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Speaker 1: Welcome to episode three twenty. Jody Messina will be on

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Speaker 1: a little bit. She's got a bunch of number one

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Speaker 1: I mean some of the songs you'll know her from,

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Speaker 1: Bye By, Here you Go. I'm all right, heads Carolina

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Speaker 1: tells California, California, California, lesson and leaving. He's gonna give

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Speaker 1: you a lesson and losing. She has an interesting story.

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Speaker 1: She moved to Nashville, wasn't really trying music. After she

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Speaker 1: moved here to try and musically got in a talent show.

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Speaker 1: We'll talk about that who she took out as an

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Speaker 1: opening act kind of as a flyer, and also her

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Speaker 1: two major hits that weren't even number one. So Jody

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Speaker 1: has seen it coming up in a little bit. But first,

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Speaker 1: let's do our new music Top five, all right. At

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Speaker 1: number five, Walker Hayes has a new song called you Girl,

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Speaker 1: Here You Go. It's like me like girls like you Bill.

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Speaker 1: So the question is, because this song is nothing country,

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Speaker 1: does he just now pursue pop? Is that what this? Mike? Yeah?

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Speaker 1: I think you follow it up. I think the same thing,

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Speaker 1: like I could see where fancy like because of the message,

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Speaker 1: because it was originally a song sent to country. It's

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Speaker 1: a country song. Some people would say, well, sonically it

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Speaker 1: doesn't okay, we can go through all that that that

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Speaker 1: song and dance if you'd like, But the message of

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Speaker 1: it is still like, hey, we don't need to do

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Speaker 1: crazy fancy things to get along and have a good life.

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Speaker 1: This is not a country in no way whatsoever. So

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Speaker 1: how cool would it be if he couldn't make it

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Speaker 1: as a country artist but made it bigger as a

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Speaker 1: pop star. I mean, I could see it. That's a

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Speaker 1: different different if you can make it, that's a whole

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Speaker 1: different to money too. Like, I hope it does well.

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Speaker 1: I'm interested to see what TikTok does as well. Meaning

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Speaker 1: since he's a TikTok artist, do they naturally support him,

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Speaker 1: because they have even said that there are certain songs

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Speaker 1: that if you use they will amplify those videos. So

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Speaker 1: is this one of the songs they choose to do

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Speaker 1: that with since his first song was a TikTok song.

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Speaker 1: I would hope yes, I would think because there are

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Speaker 1: artists that we've over the years, not in the last

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Speaker 1: couple of years, because we've kind of got off that

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Speaker 1: train that we've discovered or broken and we kind of

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Speaker 1: stay with them, so but like no chance that he's

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Speaker 1: trying to make that a country song. I don't think

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Speaker 1: so okay, but that's Walker Hayes You girl my number

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Speaker 1: five Released this week at number four. Adele has a

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Speaker 1: new song called easy on Me. That album comes out

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Speaker 1: November nine. Here is Adele Easy on Me in case

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Speaker 1: you haven't heard it yet. I was still a child.

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Speaker 1: You didn't get the chance to food around. I can't

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Speaker 1: wait to hear a munch people butcher this song. You

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Speaker 1: hear the covers coming here, the covers coming. Oh No.

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Speaker 1: Before this song was out, we knew the name of it,

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Speaker 1: so I tried to guess what it would sound like.

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Speaker 1: Ya do we have that cluck? Here you go? Are

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Speaker 1: you easy on me? Wow? Do you love me too?

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Speaker 1: Because you left? Now I'm sad and the thing? Did

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Speaker 1: I want you back? Are you easy on me? Boom

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Speaker 1: in the orchestra that played her version again? Same thing?

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Speaker 1: That's it? Play my version again? Are you easy on me?

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Speaker 1: It's pretty good? Do you love me too? Because you left? Now?

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Speaker 1: I'm sad and the thing? Did I want you back?

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Speaker 1: Are you easy? It's pretty good? Number three Miranda Lambert

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Speaker 1: has a new song called if I was a cowboy.

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Speaker 1: There's a new album from Coldplay. What's interesting to me

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Speaker 1: is they said a couple of years ago they weren't

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Speaker 1: gonna tour unless they could reduce their carbon footprint to zero.

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Speaker 1: So if you go to the show because they are

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Speaker 1: going to tour, they have a dance floor and as

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Speaker 1: you dance on the dance floor, it gives the stage

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Speaker 1: energy to create electricity. They're also bikes they're putting that

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Speaker 1: create electricity as well. You ride the bike while they're

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Speaker 1: performing wild pretty cool. If it works, it would just

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Speaker 1: suck you. Prebody's lazy when you get there and not

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Speaker 1: Cold plays ready to play it, but there's no Nobody

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Speaker 1: wants to ride the bike and like, guys, come on,

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Speaker 1: we just let us do yellow. But they have a

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Speaker 1: new record today. I like Coldplay, and I say it

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Speaker 1: in the way that I know a lot of people

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Speaker 1: like to say they don't like Coldplay, But I like

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Speaker 1: cold Play. This is their ninth album. They have a

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Speaker 1: BTS feature Selena Gomez. Here is Let Somebody Go featuring

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Speaker 1: Selena Gomez and Number one. Ryan Heard released his new

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Speaker 1: album Pulago. Here is a new song called The Knife

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Speaker 1: or the Hatchet tell the Make It You. That's my vibe.

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Speaker 1: That kind of song I like cold Play with when

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Speaker 1: I see those kind of songs too, orchestral Coldplay or

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Speaker 1: dance Coldplay, like the anthem stuff. Yeah, not my version

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Speaker 1: of Caldy. I still like Coldplay, but I like, you know,

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Speaker 1: a Russia blood of the head Coldplay, and they continue

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Speaker 1: to do that a little less and less each job on.

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Speaker 1: But I love that version of Coldplay. But I just

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Speaker 1: love sad songs. So those are my favorite five releases.

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Speaker 1: There are other albums that almost made the list. For example,

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Speaker 1: Jason Isabel has Georgia Blue, but it's a cover album

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Speaker 1: of all artists from Georgia, and I think they're donating

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Speaker 1: the money, so that's pretty cool. Kelly Clarkson has a

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Speaker 1: Christmas album. We talked to her on the radio show

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Speaker 1: You Can Go Hear That, but Ariana Grande, Chris Stapleton,

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Speaker 1: Brett Eldridge all on that. So a lot of a

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Speaker 1: lot of a lot of music album you know, the

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Speaker 1: Casey Musgrave stories. Interesting. She's been deemed ineligible for the

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Speaker 1: Country Album Grammy category. This is so good for her.

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Speaker 1: She doesn't need something for her career, but it's so

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Speaker 1: good for her career because everybody's talking about it. Nobody's

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Speaker 1: a fan of every everyone's it's hard to say this.

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Speaker 1: There's no artist that everyone's a fan of anymore. There's

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Speaker 1: no artist that everyone knows anymore. This is is keeping her.

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Speaker 1: They're not even she may not even be nominated, but

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Speaker 1: now it's a controversy that she's not even allowed to

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Speaker 1: be known. It's not like she was nominated and they

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Speaker 1: said you can't be nominated. This is if the raging

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Speaker 1: idiots are dumb Comedy Duo put it and they were like, well,

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Speaker 1: you guys cannot be We should throw a fit because

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Speaker 1: that's what the press is coming for. This is just

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Speaker 1: free press. Yeah. And and my thing on Twitter was,

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Speaker 1: as Forrest Gump said, but we modify it country as

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Speaker 1: his country does. If you claim to be country when

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Speaker 1: you put something out, it should be considered country. I

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Speaker 1: don't think you can be te pain and an award

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Speaker 1: season comes up and be like, my record was country.

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Speaker 1: But if you put it out and it's listed as

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Speaker 1: country and the data is country, and it's you know,

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Speaker 1: when you go to Apple Music or Spotify or her

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Speaker 1: radio and it shows you it's a country, that's that

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Speaker 1: should be considered country. You chose that, and so I

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Speaker 1: think she's kind of getting screwed over here. But what's

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Speaker 1: great is all the free press she's getting for a

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Speaker 1: pretty good album. It wasn't gonna win anyway. My favorite

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Speaker 1: Casey album, like it, like it more than most every

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Speaker 1: other album, but for her, I didn't feel like it

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Speaker 1: was what I was hoping for um. But hopefully now

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Speaker 1: she puts out her in your face country album next

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Speaker 1: everybody off like super country country. But I think I

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Speaker 1: think this is great for her because people are talking

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Speaker 1: about it. Randy Travis honored by Garth Brooks Kane Brown

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Speaker 1: as an Artist of the Lifetime at thet Artists of

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Speaker 1: the Year. So Garth Brooks welcome Randy Travis to the stage.

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Speaker 1: Pretty cool to see. It's also cool to see all

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Speaker 1: the artists that still love Randy Travis. We just shot

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Speaker 1: a top five things you may not know about Randy

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Speaker 1: Travis the other day. Which is real name? It's not

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Speaker 1: Randy Travis, he has I think like three is an

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Speaker 1: odd name. Randy's real name. Then you went by Randy Ray.

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Speaker 1: Then I think Merle Travis was one of his favorite artists,

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Speaker 1: so then he changed it to Randy Travis, but kind

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Speaker 1: of an an odd Randy Travis stories. When he was

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Speaker 1: a kid, he was in trouble a lot, and so

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Speaker 1: there was a in that owned a club who took

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Speaker 1: him and was like, okay. I went to the judge

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Speaker 1: and was like, I will be the person that's in

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Speaker 1: charge of him. Don't put him in jail. And so

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Speaker 1: he was like a late teenager. Maybe he ended up

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Speaker 1: marrying her later they're divorced now, but ended up marrying her.

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Speaker 1: But yes, so many number one songs the think about this.

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Speaker 1: They asked me to host that show like three months ago.

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Speaker 1: CMT called said hey, would you host the c MT

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Speaker 1: Artist of the Year. And I was like that's pretty cool.

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Speaker 1: I said, can I do jokes? Kind of? They were

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Speaker 1: like you do whatever you want and I was like,

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Speaker 1: you can let me write mow monologue, which would mean

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Speaker 1: I me and you wrote him monologue. Um deuce. They're like, yeah,

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Speaker 1: have at it. Had a conflict, had a contractual conflict

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Speaker 1: that didn't allow me to do it. I would have

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Speaker 1: loved to have done it. I said yes to doing it,

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Speaker 1: and then I was then told I can't because of

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Speaker 1: another obligation that I have do it, so it was

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Speaker 1: very cool to be asked to do it, and I

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Speaker 1: was already writing bits in my head and but then

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Speaker 1: I wasn't able to do it. So they want with

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Speaker 1: no host. I was gonna I was gonna roast people too,

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Speaker 1: in a good way. It's gonna be a good fun roast.

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Speaker 1: I was. I had it all played out of my head.

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Speaker 1: So super cool for them to ask, but I wasn't

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Speaker 1: able to do that. The cold Play story with the

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Speaker 1: dance floor with Electricity, um, we talked about that. Let's

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Speaker 1: see anything else. What's the Machine Gun Kelly story. He's

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Speaker 1: in a feud with the slip Knot. Why it started?

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Speaker 1: Who cares? Yeah, it started. They played the same festival

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Speaker 1: at the same time, and then he dipped him while

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Speaker 1: they were playing, made fun of him, and then the

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Speaker 1: lead singer of slip Knot released all these things with him,

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Speaker 1: like do any collaboration, so they basically hate each other.

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Speaker 1: He was mad because he asked the lead singer of

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Speaker 1: Slipknot to be on a song and he told him, hey,

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Speaker 1: the song is not for me, but Machine Gun Kelly

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Speaker 1: made it seem like he didn't want him on his album. Oh,

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Speaker 1: Machine Kelly got hurt because he said no. Yeah, he

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Speaker 1: got hurt because he said no, because he's like, there's

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Speaker 1: a fit my vibe, not for me. Wow, I'm surprised

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Speaker 1: that someone from slip knot Wot's say no to Machine

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Speaker 1: Gun Kelly first of all, but good for it was him,

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Speaker 1: Corey Corey Taylor. Good for Corey Taylor for going you

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Speaker 1: know what, as much publicity is will probably give us,

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Speaker 1: it's not for us. Yeah, so he didn't want to

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Speaker 1: do the verse. Pretty cool. What do you think about

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Speaker 1: Machiner Kelly? I like him that album that's totally my vibe,

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Speaker 1: like the pop punk vibe, Like that is like what

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Speaker 1: I grew up on. So I like his sound. Him

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Speaker 1: as a person, Yeah, weird as a person. Weird, but

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Speaker 1: at least it's consistent. Watching him climb a c l

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Speaker 1: and hang off. Do you see him stick his legs

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Speaker 1: in that pole upside down? That's did he was he

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Speaker 1: attached anything? I don't think so that's stupid. Then I

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Speaker 1: think he just does that. That's stupid because that law

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Speaker 1: law of averages eventually gonna do enough time, something's gonna

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Speaker 1: happen to you. Yeah, all right, that's it. Um, we'll

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Speaker 1: talk to Jody Massina in a second, and we'll talk

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Speaker 1: about Billboard top hits that have debut at number one, right,

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Speaker 1: like they entered the chart at number one, So we'll

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Speaker 1: do that. Um in a second, Jody, how are you?

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Speaker 1: I'm good? How are you? I'm good? So most of

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Speaker 1: these we do at my house because the person usually

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Speaker 1: lives right down the road. You are the outlier where

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Speaker 1: you don't even live in Nashville, which I forgot. You

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Speaker 1: live in Georgia, right, So where like what talent are

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Speaker 1: you near? You don't have to say exactly where you live,

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Speaker 1: but where at are you in George? Are you over

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Speaker 1: Peachtree City? About its south of Atlanta? So when you

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Speaker 1: moved to Nashville did you move from I'm assuming that's

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Speaker 1: where you grew up? And then when did you move back?

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Speaker 1: I drew from Boston, Massachusetts? You did? How in the

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Speaker 1: world did you home of country music? Yeah? How did

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Speaker 1: you end up in Georgia? Then? Of all places? It's

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Speaker 1: just a god thing. I really felt like he wanted

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Speaker 1: me to move here. I didn't know anyone at the time,

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Speaker 1: and I didn't have any family here. But I was like, Okay,

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Speaker 1: if this is what you want, what was your move

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Speaker 1: to Nashville trip? Like, I mean, were you Oh my gosh,

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Speaker 1: just got out of high school and so I was

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Speaker 1: gonna move to Nashville and get a record deal. That

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Speaker 1: was my plan. I didn't realize it was everybody else's

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Speaker 1: plan as well. I just I was just I think

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Speaker 1: I was so naive back then that it was beneficial

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Speaker 1: because I was singing in like clubs and restaurants and stuff.

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Speaker 1: I started when I was aboutteen or fourteen years old.

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Speaker 1: And so when I graduated high school, all my friends

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Speaker 1: went out of college, and I was like, well, I'm

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Speaker 1: wanted to do something about this career or um or

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Speaker 1: go to school, you know. So I finished out the

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Speaker 1: gigs that I had left on the books, and my

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Speaker 1: brother drove me down to Nashville and left me there

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Speaker 1: to find my way. And I was like, Okay, I'm

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Speaker 1: gonna get a record deal. But I didn't have a clue.

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Speaker 1: But that's why everyone else was in town. White gay

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Speaker 1: were you doing, you know, before you moved to Nashville.

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Speaker 1: Were you doing just covers? Were you singing country music? Like?

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Speaker 1: Because to me, Boston now is a massive country music market.

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Speaker 1: I'm up there a lot of my shows on Boston.

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Speaker 1: But what was Boston like back when you were a kid.

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Speaker 1: There was not a lot of country music up there.

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Speaker 1: People thought I was crazy. My friends thought I was weird.

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Speaker 1: There was one station and you could get it at

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Speaker 1: certain times a day, and then it didn't come in,

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Speaker 1: you know, during the major parts of the day. But um,

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Speaker 1: I relied on a lot of records and cassettes back then.

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Speaker 1: Did your family think that you were nuts for moving

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Speaker 1: to Nashville, Tennessee from Boston to pursue something that it's

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Speaker 1: really hard to be, uh, even to make a consistent

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Speaker 1: paycheck in at that time. I mean, we didn't know.

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Speaker 1: We just knew. Um, Nashville wasn't what it is today.

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Speaker 1: It was you know, you could walk down Music Row

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Speaker 1: and you know, actually crossed the street with no traffic.

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Speaker 1: There was sidewalks in all the little publishing houses where

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Speaker 1: our little houses, and um, you know, my mom just

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Speaker 1: was like, Okay, you know this is what you want

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Speaker 1: to do. I trust you. And my dad was like,

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Speaker 1: you did to get a real job? Did you get

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Speaker 1: a real job like a lot of folks have to

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Speaker 1: do when you moved to Nashville? I did. I didn't

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Speaker 1: sing for the first two years that I was there, Um,

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Speaker 1: I had a job as a bartender, which was really

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Speaker 1: bad because I never drank anything in my life, so

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Speaker 1: I didn't know what was what. I didn't last long.

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Speaker 1: Um I did some accounting and data entry, and it's

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Speaker 1: when I started entering talent contests down there for money.

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Speaker 1: Is when I started to actually get out and sing.

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Speaker 1: So you moved down here to sing? But again, why

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Speaker 1: did it take you so long to actually hop out

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Speaker 1: and do these talent contests or anything for that matter. Well,

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Speaker 1: then there was not the like Broadway like it is now.

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Speaker 1: Broadway had like maybe one gig, you know. There was

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Speaker 1: not a lot of places to play around town, which

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Speaker 1: seems ironic because it's music city. But for a newcomer,

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Speaker 1: you just had to wait for the open mic nights,

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Speaker 1: so the contests and things like that. So um, the

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Speaker 1: first couple of years, it was really just trying to

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Speaker 1: keep a roof over my head and and get to

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Speaker 1: know people. And I was pretty much kept to myself,

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Speaker 1: so that was it was. It was a strange time.

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Speaker 1: I guess what year was that when you moved to Nashville,

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Speaker 1: kindy or maybe no ninety it was, Yeah, it's funny

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Speaker 1: that you bartended and you haven't had a drink of alcohol.

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Speaker 1: I also have never had a drink of alcohol, and

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Speaker 1: I tried to think of myself, I have now, but

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Speaker 1: at that age I didn't. Well, I still I haven't now,

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Speaker 1: and I wouldn't know what the crap I was doing.

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Speaker 1: I would just have to read it off a book

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Speaker 1: and be like, Okay, I think this is it, because

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Speaker 1: I wouldn't even taste it to make sure they did.

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Speaker 1: They had the little index where you could look up stuff,

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Speaker 1: but I didn't know what color they were. Someone would say, oh,

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Speaker 1: it's all the don't don't quote me, everybody. I have

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Speaker 1: no clue about mixed drinks, but all the all the

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Speaker 1: all the clear liquor or all the dark liquor or.

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Speaker 1: And I was like, okay, what's the different it's with?

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Speaker 1: You know, I was just totally blind to all that.

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Speaker 1: I was clueless. My drinks must have been horrible. So

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Speaker 1: you're working, you're you're entering these talent contests. You win

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Speaker 1: or you finish, you know enough to be in the money,

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Speaker 1: and so to suddenly come up to you, you did

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Speaker 1: they come to you and well, you just won? You

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Speaker 1: should actually like try this somehow. No. So what happened

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Speaker 1: from that point on is I won five dollars, which

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Speaker 1: is like huge, it's all my monthly. My bills were

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Speaker 1: for like a month and a half and so um.

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Speaker 1: Along with the money, I got a chance to perform

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Speaker 1: at a radio show, a live radio show. So I

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Speaker 1: went up there and I performed on the live radio show,

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Speaker 1: and then they kept asking to have me back, and

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Speaker 1: so I became a regular on the radio show every

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Speaker 1: Saturday night. It was called Live at Livy's. It was

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Speaker 1: out of Daysville, Kentucky, snowhere around anymore, but that's where

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Speaker 1: my producer, Byron Gallimore, heard me and called the steakhouse

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Speaker 1: where it was, you know, broadcast from, and he was like, hey,

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Speaker 1: you know, I'd love to talk to you about putting

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Speaker 1: a demo together. So so he heard you saying on

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Speaker 1: the radio you were performing from my steakhouse, called the

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Speaker 1: steakhouse to get in touch with you. Or did he

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Speaker 1: actually talk to you through the steakhouse phone. I think

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Speaker 1: I talked to him on the phone. I got his number,

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Speaker 1: I got his name. I had been promised so much

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Speaker 1: by so many people. I threw it out and then

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Speaker 1: I went home to see my family. Now, that was

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Speaker 1: the first time I had gone home for Christmas, and

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Speaker 1: so I went on to see my family. That's all

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Speaker 1: I cared about. And Um. I went back Massachusetts for

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Speaker 1: a couple of weeks, then came back to Esheville and

338
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Speaker 1: I was like, maybe I should go. I guess should

339
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Speaker 1: give that guy a call. So I researched. You know,

340
00:18:36,200 --> 00:18:38,960
Speaker 1: he said he worked at Pride Music Publishing. Um So

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Speaker 1: I called there and was like, hey, some guy called

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Speaker 1: me before the holidays and they're like, oh, that was

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Speaker 1: Byron so Um. Then I met with him and he

344
00:18:48,680 --> 00:18:50,840
Speaker 1: talked about a plan on putting a demo together. He

345
00:18:50,920 --> 00:18:53,320
Speaker 1: was working with a kid named Tim McGraw who had

346
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Speaker 1: a deal. Um he had a song called Welcome to

347
00:18:56,960 --> 00:19:01,240
Speaker 1: the Club at the time, anyone even remembers that song.

348
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Speaker 1: But um, so he's working with this kid that just

349
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Speaker 1: got a record deal, and I thought, okay, maybe he's legit.

350
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Speaker 1: And so you guys start working together, and do you

351
00:19:10,160 --> 00:19:12,840
Speaker 1: start recording immediately or does he have you going out

352
00:19:12,880 --> 00:19:16,480
Speaker 1: and pursuing rights or listening to songs? How does it

353
00:19:16,520 --> 00:19:20,640
Speaker 1: work before you actually make a record? Oh? Man? Um?

354
00:19:20,720 --> 00:19:24,160
Speaker 1: And how long we had done a couple of showcases

355
00:19:25,160 --> 00:19:28,639
Speaker 1: for people, and we're getting feedback. Remember I grew up

356
00:19:28,680 --> 00:19:32,359
Speaker 1: singing live, so that was my that's my comfort zone.

357
00:19:32,440 --> 00:19:34,760
Speaker 1: It's like to be on the stage, and that's I'm

358
00:19:34,800 --> 00:19:36,720
Speaker 1: more comfortable there than in the studio because I don't

359
00:19:36,760 --> 00:19:39,680
Speaker 1: like the sound of my my voice coming back in

360
00:19:39,760 --> 00:19:42,320
Speaker 1: my ears, you know. I'm sure when you first started

361
00:19:42,520 --> 00:19:44,080
Speaker 1: recording your voice and then you heard it back, You're like,

362
00:19:44,280 --> 00:19:47,280
Speaker 1: I don't sound like that. So I was more comfortable

363
00:19:47,280 --> 00:19:50,000
Speaker 1: on the stage that we had done a few UM

364
00:19:50,160 --> 00:19:53,600
Speaker 1: showcases for and writers got ideas and would start pitching

365
00:19:53,640 --> 00:19:56,840
Speaker 1: songs UM for project. And it took a long time

366
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Speaker 1: to a couple of years maybe to put the project

367
00:19:59,720 --> 00:20:05,359
Speaker 1: together there because they were after that McGraw had Oh gosh,

368
00:20:05,880 --> 00:20:09,560
Speaker 1: get in Allah and then Uh, don't take the Girl,

369
00:20:09,600 --> 00:20:11,679
Speaker 1: I think was right after that, and that's when everything

370
00:20:11,720 --> 00:20:14,159
Speaker 1: started getting crazy. So our opportunities to get in the

371
00:20:14,200 --> 00:20:17,080
Speaker 1: studio we're getting you know, pushed back a little bit

372
00:20:17,119 --> 00:20:20,440
Speaker 1: because they were just crazy busy, and so that's what

373
00:20:20,480 --> 00:20:24,679
Speaker 1: the time process was, UM and what the delay was

374
00:20:24,720 --> 00:20:29,399
Speaker 1: in that whole situation. Your first number one here is

375
00:20:29,440 --> 00:20:44,919
Speaker 1: Bye Bye Marriage. So was this your first single or

376
00:20:45,040 --> 00:20:47,040
Speaker 1: was it your first single that went number one? Did

377
00:20:47,040 --> 00:20:49,040
Speaker 1: you have one before this? It didn't. We're just gonna

378
00:20:49,080 --> 00:20:51,640
Speaker 1: love this one. One of my teammates, Um, my first

379
00:20:51,640 --> 00:20:54,880
Speaker 1: single was head to Carolina Tales California, which is which

380
00:20:54,920 --> 00:21:00,160
Speaker 1: is bizarre get around by Maria. I was gonna talk

381
00:21:00,200 --> 00:21:02,560
Speaker 1: about that. That's the wildest song to never go number one.

382
00:21:02,560 --> 00:21:06,040
Speaker 1: Head's Carolina tells California like I can't did on some charts,

383
00:21:06,080 --> 00:21:08,680
Speaker 1: like the smaller charts, but Billboard and I think are

384
00:21:08,720 --> 00:21:12,240
Speaker 1: and are It's set behind my Maria forever. That is

385
00:21:12,280 --> 00:21:14,600
Speaker 1: just some bad luck that two of the biggest country

386
00:21:14,600 --> 00:21:17,199
Speaker 1: songs of all time are on the chart at the

387
00:21:17,280 --> 00:21:20,199
Speaker 1: exact same time. They just want to kick Ronnie and

388
00:21:20,240 --> 00:21:22,040
Speaker 1: Kicks in the ship and be like, hey guys, come on,

389
00:21:22,400 --> 00:21:25,760
Speaker 1: let me hop up there. They were my first major tour,

390
00:21:25,880 --> 00:21:29,680
Speaker 1: so no I learned a lot from them touring with them,

391
00:21:29,840 --> 00:21:31,280
Speaker 1: and they were just so kind to me, and the

392
00:21:31,400 --> 00:21:34,120
Speaker 1: crew was kind to me, and they they gave everybody

393
00:21:34,119 --> 00:21:36,439
Speaker 1: the speech, you know when we first started, like whatever

394
00:21:36,600 --> 00:21:38,919
Speaker 1: whatever they need, you know, to see to it that

395
00:21:38,960 --> 00:21:41,479
Speaker 1: they haven't take care of them and we were just

396
00:21:41,840 --> 00:21:45,520
Speaker 1: spoiled rotten on their tour, so no, but we did

397
00:21:45,560 --> 00:21:47,640
Speaker 1: have bad luck or not bad luck, but we did

398
00:21:47,640 --> 00:21:51,399
Speaker 1: have that same luck again with Lesson and Leavin and

399
00:21:51,440 --> 00:21:55,000
Speaker 1: that song that's for a few years after that. Who

400
00:21:55,040 --> 00:22:01,080
Speaker 1: sat at number one? That time does star Baby Amazed?

401
00:22:02,359 --> 00:22:05,520
Speaker 1: Eight weeks? Eight weeks we were at number one and two.

402
00:22:06,160 --> 00:22:10,280
Speaker 1: That's crazy. So let me rewind for a second. So

403
00:22:10,320 --> 00:22:13,240
Speaker 1: heads Carolina tells California, um, which we still play on

404
00:22:13,240 --> 00:22:15,919
Speaker 1: our show, because I mean, that song just transcends every

405
00:22:16,000 --> 00:22:18,719
Speaker 1: form of music, every form of it doesn't matter. It's

406
00:22:18,760 --> 00:22:22,160
Speaker 1: such a good song that thank you? Was that your

407
00:22:22,200 --> 00:22:24,320
Speaker 1: first ever single? And if so, it must have felt

408
00:22:24,320 --> 00:22:26,520
Speaker 1: like a rocket ship. Well here's the deal. We were

409
00:22:26,520 --> 00:22:28,840
Speaker 1: done with the album and Tim Nichols, who's one of

410
00:22:28,880 --> 00:22:31,160
Speaker 1: the writers on there, had called me and said, because

411
00:22:31,160 --> 00:22:32,680
Speaker 1: he saw me at a showcase and he's seen me

412
00:22:32,720 --> 00:22:36,000
Speaker 1: around town singing and um, he called me and said, hey,

413
00:22:36,040 --> 00:22:39,359
Speaker 1: I wrote this song and I was wondering if you

414
00:22:39,400 --> 00:22:41,720
Speaker 1: would listen to it. I'm like, dude, we're done, we're

415
00:22:41,760 --> 00:22:44,160
Speaker 1: done with the record finally, And he's like, please, let

416
00:22:44,160 --> 00:22:46,800
Speaker 1: me just leave it in your mailbox, listen to it

417
00:22:46,880 --> 00:22:49,200
Speaker 1: and then let me know what you think. And so

418
00:22:49,480 --> 00:22:51,160
Speaker 1: he did. He lifted the Mailbox and I was like, man,

419
00:22:51,200 --> 00:22:54,480
Speaker 1: this song is really catchy. I love the chorus. I'm

420
00:22:54,520 --> 00:22:57,639
Speaker 1: not crazy about the opening two lines, but I'm going

421
00:22:57,680 --> 00:22:59,159
Speaker 1: to play it for my producers. And I played it

422
00:22:59,160 --> 00:23:01,560
Speaker 1: for my producers and are like which is Byron Gallimore

423
00:23:01,600 --> 00:23:04,159
Speaker 1: and to McGrath, and they were like, oh, man, we

424
00:23:04,160 --> 00:23:06,000
Speaker 1: gotta cut this. And I was like, yeah, but I

425
00:23:06,040 --> 00:23:09,320
Speaker 1: don't like the first couple of lines, and so they're like, well,

426
00:23:09,320 --> 00:23:11,440
Speaker 1: ask him to change it, and I was like okay.

427
00:23:11,480 --> 00:23:14,720
Speaker 1: So they did. The only studio time that was available

428
00:23:14,960 --> 00:23:18,119
Speaker 1: then was on the fourth of July, so we actually

429
00:23:18,119 --> 00:23:20,720
Speaker 1: cut it the fourth of July before it was released.

430
00:23:21,520 --> 00:23:23,920
Speaker 1: And so as you cut it, were you already this

431
00:23:24,000 --> 00:23:26,160
Speaker 1: is a single? Like in your mind? Were you cutting

432
00:23:26,200 --> 00:23:27,560
Speaker 1: it to be a single? Are you cutting it just

433
00:23:27,560 --> 00:23:29,080
Speaker 1: to get it on the record and see what would happen?

434
00:23:29,160 --> 00:23:31,159
Speaker 1: We're cutting it to get it on the record. And

435
00:23:31,160 --> 00:23:33,040
Speaker 1: then as soon as we passed the record in. As

436
00:23:33,040 --> 00:23:34,520
Speaker 1: soon as we passed it in, there like okay, this

437
00:23:34,520 --> 00:23:36,679
Speaker 1: would be the first single. Do you remember what the

438
00:23:36,720 --> 00:23:40,680
Speaker 1: lines were that were changed? We stood have known it

439
00:23:40,840 --> 00:23:44,760
Speaker 1: the day they cut that paper mill down or shut

440
00:23:44,760 --> 00:23:47,560
Speaker 1: the paper mill down. Sorry, there'd be no future for us,

441
00:23:47,760 --> 00:23:52,680
Speaker 1: no more in our little town. I've got people in Austin.

442
00:23:52,960 --> 00:23:55,800
Speaker 1: Ain't your daddy still in the morn? And I was like, oh,

443
00:23:55,840 --> 00:24:00,000
Speaker 1: and can we change Austin to Boston? People in Boston?

444
00:24:00,040 --> 00:24:05,720
Speaker 1: And so yeah, so that peaks at two and then

445
00:24:05,760 --> 00:24:08,920
Speaker 1: you okay, So then Bye Bye comes out? And did

446
00:24:08,960 --> 00:24:10,800
Speaker 1: you feel like a little bit because Bye Bye again

447
00:24:10,840 --> 00:24:12,639
Speaker 1: such a great song? Did you feel like a little

448
00:24:12,640 --> 00:24:16,120
Speaker 1: bit that the chart? The chart people felt like, Okay,

449
00:24:16,200 --> 00:24:18,120
Speaker 1: we need to make because she got such a raw

450
00:24:18,200 --> 00:24:20,600
Speaker 1: deal with heads Carolina tells California, we need to make

451
00:24:20,640 --> 00:24:22,160
Speaker 1: sure there's nothing else in the way with this one.

452
00:24:22,480 --> 00:24:25,040
Speaker 1: I don't think they were aware. I think it was

453
00:24:25,119 --> 00:24:29,359
Speaker 1: just the song itself. Um, I saw they pitched Emi

454
00:24:29,440 --> 00:24:31,399
Speaker 1: pitched it to me. It was a phil of Asters

455
00:24:31,480 --> 00:24:36,760
Speaker 1: song and they I loved it as soon as we

456
00:24:36,840 --> 00:24:39,199
Speaker 1: heard it. And so and that one that I had

457
00:24:39,240 --> 00:24:41,560
Speaker 1: a different first line to the opening line for that

458
00:24:41,680 --> 00:24:44,919
Speaker 1: was a girly you sure look pretty. They're standing in

459
00:24:44,960 --> 00:24:47,560
Speaker 1: the doorway in the sunset light. And when I sing

460
00:24:47,560 --> 00:24:50,000
Speaker 1: and it's like, boy, you sure look good. They're standing

461
00:24:50,040 --> 00:24:52,359
Speaker 1: in the doorway. And I remember before we cut it,

462
00:24:52,400 --> 00:24:54,640
Speaker 1: Phil Bash was like, it's not a song or a girl,

463
00:24:54,680 --> 00:24:59,240
Speaker 1: it's a guy's song. And so he still says that today,

464
00:24:59,240 --> 00:25:01,000
Speaker 1: he's like, that's not a girls song. That was written

465
00:25:01,000 --> 00:25:04,840
Speaker 1: for a guy. So but we we love each other.

466
00:25:04,960 --> 00:25:08,080
Speaker 1: But he's yeah, we got Bye Bye that came out

467
00:25:09,119 --> 00:25:12,040
Speaker 1: and then I'm all right, yeah, same year, I'm all right,

468
00:25:12,400 --> 00:25:20,200
Speaker 1: here's here's the clip of I'm all right, clown and

469
00:25:20,720 --> 00:25:26,280
Speaker 1: so I guess something new and all right. So when

470
00:25:26,320 --> 00:25:28,320
Speaker 1: I'm looking back, it just kind of the timeline. So

471
00:25:28,400 --> 00:25:31,679
Speaker 1: heads Carolina tells California comes out crushes, but stays it too,

472
00:25:32,240 --> 00:25:36,760
Speaker 1: You're not in Kansas anymore followed that, now I'm still

473
00:25:36,760 --> 00:25:40,480
Speaker 1: a top ten songs to be fair, but still a

474
00:25:40,480 --> 00:25:43,760
Speaker 1: top ten song. How many singles were on that that

475
00:25:43,800 --> 00:25:47,439
Speaker 1: first record? Though? Was that the one they released? It

476
00:25:47,720 --> 00:25:50,119
Speaker 1: makes something of it? Was that on that album and

477
00:25:50,160 --> 00:25:52,800
Speaker 1: then he'd never maybe maybe before, because I remember we

478
00:25:52,800 --> 00:25:54,760
Speaker 1: were trying to buy time to get to the next album,

479
00:25:55,040 --> 00:25:57,280
Speaker 1: and so we were to complete the record and that

480
00:25:57,359 --> 00:25:59,960
Speaker 1: was a process back then because you had to go around,

481
00:26:00,040 --> 00:26:01,960
Speaker 1: um listen to the songs, and then you had to

482
00:26:02,440 --> 00:26:06,200
Speaker 1: um put a playlist together, bring it to the producers,

483
00:26:06,400 --> 00:26:08,359
Speaker 1: then go through it. That cast out the things they

484
00:26:08,359 --> 00:26:10,359
Speaker 1: didn't like to bring it to the label. The label

485
00:26:10,400 --> 00:26:13,320
Speaker 1: would cast out things that they didn't like. Then they

486
00:26:13,320 --> 00:26:15,240
Speaker 1: came down to a small list and then they'd play

487
00:26:15,280 --> 00:26:17,800
Speaker 1: it for friends and see who, you know, who liked

488
00:26:17,800 --> 00:26:20,960
Speaker 1: it and what people thought. And it took forever. It

489
00:26:21,040 --> 00:26:23,680
Speaker 1: took forever to make a record. Well, when that second

490
00:26:23,720 --> 00:26:26,720
Speaker 1: record comes out, quite the year because you also had

491
00:26:26,760 --> 00:26:29,480
Speaker 1: stand Beside Me, which was a number one song as well.

492
00:26:29,680 --> 00:26:37,640
Speaker 1: Yes it is written by a man. And here you go,

493
00:26:41,320 --> 00:26:42,840
Speaker 1: so you gotta be feeling pretty good. You've got three

494
00:26:42,920 --> 00:26:45,160
Speaker 1: number ones in a row here, and at this point,

495
00:26:45,200 --> 00:26:49,240
Speaker 1: are you headlining the big shows? Now? Um, we didn't

496
00:26:49,440 --> 00:26:54,239
Speaker 1: start head landing until like we were kept being an

497
00:26:54,280 --> 00:26:56,160
Speaker 1: opening act and opening act, and then they're like, okay,

498
00:26:56,200 --> 00:26:57,639
Speaker 1: you're gonna have to step out on your own. And

499
00:26:57,680 --> 00:26:59,240
Speaker 1: so we started to step out on our own. And

500
00:26:59,240 --> 00:27:02,560
Speaker 1: there was a new group that was out and I

501
00:27:02,600 --> 00:27:04,239
Speaker 1: loved them, and I was like, oh my gosh, they

502
00:27:04,280 --> 00:27:05,640
Speaker 1: have to be my opening and we have to find

503
00:27:05,640 --> 00:27:07,000
Speaker 1: out how to get them. And people like, oh, they're

504
00:27:07,040 --> 00:27:09,400
Speaker 1: not gonna last. You know, they are a bunch of young,

505
00:27:09,880 --> 00:27:12,840
Speaker 1: you know, pretty boys, and they're not gonna last. And

506
00:27:13,119 --> 00:27:14,919
Speaker 1: you don't want them on tour with you. And I

507
00:27:15,000 --> 00:27:16,880
Speaker 1: was like, oh, but I love them so much. And

508
00:27:16,920 --> 00:27:22,480
Speaker 1: that wasn't the beginning of or two thousand, because two

509
00:27:22,560 --> 00:27:29,840
Speaker 1: thousand where we took Rascal Flats out with us and

510
00:27:29,880 --> 00:27:39,840
Speaker 1: they for us. For me twenty three years ago, I'm

511
00:27:39,880 --> 00:27:42,680
Speaker 1: all right, came out you landed your first number one

512
00:27:42,960 --> 00:27:45,680
Speaker 1: twenty three years ago. This year that when it hits

513
00:27:45,760 --> 00:27:49,040
Speaker 1: number one after you know, three or four songs that didn't,

514
00:27:49,600 --> 00:27:52,800
Speaker 1: was it a relief, like, Hey, I finally arrived, like

515
00:27:52,880 --> 00:27:55,520
Speaker 1: this second record, we knew, we leveled up, and like

516
00:27:55,560 --> 00:27:57,479
Speaker 1: I have a number one, so it's game time. Did

517
00:27:57,480 --> 00:28:00,320
Speaker 1: it feel like that at all? I never really had

518
00:28:00,520 --> 00:28:05,560
Speaker 1: that mentality. I think my mentality was always one of gratitude.

519
00:28:05,600 --> 00:28:07,920
Speaker 1: And when then you're in the midst of it, you're

520
00:28:07,920 --> 00:28:09,840
Speaker 1: trying to keep up, like you have a number one song,

521
00:28:09,880 --> 00:28:11,520
Speaker 1: it's like, oh my gosh, how's the next we're gonna do? Okay,

522
00:28:11,520 --> 00:28:13,040
Speaker 1: We're gonna work really hard, We're gonna make it happen.

523
00:28:13,080 --> 00:28:17,040
Speaker 1: We're gonna you know. It was like constantly fast moving everywhere,

524
00:28:17,119 --> 00:28:20,240
Speaker 1: going everywhere and to all the radio stations and to

525
00:28:21,000 --> 00:28:23,600
Speaker 1: you know, to do all the like you know, will

526
00:28:23,640 --> 00:28:25,560
Speaker 1: you come play for our lunch or will you come

527
00:28:25,600 --> 00:28:28,159
Speaker 1: play at this small or would you We were just

528
00:28:28,280 --> 00:28:32,679
Speaker 1: chasing it constantly and so and then you look at

529
00:28:32,680 --> 00:28:34,760
Speaker 1: the award shows. I told someone this the other day.

530
00:28:35,080 --> 00:28:37,520
Speaker 1: I don't think people realize this, but you know, my

531
00:28:37,720 --> 00:28:40,320
Speaker 1: songs were things that I wish that I could say,

532
00:28:40,400 --> 00:28:42,040
Speaker 1: like I want a man a stand beside me, not

533
00:28:42,080 --> 00:28:44,240
Speaker 1: in front of them behind me, because for some reason

534
00:28:44,320 --> 00:28:47,960
Speaker 1: I had a tendency to date jerks, and so I

535
00:28:48,000 --> 00:28:50,120
Speaker 1: love that song because it was like the strong woman

536
00:28:50,200 --> 00:28:52,320
Speaker 1: I wish I was, and the same with the same

537
00:28:52,360 --> 00:28:54,000
Speaker 1: thing and bye bye or I'm all right or all

538
00:28:54,000 --> 00:28:57,480
Speaker 1: those songs. So the reason why people gravitated towards those

539
00:28:57,520 --> 00:29:00,000
Speaker 1: songs was the same reason that I gravitated towards them all,

540
00:29:00,120 --> 00:29:03,040
Speaker 1: like man, I wish that was really my heart. So

541
00:29:03,240 --> 00:29:05,400
Speaker 1: you take all those songs that did well on the

542
00:29:05,480 --> 00:29:09,640
Speaker 1: chart you throw in award shows. I remember people because

543
00:29:09,920 --> 00:29:13,840
Speaker 1: they're very tough songs. But I wasn't tough. I was

544
00:29:13,920 --> 00:29:16,880
Speaker 1: like really insecure, and I'm like I'm so ugly and

545
00:29:16,960 --> 00:29:19,840
Speaker 1: I'm so gross, And so you put me into a

546
00:29:20,040 --> 00:29:22,920
Speaker 1: dressing room at an award show with Faith Hill and

547
00:29:23,000 --> 00:29:26,520
Speaker 1: Martina McBride and Sarah Evans and Tries, and I sat

548
00:29:26,640 --> 00:29:29,320
Speaker 1: in a corner I would put my I'm like, I

549
00:29:29,320 --> 00:29:31,160
Speaker 1: did not even deal worthy to be in the presence

550
00:29:31,160 --> 00:29:34,120
Speaker 1: of those girls. But due to the strong songs and

551
00:29:34,120 --> 00:29:36,239
Speaker 1: all the lyrics, everybody thought, oh my gosh, look how

552
00:29:36,280 --> 00:29:39,480
Speaker 1: stuck up she is. And I'm like really going, oh

553
00:29:39,520 --> 00:29:41,480
Speaker 1: my gosh, I can't get too close to you, like

554
00:29:41,760 --> 00:29:44,120
Speaker 1: you're so beautiful like it, I don't. I can't even

555
00:29:44,120 --> 00:29:47,080
Speaker 1: exist in your presence. So I would hide in a

556
00:29:47,120 --> 00:29:50,040
Speaker 1: corner at the award shows, I just hide out. So

557
00:29:50,080 --> 00:29:51,960
Speaker 1: I never really all that to say. I never really

558
00:29:51,960 --> 00:29:55,240
Speaker 1: reached that hey I'm there, I'm so cool, I got this,

559
00:29:55,360 --> 00:29:57,800
Speaker 1: I'm a big deal. I always felt grateful to be

560
00:29:57,880 --> 00:29:59,680
Speaker 1: there and like, oh my gosh, I get to believe

561
00:29:59,680 --> 00:30:01,239
Speaker 1: I'm she are in a dressing room with my dad.

562
00:30:03,760 --> 00:30:06,120
Speaker 1: For me, you know, a lot of it comes back

563
00:30:06,120 --> 00:30:08,560
Speaker 1: to c MT and back in the nineties and early

564
00:30:08,560 --> 00:30:13,959
Speaker 1: two thousand's and seeing you in a music video seemingly constantly.

565
00:30:14,240 --> 00:30:16,120
Speaker 1: You know, it was like you you seem to always

566
00:30:16,120 --> 00:30:18,440
Speaker 1: have a big music video on. You know, I've had

567
00:30:18,440 --> 00:30:20,240
Speaker 1: It's pretty cool to just be in random places and

568
00:30:20,440 --> 00:30:22,680
Speaker 1: even restaurants. Here yourself pop up on TV as on

569
00:30:22,680 --> 00:30:25,680
Speaker 1: a music video. Um, yeah, and then you start to

570
00:30:25,720 --> 00:30:29,120
Speaker 1: sync down in your chair like, oh, nobody realizes that's me.

571
00:30:30,960 --> 00:30:34,400
Speaker 1: Maybe you had a restaurant. But speaking of videos and

572
00:30:34,520 --> 00:30:37,320
Speaker 1: number one songs and etcetera. We so that my first

573
00:30:37,320 --> 00:30:40,600
Speaker 1: headline tour was the The Burnt album. Off that album

574
00:30:40,680 --> 00:30:45,040
Speaker 1: came Bring On the Rain. Bring On the Rain, Um

575
00:30:45,320 --> 00:30:47,840
Speaker 1: was already out for a while. People had already heard

576
00:30:47,880 --> 00:30:49,720
Speaker 1: Ring on the Rain, and they kind of threw that

577
00:30:49,720 --> 00:30:51,320
Speaker 1: out there as a single to buy time for the

578
00:30:51,320 --> 00:30:53,080
Speaker 1: next record, you know, to just kind of buy some

579
00:30:53,120 --> 00:30:54,840
Speaker 1: time at radio and try to keep us out there

580
00:30:54,880 --> 00:30:58,080
Speaker 1: while we're making a new album. Well, dang, that thing shipped.

581
00:30:58,120 --> 00:30:59,680
Speaker 1: You know what ships like two weeks or used to

582
00:30:59,680 --> 00:31:02,720
Speaker 1: ship like two weeks before it's ad date. The ad

583
00:31:02,760 --> 00:31:06,320
Speaker 1: date was September ten, and so we were going for

584
00:31:06,440 --> 00:31:11,240
Speaker 1: ads on Monday. Then September eleventh happened, and so and

585
00:31:11,280 --> 00:31:13,320
Speaker 1: this is all going back to your video, your point

586
00:31:13,360 --> 00:31:15,200
Speaker 1: them out the video. But we were gonna do a

587
00:31:15,280 --> 00:31:17,200
Speaker 1: video because we're like, we gotta stay present, we gotta

588
00:31:17,200 --> 00:31:19,640
Speaker 1: stay out there. But we didn't have a treatment and

589
00:31:19,640 --> 00:31:21,520
Speaker 1: we didn't know what to do the video on. And

590
00:31:21,680 --> 00:31:24,920
Speaker 1: so right after September eleven, people were suggesting, you know, oh,

591
00:31:24,960 --> 00:31:26,680
Speaker 1: you gotta make it about the Twin Towers. It has

592
00:31:26,720 --> 00:31:28,880
Speaker 1: to be about you know, September eleven. That has to

593
00:31:28,920 --> 00:31:30,200
Speaker 1: And I said, wait a minute. This song has been

594
00:31:30,200 --> 00:31:32,200
Speaker 1: out there for a while. People already have their own

595
00:31:32,240 --> 00:31:35,080
Speaker 1: story behind it, and so they're like, yes, but everybody's

596
00:31:35,120 --> 00:31:38,840
Speaker 1: doing you know, September eleventh and patriotic and American, and

597
00:31:38,880 --> 00:31:43,800
Speaker 1: I was like, I felt really uncomfortable trying to take

598
00:31:43,840 --> 00:31:46,560
Speaker 1: that song and make it about such a tragedy because

599
00:31:46,560 --> 00:31:49,080
Speaker 1: that's not why it was written in the first place.

600
00:31:49,720 --> 00:31:52,480
Speaker 1: And so if you ever watched that video, there's no

601
00:31:52,600 --> 00:31:55,240
Speaker 1: story depicted, no watch to bring on the rain video.

602
00:31:55,240 --> 00:31:57,880
Speaker 1: I'm doing nothing but sitting and freezing cold water singing

603
00:31:57,880 --> 00:32:00,840
Speaker 1: a song. Yeah that's interesting, because you know, I'm just

604
00:32:00,880 --> 00:32:04,560
Speaker 1: looking at kind of the timeline to two thousand one.

605
00:32:05,000 --> 00:32:07,400
Speaker 1: I mean, the song goes number one in two thousand one,

606
00:32:07,400 --> 00:32:10,400
Speaker 1: but it was a September ship date. I mean, everybody

607
00:32:10,520 --> 00:32:15,400
Speaker 1: was lost for for obvious reasons, just creatively, everybody was

608
00:32:15,440 --> 00:32:19,120
Speaker 1: lost everywhere all the time. I mean that again, it

609
00:32:19,280 --> 00:32:22,120
Speaker 1: was an odd time to be a performer. And already

610
00:32:22,120 --> 00:32:24,320
Speaker 1: have something out there, and that's kind of weird they

611
00:32:24,360 --> 00:32:26,520
Speaker 1: would ask you to change that even though people already

612
00:32:26,520 --> 00:32:29,760
Speaker 1: had a already had the song and knew what it

613
00:32:29,800 --> 00:32:33,200
Speaker 1: was about, and they had their story like, oh, my

614
00:32:33,240 --> 00:32:35,320
Speaker 1: mom was suffering with cancer and this song helped me

615
00:32:35,320 --> 00:32:37,560
Speaker 1: get through it. Or my brother, you know, I lost

616
00:32:37,600 --> 00:32:39,920
Speaker 1: my brother in a car accident and this song helped

617
00:32:39,960 --> 00:32:41,960
Speaker 1: me get through it. Or I've just been going through

618
00:32:41,960 --> 00:32:44,000
Speaker 1: depression and this song helped me through it. So they

619
00:32:44,040 --> 00:32:46,440
Speaker 1: already had what that song meant to them, and I

620
00:32:46,480 --> 00:32:49,640
Speaker 1: was like, I can't take that from them, and just

621
00:32:49,680 --> 00:32:53,040
Speaker 1: didn't seem right. I do want to talk about your

622
00:32:53,040 --> 00:32:56,440
Speaker 1: live shows for a second. Um recently, I was playing

623
00:32:56,440 --> 00:32:59,600
Speaker 1: a show in which Talk Kansas and they were, you know,

624
00:32:59,680 --> 00:33:01,720
Speaker 1: probably three thousand people. There was a good show and

625
00:33:01,800 --> 00:33:04,240
Speaker 1: a good night and one of my one of the

626
00:33:04,280 --> 00:33:07,320
Speaker 1: people on our radio show is a big fan of yours,

627
00:33:07,360 --> 00:33:08,680
Speaker 1: and she wanted to come out and she wanted to

628
00:33:08,720 --> 00:33:11,440
Speaker 1: sing Heads Carolina, and so she comes out and she's

629
00:33:11,480 --> 00:33:12,920
Speaker 1: singing and it's a big moment for her. But what

630
00:33:12,960 --> 00:33:14,920
Speaker 1: I can remember is everybody's singing so loud over the

631
00:33:14,960 --> 00:33:17,800
Speaker 1: top of her because that song is so beloved, Like

632
00:33:17,880 --> 00:33:19,960
Speaker 1: I have to imagine that when you sing it, you

633
00:33:19,960 --> 00:33:21,760
Speaker 1: can almost just say the first couple of words and

634
00:33:21,760 --> 00:33:24,320
Speaker 1: everybody else just takes it away because it's it's so

635
00:33:24,440 --> 00:33:28,320
Speaker 1: known and so loved. We have the in ears, so

636
00:33:28,440 --> 00:33:32,480
Speaker 1: that helps me to hear my vocal. But then we

637
00:33:32,720 --> 00:33:35,600
Speaker 1: also record out front, and we also sometimes will video

638
00:33:35,720 --> 00:33:38,000
Speaker 1: to see, you know, how things are placed on stage

639
00:33:38,040 --> 00:33:42,480
Speaker 1: and how things are working. I always laugh and I

640
00:33:42,520 --> 00:33:44,040
Speaker 1: talked to the front of house guy. I'm like, I

641
00:33:44,040 --> 00:33:47,080
Speaker 1: don't even know what you're doing, Like you can't hear

642
00:33:47,160 --> 00:33:50,760
Speaker 1: the speakers, like it's the heads Caroline, it's lesson and leaving,

643
00:33:50,760 --> 00:33:53,360
Speaker 1: it's bye bye, it stand beside me, it's I mean,

644
00:33:53,400 --> 00:33:55,360
Speaker 1: there's so many songs that are so even Bring on

645
00:33:55,400 --> 00:33:57,880
Speaker 1: the Rain, it's like they you start the intro with

646
00:33:57,920 --> 00:34:04,520
Speaker 1: the guitar, you get off into Tomorrow's Another Day, unthirsty anyway,

647
00:34:04,680 --> 00:34:08,520
Speaker 1: and then you can just stop singing. Then it's so loud.

648
00:34:09,239 --> 00:34:13,000
Speaker 1: You're you're touring now. You get tickets at Jody Messina

649
00:34:13,080 --> 00:34:15,960
Speaker 1: dot com because again, you have so many big songs,

650
00:34:15,960 --> 00:34:17,359
Speaker 1: and I don't want you to spoil the whole set

651
00:34:17,400 --> 00:34:18,799
Speaker 1: list here anything, but what in the world do you

652
00:34:18,840 --> 00:34:22,880
Speaker 1: start with, Oh mean, it depends on the show and

653
00:34:22,920 --> 00:34:25,120
Speaker 1: the length of time the show is. So if we

654
00:34:25,160 --> 00:34:27,799
Speaker 1: are on a big festival and they give us a

655
00:34:28,000 --> 00:34:30,680
Speaker 1: shorter time slot, and these days I'm going on in

656
00:34:30,680 --> 00:34:33,080
Speaker 1: front of a bunch of guys, we just go out

657
00:34:33,080 --> 00:34:37,240
Speaker 1: and slamming. We hit the ground running up tempo, slamming

658
00:34:37,360 --> 00:34:39,000
Speaker 1: rock and rock and rock and rock and rock, and

659
00:34:39,080 --> 00:34:41,719
Speaker 1: thank you good night, because we don't want to bring

660
00:34:41,760 --> 00:34:44,879
Speaker 1: the crowd down again. Remember I grew up singing live,

661
00:34:44,960 --> 00:34:47,440
Speaker 1: so I always had to win the crowd over when

662
00:34:47,480 --> 00:34:50,120
Speaker 1: I was little, because when I was fourteen and fifteen,

663
00:34:50,160 --> 00:34:53,120
Speaker 1: I was playing, and you know, restaurants and bars they

664
00:34:53,160 --> 00:34:56,560
Speaker 1: could care less like drink and mingle. They weren't there

665
00:34:56,640 --> 00:34:59,600
Speaker 1: to listen to music. So I try to design that

666
00:35:00,160 --> 00:35:04,359
Speaker 1: to just be right to the point. It's a set

667
00:35:04,360 --> 00:35:06,879
Speaker 1: of number one songs. You guys can check Jody out

668
00:35:06,960 --> 00:35:10,000
Speaker 1: Jody Messina dot com. She's I got shows all the way.

669
00:35:10,280 --> 00:35:11,840
Speaker 1: I mean, heck, do you have shows until July of

670
00:35:11,920 --> 00:35:14,560
Speaker 1: next year. I'll say this about you too. You performed

671
00:35:14,680 --> 00:35:17,719
Speaker 1: on our radio show and you are so good, like

672
00:35:18,360 --> 00:35:22,000
Speaker 1: just vocally, just so pure. And we still talk about

673
00:35:22,040 --> 00:35:25,239
Speaker 1: how you came in and you started singing, and we're like, well,

674
00:35:25,360 --> 00:35:29,600
Speaker 1: she still sounds maybe even better than we remember. I

675
00:35:29,680 --> 00:35:33,239
Speaker 1: sound like the record. Um, I think it would just

676
00:35:33,320 --> 00:35:35,520
Speaker 1: sing all the time, you know. It's I don't just

677
00:35:35,560 --> 00:35:38,359
Speaker 1: sing when I'm on stage. I sing at the grocery store.

678
00:35:38,560 --> 00:35:41,600
Speaker 1: I sing at you know, my kids school, or I'm

679
00:35:41,640 --> 00:35:44,680
Speaker 1: always singing or whistling or it's so it's never something

680
00:35:44,680 --> 00:35:47,040
Speaker 1: that I get time off from. UM and I love it.

681
00:35:47,080 --> 00:35:49,600
Speaker 1: And when I'm home, like you you know me, I

682
00:35:49,719 --> 00:35:52,480
Speaker 1: relate in my relationship with Jesus. Like this Sunday, We're

683
00:35:52,520 --> 00:35:54,960
Speaker 1: having a huge worship night at my house, so I'm

684
00:35:55,040 --> 00:35:57,560
Speaker 1: leading a bunch of people all night. So I'm singing

685
00:35:57,680 --> 00:36:00,160
Speaker 1: for hours on Sunday. And then I'm singing well the

686
00:36:00,239 --> 00:36:02,560
Speaker 1: thing leading up to it, and I'm just right and

687
00:36:02,560 --> 00:36:04,719
Speaker 1: I'm writing, so I'm singing well doing that. So I'm

688
00:36:04,760 --> 00:36:09,399
Speaker 1: just constantly, constantly standing. I hope you guys go check

689
00:36:09,400 --> 00:36:12,600
Speaker 1: out Jody on Instagram at Jody Messina and then again

690
00:36:12,840 --> 00:36:15,600
Speaker 1: she's on tour Jody Messina dot com. I'll end with

691
00:36:15,680 --> 00:36:18,319
Speaker 1: this because you know it's just wild. I think one

692
00:36:18,360 --> 00:36:20,319
Speaker 1: of the clips that I am cutting from this, not

693
00:36:20,320 --> 00:36:23,520
Speaker 1: not cutting, but highlighting like taking out and highlighting is

694
00:36:23,520 --> 00:36:26,680
Speaker 1: the fact that two of your biggest songs we're at

695
00:36:26,719 --> 00:36:29,080
Speaker 1: two because two of the other biggest songs of all

696
00:36:29,160 --> 00:36:31,279
Speaker 1: time as well just happened to be out at the

697
00:36:31,320 --> 00:36:34,520
Speaker 1: same time. But it's just a wild story that Lesson

698
00:36:34,520 --> 00:36:38,440
Speaker 1: and Leaving and Heads Carolina were both number two songs.

699
00:36:38,480 --> 00:36:41,040
Speaker 1: Because as far as country music goes, like if you

700
00:36:41,080 --> 00:36:43,319
Speaker 1: were to make that list of biggest country music songs

701
00:36:43,320 --> 00:36:45,359
Speaker 1: of all time, like the top hundred, like they'd be

702
00:36:45,400 --> 00:36:48,600
Speaker 1: in in those charts, those categories, those shows that were made,

703
00:36:49,000 --> 00:36:53,160
Speaker 1: and so the timing of that pretty terrible. But as

704
00:36:53,200 --> 00:36:55,839
Speaker 1: you're an artist and you're you're established, and you start

705
00:36:55,840 --> 00:36:58,439
Speaker 1: to see new artists come about, and I think about

706
00:36:58,480 --> 00:37:00,719
Speaker 1: this because you mentioned Rascal Flats and I think of

707
00:37:00,800 --> 00:37:03,880
Speaker 1: a Luke Combs now, uh, Sam Hunt at one point,

708
00:37:04,280 --> 00:37:06,680
Speaker 1: Morgan Wall and artists they show up and just like

709
00:37:06,920 --> 00:37:09,680
Speaker 1: smash and it's like wow, here they come there like

710
00:37:09,719 --> 00:37:12,719
Speaker 1: a locomotion. They're they're so big, so quick. Who did

711
00:37:12,719 --> 00:37:16,080
Speaker 1: you see? What you know? In the late nineties early

712
00:37:16,080 --> 00:37:18,560
Speaker 1: two thousands, and Rascal Flasks can be one example where

713
00:37:18,560 --> 00:37:20,319
Speaker 1: they where you were like, holy crap, they're so good

714
00:37:20,320 --> 00:37:25,640
Speaker 1: and they're getting so big, so fast rhymes. It was

715
00:37:25,640 --> 00:37:27,440
Speaker 1: a constom battle at the label because we were on

716
00:37:27,440 --> 00:37:29,040
Speaker 1: the same label and be like, oh, she's got another

717
00:37:29,040 --> 00:37:30,880
Speaker 1: record coming out, We're gonna push your single back. She

718
00:37:30,960 --> 00:37:34,319
Speaker 1: was another record out and it was huge. It was

719
00:37:34,360 --> 00:37:37,600
Speaker 1: like huge, you couldn't even keep up with it never

720
00:37:37,719 --> 00:37:42,040
Speaker 1: I mean it was huge at the time. And she

721
00:37:42,160 --> 00:37:49,440
Speaker 1: was also sixteen. When she was fourteen. Yeah, well, Jody,

722
00:37:49,480 --> 00:37:51,280
Speaker 1: you are the best. Thank you for spending a little

723
00:37:51,280 --> 00:37:54,319
Speaker 1: time with me. And if you hang if you guys

724
00:37:54,320 --> 00:37:57,080
Speaker 1: can go see Jody on tour, I highly recommend it.

725
00:37:57,600 --> 00:37:59,319
Speaker 1: Thank you, and I hope you have an awesome rest

726
00:37:59,360 --> 00:38:00,879
Speaker 1: of the day and hopefully I see in person soon,

727
00:38:01,800 --> 00:38:04,040
Speaker 1: I hope. So take care of Bobby, Bye bye bye.

728
00:38:10,400 --> 00:38:12,120
Speaker 1: So I have a list here of Billboards top hits

729
00:38:12,120 --> 00:38:15,160
Speaker 1: that have debuted at number one, meaning these are the

730
00:38:15,200 --> 00:38:18,520
Speaker 1: songs that, as soon as they were out high promotion

731
00:38:18,719 --> 00:38:21,239
Speaker 1: are to support it went immediately to number one. Got

732
00:38:21,239 --> 00:38:24,360
Speaker 1: it rare. Only fifty seven songs have debuted on the

733
00:38:24,360 --> 00:38:26,160
Speaker 1: top of the Billboard Hot one hundred out of more

734
00:38:26,200 --> 00:38:30,480
Speaker 1: than number one songs. Okay, okay, I'm starting to think, like,

735
00:38:30,560 --> 00:38:33,319
Speaker 1: what could these songs be? Right, here are your top

736
00:38:33,480 --> 00:38:39,880
Speaker 1: top ones number one. The day was September two. Okay,

737
00:38:40,120 --> 00:38:42,520
Speaker 1: he was the first ever to accomplish this when this

738
00:38:42,560 --> 00:38:48,920
Speaker 1: song debuted at number one here playlist. I love this

739
00:38:49,000 --> 00:38:51,640
Speaker 1: Michael Jackson song, and it never gets credit for being

740
00:38:51,640 --> 00:38:53,440
Speaker 1: one of the great Michael Jackson songs. I wouldn't even

741
00:38:53,440 --> 00:38:55,360
Speaker 1: put it in on top five. I forgot about you

742
00:38:55,360 --> 00:38:57,319
Speaker 1: put it in top ten now that I heard it.

743
00:38:57,360 --> 00:39:01,040
Speaker 1: Of course, I loved you or Not alone. Mariah Carey

744
00:39:01,080 --> 00:39:07,440
Speaker 1: Fantasy number two. This is the roller Coaster video, right

745
00:39:07,480 --> 00:39:10,400
Speaker 1: like this? That one, isn't it from the roller Coaster?

746
00:39:10,440 --> 00:39:23,239
Speaker 1: Singing Whitney Houston XHL Shoot Shoot, Shoot Shot. This was

747
00:39:23,280 --> 00:39:26,120
Speaker 1: from that movie Waiting to Excel. Right, Oh yeah. There

748
00:39:26,160 --> 00:39:27,920
Speaker 1: were the number four and these are all the biggest

749
00:39:27,960 --> 00:39:30,080
Speaker 1: songs to debut at number one. Mariah Carrying Boys, two

750
00:39:30,080 --> 00:39:32,960
Speaker 1: Men One, Sweet Day was number one forever It's it

751
00:39:33,000 --> 00:39:34,640
Speaker 1: was number one at stage number one. I felt bad

752
00:39:34,680 --> 00:39:36,200
Speaker 1: for any song that came. I tried to be number

753
00:39:36,239 --> 00:39:40,919
Speaker 1: one during like a three month period. Three months, Mike Man,

754
00:39:40,960 --> 00:39:42,719
Speaker 1: look and see how long that song was number one,

755
00:39:42,760 --> 00:39:44,920
Speaker 1: But I'm gonna guess it was over twelve weeks. You're right,

756
00:39:44,920 --> 00:39:47,279
Speaker 1: because they can't predict that like other artists trying to plan,

757
00:39:47,440 --> 00:39:50,520
Speaker 1: like all right, we're gonna put our song here. Three months,

758
00:39:50,680 --> 00:39:53,839
Speaker 1: I bet it was over that. Wow. I would bet

759
00:39:53,840 --> 00:39:55,840
Speaker 1: that it could have been as much as six months.

760
00:39:56,000 --> 00:39:58,600
Speaker 1: That's crazy. I remember the video coming out and I thought,

761
00:39:58,600 --> 00:40:00,239
Speaker 1: I cannot believe these two artists are to get that's

762
00:40:00,239 --> 00:40:03,279
Speaker 1: the greatest thing ever. You thought that sixteen weeks, so

763
00:40:03,400 --> 00:40:06,919
Speaker 1: four months unbelievable. The song was number one. Puff Daddy

764
00:40:06,960 --> 00:40:08,879
Speaker 1: and Faith Evans don't play the clup yet? What song

765
00:40:09,200 --> 00:40:11,080
Speaker 1: puff Daddy and Faith epens? I don't even know if

766
00:40:11,080 --> 00:40:16,319
Speaker 1: Faith Evans is you don't. I mean, the only Puff

767
00:40:16,400 --> 00:40:19,160
Speaker 1: Daddy I'm thinking is with Biggy, But what's about Biggie?

768
00:40:19,480 --> 00:40:23,959
Speaker 1: It was about big every breath, every breath missing, same song,

769
00:40:25,239 --> 00:40:31,080
Speaker 1: same sampaig Dad. What I'm gonna say. Mariah Carey Honey

770
00:40:31,480 --> 00:40:38,160
Speaker 1: debut at number one, Mariah carry killing it. Yeah. I

771
00:40:38,200 --> 00:40:39,919
Speaker 1: think she gets lost in the mix of greatest pop

772
00:40:39,920 --> 00:40:43,760
Speaker 1: stars of all times, but she definitely is one of them.

773
00:40:43,800 --> 00:40:45,800
Speaker 1: Like if you had a mount rushmore of pop stars,

774
00:40:45,920 --> 00:40:48,520
Speaker 1: I think Mariah Carey, I think you put Taylor Swift

775
00:40:48,520 --> 00:40:51,440
Speaker 1: on there? Now? Is it? Maybe because she's diva? Like,

776
00:40:51,680 --> 00:40:53,680
Speaker 1: do people in the industry not like her so much

777
00:40:53,680 --> 00:40:57,799
Speaker 1: that you have pop that doesn't matter? Yeah, because you're right, well,

778
00:40:57,800 --> 00:40:59,480
Speaker 1: you don't put Mariah Carry up there. I don't know.

779
00:41:00,040 --> 00:41:02,080
Speaker 1: Mariah Carey comes up to my mind when I think Christmas,

780
00:41:02,280 --> 00:41:04,640
Speaker 1: and that's it. What do you think about think of

781
00:41:04,640 --> 00:41:06,960
Speaker 1: Mariah Carry, Mike? I mean I think of the nineties,

782
00:41:06,960 --> 00:41:09,680
Speaker 1: these songs, and then mainly for her being married to

783
00:41:09,760 --> 00:41:13,480
Speaker 1: NIW Cannon. Nick Cannon comes to mind. I mean I

784
00:41:13,600 --> 00:41:15,520
Speaker 1: think of Tommy Mattola more than I think of Nick Cannon.

785
00:41:16,719 --> 00:41:18,440
Speaker 1: She was young. That was our first husband who was

786
00:41:18,520 --> 00:41:22,640
Speaker 1: running Sony at the time. Candle in the Wind from

787
00:41:22,640 --> 00:41:31,239
Speaker 1: Melton John to me, like, can Selene Dion My Heart

788
00:41:31,239 --> 00:41:33,040
Speaker 1: Will go On? There's a two movie Wins in a Row,

789
00:41:34,640 --> 00:41:39,520
Speaker 1: No Candle in the Winter. Marilyn Monroe slashed Princess Dot.

790
00:41:39,680 --> 00:41:42,480
Speaker 1: Oh is that right? Right? The first time it was written,

791
00:41:43,239 --> 00:41:45,080
Speaker 1: it was Marilyn Monroe in mind, and then he kind

792
00:41:45,080 --> 00:41:47,640
Speaker 1: of changed a little bit for Princess Dot. Really didn't

793
00:41:47,640 --> 00:41:51,319
Speaker 1: know that Selene Dion My Heart Will go On is Titanic? Yeah?

794
00:41:52,960 --> 00:41:55,440
Speaker 1: Another movie one though, is Aerosmith. I don't want to

795
00:41:55,480 --> 00:42:01,000
Speaker 1: miss a thing, and they're only number one on the

796
00:42:01,000 --> 00:42:15,560
Speaker 1: Billboard Crazy Rock Legends Lauren Hill do Wop. I'm gonna

797
00:42:15,560 --> 00:42:16,920
Speaker 1: play you this one, but I'm not going to tell

798
00:42:16,920 --> 00:42:19,359
Speaker 1: you who it is. This one debut at number one,

799
00:42:20,640 --> 00:42:24,000
Speaker 1: D three, number one with a bullet. Here you go

800
00:42:28,360 --> 00:42:35,120
Speaker 1: this Wendy to All My dream It sounds like a

801
00:42:35,160 --> 00:42:37,200
Speaker 1: praise and worship song. Now it doesn't any yes? Is

802
00:42:37,200 --> 00:42:45,319
Speaker 1: it not? No? Who is this? Is it a praise

803
00:42:45,320 --> 00:42:48,960
Speaker 1: and worship artist? I have no idea who this is.

804
00:42:49,719 --> 00:42:51,359
Speaker 1: I don't think I've ever heard this song on my life.

805
00:42:51,920 --> 00:42:55,600
Speaker 1: It was a debut single for this person after they

806
00:42:55,640 --> 00:43:01,080
Speaker 1: won American Idol. Oh Clay Acing Clay Akin? What's that

807
00:43:01,080 --> 00:43:04,839
Speaker 1: guy doing? Now? Are you still singing? I don't try

808
00:43:04,840 --> 00:43:07,200
Speaker 1: to run for rof its. North Carolina didn't win that.

809
00:43:07,320 --> 00:43:09,440
Speaker 1: I don't know. Okay, see if you can name this

810
00:43:09,560 --> 00:43:23,759
Speaker 1: number one from two thousand four? Ye ever heard that? That?

811
00:43:23,880 --> 00:43:28,000
Speaker 1: Macy Gray? No bit of vocal texture the same. It's

812
00:43:28,040 --> 00:43:33,360
Speaker 1: American Idol Fantasia single after winning American Idol. People forget

813
00:43:33,400 --> 00:43:36,160
Speaker 1: the cultural impact American Idol used to have. Just everybody,

814
00:43:36,200 --> 00:43:39,480
Speaker 1: all the time. Carrie Underwood number thirteen, I'm going to

815
00:43:40,920 --> 00:43:45,359
Speaker 1: Inside Your Heaven American idol. See if you can name

816
00:43:45,400 --> 00:43:47,520
Speaker 1: this one two thousand six. Okay, this is the next

817
00:43:47,520 --> 00:43:57,680
Speaker 1: time the one debut a go ahead, Yeah for sure,

818
00:43:57,719 --> 00:44:00,680
Speaker 1: it's Daughtry. Now it's Taylor Hicks. I've or he want American.

819
00:44:01,880 --> 00:44:03,799
Speaker 1: So look at that. We have four in a row

820
00:44:04,400 --> 00:44:06,239
Speaker 1: number one, two thousand three, four or five and six,

821
00:44:06,280 --> 00:44:08,120
Speaker 1: the only ones those years to debut at number one.

822
00:44:08,280 --> 00:44:12,680
Speaker 1: Fantasia carry Taylor Hicks and uh Clay Can. But going

823
00:44:12,800 --> 00:44:15,080
Speaker 1: with your whole thing of like hype and everything that

824
00:44:15,120 --> 00:44:17,880
Speaker 1: this was the ultimate hype because the game show was

825
00:44:17,960 --> 00:44:20,400
Speaker 1: leading up to these these singles. They'd sing it at

826
00:44:20,400 --> 00:44:23,319
Speaker 1: the end when they won. Yeah, and what did they win?

827
00:44:23,440 --> 00:44:25,759
Speaker 1: A record deal? Yeah, big one for like a year,

828
00:44:26,560 --> 00:44:29,600
Speaker 1: a full deal. That it's not a record deal is

829
00:44:29,640 --> 00:44:32,759
Speaker 1: only short. If you suck, they can cut you. But

830
00:44:32,800 --> 00:44:35,120
Speaker 1: they assign it to like so you have them so

831
00:44:35,160 --> 00:44:37,760
Speaker 1: many records, got it. It used to be record name management.

832
00:44:37,760 --> 00:44:40,799
Speaker 1: It used to be, you know, quite sicky. Now not

833
00:44:40,840 --> 00:44:42,360
Speaker 1: so much because they know people won't come on the

834
00:44:42,360 --> 00:44:44,799
Speaker 1: show anymore if you owe them your whole life when

835
00:44:44,800 --> 00:44:46,759
Speaker 1: it's over. Back when the show first started, I think

836
00:44:46,760 --> 00:44:48,359
Speaker 1: you gave me your middle name. You know, the first

837
00:44:48,400 --> 00:44:51,800
Speaker 1: three kids is a whole deal. Britney Spears number three.

838
00:44:51,840 --> 00:44:59,840
Speaker 1: This is the name of the song two thousand nine.

839
00:45:00,000 --> 00:45:02,520
Speaker 1: I remember that song but heard at the club? Is

840
00:45:02,719 --> 00:45:09,279
Speaker 1: the club? Come on, man, Eminem not afraid Kesha. We

841
00:45:09,360 --> 00:45:19,239
Speaker 1: are who we are. Kesha has a new show coming

842
00:45:19,280 --> 00:45:24,280
Speaker 1: out where she goes and hunts and ghosts, and about

843
00:45:24,960 --> 00:45:26,759
Speaker 1: three weeks or so, they said, hey, Kesha wants you

844
00:45:26,760 --> 00:45:28,600
Speaker 1: to come and shoot this show with her. And I

845
00:45:28,640 --> 00:45:30,680
Speaker 1: was like, Kesha wants me to come shoot a show

846
00:45:30,680 --> 00:45:32,719
Speaker 1: with her. They're like, she goes and she goes to

847
00:45:32,760 --> 00:45:36,040
Speaker 1: these haunted I have no interest. It's not about Kesha. Yes,

848
00:45:36,320 --> 00:45:37,760
Speaker 1: you don't want me to fly out to San Francisco

849
00:45:37,800 --> 00:45:40,799
Speaker 1: and like go stand some jail overnight or something with her? Kesha? Yeah,

850
00:45:40,840 --> 00:45:43,640
Speaker 1: that'd be great on her show. See, that's the whole thing.

851
00:45:43,680 --> 00:45:46,320
Speaker 1: This would be like for your career. Man, Kesha's creepies

852
00:45:46,400 --> 00:45:48,520
Speaker 1: or something. Do you have a story about that, Mike?

853
00:45:49,920 --> 00:45:55,000
Speaker 1: There is Kesha will explore haunted places in a Discovery

854
00:45:55,000 --> 00:45:58,799
Speaker 1: Plus series called Conjuring Kesha. Okay, that's what it is.

855
00:45:58,800 --> 00:46:01,160
Speaker 1: That's what it is. What do you do? What are

856
00:46:01,160 --> 00:46:03,160
Speaker 1: you even thinking about it? You already said, already said no, No,

857
00:46:03,280 --> 00:46:06,560
Speaker 1: what are you doing zero? First of all, no, second

858
00:46:06,560 --> 00:46:09,520
Speaker 1: of all no, and third of all, I don't want

859
00:46:09,520 --> 00:46:11,360
Speaker 1: to do that. It's not about kesh It, it's not

860
00:46:11,400 --> 00:46:15,160
Speaker 1: about you know, you just don't want. I don't want

861
00:46:15,160 --> 00:46:16,560
Speaker 1: to go and spend the night in a jail in

862
00:46:16,600 --> 00:46:20,600
Speaker 1: San Francisco. Would go in ghosts? Then why aren't you

863
00:46:20,640 --> 00:46:22,600
Speaker 1: there the whole experience? He doesn't. It's I don't know.

864
00:46:22,719 --> 00:46:24,319
Speaker 1: I just said no. It was an easy man. I

865
00:46:24,320 --> 00:46:26,960
Speaker 1: want to said, he has no heart beat. I like Kesha.

866
00:46:27,160 --> 00:46:28,839
Speaker 1: I think I've only member once. I don't know where,

867
00:46:28,960 --> 00:46:30,799
Speaker 1: but I like like like we were on a flight

868
00:46:30,840 --> 00:46:33,360
Speaker 1: with Kesha. That was crazy. We were yeah to Vegas

869
00:46:33,520 --> 00:46:35,120
Speaker 1: and she was sitting about three rows in front of us.

870
00:46:35,120 --> 00:46:37,520
Speaker 1: You remember this, Yeah, now that you say that she

871
00:46:37,600 --> 00:46:40,279
Speaker 1: in first class and we weren't. I know it was Southwest,

872
00:46:40,360 --> 00:46:42,400
Speaker 1: so there was no first class. I remember because I wasn't.

873
00:46:42,840 --> 00:46:44,560
Speaker 1: I wasn't saying in the first class sea when Kesha

874
00:46:44,600 --> 00:46:47,640
Speaker 1: was on a plane. Um, all right, but would you

875
00:46:47,640 --> 00:46:51,240
Speaker 1: have done that show, Mike? Yeah? Right? Why not? Also?

876
00:46:51,320 --> 00:46:53,239
Speaker 1: The timing was weird. But mostly it's about ghosts now

877
00:46:53,320 --> 00:46:55,399
Speaker 1: making every other excuse because you guys are shaming me,

878
00:46:56,480 --> 00:47:03,640
Speaker 1: Brittney spears, holding against me, speeding. It's good, escape the

879
00:47:03,680 --> 00:47:11,759
Speaker 1: clos that's the club right there. The song starts to

880
00:47:11,760 --> 00:47:13,480
Speaker 1: get a little worse, so I should go down the list.

881
00:47:13,280 --> 00:47:16,680
Speaker 1: Don't like songs that aren't lasting that long. What was

882
00:47:16,719 --> 00:47:19,480
Speaker 1: Britney's song that was like if you see Amy? Oh,

883
00:47:19,520 --> 00:47:22,160
Speaker 1: if you seek games, if you seek amy? Did you

884
00:47:22,280 --> 00:47:24,160
Speaker 1: and that's what it was? Did you get it? No?

885
00:47:24,800 --> 00:47:26,600
Speaker 1: If you seek Amy was the name of the song

886
00:47:26,760 --> 00:47:28,960
Speaker 1: that says the play on play it, yes, if you

887
00:47:29,040 --> 00:47:34,120
Speaker 1: seek me? Oh, that's the radio should be playing if

888
00:47:34,120 --> 00:47:38,160
Speaker 1: you seek Amy? And we're just idiots. I see you

889
00:47:38,160 --> 00:47:40,720
Speaker 1: guys are singing it there the whole time. Remember this,

890
00:47:41,400 --> 00:47:44,000
Speaker 1: pull it up? How long? When did it come out? Though?

891
00:47:44,000 --> 00:47:45,719
Speaker 1: That that's what it meant. No, you knew what media

892
00:47:45,920 --> 00:47:47,600
Speaker 1: you did? I would. I would have sang this for

893
00:47:47,680 --> 00:47:52,080
Speaker 1: years without knowing it. Brain. I just wanted to the

894
00:47:52,200 --> 00:48:08,040
Speaker 1: padish kind somebody take me you WHOA. All the boys

895
00:48:08,040 --> 00:48:10,680
Speaker 1: and all the girls are begging into fuc that's crazy

896
00:48:11,120 --> 00:48:15,880
Speaker 1: and radio played it like that's crazy. I had no idea.

897
00:48:16,040 --> 00:48:17,640
Speaker 1: Now I can find a million dollars for something to

898
00:48:17,600 --> 00:48:19,520
Speaker 1: happen to do with anything that was like Gaga would

899
00:48:19,520 --> 00:48:22,960
Speaker 1: poker face. Wait, what what's that? There was in that

900
00:48:23,040 --> 00:48:26,000
Speaker 1: little in the sample she used right, yeah, said ever

901
00:48:26,120 --> 00:48:28,360
Speaker 1: face yea, and only one radio station caught it was

902
00:48:28,400 --> 00:48:31,959
Speaker 1: kiss in Los Angeles. Dang, and she knows the whole time,

903
00:48:32,000 --> 00:48:35,799
Speaker 1: so they're probably like speaking of Lady Gaga. Born this Way,

904
00:48:35,840 --> 00:48:39,360
Speaker 1: baby to number one, two eleven. Okay, this is a

905
00:48:39,400 --> 00:48:42,600
Speaker 1: good one that's lasted. This is this one's been strong track.

906
00:48:42,760 --> 00:48:46,520
Speaker 1: Baby was born this Way. And then Katy Perry has

907
00:48:46,600 --> 00:48:55,680
Speaker 1: one part of me here. I don't know that one.

908
00:48:55,960 --> 00:48:58,120
Speaker 1: I don't either. She was just such a massive star

909
00:48:58,200 --> 00:49:03,279
Speaker 1: for a while that anything she put out would show up. Okay,

910
00:49:03,880 --> 00:49:06,719
Speaker 1: that's it. Thank you all, Eddie, thank you, Thanks you guys.

911
00:49:06,719 --> 00:49:09,239
Speaker 1: To check out the award winning losing Yes, I love that,

912
00:49:09,280 --> 00:49:12,120
Speaker 1: the award winning. We won an award last week.