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Speaker 1: Thank you for your coming back. Part two is underway.

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Speaker 1: How about this, Is it true you didn't make any

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Speaker 1: money from buy you a drink?

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Speaker 2: I made some money from buy your drink, Buy your drenk.

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Speaker 1: You made some money, but not the money you should

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Speaker 1: have made or could have made.

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Speaker 2: Some money because I was paying homage, okay, and I

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Speaker 2: thought that paying homage would have been cool, which it

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Speaker 2: was at first. So when I did I'm gonna buy

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Speaker 2: you a drink, then I'm gonna think you home with me.

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Speaker 2: I got money in the bank. As soon as I

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Speaker 2: said money in the bank. That's when Little Scrappy came in.

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Speaker 2: It was like, okay, well he said, allowing from my

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Speaker 2: song because he Little Scrappy had the song at the time.

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Speaker 2: I got money in the bank, shorty, What you think

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Speaker 2: I got money in the bank. Yeah, and as what

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Speaker 2: you think about that, I'll be in the drink. I

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Speaker 2: like we in the bed. So at the beginning of

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Speaker 2: the song, when I said, snappy fingers your stead, yeah

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Speaker 2: you can do it all. Then Little John came in, Well,

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Speaker 2: since this song is doing well, I don't mind ever

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Speaker 2: it do your head? Asked so you know? No, it

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Speaker 2: was it was one of them things that was like

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Speaker 2: I thought I was paying homage and then the people

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Speaker 2: that could take advantage of it, they take advantage of it.

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Speaker 2: But the thing was they took advantage of the publishing

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Speaker 2: and the master of it. So while they were making

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Speaker 2: eight cents every three months, I was making one hundred

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Speaker 2: grand a night off of performing it. Like I'm like, okay,

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Speaker 2: whatever you want, be greedy, but you're not gonna get

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Speaker 2: what I'm doing. So do you think I mean, it

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Speaker 2: still loves all to all of them. And I don't

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Speaker 2: think it was them either. I don't think it was

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Speaker 2: a little scrappy doing it, and I don't think it

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Speaker 2: was a little job doing it. I just lived there

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Speaker 2: publishing companies that were coming from the stuff and little

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Speaker 2: job probably still don't know that we went through that

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Speaker 2: whole other thing. So you know, it was a it

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Speaker 2: was a moment in life that I was like, oh

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Speaker 2: so just thank my brothers, like everybody that didn't call

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Speaker 2: me their brothers and everybody and say it all this.

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Speaker 2: Maybe it's not but I understand now as a grown

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Speaker 2: up that maybe it wasn't them. And you know, nobody's

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Speaker 2: ever said anything to me. I've seen scrappy numerous times.

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Speaker 2: I've seen Little John a thousand times, and everybody's like,

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Speaker 2: everybody up.

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Speaker 1: Like, was that a very hard lesson for you to learn?

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Speaker 3: Uh?

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Speaker 2: Not No, not really, Oh it was. It was only

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Speaker 2: a lesson for me to learn to where I was like, oh,

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Speaker 2: they're not taking all the money from this record. They're

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Speaker 2: taking the publishing and the masters from it. But I'm

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Speaker 2: always gonna make money from doing that record, right, you know.

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Speaker 2: And there's nothing that anybody can do to stop me

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Speaker 2: from making the auxiliary money from their record. So it's

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Speaker 2: not gonna be a it's not going to be a

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Speaker 2: publishing or a master's thing. When I performed that song,

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Speaker 2: you can't take any of that, right, you know what

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Speaker 2: I'm saying. And you don't know how you know. Not

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Speaker 2: only do you not know how much I'm charging for

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Speaker 2: that song, but I mean, if you knew how much

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Speaker 2: I was how much I was getting off of that

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Speaker 2: song twenty years after you tried to take the money

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Speaker 2: from it, are you ship out of your deck?

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Speaker 1: Club? Husband? It blew up on TikTok. But it's three.

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Speaker 3: It's it's been so long, it's been a while you

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Speaker 3: released that's two.

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Speaker 2: Three?

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Speaker 3: Yes, Yeah, I mean, were you surprised, Like, damn, hold on,

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Speaker 3: I released this song two three years ago and I

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Speaker 3: was blowing up.

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Speaker 2: I hated it.

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Speaker 1: You hate it, I hate it.

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Speaker 2: I hate that was the worst. Oh my god. Can

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Speaker 2: you imagine, bro? Can you imagine, like trying to put

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Speaker 2: it in terms that you can you can understand. Can

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Speaker 2: you imagine the chick so hard?

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Speaker 1: Damn give it sports turn?

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Speaker 2: What about if I'm going I'm sports enough to know

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Speaker 2: that I know imagine it checks so hard and you

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Speaker 2: put all your you put all your hip into it,

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Speaker 2: all both replacements, you put you, you put you, you

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Speaker 2: put everything into it. And she was just like, all right,

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Speaker 2: good stuff, see you see you next time. And then

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Speaker 2: she don't call you back. And then two years later

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Speaker 2: you hear from somebody else, Now, hey reb not chicken

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Speaker 2: like three years but you said that was the best

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Speaker 2: time she ever had. It's one of those.

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Speaker 1: It's one of those. Yeah, yeah, that hurt. That hurts.

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Speaker 2: Why don't you say it? Yes? Why didn't you say it?

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Speaker 2: You you should have said that, being you know much

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Speaker 2: power I'll put into that and into and to making

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Speaker 2: sure you had a good time, and say nothing. And

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Speaker 2: now you want to you want to have the good time. Hey,

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Speaker 2: by the way, she s asked you, wanna she want

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Speaker 2: to get back up with you and do it do

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Speaker 2: it all again?

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Speaker 1: No, No, I don't know.

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Speaker 2: So you know?

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Speaker 1: So is that a new way? Is that a new way?

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Speaker 3: Because I see a lot of times songs are becoming

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Speaker 3: properly on TikTok before they become popular main street.

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Speaker 1: Is that is that kind of hoghest thing going? Plain?

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Speaker 2: Oh not, man, It takes so much time to make

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Speaker 2: these songs and do all this stuff and actually put

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Speaker 2: time into work into this ship. And then if somebody

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Speaker 2: just posted on TikTok and get more famous, then because

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Speaker 2: keep in mind, the reason that it got famous on

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Speaker 2: TikTok was because I was making it on my strength, right,

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Speaker 2: But I was playing the a cappella in order to

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Speaker 2: make a dove step version of it because I gave

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Speaker 2: up on trying to release the regular version. You know

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Speaker 2: what I'm saying. So when I gave up on making

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Speaker 2: the regular version of thing, that's when it popped. And

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Speaker 2: it wasn't like a it was it wasn't like an

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Speaker 2: extended version or anything like that. And then and then

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Speaker 2: and then, oh my god, then the person that leaked,

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Speaker 2: it came on my stream weeks later and was like, Hey,

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Speaker 2: you need to put me on your team because apparently

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Speaker 2: I'm really good at reviving your career and I can

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Speaker 2: make you money.

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Speaker 1: That man said that on your stream.

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Speaker 2: This nigga said, Hey, I stole your shit and made

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Speaker 2: money off of it, so you need to give me money.

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Speaker 2: Now what? So now, hey, I'm really good at knowing

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Speaker 2: when you need to be good at stuff. So I

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Speaker 2: just steal the content that you're doing and I'll put

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Speaker 2: that content out and that's gonna make me money. So

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Speaker 2: you need to give me money for doing that? Wow?

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Speaker 1: What the popping?

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Speaker 2: All that sauce into it? And then she don't say nothing?

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Speaker 1: Can we get spoils? You don't know anything about sports?

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Speaker 2: I know I love it. I rather do I'd rather

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Speaker 2: do the rather do therd?

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Speaker 3: How does it feel to you because there's this young

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Speaker 3: chopping skewerd dre Michelle did a I think she did

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Speaker 3: a uh a fee much?

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Speaker 1: Yeah, because Jayalen Green thought it was a new song.

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Speaker 3: Right yeah, But but obviously when you make that song,

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Speaker 3: he probably was a couple of months sold. So you

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Speaker 3: gotta you must understand. But now you got a new

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Speaker 3: generation that's discovering.

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Speaker 2: Exactly now, imagine, yes, pumping all that sauce into it,

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Speaker 2: that berd.

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Speaker 3: I did catch a bunch of touchdown. I caught a

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Speaker 3: bunch of touchdown. I've caught a bunch of points in

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Speaker 3: high school basketball.

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Speaker 2: No, it was the one video that No, you did

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Speaker 2: nothing else your whole beginning of your life. Tell you

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Speaker 2: it's just the one video.

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Speaker 1: That's it.

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Speaker 2: That's it. Now, imagine all that ship you did, all them,

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Speaker 2: all them pants, all that ship. But it's just like

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Speaker 2: oh channing from the from the video.

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Speaker 1: Yeah, that's how you know. Unfortunately, some people does it. Yeah,

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Speaker 1: you see what I'm saying.

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Speaker 2: They ain't talking about starning with the pants. Yeah okay, yeah, no, no,

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Speaker 2: I know, I know he's talking about nothing. Nope, nothing nothing,

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Speaker 2: not the whole career, nope, just the pants.

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Speaker 1: You know.

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Speaker 3: It's the twenty years, the twentieth, the twentieth anniversary. Yeah yeah,

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Speaker 3: rapper turn single. Oh my god, what have you learned

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Speaker 3: about this business in twenty years?

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Speaker 2: And nobody is your brother? Nobody on paint.

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Speaker 3: Don't don't do that, nobody paint cause I hear it,

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Speaker 3: I hear it all the time.

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Speaker 2: That's my brother. I hear it, pain un seen so

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Speaker 2: many dicks in that locker room. None of them is

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Speaker 2: your brother. Nobody is your brother. Everybody is your brother.

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Speaker 2: While they can use you, everybody everybody is your brother. Wow,

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Speaker 2: they can use you. Nobody is your brother. That is

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Speaker 2: the quickest and the most consistent thing that I've learned

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Speaker 2: through this whole thing.

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Speaker 1: You had to learn that the hard way.

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Speaker 2: Everybody that everybody, and and you know what, it's only

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Speaker 2: that say you my brother that I'm telling.

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Speaker 3: Just like that now, Yeah, because you wouldn't allow you

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Speaker 3: wouldn't allow somebody that didn't say that to get close

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Speaker 3: to you.

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Speaker 2: You would so you would. I'd rather you tell me

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Speaker 2: what the business was and not have the brother aspects

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Speaker 2: in there, and just say, hey, look here's what I

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Speaker 2: wanna do. Here's what we're gonna do. We're gonna do

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Speaker 2: a hook, We're gonna I'm gonna put a verse on

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Speaker 2: this ship. We're gonna make a bunch of money. Uh,

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Speaker 2: we're gonna separate for a little bit, and I'm gonna

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Speaker 2: come back when I need you again. Let's do it again.

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Speaker 2: But I'd rather know the plan than to say you

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Speaker 2: my brother, You my brother, you my brother, No brother,

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Speaker 2: We always gonna be together. We ain't gonna never we

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Speaker 2: ain't gonna never separate. Anytime you need me, I'm here

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Speaker 2: for you anytime you need me. Bam, bam bam. But

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Speaker 2: but nah, bro, it's the brother ship. Nobody is your brother.

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Speaker 2: I've had DJ kelled everybody then told me I'm your brother.

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Speaker 2: Do not believe that ship lord, that is the that

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Speaker 2: is they.

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Speaker 1: You know, you're gonna get me in trouble, man.

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Speaker 2: You're gonna get us in I'm gonna get us in

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Speaker 2: trouble all that. But I mean, but but no, I

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Speaker 2: mean when I say when I say, when I say

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Speaker 2: ship like DJ Caller, that it's very apparent like DJ

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Speaker 2: Kellen knows how to move, he knows how to you know,

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Speaker 2: things with different people and ship like that. But it's

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Speaker 2: like it's not just it's not it's not a DJ

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Speaker 2: type of thing. That's just the first person I can

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Speaker 2: think of. But we're talking about so many people because

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Speaker 2: you got to think of how many people I've helped

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Speaker 2: throughout their career. Everybody is like, oh my god, thank

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Speaker 2: you so much. You're my brother. And it's just so

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Speaker 2: much of that back to back back to back, back

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Speaker 2: to back, you're my brother, you're my brother. You're my brother,

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Speaker 2: You're my brother. And then none of that shit was reciprocated.

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Speaker 2: None of that shit came back. None of that shit

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Speaker 2: meant anything. When people start when people tell you how

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Speaker 2: much you mean to them, don't grab on to that.

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Speaker 2: When people tell you how much they can mean to

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Speaker 2: you in return, that's the shit you gravitate towards. Damn.

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Speaker 2: When when there's people on your team and sometimes like

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Speaker 2: I like, I love telling people that they're about to

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Speaker 2: get a raise, you know what I mean? So I

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Speaker 2: love I love going to my team and like, hey,

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Speaker 2: I'm about to get your raise. And when somebody says

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Speaker 2: thank you, man, I appreciate it. Yeah, it's like it's

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Speaker 2: probably gonna be your last race. But when I go

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Speaker 2: to somebody and I say, yo, you're about to get

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Speaker 2: a raise, and they say, can I is there something

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Speaker 2: like I do more work? Like can I is there?

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Speaker 2: Can you like also raise like my responsibilities or something? Them?

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Speaker 2: The people you keep you feel what I'm saying them,

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Speaker 2: The people you keep around you know, and and when

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Speaker 2: you when you do something so astronomical as to building

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Speaker 2: somebody's career and they just say, yo, you're my brother

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Speaker 2: bro By Gang. Never gonna see you again. But and

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Speaker 2: then it's like when you do something astronomical, like, bro

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Speaker 2: you built my career up. There has to be something

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Speaker 2: I can do right. That's the people you keep around

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Speaker 2: with you.

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Speaker 3: Have you heard the story about the lady and the python.

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Speaker 3: This lady had a ten foot python and the python

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Speaker 3: stop eating. Month goes by, two months, goes by. He

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Speaker 3: wouldn't sleep in his pin. It wouldn't sleep in it pin.

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Speaker 3: It's only one to sleep next to her. Two months,

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Speaker 3: but it wouldn't eat. She takes it to the ved.

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Speaker 3: She said, I don't know what's wrong. I don't know

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Speaker 3: what's wrong with the snake. It won't eat anymore. He said,

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Speaker 3: wait a minute, how long has it been? How long

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Speaker 3: has it not eaten? Like two three like two three months?

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Speaker 3: Say does it want to just sleep next to you? Say,

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Speaker 3: it's nothing wrong with the snake. So that snake is

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Speaker 3: sizing you up. It's gonna eat you. It's just getting

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Speaker 3: close to you to let you let you make you

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Speaker 3: let your guard down. You see what happened absolutely and

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Speaker 3: there let your guard down. This is my brother patting

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Speaker 3: you in the back all the while.

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Speaker 2: All the time, and I just you know, there there

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Speaker 2: have been times where I've not been like a great

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Speaker 2: friend to people and shit like that. But I didn't like,

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Speaker 2: I had no idea. I thought I was doing everything

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Speaker 2: that all the artists were supposed to be doing like that,

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Speaker 2: you know, uh, you know when I'm getting gifts from

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Speaker 2: and then come to find out it's just like all

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Speaker 2: the ship they got from the from the Grammy gift

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Speaker 2: room and ship like you just go through the line.

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Speaker 2: It's just like, oh you gotta watch. Yeah, nigga, I

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Speaker 2: got your watch.

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Speaker 3: You didn't by somebody gifted you that somebody regifted exactly.

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Speaker 2: So you know, it's a little bit like that man,

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Speaker 2: And and it's you know again, it's.

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Speaker 1: W How do you move? How do you move?

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Speaker 3: Someone says you're your brother and you see you come

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Speaker 3: to find out that they're moving funny, they moving sideways.

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Speaker 3: How do you remove yourself without making it so obvious

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Speaker 3: that you've removed?

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Speaker 2: You make it obvious, You make it make it very

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Speaker 2: very very good. You make it very obvious because it's.

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Speaker 1: Like, so you wanted to know that you don't f

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Speaker 1: with them no more.

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Speaker 2: Yeah, you have to and that's the only way you're

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Speaker 2: gonna remove it, because if you lead them on, they're

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Speaker 2: gonna keep calling it like, hey, you available this week? No, no,

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Speaker 2: I'm not. I'm not available this week. And you wait,

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Speaker 2: did you think you think it was gonna start working again?

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Speaker 2: I mean you my brother?

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Speaker 1: No not, No, I'm no.

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Speaker 2: So it's like, you know, things like that, you have to.

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Speaker 2: I've learned as I've grown up and as I've come

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Speaker 2: to you know, because like when you started hitting in

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Speaker 2: your forties, you start losing a lot of friends. And

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Speaker 2: it's not because of you becoming you know, anti social

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Speaker 2: or anything like that. Is because it's like, oh, can

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Speaker 2: we agree that we've never really been friends, right, we

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Speaker 2: can be grown up about this, that we've never really

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Speaker 2: been friends at all.

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Speaker 1: Like we other than be an artist, we really have

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Speaker 1: nothing in common.

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Speaker 2: That's it. And it's just like now that we're bro

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Speaker 2: we're both in our ford nothing to.

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Speaker 3: Like you at the age now paying you get to

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Speaker 3: choose your friends. It's not like we had a elementary school,

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Speaker 3: junior high high school.

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Speaker 2: We can both agree that we have nothing in common

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Speaker 2: and none of us are are are has has an

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Speaker 2: advantage from us saying that we're friends at all.

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Speaker 1: We don't.

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Speaker 2: There's no like nothing, there's no me featuring you that's

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Speaker 2: gonna rock the airwaves. Like we're good. We can just

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Speaker 2: stop saying that we cool. Right Oh yeah, let's see, Okay,

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Speaker 2: let's stop doing it, you know, like, uh man, there

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Speaker 2: was so many there's so many people. There were people

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Speaker 2: when I was doing, like when I was like heavy

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Speaker 2: in features.

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Speaker 1: Yeah, oh you you the feature king?

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Speaker 2: You you feature king. People started me doing features. There

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Speaker 2: were bigger artists that were like, I don't want to

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Speaker 2: be like in the video with him, Like I know

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Speaker 2: he's like you need him as a feature, but can

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Speaker 2: we not have him in the video with me at

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Speaker 2: the same time? What Like, there were so so hold on,

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Speaker 2: So that happened so many times.

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Speaker 3: You don't you want me on the feature, but you

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Speaker 3: don't want me in the video?

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Speaker 2: You just in case the thing that I was doing

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Speaker 2: was a gimmick and they can separate themselves from me

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Speaker 2: later on, which was which intern what's smart? Which the

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Speaker 2: term was smart, but it didn't work out their way.

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Speaker 1: Now they try to circle back.

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Speaker 2: I mean, now I'm here with you. Yeah, So it

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Speaker 2: turned into a it turned into a safety net. That

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Speaker 2: ended up being a mosquito net. You know what I'm saying.

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Speaker 2: It kept them from sucking my blood, you know what

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Speaker 2: I'm saying. And I saw from the big again in

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Speaker 2: that nobody needed to be around me anyways. And I'm

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Speaker 2: totally fine with that. And the thing is that most

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Speaker 2: of these make their identities kind of reliant on being

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Speaker 2: around a bunch of money. I make my identity on

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Speaker 2: it's just me and my wife. Yeah, and here you go.

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Speaker 1: I don't know.

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Speaker 3: After after she see this, I don't know, somebody say it.

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Speaker 1: She by twenty two years. I know y'all been together

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Speaker 1: twenty two years. Yeah, she hollered at me. First, she's

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Speaker 1: she say you with, She say to you with the one?

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Speaker 2: She bought it, and she bought into it.

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Speaker 1: Hey, let me ask you what made you sell your catalog?

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Speaker 2: What made me sell my catalog? The the amount of

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Speaker 2: money that they gave me for my catalog, It literally

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Speaker 2: would have took me one hundred years to make that money.

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00:18:58,480 --> 00:19:01,359
Speaker 2: I calculated it, and I was like, why would I

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Speaker 2: sell y'all this? Why would I say? And and they like, look,

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Speaker 2: here's how much you're making per year off of this.

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Speaker 2: We're gonna give you one hundred years worth of money

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00:19:10,640 --> 00:19:13,359
Speaker 2: right here, all at once. Okay, why would you?

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Speaker 1: Yeah?

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Speaker 2: Yeah, I didn't think that was did you.

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Speaker 1: Did you discuss it with wife and you like, hey,

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Speaker 1: check this out.

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Speaker 3: This company came to me, this venture capitalist or just

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00:19:21,960 --> 00:19:26,560
Speaker 3: recording whatever discussed? She said, why you asked me that question?

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Speaker 3: You know, damn well you're supposed to say yes on

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Speaker 3: the spot. I said, hey, babe, okay, you come in.

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Speaker 1: It's a babe. Check this out. I gotta I got

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Speaker 1: a deal. I don't know. I might can refuse it.

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Speaker 1: I might not.

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Speaker 2: But to the kids today, kids going to school.

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Speaker 1: Yeah, she said.

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00:19:43,240 --> 00:19:50,919
Speaker 2: Yeah. I was like, did you you know everybody get like,

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Speaker 2: I gotta talk to you about something that's real important

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Speaker 2: about our future. Okay then like okay, cool yeah, cool ship.

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00:20:00,359 --> 00:20:02,160
Speaker 2: Like can I close the door because I don't want,

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00:20:02,280 --> 00:20:10,399
Speaker 2: you know, I want the rest of it, Like what's

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00:20:10,440 --> 00:20:13,840
Speaker 2: going on? Like just just tell me? So I closed

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Speaker 2: the door.

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Speaker 1: Clo we're rich?

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Speaker 4: Where where were a hundred million dollars?

374
00:20:29,760 --> 00:20:36,760
Speaker 2: You know who? Baby baby mo xucker Bird just invited

375
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Speaker 2: us to us.

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Speaker 1: But we're rich.

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00:20:38,640 --> 00:20:45,200
Speaker 3: We so so so he tell it, you said, baby,

378
00:20:45,600 --> 00:20:48,440
Speaker 3: we rich beyond rich. I mean whatever you thought about

379
00:20:48,440 --> 00:20:51,080
Speaker 3: when we got together, my career was taking off. Whatever

380
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Speaker 3: you thought I was gonna be.

381
00:20:52,640 --> 00:20:55,960
Speaker 2: Here's the here's what what made us beyond Here's what

382
00:20:56,240 --> 00:21:01,960
Speaker 2: the we we rich beyond rich. So Harborview, the people

383
00:21:02,000 --> 00:21:05,240
Speaker 2: I sold my catalog to, they didn't just say we

384
00:21:05,320 --> 00:21:12,080
Speaker 2: want your catalog. They said we'll buy your catalog. But also,

385
00:21:12,760 --> 00:21:16,800
Speaker 2: if you make another hit, we want that too. If

386
00:21:16,840 --> 00:21:19,960
Speaker 2: you make more songs, we want them to. If you

387
00:21:20,000 --> 00:21:23,320
Speaker 2: make a hit TV series, we want that too, Dale.

388
00:21:23,359 --> 00:21:25,840
Speaker 2: If you make a football league that just nobody even

389
00:21:25,880 --> 00:21:28,280
Speaker 2: thought of that, we want that too. If you if

390
00:21:28,640 --> 00:21:31,159
Speaker 2: we are scoring movies, if you score a movie, we

391
00:21:31,200 --> 00:21:31,840
Speaker 2: want that too.

392
00:21:32,000 --> 00:21:35,160
Speaker 3: So it's not just at So basically, whatever you do

393
00:21:35,520 --> 00:21:37,440
Speaker 3: that you can possibly monetize that got.

394
00:21:37,600 --> 00:21:40,040
Speaker 2: It's not at just what they got, so I can

395
00:21:40,760 --> 00:21:43,640
Speaker 2: I sold them what I sold them. But also if

396
00:21:43,640 --> 00:21:47,400
Speaker 2: I if I say this one's doing pretty good too,

397
00:21:47,480 --> 00:21:47,920
Speaker 2: they like.

398
00:21:48,600 --> 00:21:49,440
Speaker 1: We want that too.

399
00:21:49,760 --> 00:21:53,960
Speaker 2: Here's another Dale, you know what I'm saying. So it's

400
00:21:54,000 --> 00:21:57,760
Speaker 2: a partnership. Now it's not. And that's a That's the

401
00:21:57,800 --> 00:22:01,719
Speaker 2: thing that Harbor Review does. Like when they go in,

402
00:22:02,200 --> 00:22:04,480
Speaker 2: when they go in with somebody, they don't go in

403
00:22:04,680 --> 00:22:08,679
Speaker 2: like give us your shit. You're are Michael Jackson. It's like,

404
00:22:09,800 --> 00:22:12,119
Speaker 2: we look, we want to go into a partnership with you.

405
00:22:12,320 --> 00:22:15,840
Speaker 2: So if you decide, if I decide that Club Husband

406
00:22:15,880 --> 00:22:17,879
Speaker 2: is doing good enough, how much y'all give you for

407
00:22:17,920 --> 00:22:20,200
Speaker 2: the club bus? Now you can put it anywhere you

408
00:22:20,240 --> 00:22:21,560
Speaker 2: want to. Now you can put it on movies and

409
00:22:21,600 --> 00:22:23,080
Speaker 2: you can make the rest of the money off it.

410
00:22:23,200 --> 00:22:25,520
Speaker 2: But the money it would have taken me one hundred

411
00:22:25,600 --> 00:22:28,119
Speaker 2: years to make off a club USand you get that

412
00:22:29,000 --> 00:22:33,920
Speaker 2: even if it's twenty x, that's twenty years the money

413
00:22:33,920 --> 00:22:37,080
Speaker 2: it would take me to the time it would take

414
00:22:37,119 --> 00:22:39,520
Speaker 2: me to make twenty years worth their money off of

415
00:22:39,600 --> 00:22:41,600
Speaker 2: Club Husband. I can get a twenty x from them

416
00:22:41,920 --> 00:22:44,320
Speaker 2: the time it would take me to just sell a

417
00:22:44,359 --> 00:22:48,800
Speaker 2: beat or dubstep. I if I make an intro to

418
00:22:49,520 --> 00:22:52,919
Speaker 2: your show and they say we want to writes to that,

419
00:22:54,200 --> 00:22:58,639
Speaker 2: take it. How much money is Sanny Sharp's show gonna

420
00:22:58,680 --> 00:23:01,960
Speaker 2: make for the next twenty years? How much steak do

421
00:23:02,040 --> 00:23:04,240
Speaker 2: I have or not from the intro boom? Give me

422
00:23:04,280 --> 00:23:04,800
Speaker 2: that money?

423
00:23:06,080 --> 00:23:08,840
Speaker 3: So it's it's it was. In other words, it was

424
00:23:08,840 --> 00:23:12,080
Speaker 3: a no brainer. What was the first Okay, you got

425
00:23:12,080 --> 00:23:13,960
Speaker 3: this money? You wealthy Bey all you even when you

426
00:23:14,080 --> 00:23:16,159
Speaker 3: dreamed at night. And my brother just tell us all

427
00:23:16,200 --> 00:23:17,440
Speaker 3: to tell me all the time. You say, a dream?

428
00:23:17,480 --> 00:23:19,960
Speaker 3: Is this gift you give to yourself? So you dreaming

429
00:23:20,040 --> 00:23:20,440
Speaker 3: at night?

430
00:23:21,000 --> 00:23:21,240
Speaker 2: Right?

431
00:23:22,359 --> 00:23:23,879
Speaker 1: What the first thing you bought? What you when you

432
00:23:23,880 --> 00:23:24,520
Speaker 1: got this money?

433
00:23:24,560 --> 00:23:24,880
Speaker 2: You let?

434
00:23:25,119 --> 00:23:27,400
Speaker 1: Baby? What you want? Baby? Whatever you want?

435
00:23:28,119 --> 00:23:36,280
Speaker 2: Dinny's house? It's not is that? Is that?

436
00:23:36,480 --> 00:23:36,640
Speaker 1: No?

437
00:23:36,640 --> 00:23:36,800
Speaker 3: No?

438
00:23:36,800 --> 00:23:41,640
Speaker 2: No? So about about a fifty thousand square foot building

439
00:23:42,000 --> 00:23:43,119
Speaker 2: for all my businesses?

440
00:23:43,160 --> 00:23:46,520
Speaker 3: Okay, okay, so I was fifty thousand square foot. I

441
00:23:46,560 --> 00:23:49,320
Speaker 3: thought you were about to see a house, I said you.

442
00:23:48,840 --> 00:23:54,199
Speaker 2: No, no, no, no, fifty thousand square foot building for

443
00:23:54,240 --> 00:23:55,080
Speaker 2: all my businesses?

444
00:23:55,119 --> 00:23:58,239
Speaker 1: Okay?

445
00:23:58,720 --> 00:24:01,800
Speaker 2: About a plane? A plane?

446
00:24:04,920 --> 00:24:05,919
Speaker 1: Oh, big bowler?

447
00:24:06,800 --> 00:24:09,919
Speaker 2: What the what? What in God's name? What you do

448
00:24:10,000 --> 00:24:13,240
Speaker 2: with that money? Get two lawnmowers?

449
00:24:17,280 --> 00:24:20,960
Speaker 3: I would I probably would buy time shares in a plane.

450
00:24:21,000 --> 00:24:22,400
Speaker 3: I don't know if I would want time.

451
00:24:23,080 --> 00:24:28,119
Speaker 2: Yeah, I would abruptly buy two lawnmowers in a ferrari.

452
00:24:29,600 --> 00:24:32,399
Speaker 3: So so what what what did? What did she you? Okay,

453
00:24:32,560 --> 00:24:34,359
Speaker 3: just what you bought? You bought a building, you bought

454
00:24:34,880 --> 00:24:36,600
Speaker 3: a plane. What does she want for herself?

455
00:24:38,119 --> 00:24:44,280
Speaker 2: Some black shirts? This? My wife is the best bro like.

456
00:24:44,440 --> 00:24:45,320
Speaker 1: She don't want anything.

457
00:24:45,840 --> 00:24:50,040
Speaker 2: I'd be literally trying to buy her ship and.

458
00:24:49,480 --> 00:24:50,760
Speaker 1: She seems so down to earth.

459
00:24:51,320 --> 00:24:53,080
Speaker 2: You don't I don't know. I don't know. I don't

460
00:24:53,080 --> 00:24:53,800
Speaker 2: know if she's down to.

461
00:24:53,840 --> 00:24:58,119
Speaker 1: Earth or would you die there? You been with you

462
00:24:58,720 --> 00:25:00,399
Speaker 1: see the nigga she picked?

463
00:25:01,040 --> 00:25:09,520
Speaker 2: Like, yes, yes, yeah, I wasn't a smart choice. Good job,

464
00:25:10,040 --> 00:25:11,840
Speaker 2: you know what I'm saying. I'd be trying to buy

465
00:25:11,840 --> 00:25:14,080
Speaker 2: her shit all the time. I'm about her trucks and

466
00:25:14,119 --> 00:25:20,240
Speaker 2: she's like a truck. Trucks like trucks, and she's like,

467
00:25:21,160 --> 00:25:26,960
Speaker 2: all right, let's cool. It's like, I'm just gonna ride

468
00:25:27,000 --> 00:25:28,920
Speaker 2: with you everywhere you go. I'm not gonna drive them,

469
00:25:29,320 --> 00:25:34,680
Speaker 2: Like okay, thank you, but so truck, thank you.

470
00:25:34,680 --> 00:25:36,640
Speaker 3: You started off DJ and at the age of fourteen,

471
00:25:36,960 --> 00:25:39,440
Speaker 3: probably making what fifty hundred dollars a night DJ in

472
00:25:39,480 --> 00:25:42,000
Speaker 3: two hundred money?

473
00:25:42,280 --> 00:25:43,160
Speaker 2: Was getting paid?

474
00:25:44,720 --> 00:25:45,680
Speaker 1: Oh you doing it for free?

475
00:25:45,920 --> 00:25:46,200
Speaker 5: Yeah?

476
00:25:46,520 --> 00:25:49,520
Speaker 2: I was carrying crates, okay, at fourteen fifteen, I was

477
00:25:49,520 --> 00:25:51,640
Speaker 2: carrying crates because keep in mind, I couldn't go into

478
00:25:51,680 --> 00:25:54,440
Speaker 2: clubs unless I had a job. So I was carrying

479
00:25:54,480 --> 00:26:01,800
Speaker 2: crates for DJs, and I was hearing the reason that

480
00:26:01,880 --> 00:26:04,080
Speaker 2: I can make the songs the way that I make

481
00:26:04,920 --> 00:26:07,960
Speaker 2: is because I was hearing the songs that DJ's were

482
00:26:07,960 --> 00:26:11,080
Speaker 2: playing from the crazy that I was carrying, right, and

483
00:26:11,160 --> 00:26:15,119
Speaker 2: I was like, man, people really like these parts of songs.

484
00:26:15,119 --> 00:26:18,800
Speaker 2: What the it is making people go so crazy? Okay?

485
00:26:19,119 --> 00:26:22,959
Speaker 2: So every night I would literally write down, like, all right,

486
00:26:23,080 --> 00:26:25,840
Speaker 2: the high hats gone from this song. All right, they

487
00:26:25,920 --> 00:26:28,400
Speaker 2: like this part. Okay, there's no kick on this part.

488
00:26:29,280 --> 00:26:32,359
Speaker 2: All right, well he just said something real wow on

489
00:26:32,440 --> 00:26:35,040
Speaker 2: this part, I don't know what like. And so I

490
00:26:35,240 --> 00:26:40,760
Speaker 2: like started studying why people like parts of songs that

491
00:26:40,840 --> 00:26:45,200
Speaker 2: they like, and then I went back in my career

492
00:26:45,200 --> 00:26:47,399
Speaker 2: when I was like, I think I'm gonna try to

493
00:26:47,440 --> 00:26:52,240
Speaker 2: make a song and I'm gonna incorporate all these things

494
00:26:52,359 --> 00:26:57,439
Speaker 2: that people have seemingly been liking from these things that

495
00:26:57,480 --> 00:27:05,359
Speaker 2: I've been so kind of just like, yeah, it's making

496
00:27:05,400 --> 00:27:08,639
Speaker 2: a song from a DJ's respective is because.

497
00:27:08,359 --> 00:27:10,000
Speaker 1: You know what hit? You know what's like you said,

498
00:27:10,000 --> 00:27:10,679
Speaker 1: you I know it.

499
00:27:10,720 --> 00:27:12,959
Speaker 2: Hit, I know it hits? I know what what like?

500
00:27:13,600 --> 00:27:13,840
Speaker 5: You know?

501
00:27:14,600 --> 00:27:16,560
Speaker 2: And eight A weight hits on this part and people

502
00:27:16,640 --> 00:27:19,200
Speaker 2: love that shit there's no eight weight on this part,

503
00:27:19,280 --> 00:27:21,640
Speaker 2: and people screaming and ship at the top of their lungs.

504
00:27:22,520 --> 00:27:24,720
Speaker 2: There's no, there's no high had on this part, there's

505
00:27:24,760 --> 00:27:27,080
Speaker 2: no snail on this party. Boom and boom. So I

506
00:27:27,119 --> 00:27:29,679
Speaker 2: started incorporating those things into my songs and it's like,

507
00:27:30,440 --> 00:27:31,640
Speaker 2: I think I know how to make a song.

508
00:27:32,160 --> 00:27:35,919
Speaker 1: Yeah, I tried one and boom.

509
00:27:36,200 --> 00:27:37,200
Speaker 2: Yeah, just happened.

510
00:27:37,920 --> 00:27:41,440
Speaker 3: Because early earlier your career, you bought a Bugatti one

511
00:27:41,480 --> 00:27:45,640
Speaker 3: point seven million. You bought a chain four hundred thousand,

512
00:27:45,680 --> 00:27:48,200
Speaker 3: said big gass chain. Now you've got a little lass chain.

513
00:27:49,480 --> 00:27:54,440
Speaker 3: Now you say, hey, Frankachard, men from t Move, let.

514
00:27:54,400 --> 00:28:00,920
Speaker 2: Me Jayson, let me tell you something. When I bought that,

515
00:28:00,920 --> 00:28:03,000
Speaker 2: that was the last bit of my money. And I

516
00:28:03,040 --> 00:28:05,520
Speaker 2: had no idea. I had no idea.

517
00:28:05,800 --> 00:28:07,199
Speaker 1: You didn't know that was your last bit of your

518
00:28:07,200 --> 00:28:08,439
Speaker 1: money or you had no idea that.

519
00:28:08,920 --> 00:28:10,240
Speaker 2: I had no idea that was the last bit of

520
00:28:10,240 --> 00:28:14,240
Speaker 2: my money. When I bought that Bugatti, I demanded that

521
00:28:14,800 --> 00:28:22,240
Speaker 2: my accountants send the money for their Bugatti. And when

522
00:28:22,280 --> 00:28:25,080
Speaker 2: I got it, they were like, hey, so we may

523
00:28:25,119 --> 00:28:28,440
Speaker 2: have to sell your house. I'm like, you talking about

524
00:28:28,480 --> 00:28:32,600
Speaker 2: I have a Bugatti. They were like, yeah, that was

525
00:28:32,640 --> 00:28:34,480
Speaker 2: what we were going to use to pay for the

526
00:28:34,560 --> 00:28:36,879
Speaker 2: rest of your house. And I'm like, my house is

527
00:28:36,920 --> 00:28:42,200
Speaker 2: paid for They're like, uh, not anymore. So we had

528
00:28:42,200 --> 00:28:45,200
Speaker 2: to take out something for your thing. And then we

529
00:28:45,280 --> 00:28:47,800
Speaker 2: bought the Bugatti, so they knew Bugatti disappeared and shit

530
00:28:47,920 --> 00:28:51,640
Speaker 2: like that. But it was never like, uh, I was

531
00:28:51,680 --> 00:28:54,240
Speaker 2: never secure because I never knew what the hell was

532
00:28:54,280 --> 00:28:57,360
Speaker 2: going on with my finances. I mean, now, very very

533
00:28:57,520 --> 00:29:01,200
Speaker 2: very very close to my finances and I know every

534
00:29:01,240 --> 00:29:05,160
Speaker 2: dollar that goes out. Like I'm telling you, if somebody

535
00:29:05,200 --> 00:29:08,400
Speaker 2: tries to send four dollars from one of my accounts,

536
00:29:08,400 --> 00:29:10,720
Speaker 2: I get an alert on my phone, you know what

537
00:29:10,760 --> 00:29:13,440
Speaker 2: I mean. Like, I stay very close to my finances

538
00:29:13,480 --> 00:29:17,240
Speaker 2: and shit like that. But back then, I had no

539
00:29:17,280 --> 00:29:20,000
Speaker 2: idea what was happening. I had no idea. I had

540
00:29:20,160 --> 00:29:24,360
Speaker 2: so much money that it was just like why would

541
00:29:24,360 --> 00:29:27,840
Speaker 2: I care. I don't care who steals from me. I

542
00:29:27,840 --> 00:29:30,360
Speaker 2: should still have enough, you know what I mean.

543
00:29:30,400 --> 00:29:33,600
Speaker 1: But that's what was happening. People were actually actually they.

544
00:29:33,480 --> 00:29:37,480
Speaker 2: Were actually stilling. But also I was investing in weird stuff.

545
00:29:37,680 --> 00:29:41,440
Speaker 2: My uh my granddad said he had a and it

546
00:29:41,560 --> 00:29:45,840
Speaker 2: sounds stupid now. My granddad said he had an idea.

547
00:29:48,880 --> 00:29:49,840
Speaker 2: We're gonna sell.

548
00:29:51,680 --> 00:29:54,600
Speaker 1: With here. You sell it, you know how, you know

549
00:29:54,680 --> 00:29:54,920
Speaker 1: how to.

550
00:29:55,120 --> 00:29:59,560
Speaker 2: Sag their drawers all the time. We're gonna sell pants

551
00:30:00,840 --> 00:30:08,800
Speaker 2: with the drawers already said, you're gonna sell pants with

552
00:30:08,920 --> 00:30:11,720
Speaker 2: the drawers hanging out of them. And then the waist

553
00:30:11,840 --> 00:30:18,480
Speaker 2: band of the draws is the actual waistband of the pants. Absolutely,

554
00:30:19,200 --> 00:30:23,560
Speaker 2: how much money you need? That shit sounds amazing? You know?

555
00:30:23,640 --> 00:30:25,880
Speaker 2: It spent one hundred thousand dollars on that. I didn't

556
00:30:25,880 --> 00:30:28,200
Speaker 2: have it, but I gave it to him. Guess what,

557
00:30:30,320 --> 00:30:33,000
Speaker 2: you can pull it up right now? Balenciaga is literally

558
00:30:33,040 --> 00:30:37,920
Speaker 2: selling pants with draws hanging out the.

559
00:30:39,640 --> 00:30:42,480
Speaker 1: We got we copyright? Do you got a pat in hell?

560
00:30:42,800 --> 00:30:46,920
Speaker 2: No? Man, he never did it. He never made him,

561
00:30:47,640 --> 00:30:52,160
Speaker 2: He never did it. Damn. But I was supposed I

562
00:30:52,200 --> 00:30:54,160
Speaker 2: was supposed to just know that that was gonna happen.

563
00:30:54,200 --> 00:30:58,240
Speaker 2: But right now, I swear to god, Balenciaga is selling

564
00:30:58,440 --> 00:31:07,760
Speaker 2: pants with draws as research department. We have a yeah, yeah,

565
00:31:08,040 --> 00:31:10,680
Speaker 2: put it out now.

566
00:31:10,880 --> 00:31:11,800
Speaker 1: Now you're on Twitch?

567
00:31:12,800 --> 00:31:13,600
Speaker 2: Oh boy?

568
00:31:13,760 --> 00:31:17,800
Speaker 3: So, hey bro, are you more active on Twitch than

569
00:31:17,840 --> 00:31:18,360
Speaker 3: making music?

570
00:31:18,440 --> 00:31:20,280
Speaker 1: I mean, oh so, so, how how does twitch?

571
00:31:20,280 --> 00:31:23,800
Speaker 2: I'm making music on Twitch. I'm making all my music on.

572
00:31:23,760 --> 00:31:26,120
Speaker 1: Twitch so people can see it in real time, in

573
00:31:26,360 --> 00:31:27,000
Speaker 1: real time.

574
00:31:27,120 --> 00:31:30,120
Speaker 2: I'm literally everything that I do now every single that

575
00:31:30,160 --> 00:31:33,120
Speaker 2: I release, everything that happens right now, I can you

576
00:31:33,160 --> 00:31:38,480
Speaker 2: can clock it from me making the first sound to

577
00:31:38,600 --> 00:31:42,360
Speaker 2: putting it out, like all the way from me making

578
00:31:42,400 --> 00:31:45,760
Speaker 2: the first sound of the beat, making the whole beat,

579
00:31:45,880 --> 00:31:48,360
Speaker 2: recording the vocals, and then putting it out. I can

580
00:31:48,400 --> 00:31:51,880
Speaker 2: show you the entire process on Twitch and it's and

581
00:31:51,920 --> 00:31:57,920
Speaker 2: it's been not only a liberating thing for me, but

582
00:31:58,000 --> 00:32:03,360
Speaker 2: it's turned into an eye opener to the viewers for

583
00:32:03,520 --> 00:32:06,760
Speaker 2: other artists because they're like, y'all ain't doing this, y'all

584
00:32:06,760 --> 00:32:09,600
Speaker 2: ain't doing the process like pain, you know what I'm saying.

585
00:32:09,680 --> 00:32:13,560
Speaker 2: So it's it's it's not a it's not a flex,

586
00:32:13,760 --> 00:32:18,320
Speaker 2: but it's like if your favorite artists ain't doing the

587
00:32:18,400 --> 00:32:22,240
Speaker 2: whole process, then y'all watching this bar you know what

588
00:32:22,280 --> 00:32:27,360
Speaker 2: I'm saying. Yeah, so it's a it's turned into uh,

589
00:32:27,800 --> 00:32:30,840
Speaker 2: I'll look. You can see you can literally watch this

590
00:32:31,000 --> 00:32:34,240
Speaker 2: song develop from the first sound of the beat to

591
00:32:34,360 --> 00:32:39,440
Speaker 2: the release of the song, and that that can't there's

592
00:32:39,520 --> 00:32:43,240
Speaker 2: no other place that you can watch that happen within

593
00:32:43,880 --> 00:32:46,640
Speaker 2: a week span, you know what I'm saying. So within

594
00:32:46,800 --> 00:32:49,800
Speaker 2: seven days you can see this thing happen. I will

595
00:32:49,960 --> 00:32:53,120
Speaker 2: stream every part of me making this and I have

596
00:32:53,280 --> 00:32:57,000
Speaker 2: I have like a a two step process, like I

597
00:32:57,000 --> 00:32:58,920
Speaker 2: got a drunk tea paint and sober tea paint, so

598
00:32:59,000 --> 00:33:01,440
Speaker 2: drunk ta pain are coming and it started to make

599
00:33:01,520 --> 00:33:04,120
Speaker 2: the song and ship like that, and then sober tea

600
00:33:04,160 --> 00:33:06,040
Speaker 2: painter come in the next day and like what does

601
00:33:06,280 --> 00:33:11,080
Speaker 2: do last night? Because I don't remember none of that ship?

602
00:33:11,120 --> 00:33:14,200
Speaker 2: And then I fix it and then I finish it

603
00:33:14,200 --> 00:33:16,960
Speaker 2: to where the song can come out. So it's like

604
00:33:18,080 --> 00:33:22,160
Speaker 2: you get these different aspects of how my how my

605
00:33:22,240 --> 00:33:26,480
Speaker 2: process works. And there's there's like come to my house

606
00:33:26,520 --> 00:33:28,200
Speaker 2: and like, I don't want people to see me recording

607
00:33:28,200 --> 00:33:30,840
Speaker 2: my verse and it's like you don't even want, Like

608
00:33:30,960 --> 00:33:33,720
Speaker 2: damn ro We're just we're just writing verses and just recording.

609
00:33:33,720 --> 00:33:38,640
Speaker 2: They're like, nah, I don't want I'm showing you start.

610
00:33:40,280 --> 00:33:40,640
Speaker 1: Everything.

611
00:33:40,760 --> 00:33:45,120
Speaker 2: I just I have to because I don't have. And

612
00:33:45,360 --> 00:33:48,240
Speaker 2: a big part of it is I don't have a

613
00:33:48,400 --> 00:33:52,680
Speaker 2: hidden aspect to my process because a lot of that

614
00:33:52,800 --> 00:33:55,040
Speaker 2: come up comes to the crib. They're like they got

615
00:33:55,080 --> 00:33:57,560
Speaker 2: these other writers or they got these other producers, and

616
00:33:57,560 --> 00:33:59,920
Speaker 2: they got people, they got the secrets that come in

617
00:34:00,040 --> 00:34:02,560
Speaker 2: on the side and do all this ext shit. I'm like, bro,

618
00:34:02,680 --> 00:34:04,960
Speaker 2: it's been it's literally me in the studio.

619
00:34:05,160 --> 00:34:07,360
Speaker 1: What they see on Twitch is what it actually happens.

620
00:34:07,040 --> 00:34:09,359
Speaker 2: Exactly what it is. It's me in the studio by

621
00:34:09,400 --> 00:34:12,000
Speaker 2: myself the whole time doing the ship. And you know,

622
00:34:12,080 --> 00:34:14,120
Speaker 2: sometimes my wife would come in, she'll write the ship

623
00:34:14,200 --> 00:34:16,440
Speaker 2: with me. But you know my kids will come in there,

624
00:34:16,520 --> 00:34:19,560
Speaker 2: write ship with me. But it's like, it ain't no secrets,

625
00:34:19,640 --> 00:34:22,240
Speaker 2: it ain't no extra writers coming in, ain't no extra

626
00:34:23,080 --> 00:34:25,520
Speaker 2: coming off the street, shit like that, Like it ain't

627
00:34:25,600 --> 00:34:27,680
Speaker 2: never gonna be that, you know what I'm saying. So,

628
00:34:28,239 --> 00:34:30,839
Speaker 2: I mean, that's that's that's my favorite part of the ship.

629
00:34:30,960 --> 00:34:36,160
Speaker 2: My the fun part is getting drunk and shit one night,

630
00:34:37,160 --> 00:34:40,040
Speaker 2: coming in the next morning and still streaming like let

631
00:34:40,040 --> 00:34:46,160
Speaker 2: me see what this did. But me so so I'm like,

632
00:34:46,239 --> 00:34:47,759
Speaker 2: let me see what he did. And I hear it.

633
00:34:47,840 --> 00:34:50,320
Speaker 2: I'm like, oh shit, that nigga had a little idea

634
00:34:50,440 --> 00:34:53,120
Speaker 2: last night. See what's going on? And then I and

635
00:34:53,120 --> 00:34:55,800
Speaker 2: then I finished that idea and then the song actually

636
00:34:55,800 --> 00:34:59,640
Speaker 2: comes out. But it's but you can see that it's

637
00:34:59,680 --> 00:35:05,759
Speaker 2: me the entire time. So it's uh, it's not only liberating, man,

638
00:35:05,840 --> 00:35:10,120
Speaker 2: it actually shows people that not everything is fake. You

639
00:35:10,160 --> 00:35:13,160
Speaker 2: know everything you know. I don't know how you feel.

640
00:35:13,200 --> 00:35:16,719
Speaker 2: But ever since, like Milli van Ellie, everybody has been

641
00:35:16,800 --> 00:35:20,640
Speaker 2: like everything, especially not with AI. Everything's fake. Especially not

642
00:35:20,760 --> 00:35:25,200
Speaker 2: with AI. Everything's fake. AI, everything's fake. This nigga ain't

643
00:35:25,239 --> 00:35:27,399
Speaker 2: do that. I don't believe it. Even if I see

644
00:35:27,440 --> 00:35:30,359
Speaker 2: you do it, I don't believe it. It's not It's

645
00:35:30,400 --> 00:35:31,680
Speaker 2: not a real thing, you know what I'm saying.

646
00:35:31,760 --> 00:35:33,799
Speaker 3: So a couple of years ago, Pain, we had you

647
00:35:33,880 --> 00:35:37,120
Speaker 3: on Nightcap and I asked, I said, I say, Pain,

648
00:35:37,360 --> 00:35:41,200
Speaker 3: with your voice, you can really really.

649
00:35:40,960 --> 00:35:41,760
Speaker 1: Ef and sing.

650
00:35:42,200 --> 00:35:45,400
Speaker 3: I don't know if there's a rapper dead or alive

651
00:35:46,600 --> 00:35:48,160
Speaker 3: that can match vocals with you.

652
00:35:48,480 --> 00:35:50,280
Speaker 1: I see why you use auto tunes.

653
00:35:51,760 --> 00:35:54,080
Speaker 2: It literally just set me apart. It was just something

654
00:35:54,120 --> 00:35:57,879
Speaker 2: that set me apart. You know, there's not a lot

655
00:35:57,880 --> 00:36:01,920
Speaker 2: of people in this world that have heard Roger Troupman's

656
00:36:02,000 --> 00:36:02,680
Speaker 2: actual singing.

657
00:36:02,680 --> 00:36:04,200
Speaker 1: For he the first.

658
00:36:06,200 --> 00:36:11,360
Speaker 2: Sing that boy I can sing as ass all. But

659
00:36:12,440 --> 00:36:14,520
Speaker 2: he did that to set himself apart, because if you

660
00:36:14,640 --> 00:36:17,600
Speaker 2: just gonna sing, just gonna be another singer, Like, why

661
00:36:17,640 --> 00:36:20,360
Speaker 2: why put yourself in that category when you have the

662
00:36:20,400 --> 00:36:25,600
Speaker 2: opportunity to set your separate part from everybody. And you

663
00:36:25,640 --> 00:36:29,120
Speaker 2: know it comes with this, it comes with its uh stipulations,

664
00:36:29,160 --> 00:36:30,640
Speaker 2: and it comes with its uh.

665
00:36:30,600 --> 00:36:33,120
Speaker 1: Won't you do a pivot? Won't you do? Okay?

666
00:36:33,160 --> 00:36:33,439
Speaker 2: I did.

667
00:36:33,840 --> 00:36:36,120
Speaker 3: You'll have to know. I'm about now really right now.

668
00:36:36,320 --> 00:36:38,920
Speaker 3: Like Beyonce, Beyonce had a genre. She said, you know

669
00:36:38,960 --> 00:36:42,000
Speaker 3: what country, what I'm gonna do and put an album out. Okay,

670
00:36:42,080 --> 00:36:43,160
Speaker 3: you wrap not do it?

671
00:36:43,320 --> 00:36:43,600
Speaker 1: R and B.

672
00:36:43,840 --> 00:36:46,080
Speaker 2: Well, let's keep in mind that country has always been

673
00:36:46,080 --> 00:36:48,880
Speaker 2: a part of Beyonce's repertoire. Okay, you know what I'm saying.

674
00:36:48,960 --> 00:36:52,120
Speaker 2: Like Beyonce has always been able to do country. You know,

675
00:36:54,200 --> 00:36:57,480
Speaker 2: all her harmonies and all the things that Destiny his

676
00:36:57,600 --> 00:37:00,640
Speaker 2: child did things like that. That's always been country music.

677
00:37:01,040 --> 00:37:05,279
Speaker 2: That's always been blues. Uh and and country music came

678
00:37:05,280 --> 00:37:08,080
Speaker 2: from blues, and blues came from country. And you know,

679
00:37:08,200 --> 00:37:12,640
Speaker 2: everybody can uh you know, have have their allegations about that,

680
00:37:12,680 --> 00:37:17,160
Speaker 2: but this has always been a thing. It's about tempo,

681
00:37:17,760 --> 00:37:21,759
Speaker 2: it's about rhythmic vocals and things like that that made

682
00:37:21,760 --> 00:37:25,520
Speaker 2: it quote unquote country. But it's always been that, and

683
00:37:25,800 --> 00:37:29,280
Speaker 2: that's something that we are always able to do. Uh.

684
00:37:29,520 --> 00:37:32,319
Speaker 2: Rhythm and blues, Yes, is what R and B is, Yes,

685
00:37:33,760 --> 00:37:39,840
Speaker 2: bluesy blues is country. Country is like we've we've always

686
00:37:39,920 --> 00:37:42,400
Speaker 2: been in this space. Bump, my mama done told me

687
00:37:42,520 --> 00:37:47,960
Speaker 2: bye bye Bamp, sab bamp, sab bada bad badam badah

688
00:37:48,040 --> 00:37:49,879
Speaker 2: bah baye bye bye bye bye bye bye bye bye.

689
00:37:49,920 --> 00:37:54,680
Speaker 2: Brim Prim prim Prim. We call that blues. But that's

690
00:37:54,680 --> 00:37:58,200
Speaker 2: where country came from. So we can do that. That's

691
00:37:58,280 --> 00:38:00,319
Speaker 2: always been ours, you know what I mean I'm saying.

692
00:38:00,400 --> 00:38:01,959
Speaker 2: So we just kind of went back to our roots

693
00:38:02,000 --> 00:38:06,120
Speaker 2: on that, and Beyonce, Beyonce was always the queen of that.

694
00:38:06,200 --> 00:38:09,799
Speaker 2: So it's never gonna be a thing to where it's

695
00:38:09,880 --> 00:38:14,759
Speaker 2: like a pivot for us. It's just just kind of

696
00:38:15,239 --> 00:38:18,239
Speaker 2: doing what we were already doing, you know what I mean.

697
00:38:18,400 --> 00:38:20,000
Speaker 2: Like when I did on Top of the Covers, when

698
00:38:20,040 --> 00:38:24,319
Speaker 2: I did my cover album and I was singing, singing, singing, Oh.

699
00:38:24,280 --> 00:38:27,399
Speaker 3: Yeah, yeah, you did people really know you could sing

700
00:38:27,560 --> 00:38:29,280
Speaker 3: like that before they heard you do all the covers.

701
00:38:30,120 --> 00:38:32,279
Speaker 2: Not at all, Not at all, I don't think. So

702
00:38:33,160 --> 00:38:37,320
Speaker 2: there was a core audience that had a suspicion, but

703
00:38:37,440 --> 00:38:40,720
Speaker 2: I never like really felt like I needed to prove anything.

704
00:38:41,440 --> 00:38:43,239
Speaker 2: So when I when I went into that, when I

705
00:38:43,280 --> 00:38:45,920
Speaker 2: went into that on top of the covers and I

706
00:38:46,040 --> 00:38:49,000
Speaker 2: did the Uh. When I did the sun Rose in

707
00:38:49,200 --> 00:38:52,840
Speaker 2: La it was kind of a it was I didn't

708
00:38:52,840 --> 00:38:53,719
Speaker 2: prove a point.

709
00:38:53,560 --> 00:38:58,120
Speaker 1: But it was just like a see, like no I

710
00:38:58,200 --> 00:38:58,719
Speaker 1: can really sing.

711
00:38:58,800 --> 00:39:01,839
Speaker 2: It was like a right, like you know what I'm saying.

712
00:39:01,880 --> 00:39:03,879
Speaker 2: It was kind of a like that, but it wasn't

713
00:39:04,000 --> 00:39:06,640
Speaker 2: like I'm here to prove a point kind of thing.

714
00:39:06,680 --> 00:39:08,400
Speaker 2: And it's like, let's get together for a night of

715
00:39:08,480 --> 00:39:10,520
Speaker 2: good vibes and I'm gonna do the thing that we

716
00:39:10,640 --> 00:39:13,239
Speaker 2: all know that we're gonna do. And then we sold

717
00:39:13,280 --> 00:39:15,320
Speaker 2: out three nights in two minutes.

718
00:39:15,520 --> 00:39:17,399
Speaker 1: Wow, you know what I mean? So is that something

719
00:39:17,440 --> 00:39:18,239
Speaker 1: you're looking to do again?

720
00:39:19,080 --> 00:39:20,480
Speaker 2: I do want to do a part two of it.

721
00:39:20,719 --> 00:39:21,960
Speaker 2: I do want to do a part two of it.

722
00:39:21,960 --> 00:39:24,840
Speaker 2: And I'm about to start taking a poll online of

723
00:39:25,080 --> 00:39:27,160
Speaker 2: like what songs I should do because I don't want

724
00:39:27,160 --> 00:39:27,719
Speaker 2: to pick them.

725
00:39:28,440 --> 00:39:29,719
Speaker 1: And you want the audience to pick them.

726
00:39:29,920 --> 00:39:32,480
Speaker 2: Yeah, because the first the first version of it was

727
00:39:32,600 --> 00:39:36,560
Speaker 2: songs that meant a lot to my heart, and now

728
00:39:36,560 --> 00:39:39,280
Speaker 2: I want to know what people think that I should

729
00:39:39,320 --> 00:39:42,720
Speaker 2: be kind of, you know, kind of taking a stab.

730
00:39:42,719 --> 00:39:45,959
Speaker 1: At who who haven't you worked with that you would

731
00:39:46,040 --> 00:39:46,960
Speaker 1: like to do something.

732
00:39:46,800 --> 00:39:48,120
Speaker 2: With hundred three thousand.

733
00:39:50,239 --> 00:39:51,120
Speaker 1: Good luck with that one.

734
00:39:51,480 --> 00:39:55,680
Speaker 2: Yeah, you would literally learn how to play or would win.

735
00:40:00,200 --> 00:40:04,160
Speaker 2: I bought a flute and I bought a saxophone from TMU.

736
00:40:05,960 --> 00:40:07,440
Speaker 2: I almost got it. I almost got it.

737
00:40:10,800 --> 00:40:13,759
Speaker 1: If if if Jay came to you and said a

738
00:40:13,840 --> 00:40:15,719
Speaker 1: bro halftime show.

739
00:40:18,200 --> 00:40:22,680
Speaker 2: No, that's too much pressure. It's too much pressure. That's

740
00:40:22,760 --> 00:40:28,120
Speaker 2: a that's because you gotta think. Now, it's a great honor. Yes,

741
00:40:28,239 --> 00:40:31,839
Speaker 2: it would be an amazing honor. But you gotta think

742
00:40:31,920 --> 00:40:35,560
Speaker 2: about me trying to squeeze twenty years of absolute hit

743
00:40:35,680 --> 00:40:38,800
Speaker 2: records in fifteen minutes. I can't do it. I'm just

744
00:40:39,040 --> 00:40:41,279
Speaker 2: I'm just not. I'm not gonna be the one that'd be.

745
00:40:42,480 --> 00:40:44,759
Speaker 2: Remember when just when Justin Timerlake did it, Yeah, and

746
00:40:44,880 --> 00:40:47,000
Speaker 2: that whole fifteen minutes was like, oh shit, I forgot

747
00:40:47,040 --> 00:40:47,360
Speaker 2: about that.

748
00:40:47,600 --> 00:40:49,800
Speaker 1: Oh shit, what that was his?

749
00:40:50,280 --> 00:40:54,200
Speaker 2: Oh god, damn par Real got ship. Just yeah, I

750
00:40:54,239 --> 00:40:57,120
Speaker 2: don't want that. I don't want the I don't want

751
00:40:57,160 --> 00:41:00,560
Speaker 2: the head snatch of Damn I forgot he did all

752
00:41:00,640 --> 00:41:06,160
Speaker 2: that shit. Just let me live that out. Also, I

753
00:41:06,239 --> 00:41:11,080
Speaker 2: don't know own that shit anymore. So just no, I

754
00:41:11,200 --> 00:41:12,400
Speaker 2: sold it, son't have it.

755
00:41:13,040 --> 00:41:15,279
Speaker 1: You know what I mean. You also, we're gonna get

756
00:41:15,280 --> 00:41:16,120
Speaker 1: you out here a few more.

757
00:41:16,920 --> 00:41:20,960
Speaker 3: You said that you stopped you write songs, but we

758
00:41:21,000 --> 00:41:24,080
Speaker 3: were writing songs for people that their fan base didn't

759
00:41:24,120 --> 00:41:26,560
Speaker 3: know you were actually writing and was getting upset.

760
00:41:26,600 --> 00:41:27,800
Speaker 1: You say, you know what, just go and give me

761
00:41:27,840 --> 00:41:30,520
Speaker 1: a break. All y'all got to put you on their ape. Yeah,

762
00:41:30,800 --> 00:41:31,160
Speaker 1: I had to.

763
00:41:31,239 --> 00:41:34,440
Speaker 2: I had to learn how to stop wanting to be

764
00:41:34,600 --> 00:41:37,120
Speaker 2: in front of the camera. I had to learn how

765
00:41:37,200 --> 00:41:42,200
Speaker 2: to get the hell behind the camera and just all right, Yeah,

766
00:41:42,360 --> 00:41:44,239
Speaker 2: I don't have to like me, but I did help

767
00:41:44,280 --> 00:41:47,080
Speaker 2: your favorite artist. I did write this country song. I

768
00:41:47,239 --> 00:41:50,600
Speaker 2: did write this ship. But you know, there was a

769
00:41:50,680 --> 00:41:57,239
Speaker 2: time where people would look at those those booklets when

770
00:41:57,280 --> 00:41:59,440
Speaker 2: you get an album, Yes, snatched that thing out to

771
00:41:59,480 --> 00:42:02,640
Speaker 2: see the cover. Who you look at those things and

772
00:42:04,200 --> 00:42:06,879
Speaker 2: they don't. They don't have those anymore. So I had

773
00:42:06,920 --> 00:42:10,320
Speaker 2: to learn to be like, I don't need that credit.

774
00:42:10,680 --> 00:42:14,840
Speaker 2: I don't need you to know it's obviously there. But

775
00:42:14,960 --> 00:42:19,760
Speaker 2: I don't need everybody to have that knowledge. My family's

776
00:42:19,800 --> 00:42:22,759
Speaker 2: taken care of. My wife still love it, my kids

777
00:42:22,800 --> 00:42:29,000
Speaker 2: don't hate me. We good. I don't need anybody else

778
00:42:29,080 --> 00:42:32,120
Speaker 2: to know exactly what I'm doing all the time.

779
00:42:32,239 --> 00:42:35,000
Speaker 3: And that's you know, that's the thing that we all

780
00:42:35,120 --> 00:42:38,080
Speaker 3: got to any more free boots, any more free beats

781
00:42:38,120 --> 00:42:39,400
Speaker 3: hooks features.

782
00:42:39,960 --> 00:42:43,759
Speaker 2: All the time? You still all the time, all the

783
00:42:43,840 --> 00:42:48,400
Speaker 2: time free beats hooks features. I still do what we

784
00:42:48,480 --> 00:42:51,920
Speaker 2: call tea mixes. T mix is always free because it

785
00:42:52,040 --> 00:42:54,399
Speaker 2: has to be a song that I really really really

786
00:42:54,520 --> 00:42:58,799
Speaker 2: really like. And that's how you get a free te

787
00:42:58,960 --> 00:43:02,040
Speaker 2: pain feature. You make a song that I really like,

788
00:43:02,200 --> 00:43:03,759
Speaker 2: I'll do a verse to it and just put it

789
00:43:03,880 --> 00:43:05,400
Speaker 2: out and you can do whatever you want to it.

790
00:43:05,600 --> 00:43:06,440
Speaker 1: It's not like a.

791
00:43:08,280 --> 00:43:11,200
Speaker 2: You know, it's not like a premeditated thing. You don't

792
00:43:11,239 --> 00:43:15,839
Speaker 2: know what's happening things like that. I'm doing a folded remix. Yeah,

793
00:43:17,400 --> 00:43:21,759
Speaker 2: the folded T mixes. I mean, Kline's always been She's

794
00:43:21,840 --> 00:43:24,040
Speaker 2: already asking me to do something on her album. But

795
00:43:24,120 --> 00:43:26,320
Speaker 2: I'm like, I was already.

796
00:43:26,000 --> 00:43:27,640
Speaker 1: Doing it, right, you know.

797
00:43:28,040 --> 00:43:30,680
Speaker 2: But she was like, oh yeah, just do that then,

798
00:43:30,719 --> 00:43:35,800
Speaker 2: okay cool. You know, she had another song ready for

799
00:43:35,960 --> 00:43:37,719
Speaker 2: me and I can. I can still do that song.

800
00:43:37,840 --> 00:43:41,120
Speaker 2: But I was like, hey, I'm about to do it folded.

801
00:43:41,600 --> 00:43:42,920
Speaker 2: I just want to let you know as soon as

802
00:43:42,920 --> 00:43:44,359
Speaker 2: I get off this as soon as I get off

803
00:43:44,400 --> 00:43:46,480
Speaker 2: this road and as soon as I know it, exactly

804
00:43:46,560 --> 00:43:48,440
Speaker 2: what I'm about to do for the next two weeks.

805
00:43:49,960 --> 00:43:52,280
Speaker 2: I got you. I'm about to do that folded remix,

806
00:43:52,880 --> 00:43:54,880
Speaker 2: but also I'm gonna do the thing that you asked me.

807
00:43:54,920 --> 00:43:57,120
Speaker 1: To do, the Mad Singer. How did you? How did

808
00:43:57,160 --> 00:43:58,279
Speaker 1: they get how did they get you to do that?

809
00:43:58,520 --> 00:44:00,359
Speaker 1: And how do you? How do you sing that? Damn

810
00:44:00,400 --> 00:44:01,240
Speaker 1: big ass copstudent.

811
00:44:01,239 --> 00:44:03,680
Speaker 2: I gotta tell you man, I tried to cancel the

812
00:44:03,800 --> 00:44:09,480
Speaker 2: Band Singer three days before I started it. Yeah, No,

813
00:44:09,680 --> 00:44:12,480
Speaker 2: it was bad. It was bad because when I when

814
00:44:12,520 --> 00:44:15,880
Speaker 2: I actually got a hold, like a mental hold of

815
00:44:15,960 --> 00:44:18,600
Speaker 2: what it was, I was like, oh, this is stupid

816
00:44:18,640 --> 00:44:19,000
Speaker 2: as hell.

817
00:44:19,760 --> 00:44:20,520
Speaker 1: I don't want to do this.

818
00:44:27,320 --> 00:44:30,080
Speaker 2: And then I was like, yo, I'm good on this.

819
00:44:30,160 --> 00:44:33,239
Speaker 2: I don't want to do this anymore. And they're like

820
00:44:33,320 --> 00:44:35,239
Speaker 2: what what what? What's wrong? And I was like, you're

821
00:44:35,280 --> 00:44:40,520
Speaker 2: telling me. If they can figure out who's in the costume,

822
00:44:41,400 --> 00:44:45,400
Speaker 2: then they lose. I'm gonna lose immediately. Everybody knows exactly

823
00:44:45,480 --> 00:44:47,279
Speaker 2: what my voice sounds like. I don't know what it

824
00:44:47,360 --> 00:44:51,439
Speaker 2: sounds like, but apparently I'm a mix between See Lord

825
00:44:51,440 --> 00:44:53,560
Speaker 2: and Robins Thick. I don't know how that worked, but

826
00:44:55,200 --> 00:45:00,680
Speaker 2: so's I'm like, if anybody can hear my voice, then

827
00:45:00,719 --> 00:45:04,839
Speaker 2: I lose. They're like, no, if they figure out who

828
00:45:04,880 --> 00:45:07,719
Speaker 2: you are but they can't prove it, then you can

829
00:45:07,840 --> 00:45:12,440
Speaker 2: keep going. And I'm like, oh, I get it. Can

830
00:45:12,520 --> 00:45:15,399
Speaker 2: I drink? And they were like, yes, you can drink.

831
00:45:15,440 --> 00:45:17,480
Speaker 2: I'm like okay, I'm okay, I can do it. I mean,

832
00:45:21,600 --> 00:45:25,160
Speaker 2: and I don't know, you can probably pull it up now.

833
00:45:25,360 --> 00:45:31,640
Speaker 2: But every night that I performed in that costume, I

834
00:45:31,760 --> 00:45:34,560
Speaker 2: had to wear the pants. I was the only person

835
00:45:34,640 --> 00:45:37,840
Speaker 2: that had pants, and then the rest of my costume

836
00:45:37,960 --> 00:45:42,560
Speaker 2: would just engulf my body. Everybody else was an actual

837
00:45:42,760 --> 00:45:46,960
Speaker 2: mask and just clothes, you know what I mean. So

838
00:45:47,120 --> 00:45:48,800
Speaker 2: it was like I was the only person. I was

839
00:45:48,880 --> 00:45:52,799
Speaker 2: wearing an actual costume the entire time. So every night

840
00:45:53,360 --> 00:45:57,600
Speaker 2: you can see the eye fog up and I couldn't

841
00:45:57,640 --> 00:46:00,640
Speaker 2: see shit. So every night I was performing blow and

842
00:46:00,760 --> 00:46:04,640
Speaker 2: I couldn't see shit. That one, that one last night

843
00:46:04,680 --> 00:46:10,920
Speaker 2: that actually won me the whole thing. I had a

844
00:46:11,040 --> 00:46:13,560
Speaker 2: microphone in my hand. I had a microphone in my

845
00:46:13,640 --> 00:46:17,520
Speaker 2: actual hand outside of the costume, and they wanted me

846
00:46:17,600 --> 00:46:20,359
Speaker 2: to put the microphone up to the mouth of the thing.

847
00:46:20,400 --> 00:46:23,120
Speaker 2: And I'm like, I can't do that. I actually need

848
00:46:23,320 --> 00:46:26,600
Speaker 2: I need somehow, so maybe I have a fake hand

849
00:46:26,680 --> 00:46:30,600
Speaker 2: outside and then I have a mic in here because

850
00:46:30,880 --> 00:46:33,440
Speaker 2: I'm about to perform Stay with Me by Sam Smith.

851
00:46:34,360 --> 00:46:36,200
Speaker 2: And they're like, we we.

852
00:46:36,280 --> 00:46:36,759
Speaker 5: Can't do that.

853
00:46:36,920 --> 00:46:38,840
Speaker 2: That's gonna look stupid as hell. You're gonna have a

854
00:46:39,320 --> 00:46:42,040
Speaker 2: just a just an arm out here with a microphone

855
00:46:42,080 --> 00:46:44,799
Speaker 2: in it. And I'm like, okay, well, what's the best

856
00:46:44,840 --> 00:46:47,360
Speaker 2: I could do? And like, we can put a microphone

857
00:46:47,920 --> 00:46:52,200
Speaker 2: in your hand on a half a stand, put it

858
00:46:52,320 --> 00:46:54,320
Speaker 2: up to your mouth, but we can also have a

859
00:46:54,400 --> 00:46:56,239
Speaker 2: microphone right here on your face.

860
00:46:56,440 --> 00:46:57,400
Speaker 1: The Madonna mike.

861
00:46:59,320 --> 00:47:03,920
Speaker 2: Like too much for that, and they're like, well, you

862
00:47:04,000 --> 00:47:06,000
Speaker 2: got to control your breathe and that's the only way

863
00:47:06,040 --> 00:47:08,160
Speaker 2: we can do it. And that that is literally what

864
00:47:08,360 --> 00:47:14,120
Speaker 2: won me the whole thing, because I was like, I'll

865
00:47:14,160 --> 00:47:18,200
Speaker 2: hold my breath in between these lines in order to

866
00:47:18,239 --> 00:47:20,320
Speaker 2: get this right. And I literally was holding my breath

867
00:47:20,440 --> 00:47:26,160
Speaker 2: that whole night because you can hear me, like in

868
00:47:26,280 --> 00:47:29,000
Speaker 2: between the ship because I was so hot in there. Yes,

869
00:47:29,200 --> 00:47:33,160
Speaker 2: and I had fans in there in the in the

870
00:47:34,160 --> 00:47:38,160
Speaker 2: in the costume, but you can hear the fans in

871
00:47:38,239 --> 00:47:41,000
Speaker 2: the mic so they had to cut them off in

872
00:47:41,200 --> 00:47:43,680
Speaker 2: order for the mic to be clean and on my face,

873
00:47:44,040 --> 00:47:47,240
Speaker 2: and they taped it to my side burns and my lips,

874
00:47:47,560 --> 00:47:51,040
Speaker 2: and I'm like, okay, y'all are gonna make me lose

875
00:47:51,120 --> 00:47:52,200
Speaker 2: this thing. And I was just like, you know what,

876
00:47:52,960 --> 00:47:58,800
Speaker 2: I'm just locking there we go. And then I just

877
00:47:59,239 --> 00:48:02,080
Speaker 2: sang it without taking a breath for that whole take.

878
00:48:02,800 --> 00:48:04,600
Speaker 2: That that's what won me, the whole thing. I didn't

879
00:48:04,600 --> 00:48:06,720
Speaker 2: take one breath that whole time. I was so scared.

880
00:48:07,360 --> 00:48:10,360
Speaker 2: I didn't take one breath that entire time that I

881
00:48:10,440 --> 00:48:10,800
Speaker 2: was singing.

882
00:48:10,840 --> 00:48:11,040
Speaker 1: That's it.

883
00:48:12,440 --> 00:48:15,120
Speaker 3: I'm gonna get you out of here on this. What

884
00:48:15,280 --> 00:48:19,920
Speaker 3: is t pay most proud of? What is your grandest accomplishment?

885
00:48:21,960 --> 00:48:29,240
Speaker 2: Tea pains most tea pains, most grandest accomplishment, I honestly,

886
00:48:29,960 --> 00:48:32,879
Speaker 2: and I you know, I said in interviews and I've

887
00:48:32,920 --> 00:48:35,880
Speaker 2: said it in this interview, and I won't keep saying it,

888
00:48:37,440 --> 00:48:39,719
Speaker 2: my wife loved me and my kids don't hate me,

889
00:48:41,080 --> 00:48:44,239
Speaker 2: because I know so many that that is not the case.

890
00:48:44,520 --> 00:48:44,800
Speaker 1: Wow.

891
00:48:45,520 --> 00:48:50,120
Speaker 2: I know so many people and so many guys that

892
00:48:50,360 --> 00:48:53,680
Speaker 2: have kids and have a wife that hates them that

893
00:48:53,880 --> 00:48:57,319
Speaker 2: they you know, they call it the old ball and chain.

894
00:48:58,280 --> 00:49:01,320
Speaker 2: My wife don't do that to me. Wife. You know,

895
00:49:01,719 --> 00:49:03,560
Speaker 2: she she comes on the road with me. I never

896
00:49:03,640 --> 00:49:06,360
Speaker 2: I never go anywhere without her. My kids don't hate me.

897
00:49:06,480 --> 00:49:09,040
Speaker 2: My kids love everything that I do. I talk to

898
00:49:09,160 --> 00:49:13,360
Speaker 2: my kids like we're best friends. You know, everything that

899
00:49:13,480 --> 00:49:18,360
Speaker 2: I do, my wife and kids are a part of it.

900
00:49:19,320 --> 00:49:23,800
Speaker 2: That is that is that is something accomplishment for a

901
00:49:23,920 --> 00:49:30,320
Speaker 2: black man that as it's kind of like a flex.

902
00:49:30,760 --> 00:49:32,680
Speaker 2: It's damn near like an outfit. It's just like.

903
00:49:34,400 --> 00:49:34,640
Speaker 5: You know.

904
00:49:36,840 --> 00:49:40,120
Speaker 2: When his manager when they were like you look like that,

905
00:49:40,239 --> 00:49:44,319
Speaker 2: take care of your kids or like, yeah, what.

906
00:49:48,560 --> 00:49:49,560
Speaker 1: My wife loves me too.

907
00:49:49,600 --> 00:49:52,160
Speaker 2: You know what I'm saying, Yeah, I bet your wife

908
00:49:52,200 --> 00:49:57,480
Speaker 2: love your bitch as like you know what I'm saying, Yeah,

909
00:49:57,640 --> 00:50:00,720
Speaker 2: you know what love feels like? Who ass like damn

910
00:50:00,960 --> 00:50:04,680
Speaker 2: like it's an insult now because we we don't we

911
00:50:05,440 --> 00:50:07,920
Speaker 2: sometimes we don't feel like we deserve the ship and

912
00:50:08,560 --> 00:50:11,240
Speaker 2: we really do. We really do. And to have somebody

913
00:50:11,800 --> 00:50:14,840
Speaker 2: there that actually with us and to have your kids,

914
00:50:15,880 --> 00:50:18,520
Speaker 2: you know, and to grow up with your kids, it's

915
00:50:18,840 --> 00:50:22,640
Speaker 2: awesome to you know, to have that stereotype of fatherless

916
00:50:22,640 --> 00:50:24,719
Speaker 2: you know, black fatherless kids and ship like that, like

917
00:50:25,400 --> 00:50:27,239
Speaker 2: to be able to grow with your kids and to

918
00:50:27,280 --> 00:50:29,320
Speaker 2: have a wife that loves you. Man, That that is

919
00:50:29,520 --> 00:50:36,560
Speaker 2: I think that's I mean, I can really be like

920
00:50:37,719 --> 00:50:38,680
Speaker 2: Seep paying your mama.

921
00:50:38,840 --> 00:50:38,880
Speaker 3: Ho.

922
00:50:39,239 --> 00:50:42,239
Speaker 2: Yeah, my wife loved me though, like you know what

923
00:50:42,280 --> 00:50:47,319
Speaker 2: I mean? Like that Seep paying your dad, I ain't

924
00:50:47,360 --> 00:50:48,960
Speaker 2: never love you my kids, do.

925
00:50:50,920 --> 00:50:51,560
Speaker 1: You know what I mean?

926
00:50:53,040 --> 00:50:59,920
Speaker 2: So it's like, uh, what what can hurt you when

927
00:51:00,200 --> 00:51:03,759
Speaker 2: nothing can? You know what I mean? Like, that's the

928
00:51:03,960 --> 00:51:07,920
Speaker 2: It's such a flex. It's such a it's such a

929
00:51:08,680 --> 00:51:15,279
Speaker 2: pedestal in life to where many can't do nothing to me.

930
00:51:17,120 --> 00:51:19,759
Speaker 2: I can literally go broke tomorrow. I can lose all

931
00:51:19,800 --> 00:51:24,239
Speaker 2: my money tomorrow, but I'm still richest because my kids

932
00:51:24,280 --> 00:51:25,960
Speaker 2: and my wife love me. Damn.

933
00:51:26,480 --> 00:51:28,319
Speaker 1: That is a flex. Y'all.

934
00:51:28,400 --> 00:51:31,759
Speaker 3: Make sure y'all go stream club husband, bro when you come,

935
00:51:31,880 --> 00:51:33,880
Speaker 3: when you do, when you do, when you do that

936
00:51:34,000 --> 00:51:36,040
Speaker 3: cover again, when you when you have that one, two

937
00:51:36,160 --> 00:51:39,359
Speaker 3: three nights, if it's somewhere close, Bro, I'm coming, bron.

938
00:51:39,760 --> 00:51:43,000
Speaker 3: You got some vocals, Like I said, Look, rather we

939
00:51:43,040 --> 00:51:45,160
Speaker 3: can go who run What? But it ain't no rapper

940
00:51:45,200 --> 00:51:47,560
Speaker 3: dead or live that can match this man's voice. That's

941
00:51:47,600 --> 00:51:51,240
Speaker 3: what t pain, ladies and gentlemen, Hey.

942
00:51:54,960 --> 00:51:58,920
Speaker 5: All my life, running, all my life, second fights, hustle,

943
00:52:00,280 --> 00:52:03,120
Speaker 5: wanta slice, got to brow the dice, the squad all

944
00:52:03,160 --> 00:52:06,200
Speaker 5: my life. I've been grinding all my life, All my life,

945
00:52:06,600 --> 00:52:11,120
Speaker 5: grinding all my life, Sacrifice, Mussell, play the price, Want

946
00:52:11,160 --> 00:52:13,799
Speaker 5: to slice, got to brow the dice, the swap all

947
00:52:13,840 --> 00:52:14,200
Speaker 5: my life.

948
00:52:14,280 --> 00:52:15,600
Speaker 2: I've been grinding all my life.

949
00:52:16,520 --> 00:52:19,520
Speaker 3: M m hmm,