1 00:00:01,720 --> 00:00:04,600 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:12,880 Speaker 1: to Disgraceland. 5 00:00:13,160 --> 00:00:24,880 Speaker 2: The after Party. 6 00:00:28,320 --> 00:00:31,400 Speaker 1: Welcome to the Disgraceland Bonus episode, a little thing we 7 00:00:31,600 --> 00:00:34,479 Speaker 1: like to call the after party. This is the show 8 00:00:34,640 --> 00:00:37,519 Speaker 1: after the show, the party after the party, the bridge 9 00:00:37,520 --> 00:00:39,960 Speaker 1: to get you from one full episode of Disgraceland to 10 00:00:40,000 --> 00:00:43,519 Speaker 1: the other, the backyard to dig into the dirt. On 11 00:00:43,680 --> 00:00:49,159 Speaker 1: this episode, we are talking about Justin Bieber, child celebrities, 12 00:00:49,200 --> 00:00:53,320 Speaker 1: pop star, parent monsters, and of course your voicemails, texts, 13 00:00:53,440 --> 00:00:57,160 Speaker 1: dms and more and as always, a whole lot of rosy. 14 00:00:57,720 --> 00:01:14,360 Speaker 1: All right, Discos, let's get into it. Yes, yes, yes, 15 00:01:14,480 --> 00:01:19,560 Speaker 1: Welcome to the Disgraceland Bonus Episode After Party Extravaganza. Let's 16 00:01:19,640 --> 00:01:23,320 Speaker 1: talk about Justin Bieber. That's the first time I've ever 17 00:01:23,400 --> 00:01:26,399 Speaker 1: uttered that sentence, and I do so because Justin Bieber is, 18 00:01:26,440 --> 00:01:29,920 Speaker 1: of course the latest subject that we cover in Disgraceland, 19 00:01:30,319 --> 00:01:34,679 Speaker 1: drag racing, pills, potential deportation by petition, and so much more. 20 00:01:35,560 --> 00:01:38,279 Speaker 1: Justin Bieber, you know this. He's one of the biggest 21 00:01:38,319 --> 00:01:40,880 Speaker 1: pop stars in the world. He's been on top since 22 00:01:40,880 --> 00:01:43,200 Speaker 1: he exploded onto the scene, and he remains there to 23 00:01:43,240 --> 00:01:46,959 Speaker 1: this day, which is of course no easy task. We 24 00:01:47,000 --> 00:01:48,960 Speaker 1: think it's hard just to get famous, and it is. 25 00:01:49,040 --> 00:01:53,560 Speaker 1: It's extremely difficult. We know it's harder staying famous, staying 26 00:01:53,560 --> 00:01:57,720 Speaker 1: more specifically, not just fame. I don't mean famous, anyone 27 00:01:57,720 --> 00:02:02,520 Speaker 1: can be famous almost. I mean like being relevant in 28 00:02:02,560 --> 00:02:05,400 Speaker 1: the music game. Think of how many of your favorite 29 00:02:05,440 --> 00:02:09,600 Speaker 1: musicians were relevant for just small periods of time, and 30 00:02:09,639 --> 00:02:12,399 Speaker 1: then think of the very rare group of musicians who 31 00:02:12,440 --> 00:02:18,079 Speaker 1: have continuously stayed in the public eye for decades. Your 32 00:02:18,120 --> 00:02:23,680 Speaker 1: Metallica's You're Rolling Stones, Okay, Justin Bieber. You know he 33 00:02:23,720 --> 00:02:25,560 Speaker 1: doesn't have the longevity of those guys. Obviously he's a 34 00:02:25,600 --> 00:02:27,960 Speaker 1: lot younger, but things are trending in that direction. The 35 00:02:27,960 --> 00:02:31,160 Speaker 1: guy sold over one hundred and fifty million albums worldwide, 36 00:02:31,160 --> 00:02:33,880 Speaker 1: which ranks him higher than the Rolling Stones, just to 37 00:02:33,880 --> 00:02:36,160 Speaker 1: touch below ac DC and in the same neighborhood as 38 00:02:36,160 --> 00:02:39,400 Speaker 1: Billy Joel, Garth, Brooks Drake and Kanye West. And that 39 00:02:39,480 --> 00:02:43,359 Speaker 1: is some neighborhood. One hundred and fifty million albums worldwide, 40 00:02:43,639 --> 00:02:48,440 Speaker 1: no joke, I gotta admit I was surprised at Bieber's 41 00:02:48,560 --> 00:02:51,840 Speaker 1: actual success. I'm not a Bieber guy. I'm not listening 42 00:02:51,880 --> 00:02:54,720 Speaker 1: to Bieber records. I'm not, you know, waiting for his 43 00:02:55,040 --> 00:02:58,040 Speaker 1: music to come out. It's not my bag. You can 44 00:02:58,080 --> 00:03:02,160 Speaker 1: probably make that assumption fairly easily. He's interesting to me 45 00:03:02,200 --> 00:03:04,560 Speaker 1: as a subject of disgrace sand for various reasons, which 46 00:03:04,600 --> 00:03:06,560 Speaker 1: I'm sure you've heard about from the full episode that 47 00:03:06,560 --> 00:03:09,440 Speaker 1: we just released on him. But my point is, I'm not, 48 00:03:09,520 --> 00:03:12,480 Speaker 1: you know, justin. Bieber's just this guy who's successful and famous. 49 00:03:12,480 --> 00:03:15,480 Speaker 1: In my mind, I don't know how successful or how famous. 50 00:03:15,560 --> 00:03:17,720 Speaker 1: So when I get to this bit about one hundred 51 00:03:17,760 --> 00:03:21,800 Speaker 1: and fifty million worldwide albums, you know, up there with 52 00:03:22,000 --> 00:03:24,919 Speaker 1: the Garth Brooks and Billy Joels of the world and 53 00:03:25,360 --> 00:03:28,000 Speaker 1: beating the Rolling Stones, which is just mind blowing to me. 54 00:03:28,840 --> 00:03:33,920 Speaker 1: That's fucking crazy. Bieber has been on the scene that 55 00:03:34,000 --> 00:03:37,800 Speaker 1: he exploded onto via YouTube at sixteen years old. He's 56 00:03:37,840 --> 00:03:41,520 Speaker 1: still only twenty nine. Okay. His career is so much 57 00:03:41,600 --> 00:03:45,280 Speaker 1: greener than those legacy artists that I just mentioned, The Stones, 58 00:03:45,320 --> 00:03:48,640 Speaker 1: Billy Joel. I still like I'm sure a lot of 59 00:03:48,680 --> 00:03:51,680 Speaker 1: you do. And this has nothing to do with age, really, 60 00:03:51,800 --> 00:03:54,880 Speaker 1: just perception I view this guy as a kid thought 61 00:03:54,880 --> 00:03:56,600 Speaker 1: he's not. He's a full grown man. He's twenty nine 62 00:03:56,720 --> 00:03:59,680 Speaker 1: years old, and you know he's been through a lot. 63 00:03:59,720 --> 00:04:02,600 Speaker 1: He's been through his ups and downs as as most 64 00:04:03,160 --> 00:04:06,040 Speaker 1: most rock stars are, most pop stars are whatever you 65 00:04:06,040 --> 00:04:07,040 Speaker 1: want to call me. You don't want to call him 66 00:04:07,120 --> 00:04:08,680 Speaker 1: rock star, I just want to call him pop star whatever. 67 00:04:09,480 --> 00:04:14,640 Speaker 1: I get that, ah, But he clearly takes what he 68 00:04:14,760 --> 00:04:18,599 Speaker 1: does seriously. He would not have lasted this long and 69 00:04:18,680 --> 00:04:22,760 Speaker 1: have had and would not have had this sustained success 70 00:04:23,440 --> 00:04:29,159 Speaker 1: for this long without taking what he does seriously. The trick, 71 00:04:29,880 --> 00:04:33,000 Speaker 1: the myth, the trick, the magic trick of being a 72 00:04:33,080 --> 00:04:36,480 Speaker 1: rock star a pop star is that they make it 73 00:04:36,520 --> 00:04:42,120 Speaker 1: look effortless and it's not so much effort goes into it, 74 00:04:42,480 --> 00:04:44,800 Speaker 1: even for the ones who make it seem like no 75 00:04:44,880 --> 00:04:47,800 Speaker 1: effort goes into it at all, and those, of course 76 00:04:47,839 --> 00:04:51,760 Speaker 1: are my favorite types of artists. But I respect the hustle. 77 00:04:52,560 --> 00:04:56,719 Speaker 1: Even if I don't particularly love Justin Bieber as a 78 00:04:56,720 --> 00:05:01,000 Speaker 1: pop star or get off on his records, I respect 79 00:05:01,000 --> 00:05:03,680 Speaker 1: the fact that the guy has been in the game 80 00:05:03,720 --> 00:05:07,360 Speaker 1: for this long and as a young immature kid, has 81 00:05:07,480 --> 00:05:09,560 Speaker 1: made his way as you can hear in the episode 82 00:05:09,600 --> 00:05:12,640 Speaker 1: through some like I said before, through some ups and down, 83 00:05:12,720 --> 00:05:15,920 Speaker 1: some real highs, some real lows, and some real bullshit 84 00:05:16,000 --> 00:05:18,360 Speaker 1: behavior on his part that he has conquered. And who 85 00:05:18,440 --> 00:05:23,320 Speaker 1: among us hasn't acted like idiots in our youth. We 86 00:05:23,360 --> 00:05:25,839 Speaker 1: didn't have the pressure though, of having to do it 87 00:05:25,920 --> 00:05:28,480 Speaker 1: under the microscope with the whole world watching us, which 88 00:05:28,600 --> 00:05:32,560 Speaker 1: this guy has had to do. Okay, So in thinking 89 00:05:32,600 --> 00:05:36,239 Speaker 1: of Justin Bieber and in considering him and this episode, 90 00:05:36,279 --> 00:05:39,480 Speaker 1: the notion of the child's star, it was still it was, 91 00:05:39,560 --> 00:05:43,160 Speaker 1: and it still is front and center for me. Okay, 92 00:05:43,360 --> 00:05:45,160 Speaker 1: even though the guy's not a kid anymore. I get that. 93 00:05:45,320 --> 00:05:47,680 Speaker 1: But it's a big part of his story, and it's 94 00:05:47,720 --> 00:05:49,640 Speaker 1: what led to his success in the beginning, and it's 95 00:05:49,720 --> 00:05:51,719 Speaker 1: almost the point I'm trying to make. It's almost what 96 00:05:51,800 --> 00:05:54,360 Speaker 1: led to his downfall. And it got me thinking, what 97 00:05:54,800 --> 00:05:58,120 Speaker 1: if or who if any other child stars have come 98 00:05:58,240 --> 00:06:03,160 Speaker 1: close to Justin Bieber's level of success in music. Michael Jackson, 99 00:06:03,320 --> 00:06:05,640 Speaker 1: of course, he's at the top of the list, but 100 00:06:05,720 --> 00:06:10,280 Speaker 1: after that it is a steep drop off. You've got Usher, 101 00:06:10,720 --> 00:06:13,720 Speaker 1: who of course is part of the Justin Bieber story. 102 00:06:14,000 --> 00:06:18,839 Speaker 1: You've got Leanne Rimes, Janet Jackson, Donnie Osmond, Brandy, Aaron Carter, 103 00:06:19,000 --> 00:06:22,120 Speaker 1: Lil Bow. Wow, the list gets thinned real quick, and 104 00:06:22,560 --> 00:06:25,359 Speaker 1: none of those artists, not even Usher or Janet Jackson, 105 00:06:25,880 --> 00:06:32,120 Speaker 1: reached the soaring career heights or prolonged relevance of Justin Bieber. Now, 106 00:06:32,120 --> 00:06:36,080 Speaker 1: I'm not talking about his merit as an artist or 107 00:06:36,120 --> 00:06:39,840 Speaker 1: a creator, right, Like, I'll listen to Janet Jackson for 108 00:06:39,960 --> 00:06:43,040 Speaker 1: a week straight before I'll willfully listen to Justin Bieber. 109 00:06:43,080 --> 00:06:46,520 Speaker 1: But that's just me. That's subjective, Okay, that's my taste. 110 00:06:46,560 --> 00:06:48,200 Speaker 1: That has nothing to do with what I'm talking about. 111 00:06:48,400 --> 00:06:50,880 Speaker 1: You might not like Justin Bieber's music, but you got 112 00:06:50,880 --> 00:06:52,320 Speaker 1: to just like look at the guy and be like, 113 00:06:52,600 --> 00:06:55,919 Speaker 1: how the hell did he a not die, be, not 114 00:06:56,000 --> 00:06:59,440 Speaker 1: go to jail, see not fall off the charts. It 115 00:06:59,560 --> 00:07:02,039 Speaker 1: just makes his story all the more unbelievable, the fact 116 00:07:02,040 --> 00:07:04,120 Speaker 1: that he was able to overcome all that juvenile bullshit, 117 00:07:04,120 --> 00:07:06,599 Speaker 1: all that immaturity and maintain his career. It's not something 118 00:07:06,640 --> 00:07:09,880 Speaker 1: that's really been done. I mean, it's been done with 119 00:07:10,280 --> 00:07:14,040 Speaker 1: mixed results and disastrous results at that. Remember, things didn't 120 00:07:14,120 --> 00:07:16,920 Speaker 1: end well for Michael Jackson when all signs seem to 121 00:07:16,960 --> 00:07:19,720 Speaker 1: be pointing toward a long and fruitful career for Justin 122 00:07:19,800 --> 00:07:24,920 Speaker 1: fucking Bieber. Okay, in his story, it gets interesting with 123 00:07:25,120 --> 00:07:27,520 Speaker 1: the presence of his old man, his dad, who, without 124 00:07:27,640 --> 00:07:30,320 Speaker 1: spoiling or rehashing the episode, is I'll just say, a 125 00:07:30,480 --> 00:07:34,640 Speaker 1: very complicated obstacle for the character of Justin Bieber. His 126 00:07:34,720 --> 00:07:37,320 Speaker 1: dad is a problem, okay, or was a problem to 127 00:07:37,360 --> 00:07:39,360 Speaker 1: say the least, not a very good influence at a 128 00:07:39,360 --> 00:07:41,800 Speaker 1: point in time, which got me thinking, who are the 129 00:07:41,840 --> 00:07:46,640 Speaker 1: most notorious pop star dad's stage dads? Okay? Top of 130 00:07:46,640 --> 00:07:49,240 Speaker 1: the list, Marvin Gaye's old man. He killed his son, 131 00:07:49,280 --> 00:07:51,000 Speaker 1: so he's right up there. He's number one, He's the 132 00:07:51,000 --> 00:07:54,680 Speaker 1: big Kahuna. He's Numero uno on that list. Joe Jackson, 133 00:07:54,960 --> 00:07:57,320 Speaker 1: patriarch of the Jackson family, didn't win any Further of 134 00:07:57,320 --> 00:08:00,360 Speaker 1: the Year awards, so he's up there. Ditto for Mari Wilson, 135 00:08:00,400 --> 00:08:03,400 Speaker 1: father of the Beach Boys, Brian Carl and Dennis Wilson. Well, 136 00:08:03,440 --> 00:08:06,760 Speaker 1: what other pop stars or musician dads are characters? Right? 137 00:08:07,160 --> 00:08:09,640 Speaker 1: Keith Richard's old man. He seemed like a late in 138 00:08:09,720 --> 00:08:12,760 Speaker 1: life interesting foil to the Rolling Stones guitarist right, Jerry 139 00:08:12,800 --> 00:08:15,520 Speaker 1: Lee Lewis's father, Elmo, seemed like a trip. So did 140 00:08:15,520 --> 00:08:19,640 Speaker 1: Elvis Presley's dad Vernon, who was fully immersed in Elvis's entourage. 141 00:08:19,680 --> 00:08:23,040 Speaker 1: The Memphis Mafia toward the end for Elvis' career, quite 142 00:08:23,080 --> 00:08:27,080 Speaker 1: responsible for a ton of Elvis's financial troubles. And as 143 00:08:27,080 --> 00:08:29,760 Speaker 1: I think about it, the list is longer than I 144 00:08:29,760 --> 00:08:33,400 Speaker 1: thought it would be. It's it must be a total 145 00:08:34,080 --> 00:08:38,400 Speaker 1: mind fuck to be a parent living a normal, working 146 00:08:38,440 --> 00:08:42,920 Speaker 1: class life to then have your child become rich and 147 00:08:43,080 --> 00:08:47,760 Speaker 1: famous beyond belief. Just try to imagine that. Just try it. 148 00:08:47,840 --> 00:08:50,440 Speaker 1: If you're a parent out there, just think of your kid, 149 00:08:50,520 --> 00:08:55,679 Speaker 1: your son, your daughter, your cute, little innocent son or daughter. Okay, 150 00:08:56,000 --> 00:08:58,920 Speaker 1: they hit the teenage years sixteen, and they become a 151 00:08:59,240 --> 00:09:04,120 Speaker 1: mega star, and suddenly you got all this money, you 152 00:09:04,160 --> 00:09:07,160 Speaker 1: got all this attention, you have, all these opportunities, you 153 00:09:07,200 --> 00:09:10,000 Speaker 1: get all these people. If suddenly every wants to not 154 00:09:10,040 --> 00:09:12,320 Speaker 1: only hang out with your kid and and and and 155 00:09:12,400 --> 00:09:14,880 Speaker 1: put them on this track toward more money and more 156 00:09:14,960 --> 00:09:16,680 Speaker 1: fame and more started, but they want to do the 157 00:09:16,679 --> 00:09:19,640 Speaker 1: same for you. What does that do to you? What 158 00:09:19,640 --> 00:09:20,840 Speaker 1: does that do to your psyche? 159 00:09:21,640 --> 00:09:21,880 Speaker 2: You know? 160 00:09:22,040 --> 00:09:24,480 Speaker 1: I mean, I like to think that I would handle 161 00:09:24,520 --> 00:09:27,040 Speaker 1: it the right way. I fucking I know I would, right, 162 00:09:27,080 --> 00:09:28,640 Speaker 1: and a lot of you know you would as well. 163 00:09:29,320 --> 00:09:31,720 Speaker 1: But you also know that you know people who are 164 00:09:31,720 --> 00:09:35,319 Speaker 1: a little unhinged and their parents, and you might look 165 00:09:35,320 --> 00:09:37,480 Speaker 1: at them a little side eyed at the baseball field. 166 00:09:37,960 --> 00:09:40,040 Speaker 1: You know, you might be like, I don't like the 167 00:09:40,080 --> 00:09:41,600 Speaker 1: way she talks to your kid, but you don't say 168 00:09:41,600 --> 00:09:44,480 Speaker 1: anything because you want to be judgmental. It's not your business. 169 00:09:45,120 --> 00:09:48,560 Speaker 1: I imagine if that person suddenly is the mother or 170 00:09:48,640 --> 00:09:51,440 Speaker 1: father of the most famous pop star on the planet, 171 00:09:52,200 --> 00:09:56,400 Speaker 1: what kind of shit show would ensue. It's fascinating to 172 00:09:56,400 --> 00:09:58,280 Speaker 1: think about. What would how would I What if it 173 00:09:58,320 --> 00:09:59,520 Speaker 1: was me? If I was what if I was I 174 00:09:59,559 --> 00:10:01,320 Speaker 1: didn't have kid until didn't have my son Intel was 175 00:10:01,360 --> 00:10:03,199 Speaker 1: my first son until is forty years old. What if 176 00:10:03,240 --> 00:10:07,560 Speaker 1: I had a kid when I was twenty one? Right, 177 00:10:07,840 --> 00:10:12,840 Speaker 1: so by the time I'm thirty seven, they're famous. You know, 178 00:10:13,600 --> 00:10:14,760 Speaker 1: I don't know. I like to I still like to 179 00:10:14,800 --> 00:10:16,840 Speaker 1: think I would handle it. How would you handle it? 180 00:10:17,200 --> 00:10:19,880 Speaker 1: Maybe you are the parent of a famous kid. Call 181 00:10:19,920 --> 00:10:21,880 Speaker 1: me let me know how you handle it. Text me 182 00:10:21,880 --> 00:10:24,280 Speaker 1: sixty one seven nine zero six sixty six three eight 183 00:10:24,440 --> 00:10:26,800 Speaker 1: Call me let me know what parents or pop stars 184 00:10:26,800 --> 00:10:29,360 Speaker 1: are the most notorious, all right, I didn't do any 185 00:10:29,360 --> 00:10:32,400 Speaker 1: research for this. I'm just talking off the throw shooting 186 00:10:32,400 --> 00:10:34,120 Speaker 1: from the hip here. I haven't thought about it as 187 00:10:34,360 --> 00:10:38,040 Speaker 1: in the course of this recorded monologue here at the top, 188 00:10:38,480 --> 00:10:40,679 Speaker 1: I've already thought of Britney Spears's parents and what a 189 00:10:40,679 --> 00:10:42,880 Speaker 1: shit show that is. Obviously I left I left them 190 00:10:42,880 --> 00:10:44,679 Speaker 1: off the list, not on purpose, I just didn't think 191 00:10:44,720 --> 00:10:47,360 Speaker 1: of it. But what other what other pop stars parents 192 00:10:47,760 --> 00:10:49,800 Speaker 1: am I not thinking of it? That we're total fucking 193 00:10:49,880 --> 00:10:54,720 Speaker 1: monsters where their kids had have have thrived and survived 194 00:10:54,840 --> 00:10:58,400 Speaker 1: as pop stars that we can compare to justin Bieber, 195 00:10:58,440 --> 00:11:00,199 Speaker 1: Are there any I don't know. I don't I don't 196 00:11:00,240 --> 00:11:02,080 Speaker 1: think there are. Let me know if you know six 197 00:11:02,120 --> 00:11:04,520 Speaker 1: one seven nine zero six six six three eight, or 198 00:11:04,520 --> 00:11:06,320 Speaker 1: if we just want to get into the subject of 199 00:11:06,480 --> 00:11:09,360 Speaker 1: weirdo parents of popstars. I'm all for that. I've nibbled 200 00:11:09,400 --> 00:11:11,319 Speaker 1: around the edges of the episodes here with the Marvin 201 00:11:11,320 --> 00:11:13,320 Speaker 1: Gay archive episode and his dad, and that was a 202 00:11:13,480 --> 00:11:16,400 Speaker 1: fucking crazy story. Check that out if you haven't already 203 00:11:16,400 --> 00:11:19,160 Speaker 1: six one seven nine zero six six six three eight, 204 00:11:19,240 --> 00:11:22,599 Speaker 1: get at me. I'm I'm sensing a sort of interesting 205 00:11:22,640 --> 00:11:24,960 Speaker 1: theme here. Hit me and let me know and I'll 206 00:11:24,960 --> 00:11:41,480 Speaker 1: be back right after this. All right? Six one seven 207 00:11:41,559 --> 00:11:43,880 Speaker 1: nine zero six six six three eight. You know the 208 00:11:43,960 --> 00:11:46,640 Speaker 1: drill call to leave a voicemail to talk disgraceland or 209 00:11:46,679 --> 00:11:48,520 Speaker 1: whatever you get on your mind. Six one seven nine 210 00:11:48,600 --> 00:11:51,000 Speaker 1: zero six six six three eight. You can leave me 211 00:11:51,040 --> 00:11:53,439 Speaker 1: a text as well. I really dig the sounds of 212 00:11:53,480 --> 00:11:56,360 Speaker 1: your voices, just like that of Austin from the two 213 00:11:56,400 --> 00:11:56,960 Speaker 1: to one four. 214 00:11:57,920 --> 00:12:02,559 Speaker 3: Hey Jack Austin from the two one for love the show, 215 00:12:02,920 --> 00:12:06,280 Speaker 3: big fan from the start after a hiatus, ought that 216 00:12:06,320 --> 00:12:09,320 Speaker 3: they want to get that to it the spot five. 217 00:12:11,040 --> 00:12:11,400 Speaker 4: Quick. 218 00:12:11,840 --> 00:12:16,640 Speaker 3: Here's the idea for the upcoming episode or two part episode? 219 00:12:16,720 --> 00:12:22,240 Speaker 3: How about something on the Jackson five m j H 220 00:12:23,840 --> 00:12:28,400 Speaker 3: history and the rise to fame, maybe along the lines 221 00:12:28,480 --> 00:12:34,920 Speaker 3: of Selina and Marvin Gay episodes. All right, love to 222 00:12:35,000 --> 00:12:38,240 Speaker 3: hear your feedback, give me a shout, yeah us. 223 00:12:38,600 --> 00:12:41,080 Speaker 1: You're on point. Austin, welcome back and yeah man, I'm 224 00:12:41,080 --> 00:12:44,520 Speaker 1: into the idea of the Jackson five episode. Also, you 225 00:12:44,600 --> 00:12:48,160 Speaker 1: mentioned Marvin Gay, who's monster of a father. We were 226 00:12:48,200 --> 00:12:52,079 Speaker 1: just discussing in Selena, another child star whose story did 227 00:12:52,120 --> 00:12:55,439 Speaker 1: not end well. So you're you're You're right on point, man, 228 00:12:55,520 --> 00:12:59,760 Speaker 1: appreciate it. Keep calling. Let's check in on this voice 229 00:12:59,760 --> 00:13:01,200 Speaker 1: Sma from the six to one. 230 00:13:01,200 --> 00:13:05,400 Speaker 4: Four, Hey, yate, Nikki Collin from the six point four 231 00:13:05,480 --> 00:13:08,720 Speaker 4: Columbus cRIO. Just wanted to put out there that you 232 00:13:08,720 --> 00:13:15,199 Speaker 4: should cover the Crows. Chris Robinson, Rich Robinson legendary by 233 00:13:15,280 --> 00:13:17,800 Speaker 4: you and all the time. I've actually didn't invite more 234 00:13:17,800 --> 00:13:20,480 Speaker 4: than one occasion on stage in a concert. It's amazing. 235 00:13:20,960 --> 00:13:23,920 Speaker 4: They always come back out into the show. But and 236 00:13:24,040 --> 00:13:27,040 Speaker 4: they're a piano player. Eddie harsh Man, he's just old 237 00:13:27,080 --> 00:13:30,120 Speaker 4: and cool and just got to cover the Crows anyway 238 00:13:30,600 --> 00:13:33,680 Speaker 4: of your podcast. You're awesome. I'm so glad there's someone 239 00:13:33,679 --> 00:13:36,720 Speaker 4: else out there. Actually probably a lot of us out 240 00:13:36,760 --> 00:13:40,840 Speaker 4: there that are obsessed with music, true crime. Thanks are awesome. 241 00:13:41,280 --> 00:13:43,120 Speaker 4: Happy to be a day space. Danks you wrong, Keep it 242 00:13:43,160 --> 00:13:44,839 Speaker 4: on man, all right. 243 00:13:44,920 --> 00:13:46,560 Speaker 1: Nikki from the six to one four, Thank you for 244 00:13:46,559 --> 00:13:49,040 Speaker 1: the call. Yes, the Black Crows. I get a request 245 00:13:49,120 --> 00:13:50,679 Speaker 1: for the Black Crows every couple of weeks, if I'm 246 00:13:50,679 --> 00:13:53,440 Speaker 1: being honest. But I of course know about all the 247 00:13:53,480 --> 00:13:58,320 Speaker 1: brotherly dysfunction. But what if any real true crime is there? 248 00:13:58,440 --> 00:14:01,920 Speaker 1: I don't know. Uh, your point, VICKI about music and 249 00:14:01,920 --> 00:14:04,079 Speaker 1: true crime? Is there anything there? Call me back, let 250 00:14:04,080 --> 00:14:05,760 Speaker 1: me know six one seven nine er A six six, 251 00:14:05,920 --> 00:14:07,760 Speaker 1: six three eight. We need a true crime to hang 252 00:14:07,800 --> 00:14:12,480 Speaker 1: these episodes on something. Even Bieber, even Bieber came up 253 00:14:12,480 --> 00:14:15,760 Speaker 1: against the law. I wonder what the Black Crews did 254 00:14:15,840 --> 00:14:17,400 Speaker 1: or how they came up against the law. Of course 255 00:14:17,440 --> 00:14:20,320 Speaker 1: I could just research this myself. You know, Google's right here. 256 00:14:20,560 --> 00:14:23,120 Speaker 1: All I gotta do is, you know, type right into it. 257 00:14:23,560 --> 00:14:25,600 Speaker 1: But I'm not going to do that. I'm not going 258 00:14:25,680 --> 00:14:28,000 Speaker 1: to do that, Nikki, because right now I'm talking to 259 00:14:28,040 --> 00:14:31,480 Speaker 1: you and I'm recording a bonus episode. But let me know, 260 00:14:31,960 --> 00:14:35,320 Speaker 1: let's do another voice smail here. Let's check out Toby 261 00:14:35,560 --> 00:14:39,040 Speaker 1: from the eight to six. Oh he is Toby Jackson 262 00:14:39,040 --> 00:14:39,520 Speaker 1: from Brooklyn. 263 00:14:39,560 --> 00:14:41,400 Speaker 3: I wanted to tell you to check out Killer Can. 264 00:14:41,400 --> 00:14:43,240 Speaker 3: I'm from our hand to Connecticut and I've been checking 265 00:14:43,240 --> 00:14:43,520 Speaker 3: them out. 266 00:14:43,560 --> 00:14:44,960 Speaker 2: There a ban from New Haven. 267 00:14:46,040 --> 00:14:50,680 Speaker 1: You know, it's somewhere in between the Stooges, the Dolls, Motorhead. 268 00:14:50,720 --> 00:14:51,760 Speaker 3: Something crazy like that. 269 00:14:52,120 --> 00:14:55,680 Speaker 2: But anyway, thank you and thank you for the show. 270 00:14:56,160 --> 00:14:59,960 Speaker 1: See you all right, Toby Man. Yeah, I dig the recommendation. 271 00:15:00,280 --> 00:15:02,760 Speaker 1: The band just so y'all heard it. Toby mentioned was 272 00:15:02,840 --> 00:15:06,080 Speaker 1: the Bandy mentioned was called the Killer Kin from Connecticut. 273 00:15:06,400 --> 00:15:11,080 Speaker 1: Stooge's Motorhead dolls right at my alley. Man, I'm all 274 00:15:11,120 --> 00:15:13,560 Speaker 1: over it, thank you. I will dive in. I was 275 00:15:13,680 --> 00:15:15,840 Speaker 1: just in Connecticut. I didn't hear any rock and roll, 276 00:15:16,600 --> 00:15:21,040 Speaker 1: but I was staying at a hotel right on the 277 00:15:21,040 --> 00:15:26,440 Speaker 1: Connecticut line in Rhode Island that was very close. I 278 00:15:26,440 --> 00:15:29,360 Speaker 1: could see her house. Taylor Swift's house was right there, 279 00:15:29,520 --> 00:15:32,360 Speaker 1: right there, and it was. It's kind of weird because 280 00:15:32,360 --> 00:15:34,680 Speaker 1: the night I was there, my sister was at a 281 00:15:34,760 --> 00:15:40,080 Speaker 1: Taylor Swift show in Foxboro, mass about thirty minutes from 282 00:15:40,120 --> 00:15:42,880 Speaker 1: where we were with my nieces. And I didn't know 283 00:15:42,920 --> 00:15:44,560 Speaker 1: when I checked into the hotel that it was going 284 00:15:44,640 --> 00:15:47,760 Speaker 1: to be a miss Swift's place right there. And I thought, oh, 285 00:15:47,840 --> 00:15:51,520 Speaker 1: the irony, you know, the irony. You know why? You 286 00:15:51,600 --> 00:15:53,600 Speaker 1: know why, I don't need to tell I'm not even 287 00:15:53,640 --> 00:15:56,440 Speaker 1: going to fucking say it, you know, you know? All right? 288 00:15:56,840 --> 00:16:00,440 Speaker 1: All right? Six one seven nine zero six sixty six eight. 289 00:16:01,120 --> 00:16:06,120 Speaker 1: Those are some voicemails. Let's do some Let's do some text. 290 00:16:06,160 --> 00:16:08,320 Speaker 1: Hold one second, let me pull up the text machine, 291 00:16:09,600 --> 00:16:13,040 Speaker 1: all right, from the two one seven. The musical scene, 292 00:16:13,160 --> 00:16:15,280 Speaker 1: This is the text. The musical scene of area code 293 00:16:15,320 --> 00:16:19,040 Speaker 1: two one seven is insane. Guitar Steve Hunter left here 294 00:16:19,080 --> 00:16:21,760 Speaker 1: and later joined Alice Cooper to record Welcome to My Nightmare. 295 00:16:21,960 --> 00:16:24,200 Speaker 1: Head East would tell us that there has never been 296 00:16:24,280 --> 00:16:26,400 Speaker 1: any reason to be flat as a pancake. I don't 297 00:16:26,400 --> 00:16:28,320 Speaker 1: know what that means. This is the texter. All the 298 00:16:28,400 --> 00:16:31,680 Speaker 1: legendary sounds got their start and laid their roots. Ario Speedwagon, 299 00:16:31,800 --> 00:16:35,200 Speaker 1: Dan Fogelberg, and mud Vane all from the two one 300 00:16:35,280 --> 00:16:37,520 Speaker 1: seven Huh? Where the hell is the two one seven? 301 00:16:38,040 --> 00:16:38,280 Speaker 2: Uh? 302 00:16:38,320 --> 00:16:40,080 Speaker 1: And why would I mention this is what the text says, 303 00:16:40,120 --> 00:16:42,760 Speaker 1: And why would I mention to you that berber dang 304 00:16:42,800 --> 00:16:45,640 Speaker 1: feeling fighting music to play if I could afford it, 305 00:16:45,720 --> 00:16:47,600 Speaker 1: Because those are the number one musicians that have come 306 00:16:47,600 --> 00:16:49,400 Speaker 1: from the two one seven area code. Thanks Jake for 307 00:16:49,440 --> 00:16:52,320 Speaker 1: all you do at Disgraceland. Well done two one seven, 308 00:16:52,480 --> 00:16:54,040 Speaker 1: But right back and let me know where you're at 309 00:16:54,160 --> 00:16:56,240 Speaker 1: two one seven. I don't know where that area code is. 310 00:16:56,280 --> 00:17:02,040 Speaker 1: Steve Hunter, Alice Cooper band, uh Ario Speedwagon has roots there, Dan, 311 00:17:02,320 --> 00:17:07,280 Speaker 1: Dan Fogelberg, Fogelberg, excuse me, and mud Vain all right, 312 00:17:07,680 --> 00:17:10,720 Speaker 1: very specific music scene in the two one seven. Appreciate it. 313 00:17:10,800 --> 00:17:14,720 Speaker 1: Let's do another, all right? From the nine one five Jake, 314 00:17:14,920 --> 00:17:17,919 Speaker 1: awesome shows. I don't miss an episode of Disgraceland or 315 00:17:17,920 --> 00:17:20,560 Speaker 1: bad Lands. Keep it up, dude, great great, great podcast 316 00:17:20,640 --> 00:17:24,800 Speaker 1: from the nine to one five rock and Roll, Thank you, 317 00:17:24,880 --> 00:17:28,400 Speaker 1: nine one five? What else have we got? Seven one 318 00:17:28,480 --> 00:17:31,679 Speaker 1: six rights in Hello, Jake. Not a Springsteen fan, but 319 00:17:31,720 --> 00:17:34,119 Speaker 1: you made it interesting as always. Just wanted to know 320 00:17:34,160 --> 00:17:37,440 Speaker 1: if you've heard the Cowboy Junkies version of Mister State Trooper. 321 00:17:37,480 --> 00:17:44,240 Speaker 1: Oh so good? I have not. Actually Cowboy Junkies do uh? 322 00:17:44,680 --> 00:17:53,639 Speaker 1: Joey Joye Baby that Cowboy Junkies? I don't know, but 323 00:17:53,720 --> 00:17:56,440 Speaker 1: I'll check that out. That sounds interesting. I'm always down 324 00:17:56,480 --> 00:17:59,040 Speaker 1: for a good Springsteen cover. Let's see what we got here. 325 00:17:59,119 --> 00:18:01,679 Speaker 1: Other people from five in Indiana are so mad at me. 326 00:18:02,359 --> 00:18:06,000 Speaker 1: More on that later in the Rap Party. All right, 327 00:18:06,080 --> 00:18:08,800 Speaker 1: let's keep moving here, Eric in the two seven six 328 00:18:08,880 --> 00:18:12,439 Speaker 1: writes Eric in Virginia. Here, in my opinion, the Springsteen 329 00:18:12,520 --> 00:18:17,000 Speaker 1: episode is easily a top three episode of all Disgraceland seasons. 330 00:18:17,080 --> 00:18:20,960 Speaker 1: Just awesome. I agree. Though Nebraska is Springsteen's best album, 331 00:18:20,960 --> 00:18:22,639 Speaker 1: it sounds more current now than it did when it 332 00:18:22,680 --> 00:18:26,200 Speaker 1: came out, and for mostly stark and acoustic album, it's timeless. 333 00:18:26,400 --> 00:18:28,040 Speaker 1: If you haven't heard the most recent remaster of it 334 00:18:28,119 --> 00:18:29,760 Speaker 1: on vinyl, to my years, it sounds better than it's 335 00:18:29,760 --> 00:18:34,919 Speaker 1: ever sounded. I've never heard Nebraska, Eric on vinyl. I 336 00:18:34,920 --> 00:18:36,760 Speaker 1: don't think i've ever heard it on viel and that's 337 00:18:36,760 --> 00:18:40,000 Speaker 1: something I should probably get it. That's a great idea, 338 00:18:40,119 --> 00:18:44,880 Speaker 1: And thank you for the props. And now I want 339 00:18:44,880 --> 00:18:46,440 Speaker 1: to know if you're saying it's top three episode of 340 00:18:46,480 --> 00:18:48,719 Speaker 1: Disgraceland of all season, Eric, I want to know what 341 00:18:48,760 --> 00:18:51,439 Speaker 1: your other two are? What are the other two? And 342 00:18:51,480 --> 00:18:52,840 Speaker 1: I guess I might as well put the call out 343 00:18:52,880 --> 00:18:54,200 Speaker 1: to all of you. What are the top three? What 344 00:18:54,240 --> 00:18:57,119 Speaker 1: are your favorite three episodes of Disgraceland. We've got one 345 00:18:57,200 --> 00:18:59,480 Speaker 1: hundred and twenty something episodes now or something like that. 346 00:18:59,520 --> 00:19:01,159 Speaker 1: I don't even know how many full episodes we have. 347 00:19:01,200 --> 00:19:03,199 Speaker 1: I should figure that out, but yeah, let's get a 348 00:19:03,240 --> 00:19:06,160 Speaker 1: top three ranking here, Three, not five, three, you gotta 349 00:19:06,200 --> 00:19:12,520 Speaker 1: go three. What are your three favorite Disgraceland episodes? Six one, seven, nine, zero, six, six, six, 350 00:19:12,600 --> 00:19:15,640 Speaker 1: three eight three. Because it's harder and nothing worth doing 351 00:19:15,720 --> 00:19:17,679 Speaker 1: is easy. You know that all right, let me know, 352 00:19:17,760 --> 00:19:19,440 Speaker 1: let's do a couple more texts here. I got a lot, 353 00:19:19,440 --> 00:19:20,840 Speaker 1: and I didn't do a lot last week because of 354 00:19:20,840 --> 00:19:23,600 Speaker 1: the word Zane's episode, so I'm gonna keep going here. 355 00:19:24,119 --> 00:19:26,959 Speaker 1: From the six eight two, Hey Jake, it's Libby from Dallas. 356 00:19:27,000 --> 00:19:30,120 Speaker 1: Oh hey Libby, First time Texter, longtime listener. I can't 357 00:19:30,119 --> 00:19:31,639 Speaker 1: tell you how much I love listening to all the 358 00:19:31,680 --> 00:19:35,520 Speaker 1: double Elvis content, especially Disgraceland, bad Lands and about a 359 00:19:35,560 --> 00:19:38,480 Speaker 1: girl with the angel voice NICKI Lynnette a couple of 360 00:19:38,480 --> 00:19:41,600 Speaker 1: things for you on the melotron for the run DMC episode. 361 00:19:41,640 --> 00:19:44,159 Speaker 1: I noticed it was named Nick in Mallory. That's family 362 00:19:44,200 --> 00:19:49,200 Speaker 1: ties reference. Right, that's a good question on I mean, 363 00:19:49,560 --> 00:19:51,760 Speaker 1: if I'm being honest, I didn't name that melotron loop. 364 00:19:51,840 --> 00:19:53,200 Speaker 1: So I don't know. So let's just say yes. I'm 365 00:19:53,200 --> 00:19:55,560 Speaker 1: gonna say yes. Also, she goes on to say, also, 366 00:19:55,720 --> 00:19:58,679 Speaker 1: I recently went and saw Spinning Gold, which is not 367 00:19:58,720 --> 00:20:02,520 Speaker 1: a great movie. However, the story of Casablanca Records and 368 00:20:02,640 --> 00:20:05,160 Speaker 1: Nick Bogart was really fascinating. I really think you could 369 00:20:05,200 --> 00:20:08,080 Speaker 1: do it justice. That's a fucking great idea. I know 370 00:20:08,119 --> 00:20:12,840 Speaker 1: there's all kinds of Shenanigan's going on with Casablanca. So yeah, 371 00:20:12,960 --> 00:20:15,760 Speaker 1: I mean, damn, Libby, that's a good one. Thank you. Lastly, 372 00:20:15,800 --> 00:20:18,640 Speaker 1: while I'm referencing disco, Libby says, how about the Beg's 373 00:20:18,760 --> 00:20:21,200 Speaker 1: Lord That Barry Gibb has some golden pipes, you know, Libby, 374 00:20:21,200 --> 00:20:23,560 Speaker 1: he really does. Thank you, Jake for your time and 375 00:20:23,600 --> 00:20:28,080 Speaker 1: consideration in all the bonus content you've been releasing. Yeah, Libby, 376 00:20:28,119 --> 00:20:30,120 Speaker 1: you got it. That's a great text. Some really good 377 00:20:30,840 --> 00:20:33,560 Speaker 1: recommendations there that I'm going to dig into. Let's keep 378 00:20:33,600 --> 00:20:36,520 Speaker 1: going here. Five six one says, holy shit, the Nebraska 379 00:20:36,560 --> 00:20:39,199 Speaker 1: episode is amazing, incredible storytelling. Would love to see more 380 00:20:39,240 --> 00:20:42,640 Speaker 1: album releases in the future. Okay, but for real though, 381 00:20:42,680 --> 00:20:45,320 Speaker 1: the replacements, because I saw them at ACL in twenty 382 00:20:45,359 --> 00:20:51,960 Speaker 1: fourteen and they were fucking amazing. A replacements like Black Crows. 383 00:20:52,119 --> 00:20:54,919 Speaker 1: Where's the crime? Where's the true crime? I need the 384 00:20:54,920 --> 00:20:56,200 Speaker 1: true crime? I need the true crime. 385 00:20:56,240 --> 00:20:57,080 Speaker 2: I need the true. 386 00:20:56,840 --> 00:21:00,240 Speaker 1: Crime, all right? From the eight six', Four, jake It's 387 00:21:00,480 --> 00:21:04,560 Speaker 1: Lamy laney, Says, Okay Red Hot Chili peppers never liked. 388 00:21:04,600 --> 00:21:06,720 Speaker 1: HIM i fucking cannot stand. THEM i, KNOW i, know 389 00:21:06,800 --> 00:21:09,320 Speaker 1: we can agree to. Disagree Anthony keatos's voice greats my. 390 00:21:09,440 --> 00:21:15,040 Speaker 1: Soul maybe you can change my. Mind good, luck love. 391 00:21:15,040 --> 00:21:17,440 Speaker 1: IT i love the, Energy laney and. It laney sends 392 00:21:17,440 --> 00:21:20,479 Speaker 1: in a photo of her with holding up a picture 393 00:21:20,600 --> 00:21:23,160 Speaker 1: of my Book disgrace lay musicians getting away with murder 394 00:21:23,160 --> 00:21:26,320 Speaker 1: and behaving very, badly and Under it, says oh and 395 00:21:26,359 --> 00:21:29,399 Speaker 1: this made my fucking mother's. Day, yeah right, on landy, 396 00:21:29,840 --> 00:21:33,440 Speaker 1: uh all, right let's keep. Rocking couple more, here a couple, 397 00:21:33,560 --> 00:21:37,240 Speaker 1: more couple. More let's see. Here, Jake dean From. GEORGIA 398 00:21:37,240 --> 00:21:38,920 Speaker 1: i just want to Say i'm a huge. Fan been 399 00:21:38,920 --> 00:21:40,919 Speaker 1: listening To disgrace that's in season. ONE i love. It 400 00:21:41,119 --> 00:21:43,200 Speaker 1: whenever people ask me about, PODCASTS i tell him about 401 00:21:43,200 --> 00:21:44,760 Speaker 1: this one and pointing to listen to my all time 402 00:21:44,760 --> 00:21:47,680 Speaker 1: favorite episode season, Two Big. Lurch love all your other, 403 00:21:47,720 --> 00:21:50,080 Speaker 1: podcasts Bad, lands twenty Seven, club et. Cetera keep up 404 00:21:50,080 --> 00:21:53,359 Speaker 1: the great, Work Rock. Corolla all, right, well Hey dean From, 405 00:21:53,400 --> 00:21:55,040 Speaker 1: georgia you're gonna be. Happy we're gonna have some twenty 406 00:21:55,040 --> 00:21:58,520 Speaker 1: seven club news coming up very. Shortly and how's That 407 00:21:58,640 --> 00:22:00,679 Speaker 1: is that? Enough? Text should we do some? More what 408 00:22:00,760 --> 00:22:02,880 Speaker 1: should we? Do let's do one more from the five 409 00:22:02,920 --> 00:22:04,440 Speaker 1: to one to? Five, Hey, JAKE i have a couple 410 00:22:04,440 --> 00:22:07,000 Speaker 1: of recommendations for you for an. Episode have you heard 411 00:22:07,359 --> 00:22:09,760 Speaker 1: of all the stuff that went down With Every TIME I? 412 00:22:09,880 --> 00:22:13,440 Speaker 1: Die definitely worth looking, into especially since the lead singer 413 00:22:13,480 --> 00:22:15,800 Speaker 1: and the lead guitarist we're. BROTHERS i won't get into 414 00:22:15,800 --> 00:22:19,879 Speaker 1: it too much because it's so dirty and so, messy you. 415 00:22:19,920 --> 00:22:22,199 Speaker 1: Know five to one. FIVE i have heard about, it 416 00:22:22,240 --> 00:22:24,639 Speaker 1: and it's completely fucked, up And i'm savoring it And 417 00:22:24,680 --> 00:22:27,439 Speaker 1: i'm waiting to dive in WHEN i have more. Time all, 418 00:22:27,520 --> 00:22:30,000 Speaker 1: right six, one seven? Nine there are six, six six three? 419 00:22:30,040 --> 00:22:32,280 Speaker 1: Eight DID i satiate the text thing for you? Guys 420 00:22:32,280 --> 00:22:34,040 Speaker 1: DID i answer enough of? THEM i KNOW i. DIDN'T 421 00:22:34,080 --> 00:22:36,800 Speaker 1: i never get to answer enough of. Them more, coming all, 422 00:22:36,880 --> 00:22:40,399 Speaker 1: right more coming week to. Week AND i love what 423 00:22:40,440 --> 00:22:42,159 Speaker 1: we're doing here in the bonus. EPISODES i love the 424 00:22:42,200 --> 00:22:44,200 Speaker 1: conversation we're. HAVING i got to figure out a way 425 00:22:44,240 --> 00:22:47,040 Speaker 1: to extend this. SOMEHOW i feel, like you, know these 426 00:22:47,080 --> 00:22:50,000 Speaker 1: these bonus episodes are supposed to be like twenty, minutes 427 00:22:50,200 --> 00:22:52,880 Speaker 1: and they end up being longer than the full. Episodes 428 00:22:52,880 --> 00:22:55,040 Speaker 1: AND i look at the data and the, stats and 429 00:22:55,080 --> 00:22:57,199 Speaker 1: you guys are listening all the way. Through so it 430 00:22:57,320 --> 00:23:00,919 Speaker 1: makes me tells me, that, uh there's got to be 431 00:23:00,920 --> 00:23:03,840 Speaker 1: a way to extend this, conversation give things a minute to. 432 00:23:03,920 --> 00:23:07,800 Speaker 1: BREATHE i love recording. THESE i love talking to you. 433 00:23:07,840 --> 00:23:11,760 Speaker 1: GUYS i love the. VOICEMAILS i love the, texts love 434 00:23:11,800 --> 00:23:13,639 Speaker 1: the dms as. Well so you can call me AS 435 00:23:13,640 --> 00:23:15,560 Speaker 1: i mentioned six one seven, nine there were six sixty 436 00:23:15,560 --> 00:23:17,399 Speaker 1: six three. Eight you can text me there as. Well 437 00:23:17,760 --> 00:23:20,920 Speaker 1: you can also at me On. Instagram i'm Liking instagram. 438 00:23:20,920 --> 00:23:23,040 Speaker 1: Again HAVE i told you this and my, love my 439 00:23:23,200 --> 00:23:26,560 Speaker 1: love hate relationship with social. MEDIA i am once again 440 00:23:26,680 --> 00:23:29,080 Speaker 1: back in love With. Instagram love love is love is 441 00:23:29,119 --> 00:23:31,560 Speaker 1: too strong of a. Word but we're out Of instagram 442 00:23:31,680 --> 00:23:35,080 Speaker 1: jail thanks to a friend who knows some folks At 443 00:23:35,760 --> 00:23:39,399 Speaker 1: META hq and helped us out. There we were in. 444 00:23:39,480 --> 00:23:41,560 Speaker 1: Jail it was one of those. Things we were wrongfully. 445 00:23:41,560 --> 00:23:44,239 Speaker 1: Convicted we shouldn't have, been but we. Were unfortunately it, 446 00:23:44,280 --> 00:23:46,040 Speaker 1: happens and it. Was we were in jail for a long, 447 00:23:46,080 --> 00:23:49,359 Speaker 1: time two plus years, actually and we're out NOW i 448 00:23:49,359 --> 00:23:52,919 Speaker 1: can safely report we're. Out, Uh and you know it's, like, 449 00:23:53,160 --> 00:23:55,720 Speaker 1: uh you, know we didn't get any conjugal, visits BUT 450 00:23:55,760 --> 00:23:57,959 Speaker 1: i can just tell you that the social The, instagram 451 00:23:58,080 --> 00:24:00,880 Speaker 1: this The, instagram sort of like rehook. Up it's Going, 452 00:24:00,920 --> 00:24:03,440 Speaker 1: Okay i'm into. It i'm gonna keep being into. It 453 00:24:03,520 --> 00:24:07,840 Speaker 1: keep hitting me up over there At disgraceland pod On, Instagram, Twitter, 454 00:24:07,880 --> 00:24:10,560 Speaker 1: facebook and. TikTok you know, This hit me up on 455 00:24:10,640 --> 00:24:13,359 Speaker 1: any of those places At disgraceland. Pod let's read some, 456 00:24:13,440 --> 00:24:18,000 Speaker 1: dms all right At tracy Dot starin hits me up 457 00:24:18,040 --> 00:24:20,720 Speaker 1: On instagram to, say have you done or would you 458 00:24:20,720 --> 00:24:24,159 Speaker 1: think of doing A disgraceland On Janet Jackson because of 459 00:24:24,200 --> 00:24:27,639 Speaker 1: the whole wardrobe malfunction, thing which was not her fault 460 00:24:27,800 --> 00:24:30,960 Speaker 1: and which gave rise to, YouTube Less moonvie's tried to 461 00:24:31,080 --> 00:24:33,680 Speaker 1: end her, career banning her from all corporate owned radio 462 00:24:33,760 --> 00:24:36,080 Speaker 1: AND tv, stations and in the end she was inducted 463 00:24:36,119 --> 00:24:38,240 Speaker 1: into The rock And Roll hall Of. Fame he was 464 00:24:38,280 --> 00:24:40,639 Speaker 1: me tooed right out of his. JOB a total. Disgrace, 465 00:24:42,119 --> 00:24:45,760 Speaker 1: wow that's a lot of angles in like a fifty WORD. 466 00:24:46,560 --> 00:24:50,879 Speaker 1: DM i hadn't thought about, it but, shit MAYBE i. 467 00:24:50,920 --> 00:24:53,320 Speaker 1: Should that's. UH i like. THAT i like the Less 468 00:24:53,359 --> 00:24:57,040 Speaker 1: moonvie's piece of this, Too so Thanks. Tracy dig it all, 469 00:24:57,200 --> 00:24:59,960 Speaker 1: right guys in her justin On, instagram, rights how do you, 470 00:25:00,119 --> 00:25:04,680 Speaker 1: sir huge fan listening WHILE i work certified. Welder, anyways 471 00:25:04,760 --> 00:25:07,240 Speaker 1: love the, cast you do a great, job amazing. Subjects 472 00:25:07,280 --> 00:25:09,399 Speaker 1: really really like the sex pistols piece spot. On how 473 00:25:09,440 --> 00:25:12,880 Speaker 1: about stories On Chuck Zito Mike, Ness oh, yeah how 474 00:25:12,920 --> 00:25:16,160 Speaker 1: about stuntman and director how neat? Him thanks man. Deuces 475 00:25:16,600 --> 00:25:19,440 Speaker 1: and then he sends me this meme that, says until 476 00:25:19,480 --> 00:25:21,880 Speaker 1: you ride with someone with a suspended, license you don't 477 00:25:21,920 --> 00:25:25,040 Speaker 1: know how many backroads there. Are that's, true you Don't 478 00:25:27,000 --> 00:25:30,480 Speaker 1: Chuck Zito Mike. NESS i think there's some crime shit 479 00:25:30,520 --> 00:25:32,400 Speaker 1: there With Mike. NESS i need to look into. It 480 00:25:32,480 --> 00:25:35,320 Speaker 1: more than more than just you has recommended That, justin 481 00:25:36,080 --> 00:25:37,760 Speaker 1: SO i will check it. Out thanks for getting in 482 00:25:37,800 --> 00:25:39,760 Speaker 1: touch and thanks for the. Support let's do a couple more, 483 00:25:39,760 --> 00:25:42,680 Speaker 1: here all, Right Justin Boswell, Right just want to SAY 484 00:25:42,720 --> 00:25:44,840 Speaker 1: i totally love the fucking. Podcast WHEN i was a touring, 485 00:25:44,920 --> 00:25:47,920 Speaker 1: musician this show kept me awake a lot of, miles 486 00:25:48,200 --> 00:25:49,760 Speaker 1: and even now as a Regular joe When i'm out 487 00:25:49,760 --> 00:25:52,280 Speaker 1: on the tractor mowing around the wastewater, PLANT i listened 488 00:25:52,359 --> 00:25:55,760 Speaker 1: to this and Bad lands had an idea for an. 489 00:25:55,760 --> 00:25:57,760 Speaker 1: Episode you might have already thought about, this BUT i 490 00:25:57,800 --> 00:26:00,399 Speaker 1: think an episode On bad finger would be fucking, awesome, 491 00:26:00,440 --> 00:26:04,879 Speaker 1: because let's face, it what a total. Disgrace, Sincerely, BOZ 492 00:26:04,920 --> 00:26:06,520 Speaker 1: i might have read that one the in the wrap. 493 00:26:06,560 --> 00:26:10,680 Speaker 1: Party i'm not, sure but boss uh The bad fingershit 494 00:26:10,800 --> 00:26:12,600 Speaker 1: is too. Sad. DUDE i don't THINK i can go. 495 00:26:12,640 --> 00:26:15,240 Speaker 1: There it's too fucked. Up but MAYBE i. WILL i don't. 496 00:26:15,280 --> 00:26:16,520 Speaker 1: KNOW i got to be in the right state of. 497 00:26:16,520 --> 00:26:19,520 Speaker 1: Mind thanks for hitting me. Up let's do Some facebook. 498 00:26:19,560 --> 00:26:24,200 Speaker 1: Messages Steve Murphy. Wrights, hey, DUDE i Know i'm double, 499 00:26:24,240 --> 00:26:26,760 Speaker 1: dipping AS i already sent you this message On. Instagram, 500 00:26:26,800 --> 00:26:30,160 Speaker 1: sorry but It's murph from THE uk zero one two 501 00:26:30,160 --> 00:26:33,919 Speaker 1: to one area code four digit area codes In. Europe. 502 00:26:33,960 --> 00:26:36,560 Speaker 1: Apparently he goes on to, Say i've been listening since 503 00:26:36,560 --> 00:26:38,720 Speaker 1: the first. Season how have you not done an insane 504 00:26:38,840 --> 00:26:41,919 Speaker 1: clown posse? Episode the whole story they're fans being labeled 505 00:26:41,920 --> 00:26:44,320 Speaker 1: as a game is. FASCINATING i love you and the 506 00:26:44,320 --> 00:26:46,199 Speaker 1: work you. Do what do you think? Of what do 507 00:26:46,240 --> 00:26:48,520 Speaker 1: you think of The dropkick? Wood he got three. ALBUMS 508 00:26:48,520 --> 00:26:50,520 Speaker 1: i fucking love them Because i'm old. Now The dropkicks 509 00:26:50,520 --> 00:26:52,399 Speaker 1: are one of the few BANDS i feel have aged 510 00:26:52,440 --> 00:26:55,600 Speaker 1: with me a lot in There Steve, murphy thanks for 511 00:26:55,720 --> 00:26:59,320 Speaker 1: the support from the. Beginning, yeah, man the insane clown, 512 00:26:59,359 --> 00:27:02,800 Speaker 1: posse the, joke that's that's interesting to. Me there was 513 00:27:02,840 --> 00:27:04,679 Speaker 1: someone writing a book on that whole thing THAT i 514 00:27:04,720 --> 00:27:07,679 Speaker 1: was kind of waiting to happen BEFORE i dipped my 515 00:27:07,800 --> 00:27:11,520 Speaker 1: toe in The juggalo, pond so to. SPEAK i have 516 00:27:11,680 --> 00:27:14,800 Speaker 1: not yet heard the New Woody guthrie excuse, me the 517 00:27:14,800 --> 00:27:20,160 Speaker 1: New Dropkick Murphy's Woody guthrie collaboration that is. Out and, 518 00:27:20,800 --> 00:27:23,240 Speaker 1: YEAH i guess The dropkicks have aged with all of, us, 519 00:27:23,400 --> 00:27:26,359 Speaker 1: right they keep. Going how's that for? Longevity right? They 520 00:27:26,760 --> 00:27:29,879 Speaker 1: they deserve some props for keeping it. Up let's do 521 00:27:30,080 --> 00:27:34,120 Speaker 1: one more, here another one from across the. Pond Hey 522 00:27:34,200 --> 00:27:37,560 Speaker 1: jake Jt here From hull In. England massive fan Of 523 00:27:37,600 --> 00:27:41,000 Speaker 1: disgraceland and Bad. Lands love The Charles manson crossover. Episodes 524 00:27:41,080 --> 00:27:43,359 Speaker 1: check out my, band a skiffle punk. BAND i like. 525 00:27:43,400 --> 00:27:46,240 Speaker 1: THAT i like, THAT a skiffle punk, Band Black. Kess 526 00:27:46,440 --> 00:27:49,359 Speaker 1: we have a song About Benny, hill love it and 527 00:27:49,760 --> 00:27:52,399 Speaker 1: his love of The, smiths the Movie Polter guys And. 528 00:27:52,480 --> 00:27:57,080 Speaker 1: Wrestling wait a, minute hold, on hold, on hold, on hold, 529 00:27:57,359 --> 00:28:03,719 Speaker 1: on hold. On Benny hill loved The. Smiths is that? 530 00:28:03,800 --> 00:28:08,199 Speaker 1: Right you need to tell me. MORE i gotta, know 531 00:28:08,400 --> 00:28:11,320 Speaker 1: especially Because Andy, rourke bass player of The, smiths just 532 00:28:11,400 --> 00:28:16,680 Speaker 1: died like last week or. Something AND i fucking Loved 533 00:28:16,720 --> 00:28:20,280 Speaker 1: Benny hill growing up because it was On my grandfather 534 00:28:20,359 --> 00:28:22,440 Speaker 1: watched it all the, time and it was on over, 535 00:28:22,480 --> 00:28:25,760 Speaker 1: here AND i didn't get half the, jokes BUT i 536 00:28:25,840 --> 00:28:28,080 Speaker 1: knew they were, naughty AND i KNEW i wasn't supposed 537 00:28:28,119 --> 00:28:30,879 Speaker 1: to get, them and therefore it made me want to 538 00:28:30,880 --> 00:28:34,880 Speaker 1: watch him. More and, Yeah i'm sure that doesn't hold 539 00:28:34,960 --> 00:28:38,320 Speaker 1: up well, anyways But Benny hill and The, SMITHS i 540 00:28:38,400 --> 00:28:42,000 Speaker 1: need to know more about. That james tranmer get back 541 00:28:42,040 --> 00:28:44,760 Speaker 1: at us and let us. Know let's keep rocking here 542 00:28:44,800 --> 00:28:47,280 Speaker 1: with a couple more, dms all, Right Ashley vaughn writes 543 00:28:47,280 --> 00:28:50,200 Speaker 1: In loving The New, Episodes love The Pink Floyd Sid Barrett. 544 00:28:50,240 --> 00:28:53,360 Speaker 1: EPP i ever thought about doing a sort of. Tour 545 00:28:53,880 --> 00:28:55,920 Speaker 1: not sure what that would, entail but sure it would 546 00:28:55,920 --> 00:28:58,440 Speaker 1: be super. COOL i did do some live dates. BEFORE 547 00:28:58,720 --> 00:29:00,480 Speaker 1: i gotta be, honest, MAN i don't like being away 548 00:29:00,480 --> 00:29:03,680 Speaker 1: from my. FAMILY i try to travel on little spurts 549 00:29:03,720 --> 00:29:06,320 Speaker 1: WHEN i have to for. Work being out on the 550 00:29:06,400 --> 00:29:08,320 Speaker 1: road is not appealed to me as someone who spent 551 00:29:08,480 --> 00:29:11,640 Speaker 1: a large portion of his life road dog in it out, 552 00:29:11,680 --> 00:29:14,840 Speaker 1: there not to the extent that some of my friends 553 00:29:14,880 --> 00:29:17,760 Speaker 1: have and that are still doing AND i don't know 554 00:29:17,760 --> 00:29:19,680 Speaker 1: how the hell they do, it But god bless. Them 555 00:29:19,760 --> 00:29:23,680 Speaker 1: we need live. Music we need people in awesome bands 556 00:29:23,720 --> 00:29:27,680 Speaker 1: to stay awesome and to keep. Touring we need podcasters 557 00:29:27,680 --> 00:29:31,239 Speaker 1: to be filling halls and stand up. Comics BUT i 558 00:29:31,320 --> 00:29:33,960 Speaker 1: just don't know that that's my. Bag Maybe i'm thinking 559 00:29:34,000 --> 00:29:37,040 Speaker 1: about doing one event a, year one or two events per, 560 00:29:37,120 --> 00:29:41,640 Speaker 1: year something like, that something more. SPECIFIC i don't, know 561 00:29:41,800 --> 00:29:43,680 Speaker 1: trying to figure it, out BUT i like that there's some. 562 00:29:44,360 --> 00:29:48,720 Speaker 1: Interest makes me feel, happy all. Right At disgraceland pod On, 563 00:29:48,800 --> 00:29:54,080 Speaker 1: facebook On, twitter On instagram six one seven nine zero 564 00:29:54,280 --> 00:29:56,880 Speaker 1: six six six three Eight what are we even talking? 565 00:29:56,880 --> 00:29:59,200 Speaker 1: About we're talking about so much right. NOW i feel 566 00:29:59,200 --> 00:30:02,720 Speaker 1: Like i'm at the. Bar i'm with LIKE i don't even, 567 00:30:02,760 --> 00:30:06,360 Speaker 1: know thousands of my, favorite my favorite people were having great. 568 00:30:06,360 --> 00:30:09,280 Speaker 1: Conversation there's there's so much swinging around the. Bar i'm 569 00:30:09,320 --> 00:30:12,560 Speaker 1: dipping into this conversation about uh child pop stars and 570 00:30:12,600 --> 00:30:15,000 Speaker 1: they're weird, parents and Then i'm talking About motorhead and 571 00:30:15,000 --> 00:30:17,960 Speaker 1: The stooges and The New York, dolls AND i don't 572 00:30:17,960 --> 00:30:19,960 Speaker 1: even know we're talking about doing some live. Tour it 573 00:30:20,160 --> 00:30:22,360 Speaker 1: just feels like it feels. Good, Man this is a, good, 574 00:30:22,520 --> 00:30:25,480 Speaker 1: good good Talk. Russ all, right keep it, coming is my. 575 00:30:25,560 --> 00:30:28,280 Speaker 1: Point six one seven nine zero six sixty six three 576 00:30:28,440 --> 00:30:32,920 Speaker 1: EIGHT dm me At disgrace Slam. Pod i'm gonna take 577 00:30:32,960 --> 00:30:35,040 Speaker 1: a quick. BREAK i gotta drink some. Tea my throat 578 00:30:35,080 --> 00:30:37,360 Speaker 1: is getting, tender AND i will be back in a. 579 00:30:37,400 --> 00:30:54,600 Speaker 1: Moment with the recommendation's, part all, right the recommendations. Part 580 00:30:54,760 --> 00:30:57,120 Speaker 1: this is the recommendation, spark the part we recommend the 581 00:30:57,160 --> 00:31:00,440 Speaker 1: things that need. Recommending the recommendation's, part all, right What i'm, 582 00:31:00,480 --> 00:31:04,480 Speaker 1: reading What i'm listening, to the music content That i'm. 583 00:31:04,520 --> 00:31:07,840 Speaker 1: Watching we know we laid down This New World order 584 00:31:07,880 --> 00:31:10,280 Speaker 1: a couple of weeks. Ago you guys know what's up 585 00:31:10,720 --> 00:31:13,120 Speaker 1: over in The. Badlands Feed that's WHERE i talk about 586 00:31:13,120 --> 00:31:15,320 Speaker 1: the Movies i'm, watching in the Television i'm. WATCHING i 587 00:31:15,360 --> 00:31:18,040 Speaker 1: read your recommendations from the text and the voicemails that 588 00:31:18,080 --> 00:31:20,160 Speaker 1: you send. Me but you can still text me and 589 00:31:20,240 --> 00:31:23,440 Speaker 1: voicemail me. Here six one seven nine oh six, six, 590 00:31:23,520 --> 00:31:27,640 Speaker 1: six three eight for all of your music related. Recommendations. Talk, 591 00:31:28,160 --> 00:31:31,560 Speaker 1: okay What i'm, reading just finishing up. HERE i got 592 00:31:31,560 --> 00:31:34,320 Speaker 1: a couple more chapters Of Warren zanes Is Delivering me From. 593 00:31:34,360 --> 00:31:37,200 Speaker 1: Nowhere i've been hyping this book for weeks. Now you 594 00:31:37,280 --> 00:31:41,520 Speaker 1: Heard warren last week on Last week's After. Party he's an, 595 00:31:41,520 --> 00:31:44,640 Speaker 1: incredible incredible, writer and this is a great. Book and 596 00:31:44,680 --> 00:31:46,440 Speaker 1: if you're A springsteen, fan AND i know a lot 597 00:31:46,480 --> 00:31:50,320 Speaker 1: of you, are check this book. Out warren was also 598 00:31:50,520 --> 00:31:54,960 Speaker 1: on another podcast by another podcaster of some. Renown you 599 00:31:55,000 --> 00:32:02,000 Speaker 1: may have heard of. Him his podcast aim rhymes With 600 00:32:02,880 --> 00:32:08,560 Speaker 1: Lark farrin and his show is called rhymes With. Well 601 00:32:08,560 --> 00:32:10,120 Speaker 1: i'm not going to do, that but you can figure it. 602 00:32:10,160 --> 00:32:12,600 Speaker 1: Out go check that out if you want. To if, not, 603 00:32:12,920 --> 00:32:15,240 Speaker 1: whatever just read the fucking Book Deliver me From nowhere 604 00:32:15,320 --> 00:32:19,680 Speaker 1: By Warren. Zanes it's so. Good, OKAY i mentioned this 605 00:32:19,760 --> 00:32:22,240 Speaker 1: is going to get to What i'm watching Part i'm 606 00:32:22,280 --> 00:32:24,960 Speaker 1: obsessed with videos. AGAIN i MENTIONED i mentioned earlier THAT 607 00:32:26,000 --> 00:32:27,600 Speaker 1: i was. Traveling my wife AND i went on a 608 00:32:27,600 --> 00:32:30,120 Speaker 1: little trip this past. Weekend we went down To Rhode, 609 00:32:30,120 --> 00:32:33,600 Speaker 1: island went to stay at this beautiful hotel right on the. 610 00:32:33,640 --> 00:32:37,120 Speaker 1: Water LIKE i, mentioned it was next To Taylor swift's 611 00:32:37,120 --> 00:32:40,640 Speaker 1: home THAT i didn't realize that when we got. THERE 612 00:32:40,640 --> 00:32:42,240 Speaker 1: i only mentioned it because it's fucking. Weird AND i 613 00:32:42,240 --> 00:32:45,440 Speaker 1: did a whole podcast on people's Stocking Taylor swift and 614 00:32:45,440 --> 00:32:47,479 Speaker 1: THEN i show up in the hotel next. Door kind 615 00:32:47,480 --> 00:32:52,040 Speaker 1: of fucking weird. Ironic, anyhow when we were, there they 616 00:32:52,040 --> 00:32:56,959 Speaker 1: HAD Mtv classic on the cable network in the hotel. 617 00:32:57,000 --> 00:32:59,320 Speaker 1: ROOM i don't HAVE Mtv, classic and we talked about 618 00:32:59,320 --> 00:33:02,560 Speaker 1: this other chance THAT i have That i've been continuing to. 619 00:33:02,600 --> 00:33:07,640 Speaker 1: Watch the problem with The Excite eighties channel THAT i 620 00:33:07,680 --> 00:33:11,959 Speaker 1: have on My samsung television. App the problem with that 621 00:33:12,080 --> 00:33:14,800 Speaker 1: channel is THAT i found in now watching it for 622 00:33:14,800 --> 00:33:18,120 Speaker 1: a couple, months is that they clearly have the licensing 623 00:33:18,200 --> 00:33:20,280 Speaker 1: for only a small portion of the videos that were 624 00:33:20,280 --> 00:33:22,800 Speaker 1: made in the nineteen. Eighties and there's there's a lot 625 00:33:22,800 --> 00:33:26,040 Speaker 1: of repeats that pop, up WHICH i can deal with 626 00:33:26,120 --> 00:33:29,280 Speaker 1: because that just reminds me of what it was like 627 00:33:29,320 --> 00:33:31,040 Speaker 1: in the eighties to WATCH. Mtv they just pumped the 628 00:33:31,040 --> 00:33:32,920 Speaker 1: same shit over and over, again and you know how 629 00:33:32,920 --> 00:33:35,640 Speaker 1: many times can you watch you, Know Paul simon And 630 00:33:35,680 --> 00:33:38,000 Speaker 1: Chevy chase do the whole you can call Me, betty and, 631 00:33:38,040 --> 00:33:39,600 Speaker 1: baby you can call me out or whatever the fuck 632 00:33:39,640 --> 00:33:41,760 Speaker 1: that thing is that they. DID i can watch it 633 00:33:41,800 --> 00:33:43,520 Speaker 1: numerous times because it's, Great but that's not my. Point 634 00:33:43,520 --> 00:33:46,560 Speaker 1: my point IS i was in this hotel And i'm 635 00:33:46,600 --> 00:33:49,840 Speaker 1: watching THE Mtv classic, channel WHICH i don't have on 636 00:33:49,880 --> 00:33:53,959 Speaker 1: my cable list of, channels AND i got this whole 637 00:33:54,240 --> 00:34:01,240 Speaker 1: other look into eighties music video, culture And i'm just. 638 00:34:01,440 --> 00:34:03,560 Speaker 1: UPSET i just cannot get enough of. It. GUYS i 639 00:34:03,600 --> 00:34:06,480 Speaker 1: don't know what it. IS i feel like it's this nostalgia. 640 00:34:06,480 --> 00:34:09,560 Speaker 1: Thing it's just like it's just pulling me back. Right 641 00:34:09,640 --> 00:34:11,799 Speaker 1: it's just LIKE i just WANT i want to be 642 00:34:11,840 --> 00:34:14,560 Speaker 1: a kid again in these. Ways and this even STUFF 643 00:34:14,600 --> 00:34:17,640 Speaker 1: i hated and had no interest. In George, michael you, 644 00:34:17,640 --> 00:34:20,640 Speaker 1: KNOW i want your. Sex it might be it might 645 00:34:20,680 --> 00:34:24,440 Speaker 1: be my favorite fucking video from the. Eighties it's so. 646 00:34:24,640 --> 00:34:30,000 Speaker 1: Good it is so so so. Good, okay hit me 647 00:34:30,040 --> 00:34:33,160 Speaker 1: with more of your video. RES i asked you a 648 00:34:33,200 --> 00:34:34,960 Speaker 1: couple of weeks, ago hit me with the video rex 649 00:34:35,040 --> 00:34:38,080 Speaker 1: from the eighties and. Nineties we'll do eighties and nineties 650 00:34:38,520 --> 00:34:41,319 Speaker 1: and then we'll get into it more fully next. Week 651 00:34:41,400 --> 00:34:44,000 Speaker 1: But i'm RECOMMENDING i Want Your sex By George. Michael 652 00:34:44,040 --> 00:34:47,439 Speaker 1: go to YouTube watch that incredible, video the little bit 653 00:34:47,480 --> 00:34:50,320 Speaker 1: at the top that he does a little monologue part about. 654 00:34:50,560 --> 00:34:53,680 Speaker 1: Monogamy what the fuck was? That why did that have to? 655 00:34:53,719 --> 00:34:56,080 Speaker 1: HAPPEN i want to. Know does anyone know why it's 656 00:34:56,080 --> 00:34:58,239 Speaker 1: a too? Controversial was it a type of deal head 657 00:34:58,280 --> 00:34:59,520 Speaker 1: to make? That you have to say that at the 658 00:34:59,520 --> 00:35:01,120 Speaker 1: top of the vi in order for the video to 659 00:35:01,120 --> 00:35:04,760 Speaker 1: be played ON. Mtv there's A George michael episode coming 660 00:35:04,800 --> 00:35:08,640 Speaker 1: Of disgraceland in the future as. Well this video is, 661 00:35:08,640 --> 00:35:11,640 Speaker 1: great it's. Compelling all, right what else AM i? Watching 662 00:35:12,280 --> 00:35:14,480 Speaker 1: it's not music. CONTENT i SAID i wasn't gonna do, 663 00:35:14,520 --> 00:35:16,360 Speaker 1: this But i'm gonna do. It i've been watching The 664 00:35:16,400 --> 00:35:20,160 Speaker 1: Boston celtics get owned by The Miami, heat and you know, 665 00:35:20,200 --> 00:35:25,200 Speaker 1: What fuck The. Celtics that's, Right Ryan's. Breaker fuck The Boston. 666 00:35:25,200 --> 00:35:28,880 Speaker 1: Celtics i'm A boston, Guy i'm in on all The boston, 667 00:35:28,960 --> 00:35:32,400 Speaker 1: teams but you know, What i'm becoming A Miami heat 668 00:35:32,600 --> 00:35:37,000 Speaker 1: fan Because Jimmy butler is a fucking. Boss he's a real, 669 00:35:37,360 --> 00:35:42,160 Speaker 1: athlete and these MUCKs on The Boston celtics HAVE i 670 00:35:42,160 --> 00:35:44,000 Speaker 1: don't know what the fuck they're. DOING i don't know 671 00:35:44,040 --> 00:35:48,200 Speaker 1: what the problem, is all. Right this is a complete 672 00:35:48,520 --> 00:35:53,319 Speaker 1: lack of hustle and drive and grit and leadership and 673 00:35:53,360 --> 00:35:56,360 Speaker 1: the shit that like the REASON i watched, sports And 674 00:35:56,400 --> 00:35:58,600 Speaker 1: i've been dealing with. IT i told you early, ON 675 00:35:58,640 --> 00:36:00,359 Speaker 1: i told you a couple of months. AGO i THINK 676 00:36:00,400 --> 00:36:04,399 Speaker 1: i told. YOU i told someone That i'm a fly 677 00:36:04,480 --> 00:36:08,160 Speaker 1: By Night celtics. Fan and you know, WHAT i. AM 678 00:36:08,239 --> 00:36:11,720 Speaker 1: i didn't start watching until end of the, season coming 679 00:36:11,719 --> 00:36:14,400 Speaker 1: into the. Playoffs But i'm not a Fly But i'm 680 00:36:14,440 --> 00:36:16,760 Speaker 1: a fly By Night celtics fan for a reason because 681 00:36:16,760 --> 00:36:20,960 Speaker 1: they're fucking impossible to. Watch they're the biggest bunch of. 682 00:36:21,040 --> 00:36:24,239 Speaker 1: Losers they're just. Awful i've had it with. THEM i 683 00:36:24,239 --> 00:36:27,359 Speaker 1: cannot take. IT i, CAN'T i cannot take. It i'm 684 00:36:27,440 --> 00:36:31,359 Speaker 1: publicly claiming right now THAT i WILL i. Am i'm 685 00:36:31,360 --> 00:36:34,759 Speaker 1: renouncing my fandom in The Boston. Celtics not That i'm 686 00:36:34,880 --> 00:36:38,400 Speaker 1: not That i'm a pajamaware In Boston celtics, fan not 687 00:36:38,440 --> 00:36:41,160 Speaker 1: THAT i have fucking posters Of Jason tatum on my. 688 00:36:41,239 --> 00:36:44,720 Speaker 1: Wall BUT i did grow up watching and Loving Larry, 689 00:36:44,760 --> 00:36:48,240 Speaker 1: bird AND i still that pulls at my nostalgia strings 690 00:36:48,239 --> 00:36:50,160 Speaker 1: pretty damn. HARD i pretty damn. HARD i went to 691 00:36:50,200 --> 00:36:53,239 Speaker 1: a finals, game dropped the cash to go fucking see 692 00:36:53,239 --> 00:36:57,720 Speaker 1: The celtics lose To Golden state last. Year had a great, 693 00:36:57,719 --> 00:37:00,359 Speaker 1: time rooted them. On but you know, what fuck these, 694 00:37:00,360 --> 00:37:03,839 Speaker 1: Guys i'm renouncing my. FANDOM i am A Miami heat. 695 00:37:03,840 --> 00:37:07,440 Speaker 1: Fan how's That i'm actively rooting for The Miami. Heat 696 00:37:07,680 --> 00:37:10,080 Speaker 1: you know what you gotta do as a sports team 697 00:37:10,400 --> 00:37:13,040 Speaker 1: to turn one of your fans in the middle of 698 00:37:13,080 --> 00:37:16,160 Speaker 1: a playoff run into a fan of the team that 699 00:37:16,280 --> 00:37:18,680 Speaker 1: is kicking your. ASS i have a brother in law 700 00:37:18,680 --> 00:37:21,319 Speaker 1: who's A yankees, fan AND i don't understand why or 701 00:37:21,360 --> 00:37:25,480 Speaker 1: how that even. Happened. Right he lives In, massachusetts grew 702 00:37:25,600 --> 00:37:28,960 Speaker 1: up In, clinton mass and fucking loves The. Yankees he's 703 00:37:28,960 --> 00:37:31,360 Speaker 1: over the, house my parents', house fucking rooting for the 704 00:37:31,400 --> 00:37:33,120 Speaker 1: A i don't get. It i've never even asked them 705 00:37:33,120 --> 00:37:34,600 Speaker 1: BECAUSE i don't want to, know BECAUSE i think it's fucking. 706 00:37:34,640 --> 00:37:37,239 Speaker 1: Annoying BUT i get it, NOW i. DO i understand 707 00:37:37,480 --> 00:37:40,080 Speaker 1: something like this must have happened along the. Way you, 708 00:37:40,120 --> 00:37:43,640 Speaker 1: know fuck The. Celtics i've been watching The. Celtics i'm 709 00:37:43,640 --> 00:37:45,680 Speaker 1: not you, KNOW i am. WATCHING i want to. Watch 710 00:37:45,800 --> 00:37:47,600 Speaker 1: you know who. Knows by the time this airs On, 711 00:37:47,680 --> 00:37:49,400 Speaker 1: Thursday i'm recording it On. Monday by the time this 712 00:37:49,440 --> 00:37:51,439 Speaker 1: air is maybe The celtics will have won one, game 713 00:37:51,560 --> 00:37:53,600 Speaker 1: but they're not coming back from this fucking, thing and 714 00:37:53,640 --> 00:37:55,680 Speaker 1: they don't deserve to come back from this. Thing and 715 00:37:55,719 --> 00:37:58,760 Speaker 1: there's no way you can beat somebody Like Jimmy butler 716 00:37:58,840 --> 00:38:01,640 Speaker 1: with that pile of garbage that The celtics are rolling 717 00:38:01,680 --> 00:38:04,320 Speaker 1: out under the court every. Night so that's my. Rant 718 00:38:04,560 --> 00:38:06,960 Speaker 1: i've been watching. Basketball MAYBE i should stop BECAUSE i 719 00:38:06,960 --> 00:38:08,960 Speaker 1: didn't expect to go on this. RANT i didn't expect 720 00:38:09,000 --> 00:38:11,200 Speaker 1: this to. Happen it. Did what else AM i listening? 721 00:38:11,200 --> 00:38:13,680 Speaker 1: To Killer? Can i'm gonna double down on what The 722 00:38:13,719 --> 00:38:16,239 Speaker 1: texter wrote. In he wrote in he, said check out 723 00:38:16,280 --> 00:38:18,600 Speaker 1: this Band Killer. CAN i. DO i check out the 724 00:38:18,600 --> 00:38:21,120 Speaker 1: bands and people suggest to. Me SOMETIMES i don't like 725 00:38:21,160 --> 00:38:22,520 Speaker 1: them most of the, time not most of the. Time 726 00:38:22,600 --> 00:38:23,960 Speaker 1: SOMETIMES i don't like. Them you don't hear about. Them 727 00:38:24,000 --> 00:38:26,640 Speaker 1: i'm not gonna talk shit about the Band Killer can is. Good, 728 00:38:26,680 --> 00:38:28,759 Speaker 1: however go To. Spotify you can find them. There go to. 729 00:38:28,800 --> 00:38:31,640 Speaker 1: YouTube Mister, dynamite that's the SINGLE i was listening to 730 00:38:31,680 --> 00:38:34,640 Speaker 1: THAT i Recommend killer kN if you're into the, dolls 731 00:38:34,680 --> 00:38:36,480 Speaker 1: like The texter, said if you're in a, motorhead if 732 00:38:36,480 --> 00:38:39,200 Speaker 1: you're into THE mc, five if you're into this iggy, 733 00:38:39,320 --> 00:38:44,160 Speaker 1: pop over the top front, man fucking, grinding dirty rock and, 734 00:38:44,320 --> 00:38:46,640 Speaker 1: roll this is the band for. You you will dig. It, 735 00:38:46,719 --> 00:38:49,960 Speaker 1: okay all that early punk which reminds me Sex. Pistols 736 00:38:50,000 --> 00:38:53,840 Speaker 1: we just released two episodes on the Sex, pistols re released. 737 00:38:53,840 --> 00:38:56,400 Speaker 1: Them they were previously exclusive from when we were On. 738 00:38:56,520 --> 00:39:02,120 Speaker 1: Amazon they are no longer previously. Exclusive listening to Never 739 00:39:02,160 --> 00:39:04,680 Speaker 1: mind The, BULLOCKS i go back to this record now 740 00:39:04,800 --> 00:39:08,480 Speaker 1: every couple. Months it's so fucking. Good it is so 741 00:39:08,480 --> 00:39:11,560 Speaker 1: so so. Good has there been a, band a better, 742 00:39:11,600 --> 00:39:13,719 Speaker 1: band that made one great record and then just went 743 00:39:13,800 --> 00:39:15,440 Speaker 1: they know, what fuck, It we're? OUT i don't. Know 744 00:39:15,600 --> 00:39:17,279 Speaker 1: let me, know six, one seven, nine there were six 745 00:39:17,320 --> 00:39:20,800 Speaker 1: six sixty three eight great bands that made only one great. 746 00:39:21,000 --> 00:39:23,759 Speaker 1: Record who are? They are they better than the Sex? 747 00:39:23,760 --> 00:39:26,280 Speaker 1: Pistols let me know what else HAVE i been listening? 748 00:39:26,360 --> 00:39:26,440 Speaker 2: To? 749 00:39:26,560 --> 00:39:29,600 Speaker 1: OKAY i Mentioned Taylor. Swift Taylor swift was in. Town 750 00:39:29,680 --> 00:39:32,240 Speaker 1: she was Playing Gillette, stadium that's where The patriots. Play 751 00:39:33,480 --> 00:39:36,160 Speaker 1: jammed it out for a couple nights some friends, went 752 00:39:36,440 --> 00:39:39,839 Speaker 1: some relatives. Went haven't really gotten a report back yet 753 00:39:39,880 --> 00:39:43,320 Speaker 1: except for my. Nieces heard it was, good heard it was. Great, 754 00:39:43,360 --> 00:39:46,600 Speaker 1: ACTUALLY i, MEAN I i obviously we all know what 755 00:39:46,600 --> 00:39:49,920 Speaker 1: a Phenomenon Taylor swift, is BUT i think we need 756 00:39:49,960 --> 00:39:52,680 Speaker 1: a new word for what the phenomenon. Is it's more 757 00:39:52,680 --> 00:39:57,880 Speaker 1: than a. Phenomenon She's she's transcending some level of popularity 758 00:39:58,480 --> 00:40:03,759 Speaker 1: That i've never seen. Before as a person who studies 759 00:40:03,960 --> 00:40:07,719 Speaker 1: pop culture and music. History there's something going on, here 760 00:40:07,960 --> 00:40:10,879 Speaker 1: AND i get it on one, level but on another, 761 00:40:10,920 --> 00:40:12,399 Speaker 1: LEVEL i don't get it at. ALL i, mean she's, 762 00:40:12,440 --> 00:40:14,799 Speaker 1: great but there's a lot of great, artists you. Know 763 00:40:14,840 --> 00:40:16,560 Speaker 1: And i'm not gonna, pretend LIKE i said About Justin, 764 00:40:16,560 --> 00:40:18,439 Speaker 1: Bieber i'll say the same thing About Taylor. Swift i'm 765 00:40:18,440 --> 00:40:21,600 Speaker 1: not sitting, around you, know dropping you, Know Taylor swift 766 00:40:21,680 --> 00:40:23,680 Speaker 1: vinyl on my turntable at night and mixing up a 767 00:40:23,719 --> 00:40:26,960 Speaker 1: martini and chilling. Out not WHAT i, do, Okay BUT 768 00:40:27,000 --> 00:40:29,879 Speaker 1: i can get. It and there are some songs THAT 769 00:40:29,960 --> 00:40:32,279 Speaker 1: i CAN i can get into more than. Others and 770 00:40:32,320 --> 00:40:34,000 Speaker 1: AS i, SAID i was staying at this place that 771 00:40:34,080 --> 00:40:36,680 Speaker 1: was close to her, house was looking into the history of, 772 00:40:36,719 --> 00:40:39,080 Speaker 1: it there's a track on her new record on wonder 773 00:40:39,360 --> 00:40:41,200 Speaker 1: is it her new? Record what Is? Folklore what did 774 00:40:41,239 --> 00:40:43,239 Speaker 1: that come? Out all, Right i'm gonna look that. Up 775 00:40:43,280 --> 00:40:47,560 Speaker 1: Taylor Swift? Folklore, okay so twenty, twenty there's a track 776 00:40:47,640 --> 00:40:49,720 Speaker 1: on this. Record there's about the history of the house 777 00:40:49,760 --> 00:40:51,319 Speaker 1: that she bought that she lives in A Rhode. Island 778 00:40:51,360 --> 00:40:54,840 Speaker 1: the tracks called Last Great American. Dynasty great. Track check that. 779 00:40:54,920 --> 00:40:58,160 Speaker 1: Out she's a great, storyteller as you. KNOW i don't 780 00:40:58,200 --> 00:41:00,440 Speaker 1: need to Pump Taylor swift's hires. 781 00:41:00,480 --> 00:41:00,640 Speaker 4: Here? 782 00:41:00,760 --> 00:41:05,600 Speaker 1: Okay can she play forward for The Boston Celtics? MAYBE 783 00:41:05,760 --> 00:41:07,680 Speaker 1: i don't. Know she can do a. Lot they can't do, 784 00:41:07,760 --> 00:41:11,240 Speaker 1: shit so who. Knows i'm also listening to the nineteen 785 00:41:11,320 --> 00:41:14,360 Speaker 1: eighty eight Masterpiece easy Does it By easy Motherfucking, e 786 00:41:14,480 --> 00:41:17,360 Speaker 1: because you Know EASY e is coming up next In. 787 00:41:17,440 --> 00:41:20,480 Speaker 1: Disgraceland go back to that. Record that record doesn't get enough. 788 00:41:20,560 --> 00:41:25,400 Speaker 1: Love was it was overshadowed by all the other stuff 789 00:41:25,440 --> 00:41:27,480 Speaker 1: that was going on With easy and With dre and 790 00:41:27,520 --> 00:41:30,760 Speaker 1: the Whole compton thing and then The Sugar night. Stuff 791 00:41:30,760 --> 00:41:34,279 Speaker 1: but that record's really fucking. Good check that. Out if 792 00:41:34,280 --> 00:41:36,719 Speaker 1: you haven't already get ready for That easy popping in 793 00:41:36,760 --> 00:41:41,680 Speaker 1: your feed that's coming Next. Tuesday send me your. Recommendations 794 00:41:42,080 --> 00:41:43,960 Speaker 1: let me know WHAT i need to be listening. TO 795 00:41:44,120 --> 00:41:46,200 Speaker 1: i listen to. IT i like, EVERYTHING i really. Do 796 00:41:46,239 --> 00:41:48,840 Speaker 1: there's not a style of music Of western, Music western 797 00:41:48,880 --> 00:41:51,600 Speaker 1: culture music THAT i don't, like really THAT i THAT 798 00:41:51,680 --> 00:41:53,360 Speaker 1: i can confidently sit here and GO i don't like, 799 00:41:53,440 --> 00:41:56,120 Speaker 1: That so hit. Me let me, know all. Right i'm 800 00:41:56,160 --> 00:41:59,400 Speaker 1: always looking for good, stuff particularly as the weather starts 801 00:41:59,400 --> 00:42:01,880 Speaker 1: to get. Warmer i'm having a big party this weekend 802 00:42:01,960 --> 00:42:04,200 Speaker 1: with my. Family it's gonna need some stuff to throw 803 00:42:04,239 --> 00:42:06,920 Speaker 1: on the. Playlist let me know what are your, summer 804 00:42:07,280 --> 00:42:11,640 Speaker 1: Your Memorial day playlist listening. Recommendations hit me up six 805 00:42:11,719 --> 00:42:14,400 Speaker 1: one seven nine zero six six six three. Eight gotta 806 00:42:14,440 --> 00:42:38,719 Speaker 1: take a quick break back in just a, moment all, 807 00:42:38,880 --> 00:42:43,040 Speaker 1: right let's, recap shall. We number, One Justin bieber is 808 00:42:43,080 --> 00:42:46,439 Speaker 1: the most recent release in The Disgraceland. Feed number. Two 809 00:42:46,560 --> 00:42:50,560 Speaker 1: we have also recently re released in The Disgraceland feed 810 00:42:50,680 --> 00:42:53,640 Speaker 1: a two part episode on The Sex, pistols as well 811 00:42:53,719 --> 00:42:57,480 Speaker 1: as our episode On Taylor. Swift number three coming up 812 00:42:57,520 --> 00:43:01,880 Speaker 1: next In Disgraceland Easy E number, Four The Boston celtics 813 00:43:01,880 --> 00:43:05,240 Speaker 1: Are dead To me number five Special Top Secret rockstar 814 00:43:05,320 --> 00:43:07,879 Speaker 1: interview in next week's After. Party, okay you don't want 815 00:43:07,880 --> 00:43:09,959 Speaker 1: to miss. That got something special coming. Up you're gonna 816 00:43:10,000 --> 00:43:11,719 Speaker 1: like this, guy you know. Him you're gonna love. 817 00:43:11,680 --> 00:43:12,000 Speaker 4: Him all. 818 00:43:12,080 --> 00:43:14,200 Speaker 1: Right if you don't, already you probably. Do you probably 819 00:43:14,200 --> 00:43:15,880 Speaker 1: love you probably love him. More you definitely love his 820 00:43:15,920 --> 00:43:18,000 Speaker 1: band more than you love. ME i know, that all. Right, 821 00:43:18,239 --> 00:43:20,160 Speaker 1: uh here's my, number so call me maybe six one 822 00:43:20,280 --> 00:43:22,719 Speaker 1: seven nine zero six six six three. Eight let's read 823 00:43:23,000 --> 00:43:31,440 Speaker 1: some bliss inducing vintage telephone text from The Greater dallas. 824 00:43:31,560 --> 00:43:36,600 Speaker 1: Area in honor of me not wanting to have to 825 00:43:36,640 --> 00:43:41,200 Speaker 1: look up something relative to this. Episode here we. Go 826 00:43:42,080 --> 00:43:46,040 Speaker 1: Red Noodle Club Live entertainment open seven days until two. 827 00:43:46,040 --> 00:43:49,000 Speaker 1: Am Mixed drink six four Two, Oh lemon three five 828 00:43:49,120 --> 00:43:53,080 Speaker 1: seven five seven seven, Five Red Oak Valley Country Club root, 829 00:43:53,120 --> 00:43:56,880 Speaker 1: One Red, Oak, Texas dallas number two two Three dash 830 00:43:56,960 --> 00:44:01,600 Speaker 1: four five five Oh Regular Fellows club three zero two 831 00:44:01,640 --> 00:44:05,160 Speaker 1: Four Park row four two eight nine nine five Seven 832 00:44:05,760 --> 00:44:09,200 Speaker 1: Ritz pub two six two one McKinney a f eight 833 00:44:09,239 --> 00:44:13,320 Speaker 1: two four nine four nine One Rotary club Of, Dallas 834 00:44:13,320 --> 00:44:17,120 Speaker 1: Baker hotel seven four to Two dash five four five, 835 00:44:17,239 --> 00:44:21,799 Speaker 1: One Sahara club three zero zero. Five East abram two 836 00:44:21,880 --> 00:44:26,000 Speaker 1: six One dash nine five two One Ships club two 837 00:44:26,080 --> 00:44:29,840 Speaker 1: one three, eight Fort Worth avenue nine four three zero 838 00:44:29,920 --> 00:44:34,720 Speaker 1: one zero FIVE sids five one zero Two South lamar 839 00:44:35,080 --> 00:44:38,799 Speaker 1: four two Eight dash zero nine five, Five SILVER q 840 00:44:39,440 --> 00:44:43,719 Speaker 1: one zero six four, Seven Harry hines three five One 841 00:44:43,920 --> 00:44:48,680 Speaker 1: dash nine five zero Six Red Noodle Clubs Live entertainment 842 00:44:48,800 --> 00:44:52,439 Speaker 1: n quit talking and start mixing good