WEBVTT - Jim James

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<v Speaker 1>Pushkin.

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<v Speaker 2>Jim James, the frontman from My Morning Jacket, has lived

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<v Speaker 2>many lives over the band's twenty seven year career. He

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<v Speaker 2>started as a hopeful young musician, chasing the magic of

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<v Speaker 2>his musical heroes while secretly fearing he'd never measure up. Later,

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<v Speaker 2>he spiraled into heavy drinking and self doubt, teetering on

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<v Speaker 2>the edge of leaving the band behind. But today Jim

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<v Speaker 2>is in a much different place, healthier, more grounded, and

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<v Speaker 2>full of self acceptance, thanks in part to a mix

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<v Speaker 2>of traditional and psychedelic therapies he turned to during the pandemic.

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<v Speaker 2>This month, My Morning Jacket returns with is their tenth

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<v Speaker 2>studio album, and they're first made entirely with an outside producer,

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<v Speaker 2>the legendary Brendan O'Brien. On today's episode, Lea Rose sits

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<v Speaker 2>down with Jim to talk about the ayahuasca journey that

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<v Speaker 2>helped him learn how.

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<v Speaker 1>To truly love himself.

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<v Speaker 2>He also looks back on the writing of the band's

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<v Speaker 2>second album At Dawn and recalls this surreal moment he

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<v Speaker 2>saw Bob Dylan disappear into the music while playing with

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<v Speaker 2>him live. This is broken record, real musicians, real conversations.

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<v Speaker 2>You can see a full video of this interview on

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<v Speaker 2>our YouTube page at YouTube dot com Slash Broken Record podcast.

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<v Speaker 2>Now here's Leah Rose's interview with Jim James.

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<v Speaker 3>So, when you go in to start a new project,

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<v Speaker 3>like with the new album is, do you have a

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<v Speaker 3>vision in mind for what you want it to sound

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<v Speaker 3>like or what's the conceptual part for you?

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<v Speaker 4>When you know, okay, this is the beginning of a

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<v Speaker 4>new project.

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<v Speaker 1>Well, it's so different. Every album is so different. And

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<v Speaker 1>over the years, various gems over the time, have you

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<v Speaker 1>had had ideas or con or opinions or theories or

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<v Speaker 1>whatever about what they thought that the albums might be.

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<v Speaker 1>And it's so funny because it's like the universe always

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<v Speaker 1>makes the album what it's gonna be, you know, and

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<v Speaker 1>and lots of most of my life I didn't. I

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<v Speaker 1>didn't realize that until the last moment, you know, or

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<v Speaker 1>or somewhere in there. Because you know, you can start

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<v Speaker 1>with the concept let's make a heavy metal album, or

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<v Speaker 1>let's make a protest album, or let's make this kind

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<v Speaker 1>of album or that kind of album. But when you

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<v Speaker 1>get in the studio, things start working and not working,

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<v Speaker 1>and very quickly your heavy metal album turns into a

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<v Speaker 1>folk album or whatever, you know, just to use broad terms.

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<v Speaker 1>So I feel like this record more than ever. I

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<v Speaker 1>feel like I really just tried to let myself put

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<v Speaker 1>everything I have into the pot, and I put all

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<v Speaker 1>of my ideas, even things that were kind of mostly

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<v Speaker 1>finished or close to finish solo project ideas or one

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<v Speaker 1>ever and thirty second voice memos, and you know, things

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<v Speaker 1>we'd already recorded with My Morning Jacket that we're kind

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<v Speaker 1>of we weren't totally happy with, but we just kind

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<v Speaker 1>of put it all into the pot and I tried

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<v Speaker 1>to step back and let it, let it be what

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<v Speaker 1>it was going to be.

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<v Speaker 3>I heard that you recently, and I don't know how

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<v Speaker 3>much this has to do with recording the new album,

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<v Speaker 3>the process, your creative process with the new album, but

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<v Speaker 3>you had an experience with ayahuasca that sort of maybe

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<v Speaker 3>brought some clarity to your life and your relationship with yourself.

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<v Speaker 3>Was that a recent experience and does that have anything

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<v Speaker 3>to do with this album?

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<v Speaker 1>Oh?

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<v Speaker 3>God, yeah.

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<v Speaker 1>I mean I feel like I've been on a really,

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<v Speaker 1>really great journey in the last five years or so

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<v Speaker 1>I've been on it. I feel so excited and so

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<v Speaker 1>grateful that I found a therapist in the pan pandemic

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<v Speaker 1>that I really connected with and I really so I

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<v Speaker 1>started doing EMDR and parts work therapy with him, and

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<v Speaker 1>that EMDR is basically like, Uh, there's a lot of

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<v Speaker 1>different ways you can do it, but you're basically trying

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<v Speaker 1>to train your brain to put traumatic memories back where

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<v Speaker 1>they're supposed to be. And you can you can either

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<v Speaker 1>follow a light left to right, or you can tap

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<v Speaker 1>on yourself left to right, and basically it's like this

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<v Speaker 1>really interesting. Uh. And obviously if you google it or whatever,

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<v Speaker 1>you can read far more scientific explanations on this. But

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<v Speaker 1>you're basically, you work with your therapist to go to

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<v Speaker 1>a traumatic moment and and while you're processing that traumatic

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<v Speaker 1>moment in your mind, you're tapping or you're following a

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<v Speaker 1>light or whatever works best for you. And basically it's

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<v Speaker 1>like in my experience, because we all kind of I

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<v Speaker 1>think we all know the feeling of of trauma taking

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<v Speaker 1>us over when we don't want to be taken over.

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<v Speaker 1>You know, it kind of starts playing like a full

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<v Speaker 1>color HD movie and kind of taking over our lives.

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<v Speaker 1>And basically you're trying to put it back into your

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<v Speaker 1>memory box. Where it's just it's just another memory, like

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<v Speaker 1>the you know, it's like a black and white polaroid

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<v Speaker 1>compared to a full color HD movie with sound. And

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<v Speaker 1>so I found when I work through those things and

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<v Speaker 1>through different parts of myself, when I combine the parts,

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<v Speaker 1>work therapy with it, so with that it's like a

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<v Speaker 1>similar thing like you'll work with the twelve year old

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<v Speaker 1>version of yourself or the five year old version of yourself,

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<v Speaker 1>or wherever you've experienced these trauma and you process it,

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<v Speaker 1>and as you process it, something's happening in your mind

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<v Speaker 1>with the tapping where it's putting, it's kind of unpacking

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<v Speaker 1>the power of the trauma to make it more of

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<v Speaker 1>a normal memory, you know, where it doesn't have such

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<v Speaker 1>a hold on you. And I feel like that for

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<v Speaker 1>me has been extremely powerful. And I have coupled that

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<v Speaker 1>with different psychedelic therapies like ayahuasca and ketamine five EO

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<v Speaker 1>d MT different things, because I feel like I think

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<v Speaker 1>one thing that I try to be careful about when

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<v Speaker 1>talking with people about psychedelics in particular is not trying

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<v Speaker 1>to be like, go do ayahuasca and everything's going to

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<v Speaker 1>be great. You know, all your problems are gone, you know,

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<v Speaker 1>because I think that's the kind of common thing that

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<v Speaker 1>people think, Oh, if I go to ayahuasca, I think

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<v Speaker 1>you really got I think all those things are important

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<v Speaker 1>pieces of the puzzle, but I think you have to

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<v Speaker 1>be very careful where you go and who you do

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<v Speaker 1>it with, and be very guided, you know. I feel

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<v Speaker 1>like I've always wanted to do a lot of those things,

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<v Speaker 1>but I've always tried to wait until somebody that I

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<v Speaker 1>trust kind of brought it to me, you know, the

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<v Speaker 1>universe brings it to me, you know, And I feel like,

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<v Speaker 1>so I've been fortunate to have some of those experiences.

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<v Speaker 1>But yeah, ayahuasca was really, I mean, very varied experience,

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<v Speaker 1>so many experiences. I mean we could talk shows and

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<v Speaker 1>shows and shows about just that, but there was that

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<v Speaker 1>was a very crucial piece in my healing journey of

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<v Speaker 1>I had an experience where I was holding myself in

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<v Speaker 1>my own arms, and I was this was twenty nineteen,

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<v Speaker 1>right before the pandemic, and I was I was Jim

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<v Speaker 1>in twenty nineteen, holding Jim in twenty nineteen, and it

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<v Speaker 1>was as real as this, Like it wasn't like some

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<v Speaker 1>some wild trippy hellucination. It was like as concretely real

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<v Speaker 1>as this, And I was holding myself, kind of patting

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<v Speaker 1>my hair back, looking into my own eyes, being like, Jim,

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<v Speaker 1>you're so mean to yourself, buddy, Like you gotta you

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<v Speaker 1>gotta be nicer to yourself. You gotta try and love

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<v Speaker 1>yourself more. You know, you're you're a nice guy. You're

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<v Speaker 1>trying your best. And I'm look, really, Jim, you really

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<v Speaker 1>mean it, you know. And it was like I was

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<v Speaker 1>able to see myself as another person, you know, And

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<v Speaker 1>I think that's a that's a distinction that really helped

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<v Speaker 1>me because it's easier for us to be nice to

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<v Speaker 1>people we love, you know, but then we're so mean

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<v Speaker 1>to ourselves. We rip ourselves to pieces. And I've spent

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<v Speaker 1>my entire life ripping myself to pieces, being so mean

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<v Speaker 1>to myself, trying to escape from myself, drinking myself to death,

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<v Speaker 1>you know, just running, running, running, And that was a

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<v Speaker 1>really important piece for me to see myself as somebody

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<v Speaker 1>that I need to treat with kindness, you know. Like

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<v Speaker 1>that was like a mind blower to me of like, God,

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<v Speaker 1>if I can't be nice to myself, if I can't

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<v Speaker 1>love myself, how can I hope to see the world

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<v Speaker 1>with clarity, you know, or you know, it just was

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<v Speaker 1>a really really big moment for me.

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<v Speaker 4>Has it been able to stick?

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<v Speaker 1>I really feel like it has. Yeah. I mean I

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<v Speaker 1>feel like with with the therapy I've been doing, you know,

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<v Speaker 1>it's like these experiences, I think, if you have someone

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<v Speaker 1>safe to process them with and you keep working with them,

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<v Speaker 1>I really do feel like they have begun to stick.

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<v Speaker 1>I mean, I feel like I've I've never felt more

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<v Speaker 1>peaceful or present in my life, you know, and I

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<v Speaker 1>just feel so grateful for that. I feel like that,

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<v Speaker 1>like you asked a minute ago, that was kind of

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<v Speaker 1>all of that has kind of combined to kind of

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<v Speaker 1>lead me to where I am when we're working on

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<v Speaker 1>this album and beyond, you know, to kind of be

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<v Speaker 1>able to not place my entire self worth in the

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<v Speaker 1>success or failure of my band, you know, because most

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<v Speaker 1>of my life I've done that, you know, most of

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<v Speaker 1>my life. I'm like, if I get the world to

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<v Speaker 1>love me, or I get this external validation, then maybe

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<v Speaker 1>finally I can love me. But you know, that's that's

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<v Speaker 1>a recipe that never works because you're just on the

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<v Speaker 1>roller coaster ride of one day the world loves you

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<v Speaker 1>and the next day of the world hates you or whatever,

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<v Speaker 1>and you're up and down, up and down, and yeah,

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<v Speaker 1>I keep trying to come back to like what can

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<v Speaker 1>I What can I do that nobody can ever take

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<v Speaker 1>away from me? You know, And that's love myself. You know,

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<v Speaker 1>that's something we can all do for our selves, especially

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<v Speaker 1>in the madness of the world, the chaos of the world.

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<v Speaker 1>I feel like if everybody started trying to really love themselves,

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<v Speaker 1>we would see that again to manifest and more healing

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<v Speaker 1>and more peace and more love for each other. You know.

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<v Speaker 3>It takes a lot of work, though, like you were saying,

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<v Speaker 3>you had like a multi tiered approach to it, traditional

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<v Speaker 3>and non traditional.

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<v Speaker 4>I don't know if enough people make that investment in themselves.

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<v Speaker 1>Well, I think it's important that we talk about it

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<v Speaker 1>on things like this because I think, yeah, it's it's

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<v Speaker 1>it's something you do have to take the time to do.

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<v Speaker 1>But there's almost like this weird thing where our culture

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<v Speaker 1>tells us where we're selfish, if we work on ourselves

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<v Speaker 1>too much, or if we think about ourselves where and

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<v Speaker 1>there's this of course, there are ways to be selfish

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<v Speaker 1>and you know, narcissistic and ways that are kind of

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<v Speaker 1>taking the energy in a bad way. But I think

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<v Speaker 1>if we think about it kind of like that that

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<v Speaker 1>episode I had in Ayahuasca, where like, if we think

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<v Speaker 1>about ourselves as our own best friend or whatever, and

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<v Speaker 1>we treat ourselves as if we would treat our most beloved,

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<v Speaker 1>best friend or partner, you know, whoever in our life

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<v Speaker 1>that we love the most. Yeah, if we if we

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<v Speaker 1>started there, I mean, what what greater work is there

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<v Speaker 1>to do? You know? Then delay that foundation?

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<v Speaker 4>Yeah?

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<v Speaker 3>Have friends or family or people who are you're really

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<v Speaker 3>close to have they noticed a difference in you?

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<v Speaker 1>Yeah, they really have. And I feel like the band,

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<v Speaker 1>it's been a really really special thing because because for

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<v Speaker 1>years I was a terrible communicator, and I was so

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<v Speaker 1>depressed and uh just drinking and trying to run from

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<v Speaker 1>life and not being able to communicate how it's feeling,

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<v Speaker 1>and uh so there'd be a lot of bad energy

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<v Speaker 1>or a lot of unspoken energy, you know. And and

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<v Speaker 1>the band, you know, we almost didn't make it several

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<v Speaker 1>times throughout the years, you know. And I feel like,

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<v Speaker 1>luckily we've all been on a similar journey lately where

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<v Speaker 1>everybody is really trying to take good care of themselves

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<v Speaker 1>and do the work to like heal themselves, and you know,

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<v Speaker 1>and that's been this really beautiful, uh era of just

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<v Speaker 1>better communication. You know. It's like it's not like things

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<v Speaker 1>are always easier that no problems arise, but I think

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<v Speaker 1>when you instantly address the problem and talk about it

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<v Speaker 1>and clear the air, that like lets it all blow through.

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<v Speaker 1>And I think we've got we've been in this really

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<v Speaker 1>just I mean we kind we kind of all like

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<v Speaker 1>hug and talk about it all the time, like, look,

0:12:49.836 --> 0:12:52.956
<v Speaker 1>how lucky are we We're still you know, twenty five

0:12:53.036 --> 0:12:55.796
<v Speaker 1>years later, we're still playing music and we still love

0:12:55.836 --> 0:12:57.876
<v Speaker 1>each other and we're not like trying to kill each

0:12:57.876 --> 0:13:00.556
<v Speaker 1>other or like hiding from each other or like having

0:13:00.636 --> 0:13:03.236
<v Speaker 1>separate you know worlds or you know, it's just like

0:13:03.356 --> 0:13:07.756
<v Speaker 1>everyone has to so totally yeah, yeah, yeah, we're just

0:13:07.836 --> 0:13:10.316
<v Speaker 1>so you know, so great. Yeah.

0:13:10.356 --> 0:13:12.396
<v Speaker 3>I mean that seems to be the move in as

0:13:12.436 --> 0:13:15.796
<v Speaker 3>you approach midlife, is to take sock in your health

0:13:15.876 --> 0:13:18.276
<v Speaker 3>and really try and be a better person.

0:13:18.836 --> 0:13:21.356
<v Speaker 4>And it's really sad when you think about people who didn't.

0:13:21.156 --> 0:13:23.636
<v Speaker 3>Make it this far, people who died early and they

0:13:23.636 --> 0:13:25.636
<v Speaker 3>didn't get to a point where they're like on a

0:13:25.676 --> 0:13:26.836
<v Speaker 3>self improvement kick.

0:13:27.876 --> 0:13:30.516
<v Speaker 1>I know, well, God, I mean, midlife can go the

0:13:30.556 --> 0:13:32.716
<v Speaker 1>other way too, you know, you can hit the other

0:13:32.716 --> 0:13:35.316
<v Speaker 1>way if you haven't done that work and start springing

0:13:35.356 --> 0:13:39.596
<v Speaker 1>into other ways just like, yeah, got to be crazy

0:13:39.756 --> 0:13:42.676
<v Speaker 1>and yeah, well yeah, the classic midlife crisis kind of

0:13:42.676 --> 0:13:44.996
<v Speaker 1>stuff you know, that we hear about and that we

0:13:45.036 --> 0:13:48.276
<v Speaker 1>see out in the world. Unfortunately, a lot of people

0:13:48.356 --> 0:13:51.196
<v Speaker 1>that are in positions of power in our world right now,

0:13:51.436 --> 0:13:55.356
<v Speaker 1>we're watching them experience their midlife crisis and you know,

0:13:55.396 --> 0:13:58.236
<v Speaker 1>taking it out on everybody else. And because I mean

0:13:58.316 --> 0:14:02.236
<v Speaker 1>think about, like, God, if Kurt Cobain or you know,

0:14:02.356 --> 0:14:06.956
<v Speaker 1>Jimmy Hendrix or whoever people struggle with absolutely, Jim Morrison, whoever,

0:14:06.956 --> 0:14:10.596
<v Speaker 1>people who struggle with substance abuse, Joblin, whoever, think about

0:14:11.036 --> 0:14:13.996
<v Speaker 1>if they could have found a way out and found

0:14:14.036 --> 0:14:16.716
<v Speaker 1>a way to get past that, they could still be here.

0:14:17.196 --> 0:14:20.636
<v Speaker 1>You know, we could still be experiencing music from Marvin

0:14:20.676 --> 0:14:22.956
<v Speaker 1>Gay or you know they're talking all these people this

0:14:23.236 --> 0:14:25.036
<v Speaker 1>just like, I think we really need to think about

0:14:25.036 --> 0:14:27.676
<v Speaker 1>that for the future, you know, that that we can

0:14:28.396 --> 0:14:35.196
<v Speaker 1>hopefully get this word out that it's okay if you're depressed,

0:14:35.836 --> 0:14:38.716
<v Speaker 1>it's okay if you struggle with substance abuse, like talk

0:14:38.756 --> 0:14:40.796
<v Speaker 1>to somebody about it, like find a way there is

0:14:40.836 --> 0:14:44.276
<v Speaker 1>a way out, you know, and don't beat yourself up

0:14:44.396 --> 0:14:48.756
<v Speaker 1>or feel like you're all alone or your failure or whatever.

0:14:48.796 --> 0:14:50.876
<v Speaker 1>You know. I think we really need to address that.

0:14:50.916 --> 0:14:53.956
<v Speaker 1>A lot of this stuff, a lot of it comes

0:14:53.996 --> 0:14:56.316
<v Speaker 1>genetically or it comes through some pipeline.

0:14:56.356 --> 0:14:56.436
<v Speaker 3>You know.

0:14:56.436 --> 0:14:59.076
<v Speaker 1>It's not like people ask to be depressed or to

0:14:59.116 --> 0:15:03.116
<v Speaker 1>be genetically disposition towards alcoholism or drug abuse or whatever,

0:15:03.156 --> 0:15:04.796
<v Speaker 1>you know. So I think the more we can talk

0:15:04.836 --> 0:15:06.076
<v Speaker 1>about it, and the more we can try to get

0:15:06.116 --> 0:15:08.996
<v Speaker 1>people the help they need, the more we can see

0:15:08.996 --> 0:15:14.596
<v Speaker 1>the future people now live to still create, you know, totally. Yeah.

0:15:14.636 --> 0:15:18.876
<v Speaker 3>And I don't know what your relationship is like with

0:15:18.916 --> 0:15:22.476
<v Speaker 3>your parents or if they're living or what, but has

0:15:22.516 --> 0:15:25.796
<v Speaker 3>this change in you has it changed your relationship with

0:15:25.836 --> 0:15:27.556
<v Speaker 3>your parents or with family members?

0:15:28.676 --> 0:15:31.796
<v Speaker 1>Oh? God, absolutely yeah. My parents are amazing. They're still alive,

0:15:31.916 --> 0:15:34.356
<v Speaker 1>and we're really close and we spend a lot of

0:15:34.396 --> 0:15:38.116
<v Speaker 1>time together. And I mean, I think every family, you know, dynamic,

0:15:38.236 --> 0:15:42.356
<v Speaker 1>is complex and has its difficulties and stuff like that.

0:15:42.596 --> 0:15:46.356
<v Speaker 1>But one thing I recognize the more that I try

0:15:46.396 --> 0:15:50.516
<v Speaker 1>to find peace with myself is that everybody's on their

0:15:50.556 --> 0:15:53.356
<v Speaker 1>own journey, and a lot of the times the best

0:15:53.356 --> 0:15:56.316
<v Speaker 1>thing we can do for somebody is just be there

0:15:56.356 --> 0:15:59.396
<v Speaker 1>to listen to them and not think that we can

0:15:59.516 --> 0:16:03.276
<v Speaker 1>keep solving their problems. You know that we have all

0:16:03.316 --> 0:16:05.476
<v Speaker 1>the answers. And you know, I think I think that's

0:16:05.556 --> 0:16:09.676
<v Speaker 1>one thing that I've struggled with. On another people have

0:16:09.676 --> 0:16:12.436
<v Speaker 1>struggle with is when you watch somebody that you love

0:16:13.316 --> 0:16:15.756
<v Speaker 1>suffer whatever, and you keep wanting to help them. You know,

0:16:15.796 --> 0:16:17.996
<v Speaker 1>you're like, oh my god, if only you just won't

0:16:18.036 --> 0:16:20.756
<v Speaker 1>you just do this? Won't you just do that? Yeah?

0:16:20.796 --> 0:16:24.396
<v Speaker 1>And I think a lot of times people don't need

0:16:24.436 --> 0:16:26.716
<v Speaker 1>to hear that, you know. It's like people people just

0:16:26.756 --> 0:16:28.996
<v Speaker 1>need you to be there for them and listen to them,

0:16:29.356 --> 0:16:31.596
<v Speaker 1>and yeah, speak your peace and and you know, put

0:16:31.636 --> 0:16:34.196
<v Speaker 1>out put some things on the table that could help them.

0:16:34.276 --> 0:16:36.636
<v Speaker 1>But then I think sometimes we need to step back

0:16:36.676 --> 0:16:38.996
<v Speaker 1>and say. That's one thing I just kept coming to

0:16:39.196 --> 0:16:42.636
<v Speaker 1>again and again, was like, well, like, whoa man, how

0:16:42.636 --> 0:16:45.876
<v Speaker 1>can I offer anybody advice if I'm constantly at war

0:16:45.916 --> 0:16:48.476
<v Speaker 1>with myself? You know, like where am I? Where am

0:16:48.516 --> 0:16:52.476
<v Speaker 1>I offering advice from? If my whole world is in chaos?

0:16:52.676 --> 0:16:52.876
<v Speaker 2>Yeah?

0:16:53.116 --> 0:16:56.236
<v Speaker 1>You know, and so I think that's like the uh,

0:16:56.276 --> 0:16:58.716
<v Speaker 1>the thing I've tried to come back to with my

0:16:58.876 --> 0:17:01.556
<v Speaker 1>family and friends. It's just like, how can I be

0:17:01.636 --> 0:17:04.396
<v Speaker 1>there to to support them and listen to them.

0:17:04.556 --> 0:17:07.956
<v Speaker 3>Yeah, and you said something about Era about my morning

0:17:08.036 --> 0:17:12.596
<v Speaker 3>Jacket having ERA earlier, and I was reading on Reddit

0:17:12.716 --> 0:17:14.996
<v Speaker 3>and it seems like a lot of your fans think

0:17:15.036 --> 0:17:19.476
<v Speaker 3>of the band in distinct eras. And I saw somebody

0:17:19.516 --> 0:17:22.556
<v Speaker 3>mention that they thought a distinct era was post COVID.

0:17:22.716 --> 0:17:24.956
<v Speaker 3>So it's sort of interesting that that lines up with

0:17:25.076 --> 0:17:29.636
<v Speaker 3>that experience for you. And I was wondering for you,

0:17:29.636 --> 0:17:31.996
<v Speaker 3>you've been in it. It might just be hard to

0:17:31.996 --> 0:17:34.796
<v Speaker 3>think of it objectively. But do you think of the

0:17:34.836 --> 0:17:38.596
<v Speaker 3>band as like distinct eras that line up maybe with

0:17:38.716 --> 0:17:42.756
<v Speaker 3>albums or decades or how do you think of it?

0:17:43.476 --> 0:17:46.396
<v Speaker 1>Oh? Yeah, definitely. It's so funny because we've been thinking

0:17:46.396 --> 0:17:48.996
<v Speaker 1>about this a lot, because I look back because we

0:17:49.076 --> 0:17:53.316
<v Speaker 1>constantly have to do things like learn an old song

0:17:53.356 --> 0:17:54.876
<v Speaker 1>that we're going to play or something that we haven't

0:17:54.876 --> 0:17:59.036
<v Speaker 1>played in ten years or more. So I'm constantly looking

0:17:59.076 --> 0:18:02.476
<v Speaker 1>back on all these old gyms that have gone through

0:18:02.476 --> 0:18:04.796
<v Speaker 1>all of these albums. Because each album is like a

0:18:04.836 --> 0:18:07.796
<v Speaker 1>time machine for me, you know, And it's like and

0:18:07.916 --> 0:18:11.196
<v Speaker 1>if I have to go back to it and hear it,

0:18:11.236 --> 0:18:14.596
<v Speaker 1>and I like hear that old Gem and I'm like, wow, man,

0:18:15.156 --> 0:18:20.556
<v Speaker 1>Like that Gem was so lost in being Jim, so

0:18:20.716 --> 0:18:25.796
<v Speaker 1>completely consumed by this experience of being Jim and being

0:18:25.836 --> 0:18:29.156
<v Speaker 1>gobbled up by this depression or this fear or whatever,

0:18:29.716 --> 0:18:35.636
<v Speaker 1>that he was so consumed in it. But at the

0:18:35.716 --> 0:18:38.476
<v Speaker 1>same time, like I always know that he was trying

0:18:38.476 --> 0:18:41.876
<v Speaker 1>the best he could, and that kind of really gives

0:18:41.916 --> 0:18:44.396
<v Speaker 1>me this piece as I look back across everything and

0:18:44.756 --> 0:18:48.516
<v Speaker 1>the sense of like I'm so proud of everything that

0:18:48.596 --> 0:18:51.716
<v Speaker 1>I've ever done. I still show up to do the work,

0:18:52.316 --> 0:18:55.756
<v Speaker 1>but I accept that, like a lot of the things

0:18:55.796 --> 0:18:59.796
<v Speaker 1>are gonna happen, They're not really in my control. Whereas

0:18:59.796 --> 0:19:01.676
<v Speaker 1>as I look back in this time machine and all

0:19:01.716 --> 0:19:04.756
<v Speaker 1>the old Gems, all these old Gems were so locked

0:19:04.796 --> 0:19:07.756
<v Speaker 1>into their ego of Jim, and so there's so much

0:19:07.796 --> 0:19:11.636
<v Speaker 1>resistance and so much depression and anger and fighting and

0:19:11.956 --> 0:19:14.156
<v Speaker 1>the universe still was going to do what it was

0:19:14.196 --> 0:19:16.716
<v Speaker 1>going to do, but I couldn't see that, and I

0:19:16.756 --> 0:19:19.596
<v Speaker 1>was fighting it and just like so consumed in this

0:19:19.676 --> 0:19:23.716
<v Speaker 1>whole thing, so Yeah, it's so interesting when I look back,

0:19:23.876 --> 0:19:27.796
<v Speaker 1>because there's so much fun in there, and so much

0:19:27.916 --> 0:19:32.716
<v Speaker 1>joy too, and hilarity and experience and love and brotherhood

0:19:32.836 --> 0:19:34.836
<v Speaker 1>with the guys in the band and you know, everybody

0:19:34.836 --> 0:19:37.156
<v Speaker 1>I've ever collaborated with, and all all of this. But

0:19:37.156 --> 0:19:40.596
<v Speaker 1>there was so much fear there too, and so much

0:19:40.636 --> 0:19:44.196
<v Speaker 1>depression that I feel like I look back on all

0:19:44.356 --> 0:19:48.836
<v Speaker 1>those different eras of Jim and I really try to

0:19:48.836 --> 0:19:51.916
<v Speaker 1>be compassionate towards him or whatever, because it's I have

0:19:52.076 --> 0:19:54.476
<v Speaker 1>to embody him all the time, you know, anytime I

0:19:54.516 --> 0:19:58.156
<v Speaker 1>sing one of those songs to embody this old version

0:19:58.196 --> 0:19:59.996
<v Speaker 1>of Jim, you know. And it used to be when

0:20:00.036 --> 0:20:05.636
<v Speaker 1>I was still depressed and I was still being eaten alive.

0:20:06.076 --> 0:20:08.556
<v Speaker 1>As the latest version of Jim that's having to go

0:20:08.596 --> 0:20:10.236
<v Speaker 1>back and do all these older gym soles are cool.

0:20:10.236 --> 0:20:12.876
<v Speaker 1>Oh my god, I can't tired good. I can't take it.

0:20:13.076 --> 0:20:17.476
<v Speaker 1>But now the more peaceful I've become, it's become really

0:20:17.636 --> 0:20:22.476
<v Speaker 1>fun and more easy for me to go be twenty

0:20:22.476 --> 0:20:24.316
<v Speaker 1>two year old Gym or twenty five year old Jen

0:20:24.476 --> 0:20:27.796
<v Speaker 1>or nearly suicidal thirty year old Gym or whatever it is.

0:20:28.076 --> 0:20:29.996
<v Speaker 1>And I can see it all with more compassion, and

0:20:30.036 --> 0:20:31.676
<v Speaker 1>we can have more fun as a band, you know,

0:20:31.716 --> 0:20:34.956
<v Speaker 1>we can do wilder setlists and do every single song

0:20:35.036 --> 0:20:39.756
<v Speaker 1>we've ever recorded or whatever, Whereas before my depression limited

0:20:39.756 --> 0:20:42.036
<v Speaker 1>my range of what I could do because I just

0:20:42.076 --> 0:20:43.516
<v Speaker 1>couldn't do a lot of things.

0:20:43.876 --> 0:20:47.356
<v Speaker 3>Oh wow, Do you ever have the experience where, similar

0:20:47.436 --> 0:20:49.596
<v Speaker 3>to the therapy that you were talking about, how you're

0:20:49.636 --> 0:20:53.676
<v Speaker 3>trying to sort of rewire or change the impact of

0:20:53.716 --> 0:20:57.036
<v Speaker 3>a traumatic memory. Do you ever sing an old song

0:20:57.196 --> 0:20:59.156
<v Speaker 3>and try and do the same thing with the old

0:20:59.236 --> 0:21:03.596
<v Speaker 3>song to where you're trying to rewire the experience of it.

0:21:04.636 --> 0:21:07.276
<v Speaker 1>Definitely. Yeah, It's so crazy, because, yeah, when I feel

0:21:07.276 --> 0:21:12.716
<v Speaker 1>like when I was still being eaten alive by my

0:21:12.916 --> 0:21:16.876
<v Speaker 1>alcoholism or my depression, like maybe twenty fifteen, twenty sixteen,

0:21:16.956 --> 0:21:19.556
<v Speaker 1>something like that. In that period, when I was trying

0:21:19.556 --> 0:21:21.556
<v Speaker 1>to go back and do some of the old songs,

0:21:21.876 --> 0:21:25.436
<v Speaker 1>it was so dark, so difficult, you know. But now

0:21:25.956 --> 0:21:27.236
<v Speaker 1>when I go back and try to do some of

0:21:27.276 --> 0:21:30.556
<v Speaker 1>those darker songs, there is this really beautiful rewiring or

0:21:30.596 --> 0:21:34.436
<v Speaker 1>something where it's like it's like geez, like what a

0:21:34.476 --> 0:21:37.716
<v Speaker 1>gift that I'm able to like go back and revisit

0:21:37.796 --> 0:21:40.396
<v Speaker 1>this energy and almost like it ye, heal it, you know,

0:21:40.476 --> 0:21:45.196
<v Speaker 1>like somehow manifest the energy still and create it because

0:21:45.196 --> 0:21:49.316
<v Speaker 1>there's a lot of like wailing and screaming and like waw,

0:21:49.556 --> 0:21:51.596
<v Speaker 1>you know, like a lot of energy that old Jim

0:21:51.756 --> 0:21:54.156
<v Speaker 1>had to get out or whatever that now when I

0:21:54.236 --> 0:21:59.236
<v Speaker 1>get it out, it's like this beautiful yeah changing of

0:21:59.276 --> 0:22:01.356
<v Speaker 1>the energy or releasing of the energy. And there's this

0:22:01.396 --> 0:22:04.756
<v Speaker 1>gratitude there where like whoa, Like how lucky am I

0:22:04.796 --> 0:22:08.356
<v Speaker 1>that I can still do this? Yeah? And that people

0:22:08.436 --> 0:22:11.156
<v Speaker 1>still want to show up and see it. You know,

0:22:11.156 --> 0:22:15.036
<v Speaker 1>it's like it becomes this beautiful celebration of like if

0:22:15.076 --> 0:22:18.476
<v Speaker 1>there were people that identified with the way that that

0:22:18.556 --> 0:22:20.436
<v Speaker 1>Jim was feeling, or you know, people that are dealing

0:22:20.436 --> 0:22:24.156
<v Speaker 1>with their own depression or their own energy, like perhaps

0:22:24.236 --> 0:22:27.636
<v Speaker 1>and hopefully we can all rewire together, you know, we

0:22:27.676 --> 0:22:31.476
<v Speaker 1>can all manifest this new energy together, and yeah, it's

0:22:31.516 --> 0:22:32.956
<v Speaker 1>really really healing.

0:22:33.756 --> 0:22:36.796
<v Speaker 3>When you revisit those old songs or any songs that

0:22:36.836 --> 0:22:40.356
<v Speaker 3>you've written, do you ever have the experience of like, damn,

0:22:40.476 --> 0:22:43.236
<v Speaker 3>like this is actually really good and kind of like

0:22:43.316 --> 0:22:46.276
<v Speaker 3>patch yourself on the back, Like do you give yourself

0:22:46.316 --> 0:22:49.196
<v Speaker 3>props over or is it always just like do you

0:22:49.236 --> 0:22:50.676
<v Speaker 3>go to the negative.

0:22:51.996 --> 0:22:54.276
<v Speaker 1>But historically I've always gone to the negative. I've always

0:22:54.276 --> 0:22:56.076
<v Speaker 1>been like, I'm not good enough. I'll never be as

0:22:56.076 --> 0:22:58.196
<v Speaker 1>good as Bob Dylan or you know, I'll never sing

0:22:58.236 --> 0:23:01.076
<v Speaker 1>as good as Nina Simone or whatever the comparisons are.

0:23:01.276 --> 0:23:06.276
<v Speaker 1>But now that I'm in this new paradigm, and I

0:23:06.276 --> 0:23:08.676
<v Speaker 1>hope I don't sound like like I've done all the

0:23:08.676 --> 0:23:11.836
<v Speaker 1>work and solved it all and I'm like totally, you know,

0:23:12.036 --> 0:23:13.996
<v Speaker 1>figured it all out anything, because I have and I'm

0:23:14.036 --> 0:23:17.116
<v Speaker 1>still in this journey. But one thing I do recognize

0:23:17.236 --> 0:23:21.116
<v Speaker 1>is I am able to love all those old gems

0:23:21.196 --> 0:23:23.036
<v Speaker 1>more and give them a pat on the back and

0:23:23.076 --> 0:23:25.356
<v Speaker 1>like and really just love a song for what it is,

0:23:25.636 --> 0:23:29.396
<v Speaker 1>you know, and and not be comparing it with fucking

0:23:29.436 --> 0:23:31.036
<v Speaker 1>Bob Dylan or whatever. You know what I mean. It's

0:23:31.036 --> 0:23:35.196
<v Speaker 1>like there's just always been this ruthless voice comparing myself

0:23:35.236 --> 0:23:37.796
<v Speaker 1>to all of my heroes. And I think once we

0:23:37.956 --> 0:23:42.516
<v Speaker 1>all realize that, like, that's that's all illusion. You know

0:23:42.556 --> 0:23:44.996
<v Speaker 1>that there is no comparison, there is no better or worse,

0:23:45.036 --> 0:23:47.116
<v Speaker 1>there is no you know, it's all different shades of

0:23:47.116 --> 0:23:49.556
<v Speaker 1>everything than I have. I really have been able to

0:23:49.676 --> 0:23:53.676
<v Speaker 1>just like just enjoy a song for what for what

0:23:53.796 --> 0:23:55.996
<v Speaker 1>it is, you know, like for the well the thing

0:23:56.036 --> 0:23:59.076
<v Speaker 1>it provides at that moment, and uh and also just

0:23:59.116 --> 0:24:01.356
<v Speaker 1>experience in that in that moment and then it's gone.

0:24:01.636 --> 0:24:03.876
<v Speaker 1>You know, I'm not worried about it. I'm not like, oh,

0:24:03.996 --> 0:24:06.716
<v Speaker 1>Jez Louiss, you did I sing that well enough? Or

0:24:06.756 --> 0:24:10.796
<v Speaker 1>are those lyrics good enough? Whatever? It's like just like experience.

0:24:10.876 --> 0:24:12.996
<v Speaker 3>I just feel like you're such a good performer. I

0:24:13.076 --> 0:24:15.436
<v Speaker 3>just hope that you realize that. And you're such a

0:24:15.436 --> 0:24:17.436
<v Speaker 3>great songwriter. You're so good to what you do.

0:24:17.516 --> 0:24:21.476
<v Speaker 4>I just like want to like thank you, be like, dude,

0:24:22.236 --> 0:24:23.756
<v Speaker 4>you will take on yourself.

0:24:24.076 --> 0:24:26.676
<v Speaker 1>Well now now I feel like I finally am able

0:24:26.756 --> 0:24:29.276
<v Speaker 1>to love to love myself and just accept it, you know,

0:24:29.356 --> 0:24:32.476
<v Speaker 1>and and really enjoy it in the moment. And uh.

0:24:32.516 --> 0:24:34.476
<v Speaker 1>But I think the world is tough because the world

0:24:35.356 --> 0:24:38.356
<v Speaker 1>kind of forces us to compare ourselves to our heroes

0:24:38.436 --> 0:24:42.236
<v Speaker 1>or to our contemporaries, and especially like the more digital

0:24:42.356 --> 0:24:45.916
<v Speaker 1>the world's gotten and the more numerically based it's all gotten.

0:24:45.916 --> 0:24:48.876
<v Speaker 1>There's stats for everything, you know. Every YouTube video has

0:24:48.876 --> 0:24:52.156
<v Speaker 1>a play count, every Instagram post has a like count.

0:24:52.356 --> 0:24:54.876
<v Speaker 1>And I think when you're trapped in that comparative frame

0:24:54.916 --> 0:24:59.916
<v Speaker 1>of mind and you're like, oh, Vandixa's eighty three million

0:25:00.436 --> 0:25:04.556
<v Speaker 1>views on their YouTube, we will only have you know. Yeah,

0:25:04.596 --> 0:25:09.556
<v Speaker 1>It's just like that whole uh mentality is just so

0:25:09.716 --> 0:25:12.596
<v Speaker 1>fucked up, you know. And I think that's like part

0:25:12.636 --> 0:25:14.676
<v Speaker 1>of our jobs too, is like trying to get each

0:25:14.716 --> 0:25:19.916
<v Speaker 1>other out of that comparison mind frame and just into

0:25:19.956 --> 0:25:23.116
<v Speaker 1>this idea that we've all got something to share and

0:25:23.476 --> 0:25:27.836
<v Speaker 1>it's gonna be what it's gonna be, and you can't

0:25:27.956 --> 0:25:33.876
<v Speaker 1>look at it in this statistical way that unfortunately our

0:25:33.956 --> 0:25:38.956
<v Speaker 1>current digital paradise has trapped us into the statistical world.

0:25:39.156 --> 0:25:42.756
<v Speaker 2>That's wild. We'll be back with more from Jim James

0:25:42.756 --> 0:25:44.516
<v Speaker 2>and Lea Rose after the break.

0:25:48.596 --> 0:25:48.716
<v Speaker 1>So.

0:25:48.756 --> 0:25:51.636
<v Speaker 4>I saw that at Don is turning twenty.

0:25:51.316 --> 0:25:57.276
<v Speaker 3>Five this year, and I was curious, how if you're

0:25:57.316 --> 0:26:02.156
<v Speaker 3>able to contrast the recording of at Don where you

0:26:02.196 --> 0:26:04.596
<v Speaker 3>were when you were like, you're like twenty one twenty

0:26:04.596 --> 0:26:05.676
<v Speaker 3>two when you recorded that.

0:26:06.236 --> 0:26:11.076
<v Speaker 4>It's crazy, I think, so is like, how was the

0:26:11.116 --> 0:26:11.996
<v Speaker 4>process different?

0:26:14.116 --> 0:26:17.916
<v Speaker 1>Oh God, I mean everything was different. You know, life

0:26:17.996 --> 0:26:18.676
<v Speaker 1>was so different.

0:26:19.636 --> 0:26:21.156
<v Speaker 3>What were you like, where were you at? What do

0:26:21.196 --> 0:26:23.076
<v Speaker 3>you remember from that period of your life.

0:26:23.476 --> 0:26:25.276
<v Speaker 1>That was funny. That was an interesting period in my

0:26:25.316 --> 0:26:28.396
<v Speaker 1>life that I called the heroic Gym period in my

0:26:29.116 --> 0:26:31.716
<v Speaker 1>therapy conversations, is that I do my parts work because

0:26:32.156 --> 0:26:35.196
<v Speaker 1>that was the first time in my life after the

0:26:35.196 --> 0:26:39.276
<v Speaker 1>Tennessee Fire came out that anybody ever liked anything I'd

0:26:39.316 --> 0:26:41.836
<v Speaker 1>ever done period, you know. So it's like there's the

0:26:41.916 --> 0:26:44.556
<v Speaker 1>sense of like, whoa, people actually liked my music, and

0:26:44.596 --> 0:26:46.716
<v Speaker 1>I fell in love for the first time, and I

0:26:46.756 --> 0:26:49.596
<v Speaker 1>lost my virginity, and I like was having this like

0:26:50.276 --> 0:26:53.356
<v Speaker 1>really beautiful moment in time where like all these things

0:26:53.356 --> 0:26:56.396
<v Speaker 1>that I never thought would happen were happening, and there's

0:26:56.516 --> 0:27:01.836
<v Speaker 1>this sense of just joy and creation, and you know,

0:27:01.916 --> 0:27:05.916
<v Speaker 1>we were just like running around wild and you know,

0:27:05.956 --> 0:27:08.756
<v Speaker 1>we were kind of like our own little version of

0:27:08.756 --> 0:27:10.796
<v Speaker 1>the Wrong Stones in France or whatever.

0:27:10.836 --> 0:27:11.036
<v Speaker 3>You know.

0:27:11.076 --> 0:27:15.756
<v Speaker 1>We were like, you know, making our wild XL on

0:27:15.876 --> 0:27:20.236
<v Speaker 1>Main Street World out there in Shelbyville, and it was

0:27:20.276 --> 0:27:24.116
<v Speaker 1>so fun and beautiful and uh and free, you know,

0:27:24.276 --> 0:27:26.516
<v Speaker 1>and there was this sense of but there's always the

0:27:26.596 --> 0:27:29.076
<v Speaker 1>sense we always had the sense because nobody had ever

0:27:29.236 --> 0:27:32.276
<v Speaker 1>liked anything that we did, we still thought every at

0:27:32.276 --> 0:27:34.036
<v Speaker 1>every turn, we were going to get canned you know,

0:27:34.076 --> 0:27:36.116
<v Speaker 1>so we're like, all right, like, let's make this thing

0:27:36.156 --> 0:27:37.756
<v Speaker 1>as long as we can, because this is our probably

0:27:37.756 --> 0:27:38.436
<v Speaker 1>our last shot.

0:27:38.476 --> 0:27:38.636
<v Speaker 3>You know.

0:27:38.636 --> 0:27:40.636
<v Speaker 1>I think at Dawn and the Tancy Fire and it

0:27:40.716 --> 0:27:42.876
<v Speaker 1>still moves. I think all those records are like as

0:27:42.916 --> 0:27:45.476
<v Speaker 1>long as the CD can be, which is seventy four minutes.

0:27:45.516 --> 0:27:48.396
<v Speaker 1>You know, like we're like, let's use literally every second

0:27:48.516 --> 0:27:50.676
<v Speaker 1>of this fucking CD. You know, we're still thinking of

0:27:50.716 --> 0:27:54.636
<v Speaker 1>CD terms back then. But it's so beautiful because after that,

0:27:56.516 --> 0:28:00.156
<v Speaker 1>but most of my life after that, I was trapped

0:28:00.196 --> 0:28:04.476
<v Speaker 1>in severe depression and severe you know still whatever. Still

0:28:04.476 --> 0:28:05.836
<v Speaker 1>had a lot of fun and a lot of beauty whatever.

0:28:05.996 --> 0:28:09.676
<v Speaker 1>But it's interesting that you choose that record because I

0:28:09.716 --> 0:28:13.996
<v Speaker 1>feel like, is we've kind of come into this new

0:28:14.796 --> 0:28:18.676
<v Speaker 1>golden age of like this this peaceful golden age of

0:28:18.756 --> 0:28:21.116
<v Speaker 1>like it's different from that because that was like that

0:28:21.236 --> 0:28:26.356
<v Speaker 1>was a beginner's mind still and youth and first and

0:28:26.876 --> 0:28:29.516
<v Speaker 1>new and all that stuff, and and but it's beautiful

0:28:29.516 --> 0:28:33.556
<v Speaker 1>because we've kind of invented this this new new, this

0:28:33.636 --> 0:28:38.196
<v Speaker 1>new beginner's mind in the experience where it's like, what

0:28:38.316 --> 0:28:41.476
<v Speaker 1>else can we do that keeps this new for us

0:28:41.516 --> 0:28:44.116
<v Speaker 1>and keeps this fresh for us, And one of those

0:28:44.156 --> 0:28:48.396
<v Speaker 1>things was finally being able to release control and bring

0:28:48.436 --> 0:28:51.476
<v Speaker 1>in somebody like Brendan O'Brien to work on this record

0:28:51.516 --> 0:28:54.316
<v Speaker 1>with us. That was something we'd never done before, was

0:28:54.356 --> 0:28:57.596
<v Speaker 1>like bring in a coach, you know, because we always

0:28:57.636 --> 0:29:00.276
<v Speaker 1>either did it ourselves, or we did it with contemporaries

0:29:00.396 --> 0:29:02.876
<v Speaker 1>or equals or you know, people that are kind of

0:29:02.876 --> 0:29:05.436
<v Speaker 1>on the same level as us. And that's a beautiful

0:29:05.436 --> 0:29:07.156
<v Speaker 1>way to work too, but we're just like always like

0:29:07.236 --> 0:29:10.476
<v Speaker 1>what can we do that's different? And I think all

0:29:10.516 --> 0:29:14.236
<v Speaker 1>of this kind of healing that we're talking about, I

0:29:14.276 --> 0:29:16.236
<v Speaker 1>was able to like let go of so much and

0:29:16.276 --> 0:29:20.556
<v Speaker 1>be like, I really think we could benefit from a coach,

0:29:20.956 --> 0:29:23.676
<v Speaker 1>you know, somebody who's who's not our equal, He's not

0:29:23.716 --> 0:29:25.996
<v Speaker 1>on our level. He's like a step or two above.

0:29:25.996 --> 0:29:29.116
<v Speaker 1>He's done this hundreds times more than we have. You know,

0:29:29.116 --> 0:29:30.756
<v Speaker 1>he's twenty years older than that. You know, just all

0:29:30.756 --> 0:29:35.356
<v Speaker 1>these things and really like connecting with Brendan and getting

0:29:35.436 --> 0:29:40.556
<v Speaker 1>to see his viewpoint was such a revelation for me

0:29:40.676 --> 0:29:46.116
<v Speaker 1>and for us that I feel like made this whole thing,

0:29:46.276 --> 0:29:51.916
<v Speaker 1>this whole experience, just this beautiful new beginner's minding, you know,

0:29:51.956 --> 0:29:53.196
<v Speaker 1>it is really really special.

0:29:53.636 --> 0:29:55.956
<v Speaker 3>Why did you pick Brendan? Did have anything to do

0:29:56.036 --> 0:30:00.476
<v Speaker 3>with his past work? He's you know, produced most pro

0:30:00.596 --> 0:30:05.516
<v Speaker 3>jam albums, engineered Blood Sugar, Sex, Magic for the Chili Peppers,

0:30:06.396 --> 0:30:08.756
<v Speaker 3>worked with Stone type of pilots, just a ton a

0:30:08.796 --> 0:30:11.636
<v Speaker 3>ton of artists. Did it have anything to do with

0:30:11.636 --> 0:30:14.276
<v Speaker 3>with his work or his sound specifically or was it

0:30:14.316 --> 0:30:15.356
<v Speaker 3>more his personality?

0:30:16.196 --> 0:30:19.236
<v Speaker 1>Well? Yes, and no, I really love Evil Empire that

0:30:19.276 --> 0:30:21.716
<v Speaker 1>raised against the Machine record when he did that record,

0:30:21.756 --> 0:30:26.956
<v Speaker 1>and I took different meetings with lots of people. And

0:30:27.196 --> 0:30:33.916
<v Speaker 1>it's interesting because a lot of more experienced, bigger name

0:30:34.796 --> 0:30:38.716
<v Speaker 1>producers or whatever often come with bigger egos, and there's

0:30:38.756 --> 0:30:41.356
<v Speaker 1>this whole thing that they bring in that can be

0:30:41.396 --> 0:30:43.316
<v Speaker 1>really hard to deal with, where they want to tell

0:30:43.356 --> 0:30:46.316
<v Speaker 1>you how many Grammys they've won and how many records

0:30:46.316 --> 0:30:48.316
<v Speaker 1>they've made with Elton John, you know, all this kind

0:30:48.316 --> 0:30:51.676
<v Speaker 1>of toxic energy that we're always like whatever man you know,

0:30:51.796 --> 0:30:54.316
<v Speaker 1>like and Brendan. The great thing about Brendan is like

0:30:54.996 --> 0:30:57.516
<v Speaker 1>he never put any of that on us, and it

0:30:57.556 --> 0:31:01.876
<v Speaker 1>was never about him inflating his legend or his ego.

0:31:01.996 --> 0:31:05.516
<v Speaker 1>You know, It's almost like all that he cared about

0:31:05.876 --> 0:31:07.476
<v Speaker 1>was the music. You know. And he was a very

0:31:07.596 --> 0:31:10.156
<v Speaker 1>nice guy, a very funny guy. But he wasn't interested

0:31:10.156 --> 0:31:13.116
<v Speaker 1>in becoming best friends. He wasn't interested in being our

0:31:13.156 --> 0:31:16.596
<v Speaker 1>spiritual guru. You know. All he was interested in was

0:31:17.276 --> 0:31:19.556
<v Speaker 1>the song. You know, it is the song the right Keith,

0:31:19.716 --> 0:31:21.996
<v Speaker 1>Is it the right tempo? Do the lyrics connect? You know?

0:31:22.276 --> 0:31:27.796
<v Speaker 1>And he always would have this great sense of being

0:31:28.156 --> 0:31:32.836
<v Speaker 1>critical but always offering a solution or always offering something

0:31:33.196 --> 0:31:35.876
<v Speaker 1>that would help. And to me that it was just

0:31:35.916 --> 0:31:39.516
<v Speaker 1>like I had never really worked with somebody who whose

0:31:39.596 --> 0:31:43.756
<v Speaker 1>mind worked that quickly, wow, and who never was there

0:31:43.796 --> 0:31:46.196
<v Speaker 1>about their agenda, you know. And he was always open

0:31:46.236 --> 0:31:48.036
<v Speaker 1>to what we had to say too. He would never

0:31:48.116 --> 0:31:49.836
<v Speaker 1>like cancel out what we had to say, be like

0:31:49.876 --> 0:31:52.196
<v Speaker 1>all right, all right, let's check that out, or you know.

0:31:52.236 --> 0:31:54.756
<v Speaker 1>But it was so funny playing them songs because he's

0:31:54.756 --> 0:31:57.396
<v Speaker 1>playing one song and he's like, I was like, I

0:31:57.476 --> 0:31:59.436
<v Speaker 1>don't know, man, And then he's playing the next song

0:31:59.436 --> 0:32:01.636
<v Speaker 1>and he's like he's like, oh, that's pretty great. Okay,

0:32:01.676 --> 0:32:03.516
<v Speaker 1>all right, we're gonna have to get rid of something

0:32:03.556 --> 0:32:05.596
<v Speaker 1>else because this is pretty good. And it was just

0:32:05.676 --> 0:32:08.916
<v Speaker 1>really inspiring, and I started writing more and more songs

0:32:09.196 --> 0:32:11.876
<v Speaker 1>and as we said, started the record or whatever. And

0:32:12.156 --> 0:32:14.956
<v Speaker 1>because we send him like over one hundred songs what

0:32:15.236 --> 0:32:18.996
<v Speaker 1>and very quickly he whittles it down to twenty you know,

0:32:19.076 --> 0:32:20.996
<v Speaker 1>his favorite twenty you know, and he's just like and

0:32:20.996 --> 0:32:22.756
<v Speaker 1>we're talking about it. He's like, he's like, oh yeah, man,

0:32:22.756 --> 0:32:23.876
<v Speaker 1>He's like, I'll just get in there, and he's like

0:32:23.916 --> 0:32:25.796
<v Speaker 1>pretty quickly, I'm like, nope, nope.

0:32:25.916 --> 0:32:27.916
<v Speaker 4>Did you recognize the pattern of what he likes and

0:32:27.956 --> 0:32:28.756
<v Speaker 4>what he doesn't like?

0:32:29.196 --> 0:32:31.316
<v Speaker 1>No, It's really interesting because I mean, I feel like

0:32:31.396 --> 0:32:34.796
<v Speaker 1>he he chose songs that we wouldn't have chosen as

0:32:34.796 --> 0:32:37.676
<v Speaker 1>a band, that were more like solo projects I was

0:32:37.716 --> 0:32:43.196
<v Speaker 1>working on, and then other songs that I wrote, even

0:32:43.276 --> 0:32:45.756
<v Speaker 1>after he'd gone through those first hundred or so. It

0:32:45.836 --> 0:32:47.756
<v Speaker 1>was really amazing just to see like what he liked

0:32:47.796 --> 0:32:49.556
<v Speaker 1>and what he didn't, and that was I was just

0:32:49.556 --> 0:32:52.436
<v Speaker 1>really trying to surrender to that process. So I felt like, Okay,

0:32:52.636 --> 0:32:56.316
<v Speaker 1>the universe is gonna speak to me through Brendan and

0:32:56.396 --> 0:32:58.676
<v Speaker 1>I'm gonna just flow with it and see what happens.

0:32:58.676 --> 0:33:01.116
<v Speaker 1>But it's really cool because there were some songs like

0:33:01.516 --> 0:33:04.156
<v Speaker 1>Squid inc Is a good example of a song song

0:33:04.236 --> 0:33:06.516
<v Speaker 1>Brenda did not like squid ink at first, and he's like,

0:33:06.676 --> 0:33:08.756
<v Speaker 1>is it gone on? No, man, But the guys really

0:33:08.756 --> 0:33:10.996
<v Speaker 1>liked and they really wanted to do it, and Brandon

0:33:11.076 --> 0:33:12.676
<v Speaker 1>was really respectful of that. He's like, I don't know

0:33:12.676 --> 0:33:14.756
<v Speaker 1>about Screwed, Inc. But the guys like it. Let's keep

0:33:14.796 --> 0:33:16.436
<v Speaker 1>it in there. Let's see what happens, you know, because

0:33:16.516 --> 0:33:19.556
<v Speaker 1>I feel like he kind of understands that that universe

0:33:19.596 --> 0:33:21.676
<v Speaker 1>thing too, because we could go try it and it

0:33:21.796 --> 0:33:23.996
<v Speaker 1>just falls flat and doesn't work, or we try it

0:33:24.036 --> 0:33:26.956
<v Speaker 1>and everybody loves it and it's great. And I think

0:33:27.076 --> 0:33:30.556
<v Speaker 1>that whole thing was really really interesting because it was

0:33:30.596 --> 0:33:37.916
<v Speaker 1>this cool combination of like everybody's input, but everybody kind

0:33:37.916 --> 0:33:41.276
<v Speaker 1>of really removing their egos. And I feel like Brendon's

0:33:41.276 --> 0:33:43.756
<v Speaker 1>good at just channeling the universe as it comes through

0:33:44.116 --> 0:33:47.916
<v Speaker 1>and really just being like he himself. I forget how

0:33:47.916 --> 0:33:49.076
<v Speaker 1>I put it, but he's like, he's like, I think

0:33:49.076 --> 0:33:51.116
<v Speaker 1>I'm just hearing things, and I think that's how people

0:33:51.156 --> 0:33:51.676
<v Speaker 1>want to hear them.

0:33:51.836 --> 0:33:52.116
<v Speaker 4>I don't know.

0:33:52.476 --> 0:33:56.516
<v Speaker 1>He's like, it's just so interesting. It was just really refreshing.

0:33:57.316 --> 0:34:00.756
<v Speaker 3>As someone if you can, if it's possible to make

0:34:00.756 --> 0:34:02.996
<v Speaker 3>yourself sort of just like a fan of the band.

0:34:03.396 --> 0:34:07.796
<v Speaker 3>Listening to this album as a completed project, is it

0:34:07.876 --> 0:34:09.116
<v Speaker 3>different than passed out?

0:34:09.476 --> 0:34:10.796
<v Speaker 4>Like, how would you say it's different?

0:34:12.396 --> 0:34:14.476
<v Speaker 1>I think they're all different. I mean, I think that's

0:34:14.476 --> 0:34:17.396
<v Speaker 1>one thing we really consciously try to do is make

0:34:17.476 --> 0:34:20.756
<v Speaker 1>every album different and go to a different place, work

0:34:20.796 --> 0:34:23.236
<v Speaker 1>with a different person. We're always in a different frame

0:34:23.276 --> 0:34:25.636
<v Speaker 1>of mine, you know, different life things have always happened.

0:34:25.836 --> 0:34:27.836
<v Speaker 1>I think that's one thing. Probably anybody could look at

0:34:27.836 --> 0:34:31.036
<v Speaker 1>my morning jacket and say whether they liked the band

0:34:31.116 --> 0:34:33.236
<v Speaker 1>or not, that we're kind of always trying different things.

0:34:33.316 --> 0:34:36.076
<v Speaker 1>We're trying different styles, We're trying try and do this

0:34:36.156 --> 0:34:38.876
<v Speaker 1>and trying that. And I really think this album's same

0:34:38.876 --> 0:34:40.716
<v Speaker 1>thing because I feel like there's a lot of different flavors.

0:34:40.756 --> 0:34:44.636
<v Speaker 1>There's a lot of different styles. Yeah, And it was

0:34:44.676 --> 0:34:47.316
<v Speaker 1>just really interesting because, you know, over one hundred demos

0:34:47.396 --> 0:34:49.476
<v Speaker 1>or whatever, we chose twenty and then we narrowed it

0:34:49.556 --> 0:34:52.276
<v Speaker 1>down to fifteen, and then a couple didn't work at all,

0:34:52.436 --> 0:34:53.956
<v Speaker 1>you know, and you don't know why, a couple of

0:34:53.996 --> 0:34:56.036
<v Speaker 1>our favorite songs, you know, and we're just sitting there

0:34:56.356 --> 0:34:58.516
<v Speaker 1>scratching our head, and you know, Brandon and I were

0:34:58.516 --> 0:35:01.236
<v Speaker 1>trying to see if we could do anything to save them,

0:35:02.556 --> 0:35:05.196
<v Speaker 1>and a certain point you're like, okay, well those two

0:35:05.236 --> 0:35:07.996
<v Speaker 1>didn't work. You know, let's see what did work, you know.

0:35:08.036 --> 0:35:10.476
<v Speaker 1>And that was really cool thing too with Brennan, where

0:35:10.516 --> 0:35:12.516
<v Speaker 1>I feel like he was like, sometimes we going are

0:35:12.556 --> 0:35:15.756
<v Speaker 1>going to make record somebody, and we have fifteen songs

0:35:16.156 --> 0:35:17.876
<v Speaker 1>and ten of them don't work, and you're sitting there

0:35:17.876 --> 0:35:19.956
<v Speaker 1>with five songs and you're like, all right, man, I'll

0:35:19.956 --> 0:35:22.196
<v Speaker 1>see you in six months, go write some more songs. Yeah,

0:35:22.436 --> 0:35:25.196
<v Speaker 1>And so I think he would have been honest with

0:35:25.276 --> 0:35:27.276
<v Speaker 1>us too if he felt like we were at that point.

0:35:27.356 --> 0:35:30.356
<v Speaker 3>You know, did you ask him about that Rage album

0:35:30.436 --> 0:35:33.756
<v Speaker 3>that you like, did he tell you, like any stories

0:35:33.956 --> 0:35:36.436
<v Speaker 3>or anything about what, you know, other bands he's worked

0:35:36.476 --> 0:35:37.116
<v Speaker 3>with or whatever.

0:35:38.476 --> 0:35:40.756
<v Speaker 1>We did talk some about things, but that was the meant.

0:35:40.956 --> 0:35:45.316
<v Speaker 1>I mean, it's just like he'll share stories that he

0:35:45.436 --> 0:35:49.476
<v Speaker 1>never shares them in this heroic ego way, you know,

0:35:49.556 --> 0:35:54.076
<v Speaker 1>cause a lot of people they are like into their legend, yeah,

0:35:54.116 --> 0:35:58.516
<v Speaker 1>and they're like sharing stories about I was Midnight and

0:35:58.596 --> 0:36:01.356
<v Speaker 1>Elton n I were gooding high in the back of

0:36:01.396 --> 0:36:03.796
<v Speaker 1>his rolling Royce. Yeah, and people are really into their

0:36:03.836 --> 0:36:05.876
<v Speaker 1>own legend. You know. It was really cool because Brennan,

0:36:05.956 --> 0:36:08.196
<v Speaker 1>like Brenna, would share little stories here or there if

0:36:08.196 --> 0:36:10.396
<v Speaker 1>there was like a something we're working on, He's like,

0:36:10.436 --> 0:36:12.236
<v Speaker 1>oh fuck, yeah, yeah, hell, you know, one time this

0:36:12.356 --> 0:36:14.156
<v Speaker 1>or that or this is that. But there's something that

0:36:14.276 --> 0:36:20.876
<v Speaker 1>just really really appealed to us about his lack of inflating.

0:36:20.956 --> 0:36:24.036
<v Speaker 1>He's you know, he's almost reluctant to share our stories.

0:36:24.076 --> 0:36:24.316
<v Speaker 3>You know that.

0:36:24.396 --> 0:36:26.876
<v Speaker 1>It was really really that that part he really did

0:36:26.956 --> 0:36:30.836
<v Speaker 1>seem humble and uh really but also very self assured

0:36:30.876 --> 0:36:33.356
<v Speaker 1>in a really beautiful way, like a beautiful confidence where

0:36:33.356 --> 0:36:36.316
<v Speaker 1>he's always ready to speak, speak his mind and he's

0:36:36.316 --> 0:36:37.916
<v Speaker 1>always going to tell you if he thinks he's something

0:36:38.036 --> 0:36:41.516
<v Speaker 1>and good or whatever, And uh, that was really really refreshing.

0:36:41.756 --> 0:36:43.756
<v Speaker 4>That sounds like a good coach. You said you wanted

0:36:43.756 --> 0:36:44.236
<v Speaker 4>a coach.

0:36:45.116 --> 0:36:46.316
<v Speaker 1>It really, it really was.

0:36:46.396 --> 0:36:49.476
<v Speaker 3>Yeah, yeah, that's awesome. One thing I was thinking about

0:36:49.556 --> 0:36:52.116
<v Speaker 3>my morning jacket. I saw that you guys have been

0:36:52.156 --> 0:36:54.836
<v Speaker 3>called like the best live band of your generation.

0:36:56.316 --> 0:36:59.356
<v Speaker 4>And one thing that seems unique.

0:36:59.316 --> 0:37:01.756
<v Speaker 3>About you guys and super cool is that you can

0:37:01.796 --> 0:37:04.796
<v Speaker 3>put out a studio album and then you sort of

0:37:05.916 --> 0:37:09.436
<v Speaker 3>can remix all the songs live on stage, so it

0:37:09.476 --> 0:37:12.996
<v Speaker 3>almost gives the songs a different like more than one life,

0:37:14.036 --> 0:37:15.916
<v Speaker 3>and that seems like it's it's really it could be

0:37:15.956 --> 0:37:17.996
<v Speaker 3>really fun for you guys to keep things kind of

0:37:18.036 --> 0:37:20.476
<v Speaker 3>like fresh and keep evolving them.

0:37:21.076 --> 0:37:23.276
<v Speaker 1>Yeah, it really is. It's so cool and it's always

0:37:23.316 --> 0:37:25.956
<v Speaker 1>funy when people say things like best, when people use

0:37:25.996 --> 0:37:28.436
<v Speaker 1>those kind of words, it's like, it so funny. It's

0:37:28.476 --> 0:37:31.316
<v Speaker 1>like it's all it's all so subjective, you know what

0:37:31.356 --> 0:37:35.236
<v Speaker 1>I mean, it's all such an illusion that but yeah,

0:37:35.276 --> 0:37:37.716
<v Speaker 1>that's the beautiful thing is when you think of a song,

0:37:38.796 --> 0:37:41.876
<v Speaker 1>a recording of a song, it's just like a seed.

0:37:42.596 --> 0:37:44.756
<v Speaker 1>I mean, think about anything that grows. You know, you

0:37:44.836 --> 0:37:47.436
<v Speaker 1>plan a seed and a tree grows, and it looks

0:37:47.476 --> 0:37:49.356
<v Speaker 1>this way one day, but then it looks different the

0:37:49.356 --> 0:37:51.436
<v Speaker 1>next day. It looks different ten years from now, and

0:37:51.476 --> 0:37:52.916
<v Speaker 1>it looks and I feel like that's kind of how

0:37:52.996 --> 0:37:56.556
<v Speaker 1>every song is, is that it looks different every day

0:37:56.836 --> 0:37:59.036
<v Speaker 1>and depending on how you play it or depending on

0:37:59.076 --> 0:38:03.556
<v Speaker 1>where it goes. Some songs really lend themselves to exploding

0:38:03.596 --> 0:38:06.276
<v Speaker 1>and improvising and you know, and other songs don't you know,

0:38:06.316 --> 0:38:08.316
<v Speaker 1>the songs are like all right, here we are, it's

0:38:08.356 --> 0:38:10.916
<v Speaker 1>three minutes long, and this is it yeah, but even

0:38:10.956 --> 0:38:14.316
<v Speaker 1>those songs, they still they'll be faster or slower, or

0:38:14.436 --> 0:38:17.676
<v Speaker 1>they'll you'll be angry one day, you know it sounds different.

0:38:17.756 --> 0:38:20.836
<v Speaker 1>You'll be really happy one day it sounds different. But yeah,

0:38:20.836 --> 0:38:21.996
<v Speaker 1>it's so so interesting.

0:38:22.276 --> 0:38:24.356
<v Speaker 3>Yeah, I was thinking about that without in the Open

0:38:25.196 --> 0:38:31.276
<v Speaker 3>the song, and just wondering how that was gonna develop live,

0:38:31.796 --> 0:38:34.876
<v Speaker 3>And if when you're recording songs, do you think about

0:38:35.076 --> 0:38:36.876
<v Speaker 3>how it will develop live or are you.

0:38:36.996 --> 0:38:39.036
<v Speaker 4>Just concentrating on the studio version.

0:38:40.156 --> 0:38:42.236
<v Speaker 1>We do talk about that a lot and dream about

0:38:42.236 --> 0:38:44.036
<v Speaker 1>it and like, oh man, this is gonna be fun

0:38:44.076 --> 0:38:45.836
<v Speaker 1>to do live. You know, we say that a lot,

0:38:45.916 --> 0:38:47.996
<v Speaker 1>but uh, you also have to kind of let go

0:38:48.036 --> 0:38:50.356
<v Speaker 1>and let it be what it wants to be. And

0:38:50.476 --> 0:38:53.276
<v Speaker 1>some things like out in the Open's a good example

0:38:53.276 --> 0:38:54.836
<v Speaker 1>of a song that changed a lot. I mean, that

0:38:54.956 --> 0:38:59.876
<v Speaker 1>was just kind of a ukulele idea I had that

0:39:00.156 --> 0:39:03.076
<v Speaker 1>everybody liked, but they didn't know what would happen with it.

0:39:03.676 --> 0:39:06.996
<v Speaker 1>Everybody liked the riff a lot, and I had a melody.

0:39:07.036 --> 0:39:08.596
<v Speaker 1>I had, like the vocal melody, but I didn't have

0:39:08.596 --> 0:39:11.996
<v Speaker 1>any lyrics or anything. And Brendan really liked that riff

0:39:12.036 --> 0:39:14.996
<v Speaker 1>a lot and really like he was like, Okay, let's

0:39:15.036 --> 0:39:17.916
<v Speaker 1>just take this riff and let's think about it. Let's

0:39:17.956 --> 0:39:20.396
<v Speaker 1>you know, the ukulele turns into electric guitar and the

0:39:20.436 --> 0:39:22.796
<v Speaker 1>band comes in and it gets more exciting, and you know,

0:39:22.836 --> 0:39:26.836
<v Speaker 1>it like expands, and that his excitement got me excited,

0:39:26.836 --> 0:39:28.916
<v Speaker 1>so like I like started, you know, like working on

0:39:28.956 --> 0:39:33.236
<v Speaker 1>it thinking about it that way, and I'm sure live

0:39:33.316 --> 0:39:36.036
<v Speaker 1>it'll it'll grow even more. You know. It's like that's

0:39:36.116 --> 0:39:38.796
<v Speaker 1>just such a such a cool thing, such a such

0:39:38.796 --> 0:39:42.036
<v Speaker 1>a fun process. How it all unfolds?

0:39:42.516 --> 0:39:45.716
<v Speaker 3>Did my morning jacket go through like a Hamburg Beatles

0:39:46.196 --> 0:39:50.996
<v Speaker 3>moment where you all just played together live, like night

0:39:51.036 --> 0:39:54.236
<v Speaker 3>after night our you know, like big chunks of time

0:39:54.356 --> 0:39:56.836
<v Speaker 3>to really get good. Like, how did how did you

0:39:56.836 --> 0:39:58.036
<v Speaker 3>guys get good initially?

0:39:59.916 --> 0:40:03.196
<v Speaker 1>That's a good question. I don't know. I mean, I

0:40:03.196 --> 0:40:05.236
<v Speaker 1>think we just played so much. You know, I think

0:40:05.276 --> 0:40:08.076
<v Speaker 1>when you play that much, I think any band would

0:40:08.116 --> 0:40:11.476
<v Speaker 1>probably agree with that. That just the more you play,

0:40:12.036 --> 0:40:14.316
<v Speaker 1>the more it all becomes like second nature to you,

0:40:14.316 --> 0:40:16.036
<v Speaker 1>you know what I mean, You're just kind of locked

0:40:16.036 --> 0:40:18.396
<v Speaker 1>into each other. So when you start playing, I mean,

0:40:18.436 --> 0:40:24.076
<v Speaker 1>now when we play, we've been playing together in this

0:40:24.276 --> 0:40:27.556
<v Speaker 1>version of mine where jacket for twenty years. Over twenty

0:40:27.596 --> 0:40:30.756
<v Speaker 1>years now, you know, that's a lot of accumulated time,

0:40:31.236 --> 0:40:33.396
<v Speaker 1>and not only time on stage, but just time together

0:40:33.436 --> 0:40:35.956
<v Speaker 1>as people, you know, and you kind of know each

0:40:35.956 --> 0:40:37.796
<v Speaker 1>other more and more and more and more and more.

0:40:38.436 --> 0:40:40.116
<v Speaker 1>And you think of, yeah, like the Beatles in that

0:40:40.196 --> 0:40:43.836
<v Speaker 1>those Hamburg days or whatever, all that time they played

0:40:43.836 --> 0:40:47.556
<v Speaker 1>together and all those experiences really prepared them for when

0:40:47.596 --> 0:40:50.396
<v Speaker 1>they were together in the studio and faced with the

0:40:50.436 --> 0:40:53.516
<v Speaker 1>pressure of the world or whatever, they were ready to

0:40:53.596 --> 0:40:55.516
<v Speaker 1>do it because they had spent the time and done

0:40:55.516 --> 0:40:55.956
<v Speaker 1>the work.

0:40:56.636 --> 0:41:00.236
<v Speaker 3>Do you consider your relationship with the band as the

0:41:00.316 --> 0:41:03.636
<v Speaker 3>most important relationship in your life.

0:41:04.436 --> 0:41:06.516
<v Speaker 1>No, I don't really look at anything that way, because

0:41:06.516 --> 0:41:10.676
<v Speaker 1>it all flows and changes in every days different and

0:41:10.836 --> 0:41:13.756
<v Speaker 1>so I try to look at whoever's in my life

0:41:13.756 --> 0:41:15.756
<v Speaker 1>that day as the most important person in my life,

0:41:15.836 --> 0:41:19.396
<v Speaker 1>you know, whoever I'm encountering in that moment, because it's

0:41:19.436 --> 0:41:22.396
<v Speaker 1>really I think that's one thing we forget is everything

0:41:22.396 --> 0:41:24.636
<v Speaker 1>else is gone, you know, like right now it's just

0:41:24.716 --> 0:41:27.316
<v Speaker 1>you and me and there's nothing else happening right now.

0:41:27.476 --> 0:41:29.876
<v Speaker 1>The band isn't here, my parents aren't here, you know,

0:41:29.956 --> 0:41:33.676
<v Speaker 1>nobody's here right now, And I try to keep thinking

0:41:33.716 --> 0:41:36.396
<v Speaker 1>about that, because when you're on tour, you really have

0:41:36.436 --> 0:41:39.436
<v Speaker 1>to think about that in this interesting way because if

0:41:39.476 --> 0:41:43.556
<v Speaker 1>I'm trapped somewhere, it doesn't matter where I want to be.

0:41:44.116 --> 0:41:46.276
<v Speaker 1>I'm right there, you know, and it's like and I

0:41:46.276 --> 0:41:49.916
<v Speaker 1>can spend time wishing I was somewhere else, or I

0:41:49.956 --> 0:41:53.956
<v Speaker 1>can face reality and try and enjoy it, you know.

0:41:53.996 --> 0:41:58.516
<v Speaker 1>And I love how Michael Singer talks about He's wrote

0:41:58.516 --> 0:42:02.356
<v Speaker 1>The Untethered Soul and has a podcast that I really enjoy,

0:42:02.676 --> 0:42:04.596
<v Speaker 1>and he talks about reality and he's like, you want

0:42:04.596 --> 0:42:07.156
<v Speaker 1>to hear the definition of reality. Reality is that which

0:42:07.196 --> 0:42:10.156
<v Speaker 1>has already happened. It's like and you can't if you

0:42:10.156 --> 0:42:12.156
<v Speaker 1>wish you could change it. You know, you might not

0:42:12.316 --> 0:42:14.756
<v Speaker 1>like it, but it is, you know. That was another

0:42:14.836 --> 0:42:16.636
<v Speaker 1>one of the reasons I want to name the record

0:42:16.796 --> 0:42:19.716
<v Speaker 1>is it is like it is, you know, it's like

0:42:19.876 --> 0:42:22.156
<v Speaker 1>and I think that's something we all need to think

0:42:22.156 --> 0:42:25.596
<v Speaker 1>about if we want to change the world. If we're

0:42:25.596 --> 0:42:29.396
<v Speaker 1>not happy about the way the world is, it's okay

0:42:29.436 --> 0:42:31.596
<v Speaker 1>to feel upset about it. It's okay to wish it

0:42:32.516 --> 0:42:36.196
<v Speaker 1>was different and one way. But if you face it

0:42:36.316 --> 0:42:40.036
<v Speaker 1>directly as it is and say this is reality right now?

0:42:40.276 --> 0:42:41.916
<v Speaker 1>What am I going to do about it? How am

0:42:41.916 --> 0:42:43.436
<v Speaker 1>I going to need it? You know? How am I

0:42:43.516 --> 0:42:48.236
<v Speaker 1>going to show up for myself and for reality as

0:42:48.276 --> 0:42:51.316
<v Speaker 1>it is? And I think that's like some kind of

0:42:51.396 --> 0:42:56.156
<v Speaker 1>doorway to a better future. It's almost like you can't

0:42:56.276 --> 0:43:00.276
<v Speaker 1>think about the future. You've got to like really think

0:43:00.316 --> 0:43:04.836
<v Speaker 1>about what can I do in this present moment, starting close,

0:43:04.956 --> 0:43:07.076
<v Speaker 1>you know, starting with myself and the people around me,

0:43:07.116 --> 0:43:10.516
<v Speaker 1>and how can I make that better? And I just

0:43:10.556 --> 0:43:13.156
<v Speaker 1>keep trying to think about that. That's really been helping me.

0:43:15.156 --> 0:43:17.716
<v Speaker 2>One last break and we're back with Lea Rose and

0:43:17.796 --> 0:43:21.276
<v Speaker 2>Jim James.

0:43:22.796 --> 0:43:24.276
<v Speaker 4>What have you been listening to lately?

0:43:25.436 --> 0:43:27.956
<v Speaker 1>I feel like whenever anybody asks me that, my mind

0:43:27.996 --> 0:43:33.276
<v Speaker 1>goes blank, goes completely blank. I feel like I have

0:43:33.396 --> 0:43:35.356
<v Speaker 1>my regular diet.

0:43:35.316 --> 0:43:36.916
<v Speaker 4>Yeah, what's your diet?

0:43:37.236 --> 0:43:40.516
<v Speaker 1>My steady diet is My Sweet Lord by George Harrison.

0:43:40.556 --> 0:43:42.316
<v Speaker 1>I feel like I listened to that song kind of

0:43:42.356 --> 0:43:44.276
<v Speaker 1>on repeat all the time, like over and over and

0:43:44.316 --> 0:43:47.596
<v Speaker 1>over and over again. There's this band Magdalena Bay. Have

0:43:47.636 --> 0:43:51.036
<v Speaker 1>you heard them. They've got this song Image that I

0:43:51.076 --> 0:43:55.156
<v Speaker 1>really like. Oh. There's an artist Lacey Guthrie. They've got

0:43:55.156 --> 0:43:57.716
<v Speaker 1>this song called here she comes that. I really like.

0:43:59.556 --> 0:44:03.196
<v Speaker 1>I mean, I feel like Kendrick Lamar is always blowing

0:44:03.236 --> 0:44:04.716
<v Speaker 1>my mind. I mean, I feel like we're kind of

0:44:04.756 --> 0:44:08.356
<v Speaker 1>like living in his era in a lot of ways.

0:44:08.436 --> 0:44:10.476
<v Speaker 1>I feel like there's this this thing that he's doing

0:44:10.516 --> 0:44:12.916
<v Speaker 1>that's speaking to so many people. I really like that

0:44:12.996 --> 0:44:16.996
<v Speaker 1>dough Chi record, Like, I feel like the vibe that

0:44:16.996 --> 0:44:20.036
<v Speaker 1>that's coming from that is really powerful. Yeah. God, I

0:44:20.036 --> 0:44:21.836
<v Speaker 1>mean there's just like that's the thing. It's like the

0:44:21.916 --> 0:44:26.196
<v Speaker 1>problem and the benefit of the digital age or whatever.

0:44:26.196 --> 0:44:29.556
<v Speaker 1>There's there's so much great, so much great music, but

0:44:29.596 --> 0:44:32.556
<v Speaker 1>it's almost like this title wave. Yes, yeah, you're trying

0:44:32.876 --> 0:44:34.636
<v Speaker 1>trying to hold on to any of it, you know,

0:44:34.676 --> 0:44:37.956
<v Speaker 1>it's all there's just like so much for sure.

0:44:38.396 --> 0:44:41.356
<v Speaker 3>And I saw that you were in the the Bob

0:44:41.436 --> 0:44:43.036
<v Speaker 3>Dylan the the.

0:44:43.036 --> 0:44:44.836
<v Speaker 1>Movie were not I'm not there.

0:44:44.916 --> 0:44:47.396
<v Speaker 4>I'm not there. Yeah, what was that experience?

0:44:47.516 --> 0:44:51.476
<v Speaker 1>Like it was wild? It was so beautiful. I think

0:44:51.516 --> 0:44:54.916
<v Speaker 1>originally they said Hank Williams the Third was supposed to

0:44:54.996 --> 0:44:57.956
<v Speaker 1>do that part or whatever. Yeah, for some reason he

0:44:57.996 --> 0:45:01.236
<v Speaker 1>couldn't do it. And Randall Poster, who's one of the

0:45:01.236 --> 0:45:04.116
<v Speaker 1>greatest music supervisors of all time, who's done like all

0:45:04.156 --> 0:45:07.036
<v Speaker 1>the Wes Anderson films and so many amazing films. He

0:45:07.156 --> 0:45:10.836
<v Speaker 1>was the music supervisor and uh I was living in

0:45:10.876 --> 0:45:13.796
<v Speaker 1>New York at the time, and he called me up

0:45:13.796 --> 0:45:16.676
<v Speaker 1>and he's like, Hey, do you want to sing this

0:45:16.676 --> 0:45:19.276
<v Speaker 1>this Bob Dylan song going to Alcapolca. I was like,

0:45:19.316 --> 0:45:22.276
<v Speaker 1>that's one of my favorite Dylan songs. I love the

0:45:22.276 --> 0:45:25.756
<v Speaker 1>Basement tapes and I love that that era of Dylan.

0:45:26.316 --> 0:45:30.036
<v Speaker 1>So we popped over to this studio and Colexico had

0:45:30.036 --> 0:45:34.676
<v Speaker 1>already recorded the music and I sang the track and

0:45:34.716 --> 0:45:37.356
<v Speaker 1>it all worked out, and then we flew out to

0:45:37.396 --> 0:45:44.356
<v Speaker 1>Montreal to film the scene. I was like painting. I

0:45:44.356 --> 0:45:45.796
<v Speaker 1>had to paint my face to kind of be like

0:45:45.836 --> 0:45:49.916
<v Speaker 1>the Rolling Thunder era Dylan, but I wasn't. I wasn't

0:45:49.956 --> 0:45:52.196
<v Speaker 1>like supposed to be him or anything. I'm just supposed

0:45:52.196 --> 0:45:55.316
<v Speaker 1>to be this band leader that looks like him or

0:45:55.396 --> 0:45:57.796
<v Speaker 1>reminds you of him from that era or whatever. And

0:45:57.836 --> 0:46:00.276
<v Speaker 1>it was so funny because I took the white face paint.

0:46:00.396 --> 0:46:03.396
<v Speaker 1>The makeup lady came and gave me the face paint,

0:46:03.436 --> 0:46:05.796
<v Speaker 1>and they're like, and I knew that era of Dylan

0:46:05.836 --> 0:46:07.756
<v Speaker 1>or whatever. She's like, so I'll let you put the

0:46:08.356 --> 0:46:10.916
<v Speaker 1>paint on or whatever, you know, and I like was

0:46:10.956 --> 0:46:13.276
<v Speaker 1>so nervous and so terrified. I wanted to do a

0:46:13.316 --> 0:46:16.116
<v Speaker 1>really great job to put all this light paint all

0:46:16.156 --> 0:46:18.196
<v Speaker 1>over my face, like so much. There's like, you know,

0:46:18.236 --> 0:46:20.436
<v Speaker 1>probably like two inches of paint sticking on my face.

0:46:20.516 --> 0:46:22.556
<v Speaker 1>And she comes back in and she's like, geez man,

0:46:22.836 --> 0:46:24.516
<v Speaker 1>She's like, you don't have to do that much. She's like,

0:46:24.956 --> 0:46:26.596
<v Speaker 1>let's get because if he would have done it, he

0:46:26.636 --> 0:46:28.676
<v Speaker 1>probably just would have you know, put it on pretty

0:46:28.756 --> 0:46:30.116
<v Speaker 1>quick or whatever. And I was it was just such

0:46:30.116 --> 0:46:32.716
<v Speaker 1>a funny moment of like that thing, you know, that

0:46:32.876 --> 0:46:36.956
<v Speaker 1>over perfectionist thing kind of coming in and biting you

0:46:37.036 --> 0:46:40.236
<v Speaker 1>in the ass, right, so funny. So like today she

0:46:40.316 --> 0:46:41.676
<v Speaker 1>helped me, like, you know, we took some of it

0:46:41.676 --> 0:46:43.956
<v Speaker 1>off or whatever, and it was amazing. It was just

0:46:43.956 --> 0:46:45.316
<v Speaker 1>such a cool part to be a part of it.

0:46:45.436 --> 0:46:48.156
<v Speaker 4>That's so cool. What a cool experience, especially for someone

0:46:48.156 --> 0:46:48.836
<v Speaker 4>who loves stealing.

0:46:49.436 --> 0:46:51.316
<v Speaker 1>Oh man, it was unbelievable.

0:46:51.396 --> 0:46:52.276
<v Speaker 4>Have you ever met him?

0:46:53.036 --> 0:46:55.516
<v Speaker 1>Yeah, I mean not really met him because he but

0:46:55.596 --> 0:46:58.116
<v Speaker 1>we I got to sing with him a couple of

0:46:58.156 --> 0:47:00.836
<v Speaker 1>times when we went on tour with him on the

0:47:01.156 --> 0:47:04.956
<v Speaker 1>Americana Brama tour we did when it was I don't know,

0:47:04.996 --> 0:47:07.796
<v Speaker 1>ten years ago or something, and that was really fascinating

0:47:07.836 --> 0:47:12.636
<v Speaker 1>because it was us and Will Coo and Dylan and

0:47:12.676 --> 0:47:14.556
<v Speaker 1>they had sold us on the idea of the tour

0:47:15.116 --> 0:47:17.756
<v Speaker 1>that he wanted to play with everybody a lot. They're like,

0:47:17.836 --> 0:47:20.876
<v Speaker 1>Dylan really wants to play with all the bands, and

0:47:20.916 --> 0:47:23.236
<v Speaker 1>like we pictured ourselves sitting around the campfire at midnight,

0:47:23.356 --> 0:47:25.596
<v Speaker 1>like let's learn all of desire or whatever, you know,

0:47:25.636 --> 0:47:28.036
<v Speaker 1>all these like and of course we get to the tour.

0:47:28.276 --> 0:47:30.636
<v Speaker 1>We don't see him, we don't hear from him, we

0:47:30.716 --> 0:47:32.796
<v Speaker 1>don't meet him. You know, you you never even see

0:47:32.836 --> 0:47:33.836
<v Speaker 1>him in catering or anything.

0:47:33.836 --> 0:47:33.956
<v Speaker 3>You know.

0:47:34.036 --> 0:47:36.396
<v Speaker 1>His bus pulls up, he gets off the bus, plays

0:47:36.396 --> 0:47:38.956
<v Speaker 1>this show, gets on the bus leaves. You know. That's

0:47:39.476 --> 0:47:41.996
<v Speaker 1>and but then one night his bass player comes up

0:47:42.036 --> 0:47:43.596
<v Speaker 1>to me and he's like, he's like, I think Bob

0:47:43.676 --> 0:47:45.316
<v Speaker 1>wants you. Was sitting to night and he gives me

0:47:45.316 --> 0:47:49.636
<v Speaker 1>a CD of this Reverend Gary Davis song that I

0:47:50.276 --> 0:47:53.796
<v Speaker 1>I didn't know, and uh, Jeff from Wilco and I

0:47:54.676 --> 0:47:56.916
<v Speaker 1>were like, go in the backstage and we've got our

0:47:56.956 --> 0:47:59.756
<v Speaker 1>guitars and we're like, you know, we've got like whatever.

0:47:59.796 --> 0:48:02.796
<v Speaker 1>A couple hours until we're supposed to sit him, sit

0:48:02.876 --> 0:48:04.756
<v Speaker 1>him with him, and you know, yeah, we're both like

0:48:04.836 --> 0:48:07.116
<v Speaker 1>terrified and we're trying to learn the song. And in

0:48:07.276 --> 0:48:09.596
<v Speaker 1>the bass player Tony he's like, he's like, let's do

0:48:09.636 --> 0:48:11.676
<v Speaker 1>this in the key of D and I don't really

0:48:11.716 --> 0:48:13.756
<v Speaker 1>know keys or anything. So we're like, okay, if we'd

0:48:13.756 --> 0:48:16.836
<v Speaker 1>like learn it, and I swear like five minutes before

0:48:16.836 --> 0:48:19.596
<v Speaker 1>we're supposed to go on, the guitar tech comes back

0:48:19.636 --> 0:48:21.276
<v Speaker 1>and he's like, I think Dylan wants to do it

0:48:21.316 --> 0:48:25.116
<v Speaker 1>and be flat. So we're like, okay, do you to

0:48:25.116 --> 0:48:26.836
<v Speaker 1>be flat? What is that? You know, we're like trying

0:48:26.836 --> 0:48:29.196
<v Speaker 1>to figure out and I don't know the song well

0:48:29.236 --> 0:48:30.636
<v Speaker 1>at all or whatever, you know, and then we's like

0:48:30.916 --> 0:48:33.316
<v Speaker 1>go out, you know. I mean he was really nice

0:48:33.316 --> 0:48:35.316
<v Speaker 1>on stage, you know, he welcomed us on stage or whatever,

0:48:35.356 --> 0:48:37.956
<v Speaker 1>and we you know, stumbled our way through the song,

0:48:38.076 --> 0:48:41.876
<v Speaker 1>and uh, we did. We did a couple of Revengdary

0:48:41.916 --> 0:48:44.356
<v Speaker 1>Davis songs, and then we did the Weight by the

0:48:44.436 --> 0:48:47.396
<v Speaker 1>band like four or five times, and every night he

0:48:47.396 --> 0:48:49.436
<v Speaker 1>would change the key of that, so it was like

0:48:49.476 --> 0:48:52.236
<v Speaker 1>constantly going up and down. You know. It's like it

0:48:52.316 --> 0:48:55.876
<v Speaker 1>was so wild. But it was so crazy because you

0:48:55.956 --> 0:48:58.956
<v Speaker 1>never got to like spend any time with him or anything,

0:48:58.996 --> 0:49:01.356
<v Speaker 1>like we didn't have a conversation or anything. But when

0:49:01.396 --> 0:49:05.316
<v Speaker 1>we were playing with him on stage, one of the

0:49:05.316 --> 0:49:08.916
<v Speaker 1>most unbelievable things I've ever seen, like like looking over

0:49:08.956 --> 0:49:16.156
<v Speaker 1>it him and he is gone. I mean he's completely lost,

0:49:16.276 --> 0:49:21.396
<v Speaker 1>Like his eyes were somewhere, you know, like tapped into

0:49:21.436 --> 0:49:25.996
<v Speaker 1>something that really was. I think that like we're all

0:49:26.116 --> 0:49:29.756
<v Speaker 1>part of this you know, for lack of a better word,

0:49:29.796 --> 0:49:33.516
<v Speaker 1>cosmic ocean or consciousness or whatever that I really believe

0:49:33.516 --> 0:49:37.796
<v Speaker 1>we're all tied into and we're all just little nodes

0:49:37.836 --> 0:49:40.436
<v Speaker 1>off the same a wall of electricity, or we're little

0:49:40.476 --> 0:49:43.876
<v Speaker 1>waves off the same ocean or whatever. And occasionally a

0:49:43.916 --> 0:49:53.156
<v Speaker 1>person comes along that somehow their energy speaks to everybody,

0:49:53.196 --> 0:49:55.996
<v Speaker 1>you know, in this different way, you know, like Dylan does,

0:49:56.076 --> 0:49:59.236
<v Speaker 1>you know, and there's just this thing like being two

0:49:59.276 --> 0:50:01.396
<v Speaker 1>feet away from him, you know, looking at him, when

0:50:01.436 --> 0:50:05.156
<v Speaker 1>I was like I saw that wow thing or whatever.

0:50:05.236 --> 0:50:07.716
<v Speaker 1>I guess that must be his connection to the thing,

0:50:07.836 --> 0:50:11.076
<v Speaker 1>you know, because it was like really was no one

0:50:11.236 --> 0:50:14.836
<v Speaker 1>was there in his body. You know, It's like he

0:50:15.516 --> 0:50:20.516
<v Speaker 1>was in that place that I think we all know

0:50:20.756 --> 0:50:24.276
<v Speaker 1>that place musicians know it is the place when they're

0:50:24.396 --> 0:50:27.156
<v Speaker 1>lost in great music, you know, and they're they're lost

0:50:27.196 --> 0:50:29.316
<v Speaker 1>in the moment. And I think the place most of

0:50:29.356 --> 0:50:32.436
<v Speaker 1>it us know at best is like in love, you know,

0:50:32.716 --> 0:50:37.596
<v Speaker 1>making love or that at that part of life where you're, yeah,

0:50:37.676 --> 0:50:40.436
<v Speaker 1>you are gone, you know, you've you've forgotten all about

0:50:40.476 --> 0:50:43.636
<v Speaker 1>this human experience and you are lost in the energy

0:50:43.636 --> 0:50:46.276
<v Speaker 1>of love and God. And uh, that was one of

0:50:46.276 --> 0:50:49.196
<v Speaker 1>the coolest things I've ever gotten to see is stand

0:50:49.476 --> 0:50:52.756
<v Speaker 1>so close to uh, a hero like that and see

0:50:53.516 --> 0:50:58.316
<v Speaker 1>that force was just it was unbelievable.

0:50:58.356 --> 0:50:59.116
<v Speaker 4>That's incredible.

0:51:00.156 --> 0:51:00.876
<v Speaker 1>Yeah.

0:51:00.956 --> 0:51:03.676
<v Speaker 4>Have you played with anybody else and had that experience?

0:51:05.076 --> 0:51:07.716
<v Speaker 1>Oh my god. Yeah, We've been so lucky. It's so

0:51:07.836 --> 0:51:14.116
<v Speaker 1>fortunate to like share the stage with so many unbelievable artists.

0:51:14.196 --> 0:51:17.276
<v Speaker 1>You know, it's just like it it is, uh, I

0:51:17.396 --> 0:51:20.996
<v Speaker 1>just yeah, or even seeing people like I got to

0:51:20.996 --> 0:51:24.636
<v Speaker 1>see Edda James before she passed away, you know, and

0:51:25.196 --> 0:51:28.836
<v Speaker 1>the energy you know, coming off of her, you know,

0:51:28.996 --> 0:51:32.156
<v Speaker 1>just like really you felt like the place was going

0:51:32.196 --> 0:51:34.756
<v Speaker 1>to be ripped apart. You know, it's like the the

0:51:34.836 --> 0:51:37.116
<v Speaker 1>walls are gonna be ripped off the place, you know,

0:51:37.116 --> 0:51:42.396
<v Speaker 1>the energy is so insanely for us. Or seeing Jonny

0:51:42.436 --> 0:51:45.316
<v Speaker 1>Mitchell at the Hollywood Bowl last year, you know, just

0:51:46.156 --> 0:51:49.356
<v Speaker 1>in the audience, you know, like not I'm like and

0:51:49.396 --> 0:51:52.396
<v Speaker 1>I've always really loved and respected Jonny Mitchell, but it's

0:51:52.396 --> 0:51:55.756
<v Speaker 1>never fully been my thing. It's never fully spoken to

0:51:55.836 --> 0:51:58.756
<v Speaker 1>me fully deeply, because a lot of it, honestly just

0:51:58.756 --> 0:52:01.276
<v Speaker 1>feels kind of over my head. It's very complex and

0:52:01.436 --> 0:52:04.436
<v Speaker 1>very layered, and a lot of times I really so

0:52:04.556 --> 0:52:10.276
<v Speaker 1>much respect and so much beauty. But seeing her, the

0:52:11.396 --> 0:52:16.556
<v Speaker 1>unbelievable energy coming out of her, of like she's seen

0:52:16.636 --> 0:52:19.556
<v Speaker 1>it all and lived to tell the tale now and

0:52:19.636 --> 0:52:25.436
<v Speaker 1>you're seeing her in person all almost like she's she's

0:52:25.916 --> 0:52:28.396
<v Speaker 1>all of the energy of everything that's ever happened in

0:52:28.436 --> 0:52:31.796
<v Speaker 1>the history of mankind or whatever is like coming out

0:52:31.836 --> 0:52:34.676
<v Speaker 1>of her as she sits on her throne. And it's

0:52:34.676 --> 0:52:37.516
<v Speaker 1>like I kept getting this vision of her as like

0:52:38.236 --> 0:52:41.196
<v Speaker 1>the power of like Marlon Brando and the Godfather or wherever,

0:52:41.276 --> 0:52:44.716
<v Speaker 1>you know. But it's like, but like ten thousand Marlon Brandos,

0:52:44.716 --> 0:52:47.156
<v Speaker 1>you know, just like the power coming off her just

0:52:47.196 --> 0:52:50.556
<v Speaker 1>like I mean, like I couldn't believe it, you know,

0:52:50.596 --> 0:52:52.916
<v Speaker 1>It's just like that's one really inspiring thing too that

0:52:52.956 --> 0:52:54.476
<v Speaker 1>we talk about a lot as a band is like

0:52:55.876 --> 0:53:01.396
<v Speaker 1>you see these people that really show you the age

0:53:01.876 --> 0:53:04.436
<v Speaker 1>doesn't matter the way we think it does, and age

0:53:04.476 --> 0:53:07.396
<v Speaker 1>is relative, you know, and nobody can help the help

0:53:07.436 --> 0:53:09.916
<v Speaker 1>complications they may have, or if you have bad health

0:53:09.956 --> 0:53:12.596
<v Speaker 1>or something happens to you, you know, obviously nobody can change

0:53:12.676 --> 0:53:17.356
<v Speaker 1>or help that. But beyond that, seeing the Rolling Stones,

0:53:17.476 --> 0:53:19.036
<v Speaker 1>I've seen them four or five times in the last

0:53:19.036 --> 0:53:24.876
<v Speaker 1>few years, just unbelievable, you know, like they're not over

0:53:24.916 --> 0:53:27.996
<v Speaker 1>the hill, old guys. You know, they're the greatest rock

0:53:28.036 --> 0:53:32.076
<v Speaker 1>and roll band of all time and they're still alive. Yeah,

0:53:32.076 --> 0:53:34.756
<v Speaker 1>and they're still blowing your mind, you know. Or you

0:53:34.756 --> 0:53:37.996
<v Speaker 1>see Neil Young saying that still blowing your mind, you know,

0:53:38.076 --> 0:53:41.796
<v Speaker 1>like still and that kind of stuff is just so inspiring.

0:53:43.076 --> 0:53:44.836
<v Speaker 1>I've talked with the Specimen in the day. It's like

0:53:46.516 --> 0:53:50.276
<v Speaker 1>we're all the first to see rock and roll grow old.

0:53:50.876 --> 0:53:54.196
<v Speaker 1>Like this is all so new, Yeah, you know, it's

0:53:54.196 --> 0:53:58.036
<v Speaker 1>all so new, and there's so many people like Jimmy

0:53:58.076 --> 0:54:00.316
<v Speaker 1>Hendricks or whatever who died, or John Lennon who died

0:54:00.356 --> 0:54:02.196
<v Speaker 1>or whatever. But then there's still so many people like

0:54:02.196 --> 0:54:06.116
<v Speaker 1>Paul McCartney or like I still have gotten to hear

0:54:06.756 --> 0:54:10.916
<v Speaker 1>Keith Richards ripped my mind in half with Gode. You

0:54:10.956 --> 0:54:13.796
<v Speaker 1>know when he hits some big you know, it's just like.

0:54:15.396 --> 0:54:19.916
<v Speaker 3>Just so lucky, so lucky to witness that unbelievably lucky.

0:54:20.036 --> 0:54:24.116
<v Speaker 4>Yeah. How are you feeling about touring these days?

0:54:25.156 --> 0:54:26.996
<v Speaker 1>It's so funny And we were talking about this the

0:54:27.076 --> 0:54:31.076
<v Speaker 1>other day because we have never felt better about playing

0:54:31.156 --> 0:54:34.756
<v Speaker 1>shows like the band as a unit, as like a

0:54:35.356 --> 0:54:39.716
<v Speaker 1>like everything feels so beautiful and so unbelievable, and we've

0:54:39.716 --> 0:54:42.796
<v Speaker 1>never felt better about like the music and the brotherhood

0:54:42.836 --> 0:54:47.516
<v Speaker 1>and the harmony and the experience with everybody coming to

0:54:47.596 --> 0:54:50.956
<v Speaker 1>the shows and the circle that's created by the audience

0:54:51.036 --> 0:54:53.276
<v Speaker 1>and us, and the whole thing is it has never

0:54:53.356 --> 0:54:56.396
<v Speaker 1>been more beautiful. And simultaneously, I feel like the more

0:54:57.116 --> 0:54:59.836
<v Speaker 1>sober I've gotten in peaceful I've gotten, the harder the

0:54:59.876 --> 0:55:03.836
<v Speaker 1>travels become. So it's been like this this crazy, uh

0:55:04.516 --> 0:55:06.836
<v Speaker 1>back and forth thing of like oh my god, like

0:55:07.036 --> 0:55:09.116
<v Speaker 1>I cannot sleep on the bus anymore, you know things

0:55:09.236 --> 0:55:09.956
<v Speaker 1>like that where you're.

0:55:09.836 --> 0:55:11.956
<v Speaker 4>Like, is it because you have back back stuff?

0:55:12.036 --> 0:55:12.236
<v Speaker 2>Right?

0:55:13.556 --> 0:55:16.116
<v Speaker 1>Well, yeah, I mean a litany of that kind of stuff.

0:55:16.236 --> 0:55:20.116
<v Speaker 1>It's just it's just interesting that. Uh. I think everybody

0:55:20.156 --> 0:55:22.876
<v Speaker 1>recognizes that kind of thing in the in their own

0:55:22.916 --> 0:55:27.756
<v Speaker 1>life where it's like nothing is ever one thing, you know,

0:55:27.756 --> 0:55:30.916
<v Speaker 1>it's like always both had you know. I love this

0:55:31.036 --> 0:55:33.116
<v Speaker 1>new I feel like this phrase. I don't know when

0:55:33.156 --> 0:55:35.116
<v Speaker 1>it was born, but I feel like it's really come

0:55:35.196 --> 0:55:37.596
<v Speaker 1>to more and more light in the past five years

0:55:38.316 --> 0:55:41.036
<v Speaker 1>five years or so, this both hand things. And I

0:55:41.036 --> 0:55:43.436
<v Speaker 1>think about that and it's like touring is this huge

0:55:43.476 --> 0:55:46.116
<v Speaker 1>both and you know, it's like I've never loved playing

0:55:46.156 --> 0:55:49.396
<v Speaker 1>shows more and I've never not enjoyed traveling more, you know.

0:55:49.476 --> 0:55:51.716
<v Speaker 1>All the same time, it's like the travel is just

0:55:51.756 --> 0:55:55.396
<v Speaker 1>so difficult for me. But it's like, but it's part

0:55:55.436 --> 0:55:57.796
<v Speaker 1>of the what I mean, what can you do until

0:55:57.836 --> 0:56:01.876
<v Speaker 1>they get the teleporter and then it we gotta do it.

0:56:01.996 --> 0:56:04.636
<v Speaker 3>We got to do How do you get yourself in

0:56:04.716 --> 0:56:06.276
<v Speaker 3>the mood for a show if you can't do like

0:56:06.316 --> 0:56:08.276
<v Speaker 3>a couple of shots or whatever, it is, like, how

0:56:08.316 --> 0:56:09.996
<v Speaker 3>do you get into them the mind frame?

0:56:10.996 --> 0:56:15.396
<v Speaker 1>Well, I've never drank before shows. I always drank after shows,

0:56:15.836 --> 0:56:17.916
<v Speaker 1>but I've never drank before shows because I'm really like,

0:56:18.596 --> 0:56:21.756
<v Speaker 1>my dad really gave me a really good work ethic.

0:56:21.756 --> 0:56:23.676
<v Speaker 1>I feel like in a really like sense of you know,

0:56:23.756 --> 0:56:25.916
<v Speaker 1>like gott gotta show up for work and you gotta

0:56:25.956 --> 0:56:29.196
<v Speaker 1>be ready to work, you know. But well, I've got

0:56:29.236 --> 0:56:31.156
<v Speaker 1>a whole list of things I do. I mean, I've

0:56:31.196 --> 0:56:33.516
<v Speaker 1>really got like a whole vocal warm up thing I do,

0:56:33.636 --> 0:56:39.116
<v Speaker 1>and a whole meditation thing, and just like a quiet

0:56:39.196 --> 0:56:41.916
<v Speaker 1>thing and an exercise thing and a music thing. And

0:56:41.956 --> 0:56:45.036
<v Speaker 1>you know, it's like this series of like simultaneously getting

0:56:45.036 --> 0:56:48.436
<v Speaker 1>relaxed and getting excited, you know, and like getting your

0:56:48.476 --> 0:56:52.436
<v Speaker 1>voice warmed up so much energy and then we have

0:56:52.476 --> 0:56:55.556
<v Speaker 1>a we always do a huddle, you know, and get

0:56:55.596 --> 0:57:00.756
<v Speaker 1>our band energy going. And and I I asked Alice

0:57:00.756 --> 0:57:04.036
<v Speaker 1>Coltrane a long time ago if we could use a

0:57:04.076 --> 0:57:07.196
<v Speaker 1>piece of her music to as our walk on music,

0:57:07.236 --> 0:57:09.996
<v Speaker 1>to kind of bless the stage. So there's this really

0:57:10.876 --> 0:57:13.196
<v Speaker 1>cool piece I cut together of a couple of her

0:57:13.956 --> 0:57:16.676
<v Speaker 1>instrumental portions that I feel like, is this really cool

0:57:16.756 --> 0:57:19.276
<v Speaker 1>like thing that kind of comes out and like clears

0:57:19.316 --> 0:57:22.716
<v Speaker 1>the energy of the stage before we come on. So yeah,

0:57:22.796 --> 0:57:25.676
<v Speaker 1>just things like that. I try to pray. I try

0:57:25.716 --> 0:57:28.556
<v Speaker 1>to really pray to the energy of the day and

0:57:29.116 --> 0:57:34.956
<v Speaker 1>whatever forces might be there that just then it is

0:57:34.996 --> 0:57:37.396
<v Speaker 1>what it is, and I can accept that, you know that.

0:57:37.436 --> 0:57:39.956
<v Speaker 1>I hope it's a great experience for the audience, and

0:57:39.956 --> 0:57:41.556
<v Speaker 1>I hope that it's a great experience for us, And

0:57:41.556 --> 0:57:46.396
<v Speaker 1>I hope that I imagine the whole venue surrounded in like

0:57:46.476 --> 0:57:49.516
<v Speaker 1>a golden light, and like try to imagine all of

0:57:49.636 --> 0:57:53.436
<v Speaker 1>us surrounded in like some kind of protective, healing light.

0:57:53.796 --> 0:57:59.516
<v Speaker 1>But then simultaneously, like, please help me accept whatever doesn't

0:57:59.516 --> 0:58:01.956
<v Speaker 1>go right, Yeah, because that's going to happen too, you know,

0:58:02.076 --> 0:58:04.596
<v Speaker 1>like because that's so so much out of your control

0:58:04.596 --> 0:58:06.156
<v Speaker 1>when you step on the stage, you know, it's like

0:58:06.836 --> 0:58:08.156
<v Speaker 1>and that's part of it, I think, is trying to

0:58:08.156 --> 0:58:08.596
<v Speaker 1>accept that.

0:58:10.076 --> 0:58:12.356
<v Speaker 3>Well, Jim, thank you so much for talking, Thanks for

0:58:12.396 --> 0:58:16.836
<v Speaker 3>being so open. Thanks, Yeah, congrats on the new album.

0:58:16.996 --> 0:58:18.436
<v Speaker 1>Thanks so much, thanks for having me.

0:58:20.756 --> 0:58:23.196
<v Speaker 2>In episode description, you'll find a link to a playlist

0:58:23.236 --> 0:58:25.996
<v Speaker 2>of our favorite mind Morning Jacket and Jim James tracks

0:58:26.476 --> 0:58:28.556
<v Speaker 2>and again. To see the video version of this episode,

0:58:28.596 --> 0:58:32.196
<v Speaker 2>visit YouTube dot com slash Broken Record Podcast, and be

0:58:32.236 --> 0:58:35.036
<v Speaker 2>sure to follow us on Instagram at the Broken Record Pod.

0:58:35.676 --> 0:58:38.876
<v Speaker 2>You can follow us on Twitter at broken Record. Broken

0:58:38.876 --> 0:58:41.956
<v Speaker 2>Record is produced and edited by Leah Rose with marketing

0:58:42.036 --> 0:58:45.276
<v Speaker 2>help from Eric Sandler and Jordan McMillan. Our engineer is

0:58:45.316 --> 0:58:49.596
<v Speaker 2>Ben Tolliday. Broken Record is a production of Pushkin Industries.

0:58:49.996 --> 0:58:52.796
<v Speaker 2>If you love this show and others from Pushkin, consider

0:58:52.796 --> 0:58:57.156
<v Speaker 2>subscribing to Pushkin Plus. Pushkin Plus is a podcast subscription

0:58:57.276 --> 0:59:00.476
<v Speaker 2>that offers bonus content and acthlete listening for four ninety

0:59:00.556 --> 0:59:05.036
<v Speaker 2>nine a month. Look for Pushkin Plus on Apple Podcasts subscriptions,

0:59:05.556 --> 0:59:08.196
<v Speaker 2>and if you like this show, please remember to share, rate,

0:59:08.236 --> 0:59:11.036
<v Speaker 2>and review us on your podcast app or Theme Music's

0:59:11.076 --> 0:59:11.836
<v Speaker 2>back any beats.

0:59:12.036 --> 0:59:13.116
<v Speaker 1>I'm justin Richmond.