:44.520 --> 0:48:47.319
<v Speaker 2>if it's the Hunger Games and President Snow forces people

0:48:47.360 --> 0:48:49.239
<v Speaker 2>to watch drag Race, Like when people complain about too

0:48:49.280 --> 0:48:51.799
<v Speaker 2>many drag Race, I'm like, don't watch it, Mary, who

0:48:51.920 --> 0:48:52.640
<v Speaker 2>fucking cares.

0:48:53.520 --> 0:48:56.000
<v Speaker 3>I'm definitely forced to watch drag Race. So it's definitely

0:48:56.040 --> 0:48:59.480
<v Speaker 3>a state sanctioned like three to four hours drag race.

0:48:59.640 --> 0:49:01.439
<v Speaker 2>Yeah. And if in New York, if you don't watch

0:49:01.640 --> 0:49:04.400
<v Speaker 2>drag Race, every franchise AOC gives you a parking ticket.

0:49:04.800 --> 0:49:05.000
<v Speaker 1>Yeah.

0:49:05.200 --> 0:49:07.760
<v Speaker 2>No, actually you get you get tax breaks for watching

0:49:07.840 --> 0:49:12.759
<v Speaker 2>drag races. But I actually, I have a very open mind,

0:49:12.840 --> 0:49:14.080
<v Speaker 2>and I'm sure I'm gonna go see it when it

0:49:14.120 --> 0:49:18.600
<v Speaker 2>comes out, but I have no expectations, and I go

0:49:18.800 --> 0:49:21.479
<v Speaker 2>into things wanting to like them. So I'm not a hater.

0:49:22.080 --> 0:49:23.760
<v Speaker 1>I'm sure that Barbie can't imagine.

0:49:24.760 --> 0:49:30.040
<v Speaker 2>Nobody's gonna hate this movie except the most hardcore, annoying

0:49:30.120 --> 0:49:32.600
<v Speaker 2>Barbie fans where they're like nothing was ever going to

0:49:32.640 --> 0:49:37.120
<v Speaker 2>be good enough for them. I no matter what, I yeah,

0:49:37.160 --> 0:49:37.439
<v Speaker 2>I want.

0:49:37.800 --> 0:49:39.759
<v Speaker 3>I was going to ask you about the trailer. I

0:49:39.840 --> 0:49:41.399
<v Speaker 3>would love to know your take on it. If there's

0:49:41.440 --> 0:49:43.319
<v Speaker 3>something that happens. I won't spoil it. But there's something

0:49:43.360 --> 0:49:44.960
<v Speaker 3>that happens in like the first five seconds of the

0:49:45.040 --> 0:49:48.360
<v Speaker 3>trailer that is so gratifying, and it's like it's like

0:49:49.480 --> 0:49:50.920
<v Speaker 3>it's just like an Ahama.

0:49:50.560 --> 0:49:52.560
<v Speaker 2>Where you're like, oh, this is the movie I'm gonna get.

0:49:52.640 --> 0:49:54.800
<v Speaker 3>But I will say, you know, you were talking earlier

0:49:54.800 --> 0:49:57.319
<v Speaker 3>about like Barbie of the nineties, the blown out hair,

0:49:57.520 --> 0:50:00.399
<v Speaker 3>like the golden era of Barbie. That definitely he does

0:50:00.560 --> 0:50:04.400
<v Speaker 3>feel like the Barbie they are channeling. Obviously, they're tapping

0:50:04.480 --> 0:50:06.960
<v Speaker 3>into a lot of different eras of barbiees and making

0:50:07.040 --> 0:50:09.880
<v Speaker 3>specific references to barbiees throughout the years, but you can.

0:50:09.800 --> 0:50:12.440
<v Speaker 2>Tell it's like a nineties movie.

0:50:12.640 --> 0:50:16.719
<v Speaker 3>And I do feel like Ryan Gosling's Ken is very

0:50:17.120 --> 0:50:20.239
<v Speaker 3>earring Magic Ken, like I think it's it feels like

0:50:20.320 --> 0:50:20.880
<v Speaker 3>a reference.

0:50:22.200 --> 0:50:25.360
<v Speaker 2>Yeah, and I mean yeah, yeah, he looks gay. I

0:50:25.440 --> 0:50:28.920
<v Speaker 2>think that's intentional. It's also a business and I think

0:50:28.960 --> 0:50:31.239
<v Speaker 2>it says a lot about nineties Barbie that when you

0:50:31.640 --> 0:50:34.200
<v Speaker 2>draw car if you drew a cartoon of Barbie quick,

0:50:34.680 --> 0:50:36.920
<v Speaker 2>you would draw nineties Barbie. You wouldn't draw two thousands

0:50:36.960 --> 0:50:40.960
<v Speaker 2>of Barbie without draws. Yeah, you would draw this girl. Yeah,

0:50:41.400 --> 0:50:43.360
<v Speaker 2>so now he has something to do with When I

0:50:43.480 --> 0:50:46.160
<v Speaker 2>dub nineties Barbie like the golden age of Barbie, I'm

0:50:46.239 --> 0:50:50.040
<v Speaker 2>not being like it's my preference, and so it's true.

0:50:50.200 --> 0:50:54.200
<v Speaker 2>I think it. I think they actually etched her in permanently,

0:50:54.239 --> 0:50:56.239
<v Speaker 2>because the other Barbie you think of would maybe be

0:50:56.360 --> 0:50:59.680
<v Speaker 2>be simsuit Barbie from the fifties, Like that's the other

0:50:59.719 --> 0:51:02.160
<v Speaker 2>barbe you think of. But when I think of Barbie,

0:51:02.320 --> 0:51:04.400
<v Speaker 2>I mean I think of like I don't know, like

0:51:04.640 --> 0:51:10.600
<v Speaker 2>roller skates, cassette player, like gymnastics ninety shit, that's the

0:51:10.680 --> 0:51:12.920
<v Speaker 2>Barbie that I think of. I But like I said,

0:51:12.920 --> 0:51:15.960
<v Speaker 2>I have no expectations, and I think it's like I'm

0:51:16.040 --> 0:51:18.719
<v Speaker 2>just excited. I mean, I really, to my core, to

0:51:18.840 --> 0:51:21.880
<v Speaker 2>my bones, love and respect Barbie and anything, any little nibble,

0:51:22.200 --> 0:51:25.040
<v Speaker 2>any little I'm happy for it. I love it.

0:51:25.160 --> 0:51:28.280
<v Speaker 1>But are you furious that Margot Robie was cast instead

0:51:28.280 --> 0:51:28.440
<v Speaker 1>of you?

0:51:30.320 --> 0:51:32.160
<v Speaker 2>I do think it's funny to it's interesting to think

0:51:32.160 --> 0:51:36.279
<v Speaker 2>that wasn't an originally Amy Schumer. I think that that was.

0:51:36.480 --> 0:51:38.359
<v Speaker 2>I think that that was in the works. Yeah, I'm

0:51:38.360 --> 0:51:39.120
<v Speaker 2>pretty sure I.

0:51:39.160 --> 0:51:39.960
<v Speaker 1>Think it was. Originally.

0:51:40.040 --> 0:51:41.600
<v Speaker 2>When I first heard about the movie, I heard that

0:51:41.640 --> 0:51:45.480
<v Speaker 2>Amy Schumer was playing Barbie like four years ago, and

0:51:45.560 --> 0:51:49.920
<v Speaker 2>then I'm I love I love Morgart Robbie. I'm sorry,

0:51:50.640 --> 0:51:56.120
<v Speaker 2>like Suicide Squad, she gives Okay, she's amazing Suicide Squad

0:51:56.120 --> 0:52:01.040
<v Speaker 2>movies and it Tanya Girl Girl Girl Once Part a Time.

0:52:01.080 --> 0:52:01.239
<v Speaker 1>Hal.

0:52:01.920 --> 0:52:03.880
<v Speaker 2>But you know, I'm just gonna say this too. I

0:52:03.920 --> 0:52:07.520
<v Speaker 2>don't like good movies. This year I watched like like

0:52:07.960 --> 0:52:10.320
<v Speaker 2>Tar the Whail Triangle of Sadness, Like that is not

0:52:10.480 --> 0:52:12.800
<v Speaker 2>for me, that type of movie. I watch it like

0:52:12.920 --> 0:52:17.040
<v Speaker 2>stank faced, like this sucks, and then like but but

0:52:17.160 --> 0:52:20.719
<v Speaker 2>I'm like, let's rewatch the original Super Marios movie, Like

0:52:21.120 --> 0:52:23.360
<v Speaker 2>that's my level of movie that I love. And so

0:52:23.600 --> 0:52:25.200
<v Speaker 2>I know I'm gonna like this was it.

0:52:25.320 --> 0:52:28.520
<v Speaker 1>Like me, You're like me, I prefer I draw this division.

0:52:28.840 --> 0:52:32.320
<v Speaker 1>I like movies not films, and I think that's a

0:52:32.440 --> 0:52:36.799
<v Speaker 1>very clear difference between the two. I like the populist entertainment,

0:52:37.200 --> 0:52:41.000
<v Speaker 1>and I definitely think I do think because of who's involved,

0:52:41.120 --> 0:52:45.640
<v Speaker 1>Barbie is going to straddle the two like it's going

0:52:45.760 --> 0:52:47.920
<v Speaker 1>to be because of the Barbie of it all, it's

0:52:47.960 --> 0:52:51.359
<v Speaker 1>going to be accessible. But I also think because it's

0:52:51.520 --> 0:52:56.000
<v Speaker 1>Greta Gerwig, that there's going to be something intelligent there

0:52:56.440 --> 0:52:56.680
<v Speaker 1>by the.

0:52:56.680 --> 0:52:59.680
<v Speaker 2>Way, the way that I thought Greta Greta Gerwig was

0:52:59.680 --> 0:53:02.520
<v Speaker 2>Greta Thumberg, and I was like, oh is it not.

0:53:03.800 --> 0:53:07.960
<v Speaker 2>I just was like that climate girl. I was like, yeah,

0:53:09.040 --> 0:53:12.840
<v Speaker 2>Like I'm not like a smart film person like David

0:53:12.960 --> 0:53:16.320
<v Speaker 2>is like the Ring of the Letter bled. No, I

0:53:16.520 --> 0:53:18.360
<v Speaker 2>just watch what I watched. I re watched The Office

0:53:18.400 --> 0:53:19.080
<v Speaker 2>over and over again.

0:53:20.840 --> 0:53:23.640
<v Speaker 3>Marco Robbie is really good at being unhinged, and you

0:53:23.719 --> 0:53:26.880
<v Speaker 3>can tell that this is going to be a slightly

0:53:27.040 --> 0:53:30.320
<v Speaker 3>unhinged Barbie like without you know, leaning to into it.

0:53:30.480 --> 0:53:33.280
<v Speaker 3>Like they're definitely making it a weird movie.

0:53:33.840 --> 0:53:36.279
<v Speaker 2>And we had a hard enough on the.

0:53:36.320 --> 0:53:38.560
<v Speaker 3>Pod and she talked a little bit about it and like,

0:53:39.200 --> 0:53:42.040
<v Speaker 3>I don't think I realized, like how fucking stacked this

0:53:42.280 --> 0:53:44.920
<v Speaker 3>cast is like do a lipa in this movie like

0:53:45.000 --> 0:53:46.759
<v Speaker 3>so many people where I was like, oh, you're in

0:53:46.880 --> 0:53:50.880
<v Speaker 3>this movie, like and so now it's like Sarah Yes, but.

0:53:50.960 --> 0:53:55.239
<v Speaker 2>It's also it's also like The Ocean's eleven Yes, where

0:53:55.239 --> 0:53:57.319
<v Speaker 2>it's like it's the Knives out of it All, where

0:53:57.320 --> 0:54:02.560
<v Speaker 2>you're like, we need to get seventy five as actors. Now.

0:54:03.200 --> 0:54:05.640
<v Speaker 1>Yeah, the only way you can have a hit these days.

0:54:05.640 --> 0:54:10.720
<v Speaker 2>It needs to be all unknowns or all like literally

0:54:10.760 --> 0:54:11.920
<v Speaker 2>Barack Obama has to be in.

0:54:11.960 --> 0:54:17.279
<v Speaker 1>It all stars, all winners. Yes, totally, but you.

0:54:17.320 --> 0:54:19.160
<v Speaker 2>Know, honestly, and this is a little bit of a throwback.

0:54:19.320 --> 0:54:22.319
<v Speaker 2>The best Barbie we've ever seen in film, hands down

0:54:23.000 --> 0:54:24.880
<v Speaker 2>and TV because you know, we've seen Barbie Perry in

0:54:24.920 --> 0:54:28.040
<v Speaker 2>our SNL. Although I love those Epsenel skits where they

0:54:28.040 --> 0:54:31.600
<v Speaker 2>have like the Barbie Instagram account. Have you seen those?

0:54:32.280 --> 0:54:35.480
<v Speaker 2>Those skits are amazing. The best Barbie we've ever seen

0:54:35.520 --> 0:54:38.000
<v Speaker 2>in cinema or media or whatever is Barbie from Toy

0:54:38.080 --> 0:54:41.200
<v Speaker 2>Story two when they go through the toy aisle and

0:54:41.280 --> 0:54:44.520
<v Speaker 2>there's tour guide Barbie. I mean that whole scene. But

0:54:44.600 --> 0:54:46.640
<v Speaker 2>you know, because we get Barbie in the form of

0:54:46.719 --> 0:54:51.000
<v Speaker 2>Gwendy and small soldiers, we get Barbie, like we get

0:54:51.200 --> 0:54:53.800
<v Speaker 2>a Barbie without saying Barbie in a lot of types

0:54:53.840 --> 0:54:58.840
<v Speaker 2>of media, and in Toy Story, we actually got branded Barbie,

0:54:58.960 --> 0:55:02.759
<v Speaker 2>which made it so fun and they wrote her so funny. Yeah,

0:55:03.000 --> 0:55:05.719
<v Speaker 2>that was like formative, like that whole scene as a

0:55:05.840 --> 0:55:08.759
<v Speaker 2>kid watching where they like go down the Barbie aisle.

0:55:09.280 --> 0:55:13.960
<v Speaker 2>I was like, Wow, there's like these moments where like

0:55:14.080 --> 0:55:18.040
<v Speaker 2>my creativity or like my vision jumps leaps.

0:55:18.560 --> 0:55:19.440
<v Speaker 1>That was one of them.

0:55:19.920 --> 0:55:21.360
<v Speaker 2>I would say. One of the other ones was the

0:55:21.560 --> 0:55:24.160
<v Speaker 2>Jeremy Scott like think pink Barbie collection. When I saw

0:55:24.200 --> 0:55:27.759
<v Speaker 2>that runway, my mind, like, I think my head exploded.

0:55:27.840 --> 0:55:30.640
<v Speaker 2>I think my fontanelles gave out and my brain shot

0:55:30.719 --> 0:55:32.960
<v Speaker 2>out of the back of my head because I just

0:55:33.000 --> 0:55:34.920
<v Speaker 2>had never I mean, I guess I love heather At

0:55:34.960 --> 0:55:37.080
<v Speaker 2>and it reminded me of Heather Ret, but I had

0:55:37.160 --> 0:55:41.920
<v Speaker 2>never love love. I mean, early heather At is very

0:55:42.600 --> 0:55:44.759
<v Speaker 2>very barbiecore Barbie Court.

0:55:44.840 --> 0:55:51.040
<v Speaker 1>Heatherat is a fashion brand that used to exist and

0:55:51.520 --> 0:55:53.279
<v Speaker 1>I went to one of their shows like when I

0:55:53.480 --> 0:55:56.560
<v Speaker 1>first moved to New York, and it was like a gag.

0:55:57.040 --> 0:55:59.719
<v Speaker 3>I yeah, I have no ing, I've never heard of them,

0:56:00.000 --> 0:56:04.040
<v Speaker 3>but I'm curious just as a collector. Like something that

0:56:04.120 --> 0:56:06.640
<v Speaker 3>I was really shook by when I was like, you

0:56:06.719 --> 0:56:09.279
<v Speaker 3>know when I watch your unboxing video, was that you

0:56:09.560 --> 0:56:12.879
<v Speaker 3>you actually unbox these Barbies? Do you like take all

0:56:12.960 --> 0:56:15.719
<v Speaker 3>of your dolls like out of boxes and like unfasten

0:56:15.800 --> 0:56:17.560
<v Speaker 3>them or like I thought it was like a collector's

0:56:17.600 --> 0:56:20.080
<v Speaker 3>thing to like not unboxed toys. It's like a very

0:56:20.200 --> 0:56:22.040
<v Speaker 3>like I don't know anything about collector world.

0:56:22.040 --> 0:56:25.239
<v Speaker 2>It's like what how do you decide like whether to

0:56:25.440 --> 0:56:28.520
<v Speaker 2>unpackage or unpackage, like what to undo and not undo

0:56:29.000 --> 0:56:32.480
<v Speaker 2>what you preserve? Well, nineteen fifty nine Barbie, it's not

0:56:32.600 --> 0:56:36.560
<v Speaker 2>like she came shrink crapped. Yeah, like toys, toys back then,

0:56:36.640 --> 0:56:39.000
<v Speaker 2>we're just you could just open the lid of it,

0:56:39.360 --> 0:56:40.960
<v Speaker 2>you know, like it's in the box. It's just a

0:56:41.040 --> 0:56:46.040
<v Speaker 2>box sell of my toys. Like I have a Francy.

0:56:46.239 --> 0:56:49.400
<v Speaker 2>I have a mod black Francy. And you know, black

0:56:49.520 --> 0:56:51.800
<v Speaker 2>dolls when they started making them were always harder to

0:56:51.840 --> 0:56:54.160
<v Speaker 2>come by, and they were made in a lot smaller numbers,

0:56:54.960 --> 0:56:59.200
<v Speaker 2>so a lot of times the black doll is worth more.

0:57:00.040 --> 0:57:02.040
<v Speaker 2>I have like a black Fancy and she's wrapped in

0:57:02.160 --> 0:57:04.840
<v Speaker 2>plastic like some of them if they come in the

0:57:04.960 --> 0:57:08.520
<v Speaker 2>store plastic. Some of them have I have really old

0:57:08.640 --> 0:57:10.480
<v Speaker 2>cool ones that have like the price tag from the

0:57:10.560 --> 0:57:13.880
<v Speaker 2>store on it on the plastic in the box, my

0:57:14.000 --> 0:57:16.200
<v Speaker 2>nineteen fifty nine, Like it was clear it had been

0:57:16.240 --> 0:57:19.200
<v Speaker 2>open and handled before, so it wasn't like the steaks

0:57:19.320 --> 0:57:22.960
<v Speaker 2>were me peeling back plastic, you know. But if I

0:57:23.160 --> 0:57:25.200
<v Speaker 2>like something now, I'll just get two so that I

0:57:25.320 --> 0:57:27.360
<v Speaker 2>have one in the closet in one I can fuck

0:57:27.400 --> 0:57:27.800
<v Speaker 2>around with.

0:57:28.040 --> 0:57:31.160
<v Speaker 1>Oh that's smart. I've been thinking about this recently because

0:57:31.160 --> 0:57:34.800
<v Speaker 1>I'm sort of like in my collectible era. I'm like

0:57:35.080 --> 0:57:38.600
<v Speaker 1>going back and finding toys from when I was a

0:57:38.720 --> 0:57:41.120
<v Speaker 1>kid that I didn't get to have and buying them now.

0:57:41.920 --> 0:57:43.800
<v Speaker 1>And I did recently buy And I know you'll appreciate

0:57:43.840 --> 0:57:46.280
<v Speaker 1>this tricksy because I know that you like Buffy. I

0:57:46.440 --> 0:57:49.920
<v Speaker 1>bought a Willow action figure recently and it's of her.

0:57:50.200 --> 0:57:53.640
<v Speaker 1>It's Vampire Willow, and I have it in the box.

0:57:53.760 --> 0:57:55.920
<v Speaker 1>I have it taken it out, and I do want

0:57:55.960 --> 0:57:57.320
<v Speaker 1>to play with it, but there's a part of me

0:57:57.400 --> 0:58:01.240
<v Speaker 1>that wants it to stay pristine in the box. And

0:58:02.640 --> 0:58:04.400
<v Speaker 1>I mean, I have told this story on the pod before,

0:58:04.480 --> 0:58:06.360
<v Speaker 1>but when I used to get toys as gifts when

0:58:06.360 --> 0:58:07.040
<v Speaker 1>I was a kid.

0:58:07.360 --> 0:58:09.520
<v Speaker 2>I would tape them back up into the box to

0:58:09.680 --> 0:58:13.600
<v Speaker 2>like preserve that. It was like really psycho behavior. No,

0:58:13.800 --> 0:58:17.400
<v Speaker 2>I think, I honestly think that the packaging, to me,

0:58:17.560 --> 0:58:20.160
<v Speaker 2>is part of the collectible. It's not a shell. I

0:58:20.200 --> 0:58:24.160
<v Speaker 2>think it's part of it. I think it being packaged

0:58:24.280 --> 0:58:26.160
<v Speaker 2>is part of and the way it's packaged is also

0:58:26.240 --> 0:58:28.160
<v Speaker 2>part of the time capsule of it. This is how

0:58:28.240 --> 0:58:31.680
<v Speaker 2>things were packaged at this time, and with Barbie especially,

0:58:32.360 --> 0:58:35.600
<v Speaker 2>every aspect of it is a time capsule. This is

0:58:35.640 --> 0:58:38.600
<v Speaker 2>what women wore. Oh, Barbie was a flight attendant. That's

0:58:38.640 --> 0:58:40.160
<v Speaker 2>because at this time women that was one of the

0:58:40.240 --> 0:58:43.080
<v Speaker 2>first jobs that women were doing. Like, every part of

0:58:43.160 --> 0:58:45.440
<v Speaker 2>it is a time capsule, and so the packaging is

0:58:45.480 --> 0:58:48.560
<v Speaker 2>part of that, the fonts, the colors, the wording. So

0:58:48.880 --> 0:58:50.480
<v Speaker 2>most of the time I don't want to open it.

0:58:51.120 --> 0:58:55.760
<v Speaker 2>But because I collect mostly like sixty two to let's say,

0:58:55.800 --> 0:59:00.160
<v Speaker 2>like seventy one, because I collect that era, a lot

0:59:00.200 --> 0:59:03.160
<v Speaker 2>of what I have is not boxed, and if I

0:59:03.240 --> 0:59:05.480
<v Speaker 2>have it boxed, it's worth way more and I have

0:59:05.640 --> 0:59:08.160
<v Speaker 2>to like care for it like in a safety deposit box.

0:59:08.920 --> 0:59:10.840
<v Speaker 2>Like I have my number I have my number one

0:59:11.040 --> 0:59:14.760
<v Speaker 2>on display here, but it's not my number one. It's

0:59:14.840 --> 0:59:17.280
<v Speaker 2>a reproduction of a number one because I want people

0:59:17.320 --> 0:59:19.160
<v Speaker 2>to ask about it and I want to say, yes,

0:59:19.200 --> 0:59:20.840
<v Speaker 2>I really have it, but this isn't it because I

0:59:20.840 --> 0:59:21.760
<v Speaker 2>don't trust you in my home.

0:59:21.840 --> 0:59:25.920
<v Speaker 1>It's a conversation piece. Yeah, when you die, do you

0:59:26.280 --> 0:59:29.600
<v Speaker 1>want to be put into a sort of life size

0:59:29.960 --> 0:59:35.880
<v Speaker 1>Barbie box and wrapped in plastic? We can, because it happen, but.

0:59:35.960 --> 0:59:38.000
<v Speaker 2>That's kind of giving Dori and Corey. Don't you think

0:59:38.920 --> 0:59:40.200
<v Speaker 2>wrapping a body in plastic?

0:59:40.680 --> 0:59:43.480
<v Speaker 1>Yeah, you know, maybe glass?

0:59:44.280 --> 0:59:48.280
<v Speaker 2>Yeah, maybe I will. Oh my god, this is horrible,

0:59:48.320 --> 0:59:49.200
<v Speaker 2>but uh.

0:59:50.600 --> 0:59:50.880
<v Speaker 1>Maybe.

0:59:51.200 --> 0:59:52.800
<v Speaker 2>I don't know how I want to die. I probably

0:59:52.880 --> 0:59:56.200
<v Speaker 2>want a pink coffin though, for sure, or a pink eurn,

0:59:56.440 --> 0:59:59.280
<v Speaker 2>like I want. Pink means a lot to me, and

1:00:00.200 --> 1:00:02.840
<v Speaker 2>it's my you know, it's sort of my my trauma

1:00:02.920 --> 1:00:05.800
<v Speaker 2>bond with that color is so extreme and like it

1:00:05.880 --> 1:00:09.120
<v Speaker 2>means so much to me that you know, everything being

1:00:09.160 --> 1:00:11.040
<v Speaker 2>pink makes me. I mean just the color pink makes

1:00:11.080 --> 1:00:13.560
<v Speaker 2>me happy. I mean that's like corny and most people

1:00:13.840 --> 1:00:15.919
<v Speaker 2>when they're like the pink Lady of Hollywood or whatever,

1:00:16.080 --> 1:00:18.919
<v Speaker 2>it's like a sign of like, ooh, that person's wild

1:00:19.120 --> 1:00:22.000
<v Speaker 2>when they're like, I'm all pink every day, but I

1:00:22.160 --> 1:00:25.400
<v Speaker 2>love pink, and so I don't know. But then again,

1:00:25.440 --> 1:00:28.080
<v Speaker 2>one time I saw it was like the show Obsessed

1:00:28.320 --> 1:00:30.680
<v Speaker 2>or with this woman. If you guys ever seen that

1:00:30.720 --> 1:00:32.480
<v Speaker 2>episode of that, that woman her husband died and she

1:00:32.600 --> 1:00:35.200
<v Speaker 2>would lick her finger and fund dip his ashes, and

1:00:35.240 --> 1:00:38.600
<v Speaker 2>she was addicted to eating his ashes. So if David

1:00:38.640 --> 1:00:40.360
<v Speaker 2>doesn't do that, if David doesn't do that for me,

1:00:40.440 --> 1:00:44.160
<v Speaker 2>he doesn't love me. And they were like, well, what

1:00:44.200 --> 1:00:46.080
<v Speaker 2>happens when you run onto the ashes? And she was like,

1:00:46.120 --> 1:00:47.000
<v Speaker 2>I don't know what I'm gonna do.

1:00:48.480 --> 1:00:50.120
<v Speaker 1>Is I'm going to do that to you when I

1:00:50.240 --> 1:00:50.480
<v Speaker 1>kill you?

1:00:50.840 --> 1:00:52.960
<v Speaker 2>Oh yeah, oh thank you, that's so sweet.

1:00:53.120 --> 1:00:54.680
<v Speaker 1>But I'll also snort your ashes.

1:00:55.120 --> 1:00:57.120
<v Speaker 2>Oh yeah, I mean you'll get a I don't even

1:00:57.160 --> 1:00:58.200
<v Speaker 2>know how that would make you feel.

1:00:58.320 --> 1:01:01.200
<v Speaker 1>Probably it will be in the hines on Fire Island

1:01:01.280 --> 1:01:03.560
<v Speaker 1>and I'll be like, this one's for Fran. Actually, this

1:01:03.640 --> 1:01:04.640
<v Speaker 1>one is Fran.

1:01:05.840 --> 1:01:07.560
<v Speaker 2>Am I am I an upper or a downer?

1:01:07.680 --> 1:01:10.920
<v Speaker 1>What do you think? I think you start as an

1:01:11.000 --> 1:01:12.960
<v Speaker 1>upper and then we go down?

1:01:13.160 --> 1:01:15.280
<v Speaker 2>Okay, love, Yeah, that's a that's a good. That's a

1:01:15.320 --> 1:01:15.960
<v Speaker 2>good little arc.

1:01:17.440 --> 1:01:18.040
<v Speaker 1>I wow.

1:01:18.120 --> 1:01:21.000
<v Speaker 2>I mean maybe I'll be in my doll collecting era too. Now, Rose,

1:01:21.080 --> 1:01:22.760
<v Speaker 2>now that you're doing you should, I mean, if I could.

1:01:22.840 --> 1:01:24.880
<v Speaker 2>If you guys are really anybody who's listening wants to

1:01:24.920 --> 1:01:27.600
<v Speaker 2>really nerd out. There's this book called Forever Barbie by

1:01:27.800 --> 1:01:33.720
<v Speaker 2>MG Lords, and it's basically her like deep dive into

1:01:34.160 --> 1:01:38.640
<v Speaker 2>the cultural, societal whatever significance is of Barbie, and she

1:01:38.920 --> 1:01:44.960
<v Speaker 2>really elegantly illustrates the extreme butterfly effect that that toy

1:01:45.080 --> 1:01:49.680
<v Speaker 2>had on the world, because in some ways Barbie influences

1:01:49.920 --> 1:01:53.360
<v Speaker 2>the world, but in many ways, Barbie is just reflecting

1:01:53.440 --> 1:01:57.000
<v Speaker 2>what's going on. So like in the sixties when like

1:01:57.200 --> 1:01:59.520
<v Speaker 2>or like in the early seventies, when like Brady Bunch happened,

1:02:00.080 --> 1:02:02.400
<v Speaker 2>suddenly Malibu Barbie happened and she happened to look a

1:02:02.480 --> 1:02:05.520
<v Speaker 2>lot like jan or Marsha Brady, and then like you know,

1:02:05.640 --> 1:02:08.840
<v Speaker 2>there's just there's ways where you can track when Barbie

1:02:08.920 --> 1:02:11.760
<v Speaker 2>is mirroring what's popular in the world. And then because

1:02:11.760 --> 1:02:14.720
<v Speaker 2>Bardie's around so long, you can track ways that Barbie

1:02:14.880 --> 1:02:18.160
<v Speaker 2>itself because in nineteen fifty nine, what was Barbie style.

1:02:18.400 --> 1:02:21.560
<v Speaker 2>Barbie style was reflecting the fashion of teenagers of the time,

1:02:22.360 --> 1:02:26.320
<v Speaker 2>and now Barbie style is its own style, yeah, which

1:02:26.320 --> 1:02:29.200
<v Speaker 2>I think is really interesting. Yeah. I mean that's as

1:02:29.280 --> 1:02:29.760
<v Speaker 2>we've noted.

1:02:29.800 --> 1:02:31.680
<v Speaker 3>That's like why you know, the barbiees of the of

1:02:31.760 --> 1:02:34.920
<v Speaker 3>the aughts were wearing north faces and ugs as as

1:02:34.960 --> 1:02:37.160
<v Speaker 3>they should be Tom's shoes.

1:02:36.880 --> 1:02:39.560
<v Speaker 1>You know, not Tom shoes.

1:02:40.000 --> 1:02:41.800
<v Speaker 2>Yeah. Next, like I bet you next year Barbie's are

1:02:41.800 --> 1:02:43.800
<v Speaker 2>going to have those dumb puffy red boots that are

1:02:43.960 --> 1:02:44.640
<v Speaker 2>going to be big. Now.

1:02:44.880 --> 1:02:46.680
<v Speaker 3>Yeah, I guess the thing that maybe the thing to

1:02:46.800 --> 1:02:49.400
<v Speaker 3>end on is like I'm thinking about, like what's the

1:02:49.560 --> 1:02:52.200
<v Speaker 3>what's the Barbie of the twenty twenties, Like, like what

1:02:52.400 --> 1:02:54.200
<v Speaker 3>is cool? I know that you know, she is her

1:02:54.240 --> 1:02:57.440
<v Speaker 3>own style obviously, but like hypothetically, like I don't even

1:02:57.480 --> 1:02:58.680
<v Speaker 3>know what twenty twenties culture.

1:02:58.760 --> 1:03:01.080
<v Speaker 1>It's kind of like twenty twenty five Barbie. Okay, here's

1:03:01.080 --> 1:03:03.479
<v Speaker 1>what here's what is it? What he's wearing. She's wearing

1:03:03.480 --> 1:03:08.320
<v Speaker 1>a pair of Margiala tabbies. She's got a bottle of Estradle,

1:03:09.920 --> 1:03:12.760
<v Speaker 1>and she's got she's got a microphone set to do

1:03:12.840 --> 1:03:13.520
<v Speaker 1>her podcast.

1:03:13.760 --> 1:03:16.520
<v Speaker 2>Oh yeah, and but she DJs on the weekends for sure,

1:03:16.920 --> 1:03:18.800
<v Speaker 2>totally and by DJing, I mean, she just has a

1:03:18.840 --> 1:03:21.840
<v Speaker 2>MacBook and she literally is on Spotify. Yeah, yeah, she's

1:03:21.880 --> 1:03:25.000
<v Speaker 2>on Spotify. Yeah, And I think I think they can

1:03:25.080 --> 1:03:28.160
<v Speaker 2>of the twenty twenty threes. It's like, you know, Trimex,

1:03:28.680 --> 1:03:34.600
<v Speaker 2>it's ozempic, it's it's injectable. Tanner, it's a unit, it's

1:03:34.600 --> 1:03:35.240
<v Speaker 2>a mile unit.

1:03:35.600 --> 1:03:37.040
<v Speaker 1>Yes, he's on a.

1:03:37.040 --> 1:03:40.960
<v Speaker 2>Turkey for the hairlines. Your size too, yeah yeah yeah.

1:03:41.520 --> 1:03:44.200
<v Speaker 2>But but I mean, if we're ending all jokes aside,

1:03:44.320 --> 1:03:46.960
<v Speaker 2>like when you really sit and think of like the

1:03:47.200 --> 1:03:50.480
<v Speaker 2>massive impact. We always talk about the impact Barbie has,

1:03:50.520 --> 1:03:53.560
<v Speaker 2>but when you really think about the massive positive impact,

1:03:54.280 --> 1:03:57.760
<v Speaker 2>I mean, this toy opened up a possibility for women

1:03:57.840 --> 1:03:59.760
<v Speaker 2>to imagine their life to be anything at a time

1:03:59.800 --> 1:04:02.320
<v Speaker 2>where they were only encouraged to imagine to be moms.

1:04:02.560 --> 1:04:06.000
<v Speaker 2>I mean, it really is incredible, and I'm excited.

1:04:05.680 --> 1:04:06.080
<v Speaker 1>For the movie.

1:04:06.160 --> 1:04:07.960
<v Speaker 2>To be honest, the Doll of twenty twenty three is

1:04:08.040 --> 1:04:11.240
<v Speaker 2>going to probably be whatever most popular look for the movie.

1:04:11.320 --> 1:04:12.880
<v Speaker 2>That's what's because you know that Mattel is going to

1:04:12.920 --> 1:04:14.439
<v Speaker 2>make outfits of all of those for sale.

1:04:14.560 --> 1:04:15.320
<v Speaker 1>Yes, damn.

1:04:15.440 --> 1:04:18.840
<v Speaker 2>Like yeah, I feel like now people for the next

1:04:19.080 --> 1:04:21.920
<v Speaker 2>year and or two, Like, just as you said, barbiecore

1:04:22.000 --> 1:04:23.280
<v Speaker 2>is going to be back again, and we're all going

1:04:23.360 --> 1:04:26.640
<v Speaker 2>to be dressing like Barbie's and you know, Bigbocre has

1:04:26.720 --> 1:04:28.320
<v Speaker 2>been back for a while. You know, I think of

1:04:28.440 --> 1:04:31.040
<v Speaker 2>like faggots with white walls and gold fixtures and plants

1:04:31.080 --> 1:04:35.360
<v Speaker 2>in their houses, like that is so like needs to

1:04:35.440 --> 1:04:40.560
<v Speaker 2>be retired. That like geriatric millennial approach to like living

1:04:40.760 --> 1:04:45.240
<v Speaker 2>is so tired, no whispers, Yes, it's so tired. And

1:04:45.400 --> 1:04:47.960
<v Speaker 2>so I think Barbiecore is a reflection of I mean,

1:04:47.960 --> 1:04:51.440
<v Speaker 2>we experienced this at the Trixy Motel. Maximalism is swinging

1:04:51.560 --> 1:04:56.080
<v Speaker 2>back so hard and what's more like fabricated and fun

1:04:56.160 --> 1:04:59.000
<v Speaker 2>and bouncy and synthetic feeling than like Barbiecore. I mean.

1:05:00.240 --> 1:05:02.280
<v Speaker 2>And what's funny is it's gonna surge and it's gonna

1:05:02.280 --> 1:05:04.600
<v Speaker 2>go away, but not for that long. I meane, Barbiecore.

1:05:05.480 --> 1:05:07.200
<v Speaker 2>Now it's gonna be all these cool articles about it,

1:05:07.280 --> 1:05:08.800
<v Speaker 2>but it's always around.

1:05:08.920 --> 1:05:10.880
<v Speaker 1>It's around, She'll really about.

1:05:11.760 --> 1:05:14.720
<v Speaker 2>Yeah, all pink is the same as all blacks. Some

1:05:14.800 --> 1:05:15.320
<v Speaker 2>people were all.

1:05:15.280 --> 1:05:17.680
<v Speaker 1>Black, some people were all think that's the binary. Those

1:05:17.680 --> 1:05:26.840
<v Speaker 1>are the two genders. Slide into our dms and let

1:05:26.920 --> 1:05:29.840
<v Speaker 1>us know, are you a Barbie girl? Are you just ken?

1:05:30.880 --> 1:05:32.480
<v Speaker 1>Did you play with dolls when you were a kid.

1:05:32.880 --> 1:05:33.560
<v Speaker 1>Are you a doll?

1:05:33.720 --> 1:05:33.880
<v Speaker 2>Now?

1:05:34.160 --> 1:05:39.040
<v Speaker 1>We want to know? You can also buy our merchant

1:05:39.160 --> 1:05:41.400
<v Speaker 1>Like a Virgin for twenty sixty nine dot com and

1:05:41.880 --> 1:05:44.680
<v Speaker 1>become patron at Patreon dot com slash Like a Virgin

1:05:44.840 --> 1:05:48.240
<v Speaker 1>four weekly bonus episodes. You can follow us at Like

1:05:48.280 --> 1:05:50.840
<v Speaker 1>a Virgin for twenty sixty nine on Instagram, and you

1:05:50.920 --> 1:05:54.480
<v Speaker 1>can follow me anywhere you want at ros Daumu, and

1:05:54.600 --> 1:05:56.920
<v Speaker 1>you can follow me at Franz squish Goo anywhere you like.

1:05:57.680 --> 1:06:00.760
<v Speaker 1>Like a Virgin is an iHeartRadio production, and our producer

1:06:01.000 --> 1:06:04.680
<v Speaker 1>is Phoebe Unter, with support from Lindsay Hoffman and Nikki Etour.

1:06:05.680 --> 1:06:18.280
<v Speaker 1>Until next week, Au revoir Bye, good bye, Well and

1:06:18.400 --> 1:06:21.000
<v Speaker 1>here's a clip from this week's Patreon episode. You can

1:06:21.040 --> 1:06:24.560
<v Speaker 1>become a patron at Patreon dot com slash Like a Virgin.

1:06:24.960 --> 1:06:27.040
<v Speaker 1>The book that we're talking about today is one that

1:06:27.120 --> 1:06:30.920
<v Speaker 1>I mentioned on the main show earlier this year, Fingersmith

1:06:31.000 --> 1:06:36.320
<v Speaker 1>by Sarah Waters, which I finished a month ago now

1:06:36.400 --> 1:06:38.800
<v Speaker 1>at this point, just because of various scheduling things, it

1:06:39.520 --> 1:06:41.440
<v Speaker 1>took a long time for me to read it, and

1:06:41.520 --> 1:06:44.120
<v Speaker 1>then took a while for us to actually record this episode,

1:06:44.480 --> 1:06:47.439
<v Speaker 1>so thank you virgins who actually did read the book

1:06:47.480 --> 1:06:51.920
<v Speaker 1>and have been anxiously awaiting us talking about it. But

1:06:52.160 --> 1:06:54.520
<v Speaker 1>we are going to be talking about it today, and

1:06:54.600 --> 1:06:59.080
<v Speaker 1>we'll also be talking about the two films that were

1:07:00.320 --> 1:07:05.960
<v Speaker 1>that were adapted from it, the BBC mini series also

1:07:06.040 --> 1:07:10.360
<v Speaker 1>called Fingersmith, and then the film The Handmaiden, And.

1:07:10.600 --> 1:07:12.880
<v Speaker 3>These are so I just for the virgins have never

1:07:12.920 --> 1:07:15.920
<v Speaker 3>read the book. I have never seen the miniseries. But

1:07:16.080 --> 1:07:19.520
<v Speaker 3>The Handmaid in its adaptation, which is very different from

1:07:19.520 --> 1:07:22.360
<v Speaker 3>the book, we'll get into it is extremely different. Is

1:07:22.480 --> 1:07:25.520
<v Speaker 3>one of my favorite queer films ever. Like I think

1:07:25.560 --> 1:07:28.320
<v Speaker 3>it's like such a good point of reference for anybody

1:07:28.520 --> 1:07:32.040
<v Speaker 3>that considers themselves a sinophile in the queer space. It's

1:07:32.120 --> 1:07:35.600
<v Speaker 3>like to meet required viewing if you want to brush

1:07:35.720 --> 1:07:39.800
<v Speaker 3>up on like queer cinema in general, because like part

1:07:39.920 --> 1:07:42.920
<v Speaker 3>Chan Wook is, I mean, such a phenomenal director. But

1:07:43.080 --> 1:07:48.760
<v Speaker 3>beyond that, it's just like you don't see WLW romances

1:07:49.240 --> 1:07:51.240
<v Speaker 3>like this ever, like not even.

1:07:51.080 --> 1:07:54.280
<v Speaker 1>In a case do see WLW sex scenes like this

1:07:54.720 --> 1:07:57.280
<v Speaker 1>in porn, which I think is part of the problem. Well,

1:07:57.480 --> 1:07:59.960
<v Speaker 1>and we'll we'll get to my thoughts on the hand

1:08:00.160 --> 1:08:01.800
<v Speaker 1>Made And I first would like to talk about the

1:08:01.880 --> 1:08:05.480
<v Speaker 1>book to give you some context for when we get Yes,

1:08:05.520 --> 1:08:11.160
<v Speaker 1>please to conversations. So Fingersmith is a two thousand and

1:08:11.200 --> 1:08:13.960
<v Speaker 1>two novel written by Sarah Waters, who is a renowned

1:08:14.640 --> 1:08:18.960
<v Speaker 1>British lesbian author. She primarily writes historical fiction, and most

1:08:19.040 --> 1:08:24.720
<v Speaker 1>of her most celebrated work has lesbian themes lesbian characters.

1:08:25.400 --> 1:08:27.920
<v Speaker 1>Her novel Tipping the Velvet, which is her first book,

1:08:28.160 --> 1:08:32.040
<v Speaker 1>is my favorite book of all time, Oh Fingersmith, really.

1:08:31.920 --> 1:08:34.800
<v Speaker 2>Of all time, like all time meaning, like of all

1:08:34.880 --> 1:08:35.400
<v Speaker 2>time meaning.

1:08:35.680 --> 1:08:37.439
<v Speaker 1>But it is among like.

1:08:38.240 --> 1:08:40.680
<v Speaker 2>A top ten books of all time. I assume it's

1:08:40.720 --> 1:08:41.760
<v Speaker 2>not like the number one.

1:08:42.439 --> 1:08:44.519
<v Speaker 1>No, it is the number one. It's my favorite book.

1:08:46.640 --> 1:08:49.720
<v Speaker 1>My job is I've said this on the podcast before. Okay, no, no, no,

1:08:49.880 --> 1:08:53.519
<v Speaker 1>I'm not doubting you. I'm just I'm just always learning

1:08:53.680 --> 1:08:57.200
<v Speaker 1>and relearning your favorites and your tops, which I love well.

1:08:57.240 --> 1:08:59.280
<v Speaker 1>I mean, is that that surprising because as we've talked

1:08:59.280 --> 1:09:04.840
<v Speaker 1>about on this, I love historical fiction and specifically queer history,

1:09:04.920 --> 1:09:08.800
<v Speaker 1>and this is really well written queer historical fiction, which

1:09:08.880 --> 1:09:11.360
<v Speaker 1>is usually not the case. Like usually it's like you know,

1:09:11.840 --> 1:09:18.240
<v Speaker 1>a mod it's like Roman honest ripper. Yeah, yeah, the

1:09:18.439 --> 1:09:23.559
<v Speaker 1>the term that we coined. So you know, I loved

1:09:25.000 --> 1:09:29.360
<v Speaker 1>Tipping the Velvet, and Tipping the Velvet is very much

1:09:29.400 --> 1:09:34.840
<v Speaker 1>about queerness, but it's much more and and it's about identity,

1:09:35.120 --> 1:09:38.479
<v Speaker 1>but it has much more to do with gender, because

1:09:38.560 --> 1:09:43.679
<v Speaker 1>Tipping the Velvet is all about cross dressing. It's about

1:09:43.760 --> 1:09:48.640
<v Speaker 1>these performers, these female performers who dress up as men,

1:09:48.840 --> 1:09:54.040
<v Speaker 1>and this woman who like become this woman who becomes

1:09:54.520 --> 1:09:57.760
<v Speaker 1>a rent boy when she's like cast out by her lover,

1:09:57.960 --> 1:10:00.360
<v Speaker 1>she starts dressing up as a man and engaging sex

1:10:00.439 --> 1:10:03.800
<v Speaker 1>work and then you know, becomes sort of like an

1:10:03.880 --> 1:10:08.040
<v Speaker 1>in house concubine of this rich lesbian who has this

1:10:08.479 --> 1:10:16.960
<v Speaker 1>circle of other rich lesbians. So I loved Sarah Waters,

1:10:17.840 --> 1:10:22.960
<v Speaker 1>and I had probably seen like an article or something

1:10:23.040 --> 1:10:26.080
<v Speaker 1>talking about Fingersmith earlier this year. So I bought it.

1:10:26.280 --> 1:10:30.920
<v Speaker 1>And it was very hard getting into because the beginning

1:10:31.040 --> 1:10:37.040
<v Speaker 1>is very slow, and I sort of like waffled on

1:10:37.160 --> 1:10:41.160
<v Speaker 1>about it for a while, and then like one day

1:10:41.160 --> 1:10:43.800
<v Speaker 1>I finally just like sat down and really powered through

1:10:44.720 --> 1:10:47.360
<v Speaker 1>the beginning, and once it picked up a certain amount

1:10:47.400 --> 1:10:50.160
<v Speaker 1>of steam, I just could not put it down. And

1:10:51.840 --> 1:10:56.200
<v Speaker 1>so the novel is set in the Victorian era in England.

1:10:56.880 --> 1:11:00.479
<v Speaker 1>The there are two protagonists, but the one whose story

1:11:01.000 --> 1:11:03.800
<v Speaker 1>we follow from the beginning is an orphan named Sue

1:11:04.520 --> 1:11:07.720
<v Speaker 1>who is part of a family of thieves and criminals,

1:11:08.400 --> 1:11:12.160
<v Speaker 1>and she has been raised by this woman missus Sucksby,

1:11:13.040 --> 1:11:16.360
<v Speaker 1>and their family are all these like pickpockets, and they're

1:11:16.560 --> 1:11:19.840
<v Speaker 1>called fingersmiths. That's where the title of novel comes from.

1:11:20.600 --> 1:11:24.400
<v Speaker 1>And on a dark and stormy night, this family friend

1:11:24.640 --> 1:11:27.800
<v Speaker 1>called Gentleman comes to their house and says that he

1:11:27.920 --> 1:11:31.280
<v Speaker 1>has a job for Sue. He has been posing as

1:11:31.280 --> 1:11:36.200
<v Speaker 1>an aristocratic man in this countryside estate, helping this man

1:11:36.320 --> 1:11:41.360
<v Speaker 1>who has a large book collection, and he has discovered

1:11:41.400 --> 1:11:43.439
<v Speaker 1>that this man has a niece who has like a

1:11:43.640 --> 1:11:47.360
<v Speaker 1>huge dowry to her name, and he wants to cheat

1:11:47.400 --> 1:11:49.800
<v Speaker 1>her out of it. So his plan is that Sue.

1:11:50.320 --> 1:11:54.679
<v Speaker 1>He will recommend Sue as this woman her name's Maud,

1:11:54.880 --> 1:11:59.800
<v Speaker 1>as her new mate lady's maid, and Sue will help

1:12:00.160 --> 1:12:02.880
<v Speaker 1>him woo her and marry her so that he can

1:12:02.960 --> 1:12:04.960
<v Speaker 1>get access to her, so that he can get access

1:12:04.960 --> 1:12:08.320
<v Speaker 1>to her fortune, and then she will and then she

1:12:08.400 --> 1:12:13.240
<v Speaker 1>will help him prove that Maud is mad and have

1:12:13.400 --> 1:12:16.920
<v Speaker 1>her dumped in a madhouse so that he can you know,

1:12:17.000 --> 1:12:19.479
<v Speaker 1>run them UK with her money and Sue will get

1:12:20.280 --> 1:12:22.600
<v Speaker 1>a portion of the funds and that will be her

1:12:22.680 --> 1:12:24.880
<v Speaker 1>payment for you know, running this con with him