WEBVTT - If I Can Make It There...

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Isn't it time to stop believing old tales When it

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<v Speaker 1>comes to debunking myths, Monday is thinking of every mile Honday,

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<v Speaker 1>It's your journey. Shit, what time is it? I gotta

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<v Speaker 1>go f I don't know. Just come on, don't don't

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<v Speaker 1>get up, don't get up. Yes, it's too early. I

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<v Speaker 1>got half a dozen texts from Marcos and my mom

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<v Speaker 1>M okay, okay, I need to go, or she's gonna

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<v Speaker 1>show up at my house looking for me. Just just

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<v Speaker 1>call him back. I wish I could, but there's just

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<v Speaker 1>too much going on right now. So as much as

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<v Speaker 1>I'd love to send the rest of my day in

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<v Speaker 1>bed with you, I really need to go. I sure,

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<v Speaker 1>he just hold on, Hold on, hold on, hold on.

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<v Speaker 1>I mean, can we take a beat and just talk

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<v Speaker 1>about what happened or how you feeling about last night

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<v Speaker 1>or like what talk? We got it? What's up? Last

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<v Speaker 1>night was really fun, amazing actually, but I've never done

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<v Speaker 1>anything like this before, Whiz, I've never slept with another

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<v Speaker 1>man beside Frodrigo. Really really so my head is spinning.

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<v Speaker 1>I see. Okay, but but you did say he gave

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<v Speaker 1>you the green light, right, yeah, I'm just not sure

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<v Speaker 1>if he said it because he was angry or hurt

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<v Speaker 1>or because so so last night was was what for you?

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<v Speaker 1>Like a way to get the sexual tension between us

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<v Speaker 1>over and done with a one night stand? Whizz, you

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<v Speaker 1>didn't let me finish. What I was going to say

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<v Speaker 1>is that, regardless of Buerto Rico said, the decision to

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<v Speaker 1>come over was mine. Okay, and I don't regret it,

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<v Speaker 1>but I need some time to sit with it. That's

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<v Speaker 1>all enough. Okay, now we're hearing my shoes. Oh found them?

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<v Speaker 1>But before you go, look, I need you to know

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<v Speaker 1>that last night was special feel like a one night stand,

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<v Speaker 1>nor do I want it to be. It's important that

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<v Speaker 1>you know where I stand. But I know you have

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<v Speaker 1>a lot to think about and your life and your

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<v Speaker 1>career are about to explode. You're making me anxious. Just

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<v Speaker 1>just just be just be excited, all right? Can I

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<v Speaker 1>be both? Listen, I know I'm all over the place.

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<v Speaker 1>Just do me a favor on my lead for a

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<v Speaker 1>little while. I can do that and try not to

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<v Speaker 1>miss me too much today. Okay, and that I can't cross. Hi, Marcos,

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<v Speaker 1>I'm sorry about that. Good morning. You're a hard woman

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<v Speaker 1>to get a hold of. You know, artists don't get

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<v Speaker 1>up before noon. That would explain why Wisdom has a

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<v Speaker 1>return my text either. Huh, oh, what's going on? Ready

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<v Speaker 1>for this? You and Wisdom have been booked on the

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<v Speaker 1>late night show. You're kidding. They're bumping a little hardest

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<v Speaker 1>so that they can get you guys on Amazing Right. Yeah, yeah,

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<v Speaker 1>So Wisdom doesn't know yet. I haven't been able to

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<v Speaker 1>reach him, but I check the schedule with a manager

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<v Speaker 1>and it won't be a problem. And by the way,

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<v Speaker 1>I'm assuming you know your mom won't be going to

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<v Speaker 1>New York with you. I signed her a new artist,

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<v Speaker 1>Natalia Santos. She's fantastic. I think so too. I think

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<v Speaker 1>so too. Anyway, we're doing a press conference and then

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<v Speaker 1>setting up a bunch of meetings for her, so it's

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<v Speaker 1>better at commerce states. It's not a problem. Did you

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<v Speaker 1>like Monica you're handler in La, I can book her again. Yeah,

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<v Speaker 1>she was great, excellent. Okay, Oh that's wisdom calling me back.

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<v Speaker 1>Speak later. Sure, bye bye, here's a friend, Natalia. Once

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<v Speaker 1>you sign, you're officially a member of the i AG family.

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<v Speaker 1>Thank you, mister Ruglis. This is so exciting, really really cool.

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<v Speaker 1>Signed you see that Natalia regulations. Natalie. We are so

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<v Speaker 1>excited that you have chosen us to launch your music career.

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<v Speaker 1>We'll take a few questions. When is your own Natalia?

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<v Speaker 1>How does it feel to walk in at Alida's footsteps.

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<v Speaker 1>I'm actually trying to carve my own path, do my

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<v Speaker 1>own thing and see where that leads. But you understand

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<v Speaker 1>that there will always be those comparing you too. Well,

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<v Speaker 1>so far, it's you, guys, the press that keeps wanting

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<v Speaker 1>to make that comparison. I'm just happy that mister Roeblis

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<v Speaker 1>and miss Bass had enough faith in my own talent

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<v Speaker 1>to sign me. All Right, that's it for now, but

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<v Speaker 1>you'll be hearing a lot more about Natalia in weeks

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<v Speaker 1>and months to come. Thank you. Thanks so much everyone.

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<v Speaker 1>Good job in Then, Natalia, just don't let them get

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<v Speaker 1>to you. Carmen, I need to go get something from

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<v Speaker 1>my office, But why don't you walk her down to

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<v Speaker 1>A and R and I'll meet you both there. Sure,

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<v Speaker 1>come on, honey, Why does the press have to do that?

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<v Speaker 1>It's so annoying. Well, you and Adelita are at the

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<v Speaker 1>same label and have the same manager. It was bound

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<v Speaker 1>to happen. But like Marco said, don't let it get

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<v Speaker 1>to you. Once your first album is released. The comparison

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<v Speaker 1>with stuff I have to wait until my first album

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<v Speaker 1>is released. Geez, trust me, there are worse things to

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<v Speaker 1>be compared to than Adelita. Oh, miss boss. I'm not

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<v Speaker 1>trying to disc Adelita. I love her. I'm just saying

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<v Speaker 1>that her music and mine are not alike, and I

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<v Speaker 1>wish the press would get that. That's all right. By

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<v Speaker 1>the way, what's an r hi? I said, dad, actor,

0:08:00.720 --> 0:08:04.280
<v Speaker 1>producer and activists. My schedule fills up fast, and as

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<v Speaker 1>we all know, life can be unpredictable. That's why good

0:08:07.040 --> 0:08:09.480
<v Speaker 1>help is always welcome, like when your friend offers you

0:08:09.560 --> 0:08:13.200
<v Speaker 1>those important words of advice, or when your mom makes

0:08:13.240 --> 0:08:16.280
<v Speaker 1>your favorite food just because it's holding act of kindness

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<v Speaker 1>in Sanchez from the heath A podcast, And just like Hondai,

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<v Speaker 1>Isn't it time to stop believing all tales When it

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<v Speaker 1>comes to the bunking myths, hand is thinking of every mile.

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<v Speaker 1>Hand it's your journey, proud partner of my Geltura Podcast Network.

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<v Speaker 1>I arrived home and finally texted my mother, letting her

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<v Speaker 1>know that I knew she was staying in al Paso

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<v Speaker 1>with Natalia. I was still so hurt by her that

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<v Speaker 1>I couldn't bring myself to congratulating her on Natalia's deal.

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<v Speaker 1>I told her that I would check in with her

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<v Speaker 1>or after New York. Then a text from Brodrigo finally

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<v Speaker 1>came in letting me know he'd stopped fire around six.

0:11:14.520 --> 0:11:18.120
<v Speaker 1>I was so relieved. Whatever came next our talk at

0:11:18.160 --> 0:11:25.160
<v Speaker 1>the Grammy's could not be our last. I took a

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<v Speaker 1>shower and tried to clear my head before he arrived.

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<v Speaker 1>You don't have to ring the doorbell, Rodrigo, this is

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<v Speaker 1>our home. Come in. Thanks. I got your favorite bottle

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<v Speaker 1>of wine. I wasn't planning on sting suit yourself. I'm

0:11:54.480 --> 0:12:01.960
<v Speaker 1>having a glass m So you wanted to talk. Yeah,

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<v Speaker 1>I didn't like how we left things in La and

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<v Speaker 1>I want to be clear about where we stand because

0:12:08.040 --> 0:12:10.719
<v Speaker 1>I definitely didn't think that I'm gonna go away for

0:12:10.800 --> 0:12:12.920
<v Speaker 1>a while meant that you would be moving all of

0:12:13.000 --> 0:12:18.080
<v Speaker 1>your things out of our home. That feels quite permanent.

0:12:18.440 --> 0:12:20.080
<v Speaker 1>I just don't want to be showing up every time

0:12:20.120 --> 0:12:22.280
<v Speaker 1>I need something. Me coming in and out of your

0:12:22.320 --> 0:12:23.880
<v Speaker 1>space while you figure out what you want is going

0:12:23.960 --> 0:12:27.319
<v Speaker 1>to be confusing for you and confusing for me. Besides,

0:12:27.360 --> 0:12:29.120
<v Speaker 1>the song is about to go number one, so you

0:12:29.240 --> 0:12:32.280
<v Speaker 1>and Wisdom will be out promoting at night, and I

0:12:32.520 --> 0:12:35.079
<v Speaker 1>don't want to be a part of that. Damn Rodrigo.

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<v Speaker 1>This song is as much yours as it is wisdoms

0:12:38.640 --> 0:12:43.760
<v Speaker 1>or minds, crisp Sodalito. What do you want from me? Nothing? Look,

0:12:44.400 --> 0:12:47.280
<v Speaker 1>I'm not saying we're over, aren't you No, I'm not

0:12:47.360 --> 0:12:48.839
<v Speaker 1>the one that has to figure shit out. I know

0:12:49.000 --> 0:12:51.559
<v Speaker 1>what I want, but I'm not gonna wait indefinitely, so

0:12:51.720 --> 0:12:57.280
<v Speaker 1>figure it out I will. So what do we tell

0:12:57.400 --> 0:13:01.880
<v Speaker 1>Mom and Marcos? Nothing? This could stay between us from now.

0:13:02.040 --> 0:13:04.480
<v Speaker 1>If we need to update each other on anything, we will,

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<v Speaker 1>all right. So I guess you should know your mother

0:13:07.880 --> 0:13:10.839
<v Speaker 1>asked me to produce Natalia's album and Marcos is on

0:13:10.920 --> 0:13:18.080
<v Speaker 1>board too. That's an amazing opportunity. Congratulations, Thanks? Or wasn't

0:13:18.120 --> 0:13:20.080
<v Speaker 1>there something you wanted to tell me about your mom

0:13:20.200 --> 0:13:26.240
<v Speaker 1>dropping a bomb? Oh right, it's not to worry about it.

0:13:26.280 --> 0:13:29.400
<v Speaker 1>You don't have to tell me. No, Actually, I need to.

0:13:30.679 --> 0:13:33.000
<v Speaker 1>I don't want you to be surprised in case she

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<v Speaker 1>brings it up to you. Okay, what is it, Marcos?

0:13:36.760 --> 0:13:42.079
<v Speaker 1>Is my father? What? Yeah, she was angry about the

0:13:42.120 --> 0:13:48.400
<v Speaker 1>Grammys and she just blurted it out. Wow. That's wow.

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<v Speaker 1>I'm so sorry. This is how you found out something

0:13:53.160 --> 0:13:55.520
<v Speaker 1>you wanted to know your whole life. I know, I know.

0:13:56.440 --> 0:14:00.360
<v Speaker 1>Yeah he doesn't know. I know. So let's keep this

0:14:00.480 --> 0:14:03.439
<v Speaker 1>between us. Okay, I'm not ready to talk to him yet.

0:14:03.640 --> 0:14:29.080
<v Speaker 1>Of course the stream, Yes, thank you New York City,

0:14:29.200 --> 0:14:34.080
<v Speaker 1>really appreciate love. That was fantastic. Come on, now, it's

0:14:34.120 --> 0:14:35.960
<v Speaker 1>just so we don't we had to bring that, fie.

0:14:36.000 --> 0:14:38.880
<v Speaker 1>You had to bring that. Come, come come home, come

0:14:39.080 --> 0:14:46.600
<v Speaker 1>sit with me for me, now, Wisdom, you've been on

0:14:46.680 --> 0:14:49.640
<v Speaker 1>the show many times, but Adelita, this is your first time.

0:14:50.240 --> 0:14:54.000
<v Speaker 1>That's true. Yeah, I've been performing since I was fifteen

0:14:54.080 --> 0:14:57.320
<v Speaker 1>years old, so this is really a dream come true.

0:14:58.240 --> 0:15:01.440
<v Speaker 1>Thank you so much for the invite, and thank you guys,

0:15:01.600 --> 0:15:04.840
<v Speaker 1>thank you so much for an amazing reception. My goodness,

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<v Speaker 1>I'm sure it'll be the first of many. Now tell

0:15:11.680 --> 0:15:16.520
<v Speaker 1>me how did you pull off a secret Grammy performance? Well,

0:15:16.560 --> 0:15:19.120
<v Speaker 1>I mean it helped that Adelita and I go way back,

0:15:19.280 --> 0:15:22.160
<v Speaker 1>like we've been friends for a minute now, long time.

0:15:22.640 --> 0:15:28.080
<v Speaker 1>Just friends, Yeah, just friends, the real Okay, see this

0:15:28.160 --> 0:15:31.840
<v Speaker 1>wedding gramm. Alright, alright, you know what I do want

0:15:31.840 --> 0:15:34.600
<v Speaker 1>to say this. She had a great idea and we

0:15:34.760 --> 0:15:37.440
<v Speaker 1>just went for it. But to be honest, all of

0:15:37.600 --> 0:15:39.760
<v Speaker 1>us expected the label to release it as a single.

0:15:39.880 --> 0:15:42.640
<v Speaker 1>But I'm glad they did, especially since no one even

0:15:42.720 --> 0:15:44.640
<v Speaker 1>knew what you were up to. I hear not even

0:15:44.720 --> 0:15:48.360
<v Speaker 1>your mother knew, Adelita, and I don't think she's forgiven

0:15:48.400 --> 0:15:52.680
<v Speaker 1>me for that yet. Hey, look, the only way was

0:15:52.680 --> 0:15:55.320
<v Speaker 1>going to work is if nobody knew. Well, it's certainly

0:15:55.480 --> 0:15:57.720
<v Speaker 1>paid off. Thank you for making my show the first

0:15:57.760 --> 0:16:01.800
<v Speaker 1>stop after the Grammys. Folks. Engle is titled No Strings.

0:16:02.280 --> 0:16:05.280
<v Speaker 1>Let's give another round of applause for Wisdom and ad

0:16:05.440 --> 0:16:16.080
<v Speaker 1>Alita doing the late night show was really a dream

0:16:16.160 --> 0:16:19.600
<v Speaker 1>come true, something that would have never happened if I

0:16:19.720 --> 0:16:22.960
<v Speaker 1>was still at the Hannah Artist. Now I had to

0:16:23.040 --> 0:16:25.520
<v Speaker 1>figure out what I wanted to happen between Wisdom and I.

0:16:26.280 --> 0:16:30.600
<v Speaker 1>We were in New York together alone, with no strings attached.

0:16:40.120 --> 0:16:44.120
<v Speaker 1>If you're enjoying Adelita changing the key, please subscribe rate

0:16:44.280 --> 0:16:48.320
<v Speaker 1>and review our show wherever You're listening. Adelita Changing the Key.

0:16:48.640 --> 0:16:51.640
<v Speaker 1>He's a production of Sonoro in partnership with Our Hearts

0:16:51.720 --> 0:16:56.920
<v Speaker 1>Michael Tura Edward created and written by le Chiavallois. Produced

0:16:56.960 --> 0:17:01.280
<v Speaker 1>by Luca Duardo, Castillo, Geinsacha it Is, Bettina Lopez Mendoza,

0:17:01.880 --> 0:17:07.199
<v Speaker 1>directed by Javier Perrazza. Developed by Jazmine Romero, Bettina Lopez

0:17:07.480 --> 0:17:11.840
<v Speaker 1>and Christian Hatar. Executive produced by Gisel Benzs and Conald

0:17:11.880 --> 0:17:16.280
<v Speaker 1>Bayne for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:17:16.840 --> 0:17:22.040
<v Speaker 1>Executive produced by Dangerero and li Jiavianobos. This episode written

0:17:22.080 --> 0:17:26.360
<v Speaker 1>by Li Javi Yelobos with help from Daniela Sarkis, Bettina Lopez,

0:17:26.680 --> 0:17:31.680
<v Speaker 1>Rodrigo Bravo, Moniza Kinrich, Mariana Martinez Gomez and ed Garristeva.

0:17:32.240 --> 0:17:37.680
<v Speaker 1>Performances in this episode by Diangerero, La Marquis Chasten, Benni Nieves,

0:17:37.960 --> 0:17:42.360
<v Speaker 1>Eli Hernandez, A Artis, Jessi Garcia, and Wayne ti Car

0:17:51.640 --> 0:17:54.680
<v Speaker 1>As a dad actor producer for an Activist, My schedule

0:17:54.720 --> 0:17:56.959
<v Speaker 1>feels up fast and as we all know, life can

0:17:57.000 --> 0:18:01.200
<v Speaker 1>be unpredictable. That's why good help is always Hey everyone,

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