1 00:00:00,320 --> 00:00:03,000 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,240 --> 00:00:10,000 Speaker 1: It's ready. Are you welcome to Stuff Mom Never Told You? 3 00:00:10,200 --> 00:00:17,560 Speaker 1: From house Stop Works dot Com. Hello, and welcome to 4 00:00:17,640 --> 00:00:21,279 Speaker 1: the podcast. I'm Kristen. I'm Caroline. So there was a 5 00:00:21,400 --> 00:00:25,960 Speaker 1: recent comment left on the Facebook fan page for Stuff 6 00:00:25,960 --> 00:00:28,640 Speaker 1: Mom Never Told You, which, if you aren't a fan yet, 7 00:00:28,640 --> 00:00:30,840 Speaker 1: you should do that right now stop listening to this 8 00:00:30,880 --> 00:00:35,360 Speaker 1: podcast to the Facebook. Um. But this we have to 9 00:00:35,479 --> 00:00:39,080 Speaker 1: quote this comment because it relates a lot to what 10 00:00:39,120 --> 00:00:43,320 Speaker 1: we're talking about today. And this is from a guy 11 00:00:43,400 --> 00:00:46,600 Speaker 1: named Morgan, and he says, Okay, I've been wondering for 12 00:00:46,640 --> 00:00:49,559 Speaker 1: a while, do you guys use a different voice when 13 00:00:49,600 --> 00:00:52,640 Speaker 1: you're making the show. I've heard hints and glimmers of 14 00:00:52,640 --> 00:00:55,440 Speaker 1: a Southern accent, but I think I speak for all 15 00:00:55,480 --> 00:00:58,000 Speaker 1: of us when I say you should do one podcast 16 00:00:58,440 --> 00:01:03,560 Speaker 1: in your natural voice. So Caroline, stop, stop with your 17 00:01:03,680 --> 00:01:08,039 Speaker 1: cookie voice. I'll finally let it out. It sounds badder. 18 00:01:08,440 --> 00:01:11,520 Speaker 1: I am from Georgia. Hey, y'all, I'm Christy. Welcome to 19 00:01:11,520 --> 00:01:16,400 Speaker 1: the Pokay. I popped my teeth out. Um. Yeah, And 20 00:01:16,480 --> 00:01:18,680 Speaker 1: we just thought it was kind of funny when when 21 00:01:18,720 --> 00:01:21,760 Speaker 1: we read it because it is this is this is 22 00:01:21,800 --> 00:01:24,679 Speaker 1: my natural voice, Caroline, and this is mine. Yeah, this 23 00:01:24,720 --> 00:01:27,720 Speaker 1: is how we sound. Sorry, I hope this doesn't ruin 24 00:01:27,760 --> 00:01:29,840 Speaker 1: the magic for a if you if you catch the 25 00:01:29,840 --> 00:01:32,200 Speaker 1: occasional flat vowel for me, it's because my dad is 26 00:01:32,240 --> 00:01:35,320 Speaker 1: from Michigan, and I actually did this vacation of Michigan 27 00:01:35,319 --> 00:01:37,120 Speaker 1: not too long ago, so I might have brought some 28 00:01:37,200 --> 00:01:40,360 Speaker 1: back with me, a little bit of Michigan. This is 29 00:01:40,400 --> 00:01:41,880 Speaker 1: this is what I sound like. I don't try to 30 00:01:42,160 --> 00:01:46,600 Speaker 1: I don't try to sound breathy or anything like that. Yeah, 31 00:01:46,680 --> 00:01:49,520 Speaker 1: I'm from I'm born and raised in the South, and 32 00:01:49,800 --> 00:01:52,919 Speaker 1: people when I go out of town typically can't guess 33 00:01:52,920 --> 00:01:55,880 Speaker 1: where I'm from. Yeah, I mean too, And it's kind 34 00:01:55,880 --> 00:01:58,160 Speaker 1: of kind of a fun game we can play. Yeah, 35 00:01:58,200 --> 00:02:01,160 Speaker 1: it's like where are you from? The best response I 36 00:02:01,200 --> 00:02:05,360 Speaker 1: got once was someone guess I was from New Mexico, 37 00:02:04,240 --> 00:02:07,600 Speaker 1: because exactly it was the only place that could guess 38 00:02:07,600 --> 00:02:12,000 Speaker 1: that had no identifiable accent. But my Southern accent certainly 39 00:02:12,040 --> 00:02:14,640 Speaker 1: slips out every now and then. But while we're not 40 00:02:14,880 --> 00:02:18,600 Speaker 1: focusing so much on accents today, it did seem to 41 00:02:18,639 --> 00:02:21,680 Speaker 1: fit into the fact that we're talking about vocal differences 42 00:02:21,720 --> 00:02:25,080 Speaker 1: between men and women, because I I wondered for a 43 00:02:25,080 --> 00:02:31,840 Speaker 1: while why men have deeper voices than women typically, and 44 00:02:32,480 --> 00:02:36,680 Speaker 1: not surprisingly, it goes back to anatomy, right. Um, And 45 00:02:36,680 --> 00:02:38,919 Speaker 1: actually we've we've sort of talked about the differences in 46 00:02:39,000 --> 00:02:42,440 Speaker 1: men and women, um in development development wise, when we 47 00:02:42,480 --> 00:02:45,160 Speaker 1: talked about the height in the Height episode, about how 48 00:02:45,200 --> 00:02:47,880 Speaker 1: men take a little bit longer to develop during puberty 49 00:02:47,880 --> 00:02:51,520 Speaker 1: and so that lets them get taller, stronger. Um, it's 50 00:02:51,600 --> 00:02:53,760 Speaker 1: kind of the same thing at work as far as 51 00:02:53,880 --> 00:02:58,840 Speaker 1: vocal quality and vocal pitch too, because men, uh, in puberty, 52 00:02:58,960 --> 00:03:02,919 Speaker 1: they have all the testosterone floating around and that actually 53 00:03:02,960 --> 00:03:05,640 Speaker 1: helps the larynx, the voice box what we think of 54 00:03:05,639 --> 00:03:09,079 Speaker 1: as the atoms apple to grow larger than a dozen women, 55 00:03:09,560 --> 00:03:13,880 Speaker 1: so we don't necessarily most of us ladies don't have 56 00:03:13,960 --> 00:03:18,920 Speaker 1: a big larynx hanging out protruding example box. Yeah, it 57 00:03:19,000 --> 00:03:24,600 Speaker 1: just means that men tend to developed more thyroid cartilage 58 00:03:24,680 --> 00:03:27,360 Speaker 1: and that's all then, adoms apple is I don't like 59 00:03:27,360 --> 00:03:29,800 Speaker 1: thinking about cartilage in my throat. Wasn't it described as 60 00:03:29,800 --> 00:03:32,920 Speaker 1: a shield, a cartilage shield. Yeah, there's like a shield 61 00:03:32,960 --> 00:03:35,760 Speaker 1: shaped bit of cartilage around your neck and the front 62 00:03:35,800 --> 00:03:39,360 Speaker 1: portion is what the is the atom's apple. I'm looking 63 00:03:39,440 --> 00:03:42,680 Speaker 1: at a diagram right now of of the larynx because 64 00:03:42,720 --> 00:03:45,760 Speaker 1: I'm a I'm a visual learner, and the voice box 65 00:03:46,000 --> 00:03:53,640 Speaker 1: is quite a complicated set of muscles and tissues and flaps. 66 00:03:53,680 --> 00:03:57,240 Speaker 1: There's a fatty pad, yes, the epiglottis, which is the key, 67 00:03:57,360 --> 00:04:00,600 Speaker 1: the key flap that opens and closes. Officially, it is 68 00:04:00,640 --> 00:04:04,440 Speaker 1: a fibromuscular tube which extends from the base of the 69 00:04:04,440 --> 00:04:08,560 Speaker 1: skull to the esophagus, and it's part of the pharynx 70 00:04:09,160 --> 00:04:11,880 Speaker 1: and it's nestled between the throat where the food goes 71 00:04:11,920 --> 00:04:15,320 Speaker 1: down and the trachea, which is your air pipe, right, 72 00:04:15,360 --> 00:04:18,280 Speaker 1: and we have the vocal chords or folds as as 73 00:04:18,320 --> 00:04:20,760 Speaker 1: they are also called, that are situated in the middle 74 00:04:20,800 --> 00:04:23,719 Speaker 1: of the larynx, and as we breathe in certain muscles 75 00:04:23,760 --> 00:04:26,440 Speaker 1: open and closed really quickly, which allows for pressure changes 76 00:04:26,480 --> 00:04:29,600 Speaker 1: that creates sound. And some of those flaps around there 77 00:04:29,600 --> 00:04:32,880 Speaker 1: also keep you from inhaling broccoli, and they failed one 78 00:04:32,920 --> 00:04:34,760 Speaker 1: day while I was at lunch, So now I have 79 00:04:34,760 --> 00:04:37,599 Speaker 1: a broccoli plant growing in my lungs. Yeah, I don't 80 00:04:37,600 --> 00:04:40,679 Speaker 1: think it's changed the way I sound, though, has changed 81 00:04:40,680 --> 00:04:48,120 Speaker 1: the way you smell um. So we'll go in a 82 00:04:48,120 --> 00:04:52,800 Speaker 1: little bit more into the how how that vocal cord 83 00:04:53,080 --> 00:04:57,839 Speaker 1: structure affects voices, because, as we'll learn, the tension of 84 00:04:58,120 --> 00:05:03,000 Speaker 1: in length of vocal core will determine all you sold? 85 00:05:03,080 --> 00:05:07,200 Speaker 1: What do you sound like? This? Correct? Christian? And men? 86 00:05:07,360 --> 00:05:11,680 Speaker 1: Men have longer, thicker vocal chords. I'm doing a terrible 87 00:05:11,720 --> 00:05:16,760 Speaker 1: job of that um which which makes their their voices deeper. Yes, 88 00:05:17,160 --> 00:05:20,000 Speaker 1: So let's just go over some just some basic differences 89 00:05:20,600 --> 00:05:24,560 Speaker 1: between male and female voices. This is coming a lot 90 00:05:24,560 --> 00:05:28,320 Speaker 1: of us, is coming from the Netherlands Graduate School of Linguistics. 91 00:05:29,000 --> 00:05:35,360 Speaker 1: And for starters, obviously, female pitch typically higher. The average 92 00:05:35,400 --> 00:05:38,640 Speaker 1: pitch for a woman's voice is a hundred and eighty 93 00:05:38,720 --> 00:05:43,920 Speaker 1: two two and twenty hurts compared to a male average pitch, 94 00:05:43,960 --> 00:05:49,200 Speaker 1: which is a hundred two hundred and hurts. But while 95 00:05:49,400 --> 00:05:54,039 Speaker 1: women's voices also will deepen with puberty, it's only it's 96 00:05:54,080 --> 00:05:57,279 Speaker 1: like what an octave half an octave for women that 97 00:05:57,360 --> 00:06:03,200 Speaker 1: it decreases and men their voices drop one octave really suddenly. 98 00:06:03,240 --> 00:06:06,360 Speaker 1: And when you hear boys voices cracking and they get 99 00:06:06,360 --> 00:06:09,000 Speaker 1: all embarrassed, that's actually just their larynx trying to adjust 100 00:06:09,040 --> 00:06:12,400 Speaker 1: to its new size. Just in terms of overall voice 101 00:06:12,600 --> 00:06:18,559 Speaker 1: quality descriptions, women tend to have more breathiness, higher pitch, 102 00:06:18,680 --> 00:06:26,440 Speaker 1: and larger vowels space We enunciate more clearly too, whereas 103 00:06:26,440 --> 00:06:30,239 Speaker 1: men have more creek intention in their voice and creak, 104 00:06:30,440 --> 00:06:33,599 Speaker 1: creaky voices exactly what it sounds like, that's what they 105 00:06:33,680 --> 00:06:37,599 Speaker 1: used to describe someone who, uh, how's more of that 106 00:06:37,720 --> 00:06:40,920 Speaker 1: going on? So one thing that that really stood out 107 00:06:40,920 --> 00:06:43,800 Speaker 1: to me with all of this um, with all of 108 00:06:43,839 --> 00:06:49,239 Speaker 1: this vocal research that we did, is what an incredible 109 00:06:50,120 --> 00:06:53,039 Speaker 1: relationship there is between this anatomy that we don't even see, 110 00:06:53,480 --> 00:06:58,200 Speaker 1: this complicated larynx structure, cartilage stuff down in your throat. Yeah, 111 00:06:58,400 --> 00:07:02,520 Speaker 1: and so many gender stereotypes that come out of it 112 00:07:02,560 --> 00:07:07,600 Speaker 1: because we infer so much information about someone based on 113 00:07:07,760 --> 00:07:10,320 Speaker 1: what they sound like, Right, Kristen, didn't you mentioned before 114 00:07:10,320 --> 00:07:13,000 Speaker 1: we even started recording that some listeners thought that you 115 00:07:13,040 --> 00:07:16,080 Speaker 1: and Molly were both blonde eased on how you sounded exactly. 116 00:07:16,120 --> 00:07:20,960 Speaker 1: We we infer people's gender, their their race or socio 117 00:07:21,000 --> 00:07:24,520 Speaker 1: economic class. They're their height, there where they come from, 118 00:07:24,720 --> 00:07:28,600 Speaker 1: they're they're hot, their personalities, all of these things and 119 00:07:28,720 --> 00:07:31,440 Speaker 1: a lot of this would come under the umbrella category 120 00:07:31,480 --> 00:07:36,200 Speaker 1: of long term speech features. Right, that's how we just 121 00:07:36,320 --> 00:07:39,520 Speaker 1: naturally talk when we're not putting on uh, some fake 122 00:07:39,560 --> 00:07:43,800 Speaker 1: accent or silly voices or anything. I can. Um, I 123 00:07:43,840 --> 00:07:45,600 Speaker 1: can do a silly voice, and that would be a 124 00:07:45,640 --> 00:07:49,040 Speaker 1: short term vocal quality. And sometimes, you know, maybe if 125 00:07:49,080 --> 00:07:53,280 Speaker 1: I'm like Marilyn Monroe or Kim Kardashian with those breathy voices, 126 00:07:53,320 --> 00:07:54,960 Speaker 1: I might be doing it to try to make you 127 00:07:55,200 --> 00:07:58,080 Speaker 1: think about me in a certain way, like Hello, Kristen, 128 00:07:58,560 --> 00:08:00,880 Speaker 1: I'd be like, Carolyn, why are you coming? I know right, 129 00:08:00,880 --> 00:08:02,760 Speaker 1: you'd automatically assume I was coming on to you and 130 00:08:02,760 --> 00:08:05,360 Speaker 1: that I was super feminine and sexy if you couldn't 131 00:08:05,640 --> 00:08:09,600 Speaker 1: see me. Um. But a long term vocal quality is 132 00:08:09,600 --> 00:08:13,720 Speaker 1: is just how I'm speaking right now. And one long 133 00:08:13,880 --> 00:08:16,200 Speaker 1: term vocal quality that we really wanted to focus on 134 00:08:16,280 --> 00:08:22,160 Speaker 1: again was that deeper voice we associate with men, because 135 00:08:22,160 --> 00:08:26,520 Speaker 1: the question was our deeper voices more attractive as we 136 00:08:26,600 --> 00:08:33,000 Speaker 1: have this kind of cultural association with deep voice Lumberjack, Yes, yes, 137 00:08:33,160 --> 00:08:36,360 Speaker 1: um actually, and study after study found that this was true, 138 00:08:36,480 --> 00:08:40,200 Speaker 1: this assumption. Um. They had women listened to recordings of 139 00:08:40,240 --> 00:08:44,000 Speaker 1: men speaking and the men with the deeper voices were 140 00:08:44,040 --> 00:08:49,760 Speaker 1: considered were assumed to be uh, taller, stronger, more attractive, 141 00:08:49,880 --> 00:08:54,360 Speaker 1: and with harry chests. Yeah, I don't know why we 142 00:08:54,400 --> 00:08:56,440 Speaker 1: thought of like the brawny man when when a guy 143 00:08:56,480 --> 00:08:58,440 Speaker 1: has a deep voice, and of course it's not it's 144 00:08:58,480 --> 00:09:01,320 Speaker 1: obviously not true for everybody. You know, deep voices come 145 00:09:01,360 --> 00:09:05,120 Speaker 1: in all sorts of different packages. But the assumption exactly 146 00:09:05,160 --> 00:09:08,000 Speaker 1: and this is coming from a study by called Men's 147 00:09:08,080 --> 00:09:13,720 Speaker 1: Voices and Women's Choices by researchers named Sarah Collins. And uh, 148 00:09:13,760 --> 00:09:15,800 Speaker 1: if we go to another study or actually a series 149 00:09:15,800 --> 00:09:19,360 Speaker 1: of studies by David Putts, who is an anthropologist who's 150 00:09:19,400 --> 00:09:22,000 Speaker 1: now at Penn State who has studied the evolution of 151 00:09:22,080 --> 00:09:26,880 Speaker 1: sexual dimorphism, including vocal traits, he he found similar he 152 00:09:26,880 --> 00:09:29,800 Speaker 1: can to similar conclusions in a study that he did 153 00:09:29,960 --> 00:09:34,079 Speaker 1: where he recruited all of these male college students to 154 00:09:34,200 --> 00:09:37,840 Speaker 1: come in and just talk about themselves, and he recorded 155 00:09:38,040 --> 00:09:40,480 Speaker 1: cord of them talking about themselves, and then he tinkered 156 00:09:40,520 --> 00:09:44,360 Speaker 1: with their pitches so that someone be higher than than 157 00:09:44,440 --> 00:09:47,960 Speaker 1: as they actually speak and some lower. And then he 158 00:09:48,040 --> 00:09:52,440 Speaker 1: had women come in and listen to the recordings and 159 00:09:52,480 --> 00:09:55,280 Speaker 1: they had to write which one, which one of these 160 00:09:55,360 --> 00:09:58,720 Speaker 1: guys they would most like to have one night stands 161 00:09:58,760 --> 00:10:04,120 Speaker 1: with just quick flings and lo and behold always the 162 00:10:04,200 --> 00:10:09,600 Speaker 1: deeper voices, especially when women were ovulating. Yeah, what is 163 00:10:09,640 --> 00:10:12,720 Speaker 1: it about us in the ovulation? We just got we 164 00:10:12,800 --> 00:10:16,359 Speaker 1: need a taller, stronger, and deeper voices, apparently when we're ovulating. 165 00:10:16,840 --> 00:10:19,720 Speaker 1: And he wanted to know why deeper voices might be 166 00:10:20,080 --> 00:10:23,160 Speaker 1: more innately attractive, and he thinks that it might be 167 00:10:23,160 --> 00:10:27,440 Speaker 1: because it advertises testosterone levels, because kind of like with 168 00:10:27,520 --> 00:10:31,079 Speaker 1: the height discussion that we had a couple of weeks ago, Caroline, 169 00:10:31,160 --> 00:10:37,040 Speaker 1: because the testosterone influences the vocal core development and deepens 170 00:10:37,240 --> 00:10:39,439 Speaker 1: the voice, right, And it was funny I was reading 171 00:10:39,559 --> 00:10:42,840 Speaker 1: UM there was an NPR transcript they didn't interview with 172 00:10:42,840 --> 00:10:46,840 Speaker 1: with David Putts and um as an evolutionary psychologist at 173 00:10:46,880 --> 00:10:50,240 Speaker 1: UC Santa Barbara. And David Putts actually started doing this 174 00:10:50,320 --> 00:10:53,120 Speaker 1: research when he was at Michigan State, I believe. And 175 00:10:53,520 --> 00:10:55,200 Speaker 1: he was inspired to do it because he was at 176 00:10:55,200 --> 00:10:57,760 Speaker 1: the mall and heard these teenage boys all of a 177 00:10:57,800 --> 00:11:00,680 Speaker 1: sudden talking and he's really deep much of voices, and 178 00:11:00,720 --> 00:11:02,040 Speaker 1: he turned around to see what was going on and 179 00:11:02,080 --> 00:11:04,440 Speaker 1: there was a pretty lady with an ear shot, and 180 00:11:04,480 --> 00:11:06,360 Speaker 1: he thought, well, they're trying to impress there, and but 181 00:11:06,400 --> 00:11:08,959 Speaker 1: why why is the deep voice automatically something that they 182 00:11:08,960 --> 00:11:10,760 Speaker 1: go to to try to get a woman at a 183 00:11:10,840 --> 00:11:13,920 Speaker 1: tension has to be a tough guy or something. Well, 184 00:11:13,960 --> 00:11:16,080 Speaker 1: maybe it has to do with and this is this 185 00:11:16,160 --> 00:11:19,959 Speaker 1: came up in that the study men's voices and women's choices. 186 00:11:20,320 --> 00:11:22,840 Speaker 1: But maybe it has something to do with the peak 187 00:11:23,080 --> 00:11:26,360 Speaker 1: shift effect. You don't even have to see that person 188 00:11:26,480 --> 00:11:29,960 Speaker 1: that that woman in the mall, wouldn't necessarily have to 189 00:11:30,040 --> 00:11:34,160 Speaker 1: see those teenage boys talking like that. The deep voices, 190 00:11:34,720 --> 00:11:40,040 Speaker 1: they could possibly trigger this peak shift effect, which causes 191 00:11:40,080 --> 00:11:44,520 Speaker 1: stronger responses to stimuli that are at the extremes of 192 00:11:44,559 --> 00:11:50,600 Speaker 1: certain categories. So for instance, as a woman, my voice 193 00:11:50,800 --> 00:11:54,520 Speaker 1: and other female voices are at a higher pitch. So 194 00:11:54,640 --> 00:11:58,880 Speaker 1: at the other end of that um vocal distribution, we 195 00:11:58,960 --> 00:12:03,199 Speaker 1: have a very deep voice many octaves below mine, and 196 00:12:03,280 --> 00:12:05,400 Speaker 1: the peak shift effect would say that I would just 197 00:12:05,520 --> 00:12:09,280 Speaker 1: automatically hear a deeper voice and be drawn to it 198 00:12:09,360 --> 00:12:13,920 Speaker 1: because it's so different from your exactly. Um. It's interesting 199 00:12:13,960 --> 00:12:18,760 Speaker 1: reading about the reactions that these women judges had in 200 00:12:18,840 --> 00:12:21,360 Speaker 1: some of these vocal studies, because you know, we've talked 201 00:12:21,360 --> 00:12:23,080 Speaker 1: a little bit about how they were attracted to these 202 00:12:23,080 --> 00:12:26,800 Speaker 1: guys with the deeper voices. But um, they thought that 203 00:12:26,880 --> 00:12:33,200 Speaker 1: men with a higher pitch we're smaller, thinner, slower, I 204 00:12:33,240 --> 00:12:36,640 Speaker 1: don't even know what white, slower, I don't even less persuasive, 205 00:12:36,679 --> 00:12:40,920 Speaker 1: and more nervous. And actually both men and women with 206 00:12:41,080 --> 00:12:44,320 Speaker 1: higher pitch were thought to be less competent overall, less honest, 207 00:12:44,360 --> 00:12:47,720 Speaker 1: and less persuasive. And the thing was, I think you 208 00:12:47,720 --> 00:12:51,000 Speaker 1: you've already mentioned this, Caroline, but there was like none 209 00:12:51,040 --> 00:12:54,120 Speaker 1: of these correlations held up, None of these assumptions that 210 00:12:54,280 --> 00:12:58,120 Speaker 1: the women had about deeper voices in physicality held up 211 00:12:58,160 --> 00:13:02,520 Speaker 1: except for their way, right, But just because you know 212 00:13:02,600 --> 00:13:04,959 Speaker 1: you hear a deep voice certainly does not imply from 213 00:13:04,960 --> 00:13:08,520 Speaker 1: this study then there's chest hair under that T shirt, 214 00:13:08,600 --> 00:13:12,080 Speaker 1: or that they're any taller or bigger or stronger. And 215 00:13:12,120 --> 00:13:14,240 Speaker 1: it's just kind of it was kind of interesting to 216 00:13:14,280 --> 00:13:19,320 Speaker 1: see how just an auditory queue can produce, you know, 217 00:13:19,400 --> 00:13:23,320 Speaker 1: this all of a sudden, this kendall in our well, 218 00:13:23,360 --> 00:13:25,959 Speaker 1: it's I mean it's true for women too, for for 219 00:13:26,320 --> 00:13:30,560 Speaker 1: male judges judging how women speak. Um, if you're a 220 00:13:30,600 --> 00:13:33,800 Speaker 1: woman in the study of Dutch listeners, and you had 221 00:13:33,800 --> 00:13:39,360 Speaker 1: a deep voice. They thought of you as large, relaxed, arrogant, 222 00:13:39,440 --> 00:13:43,280 Speaker 1: masculine and insensitive. But while we place men and women 223 00:13:43,280 --> 00:13:47,040 Speaker 1: at opposite ends of the vocal spectrum, with with women 224 00:13:47,200 --> 00:13:49,880 Speaker 1: expected to have these higher pitch, higher frequency voices and 225 00:13:50,000 --> 00:13:54,360 Speaker 1: men having the lower, deeper frequencies, when it comes to 226 00:13:54,559 --> 00:13:58,800 Speaker 1: voices that we find attractive, while deeper voices tend to 227 00:13:58,800 --> 00:14:03,320 Speaker 1: be more attractive in men, kind of deeper voices, breathy, 228 00:14:03,400 --> 00:14:08,240 Speaker 1: deeper voices tend to be more sexually attractive in women. 229 00:14:08,720 --> 00:14:12,480 Speaker 1: Right back to that NPR transcript, I was looking at 230 00:14:12,520 --> 00:14:16,000 Speaker 1: earlier um that used the example of Jessica Rabbit from 231 00:14:16,000 --> 00:14:19,280 Speaker 1: her frame Roger Rabbit. She's voiced by Kathleen Turner, who 232 00:14:19,320 --> 00:14:21,520 Speaker 1: I think is just fabulous. Promancing the Stone is one 233 00:14:21,520 --> 00:14:25,440 Speaker 1: of my favorite movies. But Kathleen Turner has a very 234 00:14:25,480 --> 00:14:28,840 Speaker 1: not only a deep voice deeper than normal fur your 235 00:14:28,880 --> 00:14:33,000 Speaker 1: average one, but it's it's very breathy too. And that's 236 00:14:33,040 --> 00:14:36,280 Speaker 1: just really you have lazy vocal cords. Yes, I had 237 00:14:36,360 --> 00:14:38,840 Speaker 1: to break it to you. Well, I'll massage that, like 238 00:14:38,920 --> 00:14:42,080 Speaker 1: when it comes from air whistling through a gap. At 239 00:14:42,080 --> 00:14:44,400 Speaker 1: the back of the vocal cords, and women actually have 240 00:14:44,440 --> 00:14:47,320 Speaker 1: a larger vocal cords gaps, so we do tend to 241 00:14:47,360 --> 00:14:52,240 Speaker 1: speak with a little more breath. Um. But Harvard psychologist 242 00:14:52,280 --> 00:15:01,280 Speaker 1: David Fineberg attributes this breathy feminine sexiness uh, to accentuating 243 00:15:01,680 --> 00:15:06,440 Speaker 1: that natural feminine trait basically, um, broadcasting those gaps in 244 00:15:06,480 --> 00:15:10,160 Speaker 1: our vocal cords. Hey, I'm a sexy lady. I've got 245 00:15:10,200 --> 00:15:13,400 Speaker 1: I've got really gappy vocal cords, right, can you hear that? 246 00:15:13,640 --> 00:15:18,200 Speaker 1: And and we read, uh, we read about studies vocal 247 00:15:18,200 --> 00:15:20,000 Speaker 1: studies kind of like the ones we've already talked about, 248 00:15:20,200 --> 00:15:24,440 Speaker 1: but that we're done for gay men, and people jumped 249 00:15:24,560 --> 00:15:27,120 Speaker 1: to the conclusion that some of them, in speaking were 250 00:15:27,160 --> 00:15:29,800 Speaker 1: gay based on the fact that they thought they spoke 251 00:15:29,840 --> 00:15:32,840 Speaker 1: in a more feminine way. Not necessarily just like a 252 00:15:32,880 --> 00:15:36,320 Speaker 1: woman or anything, but some of the vocal characteristics, the 253 00:15:37,920 --> 00:15:44,400 Speaker 1: phonetic variation right in linguistic parlance, Yeah, the study refers 254 00:15:44,440 --> 00:15:48,040 Speaker 1: to the spectral skewness of the s consonant that is 255 00:15:48,160 --> 00:15:52,600 Speaker 1: uniquely associated with perceived sexual orientation. And it seems like 256 00:15:52,640 --> 00:15:58,040 Speaker 1: these kind of um like vocal stereotypes that we attribute 257 00:15:58,080 --> 00:16:02,280 Speaker 1: to the g LBT community are extensions of those vocal 258 00:16:02,280 --> 00:16:07,000 Speaker 1: stereotypes we saw in that study of heterosexual women listening 259 00:16:07,000 --> 00:16:09,960 Speaker 1: to men speaking and assuming that they had the chest 260 00:16:10,000 --> 00:16:12,640 Speaker 1: hair and all of that. We again and again we 261 00:16:12,680 --> 00:16:17,480 Speaker 1: are attributing all of these these traits two people based 262 00:16:17,520 --> 00:16:21,360 Speaker 1: on how our our larynx is constructed, right, I mean? 263 00:16:21,840 --> 00:16:23,720 Speaker 1: And you know, they the researchers do point out in 264 00:16:23,760 --> 00:16:25,920 Speaker 1: some of these studies that, uh, you know, why are 265 00:16:25,920 --> 00:16:28,080 Speaker 1: we making these assumptions? And a lot of it could 266 00:16:28,080 --> 00:16:30,600 Speaker 1: have to do with you know, movies, TV radio, that 267 00:16:30,680 --> 00:16:33,800 Speaker 1: we we we see someone presented as very masculine or 268 00:16:33,880 --> 00:16:36,560 Speaker 1: very feminine and sort of just assume that the way 269 00:16:36,640 --> 00:16:39,680 Speaker 1: they talk is representative of all these different kinds of people. 270 00:16:39,720 --> 00:16:42,200 Speaker 1: And of course there there's a lot of interaction between 271 00:16:42,360 --> 00:16:46,600 Speaker 1: your environment and how you speak. Um In in one 272 00:16:46,640 --> 00:16:49,600 Speaker 1: of the studies, the one that was talking about how 273 00:16:49,720 --> 00:16:55,520 Speaker 1: we make assumptions about sexual orientation based on vocalizations, some 274 00:16:55,600 --> 00:17:00,200 Speaker 1: think that speech differences might be learned socially conventional ways 275 00:17:00,400 --> 00:17:04,959 Speaker 1: of speaking. You know, when I am hanging out with 276 00:17:05,040 --> 00:17:07,399 Speaker 1: a with the Southern Crew especially, it reminds me of 277 00:17:07,440 --> 00:17:11,399 Speaker 1: a and um, I if I if I watch my 278 00:17:11,440 --> 00:17:15,520 Speaker 1: mom is a big fan of SEC football, college football, 279 00:17:15,960 --> 00:17:19,240 Speaker 1: and if I'm watching a college football game with my mother, 280 00:17:19,400 --> 00:17:23,240 Speaker 1: who is quite a rabid fan, I tends as the 281 00:17:23,280 --> 00:17:26,199 Speaker 1: closer we get to the fourth quarter, I mean it 282 00:17:26,240 --> 00:17:30,840 Speaker 1: comes out, you know, a little bit get or done. Yeah, my, my, my, 283 00:17:30,840 --> 00:17:32,840 Speaker 1: my southern accent comes comes out of the closet a 284 00:17:32,880 --> 00:17:34,560 Speaker 1: little bit more. Yeah, It's just it's the same way 285 00:17:34,600 --> 00:17:36,760 Speaker 1: when I'm with my dad in Michigan. Neither one of 286 00:17:36,840 --> 00:17:38,840 Speaker 1: us really has any sort of accent when we're in Georgia. 287 00:17:38,920 --> 00:17:41,320 Speaker 1: But like the closer it gets to going on vacation, 288 00:17:41,520 --> 00:17:45,120 Speaker 1: up in the mitten, the the flatter his valves get. Yeah, 289 00:17:45,160 --> 00:17:48,240 Speaker 1: don't mess with the mitten. Now you know how to 290 00:17:48,320 --> 00:17:53,760 Speaker 1: make that don't mess with the mitten sound far more menacing, Caroline. 291 00:17:54,560 --> 00:17:57,200 Speaker 1: You want to exert some some dominance if I if 292 00:17:57,280 --> 00:17:59,440 Speaker 1: I from the you know, the lower portion of the 293 00:17:59,520 --> 00:18:05,840 Speaker 1: United States, him and pointing the finger at your your mitten. Hey, 294 00:18:05,000 --> 00:18:10,320 Speaker 1: you should maybe lower your your vocal register, exert more 295 00:18:10,320 --> 00:18:16,400 Speaker 1: dominance with the mitten that we I mean, you're looking 296 00:18:16,440 --> 00:18:19,520 Speaker 1: at me. You know, I'm not a serious person. I'm terrified. 297 00:18:19,840 --> 00:18:22,320 Speaker 1: The point I'm trying to make, of course, is that 298 00:18:22,760 --> 00:18:27,720 Speaker 1: We've talked about deeper voices signaling sexual attraction, but deeper voices, 299 00:18:28,160 --> 00:18:32,439 Speaker 1: especially in men, are a signal even among men to 300 00:18:32,480 --> 00:18:37,680 Speaker 1: each other of dominance. Right. They even men are more 301 00:18:37,720 --> 00:18:40,959 Speaker 1: likely to rate other dudes with deep voices as more dominant, 302 00:18:41,000 --> 00:18:43,320 Speaker 1: although it did talk kind of about how men who 303 00:18:43,400 --> 00:18:45,560 Speaker 1: rate themselves as dominant are less likely to rate other 304 00:18:45,560 --> 00:18:48,399 Speaker 1: menu ates dominant. It might be competition or something. It 305 00:18:48,480 --> 00:18:52,240 Speaker 1: might be a little complicated. Um, but while the deeper 306 00:18:52,320 --> 00:18:57,480 Speaker 1: voices is an auditory signal of dominance for women, the 307 00:18:57,600 --> 00:19:01,400 Speaker 1: threat among other women comes with highly feminine voices. And 308 00:19:01,800 --> 00:19:05,560 Speaker 1: it might have something to do with some research from 309 00:19:05,600 --> 00:19:08,640 Speaker 1: Susan Hughes at Albright College who found that both men 310 00:19:08,720 --> 00:19:12,200 Speaker 1: and women with sexy voices also tend to be more 311 00:19:12,280 --> 00:19:16,720 Speaker 1: symmetrical and have traditionally sexy body types. So it might 312 00:19:16,760 --> 00:19:21,439 Speaker 1: be an auditory thing reinforcing the visual of oh wow, 313 00:19:21,480 --> 00:19:26,480 Speaker 1: not only are you just bonkers attractive, you have an 314 00:19:26,520 --> 00:19:29,480 Speaker 1: incredible voice. And it could be hormonal, right She talked 315 00:19:29,480 --> 00:19:32,520 Speaker 1: about like if if hormones are more able to give 316 00:19:32,600 --> 00:19:36,280 Speaker 1: you a curvy hourglass, maybe they also give you a 317 00:19:36,359 --> 00:19:39,239 Speaker 1: sexy Jessica Rabbit voice. Perhaps I don't know if that's 318 00:19:39,240 --> 00:19:42,480 Speaker 1: sounded accurate at all. And another fun fact from Susan Hughes, 319 00:19:42,720 --> 00:19:46,520 Speaker 1: people with attractive voices seem to have more sex partners 320 00:19:46,640 --> 00:19:51,040 Speaker 1: over their lifetime hormones. I mean, who knew that your 321 00:19:51,119 --> 00:19:54,840 Speaker 1: voice box has such a profound impact. I know it 322 00:19:54,880 --> 00:19:57,200 Speaker 1: helps me at karaoke. I don't know what people think 323 00:19:57,200 --> 00:19:59,600 Speaker 1: of me when I'm just talking. I haven't heard you 324 00:19:59,640 --> 00:20:03,800 Speaker 1: sing yet. We'll have to have a special, special musical episode. 325 00:20:04,119 --> 00:20:07,280 Speaker 1: So we've covered a ton of studies and a lot 326 00:20:07,320 --> 00:20:11,959 Speaker 1: of different aspects of voice, how our voices develop, and 327 00:20:12,320 --> 00:20:14,960 Speaker 1: how people perceive us based on our voice. So what 328 00:20:15,000 --> 00:20:18,120 Speaker 1: do you think? Do you think, Caroline is what's what's 329 00:20:18,119 --> 00:20:20,119 Speaker 1: the takeaway from all of this? I think the takeaway 330 00:20:20,320 --> 00:20:22,919 Speaker 1: is that people are judge mcjudge Stein's and that they 331 00:20:22,960 --> 00:20:25,400 Speaker 1: are going to judge that you are a certain way 332 00:20:25,440 --> 00:20:27,480 Speaker 1: because of the way you sound if they haven't seen 333 00:20:27,560 --> 00:20:30,239 Speaker 1: you or interacted with you. But it you know, just 334 00:20:30,280 --> 00:20:32,320 Speaker 1: because you have a deep voice doesn't mean you're six 335 00:20:32,359 --> 00:20:34,760 Speaker 1: five and a football player. And if you're just right 336 00:20:34,800 --> 00:20:37,960 Speaker 1: with a hairy chest, um, but you know, if you 337 00:20:38,000 --> 00:20:39,880 Speaker 1: have a high pitch voice, that doesn't mean you're weak 338 00:20:40,000 --> 00:20:43,879 Speaker 1: or slow. Or you know any of those things either. Yeah, 339 00:20:43,960 --> 00:20:47,680 Speaker 1: maybe it's another another way to keep us cognizant of 340 00:20:47,760 --> 00:20:54,000 Speaker 1: the gender stereotypes that we just automatically might make knee 341 00:20:54,080 --> 00:20:56,360 Speaker 1: jerk judgments. And I think one major thing to take 342 00:20:56,359 --> 00:20:58,960 Speaker 1: away is that this is really how I speak. It 343 00:20:59,119 --> 00:21:00,720 Speaker 1: is yes, and this is and this is how I 344 00:21:00,760 --> 00:21:04,000 Speaker 1: speak as well, unless I'm watching football, my mother hanging 345 00:21:04,000 --> 00:21:06,800 Speaker 1: out in Michigan and whatever. Yeah. I think one one 346 00:21:06,840 --> 00:21:12,040 Speaker 1: final vocal anecdote, I think that the the most striking 347 00:21:12,840 --> 00:21:16,280 Speaker 1: difference between a voice that I heard and the physicality 348 00:21:16,320 --> 00:21:17,760 Speaker 1: that I've built up in my mind of how that 349 00:21:17,800 --> 00:21:21,240 Speaker 1: person looked and how that person actually looks in real life. 350 00:21:21,720 --> 00:21:25,639 Speaker 1: Terry Gross the host of fresh Air on NPR, which 351 00:21:25,760 --> 00:21:29,560 Speaker 1: I love. If I could somehow high or Terry Gross 352 00:21:29,720 --> 00:21:32,080 Speaker 1: to read to me every night, I would do it. 353 00:21:32,119 --> 00:21:34,920 Speaker 1: I love I love her voice, and some people don't 354 00:21:34,920 --> 00:21:37,119 Speaker 1: like it, but I I really enjoy her voice. And 355 00:21:37,160 --> 00:21:38,840 Speaker 1: the first time I saw a picture, it just it 356 00:21:38,880 --> 00:21:42,239 Speaker 1: did not match up at all. Um for so, I 357 00:21:42,240 --> 00:21:45,000 Speaker 1: imagine her was these long curls for some reason, and 358 00:21:45,080 --> 00:21:49,480 Speaker 1: she has uh, pretty much a crew cut. So anyway, 359 00:21:49,560 --> 00:21:53,120 Speaker 1: it was just, uh, that's my that's my voice story. Yeah. 360 00:21:53,440 --> 00:21:55,639 Speaker 1: So now now I would like to invite listeners to 361 00:21:55,680 --> 00:21:59,600 Speaker 1: write in thinking are explaining to us whether our voices match? 362 00:21:59,760 --> 00:22:03,399 Speaker 1: Are our faces on Facebook? Yeah, we've got our picture 363 00:22:03,440 --> 00:22:06,960 Speaker 1: up there. Yeah. Yeah, judge us. We we just our 364 00:22:07,000 --> 00:22:09,280 Speaker 1: message take away message was don't judge, and now we're 365 00:22:09,280 --> 00:22:12,320 Speaker 1: asking no, I mean, but don't judge us in a 366 00:22:12,359 --> 00:22:15,560 Speaker 1: mean way. Obviously, we we just can't. We're sensitive people. 367 00:22:15,560 --> 00:22:18,160 Speaker 1: We can't handle it. Yeah, we can handle it, don't 368 00:22:18,200 --> 00:22:22,200 Speaker 1: most with admitten exactly. Well, again, if you have any 369 00:22:22,240 --> 00:22:26,080 Speaker 1: thoughts send our way on voices, email us smam stuff 370 00:22:26,080 --> 00:22:29,719 Speaker 1: at how stuff works dot com. And we've got an 371 00:22:29,760 --> 00:22:32,399 Speaker 1: email here to read That ties in with actually a 372 00:22:32,480 --> 00:22:35,919 Speaker 1: number of episodes, but it's in response to our episode 373 00:22:36,040 --> 00:22:43,920 Speaker 1: on women's intuition, Right, Sydney writes A couple of weeks ago, 374 00:22:43,960 --> 00:22:46,160 Speaker 1: a friend told me that since I started on estrogen, 375 00:22:46,520 --> 00:22:49,560 Speaker 1: I'm the male to female transsexual former freemason who emailed 376 00:22:49,640 --> 00:22:52,440 Speaker 1: last year I have grown some empathy, whereas he had 377 00:22:52,440 --> 00:22:56,040 Speaker 1: previously insisted that I utterly lacked it. Now I hear 378 00:22:56,080 --> 00:23:00,199 Speaker 1: your podcast on empathy and intuition, I've entertained at the 379 00:23:00,200 --> 00:23:03,080 Speaker 1: notion that he's clearly wrong, which I had already asserted 380 00:23:03,119 --> 00:23:05,359 Speaker 1: on the grounds that I feel I was empathetic before. 381 00:23:06,040 --> 00:23:08,040 Speaker 1: But part of me hopes that not too many people 382 00:23:08,080 --> 00:23:10,439 Speaker 1: hear this and lose the superstition that I now have 383 00:23:10,520 --> 00:23:15,400 Speaker 1: the benefit of these internal enhancements. Winky faith, And You've 384 00:23:15,400 --> 00:23:17,200 Speaker 1: got me wondering about some of the other mental and 385 00:23:17,240 --> 00:23:20,640 Speaker 1: emotional changes I've associated with the estrogen therapy. How much 386 00:23:20,680 --> 00:23:22,720 Speaker 1: of it is, how much of it is all in 387 00:23:22,760 --> 00:23:26,920 Speaker 1: my head? And how much is well actually in my head. Yeah, 388 00:23:26,920 --> 00:23:29,239 Speaker 1: I think that at some point we need to do 389 00:23:29,440 --> 00:23:33,280 Speaker 1: an episode dedicated just to testosterm on just to estrogen, 390 00:23:33,359 --> 00:23:35,760 Speaker 1: because they come up all the wonky things they do. 391 00:23:37,080 --> 00:23:40,320 Speaker 1: Um well again, if you have an email to send 392 00:23:40,320 --> 00:23:42,879 Speaker 1: our way, Mom Stuff at how Stuff Works is the 393 00:23:42,960 --> 00:23:46,800 Speaker 1: address to direct it to. And also find us on Facebook. 394 00:23:46,800 --> 00:23:49,960 Speaker 1: Head over there if anything to see what we look like. Yeah, 395 00:23:51,240 --> 00:23:54,560 Speaker 1: and you have our voices, manage our picture and follow 396 00:23:54,640 --> 00:23:58,560 Speaker 1: us on Twitter as well at Mom's Stuff podcast, And 397 00:23:58,600 --> 00:24:00,440 Speaker 1: then you can check out our blog Dear in the week, 398 00:24:00,720 --> 00:24:03,720 Speaker 1: It's stuff Mom Never told You from how Stuff Works 399 00:24:03,840 --> 00:24:10,440 Speaker 1: dot com. Be sure to check out our new video podcast, 400 00:24:10,640 --> 00:24:13,479 Speaker 1: Stuff from the Future. Join how Stuff Work staff as 401 00:24:13,560 --> 00:24:17,240 Speaker 1: we explore the most promising and perplexing possibilities of tomorrow. 402 00:24:17,920 --> 00:24:20,520 Speaker 1: The How Stuff Works I Fine app has arrived. Download 403 00:24:20,560 --> 00:24:28,119 Speaker 1: it today on iTunes, brought to you by the reinvented 404 00:24:28,160 --> 00:24:30,880 Speaker 1: two thousand twelve camera. It's ready, are you