WEBVTT - What Makes a One-hit Wonder?

0:00:01.080 --> 0:00:04.520
<v Speaker 1>Welcome to Stuff you Should Know from House Stuff Works

0:00:04.559 --> 0:00:13.720
<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark.

0:00:13.840 --> 0:00:20.000
<v Speaker 1>There's Charles W. Chuck Bryant. Say something. Um, yeah, I

0:00:20.040 --> 0:00:22.279
<v Speaker 1>didn't even say say something funny. I just said say

0:00:22.320 --> 0:00:25.280
<v Speaker 1>something for us. Yeah, it's all right, man. That's good

0:00:25.360 --> 0:00:28.400
<v Speaker 1>quality in a broadcaster to freeze up on the air

0:00:28.480 --> 0:00:33.720
<v Speaker 1>and a professional talker. Yeah, yeah, how you doing. I'm great? Um,

0:00:33.760 --> 0:00:37.120
<v Speaker 1>I'm good man. This is a fun, goofy little topic

0:00:37.159 --> 0:00:38.480
<v Speaker 1>and we haven't done one like that in a while.

0:00:38.640 --> 0:00:41.160
<v Speaker 1>This was a fun article written by a guy named

0:00:41.200 --> 0:00:44.080
<v Speaker 1>Charles W. Bryant, a writer for the site. Yeah. I

0:00:44.120 --> 0:00:46.080
<v Speaker 1>will go ahead and say one thing I was disappointed

0:00:46.080 --> 0:00:48.000
<v Speaker 1>in this article, and I would still like to see

0:00:48.040 --> 0:00:52.800
<v Speaker 1>someone tackle this in documentary style. Maybe is the psychology

0:00:52.840 --> 0:00:56.320
<v Speaker 1>of being a one hit wonder? Oh? Like what it

0:00:56.360 --> 0:00:59.120
<v Speaker 1>does to your psyche? Yeah? Is it better to have

0:00:59.200 --> 0:01:01.880
<v Speaker 1>that one hit and fade away and at least you

0:01:01.920 --> 0:01:04.360
<v Speaker 1>had that? Or is it better to have never? You know?

0:01:05.200 --> 0:01:06.880
<v Speaker 1>I just I would be real curious to see a

0:01:06.920 --> 0:01:09.560
<v Speaker 1>series of interviews with one hit wonders to see, like

0:01:10.400 --> 0:01:12.559
<v Speaker 1>how they feel about it. You're saying, is it better

0:01:12.600 --> 0:01:14.640
<v Speaker 1>to have hit and lost than never to have hit

0:01:14.680 --> 0:01:17.080
<v Speaker 1>at all exactly, And I couldn't really find anything on that.

0:01:17.120 --> 0:01:19.240
<v Speaker 1>So I'm sure there's one or two who like listen

0:01:19.280 --> 0:01:21.440
<v Speaker 1>to the podcast and if you do, right in, let

0:01:21.480 --> 0:01:28.760
<v Speaker 1>us know how it is. We're interested. Blue Vega, Yeah,

0:01:27.000 --> 0:01:32.280
<v Speaker 1>least um the fake Loue Vega. So, Chuck, I wanted

0:01:32.319 --> 0:01:36.520
<v Speaker 1>to commend you for this article because you really like

0:01:37.160 --> 0:01:39.760
<v Speaker 1>this is a tough one for With how stuff works articles,

0:01:39.880 --> 0:01:43.280
<v Speaker 1>we typically take a topic that is, you know, has

0:01:43.319 --> 0:01:45.360
<v Speaker 1>a lot of research done on it, it's very well defined,

0:01:45.400 --> 0:01:48.680
<v Speaker 1>and then we deconstruct it. This one is like I

0:01:49.280 --> 0:01:51.120
<v Speaker 1>looked on the internet and if you type in one

0:01:51.200 --> 0:01:54.800
<v Speaker 1>Hit Wonder, there is like zero scholarly work done on it,

0:01:54.840 --> 0:01:57.480
<v Speaker 1>and for good reason. Yeah. Well, I mean it's interesting

0:01:57.520 --> 0:01:59.400
<v Speaker 1>though too, Like you brought up the psychology of being

0:01:59.400 --> 0:02:01.280
<v Speaker 1>a one. Yeah, they're shouldn't been anyone ever done a

0:02:01.320 --> 0:02:04.360
<v Speaker 1>study like that. There is nothing. It's all just lists.

0:02:04.880 --> 0:02:07.040
<v Speaker 1>And I actually did find one good website. It's called

0:02:07.120 --> 0:02:10.760
<v Speaker 1>um one Hit Wonder central dot com and they have

0:02:10.880 --> 0:02:13.040
<v Speaker 1>everything and you can play like every song they have

0:02:13.080 --> 0:02:15.799
<v Speaker 1>it by year. Who the one hit Wonder was from

0:02:15.800 --> 0:02:18.560
<v Speaker 1>like the sixties to the two thousands, maybe fifties. There

0:02:18.600 --> 0:02:20.640
<v Speaker 1>are some of the greatest songs to me, or some

0:02:20.720 --> 0:02:23.240
<v Speaker 1>of the one hit wonders. And I mean that's the points, Like,

0:02:23.480 --> 0:02:26.480
<v Speaker 1>you know, one hit wonder is just something that everybody

0:02:26.520 --> 0:02:29.040
<v Speaker 1>liked at one time. We just didn't like whatever else

0:02:29.040 --> 0:02:32.519
<v Speaker 1>they were making, right, Um, at least as it's a

0:02:32.600 --> 0:02:37.240
<v Speaker 1>large collective group. Anyway, back to me commending you, Um,

0:02:37.440 --> 0:02:39.640
<v Speaker 1>you had to take something that was really amorphous that

0:02:39.720 --> 0:02:42.920
<v Speaker 1>everybody knew and we knew if you got wrong, and

0:02:43.000 --> 0:02:45.959
<v Speaker 1>whipping into shape like a definable shape, and you got

0:02:45.960 --> 0:02:49.040
<v Speaker 1>it right. I think you did a great job. So Um.

0:02:49.160 --> 0:02:51.239
<v Speaker 1>The first thing you pointed out was that no one

0:02:51.440 --> 0:02:54.560
<v Speaker 1>is certain of the origin of this phrase. That's right,

0:02:54.880 --> 0:02:56.960
<v Speaker 1>but we figured out that it was. It first came

0:02:56.960 --> 0:02:59.959
<v Speaker 1>in print nine seven, right. Well that's what phrases done

0:03:00.000 --> 0:03:02.400
<v Speaker 1>work says, and I couldn't find anything to dispute it.

0:03:02.440 --> 0:03:06.240
<v Speaker 1>But a writer there wrote the sentence in July seventy

0:03:07.120 --> 0:03:10.880
<v Speaker 1>about abba instead of becoming what everyone expected a one

0:03:10.960 --> 0:03:13.880
<v Speaker 1>hit wonder, they soon had a string of hits behind them.

0:03:13.919 --> 0:03:17.480
<v Speaker 1>And although the website phrase dot org does say it

0:03:17.480 --> 0:03:20.520
<v Speaker 1>appears to have already been a used phrase, but this

0:03:20.560 --> 0:03:22.280
<v Speaker 1>is the first time they've seen it in print, right,

0:03:22.800 --> 0:03:25.880
<v Speaker 1>and and so, and there actually is like a definition

0:03:26.000 --> 0:03:30.919
<v Speaker 1>for one hit wonder, like there's well, a hit, I

0:03:31.000 --> 0:03:33.359
<v Speaker 1>guess you can find a hit, and then it's got

0:03:33.360 --> 0:03:37.440
<v Speaker 1>to be on the because we're so American centric, has

0:03:37.480 --> 0:03:40.400
<v Speaker 1>to be on the billboard top and then specifically in

0:03:40.440 --> 0:03:43.440
<v Speaker 1>the top forty to be considered a hit. Right, Yeah,

0:03:43.520 --> 0:03:46.040
<v Speaker 1>technically for like when most people like there have been

0:03:46.040 --> 0:03:48.320
<v Speaker 1>books written about one hit wonders and that's usually what

0:03:48.320 --> 0:03:50.840
<v Speaker 1>what they say. Okay, so that wasn't just you or

0:03:50.880 --> 0:03:53.240
<v Speaker 1>anything saying. And I thought it was a great definition. No,

0:03:53.400 --> 0:03:55.960
<v Speaker 1>it's a good definition. But that's the generally held definition.

0:03:56.040 --> 0:03:59.640
<v Speaker 1>But then that's where it gets really blurry, as we're

0:03:59.640 --> 0:04:03.040
<v Speaker 1>about to find out, right, well, in many ways, I mean, yeah,

0:04:03.080 --> 0:04:05.400
<v Speaker 1>you make a point that there's a lot of one

0:04:05.480 --> 0:04:09.760
<v Speaker 1>hit wonders by that definition. Who are legendary musicians like

0:04:10.080 --> 0:04:14.880
<v Speaker 1>Jimi Hendrix one hit, Janis Joplin one hit, Garth Brooks

0:04:15.960 --> 0:04:20.800
<v Speaker 1>as Chris Gaines. Yeah, that's this only billboard hit. Yeah,

0:04:20.839 --> 0:04:24.880
<v Speaker 1>this is only Billboard top forty hit. Yeah, but he

0:04:24.920 --> 0:04:28.880
<v Speaker 1>had country hits. It just lived on the country top ten.

0:04:29.520 --> 0:04:33.240
<v Speaker 1>But yeah, as in the mainstream top forty. His only

0:04:33.600 --> 0:04:36.120
<v Speaker 1>hit was as Chris Kaines with the Haircut and the

0:04:36.120 --> 0:04:39.919
<v Speaker 1>Soul patch Man. That was Yeah, I don't know what

0:04:40.000 --> 0:04:44.960
<v Speaker 1>song that was even I don't need um Beck Yeah,

0:04:45.160 --> 0:04:48.400
<v Speaker 1>the Dead, The Dead, the White Stripes, lou Reid, Iggy

0:04:48.440 --> 0:04:52.919
<v Speaker 1>Pop Divo, some like iconic bands and musicians that have

0:04:53.000 --> 0:04:57.440
<v Speaker 1>only had one hit. Um. And then you've got artists

0:04:57.480 --> 0:05:00.159
<v Speaker 1>who never had that hit but are still considered one

0:05:00.240 --> 0:05:04.880
<v Speaker 1>hit wonders. Because what you end up realizing is, despite

0:05:04.920 --> 0:05:07.520
<v Speaker 1>the definition of what a hit is, a one hit

0:05:07.560 --> 0:05:10.359
<v Speaker 1>wonder is something different. It's just an artist and a

0:05:10.440 --> 0:05:15.680
<v Speaker 1>song who captured something for a moment in time. It

0:05:15.720 --> 0:05:18.080
<v Speaker 1>doesn't matter if it was a top forty hit, right

0:05:18.120 --> 0:05:22.480
<v Speaker 1>like you you say, Um, Wallavoodoo's Mexican Radio. Absolutely, it's

0:05:22.520 --> 0:05:25.400
<v Speaker 1>not a top forty hit. No, but that's definitely a

0:05:26.240 --> 0:05:29.800
<v Speaker 1>hit in the zeitgeist. Did you put it? Absolutely? Who else?

0:05:30.600 --> 0:05:34.400
<v Speaker 1>I'll melt with you Modern English, the Weather Girls, it's

0:05:34.480 --> 0:05:37.360
<v Speaker 1>raining men Like you would say, all of these are

0:05:37.400 --> 0:05:39.760
<v Speaker 1>definitely one hit wonders and none of them had top

0:05:39.800 --> 0:05:43.040
<v Speaker 1>forty hits. Right. So, but sticking to the strict definition,

0:05:43.720 --> 0:05:46.600
<v Speaker 1>um that I mean that still works too. Write like

0:05:46.640 --> 0:05:51.320
<v Speaker 1>the Penguins, Earth Angel. Yeah, in the fifties, right, Um,

0:05:51.360 --> 0:05:55.520
<v Speaker 1>in the sixties you had um Summertime Blues by Blue Cheer,

0:05:56.279 --> 0:05:58.800
<v Speaker 1>but they really spent blue on like there one there

0:05:58.839 --> 0:06:02.000
<v Speaker 1>one thing there, one shot was covered in blue Blue Cheer.

0:06:02.080 --> 0:06:06.320
<v Speaker 1>Did Summertime Blues? Green Tambourine? Remember that song? No, I

0:06:06.320 --> 0:06:12.239
<v Speaker 1>didn't mean tambourine. It was very like psychedelic No and

0:06:12.320 --> 0:06:14.599
<v Speaker 1>the Lemon Pipers. You know, it's one of those songs

0:06:14.600 --> 0:06:18.440
<v Speaker 1>where sort of like h in the seventies Argents hold

0:06:18.440 --> 0:06:22.040
<v Speaker 1>your head up, like everybody knows that song. But I

0:06:22.040 --> 0:06:25.080
<v Speaker 1>bet ninety nine people out of a hundred I've never

0:06:25.080 --> 0:06:27.920
<v Speaker 1>heard of the vand Argent. No, they probably think, oh,

0:06:28.040 --> 0:06:30.479
<v Speaker 1>wasn't that the guests who? Or wasn't that Joe Dirt?

0:06:30.640 --> 0:06:34.520
<v Speaker 1>Or yes, that was it? Yeah, I really I never

0:06:34.520 --> 0:06:38.200
<v Speaker 1>saw that movie. What I never saw Joe Dirt? Oh man,

0:06:38.600 --> 0:06:42.720
<v Speaker 1>such a great like keep your Chin up movie is

0:06:42.880 --> 0:06:46.720
<v Speaker 1>so good. Like I really can hate David Spade, you

0:06:46.760 --> 0:06:50.640
<v Speaker 1>can hate all of that kind of comedy, but that

0:06:50.720 --> 0:06:54.560
<v Speaker 1>movie has such like it's got heart, It's a cute movie. Well,

0:06:54.600 --> 0:06:57.160
<v Speaker 1>I had friends it's on Netflix streaming. Yeah, I had

0:06:57.200 --> 0:06:58.479
<v Speaker 1>friends that worked on it, and that's where I had

0:06:58.520 --> 0:07:01.320
<v Speaker 1>my Gary Busey insider story. Oh yeah, yeah, I think

0:07:01.360 --> 0:07:02.960
<v Speaker 1>I told you. You You know, he was He was supposed

0:07:03.000 --> 0:07:05.359
<v Speaker 1>to play the father and if you'll notice in the

0:07:05.360 --> 0:07:07.120
<v Speaker 1>film he does not play the father. No, it's done

0:07:07.120 --> 0:07:09.760
<v Speaker 1>by one Fred Ward. Yeah. So Gary Busey was on

0:07:09.800 --> 0:07:12.160
<v Speaker 1>set for a day and it didn't work out. He

0:07:12.240 --> 0:07:14.200
<v Speaker 1>made it. Wish I could tell the whole story. He

0:07:14.280 --> 0:07:17.320
<v Speaker 1>made it into Black Sheep with Chris Farley and um,

0:07:17.440 --> 0:07:20.040
<v Speaker 1>David Spade. Yeah, he was like the crazy guy who

0:07:20.080 --> 0:07:23.600
<v Speaker 1>lived in a school bus in the woods. It was

0:07:23.640 --> 0:07:26.800
<v Speaker 1>the part he was born to play exactly. Please don't

0:07:26.800 --> 0:07:59.040
<v Speaker 1>come to our office, Gary buy um. All right. So

0:07:59.080 --> 0:08:03.680
<v Speaker 1>that was the fifty and that's generally when the rock

0:08:03.760 --> 0:08:05.960
<v Speaker 1>era in the fifties is when you people say you

0:08:05.960 --> 0:08:08.560
<v Speaker 1>can start talking about things like one hit wonders, like

0:08:08.640 --> 0:08:10.760
<v Speaker 1>not some guy who had one big band hit in

0:08:10.800 --> 0:08:14.160
<v Speaker 1>the nineteen thirties, although I'm sure they were there, you

0:08:14.200 --> 0:08:17.960
<v Speaker 1>know that's true. Uh, there's been one song that was

0:08:18.000 --> 0:08:20.760
<v Speaker 1>a one hit wonder for two bands, which is interesting.

0:08:20.840 --> 0:08:24.560
<v Speaker 1>Oh yeah, let's here Funky Town really yeah, Lips incorporated

0:08:25.320 --> 0:08:28.360
<v Speaker 1>eighty and then I don't know if you remember Pseudo Echo.

0:08:28.520 --> 0:08:31.440
<v Speaker 1>They did a version of that in six It was

0:08:31.440 --> 0:08:35.080
<v Speaker 1>a little more electric and upbeat, and that was a

0:08:35.120 --> 0:08:38.280
<v Speaker 1>bona fide top forty hit as well. Seems can't people

0:08:38.280 --> 0:08:40.839
<v Speaker 1>couldn't get enough of Funky Town. I hope whoever wrote

0:08:40.880 --> 0:08:48.920
<v Speaker 1>that like really cast in. Yeah. So the sixties all right, Now,

0:08:48.920 --> 0:08:51.480
<v Speaker 1>the sixties was the green tambour in seventies songs like

0:08:51.520 --> 0:08:57.080
<v Speaker 1>Spirit in the Sky by Norman Greenbaum. That's a good song. Uh,

0:08:57.320 --> 0:08:59.800
<v Speaker 1>it was in Apollo thirteen one took over the line.

0:09:00.160 --> 0:09:03.520
<v Speaker 1>I I literally wrote Shuggar next to that, what like,

0:09:04.840 --> 0:09:07.360
<v Speaker 1>oh you hate that song? It's pretty bad? Brewer and

0:09:07.360 --> 0:09:11.200
<v Speaker 1>Shipley and then Seasons in the Sun, great song, Terry

0:09:11.320 --> 0:09:15.200
<v Speaker 1>Jack's never heard of the guy No No, no Revy,

0:09:15.440 --> 0:09:17.600
<v Speaker 1>no rev um. And you also make the point that

0:09:17.640 --> 0:09:20.560
<v Speaker 1>the seventies were lousy with disco one hit wonders, And

0:09:20.720 --> 0:09:23.480
<v Speaker 1>in our disco episode we talked about why because it

0:09:23.520 --> 0:09:25.959
<v Speaker 1>was all producer driven rather than artist drive. Exactly. I

0:09:26.000 --> 0:09:28.360
<v Speaker 1>didn't even bother to like list any in here. You know,

0:09:28.520 --> 0:09:30.640
<v Speaker 1>it's you can just name a disco song and there

0:09:30.720 --> 0:09:33.800
<v Speaker 1>you have. The eighties, of course, you had bands like

0:09:33.800 --> 0:09:36.559
<v Speaker 1>Soft Cells, Tainted Love and Oh Mickey You're So Fine,

0:09:37.080 --> 0:09:42.400
<v Speaker 1>Tony Basil, Uh, I want Candy by Bow Wow Wow Kajau.

0:09:43.679 --> 0:09:48.280
<v Speaker 1>Remember what song I don't remember is that who was? Yeah?

0:09:48.800 --> 0:09:50.839
<v Speaker 1>Uh so the eighties was lousy with it, but a

0:09:50.840 --> 0:09:52.920
<v Speaker 1>lot of those songs are great songs, and a lot

0:09:52.960 --> 0:09:58.120
<v Speaker 1>of the artists in the eighties were popular in other countries. Yeah,

0:09:58.679 --> 0:10:00.760
<v Speaker 1>and are known as one hit wonder here in the US.

0:10:01.360 --> 0:10:05.760
<v Speaker 1>Like I was reading an article on I think Cracked

0:10:05.840 --> 0:10:09.200
<v Speaker 1>maybe about one hit wonders and they were saying, like,

0:10:09.679 --> 0:10:13.040
<v Speaker 1>Aha had Take on Me, which was a hit here

0:10:13.080 --> 0:10:15.480
<v Speaker 1>in the United States, but that was it. But they're

0:10:15.559 --> 0:10:17.760
<v Speaker 1>like one of the top fifty grossing bands of all

0:10:17.840 --> 0:10:21.880
<v Speaker 1>time worldwide. Yeah. Well, and Aha falls into another weird category,

0:10:21.920 --> 0:10:24.120
<v Speaker 1>which is a band that's known as a one hit

0:10:24.200 --> 0:10:28.040
<v Speaker 1>wonder who actually had a quieter second hit. Oh really Yeah,

0:10:28.040 --> 0:10:30.840
<v Speaker 1>they had a song called the Sun Always Shines on

0:10:30.880 --> 0:10:33.640
<v Speaker 1>TV that was like a top twenty hit. I think, Wow,

0:10:33.640 --> 0:10:36.400
<v Speaker 1>I don't remember that one. Nobody does. They're good though,

0:10:36.840 --> 0:10:39.560
<v Speaker 1>now they're awesome. Um And then remember right said fred

0:10:39.720 --> 0:10:44.320
<v Speaker 1>I'm Too Sexy huge in England. Yes, like there, I'm

0:10:44.320 --> 0:10:47.880
<v Speaker 1>Too Sexy was actually only hit number two in England.

0:10:47.920 --> 0:10:49.880
<v Speaker 1>They had another one that hit number one, but here

0:10:49.880 --> 0:10:52.280
<v Speaker 1>in the States. I think it hit number one here

0:10:53.080 --> 0:10:55.200
<v Speaker 1>and then that was it for right, said Fred. Uh

0:10:55.240 --> 0:10:58.520
<v Speaker 1>the same with Frankie Goes to Hollywood and uh yeah,

0:10:58.559 --> 0:11:02.559
<v Speaker 1>they were really big in Europe and Gary Newman. Yeah

0:11:02.640 --> 0:11:04.640
<v Speaker 1>that was a good song though, that song holds up

0:11:04.640 --> 0:11:06.960
<v Speaker 1>the car back and listen to cars. Yeah, that dude

0:11:07.040 --> 0:11:10.199
<v Speaker 1>was a good musician. Well, and he was hugely popular

0:11:10.240 --> 0:11:12.520
<v Speaker 1>and still like tours today. Yeah, so he's he's one

0:11:12.520 --> 0:11:14.760
<v Speaker 1>of those guys that's like, please don't call me one.

0:11:14.800 --> 0:11:17.920
<v Speaker 1>I wonder I had a long successful career. Look at

0:11:17.960 --> 0:11:22.040
<v Speaker 1>my house. You know it's a car. No, I think

0:11:22.040 --> 0:11:25.120
<v Speaker 1>it's like a mansion. He lives in his car. It's

0:11:25.120 --> 0:11:29.760
<v Speaker 1>pread feels safest, he can lock all his doors. Uh.

0:11:29.960 --> 0:11:33.840
<v Speaker 1>Falco and oh yeah, Nina, we're really big in German

0:11:33.840 --> 0:11:36.720
<v Speaker 1>speaking countries. Yeah, yeah, I can see that. But you

0:11:36.760 --> 0:11:40.880
<v Speaker 1>know had the ninety nine red balloons Balloons and then

0:11:41.040 --> 0:11:44.920
<v Speaker 1>Falco's rock Me on My Dais. Yeah, huge hit here.

0:11:46.720 --> 0:11:49.360
<v Speaker 1>Like it didn't occur to my young brain that that

0:11:49.640 --> 0:11:52.760
<v Speaker 1>wasn't from the Ama Dais soundtrack, because remember it came

0:11:52.760 --> 0:11:56.800
<v Speaker 1>out at about the same time as the movie, and um, like,

0:11:56.840 --> 0:11:59.240
<v Speaker 1>I just thought it was part of the soundtrack, yeah,

0:11:59.280 --> 0:12:02.320
<v Speaker 1>the movie sound Well the point with this though, is

0:12:02.360 --> 0:12:05.400
<v Speaker 1>that one hit wonder it's sort of a sort of

0:12:05.440 --> 0:12:08.440
<v Speaker 1>a derogatory term to throw on unearnest. So a lot

0:12:08.480 --> 0:12:12.560
<v Speaker 1>of these people are like in America, like you jerks,

0:12:13.040 --> 0:12:15.640
<v Speaker 1>I was huge in Europe or maybe some other country,

0:12:16.080 --> 0:12:20.880
<v Speaker 1>and uh yeah, who cares so much for you? One

0:12:20.960 --> 0:12:26.280
<v Speaker 1>hit the nineties crash Test Dummies, remember those dudes? Well

0:12:26.320 --> 0:12:30.640
<v Speaker 1>that was the song. Oh yeah, yeah, that's right, the macarena,

0:12:30.720 --> 0:12:33.280
<v Speaker 1>even though I don't even like to count that. Um,

0:12:33.360 --> 0:12:36.640
<v Speaker 1>what about Faith No More is epic? Yeah, see that's

0:12:36.640 --> 0:12:40.360
<v Speaker 1>a band that hugely critically popular and had a big

0:12:40.400 --> 0:12:44.840
<v Speaker 1>cult following. But yeah, just the one hit, the epic

0:12:46.040 --> 0:12:48.360
<v Speaker 1>the name of it, right, you want it all, but

0:12:48.440 --> 0:12:50.240
<v Speaker 1>you can't have it? That was I remember here that

0:12:50.320 --> 0:12:52.800
<v Speaker 1>song on the first time. This is the coolest thing

0:12:52.840 --> 0:12:56.080
<v Speaker 1>I've ever heard. Yeah, and that lead singer what's his name,

0:12:56.120 --> 0:12:59.080
<v Speaker 1>Mike something. He's like super respected. He's been another band

0:12:59.360 --> 0:13:01.960
<v Speaker 1>like Mr Uncle. Yeah. Yeah, yeah, it's a big like

0:13:02.480 --> 0:13:05.840
<v Speaker 1>has a big cult following, and not not among cults,

0:13:05.920 --> 0:13:09.120
<v Speaker 1>even like among people who aren't in cults. All right,

0:13:09.200 --> 0:13:11.760
<v Speaker 1>So that's music. That's an overview. Yeah, you make a

0:13:11.760 --> 0:13:14.160
<v Speaker 1>really good point in this article that, like one hit wonder,

0:13:14.280 --> 0:13:18.640
<v Speaker 1>that derogatory term isn't just um aimed at people only

0:13:18.679 --> 0:13:21.240
<v Speaker 1>in the music industry, although that's where the lion's share

0:13:21.240 --> 0:13:23.839
<v Speaker 1>of it is, but it shows up in sports. You

0:13:23.960 --> 0:13:26.880
<v Speaker 1>pointed out a couple of them, a couple of instances. Yeah. Well,

0:13:26.920 --> 0:13:29.240
<v Speaker 1>if you have one hit in baseball, then you've been

0:13:29.240 --> 0:13:31.920
<v Speaker 1>a complete and utter failure. But a couple of guys

0:13:31.960 --> 0:13:33.480
<v Speaker 1>have had one hit and that one hit was a

0:13:33.520 --> 0:13:35.720
<v Speaker 1>home run, which is pretty cool, which is pretty interesting.

0:13:36.120 --> 0:13:39.440
<v Speaker 1>Who was that? There was a guy named um Chris

0:13:39.600 --> 0:13:44.080
<v Speaker 1>Jellic whose name might recognize for some reason. Yeah, and

0:13:44.120 --> 0:13:46.200
<v Speaker 1>I don't follow the Mets or anything, but I guess

0:13:46.280 --> 0:13:48.800
<v Speaker 1>I just saw that that bit of trivia before that

0:13:48.880 --> 0:13:51.079
<v Speaker 1>he had one hit and it was a home run. Yeah. Maybe.

0:13:51.080 --> 0:13:54.640
<v Speaker 1>So there's a guy who didn't have a hit UM

0:13:54.720 --> 0:13:58.960
<v Speaker 1>named Eddie Goodell. He had one plate appearance in a

0:13:59.200 --> 0:14:02.280
<v Speaker 1>nineteen fifty one game for the Yankees, and he was

0:14:02.320 --> 0:14:05.240
<v Speaker 1>a little person. Oh yeah, and they put him in

0:14:05.280 --> 0:14:09.520
<v Speaker 1>against the St. Louis Browns and he drew four consecutive

0:14:09.679 --> 0:14:14.400
<v Speaker 1>um uh balls and got a walk. Yeah, and his

0:14:14.480 --> 0:14:18.640
<v Speaker 1>jerseys in the Hall of Fame, and it's you can't

0:14:18.679 --> 0:14:20.400
<v Speaker 1>see me doing this right now. I'm rubbing my face.

0:14:20.680 --> 0:14:24.680
<v Speaker 1>His number was one eight. Really yeah, but he was

0:14:24.760 --> 0:14:26.720
<v Speaker 1>I guess you could say a one hit sports wonder.

0:14:26.840 --> 0:14:29.520
<v Speaker 1>It was kind of a fun story until then. Yeah,

0:14:29.680 --> 0:14:31.400
<v Speaker 1>but I mean that's that was his jam, that's what

0:14:31.480 --> 0:14:33.920
<v Speaker 1>he got paid for, and that's I mean, he was

0:14:33.960 --> 0:14:37.160
<v Speaker 1>aware that he was a little person. So off. What

0:14:37.240 --> 0:14:40.120
<v Speaker 1>about the art world, design world. There's a very famous person,

0:14:41.880 --> 0:14:45.000
<v Speaker 1>Harvey Belle, who has the perfect name for what he did.

0:14:46.040 --> 0:14:48.240
<v Speaker 1>Why is it the perfect name, Harvey bell It sounds

0:14:48.280 --> 0:14:50.760
<v Speaker 1>like the creator of the smiley face. Yeah, the iconic

0:14:50.800 --> 0:14:55.160
<v Speaker 1>seventy smiley face. He created that as a marketing campaign. UM.

0:14:55.520 --> 0:15:00.840
<v Speaker 1>It sounded like an internal um morale campaign for State

0:15:01.280 --> 0:15:06.320
<v Speaker 1>UH mutual Life Assurance company UM and it took off.

0:15:06.360 --> 0:15:08.240
<v Speaker 1>I don't know if the company made the money or what.

0:15:08.280 --> 0:15:11.360
<v Speaker 1>But he was paid two forty bucks for it. And

0:15:11.480 --> 0:15:15.760
<v Speaker 1>he never had another artistic no hit. And I looked

0:15:15.920 --> 0:15:17.760
<v Speaker 1>to see if there were any other artists who were

0:15:17.760 --> 0:15:19.800
<v Speaker 1>considered one hit wondering. I found some, but I didn't

0:15:19.800 --> 0:15:22.840
<v Speaker 1>recognize any of them. I did recognize one Grant would

0:15:23.200 --> 0:15:26.800
<v Speaker 1>the painter of American Gothic. Oh yeah, he painted that

0:15:26.960 --> 0:15:29.800
<v Speaker 1>and was he won all sorts of prizes, became like

0:15:29.840 --> 0:15:33.000
<v Speaker 1>this like caused celeb like all over the art world,

0:15:33.440 --> 0:15:37.240
<v Speaker 1>and the media started digging into his life and realized

0:15:37.280 --> 0:15:40.400
<v Speaker 1>that he was a middle aged bachelor who lived at

0:15:40.400 --> 0:15:42.920
<v Speaker 1>home with his mother and sister and like wanted to

0:15:42.920 --> 0:15:44.720
<v Speaker 1>know more about that, and all of a sudden he

0:15:44.800 --> 0:15:47.880
<v Speaker 1>like just really couldn't handle the the limelight. And it's

0:15:47.960 --> 0:15:50.520
<v Speaker 1>it's a pretty sad story. I think I read an

0:15:50.560 --> 0:15:53.560
<v Speaker 1>article about it on Mental flass. It was worth reading.

0:15:53.640 --> 0:15:56.120
<v Speaker 1>So he never painted again, or I don't think he

0:15:56.160 --> 0:15:58.160
<v Speaker 1>ever kind of went for the Gusto if he didn't

0:15:58.160 --> 0:16:00.960
<v Speaker 1>just stop painting altogether. I don't remember that to the article. Well,

0:16:01.000 --> 0:16:03.080
<v Speaker 1>the art world certainly has a lot of people famous,

0:16:03.480 --> 0:16:06.560
<v Speaker 1>super famous for a single painting, but they may have been,

0:16:06.640 --> 0:16:09.880
<v Speaker 1>you know, very revered in other areas like faith no more.

0:16:11.000 --> 0:16:13.080
<v Speaker 1>That's right, the faith no more of the art world.

0:16:13.840 --> 0:16:15.760
<v Speaker 1>I told just all the scream this last trip to

0:16:15.800 --> 0:16:18.960
<v Speaker 1>New York. Oh yeah, and you were like, yeah, this

0:16:19.040 --> 0:16:22.680
<v Speaker 1>was like I can see what you're talking. I mean,

0:16:22.720 --> 0:16:24.760
<v Speaker 1>like you build something like that up in your head

0:16:25.080 --> 0:16:27.120
<v Speaker 1>see it everywhere, and then just to see the real one.

0:16:27.200 --> 0:16:29.280
<v Speaker 1>It's either going to go one of two ways. You're

0:16:29.280 --> 0:16:33.520
<v Speaker 1>gonna be underwhelmed or amazed. You know, I completely agree,

0:16:33.880 --> 0:16:36.400
<v Speaker 1>And that's been my uh, that's been what's happened to

0:16:36.440 --> 0:16:38.760
<v Speaker 1>me with art, because you know how I feel about art.

0:16:38.800 --> 0:16:41.080
<v Speaker 1>I know, how do you feel about art? I love it?

0:16:42.040 --> 0:16:46.360
<v Speaker 1>What about books? Yeah, um, To Kill a Mockingbird. Yeah,

0:16:46.360 --> 0:16:50.280
<v Speaker 1>that's the one most often cited as the one hit

0:16:50.320 --> 0:16:53.840
<v Speaker 1>wonder because Harperly wrote one book. That's some one of

0:16:53.840 --> 0:16:56.600
<v Speaker 1>those rare ones where I actually think the movie is

0:16:56.640 --> 0:16:59.600
<v Speaker 1>better than the book. And I love the book. It's

0:16:59.600 --> 0:17:01.880
<v Speaker 1>one of my favorite books of all time. And I

0:17:01.920 --> 0:17:03.720
<v Speaker 1>hadn't read it in a while, and I went back

0:17:03.720 --> 0:17:06.080
<v Speaker 1>and read it, and then I watched the movie shortly after.

0:17:06.160 --> 0:17:08.520
<v Speaker 1>I was like, holy cow, the movies better than the book. Yeah, man,

0:17:08.600 --> 0:17:10.800
<v Speaker 1>Gregory Peck, I mean yeah, talk about one of the

0:17:10.800 --> 0:17:14.240
<v Speaker 1>best casting but everybody, like, all of those actors were amazing,

0:17:14.640 --> 0:17:17.240
<v Speaker 1>every single one of them. Yeah. Yeah, that's good stuff.

0:17:17.680 --> 0:17:20.639
<v Speaker 1>She wrote, um, the one book, and she worked on

0:17:20.760 --> 0:17:22.560
<v Speaker 1>a second for a while called The Long Good Vibe,

0:17:22.640 --> 0:17:24.960
<v Speaker 1>but shelved it. Then in the nineteen eighties, she started

0:17:25.000 --> 0:17:28.080
<v Speaker 1>another book and never finished that one either, And I

0:17:28.119 --> 0:17:32.199
<v Speaker 1>guess she just procrastinated. I think she just I don't know.

0:17:32.880 --> 0:17:34.679
<v Speaker 1>I don't know if anyone has an answer why she

0:17:34.760 --> 0:17:39.160
<v Speaker 1>never wrote again. Same with the Sallenger, Yeah, Catching the Rye.

0:17:39.200 --> 0:17:41.439
<v Speaker 1>That was it, except he wrote short stories too, But

0:17:41.520 --> 0:17:44.359
<v Speaker 1>I mean, I think he never published another novel and

0:17:44.400 --> 0:17:48.280
<v Speaker 1>I will never know. And John Kennedy Toole, sure, Confederacy

0:17:48.480 --> 0:17:50.879
<v Speaker 1>dunce is, how often do you think about that book

0:17:52.119 --> 0:17:57.640
<v Speaker 1>just in your normal life? How? I don't know, Almost never? Maybe, yeah,

0:17:57.680 --> 0:17:59.439
<v Speaker 1>a couple of times a year, maybe when it's like

0:17:59.480 --> 0:18:03.360
<v Speaker 1>a movie be in the works that never happens. I

0:18:03.400 --> 0:18:07.919
<v Speaker 1>was thinking about that movie or that book yesterday and

0:18:07.960 --> 0:18:11.040
<v Speaker 1>I hadn't read this article yet. Have you read it? No? Yeah,

0:18:11.080 --> 0:18:13.040
<v Speaker 1>it's good. It's like I think a lot of people

0:18:13.080 --> 0:18:15.840
<v Speaker 1>have these expectations because it's known as his like genius

0:18:15.840 --> 0:18:18.960
<v Speaker 1>work after this guy committed suicide, and it is really good.

0:18:19.600 --> 0:18:21.920
<v Speaker 1>But um, I don't think it's like one of the

0:18:21.960 --> 0:18:24.359
<v Speaker 1>greatest books of all time or anything. Yeah, so what

0:18:24.400 --> 0:18:27.119
<v Speaker 1>happened to him? Do you know? No? I I just

0:18:27.520 --> 0:18:29.399
<v Speaker 1>I've never read the book. I don't know much about it.

0:18:29.440 --> 0:18:32.080
<v Speaker 1>I know it's kind of like a wacky Southern gothic Yeah, yeah,

0:18:32.240 --> 0:18:35.000
<v Speaker 1>um kind of novel he lived with his aunts, I think,

0:18:35.080 --> 0:18:37.920
<v Speaker 1>or something like yeah, this crazy character in Louisiana that

0:18:38.400 --> 0:18:41.320
<v Speaker 1>it's always grabbed my attention because it's just like a

0:18:41.400 --> 0:18:44.800
<v Speaker 1>perfect title. And then the guy's name is perfect as well,

0:18:45.200 --> 0:18:48.760
<v Speaker 1>John Kennedy tool yea or the character his the author

0:18:48.880 --> 0:18:53.040
<v Speaker 1>got you, well, he killed himself. He was clearly now

0:18:53.240 --> 0:18:56.639
<v Speaker 1>suffered some sort of mental illness and um, could not

0:18:56.720 --> 0:19:01.880
<v Speaker 1>get published and that drove him to eventually commits suicide

0:19:01.880 --> 0:19:04.479
<v Speaker 1>in nineteen nine. And then his mother made it her

0:19:04.520 --> 0:19:08.359
<v Speaker 1>life's work to get it published and did so. And

0:19:08.400 --> 0:19:10.639
<v Speaker 1>then his second book was published in the On Bible

0:19:10.640 --> 0:19:12.680
<v Speaker 1>I think in six and that was made to a movie.

0:19:12.960 --> 0:19:16.280
<v Speaker 1>So he's not a one hit wonder then, well Neon

0:19:16.320 --> 0:19:20.120
<v Speaker 1>Bible wasn't a huge hit, but but yeah, I would

0:19:20.119 --> 0:19:22.960
<v Speaker 1>say he's a one hit wonder. Um. And you also

0:19:23.000 --> 0:19:27.080
<v Speaker 1>bring up movies too, man. Yeah, and on books again.

0:19:27.160 --> 0:19:29.520
<v Speaker 1>Sylvia Plath is on here for the bell Jar. I

0:19:29.600 --> 0:19:31.080
<v Speaker 1>kind of wish I hadn't put that in here because

0:19:31.119 --> 0:19:33.400
<v Speaker 1>she was a well known poet. That's why I hadn't

0:19:33.440 --> 0:19:36.280
<v Speaker 1>mentioned it, you know. But she did write the one book,

0:19:36.520 --> 0:19:38.359
<v Speaker 1>and then would she do stick her head in the

0:19:38.359 --> 0:19:40.920
<v Speaker 1>oven or something. I don't know how she killed herself.

0:19:41.000 --> 0:19:44.960
<v Speaker 1>I think Virginia Wolf drowned herself, right, Sylvia Plath on

0:19:45.119 --> 0:19:48.560
<v Speaker 1>herself on herself? I think did she? That sounds right.

0:19:49.080 --> 0:19:52.480
<v Speaker 1>I remember that scene in Wonder Boys where Toby McGuire

0:19:52.560 --> 0:19:55.760
<v Speaker 1>rattles off the famous celebrity suicides. It was really great.

0:19:55.800 --> 0:19:59.240
<v Speaker 1>That was a great movie. Joseph Heller with Catch twenty two. Yeah,

0:19:59.320 --> 0:20:04.040
<v Speaker 1>that's certainly a one hit wonder um. So yeah, movies, um,

0:20:04.080 --> 0:20:07.840
<v Speaker 1>I mean there more directors and actors that you could

0:20:07.880 --> 0:20:12.320
<v Speaker 1>even mention that had one hit, but legit super super hits,

0:20:12.359 --> 0:20:16.400
<v Speaker 1>people like Michael is it Chimino or Samino? Samino? I think,

0:20:16.720 --> 0:20:19.240
<v Speaker 1>although if it's if you're speaking in the Italian, it

0:20:19.240 --> 0:20:23.280
<v Speaker 1>would be Chimino. Uh. He did The Deer Hunter, of course,

0:20:23.800 --> 0:20:28.040
<v Speaker 1>one Best Picture in four other Academy Awards. Did he? Huh?

0:20:28.119 --> 0:20:31.160
<v Speaker 1>Did he? Mal? That's what they tell him when they're

0:20:31.200 --> 0:20:33.960
<v Speaker 1>like making them play Russian Roulette? Did he? Yeah, except

0:20:34.000 --> 0:20:37.000
<v Speaker 1>they probably scream it. Yeah. Yeah, that scene was so intent.

0:20:38.119 --> 0:20:40.920
<v Speaker 1>I saw that very young, really young to be seeing

0:20:40.920 --> 0:20:44.480
<v Speaker 1>that movie in retrospect it made an impression on you. Yeah, huge?

0:20:44.920 --> 0:20:49.960
<v Speaker 1>Um but yeah. He famously made Heaven's Gate Um as

0:20:49.960 --> 0:20:53.160
<v Speaker 1>his follow up, which was one of the notorious disasters

0:20:53.640 --> 0:20:57.760
<v Speaker 1>along with Ishtar. Was it like water World Skate Warren

0:20:57.800 --> 0:21:01.639
<v Speaker 1>Baby movie too? Or is that Heven Can Wait? He

0:21:01.760 --> 0:21:04.200
<v Speaker 1>was in Heaven Ken Waite and his Star, So what

0:21:04.320 --> 0:21:07.159
<v Speaker 1>about Heavens? What was that about? Yeah? I think it

0:21:07.240 --> 0:21:11.240
<v Speaker 1>was a western if I'm not mistaken. Yeah, and it

0:21:11.359 --> 0:21:14.080
<v Speaker 1>was just a notorious failure and a very expensive one.

0:21:14.640 --> 0:21:17.080
<v Speaker 1>And then Tomino never He made a few other movies,

0:21:17.200 --> 0:21:19.600
<v Speaker 1>but you haven't heard of many of them. He did

0:21:19.720 --> 0:21:22.240
<v Speaker 1>Year of the Dragon was like with Mickey Rourke, which

0:21:22.320 --> 0:21:24.800
<v Speaker 1>the only other like notable movie that was supposed to

0:21:24.800 --> 0:21:26.560
<v Speaker 1>be a good one. Yeah, but it was far from

0:21:26.600 --> 0:21:30.040
<v Speaker 1>a hit, you know what I'm saying. And then my favorite, uh,

0:21:30.800 --> 0:21:33.800
<v Speaker 1>Steve Gordon one of my favorite movies of all time.

0:21:34.000 --> 0:21:36.560
<v Speaker 1>I have not seen it. You didn't see Arthur. Not

0:21:36.720 --> 0:21:39.160
<v Speaker 1>only have I not seen the original Arthur, I haven't

0:21:39.160 --> 0:21:42.639
<v Speaker 1>seen the remake that includes our friend Hodgeman as a

0:21:42.680 --> 0:21:45.360
<v Speaker 1>candy store manager believer. That was terrible, by the way,

0:21:45.640 --> 0:21:49.040
<v Speaker 1>not Hosman's bit, not Hodgement was great, but the remake

0:21:49.160 --> 0:21:52.400
<v Speaker 1>was really bad, and it was so sad because Arthur

0:21:53.040 --> 0:21:55.160
<v Speaker 1>is one of the movies that I hold very very

0:21:55.240 --> 0:21:58.639
<v Speaker 1>dear to me. And Steve Gordon wrote and directed it

0:21:58.720 --> 0:22:00.720
<v Speaker 1>and then died after when it was the only movie

0:22:00.760 --> 0:22:03.080
<v Speaker 1>he ever made by his own hand. No, I think

0:22:03.119 --> 0:22:05.680
<v Speaker 1>he had a heart attack or something and died young

0:22:06.280 --> 0:22:10.040
<v Speaker 1>but young ish. Uh. And it was just so like

0:22:10.960 --> 0:22:14.960
<v Speaker 1>it was a gut wrenching experience watching the remake for me.

0:22:15.359 --> 0:22:17.600
<v Speaker 1>Why did you watch it? Like, for example, I think

0:22:17.680 --> 0:22:19.880
<v Speaker 1>Red Dawn is one of my favorite movies of all time.

0:22:20.000 --> 0:22:21.760
<v Speaker 1>There's not a chance that I will ever see the

0:22:21.840 --> 0:22:23.760
<v Speaker 1>remake of Red Dawn. Well, I'm not either, And I

0:22:23.880 --> 0:22:27.520
<v Speaker 1>learned after Arthur. So yeah, so that's the one that

0:22:27.600 --> 0:22:29.879
<v Speaker 1>taught you the lesson. Yeah, I'm not gonna watch anything

0:22:29.960 --> 0:22:32.680
<v Speaker 1>that was really precious to me if they rebooted or

0:22:32.720 --> 0:22:35.760
<v Speaker 1>remake it again. Never again. It sounds like Hodgeman tell

0:22:35.800 --> 0:22:37.880
<v Speaker 1>you a valuable lesson. Yeah. And I like Russell Brand,

0:22:37.960 --> 0:22:40.120
<v Speaker 1>you know, and I thought, you know, they made Helen

0:22:40.200 --> 0:22:43.480
<v Speaker 1>Mirre and John Gielgood's character and was just enough of

0:22:43.560 --> 0:22:45.520
<v Speaker 1>a spin and I was like, well, that's could be interesting.

0:22:46.200 --> 0:22:49.240
<v Speaker 1>But then everything about the movie was just some new

0:22:49.359 --> 0:22:54.040
<v Speaker 1>little spin to make it different. And it was like, hey,

0:22:54.119 --> 0:22:56.879
<v Speaker 1>let's make the man a woman. Let's make the the

0:22:56.960 --> 0:23:00.480
<v Speaker 1>white guy Puerto Rican, you know, and it was like

0:23:00.560 --> 0:23:05.240
<v Speaker 1>Louis Guzman. It was just it was bad, so bad.

0:23:05.440 --> 0:23:10.399
<v Speaker 1>I got you. Yeah, Well that's it for Arthur. Yeah. Um,

0:23:10.680 --> 0:23:12.760
<v Speaker 1>if you want to learn more about Arthur, you can

0:23:12.920 --> 0:23:15.119
<v Speaker 1>type that word in this search part. Isn't that what

0:23:15.240 --> 0:23:18.800
<v Speaker 1>this podcast is about? I forgot it? Arthur One hit wonders,

0:23:18.840 --> 0:23:20.920
<v Speaker 1>study more. That's what it was. You should read this

0:23:21.080 --> 0:23:23.119
<v Speaker 1>article by Chuck. It's a good one. Um. You can

0:23:23.160 --> 0:23:26.240
<v Speaker 1>type one hit wonders in the search bar how stuff

0:23:26.240 --> 0:23:30.080
<v Speaker 1>works dot Com and it will bring up this article again. Uh,

0:23:30.520 --> 0:23:34.240
<v Speaker 1>commendable article. Thanks uh and I said commendable. So it's

0:23:34.280 --> 0:23:42.760
<v Speaker 1>time for word from our sponsor. Just starts so much star.

0:23:59.119 --> 0:24:03.080
<v Speaker 1>Now it's time for listening her mail Josh, I'm gonna

0:24:03.119 --> 0:24:05.200
<v Speaker 1>call this. Uh, We're gonna give this guy's wife a

0:24:05.240 --> 0:24:09.679
<v Speaker 1>tongue of my shoe. Oh jeez, what you do you'll see? Uh.

0:24:09.760 --> 0:24:12.760
<v Speaker 1>Dudes have been an avid listener since shortly after its inception.

0:24:12.880 --> 0:24:15.120
<v Speaker 1>I'm a huge fan, especially enjoy listening to it while

0:24:15.160 --> 0:24:17.800
<v Speaker 1>I'm stressed out. That always assumes the my nerves tack

0:24:17.840 --> 0:24:20.520
<v Speaker 1>her your banter. Over the years, I've tried to convince

0:24:20.600 --> 0:24:25.159
<v Speaker 1>my now wife Elizabeth to listen. Unfortunately, she's always insists

0:24:25.200 --> 0:24:28.920
<v Speaker 1>that you two are stoners and that you're ritty repartee

0:24:29.119 --> 0:24:32.680
<v Speaker 1>is contrived, that's so far off. She makes me change

0:24:32.720 --> 0:24:35.439
<v Speaker 1>over to this American life for radio lab great shows.

0:24:35.800 --> 0:24:38.359
<v Speaker 1>What's your podcast? I download to fill the time between

0:24:38.560 --> 0:24:41.840
<v Speaker 1>stuff you should know releases. I've repeatedly informed her that

0:24:42.000 --> 0:24:45.280
<v Speaker 1>you guys are not stoners. You've done frequent podcasts on

0:24:45.320 --> 0:24:49.119
<v Speaker 1>the ill effects of drugs, and this is not convinced her.

0:24:49.200 --> 0:24:52.680
<v Speaker 1>Still listen within me. When you read letters during listener

0:24:52.760 --> 0:24:56.000
<v Speaker 1>mail about couples who enjoy listening together, that's so sad.

0:24:57.080 --> 0:24:59.520
<v Speaker 1>If I'm not mistaken, one pair even became engaged during

0:24:59.560 --> 0:25:02.560
<v Speaker 1>a listener mail segment. Yeah, we don't know about that yet.

0:25:02.880 --> 0:25:06.359
<v Speaker 1>I'm not vouching for that. Um. It recently struck me

0:25:06.520 --> 0:25:09.000
<v Speaker 1>that perhaps if you were to give Elizabeth a shout

0:25:09.040 --> 0:25:11.119
<v Speaker 1>out at the end of the show, she might be

0:25:11.160 --> 0:25:13.680
<v Speaker 1>impressed enough to become a fan as well. You could

0:25:13.680 --> 0:25:16.000
<v Speaker 1>say hi to Elizabeth at the end of the show.

0:25:16.160 --> 0:25:20.080
<v Speaker 1>You'd be contributing to my marital bliss. So wait a second, way, second,

0:25:20.800 --> 0:25:23.840
<v Speaker 1>you realize what's going on here. We're being manipulated, Yeah,

0:25:24.080 --> 0:25:27.520
<v Speaker 1>to to say hey to somebody who doesn't even like us.

0:25:27.800 --> 0:25:30.400
<v Speaker 1>I know, I feel like there should be some money

0:25:30.480 --> 0:25:33.000
<v Speaker 1>exchange for this. Well, no, I feel instead of saying

0:25:33.040 --> 0:25:34.920
<v Speaker 1>hi to Elizabeth, she needs to get a tongue lashing

0:25:35.160 --> 0:25:41.960
<v Speaker 1>for these baseless accusations of us sitting around like in

0:25:42.040 --> 0:25:46.200
<v Speaker 1>a garage, smoking marijuana, woking marijuana and just like talking. Yeah,

0:25:46.359 --> 0:25:49.359
<v Speaker 1>that's b s. That's someone who's never listened to the show.

0:25:49.480 --> 0:25:51.920
<v Speaker 1>We have banter. We might go off on tangents and

0:25:52.000 --> 0:25:54.560
<v Speaker 1>we might say like five million times in a sentence,

0:25:54.800 --> 0:25:58.040
<v Speaker 1>but we're not sitting around smoking weed just rambling. Yeah,

0:25:58.080 --> 0:26:00.200
<v Speaker 1>we're just relaxed. A lot of work goes into the show.

0:26:01.760 --> 0:26:06.879
<v Speaker 1>So Elizabeth mellow out, dude, Yeah, seriously, maybe you need

0:26:06.960 --> 0:26:13.520
<v Speaker 1>to go in the garage. Not maybe. So Anyway, this

0:26:13.600 --> 0:26:16.200
<v Speaker 1>guy's a neurologist and he said the alien hand syndrome

0:26:16.440 --> 0:26:20.560
<v Speaker 1>part struck close to his heart. Awesome and devon. If

0:26:20.640 --> 0:26:23.240
<v Speaker 1>this doesn't do it, then Elizabeth, you can just go

0:26:23.440 --> 0:26:25.680
<v Speaker 1>listen to this American Life and Radio. Let her hang

0:26:25.720 --> 0:26:27.880
<v Speaker 1>out with ire A Glass, and I'm sorry for your

0:26:27.880 --> 0:26:30.800
<v Speaker 1>marriage because it is clearly clearly headed in the wrong direction.

0:26:30.880 --> 0:26:33.800
<v Speaker 1>I think we had her until just that last things

0:26:33.920 --> 0:26:37.679
<v Speaker 1>right there. No, she's great on Churchill partial to man Um.

0:26:37.840 --> 0:26:40.880
<v Speaker 1>We'll find out. Let us know, Devon, will you if

0:26:40.920 --> 0:26:44.840
<v Speaker 1>you want us to say something specific to somebody you know? Um,

0:26:45.520 --> 0:26:47.720
<v Speaker 1>we very well might do it if you ask it.

0:26:47.840 --> 0:26:51.320
<v Speaker 1>Might we have before? Um. You can tweet to us

0:26:51.440 --> 0:26:53.959
<v Speaker 1>at s Y s K podcast. You can join us

0:26:53.960 --> 0:26:55.879
<v Speaker 1>on Facebook dot com so list Stuff you Should Know.

0:26:56.320 --> 0:26:58.720
<v Speaker 1>You can send us an email to Stuff Podcasts at

0:26:58.760 --> 0:27:01.359
<v Speaker 1>Discovery dot com. End you can always find us at

0:27:01.400 --> 0:27:04.760
<v Speaker 1>our home on the Internet, Stuff you Should Know dot com.

0:27:10.119 --> 0:27:12.640
<v Speaker 1>For more on this and thousands of other topics, visit

0:27:12.720 --> 0:27:19.639
<v Speaker 1>how Stuff Works dot com. H