WEBVTT - Episode 334 "LL COOL J"

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<v Speaker 1>Borrow with me here you know, BT know how it goes,

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<v Speaker 1>shout out O, C T no real color what we

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<v Speaker 1>see whole game read the butler bo something.

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<v Speaker 2>Oh you can't stand on the uncle see.

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<v Speaker 1>I already know you can't bother with me because what

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<v Speaker 1>the squad of me they get at.

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<v Speaker 2>They called me.

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<v Speaker 3>Love Love Ballerler.

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<v Speaker 1>I go by the name of Ferrari Simming.

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<v Speaker 3>I know by the name you know BT, and.

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<v Speaker 4>I'm Jojo Alonzo E L cool Jay.

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<v Speaker 1>And the building.

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<v Speaker 2>Welcome to the ball Alert Show. Glad to be here, Babby,

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<v Speaker 2>thanks for having me listen.

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<v Speaker 5>We was having a great conversation off camera, and we

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<v Speaker 5>was talking about a lot of stuff that we wouldn't

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<v Speaker 5>expect legends to be hip hop because I did not

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<v Speaker 5>believe when you said that you manage all.

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<v Speaker 6>Your pages, yea, all your well, why do you manage

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<v Speaker 6>your own platforms?

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<v Speaker 2>Well, I mean the real reason is because, first of all,

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<v Speaker 2>you know what I'm saying, Like I'm a nerd, you

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<v Speaker 2>know what I mean, Like, so I'm interested in shit

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<v Speaker 2>like that, you know what I mean. The second part

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<v Speaker 2>is that I want to be able to know what's

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<v Speaker 2>going on and I want people to hear from me

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<v Speaker 2>directly if I want to do it. And thirdly, like

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<v Speaker 2>you know, when you start respectfully like a bunch of

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<v Speaker 2>social media companies and all that, they don't necessarily get

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<v Speaker 2>your voice. So I don't need like a you know,

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<v Speaker 2>a fourteen year old girl from Michigan trying to put

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<v Speaker 2>verbas together that she thinks is gonna sound.

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<v Speaker 3>Like ll what's up? Dog? You know? This is the

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<v Speaker 3>goat I was if you you know what I mean.

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<v Speaker 1>Like, now, are you monetizing your pages?

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<v Speaker 3>Huh?

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<v Speaker 1>Are you monetizing your pages?

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<v Speaker 3>I don't really mind.

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<v Speaker 2>Well, I mean that's a yes, no or no, right,

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<v Speaker 2>because I mean my life I monetized, dog, Like I'm

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<v Speaker 2>pretty monetized. So the short answer is, do I focus

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<v Speaker 2>on the monetization of the pages themselves?

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<v Speaker 3>No, I don't do.

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<v Speaker 2>I have like little merch shops on some of the

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<v Speaker 2>page of course, But do I like go out of

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<v Speaker 2>my way to you know, no, I do not. But

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<v Speaker 2>but I'm not any for that per se. But that's

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<v Speaker 2>not but you know what, that's not a bad idea

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<v Speaker 2>for me to focus Like.

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<v Speaker 3>That's actually good, Like I probably need to do that.

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<v Speaker 1>I'm just a radar personality. But I get a nice

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<v Speaker 1>check from Facebook. I'm pretty sure he had a lot

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<v Speaker 1>of monthly Facebook.

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<v Speaker 3>Pretty nice. You know. You know, you know, money is

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<v Speaker 3>enough money right there?

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<v Speaker 6>You go lone of times, all of them, every single

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<v Speaker 6>one of them, especially TikTok Yo.

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<v Speaker 3>She came alive when we started talking about that.

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<v Speaker 6>Monitors, I need to get as much money as you

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<v Speaker 6>can get, no, because social media is paying.

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<v Speaker 3>Listen, you know I'm gay for it.

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<v Speaker 1>I'm so, I really wanted to ask you. I just

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<v Speaker 1>want to start with your name. Where did the name

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<v Speaker 1>come from?

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<v Speaker 3>Well?

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<v Speaker 2>You know, you know, I was sixteen, you know, I

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<v Speaker 2>was in a crew and like all the dudes had

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<v Speaker 2>names that kind of like applied to going after females,

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<v Speaker 2>you know what I'm saying. So it would be like

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<v Speaker 2>the super Lover this one and a man playboy Mikey,

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<v Speaker 2>and so I made the LLL was Ladies love Cool James,

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<v Speaker 2>you know what I'm saying, Like that was you know

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<v Speaker 2>our thing. You know, we wanted to, you know, but ladies,

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<v Speaker 2>we want we want to, you know, we wanted more

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<v Speaker 2>than a participation trophy, you know what I'm saying, Like

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<v Speaker 2>he really wanted to be in the game, you know

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<v Speaker 2>what I mean.

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<v Speaker 1>So and I know you were one of the very

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<v Speaker 1>first people to get a record deal at a very

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<v Speaker 1>young age and a time where like it was so

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<v Speaker 1>hard to get deals and be in the music industry.

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<v Speaker 1>You're at the piet I say, the pioneer, so.

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<v Speaker 2>I make it even So, I was the first artist

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<v Speaker 2>on deaf Jam, right, So we started the label that

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<v Speaker 2>death Jam was a production company and they it was they.

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<v Speaker 2>Rick Rubin one of the found the founder of the

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<v Speaker 2>logo and the actual label. He it was on a

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<v Speaker 2>street The name of the label was street Wise Party

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<v Speaker 2>Time and it was death Jam Productions. I bought a

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<v Speaker 2>song by this artist back then. His name was Tela

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<v Speaker 2>rock still Is and I ended up sending in a demo,

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<v Speaker 2>and you know, we ended up starting the label deaf Jam,

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<v Speaker 2>and I was the first artist. Russell Simmons and Rick

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<v Speaker 2>Rubin started the label and I was the flagship artist.

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<v Speaker 2>So all of the things that came out after that,

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<v Speaker 2>all of the artists that you can think of that

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<v Speaker 2>were on deaf Jam came were birth from that from

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<v Speaker 2>that moment, and I started that. I was sixteen years

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<v Speaker 2>old when we started the label and I got on

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<v Speaker 2>so and then it was but it was independent. Then

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<v Speaker 2>we signed a deal with CBS and got major distribution

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<v Speaker 2>and things.

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<v Speaker 1>Thank you for saying that, because I didn't know that

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<v Speaker 1>it was independent at first.

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<v Speaker 3>I thought, oh, yeah, no, it was completely Yeah.

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<v Speaker 2>See when I when I started, there were no there

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<v Speaker 2>was no hip hop industry, you know what I'm saying.

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<v Speaker 1>So you basically created the genre.

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<v Speaker 2>No, I definitely was a fan of the genre from

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<v Speaker 2>the beginning. So I became a fan of eight years old, right,

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<v Speaker 2>you know, but before they made rap records, before they

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<v Speaker 2>were records, it was all on tapes and on mixtapes

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<v Speaker 2>and like what we would call blend tapes today. You

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<v Speaker 2>would catch him at the parks and stuff like that, right,

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<v Speaker 2>So I, you know, I became a fan of eight.

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<v Speaker 2>When I was eleven or twelve, I started writing, right,

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<v Speaker 2>and then when I was fourteen, I started trying to.

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<v Speaker 3>Make a demo, and then at age sixteen we started

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<v Speaker 3>Death Jam.

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<v Speaker 2>But there was labels like sugar Hill, and there were

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<v Speaker 2>labels like Enjoy, and they were labels like Tommy Boy,

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<v Speaker 2>which were early but they but death Jam was the

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<v Speaker 2>first label that that that in the modern era, because

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<v Speaker 2>you know, it's kind of like art. There's there's modern postmodern,

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<v Speaker 2>there's contemporary, right, Well, death jam ushered in a modern

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<v Speaker 2>era for the time, you know what I'm saying, Like

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<v Speaker 2>all those.

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<v Speaker 3>Other labels were we were.

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<v Speaker 2>Like pre you know what I'm saying, Like they were

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<v Speaker 2>like they were contemporaries, and then all of a sudden,

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<v Speaker 2>death jam are ushered in the modern era.

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<v Speaker 3>You date, so you.

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<v Speaker 6>Said, like at eight years old is when you when

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<v Speaker 6>you got the love of music?

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<v Speaker 4>So who inspired you? Who were you listening to?

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<v Speaker 2>So there was there was there was a Treacherous Three,

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<v Speaker 2>There was the Feelers four.

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<v Speaker 3>There was a Foursome Seeds.

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<v Speaker 2>There was a Cold Crush you know, which is like JDL,

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<v Speaker 2>Almighty KG, Grand Master CAZ. There was you know, there

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<v Speaker 2>was you know the Fourth MC's, you know Mercury and

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<v Speaker 2>all you know, all of them from Staten Island. There

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<v Speaker 2>was a fantastic Romantic five, Whip a Whip. There was

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<v Speaker 2>all these different artists that never really recorded. Then there

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<v Speaker 2>was also Grandmaster Flash in the Furious five and the

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<v Speaker 2>Treacherous Three and the Crash Crew and the Fearless four

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<v Speaker 2>and Zulu Nation and all these different groups that were

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<v Speaker 2>in this small world in New York. You know what

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<v Speaker 2>I'm saying, and we were just kind of exposed to it,

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<v Speaker 2>you know what I'm saying. So I was like, I'm

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<v Speaker 2>like a kind of a hybrid of sorts because I

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<v Speaker 2>was a.

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<v Speaker 3>Fan of the very I was that.

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<v Speaker 2>Fan at the very beginning, you know what I'm saying,

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<v Speaker 2>And also got the.

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<v Speaker 3>Like record very young.

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<v Speaker 2>So because of that, like my chronological contemporaries would be

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<v Speaker 2>like Jay and Pack and Biggie. Chronologically from an age standpoint, it's.

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<v Speaker 3>Like Jay and Pack and Big and all them.

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<v Speaker 2>But from a rap standpoint, I'm like ten fifteen years earlier,

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<v Speaker 2>you know what I'm saying in terms of hip hop,

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<v Speaker 2>because I started so young, you.

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<v Speaker 3>You know what I'm saying. Like I was like, but

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<v Speaker 3>I just wasn't a kiddie rapper.

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<v Speaker 2>I started very young, but I didn't come out as

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<v Speaker 2>a kiddy rapper, So nobody ever saw me as that.

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<v Speaker 3>We'll be right back with more of a Buller Alert show.

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<v Speaker 4>How do you feel about hip hop in today's age?

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<v Speaker 2>I think I don't. I don't have any issues with it.

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<v Speaker 2>I think that you know, see anything, The key is

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<v Speaker 2>that anything that you do is going to evolve and change, right,

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<v Speaker 2>So the question becomes, here's the difference.

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<v Speaker 3>Here's the difference with hip hop.

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<v Speaker 2>You know, it's funny, it's a big word, but it's

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<v Speaker 2>the democratization has taken place.

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<v Speaker 3>So what does that mean?

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<v Speaker 2>Basically, what it means is that now everybody can play

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<v Speaker 2>in the NBA. Right, It's like like today in the NBA,

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<v Speaker 2>Steph and Kad and you know and and you know

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<v Speaker 2>and everybody you could think of that you love. They

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<v Speaker 2>they are in a world. They're in a like a

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<v Speaker 2>like a walled garden. And you can't play in the

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<v Speaker 2>NBA just because you want to play, right, okay, even

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<v Speaker 2>if you bounce the ball. See well, in hip hop,

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<v Speaker 2>when I first started, it was like that. It was

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<v Speaker 2>like you can't play unless you at a certain level

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<v Speaker 2>or a certain skill set and all that that changed.

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<v Speaker 2>The Internet changed that. So now everybody, anybody can who

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<v Speaker 2>can bounce the ball can play. Is that a bad thing?

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<v Speaker 2>Sometimes it is? Sometimes it isn't. It depends. Like an

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<v Speaker 2>artist like Soldier Boy wouldn't have happened when we first

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<v Speaker 2>started that that wouldn't have been possible.

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<v Speaker 3>That story Soldier bore character stream, you.

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<v Speaker 5>Know, not the.

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<v Speaker 3>Gotcha he liked that ship. Look at him. I'm going

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<v Speaker 3>he don't wower y'all. No, I was really just thinking

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<v Speaker 3>like that, what son?

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<v Speaker 2>But you know what, the reason why I use him

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<v Speaker 2>as an example was because he was that. He's the

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<v Speaker 2>first he was And I just talked about it earlier

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<v Speaker 2>to SOLDI, I love you bro about with Jady no

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<v Speaker 2>my man, Ray. But the thing is, because of the

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<v Speaker 2>way YouTube happened and the way it emerged, it was

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<v Speaker 2>there was no real gatekeepers involved with his success.

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<v Speaker 3>That's why his story couldn't have happened.

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<v Speaker 2>He's you know, you know, he made a great song

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<v Speaker 2>and you know with that first song and it went

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<v Speaker 2>from there and all that. But that was the thing.

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<v Speaker 2>So it's like, those are the differences in hip hop.

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<v Speaker 2>The other differences in hip hop is that now you

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<v Speaker 2>know the current society, the mindset is much more layered, right,

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<v Speaker 2>It's a more layered way of thinking. So you know

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<v Speaker 2>when we when we were first started, you make a song,

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<v Speaker 2>you make a rhyme, you make a record, that was it.

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<v Speaker 2>Or you make a rhyme, you wrap it a party,

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<v Speaker 2>You make a rhyme, you make a record, maybe you

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<v Speaker 2>make a video.

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<v Speaker 3>That's it.

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<v Speaker 2>Now, Like I was saying earlier to somebody, a girl

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<v Speaker 2>would make a song, then you make a rhyme that

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<v Speaker 2>she's thinking about a video, and then she's thinking about

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<v Speaker 2>a brand, and then she's thinking about monetization of pages

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<v Speaker 2>and thinking about and she's thinking about her she's thinking

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<v Speaker 2>about all of the ways to create an ecosystem around

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<v Speaker 2>themselves that goes beyond just the craft. So that's the difference,

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<v Speaker 2>you know what I'm saying, That's like the major difference.

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<v Speaker 5>Like it's no structure, basically what you're saying with the

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<v Speaker 5>new generation.

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<v Speaker 3>Now there is structure.

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<v Speaker 2>I just think it's a it's a much more it's

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<v Speaker 2>a it's a much more savvy way.

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<v Speaker 3>Of approaching the art form.

0:10:26.080 --> 0:10:28.839
<v Speaker 2>What happens though, is now the one the one thing,

0:10:28.920 --> 0:10:30.920
<v Speaker 2>the one thing that you got to remember, you know

0:10:30.960 --> 0:10:34.000
<v Speaker 2>what I'm saying is that because of that, sometimes sometimes

0:10:34.040 --> 0:10:36.720
<v Speaker 2>not always, sometimes they don't focus on the craft as

0:10:36.800 --> 0:10:42.240
<v Speaker 2>much because they're so focused on being It's like they're

0:10:42.240 --> 0:10:44.720
<v Speaker 2>so focused on being a star that they maybe not

0:10:44.840 --> 0:10:46.040
<v Speaker 2>bouncing the ball as much.

0:10:46.360 --> 0:10:48.640
<v Speaker 3>You feel me, they're not playing with the rock as much.

0:10:49.040 --> 0:10:51.440
<v Speaker 2>So you know, you know, you know, it's a little

0:10:51.480 --> 0:10:55.600
<v Speaker 2>harder to get a Kyrie because you know, Kyrie would

0:10:55.640 --> 0:10:58.040
<v Speaker 2>be like over here worrying about his T shirt line

0:10:58.120 --> 0:10:59.240
<v Speaker 2>instead of bouncing the ball.

0:10:59.760 --> 0:11:01.520
<v Speaker 1>What do you think?

0:11:01.800 --> 0:11:06.200
<v Speaker 6>So we did speak about how it's a we know

0:11:06.240 --> 0:11:09.880
<v Speaker 6>that hip hop is changing, it's evolving as an artist,

0:11:10.200 --> 0:11:12.839
<v Speaker 6>do you feel that you have to do that as well?

0:11:12.920 --> 0:11:16.600
<v Speaker 6>Like you need to involve evolve, like of what you

0:11:16.640 --> 0:11:19.280
<v Speaker 6>think the people may want to hear at this day

0:11:19.320 --> 0:11:21.440
<v Speaker 6>and age. And I bring that up because I know,

0:11:21.600 --> 0:11:26.640
<v Speaker 6>you know, passion is out and it gave me nostalgia vibes.

0:11:26.600 --> 0:11:28.920
<v Speaker 4>You know, it took me back to like real hip hop.

0:11:29.679 --> 0:11:35.440
<v Speaker 2>Yeah, so so here's my thing with that, right, you

0:11:35.480 --> 0:11:39.480
<v Speaker 2>can't fake create, you know what I'm saying, like not

0:11:39.600 --> 0:11:42.040
<v Speaker 2>If you want to last, you gotta do what you love.

0:11:42.240 --> 0:11:44.520
<v Speaker 2>Now what does that mean? That means you got to

0:11:44.520 --> 0:11:47.520
<v Speaker 2>really pay attention. You got to understand the mindset.

0:11:47.200 --> 0:11:47.520
<v Speaker 3>Of the word.

0:11:47.559 --> 0:11:50.000
<v Speaker 2>You can't make music that reaches the people if you

0:11:50.000 --> 0:11:51.040
<v Speaker 2>don't understand the people.

0:11:51.720 --> 0:11:54.880
<v Speaker 3>If you don't know that people are still smelling pissy elevators.

0:11:54.360 --> 0:11:57.120
<v Speaker 2>And you know, and you don't know that people are

0:11:57.480 --> 0:11:59.880
<v Speaker 2>you know, sleeping on the floor to avoid gunshots, and

0:12:00.240 --> 0:12:03.400
<v Speaker 2>if you don't understand danger and if you only living

0:12:03.440 --> 0:12:07.360
<v Speaker 2>in your star bubble, you know, you're gonna be boring,

0:12:07.720 --> 0:12:10.920
<v Speaker 2>you're gonna be leading with your wallet, and ultimately that

0:12:10.920 --> 0:12:12.920
<v Speaker 2>shit is gonna be goofy, you know what I mean.

0:12:13.040 --> 0:12:15.720
<v Speaker 2>Like that's where it's gonna end up right now in

0:12:15.800 --> 0:12:18.360
<v Speaker 2>terms of like what people are gonna want to hear.

0:12:19.200 --> 0:12:20.760
<v Speaker 3>The way I look at it is like this.

0:12:21.320 --> 0:12:23.120
<v Speaker 2>If I was sixteen, if I was nineteen, if I

0:12:23.160 --> 0:12:25.640
<v Speaker 2>was twenty two, I don't really care about your resume.

0:12:25.800 --> 0:12:28.040
<v Speaker 3>That shit don't matter to me. I respect it.

0:12:28.480 --> 0:12:31.200
<v Speaker 2>But if you want to impress me when I press play,

0:12:31.200 --> 0:12:34.960
<v Speaker 2>I gotta like that shit. Like that's ultimately where like

0:12:35.040 --> 0:12:37.160
<v Speaker 2>all that other shit is cool, it's great.

0:12:37.240 --> 0:12:39.840
<v Speaker 3>Oh yeah, yeah, go yeah, yeah, yeah, man, you're the man.

0:12:39.840 --> 0:12:40.800
<v Speaker 3>You did this. Yeah cool?

0:12:40.960 --> 0:12:46.000
<v Speaker 2>Press play Transparent, Press play transparent.

0:12:46.040 --> 0:12:48.680
<v Speaker 1>Moment I'm getting on my way up here, I'm talking

0:12:48.679 --> 0:12:51.000
<v Speaker 1>to my sixteen year old, I'm like, yeah, I interview

0:12:51.200 --> 0:12:53.120
<v Speaker 1>l today. She's like, oh yeah, I love him as

0:12:53.120 --> 0:12:57.120
<v Speaker 1>an actor, Like yeah right, he was like what. I

0:12:57.200 --> 0:13:00.839
<v Speaker 1>was like yes, and I start educating her the music.

0:13:00.880 --> 0:13:04.400
<v Speaker 1>But listen, salute to you for the fourteenth album. Could

0:13:04.400 --> 0:13:08.600
<v Speaker 1>we get some snaps on that, please. I don't know

0:13:08.640 --> 0:13:10.120
<v Speaker 1>nobody that got fourteen.

0:13:11.040 --> 0:13:13.000
<v Speaker 3>Artists that have way more mistakes.

0:13:13.120 --> 0:13:15.400
<v Speaker 5>But I don't know about fortunate, but a lot of

0:13:15.440 --> 0:13:17.440
<v Speaker 5>people that got fourteen albums still not here.

0:13:17.760 --> 0:13:20.960
<v Speaker 3>Yeah yeah, yeah, you're still here. Yeah yeah.

0:13:21.360 --> 0:13:23.640
<v Speaker 2>You know what, man, you gotta love it, baby, you

0:13:23.720 --> 0:13:26.200
<v Speaker 2>gotta love that ship new song with Rick Ross and

0:13:26.280 --> 0:13:29.680
<v Speaker 2>uh J. Yeah yeah, Saturday Night Special and then the

0:13:29.720 --> 0:13:33.000
<v Speaker 2>Passion Joint. The album is chocked full of all concert joints.

0:13:33.000 --> 0:13:33.520
<v Speaker 3>I gotta joint.

0:13:33.679 --> 0:13:36.400
<v Speaker 1>Tell your conscious on the dress? Hold, huh you on point?

0:13:36.440 --> 0:13:38.719
<v Speaker 1>Everything was on point because I'm analyzing. I'm over here,

0:13:38.800 --> 0:13:41.120
<v Speaker 1>like this is gonna fit what we're talking about right now?

0:13:41.480 --> 0:13:44.520
<v Speaker 2>Yeah it fits, like, yeah, they expect me to have

0:13:44.600 --> 0:13:46.880
<v Speaker 2>skinny jeans over my bains and my cam showing.

0:13:47.160 --> 0:13:49.439
<v Speaker 3>I already know what it is. You know what it is, bro,

0:13:49.800 --> 0:13:51.600
<v Speaker 3>You know what it is. Listen.

0:13:53.160 --> 0:13:54.160
<v Speaker 1>No, I'm just saying.

0:13:56.679 --> 0:13:58.920
<v Speaker 3>I already know it. You know you know what they

0:13:59.080 --> 0:14:01.520
<v Speaker 3>you know what I'm saying, Like, because but you know

0:14:01.559 --> 0:14:03.280
<v Speaker 3>why that happens. Let me tell you what it is.

0:14:06.200 --> 0:14:10.160
<v Speaker 2>First of all, you know what really happens. People just

0:14:10.240 --> 0:14:13.120
<v Speaker 2>forget about the world. Man, They just forget that the

0:14:13.160 --> 0:14:16.760
<v Speaker 2>world exists, and it becomes so self absorbed that they

0:14:16.760 --> 0:14:17.400
<v Speaker 2>don't change.

0:14:17.520 --> 0:14:21.800
<v Speaker 3>They don't adapt. They don't. And the other thing is, see,

0:14:23.120 --> 0:14:24.160
<v Speaker 3>were you never like that?

0:14:24.840 --> 0:14:27.560
<v Speaker 2>No, but but there are moments when you are more

0:14:27.600 --> 0:14:29.720
<v Speaker 2>closed than other moments. You got to be self aware.

0:14:30.640 --> 0:14:36.320
<v Speaker 2>He keeps you grounded or you gotta have I mean,

0:14:36.360 --> 0:14:38.400
<v Speaker 2>the short answer is you can't be an arrogant asshole.

0:14:39.360 --> 0:14:40.960
<v Speaker 2>I mean, that's the short answer. You gotta have faith

0:14:41.000 --> 0:14:43.000
<v Speaker 2>in God. You got actual staff? Is he is he

0:14:43.040 --> 0:14:43.560
<v Speaker 2>an asshole?

0:14:44.760 --> 0:14:48.120
<v Speaker 3>You know? Paid good?

0:14:48.360 --> 0:14:52.760
<v Speaker 2>I was like, I'll answer no, but I'll answer I

0:14:52.760 --> 0:14:55.320
<v Speaker 2>would say nine of the time I'm not.

0:14:55.440 --> 0:14:56.440
<v Speaker 3>And you know.

0:15:00.160 --> 0:15:03.760
<v Speaker 6>What brings that tempercent out people asking me that question.

0:15:11.960 --> 0:15:13.600
<v Speaker 2>Yeah, you know what I mean, like, you know, you

0:15:13.760 --> 0:15:15.960
<v Speaker 2>just got to be like listen, you just gotta pay attention.

0:15:16.040 --> 0:15:17.520
<v Speaker 3>You know what I'm saying, You just got to pay

0:15:17.520 --> 0:15:18.240
<v Speaker 3>attention to care.

0:15:18.440 --> 0:15:21.080
<v Speaker 2>And also what I was going to say is, you know,

0:15:21.200 --> 0:15:23.600
<v Speaker 2>as you mature in your life, right, you still got

0:15:23.600 --> 0:15:25.120
<v Speaker 2>to be willing to learn from everybody.

0:15:25.320 --> 0:15:28.080
<v Speaker 3>Some people and I learned this just from me, Like I've.

0:15:27.880 --> 0:15:31.440
<v Speaker 2>Had dudes like that I looked at as for quote

0:15:31.480 --> 0:15:34.960
<v Speaker 2>unquote big homies. Right, but maybe in my life I

0:15:35.000 --> 0:15:37.440
<v Speaker 2>may have done some things and you know, surpassed some

0:15:37.480 --> 0:15:39.360
<v Speaker 2>of the things that they did or took it to

0:15:39.400 --> 0:15:42.000
<v Speaker 2>another level. But they because they are older than me,

0:15:42.040 --> 0:15:44.760
<v Speaker 2>they think they can't learn from me. That's a big mistake.

0:15:45.880 --> 0:15:47.520
<v Speaker 2>So when I you know, if I hear you know,

0:15:47.560 --> 0:15:50.240
<v Speaker 2>somebody from a different generation two three generations from me

0:15:50.280 --> 0:15:51.840
<v Speaker 2>talking about yo yo.

0:15:51.800 --> 0:15:54.120
<v Speaker 3>You should check this shit out. I checked this shit out.

0:15:54.600 --> 0:15:58.280
<v Speaker 2>I actually pay attention, like it doesn't bother me, Like,

0:15:58.360 --> 0:16:01.920
<v Speaker 2>I don't have an issue with learning from you know people,

0:16:02.000 --> 0:16:05.200
<v Speaker 2>So I think that that's kind of where that that

0:16:05.240 --> 0:16:07.640
<v Speaker 2>disconnect happens a lot of times, you know what I'm saying,

0:16:07.840 --> 0:16:10.680
<v Speaker 2>Because a lot of dudes, like and even some females,

0:16:10.680 --> 0:16:13.400
<v Speaker 2>they don't like to learn from people that are younger

0:16:13.440 --> 0:16:13.760
<v Speaker 2>than them.

0:16:13.920 --> 0:16:14.480
<v Speaker 3>That's fact.

0:16:14.520 --> 0:16:17.600
<v Speaker 2>They don't like that shit like and I don't really

0:16:17.640 --> 0:16:19.960
<v Speaker 2>know why that is, but that's like.

0:16:19.880 --> 0:16:21.680
<v Speaker 5>They be stuck in their waist because it's like a

0:16:21.720 --> 0:16:24.360
<v Speaker 5>lot of family members too that you would be younger,

0:16:24.400 --> 0:16:26.680
<v Speaker 5>but you might be more experienced, Like you traveled the world,

0:16:26.760 --> 0:16:28.760
<v Speaker 5>You've seen different type of kol tracts, and then you

0:16:28.760 --> 0:16:30.520
<v Speaker 5>try to go back home to the neighborhood.

0:16:31.000 --> 0:16:33.400
<v Speaker 1>Look, I need to learn that. Look, so I got

0:16:33.440 --> 0:16:35.520
<v Speaker 1>a little dad's stomach. Oh here you go.

0:16:35.960 --> 0:16:37.880
<v Speaker 3>He's been waiting to ask you this, even.

0:16:37.960 --> 0:16:40.040
<v Speaker 1>To watch board. You know what I'm saying, I need

0:16:40.080 --> 0:16:43.680
<v Speaker 1>some tips, big dog, Like is it? Do you? Are

0:16:43.680 --> 0:16:46.280
<v Speaker 1>you still working now? Because I saw you eat that donut?

0:16:46.280 --> 0:16:48.000
<v Speaker 1>Are you gonna go work out today because you ate

0:16:48.040 --> 0:16:49.080
<v Speaker 1>that piece of that donut?

0:16:49.400 --> 0:16:51.120
<v Speaker 3>Not because I hate the doughnut. I'm gonna work out

0:16:51.120 --> 0:16:52.840
<v Speaker 3>because I want to. But yeah, I like to eat.

0:16:53.040 --> 0:16:54.840
<v Speaker 3>I like to You know, I'm not gonna be bored.

0:16:54.840 --> 0:16:57.600
<v Speaker 1>It's just not going nowhere though, you.

0:16:57.520 --> 0:16:59.040
<v Speaker 3>Know, we would really have to look at it. You know,

0:16:59.160 --> 0:17:01.080
<v Speaker 3>you're tweaky in it off the little.

0:17:00.760 --> 0:17:09.119
<v Speaker 2>Crazy good sandwiches, hot sauce, potato salad with and what's

0:17:09.160 --> 0:17:12.560
<v Speaker 2>your diet like right now? Right now, just at this

0:17:12.600 --> 0:17:14.960
<v Speaker 2>particular time when you're asking me, I haven't been eating

0:17:14.960 --> 0:17:17.840
<v Speaker 2>no meat and chicken. That's been eating really like fish

0:17:17.840 --> 0:17:18.919
<v Speaker 2>and shrimp and stuff like that.

0:17:19.440 --> 0:17:20.040
<v Speaker 3>You know what I'm saying.

0:17:20.440 --> 0:17:23.600
<v Speaker 2>But it varies, No, but it ferries though it varies,

0:17:23.640 --> 0:17:26.160
<v Speaker 2>man like steak when you eat a lot of red meat.

0:17:26.359 --> 0:17:27.320
<v Speaker 3>What were you talking about?

0:17:27.400 --> 0:17:28.720
<v Speaker 7>But when you eat a lot of red meat, people

0:17:28.960 --> 0:17:30.880
<v Speaker 7>talking about when you eat a lot of red meat,

0:17:31.080 --> 0:17:35.080
<v Speaker 7>you can't get the interview about you can get bloated.

0:17:35.119 --> 0:17:37.399
<v Speaker 7>You know what I'm saying, You could get bloated with

0:17:37.440 --> 0:17:39.320
<v Speaker 7>the red meat because he has a lot of creatine

0:17:39.359 --> 0:17:40.919
<v Speaker 7>in it. So you'll find when you eat a lot

0:17:40.960 --> 0:17:44.520
<v Speaker 7>of steak, you start getting And now I'm a really.

0:17:44.359 --> 0:17:46.720
<v Speaker 3>This is horrify you gotta get I put it the

0:17:46.800 --> 0:17:48.320
<v Speaker 3>nice way. Clean yourself out.

0:17:48.840 --> 0:17:51.520
<v Speaker 2>It's self cleaned out, and then you'll find what all

0:17:51.560 --> 0:17:52.359
<v Speaker 2>that should go down?

0:17:52.359 --> 0:17:55.200
<v Speaker 5>And you you happen a lot of people because there's

0:17:55.200 --> 0:17:56.960
<v Speaker 5>a lot of people that's gonna be watching his interview.

0:17:58.000 --> 0:18:05.560
<v Speaker 3>They got that too bad shot fire. You forgot that too,

0:18:06.680 --> 0:18:07.160
<v Speaker 3>you know what I'm saying.

0:18:07.200 --> 0:18:09.240
<v Speaker 5>People trying to you know, it's the summertime, people trying

0:18:09.240 --> 0:18:11.560
<v Speaker 5>to slim up, and you know you gotta be look this.

0:18:11.480 --> 0:18:13.040
<v Speaker 3>Week, will be able to take your shirt off at

0:18:13.040 --> 0:18:13.480
<v Speaker 3>the pool.

0:18:13.560 --> 0:18:16.160
<v Speaker 2>So you want to have stamming in your whole life,

0:18:16.800 --> 0:18:20.040
<v Speaker 2>like like like you know I have, you know, like

0:18:20.200 --> 0:18:21.399
<v Speaker 2>I've never felt old.

0:18:22.119 --> 0:18:24.080
<v Speaker 3>I just put it like that, you know what I mean.

0:18:24.240 --> 0:18:26.479
<v Speaker 2>You want to have stamming in your whole life, like

0:18:26.680 --> 0:18:28.600
<v Speaker 2>you know, like when you you know you want to

0:18:28.640 --> 0:18:33.320
<v Speaker 2>be able to you know, yeah, you won't be able

0:18:33.359 --> 0:18:33.960
<v Speaker 2>to reach the rim.

0:18:34.040 --> 0:18:35.080
<v Speaker 3>I don't have no problem.

0:18:35.200 --> 0:18:38.200
<v Speaker 6>So you got to take just the workout. What's the

0:18:38.240 --> 0:18:39.679
<v Speaker 6>workout plan? What does it look like?

0:18:39.680 --> 0:18:40.160
<v Speaker 3>You going to.

0:18:41.359 --> 0:18:43.880
<v Speaker 2>Minimum four or five times a week? And I work

0:18:43.960 --> 0:18:47.160
<v Speaker 2>mostly on stamina. I don't I lift, but I don't

0:18:47.160 --> 0:18:51.119
<v Speaker 2>lift super duper heavy relative to my size. Relatively speaking,

0:18:51.160 --> 0:18:54.280
<v Speaker 2>I don't go super heavy. I do shoulders, I do chests.

0:18:54.480 --> 0:18:56.280
<v Speaker 2>I make sure that I elevate my heart rate.

0:18:57.000 --> 0:18:57.199
<v Speaker 3>You know.

0:18:57.280 --> 0:19:00.720
<v Speaker 2>I do the stand, the step, the steps, I think,

0:19:00.960 --> 0:19:03.399
<v Speaker 2>I do sprints on a treadmill, I do the elliptical.

0:19:03.640 --> 0:19:05.720
<v Speaker 2>It depends on my I listen to my body. If

0:19:05.760 --> 0:19:08.840
<v Speaker 2>my elbow feels funny, okay, I'll leave that alone. If

0:19:08.840 --> 0:19:11.680
<v Speaker 2>something you know feeling right, I'm moving to something else.

0:19:12.000 --> 0:19:15.440
<v Speaker 2>I just always exercise. And you want stammina. Stammina is

0:19:15.480 --> 0:19:17.880
<v Speaker 2>key in life. Stammin is key, man.

0:19:18.080 --> 0:19:20.480
<v Speaker 1>I always wanted to ask you this too, What do

0:19:20.520 --> 0:19:23.560
<v Speaker 1>you enjoy more? Do you enjoy movies and television because

0:19:23.560 --> 0:19:25.760
<v Speaker 1>you're a natural at that, not more than music?

0:19:25.880 --> 0:19:26.120
<v Speaker 3>Music?

0:19:26.160 --> 0:19:28.480
<v Speaker 2>On first love, music put me in position to do

0:19:28.520 --> 0:19:30.040
<v Speaker 2>all that stuff. I love it and I'm grateful I

0:19:30.040 --> 0:19:32.040
<v Speaker 2>could do it. And you should never limit yourself. And

0:19:32.080 --> 0:19:33.679
<v Speaker 2>if you have more than one talent. You should use

0:19:33.720 --> 0:19:35.480
<v Speaker 2>them all, you know what I'm saying. But music's my

0:19:35.520 --> 0:19:36.320
<v Speaker 2>first is it?

0:19:36.480 --> 0:19:39.000
<v Speaker 1>N Cisdore?

0:19:39.400 --> 0:19:42.800
<v Speaker 3>I did it? I did it for fifteen years? Wow? Yeah.

0:19:43.320 --> 0:19:46.960
<v Speaker 5>Did you have a lot of friends that were peers

0:19:46.960 --> 0:19:49.760
<v Speaker 5>of yours in the music business that the more they

0:19:49.800 --> 0:19:52.680
<v Speaker 5>see you evolve and you know, they kind of was

0:19:52.720 --> 0:19:54.680
<v Speaker 5>stuck on the music. Did you give like a lot

0:19:54.680 --> 0:19:58.439
<v Speaker 5>of jealousy, like frenemies when people was like, man, he

0:19:58.600 --> 0:19:59.920
<v Speaker 5>like doing like he's still going.

0:20:00.119 --> 0:20:03.120
<v Speaker 3>We're trying to figure it out. You're laughing because well.

0:20:03.200 --> 0:20:06.320
<v Speaker 2>I'm laughing because you know, the music industry in general

0:20:06.880 --> 0:20:10.080
<v Speaker 2>and entertainment is full of coopetition. Because that's what you're

0:20:10.080 --> 0:20:12.400
<v Speaker 2>talking about in front of me. It's not as much

0:20:12.400 --> 0:20:15.800
<v Speaker 2>front of me as it is coopetition. So yeah, you

0:20:16.119 --> 0:20:18.440
<v Speaker 2>deal with some of that. But you know, my job

0:20:18.520 --> 0:20:21.600
<v Speaker 2>is to show people as possible. I'm just showing dudes

0:20:21.600 --> 0:20:22.280
<v Speaker 2>and showing.

0:20:22.000 --> 0:20:24.080
<v Speaker 3>People that, yo, you could keep going at a high level.

0:20:24.240 --> 0:20:26.480
<v Speaker 2>It's like you see bron playing in the twenty first year.

0:20:26.720 --> 0:20:29.199
<v Speaker 2>I'm doing that in music years. You know, I'm just

0:20:29.240 --> 0:20:31.800
<v Speaker 2>showing people what's possible, you know what i mean. Like

0:20:32.359 --> 0:20:34.640
<v Speaker 2>that's the fun thing about it, you know, just showing

0:20:34.680 --> 0:20:37.240
<v Speaker 2>them what's possible. And if you do catch a little

0:20:37.280 --> 0:20:39.040
<v Speaker 2>bit of that hate and all that, I mean, whatever,

0:20:39.440 --> 0:20:41.399
<v Speaker 2>like you know what we're gonna do. Well, you know,

0:20:41.720 --> 0:20:44.000
<v Speaker 2>go home and you know, practice a violent and sob

0:20:44.320 --> 0:20:47.280
<v Speaker 2>because somebody's upset with your success. I don't think so

0:20:47.359 --> 0:20:50.880
<v Speaker 2>bro hold that man, Yeah, you know, how's that working

0:20:50.880 --> 0:20:51.200
<v Speaker 2>out for you?

0:20:51.320 --> 0:20:54.800
<v Speaker 3>Hating? Oh? How's that working out for you? You know

0:20:54.800 --> 0:20:55.080
<v Speaker 3>what I mean?

0:20:55.600 --> 0:20:58.439
<v Speaker 5>Do you still feel like that hip hop needs to

0:20:58.480 --> 0:21:01.679
<v Speaker 5>have a retirement plan? I say, you know that was

0:21:01.720 --> 0:21:04.000
<v Speaker 5>going viral or where you were talking about there needs

0:21:04.040 --> 0:21:06.680
<v Speaker 5>to be some type of retirement plan for hip hop artists.

0:21:06.760 --> 0:21:11.120
<v Speaker 2>Well, first of all, I mean that's a two sided question.

0:21:11.200 --> 0:21:14.000
<v Speaker 2>First of all, artists can't You can't retire from art.

0:21:14.880 --> 0:21:18.040
<v Speaker 2>I don't even know what that means. Okay, And you

0:21:18.080 --> 0:21:21.760
<v Speaker 2>know hip hop and being what I do in creating,

0:21:21.800 --> 0:21:24.919
<v Speaker 2>that's it becomes a source of income. But it's not

0:21:25.000 --> 0:21:27.399
<v Speaker 2>a job, it's a life in it. You know, when

0:21:27.440 --> 0:21:30.240
<v Speaker 2>you're an artist, you're an artist, that's what you are.

0:21:30.760 --> 0:21:35.040
<v Speaker 2>You paint, you sculpt, you direct, you write films like

0:21:35.119 --> 0:21:37.480
<v Speaker 2>you are what you are like, So there is no

0:21:37.600 --> 0:21:38.959
<v Speaker 2>retirement from that.

0:21:38.960 --> 0:21:40.400
<v Speaker 3>That's a lifelong commitment.

0:21:40.480 --> 0:21:43.560
<v Speaker 2>If you're really that I'm The other thing I want

0:21:43.560 --> 0:21:47.040
<v Speaker 2>to say before answer is that, you know, I'm very

0:21:47.080 --> 0:21:49.520
<v Speaker 2>comfortable with somebody looking at me and saying he's a rapper,

0:21:49.560 --> 0:21:52.160
<v Speaker 2>he's an MC. You don't have to say nothing else

0:21:52.160 --> 0:21:54.760
<v Speaker 2>about nothing else, And I'm good with that. I don't

0:21:54.880 --> 0:21:58.359
<v Speaker 2>need to, like, like, I'm not gonna undermine a craft

0:21:58.359 --> 0:22:02.160
<v Speaker 2>that has changed the world by sheepening it and saying like, oh,

0:22:02.240 --> 0:22:04.920
<v Speaker 2>I have to do other things to validate my existence

0:22:05.080 --> 0:22:06.080
<v Speaker 2>because this ain't enough.

0:22:06.119 --> 0:22:06.760
<v Speaker 3>That's bullshit.

0:22:07.640 --> 0:22:10.720
<v Speaker 2>This is enough. Hip hop is enough, you know what

0:22:10.720 --> 0:22:13.520
<v Speaker 2>I'm saying. Like I started death Jam, you know, I

0:22:13.520 --> 0:22:14.680
<v Speaker 2>came up with the term goat.

0:22:15.720 --> 0:22:17.119
<v Speaker 3>You know you have any stocks?

0:22:17.160 --> 0:22:18.360
<v Speaker 1>Do you have any ownership?

0:22:18.400 --> 0:22:20.720
<v Speaker 2>I'm going the piece of death Jam early on. But

0:22:20.760 --> 0:22:24.240
<v Speaker 2>the thing is, it's, you know, there's two parts of

0:22:24.240 --> 0:22:28.359
<v Speaker 2>that conversation too, right, like, yeah, I'm doing great, but

0:22:28.359 --> 0:22:31.239
<v Speaker 2>that's not really the What it is is what we

0:22:31.280 --> 0:22:33.440
<v Speaker 2>get caught up in sometimes is And that's the one

0:22:33.440 --> 0:22:36.159
<v Speaker 2>thing about the new generation that's very interesting, and you

0:22:36.240 --> 0:22:39.040
<v Speaker 2>got to be able to make the fine distinction. What

0:22:39.200 --> 0:22:41.399
<v Speaker 2>Miles Davis did for music has nothing to do with

0:22:41.440 --> 0:22:46.640
<v Speaker 2>his bank account. Don't make those things the same. That's

0:22:46.640 --> 0:22:49.680
<v Speaker 2>a that's a big mistake. There's nothing wrong with monetization.

0:22:50.000 --> 0:22:53.719
<v Speaker 2>You should capitalize, you should maximize. You should optimize everything

0:22:53.760 --> 0:22:56.480
<v Speaker 2>you're doing. But don't get it twisted. You can make

0:22:56.520 --> 0:23:00.439
<v Speaker 2>a cultural impact and not necessarily monetize it. The right

0:23:00.520 --> 0:23:02.960
<v Speaker 2>brothers ain't make no money for cracking the cold on

0:23:03.000 --> 0:23:08.200
<v Speaker 2>the plane you dig like, like, but they they impacted

0:23:08.200 --> 0:23:11.920
<v Speaker 2>the world, so like, I get it, but they're kind

0:23:11.920 --> 0:23:15.320
<v Speaker 2>of separate, right, okay, so so so and then what

0:23:15.400 --> 0:23:17.040
<v Speaker 2>was the first part of the question you had asked?

0:23:17.240 --> 0:23:19.040
<v Speaker 2>Just that first part because we went off on a tangent,

0:23:20.320 --> 0:23:23.080
<v Speaker 2>which which one the one I asked the Ferrari asks? No,

0:23:23.240 --> 0:23:28.400
<v Speaker 2>the one you the Ferrari about about death Jam, about

0:23:28.440 --> 0:23:29.320
<v Speaker 2>the stock in death Jam.

0:23:29.400 --> 0:23:32.879
<v Speaker 3>No, No, before I don't know, it might be.

0:23:35.000 --> 0:23:38.080
<v Speaker 5>How you driving, but I was really listen to you.

0:23:39.920 --> 0:23:42.919
<v Speaker 2>Yeah, but it's just like bottom line is it was

0:23:43.000 --> 0:23:45.560
<v Speaker 2>like the true sides of it, the money and the

0:23:45.680 --> 0:23:46.560
<v Speaker 2>and the music and the.

0:23:46.840 --> 0:23:48.479
<v Speaker 5>Oh you was talking about like you don't like how

0:23:48.480 --> 0:23:52.119
<v Speaker 5>the new generation is uh is trying to kind of

0:23:52.119 --> 0:23:54.160
<v Speaker 5>base people's success based on the money in there.

0:23:54.560 --> 0:23:57.840
<v Speaker 2>Yeah, that's a very that's a slippery slope. Right, that's

0:23:57.840 --> 0:24:01.199
<v Speaker 2>a slippery slope, because that's not it doesn't matter how

0:24:01.280 --> 0:24:03.840
<v Speaker 2>much money Prince had, bro say less.

0:24:04.280 --> 0:24:09.520
<v Speaker 3>That's a different skill set and it's important. I'm not bro.

0:24:10.080 --> 0:24:12.280
<v Speaker 2>Like you see her shirt right there, that shirt you

0:24:12.320 --> 0:24:13.879
<v Speaker 2>have on right there, that paid him full shirt.

0:24:14.240 --> 0:24:15.639
<v Speaker 3>The real guys in that movie.

0:24:15.720 --> 0:24:18.520
<v Speaker 2>I hung with them every day from age seventeen to twenty.

0:24:18.560 --> 0:24:22.119
<v Speaker 2>The real guys, like the real like like the real

0:24:22.240 --> 0:24:26.360
<v Speaker 2>Alpo and the real rich Porter and not Rico Alpo

0:24:26.720 --> 0:24:28.520
<v Speaker 2>and the real rich Porter and the real Az.

0:24:28.760 --> 0:24:32.000
<v Speaker 3>Those are my friends. So what I'm saying is, like,

0:24:32.240 --> 0:24:33.919
<v Speaker 3>how accurate was that movie? Huh?

0:24:33.960 --> 0:24:35.280
<v Speaker 1>How accurate was that movie?

0:24:36.800 --> 0:24:39.479
<v Speaker 3>It was fairly accurate. Okay, it was fairly accurate.

0:24:39.560 --> 0:24:41.720
<v Speaker 2>It was on you know, some of it was accurate

0:24:42.040 --> 0:24:44.840
<v Speaker 2>because you know, yeah, it was fairly fairly you know.

0:24:44.920 --> 0:24:47.400
<v Speaker 2>It was some changes made to it that I'm sure

0:24:47.440 --> 0:24:50.320
<v Speaker 2>a Z would feel he you know, but it was fair.

0:24:50.480 --> 0:24:52.640
<v Speaker 3>It was some parts of it that was it was real.

0:24:52.760 --> 0:24:55.119
<v Speaker 2>Like the impact on the culture in Harlem at the

0:24:55.160 --> 0:24:58.280
<v Speaker 2>time was it was all that. It was probably even

0:24:58.400 --> 0:25:01.320
<v Speaker 2>more impactful if you lived it seeing it, you know

0:25:01.359 --> 0:25:01.720
<v Speaker 2>what I mean.

0:25:02.880 --> 0:25:03.720
<v Speaker 3>You know what I'm saying.

0:25:03.640 --> 0:25:06.000
<v Speaker 6>We'll be right by, stay tuned with more of the

0:25:06.119 --> 0:25:11.560
<v Speaker 6>ball or Alert show. So we all of us in

0:25:11.600 --> 0:25:14.880
<v Speaker 6>this room, we know that you are a legend, and

0:25:15.840 --> 0:25:18.200
<v Speaker 6>I just want to know what do you want your

0:25:18.320 --> 0:25:19.080
<v Speaker 6>legacy to be?

0:25:19.640 --> 0:25:23.879
<v Speaker 2>So, you know what's funny, nobody gets to correct their tombstone.

0:25:26.600 --> 0:25:28.240
<v Speaker 2>You don't know what your legacy is gonna be. And

0:25:28.280 --> 0:25:30.439
<v Speaker 2>why do we know that? Because if I put this

0:25:30.480 --> 0:25:32.159
<v Speaker 2>bottle of water on the Internet and say it's a

0:25:32.160 --> 0:25:33.560
<v Speaker 2>bottle of water, somebody's gonna.

0:25:33.400 --> 0:25:36.239
<v Speaker 8>Oh, it's actually a plastic thing without Oh, actually have

0:25:36.359 --> 0:25:39.840
<v Speaker 8>some It couldn't be vodka, could like, they're going to

0:25:39.960 --> 0:25:43.440
<v Speaker 8>beef about this, right, So I don't worry about legacy.

0:25:43.680 --> 0:25:48.159
<v Speaker 2>It's about being in the moment. It's about just planting

0:25:48.160 --> 0:25:50.600
<v Speaker 2>the seeds. You know what I'm saying, Like, yo, listen, man,

0:25:51.000 --> 0:25:54.000
<v Speaker 2>apple tree, keep growing apples to it's finished. Man, orange,

0:25:54.040 --> 0:25:56.760
<v Speaker 2>keep growing oranges till it's finished. Like all that legacy.

0:25:57.880 --> 0:26:00.960
<v Speaker 2>I don't know, you know what I'm saying, because everybody's

0:26:01.000 --> 0:26:02.359
<v Speaker 2>gonna remember me for something different.

0:26:02.880 --> 0:26:04.479
<v Speaker 3>You know what I mean? What I want to do is,

0:26:05.000 --> 0:26:06.240
<v Speaker 3>you know, I just want to do.

0:26:06.040 --> 0:26:09.159
<v Speaker 2>Dope shit and do cool shit my entire life and

0:26:09.200 --> 0:26:11.760
<v Speaker 2>show people that it's possible in that dreams don't have

0:26:11.760 --> 0:26:14.480
<v Speaker 2>deadlines and you could keep getting it and keep having fun.

0:26:14.760 --> 0:26:17.679
<v Speaker 2>And that's the because see that's the thing that people like.

0:26:17.760 --> 0:26:19.960
<v Speaker 2>That's the one thing we got to remember. Everybody's so

0:26:20.040 --> 0:26:22.280
<v Speaker 2>focused on getting the money. And the money comes, it does,

0:26:22.359 --> 0:26:24.199
<v Speaker 2>it really does if you're great at what you do,

0:26:24.720 --> 0:26:28.080
<v Speaker 2>But are you having fun? Like are you having fun?

0:26:28.440 --> 0:26:30.679
<v Speaker 2>Like like's I don't like, I don't ever hear it.

0:26:30.720 --> 0:26:32.719
<v Speaker 2>Like the reason I started getting in the rhyme and

0:26:32.840 --> 0:26:35.240
<v Speaker 2>MC and the hip hop is to have fucking fun,

0:26:35.600 --> 0:26:38.800
<v Speaker 2>to have some fun, you know what I'm saying, Like,

0:26:38.920 --> 0:26:40.919
<v Speaker 2>the only vision you want money is to have fun.

0:26:41.400 --> 0:26:43.520
<v Speaker 2>Like people forget that. You don't want money to like

0:26:43.880 --> 0:26:46.320
<v Speaker 2>the craziest thing. The only reason you want money is

0:26:46.320 --> 0:26:49.639
<v Speaker 2>to have fun. That is the only reason fun. And

0:26:49.680 --> 0:26:52.040
<v Speaker 2>take care of you because even taking.

0:26:51.720 --> 0:26:54.200
<v Speaker 3>Care of people is fun, like.

0:26:54.119 --> 0:26:56.720
<v Speaker 2>Even being there for your mama, It is fun being

0:26:56.760 --> 0:27:00.760
<v Speaker 2>there for different people. So it's like, so we can't

0:27:00.760 --> 0:27:04.240
<v Speaker 2>get caught up in like just money, money, money leading

0:27:04.280 --> 0:27:06.680
<v Speaker 2>with your wallet leading with you what it's like, Yeah, okay,

0:27:06.720 --> 0:27:10.679
<v Speaker 2>we're gonna get that, okay, prime example, like with the music, right, listen,

0:27:12.119 --> 0:27:15.280
<v Speaker 2>a rapper. He comes out, he's talking that money talk.

0:27:15.480 --> 0:27:16.000
<v Speaker 3>You love it.

0:27:16.920 --> 0:27:19.080
<v Speaker 2>Twelve years later he's still talking that money talk. Now

0:27:19.080 --> 0:27:22.240
<v Speaker 2>you're looking at it like, dude, do you have anything else.

0:27:22.080 --> 0:27:22.600
<v Speaker 3>To talk about?

0:27:23.280 --> 0:27:27.760
<v Speaker 2>Like, my god, please just just could you put a

0:27:27.800 --> 0:27:31.120
<v Speaker 2>black T shirt on and talk about taking fucking necklace off?

0:27:31.240 --> 0:27:34.840
<v Speaker 3>Talk anything? Please? Please? Bro?

0:27:35.480 --> 0:27:40.639
<v Speaker 2>Like yo, did anything happened recently that you care about

0:27:40.680 --> 0:27:41.280
<v Speaker 2>a little bit?

0:27:42.119 --> 0:27:42.320
<v Speaker 3>Right?

0:27:42.680 --> 0:27:45.000
<v Speaker 2>So those are the So that's what we gotta remember,

0:27:45.119 --> 0:27:48.520
<v Speaker 2>because you know what, all of usdden here we different generations.

0:27:48.560 --> 0:27:51.760
<v Speaker 3>But I bet you know Bob Marley, you god damn right,

0:27:51.800 --> 0:27:53.639
<v Speaker 3>you just I'll just watched this movie on the planet.

0:27:53.880 --> 0:27:56.560
<v Speaker 2>You know, you see that and you know why you

0:27:56.640 --> 0:27:59.480
<v Speaker 2>because he talked about something, because he has something to say.

0:27:59.480 --> 0:28:01.719
<v Speaker 2>And guess what, love free. And you don't care what

0:28:01.800 --> 0:28:04.160
<v Speaker 2>Bob Marley had in the bank. You might have died

0:28:04.160 --> 0:28:05.680
<v Speaker 2>with a half a million, do you care?

0:28:06.080 --> 0:28:06.240
<v Speaker 3>No?

0:28:06.800 --> 0:28:10.600
<v Speaker 2>And that because that's not the metric for success. It

0:28:10.680 --> 0:28:13.560
<v Speaker 2>is the metric for financial success, but it's not the

0:28:13.680 --> 0:28:16.919
<v Speaker 2>metric for cultural success. Bob Marley did not have to

0:28:16.960 --> 0:28:18.879
<v Speaker 2>be rich. He was rich, and what he did and

0:28:18.920 --> 0:28:20.680
<v Speaker 2>what he created and what he put in the world,

0:28:21.080 --> 0:28:23.200
<v Speaker 2>you know, what I'm saying, that shit matters be you

0:28:23.240 --> 0:28:25.040
<v Speaker 2>know what I'm saying. Like I was talking to somebody earlier.

0:28:25.160 --> 0:28:27.199
<v Speaker 2>That's why I said, like, you got these dudes, the

0:28:27.240 --> 0:28:28.600
<v Speaker 2>first thing they want to do, they won't leave with

0:28:28.640 --> 0:28:32.080
<v Speaker 2>their wallet, you know what I'm saying. But Homie, the

0:28:32.160 --> 0:28:34.080
<v Speaker 2>wallet can't uncorner.

0:28:33.560 --> 0:28:37.840
<v Speaker 1>You, facts will it can't?

0:28:37.880 --> 0:28:39.760
<v Speaker 2>You know, a wallet can't you know, it could get

0:28:39.840 --> 0:28:42.560
<v Speaker 2>you access to somebody who wants access to that wile

0:28:42.800 --> 0:28:43.640
<v Speaker 2>we know what that is.

0:28:44.240 --> 0:28:46.680
<v Speaker 3>But that's a different conversation, is what it is.

0:28:47.200 --> 0:28:49.440
<v Speaker 2>Maybe you're comfortable with that, great, But I'm just saying

0:28:49.440 --> 0:28:51.440
<v Speaker 2>it can't uncorner you, you know what I mean.

0:28:52.200 --> 0:28:58.520
<v Speaker 4>So that's that's kind of anything that I appreciate it.

0:28:58.560 --> 0:29:00.680
<v Speaker 1>Oh, some they did.

0:29:02.720 --> 0:29:04.000
<v Speaker 3>I watched it happen.

0:29:05.560 --> 0:29:12.080
<v Speaker 2>Commercial. Yeah, nobody, nobody was on that, and you took

0:29:12.120 --> 0:29:15.840
<v Speaker 2>a chance for a gap commercial as well. So I

0:29:15.920 --> 0:29:18.560
<v Speaker 2>talked about it. So he's talking about a long time

0:29:18.560 --> 0:29:20.920
<v Speaker 2>ago I had. There was a Damon John who's on

0:29:20.960 --> 0:29:24.960
<v Speaker 2>a Shark tank. Him and Keith and some other guys.

0:29:25.480 --> 0:29:30.480
<v Speaker 2>They started a clothing line called Fooble Forced Bias. I'm

0:29:30.480 --> 0:29:33.040
<v Speaker 2>one of the owners of foolble Was. We did that

0:29:33.280 --> 0:29:37.920
<v Speaker 2>and it was a nineties I don't ninety something. So

0:29:38.560 --> 0:29:40.040
<v Speaker 2>it did well, it blew up. But one of the

0:29:40.120 --> 0:29:42.120
<v Speaker 2>things I did was I had to do with Gap commercial.

0:29:42.360 --> 0:29:46.320
<v Speaker 2>I wore a fooble hat in the Gap commercial, you.

0:29:46.320 --> 0:29:51.000
<v Speaker 3>Know what I mean? Like, and now to think it

0:29:51.200 --> 0:29:54.400
<v Speaker 3>was yo, you know what bottom line is, this is

0:29:54.520 --> 0:29:55.360
<v Speaker 3>not gonna hurt them.

0:29:55.880 --> 0:29:58.640
<v Speaker 2>They got a trillion doledge and it's gonna help my

0:29:58.720 --> 0:29:59.960
<v Speaker 2>homies and it's gonna help us.

0:30:00.480 --> 0:30:03.440
<v Speaker 3>And so I just made that decision. Listen. You know

0:30:03.520 --> 0:30:04.080
<v Speaker 3>we read it in.

0:30:04.120 --> 0:30:06.560
<v Speaker 2>Mythology all the time, the Trojan Horse. You know, we

0:30:06.920 --> 0:30:10.520
<v Speaker 2>know about this Troy. You know, I mean, it is

0:30:10.600 --> 0:30:13.840
<v Speaker 2>what it is, you know what I'm saying. So like, listen, man,

0:30:14.000 --> 0:30:15.920
<v Speaker 2>in life, you got to be aggressive.

0:30:16.000 --> 0:30:17.680
<v Speaker 3>Man, you know what I'm saying. You gotta go get

0:30:17.760 --> 0:30:18.880
<v Speaker 3>that thing like.

0:30:20.640 --> 0:30:24.200
<v Speaker 2>Yeah, oh of course, oh yeah yeah for us bias

0:30:24.280 --> 0:30:33.920
<v Speaker 2>on the load, yeah yeah, yeah, gotcha surprise surprise yeah yeah, yes, yes,

0:30:34.160 --> 0:30:36.120
<v Speaker 2>I absolutely planned for yours.

0:30:36.640 --> 0:30:39.240
<v Speaker 3>Yeah, So it was planned for you to do the

0:30:39.280 --> 0:30:42.240
<v Speaker 3>commercial and say I'm wearing our plan to do it.

0:30:42.560 --> 0:30:45.000
<v Speaker 3>I didn't. I didn't tell them I was planning, So

0:30:45.120 --> 0:30:45.840
<v Speaker 3>they didn't know that.

0:30:46.160 --> 0:30:47.960
<v Speaker 1>No, no, they didn't know what kind of hell it

0:30:48.080 --> 0:30:48.520
<v Speaker 1>was either no.

0:30:48.600 --> 0:30:50.920
<v Speaker 2>They said, well, you know, you can't wear this hat

0:30:51.000 --> 0:30:54.040
<v Speaker 2>because it's it's not a you know, it's not you

0:30:54.080 --> 0:30:56.240
<v Speaker 2>don't know it's not you don't have a clearance.

0:30:56.240 --> 0:30:57.520
<v Speaker 3>I said, I don't worry about it. I own it.

0:30:58.200 --> 0:31:05.520
<v Speaker 3>It's like, okay, that was that of the infamous, but.

0:31:07.360 --> 0:31:09.880
<v Speaker 1>You knew he was doing something big company but he was.

0:31:10.960 --> 0:31:16.920
<v Speaker 2>Of course, of course listen, of course, like I put

0:31:17.440 --> 0:31:21.280
<v Speaker 2>like DMX, DMX's first record, well not his first record,

0:31:21.320 --> 0:31:23.640
<v Speaker 2>but his first joint that you know, we put him

0:31:23.640 --> 0:31:23.960
<v Speaker 2>out there.

0:31:24.360 --> 0:31:26.480
<v Speaker 3>That was on my four three two one song. I

0:31:26.600 --> 0:31:29.240
<v Speaker 3>introduced DMX to the world, and you know, and.

0:31:29.560 --> 0:31:32.920
<v Speaker 2>When I shot you, I introduced Foxy Brown to the

0:31:33.000 --> 0:31:36.200
<v Speaker 2>world and put you know, Damon John in the morning

0:31:36.880 --> 0:31:39.560
<v Speaker 2>we started death jam, right and then you know, you

0:31:39.760 --> 0:31:42.480
<v Speaker 2>introduced the term goat to the world, and you know,

0:31:42.680 --> 0:31:44.760
<v Speaker 2>you you know, like and then we now I'm just

0:31:44.840 --> 0:31:47.080
<v Speaker 2>telling you all the different things like and like you know,

0:31:47.360 --> 0:31:49.600
<v Speaker 2>like Bill Clinton's inauguration, like I was the first rap

0:31:49.760 --> 0:31:52.680
<v Speaker 2>orders that I wrapped up the inaugurations, and you know,

0:31:52.840 --> 0:31:56.600
<v Speaker 2>like all of these different things, like all of that

0:31:56.760 --> 0:32:01.160
<v Speaker 2>only happens because I've really loved to get into that

0:32:01.280 --> 0:32:05.360
<v Speaker 2>notebook and write them rohns. Lebron's life only happens because

0:32:05.360 --> 0:32:09.000
<v Speaker 2>he loves bouncing that ball. Yo, you gotta love like

0:32:09.600 --> 0:32:13.000
<v Speaker 2>like man, everybody wants to shape pop Champagne in the

0:32:13.080 --> 0:32:17.320
<v Speaker 2>locker room. You gotta love it first, you know what

0:32:17.320 --> 0:32:23.160
<v Speaker 2>I mean? You got and you gotta define what winning

0:32:23.360 --> 0:32:26.920
<v Speaker 2>is for you, what that means to you too, because

0:32:27.800 --> 0:32:30.440
<v Speaker 2>you know, like I don't like, I'm not going to

0:32:30.480 --> 0:32:32.520
<v Speaker 2>look at my stream and look at this guy's stream,

0:32:32.560 --> 0:32:34.680
<v Speaker 2>and if he has, I have to look at Okay,

0:32:34.720 --> 0:32:37.239
<v Speaker 2>where am I coming from, you know, and where am

0:32:37.280 --> 0:32:38.960
<v Speaker 2>I going? And I have to look at my life.

0:32:39.000 --> 0:32:42.000
<v Speaker 2>It's like some in some certain certain sense. You gotta

0:32:42.000 --> 0:32:44.880
<v Speaker 2>play against yourself too. You know, you can't get too

0:32:44.960 --> 0:32:48.840
<v Speaker 2>caught up in that because you know, as human beings,

0:32:48.920 --> 0:32:50.920
<v Speaker 2>we have a tendency to focus on anything that we

0:32:51.080 --> 0:32:53.719
<v Speaker 2>think is doing better than us, and that can make

0:32:53.800 --> 0:32:55.920
<v Speaker 2>you start sliding, to get you in a negative space.

0:32:56.440 --> 0:32:58.160
<v Speaker 2>So you can't do that, and it can make you

0:32:58.240 --> 0:33:01.800
<v Speaker 2>think you're not progressing either exactly, and that creates a

0:33:01.880 --> 0:33:04.960
<v Speaker 2>feeling which attracts more of that same shit and over again,

0:33:05.160 --> 0:33:05.920
<v Speaker 2>so you get stuck.

0:33:06.280 --> 0:33:08.479
<v Speaker 3>You feel me, Yeah, all right.

0:33:08.520 --> 0:33:10.480
<v Speaker 1>So before we get out of here, we got something

0:33:10.520 --> 0:33:12.040
<v Speaker 1>called a pep talk where you look at the camera

0:33:12.160 --> 0:33:14.880
<v Speaker 1>and you give them some words of motivation. Okay, and

0:33:15.000 --> 0:33:17.440
<v Speaker 1>now we have a time for lkj's pep talk.

0:33:18.360 --> 0:33:20.000
<v Speaker 2>I would say the pep talk would be you could

0:33:20.000 --> 0:33:22.320
<v Speaker 2>do anything you put your mind to. That's these are facts.

0:33:23.120 --> 0:33:26.040
<v Speaker 2>The keto is that you got to be open to

0:33:28.640 --> 0:33:30.960
<v Speaker 2>receiving what it is you want to do, and you

0:33:31.120 --> 0:33:35.320
<v Speaker 2>really gotta put yourself in a a in a space

0:33:35.400 --> 0:33:39.520
<v Speaker 2>of gratitude and and go for it wholeheartedly. And you can't.

0:33:39.640 --> 0:33:43.040
<v Speaker 2>And the other thing I would say is that in

0:33:43.200 --> 0:33:45.360
<v Speaker 2>order to be a winner, you have to be comfortable

0:33:45.440 --> 0:33:48.520
<v Speaker 2>with the idea that you might lose. You know what

0:33:48.560 --> 0:33:52.560
<v Speaker 2>I'm saying, like like, you can't win if you're afraid

0:33:52.600 --> 0:33:52.920
<v Speaker 2>to lose.

0:33:54.320 --> 0:33:56.840
<v Speaker 3>You date so and.

0:33:57.000 --> 0:33:59.680
<v Speaker 4>Before you do that, we have something for you.

0:34:03.360 --> 0:34:05.280
<v Speaker 3>Man, your abs are gonna be gone in there's some

0:34:05.360 --> 0:34:07.000
<v Speaker 3>more cupcakes.

0:34:08.160 --> 0:34:09.800
<v Speaker 4>So this is from ninety six point one to be

0:34:09.960 --> 0:34:13.040
<v Speaker 4>in Duncan. And we just wanted to give you this.

0:34:13.640 --> 0:34:17.359
<v Speaker 3>Oh yeah, yeah, yeah, just leave it right there. Oh

0:34:17.400 --> 0:34:25.080
<v Speaker 3>you're going over it for me? Oh wow, Oh that's crazy.

0:34:25.880 --> 0:34:26.239
<v Speaker 2>And who.

0:34:28.840 --> 0:34:36.840
<v Speaker 3>Dunkey FLA's fired, Okay, it was a smart move. He

0:34:36.960 --> 0:34:42.400
<v Speaker 3>showed it. The logo all over me, slick ship. I

0:34:42.480 --> 0:34:48.440
<v Speaker 3>got something for you. Surprised did you make the donuts?

0:34:50.520 --> 0:34:54.360
<v Speaker 3>Very cool? Thank you. I can't get enough of baller Alert.

0:34:54.480 --> 0:34:57.560
<v Speaker 6>Follow us on all social media platform at baller alert,

0:34:57.800 --> 0:34:59.319
<v Speaker 6>log on to baller alert dot com.