WEBVTT - Casket-a-go-go, Part 3

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<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

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<v Speaker 1>welcome to Invention. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we're back with part three of our

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<v Speaker 1>exploration of coffin tech. It's death Tech month at at

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<v Speaker 1>Invention here. In the last couple episodes we talked about

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<v Speaker 1>like special types of coffins. Originally, in the first episode,

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<v Speaker 1>I think we focus mainly on coffins that we're designed

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<v Speaker 1>to keep you from being prematurely buried and uh and

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<v Speaker 1>thrashing about inside your your grave sealed for doom forever. Uh.

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<v Speaker 1>And in the last episode we focused mainly on well,

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<v Speaker 1>we we looked at length of the fist coffin the

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<v Speaker 1>f I s K. How can you say fisk coffin.

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<v Speaker 1>That's almost impossible. Yeah, I'm surprised that it sold so

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<v Speaker 1>well with a name like that, which was a strange

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<v Speaker 1>and elegant invention. And it's all right, But a lot

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<v Speaker 1>of what we talked about was stuff to prevent people

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<v Speaker 1>from having their bodies stolen by resurrection men or resurrectionists

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<v Speaker 1>who took bodies from graves in order to sell them

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<v Speaker 1>to medical colleges and dissection rooms and anatomists. Yeah so

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<v Speaker 1>so yeah, we talked about ways to to safeguard the

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<v Speaker 1>the the casket, the burial ground, putting cages over them,

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<v Speaker 1>having specially designed caskets to keep people out, weird gadgets

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<v Speaker 1>to go around your neck, etcetera. But now we're going

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<v Speaker 1>to get into Uh, I guess what we would call

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<v Speaker 1>active measures? Right? A casket or a coffin that fights back. Right,

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<v Speaker 1>So what if all the last solutions we are, all

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<v Speaker 1>the previous solutions we talked about were just too wimpy.

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<v Speaker 1>Here is a possible solution. If you want to keep

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<v Speaker 1>people from stealing your corpse, turn them into a corpse

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<v Speaker 1>and then they'll have their own and they won't need yours. Uh,

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<v Speaker 1>you're talking about a casket that kills. Like if it

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<v Speaker 1>were like a seventies or eighties horror film, it would

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<v Speaker 1>be instead of being death Spa or deathback the beat

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<v Speaker 1>it kills, it would be death casket, the casket that killed.

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<v Speaker 1>Maybe that's too close, are it is too on the nose?

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<v Speaker 1>So you know, one thing I was thinking about is

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<v Speaker 1>if you go by Indiana Jones as your main source,

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<v Speaker 1>you would think that the booby trapping of tombs with

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<v Speaker 1>deadly mechanisms for crushing, impaling, fatally desiccating, plucking out the

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<v Speaker 1>eyeballs of grave robbers was sort of a time honored tradition,

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<v Speaker 1>right that this goes back into the ancient world. Lots

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<v Speaker 1>of tombs are like this. But the sad fact is

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<v Speaker 1>that I can find almost no real evidence of booby

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<v Speaker 1>trapped tombs from the ancient world, with essentially one possible exception,

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<v Speaker 1>and that only exception is rumors about the unexcavated tomb

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<v Speaker 1>of the ancient Chinese emperor Chin chi Huang, which we

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<v Speaker 1>already did an episode of our other podcast, Stuff to

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<v Speaker 1>Blow your mind about, So if you want a whole

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<v Speaker 1>episode on that subject, you should look up our Chin

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<v Speaker 1>chi Huang episode. But the short version is some ancient

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<v Speaker 1>accounts claim that the tomb of Chin chi Huong is

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<v Speaker 1>rigged with weapons and poisons to slaughter any potential looters.

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<v Speaker 1>And I've got a description of the tomb here from

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<v Speaker 1>the first century b c. Chinese historian uh Sima Cuyon,

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<v Speaker 1>and it's translated by Burton Watson. Uh So it goes

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<v Speaker 1>like this. It says they dug down to the third

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<v Speaker 1>layer of underground springs and poured in bronze to make

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<v Speaker 1>the outer coffin. Replicas of palaces, scenic towers, and the

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<v Speaker 1>Hundred Officials, as well as rare utensils and wondrous objects

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<v Speaker 1>were brought in to fill the tomb. Craftsmen were ordered

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<v Speaker 1>to set up crossbows and arrows rigged so that they

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<v Speaker 1>would immediately shoot down anyone attempting to break in. Mercury

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<v Speaker 1>was used to fashion imitations of the Hundred Rivers, the

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<v Speaker 1>Yellow River, and the Young Sea, and the seas, constructed

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<v Speaker 1>in such a way that they seemed to flow above

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<v Speaker 1>or representations of all the heavenly bodies below the features

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<v Speaker 1>of the earth. Whale oil was used for lamps, which

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<v Speaker 1>were calculated to burn for a long time without going out.

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<v Speaker 1>That is nice. They're like, this is really top shelf

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<v Speaker 1>when it comes to tombs. Yeah, and tomb technology. I mean,

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<v Speaker 1>you got your mercury, you got your automatic crossbows. Uh,

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<v Speaker 1>you'd assume maybe the mercury works kind of like a

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<v Speaker 1>toxic poison to fill the room with fumes. Very interesting stuff.

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<v Speaker 1>But of course the tomb remains unopened, to which on

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<v Speaker 1>one level means I mean, granted, it's unopened for a

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<v Speaker 1>variety of reasons. But you could say that, hey, just

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<v Speaker 1>just the idea that there are crossbows in there there

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<v Speaker 1>in there, that they are deadly traps in there, could

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<v Speaker 1>have contributed to its protection over the centuries. That's a

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<v Speaker 1>very good point that it could could be like a

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<v Speaker 1>mimetic protection um. And of course the thing is, we

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<v Speaker 1>don't know if there's anything to these stories, and even

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<v Speaker 1>if it was true when the tomb was crafted, I

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<v Speaker 1>strongly doubt that like crossbow mechanisms from two thousand years

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<v Speaker 1>plus ago would still work today right now. It will

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<v Speaker 1>be interesting though, because, as we discussed in that episode

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<v Speaker 1>of Stuff to Blow your Mind, we may have actually

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<v Speaker 1>we find out what what is going on in that tomb.

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<v Speaker 1>There's been talk of of actually entering it or sending

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<v Speaker 1>in you know, the drones to explore it a little bit, uh,

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<v Speaker 1>you know, as much as exploration, but also to to

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<v Speaker 1>make sure that the area is protected, that that the

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<v Speaker 1>the artifacts inside are not destroyed in due course due

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<v Speaker 1>to say seismic events or something like that. Right, but

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<v Speaker 1>maybe we'll send that first drone in and it'll get

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<v Speaker 1>hit by a crossbow bowls, you never know. That would

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<v Speaker 1>be very cool. But like I said, the kind of

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<v Speaker 1>strange and disappointing thing is this seems to be the

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<v Speaker 1>only case I can find of a booby trapped tomb

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<v Speaker 1>from the ancient world. But I would say, on the

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<v Speaker 1>other hand, the general lack of Indiana Jones style traps

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<v Speaker 1>does not mean that ancient people's weren't very keen on

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<v Speaker 1>keeping their graves undisturbed. Of course, one thing is just

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<v Speaker 1>standard type security features like you would find on the

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<v Speaker 1>tombs we've already talked about in the previous episodes, you know, seals, gates,

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<v Speaker 1>things being filled in, or having huge slabs placed on

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<v Speaker 1>top of or in front of them, that kind of thing,

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<v Speaker 1>just to keep people out. But the other thing I

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<v Speaker 1>would say, picking up on the idea of mimetic security

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<v Speaker 1>is like the idea of the mythical curse of the Pharaohs. Now.

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<v Speaker 1>Of course, that is more or less a twentieth century

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<v Speaker 1>mythical invention, but it does take slight inspiration from reality

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<v Speaker 1>in that some ancient tombs are marked with like curses

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<v Speaker 1>or warnings against people who might disturb them. I was

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<v Speaker 1>reading a really interesting thing about tomb curses on the

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<v Speaker 1>National Museum Scotland blog and a post by assistant curator

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<v Speaker 1>Dr Dan Potter with a translation that I'll get to

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<v Speaker 1>in a second. Uh. Now, when I imagine ancient tomb

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<v Speaker 1>curses and warnings and stuff, I often imagine really vividly

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<v Speaker 1>violent threats, the like may your teeth turn into bees

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<v Speaker 1>kind of thing, or may rot erect, you know, the

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<v Speaker 1>the poe poe kind of direction. But as an example

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<v Speaker 1>of the kind of two mornings, you're more likely to

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<v Speaker 1>actually find an ancient Egypt. Potter translates a stone with

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<v Speaker 1>an inscription from roughly between twelve to ten sixty nine

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<v Speaker 1>b C. And it's from the necropolis of sheik Abbot Alcerna,

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<v Speaker 1>which is in where ancient Thebes would have been. And

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<v Speaker 1>this is Potter's translation. It is to you that I

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<v Speaker 1>speak all people who will find this tomb passage. Watch

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<v Speaker 1>out not to take even a pebble from within it outside.

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<v Speaker 1>If you find this stone, you shall not transgress against it. Indeed,

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<v Speaker 1>the gods since the time of pre who rest in

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<v Speaker 1>the midst of the mountains, gained strength every day even

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<v Speaker 1>though their pebbles are dragged away. Look for a place

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<v Speaker 1>worthy of yourselves and rest in it, And do not

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<v Speaker 1>constrict gods in their own houses. As every man is

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<v Speaker 1>happy in his place, and every man is glad in

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<v Speaker 1>his house. As for he who will be sound, beware

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<v Speaker 1>of forcefully removing this stone from its place. As for

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<v Speaker 1>he who covers it in its place, great lords of

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<v Speaker 1>the West will reproach him very very very very very

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<v Speaker 1>very very very much. That is a stern tongue lashing.

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<v Speaker 1>I really like that. At the end though, it's kind

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<v Speaker 1>of quaint and polite. It's like, don't mess with my tomb.

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<v Speaker 1>I'm dead, I'm a god. Now you go find your

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<v Speaker 1>own tomb, become a god in your own way, and please, please, please, please,

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<v Speaker 1>please please please don't mess with it. I love this. Yeah,

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<v Speaker 1>the excessive use of the very here, because that would

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<v Speaker 1>not be considered you know, proper in English, modern English

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<v Speaker 1>anyway to to use that. But but really it gets

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<v Speaker 1>the point across. The more varies, the better it reminds me.

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<v Speaker 1>I had a professor once of I believe it was

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<v Speaker 1>a uh, you know, Canterbury Tales classes that I was taking.

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<v Speaker 1>He was the professor, and he he liked to stress

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<v Speaker 1>that while we're not fond of double negatives now, uh,

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<v Speaker 1>there was a time when you would just quote Negate

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<v Speaker 1>the hell out of something if you wanted to to

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<v Speaker 1>make sure it was negated. They're great old instances of

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<v Speaker 1>word repetition in in older languages, especially like from the

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<v Speaker 1>ancient world. I think about the idea of holy, holy holy.

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<v Speaker 1>You know, it's just saying like, you don't say extremely holy,

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<v Speaker 1>you say holy, holy holy. You keep repeating the word

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<v Speaker 1>to emphasize the superlativeness of work. But yeah, I like

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<v Speaker 1>this idea of thinking about the mythology that surrounds two

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<v Speaker 1>warnings is a kind of meme based security invention. And

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<v Speaker 1>you could think of that in a religious context as

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<v Speaker 1>it's invoked here, like you're gonna upset the gods. Things

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<v Speaker 1>are going to be very bad for you if you

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<v Speaker 1>disturb this tomb, or you could think about it in

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<v Speaker 1>a chin chi huang kind of context where you could

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<v Speaker 1>seed stories out with the historians, or you know, just

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<v Speaker 1>throughout the culture that there's some mega like killer robots

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<v Speaker 1>in this tomb you don't want to go inside. Yeah.

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<v Speaker 1>One thing I was thinking about is if you just

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<v Speaker 1>have the the curse posted, it depends on literacy for

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<v Speaker 1>what to really convey its meaning. Uh. Not everyone may

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<v Speaker 1>be able to read, but everyone speaks the language crossbow. Um.

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<v Speaker 1>But then again, if you're if it's not just about

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<v Speaker 1>making sure that you have a sign posted, but to

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<v Speaker 1>spread the word of it, to make sure that the

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<v Speaker 1>curse is known, that's a different thing altogether. Well, should

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<v Speaker 1>we take a quick break and then come back to

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<v Speaker 1>discuss some gorrier, more modern versions of active measures protecting

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<v Speaker 1>it to him? Let's do it. Alright, we're back, so

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<v Speaker 1>let's let's get into the gory details. Right. So we

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<v Speaker 1>were discussing previously that even when ancient tombs have curses,

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<v Speaker 1>it seems like they're often less gruesome than you would expect.

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<v Speaker 1>But leave it to modern Americans and Europeans to take

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<v Speaker 1>tomb security to ridiculously nasty, violent places. As exhibit A,

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<v Speaker 1>I would like to read a report from the Stark

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<v Speaker 1>County Democrat, which was a Canton, Ohio newspaper, the addition

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<v Speaker 1>of January one. This is this article is called a

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<v Speaker 1>torpedo blows them up. This is wonderful days pleasuated this

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<v Speaker 1>in its entirety Mount vernon January nineteen, So you got

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<v Speaker 1>your dateline. A report reaches here that on Monday night,

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<v Speaker 1>three body snatchers, while attempting to rob a grave of

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<v Speaker 1>near Gan this county met with a fatal accident. The

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<v Speaker 1>story goes that while excavating the grave, the Picks came

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<v Speaker 1>in contact with a torpedo, which exploded, killing one of

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<v Speaker 1>the ghouls named Dipper, and mangling the leg of another

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<v Speaker 1>whose name could not be learned. The third part, the

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<v Speaker 1>third party was occupying a sleigh as a lookout and

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<v Speaker 1>after the accident, succeeded in getting his disabled companion in

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<v Speaker 1>the sleigh and driving off. This is one of This

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<v Speaker 1>is like a page from you know, Coran McCarthy book

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<v Speaker 1>that we can only find the Library of Babble. Yeah, Dipper,

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<v Speaker 1>they only know one of their names. And again I

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<v Speaker 1>love the description as ghouls because I think we mentioned

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<v Speaker 1>this in the last episode. But Google's, of course, are

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<v Speaker 1>aditionally monsters of a necrophageous persuasion. They lurk in graveyards

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<v Speaker 1>and they scavenge the flesh of the dead. But let's

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<v Speaker 1>come back to that other detail that I meagined. A

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<v Speaker 1>lot of people latched onto, uh the idea that a

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<v Speaker 1>torpedo exploded, right, Yeah, a torpedo blows them up. So

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<v Speaker 1>I'm thinking like a torpedo on a submarine, Like did

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<v Speaker 1>somebody bury an explosive charge among their great uncle's grave goods,

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<v Speaker 1>which exploded when the ghoul's broke in. No, this was

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<v Speaker 1>not an accidental explosion of something that happened to be

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<v Speaker 1>down there. This apparently was a specific technology designed to

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<v Speaker 1>protect graves by maiming and murdering resurrection men and grave robbers. Yeah,

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<v Speaker 1>that the coffin torpedo. I ran across this as well.

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<v Speaker 1>I was not familiar with it previously, and when I

0:12:44.440 --> 0:12:47.040
<v Speaker 1>read it, of course, the thing that entered my mind

0:12:47.520 --> 0:12:49.400
<v Speaker 1>is the idea that you have a casket that is

0:12:49.440 --> 0:12:52.959
<v Speaker 1>fired out of a torpedo tube on a submarine. I thought, well,

0:12:52.960 --> 0:12:55.720
<v Speaker 1>that's what it is. How weird that I've run across

0:12:55.760 --> 0:12:59.000
<v Speaker 1>such an invention. But no, it's even weirder. Yes, So

0:12:59.040 --> 0:13:03.840
<v Speaker 1>I've come across two major records of booby trap coffin inventions.

0:13:04.360 --> 0:13:08.400
<v Speaker 1>Uh so. One is that on October eight eight, an

0:13:08.400 --> 0:13:12.960
<v Speaker 1>Ohio inventor named Philip K. Clover received a patent for

0:13:13.040 --> 0:13:16.079
<v Speaker 1>what he called a coffin torpedo. It was designed to

0:13:16.160 --> 0:13:21.400
<v Speaker 1>quote prevent the unauthorized resurrection of dead bodies. To presume

0:13:21.520 --> 0:13:24.680
<v Speaker 1>the authorized one would be the end times one, right, Yeah,

0:13:24.880 --> 0:13:26.880
<v Speaker 1>it would need to be Jesus or you know, an

0:13:26.920 --> 0:13:32.960
<v Speaker 1>accepted uh spokesperson for Jesus, or a sufficiently powerful necromancer. Uh.

0:13:33.360 --> 0:13:37.240
<v Speaker 1>The torpedo would be loaded with a shotgun style spray

0:13:37.320 --> 0:13:40.319
<v Speaker 1>of lead balls, and then we would be buried facing

0:13:40.440 --> 0:13:43.280
<v Speaker 1>up inside the lid of the coffin, and if triggered,

0:13:43.280 --> 0:13:45.800
<v Speaker 1>the Coffin torpedo would of course blast the thief and

0:13:45.840 --> 0:13:48.840
<v Speaker 1>possibly killed them. Okay, so in a way it gets

0:13:48.880 --> 0:13:51.800
<v Speaker 1>even grizzlier because what we're talking about he is really

0:13:51.840 --> 0:13:56.000
<v Speaker 1>more comparable with a land mine or or a shotgun trap.

0:13:56.240 --> 0:13:59.600
<v Speaker 1>The probably a landmine is the more accepted comparison here. Yes,

0:13:59.640 --> 0:14:01.520
<v Speaker 1>actually one person I'm going to sit in a minute

0:14:01.559 --> 0:14:05.240
<v Speaker 1>makes exactly that comparison. So another coffin torpedo came out

0:14:05.240 --> 0:14:07.679
<v Speaker 1>a few years later. This one was patented by a

0:14:07.720 --> 0:14:10.960
<v Speaker 1>guy named Thomas In Howell, also of Ohio. So it

0:14:10.960 --> 0:14:15.600
<v Speaker 1>seems like maybe Grave like unauthorized resurrection was happening a

0:14:15.640 --> 0:14:18.920
<v Speaker 1>lot in Ohio at the time. Howell says in his

0:14:19.000 --> 0:14:22.720
<v Speaker 1>patent that other Grave torpedoes already exist, but that he's

0:14:22.760 --> 0:14:28.200
<v Speaker 1>improved the Grave torpedo design by including quote exterior nipples

0:14:28.240 --> 0:14:32.520
<v Speaker 1>on the shell and quote pivoted swinging hammers combined with

0:14:32.560 --> 0:14:35.840
<v Speaker 1>a rotary disc or collar for engaging the hammers and

0:14:35.880 --> 0:14:39.080
<v Speaker 1>by its rotary movement, release the hammers, which constitute the

0:14:39.160 --> 0:14:42.160
<v Speaker 1>essential and important feature of my invention. So he's all

0:14:42.160 --> 0:14:44.480
<v Speaker 1>about nipples and hammers. Yeah, I don't really have a

0:14:44.480 --> 0:14:47.200
<v Speaker 1>clear vision of what these hammers are accomplishing. You can

0:14:47.240 --> 0:14:49.680
<v Speaker 1>look up a diagram on the I've got a link

0:14:49.720 --> 0:14:52.520
<v Speaker 1>here to the to the patent for you. But basically

0:14:52.560 --> 0:14:55.240
<v Speaker 1>it ends up working sort of the same. It's like

0:14:55.240 --> 0:14:57.680
<v Speaker 1>a landmine thing. In fact, I was reading a blog

0:14:57.720 --> 0:15:02.320
<v Speaker 1>post about this invention by an anthropologist named Katie Myers Emery,

0:15:02.400 --> 0:15:04.520
<v Speaker 1>who has written a lot on like a Burial of

0:15:04.520 --> 0:15:07.400
<v Speaker 1>the Dead, traditions and stuff, in which she says that

0:15:07.680 --> 0:15:11.200
<v Speaker 1>Howell's model was really more like a landmine than a gun.

0:15:11.640 --> 0:15:15.440
<v Speaker 1>But she also quotes a contemporary advertisement for one of

0:15:15.480 --> 0:15:18.440
<v Speaker 1>these grave torpedoes. I think it's for Howell's model, which

0:15:18.480 --> 0:15:22.520
<v Speaker 1>reads sleep well, sweet angel, Let no fears of ghouls

0:15:22.680 --> 0:15:26.400
<v Speaker 1>disturb thy rest. For above thy shrouded form lies a

0:15:26.440 --> 0:15:30.320
<v Speaker 1>torpedo ready to make minced meat. If anyone who attempts

0:15:30.320 --> 0:15:33.440
<v Speaker 1>to convey you to the pickling vat I think it's

0:15:33.480 --> 0:15:36.080
<v Speaker 1>really also drives home that the use of the word

0:15:36.120 --> 0:15:39.840
<v Speaker 1>torpedo has has shifted some in our in our usage.

0:15:40.120 --> 0:15:43.120
<v Speaker 1>I think so too, because I think of essentially an

0:15:43.200 --> 0:15:46.560
<v Speaker 1>underwater missile, like a run for Red October or something.

0:15:46.840 --> 0:15:49.840
<v Speaker 1>But I love this this pitch here, sleep well, sweet angel,

0:15:49.920 --> 0:15:52.920
<v Speaker 1>let no fears of ghouls disturb thy rest. It's it's

0:15:52.960 --> 0:15:55.240
<v Speaker 1>good copy, but it's also not catchy. I mean, I

0:15:55.280 --> 0:15:58.080
<v Speaker 1>feel like the Howell's model needs a catch your jingle,

0:15:59.040 --> 0:16:02.800
<v Speaker 1>Like they won't use me for science. I'd rather stay

0:16:02.880 --> 0:16:06.080
<v Speaker 1>here and rot. You know. The other thing I'm thinking

0:16:06.160 --> 0:16:08.240
<v Speaker 1>is that at this point in our history, like an

0:16:08.280 --> 0:16:11.480
<v Speaker 1>undisturbed grave is so normal, you know. I feel like

0:16:11.520 --> 0:16:14.520
<v Speaker 1>I almost I want to attract the ghoules, like it

0:16:14.560 --> 0:16:16.520
<v Speaker 1>would kind of make my death more of a celebration.

0:16:16.600 --> 0:16:19.480
<v Speaker 1>But it's just just a thought. Yeah, why not have

0:16:19.520 --> 0:16:22.960
<v Speaker 1>another boring burial like everybody else, you know, why not

0:16:23.640 --> 0:16:27.880
<v Speaker 1>get things of popping around your grave? Uh So. In fact,

0:16:28.200 --> 0:16:31.120
<v Speaker 1>the strangest thing of the story is that this torpedo

0:16:31.440 --> 0:16:35.120
<v Speaker 1>was not even the first lethal trap for grave robbers

0:16:35.200 --> 0:16:39.640
<v Speaker 1>of the Resurrectionist age. It seems that since the eighteenth century,

0:16:39.760 --> 0:16:43.600
<v Speaker 1>there had been what are known as cemetery guns. Uh,

0:16:43.640 --> 0:16:46.640
<v Speaker 1>that's not a trick name. That just means guns used

0:16:46.680 --> 0:16:50.080
<v Speaker 1>for cemeteries. So I found a link to one in

0:16:50.080 --> 0:16:54.840
<v Speaker 1>particular being auctioned at Southeby's in January of sixteen. It

0:16:54.960 --> 0:16:59.040
<v Speaker 1>is an eighteenth or early nineteenth century flintlock gun, originally

0:16:59.080 --> 0:17:01.920
<v Speaker 1>made out of ash would steel and wrought iron by

0:17:01.920 --> 0:17:04.919
<v Speaker 1>the Jurgenson Machine Company of New York. I've got a

0:17:04.960 --> 0:17:07.920
<v Speaker 1>picture of it for you here, Robert. I think this

0:17:07.960 --> 0:17:10.360
<v Speaker 1>gun being sold at auction is one of the same

0:17:10.400 --> 0:17:14.159
<v Speaker 1>ones I've read about elsewhere, being displayed at a museum

0:17:14.200 --> 0:17:19.080
<v Speaker 1>called the Museum of Mourning Art at Arlington Cemetery in Pennsylvania.

0:17:19.320 --> 0:17:21.879
<v Speaker 1>And so this gun would have been positioned on a

0:17:21.960 --> 0:17:24.840
<v Speaker 1>swivel mount and then it would be mounted at the

0:17:24.920 --> 0:17:27.600
<v Speaker 1>site of the grave that needed to be protected, and

0:17:27.640 --> 0:17:30.600
<v Speaker 1>then it would be fired by trip wires. So you'd

0:17:30.600 --> 0:17:34.639
<v Speaker 1>place trip wires that linked to the triggering mechanism, and

0:17:34.680 --> 0:17:37.719
<v Speaker 1>if somebody pulls the trip wire, if the tension you know,

0:17:38.240 --> 0:17:40.720
<v Speaker 1>goes up on the wire, it triggers the gun and

0:17:40.800 --> 0:17:43.040
<v Speaker 1>the shot or the ball I guess, goes out at

0:17:43.400 --> 0:17:49.040
<v Speaker 1>in the direction of the grave. This seems excessive yeah,

0:17:49.080 --> 0:17:52.880
<v Speaker 1>I'd have to imagine that if these were ever deployed

0:17:52.920 --> 0:17:55.919
<v Speaker 1>at any kind of scale, they would kill innocent people. Right.

0:17:55.960 --> 0:17:57.520
<v Speaker 1>And if people just happened to be going through the

0:17:57.560 --> 0:18:00.240
<v Speaker 1>graveyard and they you know, trip over the trip, are

0:18:00.440 --> 0:18:03.080
<v Speaker 1>they you know, kicked the wrong thing? Oh? Yes, her

0:18:03.119 --> 0:18:07.040
<v Speaker 1>squirrels would set them off birds, I mean small children.

0:18:07.119 --> 0:18:11.119
<v Speaker 1>It's yeah, this is this is this is ridiculous. Well,

0:18:11.240 --> 0:18:14.360
<v Speaker 1>now you might wonder if like, okay, this sounds excessive.

0:18:14.440 --> 0:18:17.880
<v Speaker 1>So maybe things like this were made but never actually used.

0:18:17.880 --> 0:18:20.680
<v Speaker 1>But there are accounts of them being used. I found

0:18:20.680 --> 0:18:24.280
<v Speaker 1>a couple in a book by an author named Susie Lennox.

0:18:24.320 --> 0:18:27.040
<v Speaker 1>The book is called Body Snatchers, Digging Up the Untold

0:18:27.040 --> 0:18:30.800
<v Speaker 1>Stories of Britain's Resurrection Men from Pin and Sword, which

0:18:30.840 --> 0:18:36.120
<v Speaker 1>is a history press published in and So Lennox says, uh,

0:18:36.160 --> 0:18:38.840
<v Speaker 1>this following account was reported in The Times, I mean

0:18:38.920 --> 0:18:43.560
<v Speaker 1>the Times of London in eighteen seventeen. So apparently there

0:18:43.600 --> 0:18:46.600
<v Speaker 1>was a really tall guy. There was a British grenadier

0:18:46.680 --> 0:18:49.879
<v Speaker 1>who was seven feet tall, and he passed away and

0:18:49.920 --> 0:18:53.240
<v Speaker 1>for some reason, his very tall body was highly coveted

0:18:53.240 --> 0:18:56.080
<v Speaker 1>by an atomis. Maybe they just I don't know, they

0:18:56.119 --> 0:18:58.040
<v Speaker 1>wanted to see what made him so taller, and there

0:18:58.119 --> 0:19:01.800
<v Speaker 1>was a standard fee increase were for you know, excessively

0:19:01.840 --> 0:19:04.879
<v Speaker 1>tall or excessively short specimens. Maybe, oh, maybe in the

0:19:04.920 --> 0:19:08.120
<v Speaker 1>medical college it's easier to see a larger specimen from

0:19:08.119 --> 0:19:10.560
<v Speaker 1>the sitting up in the gallery. Or maybe they saw

0:19:10.600 --> 0:19:13.280
<v Speaker 1>him in half and sell him as too. I don't know,

0:19:13.880 --> 0:19:17.040
<v Speaker 1>but for some reason, yeah, his very tall body was

0:19:17.160 --> 0:19:20.560
<v Speaker 1>highly desired by the resurrection men. So his body was

0:19:20.600 --> 0:19:23.480
<v Speaker 1>buried in the cemetery of St Martin in the Fields,

0:19:23.480 --> 0:19:27.320
<v Speaker 1>which is this Anglican church in Westminster's in London. And

0:19:28.080 --> 0:19:30.639
<v Speaker 1>because the seven foot corps was known to be of

0:19:30.680 --> 0:19:33.679
<v Speaker 1>great value to the body snatchers, the sexton of the

0:19:33.760 --> 0:19:36.639
<v Speaker 1>church quote put together a number of gun barrels so

0:19:36.720 --> 0:19:39.399
<v Speaker 1>as to form a magazine that they might all be

0:19:39.560 --> 0:19:43.359
<v Speaker 1>discharged together. So he set up a bunch of grave guns,

0:19:43.600 --> 0:19:46.879
<v Speaker 1>all aimed at this grave. And apparently the trip wire

0:19:47.160 --> 0:19:50.400
<v Speaker 1>that pulled the trigger on the gun battery was attached

0:19:50.400 --> 0:19:52.600
<v Speaker 1>to a piece of wood, and then the wood was

0:19:52.720 --> 0:19:55.439
<v Speaker 1>buried just under the surface of the grave. So if

0:19:55.480 --> 0:19:58.640
<v Speaker 1>you start digging down to access the coffin, you would

0:19:58.720 --> 0:20:01.399
<v Speaker 1>hit the wood and you'd have to remove it, so

0:20:01.480 --> 0:20:03.480
<v Speaker 1>in removing it you would pull on the wood. This

0:20:03.520 --> 0:20:05.919
<v Speaker 1>would pull the triggers of the gun battery and the

0:20:05.920 --> 0:20:08.159
<v Speaker 1>person standing over the grave would get hit by a

0:20:08.240 --> 0:20:11.920
<v Speaker 1>volley of bullets. And according to this Times report, one

0:20:12.040 --> 0:20:14.840
<v Speaker 1>night after the burial, at about four thirty am, the

0:20:14.920 --> 0:20:18.600
<v Speaker 1>sexton of the church heard a tremendous report. So he

0:20:18.640 --> 0:20:20.840
<v Speaker 1>goes out to the churchyard and the sexton finds a

0:20:20.840 --> 0:20:23.479
<v Speaker 1>bunch of picks and shovels lying around on the ground,

0:20:23.880 --> 0:20:27.399
<v Speaker 1>and to quote from the Lennox's retelling here quote, he

0:20:27.480 --> 0:20:30.159
<v Speaker 1>also found a man's hat with a bullet hole in

0:20:30.240 --> 0:20:33.120
<v Speaker 1>one side of it. As there was no exit hole.

0:20:33.200 --> 0:20:36.560
<v Speaker 1>The sexton concluded that it must have lodged in the

0:20:36.600 --> 0:20:39.760
<v Speaker 1>head of one of the body snatchers, killing him instantly,

0:20:40.280 --> 0:20:44.119
<v Speaker 1>with his friends taking his lifeless body away with them.

0:20:44.160 --> 0:20:47.560
<v Speaker 1>So immediately I was wondering, wait a second, now, if

0:20:47.680 --> 0:20:49.879
<v Speaker 1>you are a group of resurrection men, you're trying to

0:20:49.920 --> 0:20:52.800
<v Speaker 1>dig up a body and one of your buddies gets killed,

0:20:53.200 --> 0:20:55.440
<v Speaker 1>I mean for the other ones, isn't that just as good?

0:20:55.520 --> 0:20:57.960
<v Speaker 1>Like you just run off and you sell this fresh

0:20:58.000 --> 0:21:00.879
<v Speaker 1>dead body. Now, yeah, I wonder if new racket was

0:21:00.920 --> 0:21:03.439
<v Speaker 1>born that night they're like, hey, we just keep we

0:21:03.520 --> 0:21:05.879
<v Speaker 1>just need to keep hiring new guys into our gang,

0:21:06.359 --> 0:21:09.560
<v Speaker 1>and we'll just kill them and sell their bodies. Yeah, hey, Jeff,

0:21:09.600 --> 0:21:12.200
<v Speaker 1>you move the wood. Yeah, well better yet, we don't

0:21:12.200 --> 0:21:14.160
<v Speaker 1>even have to kill them ourselves. We just bring them

0:21:14.160 --> 0:21:17.600
<v Speaker 1>to the cemetery. We have this crazy gun that shoots people. Yeah, yeah, exactly.

0:21:17.640 --> 0:21:20.320
<v Speaker 1>You always get the new guy to move the wood

0:21:20.359 --> 0:21:22.800
<v Speaker 1>and pull the string, and you get a fresh body

0:21:22.880 --> 0:21:26.600
<v Speaker 1>every night. Now, needless to say, this would be quite

0:21:26.640 --> 0:21:29.600
<v Speaker 1>illegal if you were to sit try and set something

0:21:29.640 --> 0:21:31.560
<v Speaker 1>like this up today. Oh yeah, yeah, yeah. I mean,

0:21:31.600 --> 0:21:35.480
<v Speaker 1>I think the risk that these guns posed too obviously

0:21:35.560 --> 0:21:38.400
<v Speaker 1>innocent people would be a clear thing that would make

0:21:38.440 --> 0:21:40.880
<v Speaker 1>them illegal over time. But even so, I mean, even

0:21:40.920 --> 0:21:43.240
<v Speaker 1>if you're aiming them at criminals, I don't know, I

0:21:43.240 --> 0:21:45.240
<v Speaker 1>don't know if it seems right to just like shoot

0:21:45.280 --> 0:21:47.400
<v Speaker 1>people when they're trying to do something in the kind

0:21:47.440 --> 0:21:50.119
<v Speaker 1>of gray area space of digging up dead bodies at

0:21:50.119 --> 0:21:52.200
<v Speaker 1>the time. Now, on the other hand, of course, the

0:21:52.200 --> 0:21:55.960
<v Speaker 1>guns didn't always work. Lennox also recounts the story from

0:21:56.160 --> 0:22:00.240
<v Speaker 1>Camden Town in eighty three, where body snatchers succeeded in

0:22:00.400 --> 0:22:03.840
<v Speaker 1>breaching a gun protected grave just by dismantling the trip wire.

0:22:03.960 --> 0:22:05.560
<v Speaker 1>So they saw what was going on there and they

0:22:05.600 --> 0:22:09.040
<v Speaker 1>just took the system apart. So maybe we should take

0:22:09.040 --> 0:22:10.760
<v Speaker 1>a quick break and then when we come back we

0:22:10.800 --> 0:22:21.760
<v Speaker 1>can discuss something like the end of the resurrection Men period. Alright,

0:22:21.760 --> 0:22:24.560
<v Speaker 1>we're back, So yeah, obviously this threat comes to an

0:22:24.680 --> 0:22:27.320
<v Speaker 1>end because I mean, imagine, like most people out there,

0:22:27.359 --> 0:22:29.639
<v Speaker 1>if you've ever been to a funeral or helps to

0:22:29.760 --> 0:22:32.439
<v Speaker 1>put one together, the resurrectionist men did not come up.

0:22:32.800 --> 0:22:36.080
<v Speaker 1>None of these features were offered to you at your

0:22:36.119 --> 0:22:39.840
<v Speaker 1>local funeral home. Nobody was telling you about how you

0:22:39.920 --> 0:22:43.040
<v Speaker 1>might need to invest in a torpedo for that expensive

0:22:43.040 --> 0:22:46.440
<v Speaker 1>new casket. Right, So I think there were multiple things

0:22:46.520 --> 0:22:49.119
<v Speaker 1>that brought about the end of this phenomenon, and of

0:22:49.160 --> 0:22:52.200
<v Speaker 1>course the phenomenon came in different waves of different places,

0:22:52.280 --> 0:22:55.320
<v Speaker 1>different times. Uh, it would be against subject to kind

0:22:55.320 --> 0:22:59.000
<v Speaker 1>of economic demands like where and when are there anatomists

0:22:59.000 --> 0:23:01.000
<v Speaker 1>that need these bodies? Is where and when can they

0:23:01.040 --> 0:23:04.840
<v Speaker 1>not get bodies through other legitimate means? But one blow

0:23:05.160 --> 0:23:08.920
<v Speaker 1>to the trade and dead bodies like this came with

0:23:09.119 --> 0:23:13.560
<v Speaker 1>changes not in technology but in social norms and laws.

0:23:13.600 --> 0:23:15.840
<v Speaker 1>And this this first shift, I think would be in

0:23:15.880 --> 0:23:20.119
<v Speaker 1>the UK occurring around eighteen thirty two when Parliament passed

0:23:20.200 --> 0:23:23.240
<v Speaker 1>the Anatomy Act, and this acted several things, but one

0:23:23.240 --> 0:23:26.920
<v Speaker 1>of them was that it expanded the range of categories

0:23:26.920 --> 0:23:30.399
<v Speaker 1>of unclaimed bodies that could be used legally for medical

0:23:30.520 --> 0:23:33.920
<v Speaker 1>education and research. So now it's not just like executed criminals,

0:23:33.960 --> 0:23:36.399
<v Speaker 1>but lots of different kinds of bodies can be used.

0:23:36.920 --> 0:23:39.919
<v Speaker 1>And similar laws were passed in the United States later on,

0:23:40.200 --> 0:23:43.440
<v Speaker 1>so that was one change, but it obviously didn't completely

0:23:43.440 --> 0:23:45.760
<v Speaker 1>do away with this fear because again, some of the

0:23:45.760 --> 0:23:47.439
<v Speaker 1>stories we were just looking at were people in the

0:23:47.480 --> 0:23:50.439
<v Speaker 1>eighteen eighties in Ohio who were afraid of getting their

0:23:50.480 --> 0:23:53.000
<v Speaker 1>bodies stolen and and and there seemed to be people

0:23:53.000 --> 0:23:56.000
<v Speaker 1>out to steal the bodies. Yes, absolutely, uh so, so

0:23:56.080 --> 0:23:58.320
<v Speaker 1>that doesn't fully do away with it, but that's that's

0:23:58.400 --> 0:24:01.040
<v Speaker 1>one dent I would say in another big thing is

0:24:01.080 --> 0:24:05.960
<v Speaker 1>actually a further round of technological changes, and I think

0:24:06.000 --> 0:24:10.600
<v Speaker 1>specifically it's the most important thing is when body preservation

0:24:10.760 --> 0:24:15.919
<v Speaker 1>technology changed, so you'd get embalming, which became common in

0:24:15.960 --> 0:24:17.879
<v Speaker 1>the second half of the nineteenth century. I think it

0:24:17.960 --> 0:24:21.160
<v Speaker 1>became common in the United States around like the eighteen eighties.

0:24:21.720 --> 0:24:23.560
<v Speaker 1>I've read that it was in a large part kind

0:24:23.600 --> 0:24:25.720
<v Speaker 1>of a post civil war thing too, because this is

0:24:25.760 --> 0:24:27.840
<v Speaker 1>certainly a situation where he had a lot of of

0:24:27.840 --> 0:24:30.760
<v Speaker 1>of dead young people who needed to then be shipped

0:24:30.800 --> 0:24:33.680
<v Speaker 1>back home. Right. But another big thing, of course, coming

0:24:33.960 --> 0:24:36.440
<v Speaker 1>soon after that in the in the nineteen hundreds would

0:24:36.480 --> 0:24:40.960
<v Speaker 1>be chemical refrigeration and body freezers, and back to a

0:24:41.000 --> 0:24:44.280
<v Speaker 1>previous invention that we've touched on exactly, yeah, air conditioning

0:24:44.320 --> 0:24:47.200
<v Speaker 1>for the dead. So when human bodies could be stored

0:24:47.280 --> 0:24:51.280
<v Speaker 1>and protected against decay for a long time or even indefinitely,

0:24:51.760 --> 0:24:56.400
<v Speaker 1>I think much of the body supply problem went away,

0:24:56.440 --> 0:24:58.439
<v Speaker 1>but you could probably also say that there might be

0:24:58.520 --> 0:25:01.720
<v Speaker 1>a I don't know exactly how demand changed over time.

0:25:01.760 --> 0:25:04.479
<v Speaker 1>I mean, obviously human dissections still occur, and you know

0:25:04.960 --> 0:25:08.159
<v Speaker 1>that that still can be a part of medical research

0:25:08.200 --> 0:25:11.399
<v Speaker 1>and education, but it might not be as prevalent a

0:25:11.480 --> 0:25:15.399
<v Speaker 1>necessity as it once was. But certainly the supply issue

0:25:15.400 --> 0:25:17.520
<v Speaker 1>has been changed by technology, because now you can just

0:25:17.600 --> 0:25:20.320
<v Speaker 1>have frozen bodies on hand, right, And again the culture

0:25:20.320 --> 0:25:22.879
<v Speaker 1>has changed to like more people, it's it's not this, uh,

0:25:22.960 --> 0:25:26.640
<v Speaker 1>this taboo thing for the anatomist to eventually have your

0:25:26.640 --> 0:25:28.680
<v Speaker 1>body and make use of it. And yet at the

0:25:28.720 --> 0:25:32.800
<v Speaker 1>same time, you know, obviously graves are still robbed from

0:25:32.800 --> 0:25:37.760
<v Speaker 1>time to time, grave desecrations do still occur. They just

0:25:39.000 --> 0:25:42.920
<v Speaker 1>they don't have the the economic factor behind them. It's

0:25:42.960 --> 0:25:44.960
<v Speaker 1>got just it's left going to be left to the

0:25:45.000 --> 0:25:50.159
<v Speaker 1>domain of just pure uh pure ghouls uh pure you know,

0:25:50.560 --> 0:25:54.639
<v Speaker 1>necromantics and so forth, individuals who are probably doing this

0:25:54.680 --> 0:25:58.679
<v Speaker 1>as a passion, as a hobby, but not as you know,

0:25:58.720 --> 0:26:01.800
<v Speaker 1>their primary means of earning a living. Now, one thought

0:26:01.840 --> 0:26:03.840
<v Speaker 1>that comes to mind is there was an old Clark

0:26:03.880 --> 0:26:06.480
<v Speaker 1>Ashton Smith short story I read. It took place in

0:26:06.600 --> 0:26:11.280
<v Speaker 1>kind of like a you know, a dark, darkly fantastic kingdom.

0:26:11.359 --> 0:26:14.639
<v Speaker 1>And in this kingdom, if I remember correctly, you have

0:26:14.760 --> 0:26:17.800
<v Speaker 1>the ghouls, the supernatural ghouls, the creatures that feast on

0:26:17.880 --> 0:26:21.080
<v Speaker 1>the dead, and you know, inevitably worship some dark uh

0:26:21.119 --> 0:26:26.080
<v Speaker 1>you know, uh, you know, necromatic deity underneath the city.

0:26:26.119 --> 0:26:27.960
<v Speaker 1>And then you have humans living in the city above.

0:26:28.320 --> 0:26:32.600
<v Speaker 1>And they've simply established a funerary practice where the dead

0:26:32.640 --> 0:26:35.439
<v Speaker 1>are handed over to the ghouls and uh and I've

0:26:35.480 --> 0:26:38.239
<v Speaker 1>made arrangements. They made arrangements and and it works. Uh.

0:26:38.440 --> 0:26:40.399
<v Speaker 1>I think that in the story, if I remember correctly,

0:26:41.040 --> 0:26:43.280
<v Speaker 1>the intrigue is because you have some outsiders who show

0:26:43.359 --> 0:26:45.040
<v Speaker 1>up and they don't know what's going on, and then

0:26:45.080 --> 0:26:47.680
<v Speaker 1>they inevitably, you know, run a foul with the ghouls.

0:26:48.480 --> 0:26:50.720
<v Speaker 1>But I was I think that's a clever solution here,

0:26:50.760 --> 0:26:54.360
<v Speaker 1>Like the the ghouls need the bodies, the living no

0:26:54.440 --> 0:26:57.480
<v Speaker 1>longer need them. And here the ghouls and the mortals

0:26:57.520 --> 0:27:00.000
<v Speaker 1>have worked out a deal. They've worked out an arrangement

0:27:00.080 --> 0:27:03.639
<v Speaker 1>and it works for everyone. But that's essentially that is

0:27:03.760 --> 0:27:07.680
<v Speaker 1>essentially the original arrangement, that is the original arrangement between

0:27:08.280 --> 0:27:11.879
<v Speaker 1>the living, living beings and the natural world as well.

0:27:12.040 --> 0:27:15.040
<v Speaker 1>Uh yeah, that's right. Like if your when your body

0:27:15.320 --> 0:27:18.159
<v Speaker 1>is is finished, when life leaves it, uh, there is

0:27:18.200 --> 0:27:21.280
<v Speaker 1>a process that will take care of it, that will

0:27:21.359 --> 0:27:24.280
<v Speaker 1>return it to the sort. Well yeah, I mean I

0:27:24.320 --> 0:27:28.160
<v Speaker 1>think there's also there's an interesting cultural and emotional thing

0:27:28.200 --> 0:27:32.240
<v Speaker 1>going on about the desire for preservation. Again, the desire

0:27:32.280 --> 0:27:34.840
<v Speaker 1>for preservation of the of the physical body after death

0:27:35.280 --> 0:27:38.800
<v Speaker 1>not being a totally new thing there. There's it kind

0:27:38.800 --> 0:27:41.520
<v Speaker 1>of comes and goes at different times and places in history,

0:27:41.600 --> 0:27:43.480
<v Speaker 1>Like it seems like it was less of a concern,

0:27:43.720 --> 0:27:46.240
<v Speaker 1>you know, five hundred years ago in the United States

0:27:46.320 --> 0:27:49.520
<v Speaker 1>or Europe. But uh is more of a concern after

0:27:49.560 --> 0:27:52.720
<v Speaker 1>the reintroduction of embalming as a common procedure. But of

0:27:52.720 --> 0:27:55.679
<v Speaker 1>course you find it as this hugely important and desirable

0:27:55.680 --> 0:27:58.399
<v Speaker 1>thing in the ancient world. I mean, it was an

0:27:58.440 --> 0:28:02.639
<v Speaker 1>attractive thing that pulled them in. Yeah, and like why

0:28:02.800 --> 0:28:06.320
<v Speaker 1>is it so attractive? It doesn't occur to me naturally

0:28:06.440 --> 0:28:09.439
<v Speaker 1>to find a good reason for that, but but there

0:28:09.480 --> 0:28:12.320
<v Speaker 1>must be something going on there for a lot of people. Yeah,

0:28:12.359 --> 0:28:15.240
<v Speaker 1>there's this idea of you know, of of of of

0:28:15.320 --> 0:28:18.320
<v Speaker 1>creating this unlife. You know, this the space between that

0:28:18.480 --> 0:28:22.479
<v Speaker 1>is uh, at least perceived to be incorruptible. Right. I

0:28:22.520 --> 0:28:26.080
<v Speaker 1>also wonder too, in our modern celebrity culture, you look

0:28:26.080 --> 0:28:28.720
<v Speaker 1>at like, what are some of the examples of celebrities

0:28:28.760 --> 0:28:32.080
<v Speaker 1>that are the most worshiped. There are people who died

0:28:32.160 --> 0:28:35.639
<v Speaker 1>young and left a beautiful corpse, right, Um, And I

0:28:35.640 --> 0:28:38.560
<v Speaker 1>wonder if we get into that that similar idea there, Like,

0:28:38.600 --> 0:28:43.160
<v Speaker 1>there's this idea that if you know, this particular Hollywood star,

0:28:43.240 --> 0:28:47.120
<v Speaker 1>they died young and in a way they remain young forever.

0:28:47.720 --> 0:28:50.920
<v Speaker 1>They're they're kind of embalmed. The idea of them is

0:28:50.960 --> 0:28:54.880
<v Speaker 1>embalmed in our popular culture. They get on the Forever

0:28:55.000 --> 0:28:59.120
<v Speaker 1>twenty seven poster. Yeah exactly, Uh, yeah, which is which is?

0:28:59.160 --> 0:29:01.320
<v Speaker 1>I think it's it's a it's a different thing. It's

0:29:01.320 --> 0:29:05.080
<v Speaker 1>not a physical embalming procedure, but it it essentially accomplishes

0:29:05.160 --> 0:29:07.320
<v Speaker 1>the same thing. Play your cards right, and you get

0:29:07.320 --> 0:29:09.480
<v Speaker 1>to come back as a hologram or you know, a

0:29:09.560 --> 0:29:12.120
<v Speaker 1>character and a TV commercial as well. Well. You know,

0:29:12.200 --> 0:29:14.160
<v Speaker 1>one thing I think we might be doing is using

0:29:14.200 --> 0:29:17.800
<v Speaker 1>our social media accounts to create embalmed versions of ourselves

0:29:17.880 --> 0:29:21.400
<v Speaker 1>as earlier, younger versions of ourselves to survive as we

0:29:21.560 --> 0:29:24.440
<v Speaker 1>and our decrepit bodies grow old. You know, you don't

0:29:24.480 --> 0:29:26.440
<v Speaker 1>even have to wait to grow old. I think every

0:29:26.560 --> 0:29:31.440
<v Speaker 1>social media embodiment of ourselves is essentially a version of ourselves,

0:29:31.440 --> 0:29:35.280
<v Speaker 1>that is, that has been deprived of any natural essence

0:29:35.320 --> 0:29:38.440
<v Speaker 1>and value. It is already a uh, you know, a

0:29:38.560 --> 0:29:41.720
<v Speaker 1>wraith we have unleashed on the world. The me on

0:29:41.800 --> 0:29:43.840
<v Speaker 1>the Internet is the me I was when I was

0:29:43.880 --> 0:29:47.320
<v Speaker 1>twenty five. It just like doesn't go anywhere after. Yeah,

0:29:47.400 --> 0:29:49.640
<v Speaker 1>but of course this is this is of course we're

0:29:49.840 --> 0:29:51.320
<v Speaker 1>cracking some jokes here, but of course this is a

0:29:51.360 --> 0:29:54.040
<v Speaker 1>big concern for the future as the as the number

0:29:54.080 --> 0:29:58.720
<v Speaker 1>of the dead on social media will inevitably outlive outnumber

0:29:58.760 --> 0:30:01.680
<v Speaker 1>the living. Oh, I'm never thought of that before. But yeah, yeah,

0:30:01.720 --> 0:30:03.880
<v Speaker 1>I mean it's it's I forget the exact date on it,

0:30:03.920 --> 0:30:07.280
<v Speaker 1>but it's definitely going to happen. And um yeah, it's

0:30:07.360 --> 0:30:10.080
<v Speaker 1>and uh and and and then we're going to find

0:30:10.120 --> 0:30:12.240
<v Speaker 1>that our social media accounts, or at least the ones

0:30:12.280 --> 0:30:14.480
<v Speaker 1>that have been around for any number of years, are

0:30:14.560 --> 0:30:16.560
<v Speaker 1>going to be it's going to be an acropolis. It

0:30:16.600 --> 0:30:19.800
<v Speaker 1>would be the underworld. Yeah, okay, should we call it there? Yeah,

0:30:19.880 --> 0:30:21.160
<v Speaker 1>we'll have to call it there, but it but it,

0:30:21.280 --> 0:30:23.080
<v Speaker 1>I mean, it really does go to show that, you know,

0:30:23.400 --> 0:30:26.720
<v Speaker 1>with new technology comes new ways of having to confront

0:30:27.320 --> 0:30:31.160
<v Speaker 1>mortality and deal with death and grieving and bereave in

0:30:31.200 --> 0:30:35.200
<v Speaker 1>all these things. You know, even something like Facebook, which

0:30:35.200 --> 0:30:37.560
<v Speaker 1>when it was developed, I doubt anyone was thinking, yeah,

0:30:37.640 --> 0:30:40.000
<v Speaker 1>we're gonna have to look death square in the eyes

0:30:40.080 --> 0:30:43.320
<v Speaker 1>over this one, but inevitably you do. Like that's just

0:30:43.480 --> 0:30:45.480
<v Speaker 1>technology is a part of living and death is a

0:30:45.520 --> 0:30:48.240
<v Speaker 1>part of life as well. So there we have it.

0:30:48.520 --> 0:30:50.480
<v Speaker 1>You know, hey, maybe we'll come back to caskets in

0:30:50.520 --> 0:30:52.840
<v Speaker 1>the future, come back to embalming. Uh, you know, I'm

0:30:52.880 --> 0:30:57.080
<v Speaker 1>not sure. There's plenty within the broad world, the broad

0:30:57.120 --> 0:31:01.240
<v Speaker 1>spectrum of invention, there are plenty of inventions that revolve

0:31:01.280 --> 0:31:04.160
<v Speaker 1>around death. Um. If you want to check out other

0:31:04.200 --> 0:31:06.280
<v Speaker 1>episodes of the show, head on over to invention pod

0:31:06.400 --> 0:31:09.080
<v Speaker 1>dot com. That is where you will find them. And

0:31:09.120 --> 0:31:11.400
<v Speaker 1>if you want to support our show, rate and review

0:31:11.480 --> 0:31:13.440
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0:31:13.480 --> 0:31:16.160
<v Speaker 1>really helps the show out huge thanks as always to

0:31:16.200 --> 0:31:19.520
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:31:19.560 --> 0:31:21.320
<v Speaker 1>like to get in touch with us with feedback on

0:31:21.360 --> 0:31:23.600
<v Speaker 1>this episode or any other, to suggest a topic for

0:31:23.640 --> 0:31:26.120
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0:31:26.160 --> 0:31:32.360
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0:31:32.400 --> 0:31:35.640
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0:31:35.720 --> 0:31:38.200
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