WEBVTT - Drama Island

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild. Our world is full of

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<v Speaker 1>the unexplainable, and if history is an open book, all

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<v Speaker 1>of these amazing tales are right there on display, just

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<v Speaker 1>waiting for us to explore. Welcome to the Cabinet of Curiosities.

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<v Speaker 1>What does it mean for a piece of writing to

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<v Speaker 1>be dangerous? Writers love to say that ideas are powerful things.

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<v Speaker 1>But does an idea itself have power? Or does the

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<v Speaker 1>power come from the context in which the idea exists.

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<v Speaker 1>Of course, that's an impossible question to answer, an even

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<v Speaker 1>more abstract version of which came first the chicken or

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<v Speaker 1>the egg? But for an idea to be truly danmed Injurius,

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<v Speaker 1>it first has to be treated like a threat to

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<v Speaker 1>the status quo, even within something as seemingly trivial as

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<v Speaker 1>escapist fiction. In the early nineteen tens, China was undergoing

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<v Speaker 1>a massive upheaval. The imperial rule of the country came

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<v Speaker 1>to an end after two thousand years, with the Republic

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<v Speaker 1>of China taking its place. The end of the Qing

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<v Speaker 1>dynasty was in some ways a culmination of China's growth

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<v Speaker 1>into a world of global collaboration. Foreign relations had taken

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<v Speaker 1>off in the late nineteenth century, and cultural imports like

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<v Speaker 1>cinema began to reshape how the people of China expressed

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<v Speaker 1>and entertained themselves. In the process, some relics of the

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<v Speaker 1>old world fell away, and others found themselves reborn. In

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<v Speaker 1>the twentieth century. Now, this Republican period saw a boom

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<v Speaker 1>in what would later be called the Mandarin, Duck and

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<v Speaker 1>Butterfly genre of fiction. These were lurid romance, stories of

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<v Speaker 1>forbidden love and high drama, a uniquely Chinese equivalent to puliction.

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<v Speaker 1>But of course the popularity of this sort of low

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<v Speaker 1>art did not go unnoticed by those in power. The

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<v Speaker 1>new government soon deemed that they needed to conduct an

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<v Speaker 1>audit of the sorts of popular writing that was read

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<v Speaker 1>by the common people. On July eighteenth of nineteen fifteen,

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<v Speaker 1>they established a council for conducting such a review under

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<v Speaker 1>the Ministry of Education. The Fiction Committee would rank publications

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<v Speaker 1>into three categories. Upper rank fiction we should try to promote,

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<v Speaker 1>middle rank work that can be allowed, and lower rank

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<v Speaker 1>works that we should try to restrict or ban. Of

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<v Speaker 1>the sixteen literary magazines that they reviewed. Two made the

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<v Speaker 1>upper rank, eleven were deemed middle rank, and three were

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<v Speaker 1>unfortunate enough to get the label of lower rank. And

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<v Speaker 1>of the bottom three, only one received a recommendation for banning.

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<v Speaker 1>It was titled may You or Eyebrown Talk, a relatively

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<v Speaker 1>new magazine. May You was edited by a woman named

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<v Speaker 1>Gao Gianhua and her husband. Its first edition had hit

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<v Speaker 1>shelves on November seventeenth of nineteen fourteen, and it ran

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<v Speaker 1>for almost a year without incident. The material within its

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<v Speaker 1>pages was provocative but popular. It featured stories from women authors,

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<v Speaker 1>often romances, interspersed with artwork and photographs. Some of these

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<v Speaker 1>were related to the stories, others were included purely for

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<v Speaker 1>marketing purposes to sell more copies, and it was these

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<v Speaker 1>images that drew the government's eye, as many of them

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<v Speaker 1>were nudes or otherwise suggestive. Realizing that her magazine was

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<v Speaker 1>gaining negative attention from the government, Gou decided to cease

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<v Speaker 1>publication of Mayu after eighteen issues. The final issue of

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<v Speaker 1>Mayu was published on April sixteenth of nineteen sixteen. It

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<v Speaker 1>was officially banned that September. The committee's decision reads in

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<v Speaker 1>part this association, in examining a magazine called May You,

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<v Speaker 1>has found that its language and topics seemed specifically aimed

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<v Speaker 1>at destroying moral barriers and harming social standards. Among all

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<v Speaker 1>fiction magazines, its errors are the gravest. If this sort

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<v Speaker 1>of fashion were to spread, it would do considerable harm

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<v Speaker 1>to social morality. Now you have to understand that in

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<v Speaker 1>nineteen sixteen China there was no contesting such a ban.

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<v Speaker 1>Life had to move on. Gao did not revive May You,

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<v Speaker 1>but she and her husband continued to edit and publish

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<v Speaker 1>other magazines for decades to come. None of these, though,

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<v Speaker 1>were as enduring as the eighteen months they'd spent publishing

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<v Speaker 1>May You. In the many decades since the magazine's censorship,

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<v Speaker 1>the content of the magazine was obscured by controversy, with

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<v Speaker 1>many critics dismissing the content of the magazine itself. It's

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<v Speaker 1>no coincidence that the term Mandarin duck and butterfly was

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<v Speaker 1>itself a pejorative term, an implicit critique of the stories

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<v Speaker 1>that it described. History, however, has a funny way of

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<v Speaker 1>applying hindsight to stories like these. Although a minor blip

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<v Speaker 1>in the history Chinese literature, May You struck an important milestone.

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<v Speaker 1>It was the first fiction magazine published in the country

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<v Speaker 1>that was primarily edited and written by women, with stories

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<v Speaker 1>marketed toward female readers. Rather than do considerable harm to

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<v Speaker 1>social morality, as they said, what the magazine actually did

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<v Speaker 1>was provide a brief but crucial outlet for authors who

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<v Speaker 1>had no other avenue for being published. They practiced their craft,

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<v Speaker 1>and one hundred years later, their work is still being studied.

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<v Speaker 1>We could only hope that our own words will last

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<v Speaker 1>half that long. Many of us wish that we could

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<v Speaker 1>escape the confines of civilization and go live in paradise.

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<v Speaker 1>But in nineteen twenty nine, doctor Friedrich Ritter and his

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<v Speaker 1>former patient and lover Dore Strauch did just that. They

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<v Speaker 1>left their native Germany to live alone together on Floriana Island.

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<v Speaker 1>This island is a small speck of land in the Galopagos,

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<v Speaker 1>a cluster of islands west of Ecuador in the Pacific.

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<v Speaker 1>It's a beautiful place with incredibly diverse wildlife. There are seals, iguanas, tortoises,

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<v Speaker 1>wild pigs, and exotic birds like herons and flamingos. But

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<v Speaker 1>living outside of civilization is hard, regardless of the scenery.

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<v Speaker 1>Dore and Friedrich had no running water, plumbing, or electricity.

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<v Speaker 1>Food was scarce. Friedrich was a strict vegetarian and expected

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<v Speaker 1>Dora to live the same way, and this made things

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<v Speaker 1>even more difficult. And it should go without saying that

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<v Speaker 1>paradise is a relative term, especially depending on who you're

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<v Speaker 1>sharing it with. Right. Friedrich was a strange, controlling man

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<v Speaker 1>who believed in a very strict way of life. He

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<v Speaker 1>had a lot of bizarre ideas about the body. For example,

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<v Speaker 1>he had all of his teeth removed because he wanted

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<v Speaker 1>to make his gums strung. It didn't work, and so

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<v Speaker 1>he had to use a pair of steel dentures while

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<v Speaker 1>living in the galopagus. He also thought that Dora's sclerosis

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<v Speaker 1>could be cured with willpower alone, and he chastened her

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<v Speaker 1>when she used a cane. In reality, he was a

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<v Speaker 1>cult leader of a cult of two. Doray was trapped

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<v Speaker 1>under his influence. So imagine Friedrich's fury when his isolated

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<v Speaker 1>fiefdom was abruptly invaded by Heinz and Margaret Whitmer and

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<v Speaker 1>their thirteen year old son. Margaret was pregnant with their

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<v Speaker 1>second child and they wanted to have a child there

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<v Speaker 1>in paradise, living like Friedrich and Dore, Friedrich didn't see

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<v Speaker 1>them as potential new accolytes, though they were rivals. They

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<v Speaker 1>were more working class than Friedrich and Dora, who came

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<v Speaker 1>from sophisticated backgrounds. They were also quickly proved to be

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<v Speaker 1>more hard working and adept at living in nature than

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<v Speaker 1>Friedrich and Dora had. The Whitmers quickly found a cave

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<v Speaker 1>and used it for shelter while tending to a successful garden,

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<v Speaker 1>hunting for food, and holding a stone house. Friedrich and

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<v Speaker 1>Dore lived in a mostly wooden, open air home that

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<v Speaker 1>was shabby by comparison. Oh And when it came time

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<v Speaker 1>for Margaret to give birth to her new baby, Friedrich

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<v Speaker 1>begrudgingly helped her deliver, and while he was already near

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<v Speaker 1>his limit, another new neighbor arrived, Eloise Bosque de Wagner Verhorn,

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<v Speaker 1>a wealthy Austrian woman who wanted to build a hotel

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<v Speaker 1>for rich travelers on the island. She arrived with two assistants,

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<v Speaker 1>both of whom were her lovers, Alfred and Robert, and

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<v Speaker 1>they helped her set up camp on the island, and

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<v Speaker 1>Aloise quickly proved to be the most irritating neighbor of

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<v Speaker 1>all for Friedrich. She constantly fought with her lovers and

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<v Speaker 1>their arguments could be heard all over the small island.

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<v Speaker 1>They randomly fired off pistols just because Eloise liked to

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<v Speaker 1>shoot animals and then nurse them back to health, and

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<v Speaker 1>she also shot at passing sailors if they got too

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<v Speaker 1>close to her patch of the land. And to top

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<v Speaker 1>it all off, she began to steal food from the

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<v Speaker 1>other two groups when her so applies ran low. She

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<v Speaker 1>was no farmer or hunter. She mostly relied on deliveries

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<v Speaker 1>from Ecuador. When one of her lovers, Alfred, fell out

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<v Speaker 1>of her favor, he started showing up at the other camps,

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<v Speaker 1>telling his neighbors about his troubled love life and how

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<v Speaker 1>difficult Eloise was. And then one day in March of

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<v Speaker 1>nineteen thirty four, Eloise and her other lover, Robert, disappeared

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<v Speaker 1>from the island. Alfred claimed that they had left on

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<v Speaker 1>a passing yacht, but no one saw any ships that day.

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<v Speaker 1>Dora thought that she remembered hearing a gunshot and a

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<v Speaker 1>scream during the night, and when she went to visit

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<v Speaker 1>the Whitmers, she found that their house had a new

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<v Speaker 1>tin roof, one that used to belong to Eloise. She

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<v Speaker 1>began to wonder if they had helped Alfred kill Eloise

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<v Speaker 1>and Robert and then cover it up. But of course,

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<v Speaker 1>Friedrich had just as much reason to want Eloise gone

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<v Speaker 1>as anyone else. She was the most obnoxious intruder to

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<v Speaker 1>his personal island kingdom, and Doray had become increasingly disillusioned

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<v Speaker 1>with the island and with Friedrich, and perhaps he thought

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<v Speaker 1>that Eloise's wilful personality was a bad influence. Curiously, just

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<v Speaker 1>a few months later, in November of nineteen thirty four,

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<v Speaker 1>Friedrich came down with a terrible case of food poisoning.

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<v Speaker 1>Dora's story was that he ran out of fruits and

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<v Speaker 1>vegetables and had to resort to eating some dead chickens

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<v Speaker 1>despite their vegetarianism. On the other hand, Margaret Whitmer found

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<v Speaker 1>it suspicious that Dora was perfectly fine. Then again, she

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<v Speaker 1>had just as much motive to poison Friedrich herself and

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<v Speaker 1>framed Dora. By this point, the two groups absolutely hated

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<v Speaker 1>each other. Friedrich died from his illness. Dora left the

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<v Speaker 1>island after that, returning to Germany. Alfred Eloise's remaining lover

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<v Speaker 1>died after the boat he took to get off the

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<v Speaker 1>island crashed and stranded him on a smaller piece of land.

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<v Speaker 1>Only the Whitmers remained. Their descendants still live on the

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<v Speaker 1>island today. It was they and not Eloise, who eventually

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<v Speaker 1>built a hotel there on the island. And looking back,

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<v Speaker 1>perhaps it's not too strange that the one group to

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<v Speaker 1>survive were also the hardest workers with the best survival skills.

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<v Speaker 1>But as to whether or not they murdered any of

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<v Speaker 1>their neighbors along the way, well, we'll just have to

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<v Speaker 1>remain a bit curious. I hope you enjoyed today's guided

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<v Speaker 1>tour through the Cabinet of Curiosities. This show was created

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<v Speaker 1>by me Aaron Mankey in partnership with iHeart Podcasts, researched

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<v Speaker 1>and written by the Grim and Mild team, and produced

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<v Speaker 1>by Jesse Funk. Learn more about the show and the

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<v Speaker 1>people who make it over at Grimandmild dot com slash Curiosities.

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<v Speaker 1>You'll also find a link to the official Cabinet of

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<v Speaker 1>Curiosity's hardcover book, available in bookstores and online, as well

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<v Speaker 1>as ebook and audiobook, and if you're looking for an

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<v Speaker 1>ad free option, consider joining our Patreon. It's all the

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<v Speaker 1>same stories, but without the interruption, for a small monthly fee.

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<v Speaker 1>Learn more and sign up over at patreon dot com.

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<v Speaker 1>Slash Grimandmile, and until next time, stay curious.